Choosing to Do Hard Things

How I Decided to Run a Marathon

Glennon Doyle and dozens of other wellness influencers tell us that we can do hard things. Humans are resilient creatures – we can create good habits and good support networks to help us survive all kinds of heartbreak and thrive in all kinds of circumstances. But recently I’ve been thinking a lot about choosing to do hard things – purposefully putting ourselves through mental and physical gauntlets that push our boundaries and stretch our sense of what we’re capable of.

Quitting my job at the end of last year was a hard choice. I had good reasons for it, and based on the events of the past week it was most definitely a good decision. (More on that in a future post.) But I left without a clear game plan. All I knew for sure was that I needed a big change.

I very quickly decided to pour all my energy into applying for a prestigious journalism fellowship that would take me and my whole family across the country for a year. I decided it was the perfect thing to create a buffer between my old work and my new work – whatever that might be. After making it through the first few rounds, I was feeling very confident… so confident, in fact, that we started looking into Bay Area schools for my kids. My fishing-obsessed older son was researching all the best fishing spots. My younger one was looking for local soccer teams. We spent hours brainstorming how we’d get out there, what route we’d take. I’d even taken photos of every room in our house in anticipation of posting them on sabbaticalhomes.com.

Being a practical producer type, of course I had a back up plan:

If I don’t get this fellowship I’m going to train for a marathon.

It was the biggest thing I could think of that I could do on my own. I didn’t say this out loud to anyone, not even my husband. I just held it in the back of my mind as another, different, big thing I could do with all this transitional, post-quitting energy. But of course I wouldn’t need it – I was getting this fellowship!

On April 27th I got this message from the fellowship:

Greetings! We are nearing the end of our selection process and wanted to let you know that we will be notifying you of your status between 9:00 a.m. and 2:00 p.m. Pacific Daylight Time on Monday, May 1, 2023. We will be calling you. Please respond to this email with the phone number where you can be reached at that time.

My husband was scheduled to have surgery in NYC on April 28th, so I knew I would be taking this call from the hospital. I told myself this was actually good timing. We’ll get this good news and we can kick off his recovery with more planning for our fellowship year in California. Exciting!

The days leading up to May 1st went so slowly. And when the day finally arrived, the time change meant that I wouldn’t get the call until anywhere between 12-5pm. I busied myself that morning with breakfast with one city friend and a walk with another one. I checked my phone obsessively. 12pm passed… 1pm… then 2pm.

Finally at 3pm, I got the call.

It was a no.


The rest of that day is a blur of phone calls and nurse visits. My husband was so out of it, he couldn’t really register the news. I went for another long walk. I took myself out for dinner and a movie. I barely slept that night. I woke up the next morning and wrote a journal entry simply titled “bad day.” I think I was in a bit of shock.

The next week is also a blur. We finally left the hospital on May 4th and I entered caretaker mode. This from my journal:

Wake up early, wake the kids, clean up dishes, make breakfast, get them to school, take Dave (husband) for a walk, take Coco (dog) for a walk, try to read the news, try to exercise, try to eat, try to take a shower, clean more dishes, do laundry, figure out what we’re having for dinner, try to work…

Most notably, I was trying to figure out what to do with my life without this fellowship – this thing I had spent the last four months obsessing over and planning around. And somewhere in there I remembered the marathon.


What was I thinking?? I didn’t hate running but I didn’t love it either. I had run on and off for years, and I could consistently run 3 miles (but no more.) In 2017 I trained for a half marathon and felt good about completing it but said I would never do it again. In 2019 I tore my hamstring (unrelated to running) and it took nearly two years to fully heal. Then, during COVID, I got the Peloton app, and while I mostly used it for yoga classes, I’d occasionally check out one of their outdoor runs. I had some friends and colleagues who were really into running and I would talk to them about it – curious if I could ever experience the joy and satisfaction they got from running. In the fall of 2022 I decided to try out a Peloton program called You Can Run Outdoors followed by Go the Distance: 5K. I ran a 5K and came in 2nd in my age group. That felt good! Then I quit my job and entered the long, uncertain winter and spring of 2023.


On May 7th, one week after my fellowship rejection, I started another Peloton program: Road to Your 26.2 Part 1. I didn’t set any specific goals other than starting the program. The longest run in that first week was just four miles so I felt pretty confident I could do it. I liked that the program told me exactly what to do each day. I didn’t have to think about it much, I just had to put on my sneakers and GO. And I liked that it took me away from all the caretaker responsibilities I had at home at that time.

I didn’t talk to anyone about what I was doing, not even my family. I didn’t want to make any promises I couldn’t keep. I just kept going out, day after day, and running the miles they told me to run. I finished Part 1 in mid June and was feeling pretty good. The last run in that program was 10 miles – close to the longest I had ever run (the half marathon). What would happen if I just kept going? My husband was doing much better. School was coming to an end and he’d be around to help with the house/kid stuff again. And I was starting to enjoy the weekend long runs – all that time to myself just putting one foot in front of the other. So I started Road to Your 26.2 Part 2.


It wasn’t until the end of Part 2 that I considered signing up for an actual marathon. I had recently run my longest run ever – 16 miles. (It was brutal. I hadn’t yet learned that you need to eat while you’re running. 🤷🏻‍♀️ But I was undeterred.) I got online and looked for marathons near me and found one that my sister-in-law, an 8(!)-time marathoner, had told me was good for beginners because it’s relatively flat. I calculated that I would need to fill in just one month of training on my own before starting the third and final Peloton program. So I kept running.

Without a program to follow my training was a little more haphazard. The first two miles were always (and still are) rough. The last two miles were worse (except for one time when I experienced my first – and so far only – runner’s high.) But I’d ultimately come to enjoy the routine of running most days – getting out before it got too hot, getting to know the country roads near my house at my slow pace (I once encountered a bear!), listening to hours and hours of audiobooks, switching to music when things got hard, feeling so glad when each run was finished. Food has never tasted so good.

Six weeks before the marathon, I started Road to Your 26.2 Part 3. I put in more miles than I ever thought I could. I learned that long runs go better if you meet friends along the way. I figured out my running fuel (fig newtons and chocolate covered macaroons). I bought new sneakers. And last week, after completing 20 miles, I got online again and signed up for the Mohawk Hudson River Marathon.

I’m gonna do this hard thing.

As the day approaches I’m feeling nervous (I mean excited! 🙃). I’m nervous about whatever surprising aches and pains will creep up along the way. I’m nervous about running with so many other people after months of training alone. But most of all, my anxiety/excitement stems from the feeling that this long period of transition is finally coming to an end. I’ve run through my husband’s recovery. I’ve run through the disappointment of not getting the fellowship. I’ve run through the conclusion of my first few freelance gigs and the beginning of some new ones. I’ve run through the second and third rounds of heart-breaking layoffs at my former company. The training has given me an outlet for all the nervous energy I’ve had around what I’m doing with my career. This hard thing has given me a goal, a sense of purpose and direction when everything else has felt so uncertain. It’s reminded me to just keep putting one foot in front of the other.

What will I do when the marathon is over?

It’s hard to imagine keeping up this training pace, especially as the days get shorter and colder and I feel the pull toward winter puzzles and TV marathons. It’ll be nice to get some hours back for doing… anything other than running. But this hard thing has helped me in so many ways, and I can’t help but think of what the next hard thing should be. I feel like we could all use something totally outside of the hard things we deal with on a day-to-day basis: with our families, with politics and the climate, with trying to make ends meet and doing something meaningful with our lives. The hard things we choose to do should exist outside of all that. They challenge our bodies and our minds in ways that are completely different from the daily grind.

And those chosen hard things put all the rest into perspective.


Have you run a marathon? Or done some other hard thing by choice? What was it? And what did you do when it was all over? Message me or leave a comment below.

Let’s talk about 💰

Money is generally considered a taboo topic – especially for women and especially in the workplace. So what I offer here is my 💸 history and my experience negotiating salary and fees over time.

Talking about money is uncomfortable and sensitive and awkward. I don’t like to do it and I have never been a good advocate for myself (though I’m trying to change that.) In this post I’m going to talk about it. And I’m going to get specific.

A few things to note: Even though I’ve hired lots of people and negotiated lots of salaries, I’m only going to talk about what I’ve earned. Also, I’m not going to talk about what I’m earning in my current freelance contracts. While I would like to see a lot more transparency around rates and salaries, it’s not my place to reveal anyone else’s financial business. But perhaps my past experience navigating the public media income landscape will help some of you.

There are some great resources already out there for this sort of thing. The best public resource I know of for navigating rates in public media is AIR’s Rate Guide. The AIR team has done extensive research to set the industry standard for all levels of production talent. I share this link with anyone who asks about public media rates, and I’ve been using it as a guide as I navigate my renewed freelance career.

I’ve also been sharing this tweet thread from Misha Euceph which clearly lays out the general misconceptions around podcast rates and tries to set the record straight. It’s a couple years old but it’s still relevant and I appreciate Misha’s righteous frustration. More people should talk about this openly.

There’s also a bunch of great media out there on this topic.

  • I’m pretty obsessed with Jonathan Menjivar’s new podcast – Classy.
  • Of course there’s the now classic Death, Sex, and Money with Anna Sale.
  • I love this book by Stacey Vanek-Smith – Machiavelli for Women. It’s filled with great storytelling and practical advice, especially for negotiating salaries.
  • I also loved this book by Stacey’s (and my) former colleague Jacob Goldstein – Money: The True Story of a Made-Up Thing.
  • Plus this newer podcast from Maya Lau – Other People’s Pockets which she calls “financial voyeurism.” Highly recommend.

I’m sure there are lots more. Leave your recommendations in comments.

I’m especially interested in the mindset different people bring to discussions about money. So before I get into the dollars and cents, I think it’s important to understand where I’m coming from financially. Here are the basics of my financial upbringing.


My mom’s parents were German Holocaust survivors who landed in Queens in the 1940s where my mom was born and raised. Her father made his career in the lumber business. Her mom sold Avon products for awhile but was mainly a housewife. My dad’s family emigrated from Eastern Europe to New York a generation earlier. His mom was a Kindergarten teacher and his dad was a photographer who died young. My parents both went to NYC public schools and met at SUNY Albany. I was born and raised not too far from there. My mom was a public school French teacher before she went into business with my dad. When that business went belly up, she went back to teaching. My dad did a bunch of things before landing in the insurance business. They shielded me from most of the details (and the drama) of family bankruptcy. (You can read that story here if you’re curious. It’s a pretty good one.) I still don’t totally know how they paid for me and my brother to go to pricey private colleges (with loans and work/study jobs, but still…). But once we were out of school, we were basically on our own financially. Bottom line – no trust fund here.


I’ve worked for as long as I can remember – first at my dad’s store, then babysitting, then at the Cinnabon at our local mall. Once I got onto a more career-oriented work path, I was driven to succeed, but I never had expectations of earning a lot of money. My parents taught me and my brother to “live within our means.” And perhaps related to that, I never developed expensive taste or dangerous shopping habits.

I paid my own way through grad school and dug my way out of student loan debt with a relatively high-paying non-journalism job in Silicon Valley. My initial offer there was $60K / year – far more than I’d ever earned before. And when they booted me after 3+ years I was making $80K. They had a generous raise policy. (You can read about my job loss history in my previous post.)

When I got back into journalism in 2007, I had to reset my expectations about what I could and should be earning. I decided to set my freelance hourly rate somewhere between $50-100 / hour depending on whether I was working for a for-profit or non-profit. And because of my Silicon Valley contacts, I was able to find a nice combination of both. One of the best things I achieved as a freelancer in that first year was to land a steady part-time role making a podcast for The Science History Institute called Distillations. (I know many of you worked with me on that show!) That became my anchor project and provided me a steady income for more than six years. I did a handful of other freelance projects during that time, but Distillations was my main source of income.

Note: I got married to a public school teacher in 2006 which came with the added benefit of stable health insurance. I can’t overstate how helpful that has been in navigating my freelance finances.

Between 2007 and 2014 I averaged about $30K / year. My best year was just under 70K. My worst year was just under 12K.

Late in 2014 I moved on from Distillations to take my first Executive Producer role. This was a full-time freelance contract, and I was paid $90K / year. I don’t remember how that rate was determined but it was obviously a huge step up for me and it didn’t occur to me to negotiate. That job turned out to be one of the most challenging of my career – not because of the content, but because of a truly terrible boss. After just over a year in that job I had had enough, and I left to seek other opportunities. The money had been good, but no amount of money would have made me stay in that situation, so I reentered the freelance market seeking a good team, not necessarily a good rate. The way it worked out, I got both.

My friend and colleague AC Valdez was working at Slate at the time and he recommended me to his colleague, Laura Mayer, who was seeking a lead producer for a top secret project with Panoply. (Spoiler: it was Revisionist History). I won the gig. And when it came time to talk money, I received a shock. They were offering me $12,500 / month to make this show. I have no idea how they came up with that fee. Maybe this was the start of the podcasting “dumb money” trend. It was far more than I ever expected to earn for podcast production. They did not have to twist my arm. I said yes, and for the first time in my life, I had more money than I knew what to do with. Don’t get me wrong – I worked for that fee. A lot. And I put a lot of it into savings because I knew it wouldn’t last – it was only a freelance contract after all.

The show turned out to be a big success, and when it came time for season two, the powers that be at Panoply offered me a full time job as a Managing Producer. I didn’t actually want a full time job. I liked freelancing and I was finally earning a good living. Plus I didn’t want to give up my autonomy. But I did want to make a second season of Revisionist. They offered me $90K / year. As a freelancer I was earning the equivalent of $150K / year. Granted, that was not a year-round salary and I had to take out taxes and expenses. But I could also do other work in the months I wasn’t working on Revisionist. I was still on my husband’s excellent health insurance plan and I wasn’t about to give that up. I had also been pretty good about putting money into a retirement plan. So all I was getting by joining the staff was the stability of full-time work (or so I thought). Luckily I had the wherewithal to negotiate up some. Remember I had been making 90K at my last executive producer gig two years earlier, and that was before I made a hit show for Panoply. I was also expected to manage people in this new gig. I ended up with 100K, and the flexibility to work from home most of the time.

In retrospect I’m pretty sure I could have negotiated harder – either to earn a higher salary or to remain as a freelancer. But I didn’t do that, and for the next 2+ years, I made two more very successful seasons of Revisionist, started learning how to be a manager (not easy!), and helped launch a bunch other shows. Don’t get me wrong – it was a good living. But when I next had the opportunity to really negotiate – I went for it.

That opportunity came in 2018. Panoply had laid off all its content makers, and very soon after that, our Revisionist History host called to ask me to join him on a new venture – what was to become Pushkin Industries. I was going to be employee #1, he said. And I would be helping build their production department from the ground up.

My first move was to call all the highest-level producers I knew (all women) and get a ballpark estimate of what they were making. This was awkward, but I wanted to do my research and I didn’t want to sell myself short. Everyone I spoke with graciously shared their salary range and appreciated the effort I was putting in to receive fair pay for this very big job. Then I took the highest number I received and added $25K. Because WHY NOT? I knew they wanted me – no needed me – for this job. And this was my one chance to ask for a big number. I did not get what I asked for, but I did get $200K – nearly double what I had been making before.

For the next four years, I received cost-of-living salary increases and generous bonuses, but I never asked for a raise and I never received one. Instead I put all my effort into trying to get raises for my staff. My salary when I left was $214K.


Now that I’m freelancing again, I’ve taken a massive pay cut. And it’s taking me a little while to reset my salary expectations back to where I was when I first started freelancing. On the one hand, I know I’m at the upper range of experience and I should command a reasonably high rate based on that. On the other hand, most of the clients I’m working with now are non-profit organizations and independents. Not to mention whatever weirdness is going on with the economy and the downward shift of the podcast industry in general. But as I do my fee negotiating, I’m trying to use the sum of what I’ve learned up to now.

Here are some things I’ve figured out:

  • Do your research: Go onto glassdoor. Study the AIR rate guide. Ask friends in similar positions what they’re making (maybe over drinks?). Try to get as much information as you can about the organization or client’s budget. Go into your negotiation feeling confident that you’ve done your homework.
  • You only have one chance to negotiate for the first time: Whatever you land on when you are first hired is pretty close to where you’ll stay, even with year-end raises. In my experience, it’s difficult to get substantial merit-based raises unless you threaten to leave for a competing offer. It’s not pretty, but it’s the truth.
  • Decide how much you want the gig: If you really want it, figure out your bare minimum for taking the job. Ask for more, but be ok settling for less. Be genuinely ok with it. It will never work to be in a job where you’re resentful that you’re not making more money. And don’t expect that you’ll be able to negotiate up later. Of course you should ask, but again, where you start is your only guarantee.
    • If you don’t really want it, ask for a lot of money! It’s ok to get paid for your troubles. And if you don’t get what you ask for (or close to it), walk away. There are lots of different reasons to take a job. Money can most certainly be one of them. But if you don’t really want it and you don’t make good money, that’s a bad combination.
  • You can negotiate for things other than $$: Take some time figuring out what you want to get out of this job, and then figure out if there might be some possible perks other than $$. Maybe a job will allow you to get a foot in the door with a person or organization you’ve been eyeing for a long time. Maybe it’ll allow you to try out a new skill. (When you’re new at something it will naturally take you longer to do it, so your rate will inevitably be lower. That’s ok!) Maybe your gig will allow you flexible work hours you can reserve for a personal project. If you can’t get to a rate you feel 100% good about, see if you can negotiate for fewer or more flexible hours. Or maybe you’ll have the opportunity to train on a new piece of equipment, or you’ll be able to take a reporting trip to a place you’ve always wanted to go. And with that flexible schedule you can take some time to do other projects or non-work-related things. Money is just one part of your calculation.
  • Get to know how long it takes you to do things: The only way to figure out a fair fee for any freelance job is to have a sense of how long that job will take you. It doesn’t matter whether you’re paid per word, per episode, per hour, day, week, or month. Maybe you’re a slow writer but you can figure out a production schedule in a matter of hours. Maybe you already have a lot of contacts in a given field so your research will go relatively quickly, but you’ve never done a narrative show before so you’ll have a bigger learning curve there. SPEND TIME asking lots of questions about the job, clarifying the expectations of the manager and other team members, and analyzing your own availability and skill level for this particular gig. Negotiate your rate based on what you figure out.
  • Business is business – it’s not personal: This is the hardest lesson I’ve had to learn. (In fact, I’m still learning it.) Managers or CEOs are not trying to underpay you or short change you. They are trying to run a business, and, in many cases, turn a profit. That means, often, they will pay you as little as they can get away with. This feels deeply unfair, but as much as I hate to admit it, it’s not evil. It’s just business. The best CEOs/managers/businesses will do their research and figure out fair rates and then exceed them in order to demonstrate how much they value their employees and their work. But the truth is, the only one who is really going to advocate for a fair rate for you is YOU. (Unless you’re part of a union, but that’s another post for another time.)

In the end, figure out what you want out of any given job. Figure out what you need to survive. Negotiate hard for what you know you deserve, but also know what you’re willing to (happily) take. Don’t be afraid to walk away if you can’t get there. And finally, know that each negotiation – and each job – for better or worse – will get you closer to where you want to be next time.

If you have advice or fee/salary stories to share, please leave a comment or drop me a line. I’d love to hear from you.

A case for being let go

I’ve been laid off (or straight up fired) four FIVE times. It’s always worked out for the best.


The first time I was fired I was 22 years old. I had recently graduated from college on the east coast and moved out to the Bay Area for big adventure and a change of scenery. I pretty quickly landed a job as an assistant to the executive director of Pocket Opera – a tiny non-profit theater company in San Francisco. My job was to answer phones, order supplies, maintain various databases, stuff envelopes, and, my favorite task, organize the costume closet. (I’m being 100% serious. I love organizing. I even made a side business for professional organizing back in the day.)

I remember one assignment that had me especially jazzed. I was to create a program for an upcoming performance using software I had never used before. I don’t remember if I admitted I had never used it before, but I do remember forging ahead, relishing in the opportunity to do something creative. I’m certain the program was awful. And I’m also pretty certain I was slacking on my other duties while getting lost in this much more interesting creative pursuit. 

The details here are a bit fuzzy, but around this time, the executive director called me into her office and told me to pack up my stuff and get out – immediately. She must have said some other stuff to me about why she was letting me go, but all I really remember is her saying that my final check would come in the mail within two weeks. There was no real discussion, no severance. Just LEAVE. As my dad would say –

“Don’t let the door hit you in the ass on your way out.” 

I was shocked and pretty devastated. I had always been a good student, even a teacher’s pet. I wasn’t someone who could get FIRED!? I gathered my things and left – and ran to call my parents (on a pay phone – ha!) to tell them about the injustice that had just been done to me. They were supportive, as they always are in a crisis, and assured me this was not the last job I would ever have. They told me it just wasn’t a good fit and that I would be ok. 

What followed was a year or so of temp work at various San Francisco offices until I landed a waitressing job at a new Italian restaurant in the Castro. I had never waitressed before, but I cobbled together a (mostly fake) resume saying that stocking shelves and helping out in the bakery at my parents’ fancy hometown supermarket was, in fact, a waitressing gig. They bought it. And after just a couple days of training, the restaurant opened and I took my first shifts. 

loved this job. It was social, the days (and nights) flew by, the schedule suited my night-owl tendencies. The chef cooked tasty family meals for the waitstaff before our shifts, the tips were great, and I adored my colleagues. And despite my lack of experience, I actually turned out to be a pretty good waitress. 

BUT, what I didn’t know at 23 years old was how volatile the restaurant industry is. The flood of excitement around the new restaurant started to wear off and patronage dwindled. The executive chef turned his attention to another restaurant he was opening and left the sous chefs to execute his dishes in his absence. (They weren’t as good.) The wait staff was let go one by one, until the only one left was the cousin of the owner. And that was not me. 

The difficulty of losing this job was different from the last time because it wasn’t only my bank account that was taking a hit – it was my social life. My colleagues had become good friends and we hung out together almost every night. But the only thing we really had in common was this job, so we quickly lost touch. I was sad and lonely, and I hadn’t saved up much money at all (mostly just wads of cash tips I stored in my dresser.) 

I went back to temping and eventually decided to apply to grad school, which provided a long stretch of stability (and a whole lot of debt.) 


The third time I was let go was in 2006. After getting my master’s degree and then struggling to find a foothold in public radio (I’ll share that story another time), I took a full-time job as an audio producer on the creative team at a Silicon Valley start up called Tellme Networks. It wasn’t journalistic by any means, but it paid well ($60K/year which to me was a fortune) and, like I said, I had a lot of debt. The first couple years were great. I saved a ton of money, paid off my debts, made a lot of new work friends, learned a whole new industry, got really fast at Pro-tools, and generally enjoyed getting to know this strange world of Silicon Valley startups. (Read this if you want to get a sense of what it was like.) But as time passed, I started to get antsy. 

Due to ongoing restructuring, my manager changed three times in a year – from the best boss I ever had, to a boss who didn’t want to be a boss, to a boss I straight up clashed with. (I get along with most people so this was notable.) I got tired of the CEO’s constant promises to go public and make us all rich, and the constant pivoting as the industry shifted, causing the powers-that-be to change their priorities. (Sound familiar?) I got tired of making products I didn’t use and didn’t care about. But how could I walk away from such a good salary? Instead I started to be a bad direct report.

I did my job, but I complained too much, I stopped being a team player, and I was, essentially, insubordinate with my manager. He would try (poorly) to communicate with me and get to the bottom of my dissatisfaction. He tried to find assignments for me that would both help the bottom line and hold my interest. None of it worked, and after three and half years, he fired me. 

I don’t remember the details of the conversation we had about it. I think he technically called it a layoff because I never had a bad review and I was the only female producer on the team and they wanted to avoid any hint of wrongdoing. I was given two weeks to clear out and two months of severance. I was a little surprised that they actually let me go, but I couldn’t really blame them under the circumstances. And once I had a chance to process what had happened, I recognized that they had released me from my golden handcuffs. 


The last time I was laid off was in 2018. I was part of a story you might have heard bits and pieces of in the hilarious (and true) podcast, Shameless Acquisition Target. Here’s the short version. The podcast company I was working for somewhat suddenly decided they no longer wanted to make podcasts. Instead they wanted to focus on podcast distribution and ad sales. So they laid off me and about 15 of my content-focused colleagues. There had been a lot of speculation after many business pivots and a general lack of clarity around the direction of the company. But it was still a shock. Again I don’t remember the details of our exit (this seems to be a pattern with me). I do remember very quickly being offered a new opportunity with what was to become Pushkin, and starting the whole process all over again. Another ride on the podcast industry roller coaster.


I admit that willingly exiting that Pushkin ride about six months ago was in part a desire to control my own destiny. I didn’t want my future to be determined by any boss other than myself, or to be at the whim of other people’s business decisions. But I also saw the writing on the wall. Not that I knew the layoffs would happen – I truly didn’t think they would. But I could see a repeating pattern, both at the company (a lack of clarity of vision, shifting and conflicting priorities, lots of closed-door meetings) and in myself (an awareness that I wasn’t doing my best work, an antsy feeling, a sense of exhaustion and ongoing frustration with things as they are, and a hopelessness that they’ll ever improve.) I felt a classic case of burnout. So I left, before they asked me to leave. 

Note: I left with the privilege of being on my husband’s health insurance… not to mention the privilege of being white and middle class.

Now, as I reflect on all the jobs I’ve left – or been asked to leave – I realize I don’t have a single regret. Each of these jobs served a specific purpose at a specific place and time. Each of them taught me something (often something about what I didn’t want). And each of them came to an end at exactly the right time, even if I didn’t realize it then. 

Of course I don’t want to make light of the very real and very scary loss of income and stability and health insurance and camaraderie and so many other things that come with losing a job, especially not by choice. I just want to offer up the possibility that in the grand scheme of things, it’s for the best. Businesses that do layoffs (especially big layoffs) have made big mistakes. They reek of tension and stress that permeates to the whole staff. If you’ve been laid off or fired, that organization doesn’t know how to use your talents. It’s Not. A. Good. Fit. And while I’ve had plenty of sleepless nights after losing a job when I felt like I’d never work again, that I’d somehow failed at my last great opportunity, I know in my heart that isn’t true. So I offer you this:

Maybe not today, or tomorrow, or next week – but you will, eventually, find a position where you are more valued, more respected, more appreciated, more included, possibly better paid, better treated, and ultimately happier. 

And in the meantime, hang in there. Take a walk. Call a friend. Make some cookies. Read for fun. I’m here if you want to chat. 

Leave a comment


More FC business. I’m working through figuring out the best channels to share various things. 

Substack feels best for essays and overly-long missives. I’ll try to make them useful. 

Twitter (ugh) feels best for sharing new opportunities and resources, mainly in the form of retweets but I’ll try to dig up some original material. 

The FC website mainly feels like an archive, though I’ll continue to log these posts there as well, and I’m thinking about how to organize a more static set of freelance/public media resources.

I haven’t yet touched the FC Facebook page… is anyone even still over there?

LinkedIn feels like a good place to engage, but I haven’t quite figured out how yet, beyond just sharing the existence of FC. I’ll keep working on it. 

As always I’m eager for your comments and feedback, and of course any resources or job opportunities you’d like to share. The Cafe only works if we’re in it together. ☕️

Grand Re-opening of Freelance Cafe

Well hello FC. It’s been a minute. It’s been nearly three years since I announced I was shutting down the newsletter. It’s been four + years since I posted here with any regularity. And it’s been nearly eight years since I last freelanced. A lot has changed since then.

There are two notable events that inspired me to get back into your feeds.

First, about six months ago, I left my full time job. I intended to freelance for short time and then go on a year-long fellowship. I was very confident in this plan… so confident, in fact, that after lining up one steady freelance gig and turning in my fellowship application, I didn’t pursue any other contracts or clients. I made it all the way to the last round of the fellowship process, and was ultimately rejected. Heartbreaker.

Second, the layoffs that have been happening across media hit very close to home this week. Pushkin Industries, a company I helped build, announced they were laying off 13 people – about 20% of the company. Many of them are people I recruited and worked with very closely. This is in addition to the six people who were laid off in January. It’s brutal. I had the luxury of leaving by choice, on my own terms. These colleagues didn’t, and my heart aches for them. They enter a shitty job market where so much of the public media industry is in turmoil. I want to support them. I don’t think any of them even know about this newsletter, but way back in 2007 when I started this, it served as a lifeline for me. It was a way to learn about potential opportunities and resources and share them with others… and a means to feel just a little bit more connected to the freelance community. I sincerely hope these colleagues find full time work as soon as humanly possible. I know many of them need health insurance and the other securities that come with traditional employment. And if you are a hiring manager and someone from Pushkin applies for your position. HIRE THEM, without hesitation. But in the meantime, I want to do my small part to help them and the many others who’ve lost their jobs recently, and I want to reengage with the many of you who’ve chosen the freelance life on purpose. I’ve missed you! I run into you from time to time and I always love reminiscing about the meetups at Pacific Coast Brewery in Oakland back in the day. And I’m again grateful for the loose online community that was my lifeline during those many years of contract work. I’m very happy to be back in touch.

A few bits of business to kick things off.

First, my website is a mess. When I tried to send this message earlier this week, I found the site completely corrupted and unusable. My dear freelancing friend Joey got it up and running for me. 🙏🙏 But the plugins and everything else about it are woefully out of date. I’m not even sure how/if this post will reach you without a direct link. (It used to automatically post to Twitter, Facebook, and email. There was no substack back then and I’m pretty sure that’s all broken now. I’ll work on it.)

Second, there are so many new (and not so new) brilliant resources for public media freelancers and I will do my best to boost those. My two favorites for audio have not changed: Airmedia.org and Transom.org. One new resource which consistently blows me away is this monthly newsletter created by London-based audio producer Talia Augustidis. It’s an amazing compilation and you should subscribe immediately.

Finally, I’m planning a media makers meet up in the Hudson Valley the first week in July and I’d love to see you if you’re in this area and would like to join. Reach out directly for details.

That’s it for now, FC. Stay tuned for website cleanup and other updates. If you’ve been laid off, I’m so very sorry for what you’re going through. If you know me and want to talk, I’m here. Please don’t hesitate to reach out. And if you know someone who could benefit from this newsletter, please share it. I’m happy to be back in your feeds.

shutting down the newsletter – but staying on the socials!

Hello FC! First – I want to thank you all for your many years of participation in and support of Freelance Cafe. This group was a lifeline to me when I first started freelancing more than a decade ago. Much has changed since I started this group in 2007… I had a kid, moved to upstate NY, had another kid, and, notably, took a full time job as a podcast producer. I'm now helping run Pushkin Industries with Malcolm Gladwell and Jacob Weisberg and a bunch of other talented folks. While I still feel passionately about supporting independents, I haven't been one for a few years now. The freelancecafe.org email account is coming up for renewal which is pushing me to the decision to end the newsletter. However, I will keep the twitter and facebook accounts up and running and I encourage all of you to post opportunities and resources there. This group has always been a collective effort and it will remain so for the foreseeable future. The freelancecafe.org site will also stay up – there just won't be any new posts.

Thank you again for the years of engagement and support.
Wishing you all the best,
Mia

Apply to the Signal to Noise Award!

Hey FC. Quickly dropping in to spread the word that the Signal to Noise Award is back! Co-presented with Gilded Audio, this grant celebrates creative work that synthesizes audio documentary and experimental sound design.
Information about the award, how to apply, and how to spread the news follows.
Best,
Mia
Due on August 31st and open to all styles of production, the award includes: $5000 for production, plus production consultation and technical support from Gilded Audio, editorial consultation from the staff at UnionDocs, promotional support to UnionDocs and Gilded Audio communities, and a celebratory event!
Past awarded projects include: Ariana Martinez’s Para Cruzar el Agua/To Cross the Water, which documents the hopes, fears, and expressions of love that Puerto Ricans share from both the island and the U.S. mainland; and Sylvia Ryerson’s Derritiendo el Hielo/Melting the ICE, a bilingual podcast and radio show dedicated to sharing testimonials from people directly impacted by ICE detention.
You can check out more details + apply here:
If you know anyone who is interested, feel free to pass this opportunity along! I have included sample promotional materials below.
Looking forward to receiving your application!
Abby Lord
Programs Assistant
UnionDocs
Facebook:
Attention all audio makers! UnionDocs and Gilded Audio are pleased to announce The Signal to Noise Award, celebrating creative work that synthesizes audio documentary and experimental sound design. The winning applicant will receive a $5000 production grant to pursue their project or series, production consultation and technical support from Gilded Audio Design, editorial consultation from the staff of UnionDocs; and a celebratory event.
Applications are due 8/31! You can find more information + apply here: https://bit.ly/3fbFMxH
Twitter:
Audio makers! @UnionDocs + Gilded Audio have announced The Signal to Noise Award to give your project the chance to come to life! Apps are due 8/31: https://bit.ly/3fbFMxH
Do you have an audio project that combines doc + experimental sound design? Apply to @UnionDocs + Gilded Audio’s Signal to Noise Award to win $5,000, production and technical support from Gilded Audio Design, editorial consultation + more! Due 8/31! https://bit.ly/3fbFMxH

THIS WED. CRAFT A STORY TO SELL TO PODCASTS w/ MOTH WINNER/PODCASTER @WRITINGPADUS

Hey FC,

 

THIS Wed. 7/8 at 5:30 PST, SELL YOUR STORY to a podcast in Laura Cathcart Robbins’ Storytelling 102.

 

Deets:  https://writingpad.com/classes/online-storytelling-102-make-your-voice-heard-class-laura-cathcart-robbins

Use code followup30 for $30 off today.

 

In this workshop you’ll:
– Polish a 5 minute (or 600-800 word) personal tale to submit to a podcast or as an essay
– Practice and get performance tips
– Add detail and emotion to your story for maximum impact
– Get email feedback on your idea before class to ensure you’re exploring the right angle

 

You can watch Laura’s FREE Storytelling 101 here to learn how to craft your tale: http://ow.ly/h1gV50AdoBw


Laura’s powerful, beautifully crafted 9 essays in Huffington Post about race, recovery and divorce went viral. She’s a StorySLAM winner and host of the podcast, The Only One In The Room which Bustle magazine picked as a top show along with This American Life, Slow Burn and Reply All. Laura’s a fantastic teacher and storyteller who can help you unlock an unforgettable story inside that’ll grab listeners and viewers.

https://www.huffpost.com/entry/white-parents-talk-about-racism_n_5ee4e1fec5b6afc128317d17

https://www.bustle.com/p/17-podcasts-to-listen-to-on-long-flights-red-eyes-22162381


4 students just sold related Op-Eds from our FREE CLASS: http://ow.ly/gRUj50AdoCW On Friday, Saj Sachdev just got an excellent piece in Huff Po & Ralinda Harvey got into the LA Times! 12 students sold stories to NPR and BBC, 166 sold essays & articles, 15 in the NYT, 4 published Modern Love Essays and 17 won the Moth. Trina Robinson performed her story re: finding out her ancestors were slaves at six Moth Mainstages for pay. Podcasts are looking for personal tales now–don’t miss out! We want to get your story out there next. Check out the Op-Ed’s below:

https://www.huffingtonpost.ca/entry/jagmeet-singh-racism_ca_5efdb99cc5b6acab284c189c

https://www.latimes.com/opinion/story/2020-06-26/nextdoor-santa-monica-racism

https://www.washingtonpost.com/opinions/2020/06/16/i-was-first-black-model-cover-vogue-fashion-industry-still-isnt-fixing-its-racism/

https://www.latimes.com/opinion/story/2020-06-12/gone-with-the-wind-hattie-mcdaniel-john-ridley

Questions? Email: hello@writingpad.com

 

Best,

Marilyn

NEXT THURS. ONLINE PODCASTING w/ NPR PRODUCER @WRITINGPADUS

Hi FC,

 

I hope you are all doing well, are safe and healthy. Here’s a great Live Podcasting Class starting NEXT THURS 7/9 ONLINE. You can take it from anywhere. Class looks like this: https://www.youtube.com/watch?v=dr4kyqDkSOs

 

NEXT Thus. 7/9, craft your show with an NPR producer of prominent podcasts–Anna Scott (Samaritans, There Goes the Neighborhood). Because of our radio journalism classes, 12 of our students have sold stories to NPR and BBC10 on Unfictional, 1 on All Things Considered, 1 on BBC. 3 got freelance podcast producer gigs after class at The RFK Tapes, Freakonomics, Pandora & NPR’s Unfictional. Kevin McDonnell got this piece on BBC Radio (3 hrs, 16 min. in): https://www.bbc.co.uk/sounds/play/p08c7c58

 

Podcasting w/ Anna Scott (Samaritans, There Goes the Neighborhood)–NEXT Thurs. 7/9, 1 SPOT!

Jul 9, Jul 23, Jul 30, Aug 13, Aug 20 (5 Thurs., 7-10 PM PST), Online

https://writingpad.com/classes/online-podcasting-class-anna-scott

 

You’ll build your podcast from scratch by turning the germ of an idea into a high-concept radio-worthy show. Topics Include: interviewing methods, use of archival audio, miking & field techniques. By the end, you’ll have a solid outline of your pilot episode & a recording of your teaser.

 

Anna’s a top teacher whose students rave about her insight! This might be the last chance to study w/ her as she’s super busy (she’s producing and hosting her own podcast, Samaritans on KCRW! In the past, she’s produced and reported on There Goes The Neighborhood: LA and produced Madeleine Brand on Press Play and Warren Olney on To The Point. She reports regularly for NPR and has written for Bloomberg Businessweek and the Los Angeles Times.

 

Use the coupon code freelance or freelanceplan for 15% off ($74 off) 5+ week classes or freelance30 for $30 off short classes. 

 

Best,

Marilyn

BBC Cultural Frontline – Request for Feature Ideas from Asia, Africa and Latin America

The Cultural Frontline seeks international pitches. Details below!

Best,

Mia

++++++++++++++

 

The Cultural Frontline team is looking for great ideas for features from radio producers around the world.

 

Who are we?

 

The Cultural Frontline is a topical arts and culture programme, dedicated to seeing the world through the eyes of creative minds – we look at how art and culture address the biggest social, cultural, political issues we face. It’s presented by Tina Daheley on BBC World Service English.

 

What are we looking for?

 

We are looking for ideas for short radio features approximately 7’00 featuring Asian, African and Latin American artists of all types – writers, musicians, filmmakers, poets, designers, all cultural practitioners welcome.

 

We also welcome ideas from the rest of the world but our focus at present is on generating new ideas from Asia, Africa and Latin America.

 

In particular we are looking for stories of artists whose work as a bigger social, cultural or political impact or whose work is tackling a major issue faced by society today such as immigration, climate change, inequality, and discrimination.

 

Here is a link to our programme for further details: https://www.bbc.co.uk/programmes/p0362l0f

 

If you would like to send us your pitches please email us at: theculturalfrontline@bbc.co.uk

 

Thanks

 

The Cultural Frontline team

THIS SUN. ONLINE PODCASTING w/ SNAP JUDGMENT PRODUCER @WRITINGPADUS

Hi FC,

I hope you are all doing well, are safe and healthy. Here’s a great Live Podcasting Class starting THIS SUNDAY ONLINE. You can take it from anywhere—it works for most time zones. Class looks like this: https://www.youtube.com/watch?v=dr4kyqDkSOs

Marilyn

Use the coupon code creativitycorner65 or creativitycorner65plan for $65 offcreativitycorner30 for $30 off short classes.

THIS Sun. 5/31, craft your show with a producer of prominent podcasts–John Fecile (99% Invisible, Producer, Snap Judgment). Because of our radio journalism classes, 12 of our students have sold stories to NPR and BBC–10 on Unfictional, 1 on All Things Considered, 1 on BBC3 got freelance podcast producer gigs after class at The RFK Tapes, Freakonomics, Pandora & NPR’s Unfictional. Kevin McDonnell just got this piece on BBC Radio (3 hrs, 16 min. in). https://www.bbc.co.uk/sounds/play/p089jy8g

Podcasting w/ John Fecile (99% Invisible, Producer, Snap Judgment)THIS Sun. 5/31, 1 SPOT! May 31, Jun 7, Jun 14, Jun 21, Jul 12 (5 Sun., 2-5 PM PST), Online https://writingpad.com/classes/online-podcasting-class-john-fecile

In this class, learn the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You’ll learn interviewing methods, use of archival audio, miking techniques. By the end of the class, you’ll have a solid outline of your pilot episode and a recording of your show teaser.

 John’s podcast stories have appeared on NPR, 99% Invisible, & Snap Judgment (where he’s currently a producer). Click the links and listen to his amazing segments! Jeff & I heard the 99pi piece about the attempted murder of a painting last year, & it’s one of the best podcasts we’ve ever heard. His story “Blink Once for Yes” had us in tears, it was so AMAZING! It was a collaboration between Snap & Love + Radio that won a bronze at Third Coast in 2017. We never dreamed that the creator of that story would be teaching at the Pad!

John also won the Gold & Bronze Third Coast International Audio Festival awards. He is also co-founder of The Trump Diaries Project (KCRW) & contributes regularly to 99% Invisible & Curious City (WBEZ). 

Here are some of John’s stories (including one about Rihanna’s tour):
https://www.wnycstudios.org/podcasts/snapjudgment/episodes/snap-814-blink-once-yes
https://99percentinvisible.org/episode/the-many-deaths-of-a-painting
https://www.wnycstudios.org/podcasts/snapjudgment/episodes/diamonds-in-sky-snap-judgment-podcast
https://www.wnycstudios.org/podcasts/snapjudgment/episodes/zoo-nebraska-snap-judgment

Best, Marilyn

New podcast seeks to resolve your disputes

Hey FC. I know the posts have been few and far between recently (busy days!) but this is a fun one. Not a gig so much as an opportunity to be involved in a fun new project – as a guest! Details below.
Stay healthy,
Mia
++++++++++++++++
Is your roommate on your last nerve? Does your friend still owe you money for that thing they broke? Is your sibling refusing to talk to you and you have no idea why? Well, a new podcast from Endeavor Content (Hunted, Blackout) and Neon Hum (The Thing About Pam, Bag Man) is looking to help you out. Our high-profile host will listen to both sides of your dispute (yes, I’m sorry, it’s only fair), and give you the clear resolution that you and your rival have been craving. No issue is too small… as long as it’s a big frickin’ deal to you and whoever you’re disagreeing with. If interested, submit a brief description of your case to: shara@neonhum.com and mary@neonhum.com


SF & LA @WRITINGPADUS PODCASTING CLASSES STARTING SOON

Hi FC,

 

Happy New Year! Here’s some great Podcasting Classes starting IN 2 WEEKS at Writing Pad San Francisco or LA.

 

Marilyn

 

Use the coupon code FREELANCE or FREELANCEPLAN for 15% off.

 

Craft your show with a producer or contributor to prominent podcasts–John Fecile (99% Invisible, Snap Judgment) or Anna  Scott (Press Play, There Goes the Neighborhood). Because of our radio journalism classes, 11 of our students have sold stories to NPR–10 on Unfictional, 1 on All Things Considered. 3 snagged freelance producer gigs.

 

5 WK PODCASTING CLASS NEXT TUES. 1/28 or NEXT THURS. 1/30 IN SF or LA

Podcasting 1 w/ John Fecile (99% Invisible, Snap Judgment)

Jan 28, Feb 4, Feb 11, Feb 18, Feb 25 (5 Tuesdays, 7:00 PM – 10:00 PM)

San Francisco

writingpad.com/classes/san-francisco-podcasting-1-class-john-fecile

 

OR

 

Podcasting 1 w/ Anna  Scott (Press Play, There Goes the Neighborhood)

Jan 30, Feb 6, Feb 20, Feb 27, Mar 5 (5 Thursdays, 7:00 PM – 10:00 PM)

LA – West

writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-3/

 

In this class, learn the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You’ll learn interviewing methods, use of archival audio, miking techniques. By the end of the class, you’ll have a solid outline of your pilot episode and a recording of your show teaser.

 

John Fecile’s podcast stories have appeared on NPR, 99% Invisible, & Snap Judgment. He won the Gold & Bronze Third Coast International Audio Festival awards. He is also co-founder of The Trump Diaries Project (KCRW) and contributes to 99% Invisible and Curious City (WBEZ).

 

Anna Scott has worked on big NPR Shows like There Goes the Neighborhood: Los Angeles. She’s also a reporter and producer for KCRW on Press Play w/ Madeleine Brand. Before that she worked w/ Warren Olney on To The Point & Which Way LA. Anna’s a top teacher whose students rave about her insight! 

 

Best,

Marilyn

mailto:marilyn@writingpad.com

www.facebook.com/marilynfriedman1

www.facebook.com/writingpad

http://www.twitter.com/writingpadus

instagram.com/writingpadus

ONLINE, SF, LA @WRITINGPADUS PODCASTING/JOURNALISM CLASSES STARTING SOON

Hi FC,

Happy New Year! Here’s some great Podcasting and Journalism Classes starting THIS JANUARY at Writing Pad Online, in San Francisco or LA.

Marilyn

Use coupon code FREELANCE or FREELANCEPLAN for 15% offFREELANCE30 for $30 off a 1 Day Class.

Craft your show with a producer of a prominent podcast–John Fecile (99% Invisible, Snap Judgment) or Anna  Scott (Press Play, There Goes the Neighborhood), or your story with a successful journalist Sophia Kercher (NY Times 8x, Los Angeleno Editor), Terri Cheney (NY Times Modern Love), or Autumn Stephens (NY Times Modern Love).

Because of our radio journalism classes, 11 of our students have sold stories to NPR–10 on Unfictional, 1 on All Things Considered. 3 snagged freelance producer gigs. From our essay and journalism classes, 152 Writing Pad Alums (13 of whom got into the NY Times) have sold essays and articles!

1 DAY LIVE ONLINE FREELANCE JOURNALISM CLASS THIS MONDAY 1/13

Freelance Journalism w/ Sophia Kercher (NY Times 8x, Elle)
Jan 13 (Monday, 6:00 PM – 10:00 PM PST)
Online
writingpad.com/classes/online-freelance-journalism-class-sophia-kercher/

Want to sell an article or essay to your favorite magazine or newspaper? Learn how to sell your stories, identify the right outlets so you can build up some impressive clips, and build a successful freelance journalism career. Learn Sophia Kercher’s secret to pitching your stories & you’ll see your name in print or online before you know it!  Sophia will cover the mechanics of being a professional freelancer: how much to charge, time management, where to pitch your ideas, and how to avoid the rookie mistakes. You’ll get to pitch an idea to Sophia, find out which outlets to target and how to approach them. One student sold a 10 article series from this class, and one got into the NY Times! Note: it’s a LIVE ONLINE 1-Day class so you can take it from anywhere in the world! This is what they look like: https://www.youtube.com/watch?v=dr4kyqDkSOs

Sophia Kercher has published 8 articles in the NY Times & pieces in Women’s Health, Elle, California Sunday, Variety, LA Weekly, Salon and LA Times. Plus, she’s got an extensive rolodex. We call her the publishing whisperer because she’s helped so many students get into huge outlets (8 out of 13 students who got into the NYT were her students) and she’s helped students publish pieces in Washington Post, Harpers Bazaar, Real Simple, New York Magazine, and 9 in Los Angeleno (where she’s the editor).

5 WK PODCASTING CLASS IN LA OR SF IN JANUARY

Podcasting 1 w/ John Fecile (99% Invisible, Snap Judgment)
Jan 28, Feb 4, Feb 11, Feb 18, Feb 25 (5 Tuesdays, 7:00 PM – 10:00 PM)
San Francisco
writingpad.com/classes/san-francisco-podcasting-1-class-john-fecile

OR

Podcasting 1 w/ Anna  Scott (Press Play, There Goes the Neighborhood)
Jan 30, Feb 6, Feb 20, Feb 27, Mar 5 (5 Thursdays, 7:00 PM – 10:00 PM)
LA – West
writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-3/

In this class, learn the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You’ll learn interviewing methods, use of archival audio, miking techniques. By the end of the class, you’ll have a solid outline of your pilot episode and a recording of your show teaser.

John Fecile’s podcast stories have appeared on NPR, 99% Invisible, & Snap Judgment. He won the Gold & Bronze Third Coast International Audio Festival awards. He is also co-founder of The Trump Diaries Project (KCRW) and contributes to 99% Invisible and Curious City (WBEZ).

Anna Scott has worked on big NPR Shows like There Goes the Neighborhood: Los Angeles. She’s also a reporter and producer for KCRW on Press Play w/ Madeleine Brand. Before that she worked w/ Warren Olney on To The Point & Which Way LA. Anna’s a top teacher whose students rave about her insight!

5 WK PERSONAL ESSAY CLASS IN LA NEXT SUN. 1/19 or MON. 1/20 OR SF NEXT TUES. 1/22

NY Times Worthy Personal Essay w/ Terri Cheney (NY Times Modern Love, Psychology Today, 2 NYT Bestsellers)
Jan 19, Jan 26, Feb 16, Feb 23, Mar 1 (5 Sundays, 2:00 PM – 5:00 PM)
LA – West
writingpad.com/classes/los-angeles-private-ny-times-worthy-personal-essay-class-terri-cheney/

OR

NY Times Worthy Personal Essay w/ Sophia Kercher (NY Times 8x, Los Angeleno)
Jan 20, Jan 27, Feb 3, Feb 10, Feb 24 (5 Mondays, 7:00 PM – 10:00 PM)
LA – East
writingpad.com/classes/los-angeles-private-ny-times-worthy-personal-essay-class-sophia-kercher/

OR

NY Times Worthy Personal Essay w/ Autumn  Stephens (NY Times Modern Love)
Jan 22, Jan 29, Feb 5, Feb 12, Feb 19 (5 Wednesdays, 7:00 PM – 10:00 PM)
*One on one meetings on February 19 will take place via web conference.
San Francisco
writingpad.com/classes/san-francisco-private-ny-times-worthy-personal-essay-class-autumn-stephens-2/

In this class, you’ll find out what NY Times essay columns & Modern Love look for. Learn an easy-to-understand formula for publishable essays, how to write a pitch letter & identify the publications where your story fits. Plus, you’ll get help forming & polishing your essay so it’s publication-ready. Over 5 weeks, you’ll find your sexy idea, write the hardest parts, get detailed notes as well as advice on your pitch letter & finding your publishing outlet.

Terri Cheney’s NY Times Modern Love essay on her struggle with bipolar disorder was adapted into an episode of the new Modern Love series (she was played by Anne Hathaway!) & can be heard on the podcast voiced by actress Rebecca Hall. You’ve seen her work in Psychology Today (where she has a regular column), Glamour, & she’s published two NY Times bestselling memoirs, Manic (which was optioned by HBO) & a prequel, The Dark Side of Innocence: Growing Up Bipolar. Her personal essay collection, Tell Me Where It Hurts: A Manual to Modern Madness, will be published in fall 2020. Terri’s Modern Love: www.nytimes.com/2008/01/13/style/modern-love-take-me-as-i-am-whoever-i-am.html

Sophia Kercher has published 8 articles in the NY Times & pieces in Women’s Health, Elle, California Sunday, Variety, LA Weekly, Salon and LA Times. Plus, she’s got an extensive rolodex. We call her the publishing whisperer because she’s helped so many students get into huge outlets (8 out of 13 students who got into the NYT were her students) and she’s helped students publish pieces in Washington Post, Harpers Bazaar, Real Simple, New York Magazine, and 9 in Los Angeleno (where she’s the editor).

Autumn Stephens is a Modern Love Alum & the author of over 20 books, including the popular “Wild Women” series by Conari Press. Autumn’s an incredible writer (her ML is one of the best I’ve read–it’ll make you cry), experienced teacher & a generous soul. Autumn’s Modern Love: www.nytimes.com/2004/11/07/fashion/a-body-scarred-a-marriage-healed.html

Best,
Marilyn
marilyn@writingpad.com
www.facebook.com/marilynfriedman1
instagram.com/writingpadus

Invite to Cooper

Hi FC,

Here’s a resource for you. I hope you had a great Thanksgiving!

Best,

Marilyn

You’re invited to join the early beta of a new professional network named Cooper.

On Cooper, your inner circle vouches for you with video stories. First, you talk about your biggest professional achievements. Then, they add a 15-second video reference that show they have your back. Next time you’re asked to present yourself, show your Cooper profile to let your work family do the talking. 

As a member of the Freelance Cafe community, you can get early access if you sign up through this link: https://cooper.app/beta?ref=freelancecafe

 

Here’s a small preview of what a profile on Cooper looks like.

 

Oral History Workshops

Hi FC,


Oral History Summer School
 is back in session this Winter with three workshops in Hudson and New York City. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company. Open to all levels, no experience necessary. Feel free to email me back with questions. 

 

January Mini-Intensive

Dates: January 4 & 5

Location: Verso Books Loft,  Brooklyn, New York

This hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. Over the course of the weekend, we’ll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. 

 

Oral History for Educators

Dates: January 18 – 20

Location: Hudson, New York

This workshop is designed for educators who want to bring oral history into their classrooms and learning spaces. We’ll begin with a rigorous introduction to oral history theory, methods and practice before reviewing existing curricula as a jumping off place to design our own curricula/projects.

 

Oral History: A Queer Art 

Dates: February 1 & 2

Location: Bureau of General Services Queer Division, NYC

Oral History, a Queer Art will follow the course of our usual immersive workshops by offering foundational oral history training–theory, method, practice– while inviting exploration into the way that oral history values and theory are arguably queer and/or well-positioned to support emergent complex queer narratives. 

 


 

About Oral History Summer School: 

Oral History Summer School was established in Hudson, New York, in 2012, as an immersive training program to help students from varied fields––writers, social workers, radio producers, artists, teachers, human rights workers––make use of oral history as an ethical interview practice in their lives and work

 

 

Sabine Bernards

Program Assistant

Oral History Summer School

www.oralhistorysummerschool.com

THIS TUES.: PODCASTING CLASS @WRITINGPADUS

Hi FC!

 

Here’s a great Podcasting Class starting THIS coming Tues. 11/5 at Writing Pad in LA. Craft your podcast with Rico Gagliano (NPR, Safe For Work, Zoom, Dinner Party Download). He is currently working on 2 podcasts, is a back-up host for LA NPR stations, and his show "The Dinner Party Download," started as a small podcast and ended up downloaded 30 million times and aired on nearly 200 public radio stations nationwide. Because of our radio journalism classes, 11 of our students have sold stories to NPR from this class–10 on Unfictional, 1 on All Things Considered. 3 snagged freelance producer gigs. Use the coupon code FREELANCE or FREELANCEPLAN for 15% off.

 

5 WK PODCASTING CLASS IN LOS ANGELES IN NOVEMBER

 

Podcasting 1 w/ Rico Gagliano (NPR, Wondery Podcast, Dinner Party Download)—THIS Tues. 11/5

Nov 5, Nov 12, Nov 19, Dec 3, Dec 10 (5 Tuesdays, 7:00 PM – 10:00 PM)

LA – East

https://writingpad.com/classes/los-angeles-podcasting-1-class-rico-gagliano/

 

In this class, Rico teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You’ll learn interviewing methods, audio editing basics, use of archival audio, miking techniques. By the end of the class, you’ll have a solid outline of your pilot episode and learned how to create a recording of your show teaser.

 

Rico is a print and radio journalist, producer, & host. He currently co-hosts the Wondery podcast "Safe For Work," & is Senior Producer of Focus Features’ film history podcast "Zoom." He also serves as a backup host for L.A. NPR public radio giants KPCC-FM & KCRW-FM. In 2008 he co-created and began co-hosting American Public Media’s "The Dinner Party Download," which was downloaded 30 million times and aired on nearly 200 public radio stations nationwide. His personality profiles for that show and for KCRW have earned him three Southern California Journalism awards from the L.A. Press Club, along with three National Arts & Entertainment Journalism awards. He was a reporter for "Marketplace," his arts and culture writing appears regularly in The Wall Street Journal and Los Angeles magazine. He’s a great person to work with & can teach you all the industry secrets. 

 

Best,

Marilyn

 

.@AIRmedia Winter 2019 Full Spectrum @UnionDocs open for apps, deadline Nov 4

Hey FC! Applications are now open for AIR's Winter 2019 Full Spectrum happening at UnionDocs in NYC, December 9–13. I know all four of these instructors personally and can tell you that you are in VERY good hands. Details below!

-mia

We're thrilled to have Chiquita Paschal returning as our Winter 2019 lead instructor. She brings experience from her independent background and past work with Gimlet Media, BuzzFeed, and beyond. Successful applicants will learn from Veralyn Williams (WNYC’s The Stakes), Julia Alsop (indie sound design), Keisha TK Dutes (Hear to Slay), AIR staffers, plus more to come. It's five days in Brooklyn to push indie and station-based producers and podcasters to next-level craft.

Submissions for our 2019 Winter Full Spectrum storytelling intensive close on Monday, November 4, 2019 at 5 pm PT.

new podcast classes from @writingpadUS begin soon (first one next week!)

Hi all. New podcast classes from Writing Pad start soon. Details below!
Best,
Mia


+++++++++++++++++


Here's a couple great Podcasting Classes starting THIS Tues. 10/22 and Tues. 11/5 at Writing Pad. Take them Online or in Los Angeles and craft your show with an NPR Producer of a prominent podcast–David Weinberg (99% Invisible, Radiolab, Love & Radio, 2 KCRW Podcasts) or Rico Gagliano (NPR, Safe For Work, Zoom, Dinner Party Download). Because of our radio journalism classes, 11 of our students have sold stories to NPR from this class–10 on Unfictional, 1 on All Things Considered. 3 snagged freelance producer gigs. Use the coupon code FREELANCE or FREELANCEPLAN for 15% off.

 

1 DAY LIVE ONLINE FREELANCE JOURNALISM CLASS THIS TUESDAY 10/22

 

Freelance Podcasting w/ David Weinberg (99% Invisible, Radiolab, Love & Radio, 2 KCRW Podcasts)

Oct 22 (THIS Tuesday, 5:00 PM – 8:30 PM)

Online

https://writingpad.com/classes/online-freelance-podcasting-101-class-david-weinberg/

 

Want to hear your stories on one of your favorite podcasts? Learn how to sell your stories, identify the right outlets so you can build up some impressive clips, and build a successful freelance radio journalism career. Learn David Weinberg's ((99% Invisible, Radiolab, Love & Radio, 2 KCRW Podcasts) secret to pitching your segments & you'll hear yourself on the radio before you know it!  David will cover the mechanics of being a professional freelancer: how much to charge, time management, where to pitch your ideas, and how to avoid the rookie mistakes. You’ll get to pitch an idea to David, find out which podcasts or shows to target and how to approach them. Note: it's a LIVE ONLINE 1-Day class so you can take it from anywhere in the world! This is what they look like: https://www.youtube.com/watch?v=dr4kyqDkSOs

 

David Weinberg is a Los Angeles based journalist and radio producer. His stories have been featured on 99% Invisible, Radiolab, The World, Love and Radio the BBC. He was a staff reporter at Marketplace and is currently a reporter at KCRW and host of the podcast Welcome to LA and Below The Ten. He has won multiple journalism awards, including a national Edward R. Murrow award for feature reporting for "Mr. Fries Man." His story "Grace of the Sea" was named "One of the 50 Best Podcast Episodes of 2015" by The Atlantic. His print work has been published in The New York Times.

 

 

5 WK PODCASTING CLASS IN LOS ANGELES IN NOVEMBER

 

Podcasting 1 w/ Rico Gagliano (NPR, Wondery Podcast, Dinner Party Download)—Starts Tues. 11/5

Nov 5, Nov 12, Nov 19, Dec 3, Dec 10 (5 Tuesdays, 7:00 PM – 10:00 PM)

LA – East

https://writingpad.com/classes/los-angeles-podcasting-1-class-rico-gagliano/

 

In this class, Rico teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking techniques. By the end of the class, you'll have a solid outline of your pilot episode and learned how to create a recording of your show teaser.

 

Rico is a print and radio journalist, producer, & host. He currently co-hosts the Wondery podcast "Safe For Work," & is Senior Producer of Focus Features' film history podcast "Zoom." He also serves as a backup host for L.A. NPR public radio giants KPCC-FM & KCRW-FM. In 2008 he co-created and began co-hosting American Public Media's "The Dinner Party Download," which was downloaded 30 million times and aired on nearly 200 public radio stations nationwide. His personality profiles for that show and for KCRW have earned him three Southern California Journalism awards from the L.A. Press Club, along with three National Arts & Entertainment Journalism awards. He was a reporter for "Marketplace," his arts and culture writing appears regularly in The Wall Street Journal and Los Angeles magazine. He's a great person to work with & can teach you all the industry secrets. 

 

Marilyn Friedman

marilyn@writingpad.com

http://www.facebook.com/marilynfriedman1

http://www.facebook.com/writingpad

http://www.twitter.com/writingpadus

http://instagram.com/writingpadus

The Kitchen Sisters Interviewing & Podcasting Workshop comes to KCRW, Nov 12

My favorite ladies of radio take their interviewing and podcasting workshop to Los Angeles. Details below!

-mia

Hi All,

The Kitchen Sisters are coming to KCRW to present The Kitchen Sisters Interviewing, Recording & Podcasting Workshop on Tuesday, November 12, 2:00-5:00 pm in the spanking new KCRW Annenberg Performance Studio in Santa Monica. This 3-hour session is designed for those who want to acquire and hone their skills for an array of audio projects — radio, podcasts, online stories, oral histories, family histories, news, documentaries and other multimedia platforms.

In the Workshop, Davia Nelson and Nikki Silva cover interviewing and miking techniques, sound gathering, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, how to listen (which is harder than it looks) and how to build a narrative. And we talk podcasting. Serious talk about getting your podcast going and giving it a real sound.

The workshop is customized to fit the projects you are working on. The groups are always lively and good contacts are made. Of course, snacks will be served.

Thanks to KCRW for hosting this workshop for the community.   

Tuesday, November 12, 2:00 – 5:00 pm
Cost: $160.00

Tickets available through our friends at Eventbrite.

Please pass this announcement along to your Southern California community.

Expand your skills, meet new people, see KCRW, See you there.

The Kitchen Sisters

P.S. Our new podcast just dropped, the latest in our Keepers series — The Kitchen Sisters Present: Lawrence Weschler—Archivist of The Odd, The Marvelous, The Passionate and Slightly Askew

Weschler, author of the new book How Are You, Dr. Sacks? A Biographical Memoir of Oliver Sacks, leads us into the mind of David Wilson and the Museum of Jurassic Technology and into the making of Bill Morrison’s film, Frozen Time, about the discovery of a cache of thousands of reels of old nitrate films buried in the permafrost in Dawson City, the heart of the Gold Rush in the Klondike. Weschler weaves stories of memory palaces, archives of misery, the early history of museums, obsessed collectors and more.

SF-based newspaper @SFPublicPress is hiring

TWO SF-based newspaper gigs. Details below!
-mia

The San Francisco Public Press is hiring for two positions.

The managing editor is a full-time staff position with health benefits. The graphic designer is a seasonal, contract position. You can find full descriptions here:

• Managing editor: https://sfpr.es/2019-joblisting-editor
• Graphic designer: https://sfpr.es/2019-joblisting-designer

The Public Press is a small newsroom known for punching above its weight, seeking out ambitious, exclusive stories with high social impact. We dive through data and documents to produce local investigative news about City Hall and life in San Francisco. We’re a 501(c)3 nonprofit powered by memberships, donations and philanthropic funding — we don’t accept ads — and we’re growing. Find out more at sfpublicpress.org.

Submit your entries now! –> 🏆 2019 Excellence in Journalism Awards Contest 🏆

The deadline for the SPJ Norcal awards is approaching – Sept 20. Details below!

-mia

+++++++++++++++

Have you started working on your EIJ entries?

The deadline is next Friday, Sept. 20.

2019 Excellence in Journalism Awards Contest

DEADLINE: 11:59 p.m. PT on Friday, Sept. 20, 2019

Contact: spj.excellenceinjournalism@gmail.com or Lila LaHood (415) 846-5346 or Liz Enochs (415) 323-0220. This full announcement is also available on spjnorcal.org.
 

Know a journalist who has done brilliant work over the past year? Someone who does whatever it takes to get the story, photo or video? Whose dedication to our craft is second to none? Maybe that journalist is you! For the past 34 years, the Northern California chapter of the Society of Professional Journalists has selected from among the Bay Area’s best of the best for its acclaimed Excellence in Journalism Awards. These awards honor the journalists whose outstanding work embodies SPJ’s ideals of initiative, integrity, talent and compassion.

We’ve made a few changes to the instructions — read below for details and submit your entries on the contest entry site: awards.spjnorcal.org. Create an account, and the site will walk you through the rest.

We welcome entries from journalists producing work in emerging formats and recommend broad interpretation of award categories. Be sure to name everyone who played a significant role in producing the entry and explain how each person was involved. Letters of nomination are required for Board Award nominations; they are optional for other categories.

See below for complete Contest Categories and Submission Guidelines.

Best of luck!

CONTEST CATEGORIES

BREAKING NEWS
Honors individuals, teams or news organizations whose work demonstrates clear and accurate reporting and engaging writing on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit up to three stories and related multimedia content.
Categories: Print/Online, Radio/Audio and TV/Video.

INVESTIGATIVE REPORTING
Honors individuals or teams that identify important issues and reporting that demonstrates initiative, persistence and resourcefulness in pursuing information that is restricted or not easily available.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

EXPLANATORY JOURNALISM
Honors journalists who elucidate significant stories and complex situations. Entries may deepen understanding of issues in the news or may focus on subjects largely uncovered by the media.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

COMMUNITY JOURNALISM


Honors journalists and organizations whose primary focus is coverage of a community or neighborhood. Entries may include print publications, news broadcasts or news sites. University-supported projects are not eligible.
Entry specifications: This is for community-based outlets. Submit no more than five news stories and related multimedia content, or two news packages demonstrating the range and depth of local news coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

FEATURES JOURNALISM
Honors journalists for exceptional narrative writing. Judges will consider creativity, use of humor or drama, style, clarity and suitability of the writing to the subject.
Entry specifications: Submit one story (fewer than 5,000 words if in print or under 15 minutes if broadcast) along with any related multimedia content. 
Categories: Radio/Audio, TV/Video, and Print/Online.

LONGFORM STORYTELLING
Honors journalists for exceptional longform narrative writing. Judges will consider creativity, use of humor or drama, style, clarity, structure and flow.
Entry specifications: Submit one story (at least 3,000 words or more than 15 minutes broadcast) or a series, along with any related multimedia content. If entering a series, please submit no more than four stories or broadcast segments.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

ONGOING COVERAGE
Honors journalists who follow a story for at least six months (i.e. long-term coverage of a topic or major event) with solid reporting and demonstrated excellence in presenting new angles with complexity and perspective. More specific than a general beat, the issue or event being covered should be an emerging news story.
Entry specifications: Submit up to five stories, along with any related multimedia contentEntries may include a mix of story types, e.g. breaking news, features and explanatory.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

COMMENTARY/ANALYSIS
Honors individuals and teams for exceptional commentary, analysis and editorials. Entries may include bylined or unsigned content. News-related blogs are also eligible. Judges will consider quality of expression, clarity and originality.
Entry specifications: Submit up to three samples.
Categories: Print/Online, Radio/Audio and TV/Video.

ARTS & CULTURE REPORTING
Honors journalists for incisive reporting about art, music, movies, theater, dance, books, restaurants, architecture or other public performance. May also include reviews, for which judges will consider quality of analysis and persuasiveness of arguments.
Entry specifications: Submit up to three samples.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

TECHNOLOGY REPORTING
Honors journalists and organizations whose primary focus is coverage of technology. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

SCIENCE, ENVIRONMENT and HEALTH REPORTING
Honors journalists and organizations whose primary focus is coverage of science, environment and health. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

SPORTS REPORTING
Honors journalists and organizations whose primary focus is coverage of sports. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

DATA VISUALIZATION
Honors individuals or organizations that have demonstrated excellence in presenting complex information using graphics, maps and other data visualization and interactive tools.
Entry specifications: Submit up to three samples. Include the associated stories or links to them online.
Categories: All media.

BEST SCOOP
Honors individuals or organizations for breaking an important news story that led to extensive coverage by other organizations.
Entry specifications: Submit one story or package of related stories and associated multimedia content.
Categories: All media.

PHOTOJOURNALISM
Please include the written story or explanation with each submission.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and artistic photojournalism produced on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit photos with cutlines from up to three stories. No more than 15 images in all.
Categories: Individual and Team.
Photo Essay — Honors individuals, teams or news organizations for excellent storytelling presented in series of related photos that either serve as a stand-alone photo essay or are associated with a written story.
Entry specifications: Submit photos with cutlines from one photo essay. No more than 15 images in all.
Categories: Essay of 1 to 5 images; Essay of 6 to 10 images; Essay of 11 to 15 images.
Portfolio — Honors an individual for excellence in photojournalism.
Entry specifications: Submit up to 10 images with cutlines. Include the associated stories or links to them online.
Single Image — Honors an individual for a single excellent image captured in the past year.
Entry specifications: Submit one image with cutline. Include the associated story or a link to it online.

VIDEO JOURNALISM
Video journalism is image-driven and may or may not include narration.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful video journalism produced on deadline. Judges will consider deadline pressure and complexity.
Entry specifications: Submit videos from up to three stories.
Feature — Honors individuals, teams or news organizations for excellent, artful storytelling
Entry specifications: Submit one video of up to 60 minutes.
Portfolio — Honors an individual for excellence in video journalism.
Entry specifications: Submit up to five stories with a maximum combined length of up to 60 minutes.

PODCAST JOURNALISM
Honors an individual or team for a podcast that displays excellence in reporting and journalistic storytelling across multiple episodes that stand alone or are part of a series.  
Entry specifications: Submit up to four episodes. Podcast entries may have also aired as radio broadcasts.

DESIGN
Honors individual designers or teams whose artistic presentation significantly enhances the audience experience and improves engagement and access to journalistic work.
Entry specifications: Submit up to three samples of work.
Categories: Sound design, video design, print design and web/mobile design

OUTSTANDING EMERGING JOURNALIST


Honors a journalist with less than five years of professional experience whose work shows great promise.
Entry specifications: Submit resume and three samples of work.
Categories: All media

STUDENT SPECIAL PROJECTS
Honors individuals or groups of students for exemplary reporting, writing, and/or photography produced by all forms of student media, including special projects that report local news. These should be student-generated and not part of an ongoing university-sponsored project.
Entry specifications: Submit up to three samples.
Categories: All media

PUBLIC SERVICE
Honors individuals, teams, or news organizations that try to improve conditions for the benefit of society. Entries will be judged on the significance of the issues, initiative, presentation and results.
Entry specifications: May include articles, editorials, public service announcements, cartoons, photos and graphics.
Categories: All media

NORCAL SPJ BOARD OF DIRECTORS AWARDS
Every year, the SPJ-NorCal Board of Directors honors individuals in the following six categories. Anyone may nominate candidates. Letters of nomination are required for Board Award nominations. There is no fee to nominate candidates for Board Awards. Complete instructions are available online.
1) Journalist of the Year: For extraordinary journalistic contributions in the past year.
2) Career Achievement: For extraordinary achievements exemplifying the highest standards of the profession.
3) Unsung Hero: A person whose contribution to journalism usually happens behind the scenes and is often overlooked (for example, a copy editor, librarian, web producer).
4) Meritorious SPJ Service/John Gothberg Award: For outstanding contributions to the Northern California Chapter of SPJ.
5) Distinguished Service: For advancement or advocacy of journalism by a journalist or non-journalist.
6) The Silver Heart: Awarded to a journalist whose work exemplifies an extraordinary dedication to amplifying unheard voices and sharing stories from marginalized communities.

SUBMISSION INSTRUCTIONS

Qualifying Timeframe: Entries must have been published/broadcast between July 1, 2018 and June 30, 2019, by a news outlet or individuals based in Northern California — which for the purposes of this contest includes everything from Santa Barbara County to the Oregon border. Each entrant may submit only one entry per category.

Deadline: Entries must be time-stamped by 11:59 p.m. PT on Friday, Sept. 20, 2019.

Multiple entries: Stories or projects entered in the Public Service, Best Scoop or Outstanding Emerging Journalist categories may also be entered in one other category. Entries for other categories may not be entered in multiple categories.

Cover letters: Letters of nomination or recommendation are permitted in any category, but they are not required, except for Board Award nominations.

Divisions: Some categories are divided into Small and Large divisions to reflect the reality that larger organizations have more resources than smaller ones. “Large” organizations are defined as organizations where one or more of the following apply: print circulation exceeds 100,000 and/or average monthly unique website visitors exceed 500,000. If neither of those apply to your organization, select “Small.” If your organization is a news service or an organization that produces content for syndication, choose your division based on the estimated reach the story received in syndication.

You must supply information regarding circulation or audience reach where it is requested. If a category receives a large number of entries, judges may create two divisions and will need circulation or audience information to do so.

Fee:
For SPJ members**: $30 per entry.
For non-SPJ members: $40 per entry.
For students: $10 per entry.

** To be eligible for the $30 SPJ member entry fee, you must be a member of both the SPJ national organization (current membership fee $75) AND the SPJ Northern California chapter ($20) as of the time-stamp of entry. Membership is good for 12 months, based on the date you joined. Chapter membership entitles you to free or reduced member admission to NorCal chapter activities, including the Excellence in Journalism Awards dinner. To join SPJ and the NorCal chapter, please go to: www.spj.org/join.asp.

Payment:
NEW PAYMENT PROCESS FOR 2019 —> You have three payment options, all of which require that you select “pay by check” to submit your entries. Please choose one of the following:
a) Pay by check
• Select “pay by check” and submit your entries.
• Send a check for the full amount to:
SPJ NorCal Chapter
c/o San Francisco Public Press
44 Page St., Ste. 504
San Francisco, CA 94102
b) Pay online via PayPal
• Select “pay by check” and submit your entries.
• Use PayPal to send the amount you owe to treas.spjnorcal@gmail.com.
c) Pay with a credit card by phone
• 
Select “pay by check” and submit your entries.
• Call Lila LaHood at 415-846-5346 and ask to pay with a credit card. Your payment will be processed by Square.

2019 CA Documentary Project Grants & Application Webinar, app deadline Nov 1

Look below!
-mia
++++++++++++++++++

Dear Friends of California Humanities—

 

With apologies for the group email, I’m writing to ask for your help in sharing the announcement of the upcoming 2019 California Documentary Project (CDP) grant deadline for film, audio and interactive media productions. I’ve attached information and language that may be helpful for sharing.

 

This year’s deadline is November 1 and funding is available in two categories:

 

  • Research and Development Grants up to $10,000
  • Production Grants up to $50,000

 

For grant guidelines and application instructions, visit the California Documentary Project grants page at http://calhum.org/funding-opportunities/california-documentary-project/

 

Please note that we will also host a free informational webinar on how to apply to CDP in Monday, September 16 1-2:30 pm PST. Anyone interested can register here to attend: https://attendee.gotowebinar.com/register/4740146760333255691

 

Thank you in advance for your help. As always, please feel free to direct any likely applicants to me with questions.

 

Best,

John

 

 

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JOHN LIGHTFOOT

SENIOR PROGRAM OFFICER

 

California Humanities

538 9th St, Suite 210

Oakland, CA 94607

 

tel. 415.391.1474 x314

fax 510.808.7533

 

 

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calhum.org

 

 

 


Oral History Summer School – October 19-20 Mini Intensive at Verso Books

Hey FC. I've done one of these workshops and it's SO worthwhile. Really changed the way I think about interviewing. Details below!
-mia


Oral History Summer School will be back in NYC this fall for a mini-intensive weekend at Verso Books!
 
Please help us spread the word via social media, your favorite listservs, and word of mouth–for all friends/colleagues who might be interested in oral history, ethical documentary practices and the art of the interview. More information + registration links, below. 
Oral History Summer School: October Mini Intensive at Verso Books
Dates: Saturday, October 19 (9:30 AM to 5:00 PM) and Sunday, October 20 (10:00 AM to 6:30 PM)
Location: Verso Books Loft, 20 Jay Street, Suite 1010, Brooklyn NY
Instructor: Suzanne Snider

More information and registration.


Join Oral History Summer School for a weekend intensive in NYC. This hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. 


Over the course of the weekend, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company! No experience necessary.


This workshop is offered at a sliding scale, with a limited number of discounted tickets. Early registration is encouraged.

About OHSS: Oral History Summer School was established in Hudson, New York, in 2012, as an immersive training program to help students from varied fields––writers, social workers, radio producers, artists, teachers, human rights workers––make use of oral history as an ethical interview practice in their lives and work. 


OHSS_VERSO.gif

New Kitchen Sisters Interviewing, Recording & Podcasting Workshop, Monday, September 16 in San Francisco

Hey FC! My FAVORITE ladies of radio are offering their interviewing, recording, and podcasting workshop again. Don't miss this chance to learn from THE BEST. Details below.
-Mia

Hi All,

Time again for The Kitchen Sisters Interviewing, Recording & Podcasting Workshop. Davia Nelson is holding two workshops on Monday, September 16th in Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for an array of audio projects — podcasts, radio, online stories, storytelling, oral histories, family histories, news, documentaries and other multimedia platforms.

We cover interviewing and miking techniques, sound gathering, original, imaginative story structure, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, how to find your voice and how to listen (which is harder than it looks). We also talk podcasting. Serious talk about getting your podcast going and giving it a real sound.

The workshop is customized to fit the projects you are working on. People who have attended in the past have come from radio, film, multimedia, detective agencies, podcasting, newspapers, journalism, photography, oral history, historical societies, farms, music, ophthalmology, writing, libraries, archives, beer brewing, web design, restaurants, health care organizations, film, cheese-making and beyond. The groups are always lively and good contacts are made.

Sign up for one session on the 16th, whatever time works best for you.

Morning Workshop: 10:00 – 1:00pm
Afternoon Workshop: 2:00 – 5:00 pm

Cost: $160.00

Tickets available through our friends at Eventbrite.

The workshop is in North Beach at 916 Kearny St. Of course, snacks will be served.

Please pass this announcement along to your community.

Expand your skills, meet new people, support the work of The Kitchen Sisters.

See you there,

The Kitchen Sisters

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Workshop graphic by the great Wendy MacNaughton
Copyright © 2019 The Kitchen Sisters, All rights reserved.
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Our mailing address is:

The Kitchen Sisters

916 Kearny Street

San Francisco, CA 94133


Call for pitches from @Making_Contact

The latest call for pitches from Making Contact – below!
-mia
+++++++++++++++

https://www.radioproject.org/2019/08/want-stories-call-pitches-fall-2019/  

Making Contact produces media that analyses critical issues and showcases grassroots solutions in order to inform and inspire audiences to action. We are accepting pitches for 7-10 minute segments or 29-minute documentaries for upcoming shows in our Fall schedule.

We’re looking for both new radio pieces, or potential audio material that has previously aired non-exclusively (radio features, video docs, sound-rich podcasts etc.)

Although we’re always looking for stories on a variety of topics (so send those over, too), we’re particularly interested in the following list.

Please see our submission guidelines for more info on our style guidelines and pay rates. Your work will air on our 151 affiliate stations and on our podcast.

Please submit pitches to pitches@radioproject.org by September 16th

TOPICS OF INTEREST:

Prisons and People in Prison

  • Re-entry.
    • We’re seeking segments on post-release monitoring or surveillance – such as changes to the parole process, an exploration of monitoring and the use of algorithms, Life Without Parole, women in prison, and plea bargains.. What new solutionary approaches are there for success when our community members come back home? We’re more interested in stories of people working together than those finding individual one-off solutions.
  • Tech and prison. 
    • The modern prison system isn’t just a physical space – these days it’s virtual: breathalysers used in DUI cases; surveillance or predictive policing; tracking online activity are some examples.  How do we grapple with these new technologies and how do people fight them? 

Immigration

  • New stories from the border
      • We’re looking for illustrative, character-driven, myth-busting stories. What’s happening at the border? Why are people immigrating and what’s it like when they get here? And we love historical context! So bring on the history, economics and politics! 
  • Climate refugees 
      • How have rising seas and temperatures forced people to move? how is the world responding to such an unprecedented mass migration? How are island communities or people of color and the poor living on the coastline fighting to secure their safety and homes?
  • Rise of right wing nationalism
    • White nationalists, but also hindu nationalists, buddhist nationalists etc have always used immigrants as a scapegoat. How are we seeing this echoed across the world? Who belongs where? What about stateless people? What’s being hidden when governments expel the most vulnerable from their borders?

Reproductive Justice and Women of Color

  • Abortion access.
      • We’re seeing attacks on abortion all across the US with access to abortion rapidly decreasing. What’s the role of religious fundamentalism or the role of Catholic hospitals? What’s happening on the level of schools and colleges and availability of birth control and abortion healthcare on campus? How are students organizing?  How are people organizing to maintain and expand abortion access. Stories need to empahsize the intersection of race and gender and the particular impact of abortion access on the young, poor+working class women of color. 
  • Criminalization of reproductive access.
    • Women are being criminally punished for miscarriage or inducing abortion. We want to hear about the push to punish women, especially women of color or women from states in which abortion is not readily available. Again, what’s being done to protect women? 
  • Comprehensive Reproductive Justice 
    • Beyond access to abortion or birth control, Reproductive Justice includes the right to raise any children we do have with dignity in a safe, healthy, and supportive environment. Pitch us stories exploring ways women are dismantling health and social inequalities throughout our life cycles, and across our multiple realities of race, immigration status, queer and trans bodies, incarceration, age and geography.

White Supremacy and the Right Wing 

  • The historical roots of white supremacy.
    • The recent wave of white supremacy raging across the United States, and the internationally isn’t new “How are people confronting and dismantling it while exploring its history, financial backing, and the role police and governments? We’re seeking innovative stories about the history of white supremacy here and abroad and ways organizers are confronting that past.
  • Voter disenfranchisement and the ballot in 2020.
    •  How are people of color dissuaded or prevented from voting and exercising our/their political voice? How are white supremacists actively securing the voting booth again people of color in 2020. What are activists doing to stop voter disenfranchisement and protect the right to vote? 

Climate Change and Climate Justice

  • Grassroots Insurgency:
    • Pitch us stories that aren’t just about the coming apocalypse. Instead, stories that complicate the idea that we’ll be easily eradicated or that there’s no hope. How are people preparing to adapt to a changing climate? What’s going to make a difference in the coming decades? How are people organizing in their towns, communities or local jurisdictions? We’re looking for your stories that reframe the inevitability of global warming as a time for radical hope and imagination. 
    • Corporate Accountability and Water Privatization: We’re looking to build upon our past coverage of this issue spanning realms of environment, democracy and corporations attempting to privatize municipal water systems, and communities responding. We have a segment underway in ME and we’re interested in working with freelancers in areas such as Pittsburg, Flint, Lagos and your town.
  • Water Stories: 
    • Corporate Accountability and Water Privatization:   We’re looking for stories spanning realms of environment and democracy, in particular the corporations attempting to privatize municipal water systems, and how communities are responding. We have a segment underway in ME and we’re interested in working with freelancers in areas such as Pittsburg, Flint, Lagos and your town.
    • Got an update to the story of  Flint, MI? It’s one of the worst examples of water supply contamination and inadequate responses.  Also, one population that has endured generations of poverty, disputes over water rights, and a lack of plumbing infrastructure live throughout the Navajo Nation (Utah, New Mexico, Arizona), where nearly half of all people must get their water from pumps outside of the home. We’re looking for stories about the barriers to clean water access on Native American reservations, and what people are doing to improve access to clean water.

Looking forward to reading your pitches,

Salima Hamirani, Anita Johnson and Monica Lopez — Making Contact producers

——————————————————————
Lisa Rudman, Executive Director, Making Contact 

 

      


Opportunity for Journalists – Hostwriter offers €5000 in awards for collaborative journalism projects

Hello FC! See below for an upcoming opportunity from Hostwriter.
Best,
Mia
+++++++++

Application Process Opens for 2019 Hostwriter Prize

€5000 in Awards for Collaborative Journalism Projects

 

(Berlin, Germany) 3 September 2019 – Hostwriter is now accepting applications for its 2019 Hostwriter Prize, which grants €5000 in awards for collaborative journalism projects between members. The deadline to apply for the prize is 31 October 2019.

 

The Hostwriter Prize consists of two categories. The Story Prize presents awards for collaborative projects that have already been published, with €2000 going to the first prize winner and €1000 going to the second prize winner. The Pitch Prize awards €1000 each to two collaborative projects that have not yet been realized. Applications are accepted via the form at the Hostwriter Prize website. https://prize.hostwriter.org

 

Recent winners of the Story Prize include the first prize winners, Nathalie Bertrams and Ingrid Gercama, for their story, "Vanilla fever: Fear sours the sweet scent of Madagascar’s success," published in Mail & Guardian. There were two second place winners: Arthur Debruyne and Kolawole Talabi for their story, “Fish for cash: How the EU robs Africa of its seafood” and Irene Caselli, Mariangela Maturi, Claudia Jardim and Emil Staulund for their story, "A woman’s game: The first naturalised Dane female soccer player with Afghani roots."

 

More info on all of last year's prize winners can be found here.

 

The Hostwriter Prize was established in 2014 and is supported by an annual donation from the Otto Sprenger Stiftung, a foundation that honors the work of Otto Sprenger, a former unionist and employee of the NDR (a German public service broadcaster).

 

Hostwriter is an open network that helps journalists to easily collaborate across borders. We connect more than 4,300 journalists from 150+ countries to seek and offer help, whether in the form of local advice, story collaboration or accommodation. We see cross-border journalism as a tool to overcome national bias and prejudice, ultimately contributing towards better informed, more accountable and democratic societies.

 

Click here for a link to our online press kit, including high-res photos.

 

— ### —

Bernadette Geyer
Communications

 Collaborate with journalists worldwide: #JoinHostwriter

An award-winning network that helps journalists to easily collaborate across borders.

Two positions at KALW: Development Director and Executive Producer

See below for two job postings at KALW – a fab station in the Bay Area. Help spread the word!
-mia
++++++++++++++++

We’re looking for a development director for KALW and an executive producer for our daily public affairs show, Your Call.
Seeking energetic people who can bring news ideas and lead their teams through exciting transitions. Please send to your networks (Bay Area and beyond) and post these links widely! 
Many thanks,
Tina
____________________
Tina Pamintuan
General Manager
91.7 KALW, San Francisco
415-841-4121 x3003
Begin forwarded message:


Signal to Noise Award from @UnionDocs + Gilded Audio, deadline Aug 9

We’re excited to announce that the Signal to Noise Award is back! Co-presented with Gilded Audio, this grant celebrates creative work that synthesizes audio documentary and experimental sound design. 
Due on August 9th and open to all styles of production, the award includes: $5000 for production; production consultation and technical support from Gilded Audio Design; editorial consultation from the staff of UnionDocs; a free Hindenburg Journalist PRO license; and a celebratory event at the UnionDocs space in Brooklyn. 
You can check out more details + apply here: https://uniondocs.org/the-2019-signal-to-noise-award/ 
If you know anyone who is interested, feel free to pass this opportunity along! I have included sample promotional materials below. 
Looking forward to receiving your application! 
Abby Lord
Programs Assistant
UnionDocs
GIF:
FACEBOOK with GIF:
Attention all audio makers! UnionDocs and Gilded Audio are pleased to announce that The Signal to Noise Award is back. Celebrating creative work that synthesizes audio documentary and experimental sound design, the winning applicant will receive a $5000 production grant; production consultation and technical support from Gilded Audio Design; editorial consultation from the staff of UnionDocs; a free Hindenburg Journalist PRO license; and a celebratory event at the UnionDocs space in Brooklyn.
Applications are due 8/9! You can find more information + apply here: https://bit.ly/2Jx8m0h 
TWITTER with GIF:
Audio makers! @UnionDocs + Gilded Audio have announced The Signal to Noise Award to give your project the chance to come to life! Apps are due 8/9: https://bit.ly/2Jx8m0h 
Do you have an audio project that combines doc + experimental sound design? Apply to @UnionDocs + Gilded Audio’s Signal to Noise Award to win $5,000, production and technical support from Gilded Audio Design, editorial consultation + more! Due 8/9! https://bit.ly/2Jx8m0h 


7th Annual #RadioRace from @IPPkcrw, Aug 10

Hey FCers – KCRW's Radio Race is coming up on August 10. Details below.

-mia


++++++++++++

KCRW's 24-Hour Radio Race: August 10 to 11 


KCRW’s 7th Annual 24-hour Radio Race begins at 10 a.m. PST August 10 and lasts through 10 a.m. PST August 11. The Radio Race is great way for storytellers of all experience levels to break out of their daily routines and make a four-minute audio piece overnight. Winners get a cash prize, plus other perks like a free year-long membership to AIR and PRXYou’ll have just 24 hours to write, record and edit a four-minute nonfiction radio story. You can join as an individual or as a team of your creation. KCRW will air the top three winning pieces, and this time around, one team's piece will be chosen to air on our newest podcast Nocturne. And remember: the Radio Race is more than just an overnight competition. It’s an opportunity to produce the most original piece of radio anyone will hear in 2019. Think big, people! 

Registration here: kcrw.com/radiorace

Let me know if you have questions!

final @WritingpadUS podcasting class of the summer

Details below!

-mia

+++++++++++++++

 

Take a Podcasting Class at Writing Pad in Los Angeles and craft your show with a Producer of a prominent podcast (There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 3 of our students landed podcast producer jobs on Freakonomics, RFK Tapes, Unfictional, and Pandora. Use the coupon code FREELANCE or FREELANCEPLAN for 15% off.

 

5 WK PODCASTING CLASS IN LOS ANGELES IN JULY/AUGUST

 

Class deets:

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)—Starts NEXT Thurs. 7/25                           

Jul 25, Aug 8, Aug 15, Aug 22, Sep 12 (4 Thursdays, 1 Recording of Show Teaser at KCRW, 7:00 PM – 10:00 PM)

https://writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-4/

 

Anna Scott is a reporter and producer for KCRW. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

Best,

Marilyn

.@KALW’s Your Call seeks executive producer

Hello FC – happy summer! Just passing along that KALW in San Francisco is seeking an Executive Producer for their show – Your Call. Info in this link and pasted below. https://www.kalw.org/post/kalws-your-call-seeks-executive-producer

Cheers,
Mia

++++++++++++++++++

Your Call is a syndicated listener participation program broadcast weekdays from 10-11am PT on KALW 91.7 FM in San Francisco. Our aim is to engage with listeners in conversations about current events, politics, arts and the media, with a focus on the ways people can get involved, make change, and build community. We strive to be welcoming, curious, skeptical, and solutions-oriented. You can learn more at our website, www.yourcallradio.org.

Questions we’ve addressed recently include:

*What’s being done to address inhumane conditions in detention centers?

*How are sex trafficking survivors supporting each other and healing?

*How are moms across the country taking on the powerful gun lobby?

*What will it take to hold religious leaders accountable for clergy abuse?

*What is life like in Iraq, 16 years after the US invasion?

*Canada acknowledges genocide against MMIW. What’s next?

*How should California tackle its child poverty crisis?

*What’s being done to save the bees?

Every Friday, we host the popular media roundtable, which brings together journalists from the mainstream, alternative, and international press to critique the week's news coverage. And for the past year, we’ve broadcast our One Planet series, which explores the interconnected crises facing humanity and the planet we share. 

KALW was the first FM station west of the Mississippi, one of the first NPR affiliates, and the first public broadcaster to bring BBC programming to the San Francisco Bay Area, the nation’s 5th largest media market.  

WE’RE LOOKING FOR SOMEONE WHO:

*Is a self-starter who brings ideas on how to develop funding streams for the program through underwriting, dedicated foundation fundraising, and listener/ membership engagement.

*Understands how to take a well-established program to the next level by assessing the program’s strengths and challenges, surveying the existing radio/audio market and increasing listener reach and engagement.

*Is immersed in news and current affairs and has new ideas about facilitating dialogue and bringing listeners into conversations that matter.

*Has excellent writing, editing and fact-checking skills, as well as sound editorial judgment.

*Maintains high standards for all written materials, especially show and web copy.

*Can handle daily deadlines and the pressures of live radio.

*Works well independently, on a small team, and enjoys creative collaboration.

DUTIES & RESPONSIBILITIES

*Successfully manages a small team and annual budget with clarity and creativity.

*In consultation with development director and general manager, sets direction for a strategic fundraising plan for Your Call.

*Works with the host and senior producer to syndicate Monday’s One Planet series and Friday’s Media Roundtable.

*With host, runs weekly editorial and production meetings.

*Produces two shows per week: Schedule, pre-interview, and prepare guests for the broadcast; provide preparatory and research materials for the host; write script intro and questions, next day promos, and the show posting (description, headline, and links) for the website; work with social media producer to raise awareness about each show.

*Oversee the broadcast in-studio 2 days a week: Screen phone calls, direct engineers, and communicate with host.

*Track potential guests coming to town, order books, and reach out to publicists.

*Come up with creative ideas to promote the show, the Your Call podcast, and grow our social media presence.

*Set up the studio for our guests and enable our Facebook live broadcast.

EXPERIENCE & KNOWLEDGE REQUIRED:

*Three+ years radio experience in news and/or public affairs programming.

*News reporting experience preferred.

*Fundamentals of digital audio editing.

*Experience with show syndication; planning and implementation of social media strategy in coordination with producers and host. 

*Experience identifying and researching possible funders and underwriters for journalistic projects, track record of successful grant writing. 

*Demonstrated ability to manage a small, highly motivated team under tight deadlines. 

START DATE: Immediate

PAY & BENEFITS: Independent contractor. Compensation commensurate with experience, in the market range for comparable positions in public radio.

PLEASE SUBMIT THE FOLLOWING MATERIALS BY JULY 31, 2019:

*Resume, including your e-mail address.

*A short personal statement about what you’d bring to Your Call and KALW. What creative ideas do you have for reaching new audiences and fundraising streams for Your Call?

*Three examples of your radio/audio work: Shows or podcasts you have hosted or produced, reporting, and/or promos you have scripted or produced.  (Share as MP3, CD, or online link)

*Three examples of your writing.  Can include radio scripts.

*Three professional references.

All application materials must be RECEIVED by close of business on July 31st.

Please submit all materials to:

ATTN: Tina Pamintuan/General Manager

KALW-FM

500 Mansell Street

San Francisco, CA 94134

OR

tina@kalw.org

KALW and the San Francisco Unified School District is an equal employment opportunity employer committed to maintaining a non-discriminatory work environment. KALW/SFUSD does not discriminate against any employee or applicant for employment on the basis of race, color, religion, sex, national origin, age, disability, veteran status, marital status, sexual orientation, or any other characteristic protected by applicable law.

AIR’s 2019 New Voices Scholarships close this Friday!

Hey FC! Just a reminder from the fine folks at AIR


The application process for AIR’s 2019 New Voices Scholarships closes this Friday, May 31 at midnight ET. Selected scholars receive a stipend up to $1,500 to attend the 2019 Third Coast Conference, a complimentary one-year AIR membership, and special opportunities and support at the conference as well as throughout your career. If you have questions, email AIR’s program director, Tran Vu, at Tran@airmedia.org.

Cheers,
Mia

updated course schedule from @WritingPadUS

Take a Podcasting Class at Writing Pad in San Francisco or Los Angeles and craft your show with a Producer of a prominent podcast (Against The Rules with Michael Lewis (Moneyball, The Big Short), There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 3 of our students landed podcast producer jobs on Freakonomics, RFK Tapes, Unfictional, and Pandora. Use the coupon code FREELANCE for 15% off.

 

5 WK ADVANCED PODCASTING CLASS IN SAN FRANCISCO IN JUNE

 

Podcasting 1 w/ Catherine Girardeau (Producer, Against The Rules (Michael Lewis, The Big Short))—Starts Wed. 6/5 

Jun 5, Jun 12, Jun 19, Jun 26, Jul 10 (5 Wednesdays, 7:00 PM – 10:00 PM) SF 

https://writingpad.com/classes/san-francisco-podcasting-class-catherine-girardeau-2/

 

Catherine Girardeau is a senior producer of Against The Rules, a podcast with author/journalist Michael Lewis (Moneyball, The Big Short), recently featured on This American Life. Against The Rules covers fairness and the people who try to enforce it for Pushkin Industries (an audio company co-founded by Jacob Weisberg, former chairman & editor-in-chief, Slate Group and bestselling author Malcolm Gladwell (The New Yorker). Catherine is also a producer for Origin Stories for the Leakey Foundation and a podcaster in residence at Grace Cathedral. She's also been a senior producer at Slate.com, worked with Depict.com, the Stanford Storytelling Project, APM's Marketplace, KALW, etc. Her radio features have been aired on PRI's The World, Marketplace, Marketplace Tech. 

 

Check out a segment of Against The Rules’ 1st episode on This American Life (Act 1): https://www.thisamericanlife.org/672/no-fair

 

And this great LA Times Review of Against The Rules:

https://podcastreview.org/review/against-the-rules/

 

In this class, Catherine teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

5 WK PODCASTING CLASS IN LOS ANGELES IN JUNE

 

Class deets:

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)—Starts Thurs. 6/6                           

Jun 6, Jun 13, Jun 20, Jun 27, Jul 11 (5 Thursdays, 7:00 PM – 10:00 PM) LA – West

https://writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-4/

 

Anna Scott is a reporter and producer for KCRW. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

New Voices Scholarship applications are now open! Apply by midnight ET on 5/31

Hey FC crew. One of my favorites posts of the year – the announcement of the AIR New Voices Scholarships! Application details below. GO FOR IT!
-mia

+++++++++++++++

We're excited to announce that applications for AIR's 2019 New Voices Scholarships are now open. Every year we partner up with Third Coast to provide 15 recipients with funding for travel and attendance to the annual Third Coast Conference in Chicago, Illinois, held October 31–November 2 this year.

If chosen, you receive: A stipend up to $1,500 to attend the 2019 Third Coast Conference, a complimentary one-year AIR membership, and special opportunities and support at the conference as well as throughout your career. All New Voices Scholars are gathered for a two-day retreat on Tuesday, October 29 and Wednesday, October 30, 2019, before Third Coast Conference begins. The full New Voices time commitment is October 29–November 3.

The deadline is Friday, May 31 at midnight ET. Apply soon or send the application along to someone who should! Read our FAQ here.

latest courses from @WritingPadUS

Hey folks. Here's the latest from https://writingpad.com/, including a course taught by my colleague, Catherine Girardeau! You don't want to miss that one.
Best,
Mia

+++++++++++


Take a Podcasting Class at Writing Pad in San Francisco or Los Angeles and craft your show with a Producer of a prominent podcast (Against The Rules with Michael Lewis (Moneyball, The Big Short), There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 3 of our students landed podcast producer jobs on Freakonomics, RFK Tapes, Unfictional, and Pandora. Use the coupon code FREELANCE for 15% off.

 

5 WK ADVANCED PODCASTING CLASS IN SAN FRANCISCO IN MAY

 

Podcasting 1 w/ Catherine Girardeau (Producer, Against The Rules (Michael Lewis, The Big Short))—Starts NEXT Wed. 5/15

May 15, May 22, Jun 5, Jun 12, Jun 19 (5 Wednesdays, 7:00 PM – 10:00 PM) SF https://writingpad.com/classes/san-francisco-podcasting-class-catherine-girardeau-2/

 

Catherine Girardeau is a senior producer of Against The Rules, a podcast with author/journalist Michael Lewis (Moneyball, The Big Short), recently featured on This American Life. Against The Rules covers fairness and the people who try to enforce it for Pushkin Industries (an audio company co-founded by Jacob Weisberg, former chairman & editor-in-chief, Slate Group and bestselling author Malcolm Gladwell (The New Yorker). Catherine is also a producer for Origin Stories for the Leakey Foundation and a podcaster in residence at Grace Cathedral. She's also been a senior producer at Slate.com, worked with Depict.com, the Stanford Storytelling Project, APM's Marketplace, KALW, etc. Her radio features have been aired on PRI's The WorldMarketplace, Marketplace Tech.

 

Check out part of Against The Rules 1st episode on This American Life here (Act 1): https://www.thisamericanlife.org/672/no-fair

 

In this class, Catherine teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

5 WK PODCASTING CLASS IN LOS ANGELES IN JUNE

 

Class deets:

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)—Starts Thurs. 6/6                           Jun 6, Jun 13, Jun 20, Jun 27, Jul 11 (5 Thursdays, 7:00 PM – 10:00 PM) LA – West https://writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-4/

Anna Scott is a reporter and producer for KCRW. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

Best,

Marilyn

Current seeks freelance writers

Did you know? Current takes pitches from freelance writers! Details in this link and pasted below:
https://current.org/writing-for-current/

+++++++++++++++++


Who reads Current?

Current’s primary audience is made up of people who work at public radio and television stations, networks and production companies. 

Our readers typically expect more details and context in coverage of public media than what other publications usually provide. They also expect reporting that takes them behind the scenes to explore developments that affect their work and helps them understand the thinking behind decisions that shape programs, policies and special initiatives.  

We aim to provide public media professionals with valuable insights and information that helps them and their institutions reach new levels of success.

Submissions from freelance journalists

We are particularly interested in these kinds of stories:

If you’d like to explore our website to get a sense of what we usually cover and review all the reporting shared as links above, we can grant temporary access behind our paywall.

Submit your pitch to pitch@current.org

Submissions from public media professionals

Current frequently publishes contributions from people working in public media. We are especially interested in:

We don’t pay public media professionals for submissions unless the piece requires unusual levels of research, travel and/or gathering of data. Commentaries that are too self-promotional — written to market a show or service to public media — will not be accepted. It’s okay to describe your successes, but be sure to explain the challenges, setbacks or learning process that informed your approach.  

If marketing and promotion are what you’re after, consider placing advertising in Current, including sponsored content.

Send your pitches or completed drafts to pitch@current.org.

Rewind

Rewind, our series about the history of public media, specializes in essays illuminating people, institutions and milestones in public broadcasting history that still resonate today. Many of our Rewind pieces are derived from research and writing projects undertaken by scholars in media history. Submit ideas, excerpts and completed drafts to series co-editor Mike Janssen at mike@current.org.

Job postings from @KALW’s The Spiritual Edge

Gigs available at KALW – a fab station!
-mia
++++++++++++++++
KALW's award-winning reporting project The Spiritual Edge is seeking an experienced editor(s) for three exciting projects. Email judysilber@gmail.com for more information.
The three positions are the following:
1. KALW Public Radio seeks an experienced part-time audio editor to work on an exciting project that will profile leading human rights activists around the globe.

KALW’s The Spiritual Edge is partnering with the USC Center for Religion and Civic Culture to produce 18 audio stories about “Spiritual Exemplars” around the world. Spiritual Exemplars are defined as extraordinary people working on humanitarian causes, such as poverty and human rights, who are inspired and sustained by their spiritual beliefs and practices. We imagine that these will be sound-rich, strong human-interest stories of 8-20 minute in length, produced in a variety of audio styles. Final products will air on KALW and will also be put together as a podcast series.


We just finished selection of a small group of seasoned and talented journalists and are now seeking an editor to help guide the reporting, edit scripts and mixes, and help design the overall sound and feel. The ideal candidate will have past professional editing experience, is a creative thinker, works well collaboratively and is interested in telling nuanced stories about religion that neither vilify nor exalt. International reporting or editing experience is a plus. Bay Area residence is preferred. Second best would be within the Pacific standard time zone. And if you’re really good, and are located elsewhere, we still want to hear from you.

This is a part-time position that will pay $36,000 to edit 18 in-depth feature stories over the next two-plus years, and up to 10 additional short, non-narrated, StoryCorps-like pieces. Other than reporters, with whom you’ll work from pitch to completion,  you will be working with KALW sound engineers and the executive editor of The Spiritual Edge. We anticipate a rigorous editing process, including group edits, to ensure stories of the highest quality.

KALW is a chill, fun, creative working environment where audio journalists are encouraged to experiment and grow. Women and POC encouraged to apply. Deadline to apply is Tuesday, April 23. Please include a resume and cover letter that tells us why this project appeals to you and why you think you’re qualified. Please also include clips that you’ve edited and a note about how you contributed to the final product. Send to thespiritualedgeradio@gmail.com.


2. KALW Public Radio seeks a part-time editor to become part of a team working on an eight-part broadcast/podcast series about a Native American tribe in Northern California.


The project is complex and ambitious in the ground it hopes to cover. The tribe is fighting to save its sacred sites. In addition, the series will wrestle with how the state and federal government approach water resources, land ownership, and recognition of tribes and their religious rights.

Our ideal editor has great storytelling skills and journalism chops to help guide two reporters as they do original reporting. The reporting will cover questions about the tribe’s loss of land, the reasons for its non-federally recognized status and a water district pushing policies that would irreversibly harm sacred sites. Once the reporting is done, the editor will be expected to work with the journalists on structure, script writing and sound design.

We’re looking for someone with previous professional editing experience. S/he has edited complex subjects that involve cultural sensitivity and has experience working with the Native American community. The candidate enjoys getting creative when it comes to sound. Bay Area residence is preferred. Second best would be within the Pacific standard time zone. And if you’re really good, and are located elsewhere, we still want to hear from you.


Total compensation is $24,000. We anticipate doing regular check-ins with the editor through about October, which is when we plan to start writing scripts and when the work of the editor will become more intense. Release of the podcast is planned for early 2020.  


KALW is a chill, fun, creative working environment where audio journalists are encouraged to experiment and grow. Women and POC encouraged to apply. Deadline to apply is Tuesday, April 30. Please include a resume and cover letter that tells us why this project appeals to you and why you think you’re qualified. Please also include clips that you’ve edited and a note about how you contributed to the final product. Send to thespiritualedgeradio@gmail.com.


3. KALW Public Radio seeks a part-time editor to become part of a team working on a seven-part broadcast/podcast series about Muslim converts in the United States.

The series is part of KALW’s reporting project The Spiritual Edge which began airing stories in 2014. We’re launching a podcast in which we’re using religion as a tool to tell complex stories and go deep into one of the fastest growing religions in the world.

Our ideal editor has great storytelling skills and journalism chops to help guide an experienced KALW reporter and one-two freelancers as they do this original reporting. The series about Muslim Converts will center around personal stories, but also investigate trends such as the religious dilemmas faced by many American women converts, the Black Muslim movement and online radicalization.

We’re looking for someone with previous professional editing experience. S/he has edited subjects with cultural sensitivity and ideally knows something about the Muslim community. The candidate enjoys getting creative when it comes to sound. Bay Area residence is preferred. Second best would be within the Pacific standard time zone. And if you’re really good, and are located elsewhere, we still want to hear from you.

Total compensation is $24,000. We anticipate that the total length of the project will be about a year. This will include regular check-ins followed by bursts of more intense activity as stories are being scripted and edited. Release of the podcast is planned for spring of 2020.


KALW is a chill, fun, creative working environment where audio journalists are encouraged to experiment and grow. Women and POC encouraged to apply. Deadline to apply is Tuesday, April 30. Please include a resume and cover letter that tells us why this project appeals to you and why you think you’re qualified. Please also include clips that you’ve edited and a note about how you contributed to the final product. Send to thespiritualedgeradio@gmail.com.


Oral History Summer School workshops 2019, Hudson, NY – applications open now

Hey FC folks! I can speak from experience when I say that Oral History Summer School is WELL worth it. Details for their upcoming season below.
-mia

+++++++++++++

Applications are now open for Oral History Summer School 2019! We have two workshops in Hudson, NY this summer:
June 10 – June 19
June 27 – July 2

Come all ye budding oral historians, artists, advocates, and researchers who wish to make of use of oral history in your practices. More information and registration on our website: www.oralhistorysummerschool.com

two jobs available at San Francisco Public Press

Bay area gigs! Details below.
-mia
https://sfpublicpress.org/blog/2019-04/san-francisco-public-press-seeks-radio-host-reporter
https://sfpublicpress.org/blog/2019-04/san-francisco-public-press-seeks-radio-producer

+++++++++++++++++++++++++++

San Francisco Public Press Seeks Radio Host / Reporter

The San Francisco Public Press is a nonprofit news organization that provides independent analysis of government and other powerful interests through in-depth investigative reports published online and in a quarterly print edition. We cover politics, housing, education, environment, labor, economics, immigration, health, public safety and a range of other topics. You can learn more at our website, sfpublicpress.org. We are expanding the scope of our work with more frequent, detailed coverage of local government by adding podcasts and terrestrial radio broadcasts via a new independent radio station.

We are seeking an experienced radio / print journalist to host a daily audio program and post news articles focused on San Francisco City Hall. The radio program will consist of one-on-one interviews and roundtable discussions about timely topics with elected officials, city employees, subject-matter experts and community members who care about important local issues. Segments will audio and video stream online and go live on KSFP, a low-power FM radio station that begins broadcasting on 102.5 FM in San Francisco this summer. Segments may also run on local and regional partner public radio stations.

The show will guide listeners through the daily news of local government and provide context and depth for complex, evolving policy stories, well before they’re placed on a ballot or presented publicly by agencies. The show also will tackle civic education topics. Our goal is ambitious: To create the essential audio news source about the inner-workings of one of the world’s great cities. And you will have a role in collaborating to build an audio news product from scratch, and continuing to refine it based on responses from listeners and the community.

WE’RE SEEKING A RADIO / PRINT JOURNALIST WHO

* Is a news hound, with an insatiable appetite for and familiarity with local current affairs.
* Has experience and fluency in sparking open and in-depth conversation and dialogue.
* Can be welcoming while maintaining a critical distance from sources who may opine on controversial topics.
* Knows how local government works and who the key players are.
* Maintains high editorial standards and sound news judgment.
* Can work independently and can collaborate with others in a small team.
* Demonstrates excellent writing, editing, and fact-checking skills and can work on short deadlines.

DUTIES & RESPONSIBILITIES

* Hosting a daily show featuring live on-air interviews, with introductory scripts based on research.
* Generating guest lists and show ideas, and pre-recording interviews when necessary.
* Reporting on local policy issues when news breaks and coordinating with senior editor on web and print stories.
* Working with a producer to refine, post and promote podcast segments and Facebook Live broadcast.
* Collaborating with Public Press editorial staff to facilitate in-depth reporting projects.
* Assisting with social media, community engagement and live events.
* Making occasional public appearances consisting of interviews and panel moderation.

EXPERIENCE & KNOWLEDGE REQUIRED

* Three+ years radio experience in news reporting and public affairs programming.
* Mastery of, and comfort with, on-air live interviewing techniques.
* Advanced digital audio editing skills.
* Familiarity with crafting social media posts.

PAY & BENEFITS

* Full-time compensation commensurate with experience, in the market range for comparable positions in nonprofit local independent news.
* Health insurance and flexible spending plan.

WHAT WE NEED FROM YOU

* Resume, including your e-mail address and phone number.
* A thoughtful cover letter about what you’d bring to the Public Press and its radio startup, KSFP. We want to hear your ideas for making civic policy into relevant, engaging audio. How would you create distinctive local news content that connects with listeners? Do you have experience in entrepreneurial journalism, program creation and audience development? Can you thrive in a small-team environment? What stories are under-reported in the city? What voices have been excluded from the airwaves?
* Three examples of your radio/audio/print work: Shows or podcasts you have hosted or produced, reporting, and/or promos you have scripted or produced.
* Three examples of your writing. Can include radio scripts.
* Three professional references.

All application materials must be RECEIVED by close of business on Friday, April 12.

Please submit all materials to:

ATTN: Michael Stoll, Executive Director
San Francisco Public Press
44 Page St., Suite 504
San Francisco, CA 94102

OR

jobs <at> sfpublicpress <dot> org

The San Francisco Public Press is committed to diversity and seeks to reflect the cultural richness of the Bay Area in its editorial content production, community engagement and work environment. The Public Press encourages and actively recruits applicants representing a broad diversity of backgrounds including but not limited to age, national origin, ethnicity, race, religion, ability, sexual orientation, gender or political affiliation.

++++++++++++++++++++++++++++++++++++++++

San Francisco Public Press Seeks Radio Producer

The San Francisco Public Press is a nonprofit news organization that provides independent analysis of government and other powerful interests through in-depth investigative reports published online and in a quarterly print edition. We cover politics, housing, education, environment, labor, economics, immigration, health, public safety and a range of other topics. You can learn more at our website, sfpublicpress.org. We are expanding the scope of our work with more frequent, detailed coverage of local government by adding podcasts and terrestrial radio broadcasts via a new independent radio station.

We are seeking an experienced radio producer to develop, record and distribute a daily audio program focused on San Francisco City Hall. The radio program will consist of one-on-one interviews and roundtable discussions about timely topics with elected officials, city employees, subject-matter experts and community members who care about important local issues. Segments will audio and video stream online and go live on KSFP, a low-power FM radio station that begins broadcasting on 102.5 FM in San Francisco this summer. Segments may also run on local and regional partner public radio stations.

The show will guide listeners through the daily news of local government and provide context and depth for complex, evolving policy stories, well before they’re placed on a ballot or presented publicly by agencies. The show also will tackle civic education topics. Our goal is ambitious: To create the essential audio news source about the inner-workings of one of the world’s great cities. And you will have a role in collaborating to build an audio news product from scratch, and continuing to refine it based on responses from listeners and the community.

WE’RE SEEKING A 3/4-TIME PRODUCER WHO

* Is well versed in the issues in local news, passionate about public affairs and committed to diverse community programming. 
* Can multitask many jobs that span technical editing, equipment management, journalism and people management.
* Is up to date with current technologies for live and time-shifted broadcast distribution.
* Can work independently and can collaborate with others in a small team.

DUTIES & RESPONSIBILITIES
* Managing communication with audience during the show via phone, email and social media.
* Supporting host during shows and subbing in for the host when needed.
* Working with host to produce podcast segments.
* Writing summaries of segments and posting to sfpublicpress.org and social media.
* Managing college interns.
* Coordinating with and assisting director of membership and community on live events.

EXPERIENCE & KNOWLEDGE REQUIRED

* Three+ years experience in audio engineering, production and content creation.
* Mastery of digital audio editing and digital asset management.
* Expertise in audio studio equipment setup and maintenance.
* Demonstrated competence in interviewing for audio broadcast.
* Familiarity with crafting social media posts.

PAY & BENEFITS

* Thirty hours per week compensation commensurate with experience, in the market range for comparable positions in nonprofit local independent news.
* Health insurance and flexible spending plan.

WHAT WE NEED FROM YOU

* Resume, including your e-mail address and phone number.
* A thoughtful cover letter about what you’d bring to the Public Press and its radio startup, KSFP. We want to hear your ideas for making civic policy into relevant, engaging audio. How would you create distinctive local news content that connects with listeners? Do you have experience in entrepreneurial journalism, program creation and audience development? Can you thrive in a small-team environment? What is your technical editing background? Have you ever set up or renovated an audio studio?
* Three examples of your radio/audio/print work: Shows or podcasts you have hosted or produced, reporting, and/or promos you have scripted or produced.
* Three examples of your writing. Can include radio scripts.
* Three professional references.

All application materials must be RECEIVED by close of business on Friday, April 12.

Please submit all materials to:

ATTN: Michael Stoll, Executive Director
San Francisco Public Press
44 Page St., Suite 504
San Francisco, CA 94102

OR

jobs <at> sfpublicpress <dot> org

The San Francisco Public Press is committed to diversity and seeks to reflect the cultural richness of the Bay Area in its editorial content production, community engagement and work environment. The Public Press encourages and actively recruits applicants representing a broad diversity of backgrounds including but not limited to age, national origin, ethnicity, race, religion, ability, sexual orientation, gender or political affiliation.

new classes from @WritingPadUS – discount for FC

Hello Freelance Cafe! Just passing along the latest from the fine folks at Writing Pad. Details below.
-mia
++++++++++++++++

Take a Podcasting Class at Writing Pad in San Francisco or Los Angeles and craft your show with an NPR Producer of a prominent podcast (Slate.com with Michael Lewis (Moneyball, The Big Short), There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 2 of our students have gotten producer jobs on Freakonomics, RFK Tapes, and Unfictional. Use the coupon code FREELANCE for 15% off.

5 WK PODCASTING CLASS IN SAN FRANCISCO IN MARCH

Shaina Shealy is a producer of Snap Judgment as well as a radio journalist whose stories have been distributed by national news outlets including the PRI The World, NPR.org and the New York Times online.

In this class, Shaina teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

Class Deets:

PODCASTING w/ Shaina Shealy (Producer, Snap Judgment)–Starts Wed. 3/13. 1 SPOT!

Mar 13, 20, 27, Apr 7 10 (4 Wed. Nights, 7-10 PM, 1 Sun. Night w/ a Recording Session at a Pro Studio), San Francisco

https://writingpad.com/classes/san-francisco-podcasting-1-class-shaina-shealy/

5 WK PODCASTING CLASS IN LOS ANGELES IN MARCH


David Weinberg is a Los Angeles based journalist and radio producer. His stories have been featured on 99% Invisible, Radiolab, The World, Love and Radio the BBC. He was a staff reporter at Marketplace and is currently a reporter at KCRW and host of the podcast Welcome to LA. His story "Grace of the Sea" was named "One of the 50 Best Podcast Episodes of 2015" by The Atlantic and his feature about an underground french fry maverick won a national Edward R. Murrow for best feature reporting in 2017. His print work has been published in The New York Times.


Through informative craft lectures, in-class writing exercises, deconstructing successful podcasts and hands-on technical training you will learn how top tier shows are developed, researched, written, and produced. In addition, you will explore tools of the trade such as interviewing techniques, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class you will have thoroughly developed an idea for your own podcast and have at least a solid outline of your pilot episode plus a recording of a short teaser. Pulitzer not included.

Class deets:


PODCASTING w/ David Weinberg (99% Invisible, Radiolab, KCRW)–Starts Tues. 3/12. 1 SPOT!


Mar 12, Mar 19, Mar 26, Apr 2, April 9 (5 Tuesday nights, 7:30 PM – 10:30 PM), LA – East


https://writingpad.com/classes/los-angeles-podcasting-class-david-weinberg-2/

ReplyReply allForward

USC Center for Religion and Civic Culture seeks audio reporters to profile spiritual exemplars, deadline March 10

See below for an opportunity from the USC Center for Religion and Civic Culture. $5,000 per profile, plus a stipend for expenses. More info below.
-mia


https://crcc.usc.edu/journalists-apply-for-spiritual-exemplars-project-international-religion-reporting/

Journalists: Apply to Profile Exemplars Around the World

CRCC is seeking applications from journalists to profile spiritual exemplars around the world. About 12 journalists will receive stipends and travel expenses to produce profiles, and will have editorial freedom to publish them with CRCC or outside media organizations. 

Click here for more information and the application form.

Fwd: KALW summer journalism program: calling all applicants!

See below from KALW – a great place to learn!
+++++++++++++++++++++++=

Hello friends of KALW!


It’s that time of year again – KALW is now accepting applications for our summer journalism program at our station in San Francisco.


We’re hoping that you can help us spread the word!


This is a great opportunity for someone who is just starting their career as a radio journalist and has a basic level of experience producing radio features, but wants to build on that experience and grow in our supportive, collaborative newsroom. This is an unpaid internship/volunteer opportunity; training will be provided. We have a track record of developing new and diverse public media talent and we are excited to help people hone their craft!  


More information, including directions on how to apply, can be found on our website.


The application deadline is March 1, 2019, 11:59 p.m. PT.


Thank you for your help getting the word out!

call for pitches from Making Contact

Call for pitches from the fine folks at Making Contact. Details below!
-Mia
+++++++++++++++++++

We Want Your Stories: Call for Pitches

Making Contact an award-winning public radio project, heard on over 150 radio stations and via podcast, is accepting pitches for 7-10 minute segments or 29-minute documentaries for upcoming shows in our winter schedule.

We’re interested in receiving pitches that explore the less obvious facets of these topics. Our aim is to provide the listener with strong analysis of critical issues not often explored and showcase grassroots solutions. We are particularly interested in working with reporters whose work is underrepresented in the media. Below are some initial topics we’re considering but feel free to pitch us something that isn’t listed as a topic of interest.

Topics of Interest:

Prisons and People in Prison

The modern prison system isn't just a physical space – these days it’s virtual. What sorts of digital prisons exist and how are they affecting people? Examples could be Breathalysers used in DUI cases; surveillance or predictive policing.  How do we grapple with these new technologies and how are people fighting them?

 

In addition to digital prisons we're seeking stories on “re-entry” and the issues people face when released from prison. How are people organizing to support those recently released? How do classes and programs inside impact one’s ability to smoothly re-enter society? We’re interested in segment pitches related to post-release monitoring or surveillance – such as changes to the parole process in more progressive states, an exploration of monitoring and the use of algorithms, Life Without Parole, women in prison, and plea bargains. We're also interested in pitches on the practice of cash bail and efforts to end it.

Immigrants

Immigrants’ human rights and dignity: Where are we now, and where are we going from here? What have been some of the most bold push backs to the criminalization of immigrants? Tell us about collective actions from immigrant communities. We’re looking for illustrative, character-driven, myth-busting stories. Myth: most undocumented immigrants cross the southern border and thus a wall is needed. Fact: most immigrants travel by air or overstay their visas. Take a look at the Netflix series, Adam Ruins Everything, immigration episode for creative ways to illustrate the who, how, and why. The larger historical context in that piece is very Making Contact-ish, so bring on the historical, political, and economic context.

We’re also seeking stories on climate refugees, how rising seas and temperatures have forced people to move and how the world is responding to such an unprecedented mass migration.

Cannabis Capital

Pre-Legalization of Marijuana, millions were sentenced. What should happen to those who have drug convictions now that it’s legal in several states?  How are folks organizing to provide former convicted dealers access to the growing marijuana industry, and how are individuals organizing to challenge racial exclusion within the cannabis industry? How has the growth of the marijuana industry isolated disenfranchised communities and forced displacement? Also we're looking for segments that explore the benefits of medical cannabis and how cannabis is used to assist individuals suffering from conditions that have not responded to conventional medicine.

Finally, how will legalization change the conditions of people growing, harvesting and cutting marijuana. For instance, how will legalization make it safer for women harvesting in remote areas? Or, how will it impact people who currently sell marijuana illegally but turn a profit in areas where other jobs are not easily accessible?

LGBTQ – Queer Resistance

  • The Stonewall rebellion – 50 years later, how far have we really come?

  • Black Queer Resistance & Leadership. (Two of the three founders of Black Live Matters are queer-identified, as an example)

  • How do queer and trans issues correlate with organizing and resistance?

  • How does state violence specifically impact queer folks of color?

We’re interested in segment pitches that explore the negotiation of gender and performance. A sound-rich piece that examines societal norms and gender roles that suggest a person is either masculine looking/acting or feminine versus being allowed to just be.

 

We’re also interested in exploring the complex and intersectional nature of queer marginalization in rural or urban spaces.  How do people involved in the envisioning and planning of cities contribute to the social movements still fighting for change and justice? FIERCE's campaign for a queer youth center in the West Village and the Audre Lorde Project’s Safe Neighborhood Campaign in Bedford-Stuyvesant are examples.

 

More than 50 countries carry maximum sentences for homosexuality or homosexual behavior. Another LGBTQ topic of interest is exploring countries that criminalize homosexuality and the various ways queer people in those spaces navigate the law and organize to challenge homophobia. Take a look at The Guardian article, “Brazil’s fearful LGBT community prepares for a “proud homophobe,” for examples of resistance against anti-gay fundamentalism.

 

 

Growing Fascism

Fascism is a term thrown about a lot these days, especially with the rise of white nationalism. But, what does fascism mean and how is it affecting our lives, and our government? We're seeking pitches that can talk about the rise in fascism in the US and why it’s happening. Does Trump play a role? Is it the internet? Or, are the answers more complex? What's the link between what's happening here in the US and what's been happening in Europe? What can we learn from how organizers have fought fascism in the past, and how they're currently fighting across the globe? Finally, how have governments tried to limit or even criminalize protest as a way to stifle dissent?

 

Medicare for All

As it stands in the United States, health care is a privilege and not a right. During the 2016 presidential campaign, Bernie Sanders presented the idea of a single national health insurance program for all Americans. Now, with several Democrats pushing the conversation forward how far are we from having health care for all? Should it be framed as a political issue debated among party-lines or as a basic human right? We’d be interested in hearing from people who are struggling to pay for unexpected medical bills and provide health care for their families.

 

 

Positive Resilience, Domestically and Internationally

We’re looking for stories that break out of the gloom and doom, make policy discussions accessible, and give us a glimpse of people coming together to take steps now.  Pitch us stories about various bottom-up and grassroots organizing methods and tactics against privatization, land grabs, military presence, economic experiments.

 

HOW TO SUBMIT YOUR WORK TO MAKING CONTACT

Please submit a pitch to pitches@radioproject.org by Thursday, January 31, 2019. All submissions will be viewed, but due to the number of submissions, it may take as long as 2 to 3 weeks for a response. Be sure to include a short bio/description of your journalistic experience and a link to 1-2 long-form audio pieces or written articles.

Please see our submission guidelines for more info and pay rates. A reminder: we are happy to review already produced radio pieces or podcast episodes and we don’t require exclusives.

upcoming courses from @WritingPadUS

Hey FC folks – happy new year! Here's the latest from Writing Pad – check it out!

Best,
Mia


+++++++++++++


5 WK PODCASTING CLASS IN LOS ANGELES IN JANUARY

 

David Weinberg is a Los Angeles based journalist and radio producer. His stories have been featured on 99% Invisible, Radiolab, The World, Love and Radio the BBC. He was a staff reporter at Marketplace and is currently a reporter at KCRW and host of the podcast Welcome to LA. His story "Grace of the Sea" was named "One of the 50 Best Podcast Episodes of 2015" by The Atlantic and his feature about an underground french fry maverick won a national Edward R. Murrow for best feature reporting in 2017. His print work has been published in The New York Times.

 

Through informative craft lectures, in-class writing exercises, deconstructing successful podcasts and hands-on technical training you will learn how top tier shows are developed, researched, written, and produced. In addition, you will explore tools of the trade such as interviewing techniques, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class you will have thoroughly developed an idea for your own podcast and have at least a solid outline of your pilot episode plus a recording of a short teaser. Pulitzer not included.

 

Class deets:

 

PODCASTING w/ David Weinberg (99% Invisible, Radiolab, KCRW)–Wed. 1/30 1 SPOT!
Jan 30, Feb 6, Feb 13, Feb 20, Feb 27 (5 Wednesdays, 7:30 PM – 10:30 PM) LA – East

 

5 WK ADVANCED PODCASTING CLASS IN SAN FRANCISCO IN JANUARY

 

David's an a-list journalist and podcaster. He hosts & produces the Murrow-award winning The Intersection Podcast. He is a Managing Editor at KALW, supervising journalists and manages the fellows. He cut his teeth as a KALW Fellow & prolific journalist who has contributed pieces to NY TimesSalon & Might. Most recently, he's a finalist in Current’s Local That Works contest and received grants from California Humanities and the San Francisco Arts Commission. It's a rare opportunity to learn radio journalism & tech from a pro (who could help you get hired or get a fellowship)!

 

In this class, you'll take your podcast from a teaser & pilot script to a launched series. Topics include: season and episode structure, advanced interviewing methods, next-level tape management & recording skills & tightening episodes. By the end of the class you will have thoroughly developed an idea for your own podcast and have a solid rough cut of an episode by the end of class and the tools to finish many more.

10 students got on the radioon Unfictional1 on All Things Considered from our radio journalism classes. After taking podcasting classes, 3 students were recently hired as podcast producers: 1 for Pandora, 1 on The RFK Tapes and Freakonomics, 1 on NPR's Unfictional!

Class deets:

PODCASTING 2 w/ David Boyer (KALW, award-winning podcast)–Wed. 1/30/19. 1 SPOT!
Jan 30, Feb 6, 13, 20, 27 (5 Wed.) 7-10pm. 

https://writingpad.com/classes/san-francisco-podcasting-class-david-boyer-2/

Prerequisites: Podcasting 1 at Writing Pad or elsewhere (if you haven't taken Podcasting 1, please email a sample to info@writingpad.com for review).

Sonic South 2019 audio competition, deadline Feb 8

Passing on the following note from the Southern Oral History Program. Sounds fun!

-mia

++++++++++++++++ 

Hello Friends,

The Southern Oral History Program (SOHP), housed at the Center for the Study of the American South at the University of North Carolina Chapel Hill, invites artists, composers, audio/radio producers, writers, and community members to use our interviews to create new and thought-provoking short-form audio documentaries, sound art, sonic experiments, and aural landscapes. 

Producers are encouraged to think creatively about format, structure, and style. Since 1973, the SOHP has recorded interviews with southerners from mill workers to civil rights leaders to future presidents, which are available digitally through the Southern Historical Collection at Wilson Library.

For our 2019 Sonic South audio competition, In Sickness & In Health, we’re highlighting SOHP’s major research project, Stories to Save Lives. Producers will choose from interviews with Southerners about health, illness, and medical care in their own lives, in their families and in their communities. Your creativity can help us illuminate the power of these stories.

The top five finalists will have their work shared at a live listening room in April 2019 at the CURRENT Theater in Chapel Hill, NC. Two prizes will be awarded: the Sonic South prize, and the Audience Choice award.

There are three rules for this competition. 

Final work must:

  1. Be no longer than three minutes in length
  2. Incorporate themes of health, illness, or medical care in the American South
  3. Use at least two different voices from this curated collection of 15 SOHP interviews.

Entries are due on Friday, February 8, 2019 by midnight EST.

For more information about the competition, the rules, and how to submit, please visit the Sonic South website.

help covering the aftermath of the Camp Fire

Bay Area radio reporter friends – a station in Northern CA seeks help with fire coverage. Info below.

North State Public Radio — based in Chico, CA, — has been run ragged
covering the Camp Fire, the largest wildfire in California history. We'd
love help covering the fire, the aftermath, the human cost, and other
stories that need to be told to the listeners in northern California.
Contact Phil Wilke, NSPR General Manager, pwilke@csuchico.edu,
530-898-6100

new classes from @WritingPadUS

See below from Writing Pad. Use the discount code FREELANCE for 15% off.

-mia

PS: If anyone is interested in taking over this site/list, reach out. I don't want it to go away but I don't have time to run it…

++++++++++

Take a Podcasting Class at Writing Pad in San Francisco or Los Angeles and craft your show with an NPR Producer of a prominent podcast (Slate.com with Michael Lewis (Moneyball, The Big Short), There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 2 of our students have gotten producer jobs on Freakonomics, RFK Tapes, and Unfictional. Use the coupon code FREELANCE for 15% off.

 

5 WK PODCASTING CLASS IN LOS ANGELES STARTING THIS SATURDAY, 11/17

 

Anna Scott is a reporter and producer for KCRW, focused on housing. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA?

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)

Nov 17, Dec 1, Dec 8, Dec 15, Jan 5 (5 Saturdays, 2:30 PM – 5:30 PM) LA – West

https://writingpad.com/classes/los-angeles-podcasting-class-anna-scott-3/

  

5 WK PODCASTING CLASS IN SAN FRANCISCO IN JANUARY

 

David's an a-list journalist and podcaster. He hosts & produces the Murrow-award winning The Intersection Podcast. He is a Managing Editor at KALW, supervising journalists and manages the fellows. He cut his teeth as a KALW Fellow & prolific journalist who has contributed pieces to NY TimesSalon & Might. Most recently, he's a finalist in Current’s Local That Works contest and received grants from California Humanities and the San Francisco Arts Commission. It's a rare opportunity to learn radio journalism & tech from a pro (who could help you get hired or get a fellowship)! 

 

In this class, David teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. David will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

Podcasting w/ David Boyer (The Intersection Podcast, NY Times)—Starts Wed. Jan. 30

Jan 30, Feb 6, Feb 13, Feb 20, Feb 27 (5 Wednesdays, 7:00 PM – 10:00 PM)

SF

https://writingpad.com/classes/san-francisco-podcasting-class-david-boyer-2/


Podcasting Classes from @writingpadUS in SF and LA

Updated schedule from the fine folks at Writing Pad. As always the special freelance café discount FREELANCE (15% off) is in full effect.
-mia

 

10 students got on the radio-9 on Unfictional, 1 on All Things Considered from our radio journalism classes. One of our students was recently hired as a freelance producer on the Gimlet podcast The RFK Tapes and an Associate Producer on Freakonomics after taking a radio journalism class with us!

 

5 WK PODCASTING CLASS IN SAN FRANCISCO STARTS NEXT WED. 10/17

 

David's an a-list journalist and podcaster. He hosts & produces the Murrow-award winning The Intersection Podcast. He also just became a Managing Editor at KALW. He cut his teeth as a KALW Fellow & prolific journalist who has contributed pieces to NY TimesSalon & Might. Most recently, he's a finalist in Current’s Local That Works contest and received grants from California Humanities and the San Francisco Arts Commission. It's a rare opportunity to learn radio journalism & tech from a pro!

 

In this class, David teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. David will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.


PODCASTING w/ David Boyer (Intersection Podcast)—NEXT Wed. 10/17. 1 SPOT!
Oct 17, Oct 24, Nov 7, Nov 14, Nov 28 (5 Wed.) 7-10pm. 

 

 

5 WK PODCASTING CLASS IN LOS ANGELES IN OCTOBER OR NOVEMBER

 

Anna's a reporter and producer for KCRW where she works on Press Play w/ Madeleine Brand & reported for KCRW's podcast There Goes the Neighborhood: Los Angeles which is a fantastic podcast. Before that, she produced Warren Olney's To the Point and Which Way, LA?

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. Anna will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

PODCASTING w/ Anna Scott (There Goes The Neighborhood)–THIS Sat. 10/13.
Oct 13, 20, 27, Nov 3, 10 (5 Sat.) 2:30-5:30 PM. WP West. 1 SPOT!

OR

PODCASTING w/ Anna Scott (There Goes The Neighborhood)—Starts Sat. 11/17
Nov 17, Dec 1, Dec 8, Dec 15, Jan 5 (5 Sat.) 2:30-5:30 PM. WP West. 

 

————

 

 


October podcasting courses @WritingPadUS

New classes at WritingPadUS. Details below! As always the special freelance café discount FREELANCE (15% off) is in full effect.


5 WK PODCASTING CLASS IN LOS ANGELES IN OCTOBER

 

Anna's a reporter and producer for KCRW where she works on Press Play w/ Madeleine Brand & reported for KCRW's podcast There Goes the Neighborhood: Los Angeles which is a fantastic podcast. Before that, she produced Warren Olney's To the Point and Which Way, LA?

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. Anna will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

PODCASTING w/ Anna Scott (There Goes The Neighborhood: LA)– Sat. 10/13.
Oct 13, 20, 27, Nov 3, 10 (5 Sat.) 2:30-5:30 PM. WP West. 1 SPOT!

 

————

 

5 WK PODCASTING CLASS IN SAN FRANCISCO IN OCTOBER

 

David's an a-list journalist and podcaster. He hosts & produces the Murrow-award winning The Intersection Podcast. He cut his teeth as a KALW Fellow & prolific journalist who has contributed pieces to NY TimesSalon & Might. Most recently, he's a finalist in Current’s Local That Works contest and received grants from California Humanities and the San Francisco Arts Commission. It's a rare opportunity to learn radio journalism & tech from a pro!

 

In this class, David teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. David will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.


PODCASTING w/ David Boyer (Intersection Podcast)–Wed. 10/10. 1 SPOT!
Oct 10, Oct 17, Oct 24, Nov 7, Nov 14 (5 Wed.) 7-10pm.

 

10 students got on the radio-9 on Unfictional, 1 on All Things Considered from our radio journalism classes. Padder Max Miller was recently hired as a producer on the The RFK Tapes!

 


5-week podcasting course w/ @AnnaKCRW, beginning July 21 in Los Angeles @WritingPadUS

Heads up LA folks – Anna Scott of There Goes the Neighborhood: LA is teaching a podcasting course with WritingPad. They kindly extend a 15% discount to folks who find the course via Freelance Cafe. Use the code FREELANCE at checkout. Details below. Cheers,

Mia

5 WK PODCASTING CLASS IN LOS ANGELES IN JULY

 

Anna's a reporter and producer for KCRW where she works on Press Play w/ Madeleine Brand & reported for KCRW's podcast There Goes the Neighborhood: Los Angeles which is a fantastic podcast. Before that, she produced Warren Olney's To the Point and Which Way, LA?Also, because of our radio journalism classes, 10 of our students have sold stories to the radio from this class–9 on Unfictional, 1 on All Things Considered. Our most recent student to get on air is Caitlin Biljan with a moving tale about her obsessive search for a high school self-defense tape that contained some strange advice. Listen to it HERE.

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. Anna will host a recording session in a pro studio. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.


PODCASTING w/ Anna Scott (There Goes The Neighborhood: LA)–NEXT Sat. 7/21.
Jul 21, 28, Aug 11, 18, 25 (5 Sat.) 
2:30-5:30 PM. WP West. 1 SPOT!

Apply for the Signal to Noise Award from @UnionDocs, deadline June 28

From the fine folks at UnionDocs:
We’re excited to announce a new audio grant we are co-presenting with Gilded Audio! Celebrating creative work that synthesizes audio documentary and experimental sound design, The Signal to Noise Award will support one applicant in pursuing their project or series.
Due on June 28th and open to all styles of production, the award includes: $5000 for production, plus production consultation and technical support from Gilded Audio Design, editorial consultation from the staff of UnionDocs, and a celebratory event at the UnionDocs space in Brooklyn.
You can check out more details + apply here: https://uniondocs.org/the-signal-to-noise-award/
If you know anyone who is interested, feel free to pass this opportunity along! I have included sample promotional materials below.
Looking forward to receiving your application!
Abby Lord
Programs Assistant
UnionDocs
Facebook:
Attention all audio makers! UnionDocs and Gilded Audio are pleased to announce The Signal to Noise Award, celebrating creative work that synthesizes audio documentary and experimental sound design. The winning applicant will receive a $5000 production grant to pursue their project or series, plus production consultation and technical support from Gilded Audio Design, editorial consultation from the staff of UnionDocs and a celebratory event at the UnionDocs space in Brooklyn.
Applications are due 6/28! You can find more information + apply here: https://bit.ly/2L5nIH7
Twitter:
Audio makers! @UnionDocs + Gilded Audio have announced The Signal to Noise Award to give your project the chance to come to life! Apps are due 6/28: https://bit.ly/2L5nIH7
Do you have an audio project that combines doc + experimental sound design? Apply to @UnionDocs + Gilded Audio’s Signal to Noise Award for the chance to get your project funded. Due 6/28! https://bit.ly/2L5nIH7


call for pitches – AfroQueer Podcast

From one of our members!

Call for Pitches – AfroQueer Podcast
Hi All – We are looking for stories about queer Africans on the continent and in the diaspora loving, living, thriving and surviving. (Right now we are particularly looking for love stories) Think narrative driven, surprising, even investigative. If you're an experienced radio reporter – great! If not we can also work with you to help you report the story. We pay standard freelance rates published on the Association of Independents in Radio website. If you have a pitch or questions please email producer Maeve –
maeve@noneonrecord.com

the latest podcast courses from @WritingPadUS

Hey all. Happy spring! See below for the latest offerings from Writing Pad. As always , the special freelance café discount FREELANCE (15% off) is in full effect.

Cheers,
Mia

++++++++++++++++

Take a Podcasting Class at Writing Pad in San Francisco or Los Angeles and craft your show with an NPR Producer of a prominent podcast (Slate.com with Michael Lewis (Moneyball, The Big Short), There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to the radio from this class–9 on Unfictional, 1 on All Things Considered. Use the coupon code FREELANCE for 15% off.

 

5 WK PODCASTING CLASS IN SAN FRANCISCO IN JUNE/JULY

Catherine Girardeau is currently a Senior Producer with Slate.com, producing a podcast with author/journalist Michael Lewis (Moneyball, The Big Short) about fairness and the people who try to enforce it. She's also worked with Depict.com, the Stanford Storytelling Project, APM's Marketplace, KALW, and PRI's The World.

In this class, Catherine teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

Podcasting w/ Catherine Girardeau (Senior Producer slate.com)

Jun 20, Jun 27, Jul 11, Jul 18, Jul 25 (5 Wednesdays, 7:00 PM – 10:00 PM)

https://writingpad.com/classes/san-francisco-podcasting-class-catherine-girardeau/

 

5 WK PODCASTING CLASS IN LOS ANGELES IN JULY/AUGUST

Anna Scott is a reporter and producer for KCRW, focused on housing. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA?

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser. 

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)

Jul 21, Jul 28, Aug 11, Aug 18, Aug 25 (5 Saturdays, 2:30 PM – 5:30 PM)

https://writingpad.com/classes/los-angeles-podcasting-class

applications open for the 2018 New Voices Scholarship to attend @ThirdCoastFest, deadline May 31

;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline”>Deadline is May 31. Go for it!

Cheers,
Mia

++++++++++++++

 


Are you the New Voice we're looking for?

Applications are now open for the next class of producers, journalists, and storymakers to join AIR at the 2018 Third Coast Conference in Chicago, October 4-6, 2018.

Every year, New Voices scholars bring diverse ideas, insights, and experiences from across America to challenge how public media is conceptualized, produced, and delivered. AIR’s commitment to cultivating vibrant talent in the industry has led to a far-reaching—and still growing—network of 175 New Voices alumni. Now's your time to join them.

We seek: Daring makers from all corners of the country, especially individuals from underrepresented communities and groups.

If chosen, you receive: A travel stipend up to $1,500 to attend the 2018 Third Coast Conference, a complimentary one-year AIR membership, and special opportunities and support at the conference.

Apply now, or send this message along to rising story-makers on a mission to change the face of public media.

The deadline to apply is Thursday, May 31, 2018, at midnight PT.

Please note: You do not have to be an AIR producer to apply.

Applications must be completed by midnight PT. Submissions in progress at that time will not be saved and cannot be considered. You may read through the New Voices FAQ here before completing the application.

Break boundaries, make stories with @AIRmedia’s Full Spectrum Storytelling Intensive @UnionDocs, app deadline 4/27

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We at AIR are searching for talented storytellers for our Summer 2018 class at AIR’s Full Spectrum Storytelling Intensive with UnionDocs.

Over the course of one week, Full Spectrum will expand your definition of what multimedia can be, while imparting concrete skills to add to your producer tool kit. Lead producer Emanuele Berry from Gimlet Media will lead an interdisciplinary group of accomplished specialists to take you on a journey from storytelling to interactive design to composing—and beyond. Our line-up includes instructors from RadioLab, The New York Times, This American Life, WNYC, and more.

We are looking for producers and story-first technologists from all walks of the media industry and beyond who have demonstrable skills in digital sound gathering, editing and mixing and are dedicated to pushing the boundaries to make great storytelling media.

Ready to break that barrier? Learn more and apply here. Applications close at 5pm PT on Friday, April 27, 2018.


Best,
The AIR Team

AIR

Ngoc-Tran Vu
Program Director
P.O. Box 220400
Boston, MA  02122
Looking for Talent? Check out AIR's Talent Directory!


Help AIR grow talent.

We’re hiring! Our new Story & Talent Curator (STC) will connect mission-focused producers across America to editors and talent seekers.

Find out more about the position and our other openings: Engagement Strategist (ES) + Content Director (CD).


.@KALW now accepting applications for their FREE Audio Academy 9-month training program

;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline”>9-month, in-depth educational program in audio production and radio journalism. Details below!

-mia
++++++++++



Application deadline: May 1, 2018, 11:59 p.m. PT.


KALW is calling for applicants for our nine-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production and journalism education, tuition-free. 


Participants are asked to make a 20 hour a week commitment to the program from September 2018 to June 2019, including one eight-hour shift per week at our studios. Participants will also be required to attend a Wednesday evening class from 6:30-9pm weekly from September-December, and then occur once per month through the end of the program in June.


We’re looking for creative thinkers who are great writers and storytellers, or budding audio engineers, with a passion for covering diverse communities and some knowledge of the Bay Area. Some experience with audio production and/or journalism is preferred. Slick dance moves appreciated, but not required. This is an unpaid fellowship opportunity. 

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

For more information, including how to apply: 

http://kalw.org/post/enrollment-now-open-kalws-audio-academy-2018-2019


Application deadline: May 1, 2018, 11:59 p.m. PT.


KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.


Producer Job at @Making_Contact, location flexible, job open until filled (ideally end of April)

Part time producer job at Making Contact. Details below! NOTE – they regularly accept freelance pitches and while they prefer the producer be located in the Bay Area, they are open to other options. Focus on community storytelling. These are good folks!

-mia

+++++++++++++

Please spread the word about this job opening:


RADIO PRODUCER

FT  32 hrs/ 80%  based in Oakland/Bay Area –Remote work possible for right person

Pay is $48,000 a year, as 80% of $60,000.

Do you love to produce and edit audio, to highlight voices and stories of progressive social change, justice and liberation? Are you interested in doing your own reporting, as well as working with freelancers or curating existing audio material and podcasts? Would you like to team-up with Making Contact producers, freelancers or community members to create radio stories that have impact?  If so, apply to join our core team of producers. Tell us what you’ve done, what you know and how you want to grow.

Making Contact, www.radioproject.org seeks a radio and podcast producer with a passion for what non-commercial public media could be. We amplify the voices of community members who are seeking solutions and taking collective action. We skill-share with our community storytelling fellows whose stories show “the personal is political,” and is about power. We cover issues of racial,economic, gender, environmental and social justice– globally and locally.

We seek an energetic, passionate, well-organized team-player. The candidate should understand the craft of long-format feature radio production and the art of a good in-depth interview. Strong audio editing and sound mixing skills preferred.

The main role of producer is to produce and mix editions of Making Contact.

Approx. 80% of their time is spent producing episodes of Making Contact and managing multiple projects, 20% of their time is dedicated to communicating and strategizing with organization staff regarding online distribution/audience engagement, marketing, and fundraising/development. You will be responsible for 10 episodes a year, four enterprised episodes and six simpler ones. This position reports to Making Contact’s executive director.

We are looking for someone who is highly productive and enjoys contributing to many facets of community journalism including fostering collaborations with other media outlets and community groups, helping to experiment with our digital delivery methods and podcasts, and engaging our listeners. Great post for someone who’s as adept at managing their own time and projects — and asking for help when they need it. Our work is not a solo sprint but a relay race to put out great episodes each week.

Duties and Responsibilities:

Produce original radio content and adapt others’ work

Edit and mix segments and shows

  • Apply journalistic standards of fairness, accuracy, due diligence in reporting and fact-checking

  • Invite input from community members to help identify topics and conceptualize pieces that inform, inspire, and move people to take action

  • Upload the radio show/podcast

  • Review pitches, commission, manage and edit freelancers’ work

  • Meet with the production team once a week, and the whole team 2 to 3 times a month to discuss editorial plans and strategize about organizational initiatives

  • Participate in show review/evaluation, and work-in-progress listening sessions

Producers rotate the roles of reviewing pitches and planning and facilitating of weekly production meetings and updating our Podio project management system. Key job performance metrics are quality of your 10 shows, and communications and teamwork.

Required Skills and Experience

  • Writing and script editing skills

  • Audio editing and multitrack sound-mixing skills

  • Track record of delivering pieces on deadline

  • Experience managing, coaching and editing freelance reporters is a plus

  • Strong voice-craft skills and experience

  • Track record of journalistic work; dedicated to fairness, accuracy and fact-checking

  • Ability to read and synthesize research

  • Familiarity with key issues of our times and timeless issues

  • Highly organized and communicative

  • Commitment to building Making Contact as a whole, and participating in a team process

  • Ability to work on collaborative productions and promotions with other media and groups

  • Enthusiastic about participating in fundraising and audience engagement

Tell us about any additional skills such as:

  • Multimedia experience: video, photography, radio-plus-print packages

  • Experience with online distribution methods and audience engagement

  • Experience working with social movements and community groups

  • Entrepreneurial Spirit

  • Energetic and able to think on your feet

  • Sense of humor

  • Can work well under pressure/deadlines

Making Contact is an affirmative action employer. We actively recruit applications from people of color, women, LGBTQ folks, and disabled people.

Position open until filled. Aiming for start date in late April. Job location is flexible, but Oakland/Bay Area is preferred. {freelance story pitches accepted ongoingly}

Please email resume, cover letter, writing sample (radio script preferred) and links to several radio work samples to lrudman@radioproject.org.

———–

More info

Our podcasts are a blend of evocative storytelling with analysis, and explore the power and relationships between individuals, groups and systems. Our weekly radio programs alternate between storytelling and hot speeches or unique film adaptations. We’re looking for someone committed to our greater social justice mission and who wants to strengthen Making Contact's non-profit organization as a whole.

Our high quality public-affairs and documentary radio programs are broadcast on 141 radio stations in the U.S., Canada, and Australia; thousands more listen via our website and podcasts. Our award-winning work has repeatedly been recognized by the Society of Professional Journalists Northern California Chapter, among others.

Making Contact has produced a nationally broadcast, weekly radio series for over 20 years; its form and content continue to evolve — and that’s where you come in!




——————————————————————
Lisa Rudman, Executive Director, Making Contact 
 


@Spotify’s Sound Up Bootcamp, FREE podcast training for #WOC, application deadline April 10

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  • +++++++++++
  • Description:
    • Women of color have been breaking ground in podcasting well ahead of the latest boom. But there's plenty more to be done — a recent study showed that only 22 percent of podcasts are hosted by women, and the number’s even smaller when it comes to women of color. To move towards equity for women of color in podcasting, Spotify is launching the Sound Up Bootcamp, a weeklong intensive program for aspiring female podcasters of color. Over the course of five days in New York City, ten hand-selected attendees will learn about the art of podcast creation, from initial ideation to editing, producing, and marketing from experts in the field. On the final day, attendees will have the chance to pitch their podcast ideas to a panel of experts and professionals — and the top three pitches will have the pilot process funded, up to $10,000. All expenses for the week will be paid by Spotify.

       
      Training for the week will be led by radio and podcast veterans Rekha Murthy and Graham Griffith. Rekha and Graham have spent decades working with the industry's top shows, and smaller ones too. They are passionate about raising up new voices, and helping podcasts reach new, big, and devoted audiences.
       
      When and where: June 25-29, 2018, at Spotify’s New York City offices.
       
      Who’s eligible: Anyone who self-identifies as a woman of color, is passionate about podcasting, and has a great idea. No prior experience is required — we’re looking for the best ideas. Attendees are required to attend all five full days of programming, as well as after-hours events on MondayWednesday, and Friday (including mixers and dinners). Please note, programming will be targeted towards first-time and amateur podcasters. Applicants are also required to apply as individuals, rather than as shows / groups, and are required to be residents of the US. 
       
      What does it cost: The program is free. 
       
      What does it include: Five days of workshops, panels, and activities around podcasting, led by experts and professionals. Travel to New York City, six nights of hotel, and breakfast and lunch each day are included. 
       
      When are applications due? By 11:59pm EST on April 10, 2018


NEW SUMMER WORKSHOPS: Oral History Summer School 2018 in Hudson New York, May and June

;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)”>Oral History Summer School workshops just announced. Don't miss this!

-mia
+++++++++++

Oral History Summer School is offering two new workshops in Upstate New York (Hudson), this spring/summer.

Experimental Ethnographies: Oral History Remixed (May 15-24, 2018)
Instructors: Suzanne Snider (Oral History Summer School), Todd Shalom (Elastic City), Michael Garofalo (Storycorps), LJ Amsterdam (Ruckus Society)

Oral History Intensive + Oral History & Care (June 18-29, 2018)
Instructurs: Suzanne Snider (Oral History Summer School), Ry Garcia-Sampson (Warren Alpert Medical School, Brown University), Daniel Cogan (NP, Aspire Health)

Additional workshop details and application forms can be found, here

Email: info@oralhistorysummerschool.com
website: www.oralhistorysummerschool.com


Oral History Summer School
is a cross-disciplinary program in Hudson, New York that offers training in oral history methodologies and documentary approaches. We host foundational workshops as well as advanced training on focused topics such as memory loss, mixed ability interviewing, song collection, family history, and trauma narratives/testimony.

*Because summer is a busy season, upstate, OHSS has reserved a number of housing options well below market rate; early applicants will have widest range of affordable options.


Best,
Suzanne

Inline image 1


Suzanne Snider
Founder/Director, Oral History Summer School
www.oralhistorysummerschool.com

t: @OH_SummerSchool


KALW Summer Radio Journalism Program, deadline March 15

Hey folks! You want to know how to break into audio/podcast? This is a great option. KALW just announced their upcoming summer radio journalism program. Gain hands-on experience at a local NPR radio station in the gorgeous and amazing Bay Area. The deadline to apply is March 15, 2018, 11:59 p.m. PT. More info and the link to apply is below. Go for it!
-mia


+++++++++++++++

KALW is calling for applicants for our four-month summer radio journalism program based at KALW public radio, an NPR and BBC affiliate station in San Francisco.


We’re looking for creative thinkers who are great writers and storytellers with a passion for reporting on diverse communities and some knowledge of the Bay Area. Experience with audio production and/or journalism is highly preferred.

We’re looking for:

  • Computer literacy, especially with Macs and Google Docs
  • Experience with digital audio editing, print/audio/tv/video journalism, radio or audio production.
  • Self-starters who can work independently and also enjoy collaboration
  • Ability to commit to one regularly-scheduled work day (Mon-Thurs) at KALW’s studios, in addition to reporting time outside of those hours
  • Slick dance moves appreciated, but not required

You will be:

  • Pitching, reporting, and producing original feature stories for broadcast and online distribution
  • Interviewing potential guests/sources
  • Researching topics
  • Fact-checking
  • Building skills in story structure, voicing, digital production, engineering, and sound design
  • Helping with administrative and production duties

The program will take place inside the collaborative and supportive community of the KALW newsroom, located in San Francisco's Portola district. You’ll be an integral part of the production of our daily news magazine show, Crosscurrents.


Participants will be asked to make a four-month commitment from end of May to beg. of September 2018, minimum 16 hours per week (at least one regularly scheduled eight-hour shift at our studios and another eight hours working in the field). If you’re not able to commit to the entire four months, or the 16 hours, some exceptions may be possible — please explain more in your application. Enrollment in a college or university is not necessary to participate.  


More information and the link to apply is here: 
http://kalw.org/post/enrollment-now-open-2018-kalw-news-summer-journalism-program#stream/0


pitch do-gooder media outlet @Making_Contact; many themes, tiered rates

;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;margin-top:0pt;margin-bottom:0pt”>From the fine folks at Making Contact:


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Do you have a story with perspectives on an ongoing local, national, or global issue? Do you have access to voices and perspectives that get lost in mainstream media landscape? How are people working to cope, and change things?


If so, consider pitching to Making Contact!  We’re looking for pitches from freelancers on several themes. See list below.  


Seeking Pitches


Immigration: We want your pitches! We’re looking for character-driven stories that focus on how immigrant communities are organizing.


Here are some themes we’re interested in exploring:

  • The Muslim Ban is in effect, Southeast Asians have been swept up in large numbers to private prisons, how are communities responding?

  • How are communities organizing outside of the electoral process to influence politics locally and/or nationally?

  • How are groups working against far right politics?

Got an idea, let us know!


Climate Change: “Climate Resilience” and “Just Transition” are terms used by environmental justice advocates and academics to mean various things. We want sound-rich stories that explore these terms in practice. How are communities working not just to survive but thrive? How are low-income communities of color, expected to be hit hardest by climate change developing ways now to cope “later?” Unequal impacts of climate change on women?


International Stories and communities…


We’re looking for stories that break out of the gloom and doom,and makes policy discussions accessible and instead give a glimpse of people coming together to take steps now.  Pitch us stories about various bottom-up and grassroots organizing methods and tactics against privatization, land grabs, U.S. military presence, economic experiments.


In addition to the above, we’re always interested in pitches on any of our ongoing beats: prisons, poverty, reproductive health, racial justice, climate change and environmental justice.


Specifications

Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 120 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events with an emphasis on creative ways to solve problems.  We’re interested in pitches for sound-rich segments of approx. 7 minutes.  


As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/ Consider the following. Does the story: Link grassroots issues and human realities to national or international trends? Give listeners a historical, political, or social context of major national and international events? Shed light on social and economic inequities? Explore any alternatives or solutions?


Current rates!


Level 1. $800 plus travel reimbursement up to $100

“Involve research and original reporting • Require the reporter to have substantial subject matter expertise • Involve time-consuming reporting • Have a sophisticated narrative • Require travel by the reporter • Have sound that does not involve phone tape • Be rich in a variety of sounds demonstrative or supportive of the story.”


Level 2. $500 plus travel reimbursement up to $100

“Involve multiple interviews • Involve interviews conducted where the interviewee is carrying on activities relevant to the story • Involve sound, scenes, and advanced radio storytelling techniques • Involve reporter having good prior knowledge of subject matter”


BTW:  Full 26 min Documentary  $1000 for veteran producers to do a full documentary edition. An exclusive is not necessary but air dates need to be discussed.  


Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi.  If you’re pitching to us for the first time, please include a brief bio and relevant audio clips. We look forward to hearing from you!  


— RJ Lozada, Marie Choi, Anita Johnson, Monica Lopez


Global Press Journal is hiring freelance fact checkers @GlobalPress

Hey folks. A very cool org – the Global Press Journal – is hiring a team of freelance fact checkers. Details below!

 

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About us

Global Press exists to create a more just and informed world by employing local journalists to produce ethical, accurate news coverage from the world's least-covered places. We train and employ local women journalists to report on their own communities, and have more than 40 independent news bureaus across two dozen countries. Find out more about us, and the work we do, here: https://globalpressjournal.com.

 

The job

We’re currently looking for experienced freelance fact checkers to join our team. It’s an exciting opportunity to be part of a project that prioritizes accuracy and ethics in reporting. We have a unique method of fact checking that prioritizes local information over what’s available online, so open minds and people not afraid to hop on a Skype call with reporters around the world are required! Must have an expert eye for detail and willingness to leave no stone unturned. We’ve got expansions in the pipeline, so there’s lots of work to be done, and we pay well: $100/article to start. Skills in the languages our reporters file in – French, Spanish, and Nepali – are a big asset.

 

To apply

Send a resume and cover letter to me at carla@globalpressjournal.com. If we think you’d be a good fit, we’ll ask you to complete a brief fact check test, and if that goes well –  you’re hired. Feel free to contact me with any questions, and looking forward to seeing your applications!

5-week podcasting in Jan/Feb, in SF, with @WritingPadUS discount for FC

New podcasting class from Writing Pad – details below!
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5 WK PODCASTING CLASS IN SAN FRANCISCO IN JANUARY/FEBRUARY

Shaina Shealy is a producer of Snap Judgment as well as a radio journalist whose stories have been distributed by national news outlets including the PRI The World, NPR.org and the New York Times online. Also, because of our radio storytelling classes, 10 of our students have sold stories to the radio from this class–9 on Unfictional, 1 on All Things Considered. Our most recent student to get on air is Caitlin Biljan with a moving tale about her obsessive search for a high school self-defense tape that contained some strange advice. Listen to it HERE. https://www.kcrw.com/news-culture/shows/unfictional/running-away

In this class, Shaina teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser. 

PODCASTING w/ Shaina Shealy (Producer, Snap Judgment, NPR)

https://writingpad.com/classes/san-francisco-podcasting-bootcamp/

Jan. 22, 29, Feb. 5, 12, 19 (5 Mon. nights), 7:00pm – 10:00pm, San Francisco

Use the special freelance café discount FREELANCE for a 15% off discount.

Southern Oral History Program Call for Submissions – The Sonic South, deadline March 9, @sohporalhistory

Dig into your archives for this NEW audio competition. Details HERE and below.

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The Southern Oral History Program announces their first audio competition, The Sonic South. This year we're focusing on the voices of women from our archive. We're looking for audio and radio producers to dig into our archive to engage with the stories that tend to get stuck in the archive.

Here is a link to the audio competition, along with more information and rules. The deadline is Friday, March 9, 2018. We'll have the top five pieces aired live at a listening event at the Current Theater in Chapel Hill, NC in mid-May.

KQED Podcast Producers mixer, Jan 19, with @annasale and @glynnwashington

Fun event/mixer for you Bay Area folks. Details below, and happy new year!

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KQED is hosting a mixer for podcast producers featuring Anna Sale and Glynn Washington on Friday, January 19 in our atrium. We’re trying to help Bay Area podcast producers better connect with one another in real life.

Here’s the link:

http://bit.ly/2BziqQB

@ThirdCoastFest Radio Residency for diverse voices seeks applicants, deadline Jan 5

Hey FC folks – happy almost holidays! I'm writing to tell you about the Third Coast Radio Residency: a unique opportunity for radio and podcast producers from diverse backgrounds to spend a week immersed in work, sonic camaraderie & mentorship, now open for applications thru January 5, 2018!

 

Here's more info:

 

The Third Coast Radio Residency is a rare opportunity to take a week away from the craziness of daily life & make progress on an audio story or documentary project. This year’s Radio Residency takes place May 1-6, 2018 at Ragdale, a woodsy artists’ community just outside Chicago. Producers receive their own private living and work space, one-on-one editing sessions from mentor Nishat Kurwa & additional workshops from Third Coast alum Sarah Geis. This week is for the producers to use however they’d like: with plenty of time to work, wander, commune & share expertise. Plus, Residents share (delicious) family dinners. 


Note: this Residency is generously subsidized, and the total cost to each participant will be $210, for six nights (+ all travel).


Read about the alums from our 2017 Radio Residency (alums from both ’16 & ’17 continue to stay in touch & support one another!) 


Producers of all experience levels are encouraged to apply.


And if you'd like to help spread the word, here's a sample tweet:

 

Call for applications: the 2018 @ThirdCoastFest Radio Residency @Ragdale is seeking producers from diverse backgrounds (& all experience levels) to submit their project proposal by January 5.  Spend a week immersed in audio-making, with support/community: http://bit.ly/2018RadioResidency

GM Opening at KALW San Francisco: rare opportunity for the right person

Great gig available in the Bay Area – a big one!! Spread the word.
-mia

KALW's beloved General Manager Matt Martin is leaving and we're looking for the next GM. This is a rare, unique opportunity for the right person! Do you know someone who can lead and grow this scrappy, creative gem in the public radio world? We're open to people inside and outside of public radio; non-profit/business management experience is a must. 

http://kalw.org/post/kalw-seeks-new-general-manager#stream/0

Please share widely! Thanks!

amazing lineup for @UnionDocs Podcast School, Jan 12-14, application deadline Dec 20

Hey FC friends! The folks @UnionDocs want to let you know about the next session of their sought-after workshop, Podcast School. Held on January 12-14th and lead by Megan Tan, this seminar offers mid-level to advanced producers skill sets for creating and navigating their own path in podcasting.

They're encouraging people to sign up now while there’s still space, as this workshop usually sells out fast, especially with their killer line up: Andy Mills (The New York Times), Hillary Frank (The Longest Shortest Time, This American Life), Caitlin Kenny (Gimlet), Sruthi Pinnamaneni (Reply All), and Tobin Low (Nancy, More Perfect)


You can learn more and register at: https://uniondocs.org/event/podcast-school-2018/

And here are some sample Tweets and Facebook posts if you want to help spread the word:

Facebook:

Our friends @UnionDocs are bringing together Andy Mills (The New York Times), Hillary Frank (The Longest Shortest Time, This American Life), Caitlin Kenny (Gimlet), Sruthi Pinnamaneni (Reply All), and Tobin Low (Nancy, More Perfect) for Podcast School! From Jan 12-14th, join lead instructor Megan Tan (Millennial, Radiolab) for this seminar that offers mid-level to advanced producers skill sets to expand their creation and production processes behind podcasting. Early deadline:December 20th

Learn more and register at: 
Are you an experienced audio producer who wants to expand your skill set? Register for PODCAST SCHOOL @UnionDocs w. @meganleetan before it sells out!http://bit.ly/2zZyGJN

Join our friends @UnionDocs for PODCAST SCHOOL 1/12-14! w. @meganleetan ‏@tobinlow ‏@sruthiri +more! Join this in-demand crew+sign up:http://bit.ly/2zZyGJN

Thanks all, and happy Turkey Day!

latest course offerings from @writingpadUS

Here are the latest offerings from WritingPad – get 15% off classes with the discount code FREELANCE.
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5 WK RADIO STORYTELLING CLASS IN LOS ANGELES IN OCTOBER


Bob is the host and producer of Unfictional on KCRW. Not only is he an amazing teacher with a great ear for story, he is supportive and inspiring.


10 of our students have sold stories to the radio from this class–9 on Unfictional, 1 on All Things Considered. Our most recent student to get on air is Caitlin Biljan with a moving tale about her obsessive search for a high school self-defense tape that contained some strange advice. Listen to it HERE.


In this class you will develop a story using the secret UnFictional guidelines, upcoming themes and record it at KCRW. At the end of class, you get  a professionally recorded clip that you can use to get on Bob's show, This American Life, Moth Main Stage, Snap Judgment and launch your storytelling career.


RADIO STORYTELLING w/ Bob Carlson (Producer, KCRW's Unfictional) 5 Wk

https://writingpad.com/classes/los-angeles-introductory-radio-storytelling-workshop/

Oct. 22, Nov. 5, Dec. 3, 10, 17 (4 Sun. nights, 1 recording session) 6:00-9:00 p.m, Westwood



5 WK PODCASTING CLASS IN SAN FRANCISCO IN NOVEMBER


Eliza Smith is a producer of Snap Judgment and it’s spinoff, Spooked as well as a radio journalist who has been on multiple NPR shows including the Kitchen Sisters. Not only is she an amazing teacher with a great ear for story, he is really supportive and inspiring! Also, because of our radio storytelling classes, 10 of our students have sold stories to the radio from this class–9 on Unfictional, 1 on All Things Considered. Our most recent student to get on air is Caitlin Biljan with a moving tale about her obsessive search for a high school self-defense tape that contained some strange advice. Listen to it HERE.

 

In this class, Eliza teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. Eliza is even bringing in the head sound person from Snap for one class and for the recording session. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.


PODCASTING w/ Eliza Smith (Producer, Snap Judgment)

https://writingpad.com/classes/san-francisco-podcasting-bootcamp/

Nov. 5, 12, Dec. 3, 10, 17 (5 Sun. nights), 6:30 p.m.-9:30 p.m., SF



@AIRmedia’s Full Spectrum Storytelling intensive Dec 11-15, Brooklyn

Hey folks – spread the word!! There's a phenomenal line up of presenters here… Application deadline Oct 10.


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AIR’s FULL SPECTRUM NOW TAKING APPLICATIONS!


AIR is searching for talented storytellers for our Winter 2017 class at AIR’s Full Spectrum Storytelling Intensive with UnionDocs. The upcoming session runs December 11-15, 2017 in Brooklyn, NY.


Over the course of one week, Full Spectrum will expand your definition of what audio can be, while imparting concrete skills to add to your producer tool kit. Multimedia producers Isaac Kestenbaum and Josephine Holtzman of “Frontier of Change” from Localore: Finding America will lead an interdisciplinary group of accomplished specialists to take you on a journey from storytelling to interactive design to composing—and beyond. Our line-up includes instructors from RadioLab, Latino USA, This American Life, The Guardian, WNYC, and Pineapple Street Media.


AIR is looking for producers and story-first technologists from all walks of the media industry and beyond who have demonstrable skills in digital sound gathering, editing and mixing and are dedicated to pushing the boundaries to make great audio.


Learn more and apply here. Applications close at 5pm P.T. on Tuesday, October 10, 2017.


three random opportunities from @apmreports, @shareable, and @panoply

Hello all. Three random offerings here – details and links below.
Cheers, Mia
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APM Reports, the documentary and investigative arm of American Public Media is hiring for its 9 month fellowship program for early career radio producers.
https://americanpublicmedia.applicantpro.com/jobs/643317.html The fellow will mostly be working with APM Reports' education documentary and podcast team but with some opportunity to work on other projects as well.
Shareable is looking for a temporary, contract social media manager. The position details can be seen here: https://journalism.berkeley.edu/job/social-media-manager/ 


And finally – not freelance and not even really a media gig, BUT, my own company is hiring an administrative assistant. Pass along to your podcast loving people with great organizational/administrative skills. I can guarantee it's a very fun place to work and I'm happy to answer any questions. http://panoply.fm/careers/1cM5vjrZmMuSoMwgmQAMaq
Have a lovely day!
-mia

2017 CA Documentary Project Funding Opportunity, deadline Nov 1

Hey folks. First – sorry about that extra post yesterday. I had a mailchimp hiccup. Second, see below for the latest call for submissions from California Humanities. They fund a lot of great indie projects. Go for it!
Happy weekend,
Mia 
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CALIFORNIA DOCUMENTARY PROJECT

Grants for film, audio and interactive documentaries

Deadline: November 1, 2017

http://bit.ly/2weNuW0

 

California Humanities is pleased to announce the 2017 deadline for the California Documentary Project (CDP), a competitive grant program that supports the research and development and production stages of film, audio, and digital media projects that seek to document California in all its complexity. Projects should use the humanities to provide context, depth, and perspective, be suitable for California and national audiences, and seek to reach, inform and engage broad audiences through multiple means, including but not limited to radio and television broadcasts, podcasts, online distribution and interactive media, community screenings and discussions, in classrooms and libraries, at cultural centers, film festivals, and more. California residency is not a requirement for eligibility.

 

Funding is available in two categories:

 

·        Research & Development Grants up to $10,000

·        Production Grants up to $50,000

 

For more information on grant guidelines, application instructions, and a list of previously supported projects, please visit the California Documentary Project grants page.

 

doc icon 2017-California-Documentary-Project-Announcement.docx

Logan Nonfiction Fellowship, deadline Sept 30

Come do a fellowship up in my neck of the woods! Interestingly, the mentor for this year's fellowship happens to be the subject of this episode of one of my gigs, Revisionist History.
-Mia
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Logan Nonfiction fellows at the Carey Institute are provided all the necessary tools to complete their critical work. Lodging, work space, sophisticated technological support (including Wi-Fi, a state-of-the-art screening room and dedicated space, equipment and software for video, film and radio editing) and meals are provided. Fellows may also benefit from the mentorship of Tim Weiner, a Pulitzer Prize and National Book Award winning writer, as well as Carey Institute Vice-Chair Josh Friedman, a Pulitzer Prize winning journalist.

IRP group reporting trip to Senegal, application deadline Sept 24

Applications open for IRP reporting trip to Senegal. Details below.

-mia

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Photo by IRP deputy director Glendora Meikle.

Apply today for IRP group trip to Senegal

The International Reporting Project is now accepting applications for a group reporting trip focusing on gender, development and civil society issues in Senegal from November 10-20, 2017.

Senegal, one of Africa’s most prosperous and democratic countries, has enjoyed an economic boom since the late 1990s, primarily reliant on agriculture. Political stability, religious tolerance and rich culture bind together the country's 15 million citizens, though large segments of the population lack equal access to economic, health and educational resources. Its capital, Dakar, is the western-most point of the African continent, and standards of living vary greatly between the coast and the rural inland communities.

In this context, IRP fellows to Senegal will explore issues that tend to affect women and men differently, including education, infrastructure, agriculture and health. We will especially focus on areas of inequity and the advancement of women’s rights.

Fellows on the 10-day reporting trip will look at these issues and many more in Senegal, and possibly spend a few days in neighboring Gambia. We will meet with key government leaders, representatives of non-governmental organizations, members of the education and health communities, religious and media leaders, and others.

How to Apply

This trip is open to experienced, full-time journalists and media professionals, including print and online journalists, writers, photographers, videographers, data journalists, social media
producers and others. This trip is not open to students. Citizens of all countries are eligible.

All candidates must complete an application form, including a detailed essay of at least 800 words describing the types of stories they might pursue in Senegal and which outlets may publish their work.

This is a working trip, and participants are expected to produce stories and/or other reported content in the form articles, slideshows, video, audio, blog posts, infographics, social media posts and more.

More Details

The IRP will purchase the fellows’ round-trip air tickets to Senegal and will pay for visas, hotel costs, local transportation and most meals. Fellows who wish to extend their stay after the fellowship will have the option to arrange that at their own expense.

All fellows on the trip are required to participate in the sessions arranged for the group program. Much of the value of a group reporting trip comes from a combination of IRP-arranged meetings and the interactions the fellows have with each other. Some independent reporting time will be included in the schedule. However, if you prefer to have more flexibility in your reporting schedule, we strongly encourage you to extend your trip or to apply for our individual reporting fellowships instead.

All stories produced by the fellows will be re-posted on the IRP site after publication and co-owned by the fellow (or his/her distribution partners, depending on arrangements) and the IRP. In addition, the work produced as a result of the trip may be posted on the social media channels of the IRP funders. This trip is supported by a grant from the Foundation for a Just Society (FJS).

Read our frequently asked questions and apply for the trip by 11:59PM (EST) on Sunday, September 24, 2017!

 

Check out our website and follow us on Twitter, Facebook, and Instagram for more stories, photos, opportunities and updates!

About the International Reporting Project (IRP)

IRP was created in 1998, making it a pioneer in the nonprofit journalism movement that seeks to fill the gap left by much of the mainstream media's reduction of international news. The program has provided opportunities to more than 630 journalists to report from more than 110 countries and produce award-winning stories. In 2016, IRP moved its headquarters to New America, a nonpartisan research institution with offices in Washington, DC, New York, and California.

About New America

New America is dedicated to the renewal of American politics, prosperity, and purpose in the Digital Age. Our hallmarks are big ideas, pragmatic policy solutions, technological innovation, and creative engagement with broad audiences. Read the rest of our story, or see what we've been doing recently in our latest Annual Report.




MacDowell Colony seeks applicants for long-form Journalism Residencies, deadline Sept 15

FYI!

MacDowell is seeking applications from writers working on long-form journalism projects to apply for a Winter Spring 2018 residency. Journalists should submit an application under our literature – nonfiction category and list the Art of Journalism as how they learned about MacDowell.

The application deadline is this Friday, September 15th.

The MacDowell Colony provides time and space for artists to work on creative projects. MacDowell has expanded its support for journalists by providing additional residencies and project funding of up to $2,500 in addition to financial aid for accepted artists engaged in long-form journalism projects. Since launching this initiative in 2015, we have provided residencies to more than 30 journalists, including Mario Kaiser, Alia Malek, Jessica Stern, Andrea Elliott, Jen Percy, and Shane Bauer. We've also awarded $13,872  in project funding thanks to a generous grant from the Calderwood Charitable Foundation.

MacDowell's Art of Journalism initiative is advancing our legacy of supporting some of the finest voices in non-fiction, from the essays of James Baldwin to Frances Fitzgerald's investigations into the Vietnam War. Please help us spread the word about this opportunity by forwarding this email or sharing this link:

the latest offerings from @WritingPadUS with discount for FC members!

Writing Pad’s LA, SF, and Online podcasting and radio storytelling courses start soon w/ This American Life’s Elna Baker, Snap Judgment’s Eliza Smith, and Unfictional’s Bob Carlson. Friends of Freelance Cafe get a discount.

 

15% off the class by using the code FREELANCE.

 

PODCASTING CLASS IN SAN FRANCISCO–STARTS SUN. 9/24

Eliza is a producer at NPR’s Snap Judgment who got her start with the Kitchen Sisters. She will help you conceive, develop & produce an outline for your podcast & record a teaser. She will teach you interviewing techniques, sound editing, using music, archival material + more. Class includes a recording session at a professional studio as well a session with the head sound person at Snap. For more about Eliza, check out our interview with her here: http://writingpad.com/snap-judgment-producer-eliza-smith-interview/

 

PODCAST w/ Eliza Smith (Producer, Snap Judgment)

http://writingpad.com/podcast-u-a-san-francisco-podcasting-bootcamp-2/

Sept 24Oct 1, 8, 15, 22 (5 Sun. nights) 6:30 p.m.-9:30 p.m. SF

 

 

STORYTELLING ONLINE—STARTS WED. 10/3

Elna Baker is a Producer and Story Scout on This American Life. She has been on TAL 9 times, she pitches Ira Glass stories every week and has won 8 Moth Story SLAMS! Elna knows what This American Life and The Moth consider to be a worthy story and what their specific format is. If your dream is to create stories for top podcasts/radio shows, this the perfect class for you! Finish 2 stage ready or radio ready stories in class.

 

STORYTELLING ONLINE (6 WK) w/ Elna Baker (Producer, Story Scout, This American Life)

http://writingpad.com/online-storytelling-workshop/

Oct. 3, 10, 17, 24, Nov. 7, 14 (6 Tues. nights), 5:30p.m.-7:30 p.m. PST, Online

 

 

RADIO STORYTELLING CLASS IN LOS ANGELES—STARTS SUN. 10/15

Bob Carlson is the host and producer of Unfictional on KCRW. In this class, Bob shares the Unfictional guidelines, themes and helps you craft a pro radio story. On the last class, you record your story at KCRW and get a professionally recorded clip. Because of this class, 9 students have gotten on Unfictional and 1 got on All Things Considered. Our latest student success is Caitlin Biljan: http://kcrw.co/2orFMUv

 

RADIO STORYTELLING w/ Bob Carlson (Producer, KCRW's Unfictional) 5 Wk

http://writingpad.com/los-angeles-radio-storytelling-workshop/

Oct 15, 22, Nov 5Dec 3, 10 (4 Sun. nights, 1 recording session) 6:00-9:00 p.m, West


Applications open for Resilience Journalism Fellowship

Good opportunity for mid-career journos who cover the environment. Details below! -Mia

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Applications are now open for our newest grant program, the Resilience Journalism Fellowship. Funded by The Rockefeller Foundation, the Fellowship is designed for mid-career journalists who have some background reporting on environmental issues.

It will run from Oct. 22-27.

Fellows will focus on the science of climate change and resilience — defined as a system's capacity to absorb disturbance and still retain its basic function and structure.

For more info:

https://www.journalism.cuny.edu/2017/07/apply-now-for-new-environmental-journalism-fellowship/

Here is the direct link to the application:

 http://bit.ly/resilience-journalism-apply

The program director is Dale Willman. You can email him at Dale.Willman@journalism.cuny.edu or call him at 518-583-7247.

part-time GM position with community station in Sun Valley, ID, ski pass included!

Interesting opportunity from a community radio station in Sun Valley, Idaho. This is a part-time gig – with some unique perks! Details and contact info below. -Mia

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KDPI Community Radio General Manager

KDPI is looking for a highly motivated and inspired person to manage our day-to-day operations, establish sustainable standards and practices and grow the station to its full potential. With an intense passion for narrative and public radio, the ideal candidate brings experience, vision and strong management skills.

KDPI 88.5 FM is a young but established community station in the vibrant resort town of Sun Valley, Idaho. Benefiting from a community with a strong economic base, nestled in the majestic Sawtooth Mountains, Sun Valley is a place of unparalleled beauty and opportunity. With a strong devotion to the arts and education, our valley is a draw to anyone seeking an active lifestyle and a sophisticated, intellectual community. We are a uniquely situated resort town with local flair. Our valley serves as a virtual playground for adventure junkies and solitude seekers alike, while still offering abundant opportunities for the arts and education. It is a diverse hyper-local environment with incredible places to enjoy every passion.

 

Compensation: Because of the unique environment within Sun Valley, KDPI is offering a creative compensation package that will include salary, a ski pass and a half time position that allows for the opportunity to experience the incredible outdoor life that our town provides.

 

Contact: Ellie Newman

ellie@ellienewman.com

208.720.7958


August Podcast School @UnionDocs, Aug 21-25, just a few spots left!

There are just a few spots left at UnionDocs August Podcast School, Aug 21-25. Their presenter line-up is truly stellar. Spread the word! Details and shareable links below:
-mia
+++++++++++++++
Our stellar line-up includes: Ben Calhoun (This American Life), Molly Webster (Radiolab), Mitra Kaboli (The Heart), Alex Goldman (Reply All), Andrea Silenzi (Why Oh Why) and more!
Dates: August 21 – 25
To learn more and register, please visit: https://uniondocs.org/event/2018-08-21-the-podcast-school/
Sample tweets below:
Join @UnionDocs Podcast School this Aug w/ audio pros from @ThisAmerLife @Radiolab @theheartradio @replyall & more! https://uniondocs.org/event/2018-08-21-the-podcast-school/ [INSERT PODCAST.GIF]
Work on your audio practice w/ @uniondocs @samgreenspan @99piorg @replyall @ThisAmerLife @Radiolab & more this Aug!

Expand your editing toolkit, the latest from @AIRmedia

I've been an AIR member for a long time and I found this most recent newsletter to be especially useful. See below for some editing tips and gigs, and become a member if audio production is your thing! And just a reminder, applications for their Better Edit Fellowship are due this Friday.

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gallery.mailchimp.com/02d99c12bcbceba188ea5a04c/images/49521203-1d1f-44f2-afa9-3be19dd87937.png);background-repeat:no-repeat;background-position:center;background-size:auto;border-top:0;border-bott…”>


Reading List: Sharpen your editing skills,
then sharpen them some more

Editor’s Note: AIR is looking for candidates interested in becoming better editors through our Better Edit Fellowship—brought to you in partnership with PRNDI, the Public Radio News Directors Incorporated. Read on for contributing writer Emily Boghossian’s best picks for learning how to work the editing game, then apply to Better Edit! The deadline to submit is this Friday, July 14, at 5 p.m. PT.
 

Listen to Lin-Manuel Miranda’s first cut of “My Shot,” and you’ll hear it in the first few bars. Editing matters.

Any audio producer who has gone back and forth with a good editor knows that “most things that are great get great through editing,” (Ira Glass, Longform). But not every producer has access to a strong editor. Lately, the “good editor” is becoming more and more of a unicorn—high in demand and, according to NPR Training’s Alison MacAdam, low in supply.

And while we need to correct the industry-wide shortage by building clearer, more inclusive pipelines for editors, maybe this dearth is an opportunity for producers to sharpen their knives. If great storytelling = great editing, we should all strive to be better editors.

So, this week we are listening to the editors in our lives. Here's a list of resources guaranteed to grow your toolkit. Now, go forth and slash.

