Category Archives: Pitches

calls for pitches

KCRW seeks pitches for various shows

KCRW's Independent Producer project wants YOUR ideas. Thanks @ryankailath for the heads up! -Mia

KCRW’s Independent Producer Project is looking for independent contributors to pitch stories to the following KCRW programs:   

KCRW is seeking timely pieces running from 4 to 8 minutes in length for local broadcasts ofMorning Edition and All Things Considered. Ideal pitches will add depth and insight to a relevant topic of local or national importance. Topics may include local or statewide politics, technology, healthcare, education, poverty, drought, environment, business, immigration and entertainment.

KCRW’s Which Way, LA?, hosted by Warren Olney, is seeking topical pitches for stories from 5 to 7 minutes in length for its daily public affairs show, which explores issues affecting Southern California. Stories should be hard-hitting and rooted in comprehensive reporting. Topics may include city and state-wide politics, drought, transportation, trends in demographic shifts, policy and big real estate developments. Stories that have national implications but roots in California are encouraged.

KCRW’s The Business hosted by Kim Masters is seeking both narrated and non-narrated features from 4 to 10 minutes in length for its weekly broadcast and podcast about the ‘business’ side of show business. Looking for offbeat stories from inside the entertainment industry. Topics might include the intersection of entertainment and technology, changing consumption habits, stories from below the line, and stories about creative approaches to the challenges of funding and distribution.

KCRW’s DnA, hosted by Frances Anderton is seeking audio and video pieces of various lengths for its twice monthly broadcast and podcast. Ideal segments will take a unique approach to exploring issues of importance in our designed world. Broad themes include mobility, community and transportation. DnA also seeks producers who are located near national and international design events (Mexico City Design Week, New York Fashion Week, Venice Biennale etc.) and can provide coverage.

KCRW’s Good Food, Evan Kleiman’s weekly hour-long show about food, culture, and the politics of consumption, is seeking pieces from 4 to 12 minutes in length for upcoming broadcast. Stories should not be restaurant reviews or trend pieces. Using rich scene tape and colorful character, stories should reveal something about our own selves through the experience of food. Stories written using a specific voice and point of view are encouraged. Stories that explore emerging communities in Los Angeles through food is encouraged.

KCRW’s UnFictional is seeking documentaries and personal stories running anywhere from 5 to 25 minutes in length. Ideal pitches will contain a strong narrative or forward momentum. UnFictional loves to explore corners of America and the world where a seemingly tiny story may prove to have big stakes. Even better are pieces with an unexpected twist that may provoke or possibly even disturb. You can listen to past episodes of the program to get a sense of the show’s tone.

To submit your pitch, go to www.kcrw.com/ipp and click ‘Pitch a Story.’ Feel free to email ipp@kcrw.org with any questions.

BackStory call for pitches

BackStory is now accepting pitches for the following shows (dates in parentheses are dates by which all tape would be due):

Islands (3/14): On this episode, the Guys will journey in search of islands — material and metaphysical — that have played notable roles in the course of American history. We need: stories from actual islands themselves! We’re specifically after pitches (of historical stories, of course) from freelancers on location on an island.

Trash (3/11): On this episode, we’re doing a social/cultural history of trash in America. It’s pegged to the idea of “spring cleaning,” so we’re probably not looking for stories about human waste or public health/sanitation (outside of garbage collection). We’re asking questions like: how have Americans defined and redefined trash? When did landfills begin? How does trash become historic material? Is recycling really a ‘new’ phenomenon?

Revivalism (3/25): Focusing on dramatic upsurges of religious energy, this episode will explore the persistence of revivalism — from the “Great Awakening” of the early 18th Century, to the rise of the religious right just decades ago — considering how religious sentiment has expanded beyond the individual and spiritual to embrace civic and political concerns.

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

BackStory is especially interested in stories that get out of the studio — that is, site-specific and sound-rich stories from around the country. Include what, if any, sources you would use in your story and how you would produce them. Give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. Three to 10 minutes in length is ideal.

Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within a week of receiving your pitch.