Editing from the get-go:
Front-end editing: The "secret ingredient" of great audio storytelling | Andrea De Leon for NPR Training
Before you pack your TASCAM and hit the road, ask yourself: What introduction do you hear in your head? How could this story unfold? Who is the main character?

Structuring your story:
How to Construct a Compelling Story | Brian Reed for The Conference
Action. Reflection. Stakes. S-Town's Brian Reed breaks down good storytelling by relaying the most boring story he can think of. Additional reading from the audio canon: Ira Glass explains storytelling in four parts.

Lessons from Making a Historical Documentary | Alex Lewis (Localore '15) and Yowei Shaw (New Voice '11) for Transom.org
Structuring a longer-form documentary? Find macro and mini story structures. Alex Lewis and Yowei Shaw’s first-ever historical doc yields all kinds of useful tips. Bonus: Insights on mixing via Jeff Towne.

 

Read on!
1. Looking for an excuse to move to Italy? The Food and Agriculture Organization of the U.N. is searching for a radio coordinator to make audio stories in Rome. (Public Media Women in Leadership Facebook group)

2. “100 Days in Appalachia” is looking for an experienced and courageous part-time contributing editor to take the lead on stories about race relations and religious divides. (Public Media Innovators Facebook group)

3. ATTN: Break ground as a multimedia health care reporter and find stories at the intersection of policy and people. (Nashville Public Radio)

4. Start your thumb exercises! Public Radio International is on the hunt for a social media editor to post quality work at lightning speeds. (Twitter #pubjobs hashtag)

5. You’re a multitasking communications specialist and Detroit Public Television is in need of your superpowers. Write, report, edit, repeat. (CPB Jobline)

AIR + PRX Podcast Garage this Wednesday

AIR and the fine folks at Podcast Garage are kicking off July with our second Maker Mingle of the season. We're gathering in Allston, Massachusetts this Wednesday, July 12, from 6:30 p.m. to 8:00 p.m. to trade stories, share ideas, and make new friends. Swing by if you're in the neighborhood!

This time we want you to come with an answer to the question: What was the first podcast you listened to or loved?
 

RSVP
AIR … a network of independent producers 
who create collaboration, diversity, and excellence 
in audio and media craft.

{ Learn More About AIR }


new workshop from @writingpadus starts next Sunday, July 16

The latest from Writing Pad SF. See below!
++++++++++++++++

 

Writing Pad’s SF podcasting course starts NEXT Sunday July 16 w/ Snap Judgment’s Eliza Smith. Friends of Freelance Cafe get a discount.

 

15% off the class by using the code FREELANCE.

 

PODCASTING CLASS IN SAN FRANCISCO–STARTS NEXT SUN. 7/16

Eliza is a producer at NPR’s Snap Judgment who got her start with the Kitchen Sisters. She will help you conceive, develop & produce an outline for your podcast & record a teaser. She will teach you interviewing techniques, sound editing, using music, archival material + more. Class includes a recording session at a professional studio as well a session with the head sound person at Snap. For a more about Eliza, check out our interview with her here: http://writingpad.com/snap-judgment-producer-eliza-smith-interview/

 

Details:

 

PODCASTING 5 WK w/ Eliza Smith (Producer, Snap Judgment)

http://writingpad.com/podcast-u-a-san-francisco-podcasting-bootcamp-2/

July 16, 30, Aug. 13, 20, 27 (4 Sun., 1 recording session), 6:30 p.m.-9:30 p.m., SF

@AIRmedia’s Better Edit Fellowship, application deadline July 14

Attention all wannabe editors! AIR has just launched their Better Edit Fellowship and is looking for aspiring audio editors to apply for one-on-one mentoring. There's an incredible group of mentors in this bunch – so sign up and spread the word! NOTE: you must be either an AIR or PRNDI member to apply. But you can find other mentorship opportunities and resources in the links below. Application deadline is July 14th.
-Mia

+++++++++++++++++

Up your editing game with the AIR hive mind

One of AIR’s greatest assets is our collective brain trust—from the knowledge shared on the AIRdaily to the meet-ups hosted to gather regional AIRsters. Our peer-to-peer mentoring program is another way AIR orchestrates this passing of expertise. In this vein, AIR is pleased to announce that we are looking for candidates interested in becoming better editors through our Better Edit FellowshipWe’re pleased to be partnering with PRNDI—the Public Radio News Directors Inc.—on this initiative.

What is The Better Edit Fellowship and how can I apply?   
The demand for good editors in podcasting, public radio, and audio stories outpaces the availability of ready talent. AIR hears this, so we’ve tapped some of the best editors in the business to give focused attention to 12 aspiring editors chosen through a competitive selection process.

If you’re chosen, we’ll match you with an editor. You’ll work for four hours over the course of 90 days to whip your project into shape and upskill your editing. Think of it as an extended story meeting where a great editor gives you insight into how their mind works and into how they help a producer structure a story or project. To read the full details and apply, visit: airmedia.org/programs/training-and-mentorship-program/airs-2017-editorial-fellowship/ 

What skills can I expect to touch on during the fellowship?
The Better Edit Fellows will learn how to pull diamonds out of the rough. Your editor-mentor will work with you to identify how to unfurl the pieces and then tie them back up together into something great. You’ll come away from the fellowship ready to apply this understanding of listening for editing and structuring audio stories to yours and others’ work.

Who can apply?
You must be either an AIR or PRNDI member in good standing. As an AIR member, you must also have been in the network for at least six months. Please read more about Fellowship eligibility here. Not a member yet? Learn more about joining AIR here. The strongest candidates are expected to be working on a specific audio project with concrete goals.

@KALW seeks part time Digital Editor, deadline July 10

Reminder! The deadline to apply for KALW's Digital Editor gig is Monday, July 10. Details below.

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KALW is looking for a digital editor to manage KALW’s growing digital audience. The editor will be responsible for day-to-day tasks such as website management and social media, as well as long-term projects such as metrics tracking and audience development. You can find out more info about the job posting here: http://kalw.org/post/kalw-seeks-digitaleditor#stream/0 

Journalism award for collaborative work from @hostwriter, deadline July 31

An award that focuses on collaborative journalism – love it! Details at http://prize.hostwriter.org/ and below. Go for it!
-mia

++++++++++++++++

We are giving out over $5.000 for journalistic pieces and pitches that were done collaboratively, meaning that at least two journalists have to be in the byline. 
Tweet it out!
Journalists worldwide can compete for cash prizes & story funding from @hostwriter! Send in a story or pitch by 7/31 http://prize.hostwriter.org/
You can find detailed information, FAQs and the online application form here.

If you need some inspiration check out last year's winners on our blog. Thank you so much for your support. We would love to see some applications from your network.

hostwriter.org – collaborate with journalists worldwide
Apply for the #hostwriterPrize for your collaborative pieces and pitches by July 31st.

CUNY J+ Fall workshops, early bird discounts until Aug 31

Happy summer, Freelance Cafe folks! In case you're an advanced planner, you can sign up now for CUNY J+ workshops for the fall. There's a 20% off early bird deal until Aug. 31, and after that Freelance Cafe members can still get 10% off with the code JPLUS10. The current list of courses is below.

Cheers,
Mia


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Data Journalism Bootcamp: Excel, Open Refine, Tableau And More with Sarah Ryley, 2017 Pulitzer Prize winner. Sarah will provide a “basic toolkit” of best practices and programs to get started in data journalism. “These are the tools I’ve used for the past 4+ years to produce high-impact data stories, including my Pulitzer Prize-winning series on nuisance abatement, proving there’s a lot you can do with this basic toolkit,” Sarah says. All day Sept. 23 and 24. $599$479 Early Bird Summer Deal until Aug. 31. Learn more

 

Intro to Adobe Premiere Pro CC with Jennifer Hamblett. This five-week, hands-on module teaches the ins and outs of a software that is the industry standard for video editing. You will learn the principles of non-linear editing, how to use the interface and features of Adobe Premiere and how to plot and edit a sequence 6:30 to 9 pm on Tuesdays, Sept. 26, Oct. 3, 10, 17, and 24. $599$479 Early Bird Summer Deal until Aug. 31. Learn more

 

Investigating Your Elected Officials with Andrew Lehren, Pulitzer Prize team-winning reporter for The New York Times. In this two-part, hands-on workshop, you will learn techniques and tools for backgrounding and fact checking those in power. 6:30 to 9 pm on Wednesdays, Oct. 11 and 18. $299; $239 Early Bird Summer Deal until Aug. 31. Learn more

 

Augmented Reality (AR) for Journalism with Matt MacVey. In this hands-on, evening workshop we’ll try out AR projects from different news organizations, see how to get started with tools like Blippar, Vuforia and Tango and look at what might be coming next. 6:30 to 9 pm on Thursday, Oct. 19. $25. Learn more

 

 Build a Bot: Artificial Intelligence and Bots for News with John Keefe, bot developer and app product manager at Quartz. In this two-part workshop, John Keefe will focus on natural language processing and conversational interfaces and help you build a Facebook Messenger bot. John has taught this popular class to journalism students and to journalists at conferences such as ONA. 6:30 to 9 pm on Wednesdays, Oct. 25 and Nov. 1. $249. $199 Early Bird Summer Deal until Aug. 31. Learn more

 

Charts for Data Analysis and Presentation with Datawrapper with Sandeep Junnarkar. Enhance your journalism with data analysis and presentation with this popular software. This 2.5 hour, hands-on class will go over the bases, as well as tips and tricks for more polished charts. 6:30 to 9 pm on Tuesday, November 7 from 6:30 to 9 pm. $25. Learn more

 

Intro to 360° Video Journalism with Bob Sacha and Matt MacVeyGet up to speed with 360 video journalism and try the Ricoh Theta camera and 360 apps on your smart phone in this hands-on, evening workshop. 6:30 to 9 pm on Wednesday, Nov. 8. $125; $99 Early Bird Summer Deal until Aug. 31. Learn more

 

Social Media Videos: Snapchat, Instagram and Facebook Live with Luis Miguel Echegaray. In this three-part, hands-on workshop, we will focus on making videos using smart phones and the top three video-heavy social media platforms: Snapchat, Instagram and Facebook Live. 6:30 to 9 pm on Tuesdays, Nov. 14, 21, and 28. $375$299 Early Bird Summer Deal until Aug. 31. Learn more

 

Adobe After Effects and Motion Graphics with Graham Roberts, Senior Editor at The New York Times. In this daylong workshop, you will learn the basics of Adobe After Effects, the leading software for digital visual effects, motion graphics and animation. 9:30 am to 5:30 pm on Saturday, Nov. 18. $549; $439 Early Bird Summer Deal until Aug. 31. Learn more

 

10 Ways to Improve Your Writing with Diane Nottle. This hands-on two-hour session focuses on high-impact tricks and techniques to make your writing for any purpose stronger, clearer and more memorable. 6:30 to 8:30 pm on Wednesday, Nov. 29. $25. Learn more

 

The Business of Freelancing with Tim Harper. This breezy, conversational two-hour workshop is both an introduction for beginning freelancers and a top-up review for longtime veterans. Bring your questions and issues on every aspect of freelancing, from ideas to reporting to contracts and rights to pitching, publishing and getting paid. 6:30 to 8:30 pm on Wednesday, Dec. 6. $25. Learn more

 

To come: Online Research Series: SuperResearcher with Barbara Gray. Find even the most elusive sources. Dig up hard-to-find information. Avoid embarrassing mistakes in your news stories, in this series of workshops by the former director of news research at The New York Times. Join our email list to receive alerts about new classes

 

To come:  Edit, Sequence, Present and Promote Your Photographs with James Estrin, the co-editor of the New York Times Lens blog. Many people can take decent photographs. Few photographers understand how to edit, sequence and present their work. These skills will enable you to be better visual storytellers and will help you distinguish yourself from other photographers. Join our email list to receive alerts about new classes

 

ONLINE CLASS: VideoStorytelling for the Weban online class to help you make short digital videos people want to watch. Video coach Kayle hope covers everything from shooting to editing in 10 short and engaging videos. $35

 

Are you eligible for a discount? Check here.

____________________________

All workshops will be held at the CUNY Graduate School of Journalism, 219 W. 40th Street in New York. Map.


KALW seeks a digital editor

Gig alert!


KALW is looking for a digital editor to manage KALW’s growing digital audience. The editor will be responsible for day-to-day tasks such as website management and social media, as well as long-term projects such as metrics tracking and audience development. You can find out more info about the job posting here: http://kalw.org/post/kalw-seeks-digitaleditor#stream/0


Pitch the Pulse @WHYY

Pitch WHYY's The Pulse! (First deadline is tomorrow – sorry for the short notice.)

+++++++++++++++

 

This is what we have coming up:

 

The Hot Hot Show

The main bar story is about heat islands in cities – and fixes for that, including planting trees. The lineup already includes: the anatomy of a hot flash, thermophilic bacteria, a weather vs. climate explainer, how forest fires can influence weather, and the Chinese healing concept of internal heat.

 

Got anything ‘temperature’ related that will surprise our audience — on topic — but unexpected? For this one, I'm looking for ONE more 3-5 minute piece (maybe already produced) because the deadline is coming soon, mid-July.

 

The Gender Show in Mid August

Seeking health + science pitches: Anything from … “Girling up,” the science of being female … to the health advantages men enjoy within the American health system.

 

The Language Show in Early September

Seeking health + science pitches: Looking for ideas from Deaf culture, bilingual families, even tech.

 

Sending pitches to both addresses can help cut through the clutter:

 

tenglish@whyy.org

pulseeditor@whyy.org

 

 

ALSO THIS SPECIAL EPISODE …

 

WORKING TITLE: Travels on the Big Muddy in Early September

The mighty Mississippi River is the final destination for a vast network of streams that stretch across nearly half of the U.S. The river’s pull has created great cities, thriving industries, and vibrant culture along her banks. But we haven’t always treated the river well. We wash our waste into the waters, restrict natural movement, and engineer the stream to our needs. What’s been the toll on human health and the environment? On this episode, The Pulse travels the Mississippi from the headwaters in Minnesota to the mouth in the Gulf of Mexico.

 

Got an idea? We’re looking for stories about the ways people use and abuse the Mississippi. Pitch us stories about river conservation efforts, nearby agriculture as well as urban stories about runoff and water quality. Profile someone using science to protect the Mississippi, or a worker who makes his living along the river.

First edit around August 7

 

The BIG MUDDY call for pitches closes June 28, please send us your idea before then.

Email both Managing Editor Taunya English pulseeditor@whyy.org and Guest Host Irina Zhorov izhorov@whyy.org


Apply for @AIRmedia’s 2017 New Voices Scholarship, deadline June 30

ATTN fierce storymakers: Apply for AIR's 2017 New Voices Scholarship! Deadline June 30th.
We're very excited to share that AIR is now taking applications for our 2017 New Voices Scholarship. We're looking for folks from all corners of America. Please consider applying if you're a rising voice in audio and public media. Or, spread the call for submissions far and wide through your many channels and networks.


AIR seeks: Daring makers from all corners of the country, especially individuals from underrepresented communities and groups.

If chosen, you receive: A travel stipend up to $1,500 to attend the 2017 Third Coast Conference, a complimentary one-year AIR membership, and special opportunities and support at the conference.

Here are some sample tweets for sharing:

Apps open for @AIRmedia's New Voices Scholars! Attend @ThirdCoastFest & help shape media w/ your voice. Details: airmedia.org/programs/new-voices-scholarships

Join AIR's #NewVoiceScholars revolution! @AIRmedia seeks diverse, daring makers who are fired up about audio/media: airmedia.org/programs/new-voices-scholarships


new audio courses with @WritingPadUS start next week, discount for FC friends

Writing Pad’s LA, SF, and Online podcasting and radio fiction courses start next week w/ 99% Invisible Alum Sam Greenspan and Snap Judgment’s Eliza Smith. Friends of Freelance Cafe get a discount.

 

15% off the class by using the code FREELANCE.

 

PODCASTING CLASS IN SAN FRANCISCOSTARTS NEXT WED. 6/28

Sam has been a producer and reporter at 99% Invisible since the early days and a long-time NPR Vet. He is now starting his own super-secret podcast. Sam will help you conceive, develop & produce an outline for your podcast & record a teaser. He will teach you interviewing techniques, sound editing, using music, archival material +more. Class includes a recording session at a professional studio.

 

PODCASTING w/ Sam Greenspan (99% Invisible)

http://writingpad.com/san-francisco-podcasting-bootcamp/

June 28July 12, 19, 26, Aug. 9 (5 Wed. nights), 7:00pm-10pm, SF

  

RADIO FICTION CLASS IN SAN FRANCISCO–STARTS  SUN. 7/16

Podcasts like Homecoming, Limetown and A Night Called Tomorrow have expanded the horizons of radio storytelling to fiction. Eliza is the producer of Snap Judgment’s fiction program and has adapted the short stories of Manuel Gonzalez, Amelia Gray, and Kelly Link into radio plays. Learn what works/doesn’t work for a radio play, the importance of scenes, the use of sound and music to enrich pieces, narrative structure, and the Snap Judgment Method for telling stories.

 

By the end of the class you will have, a draft of a stand out story that you can get published in a literary journal and submit to radio shows. You will record it at Snap Judgment Studios. Join the ranks of the 32 students who have published short stories from and 11 students who have gotten stories on the radio from our classes. For a preview, check out Eliza’s interview here:

http://writingpad.com/snap-judgment-producer-eliza-smith-interview/

 

RADIO FICTION w/ Eliza Smith (Producer Snap Judgment, NPR)

http://writingpad.com/storycasting-san-francisco-radio-fiction-class/

July 16, 23, 30, Aug. 13, 20, (4 Sun., 1 recording session), 6:30 p.m.-9:30 p.m., SF


Third Coast/RHDF Competition in ON, deadline July 11

It's Third Coast Award season – get on it!

http://thirdcoastfestival.org/overview/competition/_2017-third-coast-richard-h-driehaus-foundation-competition
++++++++++++++++

Our Call for Entries is open!

Since 2001, the TC/RHDF Competition has celebrated the best audio storytelling produced worldwide. We've honored over 130 extraordinary works from four continents, and bestowed $250,000 in cash prizes to many of the most innovative producers in radio & podcasts.

Announcing… the 2017 TC/RHDF Competition Judges

Dig into all ten 2016 TC/RHDF Competition winners, plus learn more about the year's best at Current Magazine and NPR's All Things Considered .

ENTER NOW!

Entry Guidelines

FEES AND DEADLINES

$35 for student entries uploaded on or before Tuesday, June 13 at noon PDT.

$55 for entries uploaded on or before Tuesday, June 13 at noon PDT.

$75 for all entries uploaded Tuesday, June 13 after noon PDT through Tuesday, July 11 at noon PDT.

Entries uploaded after July 11 at noon PDT will not be judged.

ENTER the 2017 TC/RHDF Competition!

TO BE ELIGIBLE

Entries must range between 3 and 60 minutes in length, with the exception of Best News Feature submissions, which can not exceed 12 minutes.

Entries must have been produced and presented publicly for the first time on the radio, the Internet, via podcast or in a public setting (i.e. gallery, museum, classroom) between July 2015 and July 2017.

Entries must be produced in English, with the exception of the Best Doc: Foreign Language category!

Work featured on this website or on Re:sound is still eligible for entry into the competition.

Each producer must sign the release and license agreement on the entry form, which provides Third Coast with broadcast and Internet rights to present submissions in their entireties as part of Best of the Best: The 2016 Third Coast Festival Broadcast between October 2017 and October 2019.

ADDITIONAL GUIDELINES

Entries should consist of an individual documentary or feature.

Each documentary in a series is a separate entry.

Each feature within a program that presents multiple pieces is a separate entry.

Each episode from a podcast is a separate entry.

TECHNICAL REQUIREMENTS

Entries are only accepted through Submittable, where you'll find clear instructions for uploading your story. Submittable will be able to answer your tech questions, for everything else email Third Coast or call us at 312-948-4682.

Each entry should consist of one audio file.

Entries should not contain audio other than entry material. Please exclude ledes, intros, outros and ads.

ALL ENTRIES MUST INCLUDE

One audio file per entry

Brief producer bio (80 words max)

A text version of the host lede, or a short intro for the entry (150 words max)

Entry fee

For Radio Impact entries only: Statement of Impact (500 words max)

For Best Doc: Foreign Language entries only: Bilingual English/original language transcript

PAYMENT

Payment by credit card / PayPal is strongly recommended but checks are accepted only for entries submitted by the early deadline, June 13 at noon PDT. Checks must be mailed/postmarked by the early deadline, June 13.

Please contact us to pay by check.



freelance audio production gig for the Bay Area’s Second Harvest Food Bank

The Second Harvest Food Bank of Santa Clara and San Mateo Counties seeks a freelance audio producer! Details below.
-mia

+++++++++++++

 

Position Announcement

 

Second Harvest Food Bank of Santa Clara and San Mateo Counties is hiring an Audio Producer to collect food bank client stories and turn them into NPR-style podcasts. Story formats include individual client audio diaries and in-depth interviews with a broad range of clients. Deliverables will be 1-2 audio diary podcasts in the style of Radio Diaries (http://www.radiodiaries.org/); 2-3 audio food journals; and 4-5 non-narrated themed pieces each highlighting different client populations (teens, homeless, families, seniors). This is an independent contract position (~10 hours a week) with a competitive stipend. There will be a review 2 months into the project to ensure the position is a good fit and the deliverable timeline is about 8 months (flexible). If interested, please click on the following link to learn more about the position and application instructions: http://www.shfb.org/employment.

 

 

Elena Hollander, MPH

Community Nutrition Senior Manager

Second Harvest Food Bank of Santa Clara and San Mateo Counties

Phone: (408) 266-8866 ext. 303 

 

cid:image001.jpg@01D21B3C.4C405D40

 


four positions open on KALW’s news team

A bunch of part-time gigs available at KALW in SF. Check it out!
-mia

+++++++++++++
The news team at KALW Public Radio is hiring four positions in the coming weeks. Click on the links to read more about each position and learn how to apply. 

  • Deadline: June 1
  • Description: We are seeking an experienced and creative sound engineer/sound designer to help mix our daily news magazine Crosscurrents. The main duties will be to mix feature stories from scratch; shorten stories that have already been mixed; cut interviews; track reporters and our show host Hana Baba; mix the show, itself; and contribute your own ideas to the overall sound of Crosscurrents. This is an independent contract position that requires being on site at KALW MondayTuesdayWednesday, and Thursday during show production hours.

  • Deadline: June 1
  • Description: The KALW News team is looking for an experienced radio journalism story editor to work on our daily news magazine Crosscurrents. Your primary job will be to work with journalists and storytellers, help them craft reporting plans, follow through with advice during their reporting process, provide insightful edits, and help deliver memorable stories.This is an independent contract position for 20 hours a week, beginning July 1, 2017.
  • Deadline: June 1
  • Description: The KALW News team is looking for an experienced radio reporter to provide stories and Q&As about education for our daily news magazine Crosscurrents and to produce spots for our new daily newscasts. You will be responsible for reporting one feature (at least six-minutes long and sonically rich) per month, one Q&A per month, and an average of one short (less than two-minute long and informational) spot per month, as needed.

  • Deadline: June 15
  • Description: KALW's Sights & Sounds is seeking a multi-talented producer/engineer to join the team. Sights & Sounds is KALW's arts reporting project which features artists and creative thinkers from throughout the San Francisco Bay Area, with a special focus on those that are underrepresented in mainstream media. We're looking for a creative, experienced radio producer with great writing and mixing skills, who can work well independently as well as collaboratively, and who is excited to celebrate the artistic richness of the Bay Area. This is an independent contract position for approximately 12 hours a week, with a mix of onsite and remote work possible.


upcoming classes in LA and SF with @writingpadus

Hey folks! The Writing Pad folks are once again extending a 15% discount for FC members who sign up for their classes. See below for what they have coming up.
Best,
Mia

++++++++++++++++++++

 

Writing Pad’s LA, SF, and Online podcasting and radio storytelling courses start next week w/ This American Life’s Elna Baker, 99% Invisible Alum Sam Greenspan, Snap Judgment’s Eliza Smith, and Unfictional’s Bob Carlson. Friends of Freelance Cafe get a discount.

 

15% off the class by using the code FREELANCE.

 

STORYTELLING ONLINE—STARTS NEXT THURS. 5/18

Elna Baker is a Producer and Story Scout on This American Life. She has been on TAL 9 times, she pitches Ira Glass stories every week and has won 8 Moth Story SLAMS! Elna knows what This American Life and The Moth consider to be a worthy story and what their specific format is. If your dream is to create stories for top podcasts/radio shows, this the perfect class for you! Finish 2 stage ready or radio ready stories in class.

 

STORYTELLING ONLINE 7 WK w/ Elna Baker (Producer and Story Scout, This American Life)

http://writingpad.com/online-storytelling-class/

May 18, June 1, 8, 15, 22, 29, July 13 (7 Thurs. nights) 5:30 p.m. -7:30 p.m. PST, Online

 

 

RADIO STORYTELLING CLASS IN SAN FRANCISCO–STARTS NEXT SUN. 5/21

Eliza Smith is a producer of Snap Judgment who got her start with the Kitchen Sisters. In this class, Eliza shares the Snap Judgment guidelines, themes and helps you craft a pro radio story. On the last class, you record your story at Snap Judgment studios and get a professionally recorded clip from Eliza. 10 students have gotten on the radio and have been paid from this class!

 

RADIO STORYTELLING 5 WK w/ Eliza Smith (Snap Judgment, NPR)

http://writingpad.com/san-francisco-radio-storytelling-class/

May 21June 4, 11, 25, July 9 (4 Sun., 1 recording session),6:30–9:30 p.m.

 

RADIO STORYTELLING CLASS IN LOS ANGELES—STARTS SUN. 6/11

Bob Carlson is the host and producer of Unfictional on KCRW. In this class, Bob shares the Unfictional guidelines, themes and helps you craft a pro radio story. On the last class, you record your story at KCRW and get a professionally recorded clip. Because of this class, 9 students have gotten on Unfictional and 1 got on All Things Considered. Our latest student success is Caitlin Biljan: http://kcrw.co/2orFMUv

 

RADIO STORYTELLING 5 WK w/ Bob Carlson (Producer, Host, KCRW’s Unfictional)

http://writingpad.com/los-angeles-radio-storytelling-workshop/

June 11July 9, 16, 23, 30 (4 Sun. nights, 1 recording session), 6:00-9:00 p.m., Westwood

 

PODCASTING CLASS IN SAN FRANCISCO–STARTS WED. 6/28

Sam has been a producer and reporter at 99% Invisible since the early days and a long-time NPR Vet. He is now starting his own super-secret podcast. Sam will help you conceive, develop & produce an outline for your podcast & record a teaser. He will teach you interviewing techniques, sound editing, using music, archival material +more. Class includes a recording session at a professional studio.

 

PODCASTING 5 WK w/ Sam Greenspan (99% Invisible)

http://writingpad.com/san-francisco-podcasting-bootcamp/

June 28July 12, 19, 26, Aug. 9 (5 Wed. nights), 7:00pm-10pm, SF

 

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http://instagram.com/writingpadus


freelance audio producer for Bay Area’s greenbiz.com, application deadline April 23

Freelance producer gig available at the GreenBiz 350 podcast. Details below! Application deadline April 23.

-mia

+++++++++++++++++

Freelancer Job for an Audio Producer in the S.F. Bay Area:

The GreenBiz 350 podcast is a weekly digest of sustainability news, averaging about 45 minutes. Every episode includes a “Week in Review” as well as two in-depth feature stories that showcase clips from interviews GreenBiz reporters have conducted.

We are looking for an experienced audio editor who can put together this podcast. The job requires advanced audio editing skills. It should take about 10 hours/week starting in May. The ideal candidate will be based in the San Francisco Bay Area, though remote freelancers are encouraged to apply as well. A working knowledge of climate, sustainability and energy issues is a plus.

The Gig: 

— Scheduling, collecting and organizing the week’s clips (anywhere from 3-9 clips a week). Setting up mics if recording in-studio.

— Editing audio. Includes EQ, noise reduction, level consistency, fades and adding music.

— Write episode summaries

— Compensation TBD

How to Apply:

Use this online form:

Application Deadline:

Applications are taken on a rolling basis, until April 23.


Open Call for Radio entries for the Encontrarte Amares Festival in Portugal, deadline June 15

This is a new one for me! Sounds intriguing. For all you international journos/producers, see below for info about the Encontrarte Amares festival in Portugal. They're accepting radio entries through June 15.

-mia


++++++++++++++++++


Here  is  the information about the festival


Encontrarte Amares is a festival devoted to visual arts and animation film that, biannually, has been proposing, through a multidisciplinary program, the live dialogue between the cutting edge of the contemporary artistic thought and the traditional heritage of the region of Minho, Portugal.

Visual arts exhibitions, animated cinema, performing arts, radio, series of discussions and theoretical reflection, artistic residencies, competitions and educational activities  shape the intense program that culminates in the four days of the Festival, promoting an environment of experimentation, participation, gathering, active contemplation and freedom of thought.

Encontrarte Amares reinforces the interest in the immaterial heritage of the region, evoking the gastronomy, customs, images and sounds, the stories and know-how. Hand in hand with the memory of the past, we will be confronted with a set of recent artistic projects that, in their various languages and themes, will defy us to think about what remains effective in the ordinariness of our days.

More information on the website of the festival :

http://encontrarte.pt/english/encontrarte/presentation.html   

—————————————————

Encontrarte Amares radio thus calls for the submission of radio pieces with creative and experimental features. As in previous editions, the show will be broadcast in the physical space of the festival and live streaming. In addition to offering complete freedom to create these objects, the trustees encourage the approach to the set of themes of this year's edition – Transformation / Movement / Transpiration / Transit.

I am always available to answer any  questions you  may  have, please feel free to contact me.

More information about radio at Encontrarte Amares:

 http://encontrarte.pt/english/edition-2017/open-call-radio/open-call-radio.html?parent=&subid=  

Regulation:  http://encontrarte.pt/cms/upload/ea_2017_radio_en.pdf

Registration form:  http://encontrarte.pt/cms/upload/ficha_inscricao_radio_web_form.pdf

Submissions and questions must be addressed at radio@encontrarte.pt


Online Privacy for Journalists, a pdf guide

Hello FC community! This resource for journalists was recently brought to my attention with the following note. Please share if this is appropriate for your community!!

This is not an easy time for journalists all over the world, with the discoveries of surveillance on citizens, which includes journalists and their sources.

I’d like to ask you to share a guide, written by one journalist to his colleagues all over the world. The guide can help them protect their work and fulfil their mission. https://www.vpnmentor.com/journalist-privacy-guide.pdf

If you can add it to your page, as well as share it over social networks, it would be a tremendous help to the free press.


applications now being accepted for @Transom_org’s Fall Story Workshop, scholarships available, deadline June 2

Transom.org is my GO TO recommendation for folks looking to break into audio storytelling/podcasting, and they just announced their Fall Workshops. Details HERE and below. Scholarships are available. Deadline June 2. GO FOR IT!

++++++++++++++++++++

Story Workshop

The Transom Story Workshop is a nine week, residential program of full-time training for beginning producers. It’s held in Woods Hole, Massachusetts, on Cape Cod. We offer Workshops in spring (end of March – May) and fall (end of September – November). For email updates on our Workshops, contact us: info [at] transom [dot] org.

You’ll find basic information about the Story Workshop below. For more specific questions, visit our FAQ. If you don’t find an answer there, please write to us at info [at] transom [dot] org.

Applications due for the Fall 2017 Story Workshop & the Story Workshop Scholarship: June 2, 2017 (11:59 p.m. EST)

Cost of the Workshop

Cost for the Workshop ranges from $8,820 – $9,495 (depending on housing) and includes:

Tuition for the nine-week course. ($6,950)

Housing for nine-weeks. (Rooms range in cost from $1,585 – $2,260 for the duration of the Workshop. The houses are fully furnished and rent includes internet, laundry, utilities/heat, sheets/towels and a final cleaning service. Some of the rooms have water views.)

Two group meals each week, prepared by a local chef. ($285 covers the cost of group meals.)

Training by lead instructor Rob Rosenthal and a teaching assistant.

Pitching/editorial sessions with Jay Allison.

Voice coaching by producer Viki Merrick.

A technical gear-oriented one-on-one session with Transom’s Jeff Towne.

A licensed copy of Hindenburg Journalist (yours to keep).

One-year Producer membership in the Public Radio Exchange.

One-year membership in the Association of Independents in Radio.

Guest lectures (and opportunities for professional connections) with well-known people in public media. Special guests for Fall 2017 include Robert Smith from NPR’s Planet Money and Robyn Semien from This American Life.

Opportunities to observe and participate in the day-to-day operations at WCAI, the award-winning Cape and Islands public radio station (where your work may be broadcast).

NOTE: The Story Workshop is a residential program. Opting out of student housing is non-negotiable except for any health or medical concerns that would make living in the group housing impossible. Visit our FAQ to find out more.

Participants Produce

  • A vox-pop audio piece.
  • A radio promo.
  • A four-minute profile of a creative person, based on WCAI’s Creative Life Series.
  • A six-minute documentary feature: You choose the subject.
  • One or more Sonic IDs.

Scholarships

Our goal is to make the Story Workshop a realistic option for people who have been unable to attend due to cost. Scholarships will be offered based on financial need, with a focus on diverse voices, people of color, and those who have been historically underrepresented as makers of public media. For now, Scholarship funds are available only to people living in the U.S.

Scholarship applicants are required to complete both a Workshop application and a Scholarship application. We strongly encourage submitting the Workshop application first. Both the Workshop and Scholarship applications have the same deadline. The Story Workshop admissions committee reviews and awards scholarships only after applicants are accepted into the Workshop.

Transom is prepared to pay one or more partial scholarships, and one full scholarship, if a qualified applicant requires it. A full scholarship includes tuition, housing, group meals, travel to and from Woods Hole and possible stipend. Partial scholarships range in amount depending on the need of applicants and the amount of scholarship funds available to us.

Again, we strongly recommend submitting the Workshop Application before submitting the Scholarship Application. You can find the Scholarship application here. You can learn more about our Scholarship here.

Apply Now

Have Questions?

Visit our FAQ. If you don’t find an answer there, please write to us at info [at] transom [dot] org.


AIR’s Full Spectrum storytelling intensive @UnionDocs, application deadline April 14

From the lovely folks at AIR. See below!
-mia
+++++++++++++++++

We're currently taking applications for AIR's Summer 2017 Full Spectrum storytelling intensive at UnionDocs and we want to know: Does someone in your circle fit the bill? Or maybe you do.

We're thrilled to have Isaac Kestenbaum and Josie Holtzman of Localore: Finding America’s “Frontier of Change” as the Summer 2017 lead instructors. Successful applicants will learn from Sean Cole (“This American Life”), Ann Heppermann (The Sarah Awards), Jenny Ye (Data News, WNYC), Nadia Reiman (Latino USA) and more. It's five days in Brooklyn to push indie and station-based producers and podcasters to next-level craft.


Applications are here and the deadline to apply is 5 pm P.T. on Friday, April 14, 2017. NOTE: Only complete applications will be considered.

Please share this with (and tell me about) independents or station-based producers who might be ready for the intensive. A public shout out on your social media channels would also be great; I appreciate any help.


Our shortened link for the application: bit.ly/FS17intensive


Thanks in advance!

Tran


AIR

Ngoc-Tran Vu
Program Director
AIR
P.O. Box 220400
Boston, MA  02122
Office: 617.825.4400


two spots left in Radio Boot Camp, April 6 @UnionDocs, early reg ends today

TWO – can't-miss audio training classes this spring @UnionDocs in Brooklyn. Details below!
-mia
+++++++++++++++++++++

The last day for early registration, ie, less $$$, for Radio Boot Camp class for beginners (all about the basics of radio-making) this May, at UnionDocs in Brooklyn, is April 6th! There are two spots left in class.

Info and registration here:
https://uniondocs.org/event/2017-05-radio-boot-camp/

Little more time until the last day for early registration for Pitch Class: The Art of the Pitch – April 19th. Please join us for this three session workshop dedicated to learning how to pitch radio stories. This time, with special guest teacher Sean Rameswaram from Radiolab’s More Perfect!

More info, and registration here:
https://uniondocs.org/event/2017-radio-boot-camp-the-art-of-the-pitch/

Please share widely, and hope to see you there!

discount for Bay Area classes in audio/podcasting with @writingpadus

Hey folks!! It's been awhile. Here's some stuff I've been working on – check it out!


http://panoply.fm/panoplypilots


AND


https://megaphone.link/thegrift


Also, my friends at Writing Pad have some great upcoming workshops, and FC friends get a 15% discount. Details below!!

Cheers,
Mia


+++++++++++++++++++++

 

Writing Pad’s podcasting and radio storytelling courses start next week w/ 99% Invisible Alum Sam Greenspan and Snap Judgment’s Eliza Smith. Friends of Freelance Cafe get a discount.

15% off the class by using the code FREELANCE.

RADIO STORYTELLING CLASS IN SAN FRANCISCO–STARTS SUN. 5/21

Eliza Smith is a producer of Snap Judgment who got her start with the Kitchen Sisters. In this class, Eliza shares the Snap Judgment guidelines, themes and helps you craft a pro radio story. She helps you transform a real-life event into a deep, moving tale. You workshop it twice plus get performance notes. On the last class, you record your story at Snap Judgment studios and get a professionally recorded clip from Eliza. 7 students have gotten on the radio and have been paid from this class!

RADIO STORYTELLING 5 WK w/ Eliza Smith (Snap Judgment, NPR)

http://writingpad.com/san-francisco-radio-storytelling-class/

May 21June 4, 11, 25, July 9 (4 Sun., 1 recording session) 6:30 – 9:30 p.m.

Register HERE.

 

PODCASTING CLASS IN SAN FRANCISCO–STARTS MON. 5/22

Sam has been a producer and reporter at 99% Invisible since the early days and a long-time NPR Vet. He is now starting his own super-secret podcast. Sam will help you conceive, develop & produce an outline for your podcast & record a teaser. He will teach you interviewing techniques, sound editing, using music, archival material +more. Class includes a recording session at a professional studio.

PODCASTING 5 WK w/ Sam Greenspan (99% Invisible)

http://writingpad.com/san-francisco-podcasting-bootcamp/

May 22June 5, 12, 19, 26 (4 Mon., 1 professional recording session), 7-10 p.m.

Register HERE.

 

Writing Pad
the best writing classes ever
www.facebook.com/writingpad
www.twitter.com/writingpadus
http://thewritingpad.tumblr.com
http://instagram.com/writingpadus


REMINDER – Applications open for KALW training and internship programs, deadline March 31

Quick reminder from the good folks at SF's KALW. They do amazing work!
+++++++++++++++++


Just a reminder that we have applications open for two great opportunities to learn radio journalism.

KALW Audio Academy

The nine-month academy is designed to give participants a professional audio production and journalism education, tuition-free.
Deadline: March 31
In this four-month program, participants become an integral part of the production of KALW's daily news magazine show, Crosscurrents. 

Deadline: March 31

Creative Field Recording workshop @UnionDocs, April 21-23

This Brooklyn-based field recording workshop, April 21-23 at UnionDocs sounds amazing. Details HERE and below, and please help spread the word! -Mia
++++++++++++++++++
This 3-day course is a unique opportunity to learn from artists employing a wide-range of field recording techniques. Participants will learn how to record with the body (deep listening + soundwalking); how to build and use contact mics, hydrophones and vlf-recorders; best practices for binaural and surround-sound recording; and other easy tips for expanding the use of their everyday field recorders and mics.
Open to filmmakers, audio producers and all artists interested in improving and expanding their sound practice.  
Apply before April 7 for the early bird registration rate.
Sample Facebook:
Filmmakers, radio producers and multimedia artists: expand your field recording expertise with top sound artists APRIL 21-23 at UnionDocs. Led by sound artist and designer Maile Colbert, this three-day intensive will explore field recording tools and techniques, teaching you how to creatively use recordings for film, radio, installation and other forms of sound design. Learn more and register at: http://bit.ly/2kDzyvn
Sample Tweets:
Work with a stellar group of sound artists to develop field recording & sound design skills @UnionDocs APR 21-23 http://bit.ly/2kDzyvn [INSERT GIF]
Learn how to creatively use field recordings in films, radio pieces, podcasts & installations @UnionDocs APR 21-23 http://bit.ly/2kDzyvn
Feel free to reach out with any questions! [INSERT GIF]
Best,
Sarah Lerner
Operations Manager
UnionDocs


New FIRE grants and consulting for investigative reporters and editors, deadline March 23

My old colleague is offering another round of stipends and consulting for investigative reporters and editors. Application deadline March 23. -Mia
+++++++++++++++++++

Apply to FIRE

Apply to FIRE

Launching Another Round
Deadline: March 23, 2017 
Project Word is pleased to announce another round of applications for its signature program, Freelance Investigative Reporters and Editors (FIRE). 
FIRE, a collaboration between Project Word and Investigative Reporters and Editors (IRE), provides two basic services to unaffiliated reporters: 1) an Editorial Consultancy (formerly “Help Desk”) for an hour of reporting strategy and advice; and 2) the Virtual Newsroom, for access to a suite of newsroom reporting services. 
FIRE again invites applications for both programs. This round, we will be increasing the capacity of the Virtual Newsroom by about 40%, to ten reporters. All ten will be eligible for the Newsroom’s full complement of reporting services—from research assistance to pro bono legal help; five of them will receive stipends of $2,500 to $5,000. The capacity of Editorial Consultancies will expand as well, to 25 reporters.

This new round of applications builds on the success of our 2016 pilot project. In January, we canvassed the 30 participants in the pilot project. Approximately 60% of them were able to complete an online questionnaire and follow-up interview with a Project Word researcher. As expected, both beginning and experienced journalists reported benefiting from FIRE. The upshot was highly positive, as indicated by some heartening testimonials

The feedback has already informed FIRE’s operations and applications process, which we are always seeking to make more efficient and freelancer-friendly. We are grateful for the feedback. 

To apply to FIRE, reporters are encouraged to visit the program's Guidelines page.  Application deadline is March 23, 2017. (Those who previously applied to FIRE are invited to reapply.)

Please circulate this notice widely.

I look forward to hearing from you.

In solidarity,

Laird Townsend,
for FIRE

KALW’s Audio Academy, application deadline March 31

Join the brilliant folks at the Bay Area's KALW Public Radio. Details on the application page and below. -Mia
+++++++++++++++
Join KALW's Audio Academy

KALW is calling for applicants for our nine-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production and journalism education, tuition-free.

We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities and some knowledge of the Bay Area. Some experience with audio production and/or journalism is preferred.

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

Training will include: 

Working closely with reporters on developing stories, reporting and producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design.

You will be responsible for helping with administrative and production duties. You will also have the opportunity to pitch, report, and produce an entire Crosscurrents episode. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead training workshops specifically for the Audio Academy.

Previous featured speakers have included: Al Letson, Glynn Washington, Roman Mars, Hansi Lo Wang, Susanne Reber, Daniel Alarcón, Marianne McCune, Jason DeRose, and Kelly McEvers.

If you’re selected, you’ll be expected to make a nine-month commitment from late August 2017 to early June 2018: minimum 20 hours per week (one eight-hour shift at our studios and another 12 hours working in the field). The Academy includes a two-week break in late December and two flexible vacation weeks for each participant. Enrollment in a college or university is not necessary to participate.

How to apply

To apply please put together a cover letter, CV, any audio/writing samples, and if you like, a short, original, audio work that you craft for your application. Send it all to KALWapplications@gmail.com. Please include the subject line Audio Academy 2017-2018.

Application deadlineMarch 31, 2017, 11:59 p.m. PT.

We look forward to meeting you!

The KALW News Department also runs a summer journalism program. Learn more here.

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.


two tape sync requests – one near Santa Cruz, one in VA

Hey folks. I don’t know anything about this company or what their day rate is, but if you’d like to inquire about the gig, contact info is below.

Cheers,
Mia
———- Forwarded message ———-

Tape Sync near Santa Cruz
Looking for an audio producer to record a 30-45 minute tape sync in Capitola, CA on Thursday March 2 at 2pm PST. Will pay date rate and transportation.
Tape Sync in Virginia
Looking for an audio producer to record a 30-45 minute tape sync at Washington & Lee University on Thursday March 2nd in the early afternoon. Will pay date rate and transportation.

Ashley Walters
Story Producer and Sound Designer, Pacific Content Company
 


call for audio stories from the American Homefront Project

This looks super interesting. Pay is pretty reasonable too. Spread the word!
-mia
++++++++++++++++++++

The American Homefront Project is seeking pitches for 3 -5 minute radio stories of national interest. The Project is a CPB-funded collaboration of North Carolina Public Radio/WUNC, WUSF-Tampa, and KPCC-Los Angeles. Our stories are available free to every public radio station through PRX.

The American Homefront Project reports on military life and veterans issues. We visit bases to chronicle how American troops are working and living. We meet military families. We talk with veterans — in their homes, on their jobs, at school, at VA hospitals — to learn about the challenges they face.

We cover major policy issues at the Pentagon and Department of Veterans Affairs, and we report on the family issues that service members and veterans experience in their daily lives. From the youngest military recruits to the veterans of World War II, we're reporting in-depth stories about Americans who serve.

We seek well-produced, sound-rich, in-depth stories. We maintain national standards both in our journalism and audio quality. We require web text and photos with all stories.

Compensation is $1000 per story, plus pre-approved travel expenses.  ALL STORIES MUST BE COMPLETE BY MAY 31, 2017.

Read and hear more at www.americanhomefrontproject.org.

For more information or to submit pitches, contact Editorial Project Manager Adam Hochberg at ahochberg@unc.edu or 919-238-9664.

 

15% DISCOUNT for 5-week radio storytelling class in SF, class begins MONDAY

Hey FC! Our friends at Writing Pad are officering FC folks a 15% discount on their next radio storytelling class which begins next week in San Francisco. Check it out!

++++++++++++++++++++

Writing Pad <http://writingpad.com/> has a great series of podcasting and radio storytelling courses coming up next week. They're based in LA and SF but offer online courses too. Check out their latest from Snap Judgement’s <http://snapjudgment.org/> Davey Kim. 


PLUS, friends of Freelance Cafe get a discount. 
15% off the class by using the code FREELANCE.

5 WK RADIO STORYTELLING CLASS IN SAN FRANCISCO THIS MON.

Davey Kim is a producer of Snap Judgment and a radio journalist who has been on multiple NPR shows.Not only is he an amazing teacher with a great ear for story, he is really supportive and inspiring! Also, because of our radio storytelling classes, 10 students have gotten on the radio and have gotten paid). You could be next!

Davey’s latest student success is Scott Brody who got on NPR’s All Things
Considered: http://n.pr/2jbL8Rp

In this class, Davey shares the Snap Judgment guidelines, themes and help you craft a pro radio story. He helps you transform a real-life event into a deep, moving tale. You workshop it twice plus get performance notes. On the last class, you record your story at Snap Judgment studios. It will make you feel like a rock star and you will get a professionally recorded clip from Davey (that you can send out to This American Life or Snap Judgment too).

Sign up and details are here:
http://writingpad.com/san-francisco-radio-storytelling-class/
Mar. 6, 13, 20, 27, April 3 (4 Mon. nights, 1 recording session),
6:30-9:30 p.m., SF


FC West listening event TONIGHT, 5:30pm, Oakland

The listening events live on! Details below and on Facebook: https://www.facebook.com/events/1419040588171140/

Wish I could be there!
-mia
++++++++++++++++++++++++++


Hi Bay Area Producers,

I'll be hosting another listening event out of my shared workspace this coming Thursday Feb. 16th from 5:30pm-8pm. Please come listen to and discuss ongoing work by local producers. We'll also be hanging out from 8:30-10pm at The Miranda. Details below:


Location: 344 20th St, Oakland, CA 94612
Presentations/Discussion: 5:30pm* to 8pm
Post discussion: 
8:30-10pm or so @ THE MIRANDA
1739 Broadway
Oakland, CA 94612
b/t 19th St & 17th St 

*I upped the time to 5:30 to give us a chance to settle in before starting promptly at 6:00pm!

IMPORTANT: Please call/text Tony Gannon or Max Miller when you arrive in order to let you in! 
Tony: (347) 200-9179
Max: (646) 391-2716

Please feel free to bring snacks or something to drink!

**UPDATE: One of our pieces will be in Spanish, so all multi-lingual folk please join!


10th annual Miller Audio Prize from The Missouri Review, deadline March 15

The Missouri Review’s 10th Annual Miller Audio Prize

Guidelines:

Entry Fee: $30, $24, $16, or $10. You choose what you pay. Your entry fee includes a one-year digital subscription to the Missouri Review, which normally costs $24.

Length: All entries must be 15 minutes or shorter.

Eligibility: Previous first-place winners are not eligible to win again. Multiple entries must be accompanied by a separate donation for each. Previously published or aired pieces are acceptable as long as you, the entrant, hold the rights.

Deadline: March 15, 2017

Enter:

Online 

Files should be mp3 format only, under 20MB. Use Chrome, Firefox, or Safari to submit.

or

By Mail

Submit the following:

  • a completed Audio Prize Entry Form
  • a copy of your entry on a CD, labeled with writer/ producer, title, and length
  • an entry fee of $30, $24, $16, or $10 (make checks out to the Missouri Review)

To:
The Missouri Review Audio Competition
357 McReynolds Hall
University of Missouri
Columbia, MO 65211

Categories:

Poetry

Submit an original poem or collection of poems as a single audio file. Entries may be solely author-read or contain other voices, sounds, or music.

Prose

Submit a short story or piece of creative nonfiction. Entries may be solely author-read or contain other voices, sounds, or music.

Humor

Submit your funniest poem, story, or piece of creative nonfiction. Entries may be solely author-read or contain other voices, sounds, or music.

Audio Documentary

Submit an audio documentary on any subject. Documentaries can be presented in a variety of forms including narrative, interview, or documentary play.

Listen to past winners of the Miller Audio Prize here.

Questions? Please visit our FAQ. If your question isn’t answered there, email us: mutmrcontestquestion AT missouri DOT edu


Daniel Schorr journo prize for pub radio superstars age 35 and under, deadline March 3

Hey youngsters – go for this prize! 

http://www.wbur.org/p/daniel-schorr-journalism-prize

Daniel Schorr Journalism Prize: Call for Entries

daniel-schorrWBUR, invites public radio journalists age 35 and under to submit entries for the annual Daniel Schorr Journalism Prize. Eligible works will have been broadcast or published between Jan. 1, 2016 and Dec. 31, 2016. The $5,000 Schorr Prize – sponsored by WBUR and Boston University, and funded by Jim and Nancy Bildner – recognizes a rising star in public radio and seeks to inspire a new generation of journalists to stretch the boundaries of the medium.

Submissions may focus on any local, national or international news issue significant to the listening public. The work may be presented in the form of a produced news story, podcast, news feature, documentary, series on a single topic or an investigative report. Complete guidelines are online at wbur.fm/schorrprize.

The award is named after the late Daniel Schorr, who gave American journalism a lifetime of commitment through his insight, intelligence and integrity. Schorr believed strongly in supporting talented journalists as they rose through the ranks of public radio. The selected Daniel Schorr Journalism Prize winner will be honored at the annual WBUR Gala which takes place on May 15 at the Royal Sonesta in Cambridge, Mass.

Past winners include WAMU Reporter Patrick Madden (2015); Reporter Devin Katayama, now a reporter for KQED, San Francisco (2014); WBEZ producer Becky Vevea (2013); KUNC reporter Grace Hood (2012); NPR host David Greene (2011); NPR reporter Ailsa Chang (2010); reporter Chana Joffe-Walt, who covers global economics for NPR’s multimedia project “Planet Money” (2009); former NPR defense correspondent Guy Raz, now the host of the “TED Radio Hour” (2008); and NPR investigative correspondent Laura Sullivan (2007).

All entries must be received at or before 5 p.m. EST on Friday, March 3, 2017.

###

Media Contacts:

WBUR

Karen Laverty

Phone: 617-275-6516

klaverty@greenoughcom.com


learn better pitching and production from NPR Training guides, PLUS webinar on 3/22

Check out the amazing resources below from NPR Training. Plus, attend their March 22 webinar to improve your audio skillsSign up here. (Also, I got 6/6 on this audio quiz. How about you??)

Cheers,
Mia

++++++++++++++++++++++


There’s been a flurry of activity at NPR Training the past couple of weeks. We’ve been posting, hosting and sharing like crazy as we try to help you improve your craft.

How can you pitch effectively?
Learn from the pros. Our Training team colleague Alison MacAdam gathered advice from editors at NPR for this guide to story pitching. If you are involved in pitching — or fielding pitches — be sure to check it out.


Improve your ears!
We recently released The Ear Training Guide for Audio Producers, which covers two dozen of the most common audio problems.

There are many ways to use the guide:

  • New to audio production? Take your time moving through the guide and learn how to hear — and prevent — each problem.
  • Newsroom manager or experienced producer? Use the guide as a starting point for a larger conversation about audio quality. Listen to the examples together, discuss the problems you’ve encountered, the tools you have available and share tips. How might you help each other prevent these problems in the future?
  • Elbows-deep in production and running into a problem? Look it up in the guide and learn more about a potential solution.
  • Too busy to do anything right now? Come back to it when you have time. Try to listen to a new example each week to keep your ears sharp!

We will host a webinar about recognizing and preventing common audio problems on Wednesday, March 22Sign up here.

We also put out this fun audio quiz, meant to challenge your ability to hear audio problems. Did you pass? Let us know!

Rob Byers (@robbyers1)
Production Specialist, NPR Training

PS We always like to hear from you. You can always reach us via email (trainingteam@npr.org), our websiteTwitter, and Facebook.


Feet in Two Worlds workshop focuses on immigrant FOOD stories, app deadline March 3

Feet in 2 Worlds is accepting applications for our second workshop focused on telling food stories from immigrant communities. It’s a great opportunity for food writers who want to produce audio, audio producers who want to report on food, and food professionals who want to focus on story-telling. Plus, food journalism is a powerful entry-point for reporting on immigrants in the current political climate.  
Attendees to our first workshop in 2015 produced stories for PRI’s The World, NPR’s The Salt, OkayAfrica and the Charleston Post and Courier among others.
Here is the link with more information and how to apply:
JOHN RUDOLPH
EXECUTIVE PRODUCER
FEET IN 2 WORLDS
72 FIFTH AVE. 6TH FLOOR, NEW YORK, NY 10011
RUDOLPHJ@newschool.edu
603.498.5480

The New School


99pi wants your pitches! Here’s how to do it.

Hey folks! 99pi wants your stories. See below for detailed instructions about how to pitch them. Go for it!

-mia

+++++++++++++++

Greetings,

Sam from 99% Invisible here. I’m reaching out because I would like to encourage you to pitch our show, and help you do so successfully.

Since the beginning, 99% Invisible has benefited from freelance contributors. In years past, at least one or two stories a month would come from a freelancer; in 2016, we only had ten for the whole year. Why? Because we just aren’t getting as many pitches as we used to.

Our working theory is that it must be it’s because everybody has jobs now. Jobs are great! Yay jobs! But we miss you guys, and we miss your pitches. And so if you’ve ever wanted to get a story on 99% Invisible, read on, I’m here to help.

First, let’s talk about what we look for in a pitch:

We tend to go for stories that reveal something surprising about the built world. We tend to avoid stories about things that are cool in their own right—we look for the cool thing inside of the mundane or overlooked thing. And our “cardinal rule” is “no cardinals,” i.e. no stories about nature or science; we focus on things built by humans.

Consider a few freelance stories that worked well for us:

Awareness (reported by Audrey Quinn). Tells the surprising and moving story of the AIDS crisis through the history of a simple object, the awareness ribbon. http://99percentinvisible.org/episode/awareness/

Longbox (reported by Whitney Jones). Reveals the surprising connections between an obscenity lawsuit and a massive voter registration movement, all playing out in the physical packaging of an REM album. http://99percentinvisible.org/episode/longbox/

Pagodas & Dragon Gates (reported by Chelsea Davis). Revealed the surprising history of a thing we see everywhere—orientalist architecture in Chinatowns across the country—and how it actually first emerged as a tool to resist anti-Chinese politics. http://99percentinvisible.org/episode/pagodas-dragon-gates/

America’s Last Top Model (reported by Ryan Kailath). Tells a story of a fascinating place, teaches us about physical watershed models, and reveals something surprising about technology: that physical models are still better than computers. http://99percentinvisible.org/episode/americas-last-top-model/

What do all these have in common?
A designed object/building (or class of objects/buildings) + surprise + joy and wonder about the built world.

Now let’s say you’ve found something that fits the above criteria. Hooray! The next step is to write up a pitch. A good pitch tells us what the story is and who the people are you’d want to interview (ideally you will have already talked to them on the phone to hear if they’re good talkers and are game to be interviewed). You don’t need to have an ending or a structure totally worked out, but you should be able to show a richness of detail and get us to care about something we otherwise would not have thought twice about.

Pitches are usually about a page long, single-spaced. If we haven’t worked together before, please include some info about your experience level, where you’re based, and your phone number.

Once you’ve got your pitch written, head over the contacts page of our website: http://99percentinvisible.org/about/contact/. Paste it in the text field, and be sure to select “Reporter Pitches” from the dropdown subject tab. Click send and you’ll get an auto-response on the page telling you it’s been submitted.

Those submittals go into an email box that I check. I read every pitch. Seriously—every single one.

I generally check that inbox every 7-10 days, and when I come across your pitch, I’ll email you a pre-written form letter saying that we’ve received your pitch and that we’ll get back to you within two weeks if we’re interested. This email was sent by me, a real human, and I, a real human, will take it to the next pitch meeting. (If for some reason you submitted a pitch and didn’t get the form letter within two weeks, please write to me directly at sam@99pi.org. But please do allow us two weeks to get back to you).

Next, I take your pitch to the team, and if there’s interest, I’ll follow up with you to greenlight your story and we’ll discuss next steps.

If not, I’ll try to personally let you know that we’ve passed on the story, though I’m not always able; if it’s been two weeks since you got the form letter saying your pitch has been received, it’s safe to assume we’re passing on the story and you should feel free to pitch the story elsewhere. If you get an email saying that we’ve passed on your story, please don’t ask for more details why, as we generally don’t discuss our decision-making process with non-staffers. If there’s anything I can tell you about why we’re passing on the story, I’ll volunteer that info.

So, that’s the process. It can sometimes take about a month between submittal and a response, and I’m sorry for that, but that’s realistically the fastest we can go.

If you have any questions about the process, feel free to email me directly at sam@99pi.org.

I hope this was helpful, and I hope you pitch us soon!

Cheers,
Sam Greenspan


Sam Greenspan
Managing Producer
99% Invisible
99percentinvisible.org

510.239.3826
sam@99pi.org
@samlistens


2017 Third Coast Radio Residency, deadline Feb 15

The amazing folks at Third Coast are offering a spring residency. Details HERE and below! -Mia
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The 2017 Third Coast Radio Residency

Third Coast International Audio Festival and Ragdale welcome producers of all experience levels to apply for our second annual Radio Residency, April 17-23, 2017. Project proposals due Feb. 15th

Enjoy a week away from the demands and deadlines of everyday life to make progress on an audio project, commune, and share expertise. Mentor Nishat Kurwa (Youth Radio, Marketplace ) – will be onsite offering one-one-one guidance and editing sessions.

WHO: Third Coast seeks a vibrant group of 8-10 producers from diverse backgrounds, life experiences, and levels of expertise who are mid-process on an audio project.

WHERE: Ragdale a stunning 30-acre artists' community just outside Chicago. Artists are given a private room and workspace, and all meals are provided including a family-style dinner each evening.

COSTS: Third Coast will cover residents’ flights and ground transportation. Ragdale is generously subsidizing the costs of room and board so that participants pay only $210 for the entire Residency.

HOW TO APPLY: Applicants should submit project proposals by midnight (CT) on Wednesday, February 15, 2017. Those selected will be notified by March 1.

Read all about the Third Coast Radio Residency, and submit your proposal HERE.

discount for CUNY J+ Spring Workshops

Hello FC friends, and happy new year! I hope you're off to a fruitful and happy 2017. Just a quick post to offer a 10% discount for FC folks on classes at CUNY J+'s spring academy. Details and discount code below and HERE: 


https://www.journalism.cuny.edu/cunyjplus/


Best,

Mia


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We would love to continue offering your members 10% off most of our classes with the code JPLUS10 in 2017 (full list here).

 

Coming up are classes in Adobe softwares including Premiere, After Effects and Photoshop, as well as Snapchat for News, Video for Social Media and more.

California Humanities has a new funding opportunity, informational webinar Dec 16

$$ available for new CA-based projects. Informational webinar on Dec 16. Details below.

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CALIFORNIA HUMANITIES ANNOUNCES NEW FUNDING OPPORTUNITY

Attention, grantseekers! California Humanities, the nonprofit state affiliate of the National Endowment for the Humanities, is pleased to announce a new funding opportunity: Humanities for All Project Grants. Awards between $10,000 and $20,000 will be made twice a year for larger public humanities projects of up to two years duration sponsored by California-based nonprofit organizations and public agencies. Appropriate programming formats include but are not limited to interpretive exhibits, community dialogue and discussion series, workshops and participatory activities, presentations and lectures, conversations and forums, and interactive and experiential activities. All awards must be matched with an equivalent amount of cash or in-kind resources over the life of the project.

Guidelines, application instructions, and FAQs for the initial application deadline of February 1, 2017 are now available. The online application window will open on December 15 and an informational webinar will be held December 16. To learn more or to register for the webinar, visit http://www.calhum.org/grants/humanities-for-all

Developed in response to feedback received from humanities programmers and partners, and reflecting new organizational goals of increasing responsiveness and accessibility, Humanities for All grants will support public humanities projects that address the needs and interests of Californians, encourage greater public participation in humanities programming, particularly by new and/or underserved audiences, and promote understanding and empathy among all our state's peoples in order to cultivate a thriving democracy. Grants will support many of the same types of projects previously funded through our long-running Community Stories program, which had its last deadline in February 2016, as well as other types of projects, including experimental and innovative programming.

In addition to the Project Grants, Quick Grants (between $1,000 and $5,000) will be awarded three times a year for smaller-scale public humanities activities and projects that will take place within a one-year period. Projects should be grounded in the humanities, show potential to provide high quality humanities learning experiences for participants and audiences, and demonstrate capacity for successful implementation. Appropriate formats include but are not limited to community dialogues, reading- or film-and-discussion groups, oral history or nonfiction writing or story-sharing workshops, and other types of activities. Any California-based nonprofit organization or non-federal public agency is eligible to apply. Note: A cash or in-kind match of the award is NOT required.

Our first Quick Grant deadline was October 25. Awards will be announced shortly. Guidelines for the March 2017 Quick Grant deadline will be available in January.

Please visit our website for more information about California Humanities and please help us by sharing this information with your colleagues and networks.

Happy holidays to all!


pitche Afropop Closeups, deadline Jan 31

Afropop Worldwide is looking for pitches. I'm not sure about rates, but there's contact information below. Send a tweet or FB message if you get info about rates. Deadline Jan 31. Go for it! -Mia

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Call for pitches: Afropop Closeups 2017

Peabody Award-winning media company Afropop Worldwide is calling for pitches for the 2017 season of Afropop Closeups

Pitches must relate to Africa (anywhere on the mighty continent), the African diaspora—in a broad sense—music and culture

We are looking for pitches with a compelling story, a strong plot, and potential to appeal to a wide audience.

Length—Between ten and twenty minutes.

Here are two examples from the 2016 season to consider for general style:

Haitian Radio on American Airwaves

Fees Must Fall: A Voice Of Change In South Africa

The 2017 season will use narrative-based journalism to tell stories that about identity, politics, economics, race, class and gender, through music. 

Themes to consider in your pitches:

Current events

Diaspora and trans-Atlantic connections

Amplifying voices of Africans and people of African descent

“Micro-musics”- regional popular music, as related to identity, ethnicity, religion, etc. 

Music as a transcendent factor that can unite across difference.

The editorial process will include pitches, scripts, basic audio demos and multiple rounds of feedback. We use a studio and engineers for production, so audio mixing skills are not necessary.

Deadline for pitches: January 31st 2017

Contact: st…@afropop.org modrums9@gmail.com

More info: 

In June 2016, Afropop Worldwide launched the Afropop Closeups podcast series, building on twenty-eight years of public radio programming. These succinct podcasts tell poignant and provocative stories from the African planet and feature the voices of curious and talented producers focusing on single topics. Our debut season featured episodes about underground Haitian radio stations in New Yorka young South African rapper and the #FeesMustFall movement; stories about social activism and music in post-conflict Mali and Democratic Republic of Congo, and much more. Each Afropop Closeup is a fresh, twenty minute window into history, culture and current events across Africa and the African diaspora, using music as a lens.


Global Press seeks freelance fact checkers, copy editors, translators and multimedia folks

Hey FC folks. A new opportunity for you all… I'm not familiar with this organization, but from a quick glance at their website, it seems they're doing some important work. See for yourself: https://globalpressjournal.com/. Info about the gig is below.

Best,
Mia
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Global Press is recruiting freelancers to join our on-call talent network! 

We are looking for passionate and experienced fact checkers, copy editors, translators and multimedia experts.

Global Press exists to create a more just and informed world by employing local journalists to produce ethical, accurate news coverage from the world's least-covered places. 
 

We train and employ local journalists to report from their home countries and then employ a global network of editors, fact checkers, translators, copy editors and producers to ensure a world-class product.

 

If you are interested in applying to join the network, please email a resume, your availability, a letter of interest, and any questions to Ilana at Ilana@globalpressjournal.com




The Kitchen Sisters Recording, interviewing and podcasting workshops, San Francisco, Dec 8

“>The AMAZING Kitchen Sisters are offering another interviewing and podcasting workshop in San Francisco, Dec 8. The price is definitely right to learn from some of the best in the biz. Details HERE and below. -Mia

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At $150 per workshop, each three-hour session will cover radio, podcasting, film, documentaries, storytelling, oral histories, family histories, news and other multimedia platforms. From the nitty-gritty of recording equipment to more abstract thoughts on how to build a story, The Kitchen Sisters have got you covered.

Morning Workshop: 10:00 – 1:00pm
Afternoon Workshop: 2:00 – 5:00 pm

https://www.eventbrite.com/e/kitchen-sisters-interviewing-recording-podcasting-workshop-tickets-28614372358

Time again for The Kitchen Sisters Recording, Interviewing & Podcasting Workshop. Davia Nelson is holding a new one on Thursday, December 8 at Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for radio, podcasts, film, documentaries, storytelling, oral histories, family histories, news, and other multimedia platforms.

The Workshop covers interviewing and mic'ing techniques, sound gathering, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, how to pitch a story, how to create a podcast, how to listen.

The session is customized to fit the projects you are working on. So come ready to talk about your stories and ideas too. People who have attended in the past have come from radio, film, multimedia, detective agencies, farms, music, newspapers, journalism, photography, oral history, historical societies, ophthalmology, writing, libraries, archives, web design, restaurants, health care organizations, cheese-making and beyond.

The groups are always lively and surprising and good contacts are made.

Morning Workshop: 10:00 – 1:00pm / Afternoon Workshop:2:00 – 5:00 pm.

Come in the morning or come in the afternoon, just sign up for one.

The workshop is in North Beach at 916 Kearny St. on the 6th floor. Of course snacks from Cafe Zoetrope will be served.

Expand your skills, meet new people, support the work of The Kitchen Sisters.

Oral History Winter School 2017 in Hudson, NY, application deadline Dec 15

Hey folks. Check out the latest from Oral History Summer/Winter School. These are brilliant workshops that I would highly recommend. Applications for the the next round are due Dec 15. (Details HERE and below – sorry if the formatting is off – forwarding newsletters can be weird sometimes.)

Best,
Mia

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Oral History Summer School is a cross-disciplinary program in Hudson, New York that offers training in oral history methodologies and documentary approaches using an immersive workshop format. We host foundational workshops as well as advanced training with short courses on special topics such as memory loss, mixed ability interviewing, song collection, family history, and trauma narratives/testimony.
View this email in your browser
Applications for winter workshops will be accepted November 1 through December 15

Come learn, write, record, commune, compose, preserve, sit by a fire with Oral History Winter School.
Oral History and Radio Workshop––taught by Michael Garofalo and Lauren Kelly––visits Wave Farm for a tour and live broadcast on WGXC 90.7 FM, Winter School 2015
 
We're excited to announce our 2017 winter workshops. We welcome OHSS alums and newcomers to apply.
NEW WORKSHOP
I AM SITTING IN A ROOM, PART I:
ORAL HISTORY AND WRITING

January 11-15, 2017 (5 days)
Hudson, NY
Instructor: Suzanne Snider
Fee: $695 ($660 for OHSS/OHWS Alumni)
Level: All are welcome. More info, here

In this writing and oral history workshop, students experiment with a range of literary forms that use oral history as both source material and text.

Monologues, oral narratives, documentary theater, and oral tone poetry are among the traditions already defined at the intersection of writing and oral history. We'll explore these known traditions (and invent our own) alongside more obscure genres through discussions, writing exercises, screenings, select reading, and optional workshop time. We'll be joined by guest artists/instructors. Read more, here.

Note: Tuition includes an OHWS workshop e-reader, OHWS workbook, an extended trial/purchase discount from Hindenburg Systems editing software, and two group meals
 

LEARN MORE/APPLY: ORAL HISTORY AND WRITING
SHAKING THE FAMILY TREE: ORAL HISTORY, FAMILY HISTORY, AND INSIDER INTERVIEWS

January 26 – 29, 2017 (4 days)
Hudson, New York
Instructor: Suzanne Snider
Fee: $495 ($465 for OHSS/OHWS alums or family members who sign up together)
Level: All are welcome

For many of us, family is the obvious—and sometimes most complicated—place to start our work as oral historians. In this workshop, participants will learn how to use oral history to document and preserve their family stories. We’ll discuss common challenges: convincing your family to participate, delving into sensitive subjects and secrets, and working with interviewees who may suffer from memory loss. We’ll also discuss the potential for oral history to repair and transform relationships.

Optional evening activities include a mini family-themed movie fest and an evening of embarrassing family stories, of course! Read more, here.

Note: Tuition includes an OHWS workshop e-reader, OHWS workbook, an extended trial/purchase discount from Hindenburg Systems editing software, and two group meals. A detailed schedule is provided ahead of time for participants.
 

LEARN MORE/APPLY: FAMILY HISTORY
We'll be announcing additional OHSS workshops, events, and news over the next few months. Please visit our new website and join our mailing list to stay up-to-date on all things OHSS.

 

www.oralhistorysummerschool.com
Oral History Winter School & Oral History Summer School
538 Washington Street  Hudson New York 12534
                          
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Twitter
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deadline for the Sarah Awards very, very, short, short stories contest is tonight!

Hey creative people! You have until tonight to submit your entries for the Sarah Awards Very, Very, Short, Short Stories contest. Details HERE and below!

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Welcome to the the 2016 Very, Very, Short, Short Stories Contest! We're excited to announce that this year we are partnering with the inestimable podcast, KCRW's The Organist. This year's winners will be featured in the forthcoming season of The Organist. Winners will also receive a free artistic interpretation of their work from artist Cal Tabuena-Frolli, a copy of Hindenburg Journalist Pro and $200. Deadline is Monday, November 21st at midnight EST. 
(Note: Pieces MUST be between 1-3 minutes long.)

Rules

You have three rules to follow, all thought up by members of the Sarah Lawrence College writing department faculty. They include: dialogue that must be used in the story, a sound that must be used in the story, and a narrative constraint that must be used in the story. Choose ONE author for each entry. (However you can enter as many times as you wish).

SOPHIE MCMANUS

  • Dialogue: "It's a strange kind of justice."
  • Sound: Whispering
  • Narrative: Include the color green.

MARTHA RHODES

  • Dialogue: "The dog you know you are has mange."
  • Sound: A stomach growling
  • Narrative: A woman opens a high-end shoe store in a town with 80% unemployment.

CLIFFORD THOMPSON

  • Dialogue: "Do one thing for a person, and he think he owes you; do everything for a person, and he thinks you owe him."
  • Sound: Cicadas whirring
  • Narrative: The action takes place during the hottest summer on record.

TIPHANIE YANIQUIE

  • Dialogue: "But I got lost in the graveyard."
  • Sound: A baby crying.
  • Narrative: The setting must be a locale where either salt or sugar is produced.

CAROL ZOREF

  • Dialogue: "The animals kept arriving."
  • Sound: Knives being sharpened.
  • Narrative: Someone dies from suffocation.

And More Rules…

  • Stories must be between 1-3 minutes.
  • Stories must be uploaded as either an MP3 or a .Wav file.
  • You can enter as many times as you like, however, each story must have the elements from one author–no mixing and matching.
  • Stories must include all three elements to be considered as a winner.
  • We welcome entries from around the world! However, entries not in English will need a transcript.
  • You can work as a team, however, we can only offer 1 piece of artwork and 1 copy of Hindenburg Pro to the winners.
  • Deadline is Monday, November 21, 2016 at midnight EST.
  • If you have any questions, please email: info@thesarahawards.com.


Enter the ‘Radio Is Yours’ Audio Contest, deadline Jan 15

Hello freelancers! It's been awhile… And it's with mixed feelings I announce that I've taken a regular full time job after 10 YEARS of freelancing. I'm very excited about this new venture (as Managing Producer of Panoply's original content – check out THIS and THIS to get a sense of the fun stuff I'll get to work on) but I admit I'm having a bit of an identity crisis after championing the freelance lifestyle for so long. 

In any case, I plan to keep FC going as much as I can, and am looking for someone to take over the posting if you or someone you know might be interested. And if you have an opportunity to share, you can always post it to the FB page or tweet us @freelancecafe
For now, check out the opportunity below, and thanks for the long-time support of FC!
Best,
Mia

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Good news! XRAY.fm is hosting it's 2nd Annual 'Radio Is Yours' Contest this winter with the theme of "What Now?"
If you or anyone you know would be interested, please spread the word! All skill levels are welcome, and this is a great opportunity for beginning producers or anyone wanting to experiment with other genres. 
The contest just opened up and the deadline for pieces is January 15th. Cash prizes are up for grabs! All information, including prize categories, piece requirements, and how to register can be found here.
Thanks, and happy radio-making!
XRAY.fm
Portland, OR
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Freelance Producer job with Climate One, Bay Area, deadline Oct 14

Hey folks. See below for details about a freelance production gig in the Bay Area. Could be a nice supplement to other freelance work. Application deadline Oct 14.

Cheers,
Mia

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Freelancer Job for an Audio Producer in the S.F. Bay Area:

Climate One from The Commonwealth Club is the only regular show on public radio focusing on food, energy, water, transportation, technology and other dimensions of the transition to clean energy. We are looking for an experienced audio editor who can put together our monthly radio show and podcast. This job requires advanced audio editing skills and some experience with file management. It should take about 50 hours/month starting in November/December. We are looking for someone based in the San Francisco Bay Area who can make a one-year commitment. Qualified candidates must have a strong working knowledge of climate and energy issues.

 

The Gig: 

— Pulling 3 single, mono audio files down from DropBox or High Tail.
— Work from transcripts to edit 2 or 3 recorded conversations (running about 65 minutes each) down to a combined total of 59 minutes
— Writing intros and outros of segments. (This is part of the 59 minutes) — Cleaning up volumes, fades, basic EQ— Adding music, and cutting to the NPR clock.
—Voicing announcer narration
— Salary $40-$50/hr

How to Apply:

Interested candidates should submit cover letter, resume and audio samples with descriptions of what work you did on the pieces to: Greg Dalton: gdalton.climateone@gmail.com

Application Deadline:

October 14

@Reveal Investigative Fellowships for journos of color, deadline Sept 12

Just a couple days left to apply for this Reveal Fellowship. Details at https://www.revealnews.org/job-opportunities/reveal-investigative-fellowship/ and below. -Mia

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Reveal Investigative Fellowship

The lack of diversity in the investigative journalism community is striking. Just look around at any leading investigative journalism conference to witness the glaring absence of journalists of color. The impact of this disparity can be profound. It affects the kinds of stories that are pursued, the sources consulted and the journalism produced. The result is an incomplete narrative shaped by the very sector of journalism intended to reveal the most about our society and the world.

Reveal from The Center for Investigative Reporting is launching a new project-based fellowship for emerging journalists of color. The Reveal Investigative Fellowship will emphasize development of investigative reporting skills andpromote diversity in journalism by helping build a pipeline of investigative reporters whose diverse backgrounds, experiences and interests will enrich the entire profession.

The fellowship, made possible through the generous support of the W.K. Kellogg Foundation, is intended for experienced working journalists already employed by another media outlet. Full-time freelance journalists also are encouraged to apply.

This fellowship opportunity is extended to U.S.-based journalists of color,with a particular focus on those reporting from or about underserved areas of poverty in the American South and the Southwest, as well as urban areas.

Fellows will travel to CIR’s San Francisco Bay Area headquarters for several consecutive weeks of embedded training. The rest of the yearlong fellowship will be spent at their home outlets or communities.

Fellows will receive a $10,000 stipend and a full year of mentoring and guidance from Reveal editors, producers and reporters. Support from Reveal staff will include coaching on data analysis, document requests, interviewing and vetting of sources, interviewing for audio and more – tailored to each fellow’s needs. In addition to the stipend, the fellowship pays for attendance during the fellowship year at the Investigative Reporters and Editors national conference or another investigative conference.

By the conclusion of the year, the fellows are expected to produce an investigation (a single story or series) for their home outlets and for one or more of Reveal’s properties, which include an hourlong public radio show broadcast on 300 stations nationwide, a podcast and the RevealNews.org website. Freelance journalists will have their projects published across one or more Reveal platforms and, where appropriate, receive assistance in pitching their work to a relevant outlet.  

Selection of the fellows begins with an application that includes an investigative story proposal. Reveal will help the top candidates refine their pitches and select up to four fellows a year for each of the next three years. Those finalists not chosen for the first year may reapply the next year. Text, multimedia and radio/audio reporters and producers all are encouraged to apply.

Before being awarded a fellowship, all finalists working at a home outlet will need to provide a letter from a supervising editor confirming the outlet’s willingness to allow the journalist to participate and co-publish the resulting work. If not selected, applicants’ story ideas will remain confidential.

To apply, fill out this form by Sept. 12. Questions about the application process can be sent to fellowship Director Martin G. Reynolds at mreynolds@cironline.org.


2 upcoming SF Podcast and Radio Storytelling Classes from @WritingPadUS

Writing Pad’s podcasting and radio storytelling courses start next week w/ NPR/KALW’s Casey Miner and Julie Caine and Snap Judgment’s Davey Kim. Friends of Freelance Cafe get a discount.

15% off the class by using the code FREELANCE.

PODCASTING CLASS IN SAN FRANCISCO–STARTS NEXT WED. SEPT. 9/21

Casey is the host and executive producer of NPR/KALW’s The Specialist and has been on multiple NPR shows. Julie Caine, her producer will be co-teaching with her. They will help you conceive, develop & produce an outline for your podcast & record a teaser. They will teach you interviewing techniques, sound editing, using music, archival material +more. Class includes a recording session at a professional studio.

PODCASTING 5 WK w/ Casey Miner and Julie Caine (The Specialist, NPR)

http://writingpad.com/san-francisco-podcasting-bootcamp/

Sept. 21, 28, Oct. 5, 12, 19 (4 Wed. nights, 1 professional recording session)

RADIO STORYTELLING CLASS IN SAN FRANCISCO–STARTS NEXT MON. 9/19

Davey Kim is a producer of Snap Judgment and a radio journalist who has been on multiple NPR shows. In this class, Davey shares the Snap Judgment guidelines, themes and helps you craft a pro radio story. He helps you transform a real-life event into a deep, moving tale. You workshop it twice plus get performance notes. On the last class, you record your story at Snap Judgment studios and get a professionally recorded clip from Davey. 7 students have gotten on the radio and have been paid from this class!

RADIO STORYTELLING 5 WK w/ Davey Kim (Snap Judgment, NPR)

http://writingpad.com/san-francisco-radio-storytelling-class/

Sept 19, 26, Oct 17, 24, Nov 7 (4 Sun. nights, 1 recording session) 7-10 p.m.

 

Writing Pad

the best writing classes ever

 

www.facebook.com/writingpad

www.twitter.com/writingpadus

http://thewritingpad.tumblr.com

http://instagram.com/writingpadus

 

KALW seeks p/t Project Manager for live storytelling events, app deadline Sept 25

KALW is hiring a part-time project manager for their live storytelling events. Details below! Application deadline Sept 25.

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91.7 KALW public radio, an NPR and BBC affiliate station serving the San Francisco Bay Area, is hiring a part-time contract project manager to plan and coordinate two live stage events for our branded series Sights & Sounds Live.

Sights & Sounds Live is a part of Sights & Sounds of the Bay Area, KALW’s arts coverage project that aims to shine a light on creators in Bay Area communities that are often mis- or under-represented in the media.  Through community events featuring dance, music, storytelling, and visual art – as well as multimedia presentations based on arts reporting from KALW’s newsmagazine Crosscurrents – we celebrate grassroots creativity and build new connections within and beyond these communities.

Over the past four years, KALW has produced and presented three Sights & Sounds Live events in San Francisco and the East Bay. For the 2016-2017 season, we will present two live events, one in Oakland and one in Richmond.

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The Project Manager will work with KALW’s Sights & Sounds team, connect with partner organizations, determine and execute event needs, manage a budget with moving parts, document details before, during and after the event, and write summary reports.

Optimal candidates will be clear communicators, team players, well-organized, sharp with numbers, happy to meet with and rally all kinds of people, and passionate and knowledgeable about the arts in the East Bay, especially East Oakland and Richmond. Experience with event planning, performing arts production or related work preferred.

This is an independent contract position that will pay $20,000, beginning as early as October 1, 2016 and ending no later than September 30, 2017.

We encourage a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender or sexual orientation.  Candidates must reside in the San Francisco Bay Area, and be able to attend meetings at KALW in San Francisco’s Portola district a minimum of once a week.

To apply, please send a cover letter, CV, and references to KALWapplications@gmail.com. Please do not send formulaic cover letters — we want to know who you are beyond your resume! Application deadline is Sunday, September 25, 2016, 11:59 PT.

Nicholas B. Ottaway Foundation Grant Supports Investigative Reporting, deadlines Sept 26 and Oct 1

FYI freelancing friends – upcoming application deadlines Sept 26 and Oct 1

 
Grant applications are currently being accepted through the FIJ website, http://fij.org/grant-application/.

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(Washington) – The Fund for Investigative Journalism (FIJ) is pleased to announce that for the fourth year in a row, the Nicholas B. Ottaway Foundation has donated $25,000 in support of FIJ’s grant-making program for independent investigative reporters.

The funds will support the work of freelance reporters whose investigations are published in US media outlets.

The Nicholas B. Ottaway Foundation’s journalism program supports press freedom around the world and seeks to improve the quality of journalism through grants to American journalism schools, investigative reporting projects, and online investigative news centers.

FIJ board member David Ottaway also serves on the board of the Nicholas B. Ottaway Foundation.

Among the recently published FIJ projects underwritten by the Nicholas B. Ottaway Foundation:

Reporter Adriana Cardona-Maguigad traveled to Puerto Rico to investigate why an influx of drug addicts from Puerto Rico now lived on the streets of Chicago. She found that addicts were given one way tickets to Chicago and other big cities with promises of drug treatment. But those promises were broken. Cardona-Maguigad was interviewed about her investigation for the public radio program This American Life.

Vivekananda Nemana and Ankita Rao reported on the deliberate underreporting of malaria cases in India, which interferes with efforts to fight the disease.

Francesca Lyman investigated Savers, the thrift store chain, and found their claims about helping charities were vastly overblown.

Freelancer Jeanne Baron reported for NPR on World Bank projects that aim to fight poverty around the world, and found that while uprooting local people, project leaders don’t always follow World Bank rules for resettlements.

Sandra Bartlett reported for the national public radio program, Reveal, on “disposable” workers in South Korea and Vietnam – exposed to toxic chemicals, then to reproductive disorders and cancer. Many of the victims are young women.

For more than forty years, FIJ has covered expenses for reporters who have the ideas, sources, and know-how to produce groundbreaking investigative journalism but need resources to complete their projects.

Grant applications are currently being accepted through the FIJ website, http://fij.org/grant-application/, with an upcoming deadline of September 26.

FIJ is also collaborating with the Schuster Institute for Investigative Journalism on a diversity initiative funded by the Ford Foundation. Applications for grants and fellowships for diverse journalists are being accepted at https://investigate.submittable.com/submit, through October 1.


Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the Catalogue for Philanthropy: Greater Washington
@FundFIJ


upcoming radio/podcasting classes @WritingPadUS

Hey West Coast people. There are a bunch of great audio/podcasting courses being offered by @WritingPadUS this fall. Details below. Plus, get a 15% discount by using the coupon code FREELANCE. Woot!
 
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PODCASTING 5 WK w/ Casey Miner and Julie Caine (The Specialist, NPR)
Sept. 14, 21, 28, Oct. 5, 12 (4 Wed. nights, 1 professional recording session)
 
RADIO STORYTELLING 5 WK w/ Davey Kim (Snap Judgment, NPR)
Sept 19, 26, Oct 17, 24, Nov 7 (4 Mon. nights, 1 recording session), 7-10 p.m., San Francisco
 
RADIO STORYTELLING 5 WK w/ Bob Carlson (Producer, Host KCRW’s Unfictional)

http://writingpad.com/radio-storytelling-classes-in-los-angeles/

Sep 25, Oct 2, 16, 23, Nov. 6 (4 Sunday nights, 1 recording session), 6-9 p.m., Los Angeles



SPJ Norcal Excellence in Journalism Awards – submission deadline Sept 12

31ST ANNUAL SPJ NORCAL
EXCELLENCE IN JOURNALISM AWARDS
CALL FOR NOMINATIONS

FOR IMMEDIATE RELEASE
— Aug. 25, 2016
Contact: Lila LaHood (415) 846-5346 or Liz Enochs (415) 323-0220

Know a journalist who has done brilliant work over the past year? Someone who does whatever it takes to get the story, photo or video? Whose dedication to our craft is second to none? Maybe that journalist is you! For the past 31 years, the Northern California chapter of the Society of Professional Journalists has selected from among the Bay Area’s best of the best for its acclaimed Excellence in Journalism Awards. These awards honor the journalists whose outstanding work embodies SPJ’s ideals of initiative, integrity, talent and compassion.

The contest entry site — awards.spjnorcal.org — is a one-stop shop for all your contest needs, including a short video with detailed, step-by-step instructions. Create an account, and the site will walk you through the rest.

We welcome entries from journalists producing work in emerging formats and recommend broad interpretation of award categories. Be sure to name everyone who played a significant role in producing the entry and explain how they were involved. Letters of nomination are encouraged.

See below for complete Contest Categories and Submission Guidelines.

Best of luck!

CONTEST CATEGORIES

BREAKING NEWS


Honors individuals, teams or news organizations whose work demonstrates clear and accurate reporting and graceful writing on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit up to three stories and related multimedia content.
Categories: Print/Online, Radio/Audio and TV/Video.

INVESTIGATIVE REPORTING
Honors individuals or teams that identify important issues and demonstrate initiative, persistence and resourcefulness in pursuing information that is restricted or not easily available.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Online.

EXPLANATORY JOURNALISM
Honors journalists who increase readers’, listeners’ and/or viewers’ understanding of significant or complex issues. Entries may deepen understanding of issues in the news or may focus on issues largely uncovered by the media.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Online.

COMMUNITY JOURNALISM


Honors journalists and organizations whose primary focus is coverage of a well-defined community or neighborhood. Entries may include print publications, news broadcasts or news sites. University-supported projects are not eligible.
Entry specifications: This is for community-based outlets. Submit no more than five news stories and related multimedia content, or two news packages demonstrating the range and depth of local news coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

FEATURES and LONGFORM STORYTELLING
Honors journalists for exceptional longform narrative writing. Judges will consider creativity, use of humor or drama, style, clarity and suitability of the writing to the subject.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Online.

COMMENTARY/ANALYSIS
Honors individuals for exceptional commentary, analysis and editorials. Entries may include bylined or unsigned content. News-related blogs are also eligible. Judges will consider quality of expression, clarity and originality.
Entry specifications: Submit up to three samples.
Categories: Print/Online, Radio/Audio and TV/Video.

ARTS & CULTURE REPORTING
Honors journalists for incisive reporting about art, music, movies, theater, dance, books, restaurants, architecture or other public performance. May also include reviews, for which judges will consider quality of analysis and persuasiveness of arguments.
Entry specifications: Submit up to three samples.
Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Online.

TECHNOLOGY REPORTING
*New Category* —Honors journalists and organizations whose primary focus is coverage of technology. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

SCIENCE, ENVIRONMENT and HEALTH REPORTING
*New Category* —Honors journalists and organizations whose primary focus is coverage of science, environment and health. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

JOURNALISM INNOVATION
Honors individuals or organizations that have demonstrated innovative ways to further the goals of journalism using technology, new funding strategies and/or other approaches. Entrants should demonstrate how innovation can lead to unique coverage.
Entry specifications: Submit up to three samples showing how this innovation works. You may enter the work in other categories as a piece of a larger project.
Categories: All media.

DATA VISUALIZATION
Honors individuals or organizations that have demonstrated excellence in presenting complex information using graphics, maps and other data visualization and interactive tools.
Entry specifications: Submit up to three samples. Include the associated stories or links to them online.
Categories: All media.

BEST SCOOP
Honors individuals or organizations for breaking an important news story that led to extensive coverage by other organizations.
Entry specifications: Submit one story or package of related stories and associated multimedia content.
Categories: All media.

PHOTOJOURNALISM
Please include the written story or explanation with each submission.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful photojournalism produced on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit photos with cutlines from up to three stories. No more than 15 images in all.
Categories: Individual and Team.
Photo Essay — Honors individuals, teams or news organizations for excellent storytelling presented in series of related photos that either serve as a stand-alone photo essay or are associated with a written story.
Entry specifications: Submit photos with cutlines from one photo essay. No more than 15 images in all.
Categories: Essay of 1 to 5 images; Essay of 6 to 10 images; Essay of 11 to 15 images.
Portfolio — Honors an individual for excellence in photojournalism.
Entry specifications: Submit up to 10 images with cutlines. Include the associated stories or links to them online.
Single Image — Honors an individual for a single excellent image captured in the past year.
Entry specifications: Submit one image with cutline. Include the associated story or a link to it online.

VIDEO JOURNALISM 
Video journalism is image-driven and may or may not include narration.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful video journalism produced on deadline. Judges will consider deadline pressure and complexity.
Entry specifications: Submit videos from up to three stories.
Feature — Honors individuals, teams or news organizations for excellent, artful storytelling.
Entry specifications: Submit one video of up to 60 minutes.
Portfolio — Honors an individual for excellence in video journalism.
Entry specifications: Submit up to five stories with a maximum combined length of up to 60 minutes.

OUTSTANDING EMERGING JOURNALIST


Honors a journalist with less than five years of professional experience whose work shows great promise.
Entry specifications: Submit resume and three samples of work.
Categories: All media

STUDENT SPECIAL PROJECT
Honors individuals or classes of college-level and graduate-level students for exemplary reporting, writing, and/or photography produced by all forms of student media, including special projects that report local news. These should be student-generated and not part of an ongoing university-sponsored project.
Entry specifications: Submit up to three samples.
Categories: All media

PUBLIC SERVICE
Honors individuals, teams, or news organizations that try to improve conditions for the benefit of society. Entries will be judged on the significance of the issues, initiative, presentation and results.
Entry specifications: May include articles, editorials, public service announcements, cartoons, photos and graphics.
Categories: All media

NORCAL SPJ BOARD OF DIRECTORS AWARDS
Every year, the SPJ-NorCal Board of Directors honors individuals in the following six categories. Anyone may nominate candidates. There is no fee to nominate candidates for Board Awards, but a nomination letter is required. Complete instructions are available online.
1) Journalist of the Year: For extraordinary journalistic contributions in the past year.
2) Career Achievement: For extraordinary achievements exemplifying the highest standards of the profession.
3) Unsung Hero: A person whose contribution to journalism usually happens behind the scenes and is often overlooked (for example, a copy editor, librarian, web producer).
4) Meritorious SPJ Service/John Gothberg Award: For outstanding contributions to the Northern California Chapter of SPJ.
5) Distinguished Service: For advancement or advocacy of journalism by a journalist or non-journalist.
6) The Silver Heart: Awarded to a journalist whose career reflects an extraordinary dedication to giving voice to the voiceless.

SUBMISSION INSTRUCTIONS

Qualifying Timeframe: Entries must have been published/broadcast between July 1, 2015 and June 30, 2016, by a news outlet or individuals based in Northern California. Each entrant may submit only one entry per category.

Deadline: Entries must be time-stamped by 11:59 p.m. PDT on Monday, Sept. 12, 2016.

Multiple entries: Stories or projects entered in the Public Service, Best Scoop or Outstanding Emerging Journalist categories may also be entered in one other category. Entries for other categories may not be entered in multiple categories.

Cover letters: Letters of nomination or recommendation are permitted in any category, but they are not required, except for Board Award nominations.

Divisions for Print/Online: Some categories are divided into Small Print/Online and Large Print/Online divisions to reflect the reality that larger organizations have more resources than smaller ones. “Large” organizations are defined as organizations where one or more of the following apply: print circulation exceeds 100,000 and/or average monthly unique website visitors exceed 500,000. If neither of those apply to your organization, select “Small.” Note: If your organization is a news service or an organization that produces content for syndication, choose your division based on the estimated reach the story received in syndication.

Fee:
For SPJ members**: $30 per entry.
For non-SPJ members: $40 per entry.
For students: $20 per entry. Student fees may be waived for financial need by request. Send an email to spj.excellenceinjournalism@gmail.com to request a waiver.
* New * — Everyone who submits an entry will receive one free drink ticket at this year’s Excellence in Journalism Awards Dinner.

Payments: Payments can be made by credit card via awards.spjnorcal.org. You may also select a “Pay by check” option. Checks should be made to “SPJ NorCal.” In the memo field, please write “EIJ 2016.”  Checks should be postmarked by Sept. 12, 2016 and mailed to:
SPJ NorCal Chapter
c/o San Francisco Public Press
44 Page St., Ste. 504
San Francisco, CA 94102


** To be eligible for the $30 SPJ member entry fee, you must be a member of both the SPJ national organization (current membership fee $75) AND the SPJ Northern California chapter ($20) as of the time-stamp of entry. Membership is good for 12 months, based on the date you joined. Chapter membership entitles you to free or reduced member admission to NorCal chapter activities, including the Excellence in Journalism Awards dinner. To join SPJ and the NorCal chapter, please go to: www.spj.org/join.asp.

Commissioning Brooklyn audio stories for BRIC RADIO

New show about all things Brooklyn seeks submissions. Details below! -Mia
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BRIC is launching BRIC RADIO this fall and one of our shows will be Brooklyn, U.S.A.  We're currently soliciting pitches and looking to commission work. 

A bit about Brooklyn, U.S.A.:

Brooklyn, U.S.A, part of the slate of new shows launching late 2016 by BRIC Radio, is a monthly podcast that features stories from and about Brooklyn. The stories are compelling, evergreen, and are produced by a curated and rotating group of producers, journalists, storytellers and radio professionals.  

We're looking for evergreen feature stories which bring us into hidden corners of Brooklyn or those right in front of our eyes. Average length of a piece will be 4-5 minutes. This is not the show for breaking news or profiles of programs or organizations; it is a show about Brooklyn and for Brooklyn, all of Brooklyn.  But those are the only parameters. Consider it a place for stories that are not heard elsewhere, and a home for all of those stories you see, witness, experience daily.  It can be with or without narration, personal or not, but it must have journalistic merit and be journalistically sound and accurate.

Each episode of Brooklyn, U.S.A. will be approximately 30 minutes and will include at least 3 pieces. The pieces will reflect the diversity of Brooklyn, which is also part of BRIC’s mission and each show will be tonally and topically diverse.

Pay is competitive with WNYC, New York Public Radio.  The rate is approximately $100/minute but we will work individually with you to figure this out.


Please send your pitches to radiopitches@bricartsmedia.org

BRIC is an incredibly diverse and vibrant arts and media community which has as its missions upholding that diversity, both in who contributes to BRIC and the work that comes out of BRIC.  We encourage promising producers to submit pitches as well as more seasoned ones.  It is you, the reporter/producers who will make Brooklyn come alive for our audience through your varied perspectives and experiences.  We are also a place which often runs stories which others don't, so send us those story ideas you've hoped to do but which lacked an appropriate home or outlet.  

SF Public Press Annual Meeting & Radio Planning Workshop, Sept 1, 7-9pm

Bay Area radioheads – this is for you!
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Help Us Start a New Public Radio Station!

Public Press Annual Meeting & Radio Planning Workshop
When: Thursday, Sept. 1, 2016, 7 to 9 p.m.
Where: 44 Page Street, 2nd floor, San Francisco, CA 94102
RSVP: On Facebook or email radio [at] sfpublicpress [dot] org

The Public Press was awarded by the Federal Communications Commission a permit to construct a low-power FM radio station in San Francisco, sharing time on 102.5-FM with San Francisco Community Radio.

Radio is new territory for us, and we want to hear from the community: What do YOU want to hear on the airwaves? We aim to offer public-service broadcasting, including news, public-affairs talk shows, community events and experimental forms of storytelling with an emphasis on local programming.

Want to learn more and possibly get involved? Join us for a workshop as the featured segment of our annual public meeting. If you would like to participate in future LPFM conversations, send an email to radio [at] sfpublicpress [dot] org and ask to be added to the LPFM planning list.

http://sfpublicpress.org
http://facebook.com/SFPublicPress
http://twitter.com/SFPublicPress
E-newsletter: http://www.sfpublicpress.org/newsletter

The San Francisco Public Press is a local nonprofit, noncommercial news organization covering economy, civics and streetscape in the Bay Area. We aim to do for print and Web what public broadcasting does for television and radio. We produce news online daily and in a quarterly print newspaper.


SF Writing School, @WritingPadUS, seeks part-time site manager

Interesting gig from the folks @WritingPadUS. (Includes free classes!) Details below.
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San Francisco School Site Manager
WRITING SCHOOL SITE MANAGER POSITION IN SAN FRANCISCO
 
An award-winning writing school in LA, SF and Online is actively seeking School Site Managers to run a class site in its San Francisco Location in Potrero Hill.
 
Job Description: The School Site Manager is responsible for overseeing writing class operations at the San Francisco location.
 
Renumeration and Hours:
The position is 10-29 hours per week, depending on class enrollment. Work must completed on site. Hours take place on weeknight evenings Mon-Thurs. and weekends. Pay is $20 per hour plus free classes.
 
Main Responsibilities include: Opening and closing space, ensuring location safety, training and overseeing helpers,
making announcements and promoting classes, distributing and collecting relevant paperwork, managing inventory and office supplies, shopping for food and office supplies, managing correspondence with students and teachers at this location,
cleaning space, making copies for students or teachers, helping with educational program development and class quality control,
setting up AV and recording classes using Quicktime Pro or our online web system, assisting with social media and marketing efforts, flyering,researching new teachers, classes, and events, event planning.
 
Position may also include the following responsibilities: dealing with customer service issues related to classes, dealing with issues that may arise related to space management (plumbing, electrical, etc), phone and email sales, blogging.
 
Requirements are: Bachelor’s Degree or MFA in Creative Writing, English Literature, Journalism, Screenwriting, Arts, Communication, Theater, must be a writer who is passionate about the craft of writing, 1 or more years of relevant work experience in office management or education, excellent writing, communication and presentation skills, excellent interpersonal skills, very responsible, detail oriented, takes direction well, able to work independently, must have a car and drivers license, working Macbook Pro, must be flexible and comfortable working in a fast paced environment, improv, stand up, or sketch comedy experience is desirable, sales and marketing experience is desirable
 
Applicants who do not have a Bachelor’s Degree or MFA in Creative Writing, English Literature, Journalism, Screenwriting, Arts, Communication, Theater, or closely related degree, car and drivers license, and 1 or more years of relevant work experience in office management or education will NOT be considered.
 
This is an excellent position for a writer as it leaves your days free to write. It also offers great opportunities for networking and making connections with successful writers, editors and publishers.
 
To apply, applicants should include a copy of their resume and cover letter in the body of the mail as well as attach a PDF of both the resume and cover letter to info@writingpad.com. Please do not call us or stop by our offices to inquire about this position.
 


WaPo’s new “Historically Black” podcast seeks submissions, deadline Sept 1

WaPo is launching a new podcast that narrates the stories of personal objects and experiences of black people in the U.S. as part of a project around the National Museum of African American History & Culture, which opens September 24. Submission instructions HERE and below. Deadline Sept 1.
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HistoricallyBlack_1400x1400

The Washington Post, in partnership with American Public Media’s APM Reports, is collecting entries for its forthcoming, co-produced podcast series, Historically Black. Set to launch on September 19, the eight episode, weekly podcast series with guest celebrity hosts will showcase objects that tell people’s own personal stories of black history in America. Building off The Post’s Historically Black Tumblr, a crowdsourced “people’s museum” of objects, photographs, songs and stories, the podcast series will take a rich, researched look at how these items contribute to the public’s understanding of black history and culture today.

Entries are due by 12 p.m. noon ET on Thursday, September 1, 2016 to be considered for the podcast series. Entries submitted after September 1 may be featured on Historically Black Tumblr. All entries must be submitted online to historicallyblack.tumblr.com/submit. Past submissions have included family photos of objects, such as the black Santa Christmas tree topper belonging to Christina Tucker’s mixed race family; a photo Duchess Harris discovered of her grandmother working for NASA (then NACA) as a “computer” in the 1940s; love letters Janice Lillian Harris Cotton found in her basement rafters between her great-grandmother and great-grandfather tracing the pair’s romance as they were separated  during the “exoduster” movement; and more.

Entry Deadlines
Deadline: 12 p.m. noon ET on Thursday, September 1, 2016
Entries submitted after September 1 may be featured on Historically Black Tumblr.

How to Submit Your Entry
All entries must be submitted online to historicallyblack.tumblr.com/submit and should include:
-Your name
-Your email address
-Object photo (not required)
-The story behind the object you submitted

Please note photos or submissions may be used in related Washington Post coverage. By submitting your photo you are granting The Washington Post permission to use it on any platform. You are also stating that you took the photo and own all rights to it. Full terms here.

The first episode of Historically Black will air on September 19. It will be available on washingtonpost.com, and via iTunes and other podcast providers.


AIR’s 2016 New Voices Scholarship to Third Coast, application deadline 8/29

Third Coast is my absolute favorite conference for pubmedia, and every year, AIR offers these New Voices scholarships. Get it if you can! Application deadline 8/29.
-Mia
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AIR is still talking applications for their 2016 New Voices Scholarship. 


Learn more and find the application here. The deadline to apply is next Monday, August 29th at 5 p.m. 
Scholars will receive financial support to attend this year's Third Coast Conference in Chicago, November 11th – 13th. This scholarship is an incredible opportunity to find both peers and mentors, meeting storytellers who are just entering the field and those who are well-established. 

Who this scholarship is ideal for: All producers and program makers who self-identify as part of a minority group. The focus of Third Coast is radio/audio, but the scholarship welcomes applicants from the full range of disciplines. New talent that contributes fresh craft, diversity or perspective to news and media. Someone who can one day (or already does) help programs and stations connect with more ears, homes, and corners of America.

Media and Journalism Fellowships – Aug 24 Edition from @MediaShiftOrg

Once again thanks to MediaShift for putting out this great resource and to Will Coley for forwarding it along!
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Media and Journalism Fellowships: Aug. 24 Edition
http://mediashift.org/2016/08/media-journalism-fellowships-aug-24-edition/

Here’s a list of current media and journalism fellowship programs, including the deadlines for applying. If we’re missing any major programs, or you would like your program to be in the featured fellowship slot, please let us know by contacting Mark Glaser at mark [at] mediashift [dot] org and we’ll add them to the list. All featured fellowships are paid promotional slots. Fellowship descriptions are excerpts, edited for length and clarity. 

AUGUST 2016 DEADLINES

AHCJ National Cancer Reporting Fellowships
Association of Health Care Journalists
AHCJ will select up to 15 journalists to spend a week on the campus of the National Institutes of Health in Bethesda, Md., to increase their understanding of and ability to report accurately on complex scientific findings, provide insight into the work of cancer researchers and to better localize cancer-related stories.
Deadline: Aug. 26, 2016

SEPTEMBER 2016 & BEYOND DEADLINES

Asfari Fellowship for Journalists from the Levant
Reuters Institute
This is a six month (two-term) Fellowship supported by the Asfari Foundation. It is open to experienced journalists, both in traditional and new media, wishing to undertake research projects on a variety of subjects, normally related to one of the Foundation’s target countries or of its media. Journalists from Lebanon, Palestine and Syria are eligible. Candidates should ideally be based in the Levant region or Egypt or Turkey and intend to work there upon the completion of the Fellowship.
Deadline: Sep. 5, 2016

ADVERTISEMENT

Ochberg Fellowship
Dart Center for Journalism and Trauma
The Ochberg Fellowship enables outstanding journalists from around the globe to explore these critical issues during a week of seminars held at Columbia University in New York City. Program activities include briefings by prominent interdisciplinary experts in the trauma and mental health fields; conversations with journalist colleagues on issues of ethics and craft; and a variety of other opportunities for intellectual engagement and peer learning.
Deadline: Sep. 30, 2016

Buzzfeed Emerging Writers Fellowship
With the mission of diversifying the broader media landscape by investing in the next generation of necessary voices, BuzzFeed’s Emerging Writers Fellowship is designed to give writers of great promise the support, mentorship, and experience necessary to take a transformative step forward in their careers. During the four-month program, the writers in this fellowship will benefit from career mentorship and editorial guidance while also receiving financial support. The fellows will focus on personal essay writing, cultural reportage, and criticism.
Deadline: Oct. 1, 2016

Fulbright-National Geographic Digital Storytelling Fellowship
The Fulbright-National Geographic Digital Storytelling Fellowship was launched in 2013 as a new component of the Fulbright U.S. Student Program. It provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in one, two, or three countries on a globally significant theme. This Fellowship is made possible through a partnership between the U.S. Department of State and the National Geographic Society. Fellows publish stories on the Fulbright-National Geographic Stories blog.
Deadline: Oct. 11, 2016, 5:00 p.m. ET

Reynolds Business Journalism Week Fellowships
Business journalists and journalism educators are invited to apply for fellowships to take part in the 11th annual Reynolds Business Journalism Week at the Walter Cronkite School of Journalism and Mass Communication at Arizona State University. The Donald W. Reynolds National Center for Business Journalism will select 24 fellows for the training, which will cover how to find and cover business angles in any story and where to find economic and financial data. Reynolds Week will take place Jan. 4-6, 2017, at the Cronkite School’s state-of-the-art building in downtown Phoenix.
Deadline: Oct. 16, 2016

Roy H. Park Fellowships
The University of North Carolina School of Media and Journalism awards seven or eight new doctoral students and seven or eight incoming residential master’s students with Park Fellowships. All Park Fellows work as graduate assistants 15 hours per week. Assignments vary according to the needs of the school and faculty, and the interests and skill levels of the students. Due to the work requirement of the fellowships and the academic demands of the program, Park Fellows may not work outside the school during the academic year without approval from the associate dean for graduate studies prior to the employment. Roy H. Park Fellowships are available only to U.S. citizens. There is no special application; all qualified applicants will be considered for Park Fellowships.
Deadline: Dec. 13, 2016

ROLLING DEADLINES

Outside Editorial Fellowship
The fellowship is a six-month, paid position in Santa Fe, New Mexico. Duties include fact-checking, reporting, research, proofreading, and assorted support chores for the editorial department. Fellows occasionally have the opportunity to write short pieces for the magazine and website, and they will attend editorial meetings, work closely with top editors, and gain hands-on experience at an award-winning magazine.
Deadline: Rolling

Holly Whisenhunt Stephen Fellowship, Investigative Reporters & Editors
Send broadcast and/or radio journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. The fellowships were established by IRE and WTHR-Indianapolis to honor Stephen, an award-winning journalist and longtime IRE member who died in Nov. 2008 after a long battle with cancer.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

Ottaway Fellowships, Investigative Reporters & Editors
Established by David Ottaway and the Ottaway Family Fund to send a limited number of professional journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. These fellowships are aimed at increasing the diversity of IRE’s membership. Applicants for this award should identify themselves with one of the following minority groups: Black/African American, American Indian/Alaskan, Native American, Asian-American, Native Hawaiian/Pacific Islander, Hispanic/Latino.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

R-CAR Fellowship, Investigative Reporters & Editors
The Fund for Rural Computer-Assisted Reporting helps a journalist from a news organization in a rural area attend one of IRE’s week-long CAR boot camps. It was established by IRE member Daniel Gilbert to give rural reporters skills that will help them uncover stories that otherwise would not come to light. The fellowship is offered in conjunction with The Institute for Rural Journalism and Community Issues.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

IN PROGRESS OR FUTURE FELLOWSHIPS

Asia Pacific Journalism Fellowships
The Asia Pacific Journalism Fellowships (APJF) program was initiated in 1998 for the purpose of strengthening understanding between Asia and the United States through study, dialogue and field study in the Asia Pacific for American journalists. Each program offers opportunities for six to eight senior American broadcast, print, and online journalists to participate. 2016 Program pending.

Associated Press Global News Internship Program
Various locations
This paid internship program is for students who are aspiring cross-format journalists and will contribute to AP’s text, video, photo and interactive reporting. The application period for the 2016 internship is closed. Questions may be emailed to internship@ap.org.

Bay Area Video Coalition Mediamaker Fellowship
San Francisco, CA
The fellowship selects fellows for a 10-month program that supports project development with professional mentorship in multiplatform and transmedia storytelling through emerging technologies and strategic marketing.

Data & Society Fellow
New York City
The fellowship brings together researchers, entrepreneurs, activists, policy creators, journalists and public intellectuals who are interested in engaging one another on the key issues introduced by the increasing availability of data in society.

Donald W. Reynolds Fellowships
Columbia, MO or remote
The fellowship offers an annual program for individuals to develop innovative ideas within journalism and to help build the public’s knowledge in these areas.

Fulbright Journalism & Communications Grants
Fulbright offers opportunities in Germany, Ireland, Spain and Taiwan. The timeline for this year is now closed but will start again in the early spring.

Google News Lab Fellowships
Various locations
The Google News Lab Fellowship offers students interested in journalism and technology the opportunity to spend the summer working at relevant organizations across the U.S. to gain valuable experience and make lifelong contacts and friends.

Kiplinger Fellowships
Columbus, Ohio
Kiplinger Fellows typically spend a week in April on Ohio State’s main campus in Columbus, where they receive cutting-edge training on digital tools and tactics from leading industry experts. Topics include social media for reporting, branding and audience engagement; spreadsheets and data visualization; smartphone videography; and media ethics. The highly coveted fellowships provide lodging, most meals and free training – thanks to the generosity of the Kiplinger Foundation and Kiplinger family.

Knight-Mozilla Fellowship
Various locations
The Knight-Mozilla Fellowship places creative technologists in newsrooms to work on open-source tools and support reporting that strengthens the web and changes people’s lives. Knight-Mozilla Fellows spend 10 months working with newsroom technology teams to write open-source code, analyze and visualize data, and explore tough problems facing journalism.

Meredith-Cronkite Fellowship
Phoenix, AZ
The week-long multimedia fellowship program sponsored by the Meredith Corporation and its Phoenix television station, KPHO CBS 5, offers broadcast journalism students from underrepresented groups a week of hands-on experience.

Reuters Journalism Fellowship Program
Oxford, UK
This fellowship allows 25 mid-career journalists from around the world to conduct academic research at the University of Oxford.

Ben DeJarnette is the associate editor at MediaShift. He is also a freelance contributor for Pacific Standard, InvestigateWest, Men’s Journal, Runner’s World, Oregon Quarterly and others. He’s on Twitter @BenDJduck.

The post Media and Journalism Fellowships: Aug. 24 Edition appeared first on MediaShift.


Media and Journalism FELLOWSHIPS, Aug. 17 Edition

Lots of opportunities here!
++++++++++++++++++++++

Media and Journalism Fellowships: Aug. 17 Edition
http://mediashift.org/2016/08/media-journalism-fellowships-aug-17-edition/

Here’s a list of current media and journalism fellowship programs, including the deadlines for applying. If we’re missing any major programs, or you would like your program to be in the featured fellowship slot, please let us know by contacting Mark Glaser at mark [at] mediashift [dot] org and we’ll add them to the list. All featured fellowships are paid promotional slots. Fellowship descriptions are excerpts, edited for length and clarity. 

AUGUST & BEYOND DEADLINES

Jacobs Science Writer Fellowship
Jacobs Foundation
The 2016 Science Writer Fellowship will bring five science, society or health policy journalists from the US and UK to Zurich, Switzerland, to enhance their understanding of the work and research of the 2016 Klaus J. Jacobs Research Prize recipient, a leading international scholar in the field of child and youth development, and to connect these journalists with Swiss premier research institutions. The annual Fellowship, launched in 2015, covers Fellows’ travel and ground costs and includes a five-day program in Zurich from Tuesday, November 29, until Saturday, December 3, 2016.
Deadline: Aug. 21, 2016

AHCJ National Cancer Reporting Fellowships
Association of Health Care Journalists
AHCJ will select up to 15 journalists to spend a week on the campus of the National Institutes of Health in Bethesda, Md., to increase their understanding of and ability to report accurately on complex scientific findings, provide insight into the work of cancer researchers and to better localize cancer-related stories.
Deadline: Aug. 26, 2016

ADVERTISEMENT

Asfari Fellowship for Journalists from the Levant
Reuters Institute
This is a six month (two-term) Fellowship supported by the Asfari Foundation. It is open to experienced journalists, both in traditional and new media, wishing to undertake research projects on a variety of subjects, normally related to one of the Foundation’s target countries or of its media. Journalists from Lebanon, Palestine and Syria are eligible. Candidates should ideally be based in the Levant region or Egypt or Turkey and intend to work there upon the completion of the Fellowship.
Deadline: Sep. 5, 2016

Ochberg Fellowship
Dart Center for Journalism and Trauma
The Ochberg Fellowship enables outstanding journalists from around the globe to explore these critical issues during a week of seminars held at Columbia University in New York City. Program activities include briefings by prominent interdisciplinary experts in the trauma and mental health fields; conversations with journalist colleagues on issues of ethics and craft; and a variety of other opportunities for intellectual engagement and peer learning.
Deadline: Sep. 30, 2016

Fulbright-National Geographic Digital Storytelling Fellowship
The Fulbright-National Geographic Digital Storytelling Fellowship was launched in 2013 as a new component of the Fulbright U.S. Student Program. It provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in one, two, or three countries on a globally significant theme. This Fellowship is made possible through a partnership between the U.S. Department of State and the National Geographic Society. Fellows publish stories on the Fulbright-National Geographic Stories blog.
Deadline: Oct. 11, 2016, 5:00 p.m. ET

ADVERTISEMENT

Reynolds Business Journalism Week Fellowships
Business journalists and journalism educators are invited to apply for fellowships to take part in the 11th annual Reynolds Business Journalism Week at the Walter Cronkite School of Journalism and Mass Communication at Arizona State University. The Donald W. Reynolds National Center for Business Journalism will select 24 fellows for the training, which will cover how to find and cover business angles in any story and where to find economic and financial data. Reynolds Week will take place Jan. 4-6, 2017, at the Cronkite School’s state-of-the-art building in downtown Phoenix.
Deadline: Oct. 16, 2016

Roy H. Park Fellowships
The University of North Carolina School of Media and Journalism awards seven or eight new doctoral students and seven or eight incoming residential master’s students with Park Fellowships. All Park Fellows work as graduate assistants 15 hours per week. Assignments vary according to the needs of the school and faculty, and the interests and skill levels of the students. Due to the work requirement of the fellowships and the academic demands of the program, Park Fellows may not work outside the school during the academic year without approval from the associate dean for graduate studies prior to the employment. Roy H. Park Fellowships are available only to U.S. citizens. There is no special application; all qualified applicants will be considered for Park Fellowships.
Deadline: Dec. 13, 2016

ROLLING DEADLINES

Outside Editorial Fellowship
The fellowship is a six-month, paid position in Santa Fe, New Mexico. Duties include fact-checking, reporting, research, proofreading, and assorted support chores for the editorial department. Fellows occasionally have the opportunity to write short pieces for the magazine and website, and they will attend editorial meetings, work closely with top editors, and gain hands-on experience at an award-winning magazine.
Deadline: Rolling

Holly Whisenhunt Stephen Fellowship, Investigative Reporters & Editors
Send broadcast and/or radio journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. The fellowships were established by IRE and WTHR-Indianapolis to honor Stephen, an award-winning journalist and longtime IRE member who died in Nov. 2008 after a long battle with cancer.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

Ottaway Fellowships, Investigative Reporters & Editors
Established by David Ottaway and the Ottaway Family Fund to send a limited number of professional journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. These fellowships are aimed at increasing the diversity of IRE’s membership. Applicants for this award should identify themselves with one of the following minority groups: Black/African American, American Indian/Alaskan, Native American, Asian-American, Native Hawaiian/Pacific Islander, Hispanic/Latino.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

R-CAR Fellowship, Investigative Reporters & Editors
The Fund for Rural Computer-Assisted Reporting helps a journalist from a news organization in a rural area attend one of IRE’s week-long CAR boot camps. It was established by IRE member Daniel Gilbert to give rural reporters skills that will help them uncover stories that otherwise would not come to light. The fellowship is offered in conjunction with The Institute for Rural Journalism and Community Issues.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

IN PROGRESS OR FUTURE FELLOWSHIPS

Asia Pacific Journalism Fellowships
The Asia Pacific Journalism Fellowships (APJF) program was initiated in 1998 for the purpose of strengthening understanding between Asia and the United States through study, dialogue and field study in the Asia Pacific for American journalists. Each program offers opportunities for six to eight senior American broadcast, print, and online journalists to participate. 2016 Program pending.

Associated Press Global News Internship Program
Various locations
This paid internship program is for students who are aspiring cross-format journalists and will contribute to AP’s text, video, photo and interactive reporting. The application period for the 2016 internship is closed. Questions may be emailed to internship@ap.org.

Bay Area Video Coalition Mediamaker Fellowship
San Francisco, CA
The fellowship selects fellows for a 10-month program that supports project development with professional mentorship in multiplatform and transmedia storytelling through emerging technologies and strategic marketing.

Data & Society Fellow
New York City
The fellowship brings together researchers, entrepreneurs, activists, policy creators, journalists and public intellectuals who are interested in engaging one another on the key issues introduced by the increasing availability of data in society.

Donald W. Reynolds Fellowships
Columbia, MO or remote
The fellowship offers an annual program for individuals to develop innovative ideas within journalism and to help build the public’s knowledge in these areas.

Fulbright Journalism & Communications Grants
Fulbright offers opportunities in Germany, Ireland, Spain and Taiwan. The timeline for this year is now closed but will start again in the early spring.

Google News Lab Fellowships
Various locations
The Google News Lab Fellowship offers students interested in journalism and technology the opportunity to spend the summer working at relevant organizations across the U.S. to gain valuable experience and make lifelong contacts and friends.

Kiplinger Fellowships
Columbus, Ohio
Kiplinger Fellows typically spend a week in April on Ohio State’s main campus in Columbus, where they receive cutting-edge training on digital tools and tactics from leading industry experts. Topics include social media for reporting, branding and audience engagement; spreadsheets and data visualization; smartphone videography; and media ethics. The highly coveted fellowships provide lodging, most meals and free training – thanks to the generosity of the Kiplinger Foundation and Kiplinger family.

Knight-Mozilla Fellowship
Various locations
The Knight-Mozilla Fellowship places creative technologists in newsrooms to work on open-source tools and support reporting that strengthens the web and changes people’s lives. Knight-Mozilla Fellows spend 10 months working with newsroom technology teams to write open-source code, analyze and visualize data, and explore tough problems facing journalism.

Meredith-Cronkite Fellowship
Phoenix, AZ
The week-long multimedia fellowship program sponsored by the Meredith Corporation and its Phoenix television station, KPHO CBS 5, offers broadcast journalism students from underrepresented groups a week of hands-on experience.

Reuters Journalism Fellowship Program
Oxford, UK
This fellowship allows 25 mid-career journalists from around the world to conduct academic research at the University of Oxford.

Ben DeJarnette is the associate editor at MediaShift. He is also a freelance contributor for Pacific Standard, InvestigateWest, Men’s Journal, Runner’s World, Oregon Quarterly and others. He’s on Twitter @BenDJduck.

The post Media and Journalism Fellowships: Aug. 17 Edition appeared first on MediaShift.

KUOW’s RadioActive Youth Media is hiring an Associate Producer

I don’t often forward full time gigs, but this is a cause near and dear to me. Forward far and wide! -Mia

+++++++++++++++++

KUOW’s RadioActive Youth Media is hiring! We’re looking for a full time Associate Producer to join our team in Seattle. The Associate Producer will mentor youth to produce award-winning audio journalism, and create audio, events and newsletters to build the RadioActive community.

We’re looking for someone who finds joy in producing multimedia stories of impeccable quality, is driven to amplify young, diverse voices, and is passionate about helping youth meet their goals.

KUOW seeks to hire staff who reflect the diversity of the communities we serve. People of color and LGBTQ people are strongly encouraged to apply.

Link to apply: https://uwhires.admin.washington.edu/eng/candidates/default.cfm?szCategory=JobProfile&szOrderID=136364&szlocationID=88

Listen to RadioActive stories here: http://kuow.org/programs/radioactive

Any questions please get in touch with me at jennya@kuow.org – and thanks for helping spread the word!

Check out our podcast: http://kuow.org/radioactive
Like us: http://facebook.com/radioactiveyouthmedia

 

Podcast content editor opportunity for new show on marketing (no production needed)

Passing along a somewhat random opportunity… I don't know anything about these folks, but this could be a good possibility for some of you. Pay is negotiable so don't low ball yourself! This looks like about a 2-4 days worth of work to me… so at a day rate of at least $500… plus some for admin… you do the math. Good luck! -Mia

——————–


Seeking Editor for Audio Content Company

We are a new audio content company looking for a content editor to work on a podcast. The show is an in-house podcast on marketing. The format is a 20-30 minute magazine-style show with a maximum of 5 features and segments.

The role is split into three stages:

  1. Workshopping the story before interviews

  2. Editing the producer’s written script

  3. Listening and commenting on the audio version

There is no audio editing involved in this role as production work is done by the show’s hosts. However, there is an opportunity to showcase your own work by putting together a different segment for the show.


We are looking to trial an editor for the main segment, ‘Alpha – an in-depth interview with a high profile individual involved in content creation’. The format for this segment will change, but the first interview is narrating around a theme with scripted links between interview tape.

Pay is negotiable but per project rather than hourly.

If you are interested we'd like to move forward ASAP. For work samples and to discuss further reply to Damian via email: damian@onaudiocontent.com


————————

Finding Funding for Investigative Reporting

More opportunities for women and journos of color. Keep ’em coming! Deadline for this one is Oct 1.
+++++++++++++++++++++++

(Washington) Several organizations have launched initiatives this year to provide training, grants and fellowships specifically targeted for journalists of color, to address the “embarrassing dearth” of investigative reporters of color in the U. S.

That’s word from Fund for Investigative Journalism (FIJ) president Ricardo Sandoval Palos, the moderator of a panel at the 2016 convention of the National Association of Black Journalists and National Association of Hispanic Journalists, being held in Washington DC this week.

Partnering with the Schuster Institute for Investigative Journalism, FIJ has launched one of those initiatives, financed by the Ford Foundation, offering $9,000 grants paired with Schuster fellowships to women and journalists of color. Applications are being taken now through October 1 at investigate.submittable.com.

— 

@FundFIJ


@Reveal launches investigative fellowship for journalists of color, deadline Sept 12

Investigative reporting fellowships from @reveal for journos of color – help spread the word! Application deadline is Sept 12. -Mia
+++++++++++++++++++++

“The yearlong fellowship, made possible with generous support from the W.K. Kellogg Foundation, emphasizes development of investigative reporting skills for early- to mid-career reporters and producers. It is intended for journalists currently employed by other outlets and includes on-site training at CIR’s Emeryville headquarters, ongoing coaching and mentoring, travel reimbursement and a $10,000 stipend to support the resulting text, audio, video or multimedia projects.

Four fellows will be selected annually for each of the next three years, based on their proposals for investigative projects they want to pursue. The deadline for the first year is Sept. 12; applications can be found at bit.ly/Revealfellows.”

More info here: https://www.revealnews.org/press/reveal-from-the-center-for-investigative-reporting-launches-new-diversity-fellowship/

Media and Journalism Fellowships from @MediaShiftOrg, August 3 Edition

Lots of great opportunities on this list. Thanks to MediaShift for putting it together and to Will Coley for passing it along!

Cheers,
Mia
++++++++++++++++++
http://mediashift.org/2016/08/media-journalism-fellowships-aug-3-edition/

Here’s a list of current media and journalism fellowship programs, including the deadlines for applying. If we’re missing any major programs, or you would like your program to be in the featured fellowship slot, please let us know by contacting Mark Glaser at mark [at] mediashift [dot] org, or by tweeting @BenDJDuck, and we’ll add them to the list. All featured fellowships are paid promotional slots.

AUGUST & BEYOND DEADLINES

Brave New Fellows Program
Brave New Films
Our program offers social justice advocates from communities of color and/or economically marginalized communities a one year, paid opportunity to work with Brave New Films and learn how to create and distribute media that makes a difference. By working alongside experienced staff, fellows build practical skills in digital storytelling, production, post-production, campaign strategies, outreach, and social media. Fellows spend the majority of the year in one of three areas: outreach, post-production, or social media. In the last two months they rotate through the other two areas. The fellowship equips activists to use film to support activism, and prepares them for  jobs in social justice advocacy, media, and filmmaking. To complement the on-the-job learning, fellows also meet and network with film directors, activists, journalists, politicians and organizers, and they receive training in camera operation, database management, fundraising, and more.
Deadline: Aug. 5, 2016

Lion Rock Spirit Fellowship
Reuters Institute
Newly established in 2015, the Lion Rock Spirit Fellowship for a journalist resident in Hong Kong is founded and sponsored by Sharon Cheung, herself an alumna of the Fellowship Programme (2004-5). The Lion Rock Spirit Fellow will spend two terms in Oxford where they join a diverse group of journalists from other parts of the world. Successful applicants will conduct research into issues important to their professional development as a journalist. The Fellowship covers Programme fees, a modest living allowance while in Oxford and return travel expenses to the UK.
Deadline: Aug. 7, 2016

AHCJ-NLM Health Journalism Fellowships
Association of Health Care Journalists and National Library of Medicine
AHCJ will select four journalists to spend a week on the campus of the National Institutes of Health in Bethesda, Md. The selected journalists will: learn how to explore the latest NIH research; learn to understand and interpret biomedical statistics; take advantage of NLM’s data, programs and resources for stronger stories; and get hands-on training in PubMed, MedlinePlus, ClinicalTrials.gov, ToxNet and Household Products Database.
Deadline: Aug. 8, 2016

Nursing & Healthcare Workforce Media Fellowship
Center for Health, Media & Policy
Recent graduates and early career journalists are welcome to apply for The Center for Health, Media & Policy’s Nursing and Healthcare Workforce Media Fellowship. The goal is to help reporters advance their understanding and coverage of key issues and policy challenges surrounding the U.S. healthcare and nursing workforce. The Fellow will investigate and report on a relevant topic of his or her choice for eight months, including cross-platform reporting. S/he will be selected from a pool of post-graduate and early career health journalist applicants in August and will begin work with CHMP in September 2016. Applicants can work from anywhere in the U.S.
Deadline: Aug. 15, 2016

AHCJ National Cancer Reporting Fellowships
Association of Health Care Journalists
AHCJ will select up to 15 journalists to spend a week on the campus of the National Institutes of Health in Bethesda, Md., to increase their understanding of and ability to report accurately on complex scientific findings, provide insight into the work of cancer researchers and to better localize cancer-related stories.
Deadline: Aug. 26, 2016

Asfari Fellowship for Journalists from the Levant
Reuters Institute
This is a six month (two-term) Fellowship supported by the Asfari Foundation. It is open to experienced journalists, both in traditional and new media, wishing to undertake research projects on a variety of subjects, normally related to one of the Foundation’s target countries or of its media. Journalists from Lebanon, Palestine and Syria are eligible. Candidates should ideally be based in the Levant region or Egypt or Turkey and intend to work there upon the completion of the Fellowship.
Deadline: Sep. 5, 2016

Fulbright-National Geographic Digital Storytelling Fellowship
The Fulbright-National Geographic Digital Storytelling Fellowship was launched in 2013 as a new component of the Fulbright U.S. Student Program. It provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in one, two, or three countries on a globally significant theme. This Fellowship is made possible through a partnership between the U.S. Department of State and the National Geographic Society. Fellows publish stories on the Fulbright-National Geographic Stories blog.
Deadline: Oct. 11, 2016, 5:00 p.m. ET

ROLLING DEADLINES

Outside Editorial Fellowship
The fellowship is a six-month, paid position in Santa Fe, New Mexico. Duties include fact-checking, reporting, research, proofreading, and assorted support chores for the editorial department. Fellows occasionally have the opportunity to write short pieces for the magazine and website, and they will attend editorial meetings, work closely with top editors, and gain hands-on experience at an award-winning magazine.
Deadline: Rolling

Holly Whisenhunt Stephen Fellowship, Investigative Reporters & Editors
Send broadcast and/or radio journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. The fellowships were established by IRE and WTHR-Indianapolis to honor Stephen, an award-winning journalist and longtime IRE member who died in Nov. 2008 after a long battle with cancer.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

Ottaway Fellowships, Investigative Reporters & Editors
Established by David Ottaway and the Ottaway Family Fund to send a limited number of professional journalists to IRE’s weeklong Computer-Assisted Reporting (CAR) Boot Camp series. These fellowships are aimed at increasing the diversity of IRE’s membership. Applicants for this award should identify themselves with one of the following minority groups: Black/African American, American Indian/Alaskan, Native American, Asian-American, Native Hawaiian/Pacific Islander, Hispanic/Latino.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

R-CAR Fellowship, Investigative Reporters & Editors
The Fund for Rural Computer-Assisted Reporting helps a journalist from a news organization in a rural area attend one of IRE’s week-long CAR boot camps. It was established by IRE member Daniel Gilbert to give rural reporters skills that will help them uncover stories that otherwise would not come to light. The fellowship is offered in conjunction with The Institute for Rural Journalism and Community Issues.
Deadline: Rolling — 60 days before the Boot Camp you are applying to attend.

IN PROGRESS OR FUTURE FELLOWSHIPS

Asia Pacific Journalism Fellowships
The Asia Pacific Journalism Fellowships (APJF) program was initiated in 1998 for the purpose of strengthening understanding between Asia and the United States through study, dialogue and field study in the Asia Pacific for American journalists. Each program offers opportunities for six to eight senior American broadcast, print, and online journalists to participate. 2016 Program pending.

Associated Press Global News Internship Program
Various locations
This paid internship program is for students who are aspiring cross-format journalists and will contribute to AP’s text, video, photo and interactive reporting. The application period for the 2016 internship is closed. Questions may be emailed to internship@ap.org.

Bay Area Video Coalition Mediamaker Fellowship
San Francisco, CA
The fellowship selects fellows for a 10-month program that supports project development with professional mentorship in multiplatform and transmedia storytelling through emerging technologies and strategic marketing.

Data & Society Fellow
New York City
The fellowship brings together researchers, entrepreneurs, activists, policy creators, journalists and public intellectuals who are interested in engaging one another on the key issues introduced by the increasing availability of data in society.

Donald W. Reynolds Fellowships
Columbia, MO or remote
The fellowship offers an annual program for individuals to develop innovative ideas within journalism and to help build the public’s knowledge in these areas.

Fulbright Journalism & Communications Grants
Fulbright offers opportunities in Germany, Ireland, Spain and Taiwan. The timeline for this year is now closed but will start again in the early spring.

Google News Lab Fellowships
Various locations
The Google News Lab Fellowship offers students interested in journalism and technology the opportunity to spend the summer working at relevant organizations across the U.S. to gain valuable experience and make lifelong contacts and friends.

Kiplinger Fellowships
Columbus, Ohio
Kiplinger Fellows typically spend a week in April on Ohio State’s main campus in Columbus, where they receive cutting-edge training on digital tools and tactics from leading industry experts. Topics include social media for reporting, branding and audience engagement; spreadsheets and data visualization; smartphone videography; and media ethics. The highly coveted fellowships provide lodging, most meals and free training – thanks to the generosity of the Kiplinger Foundation and Kiplinger family.

Knight-Mozilla Fellowship
Various locations
The Knight-Mozilla Fellowship places creative technologists in newsrooms to work on open-source tools and support reporting that strengthens the web and changes people’s lives. Knight-Mozilla Fellows spend 10 months working with newsroom technology teams to write open-source code, analyze and visualize data, and explore tough problems facing journalism.

Meredith-Cronkite Fellowship
Phoenix, AZ
The week-long multimedia fellowship program sponsored by the Meredith Corporation and its Phoenix television station, KPHO CBS 5, offers broadcast journalism students from underrepresented groups a week of hands-on experience.

Reuters Journalism Fellowship Program
Oxford, UK
This fellowship allows 25 mid-career journalists from around the world to conduct academic research at the University of Oxford.

Ben DeJarnette is the associate editor at MediaShift. He is also a freelance contributor for Pacific Standard, InvestigateWest, Men’s Journal, Runner’s World, Oregon Quarterly and others. He’s on Twitter @BenDJduck.

The post Media and Journalism Fellowships: August 3 Edition appeared first on MediaShift.

call for pitches (plus new higher rates!) from Making Contact

Making Contact wants your stories! Plus they have new, higher rates. Plus they're good people. Details below. -Mia

+++++++++++++++++++++++

Seeking Pitches
 

Immigration and Elections: We want your pitches! We’re looking for character-driven stories that focus on how immigrant communities engage in U.S. electoral politics. 

Here are some themes we’re interested in exploring:

  • How are undocumented communities working around elections to mitigate the U.S. Supreme Court decision halting the expansion of DACA and DAPA?

  • What factors contribute to disparities in electoral participation within different communities? How are immigrant communities addressing mis-information about how to vote, new voter ID laws, and other barriers to participating in elections?

  • Are immigrant communities organizing to put politicians in office?  What are the opportunities and challenges?  

  • How are communities organizing outside of the electoral process to influence politics locally and/or nationally?

  • How are groups working against Trump and Trumpism beyond the conventions?

  • How is campaign financing influencing immigration rhetoric and policies?   

Got an idea, let us know!  Open to all and we are especially  looking for reporters who are themselves immigrants for our Immigrants and Elections miniseries. 
 

Guns: We’re looking for stories that bring new perspectives on guns, gun violence, mass shootings, and masculinity. These could be personal stories. They could also be more investigative or explanatory pieces. We’d also welcome other pitches related to guns, maybe a look at one of several states’ legislation to allow or ban concealed carry on college campuses. 

Occupy, 5 Year Anniversary: For this show, we’re looking for a story about a small town in the U.S. that responded to the call to Occupy a public space as part of Occupy Wall Street. We want to know why they decided to participate 5 years ago. What difference did it make? And what lessons did they carry into their organizing today?

People in Prison and Sentencing: We’re looking for stories detailing the effects of the prison systems on children and families, delving into life after incarceration, and stories examining sentence reduction reforms at the state level. For instance in California, Prop 47 passed in Fall 2014. It reduces drug possession and five other felonies to misdemeanors. Are other states making changes similar to California’s Prop 47 ? What have been the preliminary results in California and what of the backlash by those opposed to the sentencing reform?  

Climate Change: “Climate Resilience” and “Social Cohesion” are terms used by environmental justice advocates and academics to mean various things. We want sound-rich stories that explore these terms in practice. How are communities working not just to survive but thrive? How are low-income communities of color, expected to be hit hardest by climate change developing ways now to cope “later?” Unequal impacts of climate change on women?

We’re looking for stories that break out of the gloom and doom, wonk-talk or science-load, and instead give a glimpse of people coming together to take steps now.  Pitch us stories about various bottom-up and grassroots organizing methods and tactics. Perhaps a profile of someone who was previously uninterested or overwhelmed and depressed about the crisis but is now engaged in this activism. How did that personal and political transformation take place?

In addition to the above, we’re always interested in pitches on any of our ongoing beats: prisons, poverty, reproductive health, climate change and environmental justice.  
 

Specifications

Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 120 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events with an emphasis on creative ways to solve problems.  We’re interested in pitches for sound-rich segments of approx. 7 minutes.  

As with any pitches you send us, please check out our show and read our guidelines before you pitch. Consider the following. Does the story: Link grassroots issues and human realities to national or international trends? Give listeners a historical, political, or social context of major national and international events? Shed light on social and economic inequities? Explore any alternatives or solutions? 

We’re trying out new rates!

Level 1. $800 plus travel reimbursement up to $100

Involve research and original reporting • Require the reporter to have substantial subject matter expertise • Involve time-consuming reporting • Have a sophisticated narrative • Require travel by the reporter • Have sound that does not involve phone tape • Be rich in a variety of sounds demonstrative or supportive of the story.

Level 2. $500 plus travel reimbursement up to $100

Involve multiple interviews • Involve interviews conducted where the interviewee is carrying on activities relevant to the story • Involve sound, scenes, and advanced radio storytelling techniques • Involve reporter having good prior knowledge of subject matter

Full 26 min Documentary  $1000 for veteran producers to do a full documentary edition. An exclusive is not necessary but air dates need to be discussed.  

Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi.  If you’re pitching to us for the first time, please include a brief bio and relevant audio clips. We look forward to hearing from you!  
 

— Monica Lopez, RJ Lozada, Marie Choi


Cash for collaborative journalism from @hostwriter, deadline Aug 31

Cash for collaborative journalism. Deadline Aug 31. Details below!

+++++++++++++++

We are giving out over $5.000 for journalistic pieces and pitches that were done collaboratively, meaning that at least two journalists have to be in the byline. 
If you are interested in sharing the message you can tweet the following: 
Journalists worldwide can compete for cash prizes & story funding from @hostwriter! Send in a story or pitch by 8/31 http://hostwriter.org/sites/prize/index.html  
You can find detailed information, FAQs and the online application form here.

If you need some inspiration check out last year's winners on our blog

/// Apply for the #hostwriterPrize 2016 until August 31st ///
hostwriter.org – collaborate with journalists worldwide

August Podcast School at @UnionDocs, application deadline July 26

Great learning opportunity @UnionDocs from some of the best in the biz. Application deadline July 26. Spread the word! -Mia

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An exceptional group of professional podcasters, artists, radio producers and entrepreneurs help you develop your audio practice and podcasting vision.

This seminar, designed by UnionDocs in partnership with Mathilde Walker-Billaud, will show producers the various creative practices of podcasting. It will offer them technical tools and skill sets for navigating through the podcasting revolution and finding their own path in this emergent medium.

10 years ago the internet and low cost audio production tools radically transformed the radio landscape, liberating makers from traditional media and the audience from time and space. Nowadays, anyone can become a broadcaster. But hosting a successful listener-supported podcast is a professional engagement. A successful podcaster has a great dose of imagination and a strong entrepreneurial initiative along with many technical skills, from audio engineering and radio journalism to sound storytelling and online marketing.

This week-long seminar will explore audio storytelling, interviewing, script writing, editing, mixing, sound design to audience engagement and more. 15 producers will learn from a team of seasoned guest speakers and practitioners — public radio reporters, sound engineers, radio auteurs, successful podcasters, media entrepreneurs and artists. Discussions, group and individual exercises, field trips and participants’ work-in-progress critiques will put this new knowledge into practice. Producer, writer and host of Flash Forward Rose Eveleth will lead the course.


IMPORTANT FACTS

When:
Monday, August 22nd to Friday, August 26th, 10am – 5.30pm

Where:
UnionDocs, 322 Union Ave., Brooklyn NY 11211

Who is eligible?

We are looking for audio producers and podcasters (both new and experienced) from all aspects of the media industry and beyond with demonstrable skills in storytelling, sound editing and mixing.

Participants are accepted on a first-come, first-serve basis.

Give us an idea of who you are and why you are coming. When you register you will be asked for a short statement of interest that should briefly describe your experience in audio production and a podcast idea (it would be great if you have one. If not, you might come up with one during the workshop), plus a bio. There’s a spot for a link to a work sample (and CV, which would also be nice, but is not required).

Please note: Participants *will not* be producing an audio piece during the week. Focus is on discussing and listening. The goal is also to develop your podcast/audio project conceptually.

Cost:

The fee for the intensive follows the schedule below. 

August Session:

$750 – Early Bird Registration. Deadline July 26th at 5:00 PM.

$850 – Late Registration

Participants coming from outside NYC are responsible for their own transportation and room and board during the intensive. UnionDocs can provide assistance in locating housing and guidance for getting around town for those not native to New York.

Refund Policy:

Should you need to cancel, you’ll receive half of your registration fee back until July 26th. After July 26th, the fee is non-refundable.

call for proposals for a new health-related podcast series, deadline June 30

Just a few days left on this RFP – get it while you still can! Deadline June 30. Contact info below. -Mia
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AphasiaAccess, an organization that promotes communicative access and supports people with aphasia and their families in achieving their goals, needs a producer for its new podcast. Aphasia is a language disorder, often resulting from a stroke, that impacts a person's ability to speak, understand, read, and write. It affects around a million people in the U.S. See the request for proposals for podcast details and to learn more about AphasiaAccess. 
Request for Proposals
Producer – Podcast Series
Issued: June 15, Responses Requested by: June 30
Organizational Summary
AphasiaAccess is a nonprofit membership organization. Its mission is to “grow a network of healthcare, business, and community leaders to advance lifelong communication access for people with aphasia.” Members come from the majority of US states and Canadian provinces, along with 11 other countries. A key commonality is that AphasiaAccess members are supportive of the Life Participation Approach to Aphasia (LPAA). The LPAA is a consumer-driven service-delivery approach that supports individuals with aphasia and their families in achieving their immediate and longer term life goals.
The organization currently offers educational programming that includes a Biennial Leadership Summit, a library of training videos with archives of previously captured webinars and general resources (e.g. forms, protocols) to help professionals in healthcare (acute, rehabilitation, and community-based on-going programs), plus university professors teaching the next generation of speech-language pathologists.
More information about AphasiaAccess is available at www.AphasiaAccess.org.
Project Overview
AphasiaAccess intends to launch a podcast series in September of 2016. The organization envisions a multiple- episode professionally-produced podcast series focused on effective LPAA intervention examples, the how-tos of sustaining and marketing LPAA aphasia services, as well as riveting Ah-ha moments that surprise, inspire and motivate! The final # TBD, minimum of 6 and maximum of 24, predicted to be approximately 15 minutes each.
Statement of Need
AphasiaAccess seeks the services of a resource to assist in the production of this podcast series. We specifically anticipate the need to include:
• Identification of initial technical specifications and procedures for recording interviews
• Set up and/or counsel for podcast platform and promotion
• Editing/mixing podcast to final form and delivery of final files
• Recording of intros/outros
Proposals Requested
Third parties, capable of providing the services noted above, are invited to submit a proposal to AphasiaAccess to provide these services. Your proposal should include:
• Background on your firm
• Statement of experience of those who would be working with this account
• Description of services your firm provides, noting any services that you would typically outsource
• Explanation of how your firm bills for its services, including discounts for committing to multiple editions
• References and samples of past work (non profit / health care examples preferred)
Timeline
Proposals will be accepted through June 30th. AphasiaAccess anticipates awarding this contract between August 1 – 15. Any or all proposals may be declined at AphasiaAccess’ sole discretion.
Questions about this RFP, or your response, may be sent to Todd Von Deak at tvondeak@AphasiaAccess.org.


WHYY’s The Pulse seeks pitches on health and science, deadline July 1

WHYY's health/science/innovation show "The Pulse" is looking for pitches that can turn into assignments that can produce some awesome audio. We're mostly looking for fresh new ideas, but we're open to work that's previously been aired as well.

What makes a story a Pulse story?
It takes the audience on a journey.
It puts people first.
It answers questions people didn’t even know they had.
It surprises.
It empowers people to take control of their health.
It celebrates breakthroughs with skepticism.
And it Keeps it weird…the fringe is where the action is, afterall.

Send your concise pitches to: jpatterson@whyy.org. We'll be assigning the week of July 5th, so please have pitches to us by Friday, July 1st.

Joel Patterson
Managing Editor, The Pulse


New class from Radio Boot Camp – the Art of the Pitch, @UnionDocs, Sept

A fantastic addition to the Radio Boot Camp curriculum – how to PITCH! Details below. -Mia
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Hola!

We're so excited to announce a new class from Radio Boot Camp! The Art of the Pitch: a three session workshop dedicated to learning how to pitch a radio story. Dates are as follows:
Friday, September 9th 2016. 6pm-9pm
Friday, September 16th 2016. 6pm-9pm
Friday, September 23rd 2016. 6pm-9pm
More info, and registration here:
And, the next regular Radio Boot Camp class for beginners has also been scheduled for September, 
Hope to see you this fall! 

5-week radio storytelling by Snap’s @davey_kim @WritingPadUS, July, SF

Hey FC folks! Perhaps I've been deep in production mode for too long, but I just learned about this great series of courses from Writing Pad. They're based in LA and SF but offer online courses too. Check out their latest from Snap Judgment's Davey Kim. PLUS, friends of Freelance Cafe get a discount. 15% off the class by using the code FREELANCE. Drop me a line if you sign up and let me know how it goes!

Cheers,
Mia


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5 WK RADIO STORYTELLING CLASS IN SAN FRANCISCO IN JULY

Davey Kim is a producer of Snap Judgment and a radio journalist who has been on multiple NPR shows. Not only is he an amazing teacher with a great ear for story, he is really supportive and inspiring! Also, because of our radio storytelling classes, 7 students have gotten on the radio and have gotten paid). You could be next! Our latest student success is Tanya Frank: http://kcrw.co/1WPugwq

In this class, Davey shares the Snap Judgment guidelines, themes and helps you craft a pro radio story. He helps you transform a real-life event into a deep, moving tale. You workshop it twice plus get performance notes. On the last class, you record your story at Snap Judgment studios. It will make you feel like a rock star and you will get a professionally recorded clip from Davey (that you can send out to This American Life or Snap Judgment too).

RADIO STORYTELLING 5 WK w/ Davey Kim (Snap Judgment, NPR)
http://writingpad.com/san-francisco-radio-storytelling-class/
July 10, 17, August 14, 21 (4 Sun. nights, 1 recording session) 6:30 p.m.-9:30 p.m.  


America’s Test Kitchen Radio seeks stories for Holiday Special, deadline July 19

Looking to New Years already! (That's my kind of production. 🙂 America's Test Kitchen Radio wants your stories about great New Year's food traditions. Pitch deadline is July 19. Details and contact info below. -Mia

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America's Test Kitchen Radio is looking for your stories! We want tape about unusual New Years traditions with food from around the world, from Black Eyed Peas to Yusheng. Please email us if you have ideas for short interviews to be included in our show. We are not looking for fully produced pieces, but collaborators in tape gathering. Talk to your grandmothers! Your bakers! Your Korean uncle or German schoolteacher! Deadline for pitches is July 19, 2016. Fee is $250 if chosen to record your story. Producers will receive an on-air credit for their contribution.

Please send your ideas to Carly Helmetag at carly@milkstreetkitchen.com or Stephanie Stender at stephanie@milkstreetkitchen.com


grant money aimed at increasing diversity in investigative journalism

Spread the word about this important fellowship aimed at journalists of color!

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Grants & fellowships for journalists of color & women journalists
View this email in your browser
FOR IMMEDIATE RELEASE
Media contact: FIJSchusterInstitute@gmail.com
FIJ and Schuster Institute Launch Initiative for Diversity in Social Justice Investigative ReportingWithout greater diversity in journalism, some very important stories are never pitched, some assignments never made, facts never gathered, and serious abuses of power never uncovered.Through a collaboration underwritten by a Ford Foundation grant, The Fund for Investigative Journalism (FIJ) and the Schuster Institute for Investigative Journalism at Brandeis University have joined forces to broaden opportunities for independent investigative reporting by women and journalists of color. Four independent, U.S.-based reporters with strong proposals to investigate significant systemic or social justice issues will be selected.

The selected journalists will receive competitively awarded grants from the Fund for Investigative Journalism, which will provide up to $9,000 to pay the expenses of reporting a specific investigative story, covering costs such as travel, document fees, equipment rentals, and small stipends.

Recipients will also be awarded Schuster Institute fellowships, which will give them access to paid research assistance, the extensive offerings of Brandeis University’s library and technology services, mentoring, editorial guidance, and opportunities for pro bono, media-related legal advice from a major New York firm. The Schuster Institute will help publicize the fellows’ work through press releases, social media and the Institute’s websites. As a fellow, they will join our “Newsroom Without Walls,” a community of Schuster Institute fellows and research scholars who regularly share ideas, advice and support. The fellowships do not require residency at Brandeis University and the fellows are not paid.

The work must be completed within one year.

It is widely recognized that journalists of diverse backgrounds are underrepresented in this country’s ranks of independent investigative reporters. This initiative is designed to help those selected journalists report and write important stories about unreported or underreported social justice issues.

“Journalism in the U.S. has made some progress on diversity in newsrooms. But that progress has lagged well behind this nation’s demographic change,” said FIJ president Ricardo Sandoval Palos. “This imbalance is acute in the specialized field of investigative journalism. For decades, FIJ’s strength has been identifying and supporting stories that might not otherwise get done. So this generous grant from Ford is a great start: It allows us to work with journalists from underrepresented communities who’ve lacked access to investigative resources.”

“The Schuster Institute has collaborated with FIJ for years on our fellowship program. We know the value of providing an institutional home and valuable resources to independent investigative journalists, and Ford’s support of this initiative allows us to grow our community of fellows and support an even broader range of underrepresented voices and their important investigative stories,” said Florence Graves, founding director of the Schuster Institute.

Eligibility requirements

Applications from women and journalists of color working in any type of media — print, audio, video, online — will be considered.

Application deadline

Applications may be submitted from June 1 through Oct. 1, 2016, and we will announce grantees and fellows in early November 2016.

How to apply

Application instructions are available at investigate.submittable.com
If after reading about the entry process you still have questions, please email FIJSchusterInstitute@gmail.com.

In the meantime, please check the FIJ and Schuster Institute Facebook pages,
and #FIJSchuster on Twitter for updates.

The Fund for Investigative Journalism (FIJ). Since 1969, FIJ has supported the work of independent journalists who have tips, sources, and ideas, but lack the resources needed to do their investigations. The late Philip M. Stern founded FIJ to invest in the work of determined journalists in the fight against racism, poverty, corporate greed, and governmental corruption. FIJ-supported projects have won a wide array of journalistic honors, including Pulitzer Prizes, the George Polk Award, the Sigma Delta Chi Award, and many others.  Please see fij.org for more information.

The Schuster Institute for Investigative Journalism at Brandeis University is a collaborative, investigative newsroom focusing on social justice and human rights issues as well as government accountability and transparency. We dive into systemic problems afflicting those who are poor, voiceless, or forgotten—with an eye toward informing policymakers and public debate. Launched in 2004 by Florence Graves to help fill the void in high-quality public interest and investigative journalism, the Institute was the nation’s first independent, investigative reporting center based at a university. Our staff and Schuster Institute Fellows cover such subjects as human trafficking and modern-day slavery; criminal justice; race and justice; food and health; government and corporate wrongdoing; environmental justice; gender and justice; political and social justice; and border issues and immigration. Please see brandeis.edu/investigate and WeInvestigate.org for more information.

The Kitchen Sisters Bowling with Grace Fundraiser, Next Thurs, June 2, SF

Fun fun fundraiser with the Kitchen Sisters! Details below.
-mia

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The Kitchen Sisters and our 92 year-old muse of the lanes, Amazing Grace Mulloy, invite you to join us at Mission Bowling Club in San Francisco, next Thursday evening, June 2 for a night of bowling, food, drink, music and podcast superstars to support the work of The Kitchen Sisters.

BUY TICKETS HERE

If you came last year, and got some hot tips from Grace, come see how you improved since she shared her secrets. If you missed last year here's a chance to bowl your brains out or just hang out and eat, drink and watch the NBA Finals with some of the Bay Area’s finest.

The Kitchen Sisters are independent producers and we raise all our own funding. Last year’s Bowling with Grace fundraiser helped create the new season of Hidden Kitchens stories coming to NPR's Morning Edition this summer – Kimchi Diplomacy: War & Peace & Food. It also sparked our Radiotopia podcast, Fugitive Waves and our deep bench of remarkable interns who will be roaming the lanes that night.

Delight in the fried chicken and burgers of Mission Bowling, the tarts and cakes of Tartine, the holy elixirs from St. George Spirits, the deep wines of Scribe, the slap your brains out cheeses from Cowgirl Creamery, the Chez Panisse Farmhouse Ale and so much more.

Bowling with Grace {The Legend Continues} is sponsored by AMY’s and EVENTBRITE. Deep thanks to both.

We hope you'll come join The Kitchen Sisters and Celebrity Bowlers: Nobel Laureate Kary Mullis, Roman Mars, Renée Montagne, Alice Waters, Thao Nguyen, Amy Tan, Armistead Maupin, Wendy MacNaughton, Caroline Paul, Ayelet Waldman, Jeannette Etheredge, Mark Buell, Randy Thom, Terry Zwigoff, Laura Sydell, John Vanderslice, Youth Radio & More.

Building community through bowling (and storytelling).

Buy Tickets Now
$150 ($100 is tax-deductible)
June 2, 2016, 6-10pm
Mission Bowling Club
San Francisco, CA
Buy a tax-deductible ticket to support the work of The Kitchen Sisters and you’ll automatically be entered into our raffle for a brand new, oh-so-beautiful PUBLIC bike! {Thank you PUBLIC Bikes!}.  

The Kitchen Sisters Board of Directors:
Mara Brazer, Claudia Ceniceros, Robert Fisher, Marc Hand, Cristina Hudson, Richard Hylton, Ellen Lewis, Frederic Marienthal, Davia Nelson, Marlene Saritzky, Nikki Silva, Carolyn Zecca-Ferris.

one week left to apply for KALW beat reporter positions

KALW wants you to know there's a week left to apply for these beat positions. Keep in mind, they're NOT full-time positions… but a way to get some regular work with KALW while also pursuing other stuff – a true freelance gig! Good luck,

Mia
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The KALW News team is looking for three experienced radio reporters to cover beats for our daily news magazine Crosscurrents and to produce spots for our new daily newscasts.

Beats are as follows:

– Business/Labor/Cost of living reporter

– Health Care reporter

– Transportation reporter

You will be the go-to person for our news department on your beat, and we will expect you to be ahead of stories in your coverage area. You will be responsible for reporting at least one feature (at least six-minutes long and sonically-rich) per month and an average of one short (less than one-minute long and informational) spot per month, as needed.

This is an independent contract position that will pay $750 per month, beginning August 1, 2016. The contract runs through June 30, 2017. Candidates must reside in the San Francisco Bay Area.

We encourage a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender or sexual orientation.

To apply, please send a cover letter specifying which beat you prefer, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Tuesday, May 31, 2016, 11:59 PT.

KALW hiring beat reporters, application deadline May 31

KALW is hiring! Details below. Application deadline May 31.
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The KALW News team is looking for three experienced radio reporters to cover beats for our daily news magazine Crosscurrents and to produce spots for our new daily newscasts.

Beats are as follows:

– Business/Labor/Cost of living reporter

– Health Care reporter

– Transportation reporter

You will be the go-to person for our news department on your beat, and we will expect you to be ahead of stories in your coverage area. You will be responsible for reporting at least one feature (at least six-minutes long and sonically-rich) per month and an average of one short (less than one-minute long and informational) spot per month, as needed.

This is an independent contract position that will pay $750 per month, beginning August 1, 2016. The contract runs through June 30, 2017. Candidates must reside in the San Francisco Bay Area.

We encourage a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender or sexual orientation.

To apply, please send a cover letter specifying which beat you prefer, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Tuesday, May 31, 2016, 11:59 PT.

SAJA Internship Fund, application deadline May 20

See below for details about the SAJA Internship Fund. Spread the word! -Mia
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I'm writing on behalf of the South Asian Journalists Association (SAJA) about our annual Internship Fund.
The Internship Fund was created to help students who are in financial need, and are reluctant to take on a low-paying or unpaid journalism internship for the summer.
The deadline for this year's internship fund is May 20th, 2016 and we'd love to get a variety of applicants. If you know any students who are looking to get financial support this summer during their internship, please have them apply here:
**Note: you do NOT need to be South Asian to apply. But you must demonstrate an interest in South Asia or the South Asian diaspora.**
Thanks everyone!
Shefali Kulkarni – VP of the South Asian Journalists Association
Anusha Shrivastava – President of the South Asian Journalists Association

RadioPodcast 3-day Crash Course in July, NYC

Wanna learn how to make brilliant audio narratives? A friend/colleague is teaching a 3-day class at NYU this summer. Details below!

-mia
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Hi Everyone, 

I'm teaching a three-day class at NYU this summer that will cover audio production, writing, and an overview of the industry. It's good for people who want to try audio either as part of their existing jobs or make a move to do it full time. Please help spread the word to anyone who may be interested. Thank you! 

PODCAST/RADIO REPORTING AND STORYTELLING: A CRASH COURSE IN AUDIO

Do you listen to This American Life, Serial, or StartUp? Do you start your day with Morning Edition? Have you always wanted to try audio storytelling and journalism? In this intensive workshop, learn everything you need to get started, whether your goal is to launch your own podcast or begin a career in radio journalism. Begin with an overview of the rapidly changing audio and podcast landscape. Then, through examples and hands-on training, learn how to write for the ear, use a microphone, record audio in the field, edit audio on your laptop, and craft a compelling short piece. Finish the intensive with the start of your own audio project, either a public radio-style news segment (like All Things Considered), an interview (like Fresh Air or WTF with Marc Maron), or a non-narrated creative piece (like The Kitchen Sisters).

YOU'LL WALK AWAY WITH

Technical skills for recording and editing audio
An audio project, whether a radio segment or the beginning of a podcast

IDEAL FOR

Aspiring and practicing journalists who want to learn audio skills
Professionals across all industries interested in storytelling

RadioPodcast 3-day Crash Course in July, NYC

Wanna learn how to make brilliant audio narratives? A friend/colleague is teaching a 3-day class at NYU this summer. Details below!

-mia
++++++++++++++++++++

Hi Everyone, 

I'm teaching a three-day class at NYU this summer that will cover audio production, writing, and an overview of the industry. It's good for people who want to try audio either as part of their existing jobs or make a move to do it full time. Please help spread the word to anyone who may be interested. Thank you! 

PODCAST/RADIO REPORTING AND STORYTELLING: A CRASH COURSE IN AUDIO

Do you listen to This American Life, Serial, or StartUp? Do you start your day with Morning Edition? Have you always wanted to try audio storytelling and journalism? In this intensive workshop, learn everything you need to get started, whether your goal is to launch your own podcast or begin a career in radio journalism. Begin with an overview of the rapidly changing audio and podcast landscape. Then, through examples and hands-on training, learn how to write for the ear, use a microphone, record audio in the field, edit audio on your laptop, and craft a compelling short piece. Finish the intensive with the start of your own audio project, either a public radio-style news segment (like All Things Considered), an interview (like Fresh Air or WTF with Marc Maron), or a non-narrated creative piece (like The Kitchen Sisters).

YOU'LL WALK AWAY WITH

Technical skills for recording and editing audio
An audio project, whether a radio segment or the beginning of a podcast

IDEAL FOR

Aspiring and practicing journalists who want to learn audio skills
Professionals across all industries interested in storytelling

Making Contact wants your pitches, rolling deadline

Making Contact wants your pitches. Details below!
-mia

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We’re looking for pitches from freelancers on several themes. See list below. If you feel you have a story that fits or you have a new idea, please let us know!

We’re also always interested in pitches on any of our ongoing beats: prisons, poverty, corporations’ undue influence, reproductive health, climate change and the environment. We’re still looking for reporters who are themselves immigrants for our Immigrants and Elections miniseries–per that recent call for pitches.

**NewsFlash — We’ve gotten a non-profit subsidized license to try out Hearken software. We’re stoked to have our freelance producers and reporters experiment in using it with us. Check out Hearken and if your story would benefit from seeking audience input upstream, tell us about that.

Incarceration Issues: We’re looking for stories detailing the effects of the prison systems on children and families, delving into life after incarceration, and stories examining sentence reduction reforms at the state level. For instance in California, Prop 47 passed in fall 2014. It reduces drug possession and five other felonies to misdemeanors. Are other states making changes similar to California’s Prop 47 ? What have been the preliminary results in California and what of the backlash by those opposed to the sentencing reform?

Climate Change: “Climate Resilience” and “Social Cohesion” are terms used by environmental justice advocates and academics to mean various things. We want sound-rich stories that explore these terms in practice.
It could be a local clean energy project, local economies. How are communities working not just to survive but thrive? How are low-income communities, expected to be hit hardest by climate change developing ways now to cope “later?” How are people of color led organizations and networks particularly exploring the justice angle in “climate justice?” We’re looking for stories that break out of the gloom and doom, wonk-talk or science-load, and instead give a glimpse of people coming together to take steps now.

Pitch us stories about various bottom-up and grassroots organizing methods and tactics. Perhaps a profile of someone who was either uninterested or overwhelmed and depressed about the crisis but is now engaged. How did that personal and political transformation take place?

Guns: We’re looking for stories that bring new perspectives on guns, gun violence, mass shootings, and the ways in which they affect women and men differently. These could be personal stories. They could also be more investigative or explanatory pieces. We’d also welcome other pitches related to guns, maybe a look at one of several states’ legislation to allow or ban concealed carry on college campuses.

Transgender: There is an organized backlash running astride transgender political movements. More than a dozen states have introduced legislation that would limit transgender access to public spaces and programs— spaces like bathrooms, sports teams, and locker rooms. A portion of those bills would also allow for businesses and individuals to discriminate against transgender adults and children based on religious or moral beliefs. Pitch us a story from one of the states that would allow discrimination based on religious or moral beliefs, or, one on Los Angeles Unified School District policies that help trans kids and their families during the coming out process. LAUSD has been the model for school districts across the country.

Elections: Pitch us a story on the presidential elections that is unique. Stories that do not focus on the horse race itself but some other angles or structural issues such as voting rights. For example, we did a piece on the electoral college. Or a story from the grassroots mobilizations leading up to the elections such as Democracy Spring or Democracy Awakening in April about govt corruption and campaign finance reform. Or stories generated from the many other gatherings and protests planned for outside of the conventions. What does the Black Lives Matter movement have planned? Rather than “covering” these events we’d be interested in a follow-along with characters and scenes, and digging underneath the obvious.

Community First Response: When it comes to meeting people’s immediate needs – food, housing, healthcare, and safety – our friends, families, and neighbors are often the first responders. We are looking for stories about groups of people who are taking community first response to the next level, creating projects (formal or informal) that are rooted in values of mutual support, and can be replicated. For example, a group of neighbors helping local small businesses address violence and conflict without involving the police or government agencies. We are not looking for segments on nonprofits or government agencies that provide services.

Specifications
Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 120 radio stations in the USA, Canada, South Africa, and Australia. Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

This call for pitches is for segments of about 8 minutes(unless otherwise noted), and we pay $450 per story of this length. We also occasionally take longer pieces (12 or 26 minutes).

As with any pitches you send us, please check out our show and read our guidelines before you pitch.

Consider the following. Does the story:
– Link grassroots issues and human realities to national or international trends?
– Give listeners a historical, political, or social context of major national and international events?
– Shed light on social and economic inequities?
– How will the piece motivate the listener to act?
– How will the voices or point of view expressed differ from what is heard in the commercial media?
– Explore any alternatives or solutions?

Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

We will review every pitch, but it could take us a couple weeks to get back to you. So, please be patient
We look forward to hearing from you!
Laura Flynn, Jasmín López, Monica Lopez
Making Contact producers


next session of Radio Boot Camp, @UnionDocs, NYC in June

Sally Herships' and friends' brilliant audio training workshop is coming up in a couple months. Don't miss it! Details below. -Mia

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The next session of Radio Boot Camp at @UnionDocs in Brooklyn is coming up in June! This is a great, getting started, dive-right-on-in class for making radio and podcasts for beginners. Please share and hope to see you in June!

More info here:
http://www.uniondocs.org/2016-06-11-radio-boot-camp/


Three job openings in Alaska for energy/environment reporting

Not freelance, but a good opportunity to report from a fascinating place. -Mia
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The new Alaska Journalism Collaboration is hiring! 
The state network is putting together a team of reporters to do in-depth reporting on energy and environment in the 49th state. Think Planet Money style, but covering climate change, the oil industry, the Arctic and so much more. Mostly radio, but interested in web, video and data people, too. 
 
I work in Sitka, but can attest to the wild adventures of being an Alaskan reporter. 
Three openings: an editor and two reporters, in Juneau and Anchorage. First application review is May 2.


Feet in 2 Worlds workshop on climate change and sustainability reporting for immigrant and community journalists

Two great upcoming events from Feet in 2 Worlds. Details below! Application deadline May 2.
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Feet in 2 Worlds is accepting applications for a workshop to help immigrant and community journalists sharpen their reporting on climate change, sustainability and resilience.  The workshop will be held on Monday, May 23 from 3PM to 8PM at The New School in New York City.
Workshop attendees will also be admitted to an all-day conference exploring new ideas about parks and public spaces on the following day, Tuesday, May 24, also at The New School.
The deadline to apply to the workshop is May 2.
JOHN RUDOLPH
EXECUTIVE PRODUCER
FEET IN 2 WORLDS
72 FIFTH AVE. 6TH FLOOR, NEW YORK, NY 10011
RUDOLPHJ@newschool.edu
603.498.5480

The New School

PITCH to NPR’s Latino USA!

Pitch Latino USA! A few notes from them follow, along with their most recent theme list. Some fun ideas in there! Deadlines are rolling. -Mia
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Over the last few years our style has shifted towards towards longish-form stories with a storytelling focus and a lot of personality, usually with the goal of illuminating issues facing Latinos and people of color today. Fun, quirky or offbeat encouraged.

We're interested in all sorts of formats and lengths. Many of the freelance stories we take are in the 7m-12m range, but we're open to longer (or shorter, for that matter). And, we pay very competitive rates for freelance pieces.

We're also super interested in collaborations with other shows and podcasts, we'd love to hear your ideas.

Please pitch through our website www.latinousa.org/submit 

—–

POLITICS (ongoing throughout the year)
We’re looking for many stories in the lead-up to the election, including pieces about first-time voters, demographic shifts, and places where voting laws could have a big impact on Latino turnout. We’d also like stories about local races that highlight issues at play in the larger election.
We do NOT want stories that are just about the horse race or simply tell us that a non-profit group is trying to get out the vote. We’re looking for pieces that show the human side of the election, with interesting characters that reflect why people vote the way they do and what various campaign positions could mean for ordinary people. We’re especially looking for under-reported stories from the Midwest and the South.

Possible angles:

– First-generation Americans voting for the first time in a household where parents can’t vote; first time someone joins a get out the vote effort and/or joins activism in politics; first Latino candidate running in a local race where elected officials are mostly white.

– This is also the first time that two Latino candidates have been in the running for president yet Cruz and Rubio face criticism about their “Latin-ness." We are looking for stories that address this, especially in their home states of Texas and Florida.

– We want to explore how/if media coverage – both local and national – differs in Spanish media news outlets in the US like Univision and Telemundo.

MIGRATION IN A GLOBAL CONTEXT
Latino USA often focuses on immigration to the US from Latin America, but this is just a piece of a larger global phenomenon. We’re looking for stories from all over the world that help explain how and why people are moving from one part of planet Earth to another – with a particular emphasis on how issues like war, climate change and the economy are all factors.

MONEY
Stories about all aspects of finance and making a living: minimum wage battles; banks that cater to Latinos; discrimination and redlining; and access to bank accounts and home loans for Latinos at different income levels.

FITTING IN

A large part of the immigrant experience is about learning to fit in. We’re looking for stories about assimilation and resisting assimilation, succeeding or failing at fitting in. Also stories about coming to the US, from either a personal or a news-driven angle.

PREGNANCY

Stories about pregnancy and reproductive health. For example: the effect of one’s culture on the experience or treatment of postpartum depression; pregnancy and birthing practices that complement a woman’s cultural practices and beliefs; different ideals and expectations of motherhood based on one’s own culture or upbringing.

IN THE PIPELINE
Things that set people on a path, for better or worse. Story examples include the school-to-prison pipeline and the lack of a pipeline in the Catholic Church, where young Latinos who are undocumented can’t become part of the clergy.

BALANCING ACT
Stories about people in precarious situations or navigating conflicting pressures; being caught between two forces or two people; giving something up in order to gain something else.

GAGGED
When do you keep silent and when do you speak out? What is the cost of each?
One example is a story we have in the pipeline about the Chilean band Los Prisioneros, which pushed the limits of censorship during the dictatorship of Augusto Pinochet. Now they’re considered iconic.

WOMEN IN THE WORKPLACE

The experiences of women of color in the workforce, as they face a particular set of barriers that white women have the privilege of avoiding (racism, classism, colorism, not just sexism).
Possible angles: ideals of “professionalism” imposed upon women of color, based on white standards of beauty and respectability; bosses who are women of color, including their challenges, their management style and how their subordinates treat them; the impact of workplace discrimination on women of color; and balancing a woman’s need to advocate for herself with the pressure of not wanting to be seen as a rabble-rouser.

TIPPING POINT

Stories about people, places, or events reaching the tipping point. Watershed moments that sparked change or created some kind of critical action, perhaps after simmering below the surface for some time.

SIBLINGS
Siblings living far apart, perhaps in separate countries; people who are brothers or sisters in spirit if not in blood. We’re open to all kinds of ideas on this one!

SILVER SCREEN

Stories about iconic Latino films; profiles of foreign filmmakers; images of Latinos in movies.

CRYING

From soap opera memes to La Llorona (the crying woman), tears play an interesting role in Latino culture. We’ll dive into the cultural history and science of crying and try to answer the question: Do Latinos cry more? We are looking for personal stories about crying and other ideas the topic may spark.

BOYS, MEN, FATHERHOOD, MACHISMO
From how young boys are doing in school, to how Latino notions of masculinity affect different part of men’s lives – from dating to the workplace to fatherhood. Also, the intersections of sexuality and machismo and challenging old paradigms of masculinity.

SOCCER/FUTBOL

With the US hosting the Copa América Centenario this summer, we’re focusing on “the beautiful game” and the hold it has on the American continent – let alone the world. We’re looking for stories of rabid fandom, split allegiance, and the ways in which a love of soccer has changed people’s lives for better or worse. Also, soccer’s growing popularity in the US and what contributions our country’s growing Latino community has brought to the sport, and vice versa.

CARS

Stories about Latinos and car culture. For example: the past and present of low riders, the consequences of being undocumented and ineligible for a driver’s license, and life at a car dealership in New York. Bring us cool stories about cars!

BRAZIL

Brazil is the largest country in Latin America and one of the world’s biggest economies. But for nearly 400,000 Brazilian-Americans, there’s a nagging question: Do we count as Latinos? For this episode, we’re seeking stories about Brazil and how Brazilians fit into the American tapestry. Personal narratives and pieces about identity, culture, politics and family histories are welcome. We’re open to all kinds of pitches for this one, surprise us!

COLLEGE

Stories that show the experiences of Latinos on college campuses.

THE CIA IN LATIN AMERICA

For much of the latter 20th century, the US Central Intelligence Agency played an active role in Latin American politics, toppling governments and installing others at it saw fit. In this history show, we visit some of the most outlandish chapters in the CIA’s Latin America histories, from explosive cigars to covert infiltration of the Cuban hip-hop scene. Pitch us one we haven’t heard about yet, or a fresh angle about a famous one.

@shareable is looking for a freelance feature on the future of libraries, application deadline April 25

A new opportunity for the FC community – Shareable is looking for a freelance feature writer to produce an in-depth story on the future of libraries. Compensation will be worked out with candidates directly – contact info below. Application deadline April 25. 
Feel free to report back and let me know what it's like to work for them!
Best,
Mia
++++++++++++++++++++
If you like libraries and long form reporting, we've got the perfect gig for you. 
 
We're looking for a reporter with a strong background in feature writing for magazines or other outlets to produce an in-depth piece (2,500-4,000 words) on the future of libraries. This piece should offer new and thought-provoking ideas to the conversation about what's in store for these vital institutions in the years to come. 
 
Prior experience covering libraries would be ideal, of course, but not mandatory. What is essential is the ability to seek out diverse and intriguing voices and connect the dots on emerging trends. 
 
Other key skills include:
  • Capacity to do extensive research and reporting
  • Ability to write clear and concise prose
  • Attention to spelling and grammar
  • Commitment to meeting deadlines
If you're interested, fill out this Application for Feature Writer by April 25, 2016. 
 
If you've got questions, feel free to reach out to us at info [at] shareable [dot] net. 
 
We look forward to hearing from you!

Two new job opportunities at KALW Public Radio, application deadline April 28

Hello FC folks. KALW has TWO job openings for editors in their newsroom. One for Crosscurrents and one for The Spiritual Edge. The deadline for both positions is Thursday, April 28, 2016, 11:59 PT. Spread the word! There's great stuff going on at that station.

Cheers, Mia

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STORY EDITOR POSITION:

The KALW News team is looking for an experienced radio journalism story editor to work on our daily news magazine Crosscurrents. You’ll work in a highly collaborative and supportive newsroom, joining our award-winning team producing long-form features and innovative podcasts. Your primary job will be to work with journalists and storytellers, help them craft reporting plans, follow through with advice during their reporting process, provide insightful edits, and help deliver memorable stories.

Crosscurrents airs Monday through Thursday evenings on KALW public radio in the San Francisco Bay Area. Our tagline is “context, culture, and connection,” and we deliver through sonically rich, thought-provoking stories. We seek to represent reporters' authentic voices while maintaining the highest journalistic standards. We often employ cinematic elements, including natural sound from field recordings, archival audio and music to enhance storytelling.

As part of its mission, the KALW News department trains many people in the art and craft of journalistic audio storytelling. It makes for a dynamic and energized newsroom with a changing cast. We have a steady team of experienced core staffers and contributors with whom you’ll work most closely, but you’ll also work with people who are still learning to do this work well.

This is an independent contract position for 20 hours a week, beginning July 1, 2016. The contract is for one year. Candidates must reside in the San Francisco Bay Area.

Job Requirements:

Experience editing feature-length audio stories (preferably for other radio shows, podcasts, and the like)

Competence using Google Drive

Solid interpersonal skills – our newsroom is diverse and fun and sometimes a little crazy

An editorial ear, i.e., an ear that can detect what’s boring or confusing, both in language and in sound

Must attend Wednesday editorial meetings at KALW but can otherwise work remotely

KALW has another contract editorial position available working on our project The Spiritual Edge, and if candidates are interested, we may consider combining the jobs.

We encourage a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

To apply, please send a cover letter, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Thursday, April 28, 2016, 11:59 PT.

THE SPIRITUAL EDGE STORY EDITOR POSITION:

The KALW News team is looking for an experienced radio journalism story editor to work on a special project called The Spiritual Edge (TSE), exploring the innovative American spirit through the lens of spirituality and religion. This initiative, launched in 2014, will be directed toward building a national audience and launching a podcast with stories coming from KALW reporters and from around the country.

The hire will edit long-form feature stories for TSE and some stories for KALW's nightly news and culture show Crosscurrents, participate in weekly TSE editorial meetings, and write or otherwise help deliver TSE blog posts every other week. We are looking for motivated candidates invested in the project.

We deliver sonically rich, thought-provoking stories. We seek to represent reporters' authentic voices while maintaining the highest journalistic standards. We often employ cinematic elements, including natural sound from field recordings, archival audio and music to enhance storytelling.

This is an independent contract position for 20 hours a week, beginning July 1, 2016. The contract is for one year. Candidates must reside in the San Francisco Bay Area.

Job Requirements:

Experience editing feature-length audio stories (preferably for other radio shows, podcasts, and the like)

Competence using Google Drive

Solid interpersonal skills – our newsroom is diverse and fun and sometimes a little crazy

An editorial ear, i.e., an ear that can detect what’s boring or confusing, both in language and in sound

KALW has another open contract position for a story editor on Crosscurrents. We would consider combining the jobs for the right candidate.

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

To apply, please send a cover letter, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Thursday, April 28, 2016, 11:59 PT.


Werk It! Women’s Podcast Festival, June 15-17, NYC, application deadline April 15

Join the movers and shakers in public media today at the three-day women's podcast festival WERK IT, June 15-17 at WNYC's Greene Space. Application deadline is April 15. It's gonna be guuuuuuud! -Mia
+++++++++++++++++

Werk It: A Women’s Podcast Festival

The Jerome L. Greene Space at New York Public Radio

44 Charlton Street

New York, NY 10013

http://www.wnyc.org/werkit/

werkit@wnyc.org

Werk It brings together women working in audio and digital media who are looking to hone their skills, meet others in their field, and learn from peers and experienced industry professionals. It includes three nights of live podcast tapings and two days of workshops and panels aimed at women working in audio and digital media.

While the live tapings in the evenings will be ticketed for general admission, admittance to the day-time activities is by application only. 

Follow the link on the website to apply. The deadline is April 15, 2016.

Note: There are no application or registration fees but accepted applicants will be responsible for their travel and accommodation.

For those unable to attend, many of the events will be live streamed on the website and the audio will be archived on wnyc.org.

Werk It, part of WNYC’s Women’s Voices initiative, is funded in part by a grant from the Corporation for Public Broadcasting.

2016 ShortDocs Challenge – Radio Cinema – from Third Coast, deadline May 17

This is probably my favorite competition out there – the Third Coast ShortDocs Challenge. And this year's theme is so much fun – finding inspiration from mini-movies! Details are below – deadline is May 17. GO FOR IT!

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The 2016 ShortDocs Challenge: Radio Cinema is live live live. 

This year’s Challenge is all about getting inspired by conventions of film. Let's show the world that RADIO really is the most visual of mediums.

Our artistic partner is Manual Cinema, an amazing film-inspired collective based in Chicago (you mighta seen them at Pop-Up Magazine last year.) Rule #1 of the Radio Cinema Challenge? Get inspired by one of their made-just-for-ShortDocs mini-movies

A couple of cool things about this year's ShortDocs Challenge:

1. ALL the submissions go up on our website (like always!) 

2. A winning piece will be chosen by Manual Cinema & turned into a live-on-stage cinematic performance.

3. Four ShortDocs winners will receive gratis registration to the 2016 Third Coast Conference (Nov 11-13) & other perks galore. 


Pitch Reveal

See below for how to pitch the fantastic investigative reporting program, Reveal. (Contact info is in the link.) -Mia
+++++++++++++++++++++

https://www.revealnews.org/pitching-reveal/

Hello Revealers,

So you want to expose a hidden story, take us to a place nobody has ever been, or uncover a secret others want to keep under wraps?

Tell us about your story by filling out the pitch form at the bottom of this page.

Here are a few pointers on what we are looking for and how we approach our editing process.

As you may have guessed, a Reveal story reveals something that we don’t know or is hidden from us.

Our stories involve interesting characters. We like good talkers.

Reveal reporters take us to a “place” – we are immersed in the narrative, we can hear what is going on in the manner of “show, don’t tell.”

We let our listeners hear what our characters are grappling with and what is going on in their environment.

We like tape that contains action and tells a story, is visual, and helps us experience the high stakes some of our characters experience.

Our stories have plot, they surprise us and/or challenge our listeners and characters.

Once the field work is done and all the tape is gathered, our editing involves collaborative listening sessions, story edits, a legal vetting, and usually takes between four to six weeks to complete.

We will review every pitch, but it could take us a couple weeks to get back to you. So, please be patient.

Center For Documentary Studies Summer Audio Courses

The Center for Documentary Studies offers fantastic audio courses each summer. See below for this year's line up. -Mia

++++++++++++++++++++++

Spring is here and it’s time for the annual invitation to “summer audio camp for grownups,” our weeklong intensives here in Durham, NC. Since we started these courses more than decade ago, they’ve evolved along with the audio storytelling/podcasting landscape. But what makes them unusual has not changed: You come, you spend just 6-7 days, you learn, AND YOU MAKE. You come away with a produced piece/episode for your portfolio.

Here they are:

Hearing is BelievingJuly 10-16, for beginners (really: NO experience required) or those relatively new to the craft and wanting a solid grounding in the fundamentals — recording, shaping and scripting, assembling and mixing on Hindenburg. We set up a topic and interview(s) for you, and you make a piece during the week with a partner.

Making It SingAugust 1-6, for producers with experience (a little or a lot) and a challenging project to bring. You bring tape and workshop your piece with lots of individual and small-group attention along with teaching sessions about focus, structure, and being your own editor. 

Between those two on the calendar, our friends at Big Shed are again offering Digging In: An Artist’s RetreatJuly 24-29, which brings together documentary makers and storytellers of all stripes (and all mediums) for a productive and rejuvenating week of digging deep and making meaningful progress on individual projects.

The fine producer and editor Shea Shackelford comes to help with Hearing is Believing and Making it Sing, and he and some Big Shed cohorts are your hosts for Digging In. Thrilled about our special guest teacher/presenter for Hearing is Believing: Tina Antolini, host and producer of the excellent podcast, Gravy.

To register or to read more about all these courses, and a few others offered by CDS in video, photo, and writing, go here:
http://tinyurl.com/nly355s

Any questions, write to cdscourses@duke.edu.

DETOUR Call for Pitches in NYC, LA, and Chicago, deadlines 4/15 and 4/30

Detour is looking for producers to pitch audio tours in NYC, LA, and Chicago. Deadline for NYC & Chicago is April 15. For LA, it’s April 30. Details below!

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Detour, “the world’s coolest audio guides,” is coming to New York, Los Angeles and Chicago. We’re hiring producers with experience in radio, television, and film to help us create immersive walks through these cities that show what makes them incredible. Great Detours are like documentary films that you walk around in, not just a travelogue or list of stops. Take a look at all the Detours we’ve made in San Francisco for a sense of what we mean.

We’ll produce 10 Detours in each city, each 45 – 60 minutes long, between now and October. We like working with people who can tackle 2 or 3 Detours per city, so feel free to submit several ideas! The places we are particularly interested in for each city are listed in terms of “must do” and “would do” on each city’s submission page. Everywhere on the list could be tackled in a variety of ways, so be imaginative and think in terms of stories and themes. You’re also welcome to pitch places & ideas that aren’t on the list. Just double check our guidelines before you do.  

How To Pitch:

  1. Read our guidelines.

  2. Send us your pitch through Submittable

Questions? Send to info@detour.com and we’ll get right back with you.

TRANSOM Story Workshop & Scholarship Applications Open, deadline May 27

The amazing Transom has announced it's next Transom Story Workshop. Application deadline May 27. Scholarships available.

++++++++++++++++++++

* NEW TRANSOM STORY WORKSHOP: FALL 2016 Applications and Scholarships Open Now *

Nine Weeks. Full Time Radio Training. Cape Cod.

This will be our tenth Woods Hole Transom Story Workshop, a milestone. We're extending the session by one week (a recommendation from alumni), so the dates are now September 20-November 19th. General applications are now available, along with scholarship applications, at this link:
http://transom.org/2016/story-workshop-fall-2016-apply/

Rob Rosenthal will be the lead teacher for nine beginning producers. The class gets instruction from Transom staff, along with special guests. This Fall, we'll welcome Daniel Alarçon of Radio Ambulante, Nancy Updike of This American Life, and others who drop by. It's a great experience… for all of us. Applications are due by May 27th by midnight EDT. Here's a full FAQ:
http://transom.org/faq/#q11

With major support from This American Life and MailChimp, along with support from alumni, PRX, AIR, and other kind souls, we are able to offer a limited number of full and partial scholarships. Our intent is to make the Workshop a realistic option for people who have been unable to attend due to the cost–with a focus on diverse voices, people of color, and those who have been historically under-represented as makers of public media. Find out more (and donate, if you can!) right here:
http://transom.org/workshops/about/scholarship/

Drop over any time,

Jay Allison
Atlantic Public Media
Woods Hole, Massachusetts
www.transom.org
Twitter: @transom_org
FB: www.facebook.com/transom.org

UCB j-school seeks podcasting lecturer for the fall semester, deadline April 15

Hey talented audio/podcasting folks! The UC Berkeley J-School (my alma mater) is looking for a lecturer to teach podcasting in the fall. Application deadline April 15. Details below. -mia
++++++++++++++++++

The Graduate School of Journalism is recruiting a lecturer in the Radio /Audio program beginning Fall semester, August 2016.

J-212 – PODCASTING IN THE REAL WORLD (15 weeks)

Required Qualifications: Minimum of five years professional radio/podcasting experience.

Recommended Qualifications: Teaching experience at college level or higher. The ability to facilitate publishing student work on a professional outlet.

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise and to learn the dos and don'ts of podcasting. Past instructors helped students create a podcast called "The Bell Curve." http://thebellcurvepodcast.tumblr.com/

The new instructor can either build on the existing structure or work with the students to create new podcasts. It's anticipated that students will produce a minimum of three episodes of a podcast during the semester. Students should receive instruction on the mechanics of setting up an RSS Feed and all parameters for creating and marketing a successful podcast.

Applications are due April 15, 2016.

TO APPLY:

To be considered, you need to formally apply for the position through the university's academic recruitment website.

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

Upload your CV including a summary of teaching experience, broadly defined as:

  • Delivering instruction in a university or college classroom;
  • Providing mentoring in the field for which you are applying;
  • Editing the work of others in the field for which you are applying;
  • Guest lecturing in the field for which you are applying.

The statement of teaching needs to include the time you spent in each activity (i.e. “I led a week long workshop on radio in March 2012.”)

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

You will be contacted if your experience is a match for what we need.

UnionDocs Documentary Intensive programs, application deadline April 1

And more fellowships!! These at UnionDocs. I'm a fan. Application deadline April 1.

++++++++++++++++++
Applications are open for some cool opportunities at UnionDocs documentary center in Williamsburg. Deadline for the summer intensive program is April 1st!
  • CoLAB is a 10 month fellowship for multidisciplinary non-fiction focused on artist development and the creation of short projects working in a group.
  • SDI is a 5 week workshop for filmmakers with feature docs in early development that pushes projects towards full production on every axis, practical to creative.
I was in the CoLAB several years ago, and can't recommend it enough. I connected with some amazing people and collaborators as a result. It's the place to be to explore the cutting edge in nonfiction storytelling. They usually select groups of people with very diverse backgrounds in art and different types of media, so it's a unique place to explore intersections of radio, film, visual art, and storytelling forms of all types. 
Check 'em out! 

The Collaborative Studio is a 10-month program for a select group of 12-14 media artists from the US and abroad who come from different backgrounds and different levels of experience (photography, visual arts, radio, human rights, journalism and more traditional forms of documentary). The program offers a platform for exploring contemporary approaches to the documentary and non-fiction arts, and consists of weekly production meetings, seminars, masterclasses and critiques with visiting artists. The main goal is the development of a collection of original short creative documentaries on a shared theme.  

http://www.uniondocs.org/colab/


The UnionDocs Summer Documentary Intensive is a 5-week program for a select group of emerging filmmakers from the US and abroad. Based in one of NYC’s most exciting neighborhoods, Williamsburg, Brooklyn, the program explores contemporary approaches to documentary film, offers a stronger understanding of the best practices and business of production, and helps to develop the foundation of your independent project. The program consists of screenings, seminar discussions, professional development sessions, critique, mentorship, many guest artist and industry professionals master classes and weekly visits to relevant sites around New York City. http://www.uniondocs.org/summer-documentary-intensive/

US-Japan Journalism Fellowship in Japan, application deadline April 15

Another exciting fellowship opportunity – travel to Japan! Deadline April 15.
+++++++++++++++++

Apply for the 2016 US-Japan Journalism Fellowship in Japan 
Deadline: April 15, 2016
The Japan Center for International Exchange (JCIE) is now accepting applications for its 2016 US-Japan Journalism Fellowship, which will provide four American journalists with the opportunity to visit Japan from June 18, 2016, for a 2~3 week program of group meetings and customized individual interviews and site visits. 
This competitive program exposes the participants to key leaders, policymakers, and innovators at the center of the policy debates shaping US-Japan relations, Japanese society, and the future of Asia. The program aims to develop a cadre of journalists who have a sophisticated understanding of the complex dynamics of US-Japan relations and, more broadly, the US role in Asia. 
Please feel free to circulate this information among your networks and encourage interested candidates to apply. You can visit our website for more information on the program, directions on how to apply, and the application form. Those interested in applying are encouraged to contact Ms. Kaede Kawauchi < kkawauchi@jcie.org or (212) 679-4130 > in advance. 


Ida B. Wells Fellowship for investigative reporters of color, deadline April 18

Exciting opportunity for journalists of color. Spread the word! Deadline April 18.
+++++++++++++++++ 

The goal of the Ida B. Wells Fellowship is to promote diversity in journalism by helping to create a pipeline of investigative reporters of color. The one-year fellowship will provide four emerging reporters with the opportunity to complete their first substantial piece of investigative reporting. 
Here is a link for more information: 
www.theinvestigativefund.org/about/2219/ida_b._wells_fellowship

Application d

eadline

:

 April 18, 2016.

The Ida B. Wells Fellowship will award each winner a $10,000 stipend plus funds to cover out-of-pocket reporting costs. The fellows will also receive extensive editorial feedback, legal counsel, research resources, assistance with story placement and publicity, training at the annual Investigative Reporters and Editors conference, and journalism mentoring.

Journalists of color are strongly encouraged to apply to the fellowship, as are other reporters who believe their presence would contribute substantially to diversifying investigative reporting in other ways.

The Investigative Fund at The Nation Institute incubates and supports important investigative stories with the potential for social impact. By providing reporters with editorial guidance, institutional support, and financial support, The Investigative Fund has produced stories that have sparked federal indictments, lawsuits, Congressional investigations, legislation, and the resignation of public officials. Our investigations have appeared in a wide array of outlets, including NPR and PBS as well as The Nation, Harper’s, The New York Times Magazine, The New York Review of Books, Mother Jones, Newsweek, Cosmo, Slate, and GQ. Our stories have also won some of journalism’s top awards, including the Polk, the National Magazine Award, and the Emmy. 

And more from Poynter:

http://www.poynter.org/2016/the-new-ida-b-wells-fellowship-is-looking-for-investigative-reporters-of-color/403344/

The Nation Institute's Investigative Fund has launched an investigative fellowship for journalists of color. The one-year Ida B. Wells Fellowship will go to four journalists and offer $10,000 each, travel and reporting costs and the chance to work with an Investigative Fund editor.

The fellowship is named after Ida B. Wells, a Jim Crow era investigative journalist. The fellowship seeks to bring more reporters of color into investigative journalism and newsrooms, which continue to be largely white and male. (You can explore what those numbers look like here.)

The Ida B. Wells Fellowship addresses these imbalances by identifying promising reporters of color, and other reporters from diverse backgrounds, who could benefit from editorial support and mentorship and who have the potential to help diversify the field.

Applications are due by April 18.

In 2014, BuzzFeed created a fellowship with the Columbia University Graduate School of Journalism for investigative journalists of color. The first recipient, Melissa Segura, is now part of BuzzFeed's investigative team. Poynter has written about that team and about Fusion, which has built a diverse and young investigative team.


REMINDER – 2016-2017 KALW News Audio Academy application deadline March 31

Hey folks. A bunch of posts coming your way. First, this reminder from KALW.


Only a few more days to apply for the 2016-2017 KALW Audio Academy!

KALW is calling for applicants for our 9-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production education, tuition-free.

We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities and some knowledge of the Bay Area.

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

Training will include:

Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. You will be responsible for minor administrative and production duties. You will also pitch and produce an entire Crosscurrents episode. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have included: Al Letson, Glynn Washington, Roman Mars, Hansi Lo Wang, Susanne Reber, Daniel Alarcón, Marianne McCune, and Jason DeRose.

Selected participants will make a 9-month commitment from September 2016 to June 2017: minimum 20 hours per week (one eight-hour shift at our studios and another 12 hours working in the field). The Academy includes a two-week break in late December and two flexible vacation weeks. Enrollment in a college or university is not necessary to participate.

To apply please put together a cover letter, CV, any audio/writing samples, and if you like, a short, original audio work that you craft for your application. Send it all to:

KALWapplications@gmail.com

Application deadline: March 31, 2016, 11:59 PT

We look forward to meeting you!

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

Latino USA call for pitches

Latino USA wants your pitches!! Please submit your pitches to www.latinousa.org/submitPitch meetings take place every Friday, and they try to get back to reporters early the following week. Good luck!

-mia



IN THE PIPELINE – AIR DATE 4/8/2016
Things that set people on a path, for better or worse. Story examples include the school-to-prison pipeline and the lack of a pipeline in the Catholic Church, where young Latinos who are undocumented can’t become part of the clergy.

MARIJUANA – AIR DATE 4/15/2016
As the nation inches slowly toward marijuana legalization, this show will look at the ways in which the drug itself, the drug market, and enforcement approaches like harsh sentencing and stop-and-frisk are affecting Latino communities. We also want to explore how legalizing the drug can both help and hurt communities of color. Who really stands to benefit from marijuana legalization, and who stands to lose? And what will happen to the people locked up for crimes that might no longer be crimes in the near future?

POLITICS (ongoing throughout the year)
We’re looking for many stories in the lead-up to the election, including pieces about first-time voters, demographic shifts, and places where voting laws could have a big impact on Latino turnout. We’d also like stories about local races that highlight issues at play in the larger election. 
We do NOT want stories that are just about the horse race or simply tell us that a non-profit group is trying to get out the vote. We’re looking for pieces that show the human side of the election, with interesting characters that reflect why people vote the way they do and what various campaign positions could mean for ordinary people. We’re especially looking for under-reported stories from the Midwest and the South. 
Possible angles:
First-generation Americans voting for the first time in a household where parents can’t vote; first time someone joins a get out the vote effort and/or joins activism in politics; first Latino candidate running in a local race where elected officials are mostly white. 
This is also the first time that two Latino candidates are in the running for president yet Cruz and Rubio face criticism about their “Latinidad.” We are looking for stories that address this, especially in their home states of Texas and Florida.
We want to explore how/if media coverage – both local and national – differs in Spanish media news outlets in the US like Univision and Telemundo.

MIGRATION IN A GLOBAL CONTEXT 
Latino USA often focuses on immigration to the US from Latin America, but this is just a piece of a larger global phenomenon. We’re looking for stories from all over the world that help explain how and why people are moving from one part of planet Earth to another – with a particular emphasis on how issues like war, climate change and the economy are all factors.

MONEY
Stories about all aspects of finance and making a living: minimum wage battles; banks that cater to Latinos; discrimination and redlining; and access to bank accounts and home loans for Latinos at different income levels.

FITTING IN
A large part of the immigrant experience is about learning to fit in. We’re looking for stories about assimilation and resisting assimilation, succeeding or failing at fitting in. Also stories about coming to the US, from either a personal or a news-driven angle.

PREGNANCY
Stories about pregnancy and reproductive health. For example: the effect of one’s culture on the experience or treatment of postpartum depression; pregnancy and birthing practices that complement a woman’s cultural practices and beliefs; different ideals and expectations of motherhood based on one’s own culture or upbringing.

BALANCING ACT
Stories about people in precarious situations or navigating conflicting pressures; being caught between two forces or two people; giving something up in order to gain something else.

GAGGED
When do you keep silent and when do you speak out? What is the cost of each? 
One example is a story we have in the pipeline about the Chilean band Los Prisioneros, which pushed the limits of censorship during the dictatorship of Augusto Pinochet. Now they’re considered iconic.

WOMEN IN THE WORKPLACE
The experiences of women of color in the workforce, as they face a particular set of barriers that white women have the privilege of avoiding (racism, classism, colorism, not just sexism). 
Possible angles: ideals of “professionalism” imposed upon women of color, based on white standards of beauty and respectability; bosses who are women of color, including their challenges, their management style and how their subordinates treat them; the impact of workplace discrimination on women of color; and balancing a woman’s need to advocate for herself with the pressure of not wanting to be seen as a rabble-rouser.

TIPPING POINT
Stories about people, places, or events reaching the tipping point. Watershed moments that sparked change or created some kind of critical action, perhaps after simmering below the surface for some time.

SIBLINGS
Siblings living far apart, perhaps in separate countries; people who are brothers or sisters in spirit if not in blood. We’re open to all kinds of ideas on this one!

SILVER SCREEN
Stories about iconic Latino films; profiles of foreign filmmakers; images of Latinos in movies.

CRYING 
From soap opera memes to La Llorona (the crying woman), tears play an interesting role in Latino culture. We’ll dive into the cultural history and science of crying and try to answer the question: Do Latinos cry more? We are looking for personal stories about crying and other ideas the topic may spark. 

BOYS, MEN, FATHERHOOD, MACHISMO 
From how young boys are doing in school, to how Latino notions of masculinity affect different part of men’s lives – from dating to the workplace to fatherhood. Also, the intersections of sexuality and machismo and challenging old paradigms of masculinity. 

SOCCER/FUTBOL 
With the US hosting the Copa América Centenario this summer, we’re focusing on “the beautiful game” and the hold it has on the American continent – let alone the world. We’re looking for stories of rabid fandom, split allegiance, and the ways in which a love of soccer has changed people’s lives for better or worse. Also, soccer’s growing popularity in the US and what contributions our country’s growing Latino community has brought to the sport, and vice versa.

CARS 
Stories about Latinos and car culture. For example: the past and present of low riders, the consequences of being undocumented and ineligible for a driver's license, and life at a car dealership in New York. Bring us cool stories about cars!

BRAZIL 
Brazil is the largest country in Latin America and one of the world's biggest economies. But for nearly 400,000 Brazilian-Americans, there's a nagging question: Do we count as Latinos? For this episode, we’re seeking stories about Brazil and how Brazilians fit into the American tapestry. Personal narratives and pieces about identity, culture, politics and family histories are welcome. We're open to all kinds of pitches for this one, surprise us! 

COLLEGE 
Stories that show the experiences of Latinos on college campuses. 

THE CIA IN LATIN AMERICA 
For much of the latter 20th century, the US Central Intelligence Agency played an active role in Latin American politics, toppling governments and installing others at it saw fit. In this history show, we visit some of the most outlandish chapters in the CIA's Latin America histories, from explosive cigars to covert infiltration of the Cuban hip-hop scene. Pitch us one we haven't heard about yet, or a fresh angle about a famous one. 


Looking for Walking Tour Writers, various cities, starting NOW

A friend is looking to hire a bunch of radio writers for a new walking tour app… he describes it as an open source Detour. It's mainly a writing gig but he's looking for folks who know how to write for voice. They're starting with 10 cities so check for your city below and pass this along to anyone you know in the other places. Feel free to reach out to david@listenup.audio with any questions.
-Mia

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Call for Walking Tour Proposals

ListenUp Audio, a spoken word producer based in Atlanta, is seeking pitches for original audio walking tours. These will be featured as part of a new, geo-located walking tour platform launching in the US in July (https://izi.travel/en). 

This is primarily a writing job, as recording and post will be done at the ListenUp studios. Though original audio interviews & actualities can easily be incorporated.

Job Description

We’re looking for people to write interesting, engaging, tourist-friendly walking tours. The tone should be highly conversational and casual (which is why we’re reaching out to the radio community). The goal is to make listeners feel like they’re walking with a friend. 

For this first round, we’re requesting proposals for “general” tours of the cities listed below. We will eventually be producing numerous types of tours for cities and sites across the United States. Keep in mind: these are not in-depth works of narrative journalism so much as simple, well-written, entertaining experiences. You will be given writer credit on the web site and in the tour itself. 

Writers will be required to build the tour route in the izi.TRAVEL CMS, which is pretty straightforward. Familiarity with Google maps is very helpful. 

Tour Requirements

  • High-interest tourist destinations.  
  • Approximately 12-20 points of interest, with an introductory story giving a theme and description of the tour. 
  • Walking time of less than 2 hours (1 – 1.5 is best)
  • Total word count of around 4000 – 5000 words (no more than 6000). Approximately 250 words/stop. 

Cities

  • NYC 
  • Philadelphia
  • Boston
  • Washington D.C.
  • Chicago
  • Houston
  • Dallas
  • New Orleans
  • Denver
  • Seattle

Compensation

$500 per tour

Schedule

We’ll begin immediately in order to have ten tours produced by the end of March, with another twenty by end of April. The first group of tours will need to be completed by March 21 with a rolling deadline for later tours. 

Submission Process

Please submit the following:

  • Resume
  • Link to relevant sample of your work
  • City from list
  • Tour outline(s) 
  • Brief description as to why you’re uniquely qualified to write this tour. 
  • Availability

Send the above to david@listenup.audio with “Tour Proposal” in the subject line.

upcoming workshops from CUNY’s new continuing ed program, CUNY J+

The CUNY Graduate School of Journalism recently announced a new continuing ed program to teach digital skills to working journalists, freelancers, photographers, video journalists, and others. While I'm not involved in this particular program, I do teach at the j-school and can vouch for their excellent staff, resources, and overall community. Info about their workshops in the link and pasted below. Some discounts available. 

-Mia


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Mashable's Stacy Martinet leads a workshop for The CUNY Graduate School of Journalism's new CUNY J+ program of continuing education for journalists. Martinet discussed Snapchat, how it's being used by Mashable and its use for media organizations, at the CUNY J School on Wednesday, December 16, 2015. Photo by Skyler Reid.

The CUNY Graduate School of Journalism is proud to launch CUNY J+, a series of affordable and convenient workshops to upgrade your toolkit with the digital skills of tomorrow. CUNY J+ is for working journalists, freelancers, photographers, video journalists, and other communicators who want to advance in their careers, change jobs or simply tell engaging, impactful stories in today’s media overload.

Check out here whether you are eligible for a discount!

CUNY J+ also offers custom training to newsrooms and organizations on site or at the school.Learn about what CUNY J+ can do for your team.

Below is our lineup for 2016. All workshops will be held at the CUNY Graduate School of Journalism, 219 W. 40th Street in New York. Map


 

noun_10681Intro to Adobe Premiere Pro CC

This five-week, hands-on module is for anyone interested in learning professional video editing for storytelling. You will learn the principles of non-linear editing, how to use the interface and features of Adobe Premiere and how to plot and edit a sequence. Feb. 24, March 2, 9, 16, 23; 6:30 to 9 p.m. $250 Learn more.

noun_781Intro to Food Writing & Photography
Food journalism at its best is more than mouthwatering; it inspires us and brings us closer together. No wonder food is one of the most popular subjects for blogs, articles and books. This one-day workshop teaches food writing and food photography. March 19; 10 a.m. to 5 p.m. $249 Learn more.

noun_15342Video for Social Media with Bob Sacha

Video is a powerful engagement tool. Marketing research shows that including visuals with your social media posts increases engagement by 180%. This two-hour evening workshop will go over ways to enhance your social media output with better videos. March 30; 6:30 to 8:30 p.m. $25 Learn more.

noun_781Visual Storytelling: Seeing the World in a New Way with Maggie Steber

Throughout this weeklong master class, renown documentary photographer Maggie Steber will encourage you to take visual risks, recognize threads that run through your work and bring it all together in ways you had not thought about before. By application. April 4-8. $1,200 Learn more.

 

sensor ICONSensor Reporting for the Environment with John Keefe

Environmental reporting is becoming more and more important and sensors will be at the center of it to help journalists and activists gather data where data doesn’t exist -on global warming, water pollution and more. Join John Keefe, a pioneer in sensor journalism, to play with technology and explore journalistic applications. April 13; 6:30 to 9:30 p.m. $25 Learn more.

noun_15342Video Storytelling for the Web with Bob Sacha

Over two weekends, this workshop concentrates on video storytelling for the web, focusing on non-narrated stories of compelling characters and short, sharply focused pieces targeted for online viewing. Students will leave the class with well-practiced new skills and a 1-minute edited video around an “object of meaning.” April 23-24, and April 30-May 1; 10 a.m. to 4 p.m. $599 Learn more.

noun_15342iPhone Video with Bob Sacha

This 4-hour, Saturday morning course will help you enhance your work or hobby with better smart phone videos. We will go over some tips, shoot some footage and review it. Videojournalist Bob Sacha has taught this popular class many times, to students and reporters from the worlds largest metro dailies. April 16; 10 a.m. to 2 p.m. $199 Learn more.

noun_17890Online Security Install Party with Mike Tigas

Bring your laptop and smart phone with you and together, we will install basic encryption for your email, chats and texts. You can never be 100% secure but ProPublica’s Mike Tigas can show you how to take real steps to protect yourself, your colleagues and your sources. May 11; 6:30 to 8:30 p.m. $25 Learn more.

noun_781Smart Phone Photography
Images produced with today’s smart phones now have sufficient quality to be published on all media platforms from digital to print. This Saturday morning workshop will help you enhance your work or hobby with better smart phone pictures. May 14; 9 a.m. to 2 p.m. $199 Learn more.

noun_106529Data Storytelling and Visualization with Sandeep Junarkar
This 5-week course will teach you how to gather and analyze data to find stories and to visualize them as interactive narratives. This fast-growing discipline is at the crossroads of storytelling, statistical analysis and interactive design. June 1, 8, 15, 22, 29; 6:30 to 9 p.m. $499 Learn more.

Sound Walks – Stories Taking Place – 3 day seminar, Uniondocs, Brooklyn, April 22-24

Want to learn how to make brilliant audio tours? Attend this 3-day workshop on audio walks and site-specific storytelling. Uniondocs, April 22-24th.

Sound Walks – Stories Taking Place
An intensive 3-day seminar.


Technological developments have sparked a new generation of creative sonic experiences and uncommon tours through site-specific audio programs that are easily downloadable on mobile devices: a recorded and intimate voice guides an individual in a place and plays with the body, the imagination, the memory and the surroundings.

This seminar has been specially designed to teach and encourage audio producers and creative writers to reimagine the city, foster their creativity and sharpen their writing skills. To produce a successful site-specific audio program many skills are required, from research and journalism to sound storytelling to app designing, in addition to a considerable dose of observation, creativity and writing.

Produced by UnionDocs in partnership with Mathilde Walker-Billaud and Pejk Malinovski, the seminar will go into the various creative practices of site-specific audio walks and interventions. It will offer technical tools and skill sets for navigating through this medium and finding your own path in this emergent art.

Over the course of three days, 10 to 14 participants will learn from a team of seasoned guest speakers and practitioners — radio auteurs & producers, performance artists, writers, entrepreneurs, documentarists. The seminar will explore site-specific storytelling, sound design, audience engagement, instruction-based practice and more. Workshops, discussions, exercises, walks in the city (field trips) and a work-in-progress critique will help put this new knowledge into practice.

Pejk Malinovski, radio producer and poet, will lead the seminar as main instructor.


 

IMPORTANT FACTS:

When: Friday, April 22th. – Sunday, 24th – 10am-5pm

Where: UnionDocs, 322 Union Avenue, Brooklyn, NY 11211

Who is eligible?
Open to everyone. We are looking for radio producers, media & sound artists, app designers and writers interested in places, audio practice and writing.
Give us an idea of who you are and why you are coming. When you register you will be asked for a short statement of interest that should briefly describe your experience in audio practice and a project idea (if you have one), plus a bio. There’s a spot for a link to a work sample and CV, which would also be nice, but is not required.
Please note: Participants are accepted on a first-come, first-serve basis. Focus is on discussions, observation, imagination and writing. The goal is to develop your project conceptually.

Cost:
$385 early bird registration by March 29th.
$450 regular
Please note that the service charge (about 3% of the amount) is waived if payment is made via check.
Checks can be made out to UnionDocs and mailed to 322 Union Ave, Brooklyn NY 11211.

Technology Requirements:
In order to keep costs down, this workshop is a b-y-o-m, bring your own material (laptop, headphones, recorder). Students must be fully proficient using and operating their computers.


Schedule:

(subject to change)

Day 1: Site-specific storytelling
Am: Pejk Malinovski
Pm: Alexandra Horowitz

The first day of the seminar looks in-depth at the ways we can tell stories about neighborhoods and places. It will include one field trip.

Day 2 : On-location participatory projects
Am: Todd Shalom
Pm: TBA

The second day of the intensive focuses on writing and producing participatory projects in a specific site. It will include one field trip.

Day 3 : The listener’s experience
Guest Instructor: Kara Oehler

The third day explores the multiple ways to build an audio itinerary and the possible tools to interact with the walker/listener. The afternoon will focus on students’ projects (work-in-progress critiques)

Each day follows this general structure, with some minor variations and substitutions:
10:00a Warm up, inspiring references, listening exercises, ear training.
10:30a Presentation
11:45a Discussion
12:30p Share / Discussion / Exercise
1:00p Lunch (on your own)
2:00p Presentation
3:15p Discussion
4:00p Workshop Exercise
5:00p End


Call for Applications – KALW Audio Academy 2016-17, deadline March 31

Hey folks. Grab this opportunity to learn from the magic makers at KALW. They're looking for applicants for the next class of the Audio Academy, a 9-month radio journalism training program (Sep 2016-June 2017). Deadline to apply is March 31. 

Application guidelines here and below: http://kalw.org/post/enrollment-now-open-2016-2017-kalw-news-audio-academy#stream/0

++++++++++++++++++++++++++

Enrollment now open for the KALW Audio Academy!

KALW is calling for applicants for our 9-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production education, tuition-free.

We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities and some knowledge of the Bay Area.

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

Training will include:

Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. You will be responsible for minor administrative and production duties. You will also pitch and produce an entire Crosscurrents episode. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have included: Al Letson, Glynn Washington, Roman Mars, Hansi Lo Wang, Susanne Reber, Daniel Alarcón, Marianne McCune, and Jason DeRose.

Selected participants will make a 9-month commitment from September 2016 to June 2017: minimum 20 hours per week (one eight-hour shift at our studios and another 12 hours working in the field). The Academy includes a two-week break in late December and two flexible vacation weeks. Enrollment in a college or university is not necessary to participate.

To apply please put together a cover letter, CV, any audio/writing samples, and if you like, a short, original audio work that you craft for your application. Send it all to:

KALWapplications@gmail.com

Application deadline: March 31, 2016, 11:59 PT

We look forward to meeting you!

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.


Seeking translated plays for a radio play contest, deadline June 1

Interesting opportunity for you international playwrights/translators! Plays must be adapted for radio. Deadline June 1. -Mia

+++++++++++++++++

Play for Voices
 and 
Words without Borders Are Holding a Contest!

Calling all literary translators, radio dramatists, and international radio drama enthusiasts! Play for Voices seeks radio play scripts in English translation.

Play for Voices is a new podcast of international radio drama slated to launch in the spring of 2016. Our monthly hourlong show will present new productions of contemporary and classic radio plays from around the world, exploring their aesthetic, social, and political contexts through inventive, multilingual sound design and interviews with authors, translators, and other interesting people. We'll feature English-language plays and plays in English translation.

We're excited to be partnering with Words without Borders for our first contest. We invite submissions of translated radio plays of all lengths and from all languages. The Play for Voices producers and Words without Borders editors will select the winners. The winning play(s) will be produced by Play for Voices and published in Words without Borders.

See here for contest guidelines: http://www.playforvoices.com/submit/.
 
Play for Voices
 
Words without Borders

www.wordswithoutborders.org

Portuguese grant to fund Armenian music stories, deadline March 6

Here's a new one for you. The Music Department of the Calouste Gulbenkian Foundation in collaboration with the Armenian Communities Department is funding a series of audio documentaries on the theme “Music and voyage: Armenian stories." Interesting! Application deadline March 6. More info HERE and below.


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Music and voyage: Armenian stories

Call for proposals for audio documentary (podcast) – 16th of February to 6th of March 2016

The sound collective Terra do Som and the Portuguese public national radio R T P/Antena 2, in collaboration with Gulbenkian Música and the Armenian Communities Department of the Calouste Gulbenkian Foundation, are issuing an international call for proposals for an audio documentary on the theme Music and voyage: Armenian stories.

The proposals will be assessed by Razmik Panossian (Director of the Armenian Communities Department, FCG), João Almeida (Antena 2) and the sound collective Terra do Som.

The deadline for applications is the 6th of March 2016. Applications should be sent to terradosom@boca.pt.

For more details please consult the regulations and guidelines Here.

This audio documentary will be the last of a series of four podcasts on themes related do FCG’s cultural activity. Premiere and transmission dates will soon be announced.


Digital Societies Fellowship, deadline March 4

ABOUT THE DIGITAL SOCIETIES FELLOWSHIP:

Digital technologies are rapidly transforming traditional economies and challenging the legal and policy frameworks that ensure citizens’ privacy and civil liberties. Yet, digitalization is also the key to future innovation, offering promising new approaches for green technologies, creating new sectors of the global economy, facilitating democratic exchange and transparency, and rapidly increasing the pace of scientific discovery. Journalists interested in the Digital Societies Media Fellowships should aim to contribute to a nuanced transatlantic dialogue on the challenges and opportunities of the digital age for democratic societies and for the transatlantic partnership. Examples of possible topics include data security, surveillance, the sharing economy, smart cities, or new technologies to facilitate democratic transparency and engagement.

WHAT WE OFFER:

  • Travel and accommodation costs within reason for five days of research in the EU or the U.S., subject to final approval of individual travel plans. Fellows may choose their dates of travel anytime between April 1 – May 20, 2016.
  • an honorarium of $1,000

WHO CAN APPLY:

We seek journalists working in any medium who offer new perspectives on transatlantic policy debates and who may not otherwise have the opportunity to conduct transatlantic research.

Eligible journalists should:

  • be from the United States, based in the U.S., and seek to contribute to transatlantic policy debates by reporting about European practices and experiences in their area of research. 
  • be from an EU country, based in the EU, and seek to contribute to transatlantic policy debates by reporting about U.S. practices and experiences in their area of research. 

Note: we do not require fellows to be citizens of either the US or the EU, however fellows are responsible for securing their own visas, if necessary. We can provide an offer letter to support the visa application process.

We will give special consideration to journalists from regional or local media outlets who can demonstrate that transatlantic reporting is a new and important perspective for their audience and that their story ideas would be informative for regional or local policy debates. We also strongly encourage journalists from diverse backgrounds who can offer lesser-heard perspectives.

WHAT'S EXPECTED:

A minimum of three stories: each fellow is expected to publish at least three stories, in any medium, within two months of completing travel. Fellows must be able either to guarantee the publication of their pieces or to demonstrate a strong track record of publications. Fellows (and/or their employers) will retain full editorial control over the reporting. The Heinrich Böll Foundation will feature the final pieces on the HBS North America website following their publication.

Active social media engagement: while traveling and developing their stories, fellows are expected to actively engage with HBS North America over Facebook and Twitter and/or Instagram.

APPLICATION INSTRUCTIONS:

Please read the application instructions carefully before submitting your application. We will not consider incomplete applications.

A complete application consists of:

1. Resume: Please use U.S. format. This means no picture, date of birth, marital or familial status, etc.

2. Cover Letter. 

3. Proposal: Please include the following three sections:

  • Story proposals: please include a short description of each story you plan to cover (about 200 words each). You do not need to have interviews confirmed, but you should indicate whom you plan to contact. Please also specify the language of publication, medium (radio, print, etc.), audience, plans for publication, and your ability to translate stories into English or German if this is not the language of publication.
  • Travel Itinerary: please outline your dates of travel, destinations, and possible interviews in each location. You may travel for 5 days anytime between April 1 and May 20, 2016. Fellows may extend travel for a maximum of an additional 5 days, but these additional dayswill not be covered by the fellowship.
  • Social Media Engagement: briefly explain how you plan to engage with HBS North America in the course of your fellowship.

4. Work samples

  • Please submit two work samples.
  • If your previous work is not in English, German, Spanish, or French, please provide a briefsummary of each of your work samples.

To apply, click here. For questions, please contact Hannah Winnick, Program Director, Transatlantic Dialogue on Democracy and Social Policy, at hannah.winnick@us.boell.org.

The application deadline is March 4, 2016. We strongly encourage early applications. 

https://us.boell.org/digital-societies-fellowship


Announcing the Third Coast Radio Residency, June 13-17, Chicago outskirts

Third Coast is offering a residency! June 13-17. Details below. -Mia

PS: Can you please do this so I can live vicariously through you?
PPS: Nishat Kurwa is fantastic.

++++++++++++++++++++++

We are very happy to say that Third Coast and Ragdale are teaming up to present our first-ever Radio Residency, June 13-17, 2016! Enjoy a week away from the demands and deadlines of everyday life to make radio, commiserate and share expertise. Nishat Kurwa (Youth Radio, Marketplace) – an outstanding producer/editor – will be on staff offering one-one-one and small group critique and guidance.

WHO: Third Coast seeks a vibrant group of 8 producers from diverse backgrounds and life experiences who represent the future of public broadcasting and independent storytelling. At the time of the residency, participants should be mid-project, allowing them to focus on writing, editing and production of their final works.

WHERE: Ragdale, one of the largest interdisciplinary artists’ communities in the country, is located on 5-acre campus 30 miles north of Chicago. Artists are given a private room and workspace, and all meals are provided including a family-style dinner each evening.

COSTS: Third Coast will cover residents’ flights and ground transportation. Ragdale is generously subsidizing the costs of room and board so that participants pay only $175 for the entire Residency.

HOW TO APPLY: Applicants should submit project proposals by midnight (CT) on Wednesday, March 23, 2016. Producers will be notified by April 8th.

Interested? Read all about the Third Coast Radio Residency, and send any questions to info@thirdcoastfestival.org.


regional gatherings – like FC West’s THIS FRIDAY, 2/19, 7pm, Bay Area

Hey folks. First – the ORIGINAL Freelance Cafe group is having a gathering this Friday, 7pm, in Albany CA. Details/FB invite HERE. Bay Area pubmedia folks should not miss this.

Second, there are freelancer meetup/listening/networking groups all over the country. So as part of the FC 2016 refresh (web redesign – woo hoo!), I'm going to list these groups on the FC website, as well as try to populate the FC events page with meetups and other relevant happenings around the country. Stay tuned for that (or see the very sparse current listing here.)
Here are the ones I know about off the top of my head, but I'm sure there are more. Drop me a note if you're part of one and would like to be included on this list.
Listen Up LA
I know there's one in Austin too though I can't find the details right now. Anyway – stay tuned for more info and keep those great resources coming! I couldn't do this without you.
Best,
Mia


Digital Storytelling Grant Opportunity – The Places We Call Home – with Cowbird, deadline Feb 12

Fun opportunity for important community-based storytelling. Details below. Deadline Feb 12.

-mia

++++++++++++++++++

Hey everyone, 

Looking for funding to do ambitious digital/audio storytelling? 
Here's a new public media grant opportunity that might be a perfect fit for producers out there who want to experiment with new approaches, work closely with a community, and get some mentorship in the process:

The public media non-profit Pacific Islanders in Communication is partnering with Cowbird to fund storytelling projects that creatively explore how the concept of home is evolving for Pacific Islanders around the world — including immigrant communities in America and elsewhere — as well as on the Pacific Islands themselves. 
The stories will combine audio, pictures and text on the Cowbird platform. 
Here's all the info, and feel free to write me with questions too and I can help get answers. 
Don't miss out — deadline Feb 12. 

Nathan


discount on equipment-sharing service KitSplit for FC members

Hey folks. Update on the equipment-sharing post I put out a couple days ago. KitSplit will offer a 15% discount on equipment rentals through the end of February. Discount code: Freelancecafe15. And if people have any questions they can reach out to contact@kitsplit.com
More about KitSplit follows:
ForbesFast Company, and No Film School have called KitSplit "the AirBNB of creative equipment" because we make it easy to rent top quality gear on-demand or to earn money renting out gear you own.
 
Sign up to join KitSplit here.
Once you join, you’ll be able to:
Save 20-30% renting gear from vetted professional and rental houses nearby
-Get your rentals delivered 
-Enjoy damage and theft coverage at no extra charge
-Make extra money on equipment you own while you're not using it
Thousands of creative professionals use KitSplit. I'd love for you to join them.
Many thanks,
Lisbeth

— 
Lisbeth Kaufman | CEO & Co-founder, KitSplit 
LIST•EARN•FIND•CREATE
30 John Street, Brooklyn New York 11201
Read about us in Forbes and Fast Company

equipment-sharing service – KitSplit – wants your business

KitSplit is a NY-based equipment-equipment sharing service – an interesting idea. This isn't an endorsement – I'm just passing it along. -Mia
PS: Should I let folks advertise on Freelance Cafe? Something I've been thinking about for a while…
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Forbes, Fast Company, and No Film School have called KitSplit "the AirBNB of creative equipment" because we make it easy to rent top quality gear on-demand or to earn money renting out gear you own.
 
Sign up to join KitSplit here.
Once you join, you’ll be able to:
Save 20-30% renting gear from vetted professional and rental houses nearby
-Get your rentals delivered 
-Enjoy damage and theft coverage at no extra charge
-Make extra money on equipment you own while you're not using it
Thousands of creative professionals use KitSplit. I'd love for you to join them.
Many thanks,
Lisbeth

— 
Lisbeth Kaufman | CEO & Co-founder, KitSplit 
LIST•EARN•FIND•CREATE
30 John Street, Brooklyn New York 11201
Read about us in Forbes and Fast Company


Fellowships galore from GIJN, IJNet, and The Boston Globe’s Spotlight team

Very cool fellowship from The Boston Globe's Spotlight team. I love to see the production companies capitalizing on the film's success in this way. Nice!

https://www.spotlightfellowship.com/ – Deadline Feb 29

Open Road Films and Participant Media, with support from First Look Media, are sponsoring a fellowship of up to $100,000 to be awarded by The Boston Globe for one or more individuals or teams of journalists to work on in-depth research and reporting projects. The chosen journalist(s) will collaborate with established investigative reporters and editors from The Boston Globe's Pulitzer Prize-winning Spotlight Team.

And The Global Investigative Journalism Network released a giant list of fellowships here: http://gijn.org/resources/grants-and-fellowships/ – Various deadlines.
Seeking a chance to improve your skills and expand your world? Tired of the everyday routine in your newsroom? We regularly update our guide to grants and fellowships. These are programs of special interest to investigative journalists around the world. There are plenty of short-term and long-term opportunities, both for staff and freelance reporters. Follow the links for information on deadlines and background on the various programs.

We've targeted this list to investigative journalists. For a comprehensive listing of fellowships for journalists and journalism students generally, see the Opportunities section of our friends at IJNet (and search "fellowships").


WHYY’s The Pulse seeks pitches on The New War on Drugs, deadline Feb 8

Pitch The Pulse! Details below – deadline Feb 8.
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WHYY’s “The Pulse” is actively seeking pitches from reporters and producers for an upcoming show dedicated to understanding what’s become of the “War on Drugs.” With a nationwide opioid crisis raging, our jails full, and our understanding of the addicted brain perpetually changing, it’s hard to not think our society is losing the long-fought battle against one of the trickiest public health threats we’ve ever faced—addiction. But many folks think that by incorporating science and the language of disease into the battle, we could be at a turning point. We’re interested in stories about how people and organizations are tackling the conundrum of addiction and waging a new kind of war against drug addiction.

We pay approximately $100 per produced minute, though that rate can vary depending on your reporting plan. Please send pitches by Monday, February 8th to pulsepitch@whyy.org.

“The Pulse” is a weekly, hour-long show about health, science, and innovation produced by Philadelphia NPR affiliate WHYY. Learn more about our show on AIR’s Pitch Page.

Looking forward to working with you!

Joel Patterson
Managing Editor


2016 Screen Forward Labs seeks Innovative Creators with Story-Driven, Serialized Projects, deadline March 4

Are you inspired by Serial? So is the IFP apparently. Applications for the 2016 Screen Forward Labs are now open with an emphasis on serialized projects. Details HERE and below. Application deadline March 4.

 

To apply, click here.

 

Who Can Apply

*Innovative creators with story-driven, serialized projects created on all platforms and formats including, but not limited to, web series, VR, or app-based work (Vine, Instagram, Snapchat, etc)

*All projects must have at minimum a representative visual sample (a completed episode, demo, excerpt) already in place and cannot have launched publicly. 

*Web projects in early development (script/pitch stage only) are not eligible for the Labs.

About the Program

IFP’s Screen Forward Labs is a yearlong program and incubator for the creators of serialized projects that push storytelling forward. Inspired by the Independent Filmmaker Labs that focuses on helping directors complete, market and introduce audiences to cutting edge first-features, the Screen Forward Labs will support innovative media creators with $10,000 worth of services and support. An intensive week-long Lab will provide participants with the knowledge, resources, and mentor support necessary for developing strong pitches, securing financing, creating marketing strategies and finding unique avenues for the distribution of their work.

A free six-month residency at the Made in NY Media Center by IFP as well as individualized access to classes, workshops and support from industry and creative mentors will follow. The Lab will culminate with all projects presenting and pitching to investors, digital distributors, network executives, tech companies, and partners at Screen Forward Newfronts.

2015 Advisors and Program Mentors included Ingrid Jungermann (The Slope and F to 7th), Michael Gottwald (High Maintenance and Beasts of the Southern Wild), as well as industry leaders Saschka Unseld (Oculus Story Studio) and Jennifer MacArthur (Borderline Media).

For more information on how to apply, please see our Program Guidelines.

To keep up to date, follow IFP: on FacebookTwitterInstagram and Youtube. For IFP’s weekly newsletter, sign up on the bottom right of this page!


USC Annenberg Health Journalism Fellowship, $2-10K, deadline March 18

Apply now for the National Health Journalism Fellowships at USC Annenberg / The National Center for Health Journalism. Includes a week's training in LA (July 17-21 and grants to support your reporting. Collaborative projects are encouraged, especially between mainstream and ethnic media. Details below.
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USC Annenberg/National Center for Health Journalism
February 1, 2016
When: July 17-21, 2016
Where: Los Angeles
Deadline to Apply: March 18, 2016

Are you a journalist with big ideas who wants your work to matter? If so, USC Annenberg invites you to apply to apply for the all-expenses-paid National Health Journalism Fellowship — 4 1/2 days of stimulating discussions in Los Angeles, a proving ground for new ways to think about health, plus reporting grants of $2,000-$10,000.

This year, the program will focus on vulnerable children and their families and the community conditions that help determine their prospects for health and well-being.

Based at USC's Annenberg School of Journalism, the National Health Journalism Fellowship is open to print, broadcast and online journalists from around the country. About half of the 20 National Fellows will receive grants of $2,000 each to undertake ambitious reporting projects on underserved communities, healthcare reform or vulnerable children. The other half will receive grants of $2,500-$10,000 from one of two specialty reporting funds — the Dennis A. Hunt Journalism Fund and the Fund for Journalism on Child Well-being.

The Hunt Fund will support investigative or explanatory projects that examine the effects of a specific factor or confluence of factors on a community's health, such as poverty, health disparities, pollution, violence, land use, urban development, access to health care and access to healthy food. The Child Well-being Fund will support investigative or explanatory reporting on the impact of poverty, trauma or adversity in childhood .

Competition for the National Fellowship and the specialty reporting grants is open to both newsroom staffers and freelancers. The grants can be used to defray reporting and publishing-related costs such as travel, database acquisition and analysis, translation services, community engagement strategies and a journalist's otherwise uncompensated time. Preference is given to applicants who propose co-publication or co-broadcast in both mainstream and ethnic media.

For more information, visit ReportingonHealth.org or e-mail Martha Shirk at Cahealth@usc.edu. To improve your prospects for success, we strongly recommend that you discuss your project idea with us in advance (no later than March 16).

Climate One is hiring a Director of Content, San Francisco

Another very occasional post about a full-time gig. Climate One is hiring a Director of Content. Details and contact info is below. -Mia

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Climate One at The Commonwealth Club, the thriving leadership dialogue on energy, the environment and the economy, is recruiting for the position of Director of Content.  Climate One brings together top thinkers and doers from business, government, academia and advocacy groups to advance the discussion about a clean energy future through public programs, a dynamic website, public media programs, and podcasts. The Content Director position is a new role responsible for managing the editing, packaging and distribution of Climate One’s radio, video and written content across all distribution channels, with a larger focus on creating innovative media and strengthening the program’s engagement with its constituents and the broader community of individuals concerned about climate change. This work is performed in alignment with the goals of The Commonwealth Club, the nation's oldest and largest public affairs forum and Climate One’s parent organization. Interested candidates should submit a single PDF attachment that includes a cover letter, resume or CV with salary requirements, and two writing samples to gdalton.climateone@gmail.com. The subject line of your email should be: Director of Content/ your name.


reminder, Freelance Investigative Reporters and Editors (FIRE) funding application deadline is Feb 10

Get money for your investigative stories! FIRE – Freelance Investigative Reporters and Editors provides freelancers with stipends for investigative work. Applications are due Feb 10. More info below.
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Independent reporters are encouraged to apply to a new program, Freelance Investigative Reporters and Editors (FIRE), for support with investigative stories.

FIRE, a collaboration between Project Word and Investigative Reporters and Editors, offers stipends of $2,500 to $5,000, plus a suite of reporting tools. 

Application deadline is Wednesday, February 10, 2016.

To apply, reporters should read the program's Guidelines page before they access the online application.


Project Word
PO Box 311
Great Barrington, MA  01230
(413) 528-6592
http://www.projectword.org
ltownsend@projectword.org

A project of Investigative Reporters and Editors


Northern Short Course on visual journalism, February 25-27, NJ

The Northern Short Course is new to me (thanks Will Coley!) but features two workshops with the inimitable Alison McAdam. Definitely worth checking out! (Pay per day or get a discount for all three days.)
-Mia
+++++++++++++++++++++++++

http://www.northernshortcourse.org/

The 35th Annual Northern Short Course (NSC) will be held February
25-27, 2016, at the Renaissance Woodbridge Hotel in Iselin, NJ.

This three-day event is packed with more than two dozen workshops on a
variety of topics relevant to professionals and students in the field
of visual journalism [and 2 audio sessions, see below].

Learn from and network with industry leaders, as they share their work
and discuss what makes them successful.  Choose from a variety of
workshops and lectures on topics such as business practices,
multimedia, lighting, video storytelling and more.  Sign up for
one-on-one portfolio reviews from top photo editors and photographers.
Meet manufacturers and suppliers of photographic equipment, presenting
the latest technology available.  You won’t find a more diverse
conference – there’s something for everyone!

———————————

AUDIO: SOUND IN STORIES with Alison McAdam
Good video demands good audio. In this session, we’ll listen to a
range of audio and explore – together – how audio storytellers think.
What are the different kinds of sounds you can use in a story? What
are the different ways you can employ narration, interviews, and
natural sound? And ultimately, what kind of sound makes your story
worth listening to (or watching)? Come to this session ready to listen
and talk.

STORY STRUCTURE: WITHOUT A BACKBONE, YOUR STORY IS A JELLYFISH with Alison McAdam
Even when we’re reporting the latest news on NPR, the best audio
stories share qualities of great fiction: There’s suspense, an
unanswered question, or a captivating character. How do you take
information and give it a narrative, using sound? In this session,
we’ll take some raw ideas (hopefully, yours!) and workshop them –
going in search of the possible story structures. You’ll leave this
session with a set of tools to help yourself develop structure in your
own stories.

the Fund for Investigative Journalism is accepting grant applications until Feb 1

More grants! This time from the Fund for Investigative Journalism. Details here and below. Deadline Feb 1.

+++++++++++++++++++++++

The Fund for Investigative Journalism (FIJ) is accepting applications for its Monday deadline: February 1, 2016 (5pm Eastern time).

Read the application instructions with care; some have changed. Instructions are available here: http://fij.org/grant-application/

The FIJ Board of Directors looks for stories that break new ground and expose wrongdoing – such as corruption, malfeasance, or abuse of power – in the public and private sectors.

FIJ encourages proposals written for ethnic media and submitted by journalists of color. Grants average $5,000 and cover out-of-pocket expenses such as travel, document collection, and equipment rental. FIJ also considers requests for small stipends.

  


Apply for a Grant

 

Please read with care; some instructions have changed.

The Fund for Investigative Journalism’s Board of Directors meets three to four times each year to consider grant applications for investigative projects and books.

The deadlines for 2016 are Monday February 1, Monday May 16, and Monday September 26 – all at 5pm Eastern Time.

Be advised: save a back-up copy of all your application materials and send a message to fundfij@gmail.com requesting an email confirmation even if a confirmation message appears on screen.

The Board of Directors looks for:  stories that break new ground and expose wrongdoing – such as corruption, malfeasance, or misuse of power – in the public and private sectors.

The Fund encourages proposals written for ethnic media and submitted by journalists of color. Grants average $5,000 and cover out-of-pocket expenses such as travel, document collection, and equipment rental. The Fund also considers requests for small stipends.

It is Fund policy to pay the first half of approved grants to successful applicants, with the second half of the grant paid on evidence of publication of a finished project in accordance with the original proposal. Second half grants are not guaranteed if projects are not completed in a timely fashion.

The Fund accepts applications for projects on domestic and international issues. All application documents must be written in English and budgets expressed in U.S. dollars.

International reporting: The Fund gives a very strong preference to US based reporters or to stories with a strong US angle, either involving US citizens, government, or businesses. All stories must be published in English – either by an English language publication or outlet, or by an outlet that has an affiliation with an English language site.

Disclaimer of Liability: The Fund for Investigative Journalism’s role in assisting journalists is limited to making grants. The Fund assumes no liability for the legal and/or safety risks undertaken by journalists in the course of their reporting.

Mentors: In partnership with Investigative Reporters and Editors and the Society of Environmental Journalists, mentors are recruited for successful grantees, upon request. Mentors act as sounding boards, and work with grantees over the length of their projects. Mentoring grantees is an important part of the Fund’s program to support independent journalists.

Application Process: The Fund for Investigative Journalism (FIJ) accepts online applications, using the form to the right. Before uploading name each attachment: Proposal, Budget, Resume, Writing Sample-1, Writing Sample-2, Letter-of-Commitment.

Attachment size limit: Maximum combined size for the six attachments is 10 MB. If you try to upload larger files, your application may disappear. If you need to send large attachments, email fundfij@gmail.com to make other arrangements.

Proposal: For the first page of the proposal, provide answers to the questions below.  Applications without complete answers will not be reviewed.

Name:

Address:

Phone:

Email:

In 125 words or less, summarize your idea for the story, project, or book, explaining the point of the investigation and/or what you are trying to prove:

News outlet or book publisher:

If writing for a news outlet, are you a freelancer or are you on staff?

Name of person signing letter of commitment or book contract:

Contact information for person signing letter of commitment or book contract:

Size of audience or readership (circulation or web traffic):

(Book authors can leave the audience/readership question blank.)

Grant Amount Requested:

Anticipated completion date (within one year).

If more time is needed, please explain:

Has the applicant received a grant from the Fund previously? If so, was it successfully completed?

Is the applicant an advocate for this topic?

How did you hear of the Fund?

List three references with contact information.

Has the applicant or his/her reporting partners for this project been found guilty or liable in any court proceedings, lost any professional license, or been expelled from any professional organization? If so, explain:

Will the news outlet acknowledge the Fund for Investigative Journalism?

Proposal narrative: Follow the above question and answer section with a proposal narrative of no more than three pages. The body of the proposal should explain why you consider the story to be investigative in nature, what is new, how you plan to go about conducting the investigation, and the potential for impact.

If the subject matter has been covered previously, be sure to explain how the proposed investigation would significantly advance the story.

Resume (CV): Three pages maximum.

Budget: Provide an itemized budget of expenses, other revenue sources, and the amount being requested. Refer to this sample budget when formatting the request.

Writing Samples: One or two examples of previously published (or aired) work. For book authors, a sample chapter may be submitted. Writing samples may be in any medium (print, audio, video.)

Letter of commitment: The applicant needs to provide a letter signed by a news executive committing to publish the story, as long as it is completed as proposed and meets the news outlet’s journalistic standards. The letter must make specific reference to the story proposed. A general reference letter or expression of interest in publishing the reporter’s work does not suffice. For book authors, a signed book contract serves as the letter of commitment. A letter of commitment is a non-negotiable requirement.

The Online Form: If you do not fill in a required field, you will be taken to an error page and may need to start over. Press the back button on your browser to go back to the form with your field values remembered; note however some browsers do not support this function. Pressing the “go back to form” link will take you to an empty form.

Questions: Executive Director Sandy Bergo welcomes questions about the application process and requirements by email, fundfij@gmail.com, or phone, 202-662-7564.

Review: The Board of Directors reviews and votes on all eligible proposals. Approximately six weeks after the application deadline has passed, applicants will be notified by email of the board’s decision.

CONFIRMATION: Once you have submitted the application, send an email tofundfij@gmail.com requesting confirmation. Do not rely on the popup message. If you have trouble using the online form, email fundfij@gmail.com.

Between grant cycles: Potential alternative funding sources are The George Polk Grants for Investigative Reporting, liu.edu/polk/grants, The Investigative Fund, http://www.theinvestigativefund.org/, the Pulitzer Center, http://pulitzercenter.org/and The Society of Environmental Journalists,http://www.sej.org/initiatives/fej-program-guidelines. Contact each organization directly.

Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the Catalogue for Philanthropy: Greater Washington
@FundFIJ




Latino USA Call for Pitches

Here's the latest call for pitches from the fine folks at Latino USA.
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Saludos!
Latino USA is looking for story ideas for the show themes listed below. You can submit pitches to this link: www.latinousa.org/submit/.
If you’re pitching for the first time, please include some information about your background and links to a couple of samples of your audio work.
Pitch meetings take place on Friday afternoons, and we try to reply to reporters early the following week.
Thank you!
Leda Hartman
Editor, NPR’s Latino USA
919-542-0008
ledahart@mindspring.com
www.latinousa.org

THE TRUMP EFFECT – 2/19/2016
The rise of leading Republican candidates like Donald Trump and Ted Cruz has coincided with an increase in anti-immigrant and anti “other” rhetoric across the country. We’d like to look at local or statewide political races where that rhetoric and/or xenophobia might be at play. These stories can include not just Latinos, but people from groups being targeted by this kind rhetoric, including Muslims. We’re also seeking stories about Latinos who have become more motivated to vote because a Trump candidacy scares them. And Latinos who are not just Trump supporters, but are working to get people to vote for him.

HIDDEN HISTORY OF THE SOUTHWEST – 3/11/2016
Stories from the bloody history of the Southwestern US, from Texas to New Mexico to California. After the Mexican-American war ended in 1848, the Southwest went through a process of conversion from Mexican to US territory. We're interested in stories of lynchings, discrimination, segregation, ethnic cleansing and rebellion from the 19th and early 20th centuries.

LATINO HISTORY OF ROCK & ROLL – 3/25/2016
We want to tell the (mostly untold) stories of Latino contributions to rock 'n' roll. The history is generally seen in terms of white and black, but Latinos have been there throughout, as stars, sidemen, label execs and fans. Looking specifically for offbeat, surprising stories about Latinos in rock with a strong arc, rather than artist profiles.

MIGRATION IN A GLOBAL CONTEXT – 4/1/2016
Latino USA often focuses on immigration to the US from Latin America, but this is just a piece of a larger global phenomenon. We’re looking for stories that help explain how and why people are moving from one part of planet Earth to another—with a particular emphasis on how issues like war, climate change and the economy are all factors.

MARIJUANA – 4/15/2016
As the nation inches slowly toward marijuana legalization, this show will look at the ways in which the drug itself, the drug market, and enforcement approaches like harsh sentencing and stop-and-frisk are affecting Latino communities. But we also want to explore how legalizing the drug can both help and hurt communities of color. Who really stands to benefit from marijuana legalization, and who stands to lose? And what will happen to the people locked up for crimes that might no longer be crimes in the near future?

CRYING – 4/22/2016
From Soap Opera memes to La Llorona, tears play an interesting role in Latino culture. Latino USA will dive into the cultural history and science of crying and try to answer the question: Do Latinos cry more? We are looking for personal stories about crying and other ideas the topic may spark.

BOYS, MEN, MACHISMO – 6/17/2016
From how young boys are doing in school, to how ideas of masculinity affect dating and job prospects.

SOCCER/FUTBOL – 6/24/2016
With the U.S. hosting the Copa América Centenario this summer, we’re focusing on “the beautiful game” and the hold it has on the American continent—let alone the world. We’re looking for stories of rabid fandom, split allegiance, and the ways in which a love of soccer has changed people’s lives for better or worse. Of interest to us is also soccer’s growing popularity in the US and what contributions our country’s growing Latino community has brought to the sport, and vice versa.

CARS – 7/22/2016
We’re looking at the history of low riders, the consequences of being undocumented and ineligible for a driver's license, and life at a car dealership in New York. Bring us cool stories about cars!

BRAZIL – 8/12/2016
Brazil is the largest country in Latin America and one of the world's biggest economies. But for nearly 400,000 Brazilian-Americans, there's a nagging question: Do we count as Latinos? For this episode, we’re seeking stories about Brazil and how Brazilians fit into the American tapestry. Personal narratives and pieces about identity, culture, politics and family histories are welcome. We're open to all kinds of pitches for this one, surprise us!

COLLEGE – 9/9/2016
Stories that show the experience of Latinos on college campuses.

THE CIA IN LATIN AMERICA – 9/16/2016
For much of the latter 20th century, the US Central Intelligence Agency played an active role in Latin American politics, toppling governments and installing others at it saw fit. In this history show, we visit some of the most outlandish chapters in the CIA's Latin America histories, from explosive cigars to covert infiltration of the Cuban hip-hop scene. Pitch us one we haven't heard about yet, or a fresh angle about a famous one.

POLITICS (ongoing throughout the year)
We’re looking for many stories in the lead-up to the election, including pieces about first-time voters, demographic shifts, and places where voting laws could have a big impact on Latino turnout. We’d also like stories about local races that highlight issues at play in the larger election. We do NOT want stories that are just about the horse race or simply tell us that a non-profit group is trying to get out the vote. We’re looking for pieces that show the human side of the election, with interesting characters that reflect why people vote the way they do and what various campaign positions could mean for ordinary people. We’re especially looking for under-reported stories from the Midwest and the South.


Apply Now for IRP’s Next Trip – Southern Africa – deadline Feb 16

IRP's next reporting trip is to South Africa! Details HERE and below. Application deadline Feb 16. -Mia

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Apply for Reporting Trip to Southern Africa by February 16!

The International Reporting Project (IRP) is pleased to announce a group reporting trip focusing on health and development issues in southern Africa from May 7-21, 2016.

Southern Africa 2016

By

January 21, 2016

South Africa, one of the continent’s largest nations, with a population of 55 million, and its less populous neighbors face challenges both similar and diverging in their health systems. The region grapples with extraordinarily high rates of HIV, often exacerbated by co-infections of tuberculosis or malaria. Neglected tropical disease response is jeopardized by lagging funding. Water and sanitation shortcomings continue to play an important role, especially in light of the drought and effects of El Niño expected to worsen in coming months.

In this context, IRP fellows to southern Africa will explore emerging research to develop new health and development tools, and the challenges of bringing them to scale. How does promising research in these fields lead to on-the-ground delivery that improves people’s lives? This is a particularly relevant question in South Africa, home to numerous globally recognized research institutions.

In July 2016 in Durban, a two-day TB conference followed by the world HIV/AIDS conference will put the spotlight once again on the continued challenges presented by efforts to stem these diseases.

Fellows on the two-week reporting trip will look at these issues and many more in South Africa, with a few days spent in one of its neighboring countries. We will meet with key government leaders, representatives of nongovernmental organizations, members of the scientific and business communities, religious and media leaders, and others.

How to Apply

For this trip, we are accepting applications only from citizens or residents of Australia, Canada, France, Germany, the United Kingdom and the United States.

The southern Africa trip is open to innovative journalists, bloggers, influential social media practitioners, and other media professionals. This trip is not open to students.

All candidates must complete an application form and provide a detailed essay of at least 800 words describing the types of stories they might pursue and which outlets will publish their work.

This is a working trip, and participants will produce stories such as articles, slideshows, video, audio, blog posts, infographics, social media posts and more.

More Details

The IRP will purchase the fellows’ round-trip air tickets to southern Africa and will pay for visas, hotel costs, local transportation and several meals. Fellows who wish to extend their stay after the fellowship will have the option to arrange that at their own expense.

All fellows on the trip are required to participate in the sessions arranged for the group program. Much of the value of a group reporting trip comes from both meetings that IRP arranges and the interactions the fellows have with each other. Some independent reporting time will be included in the schedule. However, if you prefer to have more flexibility in your reporting schedule, we strongly encourage you to extend your trip or to apply for our individual reporting fellowships.

All of the stories will be republished on the IRP site and co-owned by the fellow (or his/her distribution partners, depending on arrangements) and the IRP. In addition, the work produced as a result of the trip may be posted, with permission of the fellow, on the social media channels of the IRP funders. This trip is supported by a grant from the Bill & Melinda Gates Foundation.

Read our frequently asked questions and apply for the trip by midnight (EST) on February 16, 2016!



the amazing Snap Judgment is hiring a FT producer

Hey fine freelancers. I don't normally post full-time gigs, but Snap has been a friend of Freelance Cafe for a good long time and they need YOU! They're hiring a producer. Go work with some amazing people on an amazing show in an amazing city. Details here: https://www.journalismjobs.com/job-listings/1536520 and below.
-mia
++++++++++++++++++

Description:

Snap Judgment is a nationally broadcast radio / podcast distributed by NPR and WNYC. Snap Judgment's intimate, first-person storytelling explores human experience on the cutting edge of culture, race, gender, and sexuality.

Applicants must be comfortable working with people from a variety of backgrounds that may not have traditionally had voice on public media.

Job Description

The Snap Judgment producer will create stories from start to finish on a tight deadline, beginning with finding stories, pitching them to the team, and then interviewing, gathering sound, editing, scoring and providing sound design. 

Producers are expected to produce two amazing stories a month. The producer will also provide extensive editing and assistance for other producers on the team, attend regular meetings, develop episode themes, assist with live stage shows, and help to meet various ongoing demands around the office.

This position is located beautiful downtown Oakland, California. No telecommuting.

Qualifications

Quite simply, we are looking for an amazing someone:

Be able to work with Team Snap to create compelling cinematic radio.

Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

Public Radio experience is highly desirable.

Technically proficient in Pro Tools / Logic.

Skilled in field recording.

Able to effortlessly juggle many conflicting duties with rigorous deadlines.

Skilled in interviewing both regular people and irregular artists and construct their stories into compelling narratives under a deadline. Project management skills an absolute must.

Able to proactively find / create / develop / write compelling stories.

Able to work in a group editing process where every aspect of the story is placed under scrutiny and then be able to incorporate those edits in your stories.

Supportive of your fellow producers.

Strong writing style with good grammar and spelling.

A sense of humor and the ability to deal well with others.

Ready to help out with anything and everything that needs to get done.

Further qualifications include:

Rigorous storytelling background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children's show, audio artist, speechwriter, novelist, animator, theater producer, newspaper reporter, fiction editor, etc . . .

Used to working in a Mac environment. Familiarity with Logic, ProTools, Audacity, etc. You need to be able to build broadcast-quality stories.

Resourceful. Used to making the magic happen routinely with minimal resources, and little oversight. 

***

To Apply

Before applying, please go to SnapJudgment.org and listen to a show (or two or three).

If you absolutely LOVE this type of storytelling, please email a cover letter, resume, salary requirements in PDF format, and links to 2 – 3 projects for which you had primary responsibility to "Jobs at SnapJudgment.org" with the subject line PRODUCER APPLICATION. E-mail ONLY please!

Tell us about a story you liked, and also let us know about one you think we could have done a better job on.

The deadline for applications is February 1st, 2016. 

Women and minorities strongly encouraged to apply.

Salary commensurate with experience.

Peace and soul! We can't WAIT to hear from you . . .


Announcing the Missouri Review’s 9th Annual Miller Audio Prize, deadline March 15

The Missouri Review wants your submissions for their annual audio competition. CASH prizes! Details below. Deadline March 15. -Mia
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We at The Missouri Review, a multi-media literary journal, are excited to announce that our 2016 Miller Audio Competition is underway, and we would love to receive work from the members of your organization. We will accept entries both via mail and online. Prizes will be awarded for high-quality recordings of poets and writers reading their work for Poetry, Prose, Audio Documentary, and Humor categories.

More than slick production or fancy bells and whistles, we are looking for good, exciting, and compelling writing for all four of our categories.

The winner of each of the four categories receives $1,000. Winning entries and runners-up will be featured on our podcast. All entrants receive a one-year, digital subscription to The Missouri Review.

Our guest contest judge this year is Andrea Silenzi, who is the Senior Producer of The Gist with Mike Pesca, a daily news show from Slate. She also hosts the podcast Why Oh Why, a show about relationships. Her work has aired on Serendipity, The Organist from the Believer Magazine, BBC4, StoryCorps, PRI's Studio 360, WNYC News, Re:Sound, APM's Performance Today, Saltcast, and on Too Much Information with Benjamen Walker. She holds the world record for most guests booked for an hour-long radio show, and that's 67.

We are also excited to once again offer pay-by-donation entry fees! Now you decide what you will pay to enter the competition. (Previously, entry to the Miller Audio Contest cost $20). All contributions go directly towards supporting the continued production of The Missouri Review, its awards, and related programs.

Deadline: March 15th, 2016

For full details and to download an entry form, please see our website: http://www.missourireview.com/audiovisual/submissions/

Please pass this along to anyone you know who may be interested!

Thanks very much in advance for helping to get the word out, and we hope to listen to your work soon!

Best regards,

Anne Barngrover
tmr.contest.editor@gmail.com

Contest Editor
The Missouri Review
357 McReynolds Hall
University of Missouri
Columbia, MO 65211


new online tax guide for freelancers

Hey folks. It's tax time and someone brought my attention to this online resource. Check it out for what it's worth! -Mia
 
The Freelancer's Essential Guide to Business and Taxes
http://formswift.com/independent-contractor-guide

Who Should Use
This Guide?

Because the Gig Economy now occupies up to 40% of the workforce, anyone can utilize it if they either want to know more about the changing economic dynamics of freelancing or how to become a more successful freelancer. Whether you are an Uber driver, a newly minted PhD, a career consultant, a salaried professional, or simply between full-time jobs, this guide will serve as a helping hand while you navigate or start your career in the freelance world.

Why Use
This Guide?

The inexorable headwind that all freelancers face is instability. Working as an independent contractor on part-time projects or as a full-time freelancer for a Gig Economy startup will always carry a consistent level of risk of your next paycheck being smaller than the previous one. Therefore, this guide is here to provide a concise, yet comprehensive reality check, so that you are fully prepared to protect, build upon and succeed in this new freelance-centric economy.

This guide is educational, inspirational and practical. It will teach you why the freelance economy is growing and how, as a freelancer, you can take advantage of that growth. Additionally, it provides multiple examples of freelance success stories, ranging from the world of journalism to startups. Most importantly, the guide concludes with a step-by-step tutorial to tax season for freelancers, helping you protect what you have earned over the course of a year.

How To Use
This Guide?

We formulated this guide to work for all categories of workers and freelancers.

For new freelancers, we propose you read the guide from beginning to end, in order to completely understand the framework of the Gig Economy and how you can carve out a workable space for yourself as a freelancer.

For seasoned freelancers, while we think it is certainly beneficial to be familiar with the macroeconomic, business and organizational architecture of the freelance economy, feel free to scroll down to the sections on which you need more information, maybe sections specific to your type of freelance work (e.g. academia). Maybe you just want to check out our tax tips and tax templates. We encourage you to jump around as you wish!


Call for Entries for Rough Cuts in March, San Francisco, deadline Feb 12

Announcing a Call for Entries for Rough Cuts in March!

 

Deadline is Friday, February 12th

Rough Cuts is currently seeking documentaries in post for our next event on Tuesday, March 8th at KQED in San Francisco.

We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

 

Also, filmmakers who submit are eligible for FINE CUTSour editorial consultation program now in its second year.

To submit, visit:

http://sfroughcuts.com/callforsubmissions.html

 

And for more details about Rough Cuts and our programs, visit:

http://sfroughcuts.com

 

Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at various locations throughout San Francisco. For each evening, we screen one rough cut of a long-form documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet, talk and catch up.


2016 IFP Filmmaker Labs for first-time feature filmmakers, deadline March 1

See here and below for info on the IFP Filmmaker labs. I don't have direct experience with this, but if any of you do and want to share, shoot me an email or post on the FC facebook page.

Cheers,
Mia

Application for the 2016 IFP Filmmaker Labs are now open! Deadline to apply: March 1st

To apply for the Documentary Lab,click here.

To apply for the Narrative Lab, click here.

The Labs are presented with the generous support of the

20121203-Foundation-Award_header (1)

About the Program

IFP’s unique year-long mentorship program supports first-time feature directors when they need it most:  through the completion, marketing and distribution of their films.  Focusing exclusively on low-budget features (<$1million), this highly immersive program provides filmmakers with the technical, creative and strategic tools necessary to launch their films – and their careers.

Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. Open to all first time feature documentary and narrative directors with films in post-production.

The IFP Screen Forward Labs, a yearlong program and incubator for the creators of serialized projects that push storytelling forward! For more information, click here.

2016 Program Dates 

Application Deadline: March 1st

Time Warner Foundation Completion Lab
Documentary:
 May 9 -13, 2016
Narrative: May 23 – 27, 2016
Independent Film Week: September 17  – 22, 2016
Distribution Lab: November 2016

To keep up to date, follow IFP: on FacebookTwitterInstagram and Youtube.


Extended Deadline For Radio Is Yours Radio Contest from XRAY.fm, Jan 17

Interested in submitting for the XRAY.fm awards in Portland, OR? Well you have a few more days. Extended deadline Jan 17.
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In the wake of the busy holidays, we've had a lot of late registrants that just heard of the contest and requested more time. We want to hear you. And we are merciful.

SO, here's what's happening: we are opening a second round of submissions, with the absolute final deadline on the following weekend on Sunday Jan. 17th by 1pm PST / 4pm EST.

We also aim to notify official selections within 72 hours of submitting, so you can decide to attend the awards show. The rest of the finalists will be selected from the second round of submissions.

In other news, here's a list of our confirmed judges (so far) that will be listening to your pieces:

Portland Mayor Charlie Hales
Rukaiyah Adams of Meyer Trust
Portia Sabin of Kill Rockstars
Dan Kennedy of the Moth
Andrew Leland of the Organist
Seth Romatelli of Uh Yeah Dude
Zoe Carpenter of the Nation
Richard Meeker of the Willamette Week

Woohoo! Get excited and get those pieces in! Please consult the Radio Is Yours rules for details on how to submit, as well as a full prize list!

Cheers, and happy storytelling!
The XRAY.fm Team


call for pitches from online magazine Broken Toilets

The online magazine about global development and culture, Broken Toilets, is preparing it's 3rd issue and wants your pitches. Details below.


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Broken Toilets magazine wants your Open Data pitch.

 

Over a series of issues, Broken Toilets is exploring the question of how “openness” informs the design, implementation, monitoring, and financing of development programs, policies, and goals. We’ll be examining “openness” from a few different fronts, but we’re currently seeking content for the first issue of the series, Open Data.  

Open data, or data that is free for distribution and use, is now a critical part of global development. Breezy surveys will ascribe open data with the potential to fight corruption, reveal savvy business ideas, build smart(er) cities, and solve civic problems. Open data can bring more transparency and accountability to governance, development and aid, and is now widely acknowledged as critical.  After failing to adequately capture data that would track MDG progress, the global goals have emphasized open data as a core aspect of their monitoring approach. 

 

This is not to say that these conversations are new. Communities of open data enthusiasts are all over the world and their conversations (often in geek speak), assert the potential for technology that brings more effectiveness and transparency through portals, apps, dashboards, etc. or through citizen-focused initiatives to liberate data, like hacking for a cause. 

 

With millions of dollars of support, open data initiatives are starting up in places once closed (like Myanmar), or brand new (like South Sudan) with aims of building greater accountability structures into governments, funding agents and multilateral organizations. But this openness raises concerns about privacy and cybersecurity, the digital haves and have-nots, and whether technology can breach prevailing social structures. 

 

For Broken Toilets’ third issue, we’re interested in how the enthusiasm for open and free data turns into policy change at the local, state, country, and global levels. How has having access to loads of free data been used for positive change? In other words, what’s worked? We’re also interested in its disruptive potential – has open data challenged development paradigms, both domestically and at a global level? And if the goal of open data in development is for localized impact at scale, how do we make vital data that holds institutions accountable, more open? For more details, see the full Call for Pitches.


Audio Under the Stars 2016, Call for Stories, deadline Feb 29

Lovely North Carolina listening event wants your stories. Details below – deadline February 29.
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Audio Under the Stars is back! North Carolina’s favorite audio garden party is gearing up for its third season, and we’re looking for your stories. Here are our themes for 2016:

Destination Unknown: trips, travels, and unexpected journeys
Tell us of a time when you went in search of something: a new place, a lost love, a chance at following a dream. Or when you set out just for fun- Where did the wanderlust take you and who did you meet along the way? We want stories of those eager for change and those longing for what’s left behind.

Danger: tales of mischief and misfortune
We’re looking for stories with an element of danger, either real or imagined. A lurking threat, a prank gone wrong, bullets dodged or imminent disaster. These could be humorous or serious; ideally stories will have a bit of each.

Work it: stories of labor and leisure
Drudgery or dream job- how do you make your money? What’s the oddest job you’ve ever taken? What would push you to walk away? At the end of the day, how do you put the world of work behind you? We’re looking for stories about any kind of work and play.

We need your help to find the best of the best. Use this form to submit a story for consideration — submit as many stories as you’d like! The deadline is 11:59 p.m. on Monday, February 29, 2016.

The ideal pieces are short and sweet, 2-8 minutes. We’ll occasionally consider pieces as long as 15 minutes, but nothing longer.

We love sound-rich stories that make us think, make us laugh, and take us to places near and far. We especially love pieces based in Durham, in North Carolina, or made by local radio producers. Share your work or work you find compelling made by someone else. We want to hear it all, even if it’s not a perfect fit for the theme. Got questions? Email us at audiounderthestars@gmail.com.


Pitch is looking for pitches!

Pitch, the podcast wants your pitches! Details below.

-mia

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About Pitch: 
Pitch is a critically acclaimed podcast about music. We have a devoted audience, and we’ve been featured in places like BuzzFeed, NPR, and The Atlantic. The stories we make are thoughtfully reported, highly produced, and they engage our audience to think expansively about the world of music.
We’re starting work on an ambitious new season, and we’re now accepting story pitches.
Who we want to receive pitches from: 
Musicians, academics, music journalists, investigative journalists, radio producers, and anyone else with stories that fit our criteria.
Stories that we want you to pitch us should:
  • Speak to something larger about music.
  • Have a unique perspective, viewpoint, or argument to provide. 
  • Feature a diverse set of voices and represent a wide variety of perspectives on each given topic.
Types of stories we’re looking for: 
From musicians: Stuff about music you’ve noticed, obsessed over, or have been curious about. Maybe the stories have never been reported on, or have been reported on poorly, incorrectly, or from a narrow perspective. You (and your interviewees) have a unique perspective to provide.
From academics: Stories that make research into the nooks and crannies of music accessible in a more immediate/public way, and would make a great audio piece. 
From music journalists: Big, ambitious stories you’ve always wanted to do but have never had the time/resources/institutional support for. The stories would have a heavy focus on reporting or might be personal in a way that engages our audience to think expansively about the world of music. Or things you’ve written that could be better (or differently) served in audio.
From investigative journalists: Anything you have where music plays a central role in your investigation.
From radio producers and anyone else: Stories that you can tell from a unique perspective that engage our audience to think expansively about the world of music.
Things we don’t do:
  • Review albums
  • Profile artists
  • Highlight projects
  • Curate content
How to pitch us:
Please email your pitches to pitches@pitchpodcast.org. Pitches should include (in about 500 words) answers to the following questions: What is the story? What is the central idea of the story? Who will you talk to? Why are you interested in reporting it? How does it connect to the criteria above?
We can’t respond personally to everyone who reaches out, but if we want to move forward with your pitch, we’ll be in touch within a few weeks.

£4,000 audio prize from the Whicker’s World Foundation and In the Dark, deadline Jan 31

Very cool award opportunity from the folks at In the Dark and the Whicker's World Foundation. Deadline Jan 31. Details below!

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The Whicker's World Foundation in collaboration with In The Dark is calling for submissions for The Whicker’s World Audio Award. The best audio project will receive £4,000 and runner-up would be awarded £1,000. The first prizes will be presented at Sheffield Doc/Fest in 2016.

Deadline for applications is January 31st 2016.

More details here:
http://www.inthedarkradio.org/newswhickers-world-audio-award-sheffield-docfest-2016/

Job/internship openings @ Third Coast Audio Fest

If you want to break into radio/audio, GO INTERN WITH THIRD COAST! They do it right. (IMHO). Details below. -Mia

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Hi all,
Maya here, from Third Coast in Chicago. We are currently accepting applications for a part-time Production Assistant job, the 2016 ShortDocs internship & the 2016 TC/RHDF Competition internship. Applications for all 3 opportunities are due February 8th. The full details & applications can be found here: http://thirdcoastfestival.org/about-tciaf/jobs-internships

And please help us spread the word far & wide! The Third Coast nest is a fantastic launch pad for anyone looking to start a career in audio storytelling. A couple of quotes you can spread around:

– "TCIAF has a reputation for growing… some of the most talented and most hard-working minds in radio." – The AV Club
– "2 of my 5 producers were Third Coast interns." – Roman Mars, 99% Invisible & Radiotopia
– "Not only will you gain unparalleled experience in the audio storytelling field, you can also get karate tips from Re:sound's own Gwen Macasai. SHE IS A BLACK BELT." – Pidgey (TC's mascot/guide)

Making Contact Call for Pitches

The latest call from Making Contact. Good folks over there!
-mia
+++++++++++++++++++

Dear Freelancers,

We want your pitches! Making Contact is assembling a team of freelance journalists to examine how immigrants in the U.S. participate in politics and are responding to the 2016 elections.

Two freelancers have already joined the project. Their work will specifically examine issues Latino/a communities are confronting in the upcoming elections. We’re looking for character-driven stories that focus on how other immigrant communities engage in U.S. politics. Here are some themes we’re interested in exploring:
– What interest is there in running for elected office in the U.S. and what are the barriers?
– What impact will new voter ID laws have on voter turnout?
– What factors contribute to disparities in electoral participation within different communities?
– What other ways are communities organizing to influence politics locally and/or nationally?
– How is campaign financing influencing immigration rhetoric and policies?

Got an idea, let us know!

Specifications
Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 120 radio stations in the USA, Canada, South Africa, and Australia.

Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

We're interested in pitches for sound-rich segments of about 7 minutes. For these special segments by reporters who have a history of covering immigrant communities, we will pay $700.

As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

Consider the following. Does the story:
– Link grassroots issues and human realities to national or international trends?
– Give listeners a historical, political, or social context of major national and international events?
– Shed light on social and economic inequities?
– Explore any alternatives or solutions?

Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

We look forward to hearing from you!
Laura Flynn and Jasmín López
Making Contact Producers


Media and Journalism Fellowships, from Media Shift

More fantastic resources from Mediashift – this one on fellowships, worldwide.
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Media and Journalism Fellowships: Jan. 6 Edition
http://mediashift.org/2016/01/media-and-journalism-fellowships-jan-6-edition/

Here’s a list of current media and journalism fellowship programs, including the deadlines for applying. If we’re missing any major programs, or you would like your program to be in the featured fellowship slot, please contact Mark Glaser at mark [at] mediashift [dot] org to let us know, and we’ll add them to the list. All featured fellowships are paid promotional slots.

JANUARY 2016 DEADLINES

ProPublica Reporting Fellowship
We are looking for a reporting fellow to work in our newsroom. The fellowship is a minimum of 16 weeks and can last for up to a year. We’re ready for you to start as soon as you’re available. It’s full-time, based in New York, and compensation is $700 per week.  Fellows primarily report their own stories —like this one — but also collaborate with ProPublica’s reporters on big projects. We’re looking for somebody who has done reporting, and loves doing it.
Fall Deadline: No deadline set, apply ASAP

Bridges Fellowship
Bay Area Video Coalition’s Bridges Fellowship asks, “What can young adults learn from media arts professionals that can help them make a positive impact on their lives, their careers, and their communities?” Participants, ages 18-26, investigate how artists and start-up innovators alike make their living as successful tech and media entrepreneurs, while exploring connections between media-making and social justice. Applicants must be low-income, and between the ages of 18-26, and reside in the Bay Area. Priority will be given to individuals with barriers to employment. Applicants must be able to commit to all program components and dates. Applicants must possess a drive to excel in their respective field of media arts and tech, and be committed to social justice.
Deadline Information: Applications for 2016 TBA.

Asia Journalism Fellowship
The Asia Journalism Fellowship is an initiative of Temasek Foundation and Nanyang Technological University in Singapore. It brings journalists from across Asia to NTU’s Wee Kim Wee School of Communication and Information for three months of learning and exchange. Away from the deadline pressures of their jobs, Fellows pursue their intellectual interests in one of Asia’s leading universities. The semi-structured programme is designed to sharpen professional skills and deepen understanding of trends in media and communication. It also provides access to key newsmakers in Singapore’s public sector, business community and civil society, offering insights into the challenges faced by one of Asia’s most cosmopolitan hub cities.
Deadline Information: Applications for 2016 opening in January.

Multimedia Skills Building for Georgian Journalists
Eighteen journalists will be selected for this two-pronged program, which will include a 16-day study tour to four U.S. cities where participants will attend training sessions, meetings and site visits that will expose them to cutting-edge digital tools, skills and methods. The program will begin with an orientation in Washington, D.C. and continue to Silicon Valley; Austin, Texas and New York City. English language skills are desirable but are not required. Interpretation and translation will be provided for non-English speakers. Following the study tour, participants will return to Georgia, where they will receive two months of online mentoring from seasoned digital journalists who will help participants apply their newly acquired skills in their newsrooms at home. Mentors will guide the participants as they work on content production, audience engagement and innovative business models.
Deadline: Jan. 8, 2016

Witness Media Lab Curation Fellowship
The WITNESS Media Lab Curation Fellowship is designed to give a promising journalist, activist, or documentarian the opportunity to conduct innovative human rights reporting and advocacy by bridging citizen footage with human rights methodology. The fellow will conduct research and compile a report on a human rights story primarily using eyewitness video (often called “citizen journalism” or “user-generated content”). The report will be shared on lab.witness.org and potentially by media or advocacy partners. The fellow will also document the process and share challenges, strategies, and learnings on the WITNESS Media Lab blog. Finally, the fellow will work to engage with target audiences around the report, its findings, and its methodology.
Deadline: Jan. 8, 2016

A Digital Path to Entrepreneurship and Innovation for Latin America
Path to Entrepreneurship and Innovation for Latin America program has been reopened for applicants from Honduras and Nicaragua only. This 18-month, multi-phase program is for 28 Latin American professional fellows and 10 of their U.S. counterparts. ICFJ and its selected partner organizations in each country will recruit professional and citizen journalists, media business managers, digital entrepreneurs and technologists to create media business models that harness the power of digital tools to generate sustainable new revenue. Applicants must be fluent in English. The selected Latin American fellows will complete a month-long program in the United States which begins with an orientation at ICFJ’s headquarters. Each fellow will then participate in a three-week internship at carefully selected U.S. institutions.
Deadline: Jan. 10, 2016

Hearst Journalism Fellowship
If you have the skills, passion and determination to be a journalist of the future — a trained professional who knows a good story and who has the talent and confidence to tell it in a way that best imparts its relevance and importance to news consumers — the Hearst Fellowship might be perfect for you. This is the premier two-year newspaper fellowship in the country. Our goal is to recruit, train and retain the best of the next generation of journalists — top-notch multi-media professionals with a broad range of skills. The program consists of two 12-month rotations at our top metro papers and websites. Fellows are full-fledged journalists expected to make significant, valuable contributions in a variety of roles and platforms.
Deadline: Jan. 11, 2016

Martha’s Vineyard Fellowship for Innovation in Journalism 
The Gazette has created the fellowship to promote experimentation and to cultivate the use of multimedia journalism techniques in a traditional newsroom setting. The successful fellow will have professional journalism experience and demonstrated audio, video and/or digital production skills. We are seeking a mature, multimedia journalist with the ability and desire to work as part of a newsroom team, to share knowledge and to produce compelling news packages.
Deadline: Jan. 15, 2016 

Reporting Rural Poverty and Agriculture Development
In order to ensure the daily issues faced by rural poor people and their communities are acknowledged, it is important that their stories are heard and their voices are amplified.  With funding from the International Fund for Agricultural Development (IFAD), the specialised UN agency, the Thomson Reuters Foundation will bring together journalists from around the world in Rome to attend the IFAD Governing Council.  The aim is to build specific expertise and increase familiarity and knowledge of issues faced by rural communities, help journalists to present new viewpoints, promote discussion and dialogue on how small-scale agriculture can respond to the growing demand for food, and the essential need to support rural transformation and smallholder agriculture.
Deadline: Jan. 18, 2016 

Media Fellowship on South Asian Initiative on Migrant Labor
The fellowships are being offered by Panos South Asia as a part of a Swiss Development and Cooperation (SDC) project for encouraging dialogue and discussion on migrant labour issues among concerned stakeholders. Applications are invited from print, television, radio and web journalists writing/reporting on migrant labour issues from Bangladesh, Nepal, India, Pakistan and Sri Lanka. The fellowship will support writing/reporting stories on migrant labor from the region and labor-receiving countries. The fellows will also have the opportunity to participate in an orientation workshop in the last week of February 2016 in Kathmandu, Nepal and first-hand experience trip to select destination countries that will link them with individuals and institutions from these neighboring countries and understand migrant-related issues from a South Asian perspective. The fellowship also offers an opportunity of being mentored by experienced editors.
Deadline: Jan. 24, 2016 

Bringing Home the World: International Reporting Fellowship for Minority Journalists
The Bringing Home the World Fellowship helps U.S.-based minority journalists cover compelling yet under-reported international stories, increasing the diversity of voices in global news. The program helps level the playing field and redress the inequality minority journalists often face by giving them the opportunity to report from overseas and advance their careers. Applications are now open.
Deadline: Jan. 25, 2016 

Jefferson Fellowships
The Jefferson Fellowships offer print and broadcast journalists from the United States, Asia and the Pacific Islands the unique opportunity to gain on-the-ground perspectives and build international networks to enhance their reporting through an intensive one-week education and dialogue seminar at the East-West Center in Honolulu followed by two weeks of study tour travel in the Asia Pacific-U.S. region.
Deadline: Jan. 29, 2016 

Reuters Journalism Fellowship Program
The Reuters Institute for the Study of Journalism at Oxford University hosts fellows for three, six or nine months, and is currently accepting fellows for its Google Digital News Journalist Fellowship, Lion Rock Spirit Fellowship, Mona Megalli Fellowship and Thomson Reuters Foundation Fellowship. More information about the fellowships are availablehere.
Deadline: Jan. 31, 2016 

FEBRUARY 2016 DEADLINES

Community Stories Grant
The Community Stories program funds projects that focus on the collection and sharing of real stories of California’s communities. Projects must involve at least one humanities expert as an advisor, use the methods of analysis that inform the humanities as well as community-based research, and produce work that is publicly accessible. Application eligibility is limited to California-based nonprofit organizations or local/state public agencies or institutions. Grant awards range up to $10,000 and a cash or in-kind match is required. There are two yearly rounds of open applications for Community Stories.
Deadline: Feb. 1, 2016

Arthur F. Burns Fellowship
Each year, outstanding media professionals from the United States, Canada and Germany are awarded an opportunity to report from and travel in each other’s countries as part of The Arthur F. Burns Fellowship Program. The program offers young journalists, age 40 and under, the opportunity to share professional expertise with their colleagues across the Atlantic while working as “foreign correspondents” for their hometown news organizations. U.S. and Canadian applications are due March 1, 2016, German applications due on February 1, 2016.
Deadline: Feb. 1, 2016/Mar. 1, 2016

O’Brien Fellowship in Public Service Journalism
Marquette University, Milwaukee, WI
Backed by the resources of Marquette University and the Pulitzer Prize-winning Milwaukee Journal Sentinel, O’Brien Fellows will spend nine months researching, reporting and writing the stories they care most deeply about — stories with the potential to change policies and improve lives. This fully funded fellowship allows newsroom professionals to do the best work of their careers on issues of vital importance while they also mentor the next generation of journalists.
Deadline: Feb. 1, 2016

Fund for Investigative Journalism
The Fund for Investigative Journalism’s Board of Directors meets three to four times each year to consider grant applications for investigative projects and books. The deadlines for 2016 are Monday February 1, Monday May 16, and Monday September 26 – all at 5pm ET. The board of directors looks for stories that brean new ground and expose wrongdoing — such as corruption, malfeasance, or misuse of power — in the public and private sectors.
Deadline: Feb. 1, 2016

Joan Shorenstein Fellowship
Cambridge, MA
The fellowship brings journalists, policymakers and scholars together to the Harvard Kennedy School to advance research in media, politics and public policy.
Deadline: Feb. 1, 2016

Knight-Wallace Journalism Fellowship
University of Michigan
The Knight-Wallace Fellowship offers an academic year of study, reflection and growth for six international and 12 American journalists at the University of Michigan. Fellows pursue a personalized plan of study, attend twice-weekly seminars focusing on journalism and academia and receive a stipend of $70,000.
Deadline: Feb. 1, 2016

Khadija Ismayilova Investigative Journalism Fellowship
Various
The Fellowship is a living tribute to Khadija Ismayilova, an award-winning Azeri journalist, who was imprisoned by authorities on December 5, 2014 and sentenced to 7.5 years in jail in an attempt to silence her. This Fellowship seeks to ensure that her voice is heard, and that her work to use journalism in support of democracy continues. It is sponsored by Radio Free Europe/Radio Liberty in partnership with the Organized Crime and Corruption Reporting Project (OCCRP). Candidates must be fluent in English and from RFE/RL’s broadcast region:  Afghanistan, Armenia, Azerbaijan, Belarus, Bosnia-Herzegovina, Georgia, Iran, Kazakhstan, Kosovo, Kyrgyzstan, Macedonia, Moldova, Montenegro, Pakistan, Russia, Serbia, Tajikistan, Turkmenistan, Ukraine and Uzbekistan.
Deadline: Feb. 1, 2016

Journalist Law School
The challenge of reporting on the legal system without a law degree is daunting. To help support journalists who cover the courts on national, regional or local levels, the Civil Justice Program at Loyola Law School, Los Angeles, has developed the journalist law program consisting of a four-day intensive seminar on the legal system. Lectures, lodging and most meals are covered by the program. View the program overview or the 2016 JLS brochure‌ for further details. The 11th-Annual Journalist Law School fellowship will be held June 8-11, 2016.
Deadline: Feb. 4, 2016

2016 Annual Science Immersion Workshop for Journalists
The University of Rhode Island’s Metcalf Institute for Marine & Environmental Reporting,  a global leader in providing science training for journalists, is accepting applications for its competitive 18th Annual Science Immersion Workshop for Journalists: Global Change in Coastal Ecosystems, June 5-12, 2016. The workshop will be held at the University of Rhode Island’s Graduate School of Oceanography, one of the nation’s premier oceanographic research institutions and home to Metcalf Institute. Ten early- to mid-career journalists will be selected for the fellowship, which includes tuition, travel support, room and board, and career-changing professional training.
Deadline: Feb. 5, 2016

Robert Novak Journalism Fellowship
The Fellowship funds a one-year writing project focusing on American culture and free society. Separate fellowships also focus on environment, free enterprise and law enforcement. Full-time fellows will receive $50,000, and part-time fellows will receive $25,000. A journalistic project funded under this program should be original and publishable. It will be delivered in four quarterly installments with the potential to be published sequentially in a periodical publication or all together as a book. In addition to the funds set aside to reimburse the Fellow’s expenses —  $10,000 for a full-time fellowship and $5,000 for a part-time fellowship — the fellowship grant will be paid in four increments to correspond with completion of the quarterly writing installments.
Deadline: Feb. 5, 2016

RJI Residential Fellow
Missouri School of Journalism
Designed for persons inside and outside media industries who want to collaborate with RJI in the pursuit of solutions to a particular journalism problem. Residential fellows spend eight months on campus at the University of Missouri School of Journalism, taking advantage of the intellectual and technological resources of RJI and the school and interacting with Missouri faculty and students. Some examples include: access to programmers and app developers, financial support to conduct market research and hiring students to produce multi-media content. Solutions, in the form of strategies, products or services, developed from these ideas would be shared with many news and news-related organizations. You must reside in Columbia for the duration of this fellowship.
Deadline: Feb. 15, 2016

RJI Non-Residential Fellow
Various
Designed for entrepreneurial individuals with a strong interest in journalism and issues related to digital communications. Your fellowship can be about something you are interested in pursuing on your own or something that could benefit a current employer. Successful ideas, products or strategies should serve as a model for the news industry or help the industry get smarter, faster, nimbler. You do not need to live in Columbia, Missouri, but will need to make occasional visits to consult with RJI leadership and staff.
Deadline: Feb. 15, 2016

RJI Institutional Fellows
Various
Designed to unlock some of the thoughtful, meaningful ideas inside newsrooms, ad departments, boardrooms, break rooms, etc., that for various reasons can’t get any traction. RJI will collaborate with a leader at a company or institution who will identify an employee who can develop an idea or lead a team that could do it. The employee will be named an RJI Fellow but will continue working at his or her job. The stipend for this fellowship will be paid to the company or institution to be used for salary relief for the fellow, or for another purpose that the company or institution determines will best ensure the success of the fellowship project.
Deadline: Feb. 15, 2016

World Press Institute Fellowship
Various
The WPI fellowship is offered to 10 journalists from countries around the world. It provides immersion into the governance, politics, business, media, journalistic ethics and culture of the United States for experienced international journalists, through a demanding schedule of study, travel and interviews throughout the country. The program begins in mid-August and ends in mid-October. The fellows will spend three weeks in Minneapolis-St. Paul, Minnesota, and then travel to several U.S. cities, including New York and Washington, D.C., for briefings, interviews and visits. They will return to Minnesota for the final week of the program. 
Deadline: Feb. 15, 2016

Fellowship in Global Journalism
Munk School of Global Affairs, University of Toronto
This fellowship recruits 20 fellows from around the world with subject-matter expertise to become leading global correspondents. Participants receive mentoring from professional journalists while freelancing for major media outlets and attending journalism courses and lectures. They will continue to receive free coaching for two years after graduating in April 2017.
Deadline: Feb. 19, 2016

Princeton University Summer Journalism Program 2016
Princeton University
PUSJP is one of the country’s most innovative and successful programs working to provide opportunities to outstanding high school students from low-income backgrounds. We welcome about 25 high school students from low-income backgrounds every summer to Princeton’s campus for an all-expenses-paid, intensive 10-day seminar on journalism. After the program ends, counselors stay in touch with students to help guide them through the college admissions process. The program’s goal is to diversify college and professional newsrooms by encouraging outstanding students from low-income backgrounds to pursue careers in journalism. All expenses, including students’ travel costs to and from Princeton, are paid for by the program. Students who attend come from across the country. The program will enter its 15th summer in 2016. It will take place from August 5 to August 15.
Deadline: Feb. 26, 2016

Spotlight Investigative Journalism Fellowship
Open Road Films and Participant Media, with support from First Look Media, are sponsoring a fellowship of up to $100,000 to be awarded by The Boston Globe for one or more individuals or teams of journalists to work on in-depth research and reporting projects. The chosen journalist(s) will collaborate with established investigative reporters and editors from The Boston Globe’sPulitzer Prize-winning Spotlight Team.
Deadline: Feb. 29, 2016

Knight Science Journalism Fellowship
Midcareer journalists covering science, technology, the environment or medicine can apply for a fellowship at MIT. The Knight Science Journalism Fellowships host international and U.S. journalists for a nine months of personalized study, auditing courses at MIT and Harvard, attending lectures and interviewing faculty members. Fellows receive a US $70,000 stipend plus tuition. Additional benefits include health insurance, research trip stipends, conference stipends and access to MIT and Harvard resources.Applicants must have English proficiency and at least three years of experience as reporters, writers, editors, producers, illustrators or photojournalists. They may work for newspapers, magazines, television, radio or the web.
Deadline: Feb. 29, 2016

Senior Journalists Seminar: “Bridging Gaps in US Relations with the Muslim World” 
For senior journalists from the United States and countries with substantial Muslim populations; study tour destinations in the United States, Southeast Asia and South Asia are intended to enhance media coverage and elevate the public debate regarding religion and its role in the public sphere, specifically as it concerns US relations with the Muslim world. Program dates: August 24-September 18, 2016; Application Period: February-April 2016.

IN PROGRESS OR FUTURE FELLOWSHIPS

Alexia Foundation Grant Program
Various locations
The Alexia Foundation provides grants of $25,000 to students, professionals and women for a serious documentary photographic projects. Deadlines for this year are closed.

Asia Pacific Journalism Fellowships
The Asia Pacific Journalism Fellowships (APJF) program was initiated in 1998 for the purpose of strengthening understanding between Asia and the United States through study, dialogue and field study in the Asia Pacific for American journalists. Each program offers opportunities for six to eight senior American broadcast, print, and online journalists to participate. 2016 Program pending.

Associated Press Global News Internship Program
Various locations
This paid internship program is for students who are aspiring cross-format journalists and will contribute to AP’s text, video, photo and interactive reporting. The application period for the 2015 internship is closed. Questions may be emailed to internship@ap.org.

Bay Area Video Coalition Mediamaker Fellowship
San Francisco, CA
The fellowship selects fellows for a 10-month program that supports project development with professional mentorship in multiplatform and transmedia storytelling through emerging technologies and strategic marketing.

China-United States Journalist Exchange
Various
For Chinese and American journalists. Chinese journalists travel to three cities in the United States; American journalists travel to three cities in China. After their study tours, all journalists meet for dialogue to conclude the program. Program dates: September 2016 (exact dates TBD)

Data & Society Fellow
New York City
The fellowship brings together researchers, entrepreneurs, activists, policy creators, journalists and public intellectuals who are interested in engaging one another on the key issues introduced by the increasing availability of data in society.

Donald W. Reynolds Fellowships
Columbia, MO or remote
The fellowship offers an annual program for individuals to develop innovative ideas within journalism and to help build the public’s knowledge in these areas.

Edward R. Murrow Press Fellowship
New York City
The fellowship offers one fellow a nine-month period of writing, reporting and providing analysis on newsworthy international events at the Council on Foreign Relations headquarters. Interested candidates who meet the program’s eligibility requirements can apply online between January 1 and March 1 on an annual basis.

Fellowship in Professional Journalism for Morning News Journalists
Dallas, TX
The fellow will contribute to the student-generated news website at the University of Texas at Austin Moody College of Communication as well as teach a course in her own expertise.

Fulbright Journalism & Communications Grants
Fulbright offers opportunities in Germany, Ireland, Spain and Taiwan. The timeline for this year is now closed but will start again in the early spring.

Google Journalism Fellowships
Various locations
The fellowship is for undergraduate, graduate and journalism students interested in using technology to tell stories in new and dynamic ways at various organizations.

Innovation in Development Reporting Grant Programme (IDR)
The Innovation in Development Reporting Grant Programme (IDR) is a media-funding project operated by the European Journalism Centre (EJC). The grant programme aims to advance creative reporting approaches, thus enabling a better coverage of international development issues. The grant intends to raise awareness about these issues by enabling the production of stories that have a strong impact on media audiences in the following nine European countries: Denmark, France, Germany, Italy, the Netherlands, Norway, Spain, Sweden, and the United Kingdom.
Deadline: Mar. 2, 2016

Knight-Mozilla Fellowship
Various locations
Fellows spend 10 months embedded with partner newsrooms, such as the New York Times and ProPublica. Fellows are developers, technologists, civic hackers and data crunchers who work with the community inside and outside of their newsroom to develop open-source projects.

Knight-Bagehot Fellowship
Columbia Journalism School
This year-long fellowship for business and finance journalists allows participants to strengthen their knowledge of business, economics and finance. Fellows receive free tuition to take courses at Columbia’s Graduate School of Journalism, business, law and international affairs, as well as a receive a $55,000 stipend.
Deadline: Mar. 1, 2016

 

Korea-United States Journalist Exchange
Various
For Korean and American journalists. Korean journalists travel to three cities in the United States; American journalists travel to three cities in South Korea. 2016 program pending.

Kyoto Prize Journalism Fellowship
San Diego, CA
The Kyoto Prize Journalism Fellowship at Point Loma Nazarene University is an initiative to develop modern education in the sciences, philosophy, society and the arts.

Meredith-Cronkite Fellowship
Phoenix, AZ
The week-long multimedia fellowship program sponsored by the Meredith Corporation and its Phoenix television station, KPHO CBS 5, offers  broadcast journalism students from underrepresented groups a week of hands-on experience.

Metpro Tribune
Los Angeles or Chicago
Metpro helps beginning journalists launch careers and boost diversity in Tribune newsrooms.

MJ Bear Fellowship
Through the Online News Association, the MJ Bear Fellowships identify and celebrate early-career digital journalists who have demonstrated that they deserve support for their efforts.

Munk School of Global Affairs Global Journalism Fellowship
Toronto, Canada
This fellowship awards 20 fellows the chance to work at the University of Toronto’s Munk School of Global Affairs for media around the world in various platforms from broadcast to online.

National Geographic Photography Fellowship
Various locations
The two-year fellowship allows photographers to share their visual expertise with diverse areas of the National Geographic Society and with the public, producing stories, sharing their storytelling knowledge with other explorers, and bringing the Society’s mission to illuminate, teach, and inspire the world at large.

Reuters Journalism Fellowship Programme
Oxford, UK
This fellowship allows 25 mid-career journalists from around the world to conduct academic research in Oxford for various months in the academic year.

Santa Fe Institute’s Journalism Fellowship In Complex Systems
Santa Fe, NM
The fellowship is for veteran journalists interested in exploring complex systems science more deeply and understanding the issues underlying current scientific debates in many scientific fields. The 2015 application period for this fellowship is postponed.

Scripps Howard Foundation Multimedia Fellowship
Washington DC
This year-long fellowship allows post-graduates to create multimedia projects for the Scripps Howard Foundation Wire’s website as well as mentor undergraduate students. Next year’s application deadline is in April, applications open in December.

The Rosalynn Carter Fellowships for Mental Health Journalism
Atlanta, GA
The one-year fellowship is offered to six journalists and is designed to enhance public understanding of mental health issues and combat stigma and discrimination against people with mental illness.
Deadline: Apr. 13, 2016

U.S. Presidential Election Reporting Seminar
For mid-career journalists; study tour to report before, during and after the U.S. presidential election from key states in the American electoral system. Program dates: November 1-13, 2016. Application releases early 2016

Sonia Paul is a freelance journalist reporting in India and the United States, and is the editorial assistant at MediaShift. Her work has appeared in a broad range of media, including the Al Jazeera Media Network, Caravan, Foreign Policy, Guardian, Mashable, New York Times, PRI’s The World, Roads & Kingdoms and VICE News. She previously produced the grant-funded podcast series Shizuoka Speaks, based in Japan. She is on Twitter andInstagram @sonipaul.


Upcoming Events in Digital Media, from MediaShift

All sorts of great upcoming digital journo events from the folks at MediaShift. Thanks to Will Coley for forwarding this along!
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Upcoming Events in Digital Media: Jan. 4 Edition
// MediaShift

Each week, MediaShift posts an ongoing list of upcoming events in the digital media and journalism world. These will be a mix of MediaShift-produced events and other events. If we’re missing any major events, or you’d like to pay to promote your event in the “featured event” spot of our weekly post, please contact Mark Glaser at mark [at] mediashift [dot] org. Any non-MediaShift events in the “featured event” slot are paid placements. Also, be sure to sign up for our events email newsletter to get notifications about future MediaShift events.

JANUARY 2016

Journalism Career Expo Registration Opens
Jan. 5, 2016
Columbia Journalism School, New York
The employer registration for Columbia Journalism School’s annual Journalism Career Expo opens today. Career Expo 2016 will take place on Sat. April 2, 2016. Please register early to guarantee your spot. We reached maximum capacity at last year’s Expo and unfortunately had to turn away some excellent companies for lack of space.
More information and registration here.

Consumer Electronics Show 2016
Jan. 6-9, 2016
Las Vegas, NV
CES is the world’s gathering place for all who thrive on the business of consumer technologies. Held in Las Vegas every year, it has served as the proving ground for innovators and breakthrough technologies for more than 40 years — the global stage where next-generation innovations are introduced to the marketplace.
Register here.

Super Researcher: Find People, Dig Deeper and Get Your Facts Right
Jan. 7, 14, 21, 28, 2016, 6:30-8pm ET
CUNY Graduate School of Journalism, New York, NY
Find even the most elusive sources. Dig up hard-to-find information. Avoid embarrassing mistakes in your news stories. In this series of four short workshops, CUNY J-School Chief Librarian Barbara Gray, the former director of news research at the New York Times, will guide you through the most accessible techniques for investigating people and verifying the facts, including Facebook, Google+, Geofencing, Geolocation, mostly free and low-cost databases, WikiLeaks and many more. Each workshop meets at 6:30 p.m. and ends at 8:00 p.m. at the CUNY Graduate School of Journalism.

Thursday, January 7: Finding People Fast (Even If They Don’t Want to Be Found)
Thursday, January 14: Newsgathering With Social Media
Thursday, January 21: Bulletproofing Your Reporting
Thursday, January 28: Super-Searching Google and Beyond

Attend an individual workshop for $48 or purchase the whole series for $149.
Register here.

Smart Photos with Smart Phones
Jan. 9, 2016, 9am-2pm ET
CUNY Graduate School of Journalism, New York, NY
Smart phones have opened up new photographic possibilities for both professional journalists and citizen storytellers. Images produced with today’s smart phones now have sufficient quality to be published on all media platforms from digital to print. In fact, many news organizations now require reporters to take their own smart phone photos of breaking news events. This five-hour, Saturday morning course will help you enhance your work or hobby with better smart phone pictures. This will be a valuable and insightful experience whether you’re an amateur or a more advanced level of photographer. Bring your iPhone or similar Android device. We also advise you to bring your own laptop as well. Photojournalist Jennifer S. Altman has taught this popular class many times, to journalism students and others. This five-hour workshop costs $149 per student.
Register here.

Future of Education Technology Conference
Jan. 12-15, 2015
Orlando, FL
For 36 years, FETC has brought together more than 8,500 education leaders and technology experts to exchange techniques and strategies for teaching and learning success. Known worldwide for its outstanding program, FETC provides educators and administrators the opportunity to explore the integration of technology across the curriculum — from kindergarten to college — through hands-on exposure to the latest hardware, software and successful strategies.
More information and registration here.

SF Periscope Summit
Jan. 14, 2016, 7pm PT – Jan. 17, 2015, 3pm PT
San Francisco, CA
Scopers from all over the world will once again fly in to celebrate and share knowledge about community, social and live streaming. Speakers and audiences will be streaming to hundreds of thousands of people each day showcasing your space.
More information and registration here.

Audience-Driven Leadership: How to Build Product Focused Newsrooms and Manage Change
Jan. 14, 2016, 10am – 5:30pm ET
CUNY Graduate School of Journalism, New York, NY
Learn what it takes to lead an audience-focused newsroom and build competitive news products from The Washington Post’s Cory Haik, NYC Now editor Michael Owen, CUNY’s Jeff Jarvis and others at this exciting, one-day event in NYC, co-sponsored by American Society of News Editors (ASNE) and the CUNY Graduate School of Journalism. You’ll get a hands on introduction to Design Thinking and practical advice on how to use analytics strategically. We’ll discuss the keys to establishing a product culture while producing great journalism — then brainstorm your next great news product. The cost is $249, $140 for ASNE members. Lunch and a networking reception are included.
Register here.

Excellence in Journalism 2016 Call for Programs Submission
Jan. 27, 2016
The Radio Television Digital News Association, National Association of Hispanic Journalists and Society of Professional Journalists are accepting program proposals for their Excellence in Journalism 2016 Convention.
Submit ideas for conference sessions and collaboration interests here.

The Latino Vote: Myth v. Reality
Jan. 29, 2016, 9am ET
Columbia Journalism School, New York, NY
Join us for the first of two daylong conferences intended to dispel myths about the Latino vote and encourage more accurate, thorough political coverage of the 2016 national elections. (A second program next September will focus on the final coverage of the election.) The conference, organized jointly by Columbia Journalism School and Telemundo, will feature discussions about demographics, recaps about the major issues of interest to Latino communities, provide tools to reporters to better research candidates’ voting records, ways to understand and then use polls and political strategists will offer a roadmap for how the national parties are likely to pursue ethnic voters. The program is open only to professional working journalists, including freelancers and journalism students.
More information here.

FEBRUARY 2016 AND BEYOND

Digital Entertainment World
Feb. 9-11, 2016
Hyatt Regency Century Plaza, Los Angeles, CA
From digital content creation to monetization, Digital Entertainment World is where you want to be if you are in the business of creating or monetizing digital entertainment content. DEW 2016 celebrates the visionary content creators and technology innovators who are creating the engaging products and experiences driving the future of connected entertainment.
More information and registration here.

BVE 2016
Feb. 23-25, 2016
London, U.K.
BVE is the UK’s largest event for professionals involved in taking content from creation to consumption. It attracts in excess of 15,000 visitors from more than 60 countries and combines expert-led free seminars with an exhibition that features 250+ of the leading manufacturers, distributors and resellers of professional production and broadcast equipment and systems.
More information and registration here.

Journalism Interactive 2016
Feb. 26-27, 2015
University of Florida
The Journalism Interactive Conference on journalism education and digital media is for journalism educators, and is designed to advance the national discourse on how journalism schools can best prepare students for work in the rapidly changing media environment.
Register here.

MARCH 2016

Ad:Tech New Delhi
Mar. 3-4, 2016
New Delhi
Ad:Tech is a conference and exhibition where the marketing, technology and media communities come together to share new ways of thinking, build strong partnerships, and define new strategies to address the key industry challenges and opportunities.
More information and registration here.

Digiday Publishing Summit Europe
Mar. 7-9, 2016
Bologna, Italy
The digital publishing landscape in Europe today faces a slew of opportunities to connect with readers. These include creating original content, adapting to the mobile transition, scaling video and making money on platforms. At the core, accountability to the consumer and the industry is critical. The Digiday Publishing Summit in Bologna, Italy will address challenges facing legacy publishers and young start-up vying for audiences and spending dollars.
Register here.

Digital Book World Conference and Expo
Mar. 7-9, 2016
New York Hilton Midtown
The Digital Book World Conference + Expo is the premier event for publishers and content providers of all sizes and business models who plan to come out on top of publishing’s digital transformation. Stay nimble in this digital-first, global content market and capitalize on every opportunity, with the help of digital media’s most innovative thinkers and influencers. Get the perspective of both publishing leaders and visionaries from outside the industry. n.
Register here, early bird registration ends December 15.

Digital Media Strategies 2016
Mar. 9-10, 2016
Kings Place, 90 York Way, London, N1 9AG
Digital Media Strategies brings together a global audience of over 400 CEOs and senior leaders. Over three days of case studies, analysis, workshops, training, round table discussions and tailored networking opportunities, it focuses on the key strategic challenges behind developing a profitable and sustainable media business in a digital world. Now in its fourth year, Digital Media Strategies has become the key event for addressing the big-picture challenges facing the industry, focusing not on PR pitches, but instead on honest, in-depth case studies which go deeper than the surface trends.
Register here, early bird registration ends December 15.

SXSW 2016
Mar. 11-20, 2016
Austin, TX
The South by Southwest® (SXSW®) Conferences & Festivals offer the unique convergence of original music, independent films and emerging technologies. Fostering creative and professional growth alike, SXSW® is the premier destination for discovery. Year after year, the event is a launching pad for new creative content. New media presentations, music showcases and film screenings provide buzz-generating exposure for creators and compelling entertainment for audiences. Conference panel discussions present a forum for learning, business activity thrives at the Trade Shows and global networking opportunities abound. Intellectual and creative intermingling among industry leaders continues to spark new ideas and carve the path for the future of each ever-evolving field, long after the events’ conclusion.
Register here.

Ad:Tech Australia
Mar. 15-16, 2016
Sydney, Australia
Ad:Tech is a conference and exhibition where the marketing, technology and media communities come together to share new ways of thinking, build strong partnerships, and define new strategies to address the key industry challenges and opportunities.
More information and registration here.

BinderCon LA
Mar. 19-20, 2016
UCLA and Online, Everywhere
BinderCon is a professional development conference designed to empower women and gender non-conforming writers with the tools, connections and strategies they need to advance their careers. More than a conference, Binders is a community of writers working to increase the diversity of voices in the media and literary arts through conferences, workshops and other career-building events.
Register here.

APRIL 2016 AND BEYOND

Ad Age Digital Conference
Apr. 5-6, 2016
Pier 36, New York, NY
At the 2016 Ad Age Digital Conference, marketers and agencies rethink their work, out loud. What is advertising now — an ad or an experience? How does it get done — and by whom? We hash out pressing industry issues like ad blocking, ad fraud and kickbacks. We set the agenda for the year ahead. No conversation is off the table as big brand, technology and media leaders answer tough questions head on with the Ad Age editorial team framing the conversation.
Register here.

International Symposium of Online Journalism
Apr. 15-16, 2016
University of Texas at Austin, TX
Since 1999, editors, producers, executives, and academics from around the country (and lately from around the world) have gathered in Austin every year (except 2000) to discuss the evolution of this new genre of journalism. The Symposium has been a small, but very intense conference that serves as a barometer for the state of Online Journalism.
Call for papers now underway; more information here.

LA Games Conference
Apr. 19, 2016
West Hollywood Hotel, Los Angeles, CA
Join the most influential decision-makers in the digital media industry at Digital Media Wire’s Annual LA Games Conference to network, do deals, and share ideas about the future of games and connected entertainment. Featuring two tracks with fireside chats, roundtables, panels and presentations on digital game investment, creation, distribution, marketing and monetization, the event brings together many of the elite in the industry for top sessions and power networking.
More information and registration here.

LOCALCON 2016
Apr. 20-22, 2016
Chelsea Football Stadium, London, U.K.
From London to Luxembourg, Paris to Prague, Hamburg to The Hague — the European market is a dense and fragmented opportunity for local marketing solutions providers. LOCALCON 2016 offers the best way to navigate and unlock the potential in this market. This event is essential for marketers, media and solutions providers operating in this dynamic space. Panels, presentations and exhibitions will equip attendees with the right connections and actionable takeaways.
More information and registration here.

Conference: Freedom of Information Act — 50 Years Later
Jun. 2-4, 2016
Columbia Journalism School, New York, NY
More information to come here.

ONA16
Sept. 15-17, 2016
Hyatt Regency Denver, 650 15th Street, Denver, CO
Record-breaking numbers of journalists travel to ONA’s conference each year to learn about new tools, techniques and technologies, to discuss advancements and challenges in the industry, take advantage of the rare opportunity to network face-to-face, and share best practices with peers from all over the map.
Information here.

Excellence in Journalism 2016 Convention
Sep. 18-20, 2016
The Radio Television Digital News Association, National Association of Hispanic Journalists and Society of Professional Journalists present their Excellence in Journalism 2016 Convention.
More information to come here.

Ad:Tech London
Oct. 25-26, 2016
Old Billingsgate, London
Ad:Tech is a conference and exhibition where the marketing, technology and media communities come together to share new ways of thinking, build strong partnerships, and define new strategies to address the key industry challenges and opportunities. Ad:Tech London is where the U.K.’s marketing and media players meet for technology discovery, cutting-edge content and unrivaled networking.
More information and registration here.

Ad:Tech NY
Nov. 2-3, 2016
New York
Ad:Tech is a conference and exhibition where the marketing, technology and media communities come together to share new ways of thinking, build strong partnerships, and define new strategies to address the key industry challenges and opportunities.
More information and registration here.

For a roundup of must-go journalism conferences, see Contently’s list here.

UPDATE: This piece has been updated with information about LOCALCON 2016

Sonia Paul is a freelance journalist reporting in India and the U.S., and is the editorial assistant at MediaShift. Her work has appeared in a broad range of media, including the Al Jazeera Media Network, Caravan, Foreign Policy, Guardian, Mashable, New York Times, PRI’s The World, Roads & Kingdoms and VICE News. She previously produced the grant-funded podcast series Shizuoka Speaks, based in Japan. She is on Twitter and Instagram @sonipaul.

Grants, fellowships and awards for January and February 2016 from AIR

Just one of the phenomenal resources from AIR. Sign up for more!
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• Artist Trust Fellowships
Deadline: Jan. 11, 2016
Details: Artist Trust Fellowships are designed to recognize artistic achievement, dedication to an artistic discipline and potential for further professional development. Approximately 16 fellowships of $7,500
Website: http://artisttrust.org/index.php/for-artists/money#fellowships

• The MacDowell Colony's Art of Journalism Initiative
Deadline: Jan. 15, 2016 for summer 2016
Details: Fellowships for writers engaged in deep reporting and complex, long-form journalism during a residency at MacDowell, as well as grants of up to $2,500 based on financial need to fund travel, research, and other project-based work before or after the residency.
Website: http://www.macdowellcolony.org/apply.html

• Kresge Artist Fellowship
Deadline: Jan. 21, 2016
Details: $25,000 award and professional practice opportunities for emerging and established metropolitan Detroit artists in the dance/music, film/theatre, literary arts and visual arts.
Website: http://www.kresgeartsindetroit.org/apply/

• New York Foundation for the Arts (NYFA) Fellowship
Deadline: Jan. 28, 2016
Details: $7,000 cash awards made to individual originating artists living and working in the state of New York for unrestricted use
Website: https://www.nyfa.org/

• Nieman-Berkman Fellowship in Journalism Innovation
Deadline: Jan. 31, 2016
Details: The Nieman-Berkman Fellowship in Journalism Innovation brings individuals to Harvard University to work on a specific course of research or a specific project relating to journalism innovation and pays a $65,000 stipend over nine months.
Website: http://nieman.harvard.edu/fellowships/nieman-berkman-fellowship-in-journalism-innovation-2/

• Thomson Reuters Foundation Fellowships
Deadline: Jan. 31, 2016
Details: Reuters Institute Journalist Fellows with a minimum of five years' experience in the field spend one, two or three terms at the University of Oxford. Awards may include travel expenses (including air travel economy class) and a modest living allowance.
Website: http://reutersinstitute.politics.ox.ac.uk/page/journalism-fellowship-programme

• Joan Shorenstein Fellowship
Deadline: Feb. 1, 2016
Details: The Shorenstein Center on Media, Politics and Public Policy at Harvard hosts eight one-semester residential fellowships each year for journalists with a minimum of five years of experience. Stipend is $30,000 for one semester.
Website: http://shorensteincenter.org/fellowships/

• Knight Wallace Fellowship
Deadline: Feb. 1, 2016
Details: Fellows devise a personalized study plan and participate in twice-weekly seminars. Extensive travel is a core component of the Knight-Wallace experience, with news tours to Argentina, Brazil and Turkey and a family trip to Northern Michigan. Stipends of $70,000 for U.S. fellows (varied for international fellows).
Website: http://www.mjfellows.org/about/

• Kip Tiernan Social Justice Fellowship
Deadline: Feb. 8, 2016
Details: A one-year, $40,000 fellowship for a woman to develop and carry out a special project that will further the mission of Rosie’s Place anywhere in New England
Website: http://www.rosiesplace.org/who_we_are/founder/kip_tiernan_social_justice_fellowship

• Robert Novak Journalism Fellowship
Deadline: Feb. 9, 2016
Details: Journalists with fewer than 10 years' experience propose a one-year writing project on a topic of their choosing, focusing on journalism supportive of American culture and a free society. Stipends range from $25,000 to $50,000.
Website: http://www.novakfellowships.org/

• Matthew Power Literary Reporting Award
Deadline: Feb. 16, 2016
Details: A grant of $12,500 will be awarded to support the work of a promising early-career nonfiction writer on a story that uncovers truths about the human condition.
Website: http://journalism.nyu.edu/about-us/awards/matthew-power-literary-reporting-award

• The Reporting Award
Deadline: Feb. 22, 2016
Details: The Reporting Award supports a work of journalism in any medium on significant underreported subjects in the public interest. The maximum award is $12,500. Winners will have access to New York University’s libraries and the Institute’s facilities
Website: http://journalism.nyu.edu/thereportingaward

• Knight Science Journalism Fellowship at MIT
Deadline: Feb. 29, 2016
Details: A $70,000 stipend for science journalists with at least three years of experience, to enable them to explore science, technology, and the craft of journalism in depth, concentrate on a specialty in science, and to learn at some of the top research universities in the world.
Website: http://ksj.mit.edu/the-fellowships/

Happy New Year, and the latest call for pitches from Upworthy

Happy new year freelancers! I've got big plans for FC in 2016 so keep spreading the word and keep an eye out for a bigger, better website! In the meantime, here's the latest from Upworthy.

Cheers,
Mia

+++++++++++++++++++

Hi Upworthy freelancers,


Happy 2016!



As per usual, we'd like to call out some of our most viewed and most shared stories from December 2015:
Cheers to these pieces! Awesome work, and a great spread of topics and writing.
We also have 3 other reminders for you this month:

1. Our freelance program manager is out for two weeks in January, so we'll be a bit delayed in responding to pitches and emails. Expect responses from us during the week of January 18th, and please know that we're doing our best to get through pitches and questions quickly.

2. We're now using a Google Form to collect your pitches (instead of email). So it would be great if you could submit your story ideas using that form from now on. Questions can still be directed to pitches@upworthy.com!

3. Our fearless leader, Amy O'Leary, wrote a great year-end round up about what we've been up to at Upworthy in 2015, and we hope you'll read it here.

But we also hope you'll take note of how she pitched 3 stories in that blog. Each is 2-4 sentences, and a perfect elevator pitch. When we ask you to summarize your story in that pitch form, this is what we want: the characters, the conflict, the surprise, and the meaning… all wrapped up in a few short sentences.

This is tough work, but when we see pitches like this, we celebrate
​… and then we pick them up right away.

One last thing: We're always looking for stories not topics. Climate change is a topic. Gun control is a topic. A story, on the other hand, has characters, drama, great photos, surprising details, and a narrative arc. Check out our pitching packet to be reminded of this!

We look forward to hearing from you this month!
All of the best,
The Upworthy Freelance Team

Announcing FIRE – a pilot project to support Freelance Investigative Reporters and Editors

See below for information about a new project in support of freelance investigative reporters and editors from my friend and first journo-boss Laird Townsend of Project Word. More info HERE.

 

Dear fellow journalists and supporters,

Project Word is pleased to announce the pilot of a new program, Freelance Investigative Reporters and Editors (FIRE).
FIRE will draw on the results of a 2015 national survey to help freelance investigative reporters do their valuable job in the public interest. The survey found that declining pay and other resource constraints were causing a crisis in independent reporting.
Launched with a $200,000 grant from an anonymous donor, FIRE has heeded the recommendations of freelancers themselves to craft a solution to the crisis.
The program is a collaboration between Project Word and Investigative Reporters and Editors (IRE) and will operate with complete editorial independence from its funding sources.
FIRE will serve reporters with two basic services: 1) a Help Desk for referrals, and 2) a Virtual Newsroom.
The Help Desk will provide advice and consultation to a wide array of investigative reporters, including those new to freelancing. The Virtual Newsroom will serve reporters with stipends accompanied by a suite of reporting tools—from research assistance and professional trainings, to editing help and legal review.
For more, visit Services and FAQs. If you are a reporter, please review FIRE’s Guidelines to determine whether you are eligible to submit an online application. The deadline to apply is February 10, 2016.
Beyond helping valuable stories reach the public, FIRE aims to contribute to a national dialogue about the role of independent reporters in a rapidly changing society. We believe that freelancers deserve the best chance to succeed in their work, to the benefit of us all. We are excited to help that happen.
Thank you for making FIRE possible.
Best,

Laird Townsend,
Project Director

 

Aronson Awards for social justice journalism Call For Entries, deadline Feb 15

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JAMES ARONSON AWARDS

Dear Colleagues,

We are soliciting submissions for this year's James Aronson Awards for Social Justice Journalism.

The deadline for entries is February 15, 2016 

Since 1990, the Aronson Awards have honored original, written reporting that exposes widespread injustices, underlying causes, and possible reforms. This includes exposing discrimination based on race, class, gender, religion or sexual orientation; economic exploitation; violations of human rights, civil liberties or free expression; environmental degradation; and brutality to civilians in war.

The award recognizes original work published in English in newspapers, magazines, blogs and online publications based in the U.S.

A separate prize, the Grambs Aronson Award for Cartooning with a Conscience, recognizes the achievements of political cartoonists whose work focuses on social issues.

Individual reporters, cartoonists and publications are encouraged to submit your work. 

For more information, submission guidelines and a list of past winners, please go to http://brie.hunter.cuny.edu/aronson/

The Aronson Awards are administered by the Hunter College Department of Film & Media Studies and a judging committee of journalists and media critics.

For more information please contact Tami Gold at tamigold@mindspring.com

Sincerely,

Tami Gold & Blanca Vazquez, Directors

James Aronson Awards for Social Justice Journalism
Hunter College of the City University of New York
 
212 772.4953 Office 


radio storytelling competition from XRAY.fm, deadline Jan 8

XRAY.fm in Portland, OR is offering prizes for the best radio storytelling. Details HERE and below. Deadline Jan 8.
++++++++++++++++

If you hadn't already heard, XRAY.fm in Portland OR is hosting a radio storytelling contest. You can win up to $500, get your piece on a handout vinyl record, or win a bunch of other cool prizes. We're looking for two kinds of entries, feature stories (3-7 minutes in length) and billboards (one minute or less).

All of the details and piece requirements can be found here: xray.fm/radio-is-yours

And for more incentive, if you feature a nonprofit in your winning piece, the nonprofit will also take home a donation from XRAY! The deadline for pieces is midnight on Friday Jan. 8th, so get cracking!

pitch a documentary for BBC’s World Stories 2016, deadline Feb 29

Amazing opportunity from the BBC. Initial deadline Feb 29. Details HERE and below. 

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Do you have an inspiring documentary programme idea? If so, we are offering you the chance to create your own radio programme for a truly global audience.

World Stories is a new documentary series from the BBC World Service that offers programme-makers from around the world the opportunity to produce an innovative piece of radio storytelling that will surprise and inform a global audience. We want to be challenged, surprised and moved by your stories, themes, treatments and ambition.

We will commission four original documentaries from four experienced radio producers from around the world. The subjects chosen and the way you treat them can be challenging in both form and execution and it is worth remembering that 80% of our audience have English as a second language.

The selected documentaries will be allocated a maximum of £6,600 (9,882 USD) to cover all costs incurred by the programme – eg travel, studios, equipment, presenters, contributor fees, rights clearance, hotels, expenses etc. The programmes will need to be delivered in two different durations – 23 minutes and 26 minutes 30 seconds – in line with the usual BBC programme clock, and must adhere to the BBC Guidelines –click here for more details.

We will also look at the best ways to enhance these stories online and digitally either in written, visual or audio form.

Listen to the documentaries below to get a feel for what we are looking for in the next series of World Stories – you can find these at bbcworldservice.com/worldstories and listen to more documentaries from the World Service at bbcworldservice.com/thedocumentary.

Step One: Initial proposals should come in the form of a 200 word outline to be received no later than Monday 29 February, 2016. Entries should be emailed to World Stories Commissioning

Listen to a selection of our documentaries

Apply now for a Spring 2016 Israel Story Internship!

Seems like a big ask to go to Israel to work for free, but if you're itching to travel and need to get some work experience while you're there, this might be right for you. Details below. -Mia
+++++++++++++++++++++

Israel Story is a documentary storytelling radio show/podcast, and we’re looking for interns for the English version of our show. Now’s especially exciting time to join— we recently launched our second English season in co-production with Tablet Magazine, and distributed by PRX!

For this position, you could choose to live in Jerusalem or Tel Aviv-Yafo. Either way, you’ll get to explore the country as you help us find and tell the stories of Israel’s most interesting characters.

This position begins in February, and is a 4-5 month commitment, which could lead to a longer-term, paid job. The position is unpaid, but outside funding may be available, for instance via a Masa grant.

Candidates with experience in audio production, production logistics, storytelling, multimedia production, journalism, and/or social media are strongly encouraged to apply.

Please send a cover letter, resume, and links for 2-3 examples of your work to: internships@israelstory.org

About Israel Story:

Israel Story is one of the most popular national radio shows in Israel, and the country’s first storytelling podcast of its kind. Hosted by Mishy Harman, Israel Story shines a light on the big and little dramas that comprise life in Israel, amplifying voices that are rarely heard in the mainstream media. Israel Story recently branched out into English, co-producing its first English season with Tablet Magazine, and now a second season (in English) with Tablet and the public-radio powerhouse PRX. The show has gotten a lot of tremendously positive attention–it was featured in the New York Times, an episode was selected as one of the top 10 best podcast episodes of 2014, and stories from the first season have been heard on NPR stations across the US, including as the Mother’s Day special on WNYC. Our stories have been featured on award-winning nationally syndicated shows like ‘Radiolab,’ ‘Snap Judgment,’ and ‘To the Best of Our Knowledge‘.

Undark Magazine call for (multimedia and other) pitches

Undark Magazine goes live in April 2016 and they want your stories! They're looking for all kinds of stuff: long form, short form, op-ed, and multimedia. Get in early! Details below. -Mia

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Editorial Mission

The name Undark arises from a murky, century-old mingling of science and commerce — one that resulted in an industrial and consumer product that was both awe-inspiring and, as scientists would later prove, toxic and deadly. We appropriate the name as a signal to readers that our magazine will explore science and technology not just as "gee-whiz" phenomena, but as frequently wondrous, sometimes contentious, and occasionally troubling byproducts of human culture.

As such, the intersection of science and society — the place where science is articulated in our politics and our economics; or where it is made potent and real in our everyday lives — is a fundamental part of our mission at Undark. As journalists, we recognize that science can often be politically, economically and ethically fraught, even as it captures the imagination and showcases the astonishing scope of human endeavor. Undark will therefore aim to explore science in both light and shadow, and to bring that exploration to a broad, international audience.

Undark is not interested in "science communication" or related euphemisms, but in true journalistic coverage of the sciences. 
 

Submission Guidelines

Beginning in April, 2016, Undark Magazine will be publishing twelve pieces of long-form, narrative-driven journalism each year, accompanied by a regular and ongoing mix of shorter features, profiles, essays, op-eds, book excerpts, Q&A's, reviews, blog posts, photography, digital video, information graphics and data visualizations.

NOTE: All prospective first-time contributors should include a brief biography and a selection of journalistic work samples, via links or attachments.

Long-form projects

Writers interested in pitching a long-form project should submit a two- to three-page proposal that outlines the narrative thrust and expected length of the piece; highlights key characters and subjects; and clearly articulates how the proposal meets the magazine's mission of shedding light on the often fractious intersection of science and society. Writers are encouraged to detail any travel that might be required as part of the project.

Submit long-form project proposals as a Long-form Project Pitch.

Short-form & other proposals

Writers wishing to submit ideas for shorter features, profiles, essays, Q&A's, and reviews should submit 200 to 300 words describing the proposed piece and how it fits into the magazine's editorial mission.

Submit short-form project proposals as a Short Feature Pitch.

Op-eds

Writers wishing to submit ideas for opinion pieces should submit a brief summary describing the issue of concern, its timeliness, the argument to be made, and a full disclosure of all relevant personal and professional affiliations.

Submit op-ed proposals as an Opinion Pitch.

Book excerpts & reviews

Authors, publishers or agents submitting books for review consideration should send galleys or hard copies to Undark Magazine, c/o Knight Science Journalism @MIT, E19-623, 77 Massachusetts Avenue, Cambridge, MA 02139. 

Authors, publishers or agents seeking to offer book excerpts for publication at Undarkshould submit a short proposal as a Book Query.

Blog posts

Writers wishing to contribute to Undark's blog, Cross Sections, should send a short query describing the topic and its timeliness.

Submit blog proposals as a Blog Pitch.

Multimedia

Photographers, videographers, filmmakers, graphic designers, data visualization experts, editorial illustrators and other visual journalists wishing to pitch projects, or to make themselves available for work assignments as they arise, can reach out to us at visuals@undark.org.

Please include resumes and links or attachments to previous, relevant work.


Payment

Our pay rates vary by project, but we strive to be both fair and competitive.


call for pitches from WHYY’s The Pulse

WHYY's The Pulse wants YOU (your pitches anyway). Details below.
++++++++++++++++++++++
Reporters & Producers,

WHYY's "The Pulse" (stories at the heart of health, science, and innovation) is in future planning mode right now, and we're hungry for pitches. We're open to fresh new ideas or rebroadcast features that are still relevant and haven't yet been run by national news magazines.

Pitch away! Email me: jpatterson@whyy.org.

Joel Patterson, Managing Editor

****If you aren't sure what we're looking for, here are our guiding principles:

Empower people to take control of their health.
We aren’t here to market gadgets or push fad diets. We are in the business of giving people the tools to understand their options and their rights.

Put people first.
Our show humanizes complicated issues by allowing reporters and their subjects to be themselves and speak in their authentic voices.

Answer questions people didn’t even know they had.
One of the best sources for great storytelling is our own experience. If you find yourself wondering “why?” odds are our audience is, too…whether or not they know it.

Surprise.
If the audience can predict the next story…we’re failing.

Celebrate with skepticism.
Science and technology are fertile ground for amazing breakthroughs in our understanding the human condition. We celebrate those moments, but we do so with the caveat that “science is a moving target.”

Take the audience on a journey.
The point of departure is ignorance, the destination is understanding. And, if the choice is between interviewing someone in their office at Pennsylvania Hospital and in a hot-air balloon over the Rio Grande…you know the rest.

Keep it weird.
The fringe is where the action is.

CA Community Stories grant available, deadline February 1

Hey CA folks. California Humanities grants [up to $10K] are now available for Community Stories – intended to capture and share compelling stories from and about California’s diverse communities. Applications will be accepted from January 4 through February 1, 2016.

 

Guidelines, work samples, and an application webinar video can be found HERE. More info below.


++++++++++++++++++++++ 

 

California Humanities will soon begin accepting applications for our February 1, 2016 deadline for Community Stories, our competitive storytelling grants program. The official application period is January 4, 2016 through February 1, 2016; in the meantime, the Community Stories grant guidelines are available for potential applicants to peruse beginning December 1!

 

In addition, our staff will host grant workshops in anticipation of the February deadline, including an informational webinar for grant applicants on December 16, 2015 at 11 am. Click here to register for this webinar, and be sure to check our website periodically for information regarding future grant workshops!

 

California Humanities’ Community Stories grants program provides funding to support a wide range of community-initiated public humanities projects, including:

• story-based performances
• community forums
• websites
• video and radio documentaries
• interpretive exhibits

Since 2003, we have made over 450 awards for projects that collectively illustrate the diversity and breadth of the California experience.

 

ELIGIBILITY

• California-based nonprofit and/or fiscally sponsored organizations
• local/state public agencies or institutions

WHAT WE FUND

• focus on collecting and sharing real stories of California’s communities
• involve at least one humanities expert as an advisor
• use the methods of analysis that inform the humanities as well as community-based research
• produce work that is publicly accessible

HOW MUCH WE GIVE 

• Grant awards range up to $10,000
• Matching cash or in-kind donations are required

For more information, including current guidelines, application materials and instructions, and descriptions of funded projects, click HERE.

 

 

http://eagerton.com/clients/calhumanities/images/sig-left-quote.png

ANGELICA DONGALLO

Grants & Programs Associate

 

California Humanities
538 9th St, Suite 210
Oakland, CA 94607

tel   415.391.1474 x 308
fax   510.808.7533

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www.calhum.org

 

 

part time Sound Designer / Engineer position at Reveal (Emeryville CA), deadline NOW

The excellent Reveal is hiring a part time sound designer to work in their Emeryville office. Details from the lead engineer below. And NOTE, they’re already going through resumes so if you want this, giddyup!
-Mia

++++++++++++++++++++

The position starts at 25 hrs / week with the likelihood of transitioning to full time later in the year.  Because of this I understand that it might only have appeal to someone looking to be in the bay area anyway, and/or with a stable of freelance work that supports a part-time gig.  But I can say that
1) the compensation should be fair
2) For my right-hand lady or man, I’ll be there to provide a lot of support and mentorship, and that
3) Reveal just rules as a workplace.  Good people all around.
Best,
Jim

 

December call for pitches from Upworthy

The latest call for pitches from Upworthy is below. Also, the formatting of my last email got all screwed up – sorry about that. Here's a quick list of what was in that post in case it was impossible to read.

And here's the Upworthy stuff. Happy Friday!
-mia
++++++++++++++++++++++++

Hi Upworthy freelancers,


Happy holidays, welcome to the month of December, and thank you for all of your great work last month!
It was a good month. We published stories from you about everything from Black Friday, to sharks, to moving companies that help domestic violence victims.

We're also getting more and better pitches from you each week. In fact, this is how your editors are starting to feel as we sort through those pitches:



So far, your work has helped us drive millions of views to stories that matter. Bravo!


As per usual, we'd like to call out some of our most viewed and most shared stories from November 2015:
Cheers to these pieces, which checked all four major boxes: surprising, visual, meaningful, and shareable!

​​
On that note, we have some other big-ish news: we've switched our pitching platform!

Moving forward, we'll be using a Google Form to collect your pitches (instead of email). It would be best if you could submit your pitches using that form from now on. And once you've done that, we'll do our best to get back to you within 7 days, as always. Questions can still be directed to pitches@upworthy.com!
On that note, here are the topics we're looking for this month:
1. Holidays: We'll be picking up about 20 extra stories this month for holiday coverage. So if you have any amazing holiday stories, we want to hear them!
2. Climate change: We're running a few climate campaigns this month, so we'd love to hear stories (not topics) related to climate change. These stories should be surprising—something we haven't heard about before — and very visual. (And yes, we have a staff writer in Paris at the moment for the climate talks… so no, please don't pitch us coverage of that event!)
3. Humanity FTW: Are there businesses that make you think "wow, more companies should be like that"? What about people who restore your faith in humanity, even if it's just for a moment? That. We want to read about that.
4. Food: Our readers love food, but writing about food in an inclusive, systemic, Upworthy way can be difficult. Do you have ideas about things we should cover? Something like this, maybe? Or like this? Send them to us, please. Bonus points for fantastic food photos.
[We're also still interested in stories about personal financeprisonsaging, and military life…. we need more coverage in those areas!]
Alright. That's it for today, folks.

Remember: We're always looking for stories not topics. Climate change is a topic. Gun control is a topic. A story, on the other hand, has characters, drama, great photos, surprising details, and a narrative arc. Check out our pitching packet to be reminded of this!
Now, go get 'em.


We look forward to hearing from you this month!
All of the best,
The Upworthy Freelance Team


FIJ Now Accepting Grant Applications, deadline Feb 1

Heads up – the next round of funding from FIJ is open. Go get it! Deadline Feb 1.

++++++++++++++++++
The Fund for Investigative Journalism (FIJ) is now accepting applications for its Monday February 1, 2016 deadline.
Please read the application instructions with care; some have changed.
The new instructions are available here: http://fij.org/grant-application/
Best,
Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the Catalogue for Philanthropy: Greater Washington
@FundFIJ


The Power of Narrative 2016 conference, April 1-3, Boston

I'm thinking of going to the Power of Narrative Conference in Boston, April 1-3. Any FC friends want to join? We could do an FC Happy Hour…
-Mia

Registration Now Open!

Gay Talese Named Special Guest at 
2016 BU Power of Narrative Conference

Legendary journalist and author Gay Talese will headline the 2016 Power of Narrative Conference on April 1-3 at Boston University, conference organizers announced today.
 
The gathering of narrative storytellers, with more than 500 attendees expected from around the world, will be among the most ambitious Power of Narrative events since the annual conference was founded nearly two decades ago.
 
"We're delighted to welcome Gay Talese back to the College of Communication's Power of Narrative Conference and to honor him for his unmatched contributions to this craft," said Tom Fiedler, dean of the BU College of Communication. "No journalist more ably demonstrates the 'Power of Narrative' in telling true stories, and none shares more generously the techniques that will enable others to succeed.  It's our great fortune to honor Gay as the 2016 Thomas R. Schoenenberger Visiting Writer."
 
In addition to Talese, among the more than 40 confirmed speakers are acclaimed authors Mary Roach, Hampton Sides, Sam Freedman and Meera Subramanian, and award-winning Boston Globe editor Brian McGrory. The Globe has come aboard as conference's "Presenting Sponsor," and will host a cocktail party for all attendees.
 
"The Moth" is bringing its unique brand of audio storytelling to the Friday night kickoff, and The New York Times is sending journalists Fernanda Santos, Sarah Maslin Nir and Ben Solomon, among others.
 
Keynote and breakout sessions will range across all platforms of narrative, in keeping with the conference's pledge to keep nonfiction storytellers "savvy, skilled and solvent in journalism's wired era." Registration for the conference opened Dec. 1, and discounted early bird registration runs through Jan. 22. Special rates are also available for college and graduate students and Boston University alumni.
 
Registration and other information can be found at bu.edu/com/narrative/.
 
Talese is a bestselling author who has written 11 books. He was a tenacious reporter for the New York Times from 1956 to 1965, and since then he has written for the Times, Esquire, The New Yorker, Harper's Magazine, and other national publications.
 
His groundbreaking article "Frank Sinatra Has a Cold" was named the "best story Esquire ever published." He was one of the first journalists to apply fiction techniques to journalism, and was credited by Tom Wolfe with the creation of the innovative form of nonfiction writing called "The New Journalism."
 
His most recent book, A Writer's Life, was published by Knopf in 2006 and reissued in trade paperback by The Random House Publishing Group in July 2007. A collection of his sportswriting, The Silent Season of a Hero, was published by Walker & Company in September 2010.
Power of Narrative
The Power of Narrative Conference has convened in several places and under several names, since its founding at Boston University in 1998. The Power of Narrative's mission remains constant as storytelling journalism goes digital: helping narrative journalists strengthen their craft, following the highest ethical practices and imparting the down-to-earth humanity that characterizes the genre. Join us at the Power of Narrative Conference at Boston University College of Communication from April 1-3, 2016.
 
Boston University College of Communication
Established in 1947, the Boston University College of Communication prepares students for careers in Film, Television, Journalism, Mass Communication, Advertising, Public Relations and Media Analytics, and offers advanced studies in Communication Research, including the field of Emerging Media. With more than 2,000 undergraduate and graduate students, the college is among the largest of its kind in the country and offers a broad and deep curriculum rooted in the liberal arts and complemented by professional education.  The faculty is a blend of traditional academicians and widely experienced professionals. Last year COM celebrated its 100-year legacy, commemorating the first classes in advertising and journalism taught at Boston University in 1914.
Contact: Sarah Kess srkess@bu.edu 617-353-3484

The Power of Narrative | bu.edu/com/narrative Facebook | Twitter

Detour seeks EPs in LA, Chicago, and NYC

Hey folks. Very cool Bay Area-based org, Detour, seeks producers in three new cities: Chicago, NYC, & LA.


Also, FWIW, I'm throwing my hat in for the NYC gig, so let me know if you want to collaborate!
Best,
Mia


resource for budding filmmakers

From what I can tell, ShoHawk is a page much like FC, but specific to filmmaking. From their homepage:


It’s a new era for filmmakers, and we’re here to usher you into it. We founded ShoHawk.com to share years of lessons on building a filmmaking career, and making the art you want to create, on your own terms. Along the way, you’ll see those creations, and learn how we made them happen! If you’d like to know more about who we are, CLICK HERE!

Check 'em out!
-Mia


call for pitches from new BBC show, The Culture Frontline

This is awesome!! Visit AIR's Pitch Page for more info. And here's a link to the show itself: http://www.bbc.co.uk/programmes/p0362l0f.

++++++++++++++++++++++++

BBC launches new show with call for pitches

The Cultural Frontline, a new, weekly arts program for the BBC World Service, has put out a call for pitches. 

Producer Ellie Bury wants 5-7 minute "journalistic responses to cultural moments and culturally informed reflections [from] … international writers and reporters who draw on their firsthand experience of culture where they are." The BBC will commission between three and five spoken-word dispatches, pre-recorded features and interviews each week for rates between $225 and $480.

For complete details about The Cultural Frontline and other programs, podcasts and networks that are seeking pitches, visit AIR's Pitch Page.


Fellowships at Auschwitz for the Study of Professional Ethics, deadline Jan 5

Interesting fellowship that provides RT travel from NY to Europe. Geared toward grad students and recent grads. Application deadline Jan 5.

++++++++++++++

FASPE Journalism is currently accepting applications for the summer of 2016. Below is a short email-friendly description of the program.

Please share this information with your students and alumni. Thank you.

For questions, please contact:
Thorin Tritter
FASPE
Managing Director
ttritter@FASPE.info
646-437-4307

Summer Ethics Fellowship in Journalism

Fellowships at Auschwitz for the Study of Professional Ethics (FASPE) is now accepting applications for its 2016 journalism program. FASPE Journalism uses the conduct of reporters and other media professionals during the Holocaust and in Nazi Germany as a launching point for an intensive course of study on contemporary journalism ethics. FASPE is predicated upon the power of place. Fellows visit Auschwitz and other sites in Germany and Poland where they consider how to apply the lessons of history to the ethical challenges of journalism today.

FASPE Journalism is open to graduate students going into journalism, as well as working journalists early in their careers. Ten to 15 Fellows will be chosen for the 2016 program, which will run from Friday, May 20 through Thursday, June 2. All program costs, including travel to Europe from New York and back, European travel, lodging, and food are covered. FASPE Journalism is part of a program offering fellowships in several professional fields. Journalism Fellows travel and share some seminars with Business and Law Fellows.

FASPE programs are non-denominational. Candidates of all religious, ethnic, and cultural backgrounds are encouraged to apply.

Completed applications are due by January 5, 2016. To apply or to learn more about FASPE, please visit: www.FASPE.info. For a flyer on FASPE Journalism, follow this link.

If you have any questions, please contact Thorin R. Tritter, Managing Director of FASPE, at ttritter@FASPE.info.

Information & Application: www.faspe.info Questions: ttritter@faspe.info
FASPE | 36 Battery Place | New York, NY 10280 US

quick-turnaround photog gig in Chicago

CA-based producer seeks a photographic storyteller in Chicago for a quick-turnaround gig late this week/early next. Details below! -Mia
+++++++++++++++++++

Looking for a good storyteller in Chicago who has a journalism skill-set
that includes solid photography. This person will visit a Chicago start-up
for 1-2 hours and take some quick-turnaround photos, following the
guidelines I provide.

Ideally, you'll be able to collaborate with me by following a shot-list to
help capture the story of the people behind this start-up, while also
keeping an eye out for anything exciting that might be happening.

The shoot can take place anytime between Friday morning (Nov 14th) and
Monday afternoon (Nov 17th). We'll coordinate a mutually agreeable time
for everyone involved.

What I'm not looking for is a wedding photographer, an Instagram hobbyist,
or a professional portrait photographer. Rather, this role is for a
journalist or marketer with a good eye for image composition and a strong
sense of story.

This pays hourly (not per image) — think tape-sync, but with images
instead of audio. The rate is $50 per hour, with a minimum of $100.

Please contact Stacy at stacyb@audioluxe.org.  Thank you!

“Radio Is Yours” Contest from XRAY.fm, deadline Dec 11

Fun contest open to any radio producers, with a separate category for student submissions! Details HERE and below. Deadline Dec 11.

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I'm happy to announce the Radio Is Yours contest from XRAY.fm. This is a radio storytelling contest open to anyone around the country. You have between 7 seconds and 7 minutes to tell a story about change you've seen in your community and/or city. We're looking for two types of submissions, each with their own guidelines.

All the details can be found here: http://xray.fm/radio-is-yours

You can win money, air time on XRAY, and a bunch of other prizes, so check it out! The deadline for submissions is midnight on Friday Dec. 11th. Good luck!

The Pulse seeks pitches for “Fresh Start” themed show

The Pulse wants your stories! Details below.

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Reporters & Producers,

We're working on show with the theme "A Fresh Start," and we're currently looking for great pitches from freelancers to fill a couple open spots in our rundown. We're in need of stuff in the 5-10 minute range, and we're open to format, style, and both first-run and repurposed material. Send us your good ideas.

Joel Patterson
jpatterson@whyy.org

About Our Show
The Pulse is a weekly exploration of the worlds of health, science, and innovation. Our goal is take our audience on a journey, to humanize the inhuman, to celebrate with skepticism, to put people first, to surprise, to answer questions people didn’t even know they had, to empower them to take control of their health, and certainly to keep it weird. We’ve covered everything from the role of precision medicine in bridging the racial divide to the oddly fascinating history of the dimmer switch. We’ve documented the challenges of interstellar sex, and we’ve sat at an old grand piano in a hospital lobby as a young doctor played us a tune in her down time. We’re hungry for sound-rich stories that take us beyond headlines and into the heart of a story…sometimes literally.

show: one hour weekly

segments: up to 10 minutes

compensation: $350-900 commensurate with length and depth of reporting and reporter/producer experience

pitch: By email. Please put PITCH in the subject line, be as succinct as possible about the voices and sound of your proposed piece and please listen to the show in order to understand our tone and previous pieces. Please also include a couple of links to your past work.
contact: Joel Patterson, Managing Editor, jpatterson@whyy.org
phone: 215-351-5883
mailing address: 150 N. 6th Street, Philadelphia, PA 19106
website: http://www.whyy.org/thepulse


Grants, Fellowships and Awards for November and December from AIR

For the real deal and much more, sign up for AIR.

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• JoLT (Journalism Leadership Transformation) Fellowships
Deadline: Nov. 18, 2015
Details: Three funded Fellows simultaneously will earn a Master’s of Art in Game Design while working to reorganize the way media are communicated, analyzed and produced from a leadership perspective.
Website: http://www.american.edu/gamelab/#!jolt-fellowship

• ABOG Fellowship For Socially Engaged Art
Deadline: Nov. 23, 2015
Details: Project support of $20,000 with minimal restriction for artists who demonstrate artistic excellence and serve as innovative conduits for social change. Proposed projects will be judged on artistic excellence, capacity to enact social change, viability in everyday life, and fit with fellowship resources.
Website: http://www.abladeofgrass.org/application/guidelines/

• Princeton in Asia Fellowships
Deadline: Nov. 13, 2015
Details: PiA offers year-long, service-oriented fellowships in 21 Asian countries in the fields of education, international development, public health, environmental advocacy, journalism and business, with a majority of fellows working as English teachers at universities and high schools.
Website: http://piaweb.princeton.edu/

• Bicentennial Swedish-American Exchange Fund
Deadline: Nov. 15, 2015
Details: Up to SEK 30,000 ($3,450) in support of intensive research trips to Sweden of 2-4 weeks in length. Applicants should have well-developed projects within the prioritized fields of politics, public administration, working life, human environment, mass media, business and industry, education or culture.
Website: http://www.studyinsweden.se/Scholarships/SI-scholarships/The-Bicentennial-Swedish-American-Exchange-Fund/

• Health Coverage Fellowship
Deadline: Nov. 30, 2015
Details: The Health Coverage Fellowship is designed to help newspaper, radio, television, and online reporters and editors do a better job covering critical healthcare issues. Each year 10 journalists are selected from across the country for an intensive 9 days and nights of training. The fellowship is housed at Babson College’s Center for Executive Education in Wellesley, MA.
Website: http://bluecrossmafoundation.org/programs/health-coverage-fellowship

• APSA Congressional Fellowship Program for Communications Scholars and Journalists
Deadline: Dec. 1, 2015
Details: Early-to mid-career scholars and journalists receive $38,000 and a travel allowance to learn about Congress and the legislative process. Broadcast and print journalists must have a bachelor’s and 2-10 years full-time work experience.
Website: http://www.apsanet.org/cfp

• Alfa Fellowship Program
Deadline: Dec. 1, 2015
Details: Fifteen accomplished young Americans and Britons receive a monthly stipend, language training, program-related travel costs, housing and insurance for a professional development program in Russia. Russian proficiency is preferred.
Website: http://www.culturalvistas.org/alfa

• Nieman-Berkman Fellowship in Journalism Innovation
Deadline: Dec. 1, 2015
Details: A $65,000 fellowship over nine months for journalists to work on a specific course of research or a specific project relating to journalism innovation at Harvard University.
Website: http://nieman.harvard.edu/fellowships/nieman-berkman-fellowship-in-journalism-innovation-2/

• Nieman Fellowship at Harvard University
Deadline: Dec 1, 2015 (international applicants) or Jan. 31, 2016 (American applicants)
Details: A $65,000 fellowship over nine months for 24 journalists with at least five years of experience to pursue a course of study at Harvard University.
Website: http://nieman.harvard.edu/fellowships/

• Yale World Fellows Program
Deadline: Dec. 2, 2015
Details: A four-month residential fellowship at Yale University to cultivate and empower a network of globally engaged leaders who are innovating in their fields.
Website: http://worldfellows.yale.edu/

• Rhode Island Innovation Fellowship
Deadline: Dec. 11, 2015
Details: Two applicants will receive up to $300,000 over three years to develop, test and implement innovative ideas that have the potential to dramatically improve any area of life in Rhode Island.
Website: http://www.rifoundation.org/TransformingRhodeIsland/RhodeIslandInnovationFellowship.aspx

• NPR Kroc Fellowship
Deadline: Dec. 31, 2015
Details: Over the course of a year, the three Kroc Fellows get rigorous, hands-on training in every aspect of public radio journalism, both on-air and online, including writing, reporting, producing and editing. The Fellowship is designed to offer exposure to various units at NPR, in both the News and Digital Media Divisions, and at an NPR Member Station.
Website: http://www.npr.org/about-npr/183691179/kroc-fellowship-details-and-application

New online mag focused on global development and culture seeks pitches

New online magazine, Broken Toilets, wants your pitches. Details below. -Mia
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Broken Toilets is an online magazine that presents independently reported stories and features about global development and culture in a frank, critical, and engaging way. Broken Toilets examines areas such as humanitarian aid, conflict and emergencies, migration, social justice, political change, public health, infrastructure, finance, climate change, and the environment through stories that draw out the implications for people and communities.

 

We’re interested in how change happens – change that results from initiatives executing global goals, organizations working through philanthropy and social enterprise, and the local practices of citizens, civil society and community groups. Broken Toilets content is driven by topic rather than by geography, rejecting outdated categories in order to cultivate a view that aims to be truly global.

 

Each month, the magazine publishes thematic issues presenting views from multiple contexts and contributors. Stories are told through a variety of genres, including short and long form journalism, multimedia, and cultural narrative. Our blog runs simultaneously engaging readers with additional curated as well as original content in the form of news stories, commentary, interviews, dispatches, videos, and images.
We plan to launch in February 2016 and have announced our call for pitches for the first few issues. Subscribe to this free magazine and/or pitch us a story! 


Emily Madsen

Founder, Editor

Twitter: @brokentoilets


Upworthy’s November call for pitches

The latest call for pitches from Upworthy. Send pitches to pitches@upworthy.com.
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Hi freelancers,


It's been a great second month in the land of Upworthy freelance!


Thanks to all of you, we've read through hundreds of thoughtful pitches. We've published stories from you about everything from a Philippine refugee camp, to black cats that desperately need adoption.

Your work has helped us drive hundreds of thousands of views to content that matters. Bravo!


This month, there were a few stories in particular that really resonated with our audience.
We want to call them out. Drumroll, please…


Cheers to these surprising, visual, meaningful, and shareable stories! More of those, please!
On that note, we're looking for coverage in some specific areas during the month of November. These include…
Education: Think along the lines of Michelle's Forest Kindergartens story. Where can we go to see innovative new education initiatives? Places that are doing amazing work? Surprising tools for learning that actually lead to a better education experience? Send those ideas our way, please!
Good Deeds: We're not looking for profiles of do gooders here (we actually don't publish profiles). Rather, we're looking for narrative stories that teach us about people helping other people. You know – the awww-worthy stuff. It's the stuff that makes you tear up just a little bit. The stuff like this.
Humanity FTW: Are there businesses that make you think "wow, more companies should be like that"? What about people who restore your faith in humanity, even if it's just for a moment? That. We want to read about that.
[We're also interested in stories about personal financeprisonsaging, and military life.]
The holidays are also coming up fast, so we'll be picking up some extra content to "hold" in our arsenal for the times when our staff writers might be on vacation. If you have any amazing holiday stories or evergreen pitches that we can hold on to for late November/ December… we want 'em! Send 'em!
Alright. That's it for today, folks.


We look forward to hearing from you this month.
All of the best,
The Upworthy Team

(Very) hands-on internships with the EW Scripps Company in DC

Paid internships with DecodeDC and the Scripps investigative team. Seems like a great place to get some hands-on experience. details below. -Mia

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The EW Scripps Company in Washington D.C. is looking to hire two interns for the winter/spring. These internships are paid–they pay minimum wage.  

I'm the current DecodeDC intern, and it's amazing. It's a small operation, so you really get the chance to pitch ideas, write scripts, and do production work. Plus the staff is so friendly and supportive that it verges on the absurd.
All inquiries and applications (cover letter + resume + portfolio) can be sent to Ellen Weiss at ellen.weiss@scripps.com

INTERNSHIP OPPORTUNITIES IN WASHINGTON, D.C.

The E.W. Scripps Company’s  Washington Bureau is looking for interns to work with our multimedia news professionals. We need ambitious, curious, high energy, talented emerging journalists to support our national investigative team and DecodeDC/podcast team.

 

WHO IS ELIGIBLE: Recent graduates and current students.

LENGTH OF INTERNSHIP:

·         Fall: 10 weeks (Sept – December)**

·         Winter Spring: 10 weeks (January-April)**

·         Summer: 10 weeks (June-August)**

**All internships are 30-40 hours per week

PAY: Prevailing wage for Washington, D.C. internship

LODGING: None provided

HOW TO APPLY: https://recruiting.adp.com/srccar/public/RTI.home?c=1060841&d=External

 

In addition you can send cover letter, resume and links to portfolio to  Ellen Weiss, vice president and Washington Bureau Chief,  at ellen.weiss@scripps.com

 

APPLICATION DEADLINES:

·         Fall Internship: August 1

·         Winter Internship: November 15

·         Summer Internship: April 15

 

JOB DESCRIPTIONS:

 

·        Investigative Team – Investigative journalism is at the core of the Scripps National Bureau. We are looking for emerging reporters and producers capable of working with a team on deep dive projects as well as shorter term stories.  Research, interviewing, data, visual story telling are all skills that will help support our team – which produces investigative stories for broadcast, print and digital outlets. Teamwork and a desire to collaborate with others in the bureau is essential.  You would be working with a top notch investigative editor, executive producer and reporters. And you’d be working for a company that has the spine to stand up to Warren Buffet, Ford and the FBI – and believes investigative reporting is core to its mission.

 

·         DecodeDC/Podcast Team – DecodeDC is weekly podcast and website for reliable, honest and highly entertaining insight and explanation about politics and government. This team is also developing new podcasts as part of Scripps expansion into audio. If you are experienced in audio production, delight in story telling and narrative journalism, are a creative and smart user of social media, enjoy showcasing stories in the digital space, have a passion for ideas, politics and governance and embrace the opportunity to have some fun while keeping journalism at the highest level, this is the place to be.


Snap Judgment is casting for our first ever tour!

SNAP on tour! They're looking for live storytellers – instructions to audition below.

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Big news guys, 
I'm so excited to share with you all that Snap Judgment LIVE is going on tour. That's right, a gazillion cities, a bazillion theaters, it's all lined up. All we need now are the storytellers. That's where you come in.
Attached to this email is our casting call. Please read it over twice and then hit us with a submission to performers@snapjudgment.org. We'll be accepting videos for the next two weeks so don't delay!
Happy halloween everyone, and thanks in advance for throwing your hat in,

pdf icon SnapTOURCastingCall.pdf

Making Contact is hiring a managing producer, F/T, open until filled

The SJP award-winning Making Contact is hiring a managing producer. Good work with good people. Details below. -Mia

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Managing Producer

Full Time based in Oakland/Bay Area

 

Making Contact, www.radioproject.org seeks a managing producer with a passion for non-commercial public media. We amplify the voices of community members who are seeking solutions to issues of economic, environmental and social justice. Salary rate DOE.

 

We seek an energetic, passionate, well-organized team-player with leadership experience. The candidate should understand the craft of long-format feature radio production and the art of a good in-depth interview. Strong audio editing and sound mixing skills preferred.

 

The role of the managing producer is to produce and mix editions of Making Contact, and be responsible for supervising and coaching producers. The managing producer delegates to others and is the point-person for scheduling the productions and managing changes. Approx. 65% of their time is spent producing episodes of Making Contact, 15% guiding and supervising producers and production processes and  20% of their time is dedicated to communicating and strategizing with organizational staff regarding online distribution/audience engagement, marketing, and fundraising/development. This position reports to and is in partnership with Making Contact’s executive director.

 

We are looking for someone who is highly productive and enjoys contributing to many facets of new journalism including fostering collaborations with other media outlets and community groups, helping experiment with our digital delivery methods and podcasts, and engaging our broadcast and digital audiences to create impact.  Great post for someone who’s as adept at managing others as they are self-managing their own time and projects.

 

This new hire will join our small yet effective organization consisting of three part-time producers and our pool of freelancers; our marketing, fundraising and administrative staff and contractors.

Duties and Responsibilities:

 

    The same as other producers:

  • produce original radio content and adapt others’ work
  • edit and mix segments and shows
  • apply journalistic standards of fairness, accuracy, due diligence in reporting and fact-checking
  • apply a journalistic approach including inviting input from community members to help identify topics and conceptualize pieces that inform, inspire, and move people to take action.
  • review pitches, commission and edit freelancers’ work
  • participate in show review/evaluation, and work-in-progress listening sessions at staff meetings

    

     Duties distinct from other producers:

  • supervise and coordinate the producers’ work and ensure production calendar and program descriptions are updated
  • In semi-monthly meetings with Executive Director and in thrice-monthly all-staff meetings, discuss editorial plans and strategize about organizational initiatives.
  • Plan and facilitate weekly production meetings make sure others have updated our Podio “Basecamp-type” project management system — ensure communication flows

 

More granular details available in second-round discussions.

 

Required Skills/Experience

Demonstrated writing and script editing skills

Demonstrated audio editing and multitrack sound-mixing skills

Track record of delivering pieces on deadline

Experience managing, coaching and editing radio producers and freelance reporters  

Strong voice-craft skills and experience

Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

Ability to read and synthesize research

Familiarity with key issues of our times and timeless issues

Highly organized and communicative

Commitment to building Making Contact as a whole, and to participating in a team process

Ability to work on collaborative productions and promotions with other media and groups

Enthusiastic about participating in fundraising and audience engagement

Preferred Skills

Entrepreneurial

Multimedia experience:  video, photography, radio plus print packages

Experience with online distribution methods, social media, audience building and engagement

Energetic and able to think on your feet

Sense of humor

 

Making Contact is an affirmative action employer. We actively recruit applications from people of color, women, LGBTQ folks, and disabled people.

Position Open Until Filled. Aiming for start date in Jan 2016. Oakland/Bay Area is job location.

 

Please email resume, cover letter, writing sample (radio script preferred) and links to several radio work samples to lrudman@radioproject.org.

In subject line: MANAGING PRODUCER + First name Last name

 

More info

Our radio programs and podcasts are a blend of evocative storytelling with analysis, and explore the power and relationships between individuals, groups and systems. We’re looking for someone committed to our greater social justice mission and who wants to strengthen Making Contact's non-profit organization as a whole.

 

Making Contact has produced a nationally broadcast, progressive weekly radio series for 20 years. Our high quality public-affairs and documentary radio programs are broadcast on 104 radio stations in the U.S., Canada, and Australia; thousands more listen via our website and podcasts. Our award-winning work has repeatedly been recognized by the Society of Professional Journalists Northern California Chapter, among others.

 

We recently completed a crowdfunding effort to fuel our miniseries coming up in 2016 on Immigrants and Elections, featuring the work of freelancers who are deeply rooted in immigrant communities. We have a paid Community Storytelling Fellowship with one fellow each quarter, working with one producer for 10 weeks. We are active participants in both radio and journalism networks such as The Media Consortium of independent media outlets. We lead or participate in collaborations across platforms and genres; one example is wtfcorporations.com


doc icon Managing-Producer-at-Making-Contact.docx

$15K Grants for Investigative and Enterprise Business Reporting, deadline Nov 15

Money for biz stories. More info HERE and below. -mia
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Grants Up to $15K for Investigative and Enterprise Business Reporting — Apply by November 15

Got a great idea for an in-depth investigative or enterprise business story, but few resources to get it done?

We’ve got funds — though you’ll need to apply soon!

The deadline is just four weeks away for winter 2015 applications for the McGraw Fellowship for Business Journalism. An initiative launched in early 2014 at the CUNY Graduate School of Journalism, the McGraw Fellowships provide accomplished journalists with the resources and editorial support to do deeply-reported stories on critical issues related to U.S. business and the global economy.

The upcoming deadline to apply is November 15, 2015.

Each Fellow receives $5,000 a month for up to three months
Open to both freelance and staff journalists with five years experience
Applications accepted from both reporters and editors
No residency required; McGraw Fellows work from their own offices

Already, many of our initial McGraw Fellows have produced distinguished work on a wide variety of topics. Nate Halverson of the Center for Investigative Reporting won an Emmy for story he produced for PBS NewsHour on the questions surrounding the Chinese acquisition of a major U.S. food producer, while a piece by Beth Daley of the New England Center for Investigative Reporting on the growing use of unregulated genetic testshas been picked up by more than a dozen other news outlets. And Maria Perez of the Naples Daily News recently published a bilingual multimedia package on the challenges and opportunities ahead for the Cuban economy as sanctions are eased.

Other McGraw Fellows are working currently on projects exploring such areas as the economic links between the pharmaceutical industry and increased heroin addiction, the growing threat of cyber-attacks on the global financial system, and Silicon Valley’s big bet on meat substitutes.

If you’d like to join them, you’ll find more information about the McGraw Fellowships and the online application at www.mcgrawcenter.org. Feel free to contact us with any questions or if you have a project you’d like to discuss.

CONTACT:
Jane Sasseen
Executive Director
McGraw Center for Business Journalism
jane.sasseen@journalism.cuny.edu
646-758-7781

Got a great biz/econ story? Get up to $15K for a @McGrawCenter Fellowship via @CUNYJSchool: bit.ly/McGrawFellows

Write a radio play, win money! BBC Radio playwriting competition, deadline Jan 31

Great creative and win cash and a trip to London! Deadline Jan 31. -Mia

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BBC International Radio Play Writing Competition 

(The competition is open from 1 October 2015 to 31 January 2016.)

"£2200 sterling will be given for the overall winning playwright of the best play written with English as a first language and a trip to London to see the play being recorded for broadcast on the BBC World Service and to attend a prize-giving evening."


Media and Journalism Fellowships, Oct. 14 Edition, from @MediaShiftOrg

Another catch-all list of journo fellowships – this one geared more mid-career. Enjoy!
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Media and Journalism Fellowships: Oct. 14 Edition
http://mediashift.org/2015/10/media-and-journalism-fellowships-oct-14-edition/

Here’s a list of current media and journalism fellowship programs, including the deadlines for applying. If we’re missing any major programs, or you would like your program to be in the featured fellowship slot, please contact Mark Glaser at mark [at] mediashift [dot] org to let us know, and we’ll add them to the list. All featured fellowships are paid promotional slots.

FEATURED FELLOWSHIP

John S. Knight Journalism Fellowships at Stanford
Stanford, CA
The Knight Journalism Fellowship is a 10-month-long residency at Stanford University aimed at implementing and improving on innovative ideas in collaboration with a group of journalists from around the world.
Deadline: Dec. 1, 2015
Apply now!

OCTOBER 2015 DEADLINES

Editorial Position With GroundTruth’s Climate Change Fellowship
GroundTruth is also seeking experienced editors to lead the project. Editors must have at least three years experience reporting and editing, preferably with a focus on the environment.To apply as an editor, please send an updated resume and cover letter to info@thegroundtruthproject.org with the subject line “Climate Fellowship Editor Application.”
Deadline: Oct. 15, 2015

Five-Day Hostile Environment Training for Freelance Journalists
Thomson Reuters will cover the costs of up to fourteen freelance journalists attending a five-day Hostile Environment Training course run by Hawthorne Proactive from Nov. 22-27, 2015, in Belfast, Northern Ireland. Hawthorne Proactive is a Northern Ireland-based security firm that runs courses for journalists operating in difficult areas of the world. Hawthorne’s instructors have extensive operational experience in places like Colombia, Iraq, Afghanistan, Pakistan, Libya and Syria. Thomson Reuters will cover costs of training, course materials, accommodations, food and non-alcoholic beverages for the duration of the course for the selected applicants. Applicants are responsible for their own travel to and from Belfast. The Pulitzer Center has agreed to cover the cost of transport for a limited number of applicants who can demonstrate a clear financial need.
Deadline: Oct. 15, 2015

Tow-Knight Entrepreneurial Journalism Fellowship
Join the Tow-Knight Entrepreneurial Journalism Program at the CUNY Graduate School of Journalism and spend Spring 2016 launching a journalism startup and studying new business models for journalism. During their semester, fellows have conversations with media leaders and entrepreneurs in guest lectures, workshops and product sprints. Weekly startup visits have included Twitter, Facebook, Google, Kickstarter, BuzzFeed, IDEO, NYTimes, among others organizations in New York’s rich and diverse publishing and tech community.
Deadline: Oct. 23, 2015 (deadline extended!)

Reynolds Business Journalism Week
Twenty-four participants will be competitively selected for four days of training on where to find economic angles in stories, how to cover money on any beat and the nuances of covering business and finance. This year’s conference will include sessions on incorporating economic and census data into stories, building business investigations and covering business in your community. Special topics are tentatively slated to include campaign finance, the money in sports, the economics of immigration and the business of marijuana.
Deadline: Oct. 18, 2015

HIV Prevention Reporting Fellowship
This opportunity is sponsored by ICFJ and the Bill & Melinda Gates Foundation and is aimed at better equipping journalists with the knowledge and skills to report on Voluntary Medical Male Circumcision (VMMC), and its implementation as an HIV prevention method. Journalists from Botswana, Ethiopia, Kenya, Lesotho, Malawi, Mozambique, Namibia, Rwanda, South Africa, Swaziland, Tanzania, Uganda, Zambia and Zimbabwe are encouraged to apply for this fellowship. Applicants are asked to submit proposed story ideas/reporting projects related to VMMC, with the understanding that the fellowship will help prepare selected applicants for reporting on the topic.
Deadline: Oct. 19, 2015

Soros Justice Fellowship
The Soros Justice Fellowships fund outstanding individuals to undertake projects that advance reform, spur debate, and catalyze change on a range of issues facing the U.S. criminal justice system. The Fellowships Program is part of a larger effort within the Open Society Foundations’ Justice Fund to reduce the destructive impact of current criminal justice policies on the lives of individuals, families, and communities in the U.S. by challenging the overreliance on incarceration and extreme punishment, and ensuring a fair and accountable system of justice. Fellows receive funding ($58,700–$110,250) through the following two categories: Advocacy Fellowships or Media Fellowships.
Deadline: Oct. 21, 2015

Google Digital News Fellowship
The Reuters Institute is seeking applications for a Google Digital News Journalist Fellowship as part of its world renowned Journalist Fellowship Programme based at the Reuters Institute in Oxford. This fellowship is for two terms (6 months) starting in January 2016 and is aimed at a mid-career journalist resident in one of the continental European countries which will be covered in the 2016 Reuters Institute Digital News Report, namely; Austria, Belgium, Czech Republic, Denmark,  Finland, France, Germany, Greece, Hungary, Italy, Ireland, Netherlands, Norway, Poland, Portugal, Spain, Sweden and Switzerland. The fellowship will appeal to a journalist who is excited by the opportunity of producing a research paper based on some aspect of either the survey data or digital journalism more generally with a direct focus on the professional and industry implications based on their own experience.
Deadline: Oct. 21, 2015

Atlantic Media Editorial Fellowship
Washington, D.C.
The year-long Atlantic Media fellowships are for recent college graduates who want to work in a digital-first newsroom. The editorial fellowship will begin in January 2016 and run through December 2016. Editorial Fellowship responsibilities may include the following, blogging, copy editing, fact checking, manuscript review, multimedia editing, photo research, reporting, social media, video, writing.
Deadline: Oct. 23, 2015

Knight Visiting Nieman Fellowship
Cambridge
The Knight Visiting Nieman Fellowships at Harvard offer short-term research opportunities to individuals interested in working on special projects designed to advance journalism in some new way. In addition to working journalists, those who should consider applying include publishers, programmers, designers, media analysts, academics and others interested in enhancing quality, building new business models or designing programs to improve journalism. Project proposals may be completed during the time spent at Harvard or be part of a larger undertaking. All visiting fellows are expected to be in residence in Cambridge during their study and present their findings to the Nieman community at the end of their research period. There are no academic prerequisites, and a college degree is not required.
Deadline: Oct. 23, 2015

NOVEMBER 2015 DEADLINES

AHCJ Reporting Fellowship on Healthcare Performance
This fellowship sponsored by the Association of Health Care Journalists  is a yearlong program allowing journalists to pursue a significant reporting project related to the U.S. health care system. It can be local or national in scope, or a little of both. Fellows pursue the projects with the support of their newsrooms or freelance outlets, which commit to publish or air the work.
Fall Deadline: Nov. 2, 2015

A Digital Path to Entrepreneurship and Innovation for Latin America
This 18-month, multi-phase program is for 28 Latin American professional fellows from Brazil, Colombia, Guatemala, Honduras and Nicaragua, and 10 of their U.S. counterparts. The International Center for Journalists (ICFJ) and its selected partner organizations in each country will recruit professional and citizen journalists, media business managers, digital entrepreneurs and technologists to create media business models that harness the power of digital tools to generate sustainable new revenue. Applicants must be fluent in English.
Fall Deadline: Nov. 15, 2015

Fund For Environmental Journalism
The Society of Environmental Journalist’s Fund for Environmental Journalism welcomes applications for grants of up to $5,000 to underwrite story projects. In 2015 grant cycles, funding is available for story projects in three categories: 1) open topic, including international; 2) coverage of land-use issues of North America; and 3) coverage of  biodiversity conservation and climate-change impacts in North America. For the first time, applicants may also include a stipend in the proposed budget.
Fall Deadline: Nov. 15, 2015

The McGraw Fellowship for Business Journalism 
This non-residency fellowship provides experienced journalists with grants of up to $15,000 to produce deeply reported investigative or enterprise stories on critical topics related to U.S. business and the economy.
Fall Deadline: Nov. 15, 2015

IN PROGRESS OR FUTURE FELLOWSHIPS

Alexia Foundation Grant Program
Various locations
The Alexia Foundation provides grants of $25,000 to students, professionals and women for a serious documentary photographic projects. Deadlines for this year are closed.

Associated Press Global News Internship Program
Various locations
This paid internship program is for students who are aspiring cross-format journalists and will contribute to AP’s text, video, photo and interactive reporting. The application period for the 2015 internship is closed. Questions may be emailed to internship@ap.org.

Bay Area Video Coalition Mediamaker Fellowship
San Francisco, CA
The fellowship selects fellows for a 10-month program that supports project development with professional mentorship in multiplatform and transmedia storytelling through emerging technologies and strategic marketing.

Data & Society Fellow
New York City
The fellowship brings together researchers, entrepreneurs, activists, policy creators, journalists and public intellectuals who are interested in engaging one another on the key issues introduced by the increasing availability of data in society.

Donald W. Reynolds Fellowships
Columbia, MO or remote
The fellowship offers an annual program for individuals to develop innovative ideas within journalism and to help build the public’s knowledge in these areas.

Edward R. Murrow Press Fellowship
New York City
The fellowship offers one fellow a nine-month period of writing, reporting and providing analysis on newsworthy international events at the Council on Foreign Relations headquarters. Interested candidates who meet the program’s eligibility requirements can apply online between January 1 and March 1 on an annual basis.

FASPE Summer Ethics Fellowship in Journalism
Europe
FASPE Journalism uses the conduct of reporters and other media professionals during the Holocaust and in Nazi Germany as a launching point for an intensive course of study on contemporary journalism ethics. FASPE is predicated upon the power of place. Fellows visit Auschwitz and other sites in Germany and Poland where they consider how to apply the lessons of history to the ethical challenges of their profession today.
Deadline: Jan. 5, 2016

Fellowship in Professional Journalism for Morning News Journalists
Dallas, TX
The fellow will contribute to the student-generated news website at the University of Texas at Austin Moody College of Communication as well as teach a course in her own expertise.

Google Journalism Fellowships
Various locations
The fellowship is for undergraduate, graduate and journalism students interested in using technology to tell stories in new and dynamic ways at various organizations.

Innovation in Development Reporting Grant Programme (IDR)
The Innovation in Development Reporting Grant Programme (IDR) is a media-funding project operated by the European Journalism Centre (EJC). The grant programme aims to advance creative reporting approaches, thus enabling a better coverage of international development issues. The grant intends to raise awareness about these issues by enabling the production of stories that have a strong impact on media audiences in the following nine European countries: Denmark, France, Germany, Italy, the Netherlands, Norway, Spain, Sweden, and the United Kingdom.
Deadline: Mar. 2, 2016

International Reporting Fellowship for Minority Journalists
Various locations
This short-term program allows journalists of color the chance to travel overseas to report on and publish stories about underreported issues of interest to their communities.

Joan Shorenstein Fellowship
Cambridge, MA
The fellowship brings journalists, policymakers and scholars together to the Harvard Kennedy School to advance research in media, politics and public policy.
Deadline: Feb. 1, 2016

Knight-Mozilla Fellowship
Various locations
Fellows spend 10 months embedded with partner newsrooms, such as the New York Times and ProPublica. Fellows are developers, technologists, civic hackers and data crunchers who work with the community inside and outside of their newsroom to develop open-source projects.

Knight Science Journalism Fellowship
Cambridge, MA
The nine-month Knight Science Journalism Fellowship at MIT aims to increase mid-career journalists’ understanding of science, technology, medicine and environment by working with scientists and policy makers.

Knight-Wallace Fellowship
Ann Arbor, MI
The Knight-Wallace Fellowship brings journalists to the University of Michigan to bridge academia together with journalism.

Kyoto Prize Journalism Fellowship
San Diego, CA
The Kyoto Prize Journalism Fellowship at Point Loma Nazarene University is an initiative to develop modern education in the sciences, philosophy, society and the arts.

Meredith-Cronkite Fellowship
Phoenix, AZ
The week-long multimedia fellowship program sponsored by the Meredith Corporation and its Phoenix television station, KPHO CBS 5, offers  broadcast journalism students from underrepresented groups a week of hands-on experience.

Metpro Tribune
Los Angeles or Chicago
Metpro helps beginning journalists launch careers and boost diversity in Tribune newsrooms.

MJ Bear Fellowship
Through the Online News Association, the MJ Bear Fellowships identify and celebrate early-career digital journalists who have demonstrated that they deserve support for their efforts.