The Litography Project launches and seeks YOUR multimedia pitches

Awesome new project has just launched! Details and call for pitches below. -Mia

I wanted to let you know on behalf of all of us at The Litography Project that our new multimedia storytelling website launched today, and we’re accepting pitches! So check it out and send some ideas our way: www.thelitographyproject.com

Who are we? The Litography Project is a non-profit arts organization dedicated to mapping the past and future of literature in the Bay Area. The project is primarily an online site featuring a map populated with audio and visual stories that capture the innovation and diversity of all literary forms in the Bay Area – and that’s where you come in.

We’re looking for stories that tie literature to something bigger. For example, some of our first stories are:

– A tour of the changing Mission District with past poet laureate Alejandro Murgia.
– Poems of the Occupy protests in Oakland and Berkeley.
– The letters of Adolph Sutro, namesake of many local landmarks
– The story of the last book bindery in San Francisco.

Have an idea? Send us a pitch! We are open to discussing an array of creative approaches to capturing literature thorough audio.

We pay $400 for audio pieces, $150 for written and $150 for visual.

Thanks!

 

Claire Mullen

 


freelancecafe.org
facebook.com/freelancecafe
@freelancecafe

Snap Judgment Upcoming Themes February 2015

Pitch Snap Judgment! Email ideas to pitches@snapjudgment.org. Details below.
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Hi Snappers,

It's been a while since our last themes list, but this year we're
going to try something a little different.  Instead of a long list of
themes once every four months, we're going to be sending out a
shorter list once every 1.5 – 2 months.

As always, pitch us an audio movie from the point of view of someone
facing a unique struggle with a thought-provoking (or just plain
entertaining) resolution.

And, as always, no profiles or topical stories.  Of course, we
welcome stories with interesting characters and interesting topics,
but we also need a plot driving the narrative forward.  Ideally, the
story should be told mostly by the main character.

This round's themes may seem serious at first blush, but we welcome
any and all silly twists.

Lord of the Flies

A story in which any group of people (adults, kids, dogs) find
themselves stuck together for whatever reason and things go south.
Think classrooms, summer camps, business conferences, family
reunions, lifeboats, and — yes — deserted islands.

The Peerage

Stories that take place in (or on the periphery of) an elite circle.
The House of Lords, Skull & Bones, the first 50 Google employees, the
cool clique at school.   Stories about being inducted (or kicked out
of) of a special world. Stories about people who think they're
special and learn that they're not, or vice-versa.  Stories of people
who want in … or out.

The River

Stories involving … well … rivers, both literal and metaphoric.
The Ganges, the Mississippi, the Nile, the Styx. A journey down a
river not knowing where it goes, or up in search of a mysterious
source.  A life lived on the bank of a river watching it change.
Some kind of bridge or treacherous crossing in life's journey.  The
metaphors go on and on…

Any Really Good Story

Remember, the themes are there just to get your mind churning.  If
you have a good story that doesn't fit one of these themes (or even
fits a theme that already aired!), we're going to help you produce it
anyways, because we want it on our show ASAP.

Latino USA call for pitches

Pitch Latino USA!

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Buenos dias, AIR:

Below is a list of new show themes coming up on Latino USA over the next few months.

Please pitch your ideas directly to: pitches@futuromediagroup.org.

Your pitch should include the main story arc, brief context and an idea of the characters, scenes and ambi you envision for the piece.

If you’re pitching for the first time, please tell us a little about yourself and include a couple of samples of your audio work.

Features generally run 4-7 minutes and pay $125 a minute, with any expenses negotiated in advance.

Thank you!

Leda

 

Leda Hartman

Editor, NPR’s Latino USA

919-542-0008

ledahart@mindspring.com

www.latinousa.org

 

Abuelos (Grandparents):
Stories about older Latinas and Latinos, our relationships with them, and the things we learn from them. Also welcome are stories about surprises in family histories, coverage of elder healthcare, and elders who live unusual lifestyles (for example, re-entering society after being incarcerated, serving as figurative grandparents, etc.).

Reading:
Highlighting Latin@ literature for people of all ages, but also including stories about perception and misperception.

Censored:
Stories about being gagged, muzzled or pressured about what to say or not to say. We also want to look at how ethnic media in the US are sometimes censored or edited in ways mainstream or white media is not. And we’re interested in stories about the relative dangers of being a journalist or writer in a Latin American country.