Munk School of Global Affairs Global Journalism Fellowship
Toronto, Canada
This fellowship awards 20 fellows the chance to work at the University of Toronto’s Munk School of Global Affairs for media around the world in various platforms from broadcast to online.

National Geographic Photography Fellowship
Various locations
The two-year fellowship allows photographers to share their visual expertise with diverse areas of the National Geographic Society and with the public, producing stories, sharing their storytelling knowledge with other explorers, and bringing the Society’s mission to illuminate, teach, and inspire the world at large.

Nieman Fellowships
Cambridge, MA
Nieman Fellowships are for experienced print, broadcast and online journalists to advance ideas that innovate in journalism.
Deadline: Jan. 2016

Nieman-Berkman Fellowship in Journalism Innovation
Cambridge, MA
The fellowship brings at least one individual to Harvard University for an academic year to work on a specific project relating to journalism innovation.

Reuters Journalism Fellowship Programme
Oxford, UK
This fellowship allows 25 mid-career journalists from around the world to conduct academic research in Oxford for various months in the academic year.

RJI Fellowships
Missouri School of Journalism and Elsewhere
The Donald W. Reynolds Journalism Institute invites proposals from people and institutions to collaborate with RJI on innovative ideas and projects to improve the practice or understanding of journalism. The fellows program gives people and institutions the time and space to create, test and measure strategies, products and services that will strengthen journalism in the 21st Century. There are three types of RJI fellowships: residential, non-residential and institutional.

Santa Fe Institute’s Journalism Fellowship In Complex Systems
Santa Fe, NM
The fellowship is for veteran journalists interested in exploring complex systems science more deeply and understanding the issues underlying current scientific debates in many scientific fields. The 2015 application period for this fellowship is postponed.

Scripps Howard Foundation Multimedia Fellowship
Washington DC
This year-long fellowship allows post-graduates to create multimedia projects for the Scripps Howard Foundation Wire’s website as well as mentor undergraduate students. Next year’s application deadline is in April.

The Rosalynn Carter Fellowships for Mental Health Journalism
Atlanta, GA
The one-year fellowship is offered to six journalists and is designed to enhance public understanding of mental health issues and combat stigma and discrimination against people with mental illness.
Deadline: Apr. 13, 2016

World Press Institute Fellowship
Various locations
The fellowship is offered to 10 journalists from around the world and provides immersion into governance, politics, business, media, journalistic ethics and culture of the United States.

Sonia Paul is a freelance journalist based in India, and is the editorial assistant at MediaShift. Her work has appeared in a broad range of media, including the Al Jazeera Media Network, Caravan, Foreign Policy, Guardian, Mashable, New York Times, PRI’s The World, Roads & Kingdoms and VICE News. She previously produced the grant-funded podcast series Shizuoka Speaks, based in Japan. She is on Twitter @sonipaul (and Instagram, too).

UPDATE: This post has been updated with the new deadline for the Tow-Knight fellowship.

Latino USA seeks technology pitches, deadline Oct 30

Pitch to Latino USA!
+++++++++++++++

Latino USA is looking for story ideas for an upcoming episode on technology, slated to air on December 11.

We’re looking for unexpected, fresh ideas about Latinos and technology, including but not limited to tech entrepreneurship and access to technology. We’re especially interested in stories that are not simply “feel good” profiles, but highlight truly interesting characters and/or progressive change on the tech scene, and undercut the stereotypes about sexism and white dominance in the tech world. We are interested in both Latinos in technology, and how Latinos interact with technology.

Latino USA pays $125 per broadcast minute, plus $25 for a photo.
Please send your pitches to www.latinousa.org/submit before October 30.

Thanks,
Leda

Leda Hartman
Editor, NPR's Latino USA
@ledahartman
ledahart@mindspring.com
919-542-0008

3 days left for Very, Very Short Short Stories Contest

Get it while you still can!! -Mia
+++++++++++++++++++++

Hey Talented Folks 

Just a note that the Very, Very, Short, Short Stories Contest deadline is 3 days away. 
It's the same day that Pope Gregory the XIII implements the Gregorian calendar and Marie-Antoinette is tried and convicted at the Palaise de Justice. She's condemned to death THE NEXT DAY. 
Email me at annheppermann@gmail.com if you have questions. 
Cheers,
Ann

Get a Scholarship to Make Radio!

I think I passed this along once before but it's worth re-sending – scholarships are now available to learn how to make radio at Transom. Go For IT! -Mia

Get a Scholarship to Make Radio! (via This American Life OCT 6, 2015)

Ira Glass writes:

Hi everyone! I’m proud to announce that we’re working with Transom.org to expand the scholarship program for their Story Workshop. The Story Workshop is an eight-week live-there-and-do-nothing-but-learn course that teaches radio skills to people who aren’t in radio at all. They do it twice a year in Woods Hole, Massachusetts on Cape Cod. It’s designed for people who want to change their lives and come make radio stories.

The next workshop runs from April 3 till May 26, 2016. I’ll be one of the guest teachers.

Our hope is that these scholarships will eliminate financial barriers for people who want to learn radio. We’re encouraging people of color to apply, along with anyone from any segment of the population that’s underrepresented in the public media workforce.

We’re glad to be partnering with Transom on these scholarships. Their news release about it is here.

One last thing to mention: individuals can also contribute to Transom’s scholarship fund. If you care about making public media more diverse, I hope you consider donating.

Apply for the Scholarship HERE

Donate to the Scholarship fund HERE

KALW’s Public Radio Party, Sat. Oct 10, 2-8pm, SF

For you Bay Area folks – go see some fabulous speakers at this KALW celebration – sounds like a great time!
-mia
++++++++++++++++

KALW is throwing our second annual Public Radio Party this Saturday, October 10th in San Francisco.

We'll have speakers (NPR's Laura Sydell, 99% Invisible's Katie Mingle, Your Call's Rose Aguilar, and Le Show's Harry Shearer), live music, light refreshments, and some amazing cake. Plus, it's a great time to meet radio and audio production folks from around the Bay Area, and connect with public radio fans who'd love to know more about what you're working on.

It's all going down from 2:00 – 8:00 p.m. at the CCSF Mission Campus (on 22nd Street at Valencia) in San Francisco. All we ask is that you RSVP by following this link

Feel free to share that link with other radio-making pals in the Bay Area too. Also, you're welcome to bring flyers/swag for your own podcasts and/or radio projects to share.

Thanks!

Warm thoughts & hot tape,
Ashleyanne Krigbaum
ashleyanne@kalw.org

Applications Are Now Open for Voqal Fellowships, deadline Oct 23

Interesting fellowship for you techie types. Anyone want to take Freelance Cafe to the next level? 🙂

-mia

Big ideas create big change.

View this email in your browser

 

Voqal is helping the brightest young innovators bring their ideas for social change to life through the Voqal Fellowship.

The fellowship provides funding and mentorship to tech-savvy entrepreneurs in their early careers. Ideal candidates have innovative solutions to social problems.

Candidates for the latest round of the Voqal Fellowship must have three to five years of career experience and may not be enrolled in graduate school. Fellows have six months to complete their project and will receive a $30,000 stipend in order to build out an idea that would not be possible to accomplish with a full-time job. Additional stipends may be available to offset health insurance costs for qualifying fellows.
 
Visit http://voqal.org/initiatives/voqal-fellowship by Oct. 23 to apply, nominate and learn about how Voqal Fellows are making a difference in the world.

If you have any questions about the fellowship, please contact Michele Christiansen at MChristiansen@voqal.org

Copyright © 2015 Voqal, All rights reserved.
You are receiving this email because of your interest in the Voqal Fellowship.

Our mailing address is:

Voqal

825 Delaware Ave
5th Floor

Longmont, CO 80501

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AIR list of grants, fellowships, and awards for October and November

Passing these along from AIR. Join up for access to all of these posts, all of the time. It's well worth it if you're into public media. -Mia

+++++++++++++++

• Fulbright – National Geographic Digital Storytelling Fellowship
Deadline: Oct. 13, 2015
Details: opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in up to three countries on a globally significant social or environmental topic. In addition to receiving Fulbright benefits (for travel, stipend, health, etc.), Fellows will receive instruction in digital storytelling techniques and will be paired with one or more National Geographic editors.
Website: http://us.fulbrightonline.org/fulbright-nat-geo-fellowship

• Soros Justice Fellowships in Media
Deadline: Oct. 21, 2015
Details: A stipend of $58,700–$110,250 as well as funding for project-related expenses and health insurance for media projects that engage and inform, spur debate and conversation, and catalyze change on important U.S. criminal justice issues.
Website: http://www.opensocietyfoundations.org/grants/soros-justice-fellowships

• American-Scandinavian Foundation Fellowships
Deadline: Nov. 1, 2015
Details: Up to $23,000 to individuals to pursue research, study or creative arts projects in one or more Scandinavian country for up to one year.
Website: http://www.amscan.org/study_scandinavia_details.html

• American Academy in Rome Prize
Deadline: Nov. 1, 2015
Details: Awarded to thirty emerging artists and scholars in the early or middle stages of their careers who represent the highest standard of excellence in the arts and humanities: stipend, meals, a bedroom with private bath, and a study or studio. Winners of 6-month and 11-month fellowships receive stipends of $14,000 and $26,000, respectively.
Website: http://www.aarome.org/apply/rome-prize/procedure-requirements

• Luce Scholars Program
Deadline: Nov. 1, 2015
Details: Stipends, language training, and individualized professional placement in Asia for 15-18 Luce Scholars who have had limited exposure to Asia and are under age 30.
Website: http://www.hluce.org/lsprogram.aspx

• American-Scandinavian Foundation Grants
Deadline: Nov. 1, 2015
Details: Grants (up to $5,000) to individuals to pursue research, study or creative arts projects in one or more Scandinavian country for 1-3 months
Website: http://www.amscan.org/study_scandinavia_details.html

• Shuttleworth Foundation Fellowship
Deadline: Nov. 1, 2015
Details: Equivalent of a year’s salary, a contribution towards expenses plus access to a travel allowance for social innovators who are helping to change the world for the better and are looking for some support through an innovative social investment model
Website: http://www.shuttleworthfoundation.org/

• Robert Bosch Foundation Fellowship Program
Deadline: Nov. 1, 2015
Details: € 3,000 monthly stipend & compensation package, intensive German language training, during an in-depth understanding of issues facing the EU & Germany in this 9-12 month professional development program.
Website: http://www.culturalvistas.org/bosch

• JoLT (Journalism Leadership Transformation) Fellowships
Deadline: Nov. 18, 2015
Details: Three funded Fellows simultaneously will earn a Master’s of Art in Game Design while working to reorganize the way media are communicated, analyzed and produced from a leadership perspective.
Website: http://www.american.edu/gamelab/#!jolt-fellowship

• ABOG Fellowship For Socially Engaged Art
Deadline: Nov. 23, 2015
Details: Project support of $20,000 with minimal restriction for artists who demonstrate artistic excellence and serve as innovative conduits for social change. Proposed projects will be judged on artistic excellence, capacity to enact social change, viability in everyday life, and fit with fellowship resources.
Website: http://www.abladeofgrass.org/application/guidelines/

UCB J-school seeks two audio instructors for spring term, application deadline Oct 15

The Graduate School of Journalism is recruiting 2 lecturers to teach courses in the Radio /Audio program beginning spring semester, January 2016.

J-212 – ADVANCED RADIO (15 weeks)

Required Qualifications: Minimum of five years professional radio experience.

Recommended Qualifications: Teaching experience at college level or higher. The ability to facilitate publishing student work on a professional outlet.

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise. Past instructors have arranged for student work to be broadcast locally on KQED-FM or KALW-FM, or nationally on Making Contact. It's important for the Advanced Radio instructor to guide student work from pitch through final production and provide a pipeline for qualified student work to be published professionally.

Past syllabi are available upon request, but new proposals with fresh approaches are encouraged. Applications are due October 15, 2015.

J-298 – TELLING STORIES ON AIR (15 weeks)

Required Qualifications: Minimum of five years professional media experience.

Recommended Qualifications: Teaching experience at college level or higher.

Course Description:

The focus of this course is not solely on audio or production, but rather on the many ways to craft a story. The course is open to all graduate students, regardless of skill level or platform concentration. Any instructor applying for this position should be prepared to help students with story-telling skills in a variety of platforms (TV, Documentary, Multi-media, narrative writing, etc.).

In the past radio reporters (Kelly McEvers), producers (the Kitchen Sisters), and a foreign correspondent with radio and print experience (Annie Murphy) have taught the class.

Past syllabi are available upon request, but we are encouraging new proposals with fresh approaches. Deadline for applications is October 15, 2015.

TO APPLY:

To be considered, you need to formally apply for the position through the university's academic recruitment website.

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

Upload your CV including a summary of teaching experience, broadly defined as:

Delivering instruction in a university or college classroom;

Providing mentoring in the field for which you are applying;

Editing the work of others in the field for which you are applying;

Guest lecturing in the field for which you are applying.

The statement of teaching needs to include the time you spent in each activity (i.e. I led a week long workshop on radio in March 2010.)

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

You will be contacted if your experience is a match for what we need.

Journalism Conference in NYC, Sat Nov 7, $15 (including lunch!)

Check out this great line up of sessions and panelists for a journo conference at Fordham U on Saturday, Nov 7. Just $15 including lunch!! This is for both students and media professionals. Spread the word.

Here's a registration link.

https://events.attend.com/#/register/1383769688/0https://events.attend.com/#/register/1383769688/0

And here's the agenda, also copied below:

https://docs.google.com/document/d/158qAIcHz4AnmMHc0sxmUuLSzR0SskDx7p8PtxTb8yz0/pub

“Quality Journalism in Today’s Digital Age”

Sponsored by
New York State Associated Press Association
Fordham University’s Department of Communication and Media Studies
WFUV FM

Saturday, November 7, 2015
8:30 AM:        Attendee Registration
8:50 AM:        Welcoming Remarks

Sally Carpenter Hale, AP Director of Regional Media, Pennsylvania, New Jersey, New York
Jacqueline Reich , Chair, Department of Communication and Media Studies
George Bodarky, News Director, WFUV FM

9:00 – 10:00 AM:   Opening Session

The New Normal: The opening panel will feature a wide-ranging discussion of the state of the media today.  Panelists will be asked to discuss the latest trends in digital journalism so students can make sure they are prepared to work in the industry today.  Journalism, after all, has been changing with such speed it can be hard for students to know where the industry actually stands.  For instance, how are legacy news organizations continuing to adjust to digital realities?  How do news organizations balance the need for serious journalism with “clickbait”?   Where is digital journalism expanding and where is it contracting?  What skills must students have to make it as digital journalists today?  The panel will be drawn from a wide range of news organizations to offer students a wide view of how news organizations create quality journalism today.

10:10 – 11:15 AM:  BREAK-OUT SESSIONS

The Art of Storytelling in the Digital Age: Digital technology allows us to tell stories in innovative new ways. But, how can you best flex your creative storytelling muscle on-air, online and/or on mobile? This session will provide plenty of tips and inspiration to sharpen your skills, and make the most of the various storytelling tools at your disposal. Our panelists include Robert Smith, a correspondent for NPR’s Planet Money, New York Times’ Deputy Editor, Digital New Design Meghan Louttit, FiveThirtyEight podcast host, radio reporter, and former WNYC producer Jody Avirgan, and Noah Rosenberg, the founder, CEO and editor-in-chief of Narratively, a platform devoted to original, in-depth and untold stories. This Session is moderated by Karen DeWitt, Capitol Bureau Chief for New York State Public Radio.

Media Policy Matters: The recent battle over Net Neutrality brought an uncommon level of attention to the role that government policy plays in shaping our media environment. But Net Neutrality is by no means the only policy issue that has an impact on the quality, accessibility and diversity of media and journalism. This session will feature panelists who explore the past, present and future of government intervention, corporate power, and citizen activism in the media policy landscape, providing both journalists and scholars insights into the possibilities and pitfalls of media reform in the public interest. Panelists include Victor Pickard, Associate Professor at the University of Pennsylvania and author of America’s Battle for Media Democracy, Steve Waldman, former Senior Advisor to the Chairman of the Federal Communications Commission and co-founder of Beliefnet, and Rinku Sen, President and Executive Director of Race Forward and Publisher of Colorlines.

11:25 – 12:25 PM   MAIN SESSION

Data Journalism: Journalists have always relied on data to tell compelling stories about the world, but the unprecedented amount of data available to journalists and the public alike make for changing norms of reporting and presenting the news. Panelists include Susan McGregor, Assistant Director of the Tow Center for Digital Journalism, ProPublica’s Lena Groeger and John Keefe, WNYC’s Senior Editor for Data News.

12:30 – 1:30 PM                Lunch, 12th Floor Lounge

1:40 – 2:25 PM        GENERAL SESSION

Investigations in the Digital Age: There have never been as many tools as there are today to help reporters with investigative reporting.  Yet the best investigative reporters today usually credit hard work and perseverance as their most important skills in turning out great stories.  Our panelists, who have won a wide range of prizes including Pulitzers and Emmys, will discuss what really makes for great investigative reporting in the digital age, and why investigations remain imperative for serious news organizations.

2:35 – 3:35 PM BREAK-OUT SESSIONS

Metrics, Metrics Everywhere!: When it comes to analytics, what numbers matter for a newsroom? And how does the use of metrics affect newsroom culture and a journalists’ daily work? Join us for a lively discussion into the role of metrics in journalism. Panelists include Caitlin Petre, Post-Doctoral Associate at the Information Society Project at Yale Law School, WNYC’s Executive Editor for News Sean Bowditch, and Nik Nadolski of the web analytics company Chartbeat. This session is moderated by Tim Scheld, Director of News/Programming WCBS Newsradio 880.

Reporting on Diverse Communities: How do you tell stories about a community you aren’t a part of? Is it the job of the reporters from those communities to tell those stories? How do ethnic and local media handle coverage of racially and politically sensitive issues? This session will offer tips on how to develop sources in unfamiliar territory, as well as provide insights into the world of ethnic media. Panelists include Associated Press Reporter Deepti Hajela, Rong Xiaoqing of Sing Tao Daily, New York Times reporter Sarah Nir, Jiha Ham of the Korea Times and NLGJA Stylebook Editor Sarah Blazucki.

3:45 – Closing Remarks, 12th Floor Lounge

Latino USA Call for Pitches, rolling deadlines

Latino USA is looking for story ideas for the upcoming shows listed below.
To pitch, please use the link www.latinousa.org/submit/, which will ask you for particular details about your idea, including the story arc, scenes, characters and ambi. 
If you’re pitching for the first time, please include a sample or two of your work.
The show holds pitch meetings on Friday afternoons, and we do our best to get back to you by early the following week.
Thanks!
Leda

Leda Hartman
Editor, NPR’s Latino USA
919-542-0008
ledahart@mindspring.com
www.latinousa.org
@ledahartman

TURF WARS – AIR DATE 10/23/2015
Stories about displacement, friction between neighbors, communities jostling with each other, people trying to build bridges. Also think about the differences between two things – juxtapositions between beliefs, ideas, actions and results.

LATINO GHOST STORIES – AIR DATE 10/30/2015
Heard any spooky tales from your grandmother or anyone else?
Share them with us, just in time for El Dia de los Muertos – the Day of the Dead. We are especially looking for traditional folk stories and such from Latino families (think La Llorona even though we are already aware of that one). Or creepy tall tales and urban legends from regions that are heavily Latino in population or history.

LATINOS IN THE MILITARY – AIR DATE 11/13/2015
Stories about the experiences and perspectives of Latinos in the service. Both current and historical are welcome. We’d like to hear about current recruitment efforts to forgotten soldiers from World War 2 and more.

JEWISH-LATINO – AIR DATE 12/4/2015
Ai vay! Stories that shine light on this unique intersection of culture and religion. Where are Latinos and Jews similar and different? Think big, in terms of faith, immigration, representation, etc.

PUERTO RICO IN CRISIS – AIR DATE 12/11/2015
The US Commonwealth is on the brink of bankruptcy. We’re looking for stories from the island and also responses from Puerto Ricans living stateside. Since the news revolves largely around the financial issues, we are looking to hear from REAL PEOPLE.

PAIN – AIR DATE 12/18/2015
Stories about managing injuries or disabilities, both physical and emotional. Think of struggles and challenges that people have to push through to get to the next level.

HISTORY OF STATE VIOLENCE – AIR DATE TBD
Stories about violence towards Latinos at the hands of police or government, including history pieces.

MACHISMO – AIR DATE TBD
Wide open! We are looking to explore the idea and role of machismo in the Latino community and on individual men and families as well.

Snap Judgment Theme List

Call for pitches from SNAP!
+++++++++++++++++++++

At long last, it has returned … the Snap Judgment themes list. And, because we have yet to improve upon it, we're cutting and pasting our pitching advice the from last time. To refresh your memory:

Pitch us an audio movie from the point of view of someone facing a unique struggle with a thought-provoking (or just plain entertaining) resolution. And, as always, no profiles or topical stories. Of course, we welcome stories with interesting characters and interesting topics, but we also need a plot driving the narrative forward. Ideally, the story should be told mostly by the main character.

And please make sure to include the ending of your story in your written pitch. (We will not listen to any audio submission unless it is accompanied by a one page – or less – description of the story arc, including the ending.)

Send your pitches to pitches@snapjudgment.org. We try to respond to all pitches within two weeks. If you haven't heard from us by then, by all means bother us about it!

Okay, onto the themes.

***Any Really Good Story***
We will never stop saying this. If your story is amazing, it will make it on the air, theme or no theme. In fact, we'll build a theme around it. Seriously.

***Long Distance***
Stories about that time someone went the extra mile with unexpected results. Long distance competitions, adventures, relationships, etc. Just remember, there’s gotta be a darn good reason for going just that far.

***Shangri La/Atlantis/Paradise Lost***
A childhood fantasy world or a grown up’s Eden, we want your stories about that hidden utopia that no one else knows about, or maybe just that one else else cares about!

***Water Water Everywhere and Not a Drop to Drink***
Sometimes we’re surrounded by a bounty that’s just out of reach. Bring us your stories of famine during feasts, the virgin at the sex party, the blind juggler in a circus tent. Don’t be afraid to get creative!

***Albatros/My Cross to Bear***
Stories of people carrying around something (either figuratively or literally) that weighs them down. A duty. A debt. A reputation. A lingering question. Do they shake it off or learn to live with it? Let us know.

***The Tax Man***
Yup, stories about taxes. Fair or unfair. Collecting them. Dodging them. And not just government taxes. Crushing loans. Protection money. The makeup tax. But remember: no exploring an issue for the sake of exploring an issue. We need plot, people.

***Rising Tide***
Do you know someone who is denying a change that’s happening all around them? Or something that's going to happen whether they want it to or not? Stories of confronting, fighting or fleeing a mounting force of nature, stories that inch towards something big, really big.

*** Mystery Box***
Stories which only work because of what we don't know. An unopened letter. A relationship that only works because of what goes unsaid. The room you weren't allowed to enter as a child. Stories in which some people want to open the box, and others don't, because — this time — the truth just might not set them free.

***Sell Out***
What’d they do? Why did they do it? Calling all stories of backroom dealings and record label signings.

***The Tape***
Stories in which a recording – once seen or listened to – has the power to change everything. 


Call for stories! Bad Advice/Second Chances at Audio Under the Stars, deadline Sept 12

Call for story submissions for Audio Under the Stars. Details HERE and below! – Mia
+++++++++++++++++

Audio Under the Stars, Durham, N.C.'s summer-long audio festival, is looking for audio stories for the final show of the summer: Bad Advice and Second Chances.

Some of us have actually paid cash money for a 1974 Dodge Dart. Tell us your stories about when you listened to your Uncle Leo rather than your common sense and a Consumer Reports review . . . or any other time you told that small voice in your head to shut up and sit down, and how you've lived to tell the tale.

We love sound-rich stories that make us think, make us laugh, and take us to places near and far. Share your work or work you find compelling made by someone else. We want to hear it all, even if it's not a perfect fit for the theme.

We need your help to find the best of the best. Use this form to submit a story for consideration— submit as many stories as you'd like! The deadline is 11:59 p.m. on September 12, 2015.

McDowell Colony is expanding fellowships to narrative journalists

Generous grants from the MacDowell Colony – now for narrative journalists! Details HERE and below. -Mia

+++++++++++++++++

Calderwood Grant Challenge Supports Writers of Long-Form Journalism

MacDowell Colony in New Hampshire launches Art of Journalism Initiative dedicated to narrative reporting.

A new initiative at The MacDowell Colony, the nation’s first artist residency program, will double the number of fellowships for writers engaged in deep reporting and complex, long-form journalism. By giving journalists studio space and uninterrupted time in a stimulating and creative artistic community, MacDowell’s Art of Journalism Initiative will invest $4.5 million in helping today’s groundbreaking writers develop their best work. In an era of fast news and free access, writers often struggle to support themselves while preparing stories that can take months, and sometimes years, to complete.

The Calderwood Charitable Foundation has committed a lead gift of $1.5 million, including a $1 million challenge grant, which –  when matched by $1 million in new funding over the next three years – will endow 10 new journalism fellowships to be awarded by a competitive application process. Stanford Calderwood, a newspaperman in his youth who later went on to establish an investment firm, was a lover of nonfiction and was a member of MacDowell’s Board of Directors.

Overall, the Art of Journalism Initiative will raise a total of $4.5 million in support of creative nonfiction. This national program was begun when MacDowell’s Board of Directors designated three nonfiction fellowships in honor of long-time MacDowell Board Member Anne Cox Chambers, primary owner of media conglomerate Cox Enterprises that grew from the family owned newspaper business.By-Stuart-Sia-International-Medical-Corps-3(sheri-large).jpg

In addition, the Calderwood Fund for Project Grants to Journalism Fellows, supported by a grant of $500,000, will provide participating writers with grants of up to $2,500 based on financial need to fund travel, research, and other project-based work before or after the residency. These grants are designed to help the growing number of independent journalists and mitigate the impact of diminishing budgets for long-form journalism at media and publishing outlets.

“We believe that long-form journalism can and will survive in the new publishing era. With a global audience and journalism schools burgeoning with talented writers, long-form is undergoing a renaissance,” says MacDowell’s Executive Director Cheryl Young. “However, the reality is that this generation will have difficulty finding full-time employment.”

Help support this initiative by clicking here.

“Until new commercial models are in place, residencies can help. We don’t want to lose what the best journalists can teach us about the world,” Young adds. “Well-written stories can inform how we view politics, new scientific discoveries, social justice, and the environment. We hope this new support for journalists will help keep that profound exploration going and make the world a better place.”

The MacDowell Colony has supported some of the finest voices in non-fiction for decades, from the essays of James Baldwin to Frances Fitzgerald’s investigations into the Vietnam War. More recently, journalists such as Sheri Fink, Ta-Nehisi Coates, Nicholas Dawidoff, William Finnegan, and Adrian Nicole LeBlanc have worked at the Colony early in their careers. With the Art of Journalism Initiative, The MacDowell Colony plans to reach deeper into the nonfiction  community by forming relationships with magazines, publishers, media outlets, and journalism schools.

Journalists are encouraged to apply for fellowships at www.macdowellcolony.org/apply.html  or by writing admissions@macdowellcolony.org.

(Sheri Fink is pictured above reporting on the 2014 Ebola outbreak from a treatment center in Liberia. Photo by Stuart Sia/International Medical Corps)

Modern Notion call for (written) pitches

Call for PRINT pitches from Modern Notion. They have a radio show/podcast as well. Details and contact info below. -Mia
++++++++++++++++++
Modern Notion: Call for pitches
Science and history touch every aspect of life—life is science and history, it's just that sometimes, it's hard to see. We want pieces that amplify the science and/or history behind a story and thread it through to create a compelling, original but anchored piece. 

We’re looking for a range of pieces. Pieces that answer everyday questions, like: does blowing on your coffee actually cool the hot liquid? To pieces that explore current events: how will barnacles help us unearth Malaysia Airline's MH370's flight path? To pieces that take a strong opinion of cultural phenomena though the lens of science or history: why Americans should (but won't) eat horse.
Sometimes the science or the real history is controversial, and we don't want to shy away from that. And sometimes, the science and history leaves us with more questions than answers. We love mysteries on Modern Notion, and even if we don't always solve them, we like spelunking through them and emerging with a deeper understanding of their significance.
We pay for all stories. That number varies with each story (length, type, etc).

You can send pitches to dara@modernnotion.com


Upworthy is now accepting freelance pitches

This post has been making the rounds, but in case you haven't seen it, Upworthy is now taking freelance pitches. Request your freelancer packet at the address below. (I did!) -Mia
+++++++++++++++++++++++

From Amy O'Leary,

Hey!


I hope you're all doing great!  I've been working for the last six months at Upworthy, where I'm running the editorial team these days. Since I joined the company, we've been making a transition toward doing more original storytelling, and just this week we launched a freelance program.  We are excited to be hearing from all kinds of storytellers — not just traditional text-based journalists — to bring attention to stories for a better world.  And we are looking for pitches!  We've already worked with one radio journalist who has done some Upworthy versions of his original reporting for radio. We're happy to find ways to make stories you've done in other mediums go viral.

We love stories that are SURPRISING, VISUAL, MEANINGFUL and SHARABLE. Most of our stories are short — around 500 words, and are most interested in empathetic storytelling about human beings (we are less interested in essays, but more interested in surprising anecdotes). We love photo stories, too.

If you are interested in learning more, email pitches@upworthy.com for a freelancer packet that explains what we're looking for!

And pitch us!  We've already taken nearly a dozen stories in the last 2-3 days.

Feel free to share this email with your own networks of storytellers as well!

Cheers,

Amy

Call for Pitches from Making Contact

Call for pitches from Making Contact. A great place for longer-form radio stories on important topics. Details below!

++++++++++++++++++++

Dear Freelancers,

We’re looking for pitches from freelancers on several themes. If you feel you have a story that fits or a new idea, please let us know!

We’re also always interested in pitches on any of our regular beats: prisons, poverty, corporations’ undue influence, reproductive health, climate change and the environment.

Formerly Incarcerated Change Makers

Do you know someone making change in your community or at the national level who was formerly incarcerated? It doesn’t have to be in the area of criminal justice but we’re looking for stories about people who are in some way working for change, after spending time in prison.

Tent Cities

“Hoovervilles” were named in shame a US President who was blamed for the great depression.  But collective living among the homeless has its supporters too.

Dignity Village in Portland and Nickelsville in Seattle are just two examples of self-managed “tent cities” that have arisen in the recent past—not simply last resorts stemming from an underfunded social service system, but chosen alternatives for those alienated by the institutional approach. And as the years go by, some of these “temporary” communities are threatening to become a permanent part of America’s future urban landscapes.

We are looking for personal stories that take us inside temporary communal homeless villages, small and large.  The listener should learn about the honest pros and cons, in an effort to see whether collective knowledge is being gained about arrangement and management.

***Please note–We did a show on squats last year, so we are not looking for that type of situation. The communities should be constructed by and for the homeless, not a reclamation of already existing structures.

Guilt by Association

We’re looking for stories about people who are targeted, not because of what they might have done, but because of their connection to an individual or group. It could be a story from the criminal justice system, but we’re also open to other stories that might fit this description.

Informal Labor Markets

What do you do when you can’t find a job? Whether it’s because the local economy is severely lacking employment opportunities; or how age, gender, and race play out in the labor market; or the marketability of skill sets, there are various reasons people are pushed into informal labor. These are essentially marginal jobs people take on to survive, such as collecting recyclables, or  transporting goods categorized as personal luggage across borders. Some suggest training and certificate programs are what’s needed.  But is that really getting to the heart of the problem? What pushes people into informal labor markets? What impact does that have on economies and people’s lives?

Climate Change

“Climate Resilience” and “Social Cohesion” are terms used by environmental justice advocates and academics to mean various things. We want stories that explore these terms. It could be a local clean energy project, local economies, New  York after Sandy or something else. How are communities working not just to survive but thrive?

OR

What’s faith got to do with climate? “Laudato Si,” Pope Francis’ encyclical on the environment and humanity’s responsibility to protect it, might give faith-based environmentalists added stimulus to organize. What are groups like Global Catholic Climate Movement doing to mobilize young Catholics. What are the tensions and contradictions between the Pope’s hopes and the general churches’ actions? And how significant was this call to action from the Islamic Climate Change Symposium?

The Starkest Borders

US/Mexico  Spain/Morocco  Israel/Palestine Greece/Albania  Singapore/Malaysia South Africa/Zimbabwe

It's at these crossroads of rich and poor nations, that the arbitrary nature of our borders is truly revealed. Why is the water undrinkable, 50 yards away from a place where it’s clean? Why are robust social services only available on one side of a fence?

This show is not about immigration.

We are looking for stories that bring us to one or both sides of borders between countries with vastly different standards of living, and see how the disparity affects the people and culture of those who live in close proximity. Interesting stories about professions that require people to cross everyday to work? Kids who cross to go to school?  Cross border medical care dilemmas?

What about the parallel histories of border cities on each side? Who drew that border, and why were some people left on the “wrong side”.

We would also be open to stories about the border between a country at war, and another at peace.

Specifications

Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

This call for pitches is for segments of about 8 minutes(unless otherwise noted), and we pay $450 per story of this length. We also occasionally take longer pieces (12 or 26 minutes).  

As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

Consider the following. Does the story:

Link grassroots issues and human realities to national or international trends?

Give listeners a historical, political, or social context of major national and international events?

Shed light on social and economic inequities?

Explore any alternatives or solutions?

Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.


We look forward to hearing from you!

Laura Flynn, Jasmín López, Andrew Stelzer & George Lavender

Making Contact producers


Snap Judgment Call for Pitches, rolling deadline (they ALWAYS want great pitches)

Call for pitches from SNAP!! (Newly partnered with WNYC – nice!)

++++++++++++++++++

Hello everyone,


I'm excited to share the most recent edition of Snap Judgment themes! 

Before you pitch, please review our guidelines at www.snapjudgment.org/pitches to make sure your story is a good fit. You can send your brilliant pitches or questions to performers@snapjudgment.org.

Okay, onto the themes:

***Any Really Good Story***

We will never stop saying this.  If your story is amazing, it will make it on the air, theme or no theme.  In fact, consider the following themes inspiration, but do not take them as gospel.    

***Black Box***

Stories which only work because of what we don't know.  An unopened letter. The secret behind a magic trick.  The room you weren't allowed to enter as a child.  Stories in which some people want to open the box, and others don't, because — this time — the truth just might not set them free.  

***Long Distance***

Stories about that time someone went the extra mile with unexpected results. Long distance competitions, adventures, relationships, etc. Just remember, there’s gotta be a darn good reason for going just that far.

***Shangri La/Atlantis/Paradise Lost***

A childhood fantasy world or a grown up’s Eden, we want your stories about that hidden utopia that no one else knows about, or maybe just that one else else cares about!

***Water Water Everywhere and Not a Drop to Drink***

Sometimes we’re surrounded by a bounty that’s just out of reach. Bring us your stories of famine during feasts, the virgin at the sex party, the blind juggler in a circus tent. Don’t be afraid to get creative!  

***Albatros/My Cross to Bear***

Stories of people carrying around something (either figuratively or literally) that weighs them down.  A duty.  A debt.  A reputation.  A lingering question.  Do they shake it off or learn to live with it?  Let us know.

***The Tax Man***

Yup, stories about taxes.  Fair or unfair.  Collecting them.  Dodging them.  And not just government taxes.  Crushing loans. Protection money.  The makeup tax.  But remember: no exploring an issue for the sake of exploring an issue.  We need plot, people.

***Rising Tide***

Do you know someone who is denying a change that’s happening all around them? Or something that's going to happen whether they want it to or not? Stories of confronting, fighting or fleeing a mounting force of nature, stories that inch towards something big, real big.

***Sell Out***

What’d they do? Why did they do it? Calling all stories of backroom dealings and record label signings.

***The Tape***

Stories in which a recording – once seen or listened to – has the power to change everything.   


upcoming grants from the Fund for Investigative Journalism, next deadline Sept 21

Upcoming deadlines for the Fund for Investigative Journalism. Next one, Sept 21. Go for it!! -Mia
+++++++++++++++ 
The Fund for Investigative Journalism (FIJ) awards reporting grants three to four times each year for investigative stories and books, and is currently accepting applications for its upcoming deadline, Monday September 21, 2015 (5pm EDT).

FIJ’s Board of Directors seeks proposals for stories that break new ground and expose wrongdoing – such as corruption, malfeasance, or misuse of power in the United States and overseas. FIJ encourages proposals written for ethnic media in the United States.

The typical grant is $5,000 and covers out-of-pocket expenses such as travel, document collection, and equipment rental. Requests for small stipends are also considered as a part of the overall budget.

For more than 40 years, FIJ has been a resource for independent journalists working as freelancers or for nonprofit media outlets.

Mentoring: In partnership with Investigative Reporters and Editors and the Society of Environmental Journalists, mentors are recruited for successful grantees upon request. Mentors act as sounding boards, working with grantees over the course of their projects.

For detailed application requirements, visit the website: http://fij.org/grant-application/. If you have further questions, contact executive director Sandy Bergo at fundfij@gmail.com or call 202-662-7564.

Following the September 21, 2015 deadline, applications will be accepted for the next deadline, which is February 1, 2016 at 5pm Eastern Time.

 

Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the Catalogue for Philanthropy: Greater Washington
@FundFIJ

 

Final countdown for the 2015 New Voices Scholarship, deadline TOMORROW (8/21), 5pm PT

Whether you apply for AIR's New Voices Scholarship or not, please let me know if you plan to got to PRPD. I'm going for the first time and I'd love to see some friendly FC faces there.
Cheers,
Mia
+++++++++++++
A quick note to remind you that the deadline to apply for AIR's 2015 cohort of New Voices Scholars is tomorrow, Friday Aug. 21 by 5 p.m. PT. Here's the link to apply: https://airmedia.wufoo.com/forms/airs-2015-new-voices-scholarship/. All applicants should read the FAQ before applying (http://airmedia.org/programs/new-voices-scholarships/).

Scholarships are $750 to $1,500 for up to 15 selected applicants to attend this year's PRPD Conference (http://www.prpd.org/conference/2015.aspx) in Pittsburgh, Pennsylvania, Sept. 29–Oct. 1.

Any questions about it? Give me a shout at rebecca@airmedia.org.

Cheers,
Bec

AIR is everywhere

Rebecca Feldhaus Adams
AIR Talent Manager
617.825.4400
@AIRmedia
airmedia.org

San Francisco part time Sound and Screencast Editing gig

Passing along this Bay Area opportunity – details and contact info below!
-Mia
++++++++++++++

I'm looking to hire a part-time sound and screencast editor in San Francisco for Evented Mind, an online video education company that reaches a large audience of people learning Web development and software engineering.
The job is to help edit and prepare for release the sound and video for new classes. A class is typically about 1 hour of video (screen casting style) broken into 10-12 chapters. You can see an example here: How The Web Works.
More details:
  • $300 / class (~ 1hr of video) negotiable depending on circumstance.
  • 1 – 1.5 hours of screencast style video and audio is captured in Screenflow in the correct order.
  • Estimated production is 1-2 classes per week.
  • Bring clips together, shorten dead segments, assign video chapters, clean audio (Adobe Audition or other tool), export final production video.
  • Bonus: contribute to improving content / production quality and help guide the production process.
If you're interested please contact me: chris@eventedmind.com and let me know a bit about yourself. I'll evaluate candidates by doing a paid test run with a short class. Really look forward to meeting you!
Chris
***

photog/videographer needed in Santa Clara, CA, this Sunday

Passing along this post from a long-time FC member.
+++++++++++++++++

Yo freelancers!
My colleague David Kravets is going down to Santa Clara on Sunday for a demonstration of this new football stats tracking thing (he can explain more). 
He’s looking for someone to accompany him to shoot some stills and video (total of 5 hours, starting at 3pm). Ars would pay $400.
You can meet him down there or roll with him (he’ll be driving from Walnut Creek).
If you’re interested, email: david.kravets@arstechnica.com
Thanks!
-C


Cyrus Farivar
"suh-ROOS FAR-ih-var"

Senior Business Editor, Ars Technica
http://arstechnica.com/author/cyrus-farivar/
+1 510 394 5485 (mobile)

Twitter: @cfarivar
iMessage: cyrus.farivar@arstechnica.com
PGP/OTR/Signal: http://arstechnica.com/ars-staff-pgp-keys/#cyrus-farivar

2015 CA Documentary Project, deadline Oct 15

It's time to apply for your California Documentary Project grant. Nice chunks of money for good media works. Deadline October 15. Details below! -Mia
+++++++++++++++

Dear Friends and Colleagues,

 

Cal Humanities is pleased to announce that guidelines for the 2015 California Documentary Project grant are now available and I’m writing to ask for your help in sharing them with your respective communities. This year’s deadline is October 15.

 

As always we are looking for high-quality film, radio, and new media productions that document California subjects and issues and that use the humanities to provide context, depth and perspective. Funding amounts range from $10,000 to $50,000 and a cash or in-kind match is required. Please note that California residency is not a requirement for eligibility.

 

For complete program guidelines, application instructions, dates and times for informational grant workshops, and a list of previously supported projects, please visit www.calhum.org/grants/california-documentary-project-grant.

 

Cal Humanities is an independent non-profit and a state partner of the National Endowment for the Humanities. Since 2003, we have awarded over $4 million to projects that document the California experience, including The Case Against 8, Regarding Susan Sontag, Ruben Salazar: Man in the Middle, Seeking Asian Female, We Were Here: The AIDS Years in San Francisco, Everyday Sunshine: The Story of Fishbone, Romeo is Bleeding, and many more.

 

Thanks in advance for your help.

 

Best,

John

 

cid:3413278713_36505112

 


doc icon CA-Documentary-Project-2015-Annnouncement.docx

Ferguson Reporting Opportunity

I sent this out awhile back and the "official" application process is closed, but it looks like they're still looking for stories. Details below. -Mia

+++++++++++++++++


PBS Black Culture Connection and Cowbird are looking for photographers and digital campaigners on the ground in Ferguson, and for journalists to interview them. 


This is for a digital project on photography and the Civil Rights Movement. We're telling the story of how digital organizing has been used in Ferguson and #BlackLivesMatter.

We're working fast, so please call 410-300-8779 or email coordinating producer kristinmoe3@gmail.com if you're interested or know someone who would be. 

Here's more background: (applications are closed) 

Reveal call for pitches on race and gender, deadline Aug 28

Reveal put out a rare call for pitches on race and gender. Details HERE and below. Deadline Aug 28. 

Wanted: Pitch us your investigations on race and gender


We want to invest in groundbreaking investigations into two of the biggest issues around: race and gender in America.

So, whether you’re an independent journalist with a hot idea to pitch or a newsroom that could use help, we want to hear from you.

It’s hard to imagine two more important issues in America today. Basic promises of civil rights made generations ago continue to go unfulfilled. Systemic racism and sexism make inequality a reality for entire swathes of Americans every day.

We want to uncover these stories of injustice, and we strive to do so each year. But we’re also setting aside a significant budget over the next year to fund stories from independent journalists or to support newsrooms that might not have the budget or the investigative expertise to meet their ambitions.

We might seed one big story or a number of individual stories from different sources. We’d look to do the stories on one or all of our platforms. In particular, we’re looking for radio-friendly stories with strong characters for our new show, “Reveal.”

Looking for examples of the kinds of stories we want? We’d like to keep it as open as possible, so we cast a wide net. Instead, here’s our list of questions we think about for each investigative story:

  • Is it uncovering a new problem?
  • Are people being harmed?
  • Can you quantify the problem?
  • Can you hold people accountable?

If you’re interested, please send me an email at adonohue@cironline.org answering the above questions. Deadline for submissions is Friday, Aug. 28.


Bay Area audio tour company, Detour, now accepting pitches, deadline Aug 19

Very awesome Bay Area company wants your pitches. Details and RFP below!
++++++++++++++++
Juliet here, Production Manager at Detour. Detour makes "stories that take you places — gorgeous location-aware audio walks" and I'm writing to let you know that we are now open for pitches! We are actively seeking ideas for new great Detours — and the producers to create them — in the San Francisco Bay Area.

We’re commissioning Detours that will be put together over a 3 to 4 month production process, starting in September 2015. We’re most interested in pitches from producers / teams with significant audio or video production background.

Haven't taken a Detour yet? There's a code in the RFP (attached) that will let you take one for free.


We’ve got a few specific places and themes we are interested in this time around, but we’re open to other ideas you have too. All the details are in the RFP attached.

Deadline to respond with a one-page pitch is 8/19.

Get in touch with any questions by emailing submissions@detour.com


Looking forward to what comes!

Juliet

PS: Please forward to any great radio/audio/place-based story people you know. We want to give them work!

pdf icon Detour-RFP-July-2015.pdf

2015 California Documentary Project grant, deadline Oct 15

Cal Humanities is pleased to announce that guidelines for the 2015 California Documentary Project grant (http://www.calhum.org/grants/california-documentary-project-grant) are now available and I’m writing to ask for your help in sharing them with your respective communities. This year’s deadline is October 15.

As always we are looking for high-quality film, radio, and new media productions that document California subjects and issues and that use the humanities to provide context, depth and perspective. Funding amounts range from $10,000 to $50,000 and a cash or in-kind match is required. Please note that California residency is not a requirement for eligibility.

For complete program guidelines, application instructions, and a list of previously supported projects, please visit www.calhum.org/grants/california-documentary-project-grant.

Cal Humanities is an independent non-profit and a state partner of the National Endowment for the Humanities. Since 2003, we have awarded over $4 million to projects that document the California experience, including The Case Against 8, Dorothea Lange: Grab a Hunk of Lightning, Seeking Asian Female, We Were Here: The AIDS Years in San Francisco, Everyday Sunshine: The Story of Fishbone, Romeo is Bleeding, Ruben Salazar: Man in the Middle, and many more.

KALW job opening for sound engineer/designer, deadline Aug 6

Hey folks. Fantastic, nearly-full-time job opportunity with KALW in SF. Details here and below. Go for it!

++++++++++++++++

The KALW News team is looking for an experienced and creative sound engineer/sound designer to help mix our daily news magazine Crosscurrents. You’ll work alongside our senior engineer, Chris Hoff, joining the ranks of top-flight sound designers who have engineered our show, including Roman Mars (99% Invisible), Colin Anderson (Maximum Fun), and Seth Samuel (Deep Look).

Crosscurrents airs Monday through Thursday evenings on KALW public radio in the San Francisco Bay Area. Our tagline is “context, culture, and connection,” and we deliver through sonically rich, thought-provoking, long-form stories. Our work typically uses a lot of natural sound from field recordings and frequently utilizes music to enhance the storytelling.

Your main duties will be to mix feature stories from scratch; shorten stories that have already been mixed; cut interviews; track reporters and our show host Hana Baba; mix the show, itself; and contribute your own ideas to the overall sound of Crosscurrents. Our show has a specific sound, and we want to retain this; but we are also open to adding to it, to improving it, to making it as great as we possibly can. So new ideas and thoughts on mixing and sound design are always welcome.

As part of its mission, the KALW News department trains many people in the art and craft of journalistic audio storytelling. It makes for a dynamic and energized newsroom with a changing cast. We have a steady team of experienced core staffers and contributors with whom you’ll work most closely, but you’ll also work with people who are still learning to do this work well.

This is an independent contract position for approximately 32 hours a week, Monday-Thursday.

Job Requirements:

  • Several years experience mixing in Pro Tools (preferably for other radio shows, podcasts, and the like)

  • A strong interest in and knowledge of music, and your own extensive music library

  • Competence in using Mac computers

  • Solid interpersonal skills – our newsroom is diverse and fun and sometimes a little crazy

  • An editorial ear, i.e., an ear that can detect what’s boring or confusing, both in language and in sound.

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

To apply, please send a cover letter, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Thursday, August 6, 2015, 11:59 PT.

Apply now for AIR’s New Voices Scholarships

Hey folks. Great opportunity here to attend PRPD with a scholarship from AIR. I'm going to this conference for the first time and would love to meet up with any AIR or Freelance Cafe folks who might be there. Drop me a line if you're going! Details about the scholarship below.
-mia
++++++++++++++

As AIR’s network expands (our year-over-year growth increased 73 percent in the first half of 2015), we are working to open the golden age of talent — and its opportunities — to a diverse, inclusive range of media makers.

AIR’s New Voices scholarships (http://airmedia.org/programs/new-voices-scholarships/) are available for those who can contribute fresh craft, diversity or perspective to the network and media.

If you are, or if you know, someone who can help make public media more inclusive, apply or help us spread the word (https://airmedia.wufoo.com/forms/airs-2015-new-voices-scholarship/).

The scholarship brings new talent to industry gatherings — this year, to the Public Radio Program Directors' conference in Pittsburgh (http://www.prpd.org/conference/2015.aspx) — where they will find a peer support network, opportunities to meet industry leaders, and chances to share their interests, concerns and work.

WE SEEK: Creative makers from all corners of the country who are new to public media. You do not have to be an AIR member to apply (https://airmedia.wufoo.com/forms/airs-2015-new-voices-scholarship/).

WE OFFER: New Voices scholars receive up to $1,500 in funding to subsidize the costs of attending the conference. They gain access to the PRPD Conference and additional New Voices only programming in Pittsburgh, as well as access to the New Voices alumni network.

DEADLINE: Friday, Aug. 21, 2015 at 5 p.m. PT. Applications that are not completed at 5 p.m. will not be saved and cannot be considered.

CONFERENCE DETAILS: PRPD convenes program directors, reporters, editors, producers and managers for conversation about where public media is and where it can go. Read full conference details at the PRPD website (http://www.prpd.org/conference/2015.aspx).

MORE: Seven years of New Voices alumni include some of the most interesting, sought-after talent rising in public media. They’re working at the network and station levels and as independents, domestic and international.

Please read through the New Voices FAQ (http://airmedia.org/programs/new-voices-scholarships/) in its entirety before completing the application.

Questions? Contact AIR Talent Manager Bec Feldhaus Adams at Rebecca@airmedia.org.

Latino USA seeks interns

Latino USA is a lovely place to work – they're looking for interns! Details below.
-Mia
NPR's weekly program Latino USA is take applications for interns to work at our office in New York. These positions are most appropriate for undergrad or graduate journalism students, but could also suit very early career professionals. We're a small shop, so there is plenty of opportunity for real hands-on radio production. Below is a description of the internships and information on how to apply.

Radio Internship
About The Futuro Media Group | The Futuro Media Group is an independent non-profit media organization dedicated to producing multimedia journalism that explores and gives voice to the diversity of the American experience. The Futuro Media Group works in the public interest, informing the public about compelling narratives, real lives and important stories often overlooked by mainstream media. Founded in April 2010 by award-winning journalist Maria Hinojosa, The Futuro Media Group is the producer of the award-winning “Latino USA” radio program, which has run on National Public Radio for more than 20 years. In 2012, our first full-length television program aired: “America By The Numbers with Maria Hinojosa: Clarkston Georgia,” which explores issues of changing demographics and the “new mainstream:” immigration, democracy, civic engagement, and what it means to be an American.

About The Internship—Radio | The Futuro Media Group seeks self-starters to aid in the production of the weekly National Public Radio show Latino USA. The show has been on air for 20 years and is a trusted source for news and cultural trends affecting Latinos in the U.S. The show is distributed by NPR and produced by The Futuro Media Group. The staff is small, so there is a lot of room to do meaningful work.

Depending on skill level and show production needs, interns will:

· Prepare and update databases of sources and organizations;
· Respond to email and phone queries;
· Research segment topics and interview subjects;
· Pre-interview subjects before they come to studio;
· Participate in editorial and production meetings;
· Research and gather materials for show website;
· Produce and/or assemble multimedia components for show website;
· Assist in assembling the weekly show website and email newsletter;
· Assist in reporting and recording audio for stories produced in-house;
· Assist in writing some simple scripts for host interviews;
· Assist in editing audio from studio interviews;
· Develop and produce 1-3 stories for radio.

Qualifications:
· Advanced matriculated college student—graduate or advanced undergraduate
· Good people skills, personable, punctual, and mature.
· Self-directed and can work with a team in a fast-paced, extremely dynamic office environment.
· Strong organizational skills and attention to detail
· Excellent, snappy, vibrant writing, especially for radio and web;
· Ability to juggle multiple tasks and deadlines;
· Ability to work independently;
· Ability to communicate effectively with supervisor and other team members;

Desired skills:
· Ability to research and become an “instant expert” on any subject;
· Familiarity with news outlets from around the country;
· Familiarity with policy and cultural trends, as well as with socioeconomic and racial/ethnic demographics of communities around the U.S.;
· Familiarity with news and people research databases such as LexisNexis, Factiva;
· Familiarity with radio production process;
· Familiarity with radio recording equipment and with sound editing software (ProTools);
· Familiarity with html coding, web design and WordPress templates.
· Good writing, extremely detail oriented, good at QA checking and copy-editing
· Ability to understand workflow for big and small projects
· Bicultural/bilingual
· Strong interest in public media/progressive voices

To apply:
Send cover letter outlining how your interests, skills and experiences line up with what Latino USA does, as well as a resume and a writing sample of no more than 3 pages, something that shows off your mastery of style and content and resume to Nancy Trujillo, Internship Coordinator, at nancy@futuromediagroup.org with the subject line: Radio Intern Application. No calls please. If you have produced radio, please send 1-2 samples of work as .mp3s or .wav files.

Audio Under The Stars is looking for love!

Audio Under The Stars, Durham, N.C.'s summer-long audio festival, is on the hunt for love stories of all stripes for our August show.

Do you have a story about love? It could be passionate, romantic, familial, idealistic or platonic, about any person, place or thing that makes your heart sing. We're also looking for stories of love gone wrong, or what happens when happily ever after isn't.

The pieces that fit best are less than 15 minutes, with 4-7 minutes being ideal. If you have a story you'd like to share, you can pass it along here: http://audiounderthestars.net/share-a-story/

If you've got questions, you can send them my way or write to us audiounderthestars@gmail.com.

Thanks,
Elizabeth Friend

Call for pitches – immigration + food + sustainability, deadline Aug 15

Feet in 2 Worlds seeks pitches – many media accepted. Deadline Aug 15. Details below.
-mia
++++++++++++++++++++

Hello Everyone,

The New School's 10-year-old immigration reporting project Feet in 2 Worlds is looking for new contributors for their fall food issue — please pitch us! 

Full details re: topics + medium are below. If you have any questions, feel free to contact me directly. 

This is a really excellent journalism project that works to bring immigrant reporters + perspectives into public media. Good work + good people — please join us!

Many thanks,

Anne Noyes Saini
Producer, WNYC's The Sporkful
Food Editor, Feet in 2 Worlds
Co-creator, MOTHER

=========================================

Sustainable, local, organic, artisanal – these terms help define and frame today’s food culture. Do these terms have different meanings for immigrants? If organic food is harvested by immigrant workers who are underpaid for their labor, is it sustainable? 

The next issue of the Feet in 2 Worlds online magazine will explore the intersection of immigrant food and culture with these concepts from today’s food scene. Immigrants – their labor, culture, and recipes – occupy every position in the food chain, yet their stories often go untold or are misrepresented. 

We are looking for stories in any medium – audio, video, photo essay, text, info-graphic – that help bring a deeper understanding to these complex issues and shine a light on unseen parts of the food system. The stories we seek to tell will use the tools of narrative journalism, be investigative in nature, go beyond clichés and stereotypes, and will advance our mission to bring underreported stories from immigrant communities to new audiences on public radio and online.

Some possible areas include:

  • Healthy eating in immigrant communities
  • Deconstructing a meal – where do the ingredients come from?
  • What does sustainability look like in an immigrant neighborhood or household
  • Hidden food systems/hidden people – how immigrants participate in food industries and food culture in unseen ways.
  • Immigrant food entrepreneurs and locally made ethnic food products.
  • Scraps – how food is reused and conserved in ethnic dishes and immigrant kitchens.

The deadline for submissions is August 15, 2015. Please send submissions by email to anne [at] cityspoonful [dot] com.

AIR’s New Podcasting Rate Guide

If I had any doubt that AIR was worth the membership fee (which I didn't), I've been totally and thoroughly convinced. This rate guide and template agreement for podcasters is genius. Check it out. -Mia

http://airmedia.org/rateguideforpodcasts/

AIR established a national standard for freelance rates in 2002 that has been adopted across the public radio industry. In 2012, following this model, we worked with the Public Radio News Directors Association (PRNDI) to publish a rate schedule for indies working with local stations. More recently, we’ve successfully negotiated with major national outlets to increase rates across the board, and we undertook a study with the Independent Television Service (ITVS) comparing revenues of independent filmmakers and radio producers.

In response to calls from freelance producers and commissioning editors, programs, and networks in the AIR ecosystem, we’re presenting a basic rate guide for podcasting and a standard template agreement for audio freelancers and podcasters, both of which follow established best practices.



from AIR – Grants, fellowships and awards for July and August

Join AIR for the complete list of grants, fellowships, and awards – one of the best resources out there for public media folks! -Mia
++++++++++++++++++++

• Dennis A. Hunt Health Journalism Fund
Deadline: July 12, 2015
Details: The Dennis A. Hunt Fund for Health Journalism provides grants of $2,500 to $10,000 for reporting on critical health issues facing underserved communities. Selection include participation in the all-expenses-paid National Health Journalism Fellowship, which provides a week of training in Los Angeles on community health issues. The Fund honors Dennis Hunt's legacy by providing financial support for ambitious investigative and explanatory journalism projects on community health and health policy issues. The fund is financed by memorial contributions from Hunt's friends and colleagues. The grant is designed to cover reporting and publishing- or broadcast-related costs such as travel, website development, database acquisition and analysis, environmental or health testing, translation services, and a journalist’s otherwise uncompensated time. Both freelancers and news outlet employees are eligible to apply.
Website: http://www.reportingonhealth.org/fellowships/seminars/dennis-hunt-fund-health-journalism

• Society of Environmental Journalists Fund for Environmental Journalism
Deadline: July 15, 2015 (for the Summer Cycle)
SEJ's Fund for Environmental Journalism accepts applications for grants of up to $3,500 to help underwrite environmental reporting projects and entrepreneurial ventures.
Website: http://www.sej.org/initiatives/fund%20for%20environmental%20journalism/overview

• National Endowment for the Arts (NEA) Art Works Grants
Deadline: July 23, 2015
Details: Art Works support the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Grants generally range from $10,000 to $100,000.
Website: http://arts.gov/grants/apply-grant/grants-organizations

• Falling Walls Science Fellowship for Journalists
Deadline: July 31, 2015
Details: "In an effort to keep the public informed on life-changing scientific breakthroughs, we have created the Falling Walls Science Fellowship for Journalists. It is aimed at journalists and bloggers with at least three years of experience, and who hope to advance their knowledge in the area of sciences. The Fellows get the opportunity to attend the Falling Walls Lab, Falling Walls Venture and the Falling Walls Conference in Berlin on 8 and 9 November 2015 in Berlin. Freelance and full-time journalists or bloggers can apply. Professionals in fields such as research, teaching, public relations and advertising are not eligible. The applicants must have a minimum of three years professional journalism/blogging experience in which they have written about the subject of sciences."
Website: http://www.falling-walls.com/fellowships/science-journalists

• Alfred Friendly Press Partners Fellowship
Deadline: August 1, 2015
Details: The Alfred Friendly Press Fellowships (AFPF), an American non-profit, non-governmental organization, is a cultural and professional exchange program for journalists. Through AFPF, journalists and their readers gain a broader view of the world and journalism thereby creating mutual understanding and peaceful relations between Americans and people of other nations. Fellows return home with new journalistic skills and knowledge, and a desire to advance a free, responsible press in their own countries–without which democracy does not exist.
Website: http://www.presspartners.org/fellows/fellowship-opportunities/

• The Core Fulbright U.S. Scholar Program
Deadline: August 3, 2015
Details: The core Fulbright U.S. Scholar Program provides approximately 800 teaching and/or research grants to U.S. faculty and experienced professionals in a wide variety of academic and professional fields. Grants are available in over 125 countries worldwide.
Website: http://www.cies.org/program/core-fulbright-us-scholar-program

• Warren T. Brookes Journalism Fellowship
Deadline: August 15, 2015
Details: CEI's Warren T. Brookes Journalism Fellowship is a one-year fellowship that aims to provide journalists the opportunity to improve their knowledge of free markets principles and limited government through interaction with CEI policy experts.
Website: https://cei.org/warrenbrookes

Freelance opportunity from new podcast about the outdoors

A new podcast about the outdoors – Out There – wants your pitches. Details below! -Mia
+++++++++++++++++++


I host a podcast about the outdoors called Out There, and I'm looking for pitches. Features, essays, and short stories are all welcome. I'm looking for smart, engaging pieces that make you laugh, cry, and think about the world differently. They need to have something to do with the outdoors (yes, this can include the urban outdoors), and should be no longer than 30 minutes.

If you have an idea, I'd love to hear from you, and of course feel free to forward this to other reporters/writers who might be interested.

This is a new show, so my budget isn't huge, but there is some money on the table.

Here are some additional guidelines about submissions, for anyone who's interested.

Hope to hear from some of you!

Cheers,
-Willow

Willow Belden

Host and Executive Producer
Out There: A Podcast about the Outdoors

Feet in 2 Worlds accepting applications for a food journalism workshop

Scholarships and travel stipends available for Food in 2 Worlds: A multimedia journalism workshop focused on food stories from immigrant communities. Application deadline Aug 1. Details below!
-Mia
+++++++++++++++++

 
Feet in 2 Worlds is accepting applications for a multimedia journalism workshop focused on food stories from immigrant communities.  This intensive workshop (Oct. 16 – 18 at The New School in New York) is designed for journalists, journalism students and culinary professionals who want to tell compelling and insightful food stories from immigrant communities. Participants will learn basic skills in audio recording and production. Writing skills will also be emphasized. Each participant to leave the workshop with at least one fully produced multimedia story for the web and story pitches for future work vetted by a panel of editors and veteran journalists.  Please check out the link and forward it to others who may be interested in applying. 
Thanks,
John
JOHN RUDOLPH
EXECUTIVE PRODUCER
FEET IN 2 WORLDS
72 FIFTH AVE. 6TH FLOOR, NEW YORK, NY 10011
RUDOLPHJ@newschool.edu
603.498.5480

The New School

ProPublica grants for aspiring journos of color

Grants from ProPublica for college-aged people of color who aspire to be great journalists. Yes!

+++++++++++++++++++++

https://www.propublica.org/atpropublica/item/college-journalist-of-color-apply-to-propublica-emerging-reporters-program

We are a nonprofit investigative newsroom and we’re offering stipends to five minority students who work or want to work at college journalism outlets – newspapers, websites, radio stations or TV stations. We want to make college journalism accessible to students for whom it would otherwise be economically out of reach. Students can apply for the stipends annually. Those selected will receive $4,500 per semester.

UnionDocs Podcast School in August, early bird registration deadline July 20

Podcasting crash course from UnionDocs – with some phenomenal instructors!! Details below. Registration deadline July 20. -Mia

++++++++++++++++++

Coming up this summer! Early registration deadline is July 20th.


The Podcast School
From Wednesday August 26th to Sunday August 30th

Over the course of this five-day seminar, the students will learn from a team of seasoned guest speakers, thinkers and practitioners—public radio reporters, storytellers, sound artists, radio auteurs, podcasters, and media entrepreneurs. This intensive will consider a wide range of issues from audio storytelling, podcast production to radio communication, fundraising and advertisement. The seminar will also include one field trip, discussions, conceptual exercises, listening sessions and work-in-progress critiques.

Radio producers and hosts Anna Sale (Death, Sex & Money for WNYC), Al Letson (State of the Re:Union), Sean Cole (This American Life), Jonathan Mitchell (The Truth/Radiotopia), Andrea Silenzi (Slate's The Gist, Why Oh Why), Kaitlin Prest (The Heart/Radiotopia) and media entrepreneur Erik Diehn (Midroll). Tina Antolini (radio producer, host and creator of Gravy, a podcast with the Southern Foodways Alliance) will lead the course.

$750 – Early Bird Registration. Deposit received by July 20th at 5:00 PM.
$850 – Late Registration

To learn more about this workshop and register visit 
http://www.uniondocs.org/podcast-school/

Grant Opportunity from PBS Black Culture Connection & Cowbird

Looks like a very cool opportunity from PBS Black Culture Connection & Cowbird. Details below!
+++++++++++++

Wanted to let you know about a new grant opportunity lead by PBS Black Culture Connection & Cowbird.

We're seeking journalists and producers for a storytelling project that will explore photography and its role in social movements including Civil Rights, Black Power, LGBT and #BlackLivesMatter. We aim to go "behind the lens" of their photos to capture personal, lesser-told stories of the photographers, their images, and the events that changed–– and are still changing–– history.

Read more about the grant and learn how to apply here.
 
Please feel free to reach me for any questions. We'd love your help spreading the word to friends who you think may be interested.
Thanks!
Schuyler

Schuyler Swenson
Radio + Multimedia Producer

Late Summer Podcasting Workshop at UnionDocs in NYC

Learn to podcast from some of the best podcasters out there. At Brooklyn's UnionDocs from 8/26-30. Details below!
-mia
++++++++++++++++

UnionDocs is running a 5-day-long workshop on podcasting at the end of the summer. It'll feature sessions from superstar podcasters/radio producers Anna Sale of Death, Sex & Money, Sean Cole from This American Life, Kaitlin Prest of The Heart, Jonathan Mitchell from The Truth, Andrea Silenzi from The Gist and Why Oh Why, Al Letson from Reveal and SOTRU, and Erik Diehn from Midroll… Oh, and me, from Gravy.

The workshop will be held Wednesday, August 26th through Sunday, the 30th at UnionDocs in Williamsburg, Brooklyn. Each day we'll go from 10 a.m. to 5 p.m.

You can find more info and sign up here: http://www.uniondocs.org/podcast-school/

Best,
Tina


Tina Antolini
Host and Producer, Gravy
www.southernfoodways.org


IRP reporting trip to Ecuador, Oct 18-29, application deadline Aug 7

IRP wants to help you get to Ecuador. Application deadline Aug 7. Details below.

+++++++++++++++


The International Reporting Project (IRP) is pleased to announce a group reporting trip focusing on health and development issues in Ecuador on October 18-29, 2015.

Ecuador 2015

By Glendora Meikle

June 15, 2015

Ecuador, a country of nearly 16 million, has made major strides in healthcare and development, including dramatic improvements in healthcare efficiency.

Yet many challenges remain. There are discrepancies between the quality of care and resources available at public and private facilities. Residents of rural areas may not receive the resources available in urban centers, and neglected tropical diseases persist.

Fellows on the twelve-day reporting trip will examine a range of issues related to health and development in Ecuador. We will focus on topics of nutrition and agriculture, education, access to roads and electricity, sanitation and water, the impact of infectious and neglected diseases, reduction of poverty, increased use of technology, gender equality and the status of indigenous peoples and migrants. Fellows will meet with key government leaders, representatives of nongovernmental organizations, members of the business community, religious and media leaders and others.

How to Apply

All candidates must complete an application form and provide a detailed essay of at least 800 words describing the types of stories they might pursue.

Participants will be expected to post frequent stories – such as articles, blog posts, infographics, interactive stories, slideshows, social media posts, video and audio clips – before, during and after the trip.

The Ecuador trip is open to innovative journalists, bloggers, influential social media practitioners, and other media professionals. Unfortunately, this trip is not open to students.

Priority will be given to applications from citizens or residents of Australia, Brazil, Canada, France, Germany, India, Italy, Japan, South Africa, Spain, United Kingdom and the United States.

More Details

The IRP will purchase the fellows’ roundtrip air tickets to Ecuador and will pay for visas, hotel costs, local transportation and several meals. Fellows who wish to extend their stay after the fellowship will have the option to arrange that at their own expense.

All fellows on the Ecuador trip are required to participate in the sessions arranged for the group program. Much of the value of a group reporting trip comes from both meetings that IRP arranges and the interactions the fellows have with each other. Some independent reporting time will be included in the schedule. However, if you prefer to have more flexibility in your reporting schedule, we strongly encourage you to extend your trip or to apply for our individual reporting fellowships in the future.

All of the stories will be republished on the IRP site and co-owned by the fellow (or her/his distribution partners, depending on arrangements) and the IRP. In addition, the work produced as a result of the trip may be posted, with permission of the fellow, on the social media channels of the IRP funders. This trip is supported by a grant from the Bill & Melinda Gates Foundation.

Read our frequently asked questions and apply for the Ecuador trip by midnight (EST) on August 7, 2015!



Looking for producers for archival audio podcast

From the good people at Pop Up Archive.
++++++++++++++++

Hi radio people!

Pop Up Archive is looking for freelancers to work on our new podcast, Popcast. (If you're on the radiogines list, apologies for the repeat email.) 

Popcast tells tiny stories about the past, resurfacing archival audio and reinterpreting it. Past episodes include a posthumous astrological reading of Sylvia Plath, and the tale of a psychobilly song that astronauts banned from NASA shuttle missions. You can listen to the six episodes of the first season here: https://soundcloud.com/popuparchive

We made the first season with Eliza Smith, who is now full time at Snap Judgment, so we’re looking to open up the show to all archive-loving producers. Most stories will be in the 4-7 minute range, to be released over the summer (and beyond, we hope). The pieces are straightforward to create: they feature archival clips with some light narration and sound design. And we'll pay you!

If you’re interested in making a story for Popcast, shoot me an email at emily@popuparchive explaining why you’re interested, and include a link to your previous work. If you have a piece of archival audio in mind (check out popuparchive.com/search for inspiration), feel free to suggest it. I also work with producers to help them find content in the archive. 

Looking forward to hearing from you!

Emily

$1,000 Radio Competition, Deadline JUNE 30

I think I already posted about this once but I like it so much I'm sending it out again. $1000 prize for your best orphaned audio! Deadline June 30
-Mia
+++++++++++++++

On May 13, I, along with David Weinberg of Random Tape and KCRW's Independent Producer Projectlaunched a new radio competition. 
The idea is simple. We want your best tiny, standalone, golden audio moments — a little clip, a deleted scene, a lovely tangent. These bits can be absurd, bizarre, emotional, or just completely unexpected. Like Random Tape, the Gold Tape Competition is a home for orphaned audio.

We know the criteria for this award is ambiguous. Most importantly, the winning entry should tickle us in some way — be it funny, surprising, or sad. To better understand what we're looking for, listen to this Tape excerpt from David Weinberg

Also, here are a few of our favorite Random Tape episodes:
– Super!
Prize(s)
The winner will receive $1,000, a license for REAPER editing software, and 1 free pass to Tape Festival, among other goodies. 
Deadline

Tuesday, June 30 at 11:59 PM EST.
For more info visit tapefest.org/competition
Thanks,
Mooj
(P.S. Only 22 tickets left for Tape Festival. Buy your tickets at tapefest.org.)

Interfaith Voices seeks radio reporters in Russia and South Africa

Interfaith Voices is seeking radio reporters in Russia and South Africa. Details below!
-mia
+++++++++++++++

Russia and South Africa, not two countries that typically hang out in the same subject line but…

Interfaith Voices (the nationally distributed, award-winning public radio program) is on the hunt for skilled RADIO reporters in both Russia and South Africa to craft a strong, character-driven radio feature about one aspect (your pitch) of the relationship between religion and government.
You can hear past stories here: www.interfaithradio.org/godandgov

Please send your suggestions to JocelynFrankOffice@gmail.com with the subject line "Russia Reporter" or "South Africa reporter."

Thanks!
-Jocelyn
Commissioning Editor
Interfaith Voices
God and Government Series
JocelynFrankOffice@gmail.com

BackStory is looking for backstories

BackStory call for pitches. Go for it!
-mia
+++++++++++++

BackStory is now accepting pitches for the following shows (dates in parentheses are dates by which all tape would be due):

Satire (7/24): In honor of Jon Stewart’s departure from the Daily Show, we’re looking at satire throughout the centuries. Why is something funny in one era but not another? How does changing media technology affect satire? When has satire been subversive — and when has it reinforced the status quo? We are definitely not limiting ourselves to political satire on this one, and are open to stories with a big ‘humor’ angle as long as there’s some element of satire in there somewhere. As always, stories from the colonial period are slightly harder to come by, so those would be appreciated.

Fire (8/14): This will be pegged to the ‘fire season’ out west. It will likely shape up to be a more open show (like our Water, Islands, and Speed shows), but we’ll want to look at cultural changes-over-time as well as fantastic stand alone stories. A note: we don’t want to conflate light with fire on this one (so a story about lightbulbs probably wouldn’t work), but if there’s something interesting to say about the handoff from fire to electricity, you might convince us.

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

BackStory is especially interested in stories that get out of the studio — that is, site-specific and sound-rich stories from around the country. Include what, if any, sources you would use in your story and how you would produce them. Give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. Three to 10 minutes in length is ideal.

Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. I’ll do my best to be in touch with you within a week of receiving your pitch.

FC members Get 50% Off Any CreativeLive Class and a Free eBook

Hey folks. I’ve been doing Freelance Cafe for a good long time and have been waiting/hoping for a like-minded group to collaborate with in some way. It’s finally happened! 

CreativeLive offers FREE online classes if you can catch them live (I watched Alex Blumberg’s course a few months back – so good), and then charges what I would consider a pretty reasonable rate to watch individual classes On Demand any time after. They have more than 1000 classes at this point, many of which are relevant to public media. And they’re offering FC members a 50% discount for the next 48 hours. That’s a bit of a tight turn-around, but I’m hoping they’ll offer the same again soon.

You can also get a free copy of their eBook The Essential Guide to Launching a Freelance Career. Click here to download.

Here are a few classes that jumped out at me:

Personal Finance for Freelancers and Artists with Galia Gichon

Power Your Podcast with Storytelling with Alex Blumberg

Launch a Successful Podcast with Kris Gilbertson

Podcasting 101 with John Lee Dumas

Also:

Command the Fees You Deserve with Ilise Benun

Protect and Profit Your Intellectual Property with Rachel Rodgers

Copyright, Trademark, and Intellectual Property for Filmmakers with Rachel Rodgers

There are a bunch more too. Most of the classes run about $150 so you get them for $75 for the next two days. That’s something.

The discount code is FCEXCLUSIVE50OFF.

Go get it!

-Mia

The First Annual Kitchen Sisters Bowling Party & Fundraiser, June 23

Bay Area fundraising event of the year – I can't think of a more worthy cause (or a better line up of amazing folks)! DO THIS if you have the means. -Mia

++++++++++++++++

Bowling with Grace: The First Annual Kitchen Sisters Bowling Party & Fundraiser

Drinks + Food + Music + Strikes + Bowling Celebrities

Alice Waters, Michael Pollan & Judith Belzer, Armistead Maupin, Amy Tan,
Roman Coppola, Ayelet Waldman

https://www.eventbrite.com/e/bowling-with-grace-the-first-annual-kitchen-sisters-bowling-party-fundraiser-tickets-16994586265

Amazing Grace Mulloy is coming to San Francisco for the First Annual Kitchen Sisters Bowling Party & Fundraiser to help up your game and the game of The Kitchen Sisters.

Grace is one rough tough cream puff. She has won most every bowling trophy there is in Santa Maria, California. Grace is a life-long bowler with a lot of tricks up her sleeve and is currently in two leagues. Last week she bowled twice and scored over 175 in both games.

Grace is 91 years old and legally blind. The only things she likes more than bowling are her granddaughter, Brandi (who works with The Kitchen Sisters) and public radio.

Come bowl or just come hang. The drinks and food will flow, all lanes will be ours and all proceeds will go to supporting the next season of James Beard Award-winning Hidden Kitchens stories on NPR, our internship & mentoring program and our new Radiotopia podcast, Fugitive Waves.

Come join Alice, Amy, Armistead, Ayelet, Roman, Judith, Michael, Nikki and Davia for a night of bowling with Grace as she shares her methods and secrets.

Come for the schmooze or come for the shoes.
$150. Includes food, drinks and all the bowling you can stand. ($100 tax-deductible).
Buy a ticket and you'll automatically be entered into our Raffle for a brand new bike from PUBLIC Bikes.
Tickets are limited.
https://www.eventbrite.com/e/bowling-with-grace-the-first-annual-kitchen-sisters-bowling-party-fundraiser-tickets-16994586265

Athena Film Festival Call for Submissions, deadline Sept 15

The 6th annual Athena Film Festival: A Celebration of Women and Leadership will take place at Barnard College in New York City fromFebruary 18-21, 2016.

Film Submissions will be accepted through September 15.  Submissions are free of charge. You will find our submission overview below, and all the information on how to submit a film here.


We are looking for Documentaries, Features, and Shorts that:

  • Reveal the diverse narratives of women leaders from all walks of life—narratives of ambition, courage, strength and resilience;
  • Showcase women leaders who help us interpret the reality of the modern world—captivating stories of truth, determination, innovation and vision;
  • Highlight the talents of emerging artists—capturing a new generation’s take on what truly makes exemplary women leaders.

Athena List Submissions will be accepted through September 15. Submissions are free of charge. You will find our submission overview below, and all the information on how to submit a screenplay here.

What We Look For:

  • Screenplays must include a strong woman character in a leadership role at the center of the story
  • Screenplays should not objectify or stereotype women
  • Screenplays can be written by a person(s) of any gender
  • Screenplays written by women must still focus on women’s leadership
  • Screenplays must be for a feature length film, 80 to 130 pages.  (NO SHORTS ACCEPTED)

Important: The screenplay needs to be complete and ready for production. Do not submit a first draft.

More info: http://athenafilmfestival.com/submissions/


Latino USA call for pitches

Call for pitches from Latino USA. Go for it!
+++++++++++++ 
Latino USA is looking for pitches for the following show themes:
Baseball: The Latino elements in America’s game.
Know Your Rights: Stories about people not knowing what they’re entitled to or what resources they may have access to; or how rumors or misunderstanding can get in the way of accurate information.
Beauty: Personal beauty rather than art, in the broad sense of the word – beauty inside and out, or newly defined.
Outdoors: Working, playing and living anywhere outside of buildings, from mountaintops to rooftops.
Coming of Age: Young people finding themselves and older people re-inventing themselves.
Parenthood: Broadly defined.
PLEASE NOTE: LUSA’s pitch address has changed.

Please use the submissions form on our website, www.latinousa.org/submit/.

If you’re pitching for the first time, please include a sample or two of your audio work. LUSA’s pitch meetings take place on Friday afternoons, and we try to get back to reporters early the following week.

Thanks!
Leda Hartman
Editor, NPR's Latino USA
ledahart@mindspring.com
@ledahartman
919-542-0008

Kitsplit, a new way to get creative audio and video equipment in NY

Great new resource for NY producers – a peer-to-peer rental service – like AirBNB for camera and audio equipment. Details below!

KitSplit is New York’s first peer to peer rental platform for creative equipment like cameras, microphones, Oculus Rifts, and more.  We bring creators together to find low-cost, reliable, and convenient gear right when you need it.  And we provide an easy way to earn some cash by renting out the gear that you own.


We are thrilled to invite you to become the first members of the KitSplit community. We know you’ll find that KitSplit makes the rental process easier, less expensive, and more secure. And you’ll be happy to know that for our first month there are no fees, meaning that if you list equipment for rent you’ll get 100% of the rental price.  So sign up now!

KitSplit is currently a private beta and is invite only. Email us at contact@kitsplit.com to request your personal invitation code. Mention Freelancer's cafe and include your contact info + a link to your site or portfolio.

We hope that you’ll join us in this community and that you’ll invite other creators and friends to sign up.  We look forward to collaborating with you as you list, earn, find, and create.   

— 

Kristina Budelis | Co-founder, KitSplit 

LIST•EARN•FIND•CREATE
(254) 307-7548 | @kitsplit 


Grants and Fellowships for June and July 2015

Join AIR for the complete list of grants and fellowships. So worth it!
++++++++++++++++++

MJ Bear Fellowship

Opens: June 2015 (deadline tba)

Details: The MJ Bear Fellowships identify and celebrate early-career digital journalists, working independently or for a company or organization, who have demonstrated — through professional experimentation, research or other projects — that they deserve support for their efforts and/or vision.

The fellows are up-and-coming journalists inside or outside the newsroom who are just beginning to make their voices heard in the industry and working to expand the boundaries of digital news.

Journalismfund.eu

Deadline: June 2, 2015

Details: The aim of Journalismfund.eu is to promote quality journalism in Europe by giving journalists the chance to carry out journalistic research projects. Journalismfund.eu will support professional journalists, who have good ideas for cross-border research and for research on European affairs. The stories must be relevant for European target groups. Grant sizes vary but are generally 5,000 euros or less. Funding is provided to cover costs such as travel, translation, access to pay-databases, or simply time to research. Fixed costs such as office costs, investments such as cameras or computers, or production costs are not covered.

Eugene C. Pulliam Fellowship for Editorial Writing

Deadline: June 22, 2015

Details: The Pulliam Fellowship awards $75,000 to an outstanding editorial writer or columnist to help broaden his or her journalistic horizons and knowledge of the world. The annual award can be used to cover the cost of study, research and/or travel in any field. The fellowship results in editorials and other writings, including books.

German-American Fullbright Commission

Deadline: July, 2015

Details: The Berlin Capital Program is an eight-day seminar program for young American journalists. The 15 American journalists selected to participate will learn about the German media through interaction with some of the country's top experts in the field, as well as through visits to a publishing house, a daily newspaper, and other institutions that play a critical role in shaping the German media landscape. Participants will also have the opportunity to share ideas and experiences with their German counterparts. For the Berlin Capital Program, journalists must be a graduating senior or Masters degree student in the field of journalism or communications, OR a young professional journalist with fewer than 5 years of work experience in the field.

Above the Fray Fellowship

Deadline: July 1, 2015

Details: The Above the Fray fellowship is designed to give a promising journalist the opportunity to cover important but under-reported stories from a location abroad. One fellow will be selected each year based on a winning proposal to report from a region lacking significant mainstream media attention. The selected individual will spend three months filing on-air and online stories for NPR.

Fledgling Fund

Deadline: Rolling after July 1, 2015

Details: The Fledgling Fund "helps innovative projects take flight." Fledgling's creative media initiative supports film and other media projects that engage key audiences in efforts to affect positive social change. Fledgling uses a three-pronged approach that includes funding for an innovative film or media project, funding for a strategic outreach campaign, as well as financial support for the community-based organizations that are committed to the issues raised in the film/media. Typically, The Fledgling Fund's grant size ranges from $10,000 – $35,000.

Society of Environmental Journalists Fund for Environmental Journalism

Deadline: Summer Cycle: July 15, 2015

Details: SEJ's Fund for Environmental Journalism accepts applications for grants of up to $3,500 to help underwrite environmental reporting projects and entrepreneurial ventures.

National Endowment for the Arts (NEA) Art Works Grants

Deadline: July 23, 2015

Details: Art Works support the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts.Grants generally range from $10,000 to $100,000.

Falling Walls Science Fellowship for Journalists

Deadline: July 31, 2015

Details: "In an effort to keep the public informed on life-changing scientific breakthroughs, we have created the Falling Walls Science Fellowship for Journalists. It is aimed at journalists and bloggers with at least three years of experience, and who hope to advance their knowledge in the area of sciences. The Fellows get the opportunity to attend the Falling Walls Lab, Falling Walls Venture and the Falling Walls Conference in Berlin on 8 and 9 November 2015 in Berlin. Freelance and full-time journalists or bloggers can apply. Professionals in fields such as research, teaching, public relations and advertising are not eligible. The applicants must have a minimum of three years professional journalism/blogging experience in which they have written about the subject of sciences."

PRX STEM story Open call, deadline July 1

STEM Story Project, take 3! Deadline July 1.
++++++++++++++

Do you have an idea for a science or math story that you've always wanted to try? Our third annual open call for funding for STEM-related audio story ideas is open today through July 1. Past open calls yielded stories that aired on Here & Now, All Things Considered, Studio 360, our science podcast Transistor, PRX Remix, and numerous public radio stations around the country.

Apply, get all the details, and find an FAQ right here:
https://prx.submittable.com

If you have questions, please write to stem@prx.org as we can keep track of them best that way. We also have a Facebook group for STEM producers:
https://www.facebook.com/groups/117920801734639/

We're looking forward to reading your submissions!

Genevieve


Apply now to lead Localore, Finding America productions, deadline June 26

It's LOCALORE time! Details below. Application deadline June 26.

++++++++++++++++++

AIR is hiring 15 creative media makers with bold notions to build Localore: Finding America and transform public media. We will provide the budget, resources and guidance to create awesome storytelling experiments with public media stations across the United States. Introductory videos from potential station-incubators are online at Finding-America.org.

Who’s eligible: Producers, coders, documentarians, artists, designers, educators, and entrepreneurs are welcome to submit project ideas. AIR actively seeks a diverse pool of applicants to expand the public media system, and will provide relocation subsidies if needed.

Deadlines: Applications are due before midnight on June 26.

Some stations have requested an extension to the May 31 station deadline. If your station needs more time, please contact us.

Details: Visit Finding-America.org.

Contact: Network Manager Adriana Gallardo at Adriana@AIRmedia.org.

Make story. Make change.

Are you in?

"[Localore documentarians are] experimenting in unknown territory, learning what works and what doesn’t work, creating language, and vetting models on behalf of the wider creative community."

— Sundance Institute blog

"Localore’s producers generated just over 28 million impressions over websites, television, radio, and field-event participation. That’s especially impressive when you consider that many of those projects were located in sparsely populated areas."

— Columbia Journalism Review

"In a field where new projects often dry up the moment the money does, [Localore is] a victory."

— Nieman Journalism Lab

New America Media’s 2015 Equal Voice Journalism Fellowship and Scholarship, deadline June 7

New America Media is pleased to announce the 2015 Equal Voice
Journalism Fellowship and Scholarship

 
Funded by the Marguerite Casey Foundation, this offers a new opportunity for emerging and established journalists from ethnic and mainstream media who cover issues on poverty.

The fellowship aims to expand and increase the public’s understanding of poverty in the United States. Nearly 50 million Americans are struggling at or below the poverty line. That means there are 50 million stories to be told from different perspectives.

Journalists can apply for an Equal Voice Journalism Fellowship and write at least one in-depth story or a series of stories that illustrate how language, culture and race influence public attitudes and policy about the poor. 

Selected journalists will receive a stipend of $2,250, plus up to $1,000 in travel reimbursement. College-enrolled student journalists may also apply for the Equal Voice Scholarship, which offers $500 and up to $800 for travel. 

Now think about the best medium in which to tell your story: video, audio, photography, text/print, graphics — or multimedia. Find an outlet that will agree to publish/distribute your story. 

Applicants will need:
1. An essay articulating your project/idea
2. Resume/List of positions, accomplishments and awards
3. Letter of commitment from a publisher/editor or support letter from campus media
4. A letter of recommendation
5. Permanent links to work samples/recent content you have produced

Deadline to submit your application is June 7th. No applications submitted after June 13, 2015, will be considered. Click here to access the application form. 

Marguerite Casey Foundation is dedicated to creating a movement of working families advocating on their own behalf for change. They strive to bring humility and hope to their work. Their actions are guided by the firm belief that significant positive change is not only possibly, but absolutely necessary.

For more information on the fellowship, please contact Anthony Advincula at 
aadvincula@newamericamedia.org


CBC wants your pitches about the body, deadline June 15

Fun call for pitches from the CBC (via AIR). Deadline June 15. -Mia

__________________________

We’re looking for surprising, funny and or poignant stories about the body.

A new series is launching this summer on CBC Radio called Stripped. Each week we explore a particular body part, what we do/think about that body part, and what that says about us as a culture.

So far, we’ve looked at hair and included a story from a hair extension shop owner held at gunpoint for his goods. We looked at the politics of the beard with a Pakistani man who was kidnapped because a militant group wanted him to cut off his gigantic moustache. And, for an episode on voice, we spoke to a stand-up comic who lost his voice early on in life but delivers his jokes using text to speech software.

Right now, we’re looking for pitches for future episodes.

Some are more fully formed than others, with a theme attached.

Teeth
– The theme will revolve around the (hidden) riches of teeth. Take the meaning of that as you will (including the more obvious one of how teeth express your identity, particularly your socioeconomic status).

Skin:
– The theme will revolve around the idea of thick skin, from its strength to the vulnerability it protects. The skin as ‘tough’ in scientific terms and yet also so fragile and needy.

We’re also looking for personal stories or short documentaries about genitals, breasts, hands, bones, stomach, the ‘dead body’, etc.

CBC rates depend on several factors, including the length and format you pitch. We’re flexible on both of those things, but please keep in mind each episode is about 30 minutes.

Pitch us your idea/story by June 15 to stripped@cbc.ca with the body part you’d like to pitch in the subject line or contact us if you have further questions.

AIRsters everywhere & Finding America

The next round of Localore is underway! Details below on how to get started.
-mia
++++++++++++++++
We're excited to launch applications for Localore: Finding America for media makers on June 1. As part of that process, makers look at video postcards from public radio and TV stations to find incubators and collaborators. (You can think of these as a station's dating profile.)
We've heard from scores of producers who are excited to be involved in our next production and who would like to watch some of the station videos in a group so they can share support, ideas, etc. — that's where you come in.

If your listening group would like to host a watch party, we've made a “Make Story, Make Change: Find your Station Incubator" card that you can use for inspiration (attached), and a timeline (attached) that gives independents the basics on how to apply. Please feel free to share these online and in person.

Three cheers,
Bec

AIR is everywhere

Rebecca Feldhaus Adams
AIR Talent Manager
@AIRmedia
AIR will match 15 creative producers, artists, coders, educators and entrepreneurs with 15 public media station in a fresh round of R&D. Applications open this spring.


pdf icon MakeStoryMakeChangeFindingAmericaViewingParty.pdf

Doc Fun in the Summertime! Big Shed’s 5th Annual Retreat at CDS (July 26-Aug 1)

More from CDS.
+++++++++++++++++

Join us this summer for Digging In, our 5th-annual Artists Retreat at the Center for Documentary Studies at Duke University. Registration is open, and we'd love to have you there!

Whether you work in audio, photography, writer, film, docu-hacker, multimedia, etc. – this is an opportunity to make meaningful progress on the projects most important to you. We've designed this time to help you catch your creative breath while delving into something that could use some focused attention – whether you're finishing a story, writing a proposal, exploring a new project concept, or maybe you just want the space and community to think about your creative trajectory,

Digging In: An Artists Retreat with Big Shed
@ Center for Documentary Studies at Duke (Durham, NC)
July 26 – August 1, 2015 | Course Fee: $625

For tempting details — http://bigshed.org/retreat

To register — http://register.asapconnected.com/CourseDetail.aspx?CourseId=13442

This summer we've got an exciting team to make this a great week for you. We're thrilled that Lisa Morehouse (californiafoodways.com) will again join Big Shed’s Shea Shackelford and Jesse Dukes in leading the week. Our creative cabal includes Ben Pagac, Jim Adams and Logan Jaffe. And as a special guest, we're excited to have Kara Oehler back in the Shed. Woohoo!!

The week is lightly structured to help you make significant progress on a project that’s important to you. Each day, you’ll have 6+ hours of work time on your project, and we’ll help you make the most of it. We’ll offer strategies and tools for focusing your work during the week and beyond. Each day you’ll share progress on your work with other participants and the Big Shed team. When it’s time to put your pencils down, we’ll stoke your creative fires and make sure you also take time relax and play. You can expect brilliant adventures, special guests, tasty food, thought provoking presentations, late-night conversations, and hand-cranked ice cream on the porch!

If you have any questions, just email shea@bigshed.org

We hope you'll join us on the porch this summer!
Shea, Jesse and Lisa

Ps. Digging In is proudly part an amazing lineup of Summer Intensives at CDS. If you're looking for even-more editorial guidance and hands-on instruction to help you produce a great radio story, you should also consider Making it Sing, a week-long intensive for more experienced producers (Aug 3-8). This summer, the amazing Deb George will join John Biewen and Shea Shackelford in helping you shape your stories. (AIR is offering five members a $100 travel stipend to attend Making it Sing.)

KALW public radio news department hiring part-time digital strategist

Interesting companion gig for you Bay Area freelance multimedia folks with some digital know how. Details below! -Mia

+++++++++++++++

Here's a link to the application guidelines (I've also added them below). http://kalw.org/post/kalw-news-department-hiring-part-time-digital-strategist

Thanks!

Angela Johnston

www.kalw.org

KALW news department hiring part-time digital strategist


The KALW public radio news department is hiring a part-time digital strategist. This is a position for an independent contractor.

The ideal candidate will coordinate with our data analyst and our news director to build our online and mobile audience, leverage content partnerships with other organizations, and curate our social media presence, sparking and encouraging conversation inspired by our stories. You will work with our dynamic news team to make our daily show Crosscurrents a household name in the San Francisco Bay Area, and to get our content into the ears of the communities we serve. Though we have an initial vision for where we want to go with our digital strategy, we're also excited to hear your ideas and help you make them reality.

If you’re interested, please submit a cover letter, resumé, and samples to kalwapplications@gmail.com by 11:59 p.m. on Sunday, June 7.

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity. Proven experience with social media, content distribution, and big-picture thinking a plus.

Summer Audio Camp at CDS

Summer camp for audio nerds. Yes.

++++++++++++++

Our intro summer audio intensive, Hearing is Believing, is filling fast but still has some spaces. Our August course for more experienced producers, Making It Sing, has openings too and several of AIR's $100 stipends for members are still available for Making It Sing. I'd like to emphasize the latter, MIS, for y'all AIRsters. It's workshopish and individually oriented, aimed at helping you make the most of that challenging piece you're working on, so it works great for people of all experience levels — whether you're working on the third piece you've ever made or the 300th, and indeed we've had seasoned pros do the course.

Deb George, one of the best editors in the land, is returning as guest teacher/editor for Making It Sing, and the estimable Glynn Washington (!) of Snap Judgment will be here for Hearing is Believing. Our Man from Big Shed, Shea Shackelford, is here for all our summer courses as per usual.

The details:

Hearing is Believing, July 12-18, a kickstart for beginners (really: NO experience required) or those relatively new to the craft and wanting a solid grounding in the fundamentals — recording, shaping and scripting, mixing on Hindenburg. You and a partner make a piece during the week.

Making It Sing, August 3-8, for more experienced producers with a challenging project to bring and workshop with lots of individual and small-group attention.

Between those two on the calendar, our friends at Big Shed are again offering Digging In: An Artist’s Retreat, July 26-31, which brings together documentary makers and storytellers of all stripes (and all mediums) for a productive and rejuvenating week of digging deep and making meaningful progress on individual projects.

AIR is offering five members a $100 travel stipend to attend our advanced course, Making it Sing. To apply for the AIR stipend go here: https://airmedia.wufoo.com/forms/q7x1k3/.

CDS offers big porches, great lunches, and yes, AC.

To register or to read more about all these courses, and a few others offered by CDS in video, photo, and writing, go here: http://tinyurl.com/nly355s

Any questions, write to cdscourses@duke.edu, or to me off-list.

Hope to see you this summer.

Pulse of the Planet Seeking Story Pitches

Pitch to Pulse!
+++++++++++++++
Pulse of the Planet, one of radio's longest running short format science/environmental programs, is looking for stories. If you're not familiar with the series, please visit pulseplanet.com, click on Daily Programs and have a listen to the kind of stories we carry. Ideally, they have a sound component and are often seasonal in nature. We're looking for raw sound and interviews, not produced features. We've covered a lot of ground over the 25 year run of the program, so it's probably a good idea to check the search engine on our site to see if we've already done the story you're pitching. However we often revisit topics if you've got a new slant. If we haven't worked with you before, please send a link so that we can hear a sample of your work. We pay $250 for an interview with sound. Typical interviews run from 45 minutes to an hour. Email me <pulse@igc.org> for our producer guidelines. Look forward to hearing from you.
Regards;
Jim Metzner

looking for professional photographer for retail wine store marketing/web project

Opportunity for Bay Area photog, below.

Professional photographer needed for retail wine store marketing/web project

I'm looking for a creative, independently minded professional photographer (with portfolio) interested in shooting some marketing materials for a Berkeley wine store over the next few months (June-Sept.)

This would include staff photos, retail store shots (indoors/outdoors), some interaction shots (customers in store) and potentially one tasting event (in Sept.) We'd need digital copies of photos for use on our web site and in press print materials.

Ideally we're looking for someone with a photojournalistic style, who might have some interesting ways to frame our world of wine (that too often is cliched or just generically staged).

Interested photographers please contact aimee.nbi@gmail.com with general hourly rates/project rates and we'll continue the conversation. Thanks!

WHYY’s The Pulse seeks pitches on Love and Lust

From WHYY's The Pulse:
WHYY's health and science show "The Pulse" is dedicating an upcoming episode to the science of love and lust. In recent years, a substantial amount of research has gone into understanding the complexity of our desires and what bonds us to one another. This is a rich, deep topic, and we would love to hear any pitches you'd care to submit.

Please send any pitches to: pulsepitch@whyy.org. We'll get back to you with questions or assignments…fast.

Excited to see your ideas.

Cal Humanities Offering $10k Grants for CA Community Stories, deadline Aug 3

Cal Humanities is offering grants of $10,000 through their Community Stories program to support story-based public humanities projects that collect, preserve, interpret, and share the stories of California communities—past and present. Application deadline is August 3, 2015; grant awards will be made beginning December 2015. Details below.
 
 
*********
Grants available for California’s community stories
Cal Humanities is pleased to offer grants of $10,000 through our Community Stories program to support story-based public humanities projects that collect, preserve, interpret, and share the stories of California communities—past and present. Applications deadline is August 3, 2015; grant awards will be made beginning December 2015.
Interested? Peruse the Community Stories grant application guidelines, and attend an informational webinar for potential applicants on Wednesday, May 20 (registration here—webinar recording available to all registrants). For more information about the program, visit the Cal Humanities website.
Cal Humanities’ Community Stories grants program provides funding to support a wide range of community-initiated public humanities projects, including:

  • story-based performances
  • community forums
  • websites
  • video and radio documentaries
  • interpretive exhibits 
Since 2003, we have made more than 450 awards for projects that collectively illustrate the diversity and breadth of the California experience.
Who’s eligible?

  • California-based nonprofit and fiscally sponsored organizations
  • local/state public agencies or institutions
What is the funding criteria?
Cal Humanities supports story-based public humanities projects that:

  • focus on collecting and sharing real stories of California’s communities
  • involve at least one humanities expert as an advisor
  • use the methods of analysis that inform the humanities as well as community-based research
  • produce work that is publicly accessible
What is the funding level?

  • Grant awards range up to $10,000
  • Matching cash or in-kind donations are required
Need more info?
For complete program information, including current guidelines, application materials and instructions, and descriptions of funded projects, click HERE.
Please note: Applications submitted to the February 2015 deadline are undergoing review; awards will be announced in June.
Thank you!!!
 
 
  
 
 
 

new radio competition from @tapefest, deadline June 30

New radio competition brought to you by Mooj Zadi of @tapefest, David Weinberg of Random Tape and KCRW's Independent Producer Project

Details
The idea is simple. We want your best tiny, standalone, golden audio moments — a little clip, a deleted scene, a lovely tangent. These bits can be absurd, bizarre, emotional, or just completely unexpected. Like Random Tape, the Gold Tape Competition is a home for orphaned audio.

Don’t delay, submit your entries soon. And rejoice! Now there’s an award for radio lacking a beginning, middle, and end.

Prize(s)
The winner will receive $1,000, a license for REAPER editing software, and 1 free pass to Tape Festival, among other goodies. 

Deadline

Tuesday, June 30 at 11:59 PM EST.
For more info visit tapefest.org/competition
Help us spread the word? 
Thanks so much!

FIJ Grant Application Deadline Approaching, May 11

Deadline reminder from FIJ. See below! -mia
++++++++

(Washington) Reminder: the deadline to submit proposals for grants from the Fund for Investigative Journalism is approaching. The upcoming deadline is Monday, May 11, at 5pm Eastern time. The Fund's Board of Directors looks for stories that break new ground and expose wrongdoing – such as corruption, malfeasance, or misuse of power in the public or private sectors.

A typical grant is $5,000 and covers out-of-pocket expenses. Small stipends are considered as part of the grant.

Detailed instructions are here: http://fij.org/grant-application/

The next deadlines are set for September 21, 2015 and February 1, 2016 – both at 5pm Eastern Time.

Executive Director Sandy Bergo welcomes questions about the application process and requirements by email, fundfij@gmail.com, or phone, 202-662-7564.

Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the Catalogue for Philanthropy: Greater Washington
@FundFIJ

Calls for pitches from WHYY’s The Pulse

Two calls for pitches from WHYY's The Pulse, below.

++++++++++++++++

WHYY (Philadelphia NPR affiliate) and its health and science show "The Pulse" are looking for story pitches on behavioral/mental health issues under a special reporting grant from the Scattergood Foundation. Pay for projects can range between $500 and $1,500 depending on scope of the reporting.

The goal of the grant is to foster in-depth reporting on behavioral health issues in different realms of life: workplace, family, health care, civic issues, education, politics, culture etc.

The stories should have a strong web / multimedia component (photos or video) and can be published / aired on other outlets after airing on WHYY/The Pulse.

Please email Maiken Scott (mscott@whyy.org) with pitches, ideas and questions!

++++++++++++++++

WHYY's health & science show "The Pulse" will be dedicating an hour-long episode in June exclusively to the exploration of space. Whether that means how astronauts sleep in zero gravity or the quest to understand dark matter or the legacy of Tang and the space program…we're wide open to ideas. Also, we pay AIR's national rates.

Pitch away.

Joel Patterson (jpatterson@whyy.org)

UCB Grad School of Journalism is hiring a podcasting instructor, app deadline May 15

My alma mater is hiring! Looks like a fun gig. Details attached and pasted below. -Mia
++++++++++++++++++++++

The Graduate School of Journalism is recruiting a lecturer in the Radio /Audio program beginning Fall semester, August 2015.

J-212 – PODCASTING IN THE REAL WORLD (15 weeks)

Required Qualifications: Minimum of five years professional radio/podcasting experience.

Recommended Qualifications: Teaching experience at college level or higher. The ability to facilitate publishing student work on a professional outlet.

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise and to learn the dos and don'ts of podcasting. Past instructors helped students create a podcast called "The Bell Curve." http://thebellcurvepodcast.tumblr.com/

The new instructor can either build on the existing structure or work with the students to create a new podcast. It's anticipated that students will produce a minimum of six episodes of a podcast during the semester. Students should receive instruction on the mechanics of setting up an RSS Feed and all parameters for creating and marketing a successful podcast.

Applications are due May 15, 2015.

TO APPLY:

To be considered, you need to formally apply for the position through the university's academic recruitment website.

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

Upload your CV including a summary of teaching experience, broadly defined as:

Delivering instruction in a university or college classroom;

Providing mentoring in the field for which you are applying;

Editing the work of others in the field for which you are applying;

Guest lecturing in the field for which you are applying.

The statement of teaching needs to include the time you spent in each activity (i.e. I led a week long workshop on radio in March 2010.)

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

You will be contacted if your experience is a match for what we need.

doc icon PodcastingRecruitPosition_final.docx

New “Unheard Voices” Fellowship from Cowbird, deadline May 10

$2500 stipends from Cowbird to work with their storytelling community. Details at http://bit.ly/1IPqTyz and below. 

-Mia

Cowbird: Unheard Voices


We live in a media landscape dominated by the voices and stories of a privileged few. Even in this age of social media, we still learn most of what we know through filters and pundits, experts and academics, politicians and editorialists.

What voices are not being heard?

We want to help correct this imbalance by using the Cowbird (www.cowbird.com) storytelling platform to amplify unheard, marginalized voices from around the world — in their own words, sounds and images.

That’s where you come in.

We’re excited to begin accepting applications for the very first Cowbird Unheard Voices Grant.

The work of grant recipients will be part journalism, part facilitation and part community organizing. Grantees will work closely with a community to:

– Help people share their stories on Cowbird.
– Host training and multimedia workshops.
– Build relationships with community leaders.
– Create a collection of their stories on Cowbird.
– Write a narrative overview for the collection that tells its backstory, weaves together its themes, and gives readers vivid places to start exploring.

Strong preference will be given to applicants with deep and existing connections to the communities they hope to work with, and also to applicants with multimedia journalism or storytelling experience.

Grantees will receive a $2,500 stipend for their project, in addition to technical and logistical support from Cowbird.

For an example of the type of project we’re looking for, please read about our collaboration with photojournalist Aaron Huey, who used Cowbird to gather stories from the Pine Ridge Reservation in South Dakota to be published on National Geographic’s website:

http://ngm.nationalgeographic.com/2012/08/pine-ridge/community-project-intro

http://lens.blogs.nytimes.com/2012/08/17/photographing-and-listening-to-the-lakota/

http://cowbird.com/collection/pineridge/

Applications are being accepted from now through midnight, May 10th. Once the grant is awarded, recipients will be expected to facilitate the posting of between 20-30 pieces to Cowbird within 3 months. We will announce the grants on or before June 1st.

To apply, please send your resume and one professional reference to hay@cowbird.com and complete the questions HERE.

Reporting Fellowship at Latino USA, deadline April 27

NPR’s weekly program Latino USA is taking applications for a year-long California-based fellowship, open to early career reporters with no more than five years’ experience in the field.

The fellowship will last 12 months and will include a stipend of $1,000 a month for 40 hours of work each month. The fellowship is funded by the California Endowment and will focus on reports about current health issues in California, including the implementation of the Affordable Care Act. The fellow will be located in California and will be supervised by Latino USA staff, and will participate in editorial meetings via phone or Skype. Each fellow will be expected to produce no fewer than three stories for air on Latino USA and also provide multimedia content (web copy, tweets, Facebook entries, photos, etc.) for each story.

Fellowship applications should be sent to Latino USA’s senior editor, Leda Hartman, at ledahart@mindspring.com. Please include a resume and cover letter summarizing your background and goals, and why you would be an appropriate fit for this fellowship. Please also include three links to your audio work. The fellowships are open to everyone. Journalists of color and of other diverse backgrounds and graduate journalism students are encouraged to apply.

The fellowship will begin in May 2015 and last until April 2016. The application deadline for the fellowship is Monday, April 27, 2015. We’ll announce our selection in early May.

Thanks!

Leda Hartman
NPR’s Latino USA
919-542-0008
ledahart@mindspring.com
www.latinousa.org

Fellowships available for travel to INPUT 2015 in Tokyo, deadline April 20

This organization is new to me – looks like they have some great opportunities lined up for TV folks! -Mia
+++++++++++++++++++++
Attention US Public Media Producers

US INPUT Producer Fellowships Available for INPUT 2015 in Tokyo, Japan on May 11 – 14

South Carolina ETV has been awarded a grant from the Corporation from Public Broadcasting to provide a limited number of INPUT Producer Fellowships ($2500 each) to assist U.S. public media producers with travel to INPUT 2015 in Tokyo, Japan on May 10th – 14th.

Applicants will be asked to submit an application, resume and letter of support from a public media organization familiar with his or her work. The application process will be turned around quickly. The deadline is April 20, 2015 and grantees will be announced on April 22nd.

Please visit www.usinput-tv.org for instructions and an online application form. For questions, please contact Amy Shumaker at shumaker@scetv.org; 803-737-3433 or Betsy Newman at bnewman@scetv.org; 803-737-3466.

INPUT is the International Public Television Screening Conference, an annual international forum for television professionals to discuss and challenge the boundaries of television in the public interest. To learn more about the INPUT 2015 conference visit www.input-tv.org

This project is made possible by funding from the Corporation for Public Broadcasting.

Call for pitches – Modern Notion

Multimedia site Modern Notion wants your stories – details below!
+++++++++++

Hey everyone – We're still (always) looking for more pitches to Modern Notion. We want stories for the ultra-curious.

Most stories will be in the 2-8 minute range. Here are some ongoing themes of our show.

What If – A story revolving around a hypothetical question that's popped into our heads, and sure, it's totally crazy, but what if… Think about people in history who have asked a what if question, or ask one yourself and bring in experts to answer it. What if history had gone differently? Or for futurists: What happens when you can download your brain to your computer? What happens when we find definitive proof of parallel universes? What happens when we make contact with aliens?

Thank God for Science – Stories and topics focused around the intersection of science and religion and the not-so-clear boundary that exists between the two

Builders – Stories from people who’ve built things with their hands or minds they never imagined they could
Lost – About all the things and non-things we've lost: languages, ideas, documents, people, information, etc.

Heirlooms – The things we pass down: traditions, objects, morals, manners, etc.

Conspiracies, Cults, and Creeps – Checking into a conspiracy theory, retelling a creepy story, or exploring a cult

General History or Science Stories

People Are Strange – Short profiles of people from history who did something weird

In your pitch to pitches@modernnotion.com, include 1-2 paragraphs about your story, approximate length, and a link to your previous work.

Looking forward to hearing from you!

Emma Morgenstern

KQED’s The Lowdown is looking for steady freelancers

KQED is looking for freelancers! Details and contact info below. -Mia
+++++++++++++++

 

The Lowdown, a multimedia news explainer blog at KQED public media,  is currently looking for a small group of steady freelance contributors to produce a variety of features. Although intended for a general audience, the site specifically aims to produce creative resources for high school educators interested in using current events in the classroom. The site contains a pretty wide variety of content that primarily pertains to national and California news issues. Much of the content is interactive in format and, while directly connected to breaking news, is generally more evergreen. The site seeks to provide background context on major news issues, specifically focusing on the questions of “How’d we get here and why should you care?”

 

That said, I am looking for excellent writers who can boil down complex issues and concisely answer questions in a clear, clean and  easy-to-digest manner. Multimedia skills are not required, but definitely a plus. Ability to pitch ideas and meet deadlines without the need for much editing is a must. Compensation is dependent on experience and scope of work, but will be reasonable (the editor is a former freelancer and thus empathetic to the hustle).

 

If interested, please send your resume, links to 2 or 3  fairly recent clips and names and contact info of two related references. Additionally, please include a few sentences demonstrating that you have looked over the site, and explain why contributing to it is of interest to you.

 

Contact: mgreen@kqed.org

 

Thank you!

 

Matthew Green

 

Editor, The Lowdown

 

www.kqed.org/lowdown

 

 

IRP fellowships for reporting on nuclear security, religion, and health/development, Deadline May 11 and rolling

Apply Now for IRP's Reporting Fellowships 

The International Reporting Project (IRP) is now accepting applications on nuclear security, religion and health/development.

All candidates must complete an application form, including a detailed essay describing the types of stories they would pursue and a proposed budget.    

 

IRP will purchase the fellows' roundtrip air tickets to and from their homes and destinations, and we will offer a stipend to cover other expenses.

 

The nuclear security fellowship will focus on compelling issues of the security and safety of nuclear and radiological material. This fellowship is offered in collaboration with the Stanley Foundation.

 

This fellowship is open to U.S. journalists only. Applicants may propose traveling to any country, but some preference will be given to topics in regions that include the Middle East and North Africa, China and East Asia, Central Asia and the Caucasus, South Asia or sub-Saharan Africa.

  

The deadline for submitting applications for the nuclear security fellowship is May 11, 2015.  

 

Photo: Jacob Baynham

 

The religion fellowships may examine any stories that relate to religion, including its relationship with conflict, politics, economics and cultural issues. 

These fellowships are supported by a grant from the Henry Luce Foundation.

For the religion fellowships, we encourage applicants to propose stories and destinations not covered by recent IRP fellows on religion. 

Applications for the religion fellowships will be considered as they are submitted on a rolling basis.

The health/development fellowships will focus upon maternal and child health; poverty; infectious diseases; and other pressing health issues. These fellowships are supported by a grant from the Bill & Melinda Gates Foundation.

For the health/development fellowships, we have a strong preference for in-depth reporting from countries in Africa, Asia and Latin America.

Applications for the health/development fellowships will be considered as they are submitted on a rolling basis. 

Learn more about the fellowships, read our frequently asked questions and submit your application now!

2015 GroundTruth Middle East fellowship – deadline TOMORROW, APRIL 3

2015 GroundTruth Middle East fellowship: “Life Beyond Conflict”

We’re proud to announce our third annual GroundTruth Middle East fellowship in the amount of $10,000 from The Correspondents’ Fund.

This year we offer the fellowship in the spirit of the late James Foley, the American freelance journalist who was murdered by the Islamic State of Iraq and Syria in 2014. Jim was always more than a conflict reporter. He came at this profession not purely from the adrenaline rush of covering war, but more deeply from a sense of caring about the people caught in conflict. Before becoming a journalist, Jim offered public service with Teach for America in a tough inner-city school in Phoenix, Arizona. He also received a master’s degree at the University of Massachusetts – Amherst for writing and won a prestigious literary prize for a collection of published fiction.

We hope the GroundTruth Middle East fellowship will provide the opportunity for a young journalist on the ground to take inspiration from Jim’s approach, which included a sense of caring about people that coursed throughout his reporting and his life. We are also interested in proposals that might honor another side of Jim, which was his love of fiction and poetry.

In this year’s call for applications we encourage young journalists to put forward proposals focusing on life, education and culture in the Middle East — themes which too often go unreported amid a focus on conflict coverage in the region.

To apply, please send the following to GroundTruth managing editor Kevin Grant at kgrant@thegroundtruthproject.org by April 3:

*Cover letter
*Resume
*Project proposal with a budget not exceeding $10,000
*Three work samples
*Three references

Enrollment now open for the 2015-2016 KALW News Audio Academy – 2 WEEKS LEFT

From the fine folks at KALW:
There are 2 weeks left to apply for the KALW Audio Academy. Application guidelines here and below.  
:::::

Enrollment now open for the KALW Audio Academy

KALW is calling for applicants for our 9-month radio journalism training program based at KALWpublic radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production education, tuition-free.

We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities and some knowledge of the Bay Area.

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

Training will include:

Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. You will be responsible for minor administrative and production duties. You will also pitch and produce an entire Crosscurrents show. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have been: Al Letson, Roman Mars, Hansi Lo Wang, Daniel Alarcón, Marianne McCune, and Jason DeRose (to name a few).

Selected participants will make a 9-month commitment (September 2015 to June 2016): minimum 20 hours per week (one eight-hour shift at our studios and another 12 hours working in the field). TheAcademy includes a two-week break in late December and two flexible vacation weeks. Enrollment in a college or university is not necessary to participate.

To apply please put together a cover letter, CV, any audio/writing samples, and (if you can) a short, original audio work that you craft as part of your application. Send it all to:

KALWapplications@gmail.com

Application deadline: April 12, 2015, 11:59 PT

We look forward to meeting you!

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

BackStory call for pitches

BackStory is now accepting pitches for the following shows (dates in parentheses are dates by which all tape would be due):

Tools of the Trade (4/24): This is probably the most design-heavy episode we’ve ever done. We’re looking at the changing nature of work in American history, through the objects and technologies that shaped those changes (the office chair, the typewriter, the cubicle, etc. etc.). Got a “tool of the trade” (or a set of tools, technological systems, etc.) you think would fit this show? Be sure to tell us not only the history of the technology, but what it meant and how it changed the way Americans worked.

Speed! (5/08): How fast — and slow — has life moved in America? What big shifts in velocity did people witness in the 18th and 19th centuries? How did the new pace at which people and ideas move change the course of history? How have we measured speed, scientifically and culturally? We’re open to stories that look at the pace of life, the concept of speed and all of its cultural reference points (drugs, the Roadrunner, Speedos…?).

Infrastructure (5/22): On this show, we’ll explore how the physical foundations of life in America went from being highly visible to nearly invisible. Think burying power lines, air traffic control, alligators in sewers, tunnels, Internet cables, and more. We want your stories of building America from the ground up … only to put it ‘underground’ again.

Here’s a link to the pitch page on our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

BackStory is especially interested in freelance pieces that get out of the studio — that is, site-specific and sound-rich stories from around the country. Include what, if any, sources you would use in your story and how you would produce them. Give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. Three to 10 minutes in length is ideal.

Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within a week of receiving your pitch. Thanks!

Call for pitches – Modern Notion radio show/podcast

New show, new opportunities! Theme and how to pitch details below.
-mia

Hi radio people:

I'm working with a radio show and podcast called Modern Notion (an offshoot of the website of the same name) that's launching April 6. Modern Notion is all kinds of stories for the ultra-curious.

We want any interesting story from history and stories about emerging technology and its impact, and we have a few theme ideas below my signature (but feel free to submit a story even if it doesn't fall into any category).

It's a daily, hourlong show out of WCGO in Chicago, but we're looking for stories of national interest. Many of the segments from the radio show will also be podcasted in smaller, themed podcasts from Modern Notion.

Our fee structure is as follows:

Commentary/essay – $125

2-3 minute audio postcard – $125-$150
2-5 minute story with at least 1 interview – $150-$250
5-8 minute feature – $250-$800+ depending on length and complexity

Most stories will be in that 2-5 minute range.

We're launching in less than two weeks, so send your ideas soon to pitches@modernnotion.com. Include 1-2 paragraphs about your story, approximate length, which category/ies the story would fall into, and a link to your previous work.

Looking forward to hearing from you!

Emma Morgenstern

What If – a story revolving around a hypothetical question that's popped into our heads, and sure, it's totally crazy, but what if… Think about people in history who have asked a what if question, or ask one yourself and bring in experts to answer it, or what if history had gone differently. Or for futurists: What happens when you can download your brain to your computer? What happens when we find definitive proof of parallel universes? What happens when we make contact with aliens?

Thank God for Science – Stories and topics focused around the intersection of science and religion and the not-so-clear boundary that exists between the two

Builders – Stories from people who’ve built things with their hands or minds they never imagined they could
Lost – About all the things and non-things we've lost: languages, ideas, documents, people, information, etc.

Heirlooms – The things we pass down: traditions, objects, morals, manners, etc.

Conspiracies, Cults, and Creeps – Checking into a conspiracy theory, retelling a creepy story, or exploring a cult

….or anything that doesn't fit into these categories!

Upcoming Western Regional SPJ Conference, early bird deadline extended to March 30

Hey folks. Updated info on the Western Regional SPJ Conference HERE and below. 

Join a dynamic group of media professionals gathering in San Francisco April 17-18 for the Society of Professional Journalists’ 2015 Region 11 Conference.

Forward-thinking media entrepreneurs and investigative reporters will lead intensive workshops at the Impact Hub on April 17 and an array of multi-track programming at the Hotel Whitcomb on April 18.

Come to the 2015 Western Regional Conference to gain key insights on today’s ever-evolving media landscape. Hear how newsrooms are supplementing reporting with data visualization, podcasts and online video. Learn from freelancers who are dominating lucrative niches. Pick up tips on email encryption from savvy journalists who take on powerful interests — and know how to protect their sources.

In addition to skill-building workshops and engaging expert discussions, conference goers will enjoy several social and networking events and SPJ’s Mark of Excellence ceremony.

Book your tickets now to take advantage of our early-bird admission fees.

Call for audio submissions to Durham’s Audio Under the Stars, rolling deadlines

Submit your work to Audio Under the Stars!

Durham’s favorite summer audio festival is launching its second season and to kick it off we’re looking for stories ranging from 2-15 minutes that (more or less) fit these themes:

Homecoming/Stories of Leaving and Return: submission deadline 4/19

At some point, we all leave home. Or do we? And who does the journey change–the ones who leave or the ones who stay behind? Tell us about your prodigal sons and why you can't go home again. Or about a really cheesy dress you bought for that high school dance.

Haunted: submission deadline 5/12

What is it you can’t let go? Who- or what- won’t let go of you? If you’ve got stories of obsessions, fixations, otherworldly encounters, or unwholesome interests, open your closet of skeletons and let us have a peek.

Dog Days of Summer: submission deadline 6/10

It’s not all lazy days and picnics. The Dog Days were once considered an evil time when “wine grew sour and dogs turned mad.” Send us the good and the bad: summer flings and overheated outbursts; stories of indolence and frenzy. Plus, dogs. We like dogs.

Alternative Love Stories: submission deadline 7/14/15

What if the person, place or thing that sets your heart strings strumming also sets you apart in some way? What if your Happily Ever After wasn’t? We want to hear about unorthodox cravings, unexpected endings, and love stories of all stripes.

Bad Advice & Second Chances: submission deadline 8/11/15

Some of us have actually paid cash money for a 1974 Dodge Dart. Tell us your stories about when you listened to your Uncle Leo rather than your common sense, or any other time you told that small voice in your head to shut up and sit down. Also, tell us about the aftermath and how you've lived to tell the tale.

We love sound-rich stories that make us think, make us laugh, and take us to places near and far. We especially love pieces based in Durham, in North Carolina, or made by local radio producers, but we're open to any great idea. Share your work or work you find compelling made by someone else. We want to hear it all, even if it's not a perfect fit for the theme.

We need your help to find the best of the best. Use this form to submit a story for consideration— submit as many stories as you'd like!

Audio Under the Stars is a summer audio festival in Durham, North Carolina. Each month from May through September we curate a playlist of the most compelling and fun audio and play it back in the cozy backyard of the Duke Center for Documentary Studies.

Got questions? Drop up a line at audiounderthestars@gmail.com, or find us on Facebook or Twitter.

Job Opportunity with Public News Service

Hey all. I posted this awhile back and the position is available again. Definitely a good opportunity for the right person! (Full or part time). Details below. -Mia

++++++++++++++

 

Wanted: New York Audio Broadcast Journalist for 100s of Media Outlets

 

*Flexible hours, home-based office, well-paid*

 

Report on Critical Issues in Long Island and New York: Reaching over 33 million people per week through 1,000s of other media outlets, the Public News Service has work for an experienced news producer/reporter who knows New York and Long Island, as well as the important issues of the day. 

 

Currently, we need applicants with extensive and broad news writing experience, on-air reporting and skilled digital sound editing.  Our successful producers have a minimum of five years of broadcast news writing/voicing/digital recording & editing experience.  Please save yourself from the application process if you do not have excellent digital sound editing skills. Special focus on public interest issues; competitive pay and benefits; some night & weekend work may be required; preference given to reporters who already have a home recording studio.

 

Candidates Need:

 

— 3-5 years of experience working in a fast-paced news environment (commercial media and wire service work preferred)

— Demonstrated expertise with digital interviewing/voicing/recording and editing

— High comfort with technology and use of various software

— Strong communication skills and the ability to coordinate intense levels of e-mail correspondence and phone calls

— Passion for general reporting; Familiarity with the news environment, progressive politics, cultural trends, and emerging issues.

— Sense of humor and innovative spirit very important.

— Must be available for afternoon edits.

— Did we say….Ability to record high quality phone audio and voice wrap from a home studio!

 

Before you apply please visit our website for examples of our online content: http://www.publicnewsservice.org. If interested send a cover letter and resume to jobs@publicnewsservice.org – with “New York Producer (your last name)” in the subject line. We can offer both part-time or full-time work, please indicate which would be of interest to you in your cover letter.

 

Enrollment now open for the 2015-2016 KALW News Audio Academy

There's no better training ground than KALW. Go for this! Details HERE and below. Application deadline April 12.

:::::

Enrollment now open for the KALW News Audio Academy

KALW is calling for applicants for our 9-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a professional audio production education, tuition-free.

We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities and some knowledge of the Bay Area.

Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.

Training will include:

Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. You will be responsible for minor administrative and production duties. You will also pitch and produce an entire Crosscurrents show. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have been: Al Letson, Roman Mars, Hansi Lo Wang, Daniel Alarcón, Marianne McCune, and Jason DeRose (to name a few).

Selected participants will make a 9-month commitment (September 2015 to June 2016): minimum 20 hours per week (one eight-hour shift at our studios and another 12 hours working in the field). The Academy includes a two-week break in late December and two flexible vacation weeks. Enrollment in a college or university is not necessary to participate.

To apply please put together a cover letter, CV, any audio/writing samples, and (if you can) a short, original audio work that you craft as part of your application. Send it all to:

KALWapplications@gmail.com

Application deadline: April 12, 2015, 11:59 PT

We look forward to meeting you!

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

http://kalw.org/post/enrollment-now-open-2015-2016-kalw-news-audio-academy

new application deadlines and other news from the Fund for Investigative Journalism

FYI – note the change in time for the DC SWA panel on funding international reporting, March 28 at 2:15pm ET.
-mia

New application deadlines for FIJ grants have been announced:
In a column for the New York Times, FIJ grantee Marcus Stern explains why oil trains keep blowing up:
The March 28 panel on funding international reporting sponsored by the DC Science Writers Association starts at 2:15pm (not 2:30pm). My apologies for the error. The panel is one of many scheduled for a day-long event. To register: http://www.dcswa.org/

Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the 2011/2012 Catalogue for Philanthropy: Greater Washington
@FundFIJ

Summer Audio Camps at the Center for Documentary Studies

It's summer camp for audio nerds – one for newbies, one for more experienced producers, and one week-long retreat for anyone who needs it. Details below! (Including info on a stipend for AIR members. If you're not a member already, here's another good reason to join up.)

Alert: Glynn Washington! Deb George! Or should it be #GlynnWashington, #DebGeorge?
Spring’s almost here and it’s time for the annual invitation to “summer radio camp for grownups,” our weeklong intensives here in Durham, NC. We’re again offering our pair of venerable bootcamp-style courses: 
Hearing is Believing, July 12-18, for beginners (really: NO experience required) or those relatively new to the craft and wanting a solid grounding in the fundamentals—recording, shaping and scripting, mixing on Hindenburg. You make a piece during the week with a partner.
Making It Sing, August 3-8, for more experienced producers with a challenging project to bring and workshop with lots of individual and small-group attention.
Between those two on the calendar, our friends at Big Shed are again offering Digging In: An Artist’s Retreat, July 26-31, which brings together documentary makers and storytellers of all stripes (and all mediums) for a productive and rejuvenating week of digging deep and making meaningful progress on individual projects.  
AIR is offering members a $100 travel stipend to attend our advanced course, Making it Sing. Five stipends are available. To apply for the AIR stipend go here: https://airmedia.wufoo.com/forms/q7x1k3/.

We have a brilliant roster of guest instructors, all AIRsters. Glynn Washington, the creator, host, and executive producer of Snap Judgment, will be our guest teacher/presenter for Hearing is Believing (the intro-ish course). For Making it Sing, Deb George returns. The veteran editor and producer with NPR, Radio Diaries and now Reveal: there’s no better set of ears in the business. And as always the inimitable Shea Shackelford of Big Shed will be here along with me for both Hearing is Believing and Making It Sing — and of course for Digging In.

To register or to read more about all these courses, and a few others offered by CDS in video, photo, and writing, go here: 

http://tinyurl.com/nly355s

Any questions, write to cdscourses@duke.edu.

Cheers, and hope to see you this summer!

jb

p.s. To the many of you who’ve been to CDS, and maybe some who haven’t: you might enjoy our new 25th anniversary site:

IWMF announces Howard G. Buffett Fund For Women Journalists, deadline March 23

IWMF announces fund for women in journalism. Note: Special consideration will be given to freelancers, who operate without backing from media outlets. (Woot!) Deadline March 23.

http://www.iwmf.org/our-impact/howard-g-buffett-fund-for-women-journalists/

Promoting the work and advancing the role of women in the news media across the globe is critical to transparency and the diversity of voices. The Howard G. Buffett Fund for Women Journalists, the first ever funding initiative of its kind, enables the IWMF to dramatically expand its support of women journalists. Established with a $4 million gift from the Howard G. Buffett Foundation, the Fund will support projects including educational opportunities, investigative reporting and media development initiatives.

The inaugural funding round will be open for online applications from March 2 – 23, 2015. To learn more about the application process, please review the application guidelines and the FAQs (frequently asked questions).

And more from here: https://ijnet.org/en/opportunities/fund-women-journalists-seeks-applications-worldwide

Women journalists can apply for the Howard G. Buffet Fund.

The International Women's Media Foundation (IWMF) launched the fund to support the ambitious ideas of women journalists seeking substantive backing for projects and opportunities related to the news media, including educational opportunities, investigative reporting and media development initiatives.

The IWMF will make an annual total of US$230,000 worth of grants. Grant sizes will depend on the projects or opportunities in question, and the inclusion of a detailed budget. Special consideration will be given to freelancers, who operate without backing from media outlets.

The first round of funding opens March 2. The deadline is March 23.

For more information, click here.

Two Great Opportunities for Women Journalists through the International Women’s Media Foundation

Thanks to Kimberly Adams @kmanews for forwarding this along!

++++++++++++++++++

The International Women's Media Foundation has two great opportunities open for applications right now. Deadlines are at the end of the month.

First, IWMF is providing a group of women journalists with reporting fellowships to Tanzania and the DRC. The fellowship includes three days of hostile environment training and covers travel, fixers, drivers, and basic expenses for several days of reporting after. I just completed their reporting trip to Uganda, and it's a great program.

http://www.iwmf.org/our-impact/african-great-lakes-reporting-initiative/participate-in-the-initiative/

Also, please see below the press release for IWMF's new grant program for women journalists. You can apply for grants to do just about any kind of interesting reporting projects.

IWMF LAUNCHES THE HOWARD G. BUFFETT FUND FOR WOMEN JOURNALISTS

$2.3 Million to be Awarded to Women Journalists Through 2024
$230,000 to be Awarded in 2015 in Up to Four Funding Rounds

Washington, DC – The International Women's Media Foundation (IWMF) is proud to announce the opening of the Howard G. Buffett Fund for Women Journalists. Applications for this inaugural funding round are being accepted March 2 – 23, 2015. An annual total of $230,000 will be awarded to applicants who demonstrate how their proposal will lead to the exposure of under-reported stories, strengthen story-telling skills, develop their expertise or support entrepreneurial media projects.

“Promoting the work and advancing the role of women in the media is critical to transparency and the diversity of voices in the world,” said IWMF Executive Director Elisa Lees Muñoz. "The launch of this Fund marks an unprecedented opportunity to provide significant support to hundreds of journalists on the path to future leadership roles in the news industry.”

The Fund was established by the IWMF in 2014 with a $4 million gift from the Howard G. Buffett Foundation to empower women in the media working around the world.

“This Fund will give outstanding women journalists the ability to turn their reporting ambitions into reality,” said Howard G. Buffett.

At least $2.3 million will be awarded to grantees across all media platforms over the next 10 years. The only prerequisite is that grantees are female journalists working full-time either for a specific media outlet or as a freelancer. The IWMF has left individual grant amounts to be awarded as well as the type of projects intentionally undefined. The submitted proposals will shed a light on the needs of women journalists around the world.

The fund was designed to help women journalists by providing grantees support to:
Expose under-reported but critical global issues
Undertake ambitious projects that challenge traditional media narratives
Develop field-based expertise and strengthen careers
Pursue training and leadership opportunities
Launch entrepreneurial news projects or acquire the skill to do so

The schedule for future 2015 funding rounds will be released on the IWMF website in the coming weeks. Learn more about the Fund and submit proposals at iwmf.org/fund

About the IWMF
For 25 years, the International Women’s Media Foundation (IWMF) has been dedicated to strengthening the role of women journalists worldwide. The media is not truly free and representative without the equal voice of women. Our work celebrates the courage of women journalists who overcome threats and oppression to report and bear witness to global issues. Through our programs and grants we empower women journalists with the training, support, and network to become leaders in the news industry. IWMF.org

About the Howard G. Buffett Foundation
Established in 1999, the Howard G. Buffett Foundation (HGBF) is a private family foundation working to improve the standard of living and quality of life for the world’s most impoverished and marginalized populations. We look for opportunities where our funding is the catalytic capital that seeds sustainable, transformational change. thehowardgbuffettfoundation.org

#

panel on grants for international science and environmental reporting, March 28, Washington DC

If you're in DC and are interested in grants for international science and environmental reporting – check out this panel on Sat, March 28, organized by the DC Science Writers' Association. Plus, there's a panel later in the day on the finances of freelancing. Yup!
On the 2:30 pm panel:
Fund for Investigative Journalism, executive director Sandy Bergo
Pulitzer Center on Crisis Reporting, senior producer Steve Sapienza
International Reporting Project, program manager Melody Schreiber
Moderator: Meaghan Parker, Woodrow Wilson Center and board member, Society of Environmental Journalists
The panel is part of a day-long event that includes sessions on pitching stories, storytelling techniques, the Ebola epidemic, and the finances of freelancing.

For more information: http://www.dcswa.org/

Latino USA story query

Call for pitches from Latino USA. Details below!
-mia

Latino USA has an upcoming program in the works called “Abuelos” (grandparents) that we’re seeking pitches for.

Here are the particular angles we’re interested in:

 

  • Older people falling in love;
  • LGBT grandparents;
  • Grandparents’ roles: how they can step into a void or fill other needs for a younger person;
  • Grandparents in the diaspora (especially with split families);
  • Vox from people about what it’s like to be a grandparent or a grandchild (which the show will build into a multi-generational montage).

The pay rate is $125 per minute.

I’m happy to answer specific questions, but please send your pitches directly to: pitches@futuromediagroup.org.

Thanks and all the best,

Leda

 

Leda Hartman

Editor, NPR’s Latino USA

919-542-0008

ledahart@mindspring.com

www.latinousa.org

 

 

 

two upcoming events from the Freelancer’s Union, including a TAX workshop March 11

One of my favorite resources is the Freelancer's Union. They've got all kinds of inspirational blog posts and resources on their website, and they sponsor super helpful events, both online and in person. Two are below – one for newbies on getting started freelancing (online March 9) and one for everyone on TAXES (cities everywhere March 11). Check it!
++++++++++++++++++++
Getting started as a freelancer can be challenging and a little bewildering at first.Where do I find clients? What do I charge? How do I stay sane?! We're here to help!

RSVP to our live webinar on Monday, March 9th at 4:00 pm.

Freelancers Union and General Assembly will be hosting a live webinar to help you get started on your freelance career. Marc Scheff – an artist, art director, educator, entrepreneur, and Hives leader based out of Brooklyn, NY will join Freelancers Union in the webinar. 

In "Freelancing 101: 6 Things No One Tells You About Getting Started," we’ll kick it off by discussing a few topics that we’ve heard from you. You’ll learn how to:

  • Identify your brand, assess your strengths, and optimize your portfolio
  • Understand your client base and obtain your first clients
  • Decide what to charge and how to handle your money
  • Market yourself and effectively network
  • Follow your passion and stay sane doing it

From there, we’ll be giving you an opportunity to ask your questions in a live Q&A with Marc.

RSVP for our live event today!

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Join us for an in-person Spark event on Wednesday, March 11! In cities across America, hundreds of freelancers will learn essential tax tips & meet cool people. Find a Spark event near you 

upcoming workshops from Oral History Summer School

One of my favorite organizations – Oral History Summer School – is gearing up for their next round of workshops. Additional information on their website and Facebook pagePlease share widely! -Mia

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Oral History Summer School was established in Hudson, New York in 2012 to train an international group of students to make use of Oral History in their documentary and artistic practices. This summer, we're also offering specialized short courses for continuing oral historians or those interested in advanced issues in the field.

In the past, workshop participants have included lawyers, writers, social workers, teachers, activists, small business owners, and family historians, among others. As both a methodology and documentary form, Oral History is a means to preserve history, complicate reductive studies, conduct research, mobilize communities, build an ethical interview practice, or

broker difficult conversations (to name a few uses).

This summer’s instructors include Suzanne Snider (Founder/Director OHSS),  Dina Zempsky (Memory Loss Initiative, Storycorps), Sady Sullivan (Columbia University), LJ Amsterdam (Watershed Center),  Sheri-Bauer-Mayorga (Good Globe Singing School), Jeffrey Lependorf (Music Omi International Musicians Residency), Jeremy Thal (Found Sound Nation, One Beat), Nicki Pombier Berger (Nothing About Us Without Us), and Ben Harbert (filmmaker, Follow Me Down)

Workshops

Oral History Intensive with Suzanne Snider, June 12-19
Collecting and Composing: Oral History and Music, June 23-28
Let Us All Our Voices Raise: Memory Loss and Mixed Ability Interviewing, June 29-July 3

More information can be found, here: http://www.oralhistorysummerschool.com/
Apply: http://www.oralhistorysummerschool.com/apply

AIR/UnionDocs Full Spectrum Storytelling Intensive, April 27 – May 1

Applications are open for AIR/UnionDocs Full Spectrum Storytelling Intensive, hosted this year by @karaoehlerDetails and links below.
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I'm delighted to be hosting this year's AIR/UnionDocs Full Spectrum Storytelling Intensive in Brooklyn NY from April 27-May 1.

Participants have described it as "summer camp meets nerd paradise." It's a chance for producers of all levels to get away from day-to-day work activities to gain new skills and perspectives from some of the best and most creative in the field and gain a new network of radio colleagues from around the world. Full Spectrum started with Localore and Makers Quest 2.0. AIR and UnionDocs are building on that with a curriculum based on Localore, with instructors who built its projects and other radio heroes and all stars.

Jonathan Mitchell, award-winning creator of “The Truth,” will take people into his brilliant soundscapes by lifting the lid on his Pro-Tools sessions. “This American Life” producer Sean Cole will give insight into his writing and reporting techniques. WNYC's John Keefe will dig into the station's investigative reporting with data. It's really going to be an incredible week.

If you sign up now, you'll get the early bird rate. And go here for more info on speakers, sessions and rates.
Hope to see some of y'all there!

Kara

2015 Knight-Risser Prize for Western Environmental Journalism, deadline March 15

Details HERE and below on the 2015 Knight-Risser Prize for Western Environmental Journalism, deadline March 15. 

Eligibility and How to Enter

The Knight-Risser Prize is given for journalism in any media that best illuminates an environmental issue or story in western Canada, the United States or Mexico. Entries are not limited to journalists from western news organizations.

The Knight-Risser prize places a premium on stories that expose undiscovered or covered-up problems, explain detailed solutions in ways that can be put to use, and help readers understand the broader significance of the issues being covered, beyond the immediate details of the stories at hand.

The North American West, for the purposes of this award, includes the United States west of the Mississippi River, Canada west of Ontario, including Nunavut, and all of Mexico.

Eligibility and Selection


Journalists working for U.S., Canadian or Mexican newspapers, magazines, television, radio, and online sites accessible to the general public are eligible to apply, as are freelancers.

Those whose work appears in publications or programs connected to government agencies, advocacy organizations, or to business or trade organizations with a financial stake in environmental issues, are not eligible.

Entries must be predominantly about an environmental subject occurring in or affecting the North American West, and must have been published, broadcast or posted during the calendar year of the current prize. Series that began in one year and ended in another are eligible but may be entered only once.

The Knight-Risser Prize administrators and steering committee are the final authority for determining whether an entry is eligible. The entry fee of any entrant deemed ineligible will be refunded.

Entry Form

Instructions and an online entry form are now available for the 2015 Knight-Risser Prize. The deadline for entries to be submitted is Sunday, March 15, 2015.

Independent Filmmaker Labs deadline is this Friday, March 6

The Independent Filmmaker Project offers labs for first-time doc makers with films in post production. The deadline for the next round is this Friday. They also do a lab for narrative directors – that deadline is April 3. More info HERE and below.

IFP’s unique year-long mentorship program supports first-time feature directors when they need it most:  through the completion, marketing and distribution of their films.  Focusing exclusively on low-budget features (<$1million), this highly immersive program provides filmmakers with the technical, creative and strategic tools necessary to launch their films – and their careers.

Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. Open to all first time feature documentary and narrative directors with films in post-production.

Applications are now open. The deadline for documentary submissions is March 6th, 2015, while the deadline to apply for narrative submissions is April 3rd, 2015.

Click here to apply to the IFP Documentary LabClick here to apply to the IFP Narrative Lab.

Bay Area Documentary Fund, application deadline April 15

Call for Proposals: Bay Area Documentary Fund – Deadline April 15th

2013 Bay Area Documentary Fund Grantee, Frank Wong's Chinatown

Many award winning documentaries have emerged from the San Francisco Bay Area. In recognition of this notable documentary tradition, The San Francisco Foundation invites accomplished film/video/digital media artists to apply to the Bay Area Documentary Fund for early production support.

This year, awards ranging from $10,000 to $20,000 will be given to support documentary projects in early production phase by experienced filmmakers with an esteemed body of previously created work. Projects should address issues pertinent to the five Bay Area counties of Alameda, Contra Costa, Marin, San Francisco, or San Mateo and align with the Foundation’s programmatic goals. The San Francisco Foundation is interested in documentaries exploring issues that have been historically underexposed, misinterpreted, or ignored.

Complete proposals are due Wednesday, April 15, 2015, by 11:59 p.m. Awardees will be notified on Wednesday, July 15, 2015.

Visit the Bay Area Documentary Fund page for information about the fund and instructions on how to apply.

If you have additional questions, please email Tere Romo, Arts and Culture program officer, or call 415.733.8523.

Thank you,
Tere Romo
Arts & Culture Program Officer

[conferences] upcoming SPJ conference April 17-18, San Francisco

Hey Bay Area folks – the SPJ Western Regional Conference is coming up April 17-18. Details below. Don't miss it! -Mia


Claim Your Audience: SPJ 2015 Western Regional Conference

One Month Left to Buy Early Bird Tickets

SPJ spring conference logo

Join a dynamic group of media professionals April 17-18 at the Society of Professional Journalists' 2015 Western Regional Conference in San Francisco.

Come to the Western Regional Conference for insights on navigating the ever-evolving media landscape. Hear how newsrooms are supplementing reporting with data visualization, podcasts and online video. Learn from freelancers who are carving lucrative niches by identifying their audiences. Glean tips on email encryption from savvy journalists who take on powerful interests — and who know how to protect their sources.

The conference will feature forward-thinking media entrepreneurs and tenacious investigative reporters leading intensive workshops on April 17, followed by a day of engaging, multi-track programming on April 18 at the Hotel Whitcomb. Throughout the weekend, conference goers will enjoy several social and networking events, as well as SPJ’s Mark of Excellence ceremony.

Please visit the conference website to find out more about discounted room rates at Hotel Whitcomb and to follow programming updates.

Book your tickets now to take advantage of our early-bird admission fees:
http://www.eventbrite.com/e/2015-spj-western-regional-conference-tickets-15660214122

Third Coast’s 2015 ShortDocs challenge, deadline April 14

One of my favorite contests of the year – the Third Coast ShortDoc competition. I've entered twice and lost, but had a great time doing it. (2007 entry, 2010 entry) Maybe third time is a charm. Who's with me?

-mia

NOW IT'S YOUR TURN TO MAKE RADIO

Here's your chance to take part in an international audio mega-project, whether you've been making radio for decades, or have always longed to utter "Testing 1, 2" into a microphone. The ShortDocs Challenge is for everyone!

 

THE 2015 SHORTDOCS CHALLENGE: STUDS RULES

As always, ShortDocs comes with a set of rules inspired by a creative partner. For 2015 that's the Studs Terkel Radio Archive from the WFMT Radio Network.

Terkel's work spanned an impressive variety of topics and figures – but his recordings have been largely inaccesible to the public. Until now! The good folks at WMFT are creating the first-ever comprehensive online collection of Terkel's radio work… and are giving us a sneak peek

We hope you'll be inspired by Terkel's interview style, spirit, and wild curiousity – and run with that inspiration in any direction you see fit. Sound art, documentary, oral history, radio drama, hybrids, all are welcome – just as long as your piece follows the rules.

 

STUDS RULES…RULES

Your radio story must:

– be two to three minutes in length
– be titled with a question that begins with one of the five Ws (who, what, when, where or why)
– contain the question "And what happened then?"
– include a shout of silence or a cry of laughter

The deadline for submitting your ShortDoc is 11:59pm CT on Tue, April 14th.

 

MORE ON THE RULES

These rules were inspired by Studs' own words about interviewing, we encourage you to read the whole passage.

Want some clarification about the rules? Other questions or concerns? Check out the FAQ.

 

INCENTIVES 

– Five winning ShortDocs will be featured at the 2015 Third Coast FilmlessFestival (TCFF), in fall 2015 in Chicago (dates tbd).

– Eight finalists will receive a free pass to the TCFF.

– Top submissions will be featured on Third Coast’s Re:sound and podcast, presented on PRX Remix, and at Third Coast listening events in Chicago and beyond.

– All participants receive a free one-year SoundCloud Pro account.

– All submissions are archived permanently on this site, and all producers are added to the Third Coast Producer Index.

Please note: Winners' travel and accomadaiton to/for the TCFF are not covered this year.

 

SHORTDOCS TIMELINE

February 18-April 14: Submissions accepted
Late May: Finalists notified
June 2-18: Voting open for People's ShortDoc Award
June 24: Winners announced!

 

FINE PRINT

– Producers retain non-exclusive rights to their submissions.

– TCF retains the right to showcase all ShortDocs in service of Festival happenings – including at Listening Rooms, on Re:sound, and onPRX Re:mix. (Note – producers may also license ShortDocs themselves, through PRX.org).

– Four winners will be selected by Third Coast staff, with guidance from the Studs Terkel Radio Archive staff.

– The People’s ShortDoc Award will be selected by the international listening public.

Questions about how/what to submit? Check out the FAQ and/or feel free to ask.

KCRW seeks pitches for various shows

KCRW's Independent Producer project wants YOUR ideas. Thanks @ryankailath for the heads up! -Mia

KCRW’s Independent Producer Project is looking for independent contributors to pitch stories to the following KCRW programs:   

KCRW is seeking timely pieces running from 4 to 8 minutes in length for local broadcasts ofMorning Edition and All Things Considered. Ideal pitches will add depth and insight to a relevant topic of local or national importance. Topics may include local or statewide politics, technology, healthcare, education, poverty, drought, environment, business, immigration and entertainment.

KCRW’s Which Way, LA?, hosted by Warren Olney, is seeking topical pitches for stories from 5 to 7 minutes in length for its daily public affairs show, which explores issues affecting Southern California. Stories should be hard-hitting and rooted in comprehensive reporting. Topics may include city and state-wide politics, drought, transportation, trends in demographic shifts, policy and big real estate developments. Stories that have national implications but roots in California are encouraged.

KCRW’s The Business hosted by Kim Masters is seeking both narrated and non-narrated features from 4 to 10 minutes in length for its weekly broadcast and podcast about the ‘business’ side of show business. Looking for offbeat stories from inside the entertainment industry. Topics might include the intersection of entertainment and technology, changing consumption habits, stories from below the line, and stories about creative approaches to the challenges of funding and distribution.

KCRW’s DnA, hosted by Frances Anderton is seeking audio and video pieces of various lengths for its twice monthly broadcast and podcast. Ideal segments will take a unique approach to exploring issues of importance in our designed world. Broad themes include mobility, community and transportation. DnA also seeks producers who are located near national and international design events (Mexico City Design Week, New York Fashion Week, Venice Biennale etc.) and can provide coverage.

KCRW’s Good Food, Evan Kleiman’s weekly hour-long show about food, culture, and the politics of consumption, is seeking pieces from 4 to 12 minutes in length for upcoming broadcast. Stories should not be restaurant reviews or trend pieces. Using rich scene tape and colorful character, stories should reveal something about our own selves through the experience of food. Stories written using a specific voice and point of view are encouraged. Stories that explore emerging communities in Los Angeles through food is encouraged.

KCRW’s UnFictional is seeking documentaries and personal stories running anywhere from 5 to 25 minutes in length. Ideal pitches will contain a strong narrative or forward momentum. UnFictional loves to explore corners of America and the world where a seemingly tiny story may prove to have big stakes. Even better are pieces with an unexpected twist that may provoke or possibly even disturb. You can listen to past episodes of the program to get a sense of the show’s tone.

To submit your pitch, go to www.kcrw.com/ipp and click ‘Pitch a Story.’ Feel free to email ipp@kcrw.org with any questions.

Bay Area Freelance Cafe meeting March 2, 6:30pm, Oakland

Hey Bay Area freelancers! The next gathering is coming up. Details below.

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Hello freelancers!

Sorry for the delay in meetings, but we're at it again! Please bring some food or drink to share, something to discuss, or some work to show off. 
Big thanks to Natalie Jones who is so very willing to host us this month that we're actually going to meet in the house she's house-sitting for! She warns that there's a mellow dog and a wild cat, so give us a heads up if you'd like us to quarantine them before the meeting, otherwise they'll be adding their opinion on tax law.
March 2nd, 6:30-9PM
6454 Colby St.
Oakland, CA 94618
Big yellow house with a little front porch. There should be plenty of parking; if not right out front, down the block or on nearby streets. Rockridge and Ashby BART stations are both about a 10-15 minute walk. 

See you soon,

Ana


freelancecafe.org
facebook.com/freelancecafe
@freelancecafe

Food and farming fellowship, deadline March 15

The UC Berkeley Graduate School of Journalism is offering ten $10,000 postgraduate Food and Farming Journalism Fellowships in a new program established by Michael Pollan, the John S. and James L. Knight Professor of Journalism at UC Berkeley. Deadline March 15.

The UC Berkeley-11th Hour Food and Farming Journalism Fellowship

The UC Berkeley Graduate School of Journalism is offering ten $10,000 postgraduate Food and Farming Journalism Fellowships in a new program established by Michael Pollan, the John S. and James L. Knight Professor of Journalism at UC Berkeley. The fellowship, a project of the Knight Center in Science and Environmental Journalism, is supported by a grant from The 11th Hour Project, a program of The Schmidt Family Foundation. Aimed at early and mid career journalists, the Fellowship presents an opportunity to report ambitious long form stories on the full range of subjects under the rubric of food systems: agricultural and nutritional policy, the food industry, food science, technology and culture, rural and urban farming, agriculture and the environment (including climate change), global trade and supply chains, consolidation and securitization of the food system and public health as it relates to food and farming.

The fellowship was open to both print and radio journalists; in future years, it will expand to include multi-media and video journalists. We will give preference to U.S. focused stories, but will also consider international stories with a strong U.S. angle or connection.

Online applications for this year’s fellowship will be due March 15, 2015, and should include a one-page pitch with a clearly defined story idea, not just a subject. The pitch should reflect some preliminary research, providing a clear sense of place, characters, narrative and reporting strategy. The application also requires a CV, two letters of recommendation and published clips.

Those interested in applying will need to be available for a workshop June 8-12, 2015 at UC Berkeley with the 2015 cohort of fellows, fellowship director Michael Pollan, guest editors from national publications and managing editor Malia Wollan. Travel, lodging and meals for the meeting will be covered by the fellowship. During the first session, fellows will refine their story pitches with the help of the editors, and develop a reporting and publishing or broadcast strategy. Fellows will also have opportunities to meet with and interview faculty members and researchers doing work relevant to their stories at UC Berkeley.

Reporting and writing will then take place from June-November. Fellows will meet for a second four-day session in mid-November, during which time completed stories will be workshopped and edited; the editors will also assist fellows in placing their stories for publication or broadcast. Travel and lodging for the November session will also be covered by the Fellowship.

QUESTIONS? Contact us.

BackStory call for pitches

BackStory is now accepting pitches for the following shows (dates in parentheses are dates by which all tape would be due):

Islands (3/14): On this episode, the Guys will journey in search of islands — material and metaphysical — that have played notable roles in the course of American history. We need: stories from actual islands themselves! We’re specifically after pitches (of historical stories, of course) from freelancers on location on an island.

Trash (3/11): On this episode, we’re doing a social/cultural history of trash in America. It’s pegged to the idea of “spring cleaning,” so we’re probably not looking for stories about human waste or public health/sanitation (outside of garbage collection). We’re asking questions like: how have Americans defined and redefined trash? When did landfills begin? How does trash become historic material? Is recycling really a ‘new’ phenomenon?

Revivalism (3/25): Focusing on dramatic upsurges of religious energy, this episode will explore the persistence of revivalism — from the “Great Awakening” of the early 18th Century, to the rise of the religious right just decades ago — considering how religious sentiment has expanded beyond the individual and spiritual to embrace civic and political concerns.

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

BackStory is especially interested in stories that get out of the studio — that is, site-specific and sound-rich stories from around the country. Include what, if any, sources you would use in your story and how you would produce them. Give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. Three to 10 minutes in length is ideal.

Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within a week of receiving your pitch.

Knight Foundation Funding, deadline Feb 16

Deadline is approaching for the next round of Knight Foundation funding – Feb 16. Go for it! -mia
+++++++++++++++++++++
Knight Foundation just announced funding
(http://www.knightfoundation.org/blogs/knightblog/2015/2/10/knight-prototype-fund-supports-10-new-data-storytelling-projects/)
for 10 new projects through the Knight Prototype Fund
(http://www.knightfoundation.org/funding-initiatives/knight-prototype-fund/),
which helps people explore early-stage media and information ideas with
$35,000 in funding for each venture. Our next Knight Prototype Fund
application deadline is Monday Feb. 16 at midnight ET.

If you have a great idea in mind apply now
(http://www.knightfoundation.org/prototype/) and spread the word through
your networks. For updates, follow @knightfdn on Twitter.

If you have any further questions, feel free to contact me. We look
forward to reading your submissions.

Chris Barr
Knight Foundation
Director for Media Innovation

Slate seeks freelance audio producers

Slate is looking for audio producers! Details below.

-mia

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My name is Laura Mayer, and I'm a senior producer at Slate working on some podcast projects. 
I'm looking to find producers who can produce podcasts – from recording, to final edit. The whole enchilada. The idea is the work would be done remotely, so if you're not located in New York or D.C. that's fine (if not encouraged!).
I'm especially interested in finding producers who have experience working with podcasts in particular (although radio experience is great, too). 
If you're interested, and would like more details, please send me a note at laura.mayer@slate.com, introducing yourself, with a little bit about your audio experience, and any audio-related links you'd like to share. Please make the subject line of your email "Producer: [Your Name]"
And if you're booked, but you know of any audio producer friends who are looking for work, please send this their way! 
Thanks!
Laura

Prix Italia awards opening to non-members, deadline March 30

From the folks at Prix Italia via @AIRmedia. Open to indies! Initial deadline March 30. 
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Big news.  For the first time, the prestigious Prix Italia is opening one of its radio awards to non-members.  Independent producers and all broadcasting organizations are being encouraged to enter.  

Make no mistake.  This is a breakthrough.  A strong response to the call for entries will send a message to open up the competition even further. 

Entry details will follow in the next few days.  In the meantime, consider what you might enter.   Here’s the call for entries. 
 
The Prix Italia Golden Award for Radio New Formats
 
For the year 2015 a Prize is being awarded to the most innovative, unconventional, groundbreaking, daring and bold radio/audio format, including web native radio and audio offers, with no limit of genre, platform, length, produced with or without the support of archive material.
 
Participation is free and open to member organisations and other players, such as independent producers.
 
Each competitor can enter only one programme. This  programme will not be considered in the total number of the entries submitted by Prix Italia members and its length will not be calculated in the overall total length of the programmes submitted to the radio competition.
The programme must have been broadcast or published online in the same form in which it was submitted.
 
The period of eligibility is: 19th September 2013 – 30th March 2015.
The programmes that have already competed at Prix Italia in the previous editions are automatically excluded.
 
The prize money, amounting to Euro 7,000, will be offered by Prix Italia to the submitting/winning broadcaster.
 
The jury, which will be composed of internationally renowned personalities invited by Prix Italia, will take into consideration the following criteria: originality; the values of delight, surprise, engagement and daring; an unconventional approach to audio/radio; excellence in storytelling; innovative sound design and innovative communicational settings.
 

Deadlines: registration of entries and summaries by 30th March  technical material by 30th April.

The Litography Project launches and seeks YOUR multimedia pitches

Awesome new project has just launched! Details and call for pitches below. -Mia

I wanted to let you know on behalf of all of us at The Litography Project that our new multimedia storytelling website launched today, and we’re accepting pitches! So check it out and send some ideas our way: www.thelitographyproject.com

Who are we? The Litography Project is a non-profit arts organization dedicated to mapping the past and future of literature in the Bay Area. The project is primarily an online site featuring a map populated with audio and visual stories that capture the innovation and diversity of all literary forms in the Bay Area – and that’s where you come in.

We’re looking for stories that tie literature to something bigger. For example, some of our first stories are:

– A tour of the changing Mission District with past poet laureate Alejandro Murgia.
– Poems of the Occupy protests in Oakland and Berkeley.
– The letters of Adolph Sutro, namesake of many local landmarks
– The story of the last book bindery in San Francisco.

Have an idea? Send us a pitch! We are open to discussing an array of creative approaches to capturing literature thorough audio.

We pay $400 for audio pieces, $150 for written and $150 for visual.

Thanks!

 

Claire Mullen

 


freelancecafe.org
facebook.com/freelancecafe
@freelancecafe

New York area journalism competition, deadline Feb 20

FYI New Yorkers. Thanks for the heads up @ashleymilnetyte!

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A heads-up for anyone in the New York area that the Deadline Club (SPJ's local NY chapter) has begun their call for entries for their 2015 competition.
"The 2015 contest covers work that was published or broadcast in 2014 by news organizations from the New York metropolitan area."
Here's the description of the radio category:
25. Radio or Audio Reporting 
Spot news, feature, series or investigative report on any topic. Entries may be a single broadcast or a series of up to three parts. Complete entries may be up to 30 minutes long, and may be edited to length. Open to radio and satellite networks, local radio stations and digital media, including streaming audio and podcasts.

Snap Judgment Upcoming Themes February 2015

Pitch Snap Judgment! Email ideas to pitches@snapjudgment.org. Details below.
++++++++++++++++++++++

Hi Snappers,

It's been a while since our last themes list, but this year we're
going to try something a little different.  Instead of a long list of
themes once every four months, we're going to be sending out a
shorter list once every 1.5 – 2 months.

As always, pitch us an audio movie from the point of view of someone
facing a unique struggle with a thought-provoking (or just plain
entertaining) resolution.

And, as always, no profiles or topical stories.  Of course, we
welcome stories with interesting characters and interesting topics,
but we also need a plot driving the narrative forward.  Ideally, the
story should be told mostly by the main character.

This round's themes may seem serious at first blush, but we welcome
any and all silly twists.

Lord of the Flies

A story in which any group of people (adults, kids, dogs) find
themselves stuck together for whatever reason and things go south.
Think classrooms, summer camps, business conferences, family
reunions, lifeboats, and — yes — deserted islands.

The Peerage

Stories that take place in (or on the periphery of) an elite circle.
The House of Lords, Skull & Bones, the first 50 Google employees, the
cool clique at school.   Stories about being inducted (or kicked out
of) of a special world. Stories about people who think they're
special and learn that they're not, or vice-versa.  Stories of people
who want in … or out.

The River

Stories involving … well … rivers, both literal and metaphoric.
The Ganges, the Mississippi, the Nile, the Styx. A journey down a
river not knowing where it goes, or up in search of a mysterious
source.  A life lived on the bank of a river watching it change.
Some kind of bridge or treacherous crossing in life's journey.  The
metaphors go on and on…

Any Really Good Story

Remember, the themes are there just to get your mind churning.  If
you have a good story that doesn't fit one of these themes (or even
fits a theme that already aired!), we're going to help you produce it
anyways, because we want it on our show ASAP.

Journalism Fellowships on Immigrant Families, deadline Feb. 16

Thanks for this @AquiferMedia!

++++++++++++++++++++

2015 Fellowships on Immigrant Families

Application Deadline: Receipt via email by 11 p.m. on Feb. 16, 2015

Direct questions via e-mail to ijj@justicejournalism.org.

Up to 16 journalists will be chosen to attend the conference, to be held April 7-10 at Georgia State University in Atlanta. IJJ will pay for travel and other expenses. As part of their applications, journalists must propose an enterprise project on immigrant children and families for publication or broadcast. Each fellow will receive a $500 stipend upon completion of the story project.

The conference will include:

A seminar on immigration law with attorney Dan Kowalski, a very popular teacher and editor of Bender’s Immigration Bulletin.

A hands-on workshop on investigative techniques with Pulitzer Prize-winning reporter Martha Mendoza of the Associated Press, an acclaimed FOIA expert.

An interactive workshop on finding and interpreting data with Laura Speer of the Annie E. Casey Foundation, who oversees the Kids Count Data Center, which collects and analyzes the most comprehensive and latest statistics about U.S. children.

Panel discussions with experts on health issues, education inequities and upcoming legislation impacting immigrant families. There will be special emphasis on the South, where immigrant families are growing the fastest and children face some of the biggest hurdles in health and well-being.

http://justicejournalism.org/whiteboard/apply-by-feb-16-for-ijj-fellowships-on-immigrant-families/

Radio Campfire, Detroit – Call for stories, deadline March 6

Like minds in Michigan – no pay, but definitely worth it for the networking/support of it all. Details below.

++++++++++++++++++++++

I'm thrilled to announce that members of the Detroit-area audio group I'm involved in, the Smitten Mitten Audio Collective, have started doing a quarterly listening event for which we are seeking your submissions.  We kicked things off last month in Ann Arbor to a packed house.  Details on what we're looking for and how you can submit are below…

CALL FOR SUBMISSIONS (( RADIO CAMPFIRE ))

Radio Campfire is an event series for creative audio stories. We gather round to listen, imagine and enjoy an evening of memorable radio documentaries, soundscapes and experimental sonic shorts. Think relaxed, magical and intimate, like the campfire (minus the burnt marshmallows.) 
  
We are now accepting submissions for our second event, on March 27th at the Matrix Theater in Southwest Detroit. The theme is 'Warmth'. Think broadly. We're listening for audio works about sun, summer, fires, spring, comfort, affection, kindness, lack of warmth, desire for warmth… surprise us!
  
What we're looking for: 
~ 2-8 minute pieces you might have related to our theme.
~ 2-8 minute pieces you've heard from other producers that might relate to our theme. 
~ 1 minute audio super-shorts related to the theme. (A good excuse to get into the audio sandbox & make something new!) 

~ No more than 2 submissions per producer 
  
Deadline: 11:59 pm on March 6th
  
How to Submit: Send an mp3 to radiocampfire.submissions@gmail.com with the following text copied and filled out in the body of your email:

Producer name
Producer phone number

1 – 3 sentence bio
Title of piece
One sentence on how piece relates to the theme "warmth" 
Anything else we need to know about the piece?
File name of attached piece

We will contact you by March 16th to let you know whether your work has been selected. 
  
Radio Campfire is a labor of audio love. We can't compensate you financially, but selected works will be promoted through our press, social media outlets, and included on our online program archive. 
  
Questions? Send an email to laura.e.herberg@gmail.com.

Radio Campfire is curated and hosted by a small group of radio producers and audio artists in Southeast Michigan. Radio Campfire Counselors include Shannon Cason, Renee Gross, Laura Herberg, Juliet Hinely, Kyle Norris, Zak Rosen, and Stephanie Rowden.

French-American Foundation journalism fellowship, deadline Feb 20

Passing this along. Thanks for the heads up @juliastmi!

++++++++++++++++

If you're interested in immigration and telling the stories of immigrants (all over the world! Not just in the U.S.) this fellowship might be a great opportunity. 
Details below, but the broad strokes are $7,000 for work to be completed over 4-6 months.

Now accepting submissions

The French-American Foundation is seeking meaningful, visionary stories on under-reported topics with a strong social justice component and with the potential to advance public debate on the issue. The Foundation particularly seeks both creative content and format, and all types of stories will be considered (local, global, cultural, economic, etc.). All stories are expected to comply with journalism ethics of fairness and responsibility.

Eligibility

The Immigration Journalism Fellowship is open to journalists with an interest in immigration and integration. The French-American Foundation and its international jury are looking for journalists with a minimum of three years of professional journalism experience, with outstanding achievements in the field and the ability to work in English or French (the final work must be published in either language).

When applying, candidates must have already secured a commitment from a European or U.S. media outlet to publish the work produced. Journalists can apply individually, but teams of up to three journalists can also apply for a single fellowship and share the funds toward completing their project. Freelance journalists are welcome to apply.

Application Deadline: Friday, February 20, 2015 at 12:00 PM EST
Applicants should submit their completed applications through Submittable. Please address any additional questions to tchareton@frenchamerican.org.

Latino USA call for pitches

Pitch Latino USA!

+++++++++++++++

Buenos dias, AIR:

Below is a list of new show themes coming up on Latino USA over the next few months.

Please pitch your ideas directly to: pitches@futuromediagroup.org.

Your pitch should include the main story arc, brief context and an idea of the characters, scenes and ambi you envision for the piece.

If you’re pitching for the first time, please tell us a little about yourself and include a couple of samples of your audio work.

Features generally run 4-7 minutes and pay $125 a minute, with any expenses negotiated in advance.

Thank you!

Leda

 

Leda Hartman

Editor, NPR’s Latino USA

919-542-0008

ledahart@mindspring.com

www.latinousa.org

 

Abuelos (Grandparents):
Stories about older Latinas and Latinos, our relationships with them, and the things we learn from them. Also welcome are stories about surprises in family histories, coverage of elder healthcare, and elders who live unusual lifestyles (for example, re-entering society after being incarcerated, serving as figurative grandparents, etc.).

Reading:
Highlighting Latin@ literature for people of all ages, but also including stories about perception and misperception.

Censored:
Stories about being gagged, muzzled or pressured about what to say or not to say. We also want to look at how ethnic media in the US are sometimes censored or edited in ways mainstream or white media is not. And we’re interested in stories about the relative dangers of being a journalist or writer in a Latin American country.

I Woke Up Like This:
Stories about confidence (or the lack of it), including shyness in schools, stage fright or brilliance, and learning to deal with issues like identity and mental health.

Crazy in Love:
We love love stories. ‘Nuf said.

In/Flux:
Playing with words: we hear about an “influx” of immigrants all the time; our identity as a country is in flux, and other stories about transitional periods.

The Transportation Show:
Stories about cars, planes, trains, and getting around (figurative “getting around” is all right, too).

IF YOU LIVE IN CALIFORNIA, PLEASE READ THIS:

We’re looking especially at rural communities in California and issues related to their health, as well as water scarcity and how Latinos are dealing with it. We’re also searching for stories that help us make links when it comes to the “school to prison pipeline”—all the way from being suspended, lacking job skills and dropping out of school, to the lives of prisoners themselves and how they came to be where they are. We also want to examine who stands to profit when people are incarcerated.

Rough Cuts Announces Call for Entries for March, deadline Feb 17

Announcing a Call for Entries for Rough Cuts in March!

 

Deadline is Tuesday, February 17th

Rough Cuts is currently seeking documentaries in post for our next event on Tuesday, March 10th at the Dolby Screening Room in San Francisco 

We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

 

Also, filmmakers who submit are eligible for Fine Cuts, our new editorial consultation program.

Filmmakers can now submit two ways—eletronically or via mail (including UPS, Fed Ex, etc.)

 

To submit, visit:

http://sfroughcuts.com/callforsubmissions.html

 

And for more details about Rough Cuts and our programs, visit:

http://sfroughcuts.com

 

 

Upcoming Rough Cuts Events in 2015

 

Tuesday, March 10th

(Deadline to submit is Tuesday, February 17th)

 

Tuesday, May 12th

(Deadline to submit is Tuesday, April 21st)

 

Wednesday, September 9th

(Deadline to submit is Wednesday, August 12th)

 

Tuesday, November 3rd

(Deadline to submit is Tuesday, October 6th)

Seminar – Audio Walks and Site-Specific Storytelling, Feb 13-15, Brooklyn

This workshop looks SO good! Friday, February 13 – Sunday, February 15, 10am-6pm, UnionDocs, Brooklyn

—-
STORIES TAKING PLACE: Audio Walks and Site-Specific Storytelling
An intensive 3-day seminar.
This seminar has been specially designed to teach and encourage audio producers and creative writers to reimagine the world around them, foster their creativity and sharpen their writing skills. To produce a successful audio program many skills are required, from research and journalism to sound storytelling to app designing, in addition to a considerable dose of observation, creativity and writing.
Produced by UnionDocs in partnership with Mathilde Walker-Billaud and Pejk Malinovski, the seminar will go into the various creative practices of site-specific audio interventions. It will offer technical tools and skill sets for navigating through this medium and finding your own path in this emergent art.
Radio audiences today have been liberated from the time and space limitations and can listen to audio anywhere at anytime: at home or at work, in the subway or in the streets, while queuing at the stores or taking a walk along the river. Technological developments have sparked a new generation of tours and sonic experiences through site-specific audio programs that are easily downloadable on mobile devices: a recorded and intimate voice guides an individual in a place and plays with the body, the imagination, the memory and the surroundings.
Over the course of three days, 10 to 14 participants will learn from a team of seasoned guest speakers and practitioners — radio auteurs, theater artists, writers, entrepreneurs, documentarists. The seminar will explore site-specific storytelling, sound design, audience engagement, instruction-based practice and more. Workshops, discussions, exercises, walks in the city (Field trips on Friday and Saturday) and a work-in-progress critique will help put this new knowledge into practice.
Pejk Malinovski, radio producer and poet, will lead the seminar as main instructor.
When: Friday, February 13 – Sunday, February 15, 10am-6pm

Where: UnionDocs, 322 Union Avenue, Brooklyn, NY 11211
Who is eligible?
Open to everyone. We are looking for students, radio producers, media artists, app designers and writers interested in places, audio practice and writing.
Give us an idea of who you are and why you are coming. When you register you will be asked for a short statement of interest that should briefly describe your experience in audio practice and a project idea (if you have one), plus a bio. There’s a spot for a link to a work sample and CV, which would also be nice, but is not required.
Please note: Participants are accepted on a first-come, first-serve basis. Focus is on discussions, observation, imagination and writing. The goal is to develop your project conceptually.
Cost:
$385 early bird registration by January 30th.
$450 regular
Please note that the service charge is waived if payment is made via check.
Checks can be made out to UnionDocs and mailed to 322 Union Ave, Brooklyn NY 11211.
Technology Requirements:
In order to keep costs down, this workshop is a b-y-o-m, bring your own material (laptop, headphones, recorder). Students must be fully proficient using and operating their computers.
Schedule:
(subject to change)
Day 1: Site-specific storytelling
Main Instructor: Pejk Malinovski
Guest Instructor : Alexandra Horowitz
The first day of the seminar looks in-depth at the ways we can tell stories about neighborhoods and specific places. It will include one field trip.
Day 2 : On-location participatory projects
Guest Instructor: Ant Hampton
The second day of the intensive focuses on writing and producing live interventions in an urban context. It will include one field trip.
Day 3 : The listener’s experience
Guest Instructor: Kara Oehler
The third day explores the multiple ways to build an audio itinerary and the possible tools to interact with the walker/listener. The afternoon will include exercises, discussions and project critiques.
Each day follows this general structure, with some minor variations and substitutions:
10:00a    Warm up, inspiring references, listening exercises, ear training.
10:30a    Presentation
11:45a    Discussion
12:30p    Share / Discussion / Exercise
1:00p      Lunch (on your own – lunch will be provided on Friday)
2:00p      Presentation
3:15p      Discussion
4:00p      Workshop Exercise
5:00p      Workshop Critique
5:30p      End

IRP’s Reporting Fellowships, deadline March 16

Your opportunity awaits. Info on IRP Reporting fellowships HERE and below.

-Mia

Apply Now for Reporting Fellowships

Rolling applications are due by March 16, 2015

Fellows 2015

By Melody Wilson Schreiber

January 15, 2015

The International Reporting Project (IRP) is now accepting applications for reporting fellowships on two different topics:health/development and religion

These fellowships are intended to provide in-depth coverage of important, under-covered international issues.

Applicants may choose only one area of focus per application; if you would like to apply for both health/development and religion fellowships, you must submit separate application forms for each.

Ecuador street scene.
Ruxandra Guidi and Bear Guerra reported on health and development in Ecuador in 2014.

Health/Development

Applicants may propose stories that examine maternal and child health; poverty; HIV/AIDS, TB, malaria, and other infectious diseases; nutrition and food security; education; access to roads and electricity; sanitation and water; sustainability; technology; equality and women's rights. 

For the health/development fellowships, we have a strong preference for in-depth reporting from countries we've traveled to recently–India, Zambia, Tanzania, Brazil, Ethiopia, Mozambique–as well as other countries of focus–Nigeria, China, South Africa, Indonesia, Malaysia, and Papua New Guinea, among others. 

The health/development fellowships are supported by a grant from the Bill & Melinda Gates Foundation.

Religion

Applicants may propose any stories that relate to religion, including its role as a source of tension or conflict; its relationship to politics, economics or access to health, housing or clean water; its impact on art and culture, religion and human rights; or other issues. 

For the religion fellowships, we encourage applicants to propose stories and destinations not covered by recent IRP fellows.

The religion fellowships are supported by a grant from the Henry Luce Foundation.

More Details

Applications will be considered as they are submitted on a rolling basis until Monday, March 16.

The time spent in the field is flexible; fellows may propose to report for two to seven weeks. Fellows may also choose to extend their fellowships at their own cost.

IRP will purchase the fellows' roundtrip air tickets to and from their homes and destinations, but all other travel must be arranged and paid by the fellow. IRP will offer a stipend based, in part, upon the budgets that all applicants must submit.

Travel on these fellowships must take place no sooner than two months, and no later than four months, after the fellowship is awarded. For example, someone awarded a fellowship on March 30 may not begin travel before May 30 and must initiate travelno later than July 30.

Prayerful politicians.
Jason Plautz reported on evangelicals in Brazil in 2014.

Eligibility

Applications are open only to journalists from Australia, Brazil, Canada, China, Egypt, Ethiopia, France, Germany, India, Indonesia, Ireland, Japan, Kenya, Nigeria, Norway, Malaysia, Mozambique, South Africa, Tanzania, Thailand, United Kingdom, United States and Zambia.

Staffers and freelancers alike are encouraged to apply, and special attention will be paid to innovative forms of storytelling and projects involving new media.

Depending upon the proposal, teams of journalists may be considered; in that case, each journalist would apply separately, and mention their intention to work with another applicant in their essay.

The fellowships are intended for professional journalists who have worked for years as professionals and who have a record of outstanding achievement in reporting for influential media outlets. 

This fellowship is not intended for students or for recent graduates without much professional reporting experience. 

How to Apply

All applicants must fill out an application form.

Each proposal must include an essay of at least 1,000 words describing the stories they would produce during the fellowship. All essays must be in English. However, the stories and other updates produced by the international Fellows may be in English or in other languages. IRP encourages stories in a variety of media, including print, online, radio, television, photography, blog posts, social media and video.

Applicants are also required to submit a budget, which assists in determining the amount of the stipend. Typical costs include domestic transportation; fixers or translators; hotel accommodations; visas; food; and any other expenses related to reporting internationally. Fellows are not required to submit receipts or post-fellowship expense reports.

A telephone interview with finalists will also be a part of the selection process.

All of the fellows’ stories will be republished on the IRP website and co-owned by the fellow (or his/her distribution partners, depending on agreements) and the IRP.

Read our frequently asked questions and apply for a reporting fellowship now!

SEJ CALL FOR ENTRIES, deadline April 1

Deadline to enter: April 1, 2015

Instructions for Entering:

FIRST: It will help us if you  REGISTER ON SEJ.ORG(Why?)

To access the entry forms, click on the entry forms below. If you register on SEJ.org and are signed in, your contact information will autofill. Please note that registrations are not automatically approved. SEJ will make every effort to approve your registration on sej.org in a timely way, but if you register after 11pm eastern time, you will most likely have to wait until morning to be approved.

Already registered? Sign in to enable autofill on your entry form. To reset your password, get help here . If you forget your username, email the SEJ office.

Below you will find the definitions and entry forms for SEJ’s 2015 categories.  When you have selected your category, prepare the materials you will need for entering. Once your materials are assembled, click the name of the category (below) to open the online form. Follow the instructions at the top of the form.  Some fields have instructions written below them. Please take note of all instructions!

Materials needed:

• PDFs* or links to each story, commentary or photo
• Radio entries: MP3 files, 20MB max.
• Confirmation that your entry ran or aired during the contest period: 3/1/2014 – 2/28/2015, or that your book was published in 2014. **
• Broadcast transcript if you enter radio or television stories, or if your online entry includes audio/video components
• Broadcast run time
• Credit card for immediate online payment. (You can opt to send a check on the online payment site.)

Note: Cover letters are no longer required. If you want to include a cover letter, you can upload it along with other supplemental materials in the space provided.

* 20MB max file size. Multiple PDFs for one day must be combined. See Help with low-resolution or combined PDFs

** Series that begin or end during the designated contest period qualify in their entirety.

If you are unable to reduce your file to 20MB, email Awards Director Chris Bruggers or call her at (502) 641-1844.

Book entries: Enter the contest using the online entry form below. After submitting your form and payment, ship four copies of your book and a printout of the online entry form to Chris Bruggers, Director of Awards (address below). Note: even if you ship your entries, you must still complete an online form. ELECTRONIC BOOKS: Include detailed instructions on how to access the book. Please include the formats available to read the book. If a special reader app is needed, supply the name of the app to seach for in the entry form’s “Reader App” field. If your book cannot be accessed without payment, you must supply the cost of four books plus $1.38 for postage so the director can send reimbursements to judges. If the reader app must be purchased, include the cost for four purchases. Make your check out to Christine Bruggers, SEJ Awards Director, and send to the address listed below. Please don’t make your check out to SEJ or send to the SEJ office because this will cause delays in getting your book to judges.

Print entries: low-resolution PDF of your entry stories. (Check your category for the allowable number of stories and other details.) (Help with low-resolution or combined PDFs) If you are unable to supply links or low-res PDFs, you may ship four copies of your entries to awards director Chris Bruggers at the address listed below. Please include a printout of the online form. Be sure to follow the preparation rulesNote: even if you ship your entries, you must still complete an online form.

Online and broadcast entries: web links to Internet pages where your television, radio or online news story can be viewed or listened to. Radio entries may upload MP3 files (20MB maximum) (Check your category for the allowable number of stories and other details.) If you are unable to supply links, you may ship four copies of your entries to awards director Chris Bruggers at the address listed below. Please include a copy of the online form. Be sure to follow the preparation rulesNote: even if you ship your entries, you must still complete an online form.

Shipping address:

SEJ Awards
C/O Chris Bruggers, Awards Director
186 North Bellaire Ave
Louisville, KY 40206

Follow the preparation rules for preparing your entries for shipping. Shipped entries that are incorrectly prepared will not be sent to judges. Please pay special attention to the instructions, since your payment is non-refundable.

 

ENTRY FEES

 After completing your entry form, the payment site will open. Please pay your fee immediately after submitting your entry form. For those needing to pay by check, the payment site includes a check option. Your entry will not be processed for judging until payment is received. 

$40 US Funds:  Member Rate
You must already be a member of SEJ to enter at the member rate. If you are unsure of your membership status, please contact SEJ at sej@sej.org or (215) 884-8174.

$80 US Funds:  Prospective Member Rate
To enter SEJ’s awards contest at this rate, you must complete a membership application.  Please note on your application in the comments field at the end that you are applying for membership with your contest entry.) Please complete your membership application as soon as possible after submitting your entry.

This special discounted $80 fee is only for non-members who are joining SEJ for the first time. It covers your first year of membership (discounted) as well as the contest fee.

$100 US Funds:  Non-member Rate

 

ENTRY FORMS

Deadline to enter: April 1

Read the descriptions carefully, then click on the name of the category you want to enter to open the corresponding entry form. Have your electronic files and web links ready. You can save a draft of the entry form to complete later, but once you click submit, you won’t be able to access the form. If you need to change or add anything, contact Chris Bruggers.

CLICK TO ENTER: Kevin Carmody Award for Outstanding In-depth Reporting, Large Market: An investigative  report or series on a single environmental topic, published between March 1, 2014, and February 28, 2015. Related stories published on the same day count as one part. TV & Radio stories must not exceed 60 minutes; Print and Online series must not exceed five parts. Multimedia links may be included as supplemental materials. Eligibility: Print media: circulation of 200,000 average daily circulation or more, according to the latest audited figures; TV & Radio: national networks in the U.S. and elsewhere and top 20 markets in the U.S. as determined by Nielsen; Online: Online news organizations with 50 or more employees. Small-market entities collaborating with large-market entities qualify as large-market. PDF or MP3 files, 20MB max, or links are accepted.

CLICK TO ENTER: Kevin Carmody Award for Outstanding In-depth Reporting, Small Market: An investigative  report or series on a single environmental topic, published between March 1, 2014, and February 28, 2015. Related stories published on the same day count as one part. TV & Radio stories must not exceed 60 minutes; Print and Online series must not exceed five parts. Multimedia links may be included as supplemental materials. Eligibility: All outlets and publications falling outside the large-market definition. Small-market entities collaborating with large-market entities qualify as large-market.  PDF or MP3 files, 20MB max, or links are accepted.

CLICK TO ENTER: Outstanding Beat Reporting, Large Market: Up to five broadcast or published news reports and/or commentary on a broad range of environmental topics published between March 1, 2014, and February 28, 2015. Entry must be the work of an individual, either alone or with a small supporting team. Related stories published or aired on the same day count as one story. TV & Radio entries must have a combined total running time of no more than 60 minutes. Eligibility: Print media: circulation of 200,000 average daily circulation or more, according to the latest audited figures; TV & Radio: national networks in the U.S. and elsewhere and top 20 markets in the U.S. as determined by Nielsen; Online: Online news organizations with 50 or more employees. Small-market entities collaborating with large-market entities qualify as large-market. PDF or MP3 files, 20MB max, or links are accepted.

CLICK TO ENTER: Outstanding Beat Reporting, Small Market: Up to five broadcast or published news reports and/or commentary on a broad range of environmental topics published between March 1, 2014, and February 28, 2015. Entry must be the work of an individual, either alone or with a small supporting team. Related stories published or aired on the same day count as one story. TV & Radio entries must have a combined total running time of no more than 60 minutes. Eligibility: All TV, Radio, Print and Online publications falling outside the large-market definition. Small-market entities collaborating with large-market entities qualify as large-market. PDF or MP3 files, 20MB max, or links, are accepted.

CLICK TO ENTER: Rachel Carson Environment Book Award: A nonfiction book, published between January 1 and December 31, 2014, covering an environmental topic. Memoirs and picture books are not eligible.