I Woke Up Like This:
Stories about confidence (or the lack of it), including shyness in schools, stage fright or brilliance, and learning to deal with issues like identity and mental health.

Crazy in Love:
We love love stories. ‘Nuf said.

In/Flux:
Playing with words: we hear about an “influx” of immigrants all the time; our identity as a country is in flux, and other stories about transitional periods.

The Transportation Show:
Stories about cars, planes, trains, and getting around (figurative “getting around” is all right, too).

IF YOU LIVE IN CALIFORNIA, PLEASE READ THIS:

We’re looking especially at rural communities in California and issues related to their health, as well as water scarcity and how Latinos are dealing with it. We’re also searching for stories that help us make links when it comes to the “school to prison pipeline”—all the way from being suspended, lacking job skills and dropping out of school, to the lives of prisoners themselves and how they came to be where they are. We also want to examine who stands to profit when people are incarcerated.

Destination DIY accepting pitches!

Destination DIY is going full steam ahead with monthly podcast episodes and we are currently accepting pitches. Below are our pitch guidelines. Questions? Hit me up at julie@destinationdiy.org
Thanks!
Julie

DDIY PITCH GUIDELINES:

Destination DIY is a monthly podcast and each episode focused on one particular story. If you are not familiar with Destination DIY, we encourage you to take a listen to some of the stories on our SoundCloud feed:https://soundcloud.com/destinationdiy In short, we are not a how-to show and our definition of DIY is intentionally very broad. We are most interested in good talkers and surprising stories about people who are taking on interesting projects without the help of a large institution of some kind. Even if the project itself does not seem fascinating, if there’s a great character behind it, it could be a good fit for us. We are looking for features of about 10-12 minutes in length, but can be flexible, especially with the podcast format. Our goal is to have a piece ready by the 10th of each month. We generally try to keep our stories “evergreen,” but if there’s a specific peg for your pitch, please let us know.

Payment: Destination DIY pays a flat fee for each piece – between $200 and $500 based on the length and complexity of the production as well as the skill level of the producer. Payment is negotiated on a case-by-case basis.

Submission guidelines: Please email pitches to info@destinationdiy.org with the word "pitch" in the subject line. Write up a short description of your ideas and who you plan to include in your piece. NO ATTACHMENTS PLEASE. Please let us know what kind of audio equipment and software you will be using and if you haven’t worked with us before, please provide links to your past work and at least 2 references.

More details on our process: Destination DIY will create the final mix for all the pieces. You will be expected to provide a rough mix along with your actualities, narration, room tone, and ambient sound as well as a final script and raw audio when necessary. If your pitch is accepted, please be prepared to submit a script and scratch track for editing before submitting any final audio. Our editing process usually involves a couple of script and scratch track edits. Independent producers retain all the rights to their work and are free to post it anywhere or pitch it to other outlets. We respectfully ask that you wait until it’s been released on the Destination DIY podcast.

Host, producer and creator of Destination DIY
http://destinationdiy.org
Twitter: @DIYgirl
Facebook: http://facebook.com/DestinationDIY

Radio Ambulante Call for Pitches

The fantastic Radio Ambulante is looking for stories. Details HERE and below. They'll also be hosting a Google Hangout to talk about their production process, the kinds of stories they're looking for, etc., this Thursday, December 4 at 9am PST/noon EST. The conversation will be in Spanish, and they'll be taking questions. Here's the link if you want to join. Spread the word to your producer friends in Latin America!

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Radio Ambulante is looking for stories! The call for pitches will be open from December 1 until January 15.

We are looking for stories from anywhere Spanish is spoken but we’re particularly interested in stories from countries we haven’t covered before, including Bolivia, Nicaragua, Guatemala, Costa Rica, Paraguay, El Salvador, and Ecuador. If you have a great story from Brazil that can be told in Spanish, we’re definitely interested.

The process is as follows:

We’ll read every pitch, and if we’re interested we’ll be in touch with further questions. When writing us, make sure you tell us in detail what the story is about, who the main characters are, what the arc of the story is.