CLICK TO ENTER: Outstanding Feature Story: One environmental interest story not directly tied to a recent news event with an emphasis on storytelling, while also including an explanatory aspect that sheds light on our environment and gives details to concepts or ideas. Entries must be about environmental issues and published between March 1, 2014 and February 28, 2015. Multi-part stories, sidebars and other supplemental material are prohibited.  Eligibility: All TV, Radio, Print and Online entities.  PDF or MP3 files, 20MB max, or links are accepted.

CLICK TO ENTER: Outstanding Photography: Up to five photographs on one or more environmental topics, published between March 1, 2014 and February 28, 2015. Only photos published as photojournalism will be accepted. Entered photos must not be manipulated or digitally enhanced in a way that changes the content and/or context of the image. A caption that describes the event or situation captured in the photograph must be included for each photo entered. Photos must be submitted as JPEG files, maximum 2MB.

Back to the main Awards page.

Destination DIY accepting pitches!

Destination DIY is going full steam ahead with monthly podcast episodes and we are currently accepting pitches. Below are our pitch guidelines. Questions? Hit me up at julie@destinationdiy.org
Thanks!
Julie

DDIY PITCH GUIDELINES:

Destination DIY is a monthly podcast and each episode focused on one particular story. If you are not familiar with Destination DIY, we encourage you to take a listen to some of the stories on our SoundCloud feed:https://soundcloud.com/destinationdiy In short, we are not a how-to show and our definition of DIY is intentionally very broad. We are most interested in good talkers and surprising stories about people who are taking on interesting projects without the help of a large institution of some kind. Even if the project itself does not seem fascinating, if there’s a great character behind it, it could be a good fit for us. We are looking for features of about 10-12 minutes in length, but can be flexible, especially with the podcast format. Our goal is to have a piece ready by the 10th of each month. We generally try to keep our stories “evergreen,” but if there’s a specific peg for your pitch, please let us know.

Payment: Destination DIY pays a flat fee for each piece – between $200 and $500 based on the length and complexity of the production as well as the skill level of the producer. Payment is negotiated on a case-by-case basis.

Submission guidelines: Please email pitches to info@destinationdiy.org with the word "pitch" in the subject line. Write up a short description of your ideas and who you plan to include in your piece. NO ATTACHMENTS PLEASE. Please let us know what kind of audio equipment and software you will be using and if you haven’t worked with us before, please provide links to your past work and at least 2 references.

More details on our process: Destination DIY will create the final mix for all the pieces. You will be expected to provide a rough mix along with your actualities, narration, room tone, and ambient sound as well as a final script and raw audio when necessary. If your pitch is accepted, please be prepared to submit a script and scratch track for editing before submitting any final audio. Our editing process usually involves a couple of script and scratch track edits. Independent producers retain all the rights to their work and are free to post it anywhere or pitch it to other outlets. We respectfully ask that you wait until it’s been released on the Destination DIY podcast.

Host, producer and creator of Destination DIY
http://destinationdiy.org
Twitter: @DIYgirl
Facebook: http://facebook.com/DestinationDIY

Call for Nominations $20K National Academies Communication Awards, deadline Feb 9

Go for it! Podcasts are eligible, FYI. Deadline Feb 9.

 

 

 


The Keck Futures Initiative – a program of the National Academy of Sciences, National Academy of Engineering, and Institute of Medicine, with the support of the W.M. Keck Foundation – will award four $20,000 prizes in 2015 to individuals or teams (up to four individuals associated with the creation of the work being nominated) who have developed creative, original works that address issues and advances in science, engineering and/or medicine for the general public. Nominations are accepted in four categories: Book; Film/Radio/TV; Magazine/Newspaper; and Online. The winners will be honored in the Fall 2015 at an awards ceremony in Washington, D.C and are expected to attend in person.

 

ELIGIBILITY
To be considered for a 2015 Communication Award, the work should:

• be accessible and appeal to a broad, public audience;

• demonstrate clarity, creativity, originality, and accuracy;

• address issues and/or advances in science, engineering, and/or medicine;

• cover topics that have an impact on society; and

• have been published, broadcast, or released in 2014, in the United States and in English.

 

Call For Nominations Now Being Accepted

Nominations will be accepted through February 9, 2015. For more information about the process, please visit:

http://www.keckfutures.org/awards/nominate.html.

 

2015 TIMELINE

o   February 9 – Nomination process closes; all nominations must be submitted online.

o   February 13 – All supporting materials must be received or nomination is invalid. Please see specific                                category for required supporting materials.

o   Fall 2015 – Winners honored at a ceremony to be held in Washington D.C. Date to be determined.

 

NOMINATION FORM

The nominations process closes February 9, 2015; copies of the nominated work must be submitted as described for each category by February 13, 2015. Self- nominations are permitted; there is no nomination fee.  Nominators are encouraged to submit to the category that most closely describes the work(s) being nominated.  Supporting materials will not be returned. 

The criteria for each category are listed below.

 

BOOK
Books must have been published in the U.S. in 2014 to be considered. Please submit two copies of the book. The publisher and year of publication must be printed on the book. Advance publication dates must include verification from the publisher.

 

FILM/RADIO/TV
Works in this category must have aired on a U.S. station or have been released in U.S. theaters or on DVD in 2014 and may include a single story or movie, a series, or as many as six brief, unrelated stories. Please submit three CDs or DVDs labeled with the nominee's name(s), the title(s) included on the DVD or CD, and the original airdate (with the name of the U.S. station and the program on which the stories aired) or release date. These must be submitted in protective cases and include authorization allowing the Keck Futures Initiative to reproduce the CD or DVD for review purposes (copyright release). Submission of copies of the program transcript is also encouraged. If you are not able to provide copyright release, please submit an additional 20 copies of the CD or DVD.

 

MAGAZINE/NEWSPAPER

Work in this category must have been published in the U.S. in 2014, and may comprise a single article or as many as four articles that are unrelated or that constitute a formal series. Please submit three original copies of each article clearly showing the byline and the name and date of the publication and authorization allowing the Keck Futures Initiative to reproduce the article for review purposes (copyright release). If you are not able to provide copyright release, please send an additional 20 copies of the article(s), or a PDF file of the article(s).

 

ONLINE

Works in this category may include as many as six blog entries, hypertext documents, videos, podcasts, commentaries, data visualizations, interactive components, etc., or any combination thereof, created specifically for the Web that were posted online in 2014. Preference will be given to nominations that make the best use of the medium, including multi-media presentations that incorporate a combination of writings, features, and/or other capabilities unique to this communication medium. Include links to the unique URLs for each work(s). Links must be active through October 31, 2015.


Questions?
Or if you would like to be on the awards ceremony invite list please email  commawards@nas.edu.

 

Winners and finalists will be announced early fall 2015.

For More Information
Visit http://www.keckfutures.org/awards/nominate.html  for a complete listing of this year's Selection Committee, information about the awards and to nominate.

Kind regards,
~Rachel Lesinski

National Academies Keck Futures Initiative

100 Academy, 2nd Floor

Irvine, CA 92617

 

To unsubscribe please send an email to commawards@nas.edu with UNSUBSCRIBE in the subject line.

 

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FIJ Application Deadline Extended to Feb. 2

Note for any of you applying for this FIJ grant

The January 15, 2015 deadline for applications has been extended to Monday, February 2, 2015 at 5pm Eastern time. The Fund for Investigative Journalism is currently accepting applications for domestic and foreign investigations.

Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the 2011/2012 Catalogue for Philanthropy: Greater Washington
@FundFIJ

Full-Time Position, Stanford Storytelling Project, Applications due Feb 1

Dream job?
+++++++++++++++++

The Stanford Storytelling Project, an arts program at Stanford University, is launching a search for a new, full-time Lecturer who would teach undergraduate courses, workshops, and help produce our radio show, State of the Human. Details about the position are below, but the basics are: an advanced academic degree, college-level teaching experience, and significant audio documentary production experience are required; start date is August 1, 2015; salary will be competitive.

If you're interested, please read the ad carefully and visit the link to the application page. More information about the Storytelling Project is at our website: storytelling.stanford.edu.

Thanks all,
Jonah Willihnganz, MFA, PhD
Director, The Stanford Storytelling Project
Stanford University
jonahw@stanford.edu

_____________________________________________________________

JOB OPENING
STANFORD UNIVERSITY

LECTURER, STANFORD STORYTELLING PROJECT
Office of the Vice Provost for Undergraduate Education (VPUE)

Stanford University is seeking a full-time Lecturer for the Stanford Storytelling Project, an arts program within the Oral Communication Program in the Office of the Vice Provost for Undergraduate Education. The initial appointment will be August 1, 2015 – July 31, 2016, with the possibility of re-appointment.

The Stanford Storytelling Project (SSP) provides students opportunities to develop skills in the narrative arts through a range of courses and projects. SSP sponsors courses, grants, events, a weekly workshop, and an award-winning radio program featuring stories produced by students. SSP explores in particular the power of performed stories, live or recorded, from myth and memoir to research-based narratives. More information is at storytelling.stanford.edu.

The SSP Lecturer will offer instruction in oral, audio, and multimedia storytelling craft in a variety of settings across the university and will support the activities and initiatives of SSP. Major duties include developing and teaching courses, designing and delivering workshops, training SSP student staff, mentoring students, and collaborating with faculty to design storytelling course components.

Requirements include:

Advanced degree (PhD preferred) in a field focused on narrative craft such as English, Creative Writing, or Documentary Studies. 3-5 years of experience teaching college-level courses in narrative craft, plus 2-3 years of experience mentoring others in creating stories for radio, podcast, or the web, and audio production. Qualified applicants must also have demonstrated knowledge of oral and audio storytelling forms, trends, and programs, understanding of up-to-date pedagogy in teaching narrative craft, and the organizational and leadership skills to help manage the production of the project’s radio show, State of the Human.

About Stanford University

Stanford University, located between San Francisco and San Jose in the heart of California’s Silicon Valley, is one of the world’s leading teaching and research universities. Since its opening in 1891, Stanford has been dedicated to finding solutions to big challenges and to preparing students for leadership in a complex world.

We offer a competitive salary and benefits package. For a more comprehensive job description and to apply, please visit: http://apply.interfolio.com/27992.

Snap Judgment wants your love story!

From Snap!

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We'll be sending out a longer list with our upcoming themes soon, but for now Snap Judgment is accepting pitches with a quick turn around time for Valentines day. If anyone has an already produced piece or a live story that might fit our general format (plot driven narrative arch, twists and turns, surprising ending) send that along too please. 

Below find some general instructions and inspiration about pitching to Snap. Please send any pitches or questions to me directly at adlerstein@snapjudgment.org.

Looking forward to reading your submissions,

Ana

Why Should I Pitch To Snap?

1) We pay well.  $95/minute for your first three stories.  $105/minute after that.  We also give everyone a $250 kill fee.   And our stories are long (see next line).

2) We give you time to tell your story.  The average Snap piece is now 8-15 minutes.  That means fewer editorial puppies being killed, and more time being spent on scoring and mixing each piece.

3) Your story stands a very good chance of making it to air very quickly.  We have programming gaps for every single upcoming theme. That means if we like your pitch, we will not put it in a maybe pile for a year.  Once it's produced (provided it's not killed), it will in all likelihood be on the air shortly.

4) You still own the story and can create your own director's cut. You can't sell something (say on PRX) that's too similar to what we did on the show, but you can always put your own version on your website or resume if you prefer.  If you make a story that's substantially different, you can sell it to anyone after we air our version.

5) You can produce cool old stories with no pegs.  See next section!

Where Can I Find Stories For Snap?

Most people think they need to "stumble upon" a small, intimate, underground story for Snap Judgment.  This is simply not true.  Great stories can come from a newsletter, periodical, magazine, press release, obscure TV program, non-fiction book or documentary. If you have found ANY story with strong narrative elements which hasn't gotten too much press in the past few years and hasn't yet been turned into a radio piece (and one of the characters turns out to be a capable talker) you should pitch us.   Anytime you come across such a story, we are potentially interested.

How Do I Know The Story Is Right For Snap

1)    Is the story not just a story, but a tale?  In other words, does it have characters with wants and needs and hopes and fears, scenes that play out in a chronological order in which said characters make important decisions and discover new things, and some kind of central tension that gets resolved in an unexpected way over the course of a narrative arc?  If so, then it’s a tale, and we’re interested. 

2)    Is the story cinematic?  In other words, will it provide us with scenes rich enough in detail that the listener can see events playing out in their mind’s eye?  Because we’re not interested in narratives in which things happen on an abstract level.   We want the listener to be transported to a specific time and place.   

3)    Is there something new about it? Every Snap Judgment story needs to have an unexpected wrinkle, a new element, that makes the listener stop what they’re doing and pay attention.  Sometimes the new thing is just the fact that you’ve discovered a great talker, but nine times out of ten it’s a unique premise or plot element. If we feel like we’ve heard this one before (maybe not this precise story, but something super similar) we’ll probably pass.    

 

How Should I Structure My Pitch?


There's actually a really simple trick to this: Don’t pitch us a public radio story. Pitch us a MOVIE.  A typical public radio pitch invariably describes what a story is broadly about, more often than not some kind of compelling concept; a movie pitch summarizes a sequence of events.  Give us the enticing premise, introduce the compelling characters, then describe the thing that sets the story in motion, the rising stakes, the unexpected development, the third act twist, and the ending that somehow feels unexpected and inevitable at the same time.  Okay, it doesn’t need all those things, but you get the idea. Anything that sounds like a movie (or a short film) will definitely get our attention.   Because that’s what we do, we make cinematic stories that just happen to be audio-based — usually from a first person perspective.  And if you can’t pitch your story as a sequence of events?  Well, then, it probably wasn’t a Snap story in the first place.

Happy New Year! Pitch to BackStory!

BackStory is now accepting pitches for the following shows (air dates in parentheses):

Advertising (1/30) — The episode will focus on how things and ideas get sold to the American public, and how that’s changed over time. We’re looking for stories about: ads in the colonial period, how the U.S. sold itself to immigrants (and internal migrants), ads geared toward women, and the social psychology of commercial advertising, to name a few.

Women in the Workplace (2/6) — This one will look at the history of American women and their relationships with work. We’re looking for stories about: women’s labor movements, how reproductive rights have affected women in their work, women’s efforts to shape and change the workplace, wage equality, and the cultural debates over what counts as “work.” Though it’s tempting, we’ll probably avoid stories about awesome ladies who are awesome just for the sake of awesomeness. BackStory is keen to have great stories with a “Big Think” component.

Middle Class (2/27) — For this show, we’ll investigate how that elusive, powerful (and uniquely American?) group, the middle class, has operated in different centuries in American history. What has it meant to be middle class? Has the term always been positive? Why do so many politicians claim to champion it? How has mass media perpetuated myths about the middle class?

Historical Fiction (TBD) — For this show, we’d be looking for stories about children’s literature, historical re-enactments, movies, TV shows, musicals, graphic novels, the importance (or unimportance) of historical accuracy in fiction, historical fictions with big impacts (Gone With the Wind?), alternative histories, and big ideas like: what are the contours of historical fiction? When is it appropriate and when has it been more than a little dangerous? And what’s the point, anyway?

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

BackStory is especially interested in stories that get out of the studio — that is, site-specific and sound-rich stories from around the country. Include what, if any, sources you would use in your story and how you would produce them. Give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. Three to 10 minutes in length is ideal.

Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within a week of receiving your pitch.

upcoming grant/fellowship deadlines from AIR

If you've been on this list for awhile you know that I'm a big fan of AIR – The Association of Independents in Radio (which is now about a lot more than just radio.) The grant/fellowship deadlines listed below come from their monthly newsletter. You need to be an AIR member to get their Full list of upcoming deadlines (login required), but they have a public wiki of awards and fellowships that's available to everyone. Check it out! -Mia

++++++++++++++

Upcoming Deadlines

NEH America's Media Makers production grants
Deadline: Jan. 14
Details: Awards that range from $100,000 to $800,000 for one- to three-year projects that "explore stories, ideas, and beliefs that deepen our understanding of our lives and our world."

Nieman Fellowship for Journalism at Harvard University
Deadline: Jan. 31
Details: A $60,000 stipend (plus tuition and fees, and housing and childcare allowances) for 12 American journalists to study tuition-free at Harvard for 10 months. Fellows and their partners have the run of Harvard, MIT, and Boston-area universities. Several specialized grants are available.

Knight-Wallace Fellowship at Michigan
Deadline: Feb. 1
Details: $70,000 stipend, plus all tuition and fees, for journalists in all disciplines, with international excursions over the 10-month, residential fellowship. Multiplatform training and a "backpack" of equipment supplied to help each fellow expand his or her craft.

Seeking Business/Industry reporters for collaboration

Hello FC community – Happy New Year! For the first post of 2015, I have a very cool opportunity from Willa Kammerer. Details below! -Mia
++++++++++++++++

I'm producing an ongoing series of videos for a NY-based startup directed at live audiences of entrepreneurs around the world. It's a project that walks the line between documentary and commercial, and that I've found quite interesting. My client is hoping to be able to scale the project quickly, and so I'm looking to develop relationships with a handful of business and industry public radio reporters (producers, non-pub radio bloggers, etc) to be involved in the capacity of Producer, which would involve story research, interviewing, and story production during pre-production, production, and post-production of these videos, working in collaboration with audio and camerapersons in the field, and a video editor during post-production. My vision (and my client's) for this is to be able to have 4 videos in production at once, so each Producer would be working on 1-2 projects at once, depending on availability, with me or another collaborator as the main point person. The point of involving you is to move forward efficiently and really establish a system for producing these, so I am hesitant to stack too much on any one Producer's plate. 
I'm looking for Producers with a good deal of business and/or industry experience and insights, who will feel comfortable interviewing CEOs, Co-Founders, and CTOs, and digging into the details. The first company we profiled is the fast-growing startup Grovo. We've been mostly focused on the tech/internet industry to start, but as my client scales the plan is to create content across a number of industries (everything from Medical Devices to Materials & Construction, etc.) so if you have niche interest in any industry, I'm interested in talking to you, too! It would be great to find collaborators for this project to work with on an ongoing basis (maybe one video a month or every other month, or more), who could also take initiative in suggesting and connecting with companies that you might have connections or prior experience with. We are seeking fresh insights from our interviewees and to share information and knowledge that doesn't often make it outside of the corner office. The videos are long form, about 20 mins each, broken into different sections, so we have a lot of space to play with. 
My client thought that business bloggers could be a good fit to be involved from a story production/interviewing standpoint because of their deep knowledge of the business landscape, but I immediately thought public radio producers might be an even better fit because of your production experience! Of course, any video experience could be valuable too, but for this it's certainly not a prerequisite

outLoud call for submissions at Youth Radio, deadline Dec 16

Please pass this along to the young people in your life. A great opportunity for LBGT youth to get involved with a fantastic program. Details below.

+++++++++++++++


outLoud Radio – now at Youth Radio – wants to hear from you!


Holiday time can be super stressful, especially if you’re young and queer. How are you feeling this time of year? Are you in contact with your family? Do you go home for holidays or get together with extended family? Are you out to them? Are you planning to come out? What do you talk about together or what conversations do you avoid? Do you invite a significant other home? What comes up for you as a young LGBTQ person during this time of year?


outLoud Radio at Youth Radio is looking for your words and comments on this topic. Write or send a video (via YouTube) and we’ll post it on our website!


Here are the details:

  • Email us (300 words or less) or send a video (2 minutes or less, published on YouTube so we can embed)

  • Include your name and age (specify if you want your name published)

  • Add a picture- maybe you with your family or another photo you’d like published with your piece (optional)

  • Express yourself honestly, but please no cuss-words, hate speech, disrespectful language or anything else that might prevent us from posting your submission

  • All submissions must be emailed to Youth Radio by Dec 16 to be considered for publication

  • Specifically looking for submissions from people under the age of 25


To submit:

Send an email to outloud@youthradio.org

Make the subject: Holiday outLoud Submission


Thanks and look forward to hearing from you!

   
outLoud Radio at Youth Radio

1701 Broadway | Oakland, CA 94612 
outloud@youthradio | P: 510-251-1101 

Call for Interns for MEGAPOLIS festival 2015, Oakland, June 5-7

Megapolis is coming to Oakland and they need help! Unpaid, but good schmoozing opportunity for newbies. Details below.

++++++++++++++
The upcoming MEGAPOLIS festival will be held in Oakland June 5-7th, 2015.
We will be needing an intern or two to help with the organizational efforts as things start ramping up to the new year.

The internship is unpaid or can apply for college credits. Several Radiotopia producers are involved with the festival along with many fantastic artists and media people. The internship will appeal to any one who is interested in media+arts+technology+audio related things.

Here's the ad –

+ + + +

MEGAPOLIS Audio Art Festival is Looking for Dedicated Individuals Like You
The 4th Megapolis Audio Festival, a weekend-long series of events dedicated to the art of sound, is coming to various venues in Oakland on June 5-7th, 2015. And we need your help! We facilitate workshops, produce stage performances, run tours, set up and tear down installations, and do all sorts of fun stuff.  We attract all sorts of artists working with sound including documentarians, technologists, musicians, educators, urban planners, scientists, radio producers, and fans who want to meet other crazy people making crazy things. And we would like you to be a part of it.
We could use some dedicated interns to do specific tasks in the coming months. We need your help with everything from cataloging artist proposals to updating social media accounts to making buttons for festival attendees. Or just helping during the festival itself. The main qualities we look for are reliability and good energy. 
The internship is alas unpaid (or can be worth college credits), however you will have full access to all festival events, be around some incredibly creative arts/media/tech people, and make contacts. If you have an interest in working with us on something great, please email us at volunteer@megapolisfestival.org with a short bio, your availability, and your skills and interests. Get in touch!
– Team MEGAPOLIS 

+ + + + 

Bay Area Freelance Cafe meet up, 12/18, 6:30pm, Oakland

Hey Bay Area folks! The next FC West gathering is coming up on Dec 18, 6:30pm in Oakland, hosted by FC original member Andrew Stelzer. 

And in case you didn't know, the FC West crew has their own google group. Check them out for more site-specific resources and merry making/networking. 
Cheers!
-mia

++++++++++++

Andrew Stelzer so generously offered his home for this month's event. His place is very convenient to Ashby Bart, and he's got capacity to play audio and show slides! Come along on Thursday the 18th and bring some food, drink and/or work to share. 
Andrew's address is 6525 Shattuck Avenue, Oakland 94609 and there's no doorbell so text or call him, (646) 341-1554 or me (207) 807-6152 when you get there. 

Here's the FB event page, can't wait to see ya'll there!

Ana


freelancecafe.org
facebook.com/freelancecafe
@freelancecafe

Call For Submissions! 2015 In The Dark Audio Award @ Sheffield Doc/Fest, deadline Feb 2

From the folks at In the Dark, deadline Feb 2.

The In The Dark Award is Back!
View this email in your browser

In The Dark Audio Award 2015

Call For Submissions!
Deadline: 2nd February 2015

The In The Dark Audio Award is back! For the second year running, In The Dark is joining forces with Sheffield Doc/Fest, the UK’s leading documentary organisation and festival, to present an award specifically devoted to audio documentaries from around the world.

The In The Dark Audio Award highlights a new wave of global creativity and innovation in audio storytelling.

The Prize

The winner will be announced as part of Sheffield Doc/Fest’s official awards ceremony, and will receive a prize of £1,000.

All shortlisted finalists will also be included in the festival’s official screening selection.

In The Dark will also be teaming up again with The Guardian to run a series of podcasts featuring some of our favorite work from the submissions.

The Judges

The winner will be chosen by a panel of international radio documentary and podcast makers:

Sherre DeLys (Producer, ABC, Australia)

Martina Castro (Co-founder, Radio Ambulante, Latin America & USA)

Boz Temple-Morris (Founder/Producer, Holy Mountain, UK)

and will be chaired by Nina Garthwaite (Director, In The Dark, UK).

Read more about our judges here >>

 

We’re accepting submissions of international audio docs completed between 1st January 2014 and 2nd February 2015. Non-English language content welcome!

Click here to find out more! >>

Facebook
Twitter
Copyright © 2014 In The Dark, All rights reserved.

Full-Time Lecturer Position, Stanford Storytelling Project 2015

Not freelance, but a great opportunity for you educators.

+++++++++++++++++++

The Stanford Storytelling Project, an arts program at Stanford University, is launching a search for a new, full-time Lecturer who would teach undergraduate courses, workshops, and help produce our radio show, State of the Human. Details about the position are below, but the basics are: an advanced academic degree, college-level teaching experience, and significant audio documentary production experience are required; start date is August 1, 2015; salary will be competitive.

If you're interested, please read the ad carefully and visit the link to the application page. More information about the Storytelling Project is at our website: storytelling.stanford.edu.

Thanks all,
Jonah Willihnganz, MFA, PhD
Director, The Stanford Storytelling Project
Stanford University
jonahw@stanford.edu

_____________________________________________________________

JOB OPENING
STANFORD UNIVERSITY

LECTURER, STANFORD STORYTELLING PROJECT
Office of the Vice Provost for Undergraduate Education (VPUE)

Stanford University is seeking a full-time Lecturer for the Stanford Storytelling Project, an arts program within the Oral Communication Program in the Office of the Vice Provost for Undergraduate Education. The initial appointment will be August 1, 2015 – July 31, 2016, with the possibility of re-appointment.

The Stanford Storytelling Project (SSP) provides students opportunities to develop skills in the narrative arts through a range of courses and projects. SSP sponsors courses, grants, events, a weekly workshop, and an award-winning radio program featuring stories produced by students. SSP explores in particular the power of performed stories, live or recorded, from myth and memoir to research-based narratives. More information is at storytelling.stanford.edu.

The SSP Lecturer will offer instruction in oral, audio, and multimedia storytelling craft in a variety of settings across the university and will support the activities and initiatives of SSP. Major duties include developing and teaching courses, designing and delivering workshops, training SSP student staff, mentoring students, and collaborating with faculty to design storytelling course components.

Requirements include:

Advanced degree (PhD preferred) in a field focused on narrative craft such as English, Creative Writing, or Documentary Studies. 3-5 years of experience teaching college-level courses in narrative craft, plus 2-3 years of experience mentoring others in creating stories for radio, podcast, or the web, and audio production. Qualified applicants must also have demonstrated knowledge of oral and audio storytelling forms, trends, and programs, understanding of up-to-date pedagogy in teaching narrative craft, and the organizational and leadership skills to help manage the production of the project’s radio show, State of the Human.

About Stanford University

Stanford University, located between San Francisco and San Jose in the heart of California’s Silicon Valley, is one of the world’s leading teaching and research universities. Since its opening in 1891, Stanford has been dedicated to finding solutions to big challenges and to preparing students for leadership in a complex world.

We offer a competitive salary and benefits package. For a more comprehensive job description and to apply, please visit: http://apply.interfolio.com/27992.

NEPR is looking for a Berkshire Freelance Reporter

Any of you in the Western Mass/Berkshires area? (Near me!) Their public radio station is looking for freelancers. Details here and below.

Berkshire County Freelance Reporter

New England Public Radio (WFCR and WNNZ) seeks freelance reporters interested in covering Berkshire County. Ideal candidates have at least 2 years of broadcast journalism experience, familiarity with the public radio system, and access to a car. New England Public Radio pays freelancers a competitive hourly or per-piece rate. Send resumes and links to clips to News Director Sam Hudzik, shudzik@nepr.net.

New Gear Rental Company in NYC

Great new equipment rental resource in NYC. Check 'em out. (They have audio packages too.)

+++++++++++++++

Presenting 16by40.com
 

Cinema rentals simplified. We've made the process of rentals in New York easier (and cheaper!); 16by40 allows you to place your order online and even schedule the equipment's delivery to your office or shooting location. 

From a basic Chrosziel follow focus to a production ready Ikonoskop package, we are filling out our catalogue and continuously adding new products. 

Take a peak and tell us what you think, we'd love to hear from you! 

– Michael and Elisa
 
1-844-SHOOT-16  // help@16by40.com

Call for Submissions (( RADIO CAMPFIRE )) Ann Arbor / Detroit, deadline Dec 31

Many of you know I don't often post opportunities for no money, but I believe so strongly in the power of these listening/social groups for support, networking, and collaboration. This one is in Michigan and sounds super fun. -Mia

++++++++++++++

Radio Campfire is a new event series for creative audio stories. We gather round to listen, imagine and enjoy an evening of memorable radio documentaries, soundscapes and experimental sonic shorts.

Think relaxed, magical and intimate, like the campfire (minus the burnt marshmallows.)
 
We are now accepting submissions for our inaugural event, on January 16th at Literati Bookstore in downtown Ann Arbor. The theme is 'Name Game': audio works about names, introductions and icebreakers.
 
What we're looking for:
~ 3-10 minute pieces you might have related to our theme. (Surprise us!)
~ 1 minute audio super-shorts related to the theme. (A good excuse to get into the audio sandbox & make something new!)
 
Deadline: 11:59 pm on December 31, 2014
 
How to Submit: Send an mp3 to radiocampfire.submissions@gmail.com with your name, phone number, and a 1-3 sentence description about the piece. We will contact you by January 9th to let you know whether your work has been selected.
 
Radio Campfire is a labor of audio love. We can't compensate you financially, but selected works will be promoted through our press, social media outlets, and included on our online program archive.
 
Questions? Send an email to srowden@umich.edu
 
Radio Campfire is curated and hosted by a small group of radio producers and audio artists in Southeast Michigan. Radio Campfire Counselors include Renee Gross, Juliet Hinely, Kyle Norris, Stephanie Rowden, and Zak Rosen.


We’ll be alternating venues in Detroit and Ann Arbor, with events free and open to the public.
 
Hope to see you ’round the campfire.

NPR’s Tiny Desk Contest, deadline Jan 19

I know many of you public media folks are also super-talented musicians – so this is for you! I love this series. It'd be so cool to be a part of it. 

http://tinydeskcontest.npr.org/

Record one original song (no covers) the way you'd perform a Tiny Desk Concert – at a desk (any desk!), perhaps in an office, maybe in front of an audience. Post your video to YouTube and fill out the form below. Check our Official Rules for all the requirements.

We'll choose a winner to be flown to Washington, D.C., to perform behind Bob Boilen’s desk as part of the Tiny Desk Concert series for NPR Music. Winner will also play the Lagunitas "CouchTrippin' to Austin" showcase in March. Enter by January 19, 2015, to be considered to win.

Radio Ambulante Call for Pitches

The fantastic Radio Ambulante is looking for stories. Details HERE and below. They'll also be hosting a Google Hangout to talk about their production process, the kinds of stories they're looking for, etc., this Thursday, December 4 at 9am PST/noon EST. The conversation will be in Spanish, and they'll be taking questions. Here's the link if you want to join. Spread the word to your producer friends in Latin America!

+++++++++++++++++

Radio Ambulante is looking for stories! The call for pitches will be open from December 1 until January 15.

We are looking for stories from anywhere Spanish is spoken but we’re particularly interested in stories from countries we haven’t covered before, including Bolivia, Nicaragua, Guatemala, Costa Rica, Paraguay, El Salvador, and Ecuador. If you have a great story from Brazil that can be told in Spanish, we’re definitely interested.

The process is as follows:

We’ll read every pitch, and if we’re interested we’ll be in touch with further questions. When writing us, make sure you tell us in detail what the story is about, who the main characters are, what the arc of the story is.

Keep in mind we’re interested in well-developed stories, not general themes. The more specific you are, the more likely we are to accept your proposal. Something has to happen in your story. If nothing happens, then it isn’t right for us. Details are good for us when pitching a story… Imagine that you are telling this story to your friends: any dramatic thing or funny or interesting you have to include, because you want to entertain them… We want to know that you understand what makes the story a good one, so use all the dramatic elements in your pitch that you are thinking in using in the story.

If you’ve already done the interviews and have tape ready, choose a few short clips and attach those as well. Tell us who you are, your experience in journalism, and what kind of recording equipment you’re using.

We ask that all our audio to be recorded in .wav, .pcm or .aiff, at 44.1 khz with 16-bit sampling.

To further explain the process of pitching a story for us we are having a Google Hangout on Thursday, December 4, 12:00 EST.

Send your pitch to cronicas@radioambulante.org

Thanks!

Radio Ambulante

BackStory Looking for Pitches

Just in time for the holiday season – BackStory wants your shopping stories. Details below. -Mia
+++++++++++++++++

BackStory is looking for stories for an upcoming episode about the history of SHOPPING in America. The episode focuses on consumerism — not so much on marketing or advertising. We’re looking for stories about: the history of shopping practices, peddling, historical stories from behind the sales counter, stories about historical shopaholics, and especially stories and ideas from the early days of the republic. Also, you might suggest something about how shopping has been depicted in movies or literature.

Here’s a link to the pitch page of our web site, for info about what makes a good BackStory pitch: http://backstoryradio.org/producers/

The more concise your pitch, the better. Include what, if any, sources you would use in your story and how you would produce them. Also give us an idea about what you imagine your piece would sound like (field tape, scoring, effects, readings, etc.). We’re open to non-narrated features, written essays, and reported pieces. In general, pieces run from three to ten minutes in length. Email Associate Producer Kelly Jones at <khjones at virginia dot edu>, with “PITCH:” in your subject line. We’ll do our best to be in touch with you within two weeks of receiving your pitch.

Cheers!

Kelly Jones
Associate Producer, BackStory
Virginia Foundation for the Humanities
(w) 434-243-2188
(c) 703-407-9131

Upcoming event at the UCB J-School on long-form narrative writing, Dec 3, 4pm

Event on long-form narrative writing at the UCB j-school. Dec 3, 4pm. Details below.

++++++++++++++++

How to Report, Pitch & Think About Longform Narrative Stories with Paul Tough, contributing writer and former editor for The New York Times Magazine, Davia Nelson of the Kitchen Sisters, producers of award winning radio including the NPR series Hidden Kitchens, professor Michael Pollan, the 2014 fellows from the new UC Berkeley-11th Hour Food and Farming Journalism Fellowship and fellowship managing editor Malia Wollan.

When: Wednesday, December 3,  4:00 p.m.

Where: North Gate Hall Library

Join us to hear the perspective of editors and freelancers on pitching and being pitched, writing and editing, and selling and shaping long-form stories. Ask questions. Learn about the new $10,000 fellowships for reporting on food, agriculture, health and food science. Drink beer, wine, and other refreshments.


Julie Hirano
Assistant to the Dean and Events Coordinator
121 North Gate Hall | Berkeley, CA 94720-5860 

$70K Knight-Wallace Fellowship now accepting applications, deadline Feb 1

The Knight-Wallace Fellowship at the University of Michigan is now accepting applications. [$70K for the year!] Details HERE and below. Deadline Feb 1. -Mia

About

A Knight-Wallace Fellowship is the rarest of opportunities: an academic year of study, reflection and growth at one of the world’s finest universities, nestled in one of the nation’s most livable cities. It is a time of expanding perspectives, intellectual growth and personal transformation.

Each year, the fellowship brings together exceptional journalists from the U.S. and abroad to share this life-changing experience. Our fellows devise a personalized study plan with access to the courses and resources of the University of Michigan. Twice-weekly seminars bring the best from the worlds of journalism and academia directly to you.

Extensive travel is a core component of the Knight-Wallace experience. We place equal emphasis on broadening horizons outside the classroom with news tours to Argentina, Brazil and Turkey and a family trip to Northern Michigan. Where else will you go from pressing fresh apple cider in the crisp air of a Northern Michigan fall to galloping on a horse through the brush on the Argentine Pampas to learning Brazilian dance at an escola de samba?

Stipends and Family Life includes $70,000 for U.S. fellows (stipends for international fellows vary) and opportunities for our fellow’s partners, spouses and children. The intellectual resources of the university as well as the program’s activities are open to spouses and partners. Children are invited to many after-hour events at Wallace House.

Criteria for selection are simple. We seek the best and brightest in journalism today, mid-career professionals with at least five years of professional experience and solid track records, great future promise and, above all, demonstrated leadership in some aspect of journalism.

A typical Knight-Wallace Fellowship class comprises 12 U.S. journalists and six international colleagues.

To Get Started with the Application

Go to application information for U.S. applicants.
Go to application information for international applicants.

Investigative Reporting Grants from the FIJ, deadline Jan 15

The Fund for Investigative Journalism is offering ~$5K grants to indie reporters for domestic and overseas investigations. Deadline Jan 15. -Mia

+++++++++++++++++

(Washington)


The Fund for Investigative Journalism (FIJ) is calling for applications for grants to support independent investigative reporting. 


The typical grant is $5,000. Qualified grant expenses include out-of-pocket costs such as travel, document production and equipment rental. Small stipends may be considered as a part of the grant.


The next deadline for applications is Thursday, January 15, 2015 – 5pm Washington DC time (EST).


FIJ is currently accepting proposals for domestic and overseas investigations.


Visit the FIJ website for detailed instructions and on-line application form: http://fij.org/grant-application/. FIJ welcomes calls and emails with questions about the application process. Email fundfij@gmail.com or call 202-662-7564.


Sandy Bergo
Executive Director
Fund for Investigative Journalism
529 14th Street NW – 13th floor
Washington DC 20045
Selected for the 2011/2012 Catalogue for Philanthropy: Greater Washington
@FundFIJ

Youth Radio hiring part-time Journalism Instructor

Youth Radio is hiring! Part-time teaching goes well with public media freelancing. (I speak from experience.) Contact is elena@youthradio.org. No calls. Position is open until filled. -mia

++++++++++++++++

Youth Radio is hiring a part-time journalism instructor. 
This is an exciting opportunity to work with high-school aged young people, and join the Media Education teaching-team at Youth Radio. 
The job description is attached. Please spread to your networks and encourage folks to apply ASAP!
Best,
Elena


 Elena Botkin-Levy
 | Media Education Coordinator/ Journalism Instructor
Youth Radio | 1701 Broadway | Oakland, CA 94612 
elena@youthradio.org | P: 510-251-1101 ext. 321
   

doc icon Journalism-PT-Instructor-JD.docx

Oral History Winter School, begins Jan 3

Join this amazing team of oral historians for a series of workshops in Upstate NY. Details HERE and below.

++++++++++++++++++

Oral History Winter School starts January 3, in Hudson, New York, just a short, wintry train ride from nyc.

We're offering two workshops, Shaking the Family Tree and Oral History & Radio Doc. Start 2015 immersed in audio, collecting your family history or making a radio doc. Think: summer camp — with audio and snow.

An early bird discount is available for one more day.
Questions? info@oralhistorysummerschool.com

Yours,
Suzanne Snider
Founder/Director, Oral History Summer School


pdf icon ORAL-HISTORY-WINTER-SCHOOL_RADIO_FAMILY_ANNOUNCE_SUN_LINKS.pdf

Life of the Law is accepting story pitches for their new season, deadline Dec 5

Life of the Law wants your stories. Pitch deadline Dec 5. Contact info below.

+++++++++++++++++

Life of the Law is looking for producers and investigative reporters with compelling human stories to tell about the law for our next season, April through July 2015.

Possible themes: food, immigration, social contracts, technology, morality, religion, theater, peer pressure, mistakes and rules.

We provide great editors, producers, and support, and pay $800-1000 when the story has published.

Life of the Law is distributed by American Public Media's Infinite Guest network of podcasts and PRX Public Radio Exchange, and is heard on public radio stations throughout the US.

The best way to know what we're looking for in a pitch is to listen to our podcasts. Please send your pitch by 12/5 to connect@lifeofthelaw.org. And thank you.

Nancy Mullane
Executive Producer

2015 California Health Journalism Fellowship, deadline Dec 1

The deadline is approaching for for the 2015 California Health Journalism Fellowship, March 1-5 in Los Angeles. Details HERE and below. Deadlines Dec 1. -Mia

+++++++++++++++++++

Apply now for the all-expenses-paid 2015 California Health Journalism Fellowship and spend five days in Los Angeles March 1-5, 2015 learning about how Obamacare is — and isn't — working for Californians and what other factors, besides health care access, contribute to good health.  
Who Can Apply: 

The program is open to all journalists interested in health reporting, not just those on the health beat. We invite participation from print, broadcast and multimedia journalists working for or contributing to mainstream and ethnic media outlets in California. 

Program Description: 

Taught by prize-winning journalists, community health leaders, policy analysts and health care experts, the 2015 California Health Journalism Fellowship will focus on two broad themes:

— how neighborhood life, social inequities, race, education and the environment influence health, and

— the promise of health reform and health system innovation.

This year, for the first time, we are pleased to be able to provide a $1,000 reporting stipend to participating journalists to help pay some of the costs associated with ambitious reporting projects.

The Fellowship will begin with a reception and keynote dinner on Sunday evening and end midday on the following Thursday. During five days of field trips, workshops and seminars, fellows learn about new data sources, hear about effective community engagement strategies and gain new perspectives on pressing health issues. They return home with great sources and new ideas for how to tell complex health stories.  A midweek Fellowship project workshop benefits from the participation of Fellows’ assigning editors or producers, whom we bring to Los Angeles at our expense.

During the Fellowship week, Fellows get plenty of time to discuss with experts, and with each other, strategies for covering health news with authority and sophistication. In the six months after the seminars end, Fellows confer by phone and e-mail with veteran journalists who guide them through work on major Fellowship projects.

What Past Fellows Say about the Fellowship

Fellows from the 2014 California Fellowship described it as a “boot camp for health journalism” and “a career-changing event.”

TAL is hiring a producer in NYC, application deadline Nov 21

OK – this is not a freelance gig. But if you’re a radio nerd like me, this is big news, and a big opportunity. More info here and below. Application deadline Nov 21 (soon!). Good luck.  -Mia

++++++++++++++++++++++

The public radio program This American Life is looking for an experienced and inventive radio producer, someone with strong reporting skills.

What makes This American Life different from most broadcast journalism is that it’s a home for narrative reporting, meaning its stories are organized around plot. They have strong central characters, surprising twists, funny moments, emotional arcs and original ideas. Narratives on the show take many forms: interviews, personal essays, investigative reporting, comedy, fiction and audio diaries. The voice and approach of the show are distinctive enough that the American Journalism Review declared it’s “in the vanguard of a journalistic revolution.”

It’s also hugely popular, the most popular documentary radio program in America, heard by 2.2 million listeners each week on over 500 public radio stations in the U.S., plus Canada, Australia, Ireland and Germany. It’s also the number one podcast on iTunes most weeks, with more than a million downloads per episode.

Our staff producers create the stories on the show. Some they commission. Some they report themselves. Some they produce with contributors or the show’s host doing the reporting. These stories include small personal stories and reporting that takes on bigger national and international issues. Producers oversee tape gathering, edit audio, structure and write stories. They direct talent in the studio and do the final digital audio mixes that end up on the air, including scoring the stories with music. Producers take on occasional special projects: interactive web features, videos, print pieces, live performances. They generate ideas for stories and for full episodes. They design and produce entire episodes. An important part of the job is editing: listening to drafts of other producers’ stories and giving notes. The culture of our production team is very collaborative.
Qualifications:

  • We will only consider candidates who have demonstrated experience doing journalism like the stories on our show. This means narrative journalism, stories that unfold with a plot and emotion and humor, with relatable, surprising, three-dimensional characters
  • At least three to five years producing radio, preferably for a nationally-distributed show. We’ll consider comparable film or TV documentary experience only if it involves crafting stories in a style similar to those on our show
  • Digital audio editing and mixing skills are essential
  • Ability to think about big picture approaches to covering issues and ideas, while also executing the many small details and tasks involved in producing a weekly show
  • A proven ability to meet deadlines and balance multiple duties at the same time
  • Ability to collaborate. Must work well with others
  • Knowledge of public radio and podcasts is a plus

This position is based at the This American Life office in New York City. Please include online links to your work (You Tube, Soundcloud, Portfolio sites, etc) in your cover letter. CD’s or MP3’s will not be accepted.

This American Life is produced by Chicago Public Media.

Chicago Public Media is an Equal Opportunity/Affirmative Action Employer that seeks diversity in the workplace.

 

Application deadline is Friday, November 21, 2014.

[news] FC email subscriptions are moving to MailChimp

Hey folks. This move is long overdue and since I'm a one-woman-show over here, I expect there to be a few bumps before I get it all sorted out. If you have any trouble with your subscription or things look weird, please let me know! You can reach me at mia [at] freelancecafe [dot] org. I'm also going to send out some test emails, so you might get a couple dupes today. As always, I welcome any and all feedback.
Cheers,
Mia
(note to self: sent via postie)

FC email subscriptions are moving to MailChimp

Hey folks. This move is long overdue and since I’m a one-woman show over here, I expect there to be a few bumps before I get it all sorted out. If you have any trouble with your subscription or things look weird, please let me know! You can reach me at mia [at] freelancecafe [dot] org. I’m also going to send out some test emails, so you might get a couple dupes today. As always, I welcome any and all feedback.
Cheers,
Mia

Radiolab Call for Stories

Happy Friday freelancers. Here's a call for pitches from Radiolab. Woot!

++++++++++++++++

Hey folks,

Jad here. Just want to let you guys know that Radiolab will be commissioning a lot of stories in the next year. So if you’ve got a great one, we’d like to hear it. No matter the topic.

We’re looking for stories. Not topics, not ideas, not scientific findings. We want a character who goes through a series of events that create emotional ups and down and transform them in some way. A couple things we think about when it comes to story hunting (and probably none of this will surprise you):

• It needs to be surprising. Really surprising. The story or the way you tell it or the thought at the end needs to feel like something we haven’t heard before.

• It should hopefully play out an idea, lend insight into some problem, or just raise a question.

• It should strike a balance between big thoughts and real human consequence. Or it should just be over-top joyful.

• It should ideally have an element of the universal that reflects on all of us in some way.

• You should have access to the voices that can tell it well. Show us that you can get inside the experience of the story.

You can throw anything at us, but in case it helps, here are some things we've been thinking about lately

Empathy…can it be engineered?
Punishment…can it be avoided?
Football…can it be less-violent or will that make it suck?
Courtrooms…just courtrooms.

And here are some open-ended phrases or words that we’re hoping might gather a crowd

born pregnant
fluke
memory hole
portals

We just like those words.

If any of this sparks a story idea please write us a few paragraphs and send it to radiolabpitches@gmail.com. Please put PITCH in the subject line. If we’re interested we’ll discuss it internally at a Friday pitch meeting and let you know within a month if we’d like to take next steps. If we’re not interested, we’ll let you know that too.

Thanks.

Transom Story Workshop Spring 2015, deadline Jan 3

Meeting so many amazing producers at Third Coast who got their start at Transom. There is no better place to learn the art of audio production. Deadline Jan 3.

++++++++++++++

Transom Story Workshop Spring 2015: Applications Open *

Applications for the Spring 2015 Transom Story Workshop are now available. The Workshop will take place from March 30th – May 21st here in Woods Hole, MA. Lead radio instructor Rob Rosenthal will run the 8-week program for nine beginning producers. Special guests will include NPR's Deborah Amos and This American Life's Ira Glass. Applications due January 3rd by midnight EST. For more information including links to our Workshop FAQ and the application itself, go here:
http://transom.org/workshops/about/story-workshop/

Managing Editor Position at The Stanford Storytelling Project

This appears to be full time, not freelance, but I love the Stanford Storytelling Project and thought this could be a great opportunity for one of you. Details and contact info below. -mia

+++++++++++++++++++++

The Stanford Storytelling Project at Stanford University is looking for an energetic, experienced radio producer in the San Francisco Bay Area to act as Managing Editor of its award-winning radio show *State of the Human* and student documentary projects. The primary duties of this academic-year, half-time position are:

• conceptualizing and developing themed, hour-long shows with other staff (some student, some part-time professional)
• identifying, soliciting, and developing stories
• managing assignments and production cycle of shows in development
• editing pitches, scripts, and audio drafts of stories
• overseeing production meetings and show team meetings
• training staff and contributors in interviewing, scripting, and audio editing
• mentoring grant recipients and other students making documentaries

Experience teaching or mentoring students is highly desired. For information about the Storytelling Project and *State of the Human*, please visit storytelling.stanford.edu. Pay will aim to be competitive in the field and commensurate with experience. If you are interested, please send a resume and short statement of interest and qualifications to Jonah Willihnganz at jonahw@stanford.edu.

Jonah Willihnganz
Director, The Stanford Storytelling Project
Bruce Braden Lecturer of Narrative Studies
Stanford University

Latino USA Call for Pitches

Call for pitches from Latino USA. Go for it!

+++++++++++++++

Below is a list of themes for Latino USA programs coming up in the next few months.

We hope they inspire some creative pitches! Story ideas unrelated to these themes are also welcome.

Please send your ideas directly to pitches@futuromediagroup.org, with details about the story arc, characters, scenes and sounds you envision for your piece. Features generally run from 4-6 minutes long and pay $125 per minute.

Pitch meetings take place on Friday afternoons, and we try to get back to reporters early the following week.

Thanks,

Leda

 

Leda Hartman

Editor, NPR’s Latino USA

919-542-0008

ledahart@mindspring.com

www.latinousa.org

 

GIVE AND TAKE: Stories about gain and loss. They can be personal or not.

 

HOME: Finding home in unusual places. And just what makes home home?

 

TABOO: Crossing lines, saying things you wouldn’t ordinarily say, talking about things people hesitate to talk about.

 

QUALITY CONTROL: How do we evaluate whether something succeeds or fails? Stories can be related to tech or health, but don’t have to be.

 

LATINO ICONS: Sample stories in the pipeline include a musical about baseball great Roberto Clemente, and a California taco restaurant where Mexican-American leaders organized against discrimination.

 

PUERTO RICAN REMIX: All things Borinqueno.

 

AFRO-LATINO: History, music, culture, current issues and events.

 

NERDS: Stories about geeking out, tech, learning more, being a passionate devotee.

 

LATINO HISTORY OF HIP-HOP

 

ON THE GO: Stories about transportation, being mobile, moving, changing, adapting.

 

HACKING: Not just tech, but using shortcuts and work-arounds, and coping generally.

Kitchen Sisters Interviewing & Recording Workshop Comes to KCRW in LA, Friday, November 21

Hey LA folks – my favorite women of radio are bringing their sound workshop to KCRW – Friday, Nov 21, 10am-1pm. Don't miss it! Details below. -Mia
++++++++++++++++++

Dear Friends,

KCRW's Independent Producer Project is bringing The Kitchen Sisters sound, interviewing and recording workshop to KCRW in Santa Monica. Friday morning, November 21 from 10-1:00. This three-hour session is designed for people who want to acquire and hone their skills for an array of audio and media projects: radio, online, podcasts, storytelling, oral histories, audio slideshows, family histories, news, investigative reporting, documentaries and other multimedia platforms.

The workshop will cover interviewing approaches, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, what equipment to use and what to pack in your kit, how to build a story, and how to listen.

The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, blogs, journalism, photography, oral history, historical societies, music, writing, libraries, archives, web design, detective agencies, farms, universities, restaurants, health care organizations, theaters, electrician's unions and beyond. The groups are always lively and good contacts are made.

Of course, snacks will be served.

The workshop will be held at KCRW / 1900 Pico Blvd, Santa Monica, CA 90405.

Fee: $135.00. Register at http://www.brownpapertickets.com/event/898133.

Questions? Email us at kitchen@kitchensisters.org. And please pass this announcement along to your community.

Expand your skills, meet new people, support KCRW and the work of The Kitchen Sisters.

See you at the station,

Davia & Nikki

call for pitches from Making Contact, October 2014

Call for pitches from the fine (award-winning!) folks at Making Contact. Details and submissions guidelines below.
++++++++++++++++++++

Dear Freelancers,

We’re looking for pitches from freelancers on several themes. If you feel
you have a story that fits or a new idea, please let us know!

We’re also always interested in pitches on any of our regular beats:
prisons, poverty, corporations’ undue influence, reproductive health,
climate change and the environment.

Guns

We're looking for stories that bring new perspectives on guns and gun
violence. These could be personal stories, for example, you could focus on
an ex-NRA member who now opposes guns, or a 60s radical who still advocates
their use. They could also be more investigative/ explanatory pieces.
Perhaps a look at ALEC involvement in crafting gun policies or a look at
the international arms trade. We'd also welcome other pitches related to
guns, maybe the economics of gun manufacturing or creative community
responses to gun violence.

Coffee Shop Workers

Starbucks workers are in the news for attempting to form their own union.
We’re looking for a report on how workers in coffee shops are organizing
for wage increases or better working conditions.

The state of long-term caregiving

By 2030 the number of senior citizens is expected to double to 72.1 million
<http://www.agingstats.gov/main_site/data/2012_documents/docs/entirechartbook.pdf>. 

As more seniors move into older age brackets the demand for a younger
generation of workers and family members to help with day to day life will
grow. We’re looking for stories that have a fresh perspective on providing
long-term caregiving to seniors and disabled people. Stories that explore
the quality of care, conditions in the workplace, the effect on care
recipients and givers, and the availability of supportive services in a
community or lack thereof. What are the race/class/gender dimensions of
people in this workforce?  We’d also be interested in stories from the
perspective of elders who are inventing new senior care arrangements based
on communal models and multigenerational living arrangements.

Five Years after Deepwater Horizon

Considered the worst in U.S. history, back in 2010 oil spilled into the
Gulf of Mexico for 87 days. 5 years later, what are the effects of the
estimated 176 million gallons of oil that spewed into the Gulf? Has BP
really taken responsibility, and what has happened since? We are also
interested in stories about BP in other parts of the world. What is this
company’s global environmental legacy? Where are other communities battling
this particular oil giant? How has BP worked to regain their public
reputation since 2010 (this might be a story about their PR effort)

Specifications

Making Contact is an award-winning
<http://www.radioproject.org/aboutus/honors-and-awards/>, 29-minute weekly
magazine/documentary-style public affairs program heard on 140 radio
stations in the USA, Canada, South Africa, and Australia.  Amplifying
voices and perspectives rarely heard in mainstream media, Making Contact
focuses on the human realities of politics and the connections between
local and global events, emphasizing positive and creative ways to solve
problems.

This call for pitches is for segments of about 8 minutes (unless otherwise
noted), and we pay $450 per story of this length. but we also occasionally
take longer pieces (12 or 26 minutes).

As with any pitches you send us, please check out our show and read our
guidelines before you pitch.

http://www.radioproject.org/production/submission-guidelines/

Consider the following. Does the story:

   – Link grassroots issues and human realities to national or international
   trends?
   – Give listeners a historical, political, or social context of major
   national and international events?
   – Shed light on social and economic inequities?
   – Explore any alternatives or solutions?

Send pitches to pitches@radioproject.org. Please be detailed but succinct,
and include a description of your idea, narrative/story arc, interview
subjects, scenes, and sounds/ambi. If you’re pitching to us for the first
time, please include a brief bio and relevant audio clips.

We look forward to hearing from you!

Laura Flynn, Jasmin Lopez, Andrew Stelzer & George Lavender

Making Contact producers

Call for Submissions I.F. Stone Award for Emerging Journalists, deadline Nov 24

Attention teachers and students. Help spread the word about the I.F. Stone Award from The Investigative Fund supporting original investigative reporting by emerging journalists. Deadline Nov 24. Details below. -Mia

The next deadline for the I.F. Stone Award for emerging journalists, offered by The Investigative Fund at The Nation Institute, is November 24, 2014 at 5 p.m. Eastern. The award was created to support original investigative reporting by emerging journalists, such as journalism graduate students, recent graduates, and journalism interns.
 
We ask that you please post and circulate the attached call for submissions and encourage promising candidates to apply. The award will support the projects of one to two prize-winners and is meant to support stories that will appear in U.S. media outlets.
 
Winners of the prize will be selected by the editors of The Investigative Fund and announced in January. The emerging journalists with winning proposals will receive between $2,000 and $10,000, depending upon the applicants' budget request and the stories' reporting requirements. In addition, the winners will receive editorial guidance from Investigative Fund editors; access as needed to Nexis, Accurint, PACER, and libel review; and placement assistance in a print, broadcast, or online outlet. Thanks to generous support from Investigative Reporters & Editors, winners will also be able to attend, at no cost, the next IRE conference in Philadelphia in June 2015.
 
The Investigative Fund at The Nation Institute is dedicated to improving the scope and quality of investigative reporting by incubating important investigative stories with the potential for social impact. By providing reporters with editorial guidance, institutional support, and financial support, The Investigative Fund has produced stories that have sparked federal indictments, lawsuits, Congressional investigations, legislation, and the resignation of public officials. Our investigations have appeared in a wide array of outlets, including NPR and PBS as well as The NationHarper’sThe New York Times, The New York Review of BooksMother Jones, Newsweek, Time, Glamour, and GQ. Our stories have also won some of journalism’s top awards, including the Polk, the National Magazine Award, and the Hillman Prize.
 
The I.F. Stone Award honors Stone’s legacy of tireless investigations into issues of vital national interest. As Washington editor of The Nation and founder of the legendary I.F. Stone’s Weekly, Stone combined his investigative zeal with a passionate commitment to exposing injustice. In 1943, after publishing an exposé revealing the questions used by the FBI to identify “subversives” among government workers ("Does he mix with Negroes? Does he… have too many Jewish friends?”), Stone became a target of FBI surveillance. His weekly publication became known for offering up content that other media outlets ignored—such as obscure but revealing testimony at Congressional hearings—and for unsanitized coverage of the Vietnam War.
 
Please feel free to get in touch with me if you have any questions about this award or our broader work.
Sarah Blustain

  

Sarah Blustain
Deputy Editor, The Investigative Fund
The Nation Institute

doc icon IFStone-Submission-Guidelines.docx

WNYC’s Death, Sex, and Money seeks spring intern

I don't often post internships, but I love this show. Get in on the ground floor of a fab new program. No deadline listed.


https://hire.jobvite.com/Jobvite/jobvite.aspx?b=nAQWLow0

Death, Sex & Money Internship – Spring 2015
New York, NY

NYPR seeks a  highly motivated intern for “Death, Sex & Money,” the bi-weekly podcast about the things we think about a lot and need to talk about more, hosted by Anna Sale and produced by WNYC. 

The intern will work with the entire DSM staff to learn how to create content for the podcast and the website. The successful candidate will be passionate, curious and informed about a wide range of topics.

submission call for 60 second radio art works, deadline Nov 14

Call for submissions from Wave Farm/WGXC. Deadline Nov 14. Details below. Fun! -Mia

+++++++++++++++

Nov 14//Open Call for 60×60 Wave Farm Mix 
Vox Novus's 60×60 and Wave Farm are calling for one-minute radio art works! Vox Novus and Wave Farm are delighted to collaborate on a special edition of 60×60 focused on Radio Art. Artists are invited to submit recorded works (created with, for, about radio and transmission) with durations of 60 seconds, to be included in the eleventh annual 60×60 project; a FM broadcast on Wave Farm’s WGXC 90.7-FM; and distributed as a Wave Farm Dispatch Series download. 60 compositions will be selected to be played continuously in a one-hour live event and broadcast. 

http://wgxc.org/events/11729?utm_source=Wave

Working with Music in Audio Storytelling at CDS Nov 22-23

Course on using music in production at CDS next month. Course description and link to sign up below. -Mia
What happens in the alchemical moment when a voice telling a story is transformed—whether suddenly or almost imperceptibly—by the music placed underneath it? When is the use of music honest? When is it essential? When is it dishonest or distracting? In this weekend workshop, we’ll explore techniques for using music to enhance audio storytelling, whether your primary interest is in podcasting, personal storytelling, oral history, or radio journalism. 

How many times have you been stumped by the question of what music to use in a piece? This is your chance to develop an ear for what to use, and a resource list of where to find it. 

The weekend of Nov 22-23 at the Center for Documentary Studies at Duke, I'm set to again offer my workshop on "Working with Music in Audio Storytelling." We had a great group last fall, with participants from NC, VA and MD, coming to the workshop with a wide range of backgrounds in production and audio work.

For more info, and to register, scroll to the bottom of this page:

http://register.asapconnected.com/Courses.aspx?CourseGroupID=500

Soup to Nuts 2-day documentary radio training, Dec 6-7, Bay Area

The incomparable Claire Schoen is offering her 2-day doc radio production training in December. Don't miss it! Details below. -Mia

+++++++++++++++++++

Dear Radio People,

 

I'm offering my Soup-to-Nuts weekend again in the San Francisco Bay Area on:

December 6 & 7. 2014.

Please see the description below.

 

If you are interested in attending, please do get in touch (cschoen@earthlink.net) as the class sometimes fills quickly.

 

AND… check out my website!

<<claireschoenmedia.com>>

Under “Teaching” you can find feedback from previous “Soup-to-Nuts” students.

Under “Biography” you can find out more than you’d ever want to know about me.

Under “Productions” you can listen to the past 25 years of my audio work.

 

I hope you can join us in December.

Best, Claire Schoen

 

Claire Schoen Media

claireschoenmedia.com

cschoen@earthlink.net

510-882-6164

 

 

======================================================

 

"From Soup to Nuts"

A 2-day intensive

on documentary radio production

offered in the San Francisco Bay Area

 

Logistics:

This seminar will be held December 6 & 7, 2014.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $250.

 

The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

 

Claire has taught documentary radio production at U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

 

To Register:

Contact Claire Schoen

cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

 


pdf icon StoNs-Flier2014-Dec.pdf

ABC’s Creative Audio Unit seeks pitches for upcoming shows, deadline Oct 27

Pitch down under! The folks at ABC's Radiotonic and Soundproof want your pitches for their next round of shows. Details and pitching guidelines in the links below. Go for it!

-Mia

We're coming up on a deadline (October 27) for our next round of commissions, so if you've been thinking about pitching:
http://www.abc.net.au/radionational/programs/soundproof/about/
http://www.abc.net.au/radionational/programs/radiotonic/about/

Best to send your short pitch sooner than later, so you have time to develop a full proposal if we're interested.

New project from The World seeks pitches on the status of women and their communities, deadline ASAP

Holy WOW – what a great opportunity from PRI's The World. (Important topic! Travel budget! Multimedia!!) The word from the acting editor is that they're looking for a very high level of reporting here, so not for newbies. Details and contact info below. -Mia

+++++++++++++++

 
We wanted to let you know about an exciting new initiative The World and our partners at pri.org are undertaking over the next 18 months.
 
It’s working title is Across Women’s Lives, and it will focus on the relationship between the status of women around the world and the status of their larger communities and societies. In particular it will examine the questions of whether, and if so how, particular improvements in the status of women leverage improvements in “development” and quality of life indicators for everyone. (And if not, why not?)
 
Our working project summary is below. The reason I’m writing to you now is that we’re looking for pitches. The series will have a special focus on India and sub-Saharan Africa, but we’ll be looking for stories everywhere. And while the focus here is specific, the kinds of stories we’re looking for are the same as always: driven by strong characters, strong voices, strong sound and strong writing.
 
We’ll be paying our usual rates for these pieces but we do have a healthy budget for travel. That doesn’t mean you should think first of big trips away from your home base—there might well be great stories right in your local areas—but if you’ve got a great idea for a story that would require travel, and can sell us on it, we might well be able to make it happen.
 
We’re also planning to build a significant multimedia component into every story, including a fully-produced stand-alone video. Sometimes the same reporter could produce both of these, other times it would involve pairing the radio reporter with a video journalist. And of course if the same reporter produces both, you’ll be paid for both.
 
We’re in the process of hiring a dedicated editor for this project, but until we do, please send any story ideas to me.
 
And we’re on a pretty aggressive timetable to launch, so if you have a great story along these lines that you’ve been itching to do, send along a pitch as soon as you can.
 
As always, thanks for thinking of us and we look forward to working with some of you on this project.
 
Best, from Boston,
 
Peter Thomson
Acting Editor, Across Women’s Lives
 
************
 
PROJECT SUMMARY
 
PRI’s The World and pri.org are launching a high-profile, 15-month reporting project on the status of women around the world. The “Across Women’s Lives” project (working title) will deploy radio & multimedia producers working independently and together to produce top-quality feature stories on:
* Efforts to improve the well-being of communities by raising the status of women and girls, especially in India and sub-Saharan Africa;
* Links between the status of women and girls in developing countries and broader social indicators of health, education and economic opportunity for society;
* Women, men and organizations making a difference in the lives of their families and communities by working to improve the status of women.
 
The reports will be broadcast on The World and featured on pri.org starting in December, 2014 and will be clustered around five stages of women’s lives: birth and infancy, early childhood, adolescence and young adulthood, middle age, and old age.
 
 
Peter Thomson
Environment Editor, PRI's The World
Author, Sacred Sea: A Journey to Lake Baikal

 
@bluepearmain

Destination DIY Seeks Pitches For December Episode

Great show seeks pitches. Details below! -Mia
++++++++++++++++
Destination DIY is seeking pitches for our December episode. Please have a look at our pitching guidelines on the AIR pitch page: http://www.airmedia.org/PageInfo.php?PageID=21 and send your pitch to info@destinationdiy.org 
As you may know, the show is monthly, and we typically showcase one longish (10-12 min) feature per episode. We recently joined the Maximum Fun network and we're excited to be sharing the show with a whole new audience. 
Thanks so much,
Julie


Host, producer and creator of Destination DIY
http://destinationdiy.org
Twitter: @DIYgirl
Facebook: http://facebook.com/DestinationDIY

Studio 360 seeks spring interns, application deadline Oct 19

Intern at Studio 360! Details below. -Mia
++++++++++++++++++

 

Studio 360 interns make radio, not coffee. The also write for and help produce our new blog and podcast, sideshow.

 

We’re looking for interns for our winter/spring term – roughly Jan-May. We don’t pay much (it’s more of a meal stipend situation), which is unfortunate. But we do teach you things. We’re super serious about making sure our interns learn a ton of stuff while they’re here.

 

If you or someone you know might be a good match, please apply! The deadline is October 19.

 

Application info: http://www.studio360.org/about/internships/

Term: roughly Jan-May

 

Studio 360’s internship is a hands-on experience. Interns sit in on editorial meetings, gather research, pitch ideas, collect materials for the website, and learn a variety of tasks involved in producing a weekly program. Over the course of the term, they gain fundamental radio skills (including audio editing) and will assist staff mentors with producing segments for the show.

Poynter Environmental Journalism Workshop with SEJ, Nov 3, FL

Wish-I-could-be-there environmental journo training program with Poynter and the SEJ. Details below.

DATE: Nov. 3, 2014
APPLY BY:  Oct 13, 2014

LOCATION: 
Poynter Institute, 801 3rd Street South, St. Petersburg, Florida

Making Science Storytelling Engaging and Accurate

 This is a one-day intensive workshop that will help science and environmental journalists, bloggers and students produce engaging and informative content.

With increasing demand to produce compelling science stories, journalists are also faced with entertainment successes, such as "Shark Week" and "Sharknado," that can confuse scientific fact and fiction. As the need for science stories continues to grow, it has left the American public more misinformed about science than ever.

Join us for a comprehensive day of learning how to pitch, investigate and 

Kelly McBride

Vice President 
of Academic Programs
Poynter Institute 

craft compelling science-based stories in a competitive media landscape to accurately inform the public while keeping them engaged.

You'll learn how to:

  • breathe excitement into your stories
  • pitch to editors
  • tap into research tools that make data accessible
  • begin an investigation into an individual or organization

The day's schedule: (subject to change)
9:00 a.m. – 9:15 a.m. ~ Welcome

Jennifer BogoExecutive Editor, Popular Science

9:15 a.m. – 10:30 a.m. ~ Session 1, The Pitch with 
Jennifer Bogo
Whether you are a freelance writer pitching various editors, or a staff writer pitching your boss, your pitch must be on target. In this session faculty will walk the workshop audience through the various methods for developing a story ideaand sounding it out to editors.

Angela Posada-Swafford

Freelance Science and Exploration Writer

10:45a.m. – 12:00 p.m. ~ Session 2, Getting it Right with Angela Posada-Swafford  
There's so much to get wrong. And it's so difficult to find the right sources to provide the foundation for the best information. In this session, we will describe the methods for judging an expert's appropriateness for contributing to a story, translating scientific jargon into the vernacular and fact-checking the work before publication.

12:00 p.m. – 1:00 p.m. ~ Lunch

1:00 p.m. – 2:15 p.m. ~ Session 3, Longform Science Journalism with 
Angela Posada-Swafford
A time-tried way to engage the public is by telling a good tale. But that requires the ability to organize and execute a complicated project, often within a short time frame. In this session, we will lay out the methods for organizing a long project from conception to publication.

2:30 p.m. – 3:45 p.m. ~ Session 4, Character-driven Stories with 
Jennifer Bogo
Science is often complicated and inaccessible to the audience. One of the best ways to get readers over that hurdle is a character-driven story. In this session we will describe how reporters find characters and bring them to life in stories about science.

3:45 p.m. – 4:00 p.m. ~ Wrap-up

Who Will Benefit: Science and environmental journalists, bloggers, students and anyone interested in reporting about science and the environment.

Price: $79.00
(Lunch is included.)

Price for SEJ members and students: $59.00

Email SEJ HQ  or call 215.884.8174 for the promo code.

REGISTER NOW

2 positions teaching radio at UC Berkeley Grad School of Journalism this spring, deadline Oct 17

Teach radio at my alma mater this spring. Application deadline Oct 17.

_______________

Job Postings for January 2015

 

The Graduate School of Journalism is recruiting 2 lecturers to teach courses in the Radio /Audio program beginning spring semester, January 2015.

 

J-212 – ADVANCED RADIO (15 weeks)

Required Qualifications:  Minimum of five years professional radio experience. 

Recommended Qualifications:  Teaching experience at college level or higher.  The ability to facilitate publishing student work on a professional outlet.

 

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise.  Past instructors have arranged for student work to be broadcast locally on KQED-FM or KALW-FM, or nationally on Making Contact.  It's important for the Advanced Radio instructor to guide student work from pitch through final production and provide a pipeline for qualified student work to be published professionally. 

Past syllabi are available upon request, but new proposals with fresh approaches are encouraged. Applications are due October 17, 2014.

 

J-298 – TELLING STORIES ON AIR (15 weeks)

Required Qualifications:  Minimum of five years professional media experience. 

Recommended Qualifications:  Teaching experience at college level or higher.

 

Course Description:

The focus of this course is not solely on audio or production, but rather on the many ways to craft a story.  The course is open to all graduate students, regardless of skill level or platform concentration.  Any instructor applying for this position should be prepared to help students with story-telling skills in a variety of platforms (TV, Documentary, Multi-media, narrative writing, etc.). 

Over the past two years radio reporters and producers (the Kitchen Sisters) and a foreign correspondent with radio and print experience (Annie Murphy) have taught the class.

Past syllabi are available upon request, but we are encouraging new proposals with fresh approaches. Deadline for applications is October 17, 2014.

 

TO APPLY:

 

To be considered, you need to formally apply for the position through the university's academic recruitment website. 

 

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

 

Upload your CV including a summary of teaching experience, broadly defined as:

Delivering instruction in a university or college classroom;

Providing mentoring in the field for which you are applying;

Editing the work of others in the field for which you are applying;

Guest lecturing in the field for which you are applying.

 

The statement of teaching needs to include the time you spent in each activity (i.e. I led a week long workshop on radio in March 2010.)

 

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

 

You will be contacted if your experience is a match for what we need.

Snap Judgment Looking For Magic Stories

Snap Judgment needs your MAGIC stories ASAP. Details below!

Snap Judgment is looking to fill a hole in an upcoming episode all about magic and trickery.  If there are any good radio features featuring magic and/or trickery and/or mysticism you know of that might work for the Snap format (a plot-driven narrative arc in which a character encounters an interesting source of tension that resolves in an unexpected way) let us know at pitches@snapjudgment.org.  Keep in mind, this doesn't need to be your story.  If there's something you've heard that you love and would simply like to bring to our attention, by all means do so!
Also, support the Snap Judgment kickstarter if you're so inclined. It's a really good show.

Call for Entries – 2014 PaleyDocs Pitch Workshop Contest, deadline Oct 1

$5K grant available for a work-in-progress doc from the fine folks at the Paley Center for Media. Extended deadline Oct 1. More info HERE and below.

The Paley Center's Pitch Contest offers a $5,000 grant for an unfinished or work-in-progress documentary from an emerging filmmaker.

The Paley Center for Media is using this contest, now in its eleventh year, to choose five finalists who will pitch their unfinished films to a panel of experts and producers in front of an audience. This event, the Pitch Workshop, will take place on Saturday, November 15, 2014, in New York.

To Enter Pitch Contest:

To enter this contest, you must submit no more than ten minutes of footage from an UNFINISHED or WORK-IN-PROGRESS feature-length documentary that you hope to pitch to our panel. You must also send in a printed and filled-out entry form (below). 

We will judge entries based on the originality of your vision and the viability of the concept. At the pitch workshop, finalists will be judged by originality, viability, and the persuasiveness of their pitch to our panel.

Deadlines to Enter:

Entries must be postmarked by deadline. Deadlines and fees are as follows:

• Earlybird Deadline: August 20, 2014 ($25 regular submission fee / 
   $20 for Withoutabox members submitting through Withoutabox)

• Regular DeadlineSeptember 3, 2014 ($30 / $25 for Withoutabox members)

• Late DeadlineSeptember 17, 2014 ($35 / $30 for Withoutabox members)

Special Extended Deadline
October 1, 2014 ($45 / $35 for Withoutabox members)

Withoutabox Extended Deadline
October 8, 2014 ($55 / $40 for Withoutabox members) 

There Are Two Ways to Submit Your Entry:

 

1) We accept entries through Withoutabox.

OR

2) To submit on your own, download the following PDF forms.

Overview |  Official Rules |  Entry Form & Submission Agreement

Then print out, sign, and mail a complete and fully executed copy of the Entry Form & Submission Agreement, along with your DVD, submission materials, and a check for your entry fee made out to The Paley Center for Media to:

Pitch Workshop

c/o The Paley Center for Media 

9th Floor 

25 West 52 Street 

New York, NY 10019
 

PREVIOUS WINNERS
2013: The Age of Love directed by Steven Loring
2012: Eleven directed by Laura Paglin and Kahlil Pedizisai
2011: The View from Bellas Luces directed by Christa Boarini
2010: Charge directed by Mike Plunkett
2009: The Iran Job directed by Till Schauder 
2008: Circo directed by Aaron Schock
2007: The House that Herman Built directed by Angad Bhalla 
2006: Whatever it Takes directed by Christopher Wong 
2005: Asparagus! (A Stalk-umentary) directed by Anne de Mare and Kirsten Kelly

New Producer RFP from High Plains News, deadline Sept 22

Passed along by the fine folks at AIR. An RFP from High Plains News. Deadline Sept 22.
+++++++++++++++
High Plains News is seeking proposals for the production of a 30-minute radio program examining both the transition of coal in the national energy mix and the public policies, sometimes, self contradictory, affecting the industry, communities, and people.

About High Plains News

Founded in 1989, High Plains News produces grassroots commentaries and 30-minute special programs, primarily for public and community radio stations. From 1990 to 2001, High Plains News produced and distributed a weekly 15-minute radio magazine. The news service also produced 26 half-hour special programs through 2003.

Over the years, High Plains News and its producers received many awards, including the Scripps Howard National Journalism Award, Gabriel Award, Oscar in Agriculture Merit Award, Award of Excellence from the American Lung Association of Montana, and several awards from the National Federation of Community Broadcasters.

Based in Billings, Montana, High Plains News is a project of WORC, the Western Organization of Resource Councils.

Program Description

We envision a program consisting of three to four stories. Final story topics will be agreed upon with High Plains staff. Potential stories could include:

  • The changing economics of coal – Utilities are decommissioning coal-fired power plants. Domestic coal production is down, as are coal prices. Several coal companies are pinning their futures to exporting coal to foreign markets and spurring proposals to build or expand coal export facilities.
  • Coal leasing and exports – A number of recent studies indicate the federal governmentT coal leasing program is flawed and does not get a fair return for the publicly-owned resource. The low-cost coal has implications for people living near coal mines, residents along the rail routes, and communities facing new or expanded coal export facilities.
  • Reclamation – Coal mining has taken a large swaths of land out of agricultural production in the Powder River Basin, the Illinois Basin, and North Dakota, but reclamation of that land is moving at a snailT pace. And there is mountaintop removal mining in Appalachia. Coal and coal companies are not turning the land back to production as envisioned by the federal strip mine reclamation law passed in 1977.
  • Beyond coal – A look at a just transition for coal miners and communities long dependent on coal mining as the easy to get coal seams are mined out and the United States acts to deal with climate change and towards cleaner energy, air, land, and water.

    Scope of Work

    The producer will produce a 30-minute radio program for distribution to radio stations, the Public Radio Exchange, and other venues and placement on our website. The producer may contract with other producers to produce stories for the special. High Plains staff will work with the producer to determine the stories covered by the special.

    Producer will be responsible for all research, recording of all elements, editing, and scripting. Final assembly of the program shall be done in collaboration with High Plains News staff. Producer shall consult with designated High Plains News staff regularly about the program.

    Producer shall produce the program in stereo at a level of technical quality acceptable to High Plains News as defined by current industry broadcast standards.

    Deliverables

    The producer shall deliver a fully produced 30-minute program and clean version of the final script and list of contents of the elements as they appear on the source. We prefer to receive the program in MP3 format or CD.

    Timeline

    Proposals are due close of business September 22, 2014.

    High Plains News will award the contract by September 29, 2014.

    The producer shall deliver the program on a timely basis on a mutually agreeable schedule, not later than November 7, 2014

    Submitting a proposal

    Interested producers should submit the following:

  • A letter stating your qualifications and relevant experience.
  • Budget for production of the 30-minute program. High Plains News will reimburse approved expenses. Travel expenses reimbursed at rate of 35 cents a mile. Producer will be responsible for paying contracted producers involved in the program.
  • Send a link to or CD of a similar production showcasing your talent.

    Proposals should be sent to Kevin Dowling, 220 S. 27th Street, Suite B, Billings, MT 59101, or kdowling@highplainsnew.org<mailto:kdowling@highplainsnew.org>. Proposals are due by close of business, September 22, 2014.

  • CPI seeks one freelancer in each state for research and reporting gig on govt accountability

    The Center for Public Integrity is hiring 50(!) freelancers – one in each state – for a part-time gig over the next year. Pay is $7K for the year. More info HERE and below. 

    ++++++++++++++++++

    The Center for Public Integrity is looking for top-notch journalists to investigate the risk of corruption in their state governments. We're hiring one reporter in each state to carry out a combination of research and reporting into state government ethics, transparency and accountability laws, and their enforcement. Your work will lead to nationally-distributed stories and state-by-state rankings of government accountability, complete with scorecards, grades and stories that demonstrate where states succeed and where they fail.

    The State Integrity Investigation will rely on original, in-depth reporting and detailed data collection in each state to uncover areas of corruption risk in our statehouses. The project will cover a wide range of “integrity indicators,” including campaign finance laws, state budget processes, auditing capabilities, procurement practices, financial disclosure and more. Each reporter will gather data through a combination of research and interviews and then write an accompanying narrative on the findings in that state. Examples of state scorecards, categories and stories from our initial State Integrity Investigation in 2012 can be found at www.stateintegrity.org.

    Reporters will have to answer some 200-300 questions with specific, well-sourced data over the first two months of work. Reporters will work with partner organization Global Integrity to register and verify their research. They will be expected to meet rigorous standards for accuracy and sourcing based on methodology developed by Global Integrity. Reporters must be well-versed in the laws, procedures, and inner workings of their state government, and ideally maintain an extensive network of contacts and sources both in and outside of state government.

    To apply, please upload a short cover letter, two or three clips and a resume with three references. No phone calls please.

    About the Project

    The State Integrity Investigation is a collaboration between the Center for Public Integrity and Global Integrity. This new effort will refine and update a project first carried out in 2011-2012 (for more, see www.stateintegrity.org). At the time, the project represented the first in-depth, data-driven account of government transparency and anti-corruption mechanisms in all 50 states, using on-the-ground reporting and data analysis. A list of detailed questions, or “integrity indicators" are answered through a combination of research and interviews with knowledgeable experts and used to generate scorecards for each state.

    In the weeks following its launch, The State Integrity Investigation was featured in more than 1,100 print, online and broadcast outlets across the country. Since then, it has led to the adoption of new laws or statutes in seven states and proposals in five more. The project was a 2013 finalist for the Harvard’s Goldsmith Investigative Reporting Prize. A new round will allow states to measure any progress they have made, will raise the pressure for passage of reforms and will serve as a critical tool for state government reporters across the country.

    About the Partners

    The Center for Public Integrity was founded in 1989 by Charles Lewis. We are one of the country's oldest and largest nonpartisan, nonprofit investigative news organizations. Our mission: To enhance democracy by revealing abuses of power, corruption and betrayal of trust by powerful public and private institutions, using the tools of investigative journalism. The Center won the 2014 Pulitzer Prize for investigative journalism and has also been honored for its work by Sigma Delta Chi, the White House Correspondents Association, the Overseas Press Club, Investigative Reporters and Editors Inc. and Harvard’s Kennedy School of Government.

    Global Integrity works with local journalists and researchers to generate cutting-edge data and reporting on corruption and governance issues globally at both the national and local levels.

    Experience and Skills:

    Ideal candidates will have:

    • 5+ years of experience covering state government, and a background in deep-dive, detail-oriented research and reporting.
    • Meticulous attention to detail, accuracy and exceptional organization skills.
    • Ability to deliver quality work on hard deadlines with limited supervision.
    • Solid computer skills and ability to learn a new software platform.
    • Experience in investigative reporting is a plus.

    Reporters should expect to work on the project on a part-time basis starting this fall through early 2016. Reporters should be prepared to make a substantial time commitment in the first two months following their hire date, with regular but more sporadic work through the rest of the contract. Timetables may vary depending on the reporter’s schedule. Reporters must be able to manage their own time and will be required to hit hard deadlines throughout the process. Pay is $7,000.

    pdf icon State-Reporters-CPI.pdf

    Rough Cuts Call for Entries, deadline Friday, October 17th

    For you Bay Area film folks.

    Announcing a call for entries for Rough Cuts in November!

     

    Deadline is Friday, October 17th

    Rough Cuts is currently seeking documentaries in post for our next event on Wednesday, November 5th at the 9th Street Independent Film Center in San Francisco 

     

    This will be our final Rough Cuts evening of the year. The first in 2015 will be in March. 

    We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

     

    Also, filmmakers who submit are eligible for Fine Cuts, our new editorial consultation program that matches filmmakers who screen with us with veteran editors and directors.

    Filmmakers can now submit two ways—eletronically or via mail (including UPS, Fed Ex, etc.)

     

    To submit, visit:

    http://sfroughcuts.com/callforsubmissions.html

     

    And for more details about Rough Cuts and our programs, visit:

    http://sfroughcuts.com

     

    In September, Rough Cuts unveiled FINE CUTS, a new consultant program free for our filmmakers.

     

    Nels Bangerter, Fine Cuts consultant

     

    The initiative pairs our filmmakers with a seasoned director/editor, who will provide consultations to the filmmaker in an effort to respond to the feedback at Rough Cuts and, also, develop and fine-tune the film as the cut approaches picture lock.

    For more detals, including a list of the consultants, visit:

     

    http://sfroughcuts.com/finecuts.html

     

    Richard Levien, Fine Cuts consultant

     

    This message was sent to mia@freelancecafe.org from:

    Rough Cuts | roughcutsprograms@gmail.com | Rough Cuts | 2948 16th Street | San Francisco, CA 94103

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    Manage Your Subscription

    workshop for journalists on climate change, NYC, Sept 16, 6-9pm

    Important workshop for journalists two years after Hurricane Sandy.

    https://www.eventbrite.com/e/reporting-on-climate-change-a-workshop-for-journalists-tickets-12941870483

    Friends and colleagues,

             New York City’s immigrant neighborhoods took a major hit from Superstorm Sandy.  Yet two years after Sandy, the effects of climate change  – including an increase in extreme weather events – remains underreported in media that serves immigrant communities.   Ethnic and community media have a vital role to play in helping New Yorkers prepare for and understand shifts in climate patterns, and Feet in 2 Worlds is here to help.
           We have teamed up with climate specialists at The New School to offer an evening workshop for journalists.  The workshop is being held just before climate change takes center stage in New York with the United Nations Climate Summit on September 23, and the People’s Climate March on Sunday September 21 which is expected to attract as many as 100,000 demonstrators and activists to the city.
              Packed with valuable information to bring to your readers, listeners and viewers, the workshop is designed to make your job reporting on climate change, sustainability, and related issues easier and more effective.
            Take advantage of this opportunity to better serve your audience on an issue of vital importance.
            Join us Tuesday, September 16 at The New School, from 6 PM to 9 PM.  Space is limited, so register soon at https://www.eventbrite.com/e/reporting-on-climate-change-a-workshop-for-journalists-tickets-12941870483 
             
    Best wishes,

    John Rudolph
    Executive Producer
    Feet in 2 Worlds
    603-498-5480
    Follow us @Fi2W

    Bay Area FC gathering, Sunday, Sept 21, 2-5pm, Oakland

    From our intrepid Bay Area organizer, Ana Adlerstein:


    FC gatherings have taken a bit of a summer vacation. To welcome us all back let's meet up for a backyard bbq underneath a prodigious fig tree in Ana's backyard. We'll be grilling up yellowfin tuna for all those fish eaters out there, feel free to bring something to throw on the grill as well or a drink to share! 


    Sunday Sept. 21st2-5PM
    758 Alcatraz Ave. Oakland
    Call Ana (207) 807 6152 with any questions 
    Hope to see you there!

    New York Times Institute, Tucson, May16-31, application deadline Nov. 1

    Hey students! Info below on the NYT Student Journalism Institute to be held in Tucson, May 16-31. Must be a current student to apply. Deadline Nov. 1.

    +++++++++++++

     

    The New York Times is offering a chance for two dozen aspiring journalists to participate in the 2015 New York Times Student Journalism Institute. Participants of the Institute work with journalists of The New York Times in a two-week "bootcamp" type of journalism training program.

     

    This all-expenses-paid opportunity is offered every year, with The New York Times alternating partnerships: in even-numbered years with the National Association of Black Journalists (NABJ); and in odd-numbered years with the National Association of Hispanic Journalists (NAHJ).

     

    Because 2015 is an odd-numbered year, the Institute is being held in cooperation with NAHJ. This means that 2015 participants must be student members of NAHJ to apply. (REMEMBER: You do not have to be Hispanic to be a member of NAHJ.)

     

    The program runs from May 16 to 31, 2015. If you are selected to be part of the program, you would cover real news events under the supervision of newsroom staffers of The Times. You would also participate in any activity that would be found in a major newsroom: Reporting, photography, copy editing, web and page design, web production, video and interactive coding. This year, they are also giving special consideration to applicants with software skills needed to build interactive graphics and databases. You can pick an area to focus on and work closely with Times journalists who are experts in that specialty.

     

    The 2015 Institute will be held at the University of Arizona in Tucson. There is no cost to the student. Room, board and round-trip transportation to Tucson is picked up by The Times.

     

    There is a deadline to apply: Nov. 1, 2014.

     

    Attached is the application form. You can find more information about the Institute at:

     

    www.nytimes-institute.com.

    pdf icon NYT.Institute.Application.Form_.2015.pdf
    pdf icon NYT.Institute.Application.Form_.2015.pdf

    The Atlantic Technology Channel’s latest call for pitches, from @roseveleth

    The Atlantic wants your tech stories! This from tech editor Rose Eveleth:



    So, um, pitch me! These don't pay incredibly well (I'm pushing to get more freelance money, but right now I'm forced to work with what we have, so max I can do is $200) but they should be quick pieces, not super long reported features. 

    Details below! -Mia

    ++++++++++++++

    Last week we wrapped up our series on Hide and Track—stories about discovering and escaping data. Together, we tracked thousands of antique newspapershid from exes and hunted for pot in America’s cornfields. There were awkward momentswild moments, and straight up gross moments. And we wouldn’t have it any other way.

    Our pitch calls have yielded remarkable stories, and we want to keep that ball rolling. So it’s time for the next theme.

    As a refresher: These should be adventures with technology—stories that surprise and delight and make us rethink our everyday interactions with tech. These are the kinds of stories that stay with people because they get at something about humans first, and technology second. You should be able to deliver these in a few days, and while you don’t have to be the main character, a human being should be.  

    (If you want to know why we’re structuring these pitch calls like this, you can learn a bit more about the logic here.)

    The new theme is Addition and Subtraction, stories of humans becoming more and less and sometimes both with the help of technology.

    Nobody is ever satisfied: we all want to be more (stronger, faster, smarter, better) and less (arrogant, busy, tired). And technology is often how we grasp at those improvements—alarm clocks and apps and treadmills and calendars and cars. We’re always adding here, and taking there. Chipping away and inserting.

    Sometimes we have no choice in the matter—things are handed to us and wrenched away before we can even process what’s going on. Other times we add and subtract to ourselves intentionally, with glee, reservation, disdain, and confusion. But nobody ever exists in a steady state, made of the same bits and pieces as they were the day before.

    Sometimes these are physical replacements: arms, legs, fingers and toes created by technology and assimilated into someone’s body. Bacteria that comes and goes in and out of your body. Parasites that take up residence, or babies that finally vacate the premises to start their lives. Or they can be stories of mental and emotional swaps: learning to think like a machine, losing your job to a computer, adding a robot to your family.

    Bring us your stories of adding and subtracting, with creative interpretations welcomed and encouraged. As always, we want you to really explore and push the theme beyond the most obvious examples. Send your (short) pitches to Rose Eveleth: reveleth at theatlantic.com. We're only going to take about 20 of them, so we suggest you get them in early. By the end of the week we’ll likely have met our limit.

    Intern with Slate’s The Gist!

    Hey students! Intern with Slate's new daily news show The Gist with Mike Pesca. It's a paid gig, ideal for a current student or one within a year of graduation. Details below.
    ++++++++++++++++

    The Gist seeks our first intern. We are a team of two producing a daily show, and we'll rely on you quiet a bit in the hours you're with us. 

    Every day is different, but the range of duties include booking guests, engineering live interviews, pulling clips, audio editing, Vine-making, social media, basic research, and writing daily show descriptions. Interns are invited to be involved in every aspect of making a daily podcast.

    To be considered for this internship, you should have solid writing skills and be able to take direction. A passion for news, radio, and podcasts are a plus. Audio editing skills are a big plus. Candidates must be available to work in Slate’s New York office. 

    This internship is paid. We pay $10/hour and interns are strictly limited to 10 hours work/week. Ideally we'd love to work with someone 2 full days/week. The internship will begin asap, and last for 90 days from the start of the internship. 

    To apply, email a résumé and very brief statement of interest to thegist@slate.com. Please use the subject line “Slate’s The Gist Internship.” Applications will be accepted on a rolling basis until Oct 1, 2014.

    FREE Overseas Press Club Event Sept 9, 7pm, NYC

    Hey NYC freelance media types – a few great FREE events coming up in the next few weeks. Details below. -Mia


    ++++++++++++

    After James Foley: Covering Conflict When Journalists Are Targets

    Event Name: 

     After James Foley: Covering Conflict When Journalists Are Targets

    Event Date and Time: 

     9 September 2014 – 7:00pm

    Event Location: 

     Columbia School of Journalism Lecture Hall

    Event City: 

     New York

    Event Fee: 

     FREE

    The OPC is co-sponsoring a panel discussion at the Columbia School of Journalism surrounding the current risks and rewards of conflict reporting in the aftermath of reporter James Foley's tragic murder.
    Dean Steve Coll will lead the discussion.
    Panelists:
    • Reuters columnist and former New York Times reporter David Rohde, who was held captive for seven months by the Taliban before he escaped.
    • OPC award winner, board member and New York Times foreign correspondent Rukmini Callimachi, previously the West Africa bureau chief for The Associated Press.
    • Phil Balboni, GlobalPost CEO and co-founder, who spent two years fighting for Foley's release.
    • Nicole Tung, a freelance conflict photographer and friend of Foley's who first discovered him missing.

     

    This event is sponsored by the Overseas Press Club, the Columbia Journalism School and the DART Center for Journalism and Trauma.
    HERE ARE SOME OTHER UPCOMING OPC EVENTS:
     
    Sept. 25 (with Tyler Hicks)
     
    Oct. 1 Book night with Sheila Weller, author of the News Sorority, a triple biographty of Diane Sawyer, Katie Couric and Christiane Amanpour. (at OPC)
     
    Oct. 21 How to Freelance Safely with representatives of RISC, DART, London’s Frontline Club and Judith Matloff of Columbia.
     
    Oct. 24 (with Nick Kristof)

    calls for Storygathering artists in residence/training intensive at Fixt Point, Ontario, Cananda, deadline sept 10

    Two calls for artists from FIXT POINT in Ontario, Canada. Deadline Sept 10. Details below.

    ++++++++++++++++

    OPEN CALL #1: STORYGATHERING ARTISTS IN RESIDENCE

    FIXT POINT is seeking two part-time storygathering artists for The Tale of a Town – Mimico to work in residence at the Mimico Public Library this fall as part of the 2014 Artists in the Library program supported through the Toronto Arts Council Strategic Initiative Program.

    FIXT POINT is a professional theatre and media company that engages with communities through site-specific performance and audio art in order to preserve local heritage and promote neighbourhood culture.

    Storygathering Artists will receive training in audio recording, interviewing, logging, and archiving oral histories prior to the residency. While in residence, the Artists will record stories shared by the public about the evolution of the Mimico neighbourhood. These gathered tales will inspire the creation of an audio installation and culminate in a community celebration at the library.

    Requirements:
    • Background in the arts
    • Based in Toronto (high priority to artists from the Mimico area)
    • Interest in oral history, audio production and community engaged art
    • Working knowledge of social media platforms
    • Strong working knowledge of Microsoft Excel

    Deadline for applications is September 10th, 2014 at 5:00 p.m.
    Interested applicants should send a cover letter and CV to veronica@fixtpoint.com.

    OPEN CALL # 2: STORYGATHERING TRAINING INTENSIVE FOR ARTISTS

    FIXT POINT is pleased to offer a limited number of places to artists in our upcoming Storygathering Training Intensive taking place from October 1 – 4 at the Mimico Public Library.

    This training program has been developed by FIXT POINT in collaboration with The National Arts Centre of Canada and will focus on audio recording, interviewing, logging, and archiving.

    This intensive is suitable for emerging and professional artists who are passionate about oral history, audio art and site-specific performance. Selected artists will be considered for future opportunities with FIXT POINT's national tour of The Tale of a Town – Canada. (http://thetaleofatown.com/)

    To apply, please email your resume and a brief outline that details why you want to be a part of this training to veronica@fixtpoint.com.

    Veronica Simmonds
    Associate Producer
    The Tale of a Town
    http://thetaleofatown.com/
    @taleofatown

    The Dinner Party Download is looking for an intern in LA

    LA internship with The Dinner Party Download. For college credit only – but a very cool show! Forward to your favorite West Coast learners. Details HERE and below.

    ++++++++++++++++

    Position Summary:

     

    Do you have a passion for the arts, entertainment, storytelling, and music? Want to explore the frontiers of food and cocktails? Looking to make waves in public radio? (Do you have a high tolerance for terrible puns?!)  The Dinner Party Download wants YOU to apply for our fall/winter internship.

    The Dinner Party Download is a national culture show, airing on 135+ stations, that provides listeners with all of the information and bon mots they'll need to "win" their dinner parties.  Each week's episode brings together interviews with leading entertainers, memorable stories, music, and food trends and serves them up with a fresh, irreverent tone.  This is an opportunity for interns to gain hands-on production experience with one of public radio's fastest-growing shows.

    Internships will last up to 6 months. Interns work typically 2-3 days a week, for a total of 15-20 hours.  These are volunteer/unpaid internships and must be completed in conjunction with college-level course credit.

    The Intern will be an integral part of The Dinner Party Download team. This job would be perfect for individuals with a deep interest in film/TV, music, books, theater, fashion and art. The DPD team is especially looking for candidates with experience in – or a passion for – the behind-the-scenes production work that makes for great radio (i.e. crafting/editing stories in sound).

    Past interns with the DPD have gone on to develop their skills further via internships and (paid) jobs with KPCC, Snap JudgmentWeekend Edition, and, well, The Dinner Party Download.

     

    Position Responsibility:

    • Sound editing: edit rough drafts of our Soundtrack, Guest List, and Eavesdropping segments.  (Prior audio editing experience is necessary as a foundation to build upon.)    
    • Research odd news and under-the-radar stories for hosts to discuss in their "Small Talk" segment, as well as for occasional appearances on the business show Marketplace.
    • Research details of historical events we could talk about in our History/Cocktail segment.
    • Identify potential bars/bartenders to pair with the history in our cocktail segment, and practice booking phone interviews with these guests.
    • Record and edit news clip montage to be used in our "Small Talk" segment.
    • Help identify upcoming artworks, people, events that should be on our booking radar.
    • Keep tabs on new books and other media coming into office, and add to database.
    • Log music used in each episode; post completed segments to Soundcloud.
    • There may be opportunities to do "tape synchs" (taped interviews with remote guests.)

     

    Required Education and Experience:

    • Current college student or college graduate. Broadcast journalism, Radio/Film, English, Music, or Audio Engineering majors preferred. Others are still very welcome to apply. 
    • College course credit is required.

     

    Skills, Knowledge and Abilities:

    • Excellent written communication skills a must.
    • Knowledge of some sound editing (i.e. Pro-Tools, Audacity, Audition, DAVID, Dalet, etc) a must.
    • Fluent computer skills with the knowledge of basic Internet & computer standards.
    • Ability to work efficiently with limited direct supervision. (The production team is small, which means there will be bouts of independent work interspersed with 1:1 guidance.)
    • Ability to work collaboratively & effectively with colleagues in multiple departments.
    • Ability to work with changing deadlines & in fast-paced environment.
    • Energetic & motivated to serve online audiences.
    • Ability to handle tight deadlines & quick turnaround.

     

    Preferred Skills and Experience:

    • We'll provide training on how to use our equipment and DAVID editing system, but pre-existing familiarity with DAVID would be a nice bonus.
    • Openness to creating content for web and fueling the expansion of our site / social media.
    • Some background with field recording a plus.
    • Adeptness with Twitter, Facebook, and other social media outlets.

     

    Reporting To This Position:                N/A

     

    Physical Demands and Working Conditions:

    • Must be able to perform the essential duties of the position with or without reasonable accommodation

    Physical Demands:   

    • Required to move about in an office environment and sit for extended periods of time
    • Required to move about in the community
    • Frequent use of hands for data entry/keystrokes and simple grasping

    Working Conditions:

    • Moderate noise level
    • Occasional exposure to prevalent weather conditions

    Freelance job opportunities at Public News Service, multiple locations

    An interesting opportunity from the Public News Service. I have to admit I don't know much about them (they say they're a for-profit mainly funded by non-profits, not sure which ones)… but it could be a good fit for someone. Drop me a line if you know anything about this org – I'm intrigued! -Mia

    ++++++++++++++++++

    Real Work in a Changing World for an Inspired Radio Producer/Reporter

    Love news? Passionate about social, environmental, economic and community issues? Have superior digital audio editing and news writing skills? Have we got the job for you!

    The Public News Service has several part-time ( some possibly full-time positions) for experienced news producer/reporters (benefits included for over 3/4 to full time). Significant reporting experience and digital audio editing skills are critical. The right candidates are results-oriented, self-starters who can also follow established protocols and work well with different personalities in a rapidly changing environment. You must have a home office capable of recording and producing complete audio stories ready for broadcast.  Sense of humor and innovative spirit very important. Must be available for afternoons edits.

    The Candidate Needs:

    — At least 3-5 years of experience working in a fast-paced online news environment (commercial stations and wire service work preferred)

    — High comfort with technology and use of various software; demonstrated expertise with digital recording and editing

    — Strong communication skills and the ability to coordinate intense levels of e-mail correspondence and phone calls

    —  Familiarity with the news environment, progressive politics, cultural trends, and emerging issues.

    —  Excellent editorial, voice, social media, technical and interpersonal skills.

    Details: Primarily phone sound, story duration approx. 1:30 min each.  We have coverage areas available is New York City and Pennsylvania, Texas and several Southern states, upper Mid-West and California and possibly Oregon. These positions will also be involved in social media with Twitter.  Some night, weekend and holiday work may be required. Competitive pay and benefits. 

    Before you apply please visit our website for examples of what we do: http://www.publicnewsservice.org and then send a send a cover letter and resume to jobs@publicnewsservice.org – with "PNS Producer (your home state)” in the subject line.

    Lisa Collard

    Human Resources & Digital Media Associate

    3980 Broadway
    Suite 103, Box 139
    Boulder, CO  80304

    pdf icon Public-News-Service-Producers-Wanted.pdf

    Radio Boot Camp Fall Session @UnionDocs, Oct 4-5, 10-6, Brooklyn

    DO NOT MISS this two-day-long intensive class for beginners to learn how to produce radio. Details below.
    +++++++++++++++++++

    Don't just listen to stories, tell your own!

    Do you love Ira, have a secret crush on Terry Gross, or wanna be Audie Cornish when you grow up? Come to Radio Camp's October Boot Camp and learn how to produce a radio story from start to finish. 
    This hands on class will cover the basics of writing for the ear, (very different than print) and producing for radio using professional equipment and software. The provision of a laptop for financially challenged students is possible. Be prepared to grab your gear and hit the streets. Learn interviewing and mic techniques by doing the real thing. Voicing will also be covered. Students will produce two stories over the course of the weekend. *There will be an hour and a half (approx) of homework on Saturday night.

    October 4th and 5th, 10:00 a.m. – 6:00 p.m.
    AT UnionDocs, 322 Union Avenue, Brooklyn, NY 11211
    More here: http://www.uniondocs.org/radio-boot-camp/

    How To Pitch Personal Essays To BuzzFeed Ideas

    For what it's worth, BuzzFeed Ideas posted this guide to pitching personal essays. I have no idea what "we pay" amounts to, but might be worth a shot. Details below.

    BuzzFeed Ideas is relaunching and we’re looking for unique, well-told personal essays that people will want to share. Here’s an FAQ.

    How do I know if my story is worth telling?

    Ask yourself: Is this something that is either a) taboo yet relatable that no one has ever articulated as well as you can, b) an experience SO crazy and foreign that people will feel compelled to share it, or c) a really big idea from the vantage point of the only person who could have had that perspective.

    We’re particularly interested in stories by women, non-white, and LGBT writers, as well as previously unpublished writers.

    What subject areas are you interested in?

    We’re looking for pitches on a variety of topics, including but not limited to:

    Sex and dating/relationships
    Debt/money
    Disease, especially the experience of being sick and invisible illnesses
    Mental illness
    Parenting and parents (including the experience of parents aging)
    Drugs and addiction
    Race
    Work

    We’re interested in serious subjects, but not necessarily serious takes: If you have an idea for a humorous approach to any of the above (or anything else), go for it. There’s also no strict word count, but pieces tend to be in the 800 to 1,200-word range, and we pay. We are also open to stories in other formats, such as graphic essays, photo essays, and audio pieces.

    Do you have examples of the kinds of stories you’re looking for?

    Why, yes! These are some essays BuzzFeed has published in the last few months that worked really well for us.

    Notes On An Eating Disorder
    The Last Time My Grandmother Slapped Me
    Running Into My 12-Year-Old Self Online
    I Was Sure Freezing My Eggs Would Solve Everything
    The Worst Day Of My Life Is Now New York’s Hottest Tourist Attraction

    So how do I *actually* pitch stories?

    You should submit your pitch in the body of an email to buzzfeedideas@buzzfeed.com with the subject line IDEAS PITCH. (Emails with attachments will be deleted unread.)

    [conferences] New Avenues in Journalism, conference for freelancers, Oct 10-11, SF

    Interesting upcoming conference for freelance writers, Oct 10-11, San Francisco. Details below. -Mia

    +++++++++++++++

    Faced with sweeping changes in their industry, three leading journalism organizations are holding a conference to help freelance writers re-envision their careers.
    New Avenues in Journalism will bring together media innovators to coach freelancers about custom content, new publishing models, crowd, funding, venture capital, grants and fellowships and other sources of income.
    Sponsored by the American Society of Journalists and Authors (ASJA), San Francisco State University (SFSU) Journalism Department and the Online News Association (ONA), the conference will take place Oct. 10-11, 2014, in the SFSU Humanities Building.
    Keynoter and preeminent tech journalist Kara Swisher is  the former co-host of AllThingsD. She will give her view of the shifting world of independent journalism in her address. Swisher recently embarked in her own entrepreneurial venture as co-CEO of the tech blog Re/code.
    Much of the meeting will address the burgeoning field of custom content — journalistic articles commissioned to support products and services.
    Other speakers will discuss how writers can secure funding from investors, foundations and philanthropists; successfully act as their own publishers; and sell merchandise and consulting as auxiliary income.
    Attendees can choose the full day on Friday ($195 for 10 am – 4:30 pm plus networking event) and/or the half day on Saturday ($95 for 9 am to noon). Admission includes an informal lunch and a wine reception Friday. ONA, ASJA and Pacific Media Workers Guild members will receive a discount. PMWG members use discount code SF20PMWG.

    For an additional $25, participants can meet face-to-face with representatives looking to hire writers.

     

    For a complete program and other information visit the conference website.

    Register through ASJA.

    Journalism Fellowships at Latino USA, deadline Sept 5 [CORRECTED]

    A couple more weeks left to apply for this fellowship with Latino USA. Details below! -Mia

    ++++++++++++++++

     

    NPR’s weekly program Latino USA is taking applications for two year-long California-based fellowships, open to early career reporters with no more than five years’ experience in the field. Each fellowship will last 12 months and will include a stipend of $1,000 a month for 40 hours of work each month. The fellowships are funded by the California Endowment and will focus on reports about current health issues in California, including the implementation of the Affordable Care Act. The fellows will be located in California and will be supervised by Latino USA staff, and will participate in editorial meetings via phone or Skype. Each fellow will be expected to produce no fewer than three stories for air on Latino USA and also provide multimedia content (web copy, tweets, Facebook entries, photos, etc.) for each story.

     

                   Fellowship applications should be sent to Latino USA’s senior editor, Leda Hartman, at ledahart@mindspring.com. Please include a resume and cover letter summarizing your background and goals, and why you would be an appropriate fit for this fellowship. Please also include three links to your audio work. The fellowships are open to everyone. Journalists of color and of other diverse backgrounds and graduate journalism students are especially encouraged to apply.

     

                   The first-year fellowship will begin on October 1st, 2014 and last until September 30th, 2014. The application deadline for the first-year fellowship is Friday, September 15, 2014. The deadline for the second-year fellowship will be announced early in 2015.

                  

                   Thank you!

     

    Leda Hartman

    NPR’s Latino USA

    919-542-0008

    ledahart@mindspring.com

     

     

    2014 CA Documentary Project Grant Announcement

    It's time to apply for the California Documentary Project grants. Details and workshop dates below! -Mia

     

    Application Materials and Info Sessions for Cal Humanities’ 2014 California Documentary Project Grant 

    New guidelines and free informational grant workshops are now available for the California Documentary Project (CDP), a competitive grants program that supports documentary film, radio, and new media productions that enhance our understanding of California and its cultures, peoples, and histories. Media projects that use the humanities to provide context, depth, and perspective and are suitable for California and national audiences through broadcast and/or distribution are invited to apply.

     

    Eligible applicants can apply for research and development or production funding. Award amounts range from $10,000 up to $50,000. Complete guidelines, application instructions, and a list of previously supported projects are available at www.calhum.org.

     

    The deadline to apply is Tuesday, October 15, 2014, 5 pm.

     

    FREE INFORMATIONAL GRANT WORKSHOPS

    RSVP for one of these sessions and get answers to all your application questions! Please read the guidelines in advance. Space is limited.

     

    San Francisco

    Tuesday, September 9, 6:00-8:00pm

    Ninth Street Independent Film Center

    To attend, please RSVP here.

     

    San Diego

    Monday, September 15, 6:00-8:00pm

    Media Art Center San Diego

    To attend, please RSVP here.

     

    Los Angeles
    Tuesday, September 16, 7:00-9:00 pm
    International Documentary Association (IDA)

    To attend, please RSVP here.

     

     

    cid:3413278713_36505112

     

    Kitchen Sisters Recording & Interviewing Workshop Returns to NYC – Wed, Sept 17

    Attention NYC folks! It doesn't get any better than this. The Kitchen Sisters are amazing – even their event image is awesome. GO TO THIS WORKSHOP!

     

    Dear Friends,

    The Kitchen Sisters (Davia Nelson & Nikki Silva) are holding their Interviewing & Recording Workshop in New York City on Wednesday, September 17 from 10am to 1pm at WNYC Radio. The three-hour session is designed for people who want to acquire and hone their skills for an array of audio projects: radio, online, podcasts, storytelling, oral histories, audio slideshows, family histories, news, investigative reporting, documentaries and other multimedia platforms.

    The workshop will cover interviewing approaches, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, what equipment to use and what to pack in your kit, how to build a story, and how to listen (which is harder than it seems).

    The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, blogs, journalism, photography, oral history, historical societies, music, writing, libraries, archives, web design, detective agencies, farms, universities, restaurants, health care organizations, theaters and beyond. The groups are always lively and good contacts are made.
    Of course, snacks will be served.

    The workshop will be held on the 8th floor of WNYC, 160 Varick St., NY, NY. 10013.

    Fee: $135.00.  Register here.

    Questions? Email us at kitchen@kitchensisters.org.  And please pass this announcement along to your community.  Expand your skills, meet new people, support the work of The Kitchen Sisters.

    See you there,

    Davia & Nikki

    freelancer writers wanted for AIR websites

    The fine folks at AIR are looking to build long-term relationships with freelancers who can write on a variety of topics. A few themes are below. Contact betsy@airmedia.org with pitches or questions!

    • The first time

    First-person stories (as told to) about highly interesting, highly educational moments in public media careers: first pitch, first sale, first job, first huge mistake, first time using a fixer, first whatever. I'm looking for two of these each month, $75 per piece, with a mix of famous/not-yet-famous people in our field. Slight preference for independent storytellers, or people who started that way, but we're open to other ideas.

    I'd like to work with one or two regular freelancers on these. The right writer has reasonably good access and lots of good ideas, and can get these short-ish pieces (max. 750 words) turned around efficiently.

    Also, I am eager to hear pitches for thoughtful reporting. Our pay rate range is based on complexity, length and availability of supporting audio/video/etc. Subjects that we're actively pursuing right now:

    • Diversity in public media (perspectives, yes, but especially analysis). This is going to be part of a long-range project and core focus of the site when we relaunch later this year. We're working on how public media leaders, funders and participants define and/or experience diversity; data sets that describe our workforce, our story subjects/sources, and our audience; analysis of efforts to diversify public media's workforce, storytelling and reach; and all of the other things that affect the mission of pubmedia that serves all Americans.

    • Skill building for independent producers in public media (one example, not necessarily a template, but a good starting point). Useful subjects: negotiation; finding and cultivating development teams around an indie project; pursuing grants and fellowships; writing a business plan; launching a project/podcast; etc., etc.

    • Analysis of R&D and/or interesting pubmedia projects (to include the development of tools like those emerging from Civic Media, the Knight Lab, etc.)

    If you have colleagues or students who are interested in these questions, please forward this email and put them in touch with me. We are rapidly (and radically) expanding our editorial effort, and I'd like to build some long-term relationships with writers who need steady work.

    Thanks for reading and sharing.

    Betsy

    Betsy O'Donovan
    AIR/editorial
    Office: 617-885-4400
    Twitter: @AIRmedia
    For information: www.airmedia.org
    For inspiration: www.airmediaworks.org

    Job Opening at the Stanford Storytelling Project, Stanford University

    This is pretty much my dream job. Too bad it's 3K miles away. May it go to one of you worthy freelancers. -Mia

    ++++++++++++++++++

    The Stanford Storytelling Project, an arts program at Stanford University that, among other things, produces the radio show State of the Human on KZSU, is looking for a new, full-time Fellow who would both teach undergraduate courses, workshops, and help produce the radio show. Details about the position are below, but the basics are: an advanced academic degree, college-level teaching experience, and audio documentary production experience are required; start date is sometime in September or early October; salary will be between 50-59K, depending on start date, and the position starts as a one-year appointment, to be renewed if all goes well.

    if you're interested, please read the ad carefully and visit the link to the application page. More information about the Storytelling Project is at our website (storytelling.stanford.edu) and on our facebook page. And please feel free to forward this widely.

    Thanks all!
    Jonah Willihnganz, MFA, PhD
    Director, The Stanford Storytelling Project
    Stanford University
    jonahw@stanford.edu



    —————-

    FELLOW, THE STANFORD STORYTELLING PROJECT Office of the Vice Provost for Undergraduate Education (VPUE)
    Stanford University
    Job Application Close date: September 23, 2014

    Stanford University is seeking a full-time Fellow for the Stanford Storytelling Project, an arts program within the Oral Communication Program. The initial appointment will be for the 2014-15 academic year, with the possibility of re-appointment and the salary range is $50-59k, depending on start date.

    The Stanford Storytelling Project (SSP) provides students opportunities to develop skills in the narrative arts through a range of courses and projects. SSP sponsors courses, grants, events, a weekly workshop, and an award-winning radio program featuring stories produced by students. SSP explores in particular the power of performed stories, live or recorded, from myth and memoir to research-based narratives. More information about SSP and its mission is at storytelling.stanford.edu.

    The SSP Fellow will offer instruction in oral, audio, and multimedia storytelling craft in a variety of settings across the university and will support the activities and initiatives of SSP. Major duties include developing and teaching courses, designing and delivering workshops, training SSP student staff, mentoring students, and collaborating with faculty to design storytelling course components. The Fellow will also help develop and manage the SSP’s radio program, State of the Human, and help lead its weekly craft workshop, StoryLab.

    The Fellow will have the opportunity to develop his/her own courses, participate in professional development through SSP and the Oral Communication Program, collaborate with faculty across the university, and, through the events series, engage with some of the best storytellers in the country. The Fellow will also have the opportunity to help produce, with other SSP staff and students, stories for large live and radio audiences.

    Job Requirements:

    Advanced degree (PhD preferred) in a field focused on narrative craft such as English, Creative Writing, Performance, or Documentary Studies. 2-3 years experience teaching college-level courses, mentoring others in creating stories for recorded media or live performance, and some form of media production. Qualified applicants must also have demonstrated knowledge of oral and/or multimedia storytelling forms, trends, and programs, understanding of up-to-date pedagogy in teaching narrative craft, and the organizational and leadership skills to help manage workshops and media production.

    Information and Application Process Instructions:

    For a more comprehensive job description and to apply, please visit: http://apply.interfolio.com/25649.

    Stanford University is an equal employment opportunity and affirmative action employer and is committed to recruiting and hiring qualified women, minorities, protected veterans and individuals with disabilities. Applicants with dual-career considerations can find postings of other employment opportunities at the Stanford University and at other institutions of higher education in the region on www.AcademicCareers.com

    call for pitches from WNYC’s New Tech City

    Calling public media geeks nationwide! WNYC's New Tech City wants your stories. Details and contact info is below. Go for it!! -Mia
    ++++++++++++++++++++
    Hello radio friends, 

    For those of you I don't know me, I'm Alex Goldmark the producer for WNYC's New Tech City hosted by Manoush Zomorodi. 

    We want your freelance pitches!
    We are a good place to pitch if you think about the human side of tech or if you want to experiment with format, length or storytelling style. 
    What is New Tech City
    We are a lively young public radio podcast and broadcast about how technology is changing… people. Yes we are a tech show, but what we want the show to become is a great, storytelling program about your life in a turbulent time. About how the old way of doing things is being replaced by a new normal because of technology. And how we should feel about it. 
    We love personal stories. We love trying things out on ourselves. We love riding along with someone as they show us how life has changed because of tech. We like humor, relish absurdity, and can't help calling out brogrammers when appropriate (that's just how it is as one of the only tech shows hosted by a woman). 
    We air as a 7 minute show on WNYC each week during Morning Edition but our heart really goes into our podcast which tends to be about 15-25 minutes. (By all means subscribe, please. iTunes / RSS)
    What is a New Tech City story?
    It can be a feature or it can be you talking with Manoush and playing tape. Or a mix. It can be anywhere between 5 minutes to 25 minutes. 
    We want narrative examples of how technology has changed a person's life, business, or the way something is done. Something that raises a bigger issue or question along the way. 
    Is there an industry that has been totally upended? Find us the plainspoken holdout. Or the earnest early adopter. 
    Is there a trend you see? A new technology infiltrating intimate moments? A therapist making great strides in treating patients through text message stickers? An elderly community group revived by Skyping with their families more often? Pitch me those stories!
    Many news outlets want to have all the answers, we embrace stories that raise unanswerable questions like "where do you draw the line?" 
    Human-centered tech coverage as the buzzwordy lingo goes. 
    So please pitch me your ideas for radio stories that can: 
    – raise a moral puzzle about tech adoption; or … 
    – show our audience how some old way of doing things is going away; or …
    – explain some tech trend we should all understand better through story and character; or … 
    – or anything else you think gets at how technology is changing the way we live. 
    Surprise us!
    *Please don't pitch me any stories on learning to code classes (we've done that too much), gadget reviews, or pie in the sky far-off futurism that doesn't come with some emotion or feeling!
    How to pitch?
    Email me at agoldmark@gmail.com 
    Stick "NTC PITCH" somewhere in the subject heading so I'll find it faster. 
    I should respond within a week, even to just say maybe or ask a follow up question. Nagging me later on is totally OK. 
    Pay is consistent with big public radio station rates and we can be flexible depending on how much work the story requires. Get ambitious! 
    Send me links to previous stories, especially ones that show me your voice and style. We want personality to come through! 
    Looking forward to hearing from you all. 
    Dancing toward the dream, 
    Alex Goldmark 

    BAVC hosts Gig Union Town Hall event for media/tech/creative freelancers, 9/19, 3-6pm

    Hey Bay Area freelancers! The fine folks at BAVC are hosting an important event on Tuesday, Sept 19, 3-6pm. Details below.
     
    BAVC is organizing a Gig Union Town Hall September 19th here in San Francisco.  The Gig Union Town Hall presents a unique opportunity for creative freelancers to come together, discuss challenges contract based workers face, and think about ways of strengthening their rights in a rapidly changing economy.  Our line up of speakers includes:
     

    Rena Tom Makeshift Society founder/entrepreneur

    Susie Cagle of Freelance Journalism/Editorial Cartoonist
    Misha  Sundukovskiy of GoForCrew founder/Freelance Video Producer + Director
    Denise Cheng Indie researcher/Civic Design via MIT
    Steve Goldbloom from PBS’s “Everything But the News” will be our moderator.
     
    More information + RSVP is found here: http://bavc.org/gutownhall
     
    Bay Area Video Coalition’s mission is to inspire social change by
    enabling the sharing of diverse stories through art, education and
    technology.

     

    Radio Journalist needed for IOM mission in Philippines, Aug 25-29

    Know any talented radio journalists in the Philippines? Spread the word! Details and contact info below. -Mia
    +++++++++++++++++

    The International Organization for Migration (IOM) is looking for an experienced radio producer/journalist to produce a broadcast quality podcast from our mission in Philippines. To that end we wish to engage journalist specialized in radio production to accompany our research team to the Philippines to conduct interviews with IOM staff. The aim is to produce a 45-60 minute podcast program of broadcast quality using voice interviews and natural sound exploring the possible impact of the new set of humanitarian principles in crisis situations.

    IOM is developing and implementing an institutional humanitarian policy which will be embodied in a set of ‘Principles for Humanitarian Action’ (PHA) for the mobility dimension of crisis situations. These Principles will underpin IOM’s ‘Migration Crisis Operational Framework’, and will guide IOM staff and field operations when responding to the human mobility dimension of crises.

    Field-based reports will be undertaken to explore and identify the current and recent operational experience of humanitarian challenges and issues IOM staff face, and the effects the PHA initiative will have on these challenges.

    Payment will cover 10 days of work (five days in field and five days for post-production), flight, transport and daily allowance.

    The journalist should have experience with international media and ideally have produced work for international organizations previously.

    Aims and Objectives of Podcast Report –
    § To scope out, identify and document the nature and the different types of humanitarian challenges and dilemmas faced in diverse operational settings;
    § To explore how accountability challenges towards communities and affected populations are met in the field;
    § To document the types of support provided at different levels to guide humanitarian and rights-based interventions and identify gaps.

    Please contact Leonard Doyle ldoyle@iom.int

    Snap Judgment Call For Pitches & Themes List

    Snap Judgment is once again looking for freelance pitches.  Below you'll find a list of our upcoming themes. Send your pitches to pitches@snapjudgment.org

     

    ***The Tortoise & The Hare***

    Stories in which someone achieves something by doing the opposite of what they’re supposed to.  Also, stories in which the a character is willing to plod away for a long, long time – despite criticism from naysayers – to get what he needs. 

     

    ***The Duel***

    Face-offs. Grudge matches.  Rematches.  Stories in which someone goes toe-to-toe with an adversary in a weird and unexpected way and maybe discovers something about themselves in the process.         

    ***Viral / The Meme*** 

    Stories about ideas spinning out of control.  Gossip gone wild.  Youtube videos spawning Youtube videos.  A catch phrase that you’re absolutely sure you coined, but nobody believes you!  Perhaps someone tries to start a trend and fails.  Really, we’re just looking for an excuse to use the word “meme” as many times as possible. 

    ***The Forbidden Zone***

    Do you have a story about an abandoned island?  A radioactive wasteland?  A room that was off-limits growing up but which surely contained untold riches and magic?  It doesn’t even need to be a place per se; it could be realm of forbidden behavior, like the one thing everyone knows but which you’re not supposed to actually say out loud.  Which brings to our next theme…  

    ***Unspeakable***

    It could a taboo word.  A persona secret.  Or even an open secret that's never uttered out loud.  But once it's said it, it can't be unsaid.  So we keep our mouth shut … or not.  And come to regret it … or not.  If you have  a story about someone entering a forbidden realm of discussion, we want to hear it. 

    ***Leap Of Faith***

    Everyone has something they choose to believe in the absence of hard evidence.  Sometimes it's because life would make no sense without it.  Sometimes they just know it's true in their bones.  But other times, let's face it, they're just engaging in wishful thinking.  We're looking for stories in which people struggle with whether or not to take a leap of faith, and experience the consequences of their choice.  (Keep in mind the leap does not necessarily have to be religious in nature).  

    ***GI Jane***

    Stories of women in combat — both literally and figuratively.  Stories of fighting alongside women — both literally and figuratively.  Stories in which women get to kick some ass.  As always, we're looking for narrative arcs that go beyond the usual inspirational profile piece.  In fact, banish the word profile from your mind.   

    ***Gaia***

    After a recent story meeting, we concluded that storytellers (truth-tellers) have failed to present Global Warming in a narrative sense that touches regular people.  Without a compelling story, we will continue to ignore the greatest catastrophe of our time.  We're looking for stories that bring home the truth what is happening to our world, our Earth, on a personal level.  We're not looking for earnest, boo-hoo pieces about an assaulted ecology, but stories that make personal what's going on without being preachy. 
    ***Helpful Hints For Pitching***
    As usual, we're interested in stories with classic narrative arcs — so no profiles, no news reports, no issue-based pieces.  Instead, imagine that you're pitching us a movie.  Movie pitches are all about a sequence of events, so give us the enticing premise, introduce the compelling characters, then describe the thing that sets the story in motion, the rising stakes, the unexpected development, the third act twist, and the ending that somehow feels unexpected and inevitable at the same time.  Okay, it doesn’t need all those things, but you get the idea. Anything that sounds like a movie (or a short film) will definitely get our attention. And if you can’t pitch your story as a sequence of events, well, it probably wasn’t a Snap story in the first place.

    Nat Geo looking for characters

    Not totally sure what to make of this, but thought it was worth passing along. The talent director at National Geographic TV channel is looking for stories. They're also paying for anyone who finds characters / storytellers. Contact Stacey McClain at — SMcClain@natgeotv.com

    ++++++++++++++++++++

    Our talent is authentic, daring and unique in their pursuits.  They’re not looking to be on television but they should be.  They are characters WITH character who have a strong point of view.  They’ve lived on Earth long enough to know how they want to live their life and this is what they CHOOSE to do. Their world is different from the norm… it’s aspirational and serves as an escape for our audience.  Our talent is someone to whom our viewer can relate but who also has something our viewer wants.  

    They could have the guts to pursues a high stakes, action-packed, engaging job that has big risks and payoffs as in Wicked Tuna.  Or maybe they decided to leave the trappings of modern society to live life free and on their own terms with a little wink and a smile as they go about it as in The Legend of Mick Dodge.  

    Our audience is a 60%/40% male/female split.  Is mostly Middle America, Middle Income, Middle Education.  Average age is 49.  Red states.  They work hard all day – typically at a blue collar job – and maybe have 1 hour each night to watch TV and relax.  So they don’t want to see someone working hard at a job similar to theirs.  They don’t want to see people in urban areas.  They don’t want to see people fighting for fabricated drama’s sake.  They don’t want to see shows that must be heavily produced to work.  They want to be entertained first and maybe pick up some takeaway knowledge that they don’t have to work at to obtain.

    Our audience punishes us for being derivative and rewards us for being distinctive and wants elements of the core DNA of the National Geographic brand apparent in each program.  Meaning, if you had a line of televisions next to each other… removed the characters… the backdrops would all feel Nat Geo and have some or all of these elements… epic landscapes… nature… exploration… action/adventure… authenticity… inside access.  

    Here’s a link to an episode of Life Below Zero and some Mick Dodge clips.  Our audience has responded favorably to these characters and return week after week to watch them.  They’re just the real deal and I need more people like them.

    Life Below Zero – Sue Aitkens
    The Legend of Mick Dodge – Mick

    And here’s a link to a character reel that was a result of reading an article about this guy… hiring a day shooter/producer to ingratiate himself with him and get him on tape.

    CALL FOR NOMINATIONS, 29th Annual Excellence in Journalism Awards, deadline Sept 5

    29th ANNUAL SPJ EXCELLENCE IN JOURNALISM AWARDS
CALL FOR NOMINATIONS
, deadline Sept 5. Details below. ________________________________ FOR IMMEDIATE RELEASE
— Aug. 12, 2014 Contact: Lila LaHood (415) 846-5346 or Liz Enochs (415) 323-0220 Know a deserving journalist who’s performed brilliant work over the past year? Someone who does what it takes to get the story, photo or video? Whose dedication to our craft is second to none? Maybe that journalist is you! For the past 29 years, the Northern California chapter of the Society of Professional Journalists has selected from among the Bay Area’s best of the best for its acclaimed Excellence in Journalism Awards. These awards honor the journalists whose work stand out in their embodiment of SPJ’s ideals of initiative, integrity, talent and compassion. The contest entry site — awards.spjnorcal.org — features a one-stop shop for all your contest needs, including a short video with detailed, step-by-step instructions. (We no longer accept mailed entries.) Create an account, and the site will walk you through the rest. Deadline is 11:59 p.m. PDT on Friday, Sept. 5, 2014. See below for complete Contest Categories and Submission Guidelines. Best of luck! CONTEST CATEGORIES BREAKING NEWS Honors individuals, teams or news organizations whose work demonstrates clear and accurate reporting and graceful writing on deadline. Judges will consider deadline pressure and complexity of subject. Entry specifications: Submit up to three stories and related multimedia content. Categories: Print/Text, Radio/Audio and TV/Video. INVESTIGATIVE REPORTING Honors individuals or teams that identify important issues and demonstrate initiative, persistence and resourcefulness in pursuing information that is restricted or not easily available. Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories in the series. Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Text. EXPLANATORY JOURNALISM Honors journalists who increase readers’, listeners’ and/or viewers’ understanding of significant or complex issues. Entries may add understanding to issues in the news or may focus on issues largely uncovered by the media. Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories in the series. Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Text. COMMUNITY JOURNALISM Honors journalists and organizations whose primary focus is coverage of a well-defined small community or neighborhood. Entries may include print publications, news broadcasts or news sites. University-supported projects are not eligible. Entry specifications: This is for community-based outlets. Submit no more than five news stories and related multimedia content, or two news packages demonstrating the range and depth of local news coverage. Categories: Print/Text, Radio/Audio and TV/Video. FEATURE STORYTELLING Honors journalists for exceptional writing that demonstrates originality of approach. Judges will consider humor or drama evoked, style, clarity of writing and suitability of the writing to the subject. Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories in the series. Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Text. COMMENTARY/ANALYSIS Honors individuals for exceptional writing of commentary, analysis and editorials. Print entries may include bylined or unsigned content. News-related blogs are also eligible. Judges will consider quality of expression, clarity of analysis and originality of approach. Entry specifications: Submit up to three samples. Categories: Print/Text, Radio/Audio and TV/Video. ARTS & CULTURE REPORTING Honors journalists for incisive reporting about art, music, movies, theater, dance, books, restaurants, architecture or other public performance. May also include reviews. Judges will consider quality of analysis and persuasiveness of arguments. Entry specifications: Submit up to three samples. Categories: Radio/Audio, TV/Video, and Small and Large divisions* for Print/Text. JOURNALISM INNOVATION Honors individuals or organizations that have demonstrated innovative ways to further the goals of journalism using online tools, new funding strategies and/or other approaches. Entrants should demonstrate how innovation has led to unique coverage. Entry specifications: Submit up to three samples showing how this innovation works. Categories: All media. DATA VISUALIZATION Honors individuals or organizations that have demonstrated excellence in presenting complex information using graphics, maps and other data visualization and interactive tools. Entry specifications: Submit up to three samples. Include the associated stories or links to them online. Categories: All media. BEST SCOOP Honors individuals or organizations for breaking an important news story that led to extensive coverage by other organizations. Entry specifications: Submit one story or package of related stories and associated multimedia content. Categories: All media. PHOTOJOURNALISM Please include the written story or explanation with each submission. Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful photojournalism produced on deadline. Judges will consider deadline pressure and complexity of subject. Entry specifications: Submit photos with cutlines from up to three stories. No more than 15 images in all. Categories: Individual and Team. Photo Essay — Honors individuals, teams or news organizations for excellent storytelling presented in series of related photos that either serve as a stand-alone photo essay or are associated with a written story. May have appeared in print and/or on the organization’s website. Entry specifications: Submit photos with cutlines from one photo essay. No more than 15 images in all. Categories: Essay of 1 to 5 images; Essay of 6 to 10 images; Essay of 11 to 15 images. Audio Slideshow — Honors individuals, teams or news organizations for excellent storytelling presented in an audio slideshow that either stands alone or is associated with a written story. Entry specifications: Submit one audio slideshow of up to three minutes in length. Portfolio — Honors an individual for excellence in photojournalism. Entry specifications: Submit up to 10 images with cutlines. Include the associated stories or links to them online. All images must have been produced between July 1, 2012 and June 30, 2013. Single Image — Honors an individual for a single excellent image captured in the past year. Entry specifications: Submit one image with cutline. Include the associated story or a link to it online. Image must have been produced between July 1, 2012 and June 30, 2013. VIDEO JOURNALISM This category honors an emerging form of journalism that is increasingly impactful in the emerging world of digital news. Video journalism is image-driven and may or may not include the kind of narration or the involvement of a reporter of traditional broadcast reporting. How this differs from the TV/Video categories above: Those categories encompass traditional TV-style journalism, usually driven by a reporter and which involve a traditional script and narration. Video journalism is driven by the photographer/video journalist. Its primary focus is on images. And it may break the rules of traditional broadcast journalism, shooting on mobile devices, for example, or focusing more on mood than on script-based information. Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful video journalism produced on deadline. Judges will consider deadline pressure and complexity of subject. Entry specifications: Submit videos from up to three stories. Video Journalism Essay — Honors individuals, teams or news organizations for excellent, artful storytelling presented in video journalism format. Entry specifications: Submit one essay of up to 15 minutes. If the original piece is longer than 15 minutes, submit one 15-minute segment for judging. Portfolio — Honors an individual for excellence in video journalism. Entry specifications: Submit up to five stories with a maximum combined length of up to 15 minutes. OUTSTANDING EMERGING JOURNALIST Honors a journalist with less than five years of professional experience whose work shows great promise. Entry specifications: Submit resume and three samples of work. Categories: All media STUDENT SPECIAL PROJECT Honors individuals or classes of college-level students for exemplary reporting, writing, and/or photography produced by all forms of student media, including special projects that report local news. These should be student-generated and not part of an ongoing university-sponsored project. Entry specifications: Submit up to three samples. Categories: All media PUBLIC SERVICE Honors individuals, teams, or news organizations that try to improve conditions for the benefit of society. Entries will be judged on the significance of the issues, evidence of initiative, effectiveness of presentation and results obtained or pledged. Entry specifications: May include project articles, editorials, public service announcements, cartoons, photos, graphics and online material. Categories: All media NORCAL SPJ BOARD OF DIRECTORS AWARDS Every year, the SPJ-NorCal Board of Directors honors individuals in the following six categories. Anyone may nominate candidates for consideration. There is no fee to nominate candidates for Board Awards, but a nomination letter is required. Complete instructions are available online. 1) Journalist of the Year: For extraordinary journalistic contributions in the past year. 2) Career Achievement: For extraordinary achievements exemplifying the highest standards of the profession. 3) Unsung Hero: A person whose contribution to journalism usually happens behind the scenes and is often overlooked (for example, a copy editor, librarian, web producer). 4) Meritorious SPJ Service/John Gothberg Award: For outstanding contributions to the Northern California Chapter of SPJ. 5) Distinguished Service: For distinguished service to journalism by a journalist or non-journalist. 6) The Silver Heart: Awarded to a journalist whose career reflects an extraordinary dedication to giving voice to the voiceless. SUBMISSION INSTRUCTIONS Qualifying Timeframe: Entries must have been published/broadcast between July 1, 2013 and June 30, 2014, by a news outlet or individuals based in Northern California. Each entrant may submit only one entry per category. Deadline: Entries must be time-stamped by 11:59 p.m. on Friday, Sept. 5, 2014. Multiple entries: Stories or projects entered in the Public Service, Best Scoop or Outstanding Emerging Journalist categories may also be entered in one other category. Entries for other categories may not be entered in multiple categories. Cover letters: Letters of nomination or recommendation are permitted in any category, but they are not required, except for Board Award nominations. * Divisions for Print/Text: Some categories are divided into Small Print/Text and Large Print/Text divisions to reflect the reality that larger organizations have more resources than smaller ones. “Large” organizations are defined as organizations where one or more of the following apply: print circulation exceeds 100,000 and/or average monthly unique website visitors exceed 500,000. If neither of those apply to your organization, select “Small.” Note: If your organization is a news service or an organization that produces content for syndication, choose your division based on the estimated reach the story received in syndication. Fee: For SPJ members**: $30 per entry. For non-SPJ members: $40 per entry. Payments: Payments can be made by credit card via awards.spjnorcal.org. You may also select a “Pay by check” option. Checks should be made to “SPJ NorCal.” In the memo field, please write “EIJ 2014.” Checks should be postmarked by Sept. 5, 2014 and mailed to: SPJ NorCal Chapter c/o San Francisco Public Press 44 Page St., Ste. 504 San Francisco, CA 94102 ** To be eligible for the $30 SPJ member entry fee, you must be a member of both the SPJ national organization (current membership fee $75) AND the SPJ Northern California chapter ($20) as of the time-stamp of entry. Membership is good for 12 months, based on the date you joined. Chapter membership entitles you to free or reduced member admission to NorCal chapter activities, including the Excellence in Journalism Awards dinner. To join SPJ and the NorCal chapter, please go to: www.spj.org/join.asp.

    freelance arts reporter needed in Colorado

    Hey Colorado freelancers. Great (STEADY) opportunity from the CPR arts desk. Details below. (Wish I lived in CO!) -Mia

    +++++++++++++++++

    Colorado Public Radio in Denver is looking for a talented freelancer to produce a regular 5-minute audio/web segment for our Arts Bureau Editor, Chloe Veltman, once a month. The segment is called Voicebox. here are a couple of examples of segments produced to date:

    https://www.cpr.org/news/story/voicebox-how-singing-cures-stuttering

    https://www.cpr.org/news/story/voicebox-how-auctioneers-turn-selling-art-form-and-sport

    This person needs to be a great reporter, based in Colorado and ideally has an interest in stories about the human voice.

    The pay is $375 per segment. That covers pitching, reporting, writing and going through whatever editing stages are necessary to create a polished piece. Mixing the final product is not a requirement, at least to start, though mixing skills are a plus.

    If interested, please contact Chloe at cveltman@cpr.org.

    Journo training opportunity with North Country Public Radio, Aug 25-26

    I admit – I don't know if there are any spots left and this training is coming right up, August 25th and 26th, but it might be worth an email if you'll be in this neck of the woods. Details below. -Mia
    ++++++++++++++++++

    Free Training Opportunity. North Country Public Radio's Prison Time Media Project will hold a two-day training session for journalists interested in doing more in-depth reporting on America's vast prison system and the war on drugs. For two years, NCPR has been examining the criminal justice system in the context of escalating 'mandatory minimum' prison sentences for drug crimes, debates over amending those laws, and the impact of mass incarceration on urban and rural communities within our region and across the US. Now, we have an opportunity to hold a workshop to explore ideas and strategies for bringing this important story to audiences. This will be especially helpful for small- and mid-sized newsrooms interested in tackling this complex topic without assigning a full-time 'beat' reporter. Brian Mann, the lead producer for the NCPR project will lead and moderate the sessions, along with producer Natasha Haverty, and participation by experts in the field. The session, August 25th and 26th, will be held at the remarkable Blue Mountain Center, a historic wilderness retreat in the Adirondack Mountains. Room and meals and training will be offered free of charge, thanks to the Blue Mountain Center, NCPR, and John Brown Lives. There are eight places available. Journalists will cover costs of their own travel to and from Blue Mountain Center, located in Blue Mountain Lake, New York. There is no formal application process. To apply, email Brian Mann at brian@ncpr.org. Deadline: Open until positions filled.

    Martha Foley
    News Director
    North Country Public Radio
    Canton, NY
    martha@ncpr.org
    315-229-5304

    Innovation Hub is looking for pitches

    Call for pitches from WGBH's Innovation Hub – details below! -Mia

    Innovation Hub is a new national show, from WGBH and PRI, about how the world is changing and how we'll be living next. Yes, we cover tech and startups. But we also look back at important inventions that have changed us, and forward at new ways to change human behavior and the world. We examine what it takes to be successful, what genius is made of, and what causes failure. We're an hour-long, weekly show that includes conversations from some of the biggest thinkers of our day. You can check us out at InnovationHub.org.

    We're looking to expand our coverage to include more reported pieces about innovations happening all over the country – from Manhattan to Meridian, Idaho; Sinking Spring, Pennsylvania to Seattle.

    We're now accepting pitches from reporters at local stations or freelancers. Repurposing a piece that aired locally is fine. Pay will be commensurate with other national public radio shows.

    Please send a short email with a description of your story, as well as links to previous work, to mary_dooe@wgbh.org, and we'll take it from there.

    CALL FOR PITCHES, Making Contact

    Call for pitches from the incomparable Making Contact. Pitching specifications and contact email is at the bottom of this post.  -Mia

    ++++++++++++++++

    We’re looking for pitches from freelancers on several themes. If you feel you have a story that fits or a new idea, please let us know!

    DIVESTMENT FROM FOSSIL FUELS

    We’re looking for stories about students putting pressure on colleges and universities to cut financial ties with the oil and gas industry; as well as other government bodies and private organizations making similar choices. We’re looking for lively pieces that explain the complicated financial issues at stake. We’d also be interested in personal stories about students or staff involved in these campaigns.

    SQUATTERS

    This show looks at how squatters around the world continue to maintain their delicate existence, while (often unintentionally) challenging commonly held notions about property ownership, community, and the human right to a home.

    Most American’s image of squatters that we might be familiar with – punks, semi ‘homeless’ folks in abandoned buildings. Some even choose it as a lifestyle. But that stereotype blinds us to other ways of seeing people living on land/property without paying for it. How squatters are seen by society varies widely by region.

    We are looking for several first person narratives, with squatters in different countries around the world, squatting for different purposes. Some possibilities include:

    -The Philippines, where “vote-conscious politicians and the police have been reluctant to push out squatters, who register in large numbers to vote.”
    http://www.nytimes.com/2013/12/14/world/asia/land-disputes-slow-recovery-in-philippines.html
    -Venezuela (-Torre David, the “world’s tallest squat” in Caracas.)
    -Kenya, Where the Constitution recognises the right of former hunter-gatherers to their ancestral forest lands
    http://allafrica.com/stories/201401150580.html?page=4
    -Denmark (Christiana)
    -Berlin, where seniors squatted in a community center to avoid eviction.
    -MST landless workers movement in Brazil

    The last several years has also seen occupations of foreclosed or other unoccupied homes throughout the US and Europe—technically these people are ‘squatting’ too, but has this movement changed public perceptions of squatters— something besides the“dirty punk” image?

    LOW WAGE WORKERS MOVEMENT/MINIMUM WAGE

    Over the past year or so, we’ve been watching workers at Wal-mart, fast food chains and elsewhere begin to stand up for higher wages, and change public perception of who they are and what they deserve. At the same time, cities are debating and instituting) minimum wage increases of up to $15/hour.
    We’d like unique approaches to this show–not just a profile of a campaign to raise the minimum wage in your local town…Perhaps a profile of a particular organizer…A large company that voluntarily raised wages when workers asked…An especially strange coalition of supporters for higher wages. We know this story has been covered elsewhere, so we’d like to do it with a focus on the grassroots and the ideas at stake, not just the numbers and votes.

    THE FEMALE BODY AS A TOOL FOR CHANGE

    We have already commissioned a piece on the Ukranian-based group known as Femen, groups of women who cover their exposed breasts with calls to end patriarchy. Theres no shortage of controversy about what constitutes an ethical and effective use of women’s bodies to advance social change. Who controls the imagery? Does it do more damage than good? Is it feminist? Does it need to be? We are interested in stories that use real examples to explore these questions–which may not have any clear answers or consensus.

  • **Note: we get occasional pitches about feminist or other forms of pornography. Feel free to pitch these for this show, but they must contain a wide variety of perspectives and views. Porn is such a complex issue in itself, we might just wait and do a separate show on it at some future time.

    VOTING RIGHTS

    In 2013, the Supreme Court eliminated provisions in the Voting Rights Act designed to protect voters from intimidation and disenfranchisement tactics. The ruling lifted restrictions on nine states that now allow them to change their election laws without advance federal approval. These are jurisdictions that have had a history of enacting racially biased election practices. What are the implications of lifting these restrictions? What is happening in jurisdictions previously under federal oversight? Are we seeing any questionable voting practices being pushed? What’s protections do voters have now? We are looking for first person accounts of voter disenfranchisement.

    ___________________

  • SPECIFICATIONS

    Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa, and Australia. Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

    This call for pitches is for segments of about 8 minutes (unless otherwise noted), and we generally pay $450 per story. but we also occasionally take longer pieces (12 or 26 minutes).

    As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

    Consider the following. Does the story:

    Link grassroots issues and human realities to national or international trends?

    Give listeners a historical, political, or social context of major national and international events?

    Shed light on social and economic inequities?

    Explore any alternatives or solutions?

    Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

    We’re also always interested in pitches on any of our regular beats: prisons, poverty, climate change, reproductive health, and the environment.

    We look forward to hearing from you!

    Laura Flynn, Jasmin Lopez, Andrew Stelzer & George Lavender
    Making Contact producers

    [conferences] Journalism Next Conference in Atlanta September 6

    I don't know much about the Journalism Next conference but I thought I'd pass this along. Sept 6, Atlanta.

    +++++++++++++++++
    The Atlanta Press Club is hosting a day long conference on all things journalism titled "Journalism Next, thriving in the digital age."

    http://journalismnext2014.com

    It promises to "arm media professionals with the tools and knowledge to thrive, not just survive, in a dynamic media landscape."

    The conference will bring journalists, students and journalism educators together in one place for hands-on training and to learn from industry experts.

    Great speakers and lots to learn. 

    AIR’s New Voices scholarships for upcoming Third Coast Festival (woot!), application deadline Sept 1

    Hello budding radio people! AIR is offering a bunch of scholarships for up-and-coming radio producers who want to attend the 2014 Third Coast Conference. (Which is the best conference around IMHO.) Application deadline is Sept 1. And let me know if you plan to go to the conference – I'll be there and would love to meet up with some FC folks. Best, Mia

    ++++++++++++++++

    Dear AIRsters and friends,

    We're thrilled to announce the opening of AIR's 2014 New Voices scholarship to support minority producers attending the Third Coast Conference in Chicago this fall. We expect this year's gathering to be bigger and better than ever, with hundreds of producers coming from across the country to celebrate and learn the craft of audio storymaking.

    For six years running, AIR, with support from CPB and NEA, has recruited gifted producers, providing stipends and professional support to help them chart new paths into public media. This new class of recruits will join an important cohort of New Voices alumni, nearly one hundred strong, who are working across the system as indie producers, network reporters, station staff and more to expand and diversify our industry's workforce.

    Are you a New Voice? Do you know someone ripe with potential for expanding their skill set and passionate about public service media?  

    Check it out.  Apply here, or share the news with a colleague. 

    The application is open Aug. 1 through Sept. 1, 2014. Those selected will be notified by Sept. 18, 2014. For all the details, please carefully read the AIR New Voices FAQ

    Get touch if you have questions. I'm at rebecca@AIRmedia.org. I can't wait to hear from from you. 

    Cheers,
    Bec

    Fulbright Now Accepting Applications for Storytelling and Public Sector Fellowships, deadline Oct 14

    The call for applications for the Fulbright National Geographic Digital Storytelling Fellowship and the Hillary Rodham Clinton Fellowship is now open. Deadline for both awards is October 14th, 2014. Visit the Fulbright website for more information.
    The call for applications for the Fulbright National Geographic Digital Storytelling Fellowship and the Hillary Rodham Clinton Fellowship is now open. Deadline for both awards is October 14th, 2014. Visit the Fulbright website for more information.

    Fulbright-National Geographic Digital Storytelling Fellowship

    The Fulbright-National Geographic Digital Storytelling Fellowship was launched in 2013 as a new component of the Fulbright U.S. Student Program. It provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in up to three countries on a globally significant theme. This Fellowship is made possible through a partnership between the U.S. Department of State and the National Geographic Society.

    J. William Fulbright – Hillary Rodham Clinton Fellowships

    Fulbright-Clinton Fellowship provides opportunities for U.S. citizens to serve in professional placements in a foreign government ministry or institution in partner governments. Fulbright-Clinton Fellows build mutual understanding and contribute to strengthening the public sector while gaining hands-on public sector experience. The Fulbright-Clinton Fellowship also includes an independent academic study/research component.

    Journal of Radio and Audio Media calls for proposals

    For you academic types – a call for proposals from the Journal of Radio and Audio Media (JRAM).

    This from the editorial assistant and reviews editor: 
    We just released several calls for proposals for peer-reviewed articles on a variety of themes, and we are also accepting proposals for related book, radio, and podcast reviews; graduate research abstracts, and commentary. Details are below. Please consider submitting and share widely with anyone that might find this of interest. 
    ++++++++++++++++

    JRAM Call For Submissions, 7-22-14 

    The Journal of Radio & Audio Media has CFPs for upcoming issues and accepts suggestions for symposium ideas by guest editors. For instance, we would be interested in focused discussion(s) regarding issues involving community radio. Other interests include, but are not exclusive to, the state of Black radio; racial, ethnic and gender considerations are equally relevant. Please contact JRAM Editor Phylis Johnson (phylisj@yahoo.com) with your ideas and proposals. 
     
    Completed papers should be submitted by authors through JRAM's Manuscript Central (and blind reviewed) unless otherwise stated (i.e., as in the case of being invited by a symposium editor or the JRAM editor). It is advisable to consider how race, gender and ethnicity are relevant to the themes below, as well as to all submissions, to ensure a balanced discussion of issues, whenever possible. International authors/and those with international perspectives are encouraged to submit. Refer to JRAM for manuscript style and submission specifications. CFPs run concurrently; more than one theme/symposium might be featured simultaneously within an issue, or might provoke a series, depending upon the response and the number and quality of submissions. All methodologies will be considered.

    Call for scholarly papers on the following themes. 
    Mobile Radio/Audio & New Technologies – Papers on the theme Mobile Radio and Audio. Topics might include: "cell phone apps," "Internet podcasts/downloadables," "new mobile forms of listening and research," "cross promotion programming," and "new/future technologies on the horizon," and "unique audio programming." 
    Deadline: Proposals/statements of interest due August 15, 2014. Completed papers due November 1, 2014. 
    The Beat Goes O n – Papers on music radio (this can be loosely interpreted) with a focus on changes, challenges, innovations, and competing services – commercial and non-commercial (i.e., satellite, Internet, community, college). Suggested topics: "memory and nostalgia of radio in popular culture" (i.e., portrayal of radio in movies), "evolution of music formats," "changes in music listening," "role of personality and curation in listening," "strange trends in listening," "odd formats," "localism and listening," "the disc jockey, the celebrity and fandom," "Casey Kasem then and syndication today," "jingles & commercials and culture," and other radio icons and ideas, as well as reflective essays on what we can learn from radio's past as it impacts new ways, trends, and technologies. Thinking out of the box is welcome, like what about the use of radio/music in games such as Grand Theft Auto and Fallout's Galaxy News Radio (GNR)? 
    Deadline: Proposals/statements of interest due August 30, 2014. Review of papers will begin immediately, and continue through December 15, 2014. If there is significant interest, this might be an on-going series. Completed papers must be submitted through JRAM's Manuscript Central (and blind reviewed) unless invited by a symposium editor or the JRAM editor. 
    Radio and Audio Art – Papers on issues and themes relevant to "radio and audio art" (i.e., Luigi Russolo and noise art, sonic performance, audio theater, soundscape, sound mapping, soundwalks, radio stations as soundmarks, sonic installation, car sound, sound sculpture, sonic DIY/creative audio applications, acoustic ecology, innovative ways of broadcasting/listening, programming/audiences, electronic art formats, cinematic audio, spoken word, sonification (sound data), historical and future considerations; international perspectives/authors encouraged). 
    Proposals due October 15, 2014. Completed papers due March 1, 2015. (On-going theme of interest)

    Rising Star – Accepting proposals and papers on issues and themes (as well as essays and research on innovators/theorists/practitioners) relevant to the future of radio and audio media. 
    Deadline: continual.

    Sports Radio, in all its audio forms: This theme focuses on the state of sports radio (traditional or online), asking questions recently posed through research/discussions presented at radio conferences (i.e., RAB) and seminars, with some specifically looking at future sports listening in a connected world. Consider recent studies such as Edison's "Infinite Dial 2014: Sports Radio" and discussions at Radio Ink's The Sports Radio Conference earlier this year. Or what about WGN's Jimmy deCastro's launch of "The Game" 87.7 FM Chicago (details, http://www.robertfeder.com/2014/02/17/wgns-new-fm-let-the-game-begin)? Other significant frames of reference might be women's sports talk radio shows, and perhaps thoughts toward the broadcast of the women's 2014 World Cup. Discussions regarding the coverage of sports radio (online, podcasts, etc.) by stations across the world are welcome. Seeking a symposium editor, and suggestions for contributors as well. 
    Proposals/statements of interest are encouraged to be sent to the editor by September 30, 2014. Completed papers accepted immediately for review. The review process will remain open, however, with preference toward papers submitted prior to January 15, 2015. That does not exclude on-going paper submissions on this theme. Papers should be submitted through JRAM's Manuscript Central, unless otherwise invited to do differently. 
    ———————————–

    Reviews Section: Please submit your book, long-form audio documentary and podcast reviews to Review Editor Honna Veerkamp, honnav@gmail.com. Reviews should be limited to 800 to 1,000 words. Links should be provided to audio works.

    Research Abstracts: JRAM is also launching an abstract section on new radio/audio research and sound art/practice from graduate students (and those recently graduated; post doctorates). Please submit an abstract of your work (theses, dissertations, research in progress) for consideration, or nominate/recommend that of an upcoming scholar/sound artist. Please email to phylisj@yahoo.com.

    Commentary Section: JRAM invites your commentary and reflections on issues related to radio and audio. Creative formats of expression are invited. Please email to phylisj@yahoo.com.

    Journal of Radio & Audio Media is published (print & online) twice a year (May & November) by Taylor & Francis in partnership with the Broadcast Education Association. http://www.tandfonline.com/loi/hjrs20#.U872dLHYF_Q

    IRP new media reporting trip to Mozambique, application deadline Sept 2

    Apply for the International Reporting Project's upcoming new media trip to Mozambique, deadline Sept 2. -Mia

    Apply for New Media Trip to Mozambique 

     

    The International Reporting Project (IRP) is now accepting applications for its new media reporting trip to Mozambique from October 24 to November 6, 2014.  

    Photo: Tracey Cheetham

    The focus of the trip will be on immunizations and child health in Mozambique, particularly in light of the upcoming decisions to be made by the global community on replenishing the Global Alliance for Vaccines and Immunisation (GAVI) as it begins a new cycle for 2016 to 2020.

     

    In 2001, Mozambique became the first African country to receive GAVI's initial offering of immunizations against diphtheria, tetanus, whooping cough and hepatitis B. In the years since, it has continued to pioneer new initiatives, including delivery of the HPV vaccine and participating in a malaria vaccine trial. However, challenges remain, especially in rural communities where health care delivery is still difficult.

     

    Photo: F Mira

    This group trip is open only to applications from new media journalists, including media professionals, bloggers, influential social media practitioners and freelance contributors, who are citizens of the following nations: France, Germany, India, Japan, South Africa, United Kingdom and United States.

     

    All candidates must complete an application form and provide a detailed essay of at least 800 words describing the types of stories they might pursue during the Mozambique trip.

     

    This trip will replace our previously announced reporting trip to Ghana on the same topic.

      

    Learn more about the trip, read our frequently asked questions and apply for the Mozambique trip by midnight on Tuesday, September 2!

    Submit your work to Audio Under the Stars!, deadline July 28

    Fun event in Durham, NC. Send your stories!

    ++++++++++++++

    It's time for our final summer run of Audio Under the Stars, and we'd love to hear from you!

    August's theme is Feast or Famine: Stories of Abundance and Need. How do you measure satisfaction? We’re looking for stories of having too much or not having enough. Enough of what, exactly? That's for you to decide.

    We love sound-rich stories that make us think, make us laugh, and take us to places near and far. We especially love pieces based in Durham, in North Carolina, or made by local radio producers. Share your work or work you find compelling made by someone else. We want to hear it all, even if it's not a perfect fit for the theme.

    We need your help to find the best of the best. Use this form to submit a story for consideration— submit as many stories as you'd like! The deadline is 11:59 p.m. on Monday, July 28.

    Audio Under the Stars is a summer community listening party in Durham, North Carolina. We curate a playlist of the most compelling and fun audio and play it back in the cozy backyard of SPECTRE Arts. You can listen to a segment on WUNC's the State of Things about Audio Under the Stars here.

    Don't forget to join us on August 15 at 8:00 p.m. We'll be at SPECTRE Arts, 1004 Morning Glory Ave, Durham.

    Audio Under the Stars is a collaboration between the Center for Documentary Studies and SPECTRE Arts.

    Seeking new soundy works for Soundproof. And more.

    Call for pitches from the fabulous Julie Shapiro – recently relocated to Australia. Details below!
    +++++++++++++
    Greetings from the antipodes / RN's Creative Audio Unit!

    We've just launched a call-out for new works for our evening program Soundproof (8pm Sundays, 9pm, Fridays), and of course I'd love to hear from ALL of you.

    We're seeking 5-15 minute works, inspired by:
    – unspoken stories – tell us a story not driven by words
    – audio photographs – what are your ears looking at?
    – high/low: sound art meets junk food. literally.

    A few more details here:
    http://bit.ly/SPcallout
    Send links to audio or pitches: soundproof@abc.net.au

    While I've got you, I'm pretty looking for pitches for both shows on a rolling basis: all durations and styles: narrative work, fiction, essays, dramas, hybrids of all of that, soundscapes, composed audio features, brand new forms you've just invented…any/all of it welcome for consideration.

    Have a listen to a few shows to get a feel for what we're doing, find out more about each program, read guidelines for submitting:
    Radiotonic – http://www.abc.net.au/radionational/programs/radiotonic/
    Soundproof – http://www.abc.net.au/radionational/programs/soundproof/

    Don't be shy (or quiet)!
    Julie Shapiro

    shapiro.julie@abc.net.au

    Call for pitches – Misadventures

    This new(ish) venture looks rad – call for feature pitches below. -Mia

    Misadventures (misadventuresmag.com) is an outdoors/adventure lifestyle magazine for women, and we're gearing up to launch our first print issue and we're looking for long-form features. If you've got a story or scoop about an incredible place, journey, pioneer, overlooked moment in history, injustice, women-led project in progress, or something completely different, we'd love to read it. 
    We pay between $400-$600 for features. Send pitches to misadventuresmag@gmail.com.

    Second Kitchen Sisters Interviewing & Recording Workshop 7/24

    The Kitchen Sisters have added a second Recording and Interviewing workshop on Thursday, July 24.  Same time and details as the first workshop.  You can register at http://www.brownpapertickets.com/event/787328
    Details below!

    —-
    Time again for The Kitchen Sisters Recording & Interviewing Workshop. Davia Nelson is holding a new one on July 24 at Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for an array of audio projects–radio, podcasts, online stories, storytelling, oral histories, audio slideshows, family histories, news, documentaries, and other multimedia platforms.

    In The Workshop, Davia covers interviewing and micing techniques, sound gathering, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it looks).

    The workshop is customized to fit the projects you are working on. People who have attended in the past have come from radio, film, multimedia, detective agencies, newspapers, journalism, photography, oral history, historical societies, farms, music, ophthalmology, writing, libraries, archives, web design, restaurants, health care organizations, film, cheese-making and beyond. The groups are always lively and good contacts are made.

    The workshop is in North Beach at 916 Kearny St. Of course, snacks will be served.

    New Kitchen Sisters Recording & Interviewing Workshop – Wednesday, July 23, SF

    Hey Bay Area folks. DO NOT MISS this workshop taught by the Kitchen Sisters' Davia Nelson. She is the master. Spread the word.

    +++++++++++++++++++

    Time again for The Kitchen Sisters Recording & Interviewing Workshop. Davia Nelson is holding a new one on Wednesday, July 23 at Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for an array of audio projects — radio, podcasts, online stories, storytelling, oral histories, audio slideshows, family histories, news, documentaries, and other multimedia platforms.

    In The Workshop, Davia covers interviewing and micing techniques, sound gathering, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it looks).

    The workshop is customized to fit the projects you are working on. People who have attended in the past have come from radio, film, multimedia, detective agencies, newspapers, journalism, photography, oral history, historical societies, farms, music, ophthalmology, writing, libraries, archives, web design, restaurants, health care organizations, film, cheese-making and beyond. The groups are always lively and good contacts are made.

    Afternoon Workshop: 2:00 PM – 5:00 PM / Cost: $125.00. The workshop is in North Beach at
    916 Kearny St. Of course, snacks will be served.

    If you have any questions, or to register, e-mail kitchen@kitchensisters.org. Please pass this announcement along to your community.

    Expand your skills, meet new people, support the work of The Kitchen Sisters.

    See you there,

    The Kitchen Sisters

    BBC training resources now available online, FREE for one year

    BBC online training materials available FREE for one year. Details below. -Mia

    ++++++++++++++++

    http://ijnet.org/blog/bbc-makes-its-training-resources-free-public-11-languages

    BBC makes its training resources free to the public in 11 languages

    If you're in the market for a free journalism education, hundreds of training materials are now at your disposal. The BBC's College of Journalism made a slew of videos and guides – initially created to train its own journalists – available to reporters worldwide for free. You can watch videos and tutorials made by BBC journalists in the field on journalists' safety, social media, multimedia techniques, as well as subject and writing style guides galore. Check out the whole library here.

    The resources are already available in 11 languages – Arabic, Burmese, Chinese (Simplified), Chinese (Traditional), Hausa, Pashto, Persian, Russian, Swahili, Urdu and Vietnamese, and cover "the essential editorial skills that journalists working in the BBC World Service language departments use on a daily basis."

    Four more languages – French (for Africa), Hindi, Indonesian and Turkish – will be available this month, and they're working on translating the site into the BBC's 27 other broadcast languages.

    The resources were already available for anyone to browse, but until today the BBC enforced a subscription model for readers to gain full access to all the site's materials.

    But soak up all the free knowledge while you can – the BBC is suspending the paywall only for a trial period of 12 months.

    KCRW’s Radio Race is BACK! Aug 2-3

    On your marks… (Cash prizes!)

    ++++++++++++++

    Dear Radio Race Pioneers,  

    It’s happening! The 24-Hour Radio Race is BACK, and we couldn’t be more excited. We’ve set our dates — Saturday, August 2 to Sunday, August 3 — and opened registration to the world. We’re even on Facebook. Now all we need are contestants. 

    You were our inaugural group of daredevils and audio nerds, and we are so grateful for the energy and creativity you brought to last year’s Radio Race. As we prepare to dive into Round 2, we want each and every one of you by our side. 

    In an effort to raise the stakes and make this year’s Race even better than its predecessor, we’ve made a few key changes. This year, all three winning pieces will receive cash prizes: $1000 for First Place, $500 for Second Place, and $300 for Third Place. That’s all in addition to airplay on UnFictional, and a slew of other great prizes. 

    We’ve also added two new awards: the Social Butterfly Award for most effective use of social media, and the UnFictional Award for the piece that best embodies the spirit of UnFictional. Plus, we’ve shortened the length requirements for finished pieces — the maximum length is four minutes now, instead of six — so you can focus on making every second as good as it can be. 

    To learn all the details and sign up, visit our event page on KCRW’s website. You can also email us with any questions at ipp@kcrw.org, or reach out via Twitter (@IPPkcrw) or our IPP Facebook page

    Thank you so much for making this event possible! Now start stretching…

    Jenny (IPP Coordinator) & Carlee (Awesome IPP Summer Volunteer)

    $10k Community Stories Grant from Cal Humanities, deadline August 1

    Attention CA media makers! Details below on the latest grants from Cal Humanities. Deadline Aug 1.

    Got stories? Time to share!

    Cal Humanities is accepting applications beginning July 1st for the August 1st, 2014 deadline for Community Stories, our ongoing competitive grants program.

    Cal Humanities’ Community Stories grants program provides funding to support a wide range of community-initiated public humanities projects, including:

    • story-based performances
    • community forums
    • websites
    • video and radio documentaries
    • interpretive exhibits

    Since 2003, we have made over 400 awards for projects that collectively illustrate the diversity and breadth of the California experience.

    Who’s eligible?
    • California-based nonprofit and fiscally sponsored organizations
    • local/state public agencies or institutions
    What do we fund?

    We support story-based public humanities projects that:

    • focus on collecting and sharing real stories of California’s communities
    • involve at least one humanities expert as an advisor
    • use the methods of analysis that inform the humanities as well as community-based research
    • produce work that is publicly accessible
    How much do we fund?
    • Grant awards range up to $10,000
    • Matching cash or in-kind donations are required
    Need more info?

    For complete program information, including current guidelines, application materials and instructions, and descriptions of funded projects, click HERE.

    A recorded informational webinar for this round is now available.  Click HERE to access it.

    upcoming opportunites with Above the Fray, UnFictional, and CBC’s How To Do It

    If you work in public media and you're not yet an AIR member, you should be. (And I don't work for them, I'm just a member and a big fan.) A slew of opportunities have popped up on their listserv recently. Here are a few with upcoming deadlines. Go for it! -Mia

    1) The Above the Fray fellowship deadline is July 1, 2014
    Learn more about the fellowship's history and requirements here: http://www.thejohnalexanderproject.org/apply.html

    2) UnFictional is seeking pitches (topics: Spying/Eavesdropping, The Unreliable Narrator, The Phone Call). They are always looking for great stories outside the themes, too. (ongoing deadlines)


    3) The Canadian Broadcasting Corporation's radio show How To Do It: The Guide to Everything Else is looking for submissions for upcoming episodes. Deadline July 7, 2014.

    How To Do It is a half hour radio show that explores how to do the things you never learned in school, by hearing from people who have lived through these situations. 

    To get a sense of the tone of the show and the kinds of stories we like you can check past shows atwww.cbc.ca/howtodoit. The show puts a premium on surprising stories and unexpected interpretations of the theme. The tone is often tongue-in-cheek, cheeky, and humorous. Stories should have some amount of levity. At the same time, stories can still address serious topics. 

    We are looking for approximately 5-7 minute radio stories based on the topics below. These could be stories you tell about yourself or pitches about people's stories where you would gather the tape. 

    We are open to creative interpretations of the topics and any ideas for innovative use of tape to enhance the story telling. 

    Please send a paragraph describing the story you would like to tell to streleaven@gmail.com 

    We will pay CMG (Canadian Media Guild) rates ranging from $75-$500 depending on the nature of the submission 

  • *DEADLINE MONDAY JULY 7TH**

    HOW TO SELL OUT 
    We are looking for stories of people who ditch their values or moral integrity for some other end – fame, money, power, love. Or perhaps less enticing reasons – a free clock radio or praise from a superior. The more dramatic/amusing the about-face, the better. (Attention: priests who have become pimps.) Maybe the "sell-out" is deeply personal: you were a diehard vegan until you discovered smoked meat. What is your sellout threshold and how did you determine it? We want to hear how you were bought. 

    HOW TO LIVE IN CAPTIVITY 
    How have you survived captivity – whether it was doing time in a prison, on a cheesy cruise ship, or at a bad family reunion? We are looking for stories of being trapped, held hostage, or living in captive. We're open to both literal and figurative interpretations, and bonus points for both levity and any instructional component. 

    HOW TO SPEAK TO THE DEAD 
    Have you ever had a conversation with the dead? Perhaps you had an encounter with a ghost, participated in a seance or got a message from a Ouiji board? Or maybe you're haunted by someone long gone? Is there a ghost you just can't let go of. We want to hear about what haunts you, and how you dealt with it.

  • Deutsche Welle looking for freelancers

    Deutsche Welle (DW) is looking to expand their freelancer base, especially in Washington and London. Details and contact info below!

    +++++++++++++

    We are looking to expand our correspondent base for the website. We need freelance reporters who we can contact for both quick turnarounds of developing news stories as well as features. Though I'm focussed on making more contacts in Washington and London, I would also like to hear from people in capitals around the world. There are all too many places where we have gaps in our coverage.

    Please pass on the word and if you know of anyone who may be interested, ask them to contact me for more details. They should send a C.V. and samples of their work.

    This is a group mail, so please forgive me if you get it twice.

    All the best,
    Nancy

    Nancy Isenson
    Editor/Redakteurin
    Deutsche Welle (DW)
    Kurt-Schumacher-Straße 3
    53113 Bonn Germany

    Tel: +49 228 429-4058
    Fax: +49 228 429-4583
    nancy.isenson@dw.de

    News, analysis and service from Germany and Europe in 30 languages: http://www.dw.de/english

    Latino USA call for pitches

    Lots of great themes here. Send your pitches to Latino USA!
    ++++++++++++++++

    Here’s a list of the program themes that Latino USA is working up over the next few months. Along with the descriptions, I’ve also posted the air date of each show, in case you have ideas with particular time hooks. Please send pitches to: pitches@futuromediagroup.org.

     

    OUTDOOR ADVENTURE (ongoing)

    Get out there and have fun! If your outdoor adventure idea also has an element of environmental stewardship in it, all the better.

     

    ESCAPE (8/1/2014)

    Getting away, becoming free.

     

    GENIUS IS…(8/15/2014)

    Thomas Edison said it was 1 % inspiration and 99% perspiration. We’d like stories about working, tenacity, following a vision.

     

    SHOWTIME (9/12/14)

    Performance, celebrity, entertainment.

     

    ALLIES (9/19/2014)

    Unlikely friendships, strange bedfellows.

     

    LANGUAGES (9/26/2014)

    ‘Nuff said. (Or written.)

     

    THE FEAR OF…(10/3/2014)

    Stories about what scares you, and about overcoming fear.

     

    TARGETED (10/10/2014)

    From marketing to hunting.

     

    ISLANDS (10/17/2014)

    That can be literal (like stories from the Caribbean) or figurative (like isolation and/or breaking out of it).

     

    ELECTIONS (10/24/2014)

    Democracy, voter participation, voter suppression. (One example would be a story about the Texas lieutenant governor’s race.)

     

     

     

     

    Pitch to Snap Judgment! Latest theme list.

    Hey folks. Snap Judgment wants your stories!! Really, don't feel shy. They genuinely want to hear ideas from folks so even if you think you MAY have a good story, send it along. But please follow the guidelines below. Good luck!

    -Mia

    +++++++++++++++++++++++++

    Greetings Snap Contributors,

     

    The time has come for another Snap Judgment themes list. 

     

    But before we get to that, a quick word on pitching the show.  In our last newsletter, we talked a little bit about the elements we’re looking for in a story (multiple scenes forming a narrative arc, a main character wrestling with a central tension, blah, blah, blah…), but we also want to give you a tip about how to pitch the story once you’ve found it.  And it’s actually a really simple trick.  Are you ready? 

    Good, cuz here it is: Don’t pitch us a public radio story. Pitch us a MOVIE.  

    A typical public radio pitch invariably describes what a story is broadly about, more often than not some kind of compelling concept; a movie pitch summarizes a sequence of events.  Give us the enticing premise, introduce the compelling characters, then describe the thing that sets the story in motion, the rising stakes, the unexpected development, the third act twist, and the ending that somehow feels unexpected and inevitable at the same time.  Okay, it doesn’t need all those things, but you get the idea.  

     

    Anything that sounds like a movie (or a short film) will definitely get our attention.   Because that’s what we do, we make cinematic stories that just happen to be audio-based — usually from a first person perspective.  And if you can’t pitch your story as a sequence of events?  Well, then, it probably wasn’t a Snap story in the first place.

     

    Okay, onto the themes:

     

    ***Any Really Good Story***

    We will never stop saying this.  If your story is amazing, it will make it on the air, theme or no theme.  In fact, consider the following themes inspiration, but do not take them as gospel.   

     

    ***The Forbidden Zone***

    Do you have a story about an abandoned island?  A radioactive wasteland?  A room that was off-limits growing up but which surely contained untold riches and magic?  It doesn’t even need to be a place per se; it could be realm of forbidden behavior, like the one thing everyone knows but which you’re not supposed to actually say out loud.  Think about it.

     

    ***Washed Up***

    Stories of people who are literally and figuratively washed up.  A shipwreck on a deserted island. A message in a bottle.  That one dog who somehow managed to escape all attempts to give her a bath, until one day.  Or just stories of people having an interesting experience in which they reach rock bottom. 

     

    ***The Leak*** 

    It's a leak in all senses of the word.   The water seeping through the hole or  the secret dying to get out.  It's the story of the whistle blower, the captain of the sinking ship, the instigator or the investigator.  Everybody is trying to contain it, but eventually it will all come out.

     

    ***The Duel***

    Face-offs. Grudge matches.  Rematches.  Stories in which someone goes toe-to-toe with an adversary in a weird and unexpected way and maybe discovers something about themselves in the process.          

     

    ***The Tortoise & The Hare***

    Stories in which someone achieves something by doing the opposite of what they’re supposed to.  Also, stories in which the a character is willing to plod away for a long, long time – despite criticism from naysayers – to get what he needs. 

     

    ***Viral / The Meme*** 

    Stories about ideas spinning out of control.  Gossip gone wild.  Youtube videos spawning Youtube videos.  A catch phrase that you’re absolutely sure you coined, but nobody believes you!  Perhaps someone tries to start a trend and fails.  Really, we’re just looking for an excuse to use the word “meme” as many times as possible.     

    ***Gaia***

    After a recent story meeting, we concluded that storytellers (truth-tellers) have failed to present Global Warming in a narrative sense that touches regular people.  Without a compelling story, we will continue to ignore the greatest catastrophe of our time.  We're looking for stories that bring home the truth what is happening to our world, our Earth, on a personal level.  We're not looking for earnest, boo-hoo pieces about an assaulted ecology, but stories that make personal what's going on without being preachy. 


    SNAP JUDGMENT FREELANCER INFO

    Do You Have A Mailing List?

    Yes.  Email pitches@snapjudgment.org and ask to be added.  We'll be trying to email people once a month with upcoming themes.

    Why Should I Pitch To Snap?

    1) We pay well.  $95/minute for your first three stories.  $105/minute after that.  We also give everyone a $250 kill fee.   And our stories are long (see next line).

    2) We give you time to tell your story.  The average Snap piece is now 8-15 minutes.  That means fewer editorial puppies being killed, and more time being spent on scoring and mixing each piece.

    3) Your story stands a very good chance of making it to air very quickly.  We have programming gaps for every single upcoming theme. That means if we like your pitch, we will not put it in a maybe pile for a year.  Once it's produced (provided it's not killed), it will in all likelihood be on the air shortly.

    4) You still own the story and can create your own director's cut. You can't sell something (say on PRX) that's too similar to what we did on the show, but you can always put your own version on your website or resume if you prefer.  If you make a story that's substantially different, you can sell it to anyone after we air our version.

    5) You can produce cool old stories with no pegs.  See next section!

    Where Can I Find Stories For Snap?

    Most people think they need to "stumble upon" a small, intimate, underground story for Snap Judgment.  This is simply not true.  Great stories can come from a newsletter, periodical, magazine, press release, obscure TV program, non-fiction book or documentary. If you have found ANY story with strong narrative elements which hasn't gotten too much press in the past few years and hasn't yet been turned into a radio piece (and one of the characters turns out to be a capable talker) you should pitch us.   Anytime you come across such a story, we are potentially interested.

    How Do I Know The Story Is Right For Snap

    1)    Is the story not just a story, but a tale?  In other words, does it have characters with wants and needs and hopes and fears, scenes that play out in a chronological order in which said characters make important decisions and discover new things, and some kind of central tension that gets resolved in an unexpected way over the course of a narrative arc?  If so, then it’s a tale, and we’re interested. 

    2)    Is the story cinematic?  In other words, will it provide us with scenes rich enough in detail that the listener can see events playing out in their mind’s eye?  Because we’re not interested in narratives in which things happen on an abstract level.   We want the listener to be transported to a specific time and place.   

    3)    Is there something new about it? Every Snap Judgment story needs to have an unexpected wrinkle, a new element, that makes the listener stop what they’re doing and pay attention.  Sometimes the new thing is just the fact that you’ve discovered a great talker, but nine times out of ten it’s a unique premise or plot element. If we feel like we’ve heard this one before (maybe not this precise story, but something super similar) we’ll probably pass.    

     

    How Should I Structure My Pitch?


    There's actually a really simple trick to this: Don’t pitch us a public radio story. Pitch us a MOVIE.  A typical public radio pitch invariably describes what a story is broadly about, more often than not some kind of compelling concept; a movie pitch summarizes a sequence of events.  Give us the enticing premise, introduce the compelling characters, then describe the thing that sets the story in motion, the rising stakes, the unexpected development, the third act twist, and the ending that somehow feels unexpected and inevitable at the same time.  Okay, it doesn’t need all those things, but you get the idea. Anything that sounds like a movie (or a short film) will definitely get our attention.   Because that’s what we do, we make cinematic stories that just happen to be audio-based — usually from a first person perspective.  And if you can’t pitch your story as a sequence of events?  Well, then, it probably wasn’t a Snap story in the first place.

    Whom Should I Pitch To?


    Send your pitches to the same address: pitches@snapjudgment.org.  It will be read by either Joe Rosenberg or Anna Sussman — we are both content producers for the show, and we try hard to provide constructive criticism when a pitch shows promise but misses the mark.  We also try to get back to everyone, even with a pro forma rejection just to let you know, within 2 weeks of your initial email.  NEVER BE AFRAID TO PITCH US AGAIN AFTER A REJECTION.   You can send us nine terrible pitches in a row, but if we like the tenth one, 

    we're going to want to produce it.

    CBC’s “How To Do It” wants 5-7 minute stories

    Great opportunity from the CBC. Thanks to AIR for the heads up!
    +++++++++++++++

    The Canadian Broadcasting Corporation's radio show How To Do It: The Guide to Everything Else is looking for submissions for upcoming episodes.

    How To Do It is a half hour radio show that explores how to do the things you never learned in school, by hearing from people who have lived through these situations.

    To get a sense of the tone of the show and the kinds of stories we like you can check out last year's series www.cbc.ca/howtodoit

    We are looking for approximately 5-7 minute radio stories based on the topics below. These could be stories you tell about yourself or pitches about people's stories where you would gather the tape.

    We are open to creative interpretations of the topics and any ideas for innovative use of tape to enhance the story telling. But our show really puts a premium on surprising and unexpected stories — think about ordinary people living through extraordinary situations.Please be sure the story has a clear beginning, middle and end.

    Please send a paragraph describing the story you would like to tell to streleaven@gmail.com

    We will pay CMG (Canadian Media Guild) rates.

    How To Deal With People You Hate
    We want to hear stories about how you've dealt with people you loathe – a colleague, a public figure, a random stranger. What lengths have you gone to avoid them, punish them, reconcile with them? How have you managed to go about your life when it requires interacting and confronting people you despise?

    How To Escape
    We're looking for your stories of escape, How have you broken free – either literally or figuratively? Maybe you broke out of prison or out of summer camp, or had to escape a failed vacation or family reunion, or cult.

    How to Keep a Secret
    Keeping your lips sealed can sometimes be easier said than done. We want to hear stories about how you've managed to keep a secret — and at what cost. Or maybe someone else let your secret out. How did your life change as a result? What happened when you got a burning secret off your chest or let it burn up inside you.

    NAM Launches Fellowship on Aging, deadline July 1

    $1500 grants for stories about aging and health/healthcare for older Americans. Details HERE and below. -Mia

    NAM Launches Fellowship on Aging — Apply by July 1

    Journalists can now apply for the 5th annual Journalists in Aging Fellows Program offered by New America Media (NAM) and the Gerontological Society of America (GSA). We invite both ethnic media and general-audience reporters to apply by July 1, 2014.

    Selected 2014-15 Fellows will attend GSA’s 67th Annual Scientific Meeting in Washington, D.C., Nov. 5-9, and receive a $1,500 stipend. With major sponsorship from AARP, this year’s fellowship class will include 13 reporters, with one sponsored by the John A. Hartford Foundation.

    Fellows will produce an initial story stemming from research at the conference, plus a major in-depth piece or series in the following months. 

    For application details, click here
    A continuously updated list of stories from the fellows is available at www.geron.org/journalistfellows
     
    For more information:
    Paul Kleyman, NAM (415) 503-4170 ext. 133
    pkleyman@newamericamedia.org 
    Todd Kluss, GSA (202) 587-2839 
    tkluss@geron.org

    JCCF Open Call – A Day in the Life Project of a social worker, deadline July 1

    Interesting opportunity from the Journalism Center on Children & Families. $2500 grants for stories about social workers. Details here and below. Application deadline July 1.

     

     

      
    JCCF's motto is "Stories Can Change Lives." Perhaps that's why the National Association of Social Workers (NASW) wanted to partner with us on a project to find and tell stories about the ways in which social workers interact with children and families across the lifespan. 

    Journalists and social workers share many values in common. We listen. We observe. We ask questions. We try to understand. We document. We report what we see. We are professionals, bound by ethics and a commitment to the power of truth. 

     

    JCCF invites your pitches for stories that include a social work angle. Your story can be done in any medium: video, audio slide show, print with pictures, animation, graphics, etc. We will commission 12 stories from 12 reporters on a dozen topics in different parts of the U.S. If your story idea is selected, you will receive $2500 at the completion and delivery of your contracted content. Read more.  

    IRP media reporting trip to Ghana, deadline July 28

    More about the IRP and this fellowship HERE. Application deadline July 28. Go for it!


    The International Reporting Project (IRP) is now accepting applications for its new media reporting trip to Ghana on October 4-15, 2014

      

    This trip will focus on immunizations and child health in Ghana, particularly in light of the upcoming decisions to be made by the global community on replenishing the Global Alliance for Vaccines and Immunisation (GAVI) as it begins a new cycle for 2016 to 2020. 

     

    Photo: Terrie Schweitzer

    Ghana has made great progress in improving health care for its 25 million citizens. A healthy and growing economy, with one of Africa's highest annual GDP growth rates, has enabled the government in Accra to improve living conditions in many parts of the country.

     

    Yet challenges remain, particularly in smaller cities and rural areas where health care delivery is still difficult. At a time when many countries are examining their use of GAVI funds for immunization and their own commitments to funding worldwide immunization efforts, the case of Ghana presents a unique window to many of the issues being discussed in global forums. 

     

    This group trip is open only to applications from new media journalists, including media professionals, bloggers, influential social media practitioners and freelance contributors, who are citizens of the following nations: France, Germany, India, Japan, South Africa, United Kingdom and United States.

     

    All candidates must complete an application form and provide a detailed essay of at least 800 words describing the types of stories they might pursue during the Ghana trip.

      

    Learn more about the trip, read our frequently asked questions and apply for the Ghana trip by midnight on Monday, July 28!

    Media Ethics Blog

    I just learned about this fantastic resource on media ethics and law. Here's a note from the researcher, Nancy Hubbard:

    I researched and completed a list of 100 sites dedicated to Media Ethics and Journalism. I found all the most fun and informative blogs covering press organizations & societies, ethics blogs & expert media law information, law resources and news articles that anyone within the industry would find useful. You can see the list at http://journalismdegree.org/media-law-ethics/

    Spread the word to your fellow journos!

    -mia

    Program Venture Fund – Grant for Producers in the PNW

    This is a great opportunity for folks who live in the Pacific Northwest or who want to report there. Details here and below. Deadline July 11.
    +++++++++++++++++
    KUOW Program Venture Fund Announces New Round of Grants.

    KUOW is seeking project proposals for Round 25 of the Program Venture Fund (PVF). Projects funded by PVF can be a series of features, a long-form documentary or a variety of short audio pieces. There is no set format. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region in Washington state.

    To kick-start your brain storming here are a few subject areas that KUOW would like to cover over the next nine months. Do NOT feel limited to this list of subjects; this is just meant to give you a little inspiration. Feel free to submit ideas on completely unrelated topics, whatever catches your interest.

    1) Gun Control

    Two competing gun control measures will be on Washington state’s November ballot. We’re looking for stories that explore this division and give us a better understanding of the players on both sides of the issue.

    2) Innovators

    Who are the people who are challenging the way that we think and live? How are they shaping our future? Think of the researchers and clinicians hoping to create the next medical breakthrough, or the software engineer working on the next innovation that will change our lives. Who are the ones to watch and why?

    3) Getting There

    We are a society that is on the move. It’s all about getting from here to there. Our region’s aging infrastructure has made this issue of particular importance right now. US Interstate 5 is a vital arterial and is in need of a major overhaul. Hundreds of bridges across the state are in need of updates. What are the transportation challenges that we face now and in the future?

    Important: Before submitting a full application you need to send me a short description of your project, no longer than one page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website: http://kuow.org/topic/program-venture-fund

    The application deadline is Friday, July 11, 2014 at 5:00 p.m. (PT)

    Please feel free to pass this on to any radio producers you think might be interested in applying.

    Jim Gates
    Senior Editor
    KUOW 94.9 – Puget Sound Public Radio
    206.221.0747
    www.kuow.org

    [film/video] AP needed VICE on HBO NYC

    Random opportunity for you film/video folks in NYC.
    ++++++++++++
    I need to find an amazing Associate Producer to work with me on VICE on HBO and other VICE documentaries in NYC. The person should have skills in international journalism and documentary and must be able to set up, budget, coordinate shoots internationally and also develop ideas for new segments.
    Please have them send me a resume: vikram.gandhi@vice.com
    Looking to hire ASAP.
    Thanks!
    Vikram

    RFP print designer, San Francisco Public Press, deadline June 6

    Hey Bay Area design folks. The San Francisco Public Press is looking for a designer for their quarterly print edition. Proposal deadline June 6.

    ++++++++++++++++++++

    Request for Proposals: Print Designer Posted May 27, 2014

    The San Francisco Public Press is a nonprofit, noncommercial news organization that provides unbiased, indepth and investigative reporting to readers in the San Francisco Bay Area, online and in a quarterly print edition. The Public Press is based on the public broadcasting model, relying on foundation grants, memberships and newspaper sales.

    Scope and Guidelines:

    The print designer will provide professional design management and layout of the newspaper, in order to promote the organization’s journalistic mission and maintain high quality production standards. The print edition is the Public Press’s showcase product, an advertisingfree broadsheet publication that emphasizes insightful journalism and takes risks on bold design concepts. It regularly breaks ground with collaborative datadriven investigative reporting, and collaborates with dozens of other nonprofits, including KQED, KALW and the Center for Investigative Reporting. The organization values experimentation with creative graphics, photography, typography and illustration. For examples visit http://sfpublicpress.org.

    This is a contract position with occasional deadlines on small assignments and major print deadlines four times a year.

    Print edition responsibilities:

    • Designing the newsprint edition four times a year.

    • Producing news infographics in collaboration with the reporting teams.

    • Providing editorial feedback based on design principles.

    • Creating, maintaining and documenting inhouse style guidelines.

    • Commissioning illustrations by contract artists.

    • Working with the photo editor to improve images.

    • Archiving collateral for Web distribution and future projects.

    • Maintaining the highest standards of journalism ethics and accuracy.

      Requirements:

    • Three years of professional experience in editorially focused graphic design.

    • Knowledge of journalism ethics, Associated Press style, photo editing principles,

      typography, art direction, design theory for print and Web journalism and

      nonprofit operations.

    • Proficiency in Adobe Creative Suite or equivalent tools.

    • Ability to produced highend creative and compelling infographics and maps on

      multiple platforms preferred.

    • Familiarity with Drupal, CSS, HTML, PHP and Javascript preferred.

    • Strong organizational skills and sense of professionalism, including the ability to communicate clearly about assignments and meet deadlines.

    • Strong oral and written communication skills. Please submit:

    • An overview of relevant experience, including corporate and freelance work

    • A description of a project you have participated in that shows initiative and

      professionalquality work

    • A summary of any experiences working with news organizations or online

      publications

    • A portfolio of your editorial design work (online or in PDF format)

    • A onepage résumé

    • Names and contact information for at least three references

    • Fee expectations hourly or projectbased

      Timeline:

      RFP dated May 27, 2014

      DEADLINE: Send proposals no later than Friday, June 6, 2014, to: Michael Stoll, Executive Director and Editor

      • Email design {at} sfpublicpress [dot] org, using the subject line “Print Design RFP.”

      • Mailed submissions may also be sent to: San Francisco Public Press, 44 Page St., Suite 504, San Francisco, CA 94102

        It is the responsibility of the presenter of the submission to ensure that it has arrived to the San Francisco Public Press by the date specified. The San Francisco Public Press is not responsible for lost or misdirected proposals and reserves the right to not hire any respondents or to rerelease the RFP. Download a copy of the RFP here [PDF].

        If you have a question, please contact us at the email address above, or call (415) 4957377. 

    ZUMIX Radio hiring AmeriCorps Vista, application deadline this Friday May 30th!

    Spread the word to any up and coming radioheads who want to do AmeriCorps.

    ++++++++++++++++

    ZUMIX is hiring an AmeriCorps Vista Volunteer to help support ZUMIX Radio's anticipated transition from an online to a broadcast radio station with the acquisition of a Low Power FM license.

    It's important for folks to know that this is a part of the AmeriCorps government service program, and pays a taxable living allowance of $14,644/year, a relocation allowance (TBD), a $5,645 educational award, a $900 MBTA LinkPass (bus & subway), a Health Benefits Plan, child care, and professional development opportunities.

    If you know anyone who may have interest in doing a year of service, getting experience working in community radio, and who enjoys working with youth, please share the following link to the job description and let them know the application deadline is this Friday May 30th.

    Here's the link: http://www.idealist.org/view/job/JK2nFNdk8zMD/

    AIR’s Full Spectrum Storytelling Intensive, July 7-11, Brooklyn

    See below for details on AIR's Full Spectrum Storytelling intensive, July 7-11. They have quite a line up of teachers for this one – definitely worth a close look! 

    -Mia

    ++++++++++++++++

    We're spreading word about AIR's Full Spectrum storytelling intensive coming up July 7-11, 2014 in Brooklyn. Spots are filling up fast with producers from across the country, and we want to be sure you knew about this fantastic workshop. Please feel free to forward this to producers who may be interested, even if they're not AIRsters. 
    Over the course of a week, producers will learn from a team of accomplished guest speakers — experts drawn from public broadcast journalism, network technology, and media art who will take up to 14 producers on a week-long excursion through storytelling to sound processing to interactive design and more. Indie producer and seasoned teacher, Michael May, will lead the charge.

    This year's allstar instructors include Christopher Allen, Amanda Aronczyk, Julia Barton, Emily Botein, Zoe Chace, Ernst Karel, John Keefe, Jonathan Mitchell, Kaitlin Prest, and Debika Shome.

    More info and application link here
    There are $100 travel stipends available for those coming from outside the state of New York. Please contact me if you have questions or ideas for potential applicants. I'd be happy to reach out with a personal phone call. 
    Cheers from Boston to wherever you are creating.
    Bec
    AIR is everywhere


    Rebecca Feldhaus Adams
    AIR Talent Manager
    @AIRmedia

    five days left to apply to Equal Voice Journalism Fellowship/Scholarship program

    Just a few days left to apply for this great fellowship. Details below!

    The Marguerite Casey Foundation is offering fellowships and scholarships to established and emerging journalists who want to tell stories about people living in poverty in the U.S. and the policies that impact their lives. Professionals receive $4000 plus $1000 travel; students receive $1000 plus $800 travel. The deadline to apply is May 31. Applications require support letters, so get on it right away. If this isn’t for you, please consider sharing this opportunity with other media makers in your social networks. This is for U.S.-based journalists only. Read all about it here:
    Please RT: Equal Voice #Journalism Fellowship/Scholarship for reporting on poverty in US. Deadline 5/31. http://bit.ly/1rt1uj6 
    Best of luck to everyone!

    Julie Drizin
    Journalism Center on Children & Families
    University of Maryland

    Bay Area FC gathering, Tuesday, June 3, 6:30pm, Oakland

    From the lovely Ana Adlerstein:


    Hey guys, 

    Rather than foolishly schedule a meetup on Memorial day, let's try a Tuesday for a change. I've had a few folks email me over the past few months bemoaning Mondays, this month's meeting is for you! It's back to the Trappist this month, which is a few blocks from the 12th St. Bart in Oakland. 
    Looking forward to seeing you all, 
    Ana
    "May" FC cafe meetup
    June 3rd, 6:30-8:30PM
    460 8th St, Oakland, CA 94607

    FREE audio portraits workshop, May 28 and 30, 6-9pm, Athens, NY

    Documentary interviewing and sound editing workshop by the the the fabulous ladies of the WAGE/WORKING series. May 28 and 30, Athens, NY. Details below Spread the word! -Mia

    WAGE/WORKING JUKEBOX AUDIO PORTRAITS WORKSHOP and OPENING
    Workshop sessions: May 28 and 30th, 6-9PM
    Opening reception: May 31st, 5-7PM

    The Athens Cultural Center and WGXC 90.7-FM announces an exciting participatory workshop, Audio Portraits: An Introduction to Interviewing, for ages 14-adult. In this workshop participants will produce a short audio portrait of the working life of an Athen's resident to be included in the Wage/Working Jukebox which will be on exhibit at the Athens Cultural Center, 24 Second Street from May 31-Dec. 1, 2014.

    Wage/Working is a jukebox-based installation featuring stories and sounds from the working lives of residents of Greene and Columbia counties. The stories are edited to a length, corresponding with the amount of time it takes each interviewee to earn $1, creating an inverse relationship between monetary value and time. The project, which was first exhibited at the Cairo Public Library, was created by Tennessee Watson & Laura Hadden as a part of an AIR Live Interactive Residency during the Spring of 2013 at free103point9 Wave Farm, and WGXC 90.7-FM in Acra, NY, with financial support provided, in part, by the National Endowment for the Arts (NEA).

    In this two-session workshop participants will learn the basics of documentary interviewing technique, digital audio field recording, story scripting and digital editing through guided tutorials and hands-on exercises; and with facilitator support will assemble a short audio portrait.

    Session 1 will take place Wednesday May 28th 6 – 9 pm and Session 2 will be on Friday, May 30th, 6 – 9 pm. Please note that participants must attend both sessions. Participants will also be required to do work outside of class prior to Session 2, which involves interviewing a community member about their work, reviewing the recording and creating a brief outline. These workshops, co-sponsored by WGXC, 90.7-FM, will take place at the Athens Cultural Center, 24 Second Street, Athens, and are offered free of charge but pre-registration is necessary. Register on-line at info@athensculturalcenter.org or by calling 518-945-2136.

    On Saturday May 31, from 5-7 PM, there will be an Opening Reception of the Wage/Working Jukebox at the Cultural Center featuring a listening session and celebration of pieces produced in the Audio Portraits workshop.

    About Laura Hadden and Tennessee Watson:
    Hadden and Watson were cited in 2011 by the International Documentary Challenge in the Best Film and Best Directing categories for a previous joint project, Matthew 24:14. The collaborators have a diverse history working in documentary film and radio. Laura Hadden is an independent media producer who spent the last three years producing projects for the storytelling organization The Moth in New York City. Before that, she facilitated workshops at The Center for Digital Storytelling and was an apprentice and community media producer at KPFA in Berkeley, CA. Tennessee Watson is an artist and activist based in Brooklyn, NY. Her work draws from the documentary and oral history tradition, but with an interactive and performative twist. Prior to moving to NY, she spent four years at the Center for Documentary Studies at Duke University producing radio documentaries, instructing courses and coordinating Youth Noise Network, a radio project for teens in Durham, North Carolina.

    Already have audio production skills and you'd like to submit a story to the jukebox?
    Community members, who don't take the workshop, are also invited to submit Wage/Working stories from Greene or Columbia county as long as they follow the project format. To have your work considered for inclusion in theWage/Working jukebox, please contact wageworking@gmail.com for more information.

    Workshop sessions: May 28 and 30th, 6-9PM

    Opening reception: May 31st, 5-7PM

    Registration Register on-line at info@athensculturalcenter.org or by calling 518-945-2136.

    Resound call for stories

    Re-air your existing work on Third Coast's Re:Sound for a small fee and a big audience. Details below!

    +++++++++++++++

    Once again we want to let you know about upcoming themes for Re:sound from the Third Coast Festival – our remix of audio docs, found sound, music and sonic treasures from around the world. We're looking for pieces that are already produced, and we pay a rebroadcast fee of $12/minute.

    1. The Waiting Show
    Stories about… wait for it… waiting.

    2. The Shouldn't Have Pressed Send Show
    Stories about emails and texts gone awry.

    3. The Transport Show
    Stories that take place in planes, trains, busses, cars, submarines(?) etc…

    4. The Dinner Table Show
    What we talk about when we sit down together to eat.

    More about Re:sound, here:
    thirdcoastfestival.org/broadcasts/re-sound

    As always, send us a link to your work – and/or any questions – to resound [at] thirdcoastfestival [dot] org.

    Can't wait to listen.

    Yrs,
    TCF

    State of the Re:Union accepting applications for interns, deadline May 27

    Great show – great opportunity! See below. -Mia 
    State of the Re:Union is seeking interns for our next season. Please check out the description below and forward on to the aspiring radio-makers in your life. Deadline is May 27th! People anywhere in the U.S. can apply.

    Each season, SOTRU welcomes a group of interns to assist with production. Duties include transcribing interviews, story research, pre-interviewing, and multimedia production.  Interns are invited to listen in on editorial calls with our host, editor and radio producers as we shape each episode, story by story.

    To be considered for this internship, you should have a strong creative background, solid writing skills and be able to take direction. Self-starters who value attention to detail have particularly enjoyed interning with us.  Audio and video editing skills are a big plus. Our staff works remotely, and you can too; people anywhere in the U.S. can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy weeks.

    Internships for our fall 2014 season will run from June 1, 2014, until September 30, 2014.

    Applications will be accepted on a rolling basis until May 27, 2014.

    To apply, send your resume and cover letter to: internships(at)stateofthereunion(dot)com

    NYC Media-related event this Friday – Photo-Based Social Practice, 5/16, 10am-12pm

    Hey NYC folks. There's an interesting event at Aperture this Friday 5/16, 10am-12pm. Details below. Thanks for the forward Will Coley! -Mia

    "The Eventbrite registration page has been closed after 80 sign-ups. But, there’s space for walk-ins and allcomers. We don’t want to turn anyone away! Email info@asocialpractice.com to extend your interest. Thanks."

    Photo-Based Social Practice

    http://www.aperture.org/event/photo-based-social-practice-open-engagement/

    Friday, May 16

    10:00 am – 12:00 pm

    Aperture Gallery and Bookstore547 West 27th StreetNew York, NY

    FREE WITH REGISTRATION

    A discussion of socially engaged, transdisciplinary, and expanded practices in contemporary photography. 

    This panel, part of the 2014 Open Engagement conference, is offered in conjunction with the Spring issue ofAperture magazine, produced in collaboration with guest editor Susan Meiselas and the Magnum Foundation, which explores how the ground for socially engaged documentary storytelling has radically shifted over the last decade and how photographers might adapt. The panel is copresented by Aperture Foundation and Magnum Foundation’s Photography, Expanded initiative. Moderated by Eliza Gregory, panelists include: Pete BrookGemma-Rose TurnbullMark Strandquist, and Wendy Ewald. Preregistration is required. Register HERE.

    About the Conference:
    Open Engagement is an international conference that sets out to explore various perspectives on art and social practice, and expand the dialogue around socially engaged art-making. This year, the conference addresses the theme of Life/Work.

    It will include two days of programming (Saturday, May 17–Sunday, May 18) at the Queens Museum, with pre-conference events on Friday at different locations around the city. These Friday events are meant to highlight groups, organizations, and institutions in the New York area that are supporting socially engaged art.

    For more information, visit openengagement.info

    UnFictional call for submissions

    Call for pitches from KCRW's Unfictional. I've heard good things about them – drop a line if you want the inside scoop. -Mia
    ++++++++++++++

    Hello past and future UnFictional contributors!

    We’re coming up on the 4 year anniversary of this radio program/podcast! Our audience is slowly building, we’ve won some awards, stories from the show have been featured on other radio programs both here in the US and around the English-speaking world. All in all it’s been an exciting and rewarding run, and it’s due in no small part to the contributions of fantastic audio producers like yourself. We hope we’ve made a fun place to make interesting and unusual stories. We want to do more!

    We’re looking for great story ideas to produce over the next few months. We’re open to anything as long as it fits the show tone as laid out in submissions guidelines:

    Strong sense of story, a little weird, emotional, funny, strange twists and surprises… First-person non-narrated stories are always great. If the story has good sound components that’s a big plus.

    We pay decently for a local show!

    If you have any friends or colleagues who produce great work, feel free to forward this message to them as well. You can send your pitches to me at this address or to unfictional@kcrw.org

    Look forward to hearing from you!

    Bob Carlson
    UnFictional producer



    UnFictional is a program of storytellers and documentaries that cover the ground between the sophisticated and the profane. Audiences will hear captivating stories of real life told by writers and performers with a talent for tales that will suck you in. The program also features documentaries created by the most talented producers from around the country.UnFictional is one part of the Independent Producer Project, an initiative to cultivate and support the work of independent radio producers and other writers and artists. The idea is to create a clearinghouse of creativity both online and on the air.

    The program is hosted and curated by KCRW producer, Bob Carlson. He has an ear for compelling radio stories that are funny, sad, sincere and often dark. Listen for stories of hometowns and family secrets, as well as tales of drugs, sex, and aliens (both extraterrestrial and earthbound.) The stories on UnFictional will stick in your head like a memory.

    pdf icon UnFictional-submission-guidelines.pdf

    Latino USA call for pitches – special projects

    Some great projects in the works from Latino USA. Details below. Pitch deadline May 16.

    ++++++++++++++

    Latino USA has several special projects coming up that we’d love to have pitches for.


    The pay rate is $125 a minute, and pitch meetings take place on Friday mornings, eastern time.

    Please send all pitches directly to: pitches@futuromediagroup.org.


    If you’re pitching for the first time, please include some information about yourself and a couple of audio samples.

    Thanks!

    Leda

     

    Leda Hartman

    NPR’s Latino USA

    919-542-0008

    ledahart@mindspring.com

     

    Outdoor Adventure and more

    These stories are part of an ongoing series on outdoor adventure involving Latinos.

    If the stories have an environmental angle to them, all the better. For example, LUSA recently ran a piece on an ice fisherman in Colorado who has had to seek out lakes at higher elevations because climate change is shortening the ice fishing season down below.

     

    In-state tuition vox pops             

    Florida just became the latest state to allow undocumented immigrants to pay in-state tuition for college.

    LUSA would like to put together a montage of vox pops from students who can now afford to go.

    We’re especially interested in hearing from Oklahoma, Utah, Minnesota, and Kansas – or other states that aren’t the “usual suspects” like Texas or California.

     

    Stories from the heartland

    LUSA is doing a special program on changing demographics in the heartland.

    We’re especially interested in ideas from the Midwest and the West, but are open to hearing about what’s happening anywhere between the country’s urban coasts.

    Possibilities include:

    First-hand stories of Latinos living in rural areas or small towns – for example, a meatpacker or a cowboy;

    A tour of a town that now has a Latino majority – including the back story of how and why immigrants came, and how the flavor of the town has changed;

    Fresh angles on immigration in the heartland;

    Lighthearted or positive stories;

    Under-reported stories.


    Please send all pitches for heartland ideas to LUSA before May 16.

    60×60 Surround Sound Presentation at Harvestworks, this FRIDAY 5/16, 7pm, FREE

    Cool (FREE) sound event this Friday at Harvestworks in NYC. Details HERE and below.

    [May 16] VoxNovus 60×60 Surround Sound Works

    Curated by Hans Tammen
    Friday, May 16, 7pm
    Admission: FREE

    Location:
    Harvestworks
    596 Broadway, #602 | New York, NY 10012 | Phone: 212-431-1130
    Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleeker

    60×60 is a one-hour-long show made by sequencing 60 pre-recorded pieces by 60 different composers, each piece a minute in length or shorter. A unique collaboration between VoxNovus / Robert Voisey and Harvestworks in New York City to create a 5.1 surround sound mix, this 60×60 presentation will be premiered at Harvestworks’ multichannel TEAMLab listening room.

    Every one-minute piece will be played continuously without pause. Each of the 60 pieces  will begin precisely at the beginning of the minute, this will mark the end of one piece and the beginning of another.

    Inline image 1

    Next City Announces Urban Economics Reporting Fellowship for Journalists of Color, deadline May 12

    Hurry up to meet the deadline for this Next City economics reporting fellowship – MAY 12. Details HERE and below.

    Call for Applications
    Next City Urban Economics Reporting Fellowship 

    Next City Urban Economics Reporting Fellowship
    Deadline May 12, 2014

    Next City is seeking a talented journalist of color for a one-year, full-time reporting fellowship. The fellowship, which includes a $40,000 salary and health benefits, offers the opportunity to work closely with experienced writers and editors to create compelling, idea-driven journalism about cities, with a particular focus on economic development.

    Read More
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    Twitter
    Website
    Copyright © 2014 Next City, All rights reserved.


    National Recording Registry is Open to Nominations

    An unusual post for FC but I find this fascinating. Every year, the National Recording Registry (part of the Library of Congress), seeks nominations for recorded sounds (that are at least 10 years old) to add to their archive. This is an amazing resource, and, I think, something to strive for in your own work. You can browse the entire registry HERE.

    And here's the call for nominations, along with a blog post by Steve Leggett, program coordinator for the National Recording Preservation Board of the Library of Congress. (I've highlighted my favorite bit below.)

    In the weeks since announcing the annual 25 additions to the National Recording Registry the Library has been asked a few questions about rap and hip-hop and its representation on the list. These questions are valid and important to explore.

    The 2013 list of 25 additions announced earlier this month did not include a recording in the rap and hip-hop genre. However, the genre has been represented on the registry since the registry’s very first list of 50 recordings was announced in January 2003. In that year, “The Message” by Grandmaster Flash and the Furious Five was among recordings including Orson Welles’ radio drama “War of the Worlds” (1938), President Dwight D. Eisenhower’s D-Day radio address (1944) and Martin Luther King Jr.’s “I Have a Dream” speech (1963).

    The fact that those important and diverse sound recordings stand shoulder to shoulder on the same list is indicative of what the registry is about, and indeed illustrates the very important role sound recordings have played in our collective memory and consciousness since the very first recordings were captured in 1853.

    With respect to rap and hip-hop, in addition to “The Message”, the registry also includes Sugar Hill’s 1979 “Rapper’s Delight” – widely credited with launching the genre – plus three others for a total of five. That means of the 17 music recordings in the Registry that date from 1979 or later, about 30 percent represent the rap genre, including the most contemporary recording in the entire registry, Tupac Shakur’s 1995 “Dear Mama.”

    It is important to understand that the National Recording Registry is not a “best of music” list. Although much attention each year tends to focus on popular music, the registry is about sound recordings of all kinds – from political speeches to historic firsts, all deserving recognition and preservation.

    Of course the registry includes music, but it also showcases Thomas Edison’s recording of 1888 for a talking doll prototype; 1890 recordings of Passamaquoddy Indians – considered the first field recordings; Booker T. Washington’s 1895 Atlanta Exposition Speech (1906 recreation); 1917′s the Bubble Book – the first book/record recorded especially for children; the first transatlantic radio broadcast (1925); the first official transatlantic telephone conversation (1927); Charles Lindbergh’s arrival in Washington, DC (1927); FDR’s fireside chats (1933-44); Neil Armstrong’s broadcast from the moon; and many other historic recordings.

    You can view the entire list here.

    The process for selecting new additions includes review of public nominations, and active discussions and review by the advisory National Recording Preservation Board, featuring representatives from the recorded sound, preservation and music industries.  The Board advises the Librarian of Congress on national preservation policy as well as the National Recording Registry.

    Of course, selecting the recordings each year involves a lot of discourse and argument about current representation of various genres, time periods, artists and key cultural and historical themes.

    Keep in mind, the National Recording Registry represents a very small slice of the Library’s collection of more than 3.5 million sound recordings or the 46 million recordings held in U.S. public institutions according to a 2005 survey.  Many of these recordings are in dire need of preservation, an alarming fact highlighted in the 2013 landmark national recorded sound plan published by the Library.  The good news is that virtually any published recording of a song registered for copyright with deposited copies is in the Library’s permanent collections: so much, however, yet remains to be preserved and made available

    But the registry, in essence, represents a special category of recordings the Library would seek out and ensure are in our collections in the most pristine form available.  So we do like to think of it as an “honor” or recognition of the best of the best in addition to spotlighting countless other worthy recordings.  From that standpoint we welcome the fact that critics are looking, well, critically at what is on the list and what is not. Keep that dialogue going!

    With only 25 additions each year, the selection process is mighty challenging. And there is no doubt the number of recordings that should be on the registry far exceeds the number of recordings already on the registry.

    Along with rap songs that have been mentioned in recent blogs and the public – works by artists such as Lauryn Hill, Run-DMC, 50 Cent, Dr. Dre, Jay-Z, Eminem and Kanye West — this vast treasure trove of cultural importance awaiting recognition consists of radio broadcasts, technological breakthroughs, advertisements, ambient sounds and well-known standards by a stunning litany of music legends.

    If you believe rap or hip-hop – or any other genre – is under-represented on the list, please nominate a recording…or several. We are accepting nominations for the next list here.

    Remember the recordings must be at least 10 years old. We look forward to hearing from you!

    Knight Center Announces Free Online Investigative Journalism Class, May 12-June 14

    Starting May 12, the latest massive open online course (MOOC) from the Knight Center – this one on investigative journalism in the digital age. I took their last course on social media for journos and was pleasantly surprised by the content, the teachers, and the process overall.

    From Media Bistro:

    If you’ve ever wanted to learn the nuts and bolts of investigative reporting, here’s your chance, courtesy of the Knight Center for Journalism in the Americas.

     A five-week, massive open online course (MOOC) on “Investigative Journalism for the Digital Age,” will begin on May 12 and end on June 14, 2014. 

    From Knight:

    Investigative journalism is the most highly-regarded branch of the profession, often helping reveal corruption, shining a light on social plights, influencing public policy and triggering change. It takes time and effort, but also an understanding of the basic concepts and tools used to carry out investigations.

    To help people interested in learning about the newest resources and techniques in the field, the Knight Center for Journalism in the Americaswill offer the free Massive Open Online Course (or MOOC) “Investigative Journalism for the Digital Age” with the support of the Knight Foundation.

    The course will take place from May 12 to June 15, 2014. Click here to register.

    2014 NEWvember New Plays Festival: submissions now open!

    Are any of you journo types also budding playwrights? This is a great little theater. Take advantage of this opportunity in my part of the world! -Mia

     

     

     

     

    In partnership with AboutFACE Ireland, Tangent is pleased to announce the call for submissions for the 2014 NEWvember festival!

     

    Plays are being accepted from May 1 – June 30. For more information, and to learn how to submit your play, please visit our sister website at newvemberfestival.com.  

     

    The selected plays will be announced in October.

     

    NEWvember 2014

    @ the Carpenter Shop Theater

    60 Broadway, Tivoli, New York

    November 6 – 9, 2014

     

     

          

     

    NEWvember 2014 is a project made possible with funds from the Decentralization Program, a re-grant program of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Arts Mid-Hudson.

     

    ________________________________________________________________________

     

     


    Ann Osmond, Audrey Rapoport, Jacob Horstmeier and Michael Rhodes read Body Awareness by Annie Baker, Oct. 2013

    Stay tuned for our next pub-reading! 

    We'll be hosting our popular, free pub-readings throughout the summer

    at Traghaven Whiskey Pub in Tivoli. 

    Grab a pint and a play! 

     

    Keep an eye out for details ahead.

     

     

     

     

    To make a contribution to Tangent Theatre Company

    please click here to make your donation online. 

    Or please make a check payable to FRACTURED ATLAS*, and send to:

    Tangent Theatre Company, PO Box 185, Tivoli, NY  12583.  Thank you!

     

     

    tangent-arts.org

     

     

    * Tangent Theatre Company is a sponsored project of Fractured Atlas in New York, a non‐profit arts service organization. Contributions for the charitable purposes of Tangent Theatre are kindly made payable to “Fractured Atlas” only and are tax‐deductible to the extent permitted by law.

     

     

                       

    Latino USA call for pitches

    From the lovelies at Latino USA.

    Latino USA has the following themed shows in the pipeline:

     

    Report Card (5/23/14) —Stories about education, but also discussions about how things are going in terms of Latino issues.

     

    Push It (5/30/14) —Drugs, people, and limits.

     

    Pretending (6/6/14) —Stories about make-believe, fraud, lies, and making it up.

     

    Move It (6/13/14) —Migration, physical activity, and fast-paced situations.

     

    Kids (6/20/14) —Stories both tragic and fun involving children.

     

    Innovation/Inspiration/Tech (6/27/14) – Stories and conversations about Latinos innovating, particularly in the tech field, and barriers to Latinos within that field.

     

    My Country (7/4/14) —Stories of patriotism and American identity…however you define American.

     

    The show is looking for pieces that include people’s personal stories, lots of ambient sound, lively writing and unexpected twists.


    The pay rate is $125 per minute plus $25 for a photo for the web site.


    Please send your pitches directly to: pitches@futuromediagroup.org.


    Pitch meetings are on Fridays, and we try to respond to all queries by early the following week.

    PRX’s STEM Story Project Returns

    Funding available for STEM-related radio stories. Initial details below and more to come!
    -mia
    Hi producers!

    In case you haven't heard yet, PRX is excited to announce a second round of our STEM Story Project.

    We are holding another open call for radio stories inspired by STEM topics. Last year, we funded 16 story proposals and helped get them on major stations and national programs. We also helped find placement for them on reputable blogs and digital platforms.

    Read about it and get our FAQ here:
    http://blog.prx.org/2014/04/prxs-stem-story-project-2-0/

    To find out more and ask questions, sign up for the webinar on April 30th at 2pm ET:
    https://cc.readytalk.com/r/qwxyni95j7xt&eom

    Applications will open May 5, 2014. The DEADLINE for applications is May 27, 2014 at 11:59PM ET.  Stay tuned to blog.prx.org or #PRXSTEM on Twitter for the application link.

    Thank you!

    The PRX STEM Team

    Self-publishing workshop May 12, 7pm, SF

    FYI – from the folks at the Freelancer's Guild.

    ++++++++++++++

    Book editor and designer Bonnie Britt is back by popular demand for a how-to on self-publishing in print and digital formats. Be there at 7 pm, Monday, May 12 at the Pacific Media Workers Guild offices, 433 Natoma St., as Bonnie live demos wrangling a manuscript into an ebook that may be uploaded for sale at as many online stores as you wish! Free to members, $10 for others. Please RSVP to reserve space: freelance@mediaworkers.org


    Send advance questions to editing.and.design@gmail to ensure yours will be answered.

    Upcoming events at the UC Berkeley J-School

    The latest from the UC Berkeley J-School.

    Suzanne Franks | Women and Journalism

    When:  Tuesday, April 29,  5:30 p.m.

    Where:  North Gate Hall Library

    RSVP here.

    In many countries, the majority of high profile journalists and editors remain male. Although there have been considerable changes in the prospects for women working in the media in the past few decades, women are still noticeably in the minority in the top journalistic roles, despite making up the majority of journalism students.

    Suzanne Franks looks at the key issues surrounding female journalists – from onscreen sexism and ageism to the dangers facing female  foreign correspondents reporting from war zones. She also analyses the way that the changing digital media have presented both challenges and opportunities for women working in journalism and considers this in an international perspective. 

    Her recent report for the Reuters Institute of Journalism (Oxford University) 'Women and Journalism' examines why women in many countries are not fulfilling their promise in the media and in newsrooms. [MORE]

    Groundtruth and Airwaves: Sensor Networks and Emerging Technology for Environmental Journalism Symposium

    When: Wednesday, April 30, 1:00-5:00 p.m.

    Where: Banatao Auditorium, Sutardja Dai Hall

    Presented by: Internews' Earth Journalism Network and CITRIS (Center for Information Research in the Interest of Society)

    “Groundtruth and Airwaves” will showcase a number of newsworthy environmental and health-related sensor projects currently underway. After a session of Lightning Talks, working journalists from around the world will join a panel of technology experts and research scientists to explore opportunities and challenges found at the nexus of DIY sensors, crowdsourced data, and environmental and health journalism. What are the implications of new technology for the future of journalism? What role does crowdsourced data play in creating new media narratives about our environment? Are sensors really making a difference for journalism and news production, or are technology tools and platforms limited to the domain of research scientists and the most tech-savvy news organizations? [MORE]

    Advanced registration is required http://groundtruthandairwaves.eventbrite.com

    THE SUN NEVER SETS: A documentary film about a small-town newspaper

    When:  Thursday, May 8,  5:30 p.m.

    Where:  North Gate Hall Library

    Filmmaker Ben Daitz will appear in person for a post-screening Q&A. 

    Written, produced, and directed by Ben Daitz and narrated by Bob Edwards

    Smithsonian Magazine once asked the rhetorical question, “Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?”

    The Rio Grande Sun, published in Española, New Mexico, is considered one of the best weekly Newspapers in the country. Bob Trapp, the Sun's founder, editor, and publisher, is the quintessential newspaperman—the last of a vanishing breed—a scrupulously honest, fearless, independent journalist, and a mentor to generations of young reporters.

    The Sun is known for investigative reporting. The paper broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule.

    The film follows the Sun’s reporters and editors as they write about the news, the sports, the arts, and the cultures of a large, rural county.  John Burnett, National Public Radio correspondent, reports on the Sun's Police Blotter—“the best in the country.” The Sun's journalists investigate the largest embezzlement in the state's history, and the widespread use of tranquilizers in the county jail.

    Ben Daitz is a physician, writer, and award-winning documentary filmmaker. His work has been shown and honored by PBS, American Public Television, multiple film festivals, and Emmy nominations. Ben is a contributing writer for the New York Times, and has written for the Atlantic Magazine. His novel, Delivery, is published by the University of New Mexico Press.

    Freelance Cafe West meetup TONIGHT, April 28, 6:30pm, Berkeley

    Freelance Cafe West meeting TONIGHT!! April 28, 6:30pm, Berkeley. Details and contact info below. Be there!
    +++++++++++++++++

    Hey friends, 

    Hoping to see many of you tonight at Luisa's pad for another surely excellent installment of Freelance Cafe. Freelancing friends and family welcome! If anyone needs to carpool from Bart let me know! (207) 807 6152
    Ana
    2374 Eunice St., Berkeley CA
    6:30-8:00 PM


    freelancecafe.org
    facebook.com/freelancecafe
    @freelancecafe

    call for NYC-related pitches from Gothamist

    Gothamist is looking for pitches about life in NYC. Thanks to Will Coley for the heads up!

    http://gothamist.com/2014/04/23/freelance_writing.php

    Gothamist is expanding and deepening our coverage of New York City, and we're paying.

    We want original, compelling, heartbreaking, funny, enraging, enlightening work, written clearly and with an eye towards stories that cut through the dull hum of the internet—stories that help the reader better understand New York City and the people living in it. It should not have been published anywhere else in print or online. Here are some recent examples.

    A well-sourced, 1,500-word indictment of governmental incompetence is just as welcome as a 500-word profile of the rat-slaying building super who listens to Van Halen while on the hunt. We want the gems buried at the bottom of Kafka-esque municipal board meetings and the life-affirming acts of kindness often obscured by the relentless crush of humanity; the joys of working for a dog-walking marijuana delivery service and the hazards of donning a Santa suit at Saks Fifth Avenue.

    You should be as excited writing or pitching your story as we are reading it. The only thing we don't want (at the moment) is fiction. Pay depends on experience, quality, and length. Please go here to share a submission or pitch. (Due to the high volume of pitches we receive, we regret that we are unable to reply to every submission.)

    JCCF fellowship and scholarship for reporting on poverty, deadline May 31

    The Journalism Center on Children and Families announces a new fellowship for professional journalists and a scholarship for students. Deadline May 31. Details HERE and below.

    V

     

    JCCF presents a new opportunity for emerging and established journalists to get funding for their reporting.The 2014 Equal Voice Journalism Fellowship and Scholarship Program, sponsored by the Marguerite Casey Foundation, aims to increase the public's understanding of poverty in the U.S.

     

    Professional journalists can apply for an Equal Voice Journalism Fellowship which provides a $4000 reporting stipend plus up to $1000 in travel reimbursement. College-enrolled student journalists may apply for the Equal Voice Journalism Scholarship which offers $1000 and up to $800 for travel. Read more

    Snap Judgment’s Upcoming Themes

    Call for pitches (and what makes a good story) from Snap Judgment. They get it. Now go for it. -Mia

    +++++++++++
     Lots of freelancers have been asking us what makes
    a story right for Snap Judgment, and I think I can boil it down to
    three criteria:

    1)    Is the story not just a story, but a tale?  In other words,
    does it have characters with wants and needs and hopes and fears,
    scenes that play out in a chronological order in which said
    characters make important decisions and discover new things, and some
    kind of central tension that gets resolved in an unexpected way over
    the course of a narrative arc?  If so, then it is a tale, and we are
    interested.

    2)    Is the story cinematic?  In other words, will it provide us
    with scenes rich enough in detail that the listener can see events
    playing out in their mind's eye?  Because we're not interested in
    narratives in which things happen on an abstract level.   We want the
    listener to be transported to a specific time and place.

    3)    Is there something new about it? Every Snap Judgment story
    needs to have an unexpected wrinkle, a new element, that makes the
    listener stop what they're doing and pay attention.  Sometimes the
    new thing is just the fact that you've discovered a great talker, but
    nine times out of ten it's a unique premise or plot element. If we
    feel like we've heard this one before (maybe not this precise story,
    but something super similar) we'll probably pass.

    Another litmus test, that perhaps sums up all three of the above
    points, is: would your pitch make a good fictional story that just
    happens to be true?  Sometimes people think Snap Stories are made up
    – we take that as a compliment.

    Okay, now the themes:

    ***Any Really Good Story***

    I always say this but no one believes me.  If your story kicks ass we
    will build a freakin' theme around it, people!

    ***Stages of Life***

    In theory, we want to have one story for each "stage" in
    chronological order.  Birth.  First kiss. Graduation.  Career.
    Marriage.  Kids.  Mid-life crisis.  Retirement.  Anything, really.
    The only things we've got covered are a honeymoon from hell and a
    dispute over how one couple will spend their afterlife.  (So if you
    have a good death story, we'll happily happy to produce it, but not
    necessarily for this theme).

    ***Honor Among Thieves***

    Stories of bad people nevertheless sticking to a code.  Or good
    people doing a bad thing for a good reason.  Debts getting paid.
    Snitches getting stitches.  Because there's the law, and then there's
    justice.

    ***Bloodlines***

    Tales of inheritances gone wrong, genetic curses, or bizarre family
    legacies.  Whether they grew up knowing about it or only discovered
    it late, we want to meet someone who had to confront and (possibly)
    clean up the family mess.  The same goes for ethnicity, tribe, etc. –
    pick your own unit of bloodline.

    ***Boomerang***

    Stories in which something comes back around.  What does that mean?
    Well, stories in which people end up having to do something twice,
    but in a different way.  Stories in which an event from long ago is
    revisited at an unexpected moment.  Stories about karma taking it's
    sweet ass time, because the book says you may be through with the
    past, but the past, it ain't through with you.

    ***The Prophecy***

    Stories about prophets (and prophecies) both true and false.  This
    does not necessarily have to involve religion.  Any story involving a
    specific prediction will do.

    ***Themes That Are Imminent, So We're Only Interested In Pre-Existing
    Content***

    Mother's Day
    Living Legends

    Please send all your pitches to pitches@snapjudgment.org.

    Announcing two fellowships from AAWW, deadline May 16

    Upcoming fellowships from the Asian American Writers' Workshop. Check it out! -Mia

    Hey y'all!

    If you're an emerging Asian American writer based in New York, get ready for a big hug. We're excited to announce the call for two separate fellowships tailor-made for you.

    You may already know about our Open City Fellowship, now in its fourth year, which gives five writers the opportunity to write and publish short-form and long-form narrative nonfiction on the vibrant immigrant communities of New York City.

    This year we're excited to announce a totally new fellowship: The Margins Fellowship, an all new opportunity for three emerging creative writers (fiction, poetry, creative nonfiction), aged thirty and under, to establish a home for their writing and a space to develop their careers.

    All of our Fellows will receive $5,000, access to the AAWW space, publishing opportunities in our magazines, free workshops, and more. The Margins Fellows also receive residencies at the Millay Colony for the Arts, an innovative seven-acre artists retreat space at the former house and gardens of poet Edna St. Vincent Millay. All fellows will serve as writers-in-residence with our online magazines, which have published Chang-rae Lee, Jessica Hagedorn, Ashok Kondabolu, Sarah Gambito, Jad Abumrad, and been linked to by The New York Times, Wall Street Journal, NPR, and The New Inquiry.

    The deadline is Friday, May 16, by 11 pm. All the links you need are here:

    And check back! We'll be scheduling info sessions with our editors soon. Good luck, peeps.

    Cowabunga,

    Your friends at AAWW

    Bay Area Happy Hour TOMORROW, April 24, 5:30-7:30pm + Data Journalism Training, April 29

    Upcoming SPJ Norcal events. I'd be there if I could. -Mia

    SPJ NorCal — spjnorcal.org Email not displaying correctly?
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    THURSDAY APRIL 24: SPJ-JAWS Mixer (East Bay)

    Please join the SPJ-NorCal and the Bay Area Journalism and Women Symposium for a mixer. We'll enjoy cocktails (cash bar), bar nibbles (courtesy of TOAST), and interesting conversation with colleagues. Hope to see you there! 

    Details:

    • April 24, 5:30-7:30pm
    • TOAST
    • 5900 College Ave, Oakland
    • RSVP at Meetup

     
    TUESDAY APRIL 29: Data Journalism 101 (SF)

    Whether you're a beat reporter on a constant deadline, or a journalist with time to do deeper investigations, data can make your reporting more powerful. And it's more abundant than ever. Plus, it's not rocket science! Anyone can learn. All you need is your computer and Excel. Come learn about the data journalism revolution and how you can use it to turbo-charge your reporting. Taught by AP data journalist Serdar Tumgoren. 

    Details:

    • April 29, 6:00-9:00pm
    • Location TBD, San Francisco
    • RSVP at Meetup

     


    UPCOMING EVENTS from OTHER ORGANIZATIONS


    APRIL 22 (Today!): Catch Up Before IRE 2014 (IRE Bay Area)
    IRE's annual conference is coming to San Francisco in June. The local chapter of IRE is hosting a networking party on April 22 at Comal in Berkeley.

    Details and Registration on Meetup.

    APRIL 29: Create and Post Great Videos (SFBAJ)
    How to shoot, post, and edit videos. At Lori's Dinner in SF.

    Details and Registration on Meetup.

     


    SOCIAL MEDIA


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    Reminder – KALW news’ training program looking for applicants – Deadline 5/1

    There are still spots available in KALW's News Audio Academy; deadline for applications is May 1. Details below!

    -Mia


    Enrollment now open for the KALW News Audio Academy


    KALW is calling for applicants for our 10-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a graduate level audio production education, tuition-free.


    We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities, and ideally have some knowledge of the Bay Area.


    Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.


    Training will include:


    Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have been: Roman Mars, Hansi Lo Wang, Daniel Alarcón, Marianne McCune, and Jason DeRose (to name a few).


    Selected participants will make a 10-month commitment (September 2014 to June 2015): minimum 20 hours per week (one six-hour shift at our studios and another 14 hours working in the field). The Academy includes a one-week break at Thanksgiving, a two-week break in late December, and a one-week break during the spring. Enrollment in a college or university is not necessary to participate.


    To apply please send a cover letter, CV and any audio/writing samples to:


    KALWapplications@gmail.com


    Application deadline: May 1, 2014, 11:59 PT


    We look forward to meeting you!

    KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

    Call for Proposals on Data Journalism & Storytelling on Asian Americans & Pacific Islanders

    Thanks to Will Coley for forwarding this along!

    —-
    Call for Proposals: Data Journalism & Storytelling on Asian Americans & Pacific Islanders
    // 18 Million Rising feed

    Data-inspired journalism is seemingly everywhere these days, from recently-launched ventures like Vox, more established ventures like FiveThirtyEight, and even rapidly evolving sites linked with traditional media enterprises, such as The Atlantic Monthly’s TheAtlantic.com, TheAtlanticCities.com and Quartz (QZ.com) and the New York Times’s forthcoming section The Upshot.

     

    These enterprises attempt to use quantitative data as a tool to explore society, policymaking and electoral politics. But even with data, context is everything. And as we’ve frequently seen, one of the most critical areas in which a lack of representative diversity can produce distorted or misleading results — or an absence of content at all — is in the coverage of race, culture and ethnicity. A particularly glaring omission across the data-inspired journalism landscape is contextually rich content that relates to Asian Americans and Pacific Islanders (AAPIs).

     

    With Asian Pacific American Heritage Month approaching, we are proud to announce the launch of a new platform that will develop and feature data-inspired feature writing and provocative short pieces relating to AAPI communities and AAPI experiences. The goal is to harness both the power of compelling data and the storytelling talent of the vibrant AAPI journalist, blogger and academic communities, to inspire more news coverage and public understanding of key aspects and features of our rapidly growing and changing AAPI populations.

     

    To this end, we are openly soliciting pitches for contributions on the following themes for APA Heritage Month in 2014. While the contributions we’re seeking should be anchored in data and explore trends, patterns, nuances or exceptions to conventional wisdom that these data reveal, the style in which the pieces are written can range from analytic to creative, and from sober to humorous, and can range from short pieces (300-500 words) to longer-form, feature-length articles (1000 words+). Whatever the style or format, storytelling counts: Above all, we want to these contributions to be compelling, inviting — and provocative.

     

    Contributors will be paid at competitive online rates (see details below); stories will be published on AAPI Voices, a new and experimental platform developed jointly by AAPIdata.com and 18MR.org, and potentially via other partners and distribution channels as needed to maximize their exposure to both media and audiences at large. AAPI Voices will provide data analysis and visualization support as necessary for accepted pitches.

     

    Our Schedule

     

    May 1 to May 5: Are AAPIs "One, Two, or Many?” Stories that use data to explore and grapple with questions related to whether and when Asian America should be considered a collection of parallel ethnic worlds, a coalition of many cultural communities or a single emergent pan-ethnic “race” — and that touch on issues like evolving racial, ethnic and cultural categorizations (e.g., Asian Americans and Native Hawaiian/Other Pacific Islanders; multiracial and multiethnic; transracially adopted and other emerging identities).

     

    May 6 to May 12: Health: Stories that use data to explore health access, issues, outcomes, and policies, including mental health — including stories on the impact of ACA, on the intersection of culture and healthcare, and on the landscape of AAPI health practitioners.

     

    May 13 to May 18: Immigration: Stories that use data to look at historical waves of migration and contemporary issues like temporary workers, undocumented AAPIs, the impact of AAPI immigration on changing demographics in different geographical locations, and topics related to immigration policy (H-1B visas and the digital economy, family reunification, LGBT marriage and immigration, visa backlogs, deportations, DREAMers, transnationals, students and parachute kids, etc.).

     

    May 19 to May 25: Age and Generational Differences: Stories that use data to put a lens on issues related to youth, age and generational cohorts, including the growth of the AAPI senior population, cultural trends and preferences among 2nd generation AAPI youth, culture shock and language barriers, childhood and parenting.

     

    May 26 to May 30: Education: Stories that use data to illustrate and explore disparities in educational attainment across national origins; Affirmative Action; language schools and other attempts to cope with loss of Asian language ability; the racial climate on college campuses, and curricular issues, bullying, segregation, the impact of testing and the effect of “specialized” and charter schools on AAPIs in the K-12 system.

     

    In any of the topics above, dimensions of difference such as ethnicity, AA vs. NHPI, gender, LGBT identification, etc. may be considered as relevant and important.

     

    Rates

     

    • 300-500 words or 1 photo/image with accompanying text of approx 150 words: $75
    • 800+ words or a series of multiple images with accompanying text of at least 500 words total: $150
    • Submissions must be original pieces of content that are currently unpublished
    • Selected writers will be compensated within 30 days of publishing date

    Selection Process

     

    • AAPIdata.com will manage the editorial assignment process.
    • Proposal submission will be managed via Google Forms, link forthcoming.
    • All submissions will receive a response (accepted or rejected)

    Proposal Deadlines

     

    • “One or Many”: Friday, April 18
    • Health: Friday, April 18
    • Immigration: Friday, April 25
    • Age and Generational Differences: Friday, April 25
    • Education: Friday, April 25

    AAPIdata.com will select and inform writers within 3 days of each proposal deadline.

     

    Editorial Process

     

    After being accepted, contributors will receive relevant datasets/datapoints and accompanying basic analysis as appropriate for their particular week, including any data that will be turned into infographics for that particular week. Contributors may request more customized data, based on their proposals; these requests should be sent to the editor within 48 hours of receiving the initial data. Final drafts should be submitted to the editor on the following dates: April 27 for the first two themes, and May 5 for the last three themes.

     

    Editors will work with contributors to provide editorial suggestions and/or copyedits, before approving them for publication.

     

    Usage Rights

     

    AAPI Voices retains a perpetual license to publish and feature the contribution across all platforms, with usage governed by Creative Commons standard licensing of attribution, non-commercial use, and “share alike.”

     

    Submit a Proposal! 

    http://18millionrising.org/blog/2014/apr/16/call-proposals-data-journalism-storytelling-asian-/

    CDS summer courses / AIR stipend

    One of few programs tailored for both beginning and mid-career/veteran producer types. I WILL attend one of these days! Details below. (Note, the travel stipend is for AIRsters only, so if you're not yet a member, now is a good time to join.) -Mia

    Spring’s here and it’s time for the annual invitation to our weeklong intensives, aka “summer radio camp for grownups,” here in Durham, NC. Our pair of more-than-decade-old courses, one for relative beginners (Hearing is Believing, July 13-19) and the other for more advanced folk (Making It Sing, August 4-9), are on their way to filling up and we do often turn people away so don’t wait too long. Between those two on the calendar, our friends at Big Shed are again offering Digging In: An Artist’s Retreat (July 27-August 1), a chance to come and get work done on that favorite project of yours alongside other creative types. 

    AIR is offering members a $100 travel stipend to attend our advanced course, Making it Sing. Five stipends are available, though I believe a couple have been claimed. To apply for the AIR stipend go here: https://airmedia.wufoo.com/forms/q7x1k3/. If you know someone who's NOT an AIR member who might benefit from this opportunity, tell em to join AIR. 

    We have a brilliant roster of guest instructors, all AIRsters. Lulu Miller, who’s made great work for Radiolab among others and is now with NPR, will be our guest teacher/presenter for Hearing is Believing (the intro-ish course). For Making it Sing it's veteran editor Loretta Williams, long with NPR and more recently working on indie projects like The DNA Files, Burn: An Energy Journal, and The Great War Project. And as always the inimitable Shea Shackelford of Big Shed will be here along with me for both Hearing is Believing and Making It Sing — and of course for Digging In.

    To register or to read more about all these courses, and a few others offered by CDS in video, photo, and writing, go here: 

    http://register.asapconnected.com/Courses.aspx?CourseGroupID=7853

    Any questions, write to cdscourses@duke.edu.

    Freelance Cafe West gathering TOMORROW, April 17, 7pm, SF

    The time is nigh! I’m in the Bay Area for a quick visit and would love to see the FC West crew, new and old. 


    Join me on Thursday April 17 for a screening of Sam Grant’s documentary, A Fragile Trust at the Roxie in SF at 7pm, followed by drinks at Dalva – 3121 16th St at Valencia. 


    We may move elsewhere if Dalva is too crowded so text me if you can’t find us and I’ll redirect you. 
    Looking forward to it! (Understatement.)
    -Mia
    845-444-4034

  • Indy publishing seminar May 12

    SF event on self-publishing. Details below. -Mia

    Want to become an indy publisher of your own work but still have questions on how to do so? Book editor and designer Bonnie Britt returns 7 pm, Monday, May 12 to the Media Guild, 433 Natoma Street, 3rd floor,to discuss how other self-publishing authors are doing t and what it takes to convert your book into print and digital formats. Send advance questions to editing.and.design@gmail to ensure yours will be answered. 

    With moon and stars properly aligned, she will live demo wrangling a manuscript into an ebook that may be uploaded for sale at as many online stores as you wish.

    The session is free to members of any Guild unit; $10 for everyone else.

    Theme list for upcoming Re:sounds

    From the fine folks at Third Coast.

    As we plan upcoming episodes of Re:sound, Third Coast's weekly radio/podcast, we'd love to hear your story suggestions. Re:sound is Third Coast’s mix of audio stories and sonic gems that we curate from around the world. The show is hosted by Gwen Macsai and produced by Dennis Funk, and each episode explores a subject or idea through a variety of intriguing angles. The show airs weekly on WBEZ here in Chicago, and select episodes are broadcast all over the U.S. You can listen by subscribing to the Third Coast Podcast, or on our website: 

     
    http://thirdcoastfestival.org/library/collections/2-re-sound

    Some themes for upcoming Re:sounds are below – we invite you to suggest stories that would fit well (directly about, tangentially connected to, or even metaphorically symbolized by the theme…). These can be your own stories, or suggestions of others you’ve heard and particularly enjoyed – especially if they haven’t received wide air/podcast play. Note: Third Coast pays producers a “rebroadcast fee” of $12/minute.

    Internetness
    You know that “global system of interconnected computer networks” you spend so much time in? Where we are right now? Privacy, immortality, seduction, addiction…we’re looking for stories about this mighty force in our lives.

    Homemade
    Stories of things that are made (or attempted) from scratch…

    Found in the Want Ads
    The back of the newspaper, Craigslist, the personals, online dating, and more. WANTED: stories about ads placed, numbers called, surprising connections made.

    Send your suggestions, and links to the audio, to: resound [at] thirdcoastfestival [dot] org.

    Thanks, and happy listening!

    Yrs,
    TCF

    POV Digital Documentaries seeks submissions, deadline May 30 + Firelight Media’s Producers’ Lab mentorship program (for future reference)

    Two links for you filmmaker types. 

    Now Accepting Submissions: POV Digital Documentaries // POV Blog

    POV announces a new set of initiatives to re-imagine digital storytelling with an investment from the John S. and James L. Knight Foundation. (modified from original post) 
    As part of this initiative we are now formally seeking to co-produce digital documentaries from independent media creators and technologists that push the boundaries of nonfiction media for co-production. Co-productions will be funded in the range of $15,000-$50,000 and producers do not necessarily need to be based on the United States. Funded projects are more likely to be focused on mobile and emerging technologies.
    POV is also seeking to license short web-native documentaries or chapters of web-native documentaries. These productions must be based in the United States, and will be funded in the range of $2,500 to $10,000.
    Funding Available: $2,500 – $50,000
    Submission Deadline: May 30, 2014
    Application Form Link: pov.org/submit

    Submit and find out more at pov.org/submit.

    Also, the folks below aren't currently accepting applications but it's a good group to bookmark for future reference.

    http://firelightmedia.tv/producers-lab/

    Producers' Lab

    Firelight Media’s Producers’ Lab is a mentorship program for talented and independent producers of color. Participating producers work with award-winning filmmaker, Stanley Nelson, and his team of senior producers, writers, editors, new media, and fundraising specialists to complete their projects for a national broadcast. The Lab also provides monthly workshops and seminars to our producers on relevant and contemporary topics. Firelight Media started the Producers’ Lab as a way to provide infrastructure support for diverse producers to help overcome some of the barriers to completing their film or video. Services include support and consultation in the areas of writing, treatments, budgeting, script development, editing, and other areas as needed. In the future, we will have editing suites, a screening room, and a safe place for producers to create and complete their work. Click here for profiles of current Producers’ Lab filmmakers and their projects.

    Free Online, Five-Week Community Journalism Course, begins April 14

    I have mixed feelings about online courses, especially in something like journalism which depends on face-to-face interaction, but I thought this was worth passing along. Details below. -Mia

    Community Journalism Course
    Cardiff University is now accepting registrants for its Centre for Community Journalism Course. Over five weeks, this course builds on the expertise and experience of community journalism in order to offer insight and practical skills for all those interested in community and hyper local journalism.

The course combines practical skills in setting up a community website, identifying and building an audience, creating content, establishing a workflow to sustain a site, managing an online community, media law and ethics, with a broader understanding of this new sector, how it has developed and the experience of those operating community sites. It will also explore different forms of community – whether geographic, professional or personal interest.

The course is free and open to anyone with an interest in journalism and in connecting their communities online. No prior qualifications are required. Core essentials of journalism principles, skills and practice are covered as part of the course as are hands-on skills in creating and sustaining hyper-locals. Practicing journalists or more experienced students will be particularly interested in learning about current developments in hyper-local journalism in the digital environment.

    INTERESTED?

    Registration is now open and the course begins April 14, 2014. Click here for more information about how to apply:
    https://www.futurelearn.com/courses/community-journalism

    Year-Long Investigative Reporting Fellowships from UC Berkeley, deadline May 19

    Investigative Reporting Fellowships from the UC Berkeley grad school of journalism. Application deadline May 19. Details HERE and below.

    UC Berkeley's Investigative Reporting Program at the Graduate School of Journalism is accepting entries for its eighth annual competition for year-long fellowships in investigative reporting. The fellowships are open to all working investigative journalists.

    Graduates from UC Berkeley's master's program in journalism are encouraged to apply.

    Fellows will receive an annual salary of $54,336 and be eligible for full UC benefits.

    Fellows will also be provided with office space, basic expenses and up to $10,000 in funds for approved travel.

    This year’s fellowships to the Investigative Reporting Program (IRP) are made possible by a core grant from the Sandler Foundation, matching grants from Scott and Jennifer Fearon and Margaret and Will Hearst, along with donations from The Financial Times, Peter Wiley and Valerie Barth.

    Applications are due no later than midnight on Monday, May 19th. Up to three fellows will be selected in June. Occasionally, the IRP awards special project support in lieu of a fellowship in-residence. This is a one-year academic appointment expected to begin on August 29, 2014.

    Please see the job description for complete fellowship details and application requirements:
    https://aprecruit.berkeley.edu/apply/JPF00390

    Announcing a call for entries for Rough cuts June event, deadline May 14th

    For you Bay Area film folks – get feedback on your doc work. Details below.

    Announcing our Call for Entries for Rough Cuts in June!

     

    Deadline is Wednesday, May 14th

    Rough Cuts is currently seeking documentaries in post for our next event on Tuesday, June 3rd at the Dolby Laboratories Screening Room in San Francisco 

    We are seeking long-form works with a final running time of 40 minutes or longer.

     

    Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

    Filmmakers can now submit two ways—electronically or via mail (including UPS, Fed Ex, etc.)

     

    To submit, visit:

    http://sfroughcuts.com/callforsubmissions.html

     

    And for more details about Rough Cuts and our programs, visit:

    http://sfroughcuts.com

     

     

     

     

    ROUGH CUTS IN JUNE

    Tuesday, June 3rd at 7:30 p.m

     

    Dolby Laboratories Screening Room

     

    100 Potrero Avenue

    San Francisco, CA

    94103

     

     

    Complimentary hors d’oeuvres provided

    $9 admission

     

     

     

    REMINDER – Freelance Cafe West meeting TONIGHT! 6:30pm

    Just a reminder, the Bay Area Freelance Cafe crew will be meeting TONIGHT – March 31 at 6:30pm.

    2374 Eunice St., Berkeley

    https://www.facebook.com/events/694825960570203/

    Many thanks to the freelancers of 2374 Eunice street for offering up your home for this month's meet-up! Please bring a snack or drink to share. The house is near the Berkeley Rose Garden and if anyone would like to carpool from BART or elsewhere let us know and we can help coordinate rides. There will also be a big projector, speakers and lots of curious eyes and ears- so bring your stories and (multi)media to share.

    Also, mark your calendars for a special gathering on April 17. Film screening of A Fragile Trust at the Roxie, SF followed by drinks at a nearby location TBD. I'll be in town and would love to see many of you!
    'Til soon,
    Mia

    call for pitches from Civil Eats, online news mag

    Call for pitches from Civil Eats, an online news mag about sustainable agriculture and food systems. Details here and below.
    ++++++++++++++++++

    Civil Eats, an independent daily news source for critical thought about the American food system, invites you to send story pitches in the following categories:

    – News or feature articles about farming, food production, food policy, sustainability in the food system, food safety, the plight of young farmers, animal welfare, food and technology, food movement organizing, etc.

    – In-depth profiles of individuals or groups working to effectively change the food system for the better.

    – Book reviews, interviews, photo essays, or op-eds about food and farming (with an emphasis on sustainability and/or food politics).

    Payment: $100-$250 depending on the scope and the amount of reporting and research required.

    Contact us here.

    paid fellowships at This American Life, deadline April 1

    Fellowships with TAL. $3,750/month, 50-60 hours/week. Based in NYC. Spring deadline April 1. Details here and below. 

    This American Life is pleased to offer two six-month fellowships per year, one beginning in January and the other in July.

    This American Life is a weekly, nationally-distributed public radio program that's a mix of documentaries, investigative reporting, interviews and stories. The show is part of WBEZ Chicago, but its offices and this position are located in New York City.

    The fellowship program focuses on every facet of producing This American Life—from reporting and copyediting to technical production and data management to administrative duties. The fellows observe and participate in the weekly production of the show by sitting in on meetings and edits with producers, while honing their production skills. Please note: this is not an entry-level position. This American Life fellows are required to have experience with Pro Tools or similar digital editing software and are responsible for producing rerun episodes, weekly promos and show segments out of the gate. Our fellows transcribe tape, learn to structure and mix a radio story, and perform assorted menial tasks that are true signs of an apprentice program like this. By the end of the program, fellows are encouraged to produce their own pieces, including editing and mixing voice, sound and music. The diversity of tasks depends largely on initiative and self-motivation. If you have no radio and/or audio editing experience, this program is not for you.

    The fellow will be provided a monthly wage of $3,750, before taxes for the duration of the fellowship. We are committed to providing payment in part because the work hours are long. We feed the show on Friday nights at 8 p.m. Eastern time, so as we get closer to the end of the week, the hours become longer. The typical work week varies between 50-60 hours. As a result, we feel strongly that this be our fellow's sole commitment during these months, i.e. no other jobs or classes. Also important to note: we do not offer college credit or assistance in obtaining work visas for international applicants.

    • The Fall 2014 term starts July 7. Applications must be received by April 1, 2014; decision by May 1.

    • The Spring 2015 term starts January 5. Applications must be received by Oct 1, 2014; decision by November 1.

    The Application:

    To apply for the fellowship program, send a cover letter of no more than 500 words explaining why you should be selected to take part in the program and letting us know something about yourself and why you'd like to work in public radio. You should include a resume and the names, phone numbers and email addresses of two references we may contact. We ask that you also answer the questions below. You can be brief with your responses—the point of the exercise is both to get an idea of the kind of thinking and work that go into the fellowship while also allowing us to get to know you a little better.

    Application questions:

    • Briefly describe any previous radio and/or documentary journalism experiences.

    • What is your familiarity with Macintosh computers, recording equipment and digital editing? Have you worked with Pro Tools? If not, have you worked with other digital editing programs? Have you ever transcribed tape?

    • Suggest two documentary/reporter pieces for This American Life. Please explain each story as a whole, along with specific characters and scenes. This probably sounds harder than it actually is. We're not looking for award-winning war stories or anything, rather stories that you find genuinely interesting, no matter how small. Details are helpful. Don’t forget to include why these stories would work specifically work on This American Life.It may be very useful for you to read our submission guidelines, as they lay out what we're looking for in stories on our show. 

    • Last, tell us your favorite personal story. This can be anything from a something you heard at a party to a story your family loves to tell to something that happened in your life that you find particularly amusing, surprising or emotional. It doesn’t have to be a story that would work on This American Life or even on radio; this is about your personal taste. And please tell us why you like this story so much even if the real reason makes no sense to anyone but you. Again, try to be brief; we get hundreds of applications and do read them all.

    The application is now paperless! Send answers to the questions above, along with your cover letter and resume, to fellowship@thislife.org by no later than 11:59pm Eastern Standard Time on the day of the deadline. Please attach the entire application as a PDF, and also paste your application in the body of the email, indicating which session you are applying for (Spring or Fall) in the subject line.

    PLEASE DO NOT EMAIL OR CALL WITH QUESTIONS REGARDING YOUR APPLICATION. We are a small staff and simply don’t have the time to respond to individual inquiries. You will be automatically notified by email when we receive your application, and we'll follow-up with finalists in a timely fashion. We will notify all applicants of our decision by the dates listed above. We apologize in advance for the informality of email notification, but, like we said, paperless. Good, right?

    last day to apply for the Freelance Journalism Awards, CA/HI residents only

    Last day to apply for the first annual Freelance Journalism Awards. Must live/work in CA or Hawaii. (I wish!)

    -mia

    ++++++++++++++++++++

    Today is the final day to enter work in the Freelance Journalism Awards contest. 

    Sponsored by the Pacific Media Workers Guild, this contest is open to anyone – independents and staffers alike – whose work was published on a freelance basis during calendar year 2013 and who lives and works in California or Hawaii. You need not be a member to enter.

    Whether you are a cartoonist, photographer, or an investigative reporter; whether you work in a single medium or across multiple platforms, your freelance efforts deserve recognition. 

    Entries will be judged by colleagues in the Washington, D.C./Baltimore and St. Louis locals, which encompass some of the most distinguished journalists in the nation. The Raul Ramirez Excellence in Journalism Award comes with an honorarium of $300.

    For full details and to apply, log onto GuildFreelancers.org. Do it now!

    Tribeca Film Institute funding for social justice multimedia, deadline May 5

    Big money for social justice multimedia projects. Details here and below. Deadline May 5.

    Dear TFI Hackers,

    We’re happy to inform you that applications are now open for the TFI New Media Fund.

    The New Media Fund provides funding and support to non-fiction, social issue media projects which go beyond traditional screens – integrating film with content across media platforms, from video games and mobile apps to social networks and interactive websites. We're looking for projects that activate audiences around issues of contemporary social justice and equality around the world and demonstrate the power of cross-platform storytelling and dynamic audience engagement.

    Four to eight non-fiction projects will be accepted, each receiving $50,000 to $100,000 in funding. Producers from the U.S. and internationally are invited to apply. The deadline is May 5th, 2014.

    Supported projects include Alma, Hollow, 18DaysinEgypt.com.

    Feel free to share the info: https://tribecafilminstitute.org/pages/new_media_about

    Best regards,

    The New Media Fund Team

    Apply Now for Ethiopia Trip and Religion Fellowships with the IRP

    Two amazing opportunities with the International Reporting Project – Ethiopia trip deadline April 21; religion reporting fellowships deadline June 30.


    Apply for New Media Trip on Newborn Health in Ethiopia by April 21

    The International Reporting Project (IRP) is accepting applications for a new media reporting trip to Ethiopia on June 14-27, 2014. 

      

    Ethiopia has made impressive progress on cutting mortality rates for children, meeting the Millennium Development Goal of reducing child deaths by more than 60 percent over the past 20 years.

     

    Michael Tsegaye / Save the Children

    Yet major health and development challenges remain as millions of Ethiopian babies come into the world under precarious conditions. In particular, three preventable and treatable conditions still persist: premature births, complications during childbirth and infections.
     

    The IRP trip will focus on efforts to prevent newborn deaths, as well as provide an overview of maternal and child health, immunizations, nutrition, communicable diseases, and health care provision in Ethiopia, among other topics. 

     

    This group trip is open only to applications from new media journalists who are citizens of France, Germany, India, Malawi, Nigeria, Norway, Senegal, United Kingdom and United States.

     

    All candidates must fill out an application form and provide a detailed essay of at least 800 words describing the types of stories they might pursue during the Ethiopia trip. Participants will be asked to post frequent stories–including blog posts, slideshows, social media posts, video and audio clips–before, during and after the trip.

     

    The deadline for applications is Monday, April 21.

      

    Learn more about the trip, read our frequently asked questions and apply for the Ethiopia trip by midnight on Monday, April 21!

     

    Apply for Religion Reporting Fellowships by June 30

    The International Reporting Project (IRP) will offer up to nine fellowships to experienced professional journalists to report on topics related to global religion.

     

    Allyn Gaestel reported on family planning and religion in Senegal as a 2013 IRP Religion Fellow. 

    Photo: Allison Shelley

    Applicants may propose any stories that relate to religion, including its role as a source of tension or conflict, its relationship to politics, economics or access to health, housing or clean water, its impact on art and culture, religion and human rights, or other issues.
    The deadline for applications is June 30, 2014. 

    These fellowships are open only to journalists who are citizens of the United States, Canada, Egypt, India, Indonesia, Nigeria, Pakistan, Philippines, South Africa, Thailand or the United Kingdom.

     

    U.S. Religion Fellows

      

    U.S. citizens will be awarded a reporting fellowship to travel to any country overseas for at least four weeks to report on religion-related topics. All travel must take place during the period between August 24 and October 12, 2014. The IRP will provide a stipend of $6,000 and purchase the US Fellows' international air tickets.

     

    International Religion Fellows

     
    Rowan Moore Gerety reported on megachurches in Nigeria as a 2013 IRP Religion Fellow.
    Non-US citizens will report from their home countries in a three-month period beginning August 1 and ending October 31, 2014. The IRP will provide a total stipend of $6,000. The main purpose of these fellowships is for Fellows to produce stories about their own countries.

     
    All applicants must fill out an application form in which they should write an essay of at least 1,000 words describing the stories they would produce during the fellowship. IRP encourages stories in a variety of media, including print, online, radio, television, photography, blog posts, social media and video.
      

    Fellowship Opportunity With Public Policy Lab, deadline April 8

    Brooklyn-based fellowship opportunity from the Public Policy Lab, deadline April 8.

    http://publicpolicylab.org/2014/03/call-for-multimedia-journalist/

    http://mediastorm.com/blog/2014/03/31/fellowship-opportunity-with-public-policy-lab/

    By CORTNEY CLEVELAND Published: MARCH 31, 2014

    The Multimedia Journalist Fellowship with the Public Policy Lab (PPL) offers outstanding working professionals an opportunity to gain significant experience working on unique and challenging projects in the public sector.

    The PPL is seeking a versatile multimedia journalist who can capture visual and audio content and create stories for multiple platforms. This role allows you to work closely with the project team (designers and social scientists), civic servants, and the public.

    Position Details

    • Fellowship includes a $2,000 stipend
    • Approximately 2 days per week for a 4-week period, beginning in May 2014
    • Based in Dumbo, Brooklyn

    PPL fellows will be expected to:

    • Gather information and stories through interview, observation, and research.
    • Shoot photos and record audio to capture stakeholder experiences and document the project process.
    • Edit and produce narratives for multiple platforms, such as presentations, digital channels, and print publications.
    • Deliverables might include short web films, photo collages, audio narratives, etc.
    • Work with team members to strategize and visualize potential design solutions.

    Requirements

    • Strong interpersonal capabilities.
    • Undergraduate degree (B.F.A. or equivalent), or 3 or more years related experience and/or training, or equivalent combination education and experience.
    • Ability to adhere to project budgets and deadlines.
    • Candidates must be able to pass a criminal background check (as we may be interviewing children).
    • Must have access to or own necessary equipment (camera, computer, etc).

    Apply

    CALL FOR ENTRIES – Narrative Documentary – Still & in Motion, deadline April 18

    Fascinating opportunity via Ed Kashi Photographer

    http://edkashi.com/blog/call-for-entries-narrative-documentary-still-in-motion/

    SocialDocumentary.net (SDN) is now accepting entries for  “Narrative Documentary: Still & in Motion”. Submissions should ”create a coherent documentary narrative, first with the images and then providing necessary context with text and optionally, sound and motion.”

    For the first time ever, SDN will be accepting multimedia entries, as “photography is no longer just the domain of the static image.”

    Judged by SDN Advisory Committee members Barbara Ayotte, Lori Grinker, Ed Kashi (VII), Reza, Glenn Ruga, Jeffrey D. Smith, and Jamie Welford, the first place prize will include: a feature in the inaugural edition of SDN print and electronic annual, one year subscription to the Adobe Creative Cloud, a feature on the SDN website/eNewsletter, and a $250 gift certificate to a Boston-based digital lab.

    The deadline for submissions is April 18, 2014, so be sure to submit your work as soon as possible. For full details on the competition and how to enter, visit www.socialdocumentary.net/competition.php

    7 Days left to enter SEJ Awards

    Reminder. SEJ deadline April 1.

    SEJ Awards
    Society of Environmental Journalists
    CALL FOR ENTRIES
    DEADLINE TO ENTER: APRIL 1, 2014
     
    $500 prize offered for first place in seven categories. 
    Only SEVEN DAYS left to enter.
     
    HOW TO ENTER (access entry forms on this page) 

    2014 RULES 

     
    Enter your best environmental stories from March 1, 2013 – Feb. 28, 2014.
    Did you know…
     
    * Entry fees are lower for SEJ members. To enter at the member rate, Join SEJ.   (Eligibility requirements apply. You'll need to register on sej.org to access the application form.) 
     
    * Winners will be announced in July and recognized at SEJ's Awards Presentation Ceremony in New Orleans, Sept. 3.
     
    Also note:
     
    SEJ awards messages will be sent out just twice more between now and April 1, and once in July to inform you about the winners. 
     
    Questions: 

    The HearSay Audio Prize 2014 @ HearSay Audio Arts Festival in Kilfinane, Ireland

    International audio festival call for entries. 45 euros (~$62US) per entry (25 Euros/$35US for students), but sweet prizes. Accepting submissions from May 7 – June 30. Festival is Nov 21-23 in Ireland. Details below!
    The HearSay Audio Prize 2014
    @ HearSay Audio Arts Festival in Kilfinane, Ireland
    http://www.hearsayfestival.ie/the-hearsay-prize-2014/4583361403

    HearSay is a unique festival which celebrates creative sound in all
    its forms, bringing passionate people from all audio disciplines
    together for collaboration, conversation and inspiration.

    What we are looking for

    An original and creative piece of composed, compiled or crafted audio
    which is 2 minutes minimum and 6 minutes maximum in length. The piece
    should be self-contained and take the listener on an aural adventure.

    We encourage you to approach the HearSay Prize in the spirit of
    experiment, adventure and collaboration which the HearSay Festival
    celebrates.

    The competition is open to everyone – from sound artists, to radio
    producers, theatre sound designers to musicians, from experienced
    professionals to passionate enthusiast and to all audio formats
    regardless of whether dramatic, documentary, composed, scripted,
    artistic or none or all of these.

    There's very little not allowed – It's not a song contest so songs or
    straight up musical tracks are unlikely to succeed but the use of
    music or song is not excluded. Field recordings, interviews, drama,
    scripts, stories, found sounds, original music, actuality – feel free
    to use every sound at your disposal – make every moment count.

    One voice, many voices, no voice are all good. Layered or simple,
    heavily processed or natural, we're very open. We will be judging
    entries on their use of sound, innovation, engaging the listener. Be
    inventive, be engaging, surprise!

    The HearSay Audio Prize 2014 A Cash prize of 2,500 Euro (equivalent
    to 3500 US Dollars in March 2014) for the winner plus accommodation
    and participation in the HearSay International Audio Arts Festival
    2014 awarded to the most outstanding entry.

    Five category awards for entries other than the overall winner:

    The HearSay Across the Waves Award – Flights to Ireland for one person
    from anywhere in the world to the HearSay 2014 Audio Arts Festival
    Kilfinane, Ireland plus accommodation and participation in the HearSay
    Audio for the festival for the best (non-overall winner) entry from
    persons normally resident outside the island of Ireland.

    The HearSay Ballyhoura Award – 500 Euros cash prize plus
    accommodation and participation in the HearSay Festival 2014 for the
    non-overall winner) entry from persons normally resident on the island
    of Ireland.

    The HearSay Student Award – 250 Euros cash prize plus accommodation
    and participation in the HearSay Festival 2014 awarded to the
    strongest entry from people under the age of 21 by November 20th 2014
    or in full-time education of any age.

    The HearSay Story Award – 250 Euros cash prize plus accommodation and
    participation in the HearSay Festival 2014 for the best entry with a
    great story brilliantly told regardless of format.

    The HearSay JawDrop Award – 250 Euros plus accommodation and
    participation in the HearSay Festival 2014 for the audio moment or
    sequence that stuns or thrills the judges ears.

    Making your Entry/Key Dates

    Entries will be 45 euros per entry (25 Euros for students). Multiple
    entries will be allowed but they must be standalone.

    On-line submission of entries to the HearSay Prize 2014 will open on
    May 7th 2014 via the HearSayFestival.ie website.

    Entries will close on the 30th June. The roster of judges will be
    announced in August and the good news will be given to the Award
    Winners in early September to let them plan their journey.

    The entry format will be .WAV 44.1K

    Each piece entered should be especially created for the HearSay Audio
    Prize. It should not have been broadcast, podcast previously in any
    format nor should it be extracted from another piece.

    You should be the copyright owner of all material contained within the
    piece or cleared all necessary rights for use.

    The producer(s) of each audio piece submitted will be asked, when
    making their entry to grant HearSay with broadcast, Internet and live
    playout rights to present entries in their complete form to inspire
    others. Full copyright in the piece will remain with the producer(s).

    [trainings] KALW news’ training program looking for applicants – Deadline 5/1

    I can't imagine a better place to learn the ropes. Application deadline May 1!

    Enrollment now open for the KALW News Audio Academy


    KALW is calling for applicants for our 10-month radio journalism training program based at KALW public radio, an NPR and BBC affiliate station in San Francisco. This program is designed to give you a graduate level audio production education, tuition-free.


    We’re looking for creative thinkers who are great writers and storytellers with a passion for covering diverse communities, and ideally have some knowledge of the Bay Area.


    Audio Academy participants will be trained to produce feature reports for KALW’s award-winning daily news program Crosscurrents. Your voice and your work will be broadcast on KALW during your time in the Audio Academy.


    Training will include:


    Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces in the field, and learning story structure, voicing, digital production, engineering, and sound design. The training will take place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other public media producers, will lead workshops on every aspect of production specifically for the Audio Academy. Previous featured speakers have been: Roman Mars, Hansi Lo Wang, Daniel Alarcón, Marianne McCune, and Jason DeRose (to name a few).


    Selected participants will make a 10-month commitment (September 2014 to June 2015): minimum 20 hours per week (one six-hour shift at our studios and another 14 hours working in the field). The Academy includes a one-week break at Thanksgiving, a two-week break in late December, and a one-week break during the spring. Enrollment in a college or university is not necessary to participate.


    To apply please send a cover letter, CV and any audio/writing samples to:


    KALWapplications@gmail.com


    Application deadline: May 1, 2014, 11:59 PT


    We look forward to meeting you!

    KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.


    call for submissions from the Journal of Video Ethnography

    Interesting new venture for you film folks. Details below.

    IMPORTANT: Submissions for the inaugural issue of Video Ethnography are being accepted now through Mar. 31 for publication on Sept. 1

    ABOUT JVE

    Journal of Video Ethnography is a venture of DePaul University's Social Science Research Center. 

    The aim of this journal is to advance the social scientific use of video/film as a method for exploring human society, systems, and cultures and as a medium for presenting the findings of those explorations.

    CALL FOR VIDEO SUBMISSIONS

    The newly launched Journal of Video Ethnography (JVE) is the first ever peer-reviewed journal of ethnographic films and videos. JVE aims to advance the social scientific use of video/film as a method for exploring human society, systems, and cultures and as a medium for presenting the findings of those explorations. 

    Our primary objective is to establish a mechanism for the peer review of films that have social science ideas at their core. We expect that most submissions will come from academics who make films. This said, we also aspire to bridge the gap between academia and commercial documentary film and to provide a vehicle for the distribution of films by non-academic filmmakers whose films constitute an ethnographic point of view on a culture, group or phenomenon. 

    Submissions for the premier edition of the journal will be accepted until March 31. 

    Films submitted for the first issue will undergo single-blind peer review by a panel of three ethnographer-filmmakers. Reviews will be conducted between April 1 and June 15. Submitters must be willing to "revise and resubmit" their films as a result of the review process. Click here to submit a video. 

    Thank you! 

    – JVE Editorial Team

    Freelance Cafe West gathering March 31 and NEW peer learning exchange

    Hey Bay Area folks. Lots of exciting happenings on the horizon. First, the next monthly gathering is March 31 at 6:30 pm. 2374 Eunice St. in Berkeley. Here's the Facebook invite.

    Second, FC member Luisa Beck has an idea for a Bay Area peer learning exchange. So cool! See her note below.

    And finally, I'm coming for a visit and would love to see the FC West crew. Join me on April 17 for a screening of Sam Grant's documentary, A Fragile Trust at the Roxie in SF at 7pm, followed by drinks at a nearby location TBD. Get tickets early because the show will sell out!
    From FC West member Luisa Beck:
    Hey freelancers, 
    At the last Freelancer Cafe gathering, we had this idea of setting up a peer learning exchange. As freelancers, we've all gathered these bits of knowledge from the many projects and jobs most of us have had to juggle. As a result, we probably all have expertise in different software, grant writing, website design, recording techniques, etc. etc. So what if we found a way to match freelancers by skill and learning goals?  
    To do this, I set up a google spreadsheet with a list of names, skills people can teach and want to learn, and hours taught.The idea is that if you teach a certain number of hours, you can take those hours and learn from anyone else in the learning exchange network. So for example, I can teach someone how to customize a WordPress site. And I want to learn more about sound design. But the person I'm teaching WordPress to doesn't know anything about sound design. So I basically rack up "teaching currency" when I teach WordPress for two hours. And then I can go to someone else who knows more about sound design and and use my two hours of "teaching currency" to become a sound master. And that person can then go to someone else in the network and learn about what they want to learn, etc. 
    So sign up if you're interested! There's also a column F for a "draft feedback exchange", which is basically for people who are interested in sending each other's drafts of what they're working on and getting feedback. 
    Ok, now quick, sign up! Or shoot us a note about ways to make a learning exchange even better. 

    Latino USA call for pitches

    From the fine folks at Latino USA:

    Latino USA has the following show themes coming up in the next few months, and we’d welcome your pitches:

     

    Space: Outer space, personal space, mental and physical space.

     

    A Latino History of the US: Oral histories, memories of migration to the US, stories about immigrant communities and places that used to be occupied by Spain or Mexico.

     

    Family: Stories that go beyond the traditional notion of the nuclear or extended family, to also include communities, and the people you end up living with and adopting as your own.

     

    Why Not Me?: Everything from being left out to taking a chance (auditioning, trying out, buying a lottery ticket).

     

    Push It: From drugs to births to limits.

     

    Pretending: From fraud and lies to make-believe and play.

     

    Move It: People and things.

     

    Please send your pitches directly to: pitches@futuromediagroup.org.

    Pitch meetings take place on Fridays, and we try to respond to your pitch by early the following week.

    If you’re pitching for the first time, please tell us a little about yourself and include a couple of samples of your audio work.

    Latino USA pays $125 per broadcast minute and $25 for a photo for the website.

    Live? Die? Kill? performance documentary event in Beacon, NY, April 25-27

    My friend and colleague has an upcoming event for her long-running project Live? Die? Kill? in Beacon, NY, April 25-27. This one focuses on Native Americans in the Southwestern US. Should be a great show. Any NYC/Hudson Valley folks want to join me? Details below. Both evening performances work for me. -Mia

    +++++++++++++++++

     
    LIVE?DIE?KILL?: 4 CORNERS 
    A Performance Documentary 
    by Karen Michel 
     
    Exhibition and Fundraiser: Second Saturday, April 12, 2014: 6:00 – 9:00 pm 
    Performances: April 25 – 26, 2014: 8:00pm 
    Matinee: April 27, 2014: 3:00pm 
    All events take place at Beacon Yoga Studio, 464 Main Street, Beacon NY 12508 
    Exhibition and Fundraiser is open to the public 
     
    Performances: $15 suggested donation includes a glass of wine or seltzer 
    Two evenings and one afternoon of text, sound, and visuals primarily from Native Americans in the Southwest of the United States, reflecting on issues of life and death. 
    On the morning of September 11, 2001, Karen Michel woke up in her Brooklyn apartment to the sound of the first plane hitting the  Twin Towers. “As the sky blackened, I was sure the world had come to an end. And I was acutely aware, for the next days and weeks, that I was breathing the DNA of dead people.” In the weeks that followed, the country began the long and difficult process of healing, seeking answers to questions for which there was no one or right response. These are the questions came to Michel, in what she refers to as an “aural vision”: 
    What do you live for? What would you die for? What would you kill for? 
    For the following decade, Karen Michel traveled from urban Los Angeles, New York and Boston, to the rural Southwest, Florida, North Carolina, Montana and the Badlands asking strangers these three questions. The simple syntax belies the pinpointed directness. The questions ask much more than “what” and answers reveal even more. In 2010, Michel visited Navajo, Hopi and Ute Reservations in the Four Corners region of the Southwest to discover what answers might be there. Her performance will speak of the consciousness of a people and how place and family ties affect a community. These form the basis of her April 25, 26, 27 performances in Beacon, NY. 
    In radio programs and live performances, Michel weaves a story-documentary of the places she’s traveled to and the people that agreed to answer the 3 questions. She has an innate talent of pulling the words, the truth, out of the interviewed. Most are curious and willing. Some answer with surprising depth in a poetic voice; some unwittingly fall, crying, into stories of personal tragedy; some, become forcibly angry at the very thought of engaging with a stranger. Or themselves. Michel curates all of this information into an entertaining and thoughtful performance: an anthropologist’s collection of detritus and treasure, images of places, people, and the sounds of someone’s voice intertwined with Michel’s astute observations. 
    The Exhibition and Fundraiser on April 12, Second Saturday in Beacon, will display archival “mug shot” prints of those she has interviewed. Prints will be for sale. 
    Karen Michel is an award-winning radio producer, documentarian, artist, and educator. A long-time contributor to NPR's daily newsmagazines, she got her start in radio at the age of 5 as a guest on Art Linkletter's "Kids Say the Darnedest Things." She honed her adult skills on Alaska Public Radio. Before moving to the Hudson Valley, she lived in Brooklyn; after 9-11 she began the project that's become the radio and performance documentary series/obsession: "Live?Die?Kill?: 3 Questions in Various Geographies." Karen Michel currently resides in Pleasant Valley, New York with her husband, Bob, and their dog, Yomo. 

    pdf icon LDK-4C_press_release-Final.pdf

    Multimedia Storytelling Institute 2014, Early Registration deadline April 11

    I did a version of this KDMC workshop a bunch of years ago and it was fantastic. Discounted registration deadline April 11.
    The Multimedia Storytelling Institute 2014 registration is open with early registration discount until April 11th. 

    This two-week workshop is an immersive experience in storytelling with video, photography and data visualization tools and technologies, and includes hands-on skills training in multimedia content production to websites, news sites, blogs, and social networks. http://kdmc.us/1a1xa3I Instructors include UC Berkeley Graduate School of Journalism multi-media faculty, industry professionals and award-winning instructors.

    Clocktower Productions/Art on Air internship, NYC

    For you NYC radio folks. Alas, it's unpaid, but this internship with Art on Air sounds pretty cool. Details below.

    +++++++++++++++++++++

    Clocktower Productions is an art production institution working in the visual arts, performance, music, and radio. Founded in 1972 by Alanna Heiss, Clocktower is the oldest alternative art project in NW. For 40 years, the institution has produced seminal exhibitions and performances by some of the most important artists of our time. After leaving its historic Tribeca tower in Dec. 2013, Clocktower engaged in contracted partnerships with 6 cultural institutions in 3 boroughs: Pioneer Works (Red Hook), Knockdown Center (Maspeth), Playland Motel (Far Rockaway), and Times Square Arts and Neuehouse (Manhattan). These venues host Clocktower exhibitions, performances, residencies, radio, and administrative activities.

    Over the decades, Clocktower has presented work by Gordon Matta-Clark, Max Neuhaus, Lynda Benglis, Dennis Oppenheim, Vito Acconci, Nam June Paik, Laurie Anderson, Marina Abramovic, and Christian Marclay, among many others. Today, Clocktower presents a full program of exhibitions, performances, and residencies honoring the spirit of the alternative spaces movement by focusing on experimental, interdisciplinary and intergenerational work.

    Clocktower's radio station is a free online audio archive operating at artonair.org. lts 6,000 hours of content feature non-commercial music, audio art, spoken word, cultural news, history and dialogue, and new media innovation. The radio's mission is to excel as a globally accessible, technically innovative deliverer of content, through a curated radio-style stream of shows and searchable on-demand archive. Clocktower production and public programs, the radio station, and website function as a laboratory for experimentation and a resource for distribution of and access to the arts.

    Internship description
    Clocktower Productions is looking for a dynamic intern interested in all things cultural. Every week Clocktower produces a 24 hour radio stream of artist interviews, music, and on location recordings. We're looking for an intern to help create content for and maintain our online radio station site, Clocktower.org.

    Responsibilities:

    • Researching and writing radio program descriptions

    • Curating and processing images for radio programs

    • Editing and archiving radio programs 

    • With time, opportunity to pitch shows

    Requirements:

    • Writing skills – high proficiency required, style a plus

    • Familiarity with Excel

    • Some knowledge of HTML

    • A willingness to work hard and learn fast

    Helpful Skills:

    • Audio editing experience

    • Adobe Creative Suite experience

    While this internship is unpaid, rewards include meeting interesting people, making great contacts, staff field trips to various cultural events, and gaining invaluable experience for a career in the arts.

    To apply please send a cover letter and resume to denise@artonair.org

    Fulbright Scholar grant opportunities for journalists: Europe, Eurasia, Middle East, North Africa

    U.S. Fulbright Scholar grant opportunities in Europe and Eurasia and Middle East North Africa in the field of Journalism. 

    Applications for the 2015-16 academic year are currently being accepted from all levels of faculty and professionals, including early career.

    We are soliciting applications for a broad range of awards, including but not limited to:

    Fulbright-Masaryk University Distinguished Chair in Social Studies– Czech Republic

    All Disciplines-Azerbaijan

    Journalism/Film and TV Production– Lithuania

    Journalism, Communications– Ukraine

    Multiple Disciplines: Sultan Qaboos University and University of Nizwa– Oman

    Applicants must be U.S. citizens and hold a Ph.D. or appropriate professional/terminal degree at the time of application. The application deadline is August 1, 2014. 

    In addition, All Disciplines awards are available in many countries and can be a good option if no discipline-focused award matches your expertise.  Please visit the 2015-16 Catalog of Awards athttp://catalog.cies.org/ to learn more about the opportunities available in this year's competition. For most awards, English is sufficient for teaching and foreign language proficiency is only needed to the extent required by the proposed research project, if applicable.

    For eligibility factors, detailed application guidelines and review criteria, please follow the link http://cies.org/program/core-fulbright-us-scholar-program. You may also wish to register for one of our webinars at here or join our online community, My Fulbright, a resource center for applicants interested in the program.

    Please feel free to share this message with members of your listservs, newsletters or social media. For further information about specific awards, please contact the program staff listed in the award description. 

    2014 Internships with leading Western environmental magazine, High Country News

    See below for info about High Country News' six-month internships (free housing plus a small stipend). -Mia

    High Country News is looking for informed and enthusiastic interns to report on natural resource, environmental and community issues in the 11 Western states.

    High Country News, published twice-monthly in Paonia, Colo., is a nonprofit newsmagazine and website "for people who care about the West." The magazine reaches 25,000 subscribers — an estimated 60,000 readers — and the website reaches thousands more, including grassroots activists, public land managers, tribal officials, government policymakers, educators, students and interested citizens.

    The Los Angeles Times has written that High Country News is "the most influential environmental journal in the Mountain West," and according to Newsweek, "High Country News is a must for anyone following land use issues west of the 100th meridian." Our hard-hitting coverage has won many major journalism awards during the past few years, including:
    * Utne Independent Press Awards for Best Environmental Coverage and Best Local/Regional Coverage
    * Hillman Prize for Magazine Journalism
    * George Polk Award
    * First Person Narrative award from the American Society of Journalists and Authors
    * Science Journalism Award from the American Association for Advancement of Science
    * Walter Sullivan Award for Excellence in Science Journalism
    * James V. Risser Prize for Western Environmental Journalism

    Every year, High Country News offers four to six internship positions, each six months long. Two to three new interns join us each June and January; we provide free housing and a $200-per-week stipend. To help defray moving costs, an additional $500 travel stipend is available upon successful completion of the internship. One exceptional candidate from each session may have the option of staying on another six months as an editorial fellow — a higher-paid, higher-output position.

    Our interns and fellows are a key part of the HCN team; aside from a few minor tasks such as sorting the mail and answering phones, interns spend most of their time researching, interviewing, writing, and developing content — both for print and online. We pride ourselves on fairness, accuracy and good writing, and we expect no less of our interns.

    For all of our internship positions, a bachelor's degree or equivalent and some prior journalism experience and/or education is preferred. We also prefer applicants who are familiar with High Country News and who have lived in the West and know its environmental and community issues. Photographic experience and familiarity with audio and visual programs such as Final Cut Pro and Flash, as well as radio or video experience are all pluses. We strongly encourage Native American journalists, Hispanic journalists and those from other under-represented backgrounds to apply.

    All interns and fellows work with the staff editors to write news stories for the website and for the newsmagazine, ranging in length from 250 to 1,600 words. Depending on their experience and ability, they may also get the opportunity to write a 2,500- to 5,000-word feature story. Our editing process is rigorous — all copy goes through two layers of editing and it is not unusual for a story to see six or eight drafts. Reporting is generally conducted over the phone and the Internet, but we do have money to send each intern out into the field at least once to do on-the-ground work.
    Our interns and fellows go on to become leaders in journalism and politics. They pursue careers as reporters, editors, educators, lawyers, policymakers and freelance writers.

    Upcoming start dates and application deadlines are as follows. Applications must be received in our office by the deadline date.

    Summer/Fall 2014
    Start date – July 7, 2014
    End date – December 12, 2014
    (Applications must be received by March 31, 2014)

    Winter/Spring 2015
    Start date – Jan. 5, 2015
    End date – mid-June, 2015
    (Applications must be received by Oct. 10, 2014)

    In the past, we have required a hardcopy application, but we are transitioning to a paperless process. Applicants should send an email with attached cover letter, résumé, contact information for three references (phone and email), and three writing samples (plus multimedia samples, if applicable) to Associate Editor Sarah Gilman at sarah (at) hcn.org. Please be sure to include "intern application" in the subject line.

    If e-mail application is not an option, candidates may also mail their materials to

    Associate Editor Sarah Gilman
    High Country News
    P.O. Box 1090
    Paonia, CO 81428
    Call 970-527-4898 or email sarah (at) hcn.org for further information.

    3 Days Until the Aural Fixation Deadline! Send us your strange and beautiful sounds.

    Strange Beauty audio contest reminder:
    There are only three days left for you to send us your strangely beautiful or beautifully strange audio. We'd love to hear from you, so send us your best by March 15, 2014.

    Aural Fixation accepts audio work of any shape or form with a running time of 7 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it. Previous broadcast history is of no concern.

    Entry instructions online here:

    http://www.strangebeauty.org/page4/enter.html

    Strange Beauty will be held June 12-14, 2014, in Durham, North Carolina.

    The Litography Project Kickstarter + Call for pitches

    New project out of KALW wants your pitches. Details below. Also support their Kickstarter campaign HERE.


    The Litography Project is an online map of San Francisco, launching in summer 2014, that plots the city’s literary past, present and future.

    We are looking for stories that explore literary culture in San Francisco. We are seeking a variety of stories that will be plotted as points on a map with potential photographs and/or images produced by a designer, depending on the story concept and subject.

    Some example topics and structures include:

    • Conversations or short audio tours with authors who live in or have been inspired by San Francisco

    • Profiles of current literary series or events

    • Soundscapes of literary places throughout the city

    • Historical features of specific places or events that shaped San Francisco literature

    Pitches should be less than one page in length and include possible interview sources and what you think the piece might sound like (structure, sound, style). Please attach links to any previous work.

    If your pitch is accepted, please be prepared to submit a script before any audio. Compensation is $300 fee paid upon submission of the final script and audio files. The Litography Project will create all final mixes. We will need you to provide your actualities, narration and ambient sound along with a rough mix.

    You retain all the rights to your work and are free to post or pitch it to other outlets. However we respectfully ask that you wait until it’s been released on The Litography Project website to do so.

    We look forward to hearing from you!

    Compensation: $300

    Contact: thelitographyproject@gmail.com

    We are also seeking other kinds of multimedia content as well – if you are interested in submitting writing, photography or illustrations, please get in contact!

    Cowbird and SOTRU team up for a new Saga – Small Towns

    Great radio program + great online storytelling community = great opportunity for freelancers. Details below.

    Cowbird just launched what we call a "Saga" today, a call for stories on a specific issue.  The current saga is about small towns: what makes people stay, leave or return to them.  We're partnering with State of the Re:Union on this one, and the best stories have a shot at being on the show.
    So if you have a small town story, we want to hear it!  The site is super easy to use, pretty, and, bonus points, it's free.  It's a great platform for radio makers — you can upload audio that plays alongside a beautiful (floating) picture, you can add text.  And, best of all, you can embed that story basically anywhere, as easily as, say, a YouTube video.  It's like the functionality of Soundcloud … but pretty.  
    Details below.  We can't wait to hear your stories!

    New Saga : Small Towns
    Dear Cowbirders,
    Small town America is vanishing.
    A hundred years ago, 72% of us lived in small towns. Today? Just 16%. Behind those statistics are thousands of stories. We’re partnering with State of the Re:Union and Hollow to create a narrative tapestry of the rise and fall of rural America, through the eyes of the people who live(d) there, left, or stayed.
    If you’ve ever lived in a small town, we want to know: what’s the one thing that made you leave, stay, or return? We’re launching a new saga, Small Towns, to try to answer these questions.
    Tell your Small Town story on Cowbird. Start your story with, “The one thing that made me [leave/stay/return]…” Keep your story short (50-250 words), add pictures and/or audio. Before you hit publish, remember two things: add a location, and add your story to the “Small Towns” saga. The best stories will have a shot at ending up on NPR.
    Happy storytelling, no matter where you live.
    Spring is in the air.
    Cowbird

    Cowbird. A witness to life.

    Digital Curation Internship/Volunteer Opportunity at WFMU

    Free Music Archive @ WFMU
    Digital Curation Internship & Volunteer Opportunity
    Students looking for hands-on experience in the world of digital archives, online audio curation, social media, and music are encouraged to apply to be a Digital Curation Intern or Volunteer at WFMU’s Free Music Archive in Jersey City, NJ.
    We accept Interns who are currently enrolled in school. We also welcome Volunteers, no longer in school, who are interested in experience with digital curation.
    Responsibilities:
     
    Your work as a digital curator may include any of the following depending on your interests and experience: curating audio and video content via the FMA website; cataloguing new additions to the archive using the FMA’s Content Management System (CMS); blog posts and other editorial contributions; curation of relevant online materials through social media channels like Twitter, Facebook and Vimeo; basic audio editing; crafting e-newsletters; soliciting new additions to the archive; assisting with direct licensing projects; independent research projects.
    Qualifications:
     
    The following skills and/or interests may be helpful, but are not required:

    • Working towards a degree in Library & Information Science or Media/Communications
    • Previous online writing experience and basic HTML
    • Basic audio production skills are a plus
    • Attention to detail & self-motivated commitment to high-quality work
    • Familiarity with copyright law and Creative Commons
    • Enthusiasm for freeform radio, free culture, music, and/or online technology
    • Experience in the independent music world
    Terms last about four months and require at least a 8-21 hour/week commitment; The internship takes place at WFMU in Jersey City, NJ. Terms coincide with the academic calendar: roughly September-December, January-April, and May-August.
    How to Apply:
     
    Send us a resume and cover letter explaining why you would like to intern or volunteer at the FMA and what you hope to gain from your experience. We also ask that you 1) Describe a release on the FMA that you really like, and say why 2) Make us a thematic mix on the FMA, and include a link.
    Please submit your application and any questions you may have to contact@freemusicarchive.org.

    UC Berkeley Immigration Fellowship for Journalists, deadline March 10

    The Changing Face of America: Immigration and the Politics of Reform

    Graduate School of Journalism, University of California at Berkeley

    May 1-4, 2014

    The UC Berkeley Graduate School of Journalism invites professional print, broadcast, and online journalists in the United States to apply to its fourth annual New York Times Institute on Immigration Reporting. 

    The 20 applicants selected as New York Times Fellows will learn about the new dynamics of America’s immigration debate and the country’s changing demographics. Immigration policy continues to be a hot topic this year, with Congress facing increasing pressures in the debate over large-scale legislative reforms. Regardless of what happens in Washington, D.C, it is likely that states and localities will continue to be active on a range of issues from tuition equity for immigrant students to increased local enforcement. 

    The intensive four-day training is designed for reporters and editors who have some background on immigration and seek to enhance their knowledge and skills.

    The 2014 seminar will focus on the impact of the growing Latino and Asian-American electorate on current immigration reform efforts in Congress. Participants will:

    ·  Receive hands-on training in demographic analysis and working with Census data on voter registration and turnout;

    ·  Hear up-to-the-minute assessments of legislation in play in Washington and the power dynamics behind it;

    ·  Examine this year’s political debate in the context of history, current immigration law, state-federal battles and recent developments in immigration enforcement;

    In past years, speakers have included high-ranking Homeland Security officials, immigration judges, leading journalists, scholars, legislators and immigrants themselves. We anticipate a line up of top-notch experts again this year. The institute will draw on its position in California – which has been at the leading edge on many aspects of immigration – and the wealth of resources at the University of California and beyond. Participants will leave the seminar well equipped with new perspectives and insights backed by solid research and data, new sources, essential reporting tools, and story ideas to deepen their coverage and to share with their newsroom colleagues.

    The Changing Face of America is a New York Times Institute, supported by a generous grant from the Atlantic Philanthropies. The Institute is co-sponsored by the Chief Justice Earl Warren Institute on Law and Social Policy at Berkeley Law.

    The application deadline is March 10, 2014. Find more information and apply on the website: http://journalism.berkeley.edu/conf/2014/immigration

    Making Contact seeks Community Storytelling Fellow

    Hey Bay Area producers/storytellers: Making Contact is looking for a Community Storytelling Fellow. Details below. Send questions to Digital Content and Community Manager Kwan Booth: 
    @making_contact


    Making Contact is Hiring


    Making Contact is a 20 year old, award winning radio show heard weekly on over 140 stations in the U.S., Canada, and Australia. Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems.

    • We are looking for a highly motivated and passionate individual with a story to tell and connections to grassroots and community issues. We will help you develop your idea and gather audio to build a story that will be broadcast and shared across 140 radio stations nationwide. Fellow will be compensated with a stipend of $125/week for approximately 10 hours of in studio work.

    SEJ call for entries, deadline April 1

    It's award season for everyone: here's the call from the Society of Environmental Journalists.

    SEJ Awards
    Society of Environmental Journalists
    CALL FOR ENTRIES
    DEADLINE TO ENTER: APRIL 1, 2014
     
    $500 prize offered for first place in seven categories. Details here:
     
    HOW TO ENTER (access entry forms on this page) 

    2014 RULES 

     
    Enter your best environmental stories from March 1, 2013 – Feb. 28, 2014.
     
    Spread the word – and Good Luck!
    Did you know…
     
    * Entry fees are lower for SEJ members. To enter at the member rate, Join SEJ.   (Eligibility requirements apply. You'll need to register on sej.org to access the application form.) 
     
    * Winners will be announced in July and recognized at SEJ's Awards Presentation Ceremony in New Orleans, Sept. 3.
     
    Also note:
     

    We've changed the Email list format for informing you about SEJ awards. It's now a LOT easier to opt out of messages. However, please don't, unless you really don't need this information.

     
    SEJ awards messages will be sent out five more times between now and April 1, and once in July or August to inform you about the winners. 
     
    Want to see past winners? Click Here and select the year you want to view.
     
    Questions: 

    2014 Oral History Summer School

    Learn the fine art of oral history this summer with Suzanne Snider and friends. Details HERE and below.

    Inline image 1


    Dear Friends and Fellow Media-Makers, 

    We're please to announce Oral History Summer School 2014 workshops. Please help us spread the word to budding documentarians or oral historians looking to delve deeper.

    Oral History Summer School was established in Hudson, New York in 2012 to train an international group of students to make use of Oral History in their documentary and artistic practices. This summer, we're also offering specialized short courses for continuing oral historians or those interested in advanced issues in the field.


    This summer’s instructors include Suzanne Snider (Founder/Director OHSS),  Michael Garofalo (Storycorps), Eugenie Mukeshimana (Genocide Survivors Support Network), Sarah Kramer (Journalist), and Jen Karady (Artist/Photographer)


    Workshops

    • Oral History Intensive with Suzanne Snider, and Visiting Instructor Eugenie Mukeshimana, June 13-20
    • Oral History and Radio with Michael Garofalo, June 21-25
    • Oral History Experiments: Project Lab with Suzanne Snider and Visiting Artists Sarah Kramer and Jen Karady,June 27-July 1


    More information can be found, here: http://www.oralhistorysummerschool.com/

    Our Facebook page will also keep you up-to-date.

    Questions: info@oralhistorysummerschool.com


    Yours,

    Suzanne Snider

    Founder/Director, Oral History Summer School

    New session of Radio Boot Camp June 7-8, NYC

    New session of Radio Boot Camp announced for June 7-8. Details below.
    Don't just listen to stories, tell your own!

    Do you love Ira, have a secret crush on Terry Gross, or wanna be Audie Cornish when you grow up? Come to Radio Camp's Boot Camp and learn how to produce a radio story from start to finish. This hands on class will cover the basics of writing for the ear, (very different than print) and producing for radio using professional equipment and software. Be prepared to grab your gear and hit the streets. Learn interviewing and mic techniques by doing the real thing. Voicing will also be covered. Students will produce two stories over the course of the weekend. There will be an hour and a half (approx) of homework on Saturday night.

    Dates & Location

    March 15 & 16, 10:00 a.m. – 6:00 p.m., 10:00 a.m. – 5:00 p.m. 
    UnionDocs, 322 Union Ave, Brooklyn, NY, 11211 
    $285 for early registration by Feb. 15, afterwards, $315.
    *SESSION FULL.
    ADD YOUR NAME TO THE WAITING LIST

    June 7th & 8th, 10:00 a.m. – 6:00 p.m. 
    Harvestworks, 596 Broadway, New York, NY 10012 
    $285 for early registration by May 7th, afterwards, $315.

    upcoming events from the NY Press Club, esp Tax Prep for journos, March 6

    Highlights from the NY Press Club Newsletter: Tax Prep for journos info session on 3/6. And a look at the evolution of food journalism on 4/2. Both events at CUNY j-school, NYC. 

     
     
    Tax Prep For Journalists
    GRAPHIC   Thursday, March 6th
    CUNY Graduate School of Journalism
    219 W 40 Street (7th & 8th)
    6:30 p.m. refreshments/schmoozing
    7:00 p.m. program
    The New York Press Club will again provide helpful information this year for journalists and journalism students who must prepare tax returns.

    Press Club member (and CPA), John Lieberman of Perelson Wiener LLP, and colleagues, will once again conduct a discussion and answer your questions about filing your 2013 returns. They will also provide up-to-date information about pertinent changes in tax law. John is a New York City-based certified public accountant and personal financial specialist with nearly 30 years experience. A number of high profile sports and entertainment figures are on his impressive client list.

    John and his colleagues will gear their presentation to situations unique to journalists along with updated information concerning the new world of digital media.

    Free for New York Press Club members, CUNY J-School students and alums: RSVP required. Non-members, $15: Please RSVP here.

     
     
    The Evolution & Future of Food Journalism
    GRAPHIC   Wednesday, April 2nd
    CUNY Graduate School of Journalism
    219 W 40 Street (7th & 8th)
    6:30 p.m. refreshments/schmoozing
    7:00 p.m. program
    Renowned local and national editors and writers will discuss food journalism as it has been practiced over the past decade or so and will look ahead to the future of this popular journalistic niche.

    Details are only half-baked at the moment but our chef is working overtime to prefect them. When complete, the evening will definitely be a feast of useful information for those culinarily inclined.

    Free for New York Press Club members, CUNY J-School students and alums: RSVP required. Non-members, $15: Please RSVP here.

     

    Freelance Cafe West meeting TONIGHT! Feb 24, 6:30pm, Oakland

    From our fabulous west coast leader:  


    Hello everyone, 

    Just a little reminder that our monthly meeting is tonight at The Trappist, 460 8th St. in downtown Oakland. We'll be gathering around 6:30, hope to see you there!

    Happy Monday

    Ana

    And for you east coast folks, I'm working on arranging a meeting (the first in awhile) for Thursday, March 13, somewhere in the Hudson Valley. Mark your calendars! Details TK.

    Banff Centre Science Communications Program – now open for applications, deadline March 26

    This science training program for journalists in the Canadian Rockies looks AMAZING. Deadline March 26. 

    Here's a quote from someone who's done the program:

    This is a fabulous program for any science journalist or anyone in the media whose work includes covering science stories. It takes place in the stunning surroundings of Banff National Park in the Canadian Rockies and brings together scientists, journalists and communicators at all career stages (early, mid, late are all well-represented) for an intensive 2-week-long life-changing experience.

    Science Communications 2014

    Program dates: July 28, 2014 – August 9, 2014

    Application deadline: March 26, 2014

    Please visit www.banffscience.ca for more information about people, projects, and partners.

    Program overview

    Working with some of the world’s leading science communicators, participants explore the creative use of words, images, action and technology, with the goal of fostering a more engaging role for science in public culture. 

    This is an immersive residency experience that is uniquely aimed at mid-career professionals in both science and communications. The program is structured around daily seminars and workshops on new forms of creative science communications. Emphasis is on group discussion and work, and participants will be urged to create outside their usual medium of scientific communication. At the end of the program, participants publicly present collaboratively created group projects using media such as the web, television, print, and three-dimensional scenarios that have developed under the influence of debates, visits, talks, and one-on-one dialogues.

    Who should attend

    The program is designed for people working in science and engineering, science communications, journalism, knowledge transfer, science outreach, science policy, and cultural industries. Up to 20 participants are accepted into the program each year: there is always a mix of researchers, educators, communications professionals, and creative practitioners.

    Participants bring a rich array of experiences to the program. Each year will typically include professors, published authors or artists, managers and communications professionals, as well as graduate and postgraduate students. While diverse in skills, they share one trait — an interest in both science and communicating about science. A demonstrated commitment to science and its social relevance is required.

    Eligibility

    Successful applicants will have:

    • strong communication skills, with experience in science communications
    • keen interest in exploring new ways of presenting science in a public sphere
    • demonstrated creativity and excellence in a professional capacity
    • high standards for both scientific accuracy and cultural relevance

    Want to extend your stay?

    Extend your stay before or after this program by applying for a Self-directed Residency:

    next Bay Area FC gathering, Monday Feb 24, 6:30pm, Oakland

    Attention Bay Area freelancers: join us for the next gathering of Freelance Cafe.

    Monday, February 24
    6:30 PM
    460 8th StreetOakland, California 94607

    We had a great turnout last month and expect another great one this time. Join us! 
    Contact Ana Adlerstein <anaupatree@gmail.com> o(207) 807-6152 if you can't find the group or if you want to get more involved. We've got big ideas for the FC of the future and welcome anyone who wants to contribute in any way, shape, or form.
    And follow along on Facebook or Twitter.

    Unheard America storytelling series debuts at UnionDocs, NYC, Feb 23, 7:30pm

    I saw the premiere of this show a couple weeks ago – a super-interesting mashup of portraiture, music, and radio storytelling. It was especially interesting to hear producer Emile Klein talk about his process. Definitely worth a visit to UnionDocs for the NYC debut! Feb 23, 7:30pm. Details below.


    Here's teaser link: http://ow.ly/tMQ7u
    And the event:  http://ow.ly/tMQ39


    Get tickets while you still can! uniondocs.org/02-23-2014-unheard-america/

    UNHEARD AMERICA, A NEW SERIES COMBINING RADIO STORYTELLING WITH ORIGINAL MUSIC, DEBUTS AT UNIONDOCS, BROOKLYN, NY, – Sunday, February 23th, 7:30pm, at UnionDocs, 322 Union Ave, Williamsburg, Brooklyn, NY, 11211. For one day only UnionDocs (UnDo) and national arts organization You’re U.S. come together, presenting seven stories that took a nation to create, each told in a mixture of radio and music. The event includes a Q&A with the artists, followed by a reception. Admission: $9 suggested donation

    The stories, which tackle religion, race, family, and environment, were produced by Jeff Emtman and Emile Klein, who have embraced the musical concept of the ”mashup.” A children’s choir sings odes to a Virginian nun, an off-the-grid survivalist speaks over a Miami DJ’s peppy beats, a Hmong North Carolinian defines the nation within an ambient soundscape. Each story walks the line between the personal and the foreign, exploring America’s cross-cultural harmony.

    Musical collaborators for UNHEARD AMERICA include the iSing choir/ Karen Linford/ Jungmee Kim (choral), the Blind Willies (folk), Phantom Fauna (ambient), Gabriel Zucker (orchestral), Zack Varland-Hopkins (down-tempo), Richard Haig (electronic), and JJ Beck (classical).

    6 stories

    Q&A w/ Klein, Emtman, MC Paul Barman, and select musical collaborators

    Total Time: 95­ minutes

    BackStory with the American History Guys seeks two FT positions and a summer intern

    BackStory is currently accepting applications for the following open staff positions. If you have questions about anything here, please put them in writing and send them to backstoryjobs@virginia.edu.

    EDITOR

    BackStory with the American History Guys is seeking an Editor to join its Charlottesville-based radio production staff. The Editor will coordinate production of each of the program’s weekly episodes, and supervise the editing of all show content, including host interviews, listener calls, script copy, and reported pieces. The Editor will also oversee audience outreach and engagement efforts for each episode, collaborating with fellow producers to utilize and develop the program’s social media and other digital assets. The Editor will also work closely with BackStory’s historian-hosts in the studio, directing their recording of interviews, analysis, and narration.

    Competitive candidates will be passionate, curious, and skilled radio professionals who are enthusiastic about the program’s mission of making historical scholarship relevant and accessible to a broad audience. Experience editing the work of others is a must, and supervisory experience in a journalistic setting will be considered a definite plus. The Editor must be comfortable engaging intellectually challenging content under tight deadlines. Candidates with a background in U.S. history, American studies, or a related area of the humanities will be particularly well suited to the demands of the position.

    View complete details and apply online through UVA Human Resources. >>

    ASSOCIATE PRODUCER

    BackStory with the American History Guys is seeking an energetic, thoughtful, creative associate producer to join the show’s production team. This individual will be responsible for all aspects of show production, including research, generating segment ideas, booking, directing of hosts, scripting, field recording, and editing. Associate producers also assist in maintaining the program’s online presence and may help to create and disseminate related multimedia content.

    Competitive candidates will share a passion for making the study of American history accessible and relevant to a broad public audience. Applicants should have extensive experience with audio and/or multimedia production software (preferably Pro Tools). They should possess excellent research, writing, conceptual, organizational, and decision-making abilities, have an active interest in current events, and feel comfortable engaging high-level humanities scholars and scholarship. A background or experience in the field of American history and journalism is preferred.

    View complete details and apply online through UVA Human Resources. >>

    SUMMER INTERN

    BackStory is seeking a summer intern to join its Charlottesville-based staff. Although some remote work is possible, the majority of the four-month internship will take place at the Virginia Foundation for the Humanities, where the program is produced. Interns will be expected to devote 10-20 hours per week to the program, and will receive a stipend prorated to the number of hours they work, not to exceed $2,250 in total. If you are a student, we’re also willing to work with your host institution to arrange for school credit for the internship.

    The intern will be involved in a wide range of production tasks, with a particular emphasis on maintaining and growing the program’s social media presence. He/she can expect to devote a significant portion of each week to cultivating and participating in the program’s social media presence. The intern will also sit in on editorial meetings, and participate in editorial discussions with staff producers. Interns receive basic training in the use of Pro Tools (the industry standard for digital audio editing), and basic studio engineering practices. Self-starters who display an interest in and facility for field reporting may also have the opportunity to report, voice, and produce stand-alone segments for the radio show.

    The ideal candidate will have an active interest in the field of history, and will be an avid consumer — if not creator — of digital and/or audio media. We’re looking for someone with excellent research, writing, and organizational skills, as well as a thorough working knowledge of social media practices and conventions. Digital multimedia production experience is a plus, but not required. Last but not least, we’re looking for someone who is excited by the mission of making academic material relevant and accessible to the public-at-large.

    Start Date: Mid-May; Application Deadline: March 15

    View complete details and application instructions. >>

    two PAID internships at ProPublica, NY

    ProPublica is looking for two interns – PAID ($700/week?!). GO FOR IT.

    Research Internship

    ProPublica is seeking a research intern to support the newsroom on investigative projects. The internship is full-time, based in New York and pays $700 a week.

    The intern will work closely with the Director of Research, reporters and senior editors to help with ad hoc requests while also balancing longer term research projects the intern will manage.  Projects vary depending on newsroom needs, but the intern could work on tracking down former employees of a Fortune 500, calling states to get autopsy data, creating a newsroom guide for backgrounding people or finding examples of kids who were injured in a certain type of accident.  

    Candidates should have some experience with or a strong enthusiasm for public records, databases such as LexisNexis and Pacer and FOIA requests. An ideal candidate has a meticulous attention to detail, a passion for digging and strong reporting skills.

    Additionally, the intern will have the opportunity to work with ProPublica’s Social Media team on crowdsourcing and collaborative reporting projects, assisting with calloutsreporting recipes and research/verification of user-generated content. The intern could also pitch ideas to report and write shorter pieces for our website.

    Interns at ProPublica have gone on to work at The New York Times, Reuters, PBS FRONTLINE, Bloomberg, NPR, Center for Public Integrity and the Chicago Tribune.

    
To apply, please send an email to liz.day@propublica.org [Subject Line: “Research Intern”] with your resume and a note explaining why you’d be a good fit.  Also, please describe how you’ve investigated a person, business or topic and what methods, databases or public records you used to do it. We’d love to see links to relevant work that shows your skills, as well as either a brief idea for an investigative story you’d like to research or a short description of how you would have researched a story published on ProPublica’s website.

    Please also include how long you’d be able to work until, up to a year, and when you’d be available to start. No calls please.

    ProPublica is committed to building a diverse workplace. Candidates must be eligible to work in the United States. 

    Engagement / Reporting Intern

    ProPublica is seeking an intern to both report and help build community around our investigative projects with social media and engagement tools.

    The internship will begin this summer. It will last a minimum of 16 weeks and can be extended for up to a year. It is full-time and based in New York. Compensation is $700 per week.

    Interns will be part of our investigative team focused on quick-turn reporting that riffs off the news as well as our engagement team, which works across social networks to build communities around our coverage and develops crowdsourcing and social media strategies for our reporting. Applicants should have prior journalism experience, and a demonstrated interest in leveraging social media for newsgathering purposes.

    Here are a few examples of the kind of explainers and hard-hitting pieces we do, as well as examples of our engagementefforts. Nieman Lab has also written about our approach todigital journalismcrowdsourcing and audience engagement.

    Interns at ProPublica have gone on to work at The New York Times, Bloomberg, NPR, Center for Public Integrity and the Chicago Tribune.

    If you would like to apply, please send an email to internships@propublica.org with your resume and a note explaining why you’d be a good fit. Also, include two clips and an explainer-type sample post. It should help guide readers through some accountability topic in the news. Here are a few examples.

    Please include your clips as attachments—either Word docs or PDFs. Your application will come into the inbox of several staff members, so there is no need to address it to a specific person. Deadline for applications is March 3, 2014.

    ProPublica is committed to building a diverse workplace. Candidates must be eligible to work in the United States. 

    help WFAE’s Listen Here bring new listeners to public radio

    A new tumblr "showcases the best of public radio according to those who make it." It's a great play list, and you can make your own recommendations by following the submission guidelines below. See their first ten picks here, including my all-time favorite, David Isay's Ghetto Life 101.

    WFAE is pleased to announce Listen Here (wfaelistenhere.tumblr.com), a digital project designed to bring new listeners to public radio. Listen Here is a compilation of the public radio pieces that are most likely to draw in people who do not currently listen—the best, most interesting, most compelling public radio out there—and we want your input. We’re seeking submissions by hosts, reporters, and producers, as well as freelancers and member station staffers. We don’t want this to come across at overly self-promotional, so please submit work that is not your own. The playlist will be updated frequently beginning with the launch on Wednesday February 5th.

    If you would like to participate, please send the following information to Katie Herzog at kherzog@wfae.org:

    •            Your name

    •            Your job/station/show

    •            A link to the piece you would play for someone who doesn’t listen to public radio but should (if you can’t find a link, the show/title is fine)

    •            A sentence or two about the piece and why you love it

    •            Links to any website/social media you want to promote

    Please feel free to forward this to your colleagues and friends in public radio. The more submissions we get, the better the playlist, the more new ears.

    Katie Herzog

    Social Media Coordinator/Online Producer

    WFAE Charlotte’s NPR News Source

    twitter.com/wfae

    facebook.com/wfae90.7

    wfae.org

    kherzog@wfae.org

    704-926-9325

    Applications Being Accepted for the 2014-2015 Rosalynn Carter Fellowships

    Applications are now open for the 2014-2015 Rosalynn Carter Fellowships for mental health journalism. Details below. Deadline April 14.

    FOR IMMEDIATE RELEASE
    Feb.18, 2014
    Contact: Paige Rohe, prohe@emory.edu, 404-420-5129

    Applications Being Accepted for the 2014-2015 Rosalynn Carter Fellowships for Mental Health Journalism

    ATLANTA…Applications from U.S. residents are now being accepted for six one-year journalism fellowships with the Carter Center's Mental Health Program. These fellowships aim to enhance public understanding of mental health issues and reduce stigma and discrimination against people with mental illnesses through balanced and accurate reporting. The deadline for applications is April 14, 2014, and the fellowship recipients will be announced July 11, 2014, on the Center's website, www.cartercenter.org. The 2014-2015 fellowship year begins in September 2014.

    “For nearly two decades, Carter Center fellows have accurately and sensitively covered mental health issues around the world, helping communities better understand illnesses that affect so many people,” said former First Lady Rosalynn Carter. “Too often we only hear about mental health in the news following a crisis or tragic event. Yet, every day, millions of Americans living with these illnesses go to work, care for their children, and contribute to their communities. They are valuable members of society, and their stories deserve to be told.”

    Each fellow is awarded a $10,000 stipend and provided with two required expense-paid trips to The Carter Center in September 2014, and again in September 2015, to meet with program staff and advisers.

    Fellows also receive access to an exclusive area within the Mental Health Media Forum (www.mentalhealthjournalism.org) to facilitate direct dialogue with current and former fellows on mental health reporting.

    Since its establishment in 1996, the program has awarded nearly 150 fellowships. Throughout the history of the program, fellows have produced a considerable amount of content, including books, television mini-or full-length documentaries, hundreds of newspaper, magazine, and online pieces, hundreds of minutes of radio and television airtime, as well as creative and innovative uses of multimedia.

    Shedding Light on Issues and Creating Change

    Fellows are not required to leave their employment during the fellowship year and are encouraged to undertake timely projects that may educate the public and raise awareness about important mental health issues. Through their reporting, Carter Center fellows have: investigated the use of North Carolina state prisons as de facto psychiatric hospitals; inspired policymakers in a major American city to allocate millions of dollars to address homelessness; and exposed the complex and devastating mental health challenges faced by returning Iraq and Afghanistan veterans.

    On several occasions, fellowship projects have been nominated for the Pulitzer Prize. Multiple fellowship projects have been nominated for regional Emmy Awards, and others have received the Peabody Award, the Edward R. Murrow Award, awards from the Association of Health Care Journalists and American Psychiatric Association, as well as recognition from mental health consumer advocacy organizations such as Mental Health America and the National Alliance for Mental Illness.

    How to Apply

    The program is open to journalists working in all media forms with a minimum of three years professional experience. Projects are tailored to the experience and interests of the fellows. Fellows are not required to leave their current employment.

    Unlike in previous years, the full application now must be completed and submitted online. The application for the 2014-2015 Rosalynn Carter Fellowships for Mental Health Journalism is available at www.cartercenter.org/mhjapplication. Interested applicants should submit the following: 

    – Resume: The resume should include: a list of representative publications; membership in professional organizations; major journalism prizes; and/or awards and year awarded.

    – Objectives for Fellowship and Project Description: An informal essay not to exceed 1,000 words describing the applicant's professional reasons for applying and how the fellowship would benefit the applicant's body of work.

    – Samples of Professional Work: Up to three examples of the applicant's work may be submitted. At least one of the samples should be in the media form proposed.

    – Letters of Recommendation: Two letters of recommendation from people familiar with the applicant's work should comment on the applicant's abilities and potential as a journalist. Recommenders will be asked to submit their letters online once the applicant has completed the application process, no later than April 28, 2014.

    – Letter of Support: One letter from the applicant's publisher, editor, producer, manager, or director, supporting the application is required. If the applicant is self-employed, the third letter must come from an individual familiar with his or her work. This individual will be asked to submit his or her letter online once the applicant has completed the application process, no later than April 28, 2014.
    All application materials must be submitted online by April 14, 2014.

    Additional Resources:
    Read about previous fellowship projects in our archives section:
    http://www.cartercenter.org/health/mental_health/archive/by_name.html

    Learn about Rosalynn Carter's more than 40-year career in mental health leadership:
    http://www.cartercenter.org/health/mental_health/rosalynn-carter-mental-health-leadership.html

    Direct all application inquiries to:
    Rebecca Palpant Shimkets, M.S.
    Assistant Director
    The Carter Center Mental Health Program
    453 Freedom Parkway
    Atlanta, GA 30307
    Tel: (404) 420-5165
    Email: info@mentalheatlhjournalism.org

    ###

    "Waging Peace. Fighting Disease. Building Hope."
    A not-for-profit, nongovernmental organization, The Carter Center has helped to improve life for people in more than 70 countries by resolving conflicts; advancing democracy, human rights, and economic opportunity; preventing diseases; and improving mental health care. The Carter Center was founded in 1982 by former U.S. President Jimmy Carter and former First Lady Rosalynn Carter, in partnership with Emory University, to advance peace and health worldwide.

    Visit our Web site CarterCenter.org
    Follow us on Twitter @CarterCenter
    Like us on Facebook Facebook.com/CarterCenter
    Join us on Causes Causes.com/CarterCenter
    Watch us on YouTube YouTube.com/CarterCenter
    Add us to your circle on Google+ http://google.com/+CarterCenter

    Nate Silver’s FiveThirtyEight seeks freelancer writers

    Nate Silver's FiveThirtyEight is looking for freelance writers. Details HERE and pasted below.

    FiveThirtyEight Seeks Data-Driven Freelance Writers

    We've hired our initial team of staff writers and editors, and we’re well on our way to building our team of visual, computational and database journalists. We can't wait to show you their work. But we’re also looking for a few good men and women to contribute writing and analysis to FiveThirtyEight on a freelance basis.  

    Let me be a bit more specific about what we’re looking for.

    First, and most important, we’re looking for freelance features and articles that involve original research, analysis, or reporting — specifically those that involve statistical analysis, data mining, programming, data visualization, or other data-journalism methods. FiveThirtyEight is not the right outlet for “smart takes,” opinion pieces, or long-form essays that don’t involve some data component. We would potentially have interest in features that involve shoe-leather reporting (i.e., interviewing, first-person observation) if they are numerate as well as literate, and help our readers put data and statistics into context.

    Second, we’re looking for freelancers to cover relatively specific subjects — e.g. hockey, weather, the economics of food — as opposed to generalists. A list of subjects that we know we’d be interested in is included below.

    Third, as the site has not yet launched, we’re thinking ahead and looking to develop relationships with writers to produce recurring series of articles for FiveThirtyEight. As a general guide, this might mean writing anywhere from once every other month for FiveThirtyEight to once every week or two. The articles might typically be somewhere between 750 and 2,000 words in length.

    Fourth, we’re looking for authors who have a track record of publishing work under their byline. This could mean at The New Yorker, in an academic journal, or at an obscure blog. But we’ll want to be able to evaluate published examples of your work and consider how it might fit into our plans.

    We recognize that these requirements are strict. But as disciplined as we are in our approach toward journalism, we’re hoping to apply it to a wide range of subjects in the news and in everyday life.

    The following list of potential freelance topics is not exclusive: if you want to pitch us on an epic, eight-part series on the statistics of dog breeding, we’re happy to listen. But the subjects listed below are those we’re most likely to be interested in — especially those listed with an asterisk (*).

    One major focus for freelance content is our science vertical. Potential subtopics within science include but are not limited to the following:

    • Weather* 
    • Health and medicine* 
    • Technology* 
    • Energy, climate and environment* 
    • Biology and neuroscience 
    • Psychology 
    • Hazards and disasters (e.g. earthquakes, asteroids) 
    • Geography
    • Philosophy of statistics and mathematics

    Our lifestyle vertical is broad. We’d be interested in people who provide data-driven analysis of these topics, along with others:

    • Education* 
    • Travel and transportation* 
    • Food and drink* 
    • Sex, dating and romance* 
    • TV and movies* 
    • Parenting 
    • Music 
    • Crime statistics and criminal justice 
    • Games (video games or otherwise) 
    • Gambling 

    Within our sports vertical, we have several writers on staff who provide coverage across multiple sports. But there are a couple of ways that we might expand upon their coverage, such as with writers who:

    • Focus on one sport in particular, e.g. 
    • Baseball 
    • Football 
    • Basketball 
    • Soccer
    • Ice hockey 
    • Tennis
    • Golf 
  • Examine the intersection between sports and other FiveThirtyEight verticals, e.g. 
    • Sports science
    • Sports economics and finance

    In politics, we have strong coverage of U.S. elections on staff, but we’d consider pitches in the following areas:

    • Congressional voting and behavior* 
    • Fundraising and lobbying 
    • Political rhetoric and media framing 
    • Demographics 
    • International elections 
    • National security and military strategy
    • The Supreme Court and legal affairs

    In economics, we have strong coverage of micro- and macroeconomic data on staff, but we'd be interested in someone with a strong understanding of:

    • Personal finance
    • Trading markets, or,
    • Overseas economies, particularly in the developing world

    These are paying assignments. We have a schedule of freelance rates that can vary depending upon the writer’s experience, the time commitment involved in preparing the features, and other factors.

    If you’ve been patient enough to read to the end of this post and have an idea that you think might be a great fit for FiveThirtyEight, we’d love to hear from you. Send us a note at 538FREELANCE AT GMAIL DOT COM. Give us a specific sense of what you’d like to write about, illustrated by sample headlines or short summaries. Tell us how you can do this in a differentiating and data-rich way. Include links to articles that you’ve published elsewhere. And let us know how to reach you. We look forward to hearing from you.

    first-person audio storytelling workshop, March 15-16 CDS

    Two-day storytelling workshop at the Center for Documentary Studies in Durham, NC, March 15-16. Details here and below.

    Strategies for First-Person Audio Storytelling

    Description

    (Photo credit: Biff Jennings, Shooters-at-the-Beach)

    First-person documentary storytelling can be intimate, arresting, and deeply personal. Many of the most vivid radio pieces of recent decades have been made without a narrator—think of the Kitchen Sisters, StoryCorps, and Radio Diaries. The ingredients of a compelling non-narrated story, however, are distinct from those of a news story or narrated documentary. First-person pieces call for a fundamentally different “audio grammar” and a thoughtful new approach to everything from prep work to editing, from interviewing to production, from logging to storyboarding.

    Whether your primary interest lies in making radio pieces, or oral histories, or recording favorite family stories for the grandkids, this course will give you a new set of storytelling tools. We’ll consider what stories work best without a narrator, and you’ll learn how to gauge, during the course of an interview, whether you’re getting the audio you need to make a first-person piece—or if you might need to try another tack. (12 hours/All Levels) 

    Since 2000, David Schulman has produced a wide range of radio programming for NPR, APM, PRI, and the BBC. He created and produced the Musicians in Their Own Words series, which was twice awarded national Corporation for Public Broadcasting grants. An early piece in the series was awarded the Best Documentary: Silver Award at the Third Coast International Audio Festival, andMusicians in Their Own Words has placed over 40 features on NPR’s Morning Edition, All Things Considered, Weekend Edition, and American Public Media’s The Story. From 2009 to 2011, Schulman was senior producer of the BBC weekly radio program Americana, and in 2012 he produced WUNC’s Pop-Up Music Club. A violinist and composer, David often collaborates with modern dance companies, and he released his first album, Quiet Life Motel, in late 2012. For more information, see schulmancreative.com

    Producer job at Climate One, San Francisco

    Another full time gig. This from Climate One at the Commonwealth Club in San Francisco. Details below.

    ++++++++++++++++++++

    Climate One holds about 35-45 events a year with live audiences ranging from 50 to 500 people. Its radio show is broadcast regularly on several stations in Northern California (KQED, KRCB, KSPB and KWMR) and other public radio stations. Its monthly TV show is broadcast on the fourth Sunday of the month on KRCB TV 22 on Comcast and DirecTV.

     

    The successful candidate will speak fluent “sustainability” and have 3-5 years covering clean energy, climate, and related beats. Climate One covers carbon from business, policy, advocacy and scientific perspectives. General knowledge of broad areas is more useful than deep and narrow expertise.

     

    We are seeking a journalist with experience leveraging media distribution platforms – text, audio, video, social – to help us package our content and grow audiences on the Internet and in the room. Ability to quickly write and grasp new ideas is a must. Also need to be comfortable using a wide skill set as a member of a small team in fast paced environment.

     

    Responsibilities:

    Content Packaging and Distribution  

    Edit transcripts for segments on Climate One’s monthly TV program on KRCB TV 22.

    Direct Assistant Producer in editing of online video clips

    Review script and audio of Climate One California Weekly Radio Show.

    Write up post program summary to post on web site within 24 hours of live event

    Send thank you notes to speakers with appropriate links to post event materials

    Package audio and video from past programs into themed and newsy segments.

     

    Booking & Event Production

    Research topics and speakers for radio shows recorded before live audiences

    Write occasional invitations to speakers

    Assist Commonwealth Club public relations staffer in writing/editing media advisories

    Assist with production of live events directed by another producer

     

    Management & Administrative

    Supervise one Assistant Producer

    Light administrative work 1-2 hours a week.

     

    Hours

    9:30am to 6:30pm Monday thru Friday. 10am to 8pm on days with programs (2-5 days a month). 

    Benefits

    Three weeks’ vacation to start plus full health benefits. 401k.

     

    Compensation

    $50s

     

    To Apply:

    Send cover letter, resume and work samples to climateone@commonwealthclub.org.

    Include Climate One Producer in the subject line. Select applicants will be contacted in late February/early March for phone interviews. We anticipate filling the position in March/April. 

    New health and science show at WHYY Looking for Stories

    New outlet for health and science stories from WHYY in Philadelphia:
    WHYY's new radio show "The Pulse" is looking for story pitches. We cover health and science. Got an idea? Email us at mscott@whyy.org and mpinto@whyy.org If you want to check out the show to get a better sense of our sound, www.whyy.org/thepulse

    Stories don’t have to be produced / centered in this region (Pa, NJ, DE) but should at least have some local ties.

    The Moth is Hiring, AP of video and social media, deadline Feb 28

    Ok – so it's a full time job, not freelance. But The Moth is awesome; I had to share. Details HERE and below. Deadline Feb 28.


    Associate Producer, Video and Social Media

    The Associate Producer of Video and Social Media has a hand in every aspect of video production and social media content creation at The Moth. This includes creating engaging video, written, and other content that can be shared and re-shared; managing our Tumblr, Facebook and Twitter accounts and responding to questions from our community; producing videos for our storytellers and our own YouTube channel; designing weekly live show announcement fliers; managing project workflow and timelines; and archiving video from across the country.

    We are looking for someone who is self-motivated, passionate, creative, and is able to multi-task in a sometimes fast-paced environment. This is a full-time job is located in our New York City offices.

    Responsibilities

    ·      Edit and produce simple live story videos for our YouTube channel

    ·      Fulfill all internal and external video requests and orders

    ·      Archive and log all The Moth’s incoming video from its shows across the country

    ·      Coordinate with freelance videographers to ensure good video quality and speedy delivery

    ·      Manage all of the Moth’s social media, including our Tumblr, Twitter, and Facebook page

    ·      Make creative social media content

    ·      Design e-fliers for all upcoming Moth events

    ·      Maintain The Moth’s photo archive

    Requirements

    §  BA or equivalent experience

    §  Strong knowledge of Adobe Premiere (CS4 or more recent), Final Cut (Pro 7, Express 4, or X)

         or similar video editing software

    §  Strong knowledge of Photoshop (CS4 or more recent)

    §  Excellent written and verbal communication skills

     

    Please send a resume and cover letter to jenna@themoth.org by Friday, February 28th.

    Radio Operas in NYC, Feb 28 and March 1

    Awesome NYC event – Feb 28 and March 1. I'm thinking about going on Feb 28 if any NY folks want to join me. Here's a link to the Facebook event page.  

    EXPERIMENTS IN OPERA: 
    RADIO OPERAS

    February 28, 2014 – March 1, 2014 
    8:00 PM 
    Underground Theater

    TICKETS: $20.00

    BUY TICKETS

    title

    Opera in Dialogue #2
    March 1 | 5pm
    Free

    Experiments in Opera returns to Abrons to premiere Radio Operas – a collection of six 10-15 minute works that explore a wide range of stories highlighting the composers’ interests in Modern abstractionism, science fiction, melodrama, satire, hallucinatory experiences, scientific discoveries, and pop culture icons.

    These are not nostalgic homages to the radio plays of yesteryear. EiO’s Radio Operas are daring new operatic works created by some of the premiere experimental composers of today and designed specifically with this format in mind. Rather than prioritizing stage design and visual storytelling, these opera vignettes feature sound effects performed live by a foley artist, spoken text, music and singing and will rely on the imagination of the listener to create the image of the stories.

    Additionally, in partnership with CultureBot.org, composers and collaborators featured on Radio Operas will take part in a free public discussion – Opera in Dialogue #2 on Saturday, March 1 at 5pm in the Abrons Underground Theater – exploring the ideas behind this innovative program.

    The six RADIO OPERAS:

    Scored for soprano, percussion, viola and electronics, ‘Ping’ by John King is an adaptation of a Samuel Beckett short story written in a stream of abstract imagery and thoughts. This performance uses musical substitutions to punctuate the flow of the spoken text and will feature soprano Joan LaBarbara and electronics by John King.

    ‘The Mutt’ by Matthew Welch, takes as its subject freestyle skateboarder Rodney Mullen, who invented the vocabulary of modern skateboarding, endured family abuse in his youth, led a double life as a burgeoning biomedical engineer, and now is an established inventor. The music will feature James Moore and Taylor Levine, from the Dither electric guitar quartet, Matthew Welch on spoken word, and will involve electro-acoustically sequenced “Foley” skateboarding sounds by Steve Brush.

    ‘Thomas Paine in Violence’ by Paul Pinto is a mad psychedelic depiction of the final days of the American founding father's life. Paine—portrayed by a soprano spurting speech, operatic vignettes and a number of extended vocal techniques—transports “herself” through space and time, including on “her” deathbed in 1809, the Stock Market of 2008, and the future. Scored for soprano, electronics and drums and featuring soprano Joan LaBarbara, and foley artist Steve Brush.

    In ‘The Collector’ by Aaron Siegel, a character delivers a wild and delusional monologue detailing his dangerous obsession with stamp collecting. The natural rhythms of the spoken text are mimicked in increasing accuracy by the instruments in the ensemble. The Collector is scored for piano, soprano, vibraphone and actor and will feature pianist Karl Larson, percussionist Matt Evans, soprano Erin Flannery and Aaron Siegel as the collector.

    ‘I Need Space’ by Jason Cady and Ann Heppermann tells the story of a couple moving to a Martian colony but breaking up on the way there. It is set in an alternate present: 2014 as it had been imagined by science fiction writers in the 1950s. I Need Space is scored for two voices, guitar, piano, synthesizer and Foley artist and features tenor Vince B. Vincent, soprano Erin Flannery, guitarist Mary Halvorson, pianist Karl LarsonJason Cady on modular synthesizer and Foley artist Steve Brush.

    'These Walls Can Talk (Working Title)' by Jonathan Mitchell tells the story of a guy who has figured out a way to extract sounds from objects. By inserting a needle into a wall (for example), he can measure the microscopic effects of variations of air pressure over time, and hear conversations that took place in that room. He can do the same thing with stones from Egypt, or the Great Wall of China.


    The theme of ‘Radio Operas’ emerged from EiO’s interest in genre-oriented performance and innovative frames for short-form operatic works.

    This inversion of standard operatic presentation will be made complete when the six featured works are recorded at the studios of Q2 Music for world premiere webcasts and on-demand streaming. Q2 Music will share one opera on consecutive nights Monday through Saturday at 8 pm during a special week in March.

    Audio Producer job at Pandora

    Hey Bay Area folks. Pandora is hiring an audio producer. I've heard mixed things about working there, but might be worth a look. Details below. -Mia

    ++++++++++++++++

    We would like everyone to apply to this link: https://hire.jobvite.com/j?aj=oMFiYfwr&s=airmedia

    At Pandora, we're a unique collection of engineers, musicians, designers, marketers, and world-class sellers with a common goal: to enrich lives by delivering effortless personalized music enjoyment and discovery. People-the listeners, the artists, and our employees-are at the center of our mission and everything we do. Actually, employees at Pandora are a lot like the service itself: bright, eclectic, and innovative. Collaboration is the foundation of our workforce, and we're looking for smart individuals who are self-motivated and passionate to join us. Be a part of the engine that creates the soundtrack to life. Discover your future at Pandora.

    Pandora's Audio Production team plays a major role in the overall listening experience of the Pandora user. We create audio advertising for local and national campaigns, produce custom audio content, and manage a robust roster of in-house and external voice talent.

    We have an excellent opportunity for a skilled audio producer to join our team. You must have an outstanding ear for all types of audio, and be able to produce a high standard of audio in a demanding, fast-paced environment. Exceptional recording, editing and mixing skills are essential, as are flexibility and the ability to communicate with clients and coworkers alike.

    You will join a world-class audio team in a role that's crucial to Pandora's future growth and success.

    Responsibilities:

    Record, edit and mix high quality, high volume audio spots in a fast-moving, deadline driven environment
    Master and provide quality assurance for externally produced audio ads
    Effectively coordinate and execute incoming audio requests
    Help manage and facilitate the work flow of our in house recording studio
    Provide proper direction for talent and be able to identify top quality performances
    Work collaboratively with the Advertising Operations team to ensure efficiency and client satisfaction
    Requirements:

    Expert skill set in audio software and plugins; Logic Pro, Pro Tools
    At least 4 years experience working in professional audio environments including a minimum of 2 years experience working with voice over and dialogue
    Excellent communication skills
    Ability to remain calm and focused when handling multiple projects
    Ability to work well within a team
    Strong ability to balance efficiency and quality
    Excellent time management skills
    Experience in advertising or radio is preferred

    Pandora is an equal employment opportunity employer and considers qualified applicants without regard to gender, race, veteran or disability status

    Enter Strange Beauty’s Aural Fixation, deadline March 15

    Love this quirky audio contest from Strange Beauty. They also accept film entries. Details below. -mia

    +++++++++++++++
    It's that time again – we're looking for audio for the 5th annual Strange Beauty Film Festival!

    The strange and beautiful does not reside only in motion pictures. We're pleased to announce an open call for entries for our audio-only section, the Strange Beauty Aural Fixation.

    Aural Fixation accepts audio work of any shape or form with a running time of 7 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it. Previous broadcast history is of no concern.

    Submit your work by March 15, 2014. Entry fee is $5.

    Entry instructions online here:
    http://www.strangebeauty.org/page4/enter.html

    Strange Beauty will be held June 12-14, 2014, in Durham, North Carolina.

    Questions? Contact me off-list.

    Best,
    Jenny

    numerous opportunities for filmmakers in the latest IFP Newsletter

    A bunch of good opportunities in the latest IFP newsletter. Sign up HERE for the complete listing.

       

    IFP's 2014 Independent Filmmaker Labs Open for Submissions

    IFP's unique yearlong mentorship program supports first-time feature directors when they need it most:  through the completion, marketing and distribution of their films.  Focusing exclusively on low-budget features (<$1million), this highly immersive program provides filmmakers with the technical, creative and strategic tools necessary to launch their films – and their careers. Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. Open to all first time feature documentary and narrative directors with films in post-production. Twenty projects (10 documentaries and 10 narratives) are selected for the annual program which has three components: the Time Warner Completion Lab in the spring, the Marketing Lab in September, and the Distribution Lab in December. All Lab projects also automatically participate in the Project Forum of IFP’s Independent Film Week. Lab alumni projects include Stacie Passon's Concussion (RADiUS-TWC), Alexandre Moors' Blue Caprice (Sundance Selects), Penny Lane's Our Nixon (CNN Films and Cinedigm), Daniel Patrick Carbone's Hide Your Smiling Faces (Tribeca Film), Lotfy Nathan's 12 O'Clock Boys (Oscilloscope), Lucy Mulloy's Una Noche (Sundance Selects), Omar Mullick & Bassam Tariq's These Birds Walk (Oscilloscope), Dee Rees' Pariah (Focus Features), and Terence Nance's An Oversimplification of Her Beauty (Variance Films).

    Upcoming deadlines for the 2014 Labs are March 7 (Documentary) and April 4 (Narrative). For more info and to apply, click here.

     

    Apply Now to IFP’s Premiere International Producing Program, Trans Atlantic Partners

    IFP is thrilled to announce that our Trans Atlantic Partners (TAP) program is now accepting applications for 2014! TAP is a program for U.S. independent producers with more than five years of professional experience in the film and television industry (and at least one feature film or TV series produced) looking to expand their networks and learn more about how to finance, structure and produce international co-ventures. The program includes intensive hands-on-training, one-on-one meetings with key industry professionals, case studies, & sales, distribution, and legal training.

    Recent IFP alumni producers include Nekisa Cooper (Pariah), Soojin Chung (Escape from Tomorrow), Jennifer Fox (My Reincarnation), Alex Johnes (The House I Live In), Susan Lewis (The Inevitable Defeat of Mister and Pete), and Ryan Zacarias (I Used to Be Darker).

    The deadline to apply is March 25, 2014. For more information and to apply today, go here.

    Call for Entries

       

    HBOAccess

    Application Opens: February 3, 2014

    HBOAccess is a program that provides project development, mentorship, and master classes to diverse directors. At the end of the four-week session in June filmmakers will be given a budget to create short form content for HBO to be shot in late summer. The application process will open on February 3, 2014 and close on March 3, 2014 or the date we reach the submission cap, whichever occurs first. Submissions must be made through Without A Box, and will be capped at 500.

    Apply Here

       

    SAG-AFTRA Low Budget Agreements Made Simple

    6PM Thursday, 2/13 at SAG's NY and LA Branches

    Important Notice: New York Offices Have Moved to a New Location! Our brand new space is located on the 5th floor at 1900 Broadway, across from Lincoln Center between 63rd and 64th streets.

    SAG-AFTRA Theatrical Business Representatives will walk you through signing SAG-AFTRA Low Budget Agreements from start to finish. Workshops are held the 2nd Thursday of every month from 6 to 8pm, and are FREE. Workshops fill up quickly so RSVP now! If you sign up for a workshop but can't attend you must call to cancel your reservation no later than 48 hours before the workshop. For more information and to RSVP, click here.

     

       

    Introducing Scriptapalooza's igottapitch.com

    Pitching your idea to the Hollywood elite just got easier. Record yourself pitching your movie or TV show idea, and upload it to igottapitch. Established industry professionals will view your video, and connect with you. No more unattainable meetings. No stress. No closed doors. Just you in control of your career. Pitchfests are awkward and uncomfortable, igottapitch is not.

    Read More

       

    4th Annual Northside DIY Film Competition

    The winning feature and short films will be awarded over $10,000 in value and services! Northside will also host a special screening of the winning films with an after-party to celebrate our award-winning filmmakers and their crew. Plus, your film will be watched by some of the coolest names in the 'biz, as past jurors of the competition have included Rosie Perez, Ted Hope (Producer), Scott Macaulay (Editor, Filmmaker Magazine), and Alex Karpovsky (Actor, Girls and Director, Red Flag). 2014 Jurors include Matthew Grady (Factory 25) and Kentucker Audley (NoBudge Films, Sun Don't Shine) with more to be announced.

    Deadline: March 3, 2014. For more information and to submit your film, click here.

     

       

    Asian Side of the Doc 2014

    Register now for Asian Side of the Doc 2014, the key market for documentary producers, broadcasters and distributors. Four days of networking, meetings, pitching sessions, conference sessions and social events to connect you with the booming Asian factual TV market.

    Be one of the 600 participants and register online before March 7th, 2014.

    Read More

     

       

    Sundance Institute Short Film Challenge

    Sundance Institute has started a new project that will use independent filmmaking to shed light on poverty and hunger around the world. The competition, which will receive support from the Bill and Melinda Gates Foundation, invites submissions of short documentary or narrative films (of 3-8 minutes) that depict innovations being made by individuals to combat poverty. The chosen films will receive a $10,000 grant and an invitation to a private screening of the films at the 2015 Sundance Film Festival. Submissions are free and due before July 1, 2014.

    To learn more about the project and how to enter, click here.

     

    Snap Judgement seeks PAID graphics/video intern, Oakland, CA

    Our friends at Snap Judgement are looking for a graphics/video intern – PAID. Here's the link to the Craigslist Ad. Also pasted below.

    +++++++++++++++

    Graphics and Film Internship (oakland downtown)

    image 1image 2image 3image 4image 5image 6image 7image 8image 9

    Snap Judgment is the smoking-hot storytelling show that broadcasts on NPR stations nationwide, based in Oakland, California. Hosted by Glynn Washington, winner of the Public Radio Talent Quest, the show is an edgy multi-platform experience redefining expectations for public media.  

    The graphics and video intern will assist with the production of all our web graphics and visual content to support our weekly radio show, help film and edit our live stage shows, and help drive our social media and other promotional strategies.

    Interns are expected to work between 20 — 35 hours a week at our downtown Oakland studios.

    Qualifications:

    Snap Judgment interns should have an interest in storytelling, and narrative craft. We are looking for people who want to rock a story.

    Knowledge of photography and graphics design principle such as composition, typography, and color. A strong foundation with Photoshop is a must.

    Working knowledge of DSLR's and lighting for video.

    Experience editing in either Premiere, Avid, or Final Cut (we're on Premiere.)

    Understanding of common audio, video, and image file formats in both a Windows and Mac environment.

    Skills in After Effects and with motion graphics are a huge plus!

    How to Apply:

    Interns must already live commuting distance from our downtown Oakland studio.

    This is a six month paid position.

    Please head over to our website SnapJudgment.org and listen to a few of our stories.  Then e-mail us with your resume, links to examples of your video and graphics work, and a cover letter explaining what you will bring to the position, your professional experience, as well as what you hope to gain from the internship.

    E-mail ONLY please! 5pqw8-4305990818@job.craigslist.org

    Peace and soul! We can't WAIT to hear from you . . .

    • Compensation: $12.00 per hour.
    • This is an internship job
    • Principals only. Recruiters, please don't contact this job poster.
    • do NOT contact us with unsolicited services or offers

    TransX Transmission Art Symposium call for presos, deadline Feb 28

    Call for papers and performances from the TransX Transmission Art Symposium. Deadline Feb 28.
    +++++++++++++++++

    New Adventures in Sound Art (NAISA) is pleased to announce the 2014 edition of the TransX Transmission Art Symposium
    with Keynote speakers Anja Kanngieser and Jessica Thompson
    May 22 – 25, 2014

    We are now inviting proposals for papers, presentations and performances
    For More Information http://naisa.ca/opportunities/calls-for-submissions/trans-x-call-for-submissions/
    To Submit: https://naisa.ca/trans-x-submission-form/

    The proceedings from the 2013 TransX Transmission Art Symposium are here: http://naisa.ca/symposia/trans-x/transx-2013-proceedings/
    To listen to the presentations from the 2013 TransX Transmission Art Symposium go to:http://naisa.ca/media-archive/audio-archives/

    NAISA is now inviting submissions for papers and performances:

    Rooted in the earliest experiments with radio, Transmission Art has continued to flourish into the 21st Century with experiments using wireless communications technology over the past 100 years, including the exploration of a variety of mobile-based platforms and lesser-known forms of transmission, such as VLF. The terrain of transmission art is dynamic and fluid, always open to redefinition.

    The TransX Transmission Art Symposium, part of the Deep Wireless Festival of Radio & Transmission Art, will focus on Transmission Art, with particular interest in contributions that summarize, examine or reframe traditions and histories of transmission art practices, technology, education and pedagogy. Additionally, we are very interested in presentations that go beyond the local contingent to give a sense of how new technologies of international transmission activity might be experienced. Proposed presentations and performances that combine the themes of Transmission Art and “Undo/Redo” are also especially welcome.

    All symposium contributions will be webcast live, and text proceedings will be published after the symposium on the NAISA web-site. Please go to http://naisa.ca/opportunities/calls-for-submissions/trans-x-call-for-submissions/ for specific guidelines on paper and performance submissions.

    We look forward to seeing you, your colleagues, collaborators and students in Toronto in May!

    Important Information
    28 Feb Deadline for receipt of proposals @ 11:59 PM EST
    21 March Notification of acceptance
    15 April Attendance confirmation
    22 April Symposium registration and submission of final materials.
    22 May Symposium opening reception and performances
    22–25 May Symposium sessions
    23–24 May Deep Wireless Festival performances

    Fees
    Symposium registration fees (General): $70
    Symposium registration fees (Student): $40
    (both rates include admission to all performances)

    Questions and requests for further information can be directed to:
    Nadene Thériault-Copeland – transx@naisa.ca

    Review Committee:
    Steve Bates, Independent artist
    Anna Friz, post-doctoral fellow, School of the Art Institute of Chicago
    Heidi Grundmann, Kunstradio
    Galen Joseph-Hunter, Executive Director Wave Farm
    Katie Kehoe, artist
    Dan Lander, artist
    David Ogborn, McMaster University
    Tetsuo Kogawa, Radioartist, Media Critic, Director of Goethe Archive Tokyo
    Jim Ruxton, Director of Programs, Subtle Technologies Festival
    Don Sinclair, York University
    Debashis Sinha, Sound Artist
    Jessica Thompson, University of Waterloo
    Helen Thorington, Co-Director of New Radio and Performing Arts, Inc
    Gregory Whitehead, radio artist / co-editor of Wireless Imagination
    Elisabeth Zimmermann, Kunstradio
    ___________________________________________________________
    NAISA Inquiries & general information:

    Nadene Thériault-Copeland
    Executive Director
    New Adventures in Sound Art
    Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON M6G 4C7
    Tel 416 652 5115
    www.naisa.ca

    NAISA current/upcoming events:

    TransX Transmission Art Symposium
    Call for Papers & Performances
    Deadline February 28, 2014

    For More Information http://naisa.ca/opportunities/calls-for-submissions/trans-x-call-for-submissions/
    To Submit: https://naisa.ca/trans-x-submission-form/

    Toronto International Electroacoustic Symposium
    Call for Papers & Performances
    Deadline February 24, 2014

    For More Information http://naisa.ca/opportunities/calls-for-submissions/ties-call-for-submissions/
    To Submit: http://naisa.ca/ties-submission-form/

    Currently @ the NAISA Space "Flash Orchestra" by Eric Powell http://naisa.ca/naisa-events/arts-birthday/installations/

    Follow us on:
    Facebook www.facebook.com/NAISASoundArt
    Twitter www.twitter.com/NAISASoundArt
    You Tube www.youtube.com/user/NAISAtube
    Soundcloud www.soundcloud/NAISA
    NAISA Radio www.naisa.ca/webcast

    [conferences] Win a Trip to That Big Tech Festival in Austin This March

    Not sure if there's a catch, but this seems like a pretty awesome prize if you're into this sort of thing…

      Independent Filmmaker Project + General Assembly present  
    Win a Trip to that Big Tech Festival in Austin this March
    Win a trip to Austin
    Get festive with GA. This March, one lucky winner and three friends will have the opportunity to attend the festival-that-cannot-be-named in style and meet some of the top thought leaders in the tech world. The prize package includes:

    • Round-trip airfare from anywhere in North America, Europe, or Australia to Austin, TX this March 7 – March 11
    • Four nights at a private house with entrepreneurs, investors, and a pool
    • Meetings with tech industry experts hailing from NYC, SF, and LA
    • VIP access to the second annual House Party on March 8, hosted by General Assembly & Splash
    • $1,000 Uber credit to ride in style around the city

     Enter Now 

    In partnership with:
    HipmunkNettedSplashStudent UniverseTech CocktailBrightest Young ThingsWorn CreativeNo Kings Collective

    NLGJA Opens Applications for 2014 Awards

    Two awards from the National Lesbian & Gay Journalists Association. Details and links below. Deadlines May 1.

    +++++++++++++++++++

    The National Lesbian & Gay Journalists Association is now accepting submissions for its 2014 Excellence in Journalism Awards and the Al Neuharth Innovation in Investigative Journalism Award. Work published or broadcast in 2013 is eligible and submissions are due Thursday, May 1, 2014. Submission forms and details are available at www.nlgja.org/awards.

    Excellence in Journalism Awards

    The NLGJA Excellence in Journalism Awards were established in 1993 to foster, recognize and reward excellence in journalism on issues related to the lesbian, gay, bisexual and transgender (LGBT) community.

    For the first time, NLGJA will recognize excellence in blogging as a category for the Excellence in Journalism Awards. The category aims to offer further recognition of the work done for independent outlets.

    Work may be submitted for the 2014 NLGJA Excellence in Journalism Awards in the following categories:

    Special recognition awards:

    • Journalist of the Year
    • Sarah Pettit Memorial Award for the LGBT Journalist of the Year

    Print/online awards:

    • Excellence in HIV/AIDS Coverage
    • Excellence in News Writing
    • Excellence in Feature Writing
    • Excellence in Opinion/Editorial Writing
    • Excellence in Blogging
    • Excellence in Online Journalism
    • Excellence in Multimedia
    • Excellence in Photojournalism
    • Excellence in Student Journalism

    Broadcast awards:

    • Excellence in Network Television
    • Excellence in Local Television
    • Excellence in Radio

    Past winners of special recognition awards have included: Michael Luongo (2013 Journalist of the Year), Lila Shapiro (2013 Sarah Pettit LGBT Journalist of the Year), Steven W. Thrasher (2012 Journalist of the Year) and Chris Geidner (2012 Sarah Pettit LGBT Journalist of the Year). 

    Al Neuharth Award

    The Al Neuharth Award for Innovation in Investigative Journalism, funded by the Gannett Foundation, is given to the person or team who best uses innovative approaches for investigative reporting. Selection is based on the quality and creativity of the work submitted.

    The recipient of The Al Neuhart Award will also receive a $5,000 prize, to be awarded August 21, 2014 in Chicago at the NLGJA Awards Reception. The winner does not have to be present at the ceremony to receive the award.

    The award, renamed this year to honor Al Neuharth, was first awarded in 2013 to April Hunt of The Atlanta Journal-Constitution for her article, "Faulty Fire Gear."

    # # #

    About the National Lesbian & Gay Journalists Association

    NLGJA is an organization of journalists, media professionals, educators and students working from within the news industry to foster fair and accurate coverage of LGBT issues. NLGJA opposes all forms of workplace bias and provides professional development to its members. For more information, visit the NLGJA website at www.nlgja.org.

    Snap Judgment Call for Pitches

    The latest call for pitches from Snap Judgement. Pitch (thoughtfully) away!
    +++++++++++++++++

    Below please find San Judgment's latest theme list.  Snap rocks first-person, dramatic, true stories. They must have a beginning, middle, and end with a  strong dramatic tension and a narrative arc.  No news hooks. No profiles. No sound art.  Submit brief story ideas to pitches@snapjudgment.org. Remember, if you have a great story that doesn’t fit into one of these themes, please send it along anyway!  Good stories are the most important ingredient here at Snap. 

    To find out more about our pitch process, check out http://snapjudgment.org/pitches

    Elevator: Stories about people and fortunes that rise and fall–amazing strokes of luck, changes in fortune, mid-life crises, or encounters with disaster. These stories can follow a long arc, taking place over many years, or could transpire within the course of an actual elevator ride, as long as they hinge around a dramatic, personal, rise or fall.

    Passing: Stories about people who are trying to blend in, to be incognito, who are trying to pass off as something. These can be stories of someone trying pass as a particular race, gender, religion or class, or the stories of imposters or wannabes.

    Mercenary: Stories about people who do your dirty work…for a price. Again, feel free to think big or small here. We have several stories of literal guns for hire, but it would great to find stories of people hired to do more unexpected dirty work–breaking up for friends, covering for affairs or paid scapegoats.

    Prophets: Stories from people who claim to see the future and the people who do / don't believe them. Be careful here; we want to steer clear of stories told by people who are mentally ill and unfit to be on air. Rather, we'd like stories of prophetical coincidences, cult near misses, brushes with fortune telling, creepy child foretelling.

    Schooled: Stories that center around learning and lessons. Please try to avoid stories about personal growth that do not have a lot at stake, or an interesting plot. We’d love stories that take place in unique school environments, stories of terrible teachers, school plays gone wrong, drivers ed disasters….

    Washed Up: Stories about people and things who are washed up on shore or washed up in life. What happens when life veers horribly of course, or our best laid plans suddenly crumble beneath us. 

    NYC Digital Storytelling workshop, Feb 22

    Upcoming day-long workshop on digital storytelling, Feb 22, CUNY Grad School of Journalism. Details below. Spread the word!

     

    WHEN: Saturday, February 22 @ 8 a.m-6 p.m.

     

    WHERE: CUNY Graduate School of Journalism
    219 West 40th Street
    New York 10018

     

    Would you like to spend the day with some of the industry's leading experts in design thinking and media to develop more effective ways to communicate about the perils of extreme weather events like Hurricane Sandy? This interactive workshop is for journalists, editors, designers, developers and problem solvers. You'll spend the day adding tools to your creative toolkit and finding friends to collaborate with on your next project. You will be immersed in human-centered design methods and learn how to leverage them to better understand and engage new audiences, how to harness the power of new technologies, and how to create more real and dynamic stories that resonate.
     
    OUR HOSTS

     

    Event hosted by AdaptNY, CUNY Graduate School of Journalism, Center for Community and Ethnic Media, and the Online News Association.

     

    A. Adam Glenn, AdaptNY & CUNY Graduate School of Journalism
    Laura Cochran, ONA-NYC

     

    OUR COACHES
    Reggie Murphy, Electronic Ink
    Nelson Hsu, Project Thunderdome at Digital First Media
    Julie Westfall, Project Thunderdome at Digital First Media
     
    For questions, email Adam Glenn at adam.glenn@journalism.cuny.edu or editor@AdaptNY.org

     

    SAMPLE TWEETS

    WORKSHOP: Design-think for post-#Sandy digital storytelling. 2/22. Cosponsors @AdaptNY @ONANYC @CCEMCUNY http://www.meetup.com/ONA-NYC/events/160788632/

    SIGN UP NOW: Workshop on using design-think for post-#Sandy digital storytelling, 2/22. http://www.meetup.com/ONA-NYC/events/160788632/ 

    WORKSHOP: Think like a designer for post-#Sandy digital storytelling, 2/22. REGISTER: http://www.meetup.com/ONA-NYC/events/160788632/

    Better digital storytelling in post-#Sandy era? Try thinking like a designer. REGISTER for 2/22 workshop: http://www.meetup.com/ONA-NYC/events/160788632/

    contest for NYC journos, deadline Feb 14

    If you live within 50 miles of Columbus Circle, NYC, this contest is for you! Details HERE and below. Deadline Feb 14. (Thanks for the tip @ashleymilnetyte!)

    Welcome to the 2014 Deadline Club Annual Awards Contest!

    The Deadline Club’s 2014 Journalism Awards will be accepting entries through Friday, February 14, 2014. All entries must be made electronically through this site. The contest covers work that was published or broadcast in 2013. Entrants must be employees of or freelancers for news organizations with an office within a 50-mile radius of Columbus Circle in New York City. The Deadline Club is New York City’s chapter of The Society of Professional Journalists.

    Entries will be judged on fairness, balance and accuracy; thoroughness, timeliness and clarity; news language and technical skills exhibited; enterprise, resourcefulness and obstacles overcome; effort involved in preparation; and the story’s interest and importance to the public.

    Entries in all categories must be submitted electronically through this website. Please register and login at the top of this page. For a list of file formats that we accept, refer to the technical requirements in our rules. If you are having any difficulty with the contest entry site, or have general questions that are not covered in the contest guidelines in the rules section of this site, contact us at awards@deadlineclub.org. Please read the contest guidelines carefully before entering. Judges reserve the right to move an entry to another category that may be more appropriate. In some cases, they may decide that a category merits no winners.
     
    The fee is $75 per entry. A work may be submitted to multiple categories, but a separate entry fee must be paid for each category. No entry will be judged unless the fee is paid by the contest entry deadline. Fees may be paid by credit card on our website. Payments by check must be postmarked by the entry deadline, February 14, 2014, and mailed to The Deadline Club, c/o Salmagundi Club, 47 Fifth Avenue, New York, NY 10003. Make checks payable to The Deadline Club, and indicate on the check the name of your organization and how many entries were made on the contest entry system. Email awards@deadlineclub.org to notify us that payment will be made by check.
     
    From time to time, we may have questions for entrants. Please provide full contact information when completing the online application. Include the individual’s name, organization, e-mail address, mail address and phone number. If possible, please provide a backup contact, and indicate if someone else should be notified about making plans to attend the awards dinner, where the winners will be announced.

    At a Glance:

    Entry Deadline: 11:59 p.m. on Friday, February 14, 2014

    Entry Fee: $75, paid by credit card or postmarked by the entry deadline. Make checks payable to The Deadline Club, which is the New York City chapter of the Society of Professional Journalists.

    register now for the Narrative Journalism Conference, April 4-6, Boston Universtiy


    Registration is open for the Power of the Narrative Conference, April 4-6 at Boston University.

    staying savvy, skilled and solvent in journalism's wired era

    16th annual narrative journalism conference: april 4-6, 2014 at boston university

    Join reporters, authors, and new media figures discussing developments and best practices that build on the 40-year heritage of narrative journalism.

    Storytelling-journalism friends! The annual The Power of Narrative Conference is open for registration. Some great keynote speakers this year, including The Times's Dan Berry, Wash-Post's David Finkel, Frontline's Raney Aronson-Rath and more! 25 more solo speakers, too. This conference, in its 16th year, is always a happy gathering of like-minded narrative journalists learning the latest and best practices, and always a delight to greet so many friends from all over. Make great new connections. Meet your personal narrative journalism heroes. It's multi-media- and radio-friendly–this year also featuring Sue Schardt, Jennifer Brendell and Val Wang of AIR, and many others. Check out the roster. Early Bird price still on for another week. Join us! www.bu.edu/com/narrative

    Bay Area org Seeks Part-Time Communications and Design Consultant, deadline Feb 14

    Bay Area folks – Interesting opportunity for steady, part-time work in communications and design. A friend describes this org as a "very crunchy Jewish urban farm with great people." Nice! Info HERE and below. Deadline Feb 14.

    We're Hiring!

    Communications & Design Consultant

     

    Urban Adamah is seeking an experienced Communications & Design Consultant to support the work of our growing organization. Please help us find the right person for the gig!

     

    Responsibilities
    • Grant writing and editing
    • Website management – updating/creating text and design elements
    • E-newsletter development and execution (Constant Contact)
    • Collateral development (digital and print), including postcards, brochures, etc.
    Qualifications
    Individual should be an excellent writer and editor and have strong design skills. They should be detail oriented, self-motivated, emotionally self-aware, and in personal alignment with the mission of Urban Adaham. Must be skilled in: Adobe Illustrator or comparable design software, WordPress, Microsoft Office, Google Apps, and Constant Contact.

     

    Schedule and Supervision 
    Individual may work completely offsite on their own schedule, though much of the work is time sensitive. The position will start at 12-15 hours per week but could grow over time. Individual will work closely with Urban Adamah's Executive Director, Program Director and Social Media Associate. Compensation is hourly, DOE.

     

    For more information, or to apply, please visit our website

     

    Stay Connected to Urban Adamah

    Internship opportunity with Murray Street Productions, NYC

    I very rarely post unpaid internships, but this is a good one. The folks at Murray Street are the best of the best – definitely a value add if you're looking to gain some training/experience. Details below.

    Murray Street Productions is looking for applicants for an internship to assist us with the production cycle of the international jazz program: Jazz At Lincoln Center Radio.

    Based in New York’s Tribeca neighborhood, Murray Street has built an international reputation for innovation in public radio. We are based in Tribeca, in downtown Manhattan.

    ABOUT THE INTERNSHIP:
    A Murray Street intern must wear many hats, and be as comfortable handling the mundane details of the everyday (such as answering phones, making copies and preparing mailers) as s/he is with helping to conceptualize email campaigns and or placing microphones in front of jazz greats.

    Every day is different at Murray Street, but some of the things you might end up doing include:

    – Scheduling Interviews
    – Social Media (Facebook, Twitter)
    – Creating Mailings (Postcards, CDs, etc)
    – Coordinating Program Production Schedules
    – Archiving Jazz at Lincoln Center concert recordings
    – Assisting at concert recordings or recording interviews
    – Assisting in marketing campaigns (Station outreach, E-campaigns, writing marketing copy)
    – Writing and producing promos
    – Reviewing/Editing

    The internship is UNPAID (though we do reimburse you for subway fare) but some of our brightest interns have stayed on as paid employees after their internship expired.

    WHAT WE LOOK FOR IN AN INTERN:

    – First and foremost: impeccable communication skills
    – Ability to multitask in an environment with ever-changing priorities
    – Solid writing skills, with the ability to work clearly and efficiently through Email
    – Strong administrative skills with a focus on production process/coordination
    – Ability to work independently with a strong sense of personal responsibility

    – Familiarity with social media, ProTools, microphones and/or recording techniques is a plus, 
    as is interest/familiarity with jazz music and history

    WHY YOU SHOULD BE EXCITED ABOUT THIS POSITION:
    Murray Street is an amazing training ground—a very small office that gives huge responsibilities to interns that prove their worth. We are steeped in music and culture and have connections not only to other public radio institutions (NPR, PRI, PRX, etc) but also with key non-profit organizations within New York City: Jazz at Lincoln Center, Symphony Space, and the Association of Independents in Radio.

    This job places you in the center of New York City's vibrant jazz culture, interacting with institutions as large as Lincoln Center and as iconic as the Village Vanguard.

    If you want to learn how to become a self-sustaining independent producer within public radio this would be THE internship for you. This internship would start at the beginning of March and run through the beginning of May with the option to extend into the summer.

    APPLY:
    Please send us a cover letter (no more than 250 words) along with your resume—and please be specific about why you would be a good fit for our internship and why Murray Street would be a good fit for you. Also please include a writing sample—expository writing and broadcast copy (if you have it). If you’ve produced any audio or video pieces, please feel free to include them as well.

    Email your application to Josh Landes at josh@murraystreet.com
    or send it to us via snail mail:
    69 Murray Street
    New York, NY 11217

    Media-startup accelerator Matter is accepting applications, deadline March 1

    Media-startup accelerator Matter is accepting applications for its third class.

    Funded by PRX, KQED and the Knight Foundation, the program supports ventures from the fields of technology, business, design and storytelling. Its third class, held in San Francisco, will take place from April to September. Applications are open now, and the deadline is March 1.

    For more about Matter, read Current‘s coverage of the program.

    http://www.current.org/opportunities/media-startup-accelerator-matter-is-accepting-applications-for-its-third-class/

    NYC event TONIGHT, 2/6, NYPL Kinokophonography Night

    This "curated sound-cinema event" looks awesome. FREE on a first come, first served basis. -Mia

    +++++++++++++

    The Library for the Performing Arts is delighted to welcome the Kinokophone Collective, a world-wide organization of sound artists, field recordists, and listeners, for their first New York City Kinokophonography Night. Join us for this curated sound-cinema event that features audio artworks from anywhere and everywhere. Celebrate the experience of listening and the variety of sounds around us. 

    For more information, including a "call for recordings," please visit www.kinokophone.com

    The LPA is proud to offer free admission to programs on a first come, first served basis. Admission lines form one hour prior to each program in the lobby of 111 Amsterdam Ave.  At that time one ticket is provided per person. Tickets are not available for advance reservation and saving seats is not permitted. General admission seating. Call 212.642.0142 for more detailed information. All programs are subject to last minute change or cancellation.

    NYC EVENT – F*CK LOVE [Audio Smut Launch @ Union Docs Feb 15th]

    NYC folks – spread the word about this UnionDocs event from Audio Smut on Feb 15. Some talented folks involved (including one of my students!).

    GET TICKETS!
    Get excited about season 2!
    Hang out at Union Docs and listen to radio with us!

    A description:

    Join us for your Valentine’s Day detox with the debut of our first episode of Season 2: FU*K LOVE, mixed and narrated live by our hosts Mitra & Kaitlin. In this episode we take a critical look at romantic love.  We will be featuring stories of happily arranged marriages; failed marriages that led to, dare I say, true love; the radical and terrifying implications of putting love first; and what it really means to spend an eternity with someone. Special appearance by Romeo + Juliet.  We will be checking to see how things have worked out since their exit from this earth.  Q & A with the Producers to follow, moderated by Lina Misitzis.


    This episode features work by Mitra Kaboli, Kaitlin Prest, Ryan Kailath, Kelsey Padgett, Suzy Hunt and Tobias Segal.

    Call For Submissions – In The Dark International Audio Award @ Sheffield Doc/Fest!

    Woot! A new award for audio documentary! From the amazing folks at In the Dark. Details HERE and below. -mia
    ++++++++++++++++

    We've got some very exciting news! In The Dark has joined forces with Sheffield Doc/Fest, the UK’s leading documentary organisation and festival, to create a new award specifically devoted to audio documentaries from around the world.

    The award will recognise our favourite audio – work that is bold, compelling and inspiring. We are looking for work that demonstrates a spirit of adventure, whether it be in editing, storytelling, sound design, subject or presenting style (where appropriate).

    Pieces must have been made between 1st January 2013 and 5th March 2014 and is open internationally. If the work is foreign language, an English script needs to be submitted. Our judges this year are Jad Abumrad (Host/Producer, Radiolab, USA), Kari Hesthamar (Head of Radio Documentaries, NRK, Norway), Kaitlin Prest (Co-Creative Director, Audio Smut, Canada) and Nina Garthwaite (Director, In The Dark, London) will chair the discussion.

    For more information including submission details – http://www.inthedarkradio.org/?page_id=5931

    We are really looking forward to hearing your entries!

    OPB Radio Seeks Host/Announcers

    Word on the street is that OPB is a stellar place to work. They're looking for weekend or fill-in hosts/announcers. Details below. (Positions open until filled.) (Thanks to AIR for this post and so many more. You radio folks need to join up. Contact me with questions.) -Mia

    +++++++++++++++++

    OPB Radio Seeks Host/Announcers

    OPB Radio is looking for highly motivated public media professionals to serve as Host/Announcers for either Weekend Edition or as a Fill-In. The Host/Announcers prepare hourly newscasts, promotion, weather and occasional traffic and ensure program continuity for OPB’s radio network. For more information and instructions on how to apply, go to: http://www.opb.org/insideopb/careers/jobs/

    OPB is an Equal Opportunity Employer.

    Radio Bilingue Seeks Oakland Producer, deadline Feb 20

    Hey Bay Area folks – Radio Bilingue seeks a spanish-speaking producer, part-time. Application deadline February 20. Details below.

    ++++++++++++++++

    Radio Bilingüe, the national Latino public radio network, is looking for a radio producer for our Oakland newsroom to help produce a nationally-distributed talk show and news service.

     

    Position: Associate News Producer (part-time, 32 hours a week)

     

    Reports to: News and Information Director

     

    Position summary:

    The Associate News Producer is responsible for assisting hosts and producers in preparing all sources for mid-day radio talk-show Línea Abierta for broadcast and web distribution. Provide continuing on-air promotion for Línea Abierta and news service Noticiero Latino.

     

    Basic tasks:

    • Assist host in preparing for the show.
    • Book program guests for Línea Abierta.
    • Conduct computer-assisted research and pre-interviews.
    • Post news content on RB’s website.
    • Provide timely information for program announcements and other promotional activities.
    • Maintain updated database of program content.
    • Obtain, edit and prepare for broadcast taped news material.
    • Assume other duties as assigned.

     

    Qualifications:

    Must speak fluent Spanish and English. Excellent writing and on-air announcing skills. Computer proficiency. Familiar with digital editing software and techniques and web publishing tools. Ability to multitask, meet deadlines and able to work independently. Strong interest in public affairs topics such as government, health, immigration, education, the environment, and others. College degree in journalism, communications or comparable experience of related exposure.

     

    Contact:

    Please send a letter of interest and resume to: Samuel Orozco, sorozco@radiobilingue.org

    The deadline to apply is February 20.

    NY Press Club event “The Digital Newsroom” Thursday, 2/6, Manhattan

    Interesting event at the CUNY j-school this week. Free for j-school students and NY Press Club members. $15 for everyone else. Details HERE and below.

    The Digital Newsroom


    Thursday, February 6th
    CUNY Graduate School of Journalism
    219 W 40 Street (7th & 8th)
    6:30 p.m. refreshments/schmoozing
    7:00 p.m. program
    What does "digital newsroom" actually mean? We'll look at the similarities and differences between digital and conventional newsrooms where the concept, definition and realization of "digital" loom large.

    Come hear from our expert panel about the differences in the reporting process and how social media sites are used in gathering information. How is the transition to a digital newsroom accomplished and what are the risks, the challenges, the rewards? What training is given to journalists who have no prior experience with digital and what opportunities are there for young journalists to enter the field?

    We'll also explore the likely fate of news organizations that move too slowly – or in the wrong direction – in the digital era.

    GRAPHIC Mary Cavallaro, Assistant National Executive Director for News and Broadcast at SAG-AFTRA. Mary will discuss changes in the industry brought about by digital journalism and new media in general.
    GRAPHIC Matt Thompson, Manager of Digital Initiatives at NPR. Before joining NPR, Matt was online Community Manager for the Knight Foundation. He was also a Poynter Institute Naughton Fellow for Online Reporting and Writing.
    GRAPHIC Murray Weiss, Columnist and Criminal Justice Editor for DNAinfo.com New York, Murray is an award-winning investigative journalist who formerly worked for the New York Post and The New York Daily News.
    GRAPHIC Robin Tomlin, editor of Thunderdome, Digital First Media's New York City-based service that provides content for the more than 800 multi-platform products – including print, web and mobile – that is produced by MediaNews Group and Journal Register Company.
     

    Free for New York Press Club members, CUNY J-School students and alums. RSVP required, click here.

    Making Contact Call for Pitches

    Call for pitches from the fine folks at Making Contact. -Mia

    Hi Freelancers,

    Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

    We are seeking pitches on these themes

    Coffee

    Restorative/Transformative Justice

    Low Wage Workers Movement

    Please scroll down for more detail on each theme. Please reply to pitches@radioproject.org.

    Coffee

    We’re collaborating with Green Grid Radio on a show about coffee. Whether it’s about the public health impact of one of our favorite drinks, the damage coffee farming causes the environment, the effects of caffeine in oceans and rivers, the trash coffee culture leaves behind, or what civet coffee is, we want to hear your coffee pitches. (We’re already covering the Fairtrade USA/ Fairtrade International split) HURRY! PITCHES FOR THIS SHOW MUST BE RECEIVED BY 2/7

    Restorative/Transformative Justice

    We already have a piece on restorative justice in high schools.  We’re looking for something in the criminal justice system, or somewhere else surprising. Key to pitching stories for this show is access.  Do you have access to the participants? Even better, can you be there to record some of the encounters which are part of the restorative justice practice? We want to bring the listener there and show them how it works, not just tell them about it.  

    Low Wage Workers Movement

    The last year has seen an upsurge in low wage workers organizing; either with unions, or on their own. We’re particularly interested in profile-esque pieces of some of the organizers/participants in this emerging movement, especially those who weren’t previously active or activists. Where is this movement for wages and respect headed? Can it raise wages and respect on the job for all American workers? What does its emergence mean for unions? These are some of the questions we would like to explore in this show.

    We are also planning shows on reproductive health, gentrification, squatters, and prison/criminal justice issues. We also invite pitches to mark 50 years since 1964 and the Freedom Rides. We will send out a more details call for pitches in the future on these, but if you have an incredible story you are following on any of those topics, let us know.

    Specifications

    This call for pitches is for segments of about 8 minutes, and we generally pay $350 per story. but we also occasionally take longer pieces (12 or 26 minutes).  

    As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

    Consider the following. Does the story:

    • Link grassroots issues and human realities to national or international trends?

    • Give listeners a historical, political, or social context of major national and international events?

    • Shed light on social and economic inequities?

    • Explore any alternatives or solutions?

    Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

    We look forward to hearing from you!

    Nancy Lopez, Andrew Stelzer & George Lavender

    Making Contact producers

    PhotoPhilanthropy Workshops – March 7, San Francisco

    Hey Bay Area photogs – PhotoPhilanthropy is hosting two photography workshops on Friday, March 7 in San Francisco, with photojournalist Ed Kashi, Richard Koci Hernandez, Instagram's Tyson Wheatley, Amy Yenkin from Open Society Documentary Photography Project, and more. Reasonably priced, plus a discount for students. Details below! -Mia
    PS: I wasn't aware of PhotoPhilanthropy until now – amazing org! Their mission: to promote and connect photographers with nonprofit organizations around the world to tell the stories that drive action for social change. More about them here.