Keep in mind we’re interested in well-developed stories, not general themes. The more specific you are, the more likely we are to accept your proposal. Something has to happen in your story. If nothing happens, then it isn’t right for us. Details are good for us when pitching a story… Imagine that you are telling this story to your friends: any dramatic thing or funny or interesting you have to include, because you want to entertain them… We want to know that you understand what makes the story a good one, so use all the dramatic elements in your pitch that you are thinking in using in the story.

If you’ve already done the interviews and have tape ready, choose a few short clips and attach those as well. Tell us who you are, your experience in journalism, and what kind of recording equipment you’re using.

We ask that all our audio to be recorded in .wav, .pcm or .aiff, at 44.1 khz with 16-bit sampling.

To further explain the process of pitching a story for us we are having a Google Hangout on Thursday, December 4, 12:00 EST.

Send your pitch to cronicas@radioambulante.org

Thanks!

Radio Ambulante

BackStory Looking for Pitches

Just in time for the holiday season – BackStory wants your shopping stories. Details below. -Mia
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BackStory is looking for stories for an upcoming episode about the history of SHOPPING in America. The episode focuses on consumerism — not so much on marketing or advertising. We’re looking for stories about: the history of shopping practices, peddling, historical stories from behind the sales counter, stories about historical shopaholics, and especially stories and ideas from the early days of the republic. Also, you might suggest something about how shopping has been depicted in movies or literature.

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

The more concise your pitch, the better. Include what, if any, sources you would use in your story and how you would produce them. Also give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. In general, pieces run from three to ten minutes in length. Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within two weeks of receiving your pitch.

Cheers!

Kelly Jones
Associate Producer, BackStory
Virginia Foundation for the Humanities
(w) 434-243-2188
(c) 703-407-9131

Life of the Law is accepting story pitches for their new season, deadline Dec 5

Life of the Law wants your stories. Pitch deadline Dec 5. Contact info below.

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Life of the Law is looking for producers and investigative reporters with compelling human stories to tell about the law for our next season, April through July 2015.

Possible themes: food, immigration, social contracts, technology, morality, religion, theater, peer pressure, mistakes and rules.

We provide great editors, producers, and support, and pay $800-1000 when the story has published.

Life of the Law is distributed by American Public Media's Infinite Guest network of podcasts and PRX Public Radio Exchange, and is heard on public radio stations throughout the US.

The best way to know what we're looking for in a pitch is to listen to our podcasts. Please send your pitch by 12/5 to connect@lifeofthelaw.org. And thank you.

Nancy Mullane
Executive Producer

Radiolab Call for Stories

Happy Friday freelancers. Here's a call for pitches from Radiolab. Woot!

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Hey folks,

Jad here. Just want to let you guys know that Radiolab will be commissioning a lot of stories in the next year. So if you’ve got a great one, we’d like to hear it. No matter the topic.

We’re looking for stories. Not topics, not ideas, not scientific findings. We want a character who goes through a series of events that create emotional ups and down and transform them in some way. A couple things we think about when it comes to story hunting (and probably none of this will surprise you):

• It needs to be surprising. Really surprising. The story or the way you tell it or the thought at the end needs to feel like something we haven’t heard before.

• It should hopefully play out an idea, lend insight into some problem, or just raise a question.

• It should strike a balance between big thoughts and real human consequence. Or it should just be over-top joyful.

• It should ideally have an element of the universal that reflects on all of us in some way.

• You should have access to the voices that can tell it well. Show us that you can get inside the experience of the story.

You can throw anything at us, but in case it helps, here are some things we've been thinking about lately

Empathy…can it be engineered?
Punishment…can it be avoided?
Football…can it be less-violent or will that make it suck?
Courtrooms…just courtrooms.

And here are some open-ended phrases or words that we’re hoping might gather a crowd

born pregnant
fluke
memory hole
portals

We just like those words.

If any of this sparks a story idea please write us a few paragraphs and send it to radiolabpitches@gmail.com. Please put PITCH in the subject line. If we’re interested we’ll discuss it internally at a Friday pitch meeting and let you know within a month if we’d like to take next steps. If we’re not interested, we’ll let you know that too.

Thanks.