    PhotoPhilanthropy presents two exciting and dynamic photography workshops on

    Friday, March 7 in San Francisco

     

    Workshop #1:

    Mobile Photography & Storytelling

    with Richard Koci Hernandez (@koci), Ed Kashi (@edkashi), and Instagram's Tyson Wheatley (@twheat) moderated by André Hermann (@shutter_se7en)

    1:00pm – 2:30pm

     

    Workshop #2:

    Photography & Empathy

    with Ed Kashi, Amy Yenkin of Open Society Documentary Photography Project, and Oren Ziv of ActiveStills, moderated by PhotoPhilanthropy founder Nancy Farese

    3:00pm – 4:30pm

      

    Price: $50 for both workshops ($20 for students)

      

    Venue: Kelly Cullen Community, 220 Golden Gate Ave, San Francisco, CA 94102

      

    Register: PhotoWorkshops2014.eventbrite.com

      

    For more information visit photophilanthropy.org

      

    These workshops are being held in conjunction with PhotoPhilanthropy's 5th annual Activist Awards. This year's Activist Awards judges are Carroll Bogert, Richard Koci Hernandez, James Wellford, Amy Yenkin, and Oren Ziv, with master of ceremonies Ed Kashi. Everyone is invited to attend the live-judging of the awards for free on Saturday, March 8, 2014 at the Kelly Cullen Community in San Francisco.

      

    Or watch a live-stream of the Awards at photophilanthropy.org

      

    Take a look at some of this year's submissions here.  

     

    Photo by Richard Koci Hernandez

    WE CHAMPION SOCIAL CHANGE, ONE PHOTO AT A TIME.

    Our mission is to promote and connect photographers with nonprofit organizations around the world to tell the stories that drive action for social change.

    The PhotoPhilanthropy community is a place for photographers and nonprofit organizations to come together – to connect, to tell their stories, show their work, exchange ideas, find opportunities and research financial support for their efforts.

    Photography today is an accessible and universal tool with great impact. PhotoPhilanthropy offers a transformational opportunity to personally engage in these powerful and inspirational stories.

     

    America Abroad looking for Pitches on Entrepreneurship, deadline Feb 23

    America Abroad seeks pitches on Entrepreneurship (PAID). Deadline Feb 23.
    This upcoming month, America Abroad is focusing on how the government, whether it be municipal, state, regional or federal can encourage entrepreneurship in the United States. What incentives work? Should it be in the business of picking "winners and losers" or just creating the conditions for winners…how? Are there good examples where the government has helped innovation/entrepreneurship…are there examples where it hasn't? Please email either me at mlittle@americaabroadmedia.org or Rob Sachs at rsachs@americaabroadmedia.org with your pitches. Due date is the 23rd of February. We pay $150 a minute for 5-6 minute piece. Thanks! Martha Little.

    New Crime Podcast

    A new show means a new potential outlet for your work. Details HERE and below. Contact info on their website.

    After The Story with Dick Gordon went off the air two producers at that show, along with myself, decided to start a new podcast.  We chose the focus to be on crime.  The first episode went up yesterday and we will be releasing new episodes every couple of weeks.
    The link is here-
    We hope that the show will be a place to showcase all different types of storytelling.  If you have any ideas or pieces that might be right for the show we'd love to hear them.
    Thanks very much.

    BBC Media Action, Senior Radio Producer, South Sudan – 3 months

    BBC Media Action, Senior Radio Producer, South Sudan – 3 months. Deadline is TODAY!

     
    BBC Media Action, the BBC’s international development charity, is looking for a Senior Radio Producer for three months to start as soon as possible.
     
    The Senior Producer will work across two of our current projects in South Sudan.  The first is supporting the development and delivery of media outputs in response to humanitarian crises in South Sudan, which involves the reworking of current radio programmes in response to the current crises.  The second is overseeing the production and delivery of radio programmes and PSAs being made as part of an education project to encourage girls’ education.  This requires retaining an editorial oversight and providing technical leadership of all broadcast programming, ensuring systems are in place to support all aspects of production.  Building the capacity of national staff members within the team will be a large part of this job, as is building collaboration across departments to deliver the most creative programming possible.  The Senior Producer must ensure outputs are compliant with BBC guidelines as well as meeting project goals. Previous Hostile Environment training is necessary.
     
    Please send CV’s to anna.hextall@bbc.co.uk by Monday 3rd February 2014.

    Latino USA call for pitches

    The latest from Latino USA.

    Latino USA is seeking pitches for the following programs that will be coming up in the next few months:


    • Work It: Labor, working, being for or against unions. Example: a story about African American and Latino workers coming together in New Orleans.
    • Queer: Not only in the sexual sense, but also stories about odd jobs or odd experiences. Example: a piece about transgendered immigrant women who minister street medicine to each other, rather than trusting the medical establishment.
    • Larger than Life: Heavy hitters who fill up the page (or the sound file). Example: a profile of an octogenarian who fought for farmworkers alongside Cesar Chavez and survived being shot 7 times.
    • New Beginnings: Parenthood, getting free of addiction, first jobs, leaving home. Example: a profile of a family in Colombia trying to rebuild their village against all odds, after it was destroyed by paramilitaries.
    • Fiction: Write your own original stories for Latino USA. Example: a radio play with creative use of audio.
    • Space: Everything from outer space to personal space to mental space. Go the distance!

    Please send your pitches to: pitches@futuromediagroup.org.


    Pitch meetings take place every Friday and we try to respond to each pitch by early the following week.


    The pay rate is $125 per broadcast minute. The show welcomes stories that include diverse accents and other languages.

     

    new online tax help resource for self employed

    Joy joy – it’s tax season. I’ve been doing my own taxes with Turbo Tax for the past few years and it’s daunting, but totally doable. A good friend introduced me to this book that has proven an invaluable resource for tax planning (what you can write off, etc.) and I just learned about a new not-for-profit site – TaxHelp.org
    This from the folks at TaxHelp:

    Having a basic understanding of tax codes, regulations, and benefits is essential to being self-employed. Whether you are a sole proprietor of a business or a freelance contractor, the IRS considers you self-employed and will hold you to a different tax filing standard. With the goal of creating a more user-friendly site than the IRS’, our guide introduces readers to the basics of self-employed taxes, accurate bookkeeping practices, and deductible expenses in succinct and accessible language.

    You can learn more about the site on the about page: http://taxhelp.org/about-us/
    Or jump right to the self-employed tax guide: http://taxhelp.org/resources/self-employed/.
    The site also includes a searchable database of 200K CPAs if you don’t want to go it alone. I started poking around the site and found it incredibly useful (though a bit depressing – found out that NY has the highest tax burden in the country, though CA isn’t far behind. Bummer.)
    Anyway, check it out for what it’s worth.
    Cheers,
    Mia

    Reintroduction of NPR Liaison to Indy Producers

    Hey FC folks far and wide. You may already know this, but NPR contracts with a "liaison" to indie producers to help the freelance community navigate the waters of NPR. He can help you figure out who to pitch and when, even help you better frame your pitches to up your odds of getting picked up by the network. He's a great guy and always willing to help. His own introduction is below (originally sent to AIR members but available to any indies). Reach out to him!

    Best,
    Mia

    +++++++++++++

    Once or twice a year, I like to reintroduce myself and my role to the
    independent producer community, saying a special 'hello' to newer AIR
    members and reminding veterans that I am here to help if I can.

    As NPR's Liaison to Independent Producers, I am available 8 hours a week
    to help you in any way I can with your efforts to be successful as a
    freelance reporter/independent producer in public radio.

    Primarily, I am here to help you connect with the proper editors at NPR
    for a story you might be ready to pitch. While not being an editorial
    gatekeeper for NPR, I am happy and eager to help you shape up the pitches
    in a way that gives them the best chance to get fair attention from the
    NPR regional and specialty desks.

    Since NPR can't take every story that's offered, I am also happy to
    brainstorm with you about other possible outlets for your story idea in
    the public radio universe, be they NPR programs or not.

    Having done a little of a lot of things in public radio (reporting,
    managing, training, producing specials, producing series, finding funding
    and marketing projects), when time allows, I am also happy to offer
    whatever tips I can to help you with your project ideas that might not
    necessarily be story-reporting based. I can talk with you more generally
    about just trying to make a go of it in any way in public radio. NPR
    feels it does everyone good to help develop and encourage the talent pool.

    Over the years of doing this, I have kept an archive of conversations and
    tips that continue to be useful (even when some of the individuals have
    moved on from particular posts and some shows have sadly folded). You can
    find that at http://www.paulingles.com/producers.shtml and see more about
    what I have been up to in radio at www.paulingles.com.

    The best way to contact me is by email. It's best to put the word PITCH
    or LIAISON QUESTION in the subject line so I can pick your email more
    easily out of the Airlist which I monitor daily. I'm usually good at
    responding within about 36 hours or less – faster if you're working on
    something very timely. We can set up phone chats as schedules allow.

    I've corresponded with I'm guessing between 300-400 different producers
    over the 8 years I've been in this post. It's a pleasure to try to help
    the independent community. Feel free to contact me.

    Note that once I put out one of my "reminders," I sometimes here from a
    good number of producers so response time with my limited hours on the
    clock might be longer if you are responding to this email… but we will
    connect.

    All the best,

    Paul

    Paul Ingles
    Independent Producer / Reporter / Consultant
    NPR Liaison to Independent Producers
    www.paulingles.com
    www.peacetalksradio.com
    505-255-1219

    Hi-Tech Historical Display Project in Mountain View seeks collaborators

    Hey Bay Area folks. Had an interesting opportunity cross my desk – a large multi-media project about Mountain View history and culture. They're looking to build a whole team and definitely have a budget available… Could be hourly, or a project rate of up to $7500 for the right person to head things up. Some details below. Contact Roger Burnell for more info: (650) 948-0300 <rburnell@arnellent.com>
    This from the Craigslist posting:

    Hi-Tech Historical Display Project (mountain view)

    *** NEW, Exciting History, Cultural & Technology Project Opportunity – in cooperation with the Mountain View History Association and the Mountain View Library, a special Hi-Tech project is now being launched to capture the history of Mountain View in a large Hi-Def Audio-Video Presentation that will be placed on permanent active display next to Castro Street in Downtown Mountain View.

    This is an Invitation for you to participate if you are interested in and/or excited by making a significant contribution to the City and surrounding community of Mountain View, its past, its present and its technological future, and would like to be part of launching this project.

    The Project Developers are now looking for and assembling key persons to contribute their talent(s) and interests to this wonderful project.

    Needed person(s) and specialized talent(s) include:
    • Teachers: current, prior, or retired teachers in the History, English, Sociology, General Education, art, visual arts, Graphic Arts, Photography, or extended community services fields;
    • Current Cultural Event Opportunists: Art, Museum, Events, Tours, Topics of regional interest, Education, Sports, Special Events, Etc.
    • Future, Hi-Tech Visionaries, Presenters, and Acolytes
    • Content Developers and/or Graphic Designers: Presentation/Display Production Managers – amateur or professional, able to research, accumulate, and organize all relevant content/materials, and to produce and/or manage video content, as well as conduct studio Audio Session(s) for voice actors (or those with a "documentary-styled" speaking voice or ability)

    This need is applicable to:
    • Students: Current, Part-time, or recent grads; Internship for Credit available.
    • Amateur or professional participants, historians, social scientists, cultural affairs enthusiasts, and creative-minded, visionary (Hi-Tech) supporters and applicants;
    • Retired persons bringing pertinent background/experience or credentials in the areas mentioned, applicable to activating this project for the Mountain View / Sunnyvale / Los Altos Region

    Start-up storytelling site now accepting audio submissions [paid]

    A new storytelling outlet! And a little bit of $ for work you've already done. (I admit, after a quick glance I'm a wee bit skeptical about all this, but might be worth a shot. Send an update if have any actual experience with these folks, good or bad.) More details below.

    ++++++++++++++++

    SmilesforAll.com celebrates the comedy in everyday life. Our site features funny true stories, videos, photos and podcasts. We're looking to ramp up podcast and audio content. Record your story!

    You can send us a story that is completely new or something that is already out there. Email a link to your podcast or audio story to submissions@smilesforall.com with the subject line reading: “Podcast Submission: [Title of Podcast]”

    Content should be family-friendly, positive and upbeat. Upon acceptance you will be paid at least $80 depending upon the quality of the work (humor, nature of content, background music and other effects, etc.)

    Fulbright Fellowship/Award Opportunities, deadline Feb 28

    Fulbright+National Geographic=my dream year. Details for their Digital Storytelling Fellowship HERE. (Note – this is open to all US citizens even though it's part of their Student Program.) 
    The Fulbright-mtvU Awards are also very cool, but mainly for students. 

    Projects should center around research on an aspect of international musical culture, and should focus on contemporary or popular music as a cultural force for expression or change. Preference will be given to graduating seniors and recent graduates.

    Deadline for both is Feb 28.

    The Fulbright – National Geographic Digital Storytelling Fellowship is a new component of the Fulbright U.S. Student Program that provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in up to three countries on a globally significant social or environmental topic. This Fellowship is made possible through a partnership between the U.S. Department of State and the National Geographic Society.

    The wide variety of new digital media tools and platforms has created an unprecedented opportunity for people from all disciplines and backgrounds to share observations and personal narratives with global audiences online. These storytelling tools are powerful resources as we seek to expand our knowledge of pressing transnational issues and build ties across cultures.

    Through the Fulbright – National Geographic Digital Storytelling Fellowship, Fulbrighters will undertake an in-depth examination of a globally relevant issue, comparing and contrasting how that issue is experienced across borders. Utilizing a variety of digital storytelling tools, including text, photography, video, audio, graphic illustrations, and/or social media, Fellows will tell their stories, or the stories of those they meet, publishing their work on National Geographic media platforms with the support of National Geographic’s editorial team.

    In addition to receiving Fulbright benefits (for travel, stipend, health, etc.), Fellows will receive instruction in digital storytelling techniques, including effective blog writing, video production, and photography, by National Geographic staff prior to their departure. Fellows will be paired with one or more National Geographic editors for continued training, editorial direction and mentoring throughout their Fulbright grant period. Fellows will provide material for a blog on the National Geographic website on a frequent and ongoing basis throughout their grant term, and will have the opportunity to develop additional content for use by National Geographic and the Department of State.

    For the Fellowship’s inaugural year of 2014, applications will be accepted for the following themes: Biodiversity, Cities, Climate Change, Cultures, Energy, Food, Oceans, and Water.

    Radio Editorial and Mentoring Trainer openings, Sierra Leone, deadline Feb 5

    Amazing opportunity to work with the incomparable Prue Clarke and the BBC, supporting justice through radio in Sierra Leone. Details HERE and below. Deadline Feb 5.

    +++++++++++++++++
    BBC Media Action, a media development NGO, is looking for American independents who might be available for training jobs in Sierra Leone. Learn more: 
    http://www.bbc.co.uk/mediaaction/jobs/Radio_Editorial_and_Mentoring_Trainer_Justice_Sierra_Leone.html 

    Apply by: February 5. 

    Prue Clarke 
    Africa Projects Manager 

    Email: prue.clarke@bbc.co.uk 

    BBC Media Action 
    MC3A Media Centre, 201 Wood Lane 
    London, W12 7TQ 

    visit www.bbcmediaaction.org

    GF launches 1st Freelance Journalism Contest, deadline March 17

    Well this is just about the best thing EVER! The first annual Freelance Journalism Awards Competition. It's limited to freelancers in CA and Hawaii, but hopefully this will inspire similar ceremonies elsewhere. Spread the word! Details HERE, and below. Deadline March 17.

    Columbia

    Freelancers do great work. Whether you’re a writer, an editor, a photographer or a poet, isn’t it about time your skills were recognized by your peers — and everybody else who loves journalism? We think so. That’s why the Freelance Unit of the Pacific Media Workers Guild is sponsoring the first annual Freelance Journalism Awards Competition.

    This contest is open to anyone – freelancer or staff writer – whose work was published on a freelance basis during calendar 2013 and who lives and works in California or Hawaii. You don’t have to be a member of the Media Workers to compete, but of course, we’d love it if you join us (If you’re a member of our Unit who lives in another state, you are invited as well).

    To be sure that all entries are evaluated impartially, our colleagues in the Washington D.C./Baltimore Newspaper Guild will handle the judging. That local includes journalists at two great newspapers – the Washington Post and the Baltimore Sun – so your work will be measured by some of the best journalists in the business. We know you’re up to it.

    The time to enter is now. Follow this link and you’ll find the rules, the categories in which you may compete, and an application form. It is free to enter for all Guild members; $10 for non-members per entry; $25 for three or more entries. You can pay by check or by PayPal.

    Tell your colleagues about this contest and feel free to contact us if you have questions. And of course, we wish you the best of luck.

    Reminder – First Freelance Cafe West meeting of 2014 TONIGHT! 6:30pm Oakland

    Just a reminder that the first of the 2014 Freelance Cafe West gatherings is happening TONIGHT!

    JANUARY 27th
    Pacific Coast Brewing Company, 906 Washington Street, Oakland.
    6:30PM
    Our gracious new host is Ana Adlerstein. Contact her at anaupatree@gmail.com or (207) 807-6152 for details or if you can't find the group. This is going to be a regular thing again, so come by, introduce yourself, and have a say in the planning of future events.
    Cheers!

    AIR, PRNDI Announce Framework for Local Freelance Contributors

    AIR and PRNDI have done some very important work to negotiate fair rates for indie producers working for local radio stations. They lay out their work in an upcoming webinar, Monday, Feb 24, 2pm ET. Sign up HERE. Info and links to great new resources below.Public radio stations and independent producers will now have guidance for negotiating rates to support creation of local stories, thanks to the efforts of a task force created by AIR and PRNDI last fall. AIR has also developed a new contract template designed expressly for station and freelancers. Together, these new resources support stations seeking to tap public media’s talent pool to strengthen their local position, and the interests of freelancers looking to expand their opportunities to contribute to public media outlets and reach new listeners.Many stations already rely on freelancers to add diversity, enhance their “sense of place,” fulfill grant requirements, or fill gaps in their schedules. A survey of newsrooms conducted as part of this initiative indicates the majority (85%) of respondents are working to strengthen the local identity of their stations. While, nearly half feel freelance content is important to their station and believe it will help their efforts to build local identity, most (71%) say their ability to acquire outside work is constrained by budget limitations. The average freelance acquisition budget of the respondents to AIR’s survey is $12,500/year with most (89%) commissioning 3-14 minute news features. The average spent annually on national programming for these stations is $608,500.The local rate schedule ( http://airmedia.org/PageInfo.php?PageID=812 ) is modeled after the national standards first created by AIR in 2002 to set compensation based on the experience of a producer and the complexity of a story rather than a pay-per-minute fee. The new schedule lays out a sliding scale fee to account for the range of newsroom diversity across the system.The new contract template ( http://airmedia.org/PDFs/Producer-StationTemplate-FINAL.pdf ) commissioned by AIR to accompany the rate schedule is designed to support negotiations of stations and producers as they set the terms and conditions for working together. AIR’s Guide to Fair Practices ( http://airmedia.org/PageInfo.php?PageID=18 ) is another recommended resource available to all across the system.

    PRNDI and AIR will present a webinar on Monday, February 24th at 2pmET.Reserve a spot by registering here:
    http:// https://www3.gotomeeting.com/register/249855734

    Please note that space is limited. Do not register unless/until you can commit to attend.

    The AIR/PRDNI task force was led by public radio reporter and former news director Susanna Capelouto. San Francisco-based Spencer W. Weisbroth, a business and non-profit attorney and AIR member with extensive experience working in public media, was commissioned by AIR to develop the contract template. Advisors included independent producers Karen Michel, Lu Olkowski, Jay Allison, and Katie Davis, consultant Mike Marcotte, PRPD President Arthur Cohen, and station-based staff Tanya Ott who serves as vice president of radio for Georgia Public Broadcasting, Sally Eisele, managing editor of public affairs for WBEZ, and Jim Gates, senior editor at KUOW and head of the station’s Program Venture Fund. AIR Executive Director Sue Schardt and PRNDI President George Bodarky, news director of WFUV in New York, also consulted on the final framework.

    • *****************Public Radio News Directors Incorporated (PRNDI (http://www.PRNDI.org) ) is a nonprofit professional association that exists to improve local news and information programming by serving public radio journalists. PRNDI educates, advocates, and organizes to promote high standards, ethical principles, and significant public service. PRNDI works to strengthen the skills, capacity, and professional position of news directors, and through them, strengthen public radio’s local news and public affairs efforts in ways that are embraced by audiences, station leaders, networks, and supporters.AIR is a vibrant international production network made up of 1000 public media journalists, documentarians, technicians, media entrepreneurs, and sound artists with a core expertise in independent audio production. The Boston-based organization identifies, cultivates, and deploys members to deepen understanding of and bring enlightenment to citizens worldwide. Its training programs and productions are defining and driving an expanding media landscape spanning digital/technology, broadcast, and street media platforms — challenging and inspiring other media-makers to join us at AIRmedia.org (http://www.airmedia.org).Links:
      AIR/PRNDI Station-Freelance Acquisition Guide: http://airmedia.org/PageInfo.php?PageID=812
      AIR Station-Freelance Contract Template: http://airmedia.org/PDFs/Producer-StationTemplate-FINAL.pdf
      Guide to Fair Practices: http://airmedia.org/PageInfo.php?PageID=18
      NPR rates: http://bit.ly/KDOYq4

     

    Åke Blomström Memorial Prize 2014, deadline Jan 19

    Hey young folks (30 and under). A few more days to apply for this prize to create a documentary radio feature and travel to Leipzip, Germany. Info HERE and below.

    The Åke Blomström Memorial Prize is offering young and promising feature makers the chance to attend a special documentary training course and the 2014 International Feature Conference.
    The winners will attend a two-day coaching session in documentary making at the Mediencampus Villa Ida in Leipzig from 9th to 10th May, immediately before the International Feature Conference (IFC) which will be held in the same location.
    Each of the winners will be assigned a coach who will mentor them in documentary making throughout the year …

    All you need: READ and DOWNLOAD HERE !!!

    FC West gatherings are back in 2014! Beginning Jan 27, 6:30pm, Oakland

    I am THRILLED to announce that the monthly Freelance Cafe gatherings will return in 2014 – beginning on Jan 27, 6:30pm, at our old stomping ground, Pacific Coast Brewing Company. A special thank you to new member Ana Adlerstein who has enthusiastically offered to take the reigns for these meetings. See her message below. And if all the stars align, I may be able to attend the April meeting. (fingers crossed!)

    Wishing you all the best for a happy, healthy, and productive 2014.
    Best,
    Mia

    Hello Freelance Cafe community,

    I am excited to announce that the Freelance Cafe meetings are back! We will be getting together the last Monday of the month, and I will be acting as the new point person for any questions regarding our gatherings. My phone number is (207) 807-6152 in case you can’t find me at the brewery.

    The details for the next meeting are:

    JANUARY 27th
    Pacific Coast Brewing Company, 906 Washington Street, Oakland.
    6:30PM
    I look forward to meeting many of you there!

    free online course on Social Media for Journos from the Knight Center for Journalism in the Americas

    The Knight Center for Journalism in the Americas is offering a MOOC (Massive Open Online Course) on Social Media for Journalists, Feb 3-March 9. Some info below. More HERE.

    +++++++++++++++++

    Reporters and editors have struggled with how to deal with the phenomenon of social networks. Now they have a chance to learn from a team of experts who will teach the Knight Center for Journalism in the Americas’ next Massive Open Online Course (MOOC), “Social Media for Journalists: The Basics.” Click here to register now.
    This five-week online course in English will start on Feb. 3 and conclude on Mar. 9. The MOOC will be offered for free and, while it was designed with journalists and media practitioners in mind, anyone in the world with access to the Internet is invited to participate.

    Watch the video below to learn more about this course and the instructors.

    Following the success last year of its five-instructor massive course “Data-Driven Journalism: The Basics,” the Knight Center will use the same model in this new course. It will give students the opportunity to learn from the multiple perspectives of some of the top social media experts in American journalism.

    “We are very excited with this new massive online course. Even before our formal announcement today, about 1,000 people from 92 countries have already registered as the news about the course spread through social media,” said Professor Rosental Alves, director and founder of the Knight Center.
    “It’s great to see that we have already started forming, even before the announcement, a global community of people interested in social media and journalism. This is going to be a very useful, practical course not only for journalists, but anyone who wants to learn more about social networks,”  Alves said.
    The course will be divided into five weekly modules, each one with a different instructor and a different topic. All the instructors have experience with social media strategies in American news organizations. The instructors are:
    •  Ryan Thornburg, University of North Carolina at Chapel Hill

    •  Sharif Durhams, Milwaukee Journal Sentinel

    •  Craig Silverman, Spundge and Poynter’s Regret the Error

    •  Daniel Victor, The New York Times

    •  Amanda Zamora, ProPublica

    TransX Transmission Art Symposium Call for Submissions, deadline Feb 28

    Experimental radio at its best; send your ideas for papers and performances by Feb 28. Details below.
    +++++++++++++++TransX Transmission Art Symposium
    Call for Papers & Performances
    Deadline February 28, 2014
    For More Information http://naisa.ca/opportunities/calls-for-submissions/trans-x-call-for-submissions/
    To Submit: https://naisa.ca/trans-x-submission-form/

    New Adventures in Sound Art (NAISA) is pleased to announce the 2014 edition of the TransX Transmission Art Symposium
    with Keynote speakers Anja Kanngieser and Jessica Thompson
    May 22 – 25, 2014

    The proceedings from the 2013 TransX Transmission Art Symposium are here: http://naisa.ca/symposia/trans-x/transx-2013-proceedings/

    To listen to the presentations from the 2013 TransX Transmission Art Symposium go to: http://naisa.ca/media-archive/audio-archives/

    NAISA is now inviting submissions for papers and performances:

    Rooted in the earliest experiments with radio, Transmission Art has continued to flourish into the 21st Century with experiments using wireless communications technology over the past 100 years, including the exploration of a variety of mobile-based platforms and lesser-known forms of transmission, such as VLF. The terrain of transmission art is dynamic and fluid, always open to redefinition.

    The Trans-X Transmission Art Symposium, part of the Deep Wireless Festival of Radio & Transmission Art, will focus on Transmission Art, with particular interest in contributions that summarize, examine or reframe traditions and histories of transmission art practices, technology, education and pedagogy. Additionally, we are very interested in presentations that go beyond the local contingent to give a sense of how new technologies of international transmission activity might be experienced. Proposed presentations and performances that combine the themes of Transmission Art and “Undo/Redo” are also especially welcome.

    Review Committee:
    Steve Bates, Independent artist
    Anna Friz, post-doctoral fellow, School of the Art Institute of Chicago
    Galen Joseph-Hunter, Executive Director Wave Farm
    Katie Kehoe, Maryland Institute College of Art
    Dan Lander, artist
    David Ogborn, McMaster University
    Tetsuo Kogawa, Radioartist, Media Critic, Director of Goethe Archive Tokyo
    Jim Ruxton, Director of Programs, Subtle Technologies Festival
    Don Sinclair, York University
    Debashis Sinha, Sound Artist
    Jessica Thompson, University of Waterloo
    Helen Thorington, Co-Director of New Radio and Performing Arts, Inc
    Gregory Whitehead, radio artist / co-editor of Wireless Imagination
    Elisabeth Zimmermann, Kunstradio
    ___________________________________________________________
    NAISA Inquiries & general information:

    Nadene Thériault-Copeland
    Executive Director
    New Adventures in Sound Art
    Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON M6G 4C7
    Tel 416 652 5115
    www.naisa.ca

    NAISA current/upcoming events:

    NAISA’s Art’s Birthday celebration at the Barns, January 17 – 19, 2014
    http://naisa.ca/naisa-events/arts-birthday/

    TransX Transmission Art Symposium
    Call for Papers & Performances
    Deadline February 28, 2014
    For More Information http://naisa.ca/opportunities/calls-for-submissions/trans-x-call-for-submissions/
    To Submit: https://naisa.ca/trans-x-submission-form/

    Follow us on:
    Facebook www.facebook.com/NAISASoundArt
    Twitter www.twitter.com/NAISASoundArt
    You Tube www.youtube.com/user/NAISAtube
    Soundcloud www.soundcloud/NAISA
    NAISA Radio www.naisa.ca/webcast

    Columbia Fellowship for Historical Dialogue and Accountability, deadline March 7

    Interesting fellowship opportunity for journalists/teachers/community organizers/etc.. Details HERE and below. Application deadline March 7.+++

    The Institute for the Study of Human Rights (ISHR) at Columbia University is now accepting applications to for its residence Fellowship for Historical Dialogue and Accountability. Practitioners of historical dialogue and accountability from conflict, post-conflict and post- dictatorial societies will have the opportunity to engage in training, networking, project work, academic and applied study. The comprehensive program provides Fellows with the opportunity to hone practical skills in fundraising, advocacy and leadership, to develop a deeper understanding of dealing with the past, and to foster mutually beneficial relationships with their peers and with international and non-profit organizations in New York City and Washington, DC. The Program is designed for NGO practitioners, journalists, lawyers, teachers, social workers, community organizers, and others working on issues including (but not limited to) transitional justice, truth and reconciliation, historical conflict, indigenous and minority rights, social accountability, memory studies, oral history, sites of memory and related areas where historical dialogue is a central component. Preference will be given to those who can demonstrate an established work record of several years relating to historical dialogue and accountability.

    Applications are being accepted for the fall semester of 2014 fellowship program. The program is part of the Alliance for Historical Dialogue and Accountability (AHDA). AHDA offers fully funded fellowships which will cover travel, visa, and accommodation costs as well as a modest stipend to cover day to day living expenses during the program. In exceptional cases, self-funded candidates will be considered. We encourage interested parties from around the world and from a wide range of professional sectors—including, but not limited to, human rights practitioners, journalists, academics, educators, filmmakers, artists—to apply. Special funding is available for fellow(s) who address religious conflict. For fellowship guidelines and application form, please go to hrcolumbia.org/ahda/fellowship.

    Deadline: March 7, 2014

    If you have any questions with regard to the program, selection criteria and your application please contact ahda@columbia.edu.

     

    UC Berkeley Food and Farming Journalism Fellowships, deadline March 1

    Eight $10K fellowships to report on long-form stories about food systems. Details http://journalism.berkeley.edu/projects/foodfellows/“>HERE and below. Application deadline March 1.

    About The Fellowship

    • $10,000 Fellowship
    • Applications Due March 1, 2014

    The UC Berkeley Graduate School of Journalism is offering eight $10,000 postgraduate Food and Farming Journalism Fellowships in a new program established by Michael Pollan, the John S. and James L. Knight Professor of Journalism at UC Berkeley. The fellowship, a project of the Knight Center in Science and Environmental Journalism, is supported by a grant from The 11th Hour Project, a program of The Schmidt Family Foundation. Aimed at early and mid career journalists, the Fellowship presents an opportunity to report ambitious long form stories on the full range of subjects under the rubric of food systems: agricultural and nutritional policy, the food industry, food science, technology and culture, rural and urban farming, agriculture and the environment (including climate change), global trade and supply chains, consolidation and securitization of the food system and public health as it relates to food and farming.

    In 2014 we will award eight journalists $10,000 to travel and report these stories.

    In 2014, the fellowship will be open to both print and radio journalists; in future years, it will expand to include multi-media and video journalists. We will give preference to U.S. focused stories, but will also consider international stories with a strong U.S. angle or connection.

    Online applications are due March 1, 2014, and should include a one-page pitch with a clearly defined story idea, not just a subject. The pitch should reflect some preliminary research, providing a clear sense of place, characters, narrative and reporting strategy. The application also requires a CV, two letters of recommendation and published clips. We will announce this year’s fellows by May 1, 2014.

    Those interested in applying will need to be available the week of June 24-28, 2014 for a 4-day workshop at UC Berkeley with the 2014 cohort of fellows, fellowship director Michael Pollan, guest editors from national publications and managing editor Malia Wollan. Travel, lodging and meals for the meeting will be covered by the fellowship. During the first session, fellows will refine their story pitches with the help of the editors, and develop a reporting and publishing or broadcast strategy. Fellows will also have opportunities to meet with and interview faculty members and researchers doing work relevant to their stories at UC Berkeley.

    Reporting and writing will then take place from June-October. Fellows will meet for a second four-day session in mid-November, during which time completed stories will be workshopped and edited; the editors will also assist fellows in placing their stories for publication or broadcast. Travel and lodging for the November session will also be covered by the Fellowship.

    QUESTIONS? Contact us.

    BackStory call for pitches

    Call for pitches from BackStory. This one looks fun! -Mia
    ++++++++++++++++BackStory’s working on an upcoming show on the history of sexual norms in America. We’re looking for stories that illuminate how those norms have been defined, understood, policed, and challenged: everything from same-sex desire to interracial marriage to norms of intimacy and prostitution. We’re a history-focused show, so we are interested in stories set in the past – generally the 18th, 19th and 20th centuries, but sometimes as far back as the 15th century. If it happened in the last 20 years, it’s probably not a good fit for us. Our key question is: what does this story reveal about how people in the past understood their world differently than we do today? That is, a successful pitch will reveal something specific (and surprising!) about the time and place where the story happens. (A story set in the 1830s that could just as easily have happened in the 1730s or 1930s is probably not a good fit.)

    As always, we’re looking for stories with strong characters (living or dead), something at stake, and a surprising takeaway. Find more detailed pitch guidelines here: http://backstoryradio.org/producers/ We have a tiered payment structure, available on AIR’s pitch page — it usually ends up being roughly $100/min, but depends on the skill of the producer and the complexity of the story. We’re generally looking for elements between 3 and 8 minutes. Please email pitches, and any questions, to BackStory Associate Producer Nina Earnest: nina.earnest@virginia.edu.

    We look forward to your brilliant ideas!
    Jess

     

    Media Ideation Fellowship Applications open TODAY

    Hey young bucks – you have until 1/31 to apply for good money to fund your big media ideas. Details here and below.

    .

    It’s time to do something new.

    What are you waiting for? Applications are now open for the second class of Media Ideation Fellows.

    We’re connecting up to 6 young innovators to the financial resources and access to mentors they need to bring their world-changing ideas to life. Are you yearning to get off the treadmill and do something important? This is your opportunity to build a cause- or movement-related project that will change the world, bridge a divide, fix an injustice, or spur progressive social change.

    Applications close at 11:59 p.m. ET on January 31, so don’t delay.

     

    Learn more

    We’re hosting an informational webinar to answer all of your questions about the fellowship on Tuesday, January 21 at 4:00 p.m. ET. RSVP today.

     

    Spread the Word

    Do you know other people who might have great ideas for fellowship candidates? Help spread the word by passing this email along to your networks. You can also tweet about the fellowships or share the announcement on Facebook.

    Copyright © 2014 Media Ideation Fund (SM), All rights reserved.You are receiving this email because you signed up at www.mediaideation.org.
    Our mailing address is:

    Media Ideation Fund (SM)

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    Ste A

    Longmont, CO 80501

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    New York Press Club J-Awards Open Feb 1

    Info here and below about the 2014 New York Press Club Journo Awards.

    Journalism Awards Entries Open February 1st

    GRAPHIC                   The core of this year's contest will be substantially the same as last with the possible addition of a new category for health and science reporting. To encourage early submissions, entry fees will be reduced during February, rising in March. Press Club members enjoy the lower fee throughout. Details, categories and rules will soon be proclaimed official and can be found on our Awards webpage.

    Entries will open February 1st for the 2014 New York Press Club Awards For Journalism. A new category, "Science/Health" may be added, details forthcoming. An updated Awards Categories list will be posted here soon. Entry fees are the same for 2014 as they were in 2013: $50 per entry during February, rising to $75 on March 1st, 2014, except for New York Press Club members who may submit entries at $50 each throughout.

    An enduring tradition in New York media, the annual New York Press Club Awards For Journalism honor excellence in the craft by writers, reporters, editors, producers, shooters and multimediographers.

    Entries are considered in more than 20 categories of reporting from material submitted by New York metropolitan area news organizations and individual journalists. 

    Judging is by prominent working journalists, former journalists and academics who are selected for their expertise in each category.

    Awards unique to the New York Press Club competition are the Gold Keyboard Award, honoring excellence in investigative journalism; Nellie Bly Cub Reporter, honoring the best journalistic effort by an individual new to the profession and The Rev. Mychal Judge Heart of New York Award for reporting that is most complimentary of New York City.

    BAVC accepting National MediaMaker Fellowship applications, deadline Jan 10

    Passed along from the fine folks at AIR. Happy Holidays!

    2014 NATIONAL MEDIAMAKER FELLOWSHIP

    CALL FOR ENTRIES: BAVC is now accepting projects for the 2014 National MediaMaker Fellowship. Early application deadline is Friday, January 10th. Late deadline is Friday, January 17th. Click here for more information and to apply:

    https://bavc.org/mediamaker

    The BAVC newsletter:
    http://hosted.verticalresponse.com/571822/6d94939972/1467634703/ae0ca29962/

    +++AIR is everywhere.+++
    www.airmedia.org 

    www.airmediaworks.org

    audio editing gig by the Bay

    Part-time, long-term audio editing gig for someone in the SF Bay Area. Details below. -Mia

    ++++++++++++++++

    Job Posting for an Audio Editor in the S.F. Bay Area:
    Climate One is looking for an audio editor who can put together our weekly audio series, “Climate One California Weekly.” This job requires very basic audio editing skills and some experience with file management. It should take about 5-6 hours/week. We are looking for someone based in the San Francisco Bay Area who can make a long-term commitment.
    The Gig: 
    — Pulling a single, mono audio file down from DropBox or High Tail.
    — Shortening each taped conversation (running about 65 minutes) down to 59 minutes
    — Adding a pre-produced Intro and Outro. (This is part of the 59 minutes) — Cleaning up volumes, fades, basic EQ
    — Posting on iTunes, Content Depot and PRX, within 2-3 days of the live eventInterested?
    Reply to Claire Schoen: cschoen@earthlink.net
    And I will send you the full details.

    CPB’s new RFP, deadline Feb 3

    I have mixed feelings about sending you hard-working freelancers down this rabbit hole, but for those of you who are super motived, connected, and strong-willed, this is an amazing potential opportunity. Spread the word if you dare. Deadline Feb 3. -Mia
    PS: The first part of the post comes from Sue Schardt, Executive Director of AIR. The second part is the actual RFP from the CPB.
    +++++++++++++++++++++
    This new funding opportunity from CPB (below) is directed at stations, but has embedded opportunity for producers, especially if you are:

    a) an indie producer with a good relationship with a local station, or
    b) a station-based editor or reporter eager to create a new collaboration, or
    c) either a station-based or indie with a strong relationship with an editor at NPR, PRI, or APM.

    In addition to thinking about how you'd approach the topic areas the RFP is aimed at (detailed below) in some distinctive way, you'll want to also consider the ways potential stations or network program partners may want to break out of traditional coverage. Collaboration is a central opportunity for this, and we know that many AIRsters are strong, gifted collaborators.

    Once you determine whether there is receptivity, and have the germ of a good idea or two, you'll need to investigate/take on board what the strategic goal is for the broadcast partner(s). How would you, for example, help build a collaboration that, from the inception, is designed to extend the work beyond their traditional broadcast? How would your idea expand and diversify the station's audience? What are the unique challenges in community that haven't been revealed? What do you see that is not apparent to others? These are just a few possible questions of many you should ask yourself. Your idea needs to be shaped/informed by the vision/goals of your prospective partners if you're to make an effective pitch. Don't forget the field research.

    Take time, too, to a look at/refresh yourself with the Station Runway AIR created at the start of our Localore production. You'll find short, 3-5 min, mostly videos from more than 60 stations telling the story of their station culture, their community, and their vision for the future. This may be helpful in guiding you to potential partners, some of whom may be in your own backyard, and at least give you some inspiration to experience the breadth and diversity of the station network:

    http://airmediaworks.org/submissions?sort_by=created&sort_order=DESC

    AIR has had no role in shaping the RFP or this new call from CPB, and I can't guarantee the level of receptivity you may get. But it would sure be nice to have juice from some of us fueling this initiative. I've no doubt that AIRsters' participation, if played right, would only strengthen the outcome. Keep us posted on your progress here on the AIRdaily!

    go go.

    – ss

    Sue Schardt, Executive Director
    AIR
    http://www.AIRmedia.org

    ++ AIR is everywhere ++

    Dear Colleague:
     
    I’m excited to inform you that CPB’s Diverse Perspectives grant program, first announced by Pat Harrison, President and CEO, at last month’s Super Regional Conference in Washington, D.C., is now open for applications.

     
    The Diverse Perspectives: Enhancing the Diversity, Capacity and Quality of Local and National News grant program is part of CPB’s continued effort to support stations by promoting collaborative partnerships geared towards increasing capacity and production of high quality, locally-focused news programming.

     
    CPB aims to fund work at news-oriented public radio stations to expand coverage of important issues heard locally, regionally, and nationally. Grants will be awarded on two-year terms to partnerships consisting of at least four stations aligned around original reporting of specific “beats” or “content verticals.” Possible topics may include: military veterans, education, health, transportation, technology, or coastal issues; however, applicants are free to propose topics of their own choosing.

     
    In addition to building internal capacity among collaborating stations (more on that below), partnership groups will need to develop strong working relationships with national editors at NPR, PRI and APM. CPB intends for these connections to create opportunities for partnership groups to contribute content to the major national flagship programs (e.g., All Things Considered, Morning Edition, Marketplace, The World, Here and Now, The Takeaway).

     
    The terms of the grant program are intended to promote enduring alliances that strengthen each partner’s ability to produce high quality reporting. Each partnership must hire a dedicated editor and commit at least one reporter per station to its chosen topic. This may include a new hire or re-assignment of an existing full or part-time staff member. Reporters are required to spend a minimum of 50 percent of their time creating content focused on the given topic. There are no restrictions regarding the geographic location of collaborating stations. Additionally, individual stations are free to participate in more than one partnership.

     
    Partnership groups must demonstrate a significant financial commitment over the two-year grant period to be eligible for the program. CPB will provide up to 50 percent funding for both the reporter position(s) and the Editor position in Year One, followed by up to 25 percent funding for each position in Year Two.

     
    For more about Diverse Perspectives: Enhancing the Diversity, Capacity and Quality of Local and National News please see the request for grant proposals on the Open Grants and RFPs page at CPB.org or contact Jeff Luchsinger at jluchsinger@cpb.org or 202-879-9703.

     
    Sincerely,
     
    Bruce Theriault
    Senior Vice President, Radio

    New dates for next Radio Boot Camp @UnionDocs in NYC

    Don't miss this fantastic radio training session at UnionDocs, March 15 and 16. Details HERE and below.

    ++++++++++++++++++

    We're excited to announce the dates for our spring session of Boot Camp! This is a class for beginners, enthusiasts or print journalists – folks new to the world of Radio. Come learn the art and craft of producing radio stories from start to finish.

    Feel free to share with your friends and anyone else who's oh so jealous of your awesome career. A great holiday gift for the pub radio lover in your life. Space is limited to 12 so sign on up!

    RADIO BOOT CAMP, SPRING 2013

    Saturday, March 15, 2014: 10am – 6pm
    Sunday, March 16, 2014: 10am – 5pm
    UnionDocs, 322 Union Ave, Brooklyn, NY, 11211
    Tuition: Early registration is $285.

    You can register or find more info here:
    http://www.uniondocs.org/radio-boot-camp-march-2014/

    Who is the smartest person you know?

    Nominate the brilliant young people in your life, mainly grad students or recent graduates. Nomination form HERE and below.

    Seeking nominees for paid technology fellowships.
    Is this email not displaying correctly?
    View it in your browser.

    The search is on!

    Who’s your best bet to build the next big thing? We’re looking for six young, innovative, social change-makers for the 2014 class of Media Ideation Fellows. If you know a technologist, organizer, or media-maker with big ideas for making the world a better place, spend three minutes right now and nominate them for the Media Ideation Fellowship. Fellows will receive a stipend and mentorship to bring their ideas to life.

    www.mediaideation.org/nominate

    All you have to do is enter the name and email address of a student, peer, or colleague who has brilliant ideas and potential to create social change. We’ll do the rest.
     

    Who should I nominate?

    Ideal candidates for the fellowship are driven, tech-savvy social change agents who thrive under self-direction and have a specific idea or project they’d like to pursue. We’re looking for the creators of tomorrow’s Upworthy.

    Candidates should be currently enrolled graduate students, have recently received an advanced degree, or are in the first five years of their career. Candidates must be based in the U.S. and have U.S. citizenship.
     

    Why nominate?

    Sometimes, a would-be entrepreneur needs an extra push. Your nomination may remind a young woman that her community believes in her work–and be the extra bit of encouragement she needs to apply. It’s super easy–all you have to do is enter a name and email address.

    We’ll follow up with all nominees, share your support, and give them early information on the program before applications open on September 11.
     

    Help spread the word.

    Do you know other people who might have great ideas for fellowship candidates? Help spread the word by passing this email along to your networks. You can also tweet about the Fellowships or share this link on Facebook. And finally, stay tuned. Applications for the Media Ideation Fellowships open on Monday, January 6, 2014.

    Copyright © 2013 Media Ideation Fund (SM), All rights reserved.
    You are receiving this email because you signed up at www.mediaideation.org.
    Our mailing address is:

    Media Ideation Fund (SM)

    655 S Sunset St
    Ste A

    Longmont, CO 80501

    Making Contact Call for Pitches 12/13

    Call for pitches from the good people at Making Contact.

    ++++++++++++++

    Hi Freelancers,

    Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

    We are seeking pitches on these themes

    World Cup vs The People?

    Reclaiming our urban spaces

    Please scroll down for more detail on each theme. Please reply to pitches@radioproject.org.

    World Cup vs The People?

    With the 2014 World Cup set to kick off next  year- we’re looking for stories about football/soccer. Maybe you’re in Brazil and can report on communities being displaced to make way for stadiums. Or you’re in South Africa, South Korea, Japan, and can provide a retrospective look at what happened after the tournament. Reports on positive stories about soccer benefitting local communities are also welcome.

    Reclaiming our urban spaces

    Making Contact is seeking pitches for 5-8 minute sound-rich features that examine community-led efforts to reclaim public spaces. From Placemaking to Tactical and Guerrilla Urbanism, residents across the country are collaboratively building spaces that bring people together and address community problems. Some of these efforts are more temporary and seek to increase public social engagement, like Park(ing) Day and Chair Bombing. Others, like Ron Finley’s work in South Central, LA and Seattle's Food Forest, aim to address long-term problems, like the lack of locally-grown, healthy food. Some initiatives are sanctioned by those in power, others are not. But all of the efforts have something in common: they are ground-up approaches that create connections, build social capital and improve our urban environments.

    We’re especially interested in pitches about cities and projects that often fall under-the-radar, and projects from marginalized communities that are led by long-time residents. We’re open to reviewing and/or repackaging work you’ve already recorded/produced, as long as it’s something that took place within the last year or so. And we’d love to hear your ideas for creative ways to tell these stories.

    Pitches for this show are due by Monday December 23rd. We’re aiming to commission pitches by the end of the year, with a script due around mid-January.

    Specifications

    This call for pitches is for segments of about 8 minutes, but we also occasionally take longer pieces (12 or 26 minutes). For shorter pieces we generally pay $350 per story. As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

    Consider the following. Does the story:

    • Link grassroots issues and human realities to national or international trends?

    • Give listeners a historical, political, or social context of major national and international events?

    • Shed light on social and economic inequities?

    • Explore any alternatives or solutions?

    Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

    We look forward to hearing from you!

    Nancy Lopez, Andrew Stelzer & George Lavender

    Making Contact producers

    Opportunities for U.S.-based journalists

    Upcoming fellowships from the International Center for Journalists. Info and deadlines below. -mia 

     

    U.S.-based journalists can report from Japan in 2014, covering topics including the economy, the environment, and social policies. Apply by Jan. 6, 2014.

    http://www.icfj.org/japan2014

     

    U.S.-based journalists can report on a social justice issue from a country of their choice as a fellow in ICFJ’s Social Justice Reporting for a Global America Program. Apply by Feb. 3, 2014.

    http://www.icfj.org/our-work/social-justice-reporting-global-america

     

    U.S.-based minority journalists can report from abroad on the subject of their choice as a fellow in ICFJ’s Bringing Home the World Fellowship. Apply by Feb. 3, 2014.

    http://www.icfj.org/our-work/bringing-home-world-fellowship

     

    Please also feel free to share with your friends and colleagues.

     

    Thank you and please let me know if you have any questions about these opportunities.

     

    Sincerely,

     

    Lyndsey

     

    Lyndsey Wajert – Program Officer

    T 202.349.7605 | www.icfj.org | @ICFJ | facebook.com/icfj.org 

    International Center for Journalists

    Advancing Quality Journalism Worldwide

    TAL Theme List

    Just in time for the holidays, the latest call for pitches from TAL. Enjoy! -Mia

    Dear This American Life friends and contributors,

    It’s been a while! We’ve been sending out these Theme Lists with less frequency lately in the hopes that we don’t exhaust you and your patience with us. But please know that you’re free to pitch us stories whenever you like and you don’t need to wait for a Theme List or appropriate theme. That said, we've got a new round of themes-in-progress listed below! And we'd love your story pitches, thoughts and suggestions for these upcoming shows.

    How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a bit of a delay getting that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone quickly.

    Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

    Thanks so much for your pitches. We appreciate it.

    Best,
    Julie Snyder
    This American Life
    (julie@thislife.org)

    THE THOUGHT THAT COUNTS: This show is coming up soon (three weeks) and while it's holiday-related and timed, the stories for this show don't necessarily have to be about Christmas. But it'd be great if they were! We've got a few stories about gift-giving and we'd love more stories in that direction. Maybe a story about a particularly awful or weird (or wonderful!) gift? Or a gift that truly does speak more to the 'thought' behind the gift than to the actual reality of the gift? We may also just gather up a lot of different stories about notable Secret Santa gift-exchanges so if you've even got a small story for that, please let us know. Other takes on the theme could be stories where the 'thought' or intention of something is unclear or, perhaps, misguided. Or stories where the thought truly was greater than the action — something where the thought had a power of its own.

    GOOD GUY: There is this thing called the "good guy discount" where basically while you're at the counter making your purchase, you ask the cashier for the good guy discount. When the cashier inevitably asks, "What's the good guy discount?" you simply say, "You know — you're a good guy, I'm a good guy … a good guy discount." A reporter for our show SWEARS this works more times than you'd think, and he often walks out with 10-20 percent off the price. But how can this work?! WHY does this work? In this show, we're hoping to explore this idea of being a 'good guy' and what that means. We'd like stories about people who have a specific notion of what it means to be a good person and where the lines get drawn between good and not-good. In another story, a soldier talks about his motivations for joining the military and his struggle with what are morally acceptable motives when you're training to kill. For some variety, stories about relationships or love would work well for this show.

    STUCK IN THE MIDDLE: These are stories of people in limbo, fighting desperately to get out. We've got one story about a man who's in prison right now because of a bureaucratic mistake. But it's not the kind you normally think of because this guy was guilty. He was convicted of an armed robbery more than a decade ago, he bonded out while appealing, and then his appeals failed. But here's where the remarkable mistake happened – no one ever came back to put him back in prison. So he went on living his life. He had kids, started a business, bought a house. And then when the Department of Corrections was preparing to release him they finally realized, "Oh wait. We don't actually have this guy in custody." So now, even though he's completely reformed and has never committed another crime, he's back in prison. We have another story of women in a strict religious community who turn to some pretty extreme measures when their community says they can't divorce their husbands. We're looking for more stories like this where people find themselves in some kind of limbo they can't control. The stories we have so far are pretty serious, so suggestions or stories that are funny would be helpful. Maybe one of you has a story about being then unwilling mediator in a dumb family fight. Some story about a very common sense piece of legislation or a scientific idea that will never see the light of day because it's stuck between two sides could work too.

    THE TRUTH IS OUT THERE: In the absence of facts, people will often make up their own truth — a story that somehow explains the world in a way that makes sense or feels logical or comforting. We are working on one story for this show about a murder investigation where it seems like the police certainly know more than they're letting on but for whatever reasons, they won't reveal anything. Now the victims' families and friends are trying to figure it out on their own but it's taking them down some weird (and scary) paths. We'd like to explore this idea with more stories about searching for truth and ending up in a place that maybe isn't quite right. Because we have one story about a murder and are working on another story about a political legend, smaller, personal and even light stories might be nice for this theme. Maybe a story about figuring out a family secret? Or a small-scale mystery? A story told from the perspective of someone who *knows* the truth but won't reveal it would be really nice, too.

    DAY AT THE BEACH: It's getting cold and soon the holidays will be over and we'll be entering the dreary malaise of the I've-got-nothing-to-live-for months of mid to late winter (is this only me?) so we'd like to do a fun show in February where all of the stories either take place at the beach or, basically, just have something to do with the beach. Stories about family vacations or romances or mysteries or even environmental stories — just as long as at some point in the story, we come across sand and water. We've got one story about an octopus and another about a family reunion but even if your story involves both an octopus and a family, that's fine. We'd just love to be thinking about the beach soon!

    THE LOCAL SHOW: A few years ago, a woman in Maine who runs a snowmobiling camp was fighting to keep a massive conservation project out of town, largely because the person overseeing the project is considered an "outsider." Yet when that person's son took over the project, the woman started to see things differently and after some grouse hunting and socializing with him, the woman ends up supporting the same conservation she'd been radically against. All because the son grew up in the same part of Maine and therefore he's a local. The thing is, while the son had been born there, he was also the heir to a huge fortune, had moved away and lived a very big city, non-Maine life and then carefully cultivated a "locals" image to return to Maine in order to sway the opponents. His image makeover wasn't unknown though — people in the town just didn't care. He was born there, he was a local and that's that. The idea of what makes someone a "local" or an interloper or something in between — we'd like more stories about where being a local means something. Maybe a story about being mistaken for belonging? Or a story about trying to fit in but doing a horrible job of it? A story about figuring out someone wasn't a local because of a very small 'tell' – a look, phrase, or gesture that just was obviously out of place?

    Julie Snyder
    Senior Producer
    This American Life
    (212) 624-5012

    pitch query from Latino USA, deadline Dec 6

    Call for pitches from Latino USA. And hey – Happy Thanksgiving!

    Hello everyone,

    Latino USA is wrapping up the year with a program about being indigenous, both literally and metaphorically.

    We’d welcome your story ideas.

    One example of a story we have in the pipeline is about a community of Guatemalan Mayans in Omaha who don’t speak much Spanish, let alone English. The city is reaching out by cultivating trilingual interpreters.

    Some possible story threads are:

    • Exploring the idea of being indigenous to somewhere. What makes people feel like they belong to a place?
    • Points of intersection between indigenous people and newcomers. What is that relationship like?
    • Stories about people who were here before their area became part of the US – for example, Native and Latino communities in the Southwest.

    Please send your pitches not to me, but to: pitches@futuromediagroup.org, before December 6.

    Neal Conan at the UCB J-School

    Hey Bay Area radio fans – Ben Manilla will be talking to Neal Conan at the UCB j-school on Dec 5. Don't miss it!

    -mia

    NEAL CONAN | NPR in the 21st Century

    When:  Thursday, December 5,  6:00 p.m.

    Where:
      North Gate Hall Room 105

    Please join Neal Conan in conversation with UC Berkeley Graduate School of Journalism professor, Ben Manilla.

    Over more than thirty five years with National Public Radio, Neal Conan served as a reporter, editor, producer, news executive and, for eleven and a half years, as host of "Talk of the Nation."  His positions included stints as Bureau Chief in New York and London; he was, at various times, editor, producer and Executive Producer of "All Things Considered," and, in a temporary capacity, Foreign Editor, Managing Editor, and News Director.

    His work has been recognized with Peabody, Armstrong and DuPont-Columbia Awards, among others, for coverage of the Iran-Iraq War and the conflict in Northern Ireland and as part of the teams responsible for live coverage of 9/11, and the start of the wars in Afghanistan and Iraq.  He anchored NPR's live coverage of major party political conventions, confirmation hearings of Supreme Court nominees, and a presidential impeachment.

    On a leave of absence in 2000, he worked as the play-by-play announcer of the Aberdeen Arsenal, a team in the independent Atlantic League and wrote a book about his experiences: "Play by Play: Baseball, Radio and Life in the Last Chance League."

    Please join Neal and Ben in a lively discussion about the past, present and future of public radio followed by an audience Q and A.

    RSVP for the event here.

    DAVID HOFFMAN | Citizens Rising: Independent Journalism and the Spread of Democracy

    When:  Monday, December 9,  5:00 p.m.

    Where:  North Gate Hall Library

    From the fall of the Soviet Union to the Arab Spring to today’s continuing conflicts, media have played a decisive role in political affairs across the globe—driving the revolutionary changes shaping today’s new world. This is the first book presenting a comprehensive look at the emergence of media as a primary actor, and not merely an observer, of global affairs.

    As founder of Internews, a leading non-profit organization dedicated to information access and independent media, David Hoffman has had a backstage pass to many of the seminal world political upheavals in recent years. In these pages we see how media have been used for good and bad—to trigger genocide, but also to effectively prevent conflict, facilitate free elections, expose corruption, promote nation-build­ing, provide critical information amid natural disasters, and bring about massive social change such as free education and women’s rights. With the rise of digital technology, the power of media to intervene in global affairs is in the hands of everyone—including you. This book examines media’s historic impact and offers a roadmap to the future.

    David Hoffman is the Emmy Award-winning Founder and President Emeritus of Internews, a global nonprofit that has pioneered media development. Internews has worked in more than 90 countries to train media professionals and citizen journalists, increase coverage of vital issues, and advance policies for open access to information.

    RSVP for the event here.

    NEED RSVPs FOR OBAMACARE EVENT

    For those planning to attend the SF Obamacare event on November 14:

    The Affordable Care Act and you: A discussion specifically for self-employed folk, 5:30 to 7:30 p.m. Thursday, Nov. 14 at the San Francisco Main Library, 100 Larkin St. We'll meet in the Hispanic/Latino Room A in the lower level.

    Ken Jacobs from the UC Berkeley Labor Center and a Kaiser Foundation rep will be on hand to outline the options, offer guidance, answer what is bound to be a myriad questions. All are welcome; pass the word! 
    Follow this link for more info. RSVP to freelance@mediaworkers.org TODAY.

    Latino USA – Request for Pitches

    Latest call for pitches from Latino USA.

    Latino USA is working on the following show themes over the next couple of months and we’d welcome your story ideas.

    Please send all pitches to: pitches@futuromediagroup.org.

     

    CAGES: A literal and figurative look at cages – from being pulled over or sent to jail, to being trapped in a creative rut or a certain mindset. How does one break out of the cage?

     

    GRATITUDE: This show will run at Thanksgiving. We’re looking for pieces that aren’t necessarily food-related, but focus on giving and nurturing.

     

    SEXUAL AND REPRODUCTIVE HEALTH: Pieces that focus on access to abortion, especially in rural areas; sex ed; birth control; and young adult/teen pregnancy.

     

    MONEY: How to celebrate the holidays while the economy is still weak? Lighthearted pieces about money in general are also welcome.

     

    HOLIDAY/EVERGREEN STORIES: That includes music pieces.

     

    NEIGHBORS: How do people from different cultures interact? Think about creative, original takes on that question, and also what it means to be a neighbor or live in a neighborhood.

     

    Again, the best address to pitch is: pitches@futuromediagroup.org.

    We look forward to hearing from you!


     

    NEW DATE on Affordable Care Act how-to NOV 14, SF, 5:30pm

    FYI – New Date for the Bay Area how-to on the Affordable Care act.

    Due to circumstances beyond our control, our clinic on the Affordable Care Act for freelancers has been moved to Thursday, Nov. 14 at the San Francisco Public Library, 100 Larkin Street in San Francisco.

    Ken Jacobs of the UC Berkeley Labor Center will outline the options for the independently employed, answer our many questions and walk us through the enrollment process will be. A representative of the Kaiser Foundation will also be on hand.

    All self-employed and contract workers are welcome. 

    We will meet from 5:30 to 7:30 p.m. in the Latino/Hispanic Room A. Take BART or Muni Metro, or drive and park on the street or in one of two nearby parking garages.

    The clinic is a joint project of the Pacific Media Workers Guild freelance unit and the Translators and Interpreters Guild. Please spread the word!

    Pop-Up Magazine seeks full time editor/producer

    The truly fabulous Pop-Up Magazine is hiring a full time senior editor/producer (with health benefits!). Details below.

    http://www.popupmagazine.com/jobs

    Senior Editor/Producer

    As the lead day-to-day editor and producer of Pop-Up Magazine, you will be responsible for imagining and organizing live magazine performances and events. You will report to Editor-in-Chief Douglas McGray, who will have a new, expanded role.

    This is not an event manager position, though you should feel comfortable throwing big, fun parties. We're looking for someone who is excited to produce performances of reported, true stories in writing, radio, documentary film, photography, and illustration, and thinks we have only just scratched the surface of all we might do and all the ways we might bring people together. You should be inspired by a close relationship with your audience, and the opportunity to give them memorable experiences.

    You can be based in the San Francisco Bay Area or Los Angeles. We will consider candidates from anywhere, but if you don't live in California right now, you should be prepared to show a deep familiarity with writers, radio producers, documentary filmmakers, photographers, and illustrators in California and the West.

    We work in a lot of different media. You won't be a pro at all of them. But you should be a pro at one of them, at least, with a track record of work for national outlets, and have good instincts for mixing media together. Radio experience is especially useful.

    To apply, send a resume, cover letter, and response to the following to jobs@popupmagazine.com.

    Q: Critique Pop-Up Magazine. What specific stories or elements have made the strongest impression on you, and why, and how might we improve? OR if you haven't seen a Pop-Up Magazine issue, critique, specifically, the live events that have made the strongest impression on you, good or bad.

    The position is full-time, with health benefits. 

    KQED’s TV series TRULY CA is now looking for Season 10 submissions, deadline Dec 31

    Attention CA filmmakers! This is for you.

    http://www.kqed.org/assets/img/arts/programs/trulyca/truly-masthead.png

     

    Dear friends,

     

    Do you have a documentary about California you would like to submit for broadcast? It is that time of year again where we at KQED open up our Call for Entries. We want your stories!

    The Emmy-award winning TV series Truly CA: Our State, Our Stories  is committed to finding diverse voices and viewpoints. We believe in the power of independent film to educate, entertain and enlighten audiences. But we can’t do this without your help. To be considered for season 10, your application must be received by December 31, 2013. There are no submission fees!

    Our taste is eclectic: we seek films that cover a broad range of topics and filmmaking styles, from political or social issues to more personal  or experimental works. Particular topics of interest include: education, the environment, immigration, the criminal justice system, history, healthcare and governance-issues explored through the lives of ordinary and extraordinary Californians. In terms of style and format, we consider narrated and non-narrated films, first-person or point-of-view projects, cinema verité work and news documentaries. We look for well-crafted stories featuring compelling characters – stories that are provocative, passionate and unforgettable. Not only do we want well-told stories, we're interested in well-made films, works that are both thought-provoking and eye-opening. 

     

     

    We look forward to hearing from you!

    Please find our submission form here.

    QUESTIONS? Email the Truly CA team at nmccartin@KQED.org

    Smithsonian Institution Remix Competition, deadline Nov 8

    Well, this is fun!

    http://blog.soundcloud.com/2013/10/02/smithsonian-remix/

    The Smithsonian Institution has begun posting collections of sounds from their archives, and they are unlike anything else you’ll hear on the web, like recordings of frogs and insects from the Encyclopedia of Life to astrophysical observatory sounds.

    Now the Smithsonian is calling on you to sample, chop and remix selected recordings from their entire collection of sounds, including recordings of frogs and insects from Encyclopedia of LifeAstrophysical Observatory soundsSmithsonian Jazz masterworks, and Smithsonian Folkways.

    The rules are simple. Submissions may be any length, but must incorporate at least two Smithsonian tracks.

    The winners will be selected by Smithsonian’s panel of judges: John Edward Hasse, Curator of American Music at the National Museum of American History, DJ Molly Ruland from OneLoveMassive, and sound effects expert, Shaun Farley.

    Instructions and prizes are detailed below. Deadline for submission is November 8. Find official info here.

    Happy creating!

    Instructions:

    1. Browse through the Smithsonian Remix collections
    2. Download the tracks that capture your imagination

    3. Remix those sounds with your own original sounds*
    4. Upload your finished creation to SoundCloud
    5. In the description of your sound, please clearly attribute any source material that you used**
    6. Join the Smithsonian Remix group

    7. Click the “Add to group” button on your sound and submit it to the Smithsonian Remix group
    8. Listen, like, comment on and share your fellow contestants’ sounds

    *Please make sure you have all the proper copyright permissions for any source material you use and comply with SoundCloud Terms of Use.
    **All Smithsonian Remix sounds have been made available under an “Attribution – NonCommercial” Creative Commons license. You can find more details about this license here.

    Prizes:
    First Place (1):

    A 5-year SoundCloud Pro Unlimited subscription
    Two VIP tickets to Smithsonian Remix Live November 15
    Voices of the Satellites CD from Smithsonian Folkways
    One year membership to Smithsonian Associates

    Runners Up (3):
    Two VIP tickets to Smithsonian Remix Live November 15
    A 1-year SoundCloud Pro Unlimited subscription

    In addition, the first prize winning submission may be featured on SMITHSONIANAT8.com, and samples of approved submissions may be spun live at the SMITHSONIAN at 8 event November 15, 2013.

    If a prize becomes unavailable for any reason, the Smithsonian reserves the right to substitute a prize of like or equal value. Winners may not request prize substitution. One prize per person.

    Obamacare “how-to” Nov 19, SF Public Library

    Very useful event for you Bay Area freelancers. Details below. -Mia

    +++++++++++++

    Are you a freelance worker? Please join us for a "how-to" clinic on the Affordable Care Act with hands-on help from experts Tuesday, Nov. 19 at the San Francisco Public Library, 100 Larkin Street in San Francisco. We will meet from 5:30 to 7:30 p.m. in the Latino/Hispanic Room A.

    Outlining the options for the independently employed, answering our many questions and walking us through the enrollment process will be Ken Jacobs of the UC Berkeley Labor Center. A representative of the Kaiser Foundation will also be on hand.
    Take BART or Muni Metro, or drive and park on the street or in one of two nearby parking garages.  

    The clinic is a joint project of the Pacific Media Workers Guild freelance unit and the Translators and Interpreters Guild. All self-employed and contract workers are welcome. Please spread the word! 

    Exciting fellowship opportunity in Russia for journalists at beginning of their careers

    Interesting opportunity for young Rusofiles (Is that a word?) Details below.

    The US-Russia Social Expertise Exchange (SEE – part of the Eurasia Foundation) is offering six one-month fellowships to young journalists – 3 from the US and 3 from Russia – to take place between January and April 2014.

    The “emerging professional” fellows will be part of an ambitious project to link two cities – one in Russia and one in the US – through a multi-media online platform. The fellows – who need to have at least 3 years of reporting experience and to speak both English and Russian – will be hosted by media organizations in the receiving country and will be mentored by members of SEE’s Collaborative Media Working Group (of which I was one of the co-chairs this year).

    This is a unique opportunity to be part of an exciting pilot while, at the same time, acquiring valuable journalism experience.

    Time is of the essence – the deadline for applying is 9 AM Monday November 4 EST.

    For further details about the project and the requirements for applicants have a look at the SEE website (under the "Collaborative Media" group): http://usrussiasocialexpertise.org/#

    Also feel free to ping me with any questions

    Maria
    maria@latitudenews.com

    Proximity Magazine — submissions call

    I always have mixed feelings about posting an opportunity with no pay, but I figure you can decide for yourself if you want to submit or not. Can't hurt to know about an up and coming outlet. -Mia

    +++++++++++++

    I wanted to put something on your literary radar… I've been working with three other editors to create Proximity Magazine, a quarterly collection of true stories exploring place, space, and connections in the modern age. We'll publish our first issue in early 2014.

    I wanted to ask if you might pass along our submission call (below) to your network of writers, photography friends, and other storytellers — and I'd be especially thrilled if you would consider submitting something of your own.
    The theme of our first issue is "Morning" — we’re looking for true stories that capture "morning" in its literal, metaphorical, symbolic, or even spiritual sense. Essays, photography, sound portraits, video — all forms are welcome.

    The submission form, additional details, and FAQs are on our website: www.proximitymagazine.org

    Any questions, comments, etc, just let me know. And thank you for considering this!

    All best,

    Carrie

    p.s. I also want to shamelessly plug our Facebook page. 🙂

    ********** Proximity: Call for Submissions, Issue No. 1 **********

    Editors: Carrie Kilman, Towles Kintz, Traci Macnamara, Maggie Messitt

    Proximity Magazine: A quarterly collection of true stories exploring place, space, and connections in the modern age.

    Proximity is seeking new essays and other true stories that relate to its inaugural issue’s theme: MORNING. We’re looking for works that capture morning in its literal, metaphorical, symbolic, or even spiritual sense. Essays, photography, sound portraits, video — all forms are welcome.

    We are looking for engaging nonfiction that is narrative-driven, connected to the theme, and relevant to Proximity’s mission (www.proximitymagazine.org/about).

    Guidelines:
 Submitted work must be previously unpublished and submitted to Proximity for publication in one of the following categories: long-form (6,000 words maximum), mid-range (2,000 words maximum), flash (300 words maximum), or photo essay/sound portrait/multimedia. Multiple submissions are welcome. See the Proximity website for frequently asked questions (www.proximitymagazine.org/FAQs).

    Submit Online: http://proximitymagazine.org/issue-one-submissions/

    Deadline: November 30th, 2013.

    State of the Re:Union seeks interns

    Get a foot in the door with SOTRU, rolling deadline until Nov 1. -Mia

    State of the Re:Union (SOTRU) is a nationally-aired radio show distributed by PRX and and NPR and funded by the Corporation for Public Broadcasting. For each hour-long episode, SOTRU travels to a different American city or town to tell the most extraordinary stories of community that are unfolding on the ground in that place. Our mission is to bring American life into focus, examining the things that divide us as well those that bind us together. 

    Each season, SOTRU welcomes a group of interns to assist with production. Duties include transcribing interviews, story research, pre-interviewing, and multimedia production.  Interns are invited to listen in on editorial calls with our host, editor and radio producers as we shape each episode, story by story.

    To be considered for this internship, you should have a strong creative background, solid writing skills and be able to take direction. Self-starters who value attention to detail have particularly enjoyed interning with us. Audio and video editing skills are a big plus. Our staff works remotely, and you can too; people anywhere in the U.S. can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy weeks.

    Internships for our winter/spring 2014 season will run from Nov. 1, 2013 until April 30th, 2014.

    In addition, we’ll be selecting one intern to help work on our upcoming collaboration with the multimedia platform Cowbird and the interactive documentary Hollowfocusing on rural America. If you’d like to be considered for that internship, please indicate so in your cover letter. 

    Applications will be accepted on a rolling basis until Nov. 1st

    To apply, send your resume and cover letter to: internships@stateofthereunion.com

    Pulse of the Planet seeks Sonorous Science Stories

    Call for raw interviews and sound from Pulse of the Planet. Details below. -Mia
    Pulse of the Planet is looking for science stories – ideally with a sound hook. You'd be submitting raw sound files – interviews & sound, not produced programs. Typically, 45 minutes of interview should be enough, together with 5 – 10 minutes of sounds. Of course the two can blend. Stereo preferred, when possible.
     
    We'll pay $300 for raw sound files & a log of what you'd be sending us. 
    Highly recommend listening to a few Pulse of the Planet programs (pulseplanet.com) if you're not familiar with the series. Briefly, it's been on the air for 25 years, 5000+ programs; a pioneering short-format program for its use of sound & story, broadcast on over 250 public and commercial stations. 
    If I'm not familiar with your work, include a link demonstrating your ability to conduct field interviews and record ambient sound. Producer Guidelines sent on request. 
    Many Thanks; 
    Jim Metzner, Producer 
    Pulse of the Planet 

    Latino USA looking for stories about outdoor adventure

    Fun call for stories from Latino USA. -mia

    Latino USA is looking for stories about outdoor adventure involving Latinos.


    Some examples of these stories are: a profile of a mountain climber who photographs other climbers who have been injured and are returning to climbing as they recover; and a profile of a traditional hunter in New Mexico whose family goes back 9 generations and who has a remarkable talent for calling elk. The stories don’t necessarily have to be profiles.


    We’re looking for stories 4-6 minutes long, with lots of scenes and ambi. The payment is $125 a minute plus travel expenses if they’re approved in advance.


    Please send your pitches to: pitches@futuromediagroup.org.

     

    Evolve magazine looking for audio submissions!

    Forwarded from the good people at AIR.


    Evolve ( http://www.pursueyourevolution.com ) is a year-old, fully digital tablet and smartphone magazine, utilizing all manner of storytelling tools, from video, to the written word, photography, and audio. We are currently looking to commission audio stories for our 2014 publication schedule (see AIR's pitch page for compensation info).

    Evolve celebrates life in motion. We believe challenges are to be chased and embraced, and that collecting experience is more important than collecting stuff. We believe that physical well-being is paramount, and that we are interconnected in ways far too complicated to comprehend, but far too important to ignore. We believe in the value of living outside our comfort zones.

    We are looking for stories that would fit into three broad categories: Travel/Adventure, Food/Nutrition, and Sport. We're interested in both journalistic treatments and personal narratives.

    If you have a story pitch you'd like us to consider, please email patrick@againfaster.com.

    Patrick Cummings
    Editor-in-Chief, Evolve Magazine

    Pitch to Making Contact!

    Hi Freelancers,

     

    Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa, and Australia.  Amplifying voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

     

    We are seeking pitches on these themes

     

    Coal

    “Turn it down!”- Noise pollution

    Charter Cities and Special Economic Zones

    2013: A Year for Criminal Justice Refor?m

     

    Please scroll down for more detail on each theme. Please reply to pitches@radioproject.org.

     

    Coal

     

    We’re looking for reporters on, or near, the Navajo Nation, who can help us produce 2 sound rich segments about how each stage of the coal power production process impacts people.  The complete program will trace the impacts of energy production backwards, from the light-switch to the coal mine.                    

     

    1. We want to hear from people working at, and living beside, the Navajo Power Station, about how the plant affects their lives. Follow the coal into the power plant and introduce us to the people along the way.

    2. In this segment, we want to hear from miners and people living on lands beside the Peabody Mine on the Navajo Nation. What has it been like working in the mines? How has it affected their health, their families, their communities, and traditions? How have people still living on the land been affected? How have they remained on the land, despite pressure to leave, and what are their ideas for an alternative future?

     

    “Turn it down!”- Noise pollution

     

    What effects does noise pollution have on people? We want to hear stories from people living with consistently loud and intrusive noise. There should be good, clear evidence that shows how noise pollution is responsible for impacts people are experiencing on their health and/or well being. It could be communities living on the edge of an airport, whose lives are disrupted by the sound of jet engines; or children whose concentration at home is negatively impacted because they live in an actively noisy neighborhood. This 8 minute segment would fit into a program that looks at the wider effects of noise on people and animals. Your segment could also examine how people are coping with intrusive noise, and if they are organizing to try and stop, or mitigate the effects of it.

     

    Charter Cities and Special Economic Zones—“Sure, You Can do that Here!”

     

    The proposal to build a ‘charter city’ in Honduras, exempt from major, environmental, and other laws on the surrounding nation, appears to have been defeated for now. But the idea of creating such zones continues to gain strength, under many different names.  We are looking for on-the ground reports from Free Trade Zones, Special Economic Zones, proposed Charter Cities and elsewhere.  We’d like to know what its like to live and/or work in one of these areas, and how their development has affected the surrounding region and country. We’d also like to hear stories of resistance; of communities working to stop such zones from being created—or perhaps fighting to regain their rights from the inside of one that already exists.

     

     

    2013: A Year for Criminal Justice Reform?

     

    We are planning a show looking back at some major developments this year, which put the criminal justice system under a microscope, and appear to have led to some changes.

     

    This show will likely look at:

    -the successful ‘phone justice’ movement-giving more affordable access to phones in prisons.

    -growing discontent with solitary confinement, and prisoner hunger strikes in California and Gitmo

    -Attorney general Eric Holder’s talk of drug sentencing reform.

     

    We have the phone justice segment taken care of, but maybe you have been gathering tape on one of the other two topics—or another theme you think fits within the frame of how the US’ criminal justice policies are changing.

     

     

    Specifications

     

    This call for pitches is for segments of about 8 minutes, but we also occasionally take longer pieces (12 or 26 minutes). For shorter pieces we generally pay $350 per story. As with any pitches you send us, please check out our show and read our guidelines before you pitch.http://www.radioproject.org/production/submission-guidelines/

     

    Consider the following. Does the story:

     

    • Link grassroots issues and human realities to national or international trends?
    • Give listeners a historical, political, or social context of major national and international events?

    • Shed light on social and economic inequities?
    • Explore any alternatives or solutions?

     

    Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

     

    We look forward to hearing from you!

     

    Nancy Lopez, Andrew Stelzer & George Lavender

    Making Contact producers

    Audio Smut – Call for submissions

    Make risqué radio with the folks at Audio Smut. Latest theme list is below. -Mia

    Hi RADIO LOVERS

    We would like to present you with Audio Smut's latest theme list.  Please get back to us with your brilliant ideas!

    All the info you need is below.
    Thanks!
    Kaitlin (and Mitra)

    SEASON TWO of Audio Smut is upon us!

    We are inviting you to share your ideas and stories with us.  In addition to stories, we also like radio drama, sound art, music and any artwork fitting the themes below.  

    Get your pitches in ASAP!

    BEFORE YOU PITCH

    Please be familiar with our style an approach before you pitch.  We seek first person narratives from a diverse range of voices.

    We welcome raw tape, great sexy sounds or any story ideas you have.

    Working with Audio Smut is an involved editorial process. But, we welcome different levels of involvement in story production to suit everyone’s time and needs.

    We welcome submissions from artists across disciplines. If you have a piece of writing, a performance idea or an installation related to any of these topics, feel free to pitch.  We love collaboration.

    MONEY

    There is currently no financial compensation involved in working with Audio Smut. This is a labor of pure love—we all donate our work to the cause of sexy radio. But we are applying for grants. When we get the dough you will be the first to know! That is a promise.

    DEADLINE

    All pitches should be submitted by DECEMBER 1, 2013

    SEND all pitches to audio.smut.radio@gmail.com

    THEME LIST


    Coming of Age

    This episode is centered around the traditions and rites of passage that surround entering into adulthood.  What did becoming a ‘man’ or a ‘woman’ mean to you at the time and what does it mean now.

    Getting your first period, having a Bar/Bat Mitzvah, Quinceaneras, Purity Balls, getting your driver’s license and losing your virginity are just some examples.  

    Dream story: Trans person’s perspective and reflection on their gendered coming of age ceremony.  For example, a trans man’s perspective on his Bat Mitzvah.

    Fu*k Love

    Romeo and Juliet was a fucking joke.  What kind of love story ends with two dead people?  The worst kind, that’s what. Romantic love is relatively new cultural obsession. How did we start using this extremely volatile element as a basis for determining who we start families with? Romantic love was not always the deciding factor for whether a relationship was worth a damn. We want to find stories that explore this history. We are also interested in stories that deal with interesting arrangements, heartbreak so severe that there is no recovery, failures (and successes) of marriage. Dream story: an arranged marriage that works out great.

    The Talk

    For this episode we are looking stories about ‘the talk.’  You know, the one that your parents had or attempted to have with you about sex.  We would like three very detailed and exceptional accounts of this talk.  Ideally, you would interview your parents about that very talk, and get their side of the story. After that, we’d like to hear about your first sexual experience—was it before or after the talk?  This could have been while you were playing house when you were six, or your first BJ at 16. Through this we’re looking to initiate discussion about the age of consent and parental approaches to sex education.

    Sex In the Institution

    An institution is any structure or mechanism of social order governing the behaviour of a set of individuals within a given community. When your life is controlled by an institution, sex is rarely included in that, but goddamnit, isn’t sex a constitutional right?  We are looking for first hand stories of people fucking within the constraints of a system: Prisons, elderly homes, psych wards, boarding schools and hospitals.

    Miscommunication

    Have you ever/do you know someone who has been very confused about what is happening in a romantic or intimate situation?  We are looking for a story/multiple stories of high stakes situations where there is a disconnect with a person’s perception versus what is actually happening.  For example, you are dating someone and you are under the impression that this is some serious-ass-love.  You later realize that this situation is nothing more than a casual hook up to your partner.  You are destroyed.  Or, you are driving yourself completely insane trying to figure out what is going on between you and another person.  Please tell us your stories.

    Enabling

    Enable – enˈābəl verb, give (someone or something) the authority or means to do something.

    In what ways do we affect our lovers, friends and the other significant people in our lives’ behavior.  Is it for the better or worse?  No matter the case, we want to investigate it.  Is your love so great and your dynamic so intense that nothing in the world matters?  Does anything matter when you have love?  This episode is meant to be a celebration of powerful bonds and completely non-judgemental, no matter what the issue at hand is.

    We are looking for stories about (dis)functional dynamics, power dynamics, symbiosis (a la hippos and birds), drug addicts and any other destructive (or not) behavior that is enabled by partners.  Dream story: a hoarding couple.

    Love Letters

    We want to explore the idea of analogue love; how communication is different when you’re not using text, Facebook or email.  We want to hear your love letters.  Letters old and new.  Letters between strangers and the most intimate of partners.  Long distance or not.  Read us your letters and tell us how letters how this old school form of communication affected your relationship.  

    No

    How do you say it?  What does it actually sound like, when you are saying ‘No?’  Your ‘no’ might not sound as convincing as you think.  We are interested in the subtleties of consent; situations where you didn’t say ‘no’, but you didn’t really say ‘yes’ either.  We are interested stories of not feeling like you had an option, or felt it would be easier to just do it.  Conversely, we are interested in gaining insight from the other side of the perspective. So, a situation that you perceived as consensual but later you find out that your partner did not see it as such.  What went wrong you fool?  It’s not that complicated, or is it?

    DEADLINE

    All pitches should be submitted by NOVEMBER 1, 2013

    SEND all pitches to audio.smut.radio@gmail.com

    WE <3 YOU!

    FREE AAWW Food & Books Festival, Oct 5, Brooklyn

    Sounds like fun! -Mia

    PAGE TURNER: THE AAWW Food & Books Festival

    Saturday, October 5th at Roulette and the YWCA in Downtown Brooklyn 
    Half kid-friendly indoor street fair, half cultural happening, this free festival is possibly the most ambitious thing that AAWW has ever done. We'll have all-day dumpling-making sessions and a whole floor of food venders, like Bombay Sandwich Shop, Brooklyn Soda Works, and Big Bao. 
    Our line-up includes more than 80 writers, intellectuals, and artists, including winners of the Pulitzer, Tony and Guggenheim, and artists who're in the Met and MOMA. We'll have interactive workshops like origami folding and butterfly-making. An NPR show will do live recordings. There will be live dancers. Sound installations. A food-related performance piece. A class on how to write comics by an X-men writer. A pop-up poster gallery. Tarot card readings with a well-known novelist. Free posters. Even a guy in a big dumpling suit. 
    RSVPs on Eventbrite are already at 700, so please reserve your spot soon! 

    This Saturday, October 5th at Roulette & the YWCA, 509 Atlantic Ave at 3rd Ave, Brooklyn NY. 

    11AM – 7PM FESTIVAL | 730pm – Midnight AFTER PARTY

    WHY YOU SHOULD GO.

    1. Your stomach will love you for the rest of your life. We'll have a whole gallery of food venders including Bombay Sandwich Shop, Big Bao, Brooklyn Soda Works, Granola Lab, and Parantha Alley. And dumpling-making.

    2. After a long week at work, don't you want to play? We're going to have stations where you can (yes) make your own dumplings, learn how to write a graphic novel, or learn how to write a poem–or just get one written for you. Origami. Poster-making. You can even bring your kids.

    3. Your brain will explode from the sheer awesomeness. In a good way.Our line-up includes almost 80 writers, activists and artists over four spaces–like David Henry Hwang, Colorlines publisher Rinku Sen, Rumpus Founder Stephen Elliott, Monica Youn, Monique Truong, Mei-mei Berssenbrugge, Sergio de la Pava, Ayad Akhtar, Justin Torres, and Madiha Tahir, who's been interviewing drone attack survivors in Pakistan. And a guy dressed as a giant bao.

    VISIT FESTIVAL SITE. // RESERVE YOUR SPOT.


    20 MORE REASONS WHY YOU SHOULD GO.

    1. I'm taking it you already know about the AAWW Dumpling-Making Room.

    2. Guggenheim Fellow Mark Nowak will be running a MAKE-A-POEM booth, where you too can write a poem.

    3. But if you're shy, emerging poets from Kundiman will be taking poetry requests.

    4. X-Men writer Marjorie Liu will teach you how to write a graphic novel.

    5. Novelist Alexander Chee will be doing Tarot card readings at the AFTER-PARTY.

    6. Which will also include live poster-printing by Felipe Baeza and an interactive food art installation by Alison Kuo.

    7. A pop-up gallery of pro-immigrant posters at the YWCA Gallery.

    8. Live audio recordings by NPR's Latino USA.

    9. Did you know that Chinese Americans made up like 50% of the workforce in many states in the 1800s? David Henry Hwang, Brian Leung, and Karen Shepard discuss the Chinese American 19th Century.

    10. A sound installation based on poems by Rabindranath Tagore, curated by ((audience)).

    11. Hear about the people who disappear with an artist who's been documenting those abducted by the Gaddafi regime, a Guggenheim poetry fellow, and an activist whose grandparents were interned during WWII.

    12. A war-time writing panel with Flavorpill Top 100 NYC Writer Said Sayrafiezadeh, Jadaliyya co-founder Sinan Antoon, AAWW homie Amitava Kumar, and Madiha Tahir, who's been interviewing drone survivors in Pakistan.

    13. Make wearable butterfly wings with immigration rights activist Sonia Guinansaca.

    14. These peeps will help you interpret Muslim American identity: Suheir Hammad, Sohail Daulatzai, Lorraine Adams, and Ayad Akhtar. The last two both won the Pulitzer. All four are badasses.

    15. We commissioned a video artist to make filmic walking tours of NYC Asian American neighborhoods.

    16. We're fracturing landscapes with legendary avant-garde poet Mei-mei Berssenbrugge, Tamiko Beyer, Janine Oshiro, and Nicola López, whose art has been exhibited at MOMA, The Guggenheim and The Met.

    17. The Dim Sum Warriors.

    18. Did you know a little-known law requires that the US jail 34,000 immigrants a day? Rinku Sen and Jon Pineda discuss.

    19. Is the City apocalyptic or utopian? Answered by Manil Suri, Jess Row, Youmna Chlala, and Tash Aw, the biggest writer of Malaysia.

    20. Discover love with a gay manga artist, a biracial stoner, a gay desi, and a National Book Award finalist in poetry.

    Did we mention it's free?

    VISIT FESTIVAL SITE. // RESERVE YOUR SPOT.

    This Saturday, October 5th at Roulette & the YWCA, 509 Atlantic Ave at 3rd Ave, Brooklyn NY. 

    11AM – 7PM FESTIVAL | 730pm – Midnight AFTER PARTY

    KUOW Program Venture Fund Announces New Round of Grants

    KUOW Program Venture Fund Announces New Round of Grants 

    KUOW is seeking project proposals for Round 24 of the Program Venture Fund (PVF). Projects funded by PVF can be a series of features, a long-form documentary or a variety of short audio pieces. There is no set format. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

    To kick-start your brain storming here are a few subject areas that KUOW would like to cover in the coming year. But do not feel tied to this list of subjects; this is just meant to give you a little inspiration. Feel free to submit ideas on completely unrelated topics, whatever catches your interest.

    1) How We Get Around
    We are a society that is on the move. It’s all about getting from here to there. We’re looking for stories about getting around: on foot, wheel, rail or whatever moves people or things. You can view this as broadly as you like. Feel free to take this notion and run with it or walk or blastoff or…

    2) Foraging
    The definition of foraging is “to search for what one needs or wants.” All living things have certain needs and these needs can range from essential to extravagant to anywhere in between. And many times the need can be fueled by obsession which is always fertile ground for good stories.

    3) Innovators
    Who are the people who are challenging the way that we think and live and how are they shaping our future? Who are the ones to watch and why?

    Important: Before submitting a full application you need to send me a short description of your project, no longer than one page. Once the preliminary idea is approved then you can officially submit the full application.

    For application information or to check out previous PVF funded projects go to: http://kuow.org/topic/program-venture-fund

    The application deadline is Friday, November 8, 2013 at 5:00 p.m. (PT)

    Jim Gates

    Senior Editor
    KUOW 94.9 – Puget Sound Public Radio
    jgates@kuow.org

    Journalism Training Opportunity in NYC, Nov 13

    FYI NYC folks. Great opportunity for students and pros alike to share ideas about reaching diverse communities. Details below. -Mia

    Public Radio News Directors Inc. is teaming up with WNYC and the Robert C. Maynard Institute for Journalism Education to help journalists and media outlets better connect with diverse communities.  This FREE workshop was created by the Maynard Institute and is designed for reporters, student journalists, news managers, program directors, and sales/underwriting staffs.  Institute President Dori Maynard will lead the program and present ideas to:

    • Use new tools to strengthen ties to previously underserved communities.

    • Avoid technological/community mismatch.

    • Create technology strategies to ensure that newsrooms are not inadvertently leaving potential audience members behind.

    • Use the institute’s Fault Lines diversity framework to build a process of conceiving stories – business practices – that include a multiplicity of views across race, gender, generation, geography and class. 

    • Leverage diversity to increase the bottom line.

    HERE ARE THE PARTICULARS:

    Date:  Wednesday November 13, 2013
    Time: 10:30 am to 2:30 pm
    Place: The Greene Space at WNYC and WQXR
    44 Charlton St., New York, NY 10013

    Seating is limited.  If you are interested in attending, please RSVP to PRNDI President George Bodarky at gbodarky@wfuv.org

    doc iconMaynard Training.docx

    Full Spectrum Storytelling Intensive, Dec 16-20, UnionDocs

    Awesome storytelling training opportunity in Brooklyn.

    Email not displaying correctly? View it in your browser.

    AIR and UnionDocs'
    Full Spectrum Storytelling Intensive

    Brooklyn, NY
    December 16 – 20, 2013

     
    Our inaugural Full Spectrum Storytelling intensive in August received rave reviews from producers, including this one from Emily Berman, Metro Connection producer, "This week was rejuvenating, inspiring and fun. It blew my expectations out of the water!” 
     
    NYC producer Amanda Aronczyk leads a brilliant team of instructors determined to stretch the boundaries of craft and inspire makers pioneering 21st century media. Are you up to the challenge? We're looking for mid-career producers who want to embark on a week-long excursion through storytelling to sound processing to interactive design and more. Only a few spots remain for our December session at UnionDocs in Brooklyn, NY, so hop to it. Hands-on exercises and work-in-progress critique will put this new knowledge into practice. Please note: You must have a moderate to high level of experience in audio editing, i.e., mixed a news feature, or done basic editing via Hindenburg, ProTools, Audacity, or some other editing platform.
     
    Sign up for AIR & UnionDocs’ Full Spectrum Storytelling intensive now! For a schedule and a full lineup of special guests – including Ann Heppermann, Jonathan Mitchell, and John Keefe – visit http://www.airmedia.org/PageInfo.php?PageID=782.
     
    <<< EARLY BIRD DEADLINE: Cost: $750 | October 15, 2013 >>>
    <<< REGULAR DEADLINE: $800 | November 1, 2013 >>>
     
    (Photos from top left, clockwise: John Keefe, Janet Cardiff walk, Jonathan Mitchell, Christopher Allen | Photographs by Amanda Aronczyk) 

    CLASS OVERVIEW*:
    STORIES IN SOUND 101 | An in-depth look at the ways we both listen and hear.
     

    CUTTING UP NARRATIVE | There are thousands of ways to tell the same story. Which way to go?
    SOUND IN SPACE | Sound can represent and interact with place, architecture and the physical environment. 
    BIG DATA | How can you incorporate the latest data into your storytelling on-air and on-line?
    FUTURE AUDIO | A foray into interactive design and the narrative potential in networks. 

    * Please note:  Class goes from 10 – 5:30pm Monday through Friday and full attendance is mandatory. Please do not sign up if you are unable to attend each day.

    Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

    Association of Independents in Radio
    P.O. Box 220400
    Boston, MA 02122
    Phone: 617-825-4400
    www.airmedia.org

     

    AIR

    PO Box 220400

    Boston, Massachusetts 02122

    Copyright (C) 2013 AIR All rights reserved.

    2nd Session of Radio Boot Camp – NY

    FYI NYC radio wannabes!

    Posting on behalf of Radio Boot Camp class at UnionDocs in NYC. Our first session filled up so quickly we're offering a second, weekend long, session in November. There are only 3-4 spots left so if you're interested please register quickly! Boot Camp is a class for beginners/newbies/enthusiasts so please share with friends not on the AIR list!

    http://www.uniondocs.org/radio-boot-camp-october-2013/

    Latino USA Call for Pitches

    Latest call for pitches from Latino USA.

    NPR’s Latino USA has several shows with special themes coming up in the next few months. They are:

    • Neighbors
    • Money
    • Language
    • Labor
    • Sports (especially women and sports)

    We’d love to hear your story ideas for these themes or anything else that you may have in the pipeline.

    Please send queries to pitches@futuromediagroup.org.

    And here’s a link to our reporter guidelines: http://latinousa.org/about/contributors/.

    If you’re pitching for the first time, please include a few sentences about your experience and a couple of samples of your work.

    Theme List for new NPR Science Desk Project

    A new project from the NPR Science desk – headed by RadioLab's Lulu Miller and TAL's Alix Spiegel, so you KNOW this is going to be good. They say it takes them awhile to respond to pitches, so BE PATIENT. Send your fabulous ideas and give the ladies some space to work their magic. Details follow!
    -mia


    Alix Spiegel and I are working on a new project from the NPR science desk that’s about human behavior. We are looking for stories in which you make some real emotional contact with the main character(s) in your story. If you have stories that are in line with any of the themes below and are interested in doing something with us, write us a short paragraph about what the story is and send it over (please also include a sample of your work if possible). The stories can be long or short – we have a lot of room to play with. Also if you just have an epic story that you desperately want to tell, feel free to send it in because maybe we can build something with it. There are only two of us and we are often overwhelmed so please forgive us if we can't get back to you right away.

    Anyway here are some of the themes we are thinking about – forgive the haste of the descriptions but we wanted to let y’all know what’s in the hopper as it’s hopping. Let us know if these themes jangle any of yo' bells.

    Fear:

    This is a show that looks at the way that fear affects our lives. The big ways that it affects us, and the small ways that it affects us and shapes what happens in our lives. We are looking at all kinds of fear from all kinds of angles, so if you have a story which involves someone facing up to a major fear, or someone realizing something about their fear, or something who learns something from an experience they've had with fear – or something who just has a great story about something that was genuinely terrifying to them – write us about it. At the moment, this is what we have: a story about a man who is biologically incapable of fear and how that affects his life. A sprawling (slithering?) story about fear that looks at fear bunch of different angles – including fear on the molecular level and the pentagon researchers that are putting it in a bottle, and also snakes. Also a “mapping fear” story about criminologists who look at how long fear lingers in a place after a death. Send your fear stories.

     

    Struggle:

    This show is trying to look at struggle. The main story is about a man who was born blind into a borderline abusive family, and how he believes struggling through that situation actually enabled him to become the bike-riding, free-walking, running, hiking blind man that he is. In other words, according to him? Struggle = good. No struggle = bad. He’s at the point where he believes helping disabled people is essentially like enslaving them. We’ve got a story about cross cultural struggle – how when a kid struggles intellectually in the West, people think the kid is weak because the kid doesn't have talent – but in the East – if you struggle you are just seen as strong – the WORST soccer player gets the award! — because greatness is seen as coming less from talent than from how hard you work.  So we are looking for stories – which contradict the first story – maybe someone who was forced to struggle too much and gave up. Or a story where help… was really profoundly great and necessary for getting over a hump. Or maybe a story of how hard it is to watch your kid struggle and how you want to help them. Or any other story about struggling that you can think of – maybe you have a neighbor who went through unbelievable struggles (an immigrant) to come here, and now then set out to save their kids from struggle – and what they think of it now that their kids are grown up. If you can think of anything let us know.

     

    100 Miles Apart:

    There’s a strange thing in quantum physics where two particles, even if they are 100 miles apart, are still sort of… the same thing. Touch one, and the other one reacts in just the same way. It’s nearly impossible to comprehend… they are the same thing, the same particle, hopelessly and literally ENTANGLED… even though they are a hundred miles apart. Do you have anything that could fit thematically into this?

     

    How Technology Changes Us

    Alright.  Maybe you’ve heard this topic on every show, magazine, and news program already…  BUT! what story do you have about it? What’s the thing under your skin or that you’ve noticed or heard about as a result of the tide of computers, smartphones, internet, and apps taking over the way we communicate with each other. We’ve got a trilogy of cell phone deaths, how anonymity coaxes out our dark side, the weird things call centers are recording you do. What weird thing (good, bad, hopeful, unknown) have you been thinking about? 


    Maths 

    Or maybe “Paint by Numbers.” Stories of people putting numbers to the living world. If it can be done, what they can find out, what they can’t. Why you can’t divide by zero, but how, if you could you may gain entry to a secret universe– but really, a real one. How algorithms are controlling your world. Math stories in non-living world is ok too. 

    Storyhunters (When stories harm – medicine, reporting, therapy, trauma.  When stories help.)

    Grief Show (5 stages: denial – anger – bargaining  depression – acceptance.  Which one you got a story about? Doesn’t necessarily have to be about death.)

    Upside-Down Show (there are more bugs than humans, there's a disease where a symptom is happiness, there is a town where the weird-crazies aren't weird or crazy. they are the norm!) 

    Alcohol Show 

    We are also looking for any absolutely fantastic story you know. With the one condition that it is fabulous.

    So if something here hits a chord with something in your head or something you encounter in the world seems relevant, let us know. We are still figuring out how we might work with independent radio producers (actually we are still figuring out everything about what we are doing) so please have patience.  I think that's all. Send ideas to Lmiller@npr.org and aspiegel@npr.org   


    Thanks and be good! 

    Lulu


    Lulu Miller

    NPR Science Desk

    LMiller@npr.org

    Soup to Nuts, Oct 26-27, SF Bay Area

    A new Soup-to-Nuts session in the Bay Area, Oct 26 and 27. Details below.

     

    Dear Radio People,


    I'm offering my Soup-to-Nuts weekend again in the San Francisco Bay Area on:

    October 26 & 27, 2013.


    Please see the flier below.

    AND... check out my website! <<claireschoenmedia.com>> Under “Teaching” you can find feedback from previous “Soup-to-Nuts” students. Under “Biography” you can find out more than you’d ever want to know about me. Under “Productions” you can listen to the past 25 years of my audio work.

    If you are interested in attending, please let me know asap, as the class sometimes fills quickly.

     

    I hope you can join us in October.

    Best, Claire Schoen

     

    Claire Schoen Media

    claireschoenmedia.com

    cschoen@earthlink.net

    510-882-6164

     

     

    ======================================================

     

    "From Soup to Nuts"

    A 2-day intensive

    on

    documentary radio production

    offered in the San Francisco Bay Area


    Logistics:

    This seminar will be held October 26 & 27, 2013.

    Each day's class will run from 10 am to 5:30 pm,

    including 6 hours of class work, plus lunch and breaks.

     

    It will be held at Claire’s studio in Berkeley, California

    Class will be limited to 8 students.

    The cost of the 2-day seminar is $250.

    The Course:

    Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

     

    Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

     

    Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

     

    Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

     

    The Teacher:

    Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

     

    Claire has taught documentary radio production at U.C.

    Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

     

    To Register:

    Contact Claire Schoen

    cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

    pdf iconStoN’s Flier 2013 Oct.pdf

    Radiovision 2013, Oct 19, NYC

    RADIOVISION 2013

    Scholastic Auditorium

    557 Broadway, NYC

    Saturday, October 19th

    Celebrating its 3rd year, Radiovision celebrates radio's future as it takes on new forms in the digital age for the medium's fans, tinkerers, and future thinkers. It includes a day of talks, panel discussions and performances, featuring keynote speaker Laurie Anderson.


    Programming highlights: New Streaming services and Community platforms – Native advertising and content creation – New funding models for radio and independent producers, plus sessions on radio essays, comedy podcasts, DJ tools and more.


    MORE INFO:

    http://radiovision.wfmu.org/


    TICKETS:

    http://www.brownpapertickets.com/event/424428


    GUESTS INCLUDE:

    Laurie Anderson,  Alexis Ohanian (Reddit), Julie Klausner (Comedian), Ken Freedman (WFMU), Starlee Kine (This American Life), Alex Blumberg (Planet Money), Jonathan Goldstein (WireTap), Rob Walker (Author), Tom Scharpling (Comedian, WFMU), Jake Fogelnest (Comedian), Elena Razlogova (McGill University), Jon Ronson (Radio 4), Diana Kimball (SoundCloud), Liz Berg (WFMU) & More to Come!

    Request For Pitches – The Knowledge Drop

    New show, new opportunities! Details below. -Mia

    +++++++++++++

    The Knowledge Drop

    We are a new production company and this is a new show. We encourage newbies that are talented as well…mostly because we are new too :)! If you have other skills such as being a freelance journalist and are available for local coverage/write ups and/or are a serious writer on political events and global issues (no matter if you lean left, right or center) reach out to us as well. We are looking to establish a solid relationship with a journalist in the next 2-4 months, so reach out!

    **A New Production** 

    The Knowledge Drop is educational in nature. The topics should be related to political governments only. The topic should teach, in an interesting manner, something about a political system or function of government that is not currently known, or, is widely misunderstood. An example topic maybe the Electoral College or how the Security Council  operates.  Also, it could be historical; for example, how the United States went from in-direct to direct election of senators. Although we are open to interesting ideas, the design is as follows: (1) What is it the topic; (2) What is the Misconception about the topic; (3) How did we get that misconception; and (4) what is the actual truth.  Think "I am Just A bill" (I'm Just a Bill (Schoolhouse Rock!)) except this is for adults.

    Be creative. This should not be boring or have the "feel" of sitting on the soft. It should be alive.

    show: planned for weekly, initial distribution twice per month

    Time: 4-7 minutes
    compensation: $125 – $300+ depending on experience of the producer. (Most selected pieces will sit in the lower range because of our budget).

    pitch: Send all pitches in email form to: autry@urrepublic.com


    **We are brand new; so, please…feel free to pitch what you know.  Be sure to send a link to a current production or sample audio you have and your level of experience.**

    AAWW seeks WordPress/PHP developer

    Pass this along to your hacker buddies.

    -mia
    ++++++++++++++

    AAWW WordPress/PHP Developer (Freelance)

    The Asian American Writers' Workshop is looking to hire a freelance

    WordPress/PHP Developer to troubleshoot and maintain the backend of our
    three sites: The Margins (aaww.org), Open City (opencitymag.com) and

    CultureStrike (culturestrike.net). See full description here.

    link:

    TAL Mini Theme List

    The latest from TAL. -Mia

    Hello This American Life Contributors,

    We plan to be sending out a more comprehensive email listing themes-in-progress in a few weeks. That list will have the shows we're planning for late fall and winter. But in the meantime, there is one show we're so excited about that we'd like to begin the work on it immediately. The show – tentatively titled "The Things You're Not Supposed to Talk About" – is being put together by TAL producer Sarah Koenig, so I'll just let her take it over from here.

    You can reply to Sarah at this email address or sarah@thislife.org

    Here's Sarah:

    My mother lives by a set of rules about conversations. Things you're not supposed to talk about with anyone outside your immediate family – or even, sometimes, inside your immediate family. The list has eight topics on it, chosen not because they're taboo, but because they're potentially boring.

    We'd like to do a radio show where we prove this list – and this mother – wrong. Our challenge is to find such interesting, entertaining stories on each of these supposedly off-limits topics, that by the end, the list and its limitations will seem feeble.

    Here is the list of things you're not supposed to talk about:

    1. Sleep. As in, how you slept the night before. "…Oh, I slept so horribly. I got to sleep easily, but then I woke up around 2 am because there was a dog barking and then I couldn't get back to sleep so I took a pill, but then… " You get the idea.

    2. If you're a woman, you don't talk about your menstrual cycle. Nobody cares.

    3. Your dreams. Again, no one but you finds them interesting.

    4. Your health. Big, serious health scares are OK. But talk of aches and pains and the common cold and "oh, I just don't feel so good today… " – that stuff is deemed whiny and uninteresting.

    5. Money. This one, as opposed to all the others, is because of old-school taboo, not because it's necessarily boring. Money talk is just not done; it's vulgar. So you shouldn't talk about how much you make or how much your house or your car costs or any of that stuff.

    6. Route Talk. This is the number one off-limits topic for my mother. Any discussion of how you got somewhere – no. Especially how you got to where you've just arrived. As in, "Sorry we're late. We planned on coming in on I-94, but there was a detour because of an accident, so we took route 79 instead, and then got off on exit 12, which wasn't quite right because we ended up just north of…" etc. Again, it's just boring.

    7. Weather. Just regular what's-it-like-out-today weather discussion. Once again, boring.

    8. Your diet. What you're eating or not eating; your weight-loss regime. No one cares.

    So that's the list. We already have a pretty good one for the menstrual cycle example, so we probably don't need pitches about that, unless they're really, really good. But for all the others, we need your stories! Again, we want stories on any of these topics that are the opposite of boring; they're so gripping or funny or surprising that you can proudly tell them at any dinner party — at which you can imagine my mother sitting, one of the guests, rapt. The stories can be serious, too – funny is great, but certainly not mandatory.

    Thank you so much for your pitches and suggestions.

    Best,
    Sarah Koenig

    Banff Centre opportunity for radio producers

    The Banff Centre in Alberta, Canada is offering a work study program for radio producers. Details http://www.banffcentre.ca/programs/program.aspx?id=1376“>HERE and below. (Rumor is that the deadline has been extended until Sept 16 for the upcoming program.) -Mia

    About the Radio Producer Work Study Program

    This Work Study Program provides the opportunity to assist in the development and production of new radio programming at The Banff Centre.

    Duties will include program production from concept to capture and delivery. The participant will assist in the cataloguing and digital transfer/ingest of recorded music, live concerts, and archival materials. In addition, you will work with other Banff Centre digital media assets including digital photographs, animations, videos, and archival sound recordings. 

    The participant will liaise with multiple Banff Centre departments and receive combined mentorship from our Executive Producer, Audio Programs and our Senior Audio Broadcast Producer.

    The Work Study participant will develop research, communication, collaboration, and interpersonal skills through his or her work with Banff Centre staff, faculty, and artists. The participant will have the opportunity to engage in discussions about key trends in broadcasting, audio production and radio journalism; attend various seminars, workshops, and cultural events; and expand his or her personal network through participating in community outreach initiatives and project committees specific to audio content creation and broadcast. 

    Qualifications

    • Passionate interest in radio, podcasting, and audio documentary
    • Strong interest in music and audio 

    • Demonstrated research and database skills 
    • Strong oral and written communication skills in English and French

    • Highly computer literate with expertise in Microsoft Office 
    • Strong audio editing skills 
    • Ability to assess and advise on audio quality 
    • Effective multitasking, strong time-management skills, and attention to administrative detail 
    • Excellent diplomacy skills, with a high level of confidence 

    • Ability to manage resources and produce to schedule

    UnionDocs Radio Boot Camp! Waiting list now open

    Attention NYC wanna-be radioheads – tell the fine folks at UnionDocs that you want more, more, more!

    Posting on behalf of the upcoming Radio Boot Camp class at UnionDocs in NYC.

    For anyone who's interested, the Oct. session (for total beginners) – is full up, *but we've opened up a waiting list. If we get enough names we may open a second section this fall. Otherwise, we'll see you next winter!

    More info. here: http://www.uniondocs.org/radio-boot-camp-october-2013/

    Radio production class

    An online radio course offering from the lovely and talented Claire Schoen. Details below! -Mia


    I want
    to get the word out about an on-line radio production I'm offering this October/November through Duke University's Center for Documentary Studies (CDS). This is an on-line class with virtual group meetings via Zoom (like Skype) and individual project mentoring via email, phone and our class website.

    First important point: This is NOT a theoretical seminar-style class like my Soup-to-Nuts weekend. It is a hands-on production class where each student will create a radio feature. The pieces will be 6 to 8 minutes long using documentary-style elements. Over the 9 week course, each student will research a topic, pitch their story, find characters, pre-produce locations and interviews, record, log, create a script outline, write narration, edit a rough cut, fine cut and final mix. (Voila, a finished radio piece!)

    Second important point: You do not have to be in Durham or Berkeley or anywhere else to take this class. (Well, you have to be somewhere!) We are holding this class virtually. Class meetings will be conducted on-line using a program where we can all see each other and talk to each other and see work that I put up on my computer. Assignments will be posted on a group

    website. Students will post their class work on the website as well. And I will work individually with each student, each week via phone, email and the website.

    Third important point: Students need to have their own recording equipment and know how to use it. You also need to have an audio editing program and know the basics of how to upload, cut, mix and download on it.

    You can find out more about the class and register through the CDS at:
    http://register.asapconnected.com/CourseDetail.aspx?CourseID=35161

    Please contact Mark Maximov or April Walton regarding registration questions:
    mam73@duke.edu awalton@duke.edu 919-660-3678

    Feel free to contact me with questions about the class itself.

    I hope you can join us!
    And, please pass this along to anyone who you think might be interested.

    Thanks, Claire

    -- Claire Schoen Media www.claireschoenmedia.com cschoen@earthlink.net 510-882-6164
    
    RISE Media Project www.searise.org facebook.com/SeaRISE twitter.com/seaRISEmedia
    
     

    Internships — Asian American Writers’ Workshop

    The Asian American Writer's Workshop's Open City Magazine is hiring THREE interns: editorial/writing, multimedia, and educational programming. Details below.
    -mia

    AAWW’s Open City Magazine is looking for a full-time, highly motivated editorial and writing intern. Duties include:

    –Coordinating and commissioning media for all staff and freelance articles (audio, video, still photo). This includes captioning photos, coordinating social media copy with social media intern

    –Writing bi-weekly posts on NYC Asian American neighborhoods and submitting photos and audio as necessary
    –Contributing to editorial meetings and brainstorming ideas for regular series, reporting projects
    –Working with multiple staff and volunteer editors and production intern to coordinate timely posts
    –Maintaining freelancers' paperwork, communication with office business director to process payment of freelancers

    Desired Skills / Work Experience:

    –Strong interest/knowledge of Asian immigrant neighborhoods in NYC (Chinatown, Flushing, Jackson Heights, Richmond Hill, Sunset Park, and others)
    –Strong writing and copyediting, experience with creative nonfiction
    –Excellent organizational and communication skills
    –Fact checking skills, great research and reporting skills
    –Photo and visual composition skills
    –WordPress Skills
    –Social media networker
    –Deadline oriented
    –Graduate students and persons interested in transitioning to editorial work strongly encouraged to apply.
    (Please designate "Open City — Editorial Intern" in your application)

    AAWW’s Open City Magazine is looking for a highly motivated multimedia intern to work 1-2 days a week. This intern will work on supplementary media for all Open City articles / features. Duties include:

    –Edit and crop photos

    –Create photo, video, audio packages for Open City Magazine
    –Working with writing fellows to plan shoots, productions

    Desired Skills / Experience:

    –Strong interest/knowledge of Asian immigrant neighborhoods in NYC (Chinatown, Flushing, Jackson Heights, Richmond Hill, Sunset Park, and others)

    –Photoshop, Still Photo, Audio/Video production skills
    –Excellent file management
    –Captioning photos

    –Deadline oriented

    (Please designate "Open City — Multimedia/ Production Intern" in your application)

    AAWW’s Open City Magazine is looking for a highly motivated educational programming intern to work 1-2 days a week. This intern will work on assisting the Open City editor to run the fellowship program. Duties include:

    –Planning and facilitating monthly meetings for the fellows

    –Maintaining a calendar of deadlines for fellows in the writing program

    –Researching and maintaining handouts, exercise materials, educational resources for fellows

    ITVS diversity fund for film

    I missed the boat for this one – the deadline for the Diversity Development Fund has already passed for this year, but these folks should be on your radar for the future. And here's a link to the ongoing funding opportunities for filmmakers. -Mia

    The Diversity Development Fund (DDF) provides up to $15,000 in research and development funding to producers of color to develop single documentary programs for public television. Funded activities may include travel, research, script development, preliminary production for fundraising/work-in-progress reels, or other early phase activities.

    DDF accepts:

    Projects that have not yet begun production
    Programs that can become eligible for ITVS production funding initiatives as single programs of standard broadcast length (half-hour or one-hour). In rare cases ITVS will consider feature-length programs.

    DDF does not accept:

    Proposals for completed projects seeking distribution

    Series proposals or fictional dramas

    Projects intended solely for theatrical release

    There is one funding round per year. Applicants may apply for only one project per call. The entire proposal review process takes up to three months. Around five percent of applicants will receive funding.

    DDF is not a grant; applicants receive funding in the form of a development agreement that assigns ITVS certain important rights over the project during the term of the contract.

    New Knight News Challenge – health/data/communities

    The latest Knight News Challenge on HEALTH. Details below. -Mia

    Today, we're sharing the details of the second Knight News Challenge for 2013, on health <http://kng.ht/160AcVR>. Launching Aug. 19, the challenge will focus on this question:

    "How can we harness data and public information for the health of communities?"

    We have more details on our blog <http://kng.ht/160AcVR>, including the timeline and the partners from health innovation and philanthropy who are joining with us on the challenge.

    Look forward to hearing your ideas.

    – John S. Bracken
    Director/Journalism and Media Innovation
    Knight Foundation

    Radio Boot Camp at UnionDocs, Brooklyn, Oct 19-20

    This Radio Boot Camp for wannabe radio heads is run by two of the most fabulous ladies in the field. Don't miss it!
    -mia

    Radio Boot Camp @UnionDocs

    Dates
    Sat., Oct. 19, 10:00 – 6:00
    Sun., Oct. 20th, 10:00 – 5:00

    Location
    UnionDocs, 322 Union Ave, Brooklyn, NY, 11211

    Tuition: Early registration is $285.

    Come learn the art and craft of producing radio stories from start to finish. This class is for enthusiasts, fans and beginners so please share with your friends and anyone else who's oh so jealous of your awesome career. Space is limited to 12 so sign on up!

    More information is here:
    http://www.uniondocs.org/radio-boot-camp-october-2013/

    American RadioWorks is looking for an intern!

    American RadioWorks needs an intern. PAID! Details below. -Mia

    We're looking for a smart, capable, self-motivated intern to help with the research and production of radio, podcast, and web projects at American RadioWorks, the national documentary unit of American Public Media. This is a 6-month, 15-20 hour/week position, paying $15/hour. It's based in St. Paul. Deadline is 9/13/2013.

    Details here.

    Please pass along to anyone who might be interested! Got any questions about the position, or about living in Minnesota? Shoot me an email at sfreemark@mpr.org.


    Samara Freemark
    Reporter/Producer, American RadioWorks, American Public Media
    @samarafreemark
    651-290-1289
    sfreemark@mpr.org

    www.americanradioworks.org

    2013 CA Documentary Project, deadline Oct 1

    Potential big money for CA-based doc projects. Details below! -Mia

    Guidelines are now available for the California Documentary Project (CDP), a competitive grants program of Cal Humanities that supports documentary film, radio, and new media productions that enhance our understanding of California and its cultures, peoples, and histories. Projects must use the humanities to provide context, depth, and perspective and be suitable for California and national audiences through broadcast and/or distribution. CDP grants support projects at the research and development, production, and public engagement stages. Award amounts range from $10,000 up to $50,000 and the deadline is October 1, 2013.

     

    Please see www.calhum.org/grants/california-documentary-project-grant for the latest guidelines, a list of recently supported projects, and information on upcoming grant workshops and webinars.

     

    To attend an informational grant workshop in San Francisco on August 26, please click here.

     

    Thanks so much for helping to spread the word. Please feel free to direct any inquiries to me at jlightfoot@calhum.org.

     

    All the best,

    John

     

    cid:3413278713_36505112

     

    More time for WBEZ podcast sonic logos

    From the folks at WBEZ:

    We've extended the deadline a week for you to design a WBEZ podcast sonic logo. If you've been kicking around an idea for a 5-second logo, you have until August 26th at 5pm CST to submit. We hope you can have some fun making these buttons!

    Ira Glass of This American Life, Nick van der Kolk of Love + Radio and Snap Judgment, and Julie Shapiro of the Third Coast International Audio Festival will pick the winning ID, which will be used in WBEZ's podcasts. You can find more information here: http://www.wbez.org/content/wbez-podcasts-sonic-logo-contest

    Thanks,

    Mickey Capper
    Podcast Intern at WBEZ

    Knight News Challenge – Health

    Two important updates on the Knight News Challenge: Health: 

    – Inspiration phase opens: We’re launching a virtual brainstorming session around the theme of this challenge: How can we harness data and information for the health of communities? During the next two weeks, we want to collect your ideas surrounding the difficulties, successes and opportunities you have experienced with health information. (Official entries will be accepted starting Sept. 3.)

    Link to travel schedule is below.

    – Additional prizes: Also, two of our collaborators, the Robert Wood Johnson Foundation and the California HealthCare Foundation, are providing an additional $200,000 in grants to the $2 million challenge. The Robert Wood Johnson Foundation will award funds to three projects that “best combine public health data and health care data to improve the health of communities.” Meanwhile, California HealthCare Foundation will award funding to one or more projects focused on helping county and city officials use health data for policymaking.

    My colleagues and I will be traveling around the country for the next several weeks talking with people about the News Challenge. Meanwhile, you can learn more, and submit those inspirations, at newschallenge.org.

    – John Bracken

    Director of Journalism and Media Innovation
    Knight Foundation

    Information at:
    <http://www.knightfoundation.org/blogs/knightblog/2013/8/19/knight-news-challenge-opens-inspiration-phase-additional-prizes-from-collaborators/>

    Travel schedule:
    http://www.knightfoundation.org/blogs/knightblog/2013/8/15/join-brainstorm-around-news-challenge-health/

    Ready, Set, Produce! KCRW 24-Hour Radio Race

    First ever Radio Race, from PRX and KCRW. This is way cool. Register by Aug 16, race begins Aug 17. On your marks…

    Ready…Set…Produce!

    PRX is excited to share the news about one of the coolest projects this year:

    KCRW's 24-Hour Radio Race

    Producers of all experience levels from all over the world will have 24 HOURS to write, record, and edit a non-fiction radio story.

    Winner receives $1000 prize, plus other goodies.

    On Saturday, August 17 at 10AM PT, contestants will be emailed a THEME. They will then have 24 hours to create a story that somehow relates to this theme.

    Halfway through the 24 hours (at 10PM PT), contestants will receive another email with an optional BONUS ELEMENT, which they can choose to incorporate into their story for extra credit.

    By Sunday, August 18 at 10AM PT, their finished piece must be posted on Soundcloud for judging.

    Join radio producers all over the world for a whirlwind 24 hours of high–stakes radio making.

    Click the button below to register. Registration is $10 per team. Learn more!

    Registration closes on August 16th at 12AM PT.

    POV Hackathon, NYC July 27-28

    A few spots left for the POV Hackathon this weekend! -Mia

    Hey docu-programmer-y-creative-type-awesome-peoples, heads up! There are last-minute slots open for a designer and a developer experienced with HTML5, JavaScript, Popcorn and/or online video to participate in P.O.V. Hackathon 4! If you're interested, or know someone who is, *whether they are remote* or in NYC, please share!

    From @POV:

    POV Hackathon 4 is this weekend in New York City (July 27-28) and it's a unique opportunity to meet and work with storytellers and technologists at the forefront of non-fiction media.

    If this is you, contact us at hackathon at pov dot org! Or if you know someone who should participate, please share this post!"

    Pitching Latino USA, Our One-Hour Sound

    Great news from the team at Latino USA. Details below! -Mia

    +++++++++++++

    Dear reporters/producers/contributors,

    The team at Latino USA is happy to let you know that as of September 6th, we will be expanding to a new one-hour weekly format! As part of the expansion, the staff has been working hard to build a new sound, a new brand, and better coverage of recurring topics.

    The show in general will still focus on Latino issues and the concerns of people of color and other minorities, including immigration, arts/music/culture, questions of identity, and life in cities (particularly those with large or growing Latino populations). So keep those pitches coming!

    However, we're also trying to switch up and improve the sound of these pieces, whether they're interviews, produced pieces, or postcard-esque bits of sound. Key to what we really want:

    • LOTS of ambi, which gives listeners a strong sense of place. Location, location, location.

    • Stories that get right to the tape (rather than reading), especially at the top, with fun or surprising bits dropped in to keep a listener hooked.
    • Idiosyncratic characters, sometimes with unique ways of speaking.
    • Stories where the personal angle meets the facts.

    We're also planning out a certain number of shows per year (exactly how many is TBD) based on a theme. They're meant to be taken both literally (we're planning an update on closings of Chicago schools for our "Back to School" show) and figuratively (for that same show, we're also looking back at what the LUSA staff has been doing this summer). Some of these are scheduled, some aren't, but the sooner you get in pitches to us, the better we can work them to fit with the other stories involved in a theme show. Here's our current list:

    • Back to School (September 6th)
    • Neighbors (September 20th)
    • Death (November 1, for Dia de los Muertos)
    • Christmas (December 20th)
    • Justify My Love (February 14th, Valentines Day)
    • Money, Money, Money
    • Language
    • Mutts
    • Larger Than Life
    • Have Faith
    • '73, '83, '93 (as in 1973, 1983, 1993)

    Finally, we're looking for outside contributors to help us with several series:

    • BOCADITO: A little morsel of news. These segments are designed to be lighthearted, fun, and short, often appearing at the end of a show.

    • CLASS OF 2030: 1/4 of current kindergartners are Latin@. This is our education series on anything related to K-12 coverage, trying to capture an image of this growing population.
    • BY THE NUMBERS: Anything related to polls and percentages, mostly (but not exclusively) demographics-related, characterized by one startling figure (#) or two juxtaposing ones.
    • ENVIRONMENTAL STEWARDHIP: Stories about Latinos who are restoring or protecting their ecosystem – whether it’s an urban, suburban or rural environment. We’re interested in stories that reach communities of color, especially youth.

    • OUTDOOR ADVENTURE: Stories of people developing teamwork and confidence, surmounting fear and showing leadership through an adventure activity.

    To pitch Latino USA, please send an email to pitches@futuromediagroup.org. We're looking forward to hearing from you.

    Cheers,
    A.C. Valdez & Leda Hartman

    2013 New Voices Scholarship at PRPC, deadline Aug 1

    Scholarships available to attend PRPC this fall. Details http://bit.ly/NewVoices13“>HERE and below. Deadline Aug 1. -Mia

    AIR's 2013 New Voices Scholarship

    at PRPC

    Who is eligible to apply?

    All minority producers and program makers are eligible to apply. The focus of the PRPD Programming Conference (PRPC) is radio/audio, but we welcome applicants from the full range of discipline. All ages are welcome, but applicants younger than 18 will need an adult sponsor to sign off on their application and handle funds on their behalf.

    What do you mean by "minority"?

    We are looking to attract individuals who represent groups that are typically under-represented at the PRPC and in the industry in general. This could be based, of course, on a candidate's ethnic or racial background. It could be that they come from a particular socio-economic group, or any number of categories. It will, ultimately, be up to the judgment of those screening applications to select candidates who bring a new and diverse mix to the conference, to the New Voices group, and to the industry in general. 


    How much experience are applicants expected to have?
    There is no specific requirement in terms of number of years of experience, but we will be especially interested in producers attending PRPC for the first time and are relatively new to working in public media. 


    What is the total cost of the conference?
    The cost varies, based on your geography, but PRPD generally estimates the cost at $1600 if you take a single hotel room, and spend $300 on your flight. The early bird registration rate for AIR producers and selected New Voices is $495 until August 9. Many of our producers room share, to further offset expenses. If you're selected, we can help facilitate this.

    Is there anything I need to do if I am awarded a scholarship?

    Yes. AIR requires you to attend several specific events at the conference. They include, at this time, AIR's member meeting on Wednesday, September 18 at 3:30 pm; a New Voice "mixer," on Tuesday before the opening reception; manning the AIR table; and a dedicated session at the conference (details to be determined). All fun. You will also be required to send AIR a brief report on your experience at the conference (750 – 1000 words) by October 1. If you are chosen for a scholarship, you will be given specific instructions on what to include in the report at that time.


    When will I know if I received a scholarship or not? 

    Final announcements will be made by early August.


    If I am awarded a scholarship, when will I receive my funds?

    Funding will be disbursed after the conference, as a reimbursement, 30 days after you submit a brief report on your experience at the conference and an invoice. 


    Learn more and apply.

    For more information on the 2013 PRPC please visit PRPD's website.

    Calling all filmmakers, writers, storytellers & creatives, deadline Aug 4

    A few shots of Bombay Sapphire might be needed to get what this is all about, but it sounds fun! Deadline Aug 4.

    +++++++++++++++++++++

    Main Shot

    The Bombay Sapphire Imagination Series Film competition gives everyone the chance of having their imagination play out on the big screen.

    No experience is required, just imagination. All you have to do is read the script by Oscar winning writer Geoffrey Fletcher, imagine your version of it and enter before 4 August 2013.

    A judging panel including Oscar winning actor Adrien Brody will select the five most imaginative scripts, which will be produced into 5 films and premiered on the big screen at Tribecca Film Festival 2014. The winners and a friend will be flown out New York in style to attend to the premiere.

    To enter, visit imaginationseries.com, where you can also watch last year’s films and get tips for your entry.

    script

    When you are ready to enter go to imaginationseries.com.

    Entries close on 4 August 2013.

    Participatory Media Panel on Thursday 7/18, Brooklyn, 7pm

    For you Brooklyn producer/radio-types:

    If you are in the Gowanus neighborhood in Brooklyn Thursday, and not melting, come by Littlefield Art Space for a rousing panel on the Future of Local Radio! I have been assured it will be chilly inside.

    Thursday, July 18th at 7:00 PM
    Littlefield art space in Gowanus, Brooklyn (622 Degraw Street). 
    The entire discussion will be live-streamed via BBOXRADIO.COM

    Advanced Audio Storytelling workshop, Rockport, ME, Aug 18-24

    From the brilliant producer of the NYT series One in 8 Million – don't miss this workshop! Aug 18-24. 

    Come join me in Maine this summer. Learn how to tell stories with sound; walk out with a piece you're proud of; be part of a creative community. AND have some of the best lobster rolls on earth.

    Advanced Audio Storytelling | Maine Media
    Produce documentary audio projects and hone your storytelling skillsAudio narratives engage the imagination. As Ira Glass of This American Life says with a smile, “Radio is your most visual medium.” That may be heretical to say to photographers, but Ira has a point. Audio storytelling engages the im…

    Advanced Audio Storytelling

    Produce documentary audio projects and hone your storytelling skills

    Rob Rosenthal interviewing: Photo by Kate PhilbrickAudio narratives engage the imagination. As Ira Glass of This American Life says with a smile, “Radio is your most visual medium.” That may be heretical to say to photographers, but Ira has a point. Audio storytelling engages the imagination like a good book. The listeners create their own images. Now that photographers are being asked to produce audio slideshows, videos, podcasts, and other media with a sound component, it’s important to learn to effectively harness the power of audio storytelling.

    This workshop puts students in contact with some of the radio industry’s most qualified and creative individuals as a means to explore and utilize sound. During the week, students find and produce short documentary audio projects about the local community. In class, students discuss narration, interview techniques, ambient audio and story structure as a means to create compelling audio narratives. Additionally, instructors provide daily lectures, equipment demonstrations and critiques.

    This is an advanced level audio class. Students should have a good understanding of digital audio content gathering. Students will utilize ProTools in editing and mixing their projects. General familiarity with this industry standard software is encouraged but not required.

    video production workshop in Oakland, CA, July 20-21

    I don't know these folks personally, but this looks like a useful workshop, and there's a discount if you sign up ASAP! Plus they're in Oakland so it has to be great 🙂 -Mia

    Registration for Workshop Weekend: Video is open! Join us on July 20th and 21st for a weekend focused on the art, craft, and tech of making video.

    Learn more about the weekend and register at http://workshopweekend.net/video

    Whether you’re a hobbyist, a budding filmmaker, a marketing genius, or a small business owner, our video weekend will give you the tools and skills you need to make professional-quality videos. We've got tracks taking you "From Novice to Pro" as well as workshops "For the Professional" — but feel free to choose your own set of workshops too: https://workshopweekend.net/video/catalog

    The "Novice to Pro" track includes:

    • First Steps: Concept to Video
    • Camera Technique Basics
    • On-Set Lighting
    • Sound and Audio Production
    • Animation Basics
    • Basic Editing with Free Tools
    • Crew Meet & Greet

    "For the Professional" includes:

    • Putting It All Together: Bootcamp
    • Crafting the Story
    • Advanced Editing with Final Cut Pro X
    • Distribution: Making Music Videos for TV
    • Distribution: Online Video and SEO Basics
    • Crew Meet & Greet

    Learn more about the weekend and register at http://workshopweekend.net/video

    Use the coupon code WWVIDEO713 for $10 off each day of admission. This code is valid through tomorrow night, July 10.

    And please reach out to us if you have any questions at all.

    I hope we’ll see you there!

    Warmly,
    Gil, J.D., CB, and the Video Weekend team

    P.S. — We still have two seats open in the Arduino event this weekend, July 13-14! More info at http://workshopweekend.net/arduino

    3 spots left for the “Digging In” retreat at the Center for Documentary Studies

    I imagine this as a working vacation – focused time to really GET S*** DONE. Details below. -Mia
    ++++++++++++++

    Any chance there's a project/tape/a documentary/proposal you've been meaning to set aside the time to work on, but you're too busy? Wishing to freeze time or build a secret room where you can just hide away and make the creations you imagine?


    There is another option! 

    with Big Shed

    (at the Center for Documentary Studies)

    July 28 – Aug 3, 2012  |  Course fee: $480

    Spend a week with a community of independent producers, Big Shed and 
    special guests at the Center for Documentary Studies at Duke in Durham, 
    North Carolina. What you work on is up to you — a story you’re finishing, 

    a proposal you’re developing, a project you’re conceptualizing, or maybe you 
    just want the space and community to think about your creative trajectory.

    I'm also super excited to join Shea Shackelford and Jesse Dukes of Big Shed 
    in leading the retreat.

    The week is lightly structured to help you make significant progress
    on a project that’s important to you.  Each day we’ll help you think
    about how you can make the most of that time and offer some tools for

    working to help you during the week and beyond.  Each day you’ll share
    your ongoing work with other participants, the Big Shed team and
    other special guests. While you’re getting helpful input, others
    will be benefitting from your valuable ideas.  And when it’s time to

    put your pencils down, we’ll stoke your creative fires and create ways
    for you to relax and play.  Throughout the week you can expect
    brilliant adventures, special guests, tasty food, music, dancing, thought provoking

    presentations, late-night conversations, and hand-cranked ice cream on
    the porch.

    If you could use a break to really focus on something important in
    your work, and you'd like to do that in a community of other producers

    who will be doing the same sort of thing, Big Shed will make sure you
    have an intensely relaxing, invigoratingly supportive time to dig deep
    and get some serious (or not so serious—it’s up to you) work done.

    – Kara (and Shea and Jesse)

    Ps. The retreat is open to anyone creating work in any documentary
    medium — writers, photographers, new media, film, et al. If you have
    colleagues in those fields whom you think would be interested, please

    feel free to share this with them.

    internships with Heritage Radio Network, Brooklyn

    Hey students (and teachers). The Heritage Radio Network is looking for interns. Word on the street is that folks who intern here have a great experience. I can put you in touch with a past intern if you have any questions. -Mia
    ++++++++++++++++++

    HeritageRadioNetwork.org is an emerging non-profit Internet based radio station broadcasting Food Radio from two repurposed shipping containers in the back of Roberta's Pizza in Bushwick, Brooklyn. Each week we host over 30 live shows covering all aspects of the food world from agriculture and policy to cocktails and chef stories. Shows are archived on our website, available as a free download via iTunes or Stitcher Smart Radio.  

    We are currently seeking a part-time radio intern to help work on special content. This is a position for someone with basic audio editing knowledge and skill who is looking for some additional hands on experience.    

    The internship will last for a period of 12-16 weeks.  Please send a cover letter and resume along with your availability to Jack Inslee at jack@heritageradionetwork.org.  

    Qualifications
    Audio Editing experience using a DAW such as Pro Tools, Logic or editing software such as Audacity or Ableton.
    Ability to build narrative and tell story through audio.
    Simple sound mixing ability including compression, eq and limiting.
    Recording experience and general website/HTML knowledge a plus.
    Please submit any work samples if available.
    Best,

    Jack Inslee

    Executive Producer

    H E R I T A G E   R A D I O   N E T W O R K

    Inline image 2Inline image 3Inline image 4Inline image 5

    KALW News’ training program launching this fall, application deadline July 15

    If you live (or want to live) in the Bay Area, KALW would be an AMAZING place to learn the art of audio journalism/storytelling. Application deadline July 15. Details below. -Mia

    +++++++++++++++++

    The news team at KALW in San Francisco is launching a brand new training program, and I wanted to spread the word in case you, or anyone you knew would be a good fit.

    Here's the scoop…

    "We’re looking for self-motivated individuals with a passion for non-fiction storytelling to participate in a 10-month, free radio journalism training program based at KALW, an NPR affiliate public radio station in San Francisco.

    Audio Academy participants will be trained to produce content for KALW’s award-winning daily news programs, "Crosscurrents" and "Your Call". Your voice and your work will be broadcasted on KALW during your time in the academy.

    Training will include:

    Working closely with reporters on developing stories, producing original feature stories for broadcast, interviewing potential guests/sources, researching topics, fact-checking, script writing, recording sound for pieces, story structure, voicing, live radio production, digital production, engineering, and sound design. The training takes place inside the collaborative and supportive community of the KALW newsroom. Our editors and engineers, along with other Bay Area public media producers, will lead workshops on every aspect of production specifically for the Audio Academy.

    Participation in the KALW News Audio Academy is unpaid, but you’ll be on-air, recording in the field, or creating in the engineering booth — not fetching coffee or making copies.

    Selected participants will be expected to make a 10-month commitment (September 2013 – June 2014): minimum 12 hours per week (one six-hour shift at our studio and another six hours working in the field). The Academy includes a one-week break at Thanksgiving and another in mid-spring, also a two-week break in late December. Enrollment in a college or university is not necessary to participate. Applicants of all ages are encouraged to apply.

    To apply please send a cover letter, CV and any audio/writing samples (as well as any questions) to:

    KALWapplications@gmail.com

    Application deadline: July 15, 2013

    We look forward to meeting you!

    KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity."

    BBC RFP for “Real America”, deadline July 22

    Great collaboration of public media orgs seeks proposals for a BBC program on Guns in America. Details HERE and below. -mia

    ++++++++++++++++++++

    It went so well the first time out, the BBC is announcing a second round for the Real America partnership launched last year with AIR and a consortium of public media organizations. With AIR, this year’s group includes the Third Coast International Audio Festival, the Center for Documentary Studies at Duke University, WNYC/New York Public Radio, and American Public Media (APM).

    The theme is “Guns in America.” Many of you know Tony Phillips. He’s the editor this year, and he’s looking for three 17-minute features that, together, will comprise a one-hour special to be distributed via APM later in the year. The budget for each feature is $9000.

    The deadline for submitting your pitch is Monday, July 22 at noon ET.

    Full details, including instructions for submitting and a timeline for their decision-making process is at:
    http://www.airmedia.org/PageInfo.php?PageID=793

    You may want to have a look at our feature “BBC 101” published last June at
    http://airmedia.org/PageInfo.php?PageID=742

    part-time producer gig with Making Contact in Oakland, CA

    Great part-time gig in Oakland with some wonderful people. Details below! -Mia

    Making Contact,  Producer 

    work location: Oakland, CA

    more info at www.radioproject.org

     

    Making Contact seeks a part-time radio producer with a passion for public-interest media. We amplify the voices of community members who are seeking solutions to issues of economic, environmental and social justice.  This position is budgeted for 20 to 32 hours  hours/week, $20 per hour.

     

    We seek an energetic, passionate, well-organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview. They will join our two current part-time producers and our pool of freelancers.

     

    Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We’re looking for someone committed to our greater mission and who is willing to do what it takes to produce our weekly show and to strengthen Making Contact's organization  as a whole.

     

    Making Contact has produced a nationally-syndicated, progressive weekly radio series for almost 20 years. Our high-quality public-affairs and documentary radio programs are broadcast on 141 radio stations in the U.S., Canada, and Australia; thousands more listen via our website and podcasts.

     

    We're looking to make exciting changes to our sound-design and revamp our website this summer/fall.

     

    Our award-winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

    Making Contact is more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production, as time allows. We seek someone who can mentor others and is excited about growing and learning in their own work.

     

    We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

     

    Required Skills/Experience

    Demonstrated writing and script editing skills

    Demonstrated audio editing skills

    Track record of delivering pieces on deadline

    Strong voice-craft skills and experience

    Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

    Ability to read and synthesize research

    Experience coaching and editing freelance reporters and producers

    Familiarity with issues of our times and timeless issues

    Commitment to building Making Contact as a whole, and to participating in a team process

    Enthusiastic about participating in fundraising

     

    Preferred Skills

    Multimedia experience:  video, sound-slides, YouTube etc

    Familiar with social marketing and online media distribution

    Experience and enthusiasm for online distribution methods and audience building

    Energetic and able to think on your feet

    Sense of humor


    Making Contact
    is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and disabled people. 

     

    Position Open Until Filled–but aiming for July. Again, position is in Oakland California. if you are outside the Bay Area please pitch us freelancer pieces.

     

    Please email resume, cover letter, writing sample (radio script preferred) and links to work samples to lrudman@radioproject.org

    Above the Fray fellowship, deadline July 1

    I may have posted this already but it's worth posting again. The John Alexander Project's Above the Fray fellowship – sending young radio journalists abroad to report important and under-represented stories. Deadline July 1.

    above the fray

    Above the Fray, a fellowship in conjunction with NPR, is the keynote program of THE JOHN ALEXANDER PROJECT.

    The Above the Fray fellowship is designed to give a promising radio journalist the opportunity to cover important but under-reported stories from a location abroad. One fellow will be selected each year based on a winning proposal to report from a region lacking significant mainstream media attention. The selected individual will spend three months filing on-air and online stories for NPR.

    Above the Fray supports curious, truth-seeking, spirited individuals who wish to cover under-reported regions, but who do not have the financial means or professional support to pursue these stories. The fellowship is not about finding the most experienced candidate; it is about cultivating the next generation of international journalists. The fellowship strives to discover journalists who are at pivotal moments in their careers: those who are armed with the skills to independently tell stories and who possess the ability to take audiences off the beaten path.

    Applicants should have 3-5 years of professional experience. Above all, the applicant must express sincere interest in innovative foreign reporting, a curiosity about global cultures and a demonstrated record of journalistic potential.

    Please be sure to sign up for our mailing list to stay up-to-date. Fellowship deadlines and details here.

    Resources for Independents Reporting in Conflict Zones

    Important info for freelancers working in war zones. Thanks to Lu Olkowski for posting this on the AIR listserv.

    ++++++++++++++

    As news organizations increasingly rely on freelance staff, a new effort in London as launched to help represent independent war journalists and photographers. You can read about it through this link at the Dart Center for Journalism & Trauma: http://dartcenter.org/blog/frontline-freelance-register-launched#.UbtMj-uE5gV

    Another resource for freelance conflict reporters is Reporters Instructed in Saving Colleagues. http://risctraining.org/ RISC was founded by Sebastian Junger after his colleague and friend, photographer Tim Hetherington, died while covering the conflict in Libya. At the time he was with a group of freelancers, none of whom had the training to save him from bleeding to death. Junger realized that the wave of journalists heading to conflict zones without institutional backing would need safety training to prevent more deaths like Hetherington's. According to the Committee to Protect Journalists, 40% of all journalists killed in Syria in 2012 were freelancers.

    Polk Investigative Reporting Grants, rolling deadline begins NOW

    Potential big money for your good deeds, or good reporting, anyway. Rolling deadline beginning NOW.
    ———- Forwarded message ———-

    Grants will range from $2,500 to $10,000.
    Projects should center on themes of social justice.
    Reporters should be experienced and have an idea of where their articles/TV productions should be placed.

    GEORGE POLK GRANTS FOR INVESTIGATIVE REPORTING

    The George Polk Investigative Grants are given to experienced reporters to pursue reporting projects relating to social justice. The intent is to promote public awareness of social problems in immigration, housing, welfare, health, employment and other areas and to promote investigative articles on the Web as well as in print.

    Special consideration will be given to journalists who are no longer employed by their news organizations, but this is not an absolute requirement. Ideally, an applicant should have a proven track record as an investigative reporter and propose an article on a subject with which he or she is familiar. The program is intended as a resource for a reporter who always has wanted to dig into a particular topic or has developed useful expertise – who knows “where the bodies are buried” – in an area of social importance.

    Grants will range from $2500 to $10,000, depending on the duration and complexity of the project. The Polk program will provide some editorial supervision and assist when necessary in helping to place the article, but the primary responsibility for this rests with the reporter. Any fees or payment will be retained by the reporter. We do not fund book projects. We request that recipients keep a record, whenever possible, of the circulation/viewership of the publication/production and of the number of hits the article receives on the Website.

    An applicant must provide a detailed prospectus, along with a resume, two references and a letter expressing interest in the project from a news organization. Applications will be accepted on a rolling basis, beginning June 1, 2013. All information will be confidential.

     

     

     

    NYU event this Saturday – Jad Abumrad, Sean Cole & 2 doctors for “The Bitter End”

    Great event this Saturday (TOMORROW!) at NYU. Details below. -Mia

    ———- Forwarded message ———-

    If you're not doing anything Saturday afternoon… we're reprising
    Radiolab's story "The Bitter End" at NYU. The good doctors, and Jad, will be
    in attendance. Our talk is at 1:30pm.

    http://nyihumanities.org/event/love-and-let-die

    SATURDAY JUNE 1, 2013
    11:00 am ­ 9:00 pm
    NYU's Cantor Film Center
    36 East 8th Street, NYC

    Free and Open to the Public

    And here's the original piece if you haven't heard it:

    http://www.radiolab.org/blogs/radiolab-blog/2013/jan/15/bitter-end/

    This American Life – call for pitches

    From the good folks at TAL – go for it! -Mia

    Hello Contributors!

    We're once again gearing up for a "This Week" show, where we tackle the week's news in our own way, far from the TV cameras and the standard headlines. We'll cover stories very big and very small. We've done two of these shows already, and your ideas and pitches have been critical to making the whole thing work. We figure the best way to thank you for that, is to just keep on taking (we pay!). So we're appealing to you again.

    Here's what we’re looking for: Things that are happening to you, or to someone you know, or just out in the world, from June 8 – 14. These can be little, personal things – a first date, a divorce becoming final, opening a new business, a crucial baseball game. We'd especially like local news stories from your neck of the woods that aren't getting national coverage, but still tell us a lot about what it's like to live where you live. Or one that’s just absurd – the kind that’s a sheer pleasure to tell other people. Or just any interesting situation coming to a head that week — at school, at work, at city council, at your family reunion — where things will be decided, lines drawn, sides taken. That would be perfect, too.

    Here’s the other thing we’d like: If something’s happening to you that week, please tape it yourself. On your phone, or your camera – the quality doesn’t have to be perfect, as long as it’s audible.

    Please email your ideas and pitches to: thisweek@thislife.org. And again, thank you so much, in advance, for all your great help. We can't pull off this show without you.

    Best,

    Sarah Koenig and Julie Snyder

    thisweek@thislife.org

    Meet Pulitzer winners via Webcast & phonecast TODAY, noon ET

    Looks interesting – from Columbia's Sree Sreenivasan. The archive looks great too!

    ———- Forwarded message ———-

    Am hosting this today at noon ET: a webcast & phonecast about the Pulitzer Prizes with Prof. Sig Gissler, Pulitzer administrator, and some winners of this year's prizes – details below. Please share widely!

    You can listen live via the phone or web; or later, via the web or iTunes.

    SAMPLE TWEET: Join @ColumbiaJourn for #Pulitzers webcast w/admin @sgissler, winner @sallykestin & others, 1pm ET: http://bit.ly/cjpulitzer2013 #cjsm

    ==>    Friday, May 24, noon-1 pm New York time
    [ see local time around the world: http://timeanddate.com/s/2daq or get a countdown at http://timeanddate.com/s/2dar ]

    from http://bit.ly/cjpulitzer2013

    LISTEN LIVE OR LATER TO A RECORDING: You can also call-in live via phone, Skype, etc: +1-646-915-9583 (to listen or ask questions) or http://bit.ly/cjpulitzer2013

    Columbia Journalism School and BlogTalkRadio present… The 2013 Pulitzer Prizes: A conversation with Prof. Sig Gissler (@SGissler), Pulitzer administrator and some winners of this year’s prizes, including Public Service winners Sally Kestin (@SallyKestin), investigative reporter, and John Maines, database editor, of the Sun-Sentinel: http://www.pulitzer.org/citation/2013-Public-Service ; as well as National Reporting winner Elizabeth McGowan, reporter on "The Dilbit Diaster" for Inside Climate News: http://www.pulitzer.org/citation/2013-National-Reporting . See all the winners at Pulitzer.org * Call-in live to this conversation with Prof. Sree Sreenivasan or send your questions to sree at sree.net or via Twitter to @columbiajourn or @sree. See 80+ J-school webcasts at http://BlogTalkRadio.com/columbiajournalism

    SAMPLE TWEET: Join @ColumbiaJourn for #Pulitzers webcast w/admin @sgissler, winner @sallykestin & others, 1pm ET: http://bit.ly/cjpulitzer2013 #cjsm

    ==>     TIP: Want to get an automagic email one hour ahead of every
    Columbia J-school webcast? Create a free account at http://blogtalkradio.com/columbiajournalism and hit the "follow" button

    We have more than 80 webcasts in our BlogTalkRadio archives – here are the three classics from the collection:

    ==>       RECORDED VERSION: Meet Ira Glass, creator, host and producer of WBEZ’s “This American Life.” Columbia Journalism School (@ColumbiaJourn) presents a conversation with legendary radio producer Ira Glass. Glass will discuss his career in public radio, what he looks for in a narrative, the changes taking place in public radio and the future of This American Life. If you have any questions you’d like Ira to answer contact Alexander Hotz, alum and Digital Media Associate at alexandermhotz@gmail.com or tweet him at @hotzington. Moderated by Hotz (@hotzington) & Prof. Sree Sreenivasan (@sree). LISTEN TO A RECORDING: http://bit.ly/cjglass

    ==>       RECORDED VERSION: #Jan25: A Year Later: On the anniversary of the
    start of the Egypt protests on January 25, 2011, we host a conversation with local & international correspondents & experts about the turbulent events and look ahead about what's ahead for the Middle East and North Africa. [alum] Abeer Allam, Saudi correspondent for Financial Times [@abeerallamFT]; [alum] Ahmed Al-Omran, blogger focused on Saudi & Syria/NPR [@ahmed]; [alum] Rawya Rageh, Egypt/Iraq correspondent, AJE [@RawyaRageh]; [alum] Rebecca Santana, Iraq Bureau Chief, AP [@ruskygirl]; Tamer El-Gobashy of WSJ [@TamerELG]; [alum] Ahmed Shihab-Eldin, co-host/producer, AJE/The Stream [@ASE]; Jigar Mehta, creator of #18daysinEgypt collaborative doc project [@jigarmehta]; Jillian C. York, Director of International Freedom of Expression at the Electronic Frontier Foundation/blogger [@jilliancyork]; Bobby Ghosh, former Baghdad bureau chief and now World Editor, Time [@ghoshworld]

    LISTEN TO A RECORDING: http://www.blogtalkradio.com/columbiajournalism/2012/01/25/jan25-a-year-later

    ==>     RECORDED VERSION: Columbia Journalism School presents a conversation
    with Class of 1998 alum Tom Rachman, author of one of the most popular books of the last 16 months, "The Imperfectionists." Set in a fictional English-language newspaper in Rome, the novel has received rave reviews worldwide, including being put at the top of NYT book reviewer Janet Maslin's list of top 10 books of 2010. See more at

    http:  //TheImperfectionists.com or connect with him on Facebook: http:  //bit.ly/fbrachman * "This book is so good I had to read it twice
    simply to figure out how he pulled it off… hilarious and heart-wrenching." – Christopher Buckley, New York Times Book Review. LISTEN TO A RECORDING: http://bit.ly/cjrachman

    SEE THE FULL ARCHIVES AT BLOGTALKRADIO: http://blogtalkradio.com/columbiajournalism

    HOW TO LISTEN VIA iTUNES: The sessions are archived for easy replay via web link and for optional downloading as MP3 files and into iTunes: The audio webcasts are also available as downloadable MP3 files for your personal collection and on-the-go listening. If you want to subscribe to these as podcasts on iTunes, go to "Advanced" within iTunes, then select "Subscribe to podcast" and type in http://www.blogtalkradio.com/columbiajournalism/feed and hit OK. Or, just go type in "ColumbiaJournalism" (one word, no quotes) in the regular iTunes search box. Or just go directly to feed://www.blogtalkradio.com/columbiajournalism.rss

    To listen live – or later to a recording – point your browsers to http://blogtalkradio.com/columbiajournalism

    cheers, sree

    Prof. Sree Sreenivasan | sree@sree.net | http://sree.net | @sree
    Chief Digital Officer, Columbia University
    [ an explanation: http://bit.ly/sreejob3 ]

    TWITTER: @sree – http://twitter.com/sree (tweeting tech, media & more)
    FACEBOOK: http://fb.com/sreetips or http://fb.com/sreenet
    LINKEDIN: http://linkedin.com/in/sreenivasan
    INSTAGRAM: http://instagram.com/sreenet
    ->      SreeTips blog on CNET News: http://bit.ly/sreetips

    Job Openings At WXPN

    FYI – WXPN at the University of Pennsylvania is hiring. Details below.

    ———- Forwarded message ———-

    The World Cafe needs a new, full time Line Producer:

    http://www.xpn.org/inside-xpn/jobs/wxpn-line-producer

    Until that position is filled they are seeking…

    Job 1:

    WXPN is hiring a part time temporary production assistant to fill in on production until a new full time Line Producer is hired.  Duties include putting together the World Cafe program, uploading the weekly World Cafe podcast, archiving, and other production tasks as assigned.  Some previous production experience, preferably with SAW, is required.  The position is 8 – 40 hours a week (we are open to hiring one person or more than one person depending on availability).  It is a temporary position starting as early as May 29th.  Duties similar to the FT Line Producer posting here: http://www.xpn.org/inside-xpn/jobs/wxpn-line-producer If you are interested, please contact Kimberly Junod at kimberly@xpn.org.

    There is also this…

     

    Job 2:

    WXPN is hiring a part time temporary production assistant.  Duties include editing World Cafe interviews under supervision, assisting with the World Cafe Latin Roots series, and other production tasks as assigned. Some previous production experience, preferably with SAW, is required.  Also required: demonstrated sound editorial judgment and the ability to work independently.  The position is 16 hours a week.  It is a temporary position starting early to mid June.  If you are interested, please contact Kimberly Junod at kimberly@xpn.org.

    Labor stringers needed in the West

    Workers Independent News is looking for stringers in the Western US.  If you're interested, contact Jesse Russell at laborradio@gmail.com. -Mia

    Labor stringers: Portland/Seattle, Las Vegas, Los Angeles

    Workers Independent News is seeking to strengthen our labor coverage along the West Coast. We're seeking regular freelancers in the northwest, LA, and Las Vegas. We're hoping to find reporters who'd be able to commit to generating at the least two stories from your region per month. We focus heavily on working family issues and underrepresented communities.

    We have a number of issues we're hoping to cover in the listed regions, but we're also open to pitches. Feel free to contact me for more information. laborradio@gmail.com.

    America Abroad seeks full time radio producer

    America Abroad is hiring a full-time producer. Contact jobs@americaabroadmedia.org to apply. -Mia

    ———- Forwarded message ———-

    Radio Producer – America Abroad

    America Abroad is seeking a full time producer for its nationally-distributed (PRI) monthly public radio program. Working together with our Senior Editor, Executive Producer, and hosts, this producer is in charge of all daily production duties, and should be able to spearhead the creative editorial process as well. The right candidate will be willing to think critically about big topics, from global education issues, to advances in energy technology, entrepreneurship, war doctrine, and the role of religion.

    Primary responsibilities:
    • Researching, brainstorming, and pitching ideas for shows and show segments
    • Drafting host questions, scripts, and other copy as needed for the broadcast as well as the America Abroad website
    • Scheduling and coordinating meetings, recording sessions, and interviews with America Abroad staff and hosts
    • Finding and recruiting freelance radio journalists, when needed, for field reports, from across the globe
    • Collaborating with web staff to aid them in creating multimedia materials, including a monthly newsletter about the program
    • Coordinating with partner programs to facilitate broadcast of America Abroad pieces

    Required qualifications:
    • At least 2 non-internship years audio production and editing experience
    • At least 4 years non-internship radio journalism experience
    • Bachelor’s Degree in journalism, international affairs, or related focus, MA preferred
    • Experience producing audio on ProTools or similar broadcast digital audio workstations and editing in-depth interviews.
    • Broad familiarity with international affairs, including think tanks, experts, journalists, and authors
    • Ability to work independently, plan ahead, and manage time effectively
    • Willingness to approach contentious issues from all possible sides, with an eye towards fairness and accuracy
    • Attention to detail

    Preferred qualifications:
    • Education in or demonstrable knowledge of international affairs
    • Experience in international-affairs related reporting or producing
    • Fluency in a non-English language
    • Developed contacts in other countries and in internationally-focused organizations
    • Familiarity with the PRSS upload system, Google Docs, Audio Hijack Pro
    • Demonstrable knowledge of fair use in documentary production and related journalistic skills

    SOTRU Call for Interns

    State of the Re:Union is looking for interns for their summer / fall season. Details below. -mia

    For each hour-long episode, SOTRU travels to a different American city or town to tell the most extraordinary stories unfolding on the ground in that place. Our mission is to bring American life into focus, examining the things that divide us as well those that bind us together.

    SOTRU currently has several openings for interns for our next
    production season, June 15 – October 15. Duties include transcribing
    interviews, story research, pre-interviewing, and podcast / multimedia
    production. Interns are invited to listen in on editorial calls with
    our host, editor and radio producers as we shape each episode, story
    by story.

    To be considered for a SOTRU internship, you should have a strong
    creative background, solid writing skills and be able to take
    direction. Self-starters who value attention to detail have
    particularly enjoyed interning with us. Audio and video editing skills
    are very welcome. Our staff works remotely, and you can too; people
    anywhere in the U.S. can apply. This internship is unpaid, and we
    generally ask for about 10 hours a week, sometimes more during busy
    weeks.

    You can read more and listen to the show right on our website,
    www.stateofthereunion.com. If interested, please submit a cover letter
    and resume by June 3 to:

    internships(at)stateofthereunion(dot) com

    We will evaluate candidates on a rolling basis, so earlier applicants
    may snap up available positions. Thanks for reading and spread the
    word!

    Fund for Investigative Journalism grants, deadline June 10

    The Fund for Investigative Journalism seeks grant proposals – deadline June 10.

    ———- Forwarded message ———-

    (Washington DC) The Fund for Investigative Journalism (FIJ) is seeking grant proposals for independent investigative projects from journalists who need support for travel and other reporting expenses. Applications are now being accepted. The deadline to submit a proposal is 5 p.m. EDT, Monday, June 10, 2013.

    FIJ is interested in proposals that break new ground and expose wrongdoing. Projects from ethnic media are strongly encouraged.

    Grants average $5,000. The awards support the costs of reporting, such as travel and document production expenses. Small stipends will be considered as part of the overall award.

    On FIJ’s home page, click on “Apply for a Grant” for detailed instructions, requirements, and online application form. The FIJ board announces the grant decisions about six weeks after the application deadline. Prospective applicants are encouraged to contact executive director Sandy Bergo with questions about the process, 202-662-7564, or fundfij@gmail.com.

    The Fund for Investigative Journalism (FIJ) is a grant-making nonprofit journalism organization. For more than forty years, the Fund for Investigative Journalism has supported work by independent and freelance reporters who do not have the resources to do their investigations. 

    In partnership with Investigative Reporters and Editors and the Society of Environmental Journalists, the FIJ also matches grant recipients with veteran journalists who serve as mentors, at the recipient's request. 

    FIJs grants are made possible through generous funding from the Park Foundation, the Green Park Foundation, the Ethics and Excellence in Journalism Foundation, the Gannett Foundation, The Herb Block Foundation, The Morton K. and Jane Blaustein Foundation, The Nara Fund, the Otto-Whalley Family Foundation, private family foundations, and individuals. Donations can be made online or by mail to The Fund for Investigative Journalism, 529 14th Street NW 13th floor, Washington DC 20045.

     

    The Making of… event at SFMOMA May 30 and 31

    I would SO be at this event if I could. -Mia

    ———- Forwarded message ———-

    It's just around the corner. The Kitchen Sisters' extravaganza at the San Francisco Museum of Modern Art celebrates the creative culture across the region. Next Thursday and Friday, May 30-31, dozens of makers from north, south, east, and west converge as part of The Making of…cheese, surfboards, hot rods, a story…

    AIRster Roman Mars will unpack his 99% Invisible podcast, Anayansi Diaz Cortes is taking a break from her Sonic Trace multimedia project @ KCRW to transport "La Burbuja" north, Haley Howle from the Austin Music Map squad is coming in, StoryCorps is in from the east, and the Zeega team will display their wares. AIR's executive director Sue Schardt will be in the house with luminaries from KQED who, with AIR and The Kitchen Sisters, collaborated on The Making of… as part of Localore ( www.localore.net ).

    Do you want in on the action? The Kitchen Sisters are looking for AIRsters near and far to make something to contribute:
    http://blogs.kqed.org/makingof/2013/04/12/makers-wanted-at-sfmoma/

    Thu schedule: http://www.sfmoma.org/exhib_events/events/2303

    Fri schedule: http://www.sfmoma.org/exhib_events/events/2327

    Help muster a strong cadre of AIRsters and friends. If you're able, show up at the museum's Koret Visitor Education Center on Thursday, May 30th from 5 to 6pm for a presentation by The Kitchen Sisters who will take us a little deeper into the making of The Making of…

    See you there!

    Pop Up Archive beta is here!

    Hey audio nerds. I've been banging around in this program for a week or so and it's pretty cool. Request an invite if you're interested. This may just be the future of raw interview storage. -Mia

    Beta is here.

    We've hardly come up for air these past few weeks. But we are thrilled to launch the beta version of Pop Up Archive into the world!

    Request an invite at popuparchive.org today and liberate your previously unsearchable audio.

    After an insane and memorable week at SXSW: Interactive in Austin in March, we came away with our work cut out for us: improving Pop Up Archive so that it's a reliable place to make all kinds of audio searchable, findable, and reusable.

    Thanks in no small part to the brilliant development team at PRX, we've come leaps and bounds in the past few weeks. But technology is nothing without content. So what does Pop Up Archive do exactly?

    • Generates automatic transcripts and keywords so that audio is both searchable and easy to organize.
    • Provides access to an archive of sound from around the world.
    • Saves time and money for producers, creators, radio stations, media organizations, and archives of all stripes.

    The content creators and caretakers we're talking to have valuable digital material on their hands: raw interviews and oral histories, partial mixes of produced works, and entire series of finished pieces. But they can't revisit, remix, or repackage that material. It's stored in esoteric formats in multiple locations. And it gets lost every time a hard drive dies or a folder gets erased to make more space on a laptop. 

    We're hearing things like:

    • "Someday I’m gonna spend a month organizing all this, but I plug [hard drives] in until I find what I need."
    • "Imagine being able to find a sentence somewhere in your archive. That would be an amazing tool.”
    • "Unfortunately… we don’t have a good way of cleaning [tags] to know that 'Obama,' 'Mr. Obama,' and 'Barack Obama' should be just one entry."

    But no one wants to figure out how to save all that audio, not to mention search on anything more than filenames. Some stations and media companies maintain incredible archives, but they've got different methods for managing the madness, which don't always line up with workflows and real-world habits. Content creators rely on their memories or YouTube to find old audio, and that works to a degree. But in the meantime, lots of awesome, time-saving and revenue-generating opportunities are going to waste.

    So what are you waiting for? Got some trapped archival audio in need of liberation? Request an invite here. If you already have, you'll hear from us soon.

    Want a taste from the archive? Listen to Nikki Silva describe War and Separation, one of the first pieces The Kitchen Sisters produced for NPR in the early 1980s. Then visit Pop Up Archive this week to hear the full piece.

    Read more in the press release.

     

    Copyright © 2013 Pop Up Archive, All rights reserved.
    You are receiving this email because you have expressed interest in Pop Up Archive.

    Our mailing address is:

    Pop Up Archive

    2355 Broadway, Oakland, CA
    Ste. 402

    Oakland, CA 94612

    Create the story of Newburgh, NY – FREE multimedia workshop, June 1

    I'm co-teaching this FREE workshop – help spread the word, and if you're in the Newburgh area, join us! -Mia

    Click to view this email in a browser

    top_left1.jpg top_left2.jpg top_right1.jpg top_right2.jpg
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    Our Story 
    Help create a video that celebrates Newburgh

    • Learn how to record audio and video, no previous experience necessary

    • Hit the streets  with an experienced facilitator to document the "story" of Newburgh
    • Collaborate with Sound and Story to create a multimedia presentation that will premier at the library

    Saturday June 1, 2013

    10:00am to 4:00pm

    Newburgh Free Library

    124 Grand Street,
    Newburgh, NY

    Lunch is provided

    Space is limited, register today: 845-563-3614

    spacer.gif
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    Newburgh Library LogoHelp us get the word out. Forward this email to friends and colleagues.

    For questions or more information, please email shilo@soundandstory.org. Our Story is a program of the Sound and Story Project and the Newburgh Free Library.

    NYSCA Logo

    soundandstory.org

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    Above the Fray Fellowship, deadline July 1

    Details HERE and below on the annual Above the Fray/NPR fellowship. Deadline July 1. -Mia

    Above the Fray, a fellowship in conjunction with NPR, is the keynote program of the John Alexander Project.

    The Above the Fray fellowship is designed to give a promising radio journalist the opportunity to cover important but under-reported stories from a location abroad. One fellow will be selected each year based on a winning proposal to report from a region lacking significant mainstream media attention. The selected individual will spend three months filing on-air and online stories for NPR.

    Above the Fray supports curious, truth-seeking, spirited individuals who wish to cover under-reported regions, but who do not have the financial means or professional support to pursue these stories. The fellowship is not about finding the most experienced candidate; it is about cultivating the next generation of international journalists. The fellowship strives to discover journalists who are at pivotal moments in their careers: those who are armed with the skills to independently tell stories and who possess the ability to take audiences off the beaten path.

    Applicants should have 3-5 years of professional experience. Above all, the applicant must express sincere interest in innovative foreign reporting, a curiosity about global cultures and a demonstrated record of journalistic potential.

    Please be sure to sign up for our mailing list to stay up-to-date. Fellowship deadlines and details here.               

    general inquiries

    info@thejohnalexanderproject.org

    To subscribe to our mailing list, send an e-mail to mail@thejohnalexanderproject.org.

    contact the Directors

    Patrick Alexander: patrick@thejohnalexanderproject.org
    Anne Marler: anne@thejohnalexanderproject.org
    Alissa Shapiro: alissa@thejohnalexanderproject.org

    Mailing Address

    Attn: The John Alexander Project
    1439 Q Street NW
    Washington, DC 20009

    The People’s Film Festival 2013 MAY 30 – JUNE 2 HARLEM NYC

    FYI, NYC film folks. Post a message on the FC Facebook page if you know anything about these folks. Seems like a great annual event. -Mia

    The second annual People’s Film Festival (TPFF) presented by the Four Builders Foundation, kicks off May 30 –June 2, 2013 in Harlem, New York

     OPENING NIGHT THURSDAY MAY 30TH

    at The Magic Johnson Theater at 125th Street & 8th Avenue

     featuring 

     "Toussaint Louverture

    a two-part epic film directed by Philippe Niangdepicting the life of the Haitian leader. Louverture led the first successful slave revolt in world history, defeating Napoleon Bonaparte and winning independence from France.

    After party at Harlem's Floridita Bar Restaurant  700 W 125th St (At 12th Ave)

    Ticket price for opening night film & reception – $20 (no tickets will be sold at the box office)

     

    FRIDAY MAY 31ST – SUNDAY JUNE 2ND

     at Maysles Cinema 343 Malcolm X Blvd. (Lenox Avenue) 

    The ticket price for all other individual film programs at the Maysles Cinema – $10.00.

    Tickets may be purchased online at http://bit.ly/TPFFTICKETS

     

    For the festival lineup and more information, please go to http://www.thepeoplesfilmfestival.com

     

    FESTIVAL LINEUP

    http://thepeoplesfilmfestival.com/tpff-festival-lineup/

    OPENING NIGHT FLYER SIDE A

    http://bit.ly/TPFFTOUSSAINTOPENINGNIGHTFLYER

     

    FESTIVAL FLYER SIDE B

    http://bit.ly/TPFF2013POSTER

    Marketplace looking for new contributors!

    Yet another reason to join AIR if you're not already a member – direct posts like this. -mia
    Check this out, from the excellent John Haas! Take a few minutes to brush up on how to best pitch Marketplace by reading our AIRblast spotlight. Its a beautiful primer from editor Celeste Wesson, and a companion AIRmuse from Lisa Matsuka, the producer who pitched that lays out what happened *after* she "got to yes." For real.  http://airmedia.org/AIRblast/AIRblast_5_8web.html

    Tell 'em AIR sent you.

      Marketplace is looking to buy freelance feature pitches. If you have a story that has an intriguing angle, a great scene, and elements of surprise/creativity, please send your pitch to jhaas@marketplace.org (please put “PITCH:” at the start of your subject line). We write in simple, casual, conversational language written for the ear, so listeners can easily process what we’re saying.

    Stories have to have a money angle of some sort. And if the pitch is based on a local story/event, make sure it has a wider context so people all over the country would care about the topic.

    Here's a list of things that may inspire your pitch. But by themselves, they aren't enough:

  • A question
  • An idea
  • An overview
  • An issue
  • An event (especially not a conference)
  • A character (that includes quirky startup companies)
  • An anecdote
  • An unattributed paragraph from a newspaper story

    Thanks so much.

  • Grantseeking 101 Workshop in Atlanta, July 10

    If you're in or around Atlanta in early July, this looks extremely useful. -Mia
    See below from all-star AIR mentors Amie Miller and Maureen Paschke. They're offering a one-day pre-PMDMC workshop on the how-tos of grantseeking in Atlanta on July 10. You do not have to be registered for PMDMC to attend, but the online registration system isn't set up for this, so if you are interested, you should directly contact Tanya Boch at DEI to work out the billing. She can be reached at tboch@deiworksite.org

    From Amie:
    For any producers who might be interested, we'll be offering a full-day workshop on the how-tos of grantseeking as a PMDMC pre-conference session in Atlanta. The day-long workshop will be on Wednesday, July 10. It will be led by Maureen Paschke and myself. It will cover the full process of grantseeking and will also include quite a bit of hands-on/interactive work.  

    More info is available here:  
    http://www.cvent.com/events/public-media-development-and-marketing-conference-2013/custom-21-02e2f9d0e5584b0391c95fa961d357ce.aspx.

    The official description is here:

    Grantseeking 101
    Wednesday, July 10, 2013 (8:30 a.m. – 5:30 p.m.)
    Foundations give away more than $40 billion annually. Is your station getting a share? Whether you’re new to grantseeking or refreshing your skills,this session will help you become a successful grantseeker. We’ll cover topics including: building a compelling case; developing relationships with foundations; crafting effective projects and proposals; and communicating meaningful impact. You’ll also learn about what foundations look for and about resources that are available now to help you win grants. Join Amie Miller, DEI Foundation Support Coordinator, and special guests to be announced.

    Fee: $399 

    Apply for AIR/UnDo’s Full Spectrum Storytelling Intensive

    Check out this Storytelling Intensive lead by the incomparable Amanda Aronczyk. -mia

    AIR and UnionDocs Present:
    FULL SPECTRUM STORYTELLING INTENSIVE

    Brooklyn, NY


    August 5 – 9, 2013

    December 16 – 20, 2013

    Is your skill set stretching to its full dynamic range?

    Would a prism of expert experience help your story find its true colors?

    Explore our new, Full Spectrum Storytelling intensive:
    http://www.airmedia.org/PageInfo.php?PageID=782

    This audio-first intensive designed by AIR (http://www.airmedia.org) in partnership with UnionDocs (http://www.uniondocs.org) exposes producers to a broad range of creative approaches to storytelling and an expanded set of technical skills. It offers key ideas and sharpened tools for navigating your own path through the 21st century multimedia environment.

    Independent producer and lead instructor Amanda Aronczyk heads up a team of accomplished guest speakers — experts drawn from public broadcast journalism, network technology, and media art who will take up to 14 producers on a week-long excursion through storytelling to sound processing to interactive design and more. Hands-on exercises and daily work-in-progress critique will put this new knowledge into practice.

    Guest speakers include: Emily Botein, Kat Cizek, Jocelyn Gonzales, Ann Heppermann, John Keefe, Jonathan Mitchell, and Stephen Vitiello.
    
Visit our site for additional information, including an outline of the class and instructor and guest speaker bios:
    http://www.airmedia.org/PageInfo.php?PageID=782

    APPLY:
    https://airmedia.wufoo.com/forms/full-spectrum-storytelling-intensive/

    Producers will be accepted on a first come, first serve basis. Space is limited.

    <<<$750 – Early Bird Registration. Deposit received by June 1.>>>

    <<<$800 – Regular Registration. Deposit received by July 1.>>>
    
<<<$850 – Late Registration by August 1.>>>

    +++Full attendance is mandatory. If you are unable to attend each day of the intensive, please do not apply. Class meets from 10AM – 6PM, Monday through Friday.+++

    Questions? Contact AIR's Membership Director Erin Mishkin at erin@airmedia.org.

    Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

    AIR
    P.O. Box 220400
    Boston, MA 02122
    www.airmedia.org

    MetLife Foundation Journalists in Aging Fellows Program, deadline July 1

    NAM Announces Fellowship on Aging 

    Ethnic media journalists can now apply for the newly approved 2014 MetLife Foundation Journalists in Aging Fellows program. This fourth-year collaboration between New America Media (NAM) and the Gerontological Society of America (GSA) is open to both ethnic-media and mainstream-press reporters (half each), who may be staff members or freelancers. Proposed fellowship projects can be for any language. Selected reporters from any medium will receive a $1,500 stipend and attend GSA's Annual Scientific Meeting in New Orleans next November (the weekend before Thanksgiving).

    The deadline for applications will be July 1, 2013. Click here for details and to apply online. 

    To be chosen will be 16 MetLife Foundation Fellows. And, for the second year, one reporter will be tapped for a special John A. Hartford/MetLife Foundation Journalism in Aging & Health Fellowships. Fellows in this program have generated almost 200 stories in the first three years. Applicants can review them to get an idea of selected projects by visiting this website.

    Those with questions can contact NAM's Paul Kleyman, Director Ethnic Elders Ph: (415) 503-4170 ext. 133; e-mail:pkleyman@newamericamedia.org.

    The 2013 application deadline is July 1.

    Background

    Dates and Location
    Requirements
    Dissemination

    Stipend and Travel
    Selection Process and Eligibility

    Additional Information
    Application Process

    Deadline

    Background

    The Gerontological Society of America (GSA) and New America Media (NAM) are welcoming applications — from journalists who cover issues in aging and/or who work for ethnic media outlets serving U.S. communities — for the fourth year of a joint fellowship program underwritten by the MetLife FoundationStories resulting from the last three years are available on GSA's website. Once again, the John A. Hartford Foundation also is supporting one John A. Hartford/MetLife Foundation Journalism in Aging & Health Fellow, who will report on topics specifically related to the health and health care of older Americans.

    By 2030, people age 65 and over will make up a full one-fifth of America's population, with a growing percentage of them representing ethnic minorities. The health and social consequences permeate every aspect of life in this country. For example, the first members of the huge baby boomer generation have already begun receiving full Social Security benefits. While America’s mainstream media have largely ignored this emerging story, most communities are poorly informed about the significant challenges — and opportunities — of the longevity revolution.

    Dates and Location

    Selected Fellows will attend GSA’s 2013 Annual Scientific Meeting, which is taking place in New Orleans from Wednesday, November 20, to Sunday, November 24. This event will welcome 4,000 experts in the field of aging and the schedule includes hundreds of symposia, papers and posters — all featuring new research presented for the first time. At the meeting, reporters will find ideas for new stories and fresh angles on existing topics from Alzheimer’s disease to Social Security and Medicare.

    Requirements

    Each Fellow will be expected to participate in a special one-day preconference session (Wednesday, November 20) and at least two days of general meeting sessions (Thursday, November 21, and Friday, November 22). Fellows will also commit to completing one short-term story about any aspect of the meeting and a long-term in-depth project of their own design. The latter must be outlined in a one-to-two page proposal.

    All articles must be published, broadcast, or posted through distributed or circulated news media entities rather than personal blogs, and will be required to include a note at the beginning or end noting that it was written/produced in conjunction with the fellowship. (Reporters will be provided text samples that may be adapted for different media.) The stories must reach an audience within the U.S.

    This MetLife Foundation Journalists in Aging Fellowship program will be fully administered by GSA and NAM. Neither the MetLife Foundation, the John A. Hartford Foundation, nor any connected corporate entities will have any involvement with or influence on the selection of proposals or editorial aspects of the projects. 

    Short-term stories: Fellows must produce a story of no less than 500 words (or comparable broadcast length) stemming directly from any aspect of the GSA Annual Scientific Meeting. The piece must be completed no later than December 24, 2013, and scheduled to be disseminated no later than December 31, 2013. The story can be a news report, feature, or commentary/blog covering the meeting itself or a study or discussion presented therein. Unlike the long-term project (see below), applicants need not propose a topic for the short-term story ahead of time, nor do they have to obtain advance approval from an editor/producer that the piece will be considered as an editorial assignment for publication or broadcast. The subject matter also need not be related to that of the long-term project. Selected Fellows will be permitted to publish their short-term and long-term pieces through different media organizations, but it is still the Fellow's responsibility to see that the pieces are published in such a case. Therefore, applicants should indicate where they expect to place the short-term story if it will appear in a different news outlet than the long-term project.

    The GSA meeting includes hundreds of symposia, papers, and posters in dozens of topic areas. Some months prior to the conference, reporters will be able to consult the interactive meeting planner, which contains the full program schedule. 

    Long-term projects: Each Fellow will submit a proposal outlining a major story or series that she or he intends to research and write. The story or series should be of the Fellow's own design, documenting and explaining a pressing issue that elders and their families or communities are facing.

    The project deadline will be March 1, 2014, and it must be scheduled to be disseminated no later than June 1, 2014. The story or series need not be based on any session at the Annual Scientific Meeting, although reporters are invited to interview expert presenters or utilize articles published in GSA’s peer-reviewed journals.

    Fellowship applicants are invited to make proposals on a wide range of subjects, such as caregiving challenges; dementia and its impact; intergenerational activities; healthy aging (including wellness and physical activity); safety education (e.g., falls and fall prevention); health disparities; elder abuse prevention; depression and social isolation; hunger; medication challenges; lifelong learning; art and creativity for older adults; aging in place; age-friendly communities; older-worker issues (e.g., career retraining and encore careers); and civic engagement (mentoring, volunteering, or otherwise “giving back” to society). Projects may, but are not required to, reflect at least one element of population diversity. This may include the involvement of diverse experts or facts about an issue’s effect on racial or ethnic groups.

    Hartford partnership: Applicants whose long-term project proposals specifically focus on health and aging topics will be eligible to become the John A. Hartford/MetLife Foundation Journalism in Aging & Health Fellow.  While not restricted to the following health care topics, added consideration will be given to applicants who propose long-term projects covering: health care workforce issues and the ability of health professionals to deliver skilled geriatric care; the education and training of geriatric specialists in medicine, nursing, and social work; and models of health care delivery that integrate and improve services for older patients.

    Both staff journalists and freelancers who apply must submit an agreement by his or her editor/producer to accept the long-term project proposal as an editorial assignment for publication or broadcast. Those who also serve as the principal editor/producer of a news outlet are also welcome to apply. These journalists need not provide a separate editor/producer’s assurance, but they should make their dual role as writer and editor/producer clear in the proposal.

    Although the primary editor/producer for stories will be at each reporter’s news outlet, Fellows will be encouraged to consult with project editor Paul Kleyman of NAM and the Journalists Network on Generations. With almost 40 years of experience writing on issues in aging, Kleyman works with journalists to consult with them on sources and background.

    Dissemination

    The stories resulting from this fellowship will first be published by each journalist’s media organization(s). NAM,  GSA, the MetLife Foundation, and the John A. Hartford Foundation will then have the option to cross-post the stories — with full credit and links back to the primary publisher — and make them available to websites or, in the case of NAM, its network of ethnic media outlets. 

    Because journalists sometimes apply from media outlets with formats differing from that of NAM, such as those publishing magazine-length articles, selected reporters may be required to work with NAM’s editor to adapt articles to their approach. This may result in a shorter article or series of articles suitable for news service distribution. NAM will take responsibility for such editing, and Fellows will have the right of final approval for adaptations before they are published.

    Reporters proposing stories to be published or broadcast in a language other than English must agree to provide an English translation to NAM and GSA within two weeks of initial publication, or to provide images with a separate audio narration in English for radio or video stories. Multimedia slide shows should be provided with image captions in English. (All such stories would be cross-posted by NAM or GSA with links back to the story in the original language.)

    Stipend and Travel

    Each Fellow will receive a stipend of $1,500, with half to be paid on arrival at the meeting and the rest upon completion of the long-term project. GSA will arrange and pay for all flights and hotel bookings (up to five nights — November 19, 20, 21, 22, and 23) in New Orleans, and qualifying local travel expenses (e.g., cab, train, or bus fares) will be reimbursed.

    Selection Process and Eligibility

    The fellowship selection panel will include experts in gerontology and editorial professionals from NAM and GSA. 

    All journalists are eligible to apply except for past recipients of this MetLife Fellowship. They will be notified separately of an opportunity to apply for a travel grant to attend the GSA meeting.

    Additional Information

    For further details about fellowship requirements and potential stories, contact NAM Ethnic Elders Editor Paul Kleyman atpkleyman@newamericamedia.org or (415) 503-4170, ext. 133. For further details about how to submit an application, contact GSA Communications Manager Todd Kluss at tkluss@geron.org or (202) 587-2839.

    Application Process

    Applications must be submitted in a single Microsoft Word or Adobe PDF file consisting of five components:

    1. A cover letter containing:

    • Applicant name

    • Mailing address
    • Office phone

    • Mobile phone
    • E-mail

    • Employer (Freelancers must specify their length of affiliation with the outlet that will publish or broadcast the story.)
    • Employer address
    • Employer phone

    • Employer’s circulation and audience demographic (Please indicate whether this media outlet serves a general audience or a specific racial/ethnic community.)

    2. A resume.

    3. A one- to two-page proposal describing the long-term project topic, how the subject will be researched and covered, the number of expected articles and their approximate length, relevance to the audience, and tentative publication date.

    4. A letter from an editor/producer agreeing to accept the long-term project proposal as an editorial assignment for publication or broadcast.

    5. Three samples of published or broadcast journalistic work. For applicants submitting print samples, the full story text must be included in the application document. For applicants submitting broadcast samples, please include hyperlinks to these stories — either on a news organization’s website or a file sharing site such as filesanywhere.com — in the application document.

    Applications that are not submitted in a single Microsoft Word or Adobe PDF file will not be reviewed. Business centers such as FedEx Office are able to provide conversion and/or scanning services.

    Please submit the file (using a file name format of “LastnameFirstname.doc” or “LastnameFirstname.pdf”) using the following link: https://www.filesanywhere.com/Dropbox/db.aspx?v=8970638e5c637675a06e.

    Deadline

    The 2013 application deadline is July 1.

    IRP seeks applications for Kazakhstan Trip, deadline June 14

    IRP Fellowship to Kazakhstan, Aug 3-14. Details below. Application deadline June 14. -mia

    The International Reporting Project (IRP) is now seeking applications from Journalists interested in travelling (fully funded) to Kazakhstan for a country tour including meetings with top politicians, artists, scientists, business leaders, community organizers etc to learn about the multi-cultural, religiously tolerant, nuclear powered, tulip-growing, apple-originating, eagle-hunting, democracy-questioning, media tightening nation. Please consider applying. Deadline June 14th, 2013. 

    The International Reporting Project (IRP) is now accepting applications from U.S. journalists for a media reporting trip to Kazakhstan, a huge but little-known Asian country whose government has been active in global nuclear nonproliferation talks. The trip, which will take place on August 3-14, 2013, is a unique opportunity to visit a key country of 17 million persons bordering Russia and China.

    The trip is open to editors and reporters from all U.S. organizations, as well as to U.S. freelancers with an interest in nuclear security and proliferation issues. All candidates must fill out an application form, which includes an essay describing their interest in participating in the trip. The deadline for applications is June 14.

    Kazakhstan, the world’s largest producer of uranium, was the world’s fourth largest nuclear power when it became independent 1991 after the collapse of the Soviet Union. Years of Soviet nuclear tests near the now-shuttered Semipatlatinsk test site left a legacy of radiation-related health issues that are still unresolved. President Nursultan Nazarbayev’s government recently hosted talks on Iran’s nuclear program and has proposed its own country as a site for a global nuclear fuel bank to be operated with the International Atomic Energy Agency (IAEA).

    In addition to examining nuclear issues, the IRP trip will also look at Kazakhstan’s political and economic status, examine the country’s environmental problems such as the drying up of the Aral Sea, look at the nation’s energy potential and examine civil society issues.

    More than ten metric tons of highly enriched uranium and three metric tons of weapons-grade plutonium in Kazakhstan are secured in long-term storage.

    Photo: National Nuclear Security Administration

    The International Reporting Project (IRP) will select up to 11 U.S. journalists on this trip. All selected journalists will be asked to gather in Washington D.C. on Saturday, August 3, for a lunch briefing with an expert speaker on Kazakhstan. The group’s flight will depart that evening. Participants will return to Washington, D.C., on Wednesday August 14.

    Participants are responsible for paying their own way between their home cities and Washington, DC. The IRP will cover all of the costs of the participants’ visas, air travel and accommodations in Kazakhstan, as well as meals that are part of the program schedule.

    Journalists will be strongly encouraged to post stories during and after the trip. Multimedia content and social media posts during the trip will be encouraged. All of the material produced by the participants on the trip will be posted on the IRP site and co-owned by the IRP and the journalists or their organizations.

    Applicants must have a passport that is valid for travel for at least six months following the end of the trip. All applications must be received at the IRP office by June 14, 2013. If you have questions about the application process, please contact us atirp@jhu.edu.

    Read our frequently asked questions and apply for the Kazakhstan trip by June 14!

    Summer Training at CDS / AIR stipends

    Love these folks and am saving my pennies to do one of their summer programs. Details about this year's offerings below. -Mia
    PS: And if you're into this sort of thing but aren't yet an AIR member, you should be.

    Summer's coming, and if you're thinking about coming to Durham, NC for "radio camp for grownups," it's time to think about registering. There are just a few spots left for Hearing is Believing, our introductory course, July 14-20. Making It Sing, our August 5-10 intensive for more experienced producers, is filling too but still has a number of spaces available. Also, between the two on the calendar, our friends at Big Shed are again offering the Artist's Retreat, a less-structured chance to come and get work done on a project alongside other creative types — and to enjoy homemade ice cream and singing on the porch. 
    AIR is offering members a $100 travel stipend to attend our advanced radio camp, Making it Sing. Five stipends are available, first come, first served. To apply for the AIR stipend: https://airmedia.wufoo.com/forms/q7x1k3/. If you know someone who's NOT an AIR member who might benefit from this opportunity, tell em to join AIR. 
    I'm delighted to announce that the brilliant (AIRster) Sean Cole will be our guest instructor/presenter for Hearing is Believing (the intro course). Shea Shackelford of Big Shed (another AIRster, of course) will be here along with me for both Hearing is Believing and Making It Sing. 
    To register or to read more about all these courses, and a few others offered by CDS in video and writing, go here: 
    Any questions, write to cdscourses@duke.edu, or to me off-list. 
    Best, 

    jb

    John Biewen 
    audio program director
    The Center for Documentary Studies at Duke University

    Joe Richman at CUNY jschool, May 17, 1PM

    One of my @cunyjschool colleagues, @alexgoldmark, is interviewing one of my radio idols, Joe Richman of @RadioDiaries. You don't want to miss this event: May 17, 1-2:30 PM, CUNY rm 308.

    Joe Richman, founder of Radio Diaries, is a master story sculptor–and one of the finest documentary producers around. Join us for an afternoon as he offers a behind-the-scenes peek into his latest work 16 years in the making. We’ll find out why audio storytelling, the original broadcast format, is as powerful and popular as ever.

    In 1996, Richman helped pioneer the genre of first-person storytelling that has become one of the hallmarks of public radio. He handed a group of teenagers microphones and recorders and asked them to document their own lives, in their own words

    The result was Teenage Diaries some of the most personal, moving, and memorable stories heard on NPR. In these portraits, we meet Josh who is struggling with Tourette’s Syndrome; Juan, an immigrant living in poverty in Texas, and Amanda who records her experience of coming out to her Catholic parents. “The tape recorder is there for all the surprises and lucky accidents of daily life,” Richman says.

    This month, Richman and NPR are releasing Teenage Diaries Revisited. Five of the original teens, now in their 30s, shared personal stories once again. Richman will tell us how he edited the project, re-connected with the diarists, and how he chose what new stories to tell. “A lot of life happens in sixteen years,” as he says.

    He will also discuss previous works including his historical documentaries and the use of the radio diary format to broaden media coverage of social issues, spanning life with AIDS, criminal justice, aging and more.

    Joined in conversation by Alex Goldmark, visiting assistant professor at the CUNY Graduate School of Journalism and senior producer at WNYC – New York Public Radio.

    FREE FOR CUNY J-SCHOOL STUDENTS AND ALUMNI
    $5 + $1.27 online registration fee for everyone else

    Space is limited. Register here. 

    2013 NAM Fellowship Program on Energy and the Environment, deadline May 20

    2013 NAM Fellowship Program on Energy and the Environment for Northern California Ethnic Media (a collaboration with SoundVision Productions' Burn: An Energy Journal) 

    DEADLINE: May 20, 2013

    The fellowship will support ethnic media and community media journalists based in Northern California to research and write at least one in-depth, reported story on energy or energy policy issues (e.g. the state's resource challenge; the role of energy efficiency and renewable energy; the water and energy nexus; the household economics of energy use). The story, or series, will be published or broadcast in the fellows' respective media outlets, and selected stories will be published on NAM's and SoundVision Productions' websites. Fellows will receive a $2000 stipend at the completion of the fellowship program. 

    In addition, Fellows will participate in a mandatory two-day tour of renewable energy sites in California from June 13-14, 2013, where they will get rare access to large-scale solar, wind and hydroelectric facilities to see how they operate and how they fit into California's energy landscape. 

    For more information, contact Ngoc Nguyen,nnguyen@newamericamedia.org415-503-4170 x 105

    Click here to download an application (This link will automatically download a copy of the application to your desktop). 

    The fellowship program and tour are funded in part by the S.D. Bechtel, Jr. Foundation and PG&E.

    Part time Job Opening at KCRW’s Sonic Trace

    KCRW is hiring a part time producer for one of its flagship Indie Producer Projects, Sonic Trace. This project is super cool – a great opportunity for someone.

    COMMUNITY PRODUCER, SONIC TRACE

    KCRW is looking for a producer to assist with Sonic Trace, a multi-media storytelling project. Sonic Trace began in early 2012 as a recipient of a Localore grant (AIR, CPB, NEA). The project uses radio, video, and mapping to create a mosaic of stories about LA’s immigrants from Mexico and Central America. Participants are asked three questions: Why do you stay? Why did you leave? Why do you go back? In the last 12 months, Sonic Trace captured stories from Angelenos in Koreatown, South Central and Boyle Heights. In year two, Sonic Trace will explore more regions of LA County, as well as Orange County. The Managing Producer of Sonic Trace is Anayansi Diaz-Cortes, a veteran independent radio producer.

    The Community Producer will:

    Record and conduct one-on-one interviews in La Burbuja, Sonic Trace’s portable recording booth.
    Produce and edit interviews for Sonic Trace’s multi-media website and for broadcast on KCRW.

    Collect and organize all content collected at La Burbuja recording sessions (audio and photos).
    Interface with community leaders and organizers to set up installation and operation of La Burbuja in various locations around Southern California.

    Communicate and engage with participants.
    Follow-up with each interviewee with a link to their story.
    Drive social-media engagement for the project.

    Write blog posts featuring audio, text and photos.

    This job requires a flexible schedule. Candidates must be able to work some weekends.

    Qualifications:

    Must have audio production and project management experience (ideally 2-3 years).
    Spanish and English language fluency is a must. Indigenous languages a plus.

    Must have excellent English- and Spanish-language writing skills.
    Experience working closely with Mexican and Central American communities in the greater Los Angeles area preferred.

    Candidates who have lived in Mexico, Guatemala, Honduras or El Salvador will be given preference.
    Experience working with Pro Tools and/or Hindenburg
    Experience working with WordPress

    Digital photography skills
    Experience in Final Cut a plus

    Send resume and links to work examples to jobs@kcrw.com.

    Spring Training for Journalists, May 4, SF

    Upcoming media training workshop from the good folks at the Freelancers Guild, THIS SATURDAY.

    The Center for Integration and Improvement of Journalism at San Francisco State University and the Pacific Media Workers Guild Freelance Unit will present a daylong Spring Training for Journalists, Saturday, May 4, in the Humanities Building at SFSU's main campus, 1600 Holloway Drive. To learn details and register online, visit http://guildfreelancers.org/gf.

    Please spread the word.

    KQED seeks Multimedia Content Producers for news explainer blog

    They're hiring content producers at my old stomping grounds. A few additional words from the hiring producer at KQED:


    Freelancers don't need to be local. The compensation will vary somewhat, but for a multimedia piece with a short accompanying text explainer, I'm thinking somewhere in the ballpark of $200.

    Contact Matthew Green with the material requested below – mgreen@kqed.org.

    Hi all,

    I run a news explainer blog at KQED public media. It's called The Lowdown, and exists to provide background context and basic analysis on key news events. The site – which launched last year – is geared to both general audiences and high school social studies teachers interested in integrating current events into their curriculum.

    I'm looking to assemble a small group of fairly regular content producers who ideally have the following qualifications (in order of importance):

    1.  Strong writing skills:  must be able to produce well researched, accurate, and very clean copy that does not require a major editing overhaul.

    2. A solid arsenal of multimedia production skills: the site features interactive maps, audio slideshows (and other interactive presentation formats), short video clips, infographics and interactive charts. Ideally, you have experience producing most of these assets. It'd also be great (but not essential) if you have some basic Javascript knowledge and experience with jquery, as I'm always interested in new formats.

    3. Ideally (but not required), some degree of eduction experience. This is a perfect gig for teachers turned journalists.  Having a basic understanding of high school social studies standards and some grasp of what it's like to be a teacher is a huge plus.

    A lot to ask, right?

    If interested, please send me a few clips (that illustrate your writing and multimedia skills) along with a list of your journalism/education experience and skill set.

    In terms of compensation, I obviously can't pay a huge amount (big surprise), but I do have some degree of flexibility, and am committed to paying a fare wage for solid work that I'd wager is a a good deal more than standard web journalism freelance gigs (I was a freelancer myself not long ago, so I've walked the walk).  

    I should also mention that over a year ago, at the start of my project, a sent out a call for freelancers to this listserve, but decided I still needed to further refine the site. So, if you responded to me back then, and I never got back to you, sorry about that – it doesn't mean I wasn't interested! Please apply again.

    Thanks very much!

    Call for Pitches from Snap Judgment

    Snap Judgement is looking for stories. Check out their HOW TO materials and see their specific call for pitches below.

    Snap Judgment is looking for stories for our upcoming themes. We're looking for highly narrative, personal stories, with something at stake and a surprising plot. Here's our theme list, but if you have anything you think would work well, feel free to send it. Send pitches to pitches@snapjudgment.org.

    Legends/Fairytales (THIS IS COMING UP, SO SEND IT IN SOON)
    True stories about the fables that we share. We're working on a story about how the legend of an occult group from the 1800s became something else today, and an investigation of how rumors of vampires arose in New Orleans, thanks in part to a group of mail order brides whose luggage looked a lot like caskets. Maybe you have a story of a legend you and your friends came up with and later discovered the truth about?

    Layover
    Stories that happen in limbo. An airplane terminal, a bus stop, in between relationships, in between jobs.

    Subterranean
    Stories of the underground, literal and figurative. Stories involving black markets, cave exploration, mining,

    Other themes coming up later:
    * Chain of Command
    * The Recipe
    * Layover
    * Nerd
    * He Said/She Said (Stories with two differing versions, told by two narrators)
    * Viral

    upcoming events from CUNY

    The latest happens from CUNY. 

    This Week at CUNY – April 29, 2013

    Best of the Week

    Pathways Ahead

    Planning your course schedule? If you are considering a transfer this fall to another college within the University, Pathways can help with your transfer and your degree completion. More »

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    Vote for the Scholarships Winners

    Over the past two months, CUNY students from all over NYC have been submitting videos, photo essays and comics in the hope of winning a $500 scholarship. The finalists have been chosen and now it's up to you to pick the winners. Click here to vote now! Also, don't forget to opt in to our mailing list to hear about more opportunities to win scholarships and other prizes and find resources to help you graduate from college. More »

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    Help Clean Up Orchard Beach

    Recycling is the solution to ocean pollution, so come out to the Orchard Beach Cleanup! GrowNYC is looking for volunteers to help with general cleanup, provide recycling tips for beachcombers and assist with weighing and consolidating recyclables. More »

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    Spotlight

    International Jazz Day Celebrates Louis Armstrong

    April 30 | Queens College

    Celebrate International Jazz Day with the public premiere of "Louis Armstrong at Freedomland," a newly discovered selection of recordings by the jazz master Louis Armstrong. More »

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    An Evening of Poetry

    April 29 | City College

    Readings by City College poets, including Laurel Kallen, David Groff, Pamela Laskin, Estha Weiner, Gregory Crosby and Salita Bryant. Sponsored by the Simon H. Rifkind Center. More »

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    Beyond Watergate With Carl Bernstein

    April 29 | John Jay College

    Author Carl Bernstein will deliver, "Beyond Watergate: Nixon and Ford, the Last Liberals?" as part of the series, Conflicting Conceptions of Justice in the 1970s. More »

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    PEN World Voices

    April 29 | CUNY Graduate Center

    The Segal Center welcomes PEN World Voices: New Plays from Spain, featuring the country's most respected dramatists to preside over readings of their works, in English, for the annual PEN World Voices Festival. More »

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    Performance of Play on Dylan Thomas

    April 29 | New York City College of Technology

    City Tech Theatreworks and Do Not Go Gentle Productions present a full production of "Dylan," a play focusing on the last two years of poet Dylan Thomas' life. More »

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    Conservatory Jazz Ensemble

    April 30 | Brooklyn College

    Arturo O'Farrill, director of the Conservatory Jazz Ensemble, presents classic and contemporary works by jazz masters, new and old. More »

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    'Attempts On Her Life'

    April 30 | Baruch College

    "Attempts On Her Life," by Martin Crimp and directed by Brian Rhinehart, is performed at the Baruch Performing Arts Center.   More »

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    After Lorca: A Day of Poetry and Performance

    May 1 | CUNY Graduate Center

    This daylong festival of performance and poetry responds to traditional and radical receptions of Federico Garcia Lorca in the United States. Featured artists will explore the tensions between urban and pastoral, foreign and American. More »

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    'Road to Freedom' Screening

    May 1 | New York City College of Technology

    Screening of "Stories from the Road to Freedom," created for the History Channel for Black History Month 2013 featuring compelling stories of the lives of African-Americans from Emancipation to the start of the modern Civil Rights movement. More »

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    'Wonder Women!' Screening and Discussion

    May 1 | Macaulay Honors College

    "Wonder Women! The Untold Story Of American Superheroines," is a screening and panel discussion that traces the fascinating evolution and legacy of Wonder Woman from the birth of the comic book superheroine in the 1940s to the blockbusters of today. More »

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    A Conversation with Marilynne Robinson

    May 1 | CUNY Graduate Center

    Extraordinary Lives: Marilynne Robinson in Conversation with Bill Kelly. The Pulitzer Prize-winning novelist and essayist and longtime faculty member at the Iowa Writers' Workshop makes a rare public appearance. More »

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    Music in Midtown

    May 2 | CUNY Graduate Center

    Music in Midtown series features string quintets of Mozart and Brahms featuring Daniel Phillips, violin; John Dalley, violin; Toby Appel, viola; William Frampton, viola; Marcy Rosen, cello. More »

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    Art History Education in the Digital Age

    May 2 | CUNY Graduate Center

    A discussion on "Art History Education Goes Digital: The Problem and Promise of the Digital Image." More »

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    MFA Creative Writing Program Reading

    May 2 | CUNY Graduate Center

    Writers and graduating students from the four City University of New York MFA Programs in Creative Writing — City College, Brooklyn College, Hunter College and Queens College — come together for readings of poetry, fiction and nonfiction at the Graduate Center. More »

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    Annual Chapbook Festival

    May 3 | CUNY Graduate Center

    Now in its fifth year, the 2013 Chapbook Festival celebrates the chapbook as a work of art and as a medium for alternative and emerging writers and publishers. More »

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    Performance of 'Dreamgirls'

    May 3 | York College

    Production of "Dreamgirls," the iconic Tony Award-winning Broadway musical, with music by Henry Krieger and lyrics and book by Tom Eyen. More »

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    Run the Bronx

    May 4 | Bronx Community College

    Bring your family, neighbors and friends to BCC's 35th Annual Hall of Fame 10K Run, 5K Run, and 2-Mile Fitness Walk. Rain or Shine! Free T-shirts and post-race refreshments for all participants. More »

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    Indian Dance and Music Festival

    May 4 | Baruch College

    The India Center presents the Sixth Annual Indian Classical Dance and Music Festival. More »

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    An Evening with Michael Feinstein

    May 4 | Queens College

    The Kupferberg Center for the Arts is excited to present the world-class performer Michael Feinstein for one spectacular show. More »

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    'Tommy Tune's Steps in Time'

    May 4 | Kingsborough Community College

    On Stage at Kingsborough presents, "Tommy Tune's Steps In Time," with nine-time Tony Award winner Tommy Tune's Broadway biography in song and dance, featuring the Manhattan Rhythm Kings. More »

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    (c) 2013 The City University of New York | www.cuny.edu

    Employment Opportunities at Colorado Public Radio

    Colorado Public Radio is hiring for a bunch of jobs, some freelance, some F/T. Details HERE and below.


    Employment Opportunities at Colorado  Public Radio 

    Videographer/Photographer
    The Colorado Public Radio Videographer/Photographer shoots, edits and processes video and photos primarily of performances and other activities in the CPR Performance Studio.  In addition accompanies News and Music reporters in the field to shoot, edit and process video and photos of interviews, events and gathers stock photos and footage.

    The ideal candidate will have knowledge of modern professional video production procedures, practices, and techniques; principles of digital video capture using DSLR or similar cameras; professional digital audio recording, video switching, Adobe Creative Suite video, photo and audio editing software for Microsoft Windows.  Also proper handling and troubleshooting of video production and post-production equipment.  Broadcast experience is helpful.

    It should be noted that this position involves non-standard hours as needed (nights and weekends) as well as occasional out-of-town travel.  The position requires good judgement, creativity, communication skills, the ability to work collaboratively, meet deadlines, and juggle multiple tasks as well as adequate vision, hearing and manual dexterity to complete assigned tasks. A valid driver's license required.  

    Please send comprehensive cover letter, resume, three professional references, and a link to video examples or portfolio, to hr@cpr.org, with Videographer in the subject line. No phone calls or drop-ins please. Colorado Public Radio is an equal opportunity employer and encourages workplace diversity.

      

    Digital Editor
    Colorado Public Radio News is looking for someone to lead the news department into the digital world. This growing newsroom will launch a news website mid-summer and needs a leader who can build a team of three digital producers and work with broadcast reporters and editors to deliver a first-rate digital news experience. 

    We’re looking for someone who:

    *is adept at writing for the web and social media

    *has experience managing a digital news team to produce solid stories in text, photos and videos and curate the best material from other sites

    *wants the chance to build from scratch a digital news team in a newsroom committed to supporting best practices and innovation

    *knows how to smoothly integrate digital news into the workflow of a newsroom, and work with talented broadcast reporters, hosts and editors as they transition to including digital into their workflow

    *would relish the challenge of leading the development of a web and social media presence for news, the interview program Colorado Matters, beats like education, government and health and the newly forming arts bureau with its own digital staff

    *thrives in an environment where change and growth are the norm

    *works well independently, but loves to collaborate

    All of this in a place with fascinating news and ideas to cover. It’s also a great place to live – skiing, hiking, bike paths, art, music, plays, food, hot springs, Peyton Manning, microbreweries and lots of sunshine. 

    Please send comprehensive cover letter, resume, audio samples and three professional references to hr@cpr.org with Digital Editor in the subject line. Competitive salary and benefits. Open until filled. No phone calls or drop-ins please. Colorado Public Radio is an equal opportunity employer and encourages workplace diversity. 

     

    Classical Host / Producer
    The Classical Host / Producer is responsible for creating an engaging daily airshift that is personable, timely, topical about classical music and local cultural events, interactive with the audience and delivered with the highest public radio standards for editorial content and announcing. Colorado Public Radio’s goal is to more deeply engage its audience and satisfy its cultural curiosity. This position will play a key role in that effort on and off-air.

    Essential duties and responsibilities include hosting a daily airshift either live or pre-recorded. Staying current on classical music news, events and issues locally, nationally and internationally.  Bringing relevant and interesting information to the air as part of each shift and as part of ongoing teamwork with CPR Classical staff to strengthen the overall on-air sound. Staying current on Colorado cultural events tying them regularly into each show in a cohesive way. Initiating programming features, interviews and listener interactions for on-air work and CPR Classical, furthering CPR’s mission. Coordinating all features, interviews and production through the CPR Classical Program Director. Assisting in regularly contributing written classical content through CPR’s website and social media such as Facebook and Twitter, coordinated through the digital production staff. Be the “face” of CPR Classical in the community by periodically hosting station events, station sponsored events and live broadcasts. Participating in live and pre-recorded on-air fundraising as required.

    Requires Bachelor’s degree or equivalent experience, and minimum five years on-air announcing experience, extensive knowledge of classical music and the recorded repertoire. Requires writing, interviewing and editorial skills comparable to NPR feature writing, and working knowledge of audio recording and production equipment (production boards, Flash mics, Adobe Audition and/or ProTools). General PC computer competency, and excellent personal and inter-office communication skills a must. Travel and non-standard working hours may be required. Knowledge of NexGen or comparable audio delivery software program, excellent speaking voice, and public speaking skills, ability to periodically address large audiences, and familiarity working with social media are pluses.

    Please send comprehensive cover letter, resume, audio samples and three professional references to hr@cpr.org with Classical Host / Producer in subject line. Competitive salary and benefits. Open until filled. No phone calls or drop-ins please. Colorado Public Radio is an equal opportunity employer and encourages workplace diversity. 

    Technical Operations Manager/Engineer
    TOC manager responsibilites include ensuring daily operations in the program automation system, scheduling program recordings and coordinating daily radio network operations, including transmitter monitoring, satellite uplink monitoring and automation system database management. Engineer responsibilities include for maintaining audio equipment and wiring in studios and equipment room, including an audio routing system, and for maintaining and repairing CPR broadcast transmission systems and sites.  Must keep current with the state of the art for computer, computer networks, software, broadcast, RF, production and distribution systems and equipment. The Technical Operations Manager and Engineer position is evenly divided between the Technical Operations Center and Engineering department and will eventually transition to a full time engineering position.

    Position must adhere strictly to FCC rules and regulations and stations policies. Responsible for creating and modifying audio routing system triggers (macros), assisting in training staff on FCC and CPR requirements, serving as liaison for producers, management and clients. Responsible for monitoring CPR’s PRSS portal, booking and performing remote ISDN feeds and two-way interviews, monitoring NPR Squawk channel for program advisories, performing EAS tests, monitoring on-air and digital transmissions for quality, and creating and maintaining documentation for all procedures. Works closely with the New Media & Technology and Engineering departments to accomplish organizational strategic goals.

    Requires  adequate hearing to make audio quality determinations and adequate vision to monitor minute changes in computer logging equipment. Must be able to perform during pressure or crisis situations. Requires working non-standard hours and being on an on-call rotation. Must live within 30 minutes driving distance of Colorado Public Radio’s primary studios at 7409 S. Alton Court, Centennial, CO. 

    Knowledge & competencies include experience in managing staff, client relations, audio and broadcast systems, NexGen or other radio broadcast automation system, Logitek audio routing systems or other audio routing systems, and PRSS and Content Depot delivery systems. Must possess the ability to communicate and listen actively, think and act strategically, adapt to changing needs, and prioritize assigned tasks. Strong writing and oral communication skills required. (link to full job description)

    Please send comprehensive cover letter, resume, salary history , and three professional references to hr@cpr.org, with TOC Manager/Engineer in the subject line. Competitive salary and benefits. Open until filled. No phone calls or drop-ins please.  Colorado Public Radio is an equal opportunity employer and encourages workplace diversity.

     

    Producer/Reporter
    The CPR Producer/Reporter produces interviews for Colorado Matters (our daily news interview program focusing on Colorado’s people, issues and ideas), and generates field reports that usually serve as set-up pieces for Colorado Matters interviews. Also occasionally covers breaking news for the news magazines and newscasts and supplies material for the web. The Producer/Reporter finds guests, and covers primary content areas: Government, Environment, Education, Business and the Economy, Science and Technology, and Arts and Culture. This position identifies trends, developing stories and best guests, writes a script for the host and edits audio for air. Reports features or uses field tape in production of the interview or provides tape or wraps for newscasts. May occasionally fill in for host. Coordinates website and social media content with Senior Producer and web producers, including audio, story summaries, and extended interviews, and writes and produces content for the web. Works with Public Insight Editor to utilize the Public Insight Network to develop stories, find sources and potential guests for Colorado Matters and produces reports. Participates in all assigned fundraising and outreach activities, on air and off. 

    Requires minimum 3-5 years journalism experience: public radio experience ideal. High-level writing and editing skills, demonstrated ability to identify key developments and distill complex matters. Able to work collaboratively, meet deadlines, juggle multiple tasks and multiple deadlines. Position based in Denver, and requires working non-standard hours from time to time and some travel. 

    Please send cover letter, resume, three professional references, and audio clips demonstrating a range of reporting, from deadline to in-depth features or enterprise work, and examples of on-air fundraising if applicable, to hr@cpr.org, with Producer/Reporter in the subject line. Application deadline is April 20, 2013. Competitive salary and benefits. No phone calls or drop-ins please. Colorado Public Radio is an equal opportunity employer and encourages workplace diversity.

      

    Health Reporter
    The Colorado Public Radio Health Reporter (link to full job description) covers a wide range of health care and related issues in the state and region, including the healthcare industry, legislation and public policy, insurance and the uninsured, and public and environmental health. Files reports for news magazines, newscasts, website, and other CPR News programming, with an emphasis on in-depth coverage. Primary focus on state and local issues and how national issues and policies play out in the state.  Identifies trends and developing stories, and pursues enterprise investigative work to uncover stories that no one else is reporting. Researches, writes, reports, edits, and voices a wide variety of  stories and series. Provides soundbites, wraps and voicers for hourly newscasts, and occasionally produces interviews for Colorado Matters. Collaborates with News Department on optimal placement of material. Contributes to CPR News website, including audio, text, extended interviews, photos, etc.  Contributes to CPR’s social media platforms. Works with Public Insight Editor to utilize the Network to find sources and potential guests for stories. Serves as a resource for the News Department on healthcare issues – identifying sources and opportunities for additional coverage, etc. Participates in all assigned fund-raising and outreach activities, on air and off.

    Must be available to work during non-standard working hours and weekend on-call shifts, as needed. Requires extensive knowledge of the beat area (see above). Minimum 5 years journalism experience; public radio experience ideal. High-level writing and editing skills, demonstrated ability to identify key developments and distill complex matters. Able to work collaboratively, meet deadlines, juggle multiple tasks. Position is based in Denver with some travel as needed for reporting and professional development.

    Please send comprehensive cover letter, resume, audio/work samples, and three professional references to hr@cpr.org, with Health Reporter in the subject line. Competitive salary and benefits. Open until filled. No phone calls or drop-ins please.  Colorado Public Radio is an equal opportunity employer and encourages workplace diversity.

     

    Arts Bureau Employment Opportunities
    Colorado Public Radio is seeking three positions for an arts news bureau and online arts hub.  CPR seeks an arts bureau editor (link to full job description) and two full-time reporters, one specializing in broadcast reports (link to full job description) and the other in digital content (link to full job description)- all with the highest level journalistic skills and a passion for the arts.

    This team will develop a comprehensive multi-media arts news bureau and significantly increase arts coverage of the Denver/Boulder metro area and across the state.  Arts news will range from previews and in-depth stories about major cultural and arts organizations, to funding and sustainability of the arts, and connections to other topic areas such as education and state government. Reviews, interviews, audio and video performances, and events calendars will all be part of the online arts hub. Much of this coverage will be regularly featured on all three of CPR’s on-air services, CPR News, CPR Classical, and OpenAir, CPR’s new music service.

    The arts bureau’s online hub is intended to become a one-stop multi-media destination for arts news, information, and performances in Colorado. The new editorial team will produce a wide range of content beyond CPR’s current radio focus, including text, images and video. The arts bureau will also work with individual contributors with expertise in various art forms, who will add reviews and a broad range of additional coverage on-air and online. 

    Please send comprehensive cover letter, resume, audio samples and three professional references to hr@cpr.org, with Arts Bureau Editor, or Arts Reporter/Broadcast, or Arts Reporter/Digital in the subject line. Competitive salary and benefits. Open until filled. No phone calls or drop-ins please.  Colorado Public Radio is an equal opportunity employer and encourages workplace diversity.

    NSF seeks proposals for Antarctic reporting

    The National Science Foundation seeks proposals for Antarctic Reporting tailored to kids aged 11-14. Details HERE and below. -Mia

    NSF Invites News Media to Apply for Opportunity to Report From Antarctica

    Proposals sought from media whose audience is children 11-14: visit would occur sometime between October 2013 and January 2014

    Professor teaching kids in a class about Antarctica

    Polar Programs' Einstein Fellow Lynn Foshee Reed visits a classroom.
    Credit and Larger Version

    April 19, 2013

    The National Science Foundation (NSF) is accepting written proposals from media professionals to report on scientific research supported by NSF in Antarctica. In particular, NSF is interested in proposals from media whose work primarily is designed to reach children between the ages of 11 and 14.

    NSF envisions selecting a broadcast, print or online journalist whose work has a national scope and whose reporting would help to make the nation's young people aware of the importance of science conducted in the polar regions. It also is anticipated that selected media would focus on scientific and other career opportunities in the polar regions that are available to young people.

    NSF's Division of Polar Programs, which manages the Antarctic Program, has among its human-resources goals improving public understanding of the critical role of the polar regions in global processes; engaging the public in polar discovery; and helping to foster the next generation of polar scientists.

    Competitive proposals would contain all or several of the following attributes:

    • Reaching the widest possible audience across a variety of platforms (broadcast, print, Web and social media).
    • Partnerships with partners in informal education–science museums and aquariums etc.–to produce a possible live broadcast or webcast through these venues as part of the media visit.
    • A proven ability to reach U.S. audiences in both English and Spanish, either through the outlet's primary production or through a partnership with another broadcaster.

    Research areas that might be part of such a media visit include:

    • NSF's Amundsen-Scott South Pole Station, which is home to the 10-meter South Pole Telescope and Ice Cube Neutrino Observatory.
    • The Long-term Ecological Research (LTER) Project in the McMurdo Dry Valleys, an ice-free region of the continent
    • Studies of population dynamics of penguins and seals in McMurdo Sound.
    • The study of volcanoes in the McMurdo Sound region.

    As part of a comprehensive proposal, a request might be considered to separately visit NSF's Palmer Station on the Antarctic Peninsula, which hosts research into organisms and ecosystems, among other topics.

    For additional background on the U.S. Antarctic Program, please see the Polar ProgramsAntarctic Sciences Web page.

    How to apply: Applicants must submit to NSF a written expression of interest in participating in the program–the equivalent of no more than five printed pages–describing the media in which the reporting will appear and a description of the potential audiences.

    Competition for the opportunity to deploy is expected to be intense, as Antarctic logistics are a constraint on the number of deployments to be supported. Logistical limitations make it extremely difficult to modify itineraries once in Antarctica, therefore a great deal of advance planning with the principals, once selected, will be required to make the proposed visit successful.

    This planning may therefore necessitate frequent conference calls as well as some in-person visits to NSF.

    Selection: A panel consisting of science and logistics staff from the Division of Polar Programs and media officers from NSF's Public Affairs office and from NSF's Education and Human Resources directorate will review all proposals and select the finalist. The panel will look for proposals that indicate an understanding of the nature and challenges of NSF's scientific enterprise in the Antarctic as well as the desire and ability to communicate that understanding to the public.

    General reporting about Antarctica, travel or logistics will not be given priority. The program does not support feature-film proposals. Documentary filmmakers may consider applying to the Advancing Informal STEM Learning Program managed by NSF's Education & Human Resources directorate.

    Application Deadline: May 17, 2013. U.S. media receive preference in selection.

    Deployment period: Deployment would occur sometime between October 2013 and January 2014. Actual dates would be contingent on story planning and logistics discussions.

    Application: Applications that indicate solid working knowledge of the U.S. Antarctic program and its science goals and the ability to communicate the research being undertaken to a wide audience stand the best chance of selection.

    Peter West, Polar Programs' outreach manager, can discuss with potential applicants the requirements for Antarctic deployment and provide access to NSF-supported researchers who are scheduled to be in the field during the deployment.

    Due to the nature of this call for proposals, NSF envisions that freelancers will be unlikely to meet the suggested requirements for success. If, however, freelancers choose to apply, they must supply with their application evidence of a firm commitment, on the media outlet's letterhead, from the prospective media outlet that plans to publish or air their work.

    Medical: In order to deploy to Antarctica, it is necessary to pass rigorous medical and dental examinations. These examinations are conducted at the finalists' expense by their personal or corporate physician and dentist, using USAP medical screening forms, which will be evaluated by USAP-contracted medical experts. Certain medical conditions detected during the physical and dental examinations may disqualify a candidate from visiting Antarctica, even if initially selected as a media visitor.

    Expenses: Media selected for the visit, or their employers, pay for round-trip transportation to–and accommodation in–Christchurch, New Zealand (or, in the case of Palmer, Punta Arenas, Chile). NSF furnishes, at no cost to participants, cold-weather clothing solely for use in the field, as well as housing, transportation, and food while in Antarctica.

    Note: From time to time, the NSF has received requests for media opportunities from reporters who plan to travel to Antarctica at various times of the year via non-governmental means. Such requests are reviewed on a case-by-case basis. Such requests should be directed to Peter West, whose contact information is listed below.

    Where to send Applications: Contact Peter West by phone or by email as soon as possible to express interest. Send the application letter to:

    National Science Foundation
    Office of Legislative and Public Affairs
    4201 Wilson Boulevard, Suite 740.02
    Arlington, VA 22230
    Attn: Peter West, (703) 292-7530pwest@nsf.gov

    -NSF-

    full time and on call jobs at KQED

    KQED is hiring. Details HERE and below. -Mia

    KQED is currently hiring for a full-time position in our online/radio newsroom and four on-call positions. We're looking for an engagement manager (social media guru for news). We are also looking for on-call online producers for arts and news, and on-call producers for news blogging and social media. There's just one posting for the on-call producer, but I thought it would be useful for candidates to know that we're looking for a range of on-call positions.

    Folks should apply online at KQED
    http://www.kqed.org/about/jobs/

    Here's the description for the Engagement position:

    Position Title: Interactive Producer, Engagement and Social Media
    Reports To: Director of Products & Services, Interactive            

    Status: Full Time, Regular
    Department: Interactive                                                        

    Division: Digital Media & Education

    Position Summary:

    The Interactive Producer, Engagement and Social Media is responsible for attracting, nurturing, and interacting with the community, online and offline. This producer manages social media initiatives and accounts, as well as serves as a steward of best practices for the organization.

    This role works closely with KQED News, its programs, and the newsroom to implement initiatives that build a two-way dialogue between KQED and its audience. This producer also works to develop and maintain Web products, such as interactive features, online events and other tools that grow the relationship between the organization and the community, and that promote regular usage of KQED's digital products and services. This position develops and deploys targeted online outreach and establishes professional relationships with influencers, bloggers, targeted diverse audiences, independent content creators, other media organizations and relevant tech companies.

    The engagement producer serves as the lead liaison to internal groups and external partners, and fosters continuing dialogue between the Communications Department, other social media producers, and News and other content producers.

    Essential Functions:

     1.  Creates effective ways to generate, maintain, and communicate to a community of online users, including social media, email newsletters, blogging, customer service inquiries and moderating of comments.

     2.  Sets clear, measurable and attainable engagement and metrics goals using Facebook Insights, Google Analytics, Topsy, HootSuite, etc. and reports out regularly to key stakeholders.

     3.  Manages KQED News' social media accounts and serves as promoter for social media use among News staff, including providing protocols and trainings to teach interested staff members on fine points of platforms such as Twitter, Facebook, Flickr, mapping, and other online tools in collaboration with the News editorial staff. Creates and leads training sessions.

     4.  Serves as a point of contact for user-generated content, giving regular contributors a familiar face to interact with and piloting the flow of information.

     5.  Creates editorial contentin the form of feature package creation, selection and schedule of homepage features, hosting webchats, creating multimedia content, and blogging.

     6.  Serves as a liaison between partner organizations, including other public media organizations and news outlets, and KQED News and ensures KQED’s inclusion in materials created by other organizations

     7.  Develops and maintains partnerships between KQED and companies that build online tools such as platforms for community engagement.

     8.  Creates and executes strategies for Social Media Optimization and Search Engine Optimization for KQED.org<http://kqed.org/>.

     9.  Serves as a liaison between the News department and the Communications departments. Attends Communications department meetings for News and creates regular reports for the Communications department on News department projects.

     10. Talks about social media trends and impact to various stakeholder groups, including national conferences, Community Advisory Panel, brown-bag lunches, and others.

     11. Performs other essential duties as required.

    Knowledge/Experience Required

     1.  At least one to two years’ experience working as an online community manager or maintaining a blog or website.

     2.  Knowledge and practices of social media sites is required.

     3.  Well informed in a wide range of areas, including current events, arts, culture, film, history, science, and public policy.

     4.  Ability to multi-task required.

     5.  Public speaking skills required.

     6.  Proven ability to build and maintain a wide-range of partnerships.

     7.  Knowledge & experience maintaining databases.

    Knowledge/Experience Desired

     1.  Bachelor’s Degree.

     2.  Experience as a working news journalist.

     3.  Experience working with different types of digital media content, including audio and video with the ability to perform simple HTML programming and coding.

     4.  Wide knowledge of Bay Area people, places, partners, and events preferred.

     5.  Public Media or news content experience desired.

    On-call position, this application is for arts, news, social media and blogging:
    Position Title: Interactive Producer (Temporary On Call)
    Reports To: Executive Director, Interactive
    Department: Interactive

    Division: Interactive

    Position Summary:

    KQED is seeking a strong, multiplatform producer who can fill in for staff producers during vacations and illnesses, and to provide additional support with special projects or major initiatives. The Interactive Producer (Temporary On Call) is a skilled interactive producer with a background in producing content features and products for the web and mobile and working with a cross discipline team of editorial, design, information architecture, engineering, QA and promotion. The candidate must be able to handle projects from start to finish either as the lead project manager or in tandem with another assigned staffer, which could range from long-term product launches to breaking news. Functions include updating and managing web pages; planning, editing, producing and measuring digital content (text, photographs, graphics, audio and video); social media engagement and blogging, developing product requirements, managing project schedule, and communicating with key stakeholders. The Interactive Producer is capable of working with a variety of web publishing tools, content and project management systems and requires little supervision. The ideal candidate is creative, innovative and agile, with a passion for the intersection of editorial, user experience and technology.

     *   Essential Functions:

     *   Design, create and produce feature coverage and products, taking projects from conceptualization to research and development, through pre-production, production, post-production, delivery, evaluation and final report.

     *   Serve as backup to other Producers, the Web Editor / Blogger and Reporters as needed to maintain consistency, timeliness and accuracy.

     *   Serve as support for content supplied by staff and freelance contributors. This includes writing headlines, copyediting, publishing, and verifying online content.

     *   Assist in social media engagement efforts including oversight of user generated content and communities.

     *   Identify and track key metrics such as traditional pageviews, social media engagement and streaming media to help evaluate success.

     *   Act as a source of ideas for new innovations and features.

     *   Other duties as assigned.

    Announcing U.S. Russian Journalism Co-Reporting Project, deadline April 22

    Interesting opportunity. -mia

    The Eurasia Foundation is calling for story ideas in a unique effort to document common social challenges faced by both the United States and Russia. Follow the link here, or have a read of the press release below. Latitude News is co-running the project – we’re eager for your pitches!

    http://www.usrussiacivilsociety.org/news/us-russian-journalism-coreporting-announcement

    Nominations Sought For U.S.-Russian Journalism Co-Reporting Project; Winners To Be Awarded Ipads

    Washington/Moscow Eurasia Foundation is calling for story ideas in a unique effort to document common social challenges faced by both the United States and Russia.

    The “Common Stories Project” is the outgrowth of a two-year effort by Eurasia Foundation to foster collaboration among civil-society initiatives in both countries.  Stories produced collaboratively by editors, writers and news organizations in both countries on a single topic will be edited for publication by the Missouri School of Journalism’s “Global Journalist.”

    The project is part of the US-Russia Civil Society Partnership Program (CSPP) of the Eurasia Foundation, reports Maria Balinska, a former longtime BBC journalist and editor now based in Boston with the journalism startup Latitude News.  Balinska is the U.S. coordinating editor for Common Stories.

    The Russian coordinating editor of the project is media consultant Veronika Menjoun, who has been working as a course leader and project manager at Sweden’s FOJO, the Institute for Advanced Training of Journalists for 16 years.

    “Our two-country journalism task force was looking for a way to contrast and compare through storytelling the issues both countries face,” says Balinska. “This is a chance, with the assistance of skilled translators and editors, to explore these and other topics as they emerge.”

    Balinska said the project now seeks pitches for “feature stories with legs in both countries about collaboration between the United States and Russia” that fall within the scope of the CSPP’s eleven working groups.  Those themes include anti-corruption, child protection, community development, education and youth, environmental protection, gender equity, higher education, human rights and rule of law, media and access to information, migration and public health. Pitches could, for example, focus on how the two countries are dealing with the problems of smoking cessation, domestic violence, obesity or waste management.

    Interested parties are asked to send a brief proposal (300 words or less) to csppmedia@gmail.com by Monday, April 22, 2013. The proposal should include a story idea, as well as:

    • Contact information and a resume or CV of the principal applicant
    • Where the reporting would be carried out in the United States
    • What the applicant would be looking for from a Russian partner
    • Where the applicant would propose to publish or broadcast the piece in addition to the Global Journalist.

    The program is designed to highlight the potential for more systematic collaboration.  While it does not provide financial remuneration, it will award an iPad to those four participants deemed by an expert panel to have produced the most outstanding work.

    About CSPP

    The Russia-US Civil Society Partnership Program promotes collaboration between Russian and U.S. non-government organizations, with the aim of improving the lives of citizens of both countries. Program participants design innovative recommendations through CSPP’s Working Groups. CSPP is funded and implemented by Eurasia Foundation, in partnership with New Eurasia Foundation.

    The Mass Media and Access to Information Working Group is co-chaired by Anna Koshman, Director, Russian Association of Independent Regional Publishers, and Howard Finberg, Director of Interactive Learning, Poynter Institute.

     

    duPont Awards deadline approaching, July 1

    Submit your broadcast work for this big time award. Details below. -Mia

    ++++++++++++++++++++

    Just wanted to remind everyone that the deadline for the Alfred I duPont Awards is coming up.

    They start accepting entries on May 1.

    CALL FOR ENTRIES:

    Alfred I duPont Awards

    Honoring the best in broadcast, digital & documentary reporting at Columbia

    We invite you to submit local and national radio programming for a duPont-Columbia Award. Administered at Columbia's Graduate School of Journalism, the duPont Awards are considered to be the broadcast equivalent of the Pulitzer Prizes. Outstanding journalism, excellent reporting in the pubic service and innovative storytelling are honored by the jury.

    Past winners include radio documentaries about the fiscal crisis, post traumatic stress in Iraq war veterans and ongoing reporting about New York's Stop and Frisk program.

    DEADLINE: July 1, 2013
    ELIGIBILITY: Stories must have aired or appeared online between July 1, 2012 and June 30, 2013.
    www.dupontawards.org
    @duPontAwards

    IFP seeks screenplays and docs in progress, application deadline May 3

    The Independent Filmmaker Project is seeking works in progress for its annual project forum. Note – you have to be a member of IFP to apply. Memberships start at $35. Details below. -Mia

    IFP Seeks Screenplays and Documentary Works-in-Progress for 34th Annual Independent Film Week

    IFP is currently seeking screenplays and documentary works-in-progress for its annual Independent Film Week Project Forum (September 15-19, 2013), the oldest and largest forum in the U.S. for the discovery of new projects in development and new voices on the independent scene. The Project Forum is a meetings-driven forum connecting filmmakers with producers, funders, distributors, broadcasters, sales agents, festival programmers, and more.

    Now accepting applications in three sections: Emerging Storytellers (for writers and writer/directors at the script stage looking to connect with producers and agents who can develop, produce, represent and finance their scripts), No Borders International Co-Production Market (for established narrative producers with partial financing in place looking to connect with financiers, distributors, sales agents and international partners), and Spotlight on Documentaries (for documentary filmmakers in production or post-production looking to connect with financing partners, broadcasters, distributors, and film festival programmers). Recent participants in Independent Film Week include Martha Shane and Lana Wilson's After Tiller, David Lowery Ain’t Them Bodies Saints, Benh Zeitlin's Beasts of the Southern Wild, Derek Cianfrance's Blue Valentine, Katie Dellamaggiore's Brooklyn Castle, Zachary Heinzerling's Cutie and the Boxer, Rama Burshtein's Fill The Void, Shaka King's Newlyweeds, Dee Rees' Pariah, Lauren Greenfield'sThe Queen of Versailles, Destin Daniel Cretton's Short Term 12.

    For more information, and to apply, click here.

    TRANSOM.org – Workshop News

    The latest from TRANSOM.org. I'm especially excited that they're bringing one of their trainings to NYC this summer. Application deadline is April 30. 

    -Mia

    City Lore Documentary Institute, NY, NY: August 12 – 30, 2013

    City Lore is offering a three-week documentary institute co-sponsored by Transom along with The Bronx Documentary Center and the Manhattan Neighborhood Network.  The City Lore Documentary Institutewill equip participants with the skills to become cultural documentarians and multimedia storytellers. The radio track of the institute is intended to provide audio storytelling and sound gathering skills for beginning producers.

    TRANSOM.org
    a showcase & workshop for new public radio
    April 11, 2013

    * Transom Workshop News *

    Applications for Fall 2013 Transom Story Workshop in Woods Hole are open. Deadline May 31st:
    The current TSW class In Session blog:
    And a reminder about our Traveling Workshop with City Lore in NYC. Applications due April 30th:

    Drop over any time,

    Jay Allison
    Atlantic Public Media
    Woods Hole, Massachusetts
    www.transom.org

    Two digital events at Columbia J-school

    From Columbia J-school's social media guru Sree Sreenivasan. -Mia

    Dear friends:

    We have two digital events coming up at Columbia J-school I wanted to let you know about. More events info via @columbiajourn on Twitter: http://twitter.com/columbiajourn

    One is the FREE annual Hearst Digital Media Lecture on Thursday night 6-9 pm, with TWO receptions! – with Amanda Cox, award-winning Graphics Editor at The New York Times, along with the awarding of the the Innovator Award by Mark Hansen, Director of the David and Helen Gurley Brown Institute for Media Innovation (Mark is new to the J-school and absolutely awesome – worth going just to see him in action!). Many of you know I ran this program for 10 years, before I moved from the J-school to the Provost's Office – hope you will try to attend and listen to Amanda. Lauren Mack <lem2111@columbia.edu> can answer any questions you might have.  Details below.

    The second event is my next social media workshop, on May 16 – run by the Continuing Education department and coordinated by Tatiana Rivera <tgr2114@columbia.edu>.

    @SREE'S SOCIAL MEDIA WORKSHOP – NYC IN-PERSON & ONLINE FROM ANYWHERE: Social Media One-night Stand – advanced social media workshop, Thursday, May 16, 2013 (includes two weeks of online coaching, taught w/ @wordwhacker & @travelogged). Details: http://bit.ly/cjsm2013b #cjsm – INTERMEDIATE and ADVANCED LEVELS. [Because of time-zone issues, many people who sign up miss the live session, but access the video recording and the online coaching.]

    sample tweet] May 16 is Social Media One-night Stand, @Sree's @ColumbiaJourn advanced workshop you can take from anywhere: http://bit.ly/cjsm2013b #cjsm

    See what happened in the Seattle version of this on March 18:
    http://bit.ly/sreeattletips and read my tribute to Roger Ebert: 5 Social Media Lessons from @EbertChicago: http://bit.ly/sreebert

    The Hearst details are below. //sree//

    – – –

    From: Lauren Mack <lem2111@columbia.edu>

    Join us for the annual Hearst Digital Media Lecture by our Hearst New Media Professional in Residence, Amanda Cox, award-winning Graphics Editor at The New York Times. The Hearst Digital Media Lecture is an annual event about the state of digital journalism. The evening includes introductory remarks and presentation of the Innovator Award by Mark Hansen, Director of the David and Helen Gurley Brown Institute for Media Innovation.

    The Hearst New Media Professional-in-Residence is appointed each academic year to participate in the educational activities of the school. The appointment has been made possible by a generous gift from the William Randolph Hearst Foundation. Recent professionals-in-residence have included: Krishna Bharat, founder of Google News; Steven Berlin Johnson, noted digital media expert and bestselling author; Kenneth Lerer, Huffington Post?s chairman and co-founder; Brian Storm, former lead multimedia producer, MSNBC.com; Adrian Holovaty, former editorial innovations editor, WashingtonPost.com, among others.

    6:00 pm-7:00 pm: Reception – drinks and food

    7:00 pm-8:00 pm: lecture, Q&A + presentation of the Innovator Award

    8:00 pm-9:00 pm: Reception – drinks and food continues

    No charge; all are welcome. RSVP here: http://fs8.formsite.com/cjdos/HearstRSVP/

    NOTE: Free open, wi-fi available in the lecture hall for journalists, bloggers and others. We'll be using the #cjhearst hashtag.

    SAMPLE TWEET: Thurs, 7p ET in-person & webcast – Amanda Cox – Hearst Lecture @ColumbiaJourn – #cjhearst #cjsm

    Read/hear some of the previous Hearst New Media Lectures and learn more about the Hearst programs at Columbia: http://bit.ly/cjhearst

    OUR THANKS TO THE HEARST FOUNDATION FOR ITS GENEROUS SUPPORT OF DIGITAL MEDIA EDUCATION AT THE COLUMBIA JOURNALISM SCHOOL

    – – – –

    Prof. Sree Sreenivasan | sree@sree.net | http://sree.net | @sree
    Chief Digital Officer, Columbia University
    [ an explanation: http://bit.ly/sreejob3 ]

    TWITTER: @sree – http://twitter.com/sree (tweeting tech, media & more)
    FACEBOOK: http://fb.com/sreetips or http://fb.com/sreenet
    LINKEDIN: http://linkedin.com/in/sreenivasan
    INSTAGRAM: http://instagram.com/sreenet
    -> SreeTips blog on CNET News: http://bit.ly/sreetips

    NPR Digital Services webinar on the Basics of Data Journalism, April 11, 2pm ET

    NPR Digital Services has been offering a great series of webinars on all things digital journalism. This week it's on Data Journalism. Details below along with links to previous webinars.

    -Mia

    Join us this week for the third webinar in our Habits for Your Digital
    Newsroom series.

    The Basics of Data Journalism

    Everyone is talking data–crime reports, government documents, business
    earnings–but how do you make sense of the spreadsheets? What data should
    you be looking for? And how can you use it? StateImpact has excelled with
    data-fueled reporting. We'll talk with them about where to find reliable
    data, how to mine it and then how to present it to your audience.
    Presenter: Jessica Pupovac, Data and Digital Coordinator for StateImpact

    Thursday, April 11
    2:00 – 3:00pm ET
    Register here:
    http://pulseapp.publicbroadcasting.net/ct.html?ufl=4&rtr=on&s=7cn42,17k0v,2hna,8le6,f867,5o7w,f84j&MLM_MID=2032159&MLM_UNIQUEID=409dcad6e3

    In case you missed last week's webinar on Mastering the Art of Live
    Blogging, or Analytics for Reporters, you can watch them on our blog::
    http://pulseapp.publicbroadcasting.net/ct.html?ufl=4&rtr=on&s=7cn42,17k0v,2hna,j2jt,h5zz,5o7w,f84j&MLM_MID=2032159&MLM_UNIQUEID=409dcad6e3

    Third Coast Short Docs Challenge, deadline April 30

    It's time for the Third Coast Short Docs challenge – all about APPETITE. Details HERE and below. -Mia

    The Third Coast ShortDocs Challenge is back! Here's your chance to take part in an international audio mega-project, whether you can produce radio in your sleep, or have always hungered to utter the words "Testing, 1, 2, 3. Testing" into a microphone. ShortDocs are for everyone.

    INTRODUCING ALL THE COOKS IN THE KITCHEN

    As always, the ShortDocs Challenge comes with a set of rules inspired by a partner. For 2013 that's the James Beard Foundation – a great organization that celebrates, nurtures, and preserves diverse culinary heritages through awards, education, and outreach. 

    Additionally, four Chicago-based "ShortDocs Chefs" will concoct original dishes (!) inspired by the winning ShortDocs stories. Starring: Rick Bayless (Frontera), Jason Hammel (Lula Cafe), and Iliana Regan(Elizabeth Restaurant) and one more, TBA.

     

    THE INGREDIENTS/RULES

    The 2013 ShortDocs Challenge invites anyone and everyone to produce audio stories that are:

    – inspired by the idea of “appetite
    – two to three minutes in length

    – presented in three “courses” (think: chapters)
    – include one of the five tastes in the title: bitter, salty, sour, sweet, umami. (Kudos to you umami-goers.)

    The deadline for submitting your ShortDoc is April 30.

    HOW TO SUBMIT

    Submitting your ShortDoc is simple. Behold!

    1. Fill out this form.

    2. Email us your 2-3 minute story (MP3 please), an accompanying story image (mandatory) and a producer photo (optional).

    Furthermore:

    – If attachments total more than 7 MB, send your audio and images separately.

    – Please name your files thusly. Please.

    Audio: lastname_taste.mp3 (i.e. obama_umami.mp3)

    Accompanying image (mandatory): lastname_taste.jpg
    (i.e. obama_umami.jpg)

    Producer photo (optional): lastname_biopic.jpg
    (i.e. obama_biopic.jpg)

    Questions about how/what to submit? Check out the FAQ and/or feel

    free to ask.

     

    MORE ON APPETITE

    Inspired by the James Beard Foundation's 2013 Conference theme, we encourage you to interpret "appetite" broadly, from the literal to the figurative. Consider stories of hunger and obesity, craving and satiety, profit and desire. Make us laugh, make us cry, make us angry, make us think – so long as your story explores appetite in some way, and follows the other ShortDocs rules.

    FIRST EVER PEOPLE’S SHORTDOC!

    We're excited to let YOU have your say in this year's Challenge. Eight finalist submissions will be posted online in July and voted upon for the first ever People’s ShortDoc Award. 

    INCENTIVES (WE KNOW, THEY HELP.)

    – Four winning submissions will each inspire an original dish from a ShortDocs Chef (listed above).

    – Winners and ShortDocs Chefs’ will take the stage to present their creations publicly at the Third Coast Filmless Festival (TCFF), October 19-20, in Chicago.

    – Eight finalists (including winners) will receive a free pass to the TCFF.

    – All submissions are archived permanently on this site, and all producers are added to the Third Coast Producer Index.

    – All participants receive a free one-year Pro SoundCloud account.

    – All eight finalists will receive a free two-year SoundCloud Pro Unlimited account.

    – Top submissions will be featured on Third Coast’s Re:sound (WBEZ, Chicago) and podcast, and presented on PRX's Public Radio Remix, and at Third Coast listening events in Chicago and beyond.

    SHORTDOCS TIMELINE

    March 12 – through April 30 – Submissions accepted

    July 1 – Eight finalists announced online
    Mid-July – Voting open for People’s ShortDoc Award
    Early August – Winners informed
    October 19 – Winning producers and ShortDocs Chefs take the stage at the TCFF
    December – Top 12 – 15 submissions featured on Re:sound

     

    FINE PRINT

    – Producers retain non-exclusive rights to their submissions.

    – TCF retains the right to showcase all ShortDocs in service of Festival happenings – including at Listening Rooms, on Re:sound, on PRX’sPublic Radio Re:mix. (Note – producers may also license ShortDocs themselves, through PRX.org)

    – Four winners will be selected by Third Coast staff, with help from the James Beard Foundation and ShortDocs chefs.

    – The People’s ShortDoc Award will be presented in addition to these four winners.

    Questions about how/what to submit? Check out the FAQ and/or feel free to ask.

    P.S.

    Our apologies for all the food metaphors and puns, but we've found them near-impossible to avoid in, um, cooking up this year's Challenge.

    PRX offers new funds for STEM stories, application deadline April 22

    I'm particularly excited about this – $$ for creative science stories! Details here and below. -Mia
    ______________________


    PRX is excited to announce a new competition for audio production funding.

    We call this the STEM Story Project, focusing on science, technology, engineering and math.
    The Sloan Foundation is making this possible. We have a pool of $40,000 to distribute among multiple projects.
    PRX has a lot of experience in conducting these sorts of open calls. Our goals with the STEM Story Project are to:
    * unleash highly creative, scientifically-accurate original productions 
    * educate and excite listeners 
    * tell stories and explain STEM issues in new ways
    We want these productions to be heard and shared widely. So, proposals need to appeal both to stations and directly to listeners. You'll find a lot more details about the PRX STEM Story Project here: application and guidelines [https://prx.submittable.com/submit/19932].
    The deadline for applications is April 22, 2013 at 11:59PM ET.
    Thank you!
    John Barth
    Genevieve Sponsler
    Lily Bui
    The PRX STEM Story Project Team
    P.S. If you applied to our Global Story Project, please read the guidelines for STEM carefully — we've changed some things.

    Internships at Snap Judgment, Oakland, CA

    Hey up and comers – Snap Judgment in Oakland is looking for interns (PAID!). Spread the word. -Mia

    ___________________________
    Snap Judgment Paid Internship

    Snap Judgment is the smoking-hot storytelling show that broadcasts on NPR stations nationwide, based in Oakland, California. Interns are expected to work between 25 – 40 hours a week at our downtown Oakland studios. The Snap Judgment internship position pays $11/hr. Before applying for this internship position, please listen to at least one entire Snap Judgment episode at SnapJudgment.org.

    Job responsibilities include but are not limited to:
    Snap Judgment interns assist with all aspects of the show's production. They provide research assistance, perform various administrative tasks involved in the daily running of the office, assist in editing, tape logging, scoring, interviewing and eventually are expected to be able to produce a story from start to finish.

    Qualifications:

    Snap Judgment interns should have a passionate interest in storytelling, narrative craft and sound. We are looking for people who want to rock a story.
    Knowledge of audio and video editing software programs is preferred.
    Interns must already live commuting distance from our downtown Oakland studio.
    This is a three month paid position.
    How to Apply
    Please jobs@snapjudgment.org a single Microsoft Word document which includes the following information:

    A resume
    A cover letter explaining why you want to work at Snap.
    Answers to the following questions:

    1. Describe two of your favorite Snap Judgment stories, and why you liked them. (All shows are archived on the website.)
    2. Describe one or two stories that you didn’t like, and why.
    3. Suggest two story ideas (one paragraph each) for Snap Judgment.

    MEGAPOLIS Festival, NYC April 19-21, big discount if you live in upstate NY

    For my friends in upstate NY, big discounts until April 5 for the Megapolis Festival in NYC, April 19-21. Details below. -Mia

    Are you a resident of NY State, but outside of NYC? Do you know anyone that fits this profile? Because there is money for NY State residents outside of NYC to attend the MEGAPOLIS Festival.

    The details are in the ticketing section of our website. Here is the link: http://megapolisfestival.org/blargh/nyc-2013/tickets/


    The deadline to apply for this is April 5.
    Do you want to come to the MEGAPOLIS festival, but you don't have a lot of money? Do you know anyone that fits this profile? We have Early Bird
    tickets to the MEGAPOLIS festival right now! They are 25% off!

    This info is also in the ticketing section of our website. Here is the link again: http://megapolisfestival.org/blargh/nyc-2013/tickets/


    This limited time offer ends on April 5, so act now!
    Do you want to know more about the MEGAPOLIS festival, but don't know how? Check out and "like" our profile on fb: https://www.facebook.com/megapolisfest or follow us on twitter @megapolis

    UnionDocs Doc Fundamentals Workshop, begins April 21, Brooklyn

    Very cool (and affordable!) UnionDocs workshop for documentary filmmakers. Details and list of workshops below. -Mia

    REGISTRATION OPEN: DOCUMENTARY FUNDAMENTALS

    Kicking off April 21, we have an exciting new six-week workshop series for the beginning to intermediate documentary filmmaker which addresses fundamental principles of making and releasing docs today. We welcome 2-3 top industry guest presenters each week from leading production companies and organizations including POV, Cinetic, Impact Partners, Chicken & Egg Pictures, and many others who will join our host, filmmaker Penny Lane (Our Nixon). We've designed these to work together as a package and are offering a discounted series rate of $100 while spots are still available, though there's also the option of individual workshop purchase at $20 a session.

    Complete Schedule:
    4/21 Planning Your Documentary

    4/28   Financing Your Documentary
    5/5   Directing and Shooting Your Documentary

    5/12 Editing Your Documentary
    5/19   Your Transmedia Campaign

    6/2   Releasing Your Documentary

    More info:

    A nuts-and-bolts professional development series designed for the beginning or intermediate documentary filmmaker, Documentary Fundamentals @ UnionDocs is six-week course culminating in a certificate of completion. Registrants can also attend individual sessions. This curriculum developed out of our experience hearing what fundamentals documentarians need to understand to plan, produce, and release an independent documentary today.

    Hosted by filmmaker and educator Penny Lane (Our Nixon), Documentary Fundamentals 

    is essential learning for the documentary filmmaker, covering business basics, fundraising and financing, production and post-production strategies, transmedia campaigns, sales and distribution models. Each session features guest speakers sharing tips and secrets of the trade, with an emphasis on real-life case studies and best practices. Guests include Oscar-winning filmmakers and producers (Yael Melamede, My Architect, Inocente); Emmy-winning editors and sound designers (Andy Grieve, Standard Operating Procedure, The Carter; Tom Paul, Under African Skies,The Fog of War); and representatives from top funders, film sales companies, distributors and more.

    Documentary Fundamentals is designed for beginning or intermediate filmmakers with projects in any stage of development or production (even the daydreaming stage!). Sessions combine formal presentations with extensive time for in-depth discussions with participants.

    Registrants completing all six sessions will receive a Certificate of Completion, and will have special opportunities to promote their projects within the UnionDocs network. Specific guests and topics are subject to change. Doors will open at 7:15 and we will being each session promptly at 7:30pm.

    BackStory call for pitches

    The latest call for pitches from the folks at BackStory. Details and deadlines below. -Mia

    _______________________

    BackStory's got some new shows in the works, and we're eager for pitches. They should be addressed to me, Jess (jengebretson@virginia.edu). Please do check out our guidelines here before you write: http://backstoryradio.org/producers/

    Thanks,
    Jess

    The Mississippi River

    The Mississippi River is a sort of timeline of American history. From the earliest settlers to the modern day Army Corps of Engineers, Americans have both thrived on and been consumed by the river's size and power. There have been attempts to control it, to escape by way of it – the river can be seen as a sort of canvas on which many of America's most important internal struggles have played out; from sectarian divisions, to racial violence, to environmentalism. We want stories about how the river has both changed and been changed by Americans over time. Remember, we're a history show. As much as we love stories of people who are threatened by the river today, we need to know why this matters in the greater context of American history. We would love some placed-based material (maybe a really great story happened at this one point in the river nobody talks about). This show may also be a good candidate for some family history. There are a lot of stories to be told about the southern portions of the river, so stories from the northern regions would be most welcomed.

    The End of War

    One thing we've been puzzling over is how we decide that wars are officially "over." Who makes that decision? And on what basis? Under what conditions? It's the 10th anniversary of President George W. Bush's "Mission Accomplished" speech aboard the USS Abraham Lincoln, and we're looking for stories about the end of American wars. We're not so much looking for stories about how war "never really ends," because, yes, we know, war lingers. But, "officially", most wars end. We want the interesting stories that led to those moments – the official proclamations, the laying down of the guns, the speeches on the aircraft carrier. Maybe there's a story about how not a proclamation, but an image signaled a war was over. So few things in history actually have "endings," and we're interested in why we try to impose that on wartime.

    Emigration

    With lawmakers again taking up the subject of immigration, we’re devoting a show to its flip-side — emigration. From the Late Loyalists who fled to Canada after the Revolution in search of tax-free living, to the free blacks who sailed to Liberia in search of liberty (and a spot at the top of the racial hierarchy), to the thousands of defeated Confederates who set out for lands where slavery was still legal, we’ll consider the stories of people who left the U.S. in search of a better life elsewhere… but took some part of America with them. We're more interested in groups of people who left the US en masse, but if we'd consider a great story about a particular individual too. Give us a sense of how these people saw America, and what they thought they stood to gain by leaving. 

    * please note that "Emigration" is coming up very soon, so we're looking for pitches that can be turned around in a week or two. The other two have more flexibility time-wise.

    Rough Cuts Call for Entries for our May 2013 evening

    The latest call for entires from Rough Cuts in SF. -mia

    _________________________________

    Rough Cuts Announces a Call for Entries for our May 2013 event

    Deadline is THURSDAY, APRIL 25TH
    To submit to:

    ROUGH CUTS – MAY 2013
    Tuesday, May 21st at 7:30 p.m.

    Z Space
    450 Florida St, San Francisco, CA, 94110
    (between 17th St et Mariposa St)

    Complimentary hors d’oeuvres provided
    $9 admission

    To submit, please visit:
    http://sfroughcuts.com/callforsubmissions.html

    And for more details about Rough Cuts, visit:
    http://sfroughcuts.com/

    _________________________________

    Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

    We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

    Please note the following dates:

    Thursday, April 25th
    Submissions must arrive by 5:00 p.m. [This is not a postmark deadline.]

    Monday, May 6th
    Selections will be announced and filmmakers will be notified

    Tuesday, May 21st
    Screening, followed by a discussion led by a guest moderator

    The Kitchen Sisters Workshop comes to New York, April 18, 10-1pm, WNYC

    My favorite ladies of radio are coming to NYC! I promise you it'll be worth every penny. Details below. -Mia

    The Kitchen Sisters (Davia Nelson & Nikki Silva), are holding an Interviewing & Recording Workshop in New York City on Thursday, April 18 from 10:00 am – 1:00 pm at WNYC Radio. The three-hour session is designed for people who want to acquire and hone their skills for an array of audio projects: radio, online, podcasts, storytelling, oral histories, audio slideshows, family histories, news, documentaries and other multimedia platforms.

    We'll cover interviewing approaches, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it seems).

    The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, blogs, journalism, photography, oral history, historical societies, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, farms and beyond. The groups are always lively and good contacts are made

    The workshop will be on the 8th floor of WNYC, 160 Varick St., New York, NY. Of course, snacks will be served.

    Register here: http://www.brownpapertickets.com/event/364049


    The session is $120.

    This workshop is sponsored by AIR.

    If you have questions email kitchen [at] kitchensisters [dot] org.

    Please pass this announcement along to your East Coast community.

    Expand your skills, meet new people, support the work of The Kitchen Sisters.

    See you there,

    Davia & Nikki

    Bloomquist Media looking for audio producers

    There is life beyond public radio – an opportunity from (gasp) commercial radio. See below for links and rates. -Mia

    Bloomquist Media ( http://www.bloomquistmedia.com/ ) produces long-form radio content for commercial radio. These Branded Audio Content programs ( http://www.bloomquistmedia.com/case-studies/ ) are designed to promote non-profits by telling compelling stories of people who have been touched by the organization.  

    The shows are 1-3 hours in length and typically air on major holidays, when commercial stations need to cover for vacationing personalities. The firm's Christmas production, which was produced for a non-profit that supports military families, air on 135 news/talk stations and Sirius/XM.  

    Bloomquist is looking for audio producers capable of handling such large scale projects.  The company is also in need of writer/reporters to produce show segments, which typically run 7 to 10 minutes in length.  You can hear some typical segments here:

    http://www.bloomquistmedia.com/audio-samples/

    Compensation: $400 – $500 for 8-10 minute pieces; approx. $7,500 for an audio producer to oversee assembly and overall sound of the 3-hour shows.

    If you are interested in learning more about possible opportunities, contact Randall Bloomquist: randall@bloomquistmedia.com

    Latino USA Expansion and Call for Pitches

    Awesome news in radioland – Latino USA is expanding and wants pitches! Details below. -Mia

    NPR’s Latino USA is delighted to announce that our weekly program will be expanding to an hour later this year, with a fresh, updated format. In anticipation, we are actively inviting story pitches from news directors, station-based reporters and independent producers from all over the country.
     
    Here’s the link to LUSA’s new reporter guidelines, with the show’s standards and specs.
     
    http://www.futuromediagroup.org/lusa/about/contributors/

     
    We’re also testing out new, creative approaches and themes for covering the Latino experience in America and beyond, and we welcome your ideas.
     
    In addition to general pitches, the show is specifically interested in:
     

    • Hard news stories
    • Social justice stories that focus notions of citizenship and belonging, including immigration
    • Stories about environmental stewardship and outdoor adventure 
    • Cultural stories about Latino music, food, art, history and literature, and their transformation in the US
    • Stories that show how Latinos intersect with the rest of America
    • “Bocaditos” (“little mouthfuls”)

    Please send pitches to pitches@futuromediagroup.org. If you need further guidance or would like examples of particular stories, please include that in your message.
     
    All best,
    The Latino USA Editorial Team
     

    Science internship at KQED this summer

    For students looking for college credit – work with the fabulous Molly Samuel (former FC leader-type-person) and the rest of the KQED crew this summer. Details below. -Mia

    KQED is looking for interns for the summer. For the science internship, the person would be working with me and a colleague in TV, learning TV production, producing radio stories, writing online articles, helping with research and logging and whatever else comes up.

    These are unpaid, part-time internships. If you know any students (they needn't be journalism students, but they do have to be able to get course credit) looking for internships, please pass this on.

    And I'm happy to answer any questions or talk with people interested in the internship — I know the unpaid part is hard, but I can vouch for these being good internships. (At least, I hope they are. I started at KQED as an intern and felt like I learned a lot, and eventually ended up with a job here.)

    Here's the link for the science internship: http://www.kqed.org/about/internships/quest-content.jsp

    And here are the rest of KQED's internships: http://www.kqed.org/about/internships/


    There's not a deadline for applications posted, so I'm going with ASAP.

    Thanks,
    Molly

    POV hackathon seeks filmmakers, NYC April 13-14

    The POV Hackathon in NYC needs participants. It looks very cool for your filmmaker-types. -Mia

    _______________________
    Interested in cross-platform and web-based storytelling?

    This April to New York City (April 13-14, 2013), teams of filmmakers and technologists will be challenged to create web documentary prototypes – be they mobile sites, web apps, widgets, games or something we've never seen before – over two days of intense collaboration.

    POV's documentary lab "POV Hackathon" (http://www.pbs.org/pov/hackathon/) is seeking filmmakers, designers and developers to participate.

    Check out previous prototypes (http://www.pbs.org/pov/hackathon/previous-hackathon-projects.php), read our submission tips (http://www.pbs.org/pov/blog/povdocs/2012/12/pov-hackathon-submission-tips-for-filmmakers/), then apply (http://www.pbs.org/pov/hackathon/call-for-participants.php)!

    More questions? Email hackathon@pov.org or visit http://pov.org/hackathon.

    PRX Announces New funds for STEM stories

    This is very, very exciting – $40K to fund a bunch of science-type stories. YES! Deadline is April 22. Details below. -mia

    _____________________

    PRX is excited to announce a new competition for audio production funding.

    We call this the STEM Story Project, focusing on science, technology, engineering and math.
    The Sloan Foundation is making this possible. We have a pool of $40,000 to distribute among multiple projects.
    PRX has a lot of experience in conducting these sorts of open calls. Our goals with the STEM Story Project are to:
    * unleash highly creative, scientifically-accurate original productions 
    * educate and excite listeners 
    * tell stories and explain STEM issues in new ways
    We want these productions to be heard and shared widely. So, proposals need to appeal both to stations and directly to listeners. You'll find a lot more details about the PRX STEM Story Project here: application and guidelines [https://prx.submittable.com/submit/19932].
    The deadline for applications is April 22, 2013 at 11:59PM ET.
    Thank you!
    John Barth
    Genevieve Sponsler
    Lily Bui
    The PRX STEM Story Project Team
    P.S. If you applied to our Global Story Project, please read the guidelines for STEM carefully — we've changed some things.
    #####
    Join us on Friday, March 29, 2013 at 2PM ET for #PRXSTEMchat on Twitter! We'll be discussing science topics and answering your questions about the STEM Story Project. Whether you're a scientist, science enthusiast, or producer, we invite you to weigh in!
    Lily Bui (@dangerbui [http://www.twitter.com/dangerbui]) will be hosting the tweetchat. Keep an eye out for more information on blog.prx.org [http://blog.prx.org] and @prx [http://www.twitter.com/prx].
    #####
    PRX will also hold one STEM project webinar on Friday, April 5 at 2PM ET to answer questions. Register here [https://www2.gotomeeting.com/register/570740122].
    If you can't make or wait for the webinar, email your questions to stem@prx.org. But read the application and guidelines first [https://prx.submittable.com/submit/19932]!

    KALW RFP, Sights and Sounds of Bayview, deadline April 5

    Great opportunity to work with the amazing folks at KALW. I would SO be pitching if I still lived in the area… Deadline April 5. Details below. -Mia

    Sights and Sounds of Bayview
    A Partnership between the San Francisco Arts Commission and KALW

    Background:
    In 2009, the San Francisco Arts Commission launched the Deep Roots podcast, which promotes art in communities where people live and work. Segments have included the creation of the bust of Harvey Milk in City Hall, Mission-based Poet Laureate Alejandro Murgia, and the 2013 Mayor’s Art Awardee Rhodessa Jones who is known for her work with incarcerated women. With funding from the National Endowment for the Arts to focus on Central Market, SFAC developed Sights and Sounds of Central Market , a series of commissioned audio portraits highlighting positive activity in the neighborhood.

    SFAC is partnering KALW, one of San Francisco’s prized public radio stations – specifically its community storytelling project, HEAR HERE – because of its efforts to reach underserved listeners, bring new voices to the air, create a new dimension for the radio medium, and bring communities together through live events.

    The funding for this project is from the San Francisco Public Utilities Commission (SFPUC). Under the City’s Art Enrichment Ordinance, the SFPUC works in partnership with the SFAC to support arts-based activation in District 10 and recognizes the arts as a vital part of its commitment to: healthy living; neighborhood stewardship, design, implementation, and evaluation; workforce and economic development resulting from collaborative partnership with local companies and residents; and developing community bonds.

    CALL FOR PITCHES:
    We are seeking proposals for creative audio portraits of people from Bayview. These could be about individuals that speak to the rich history of African Americans in the neighborhood, the changing demographics (the area is now 33 percent African American, 33 percent Asian/Pacific Islander, 25 percent Latino ), or a celebration of positive activity in the community.

    We will commission six portraits; half of them should address environmental justice, healthy living, water flow, or energy conservation. How do you do that? Maybe you find a leader from Literacy for Environmental Justice, or a shop owner addressing food access and security by stocking fruits and vegetables at the local bodega, or an artist making work with found materials.

    These stories should be evergreen and will be broadcast on KALW 91.7 FM, distributed through SFAC’s Deep Roots podcast, and played at a live event.

    A photographer will be assigned to your story so that we can turn the segments into multimedia pieces. Audrey Dilling, Hear Here lead producer, will edit the segments, with oversight from Martina Castro, Crosscurrents’ managing editor. Stephanie Foo, producer for NPR’s Snap Judgment, will design the sound of the project.

    Deliverables:
    Segments may be 4-7 minutes long. Raw audio files and final engineering scripts should be delivered to the sound designer.

    The producer should be available to share the story at a celebratory live event, which features a multimedia presentation of the segments, accompanied by a band or DJ, and spotlighting the people featured in the sound portraits on August 15, 2013 (tentative) at the Bayview Opera House.

    Compensation:
    The producer will receive $500/segment and an additional $100 for participating in the listening party.

    How to apply:
    Please submit a pitch that includes the following:
    ● What is the story and why is it relevant
    ● Why is this important to Bayview; why is it important citywide
    ● Who will you interview
    ● What sounds will be incorporated

    The deadline for pitch submissions is April 5, 2013. Please email them to audreydilling@gmail.com.

    San Francisco listening event, April 1, 6-8pm

    In the spirit of the old Freelance Cafe gatherings, David King Dunaway is hosting a listening event in San Francisco on Monday, April 1, 6-8pm. Details below. -Mia

    Dear friends:

    Now that the votes are in for a date for our Sonic Soiree, a more or less annual get-together of bay are radio indies and editors, particularly those belonging to Audio Independents in Radio (AIR), we have a date: April 1 (6-8:00pm)–and that's no joke!
    What we've done in the past is that anyone who wants to play a piece 6:00 and under, or a similar excerpt of a longer piece, brings it on CD/DVD or flash (thumb) drive(or in multiple formats, CD preferred). Let me know when you get here, so we can set up a playlist  I'll have a mac for audio-slides. We'll take turns giving you comments, that hard-to-find feedback for solo producers.  
    There's no admission, and anyone interested in the zesty local indie community in audio is welcome to attend. People sometimes bring snacks, and we could gather at 5:45, and start listening a bit later. Afterwards, if anyone wants, we could go out for beers or food.
    I hope we can do two of these; and for the second, I could invite folks to the SFSU audio room for fine surround sound, if desired. I hope this works for those interested; and that I'll see you in two weeks or so. 
    The address is 121 Kensington Way, which is just off Portola as you drive south towards Vicente and Claremont and 280 in the West Portal district. There's usually plenty of street parking. My little apartment is just down a flight of stairs from the main entrance to the house.
    If you are traveling by MUNI, it's very convenient: most outward bound munis stop at West Portal Station (not the j-Church), just a few minutes beyond Van Ness. The stop is at the corner of West Portal and Ulloa. Cross the muni tracks and continue up the hill on Ulloa, about five blocks, to Kensington: and it's the third house on your left.
    David Dunaway
    505 77 4968

    TAL Theme List

    The lastest call for pitches from This American Life. -mia

    Dear This American Life friends and contributors,

    It’s been a while! We’ve been sending out these Theme Lists with less frequency lately in the hopes that we don’t exhaust you and your patience with us. But please know that you’re free to pitch us stories whenever you like. You don’t need to wait for a Theme List or appropriate theme. I know the Theme List can help generate ideas or remind you about a story you heard about a while ago so, below, we've got a new round of themes-in-progress listed. Please send us your story pitches, thoughts and suggestions for our upcoming shows.

    How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a bit of a delay getting that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone quickly.

    Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

    Thanks so much for your pitches. We appreciate it.

    Best,
    Julie
    (julie@thislife.org)

    TRIBES: This show is coming up quick (two weeks away) and we'd love a couple smaller stories about a group of people bonding together or falling apart. These could also be stories about someone who finally belongs to a group or someone that's never actually belonged to anything at all. Maybe you're always trying to escape friends, family or colleagues who annoyingly assume you share the same beliefs? Right now, we're working on stories about a kid doing his best to fit in at camp, a Native American tribe that is kicking out its members, and a woman who found out she's not the only one soothed by … whispering.

    I WAS JUST TRYING TO HELP: These are stories about people taking it upon themselves to help, even if they aren't actually qualified to be giving that help. Stories about people with the best intentions who get in over their heads would work well for this show. Maybe a do-gooder who messed everything up? Or a story about a person or a group who genuinely was helped but won't acknowledge it? One story we're working on now is about a mental health organization that is using more of a recovery model for treatment, where people struggling with their own mental health help people who are more acutely struggling. One goal of the program is to erase the power dynamic between practitioner and patient. It's difficult, though, for the staffers to draw on their own experiences and 'help' without actually telling someone what to do. We'd love more stories about situations where trying to make a situation better gets very complicated.

    HOW I GOT INTO COLLEGE: This show is pretty literal. We're looking for fun, dramatic, surprising or unique ways that people got into college. The show is built around the story of how a very esteemed college professor and researcher essentially got into college through a bit of fraud he committed back in elementary school. (The fraud was committed in a very innocent way though — you love the guy for it.) We're also pursuing a story about a man going from prison to a university. We'd love more stories about the interesting or illuminating ways people get into college. And we'd really love to hear from stories from an admissions perspective! I heard a rumor last fall that lots of well-off Manhattan high school seniors were descending on Staten Island and the Rockaways to help with relief efforts post-Hurricane Sandy, taking many pictures of themselves doing it along the way. Are there admissions counselors that are up to their eyeballs in essays about how sorting canned goods on the Jersey shore has made the candidate a better person? Are there surprising trends on the path to college?

    THE ONE THING YOU'RE NOT SUPPOSED TO DO: A family from Mexico illegally enters the United States and, of course, the parents tell their kids, "whatever you do, don't tell ANYONE you're not a citizen." The son keeps it a secret for many years until one day a few months ago, he walks up to a Border Patrol agent and basically says, "I'm undocumented. I entered the country illegally. Arrest me." His goal — and he succeeded! — was to get locked up in the local Detention Center in order to survey other detainees about their criminal charges and their access to legal defense. We're looking for other stories about people either purposely or inadvertently doing the BIG thing you're not supposed to do. Maybe a story about spilling a family secret or making friends with the wrong person? Or a story about touching the third rail politically or professionally? Or maybe just a story about how, counter intuitively, the one wrong thing is actually the right thing?

    DAYTIME DRAMA: We'd like to do a show where all of the stories could, in a different context, exist as a story you'd see on TV in the middle of the day. Either a classic Jerry Springer/Montel Williams kind of story or maybe a story where the plot seems more akin to a soap opera than to real life. But we'd like to do these stories where the focus of the story isn't just about the reveal or "your husband is the father of your sister's baby!" moments but is instead looking at what really is going on around the extraordinary circumstances. Doesn't it seem like, if someone were to scream "I don't care I'm sleeping with your husband!" at another person — doesn't it seem like there's a deeper story behind that? Or maybe there's a story about someone who got temporary amnesia and it actually wasn't that big of a deal? Stories that make you think, "I feel like this should be on Judge Judy" would definitely work well for this show.

    THE VIEW FROM IN HERE: Sayed Kashua is Palestinian but an Israeli citizen. His first spoken language was Arabic but he got into a fancy boarding school as a kid and only really learned to write Hebrew. He hates the parochialism, claustrophobia, and bad municipal services of Arab areas of Israel, so now he feels like a fraud and maybe a traitor for living in the Jewish Israeli part of Jerusalem. In a series of columns he wrote for a national Israeli newspaper, he writes about his apartment being renovated and uses the changes in that small world to talk about the other small world he feels like he lives in. And explains that world to everyone else. We're looking for more stories about people who feel like they have a unique perspective on something because they're actually inside of it. Maybe trapped in it. And the insiders' perspective is at odds with what everyone else seems to think about it.

    Open City fellowship from the Asian American Writers’ Workshop, deadline March 25

    The Asian American Writers' Workshop is offering a $5K fellowship to create long- and short-form creative nonfiction. Details below, deadline March 25. -Mia

    Open City, an online magazine published by the Asian American Writers' Workshop, documents the pulse of metropolitan Asian America as it’s being lived on the streets of New York right now. Covered by the Wall Street Journal and NPR, a collaborative partner with the New Museum and the Museum of Chinese in America, Open City grants a $5,000 fellowship, career guidance, and publishing opportunities to five Creative Nonfiction Fellows to write and produce both short-form and long-form editorial content on the vibrant immigrant communities of Manhattan, Brooklyn, and Queens.


    If you’re an emerging creative nonfiction writer looking for financial support, a place to publish, and career mentorship, apply to become a Creative Nonfiction Fellow. 


    https://docs.google.com/spreadsheet/viewform?formkey=dFVGQURtWEFFSlJMUUJyemM5ZGo0MWc6MQ#gid=0

    Digital Storymakers Award Contest for students, $5K grand prize, Deadline April 15

    Hey students – $5K grand prize for original multimedia nonfiction narrative. Details HERE and below. Deadline April 15. -Mia

    The Digital Storymakers Award recognizes excellence in original nonfiction narrative that blends text, photos, video, interactive maps, and other rich media features.

    Grand Prize winners receive a $5,000 cash award and publication in the special edition Digital Storymakers Award App.

    The Digital Storymakers Award is sponsored by the Pearson Foundation and Atavist. It is open to any student enrolled in high school, college, or graduate school who creates a nonfiction,multimedia narrative, including those students studying journalism, graphic arts, writing, photography, and documentary video/film. See Official Rules.

    Are you working to expand the limits of nonfiction storytelling?

    Find Out More and Enter the Digital Storymakers Award

    The Missouri Review Audio Contest, Deadline TOMORROW, March 15

    There's not much time left as the submission deadline is tomorrow, but for what it's worth, here's the info about the http://www.missourireview.com/audiovisual/submissions/ “>Missouri Review's 6th Annual Audio Contest. -Mia

    The Missouri Review’s 6th Annual Audio Contest

    Winners selected in collaboration with guest judge

    Laura Starecheski

    $1,000 first prize in each category

    Now–you decide your entry fee!

    Winners and select runners up will be featured on our website and on our iTunes podcast. Select runners up also receive cash prizes. All entrants receive a one-year, digital subscription to The Missouri Review.

    Listen to the winners of our 2012 Audio Competition here.

    Postmark/Email Deadline: March 15th, 2013

    Categories

    Poetry

    Poets are encouraged to enter an original poem or collection of poems for this category.

    Judging will be based on the following criteria: literary merit, technical proficiency, and how the author uses audio media to further the literary strength of his or her piece.

    Time: 15 minutes or less.

    First Prize: $1,000

    Prose

    Writers may enter a short story, narrative essay, or other form of literary prose. For this category we are not interested in academic essays or purely journalistic writing/reportage. Entries may be solely author-read or contain other voices, tracks of sound, or music.

    Judging will be based on the following criteria: literary merit, technical proficiency, and how the author uses audio media to further the literary strength of his or her piece.

    Time: 15 minutes or less.

    First Prize: $1,000

    Audio Documentary

    Entries should be audio only (no video). We are interested in short documentaries on any subject. Documentaries can be presented in a variety of forms, including narrative, interview, or documentary play. Entries will be judged on strength of the script and subject, ability to meet their objective (stated or unstated, i.e. a comedic short that’s funny, or an artist interview that is informative, fresh and insightful), and technical facility (including sound, reporting, presenting and/or acting).

    Time: 15 minutes or less. 

    First Prize: $1,000 

     Contest Guidelines


    Entry Fee: In an effort to expand our contest, entry fees (previously $20) are now payable by donation. We ask only that you contribute what you feel is fair, keeping in mind that literary journals, and contests, cost money to run and that your contribution includes a one-year, digital subscription toThe Missouri Review. All of your donation money goes directly to support the continued production of The Missouri Review and its programs.

    Previous first-place winners are not eligible to win again.

    Postmark Deadline: March 15th, 2013

    Multiple entries are welcome, accompanied by a separate donation for each title you wish to have considered. We are happy to accept previously published or aired pieces as submissions, so long as you, the entrant, hold the rights.

    Technical Requirements: Entries may be submitted electronically or sent by postal mail. Emailed submissions should be in MP3 format only. Mailed entries should be sent on CD only. CDs should not contain any audio other than entry material. Include a brief program synopsis and bio of the writer/producer. For poetry submissions, please record each poem as a separate track.

    Mailed Submissions Must Include

    • a completed entry form for each entry (download the entry form)
    • a copy of the entry on a CD, labeled with writer/ producer, title and length
    • a brief program synopsis and short writer/producer bio

    • a donation as entry fee (make checks out to The Missouri Review)

    Send Entries To

    The Missouri Review Audio Competition
    357 McReynolds Hall
    University of Missouri
    Columbia, MO 65211

    Emailed Submissions Must Include

    • a subject line with author last name, category, title of entry
    • a completed entry form as an email attachment (download the form, and save it to your computer).

    • an attached MP3 file, containing your contest entry. File should be saved in this format:

    author last name_entry title

    •  a brief program synopsis and short writer/producer bio in body of email
    • a donation as entry fee. Click here to make online payment.

      • Type the amount (in U.S. dollars) that you wish to donate in the “Cost” field and then click update to confirm the amount. Once the amount has been updated, click submit to pay via credit card.
    • Please send a separate email for each entry submitted.

    Send Entries To: TMR.Contest.Editor@gmail.com

    Questions? Please visit our FAQ. If your questions isn’t answered there, email us: MUTMRcontestquestion@missouri.edu

    Editorial Photographers Education Grants Photo Competition 2013, deadline March 31

    Hey students – there are a couple weeks left to apply for this grant for student photogs – details here and below. -Mia

    Please help us spread the word that the deadline for the EP Edu Student Photography Grants program has been extended through March 31!

    There are six equal prizes, each consisting of a $1000 cash grant, and another $1000 worth of gear and business tools. Plus, finalists’ entries will be judged by notable judges including David Griffin, visuals editor at The Washington Post, and Molly Roberts, chief photography editor at Smithsonian Magazine. Entrants must be enrolled full time during 2012-13 in an accredited college in the US or Canada.

    Please share this info with college professors and / or students and also please share on your social media pages, on personal blogs, to professional associations and organizations, and directly with anyone who might be interested. Entries are now open through March 31!

    Full details are here: http://www.epedu.org/ 

    Bitch Media seeks podcast submissions

    Bitch Media is relaunching its Popaganda podcast this spring and they’re looking for content. They can’t pay for it right now but will take stuff you’ve already produced. Get on their radar for when they have a budget. Details below. -Mia

    Bitch Media covers feminist perspectives on pop culture with a popular website, national magazine, and series of podcasts. Bitch is relaunching its Popaganda podcast this spring and is looking to reach out to audiophiles who would like to use the podcast as a platform for their own work. We are looking for one-to-five-minute-long already recorded audio stories that focus on issues of gender, race, class, and sexuality. The nature of the segments will be broad, ranging from news reporting and interviews to cultural analysis and personal stories. The themes for our first eight shows are below.
    We currently cannot pay podcast contributors, but are happy to consider work that was originally created for other podcasts or radio programs. Creators retain all rights to work run on Popaganda.
    Interested creators should read through the themes below and email Online Editor Sarah Mirk (sarah@b-word.org) with a short introduction and description of their segment. If creators have a piece that seems like a good fit for Bitch but doesn’t fit with the themes below, feel free to still send over a description and maybe it can find a home in future episodes! Thanks for your work, we’re excited about putting together an excellent podcast.
    SCOUTS (both Boy and Girls Scouts and more general scouting);
    INTERSECTIONS (both intersectionality and stories about physical
    intersections);
    THE DINNER PARTY (food politics);
    WORDS WE HATE (a short rant about a word you hate);
    MONOGAMY;
    LADY GAGA;
    THE YOGA INDUSTRIAL COMPLEX;
    SCIENCE NERDS.

     

    WGXC 90.7-FM Program Director job opening

    I selfishly post this full time position to bring more cool audio folks to my neighborhood. This is a great new station, details below! -Mia

    WGXC 90.7-FM Program Director
    Term: Full-time, 1-year contract (with opportunity for long-term renewal)
    Website: http://www.wgxc.org

    WGXC 90.7-FM: Hands-on Radio is a creative community media project, re-envisioning radio as an innovative platform for local participation with special exhibitions and events, media training for our community's youth and adults, a news blog, and a community calendar of events.

    WGXC launched its FM signal February 2011, and transmits 3,300 watts to 78,000 potential listeners in the Greene and Columbia counties in New York’s Hudson Valley. WGXC operates out of studios in Hudson, Catskill, and Acra, and is a program of the nonprofit arts organization free103point9, whose mission is to define and cultivate Transmission Arts: creative and experimental use of airwaves.

    The Program Director is responsible for managing the WGXC program schedule, on-air and online, including new media approaches, operations, production activities, programming outreach, and coordination of programmers. The Program Director works closely with a small passionate staff. The position will include the following responsibilities:

    – Program Schedule Development, Management, and Compliance
    – Online and Social Media Representation
    – Programmer Training and Technical Assistance
    – WGXC Radio Council Programming Committee Co-chair
    – Community Events and Broadcasts of Interest

    Qualified candidates will have experience in community media, training in radio, strong communication skills, extensive music knowledge, and possess an aptitude for working in a variety of operating systems. Journalism, computer programming, and other specialized media skills are helpful for this position. Enthusiasm for working in a nonprofit environment and experimental media art is desirable. Candidates must be highly organized, energetic, passionate about community and creative radio, and able to work well with a diverse range of personalities and perspectives. The WGXC Program Director is a modest salaried position with benefits, and room for growth.

    Please submit a cover letter, resume, and references to Lynn Sloneker, Station Manager, lynn@wgxc.org.

    Please reference the position title in the subject line.

    Resumes will be accepted until April 1, 2013
    Only qualified candidates will be contacted. No calls please.

    WGXC 90.7-FM is a program of the 501(c)3 non-profit arts organization free103point9. free103point9 is an equal-opportunity employer.

    Youth Radio is hiring a part time multi-media producer/instructor

    Youth Radio has an amazing program for kids/young adults. They're seeking a part time multimedia producer/instructor in Oakland, CA. Details below. -Mia

    Youth Radio

    Multi-Media Producer/Instructor – Photo, Video, Online

    Description:

    Youth Radio is seeking a multimedia producer to work as an instructor for its career pathways program for young adults (18-24.) Ideal candidate has teaching experience and professional experience in a multi-media environment producing content in a range of formats (photo, video, print) for distribution on multiple platforms (ideally broadcast and online.) All applicants should have a working knowledge of Final Cut Pro, Photoshop, ProTools (or other audio editing software), and web content management systems (such as Drupal, WordPress, etc.) In addition, expertise in pushing out content on social media platforms is a must. The producer/instructor will be responsible for teaching multi-media (photo, video, print) and social media skills aligned with entry level media jobs. 15-20 hours/week. Salary and hours negotiable. Send resume + work samples to: erik@youthradio.org (no calls, please.)

    Interfaith Voices radio program seeks an associate producer, paid volunteer position

    For you student/new-to-radio types. This position with Interfaith Voices provides housing, health insurance, and a small stipend for a year – good for learning the ropes. Application here and below. -Mia

    ENTRY-LEVEL RADIO PRODUCER (PAID VOLUNTEER POSITION)
    Interfaith Voices seeks an entry-level radio producer to help produce
    an hour-long public radio show about religion and spirituality.

    MAIN DUTIES AND RESPONSIBILITIES:
    • Research story and interview ideas
    • Pre-interview and book guests for interviews
    • Write and edit scripts and interview questions
    • Edit audio using Adobe Audition
    • Create web pages, write copy and format images to accompany audio on website
    • Maintain social media presence on Facebook for the show

    DESIRABLE QUALIFICATIONS:
    Previous work and/or internship experience
    in media, preferably radio and/or audio production. Knowledge of or
    interest in world religions. Audio editing skills using Adobe Audition
    or similar software (Cool Edit, ProTools, etc.). Strong writing skills
    with knowledge of AP style.

    CONTRACT YEAR:
    The 2013-2014 year runs from Aug 2, 2013 – July 24, 2014.

    ABOUT INTERFAITH VOICES:
    Interfaith Voices is the nation's leading
    public radio show about faith, ethics and spirituality. We air on 65 stations across North America, including many NPR affiliates. We do
    not preach or proselytize, and we are not affiliated with any
    religious organization. More at interfaithradio.org.

    ABOUT THE LORETTO VOLUNTEER PROGRAM:
    This position is available through the Loretto Volunteer Program, a service program that pairs stipended volunteers with social justice organizations for a year of service. In addition to full-time work, Loretto Volunteers live in intentional community with each other and commit to the core values of community, social justice, simple living and spirituality. The program is sponsored by the Sisters of Loretto, an order of progressive Catholic nuns, but volunteers of all faiths are welcome. Volunteers receive housing, health insurance and a small living stipend. Learn more about the program at lorettovolunteers.org

    HOW TO APPLY
    Application instructions are available at lorettovolunteers.org/how-to-apply. Only complete applications will be considered.

    UC Berkeley Journalism Fellowship – Inside the Latino Vote and Immigration Reform, deadline March 8

    See below for information on the New York Times Institute on Immigration Reporting at UC Berkeley, May 2-5. I'm a little late with this one as the application deadline is TOMORROW, March 8. But you journos love a tight deadline, right? -Mia

    The Changing Face of America: Inside the Latino Vote and Immigration Reform

    Graduate School of Journalism, University of California at Berkeley
    May 2-5, 2013

    The application deadline is March 8, 2013

    The UC Berkeley Graduate School of Journalism invites professional print, broadcast, and online journalists in the United States to apply to its third New York Times Institute on Immigration Reporting.

    The 20 applicants selected as New York Times Fellows will learn about the new dynamics of America’s immigration debate and the country’s changing demographics. The intensive four-day training is designed for reporters and editors who have some background on immigration and seek to enhance their knowledge and skills.

    The 2013 seminar will examine the impact of the growing Latino and Asian-American electorate on current immigration reform efforts in Congress. With our focus on developments in Washington DC, we’ve timed the institute to coincide with a Congressional recess. Participants will:

    • Receive hands-on training in demographic analysis and working with the latest Census data on voter registration and turnout;
    • Hear up-to-the-minute assessments of legislation in play in Washington and the power dynamics behind it;
    • Examine this year’s political debate in the context of history, current immigration law, state-federal battles and recent developments in immigration enforcement;
    • Get exclusive access to the first public release of a series of specially commissioned research papers the impact of the Latino and Asian vote, presented by their authors.

    In past years, speakers have included high-ranking Homeland Security officials, immigration judges, leading journalists, scholars, legislators and immigrants themselves. We anticipate a line up of top-notch experts again this year. The institute will draw on its position in California – which has been at the leading edge on many aspects of immigration – and the wealth of resources at the University of California and beyond. Participants will leave the seminar well equipped with new perspectives and insights backed by solid research and data, new sources, essential reporting tools, and story ideas to deepen their coverage and to share with their newsroom colleagues.

    The Changing Face of America is a New York Times Institute, supported by a generous grant from the Atlantic Philanthropies.

    The application deadline is March 8, 2013 Prospective fellows can apply online

    More information can be found at The Changing Face of America: Inside the Latino Vote and Immigration Reform. For questions, contact Rachel Witte at rwitte@berkeley.edu.

    $10K reporting fellowship at UC Berkeley J-School, deadline April 1

    Nice fellowship available from the UC Berkeley J-school and Michael Pollan. Deadline April 1. -Mia


    Beginning in 2013, UC Berkeley’s Graduate School of Journalism will each year offer five $10,000 postgraduate Food and Farming Journalism Fellowships in a new program established by Michael Pollan, the John S. and James L. Knight Professor of Journalism at UC Berkeley. The fellowship, a project of the Knight Center in Science and Environmental Journalism, is supported by a grant from The 11th Hour Project, a program of The Schmidt Family Foundation.

    Aimed at early and mid-career journalists, the Fellowship presents an opportunity to report ambitious longform stories on the full range of subjects under the rubric of food systems: agricultural and nutritional policy, the food industry, food science, technology and culture, rural and urban farming, agriculture and the environment (including climate change), global trade and supply chains, consolidation and securitization of the food system and public health as it relates to food and farming. In 2013 we will award five, early and mid-career journalists $10,000 to travel and report these stories.

    The fellowship is open to both print and radio journalists; in future years, it will expand to include multi-media and video journalists. We will give preference to U.S. focused stories, but will also consider international stories with a U.S. angle or connection.

    Online applications are due April 1, 2013, and should include a one-page pitch with a clearly defined story idea, not just a subject. The pitch should reflect some preliminary research, providing a clear sense of place, characters, narrative and reporting strategy. The application also requires a CV, two letters of recommendation and clips. We will announce this year’s fellows by May 1, 2013.

    Those interested in applying will need to be available the week of June 24-28 for a 4-day workshop at UC Berkeley with the 2013 cohort of fellows, fellowship director Michael Pollan, guest editors from national publications and managing editor Malia Wollan. Travel, lodging and meals for the meeting will be covered by the fellowship. During the first session, fellows will refine their story pitches with the help of the editors, and develop a reporting and publishing or broadcast strategy. Fellows will also have opportunities to meet with and interview faculty members and researchers doing work relevant to their stories at UC Berkeley.

    Reporting and writing will then take place from July-October. Fellows will meet for a second four-day session in mid-November, during which time completed stories will be workshopped and edited; the editors will also assist fellows in placing their stories for publication or broadcast. Travel and lodging for the November session will also be covered by the Fellowship.

    internships with Making Contact

    Making Contact is looking for interns. Here's the inside scoop from Executive Director Lisa Rudman.

    We are open to adjusting and customizing for a strong candidate. We especially encourage people of color and women to apply. We are perpetually trying to raise funds to be able to provide a stipend to interns. The internship is currently unpaid but we can sometimes pay interns per-special-project when we have a grant related to an area of work. Please encourage folks to apply so that all options can be explored. Thanks!

    http://www.radioproject.org/get-involved/production-internships/

    Production Internships

    National Radio Project's Making Contact Internship

    Making Contact is weekly, internationally syndicated, public affairs program, heard on on over 140 radio stations. The staff of Making Contact is small, but extremely talented, committed, and professional. We are seeking hard-working team players to help us produce segments and features for Making Contact.

    The intern will learn audio editing, researching, voicing, script writing, interviewing, fact-checking and field reporting, and media distribution via traditional channels and social media.  This internship is unpaid. Small stipends for projects are sometimes possible when grants come through. College credit can be given, but is not necessary. We ask interns to commit 12-20 hours a week for a minimum of four months.

    Skills and Responsibilities:

    • Must have excellent research skills. As a progressive media outlet, our mission is to interview and tap into the expertise of people who span the political and social spectrum, not just the conventional "experts" or “officials.” The qualified intern is responsible for helping us identify who those lesser-known yet valuable people and community groups are.
    • Ability to book and conduct interviews (in-person and phone interviews) and assist in script writing
    • Qualified individuals should have a basic knowledge of how to use a microphone, recorder, headphones, and how to plug into a multbox. If the candidate does not have these general experiences, he/she must be willing to be trained.
    • Some knowledge of Audition/Pro Tools/Sound Forge or any other applicable editing software is preferred.
    • Additional responsibilities include:  audio editing, selecting soundbites/clips, transcription, participating in listening/critique sessions and attending meetings, as needed.

    Additionals:

    • Familiarity with community and public radio
    • Knowledgeable and passionate about current events. Includes some knowledge of human rights issues and cause-related advocacy groups.
    • Some journalistic experience a plus
    • Women and people of color are encouraged to apply. National Radio Project is an Equal Opportunity Organization and does not discriminate on the basis of gender, color, sexual preference, disability, national origin, religion, or economic status.

    If you're interested, first please check out the rest of our website to see what we're all about. Then if you're really interested, please send us a cover letter and resume, along with the Production Internship Application. If you have print work samples and/or audio samples of your work, please include them as well.

    Thank you for your interest in National Radio Project's Making Contact Internship.

    Questions? Please contact Lisa Rudman at lrudman[at] radioproject.org

    Job openings at Latino USA, full and part time

    Latino USA is hiring a bunch of positions, part time until June, full time after that. Great programming, great people. More info at: http://www.futuromediagroup.org/lusa/about/jobs/ -Mia

    1. Radio engineer/producer
    Latino USA seeks experienced audio engineer, radio production skills preferred, to record, edit and mix audio for weekly public radio show distributed by NPR. Three to five years experience engineering recording sessions for public radio desired. Must have thorough knowledge ProTools editing software and use of plug-ins (preferably version 10). Must work well with a small team under tight deadlines and relish problem-solving. Latino USA is produced by The Futuro Media Group. For more information, go to www.latinousa.org. Submit resume to jobs@futuromediagroup.org

    2. Radio show booker
    The weekly public radio show Latino USA seeks a self-motivated booker, eager to work on a small team performing a wide range of functions, will work with the show’s production team to develop interview segments by finding and booking compelling guests. Research, pre-interview guests, compile prep material for host. Latino USA is produced by The Futuro Media Group. For more information on the show, go to www.latinousa.org. Submit resume to jobs@futuromediagroup.org

    3. Radio Producer
    Latino USA seeks two creative, resourceful producers to form part of a small, dynamic team to work on weekly production of an award-winning public radio show distributed by NPR. The program is undergoing some significant changes, so we welcome producers with adventurous ideas about the future of radio that can be tested for a newsmagazine that covers information, ideas and culture. Depending on experience and ability, one of these positions will have operational responsibility for the program, and function as a deputy to the Senior Producer. Latino USA is produced by The Futuro Media Group. For more information, go to www.latinousa.org. Submit resume to jobs@futuromediagroup.org

    Oregon Public Broadcasting seeks Arts Editor/Producer, application deadline March 15

    A rare full-time gig post. OPB does some great innovative stuff. They were part of this recent webinar that was really interesting. Application deadline March 15. -mia

    Oregon Public Broadcasting seeks Arts Editor/Producer

    The Arts Editor/Producer is a passionate champion of the arts. This position works closely with OPB’s content creation teams (e.g: Arts, News, etc.), adheres to OPB’s editorial standards, identifies and produces arts content for OPB’s multiple platforms and produces a new weekly radio arts program using new and existing content. For more information and to apply, go to: http://www.opb.org/insideopb/careers/jobs/

    OPB is an Equal Opportunity Employer.

    Two weeks to apply to Knight News Challenge on open gov, deadline March 18

    There's a LOT of money available here. Deadline March 18. -Mia

    Friends,

    There are two weeks left in the Knight News Challenge: Open Gov ( https://www.newschallenge.org/ ), but don't wait — our new platform ( http://www.knightfoundation.org/blogs/knightblog/2013/2/12/News-Challenge-launches-with-an-OpenIDEO-twist/ ) offers ideas and feedback to help strengthen your application up until the March 18 deadline.

    We're looking for ideas that can improve the way citizens and government interact. Last year, most News Challenge winners received between $200,000 and $500,000 to realize their ideas. Need more info? Here are answers to seven of the most frequently asked questions:

    http://www.knightfoundation.org/blogs/knightblog/2013/3/1/answers-7-most-common-news-challenge-questions/


    Whether or not you apply, feel free to forward this note, or otherwise share thenewschallenge.org link:
    https://www.newschallenge.org/


    John Bracken
    Director, Journalism and Media Innovation

    Missouri Review Audio Competition, deadline March 15

    Info about The Missouri Review’s Audio Competition (upcoming deadline March 15): 

    We accept unpublished as well as previously aired recordings (as long as you retain the rights), and we would love to receive work from you or any of your colleagues.

    The contest offers prizes of $1,000 in each of three categories: documentary, prose, and poetry. Winners are featured on our website and publicized through our various media outlets. Our guest judge this year is Laura Starecheski, producer with NPR’s state of the Re: Union.

    In an effort to expand our contest this year, we have made our entry fee (previously $20) available as pay-by-donation. All proceeds go towards the continued publication of The Missouri Review, its programs and awards for artists. If you would like to learn more about the contest, please visit our website: http://www.missourireview.com/audiovisual/submissions/. The submission deadline is March 15th, 2013.

    I would be grateful if you could share this information with any friends, colleagues, or students who might be interested.

    all best wishes,

    Claire McQuerry

    Kitchen Sisters Interviewing & Recording Workshop, March 27

    My favorite producers – the Kitchen Sisters – are once again offering their workshop on recording and interviewing. Don't miss this if you're in the area! Details below. -Mia

    Time again for The Kitchen Sisters Recording and Interviewing Workshops. Davia Nelson of The Kitchen Sisters is holding two workshops on Wednesday, March 27 in San Francisco. These three-hour sessions are designed for people who want to acquire and hone their skills for an array of audio projects–radio, online, podcasts, storytelling, oral histories, audio slide shows, family histories, news, documentaries, and other multimedia platforms.

    In the workshops, Davia will cover interviewing, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it looks).

    The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, journalism, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, film and beyond. The groups are always lively and good contacts are made.

    The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny St. Of course, snacks will be served.

    Morning Workshop: 10:00 AM-1:00 PM (REGISTER HERE: http://ksworkshop-am.bpt.me/ )

    Afternoon Workshop: 2:30 PM-5:30 PM (REGISTER HERE: http://ksworkshop-pm.bpt.me/ )

    Each session is $120. (The same workshop is given in the morning and the afternoon)

    If you have questions email kitchen@kitchensisters.org. And please pass this announcement along to your community.

    Expand your skills, meet new people, support the work of The Kitchen Sisters.

    See you there,

    The Kitchen Sisters

    Upcoming events at the UCB J-School

    The latest events from Berkeley J-School. -Mia

    Ken Schles Photography Exhibit: Opening Reception and Lecture

    When:  Friday, March 8,  6:00 p.m.

    Where: Room 105 North Gate Hall (Reception in the Library)

    First published in 1988, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a world few had entrance to—or means of egress from. For a decade, Ken Schles watched the passing of time from his Lower East Side neighborhood. His camera fixed the instances of his observations, and these moments become the foundation of his invisible city.

    Preview of "Fallaci" | Q & A with Lawrence Wright and Deirdre English

    When:  Saturday, March 9,  8:00 p.m.

    Where:  Berkeley Repertory Theatre (2025 Addison Street, Berkeley)

    Join us for a special evening with Pulitzer Prize-winner Lawrence Wright, and the world premiere of his new play, "Fallaci," the story of female Italian journalist Oriana Fallaci, known for her grilling interviews throughout a 50-year career as a journalist.  

    Tickets are now available for the exclusive preview of Fallaci, followed by a seperate Q & A with Lawrence Wright, hosted by Deirdre English, Director of the Magazine Center at the J-School.  Student tickets and Alumni/Faculty tickets are available.  You must purchase a ticket to the play in order to attend the post-performance session.

    Space is limited, if you are interested in attending the Q & A following the performance, please contact Julie Hirano to RSVP.  

    A Lunchtime Talk with Sally K. Fairfax

    Presented by the Knight Center in Science and Environmental Journalism

    When:  Wednesday, March 13,  12:30 p.m.

    Where: North Gate Hall Library

    Michael Pollan and The Knight Center in Science and Environmental Journalism welcome Sally K. Fairfax, one of the authors of California Cuisine and Just Foods. In the book, Fairfax and several other authors illustrate the significant progress that's been made in the Bay Area toward food democracy. But, despite the favorable climate, progressive politics, and culinary culture, many challenges still remain in the fight for just food.

    Fairfax will speak about the book and participate in a Q & A moderated by Pollan.

    Refreshments will be provided.

    Spring Welcome Visit 2013

    When:  Sunday, March 17 – Tuesday, March 19

    Where:  North Gate Hall

    The J-School will host the next class of admitted students at Spring Welcome Visit.  Details to come!

    *********** EVENTS OF INTEREST ***********

    Sally Mack | "At the Edges: A Wetlands Restoration Site" Photo Exhibit

    When: January 22 – May 31,  9:00 a.m. – 5:00 p.m.

    Where:  Education/Psychology Library, 2600 Tolman Hall

    "At the Edges: A Westlands Restoration Site," color photographs by Sally Mack, of a northern California wetlands restoration site, are being present at the Ed/Psych Library at 2600 Tolman Hall on the UC Berkeley campus from January 22-May 31, 2013.

    The photos in the exhibit were taken at a 53-acre wetlands restoration site owned by CalTrans, developed by a consortium of federal and state resource agencies.  Named "Guadalcanal Village" after the South Pacific island, it's the site of a former housing development, now a CalTrans mitigation site, located on Mare Island, near Vallejo, CA. It's bordered by Highway 37 and the Napa River.  It is slated to become part of the San Pablo Bay National Wildlife Refuge.

    The photos in the exhibit were taken with a classic Hasselblad film camera and printed through an enlarger at a local lab.

    More of Sally's photos can be seen at http://www.sallymack.us

    For more information, please contact Sally at photos@sallymack.us

    Meet the Playwright: Public event at the Berkeley Rep

    When: Monday, March 4,  7:00 p.m.

    Where: Thrust Stage, Berkeley Repertory Theatre (2025 Addison Street)

    Pulitzer Prize-winning journalist and Fallaci playwright Lawrence Wright and J-School professor Mark Danner discuss Wright's latest bestselling book, Going Clear: Scientology, Hollywood, and the Prison of Belief.  Copies of Going Clear may be purchased in the lobby, and audience members can get their books signed at the end of the evening.  

    This is a free event.  No tickets necessary. Seating is limited. The lobby and café counter open at 6pm.

    2013 Matsui Lecture: Can the World Feed 9 Billion People? A Global Agricultural Development Initiative

    When: Wednesday, March 13,  4:00 p.m.

    Where: Banatao Auditorium, Sutardja Dai Hall

    Co-sponsored by the Institute of International Studies, Institute of East Asian studies, the Blum Center and Master of Development Practice

    During his 26 years in Congress and subsequent service as president of the Asia Foundation, Rep. Douglas Bereuter confronted issues of global poverty, food production, and sustainability. In this year's Matsui Lecture, he addresses these critical issues facing the United States and the world.

    Reception to follow.

    Free and open to the public.

    Health Care Reform Up Close

    When:  Wednesday, March 20,  4:00 p.m.

    Where:  250 Sutardja Dai Hall

    Pam Belluck will speak about her first book, Island Practice (2012), the adventures of an eccentric doctor and the challenges of his community on the island of Nantucket. This is a study of how one doctor perseveres within the shifting institutional context of health care. The book was optioned for a CBS television series regarding health care reform and organizational change.

    A New York Times interview with Ms. Belluck about her book can be found at http://well.blogs.nytimes.com/2012/07/27/there-once-was-a-surgeon-from-nantucket/?hpw

    Ms. Belluck regularly writes for the Times science page, covering complex/controversial topics in psychology, neuroscience, and women's health. Her reporting launched The New York Times Vanishing Mind series, about Alzheimer’s disease and dementia. She's also a jazz musician in her spare time. Ms. Belluck is the subject of an extended profile in Current Biography magazine, June 2012.

    2013 Casey Medals for Meritorious Journalism, deadline March 1

    Final reminder about the Casey Medals, deadline March 1. Go for it! -Mia

    Did you write, report, produce, shoot, or create a powerful piece of journalism/media in 2012 about the lives of children and families in the U.S.? Enter the 2013 Casey Medals for Meritorious Journalism. Winners in a dozen categories are awarded $1000 and are eligible for $5000 prizes from America's Promise Alliance. Application and guidelines at http://bit.ly/XIGzwT.

    Deadline: March 1, 2013. Stories can change lives.

    IFP Indie filmmaker labs open for submissions, deadline March 8

    International Film Project filmmaker labs, deadline March 8. -mia

     

    IFP's 2013 Independent Filmmaker Labs Open for Submissions

    IFP's Independent Filmmaker Labs are a year-long fellowship supporting independent filmmakers through the completion, marketing, and distribution of their first features. The Labs provide community, mentorship, and film-specific strategies to help filmmakers reach their artistic goals, support the film's launch, and maximize exposure in the global marketplace. Drawing from a national candidate pool, 20 projects (10 documentaries and 10 narratives) are selected.

    Lab alum projects from 2012 include recent Sundance premieres Concussion (acquired by RADiUS-TWC) directed by Stacie Passon and Blue Caprice, directed by Alexandre MoorsAlex Meillier and Tanya Ager Mellier's Alias Ruby Blade, recently premiered at IDFA; Daniel Patrick Carbone's Hide Your Smiling Faces, currently World Premiering in the Berlinale’s Generation section; Visra Vichit-Vadakan's Karaoke Girl from Rotterdam 2013's Tiger Award competition; and Penny Lane's Our Nixon (also Rotterdam and upcoming SXSW). Additional Lab Alums also premiering at SXSW will be Omar Mullick and Bassam Tariq's These Birds WalkStephen Silha and Eric Slade's Big Joy: The Adventures of James Broughton, and Lotfy Nathan's 12 O’Clock Boys.

    Lab submission is open to all first time documentary and narrative feature directors with films in post-production. As part of IFP's ongoing commitment to diversity, the Independent Filmmaker Labs seeks to ensure that at least half of the participating projects have an inclusive range of races, genders, sexual orientations, ethnicities, and physical abilities in key creative positions. Upcoming deadlines for the 2013 Labs are March 8 (Documentary) and April 5 (Narrative). For more info and to apply, click here.

    PAID Media Internship at the Moth, deadline March 8

    From the good people at The Moth:

    The Moth, the nationally known arts organization and creators of the Peabody-Award-winning The Moth Radio Hour and popular podcast, is seeking a paid media intern to join our team!

    Internship Opportunity

    Love stories? Love media? The Moth Media Department would love to have you. We’re currently seeking one intern to assist us with various media-related support, which includes but is not limited to:

      • Working on external media requests
      • Helping to inventory our 15+ year archive of audio and video
      • Assisting The Moth’s media team with other projects as needed

      Requirements

        • Video editing and capturing experience, either with Final Cut Pro 7 or Final Cut Express
        • Audio editing experience, preferably with ProTools or Audacity
        • Enthusiasm for storytelling and meeting new people

        ·      40-hour a week; our office hours are 10-6, but we’re flexible to work around your schedule

        Who We Are

        The Moth is an acclaimed nonprofit organization dedicated to the art and craft of storytelling. Through its ongoing programs – The Moth Mainstage, Moth StorySLAMs, MothSHOP Community Education Program, MothSHOP Corporate, and the Moth Podcast – The Moth has presented more than three thousand stories, told live and without notes, to standing-room-only crowds worldwide. The Peabody Award-winning The Moth Radio Hour, produced by Jay Allison and presented by PRX, The Public Radio Exchange, airs on more than 250 public radio stations across the country. www.themoth.org

        Compensation

        This is a paid internship. $10/hour, with a commitment of at least 3 months.

        Application

        Please send an email to jenna@themoth.org by Friday, March 8th, with the subject line “Media Internship – Spring 2013” and the following materials: your resume, a brief cover letter, and links to your video reel and any past audio projects (if available).


        KCRW’s live streaming Writing for Radio Workshop, Feb 26, 7:30pm PST

        There've been a lot of these online training opportunities recently (see NPR Digital Services' amazing webinar series). This one comes from KCRW. Details below! -Mia

        WHAT: Writing for Radio Workshop with Alex Chadwick and Matt Holzman
        WHERE: Live Streaming at www.kcrw.com/writingforradio
        WHEN: Tuesday, 2/26 at 7:30PM PST

        Description:

        Writing for radio is really easy. All you have to do is tell a great story. And convey a ton of facts and ideas and tie them all together elegantly – but make the whole thing really intimate and personal. Oh, and paint a real visual picture of where you are and the people you meet. And do it all in as few words as humanly possible and make it sound like you're just talking.

        OK, so it's not so easy. But we're going to speak with one of the people who makes it sound like it is. Alex Chadwick is one of the masters of the craft, and we'll pick his brain in an effort to bring you specific ways to make your radio writing sing, whether you're doing a two minute 'acts and tracks' news story, a research-heavy investigative report, or a long-form documentary.

        About the Hosts:
        Alex Chadwick is an independent journalist whose distinctive work makes him one of the most recognized reporters in public radio. At NPR, he was a co-creator of Morning Edition, the most widely heard program in public radio, and a host of that program as well as All Things Considered. He has worked as a writer and feature reporter in network television (CBS, ABC, National Geographic) and for the online political magazine Slate.com, where his popular feature Interviews 50 Cents was named a 'must see' video by the New York Times. His current project is a series of specials on the subject of energy and climate: BURN, An Energy Journal, carried on more than 300 stations around the country.

        People know Matt Holzman because he used to give away stuff during KCRW's membership drives. And because of Matt's Movies. But what he really does is make radio stories. His work has been heard on Morning Edition, All Things Considered, Marketplace, Studio 360 and pretty much every show on KCRW. Matt's recent documentary for KCRW's UnFictional, called "Ministry of Presence," would probably have won a Peabody if he hadn't missed the application deadline.

        Join us! We'll be live streaming the workshop next Tuesday at 7:30PST. You'll find it at www.kcrw.com/writingforradio

        If you have any questions about the event, please contact jenny.radelet@kcrw.org

        KCRW’s Independent Producer Project is accepting pitches

        This is just plain AWESOME. KCRW is accepting pitches from indies to tell unique and compelling stories. You can hear some of the existing stories HERE. And submit your own pitches HERE. Details below. -Mia

        In a groundbreaking new initiative, KCRW has set out to support and cultivate the independent voices of public radio whose work tells the stories that have made our medium unique and compelling.

         

        By creating a special fund, KCRW can take chances on new ways of doing what public radio has always done best — tell the stories that matter and move us.

         

        Our goal is for this work to be experienced across the entire public radio system. The IPP has already commissioned pieces that have been heard on national shows, All Things Considered, This American Life, and The Story.

        KCRW’s Independent Producer Project supports and cultivates independent producers who create unique and compelling stories.  We encourage submissions from content-makers of all backgrounds, and experience levels.


        Feel free to send us your best story ideas and finished works — and also your ideas for longer-term, multi-segment projects.  We are currently accepting submissions for radio  and multi-media projects.

        WHAT TO PITCH

        Pitch a story that you’ve honed to the point where your subject–the WHAT is compelling to a first-time reader in a sentence.  Then briefly tell us WHO we’ll hear from and WHY we’ll want to stop and listen to them.  Tell us WHERE you’ll take us in the most literal sense, and HOW you’ll take us there using audio and other media.  Your pitch should convince us that your story needs to be heard.  Not just told: heard.

        HOW TO PITCH

        Treat us the way you like to be treated.  Make your pitch simple and engaging.  Tell us just enough to make us want to hear more.  A paragraph or two at most.  Give us a sense of the length of the piece and tell us how you can imagine the piece going beyond the medium of radio. Surprise us with your ideas and then convince us that you’re equipped to make them real.  Don’t send visuals or audio. Trust your words to grab our interest.  If we like what we see, we’ll reach out to you for more. So be ready.  And if you don’t get a response right away, please be understanding.  We’re a small staff and we receive many submissions and cannot follow up with everyone right away.  But please be assured, we will get back to you.

        Studio 360 seeks interns and volunteers

        An ever-so-occasional post about internships/volunteer opportunities. Learn a bunch, then go out and make a living with that knowledge. -Mia

        Studio 360 is looking for sharp, enthusiastic self-starters, with or without radio skills, to participate in the program as interns and volunteers.

         

        Interns and volunteers assist in all aspects of producing Studio 360. They sit in on editorial meetings, gather research, pitch ideas, collect materials for the website, and perform various tasks involved in running the office. Over the course of the term, interns and volunteers learn fundamental radio skills (including audio editing) and will work with staff mentors on producing segments for the show. 

         

        There are no specific qualifications required, other than a passion for the arts and popular culture, and a fascination with creative radio.  Study or experience in journalism and/or radio production are valuable, but not required.

         

        Accepting applications March 1-22 – more information: http://www.studio360.org/about/internships/

        FREE Data Training for Aspiring Data Journalists

        Free Online Data Training for Journalists

        Some of the most compelling information about our world can be found in data. As a journalist it's now more important than ever to be able to access data, employ data and create compelling visualizations for telling stories with data. At kdmcBerkeley were offering a series of free online courses to introduce journalists to the basics of data visualization.

        When: Four Free Online courses to get you started in data journalism. These four one-hour courses build upon the other; beginning with spreadsheet basics to charting and graphing and ending up with interactive maps. Register for all four sessions or choose the session that best meets your needs. Each course is offered twice, once at 10am PST and then again at 1pm PST on February 20, February 27, March 15 & March 18.

        Who Should Attend: Journalists in the news and media environment who are interested in adding data visualization skills to their storytelling toolkit.

        Register Here: Free Online Data Training. Early registration is recommended.

        Fee: Free. The workshops are being made available due to a generous grant from our sponsor Ethics & Excellence in Journalism.

        "By visualizing information, we turn it into a landscape that you can explore with your eyes, a sort of information map. And when you're lost in information, an information map is kind of useful." By David McCandless on the beauty of data visualizations.

        Be a part of the data revolution by experiencing the kdmcBerkeley difference at the World's Premier Center for applied digital communications.

        temp position for multimedia journalist at WHYY covering Sandy recovery

        WHYY in Philadelphia is looking for a (short-term) reporter for a grant-funded initiative. Details below. -mia

        "Sandy" Reporter – http://www.whyy.org/about/employment.php

        WHYY/NewsWorks seeks an experienced multimedia journalist to undertake a focused reporting initiative on the cleanup from Superstorm Sandy in South Jersey and Delaware.  This reporter will use text, audio, photos and social media to inform the public about issues, solutions and problems related to the rebuilding and reimaginging of Shore communities harmed by the storm.  Most reporting will be done in person in Shore communities. The position is full-time, but temporary.  We expect it to continue until the end of October 2013.

        To apply, please use the online application links above or mail your resume to:

        Human Resources
        WHYY, Inc.
        150 N. Sixth Street
        Philadelphia, PA 19106

        New York Press Club tax prep for journos workshop on March 5 + NYPC Journalism Awards, deadline April 5

        The New York Press Club announced their 2013 Journo Awards, deadline April 5. Plus they're hosting a tax prep for journos workshop at the CUNY j-school on March 5 (FREE for Press Club members and CUNY j-school students, $15 for everyone else). Details below! -Mia

         
        02/19 Tues: Remembering Mayor Ed Koch – CUNY J-School
        03/05 Tues: Tax preparation tips for journalists – CUNY J-School
        03/08 Fri: Journalists who covered 9/11 invited to become Memorial Site guides
        2013 New York Press Club Journalism Awards now accepting entries
        Photos from recent New York Press Club events
        NYPC LOGO
         
        news from the new york press club
         
        Remembering Ed Koch
        Tuesday, February 19th
        CUNY Graduate School of Journalism
        219 W 40 Street (7th & 8th)

        An evening of reminiscences about Ed Koch by those who knew, worked with and who covered him. Among those likely to kick-off the conversations are Gabe Pressman, WNBC; Rich Lamb, WCBS Radio; Stan Brooks, WINS; David Diaz, formerly of WNBC & WCBS-TV and Greg David, director of Business & Economic Reporting at the CUNY and a columnist & blogger for Crains NY Business.

        Ed Koch
        But the heart of this event is more likely to be "open mike." All who'd care to share personal stories about their experiences covering the late mayor are welcome to hold-forth. Not a wake by any means – we hope the evening will reveal as much about the process of having covered Ed Koch and New York City during his era as it does about the pluck of the man. This event is for journalists. Please RSVP here if you might attend.
         
         
        9/11 Tribute Center Seeks Journalists Who Covered 9/11
        911 Tribute Center
        Training will be held March 8 and 9th for Volunteer Guides at the 9/11 Tribute Center. Tribute volunteers are people who were directly impacted by the events of September 11th and are the official guides for the National 9/11 Memorial.

        Many journalists were there to report the truth on September 11th. Volunteering for Tribute would be no different. By joining the program and telling your story on the world stage of the 9/11 Memorial, you will have a profound impact on how others think about the role of journalists, a seminal event in history and the very nature of what it means to be a human being.

        Share your September 11th story. Help others understand, remember and recover. Become a 9/11 Tribute Center volunteer guide at the National 9/11 Memorial.

        More information about the Volunteer program and the 9/11 Tribute Center.

         
         
        Tax Preparation Tips For Journalists
        TAX
        Tuesday, March 5th
        CUNY Graduate School of Journalism
        219 W 40th Street (7th & 8th)
        6:30 pm refreshments | 7:00 pm – program

        Get a leg-up on preparing your 1040 or 1040EZ in this free-for-members workshop with tax professionals, moderated by John R. Lieberman of Perelson Weiner LLP.

        Topics and advice will likely include tax strategies of benefit to journalists who are either freelance or employees. We're also likely to offer tax advice of interest to student journalists. When last held, this workshop was hugely popular.

        Free for Press Club members and CUNY J-Students. Please RSVP here.

        More info and non-member RSVP here.

         
         
        New York Press Club Briefs
        2013 Journalism Awards Open for Entries. Enter the 2013 Awards competition today! Everything needed to enter this year's competition can be found on the Awards page of our website, including news of an "Early Bird" entry fee that applies until March 6th. Entries close April 5th.
        Renew Press Club Membership for 2013. January is membership renewal month for New York Press Club members. And it's already February! Membership can conveniently be renewed for 2013 at any time on our website using a credit/debit card or PayPal.
        Gallery Photos From Latest Press Club Events. Among the recent events at which Press Club members gathered: a celebration of the advent of the "Year of the Snake" with members of Taiwan's diplomatic and cultural office in New York City. Ambassador Andrew Kao gave a briefing on how things are fairing in Taiwan.
         
         
         
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        contact     |    @NYPressClub    |     mailbox@nypressclub.org     |     join
         

        This email was sent by The New York Press Club, 1636 Third Avenue, Box 188, New York, New York 10128, using Express Email Marketing. 
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        Call for talk programs on WGXC

        This may only be relevant to a very few of you, but WGXC in Hudson, NY is looking for programming. They're a great station and do some really creative work both on air and in the community. If anything, use this as an encouraging reminder to use your small local stations as possible outlets for your work! See the newsletter below for more details. -Mia 

        Disappearing Voices Screening, Tuesday at TSL in Hudson; Macchiato Mondays continue
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        Hello!
        We're just weeks away from the great unveiling of our new program schedule. Incoming programmers are busily learning the tricks of the trade, and will soon be filling the airwaves with renewed enthusiasm and new views of our little corner of the earth. A reminder that we'll be celebrating the launch of this schedule on February 24th at the Hudson Studio, from 2:00 – 5:00 p.m. Programmers, friends, family, WGXC members, and whoever else are all encouraged to turn out for this free, family-friendly event. 

        And now, a note from Program Director Shannekia McIntosh. "Hello WGXC Listeners, I'm excited to begin to roll out the new changes to the Program Schedule. In the coming weeks you will begin to hear from our new programmers and experience their new shows. Our mission here is to have the airwaves of WGXC reflect the diverse community voices of the area. As the process for the schedule change has developed it's become increasingly clear what we are missing. We are asking for people interested in Agricultural, Educational and Talk programming to submit an application to apply@wgxc.org. No experience with radio necessary, now is the time to let your voice be heard! We look forward to hearing from you!"

        Once more: applications for talk radio are still being accepted, along with those who would like to be trained to occasionally operate the board during afternoon shows, and guest DJ slots. Visit wgxc.org/application, or come pick up a printed application at the Hudson Studio. These applications are being considered for the 2013-2014 program schedule. 

        Macchiato Mondays this February at Swallow CoffeeA reminder to everyone that for two more Mondays, Swallow Coffee will continue to offer the opportunity to support WGXC 90.7-FM and be rewarded with coffee. Contribute $3 or more to WGXC 90.7-FM and be rewarded with a macchiato. Swallow is located at 433 Warren Street, in Hudson. Thanks to all who have already participated in this fundraiser!

        And finally, thanks to everyone who came out for Tuesday night's potluck and screening of Disappearing Voices. And a special thanks to TSL for sharing their space, and we look forward to future collaborations. 

        Some Recent Highlights from the Archives

        This week a number of WGXC Programmers celebrated the idea of Love in the spirit of Valentine's Day. LowTide's Liv Carrow brought us some of the best of country/folk and contemporary love songs.

        The Schoemer Show hosted local musician/artist and sometimes co-host of WGXC's Tuesday Afternoon Show Brian Dewan, who sang love songs.

        The Relationship Show Show with Hallie Goodman and Mark Lacoy talked to singles on being alone on the big V-Day.

        Stay up to date with the education news making the headlines local/national with Lynn Sloneker.

         

        AND FROM THE WGXC NEWSROOM BLOG…

        You can read these stories and more on WGXC's Newsroom blog, with breaking news, features, local audio, video, analysis, music, links to events in Greene and Columbia counties, and more. 

        This Week's Programming Highlights

        Hands-on Radio Community programs
        (Sunday – Friday: 6 a.m. – midnight)

        Sunday School Dropouts
        Feb. 17, 2013: 9 a.m. – 11 a.m.
        Welcome to a brand new, open, guest DJ spot on Sunday mornings. We invite anyone to interpret the idea of being a Sunday School Dropout, or to simply play their own selection of music apropos to Sunday morning. All denominations or non-denominations welcome, and all sounds from the entire universe welcome. Once the new programming schedule is in place, as of late Feb, this will be a 9am – 11am slot, open to everyone. 

        Transmission Arts / Experimental Sounds programs

        (Saturdays and late nights, midnight – 6 a.m.)

        Radio Stew: February 2013 New Music
        Feb. 16, 2013: 12:02 a.m. – 4 a.m.
        New music from Matmos, Yo La Tengo, !!!, Black Pus, Diamond Terrifier, Dan Friel (of Parts and Labor), Devendra Banhart, The Knife, Buke and Gase, Distant Correspondent, Eric Carbonara, and others. Plus a tribute to Donald Byrd, who died Feb. 4.
         
        Radia: Béatrice André
        Feb. 16, 2013: 10 a.m. – 10:30 a.m.
        On the path of a word "Promaja," the draft, is not a draft in the Balkans. Collective and multi-language, a sound experiment by Béatrice André. André made Radia episode 411 for Kanal 103 (Skopje, MK). www.leapromaja.net
         
        Making a Record (Diamond, Ruby, Sapphire, Emerald)
        Feb. 16, 2013: noon – 1 p.m.
        Tune into to a special FM broadcast featuring the sound elements from Melissa Dubbin and Aaron S. Davidson's Making a Record (Diamond, Ruby, Sapphire, Emerald) in conjunction the conclusion of their exhibition at Audio Visual Arts (AVA) in New York. 
         
        Saturday Afternoon Show: Distant Correspondent
        Feb. 16, 2013: 4 p.m. – 6 p.m.
        Interview with members of new band Distant Correspondent. Other radio news and features, live from Wave Farm in Acra with host Tom Roe. 

        Future Events

        SUN. FEB. 24 2-5p.m.: WGXC 2nd Anniversary Party / Schedule Launch / Open House!
        MARCH 10-20th: WGXC Spring Pledge Drive 
        MARCH 16th: Tommy Sharp & Friends WGXC 90.7-FM Fundraiser at Hangrr 18 in Hudson
        MARCH 20th: Crossroads Open Mic 
         

        For the rest of what's coming up this week
        Check out WGXC's online Program Schedule!

        www.wgxc.org •  info@wgxc.org518-697-7400

        Walk-in Visitors:  WGXC Hudson Studio
        704 Columbia St. 2nd Fl., Hudson NY 12534

        Mailing Address: 5662 Route 23, Acra, NY 12405

        WGXC is a program of free103point9.

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        National contest for creative media pieces about strengthening American democracy, deadline April 16

        I've already sent this out once already but it's being marketed pretty hard in my circles and it's a good new opportunity to win a chunk of cash and some good recognition so I'm sending it out again. Spread the word! -Mia

        The MacArthur Foundation and Illinois Humanities Council is sponsoring a national competition for creative media pieces about strengthening American democracy. $100,000 in prize money will be awarded in May. Submissions are due by April 16th, 2013.  We thought you’d be interested in passing along this exciting opportunity to your colleagues!

         
        Click here for all the details: http://lookingatdemocracy.org/
         
        We’re looking for short, provocative media submissions designed to spark a national conversation about how we can all come together to strengthen American democracy. 

         
        If you are an independent media maker, investigative reporter, student, graphic designer, artist – or anyone with creative ideas to help engage Americans and shift the political discussion in a fresh and engaging way, then use your creativity to share your vision of how to make government work to improve our nation, our communities, and our lives.  

         
        Go to http://lookingatdemocracy.org/ to find out more and submit an entry. 

        Thanks!

        NYC social media courses (March-May) + Social Media Weekend

        The latest social media workshops from Columbia's Sree Sreenivasan. Details below. -Mia

        ———- Forwarded message ———-

        My next two social media workshops (one is four nights over two months) and the other is an advanced one-night class w/ two weeks of online coaching) are coming up as part of the J-school's Continuing Education program. In addition, we have the last 90 tickets or so for next week's Social Media Weekend. Details below. Please share. Hope to see you and your friends – or enemies! – at some or all of these sessions. As always, 10% discount for Columbia J-school alumni and 5% discount for former continuing ed students + discounts for groups of 5 or more.

        All questions to ce@jrn.columbia.edu (ask to get on the mailing list, too).

        SOCIAL MEDIA WEEKEND: Feb 15-17, at Columbia Journalism School – three days of panels, workshops, social-media doctors, social media headshots and more. http://bit.ly/smwknd #smwknd – ALL LEVELS WELCOME.

        * If you can't make Friday evening through Sunday afternoon, we sell
           passes for each day – all for the best conference value in the country.
           Weekend pass $210; Friday night: $60; Saturday all events: $110; Sunday
           all events: $90

        * Lots of the latest thinking and big-picture thoughts, along with tons of
           practical, hands-on tips and tricks that will change your work and
           personal use of social and digital media.

        * We have a fab lineup with socmedia experts from FB, Twitter, Mashable,
           Quartz, ProPublica, Storyful, World Bank, RebelMouse, NYT, WSJ, NBC,
           NowThisNews, SoundCloud, MuckRack and many others. And we've just added
           to the program one of the Deadspin's co-writers of the biggest social
           media story of the year, the Manti Teo saga (he'll be hanging out,
           sharing his tips all weekend).

        * No matter what your level of experience, you can benefit from a checkup
           with our Social Media Doctors – top folks who will give you one-on-one
           feedback, tips and coaching.

        * Late last night, I got a tweet about my Twitter profile photo that said
           "Love your Twitter photo. Classy."  That's because it was a photo taken
           during last year's Social Media Headshots – professional portrait
           photographers donating their time and providing great pix for your
           social media use. Three fantastic photographers are back this year:
           Keith Barraclough (@kwbarraclough), Tony Gale (@tonygale) & Deidre Schoo
           (@deidreschoo). Just the headshots are worth much more than the cost of
           attendance.

        * Fantastic networking opportunity with attendees from across the nation
           and around the world.

        AND DON'T FORGET MY SOCIAL MEDIA WORKSHOPS IN MARCH, APRIL, MAY!

        NYC: Smarter Social Media, four-night course over two months, March 14-May 2, 2013 – all levels welcome. Details: http://bit.ly/cjsm2013a #cjsm
        – ALL LEVELS WELCOME.

        NYC & ONLINE FROM ANYWHERE IN THE WORLD: Social Media One-night Stand – advanced social media workshop, Thursday, May 16, 2013. Details: http://bit.ly/cjsm2013b #cjsm – INTERMEDIATE and ADVANCED LEVEL.

        Lots of other great courses by my colleagues, too, all listed at http://www.journalism.columbia.edu/page/843-training-program-offerings/638

        All questions to ce@jrn.columbia.edu (ask to get on the mailing list, too).

        Please pass along. Thanks.

        cheers, sree
        Sree Sreenivasan | sree@sree.net | http://sree.net | @sree
        Chief Digital Officer, Columbia University
        [ an explanation: http://bit.ly/sreejob3 ]

        LINKEDIN: http://linkedin.com/in/sreenivasan
        FACEBOOK: http://fb.com/sreetips or http://fb.com/sreenet
        INSTAGRAM: http://instagram.com/sreenet
        TWITTER: @sree – http://twitter.com/sree (tweeting tech, media & more)
        ->  SreeTips blog on CNET News: http://bit.ly/sreetips

        may possibly take submissions

        KCRW launched a new podcast and it looks like they may take submissions. I have NO idea if/what they pay, but it can't hurt to have another outlet possibility on the list, eh? Here are the relevant details from the Third Coast website.

        Are you accepting submissions? If so, how should interested parties contact you, and what's the main guideline folks should keep in mind?

        We would love to be buried in submissions. Right now the submissions are coming in more of a fine mist — make it rain, Third Coast readers! The best/only way is to email organist@believermag.com. (Though we do have a hotline we haven't yet figured out what to do with: I'm hoping we get some good rambling voicemails, at any rate. Call today: (573) 238-8453.)

        The main submission guidelines are: the piece shouldn't have appeared anywhere else (unless that anywhere else is your blog, I guess, or your mom's backyard). More importantly: it should spark our curiosity, make us think, and, when we hear it, make us chortle with desperate glee.

        See the links below for the rest of the details from the good people at Third Coast.
        -Mia

        Now in the Third Coast library spotlight:

        The Organist from KRCW and producers Andrew Leland, Ross Simonini and Jenna Weiss-Berman
        http://www.thirdcoastfestival.org/

        Oh happy day! One of our favorite magazines, the Believer, has just launched a monthly experimental arts and culture podcast. Let's all welcome the Organist into the world with a round of applause and open ears.

        Listen to the very first Organist (including the best two-minute podcast opening we've ever heard) and read an interview with host Andrew Leland about how and why the Organist came to be, and how and why to pitch YOUR story to him, Behind the Scenes.

        http://www.thirdcoastfestival.org/library/1253-the-organist#extra

        ANNOUNCING – The New Transom Traveling Workshops, application deadline March 8

        Transom Workshops hit the road – first on Catalina Island this June (nice!). And if you get a chance to study with Rob Rosenthal, you're in luck. I learned more in a one-hour lecture by him than I have in some full-semester classes. Plus his How Sound podcast should be essential listening for all radio producers. Details below. Application deadline is March 8. -Mia

        TRANSOM.org
        a showcase & workshop for new public radio
        February 8, 2013

        * ANNOUNCING: The New Transom Traveling Workshops *

        When we started up our eight-week-long, career-launching Transom Story Workshops, lots of people asked if we could do some introductory training in audio narrative in shorter bursts, and maybe in other locations besides Cape Cod. The answer is finally, yes.

        Starting this summer, we will offer Transom Traveling Workshops in various parts of the country. These are short, one-day to one-week workshops suited to the needs of our collaborative hosts. Check here for all the details:

        http://transom.org/?page_id=32311

        Applications are now open for a one-week introductory course for beginning radio producers to be held on Catalina Island off the coast of Southern California, June 16th-21st. The workshop will be hosted by community radio station KISL and taught by Rob Rosenthal, the lead instructor of the Transom Story Workshop. Applications close on March 8th:

        http://transom.org/?p=32331

        We'll announce more workshops soon. If you'd like to talk with us about hosting a Traveling Workshop in your home town or to add your name to our Workshop email list, write to us at info [at] Transom [dot] org.

        Drop over any time,

        Jay Allison
        Atlantic Public Media
        Woods Hole, Massachusetts
        www.transom.org

        Public Insight Network announces funds for public media stations to engage local communities, deadline Feb 8

        Here's where some creative freelancing comes into play… these funds are for stations to generate new content in their local communities, and they're going to need producers to make that content happen. Encourage your local station to apply for this grant (or check back to see if your local station got one of these since the deadline is THIS FRIDAY) and convince them to hire you to do the work. More details HERE and below. -Mia

        The Public Insight Network is offering up to $2,500 in funds to support public media stations’ efforts at engaging their communities in conversation around topics important to them. The funding is intended to help stations generate content, organize events and meet the information needs of their communities through engagement.

        We are offering these funds in an effort to encourage stations to involve their communities more directly in content and discussion around important local and national issues, and to encourage more newsrooms to adopt the PIN model of engaging communities in journalistically relevant ways throughout the editorial process.

        Participants at a PIN community engagement event in St. Paul, Minn., sat in a wide circle, joined by event hosts and experts, to discuss how the political rancor of the 2012 election season was affecting their personal lives. (Photo by Meg Martin | PIN)

        Participants at a PIN community engagement event in St. Paul, Minn., sat in a wide circle, joined by event hosts and experts, to discuss how the political rancor of the 2012 election season was affecting their personal lives. (Photo by Meg Martin | PIN)

        PIN gives newsrooms the capacity to do smart, targeted crowd-sourcing on deadline. More than 180,000 PIN sources around the country shape news coverage at more than 70 partner news organizations. Sources sign up by responding to online surveys, participating in virtual and in-person forums, playing serious games and meeting PIN journalists in person.

        Demographic information and insights are stored in a secure, searchable database. Participating journalists query the network to find knowledgeable sources, test hunches, identify trends and support production of major news projects.

        APPLICATIONS DUE FEBRUARY 8.

        Institute for Justice & Journalism 2013 fellowships, deadline Feb 22

        The Institute for Justice and Journalism announced their 2013 fellowships. Details HERE and below. – Mia

        The Institute for Justice and Journalism is accepting applications for its 2013 Immigration in the Heartland professional fellowship program, which will focus on children in immigrant families, who count for one in four of all U.S. youngsters. The program will explore the economic and educational challenges these children face and how immigration policies have deeply impacted them, even though about 88 percent are U.S. citizens.

        At least 16 journalists will be chosen for the weeklong conference, “Immigration in the Heartland: Children and Families,” to be held April 21-25, at the University of Oklahoma’s Gaylord College of Journalism and Mass Communication. The application deadline is Feb. 22.

        “Our program will provide journalists with information, context and reporting techniques so they can produce richer stories about immigrant children and families in their communities,” said Phuong Ly, IJJ’s executive director.

        As part of their applications, journalists must propose an enterprise project on immigrant children to be undertaken through the fellowship for publication or broadcast. Each fellow will receive a $500 stipend upon completion of the story project and a “Story Behind the Story” account.

        IJJ, a nonprofit based in Oakland, Calif., seeks to strengthen journalism on social justice issues through fellowships, reporting workshops, direct support of in-depth stories and the development of digital resources for reporters. Since its founding in 2000, IJJ has conducted 14 successful fellowship programs, involving more than 300 journalists and resulting in high-quality, award-winning stories and commentary.

        This is the fourth year that IJJ has organized an “Immigration in the Heartland” conference in partnership with OU’s Gaylord College and its Institute for Research and Training. The Heartland programs explore national immigration topics, with special attention to Midwestern states, where immigrants are the fastest growing part of the population.

        The Ethics and Excellence in Journalism Foundation has funded all four Heartland programs. The 2013 program also is supported by the Annie E. Casey Foundation, which is dedicated to helping build better futures for disadvantaged children in the United States.

        This year’s program will include:

        • Discussions led by experts on the impact of immigration enforcement and state laws such as Arizona’s SB1070 on immigrant families; the economic and educational conditions faced by the children; and the political mobilization of immigrant youths.

        •  A session on data on immigrant children and families and how to find and use data to enhance reporting, led by researchers from the Casey Foundation’s Kids Count project.

        •  Hands-on training using investigative tools such as FOIA and the TRAC database to get information about immigration-related agencies. The session will be led by Pulitzer Prize-winning reporter Martha Mendoza, of the Associated Press, and Dianne Solis, senior reporter at the Dallas Morning News.

        • A session on demystifying immigration laws and policies, led by noted immigration attorney Daniel Kowalski.

        • A visit to a charter school in Oklahoma City, where nearly all the students are from immigrant families.

         

        Guidelines for Applicants

        Eligibility

        All journalists reporting stories or providing commentary for print, television, radio or online distribution are eligible. Applications are encouraged from those employed by news outlets as well as from independent journalists, including bloggers and other online content producers.

        Applicants must be U.S. citizens, lawful permanent residents or non-citizens with unrestricted employment authorization. Students are not eligible.

        Selection of Fellows: The selection committee will consider applicants’ professional accomplishments, individual and organizational commitment to the aims of the program, plus the quality of the story project proposal.

        Terms: IJJ and the Gaylord College will provide the educational sessions, lodging and meals, and travel. IJJ also will award a $500 stipend to each fellow upon completion of the story project and “Story Behind the Story” account.

        Fellows are expected to:

        •   Participate fully in all scheduled activities and designated online offerings, including those before the start of the program.

        •   Provide monthly progress reports on the status of the story project.

        •   Complete fellowship project stories or commentary and a “Story Behind the Story.”

        •   Commit to remaining involved with IJJ and sharing what they have learned with colleagues and others.

         

        Fellows’ news organizations are expected to:

        •   Publish or air fellowship project stories that meet their standards.

        •   Provide time off for Fellows to take part in the Oklahoma sessions.

        •   Agree to IJJ’s re-publication or broadcast of project stories (with appropriate credit).

         

        Checklist for Applicants

         

        Materials Required for Submission: Application materials must be submitted via email in two Word attachments.Include this material in the email:

        Attachment 1.  A completed application form, which can be downloaded: Heartland 2013 application.

        Attachment 2.

        A. A description of the enterprise project you would like to pursue as part of your participation in the program. Be as specific as possible about the story angle, your reporting strategy and potential sources and data you envision for your project. Explain why this story topic or story framing is significant. Word limit: 400 words.

        B. An assessment of what you would expect to gain from the fellowship experience, and what you would bring to it (e.g. how past accomplishments relate to current professional interests). 200 words.

        C. For independent journalists only: Specify where you would expect to publish or broadcast your work. Has your work been published/broadcast in that media outlet before? Word limit: 100 words.

        D. Work Samples: Relevant samples of your work that demonstrate your journalistic abilities. (For work published or broadcast in a language other than English, provide a short summary in English for each sample submitted.) See application for instructions.

         

        Letter of Recommendation

        A one-page letter of recommendation is required. It should be emailed separately by the person writing the letter to ijj@justnews.org. The same Feb. 22 deadline applies.

        —For members of a news staff: A letter from your supervisor endorsing the application and story project, and committing to publish/broadcast the story project if it meets its standards.

        —For independent journalists: A letter of recommendation from a person familiar with your professional work and describing the basis for the recommendation, or a letter confirming interest in the journalistic project you are proposing.

        Application Deadline

        The complete application packet, as outlined above, must be e-mailed before 11 p.m. (applicant’s local time) on Feb. 22. The deadline also applies to the letter of recommendation. Email toijj@justnews.org. No faxed or late applications will be accepted.

         

        Questions

        Questions may be directed via e-mail to ijj@justnews.org.


        KUOW Program Venture Fund Announces New Round of Grants, deadline March 15

        Time for the next round of these fantastic yearly grants from KUOW. Deadline March 15. Details below. -Mia

        KUOW Program Venture Fund Announces New Round of Grants

        KUOW is seeking project proposals for Round 23 of the Program Venture Fund (PVF). Projects funded by PVF can be a series of features, a long-form documentary or a variety of short audio pieces. There is no set format. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

        To kick-start your brain storming here are a few subject areas that KUOW would like to cover in the coming year. But do not feel tied to this list of subjects; this is just meant to give you a little more direction. Feel free to submit ideas on completely different topics, whatever catches your interest.

        1) Interstate Ties
        What are some of the issues that tie the Puget Sound Region in Washington state with other bordering states or other states around the country? What are the issues that Seattle shares with other major northwestern cities such as Portland (OR), Anchorage, Vancouver (Canada), etc? The issues can be about anything of significance such as business, politics, culture, law, etc.

        2) Native American Tribes
        What are the issues that Native American Tribes are facing in or around the Puget Sound Region?

        3) Interesting Places
        Take us on a journey to an interesting place(s) around the Puget Sound Region that we haven’t been before. What’s unique and fascinating about it? What does this place tell us about our region, our history or the people that inhabit it?

        Important: Before submitting a full application you need to send me a short description of your project, no longer than one page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website (see below).

        The application deadline is Friday, March 15, 2013 at 5:00 p.m. (PT)

        For application information or to check out previous PVF funded projects go to: http://www.kuow.org/topic/program-venture-fund


        Contact: Jim Gates – jgates@kuow.org

        Upcoming events at the UC Berkeley J-School

        Here's the lastest from UCB J-school. Details below! -Mia

        Isaac Lee, President of News at Univision


        When:  Wednesday, February 13,  6:00 p.m.


        Where: North Gate Hall Library


        Isaac Lee is president of News for Univision Communications Inc., the leading media company serving Hispanic America. Mr. Lee is responsible for leading the Company’s news division, including strategic and editorial oversight of programming and production across the Univision Networks, Univision Local Media and Univision Interactive Media.


        He most recently founded and served as chairman and editor-in-chief of influential magazine PODER. He spent the past 14 years in editorial roles leading top journalistic teams at prominent publications serving Spanish-speaking audiences in the U.S. and Latin America.


        RSVP:
         juliehirano@berkeley.edu




        Ken Schles Photography Exhibit: Opening Reception and Lecture


        When:  Friday, March 8


        Reception: 6:00 p.m.

        Lecture:  7:00 p.m.

        Where: Room 105 North Gate Hall (Reception in the Library)


        First published in 1988, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a world few had entrance to—or means of egress from. For a decade, Ken Schles watched the passing of time from his Lower East Side neighborhood. His camera fixed the instances of his observations, and these moments become the foundation of his invisible city.

        UC Berkeley Journalism Fellowship – Inside the Latino Vote and Immigration Reform, deadline March 8

        Fellowship on immigration reform, May 2-5, UC Berkeley. Deadline is March 8. Details below. -Mia

        The Changing Face of America: Inside the Latino Vote and Immigration Reform
        Graduate School of Journalism, University of California at Berkeley
        May 2-5, 2013

        The UC Berkeley Graduate School of Journalism invites professional print, broadcast, and online journalists in the United States to apply to its third New York Times Institute on Immigration Reporting.

        The 20 applicants selected as New York Times Fellows will learn about the new dynamics of America’s immigration debate and the country’s changing demographics. The intensive four-day training is designed for reporters and editors who have some background on immigration and seek to enhance their knowledge and skills.

        The 2013 seminar will examine the impact of the growing Latino and Asian-American electorate on current immigration reform efforts in Congress. With our focus on developments in Washington DC, we’ve timed the institute to coincide with a Congressional recess. Participants will:

        • Receive hands-on training in demographic analysis and working with the latest Census data on voter registration and turnout;
        • Hear up-to-the-minute assessments of legislation in play in Washington and the power dynamics behind it;
        • Examine this year’s political debate in the context of history, current immigration law, state-federal battles and recent developments in immigration enforcement;
        • Get exclusive access to the first public release of a series of specially commissioned research papers the impact of the Latino and Asian vote, presented by their authors.

        In past years, speakers have included high-ranking Homeland Security officials, immigration judges, leading journalists, scholars, legislators and immigrants themselves. We anticipate a line up of top-notch experts again this year. The institute will draw on its position in California – which has been at the leading edge on many aspects of immigration – and the wealth of resources at the University of California and beyond. Participants will leave the seminar well equipped with new perspectives and insights backed by solid research and data, new sources, essential reporting tools, and story ideas to deepen their coverage and to share with their newsroom colleagues.

        The Changing Face of America is a New York Times Institute, supported by a generous grant from the Atlantic Philanthropies.

        The application deadline is March 8, 2013.  Prospective fellows can apply online. More information can be found on the institute’s web page. For questions, contact Rachel Witte at rwitte@berkeley.edu.

        Media Worker’s Guild Tax talk this Thursday, 2/7, 6:30pm, SF

        The SF Media Worker's Guild is hosting this event TOMORROW, 2/7 at 6:30pm in San Francisco. Learn all you can about self-employment taxes. Details below. -Mia

        Hi all, we're very fortunate to have an ace self-employment tax expert come speak to us this Thursday, Feb. 7, from 6:30 to 8 p.m.
        For 25 years, Joe Weatherby has been helping writers, artists and other self-employed professionals keep up with changes in IRS rules and keep more of what they earn. 

        Bring all your questions.
        The talk and Q&A session takes place at the Media Workers Guild, 433 Natoma St. between Fifth and Sixth streets in San Francisco.  Shoot an email to me at rrosenlum@gmail.com if you think you will attend. A head count will help us arrange the room for maximum comfort.

        See you there!
        Best,
        Rebecca Rosen Lum, Chair
        Pacific Media Workers Guild Freelance Unit
        TNG/CWA 39521

        GuildFreelancers.org
        510-472-3024

        rrosenlum@gmail.com

        new digital media competition from the Illinois Humanities Council, deadline April 30

        Share your ideas on strengthening democracy as part of a new digital media competition. Details below. -mia

         

        The Illinois Humanities Council, with support from the John D. and Catherine T. MacArthur Foundation, is sponsoring a nationwide challenge called Looking@Democracy. The purpose of this competition is to generate short, provocative digital media content designed to spark a national conversation about how we can all come together to strengthen American democracy. A total of $100,000 in prize money in 5 categories will be awarded.

        Submissions may take the form of short videos, audio clips, animation, music videos, public service announcements, infographics, graphic art, and even Facebook and iPhone apps. They all just need to be digital so they can be shared electronically.

        For more details, see the competition page: http://www.LookingAtDemocracy.org.

        Submissions will be accepted beginning February 4th, 2013. The deadline is April 30, 2013.

        We are hoping you might help to build awareness for this national competition – by featuring this challenge on your website, sending this note to your email lists, through social media, etc. Our hope is to generate interest and encourage thinking about possible projects.

        If you have any questions, please contact us at lookingatdemocracy@prairie.org.

        Sincerely,

        Geoffrey Banks
        Director of Programs & Partnerships
        Illinois Humanities Council

        NEA Media Arts Grants Webinar on Tuesday, 10amPT/1pm ET

        This seems like it might be fantastically useful. I'm certainly going to try to call in. -Mia
         

        The National Endowment for the Arts

        Webinar

        on

        Grants for Media Arts Projects

        The NEA will present a webinar covering the basics of the Media Arts funding category, how to apply to the NEA, and advice on preparing a strong application. The Media Arts staff will also take your questions.

        The webinar will take place on Tuesday, January 29th from 1:00 to 2:00 p.m. EST. To join, click here (http://bit.ly/102t6Rf).

        To see the full list of recent NEA grants in Media Arts, visit the Recent Grants section of arts.gov. (Click on Art Works IArt Works II, and Arts in Media to see all of the media grants.)

         

        Please share this information and encourage interested applicants to visit our site to read the Media Arts guidelines.

        Feel free to contact us at mediaarts@arts.gov with any questions you may have.

        Spring Training for Journalists, Feb. 9, Los Angeles

        This promises to be a great (and affordable!) event in LA, sponsored by the wonderful folks who started the Bay Area Freelancer's Guild. Don't miss it if you're in SoCal! -Mia

        "Spring Training for Journalists" will be held Saturday Feb. 9 at LA City College, featuring top-notch presenters on topics ranging from digital storytelling to documentary storyboarding to covering healthcare reform. Participants can drop in for just one or two workshops or stay all day.

        An event schedule is attached.

        Udpates, including more detailed workshop descriptions, will be posted continually to our Facebook page:

        Facebook.com/CaliforniaMediaTraining
        This is our first Southern California edition of a series that's been popular in the Bay Area. "Spring Training" is aimed at working journalists (print, broadcast, online); freelancers and students are welcome.

        The cost is minimal — $20 with an RSVP (just e-mail your name to calmediatraining@gmail.com), or $25 at the door. Scholarships are available; CWA members (Newspaper Guild, NABET) and LACC students get in free.
        If anyone has questions, I'm happy to talk to them!
        -Sara


        Sara Steffens

        The Newspaper Guild
        510-332-9483

        ssteffens@cwa-union.org

        pdf iconSpringTrain13flyer.pdf

        pdf iconSpringtraingrid.pdf

        kdmcBerkeley New Media Workshops for 2013

        These workshops are great if you can swing the tuition. Ask about auditing if you're in the area… not sure if they still allow it but that's what I did. -Mia

        kdmcBerkeley-logoj
        2013 New Media Workshops
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        video-training
        Video Storytelling Certificate Workshop: March 25-27, 2013
        This intensive three-day certificate workshop is a complete immersion in video storytelling. Participants will receive hands-on training in every phase of planning, production and digital delivery. You'll experience working in the field to capture live video, learn to edit in Adobe Premiere Pro CS5 and the tools for uploading to the web. Master storytellers will share techniques on how to capture your audience's attention.

        Tuition: $1,495 Register by 3/1/2013 for 10% discount.

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        data vis_jan 2013

        Data Visualization Certification Workshop: March 8-9, 2013
        Learn to create a more meaningful picture with data, tell stories with interactive GIS maps, and create beautiful and effective graphs and charts in this two-day certificate workshop.
        Tuition: $645  Register by 02/21/2013 for 10% discount. 

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        online-classroom
        Multimedia Storytelling Institute: June 10-21, 2013
        Upgrade your multimedia skills.  This intensive 2-week graduate level certificate program focuses on the essential skills needed to be a sucessfull storyteller in the digital age. You'll work with the most recent tools and technologies for production of multimedia content. And, you'll learn to master the art of digital storytelling from master storytellers and industry leaders through  seminar style discussions and practical hands-on training. 

        Tuition: $5,400 Register by 05/10/2013 for 10% discount.

         

        For more information please contact:
        kdmcBerkeley at the Graduate School of Journalism UC Berkeley
        email: vhammarstedt@berkeley.edu
        Phone: +1.510.642.3892

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        kdmcBerkeley
        UC Berkeley Graduate School of Journalism
        North Gate Hall, Suite B-42
        Berkeley, California 94720
        US

        Announcing Call for Entries for our March Rough Cut event, deadline Feb 19

        Get feedback on your docs in progress. Details below! -Mia

        +++++++++++++++++

        Rough Cuts Announces a Call for Entries for our March 2013 event

        Deadline is TUESDAY, FEBRUARY 19TH
        To submit to:

        ROUGH CUTS – March 2013
        Tuesday, March 12th at 7:30 p.m.

        The Variety Screening Room
        582 Market Street, #101, San Francisco

        Complimentary hors d’oeuvres provided
        $9 admission

        To submit, please visit:
        http://sfroughcuts.com/callforsubmissions.html

        And for more details about Rough Cuts, visit:
        http://sfroughcuts.com/

        _________________________________

        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

        Please note the following dates:

        Tuesday, February 19th
        Submissions must arrive at the Variety Screening Room by 5:00 p.m. [This is not a postmark deadline.]

        Tuesday, February 26th
        Selections will be announced and filmmakers will be notified

        Tuesday, March 12th
        Screening, followed by a discussion led by a guest moderator

        NAM Launches 2013 Women Immigrants Fellowship, deadline Feb 12

        There are some great listings in this newsletter so I'm forwarding along the whole thing… take special note of the Women Immigrants fellowship. -mia

        nam weekly nwsltr header

        18 January 2013

         

        NAM is excited to launch our call for applications for our 2013 NAM Women Immigrants Fellowship Program, for journalists to report on the intersection of immigration and gender. This year we will be selecting 10 new journalists from U.S. ethnic media and mainstream media outlets. Radio journalists are encouraged to apply. 

         

        The fellowship includes a two-day training in Washington, D.C., on April 25-26, 2013; and the publication/broadcast of an in-depth, substantive story (or series) focusing on the challenges and/or triumphs of immigrant women in the United States, before August 30, 2013. Fellows will receive a $2,000 stipend following publication/broadcast of their stories. 

         

        Applications must be received by Tuesday, Feb 12, 5:00 pm Pacific Time

          

         Please direct any questions to Women Immigrants Project Co-Director  Elena Shore  eshore@newamericamedia.org

         

        FINAL DEADLINE EXTENDED

        ENTER the 2013 NAM ETHNIC MEDIA AWARDS for SOUTHERN CALIFORNIA!

         

        NEW FINAL POSTMARK DEADLINE FOR ENTRIES IS JANUARY 20, 2013 

         

        Please read all the details and download the PDF of the Official Entry Form and Guidelines on our  NAM Awards for Southern CA Page.

         

        We are calling for entries for work published or aired in an ethnic media organization of any size serving an ethnic/newcomer community in Southern California — between October 1, 2011 and December 1, 2012 [within Oct. 1, 2011-Dec. 31, 2011, Jan. 2012-Dec. 1, 2012]. 

         

        Award winners will receive cash prizes and a trophy or certificate.

         

        We are honored to partner with Southern California Public Radio (SCPR) which will host our Awards Gala at their Mohn Broadcast Center and Crawford Family Forum in Pasadena on Thursday, March 7, 2013.  

         

        SCPR is a member-supported public media network that operates 89.3 KPCC-FM in Los Angeles and Orange County, 89.1 KUOR-FM in the Inland Empire and 90.3 KVLA in the Coachella Valley.

         

        NEW FINAL POSTMARK DEADLINE FOR ENTRIES IS JANUARY 20, 2013 

        NAM HOSTS COMMUNITY FORUM FOR WOMEN & IMMIGRANT RIGHTS LEADERS IN COACHELLA, Calif.

          Photo by Ivan Delgado, Coachella Unincorporated

         

        COACHELLA, Calif. — About 90 community members from California's Coachella Valley — including farmworkers, women's rights leaders and community organizers — attended a community forum on Jan. 15 hosted by NAM's Women Immigrants Project. 

         

        The roundtable, part of a series of community forums NAM is hosting in cities across the country — focused on how immigration laws affect women in California's Coachella Valley, and the leadership role women are playing to protect the rights of their families and communities.

         

        Among the topics discussed were women's access to health care, workplace discrimination among Farm workers, difficulties accessing higher education, and legislation that aims to expand protections for immigrants.

        NAM EDITOR ANDREW LAM'S NEW BOOK: Birds of Paradise Lost
         
        Upcoming on March 1, 2013. Preorder from Amazon here.  Tour schedule upcoming.

        "Teacher Who Changed My Life" Essay Contest

         

        NAM is partnering with our ethnic media partners in Memphis, Atlanta and New Orleans to co-organize the "Teacher Who Changed My Life Essay Contest" in each of the cities. We encourage residents of all ages to write a short essay (500 words max) describing the teacher who changed your life or the life of your child.  

         

        Who is this remarkable person? Did this person mentor you, open your mind to a subject that became your passion, help you in a personal crisis? 

         

        The deadline of submission is Monday, Feb 4, 2013 at 5:00am. 

         

        Winners and the teachers profiled will each receive a cash award of $500.

          

        We thank our ethnic media partners for their promoting this contest. Local ethnic media, along with distinguished educators, scholars and advocates will be invited to join the judging panel in February to select the winners. We will host a special presentation of the awards in each of the cities in March. Winning essays will be published by NAM and other media outlets

         

        Please follow these links for more information:   

        KIDSWELL NEW WEBSITE
         

        Our partner, KidsWell has created an informative and easy to use website that provides state-by-state summaries of health care reform implementation and campaigns impacting children's health.  We refer to the information on kidswellcampaign.org regularly and hope you will, too. 

         
        KidsWell's website is a helpful place to find the latest information about successful implementation of health care reform. The National Spotlights feature provides 

        that are particularly relevant to child health advocates. There's also a new, powerful health care reform search toothat will help you find all the latest health care reform information. You can search by keywords, state, topic, issuing agency and other criteria. KidsWell's database is updated each week so you know you're getting accurate, recent data. 

         
        As part of the national campaign to implement health care reform on behalf of children in all fifty states, KidsWell is a crucial resource we rely on and encourage you to, as well. Please visit KidsWell's site often and you'll get the most up-to-date information relevant to our cause.

        EVENTS & OPPORTUNITIES

         

        New Majority, New Leaders: The New American Leaders Project (NALP) is hosting an Inaugural Celebration event this Sunday in D.C. including a panel discussion entitled "New Majority, New Leaders" — a discussion moderated by Amanda Terkel with newly elected Congress members and a reception.

         

        WHO: 

        Sayu Bhojwani, NALP Founding Director

        Congressman Ami Bera, California, 7th District

        Congresswoman Grace Meng, New York, 6th District

        Congressman Raul Ruiz (invited), Elected official, California, 36th District

        Amanda Terkel, Huffington Post

                                                              

        WHAT:  New Majority, New Leaders is the only panel and reception during Inaugural Weekend 2013 to exclusively recognize the diverse group of newly elected Congress members and specifically address the implications of immigrant political participation in 2013.

         

        WHEN:          January 20, 2013,  4:00 – 6:00 p.m.

         

        WHERE:        Mandarin Oriental

                               1330 Maryland Avenue, S.W.

                               Washington, D.C. 20024

         

        The number of Congress members from America's diverse communities demonstrates yet another arena in in which immigrants have an impact – the political sphere.  Of the 80 Congressional candidates, across 19 states, from immigrant communities who ran for Congress — 30 Latinos, 11 Asian Americans, 5 Arab Americans, and 1 Caribbean American won their races. For more background information on the elected officials visit the online comprehensive report issued by NALP: From the Community to the Capitol: Immigrants Flex Political Muscle in 2012 Congressional Races.

          

         

        The Casey Medal season has arrived early this year!

        The Casey Medals honor exemplary reporting on children, youth and families in the U.S.  Winners in 12 categories receive $1000 prizes at an awards ceremony in the fall, and are eligible for $5000 awards for awareness and action from America's Promise Alliance. Deadline to apply is March 1, 2013 
        Please help spread the word about this opportunity for journalists to get recognized and rewarded for excellent work about critical social issues. Stories can change lives.

         

         
        The Asian American Journalists Association is seeking talented high-school journalists from all racial and ethnic backgrounds to apply for its all-expenses-paid camp in Washington, DC from June 21-26. JCamp brings together students from across the country to learn from veteran journalists and media executives. Participants will meet some of the nation's top journalists, receive hands-on training, and produce multi-platform news packages for the program's news website. The application deadline is March 15. For more information and t learn how to apply, please see the Jcamp Website. 

        TOP STORIES OF THE WEEK:

         

        In This Issue
        NAM Hosts Community Forum for Women & Immigrant Rights Leaders in Coachella, Calif.
        Enter the 2013 NAM Ethnic Media Awards
        NAM Hosts Community Forum for Women & Immigrant Rights Leaders in Coachella, Calif.
        NAM Editor Andrew Lam's Upcoming Book
        "Teacher Who Changed My Life" Essay Contest
        KidsWell has an Awesome New Website
        Events & Opportunities
        Top Stories of the Week

        Like us on Facebook                         Follow us on Twitter

        donate

        New America Media | 209 Ninth Street | San Francisco | CA | 94103

        Institute for Justice and Journalism immigration fellowship applications open, deadline Feb 22

        Interesting fellowship opportunity – details below. Deadline Feb 22. -mia

         

        Institute for Justice and Journalism Now Accepting Applications for 2013 Immigration in the Heartland Program

        http://justicejournalism.org/news/ijj-fellowship-focus/

         

        The Institute for Justice and Journalism is accepting applications for its 2013 Immigration in the Heartland professional fellowship program, which will focus on children in immigrant families, who count for one in four of all U.S. youngsters. The program will explore the economic and educational challenges these children face and how immigration policies have deeply impacted them, even though about 88 percent are U.S. citizens.


        About 15 journalists will be chosen for the weeklong conference, “Immigration in the Heartland: Children and Families,” to be held April 21-25, at the University of Oklahoma’s Gaylord College of Journalism and Mass Communication. The application deadline is Feb. 22.

        “Our program will provide journalists with information, context and reporting techniques so they can produce richer stories about immigrant children and families in their communities,” said Phuong Ly, IJJ’s executive director.


        As part of their applications, journalists must propose an enterprise project on immigrant children to be undertaken through the fellowship for publication or broadcast. Each fellow will receive a $500 stipend upon completion of the story project and a “Story Behind the Story” account.


        IJJ, a nonprofit based in Oakland, Calif., seeks to strengthen journalism on social justice issues through fellowships, reporting workshops, direct support of in-depth stories and the development of digital resources for reporters. Since its founding in 2000, IJJ has conducted 14 successful fellowship programs, involving more than 300 journalists and resulting in high-quality, award-winning stories and commentary.

        This is the fourth year that IJJ has organized an “Immigration in the Heartland” conference in partnership with OU’s Gaylord College and its Institute for Research and Training. The Heartland programs explore national immigration topics, with special attention to Midwestern states, where immigrants are the fastest growing part of the population.


        The Ethics and Excellence in Journalism Foundation has funded all four Heartland programs. The 2013 program also is supported by the Annie E. Casey Foundation, which is dedicated to helping build better futures for disadvantaged children in the United States.

        This year’s program will include:

        • Discussions led by experts on the impact of immigration enforcement and state laws such as Arizona’s SB1070 on immigrant families; the economic and educational conditions faced by the children; and the political mobilization of immigrant youths.
        •  A session on data on immigrant children and families and how to find and use data to enhance reporting, led by researchers from the Casey Foundation’s Kids Count project.
        •  Hands-on training using investigative tools such as FOIA and the TRAC database to get information about immigration-related agencies. The session will be led by Pulitzer Prize-winning reporter Martha Mendoza, of the Associated Press, and Dianne Solis, senior reporter at the Dallas Morning News.
        • A session on demystifying immigration laws and policies, led by noted immigration attorney Daniel Kowalski.
        • A visit to a charter school in Oklahoma City, where nearly all the students are from immigrant families.

         

        Guidelines for Applicants

        Eligibility

        All journalists reporting stories or providing commentary for print, television, radio or online distribution are eligible. Applications are encouraged from those employed by news outlets as well as from independent journalists, including bloggers and other online content producers.

        Applicants must be U.S. citizens, lawful permanent residents or non-citizens with unrestricted employment authorization. Students are not eligible.

        Selection of Fellows: The selection committee will consider applicants’ professional accomplishments, individual and organizational commitment to the aims of the program, plus the quality of the story project proposal.

        Terms: IJJ and the Gaylord College will provide the educational sessions, lodging and meals, and travel. IJJ also will award a $500 stipend to each fellow upon completion of the story project and “Story Behind the Story” account.

        Fellows are expected to:

        •   Participate fully in all scheduled activities and designated online offerings, including those before the start of the program.

        •   Provide monthly progress reports on the status of the story project.

        •   Complete fellowship project stories or commentary and a “Story Behind the Story.”
        •   Commit to remaining involved with IJJ and sharing what they have learned with colleagues and others.

         

        Fellows’ news organizations are expected to:

        •   Publish or air fellowship project stories that meet their standards.

        •   Provide time off for Fellows to take part in the Oklahoma sessions.

        •   Agree to IJJ’s re-publication or broadcast of project stories (with appropriate credit).

         

        Checklist for Applicants

         

        Materials Required for Submission: Application materials must be submitted via email in two Word attachments.Include this material in the email:

        Attachment 1.  A completed application form, which can be downloaded: Heartland 2013 application.

        Attachment 2.

        A. A description of the enterprise project you would like to pursue as part of your participation in the program. Be as specific as possible about the story angle, your reporting strategy and potential sources and data you envision for your project. Explain why this story topic or story framing is significant. Word limit: 400 words.

        B. An assessment of what you would expect to gain from the fellowship experience, and what you would bring to it (e.g. how past accomplishments relate to current professional interests). 200 words.

        C. For independent journalists only: Specify where you would expect to publish or broadcast your work. Has your work been published/broadcast in that media outlet before? Word limit: 100 words.

        D. Work Samples: Relevant samples of your work that demonstrate your journalistic abilities. (For work published or broadcast in a language other than English, provide a short summary in English for each sample submitted.) See application for instructions.

         

        Letter of Recommendation

        A one-page letter of recommendation is required. It should be emailed separately by the person writing the letter to ijj@justnews.org. The same Feb. 22 deadline applies.

        —For members of a news staff: A letter from your supervisor endorsing the application and story project, and committing to publish/broadcast the story project if it meets its standards.

        —For independent journalists: A letter of recommendation from a person familiar with your professional work and describing the basis for the recommendation, or a letter confirming interest in the journalistic project you are proposing.

        Application Deadline

        The complete application packet, as outlined above, must be e-mailed before 11 p.m. (applicant’s local time) on Feb. 22. The deadline also applies to the letter of recommendation. Email to ijj@justnews.org. No faxed or late applications will be accepted.

         

        Questions

        Questions may be directed via e-mail to ijj@justnews.org.

        NEA Media Arts Grants

        This is more for orgs than indies, but perhaps you can convince an org to apply and then hire you to produce the content? Just a thought. -Mia



        The National Endowment for the Arts is pleased to announce

        application guidelines are available for

        Grants for Arts Projects in Media Arts

        Arts Works & Challenge America Fast-Track deadlines are March, May, and August 2013

         

        Applicants must be:

        ·   nonprofit, tax-exempt 501(c)(3) organizations;

        ·   units of state or local government;

        ·   or federally recognized tribal communities or tribes

        with at least three years of programming history in order to apply.

         

        Grant Opportunity: Art Works

         

        The NEA's Art Works grants support the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Within these areas, innovative projects are strongly encouraged.

         

        The NEA offers grants to support the development, production, and distribution of projects that demonstrate media as art and mediaabout the arts. Media arts, as defined by the NEA, includes film, television, radio, audio, video, the Internet, interactive, mobile, and tablet technologies, video game consoles, transmedia storytelling, and satellite-delivered content as well as media-related printed works.

         

        Art Works project types include but are not limited to:

        ·   Media festivals, showcases, panels, workshops, and seminars.

        ·   Curated exhibition and/or touring programs including production of program notes and commentary.

        ·   Creation of narrative and documentary films, television and radio programs; experimental, animated, transmedia, or interactive work; performance programs delivered through media; multi-part webisodes; and video games.

        ·   Preservation, restoration, or archiving of media art works.

        ·   Arts journalism (For project examples, deadlines, and webinar date,  please go tohttp://1.usa.gov/URFKyl)

        ·   Arts, science, technology ( For project examples, archived webinar, and related content, please go tohttp://1.usa.gov/Vyh5NE. )

         

        Visit the Art Works guidelines for Media Arts projects:http://1.usa.gov/TAZXZg, for complete information.

         

        Webinar for Potential Art Works Applicants:

        The NEA will present a webinar covering the basics of the Media Arts funding category, how to apply to the NEA, selecting work samples, and advice on preparing a strong application. There will be time for Q and A with NEA staff.

        The webinar will be Tuesday January 29, 1:00-2:00 EDT at arts.govTo join the webinar, go here.

        A sample of recent Media Arts grants:

        ·   Spelman College (aka Digital Moving Image Salon) in Atlanta, Georgia received $100,000 to support HERadventure, a multi-episode, augmented reality computer game targeted to young women.

        ·   American Documentary in Brooklyn, New York received a $100,000 grant to support acquisition, packaging, and promotion of films for the public television series POV (Point of View).

        ·   Ragtag Programming for Film and Media Art (aka Ragtag Cinema) in Columbia, Missouri received a $25,000 grant to support the True/False Film Festival and other curated film series.

        ·   Appalshop in Whitesburg, Kentucky received a $75,000 grant to support the Thousand Kitesradio series and web platform for The Prison Poetry Workshop.

        ·   The Metropolitan Opera in New York City received a $50,000 grant to support production and post-production costs associated with the national telecasts of Great Performances at the Met.

        ·   Squeaky Wheel in Buffalo, New York received a $30,000 to support SWAP: Squeaky Wheel Access Program to provide free and low-cost access to media equipment, activities, and resources to film and video artists.

         

        To see the full list of recent NEA Art Works grants in Media Arts, visit the Recent Grants section of the NEA website. (Click on Art Works I,  Art Works II, and Arts in Media to see all of the grants.)

         

        Grant Opportunity: Challenge America Fast-Track

        The Challenge America Fast-Trackcategory offers support primarily to small and mid-sized organizations for projects that extend the reach of the arts to underserved populations — those whose opportunities to experience the arts are limited by geography, ethnicity, economics, or disability. Challenge America Fast-Trackgrants:

        ·   Extend the reach of the arts to underserved populations.

        ·   Are limited to specific types of projects.

        ·   Are for a fixed amount of $10,000 and require a minimum $10,000 match.

        ·   Receive an expedited application review.

         

        To see the full list of recent NEA Challenge America Fast-Track grants, visit the Recent Grants section of the NEA website.

         

        Visit the Challenge America Fast-Track guidelines:http://1.usa.gov/TNudik for complete information.

         

        Deadlines for Arts Works and Challenge America Fast-Track

        There are two deadlines for Art Works applications under Media Arts:

        ·   March 7, 2013 for projects that fall under the category of engagement, learning, or livability.

        ·   August 8, 2013 for projects that fall under the category of creation or engagement.

         

        There is one deadline for Challenge America Fast-Track applications: May 23, 2013

         

        Sample of NEA-Generated Media Art Content

        From the Art Works blog, quarterly magazine NEA Arts, and weekly podcast series:

        ·   Art Works Podcast: Stanley Nelson: A conversation with award-winning director Stanley Nelson, whose most recent film isFreedom Riders.

        ·   Art Talk with Catherine Burns: A conversation with the artistic director of The Moth, one of New York’s premiere centers for live storytelling.

        ·   Art Works Podcast: Debra Granik: A conversation with the director ofWinter’s Bone; made on a shoe- string budget, this independent film came out of nowhere and made everyone sit up and take notice.

        ·   From the Innovation issue of NEA Arts, a profile of Chris Miller: In his career at DreamWorks Animation, Chris Miller has been engaged with nearly every aspect of animated filmmaking.

         

        Please feel free to share this information and encourage interested applicants to visit the NEA's website at www.arts.gov for more information and contact us at mediaarts@arts.gov with any questions you may have after reading the guidelines.

        Digital Storytelling Competition for Students, deadline Feb 22

        Pass this along to your students! Deadline Feb 22.

        News Action is teaming up with the Pulitzer Center and American Student Radio to host a global media storytelling competition for middle/high school students. If you or someone you know works with students, I encourage to pass on the following details about participating. The top three entries will be featured by the Pulitzer Center and receive $200 to submit to a featured charity.

        http://newsaction.org/contest/

        The deadline for submissions is February 22, 2013.
        Students can submit work earlier for edits from American Student Radio producers. Early submissions are due January 18, 2013.

        Shoot News Action a line if you have any questions/comments (info@newsaction.org), and in the meantime, round up some brilliant young mediamakers. Let's watch the future of media happen here and now.

        Cheers,
        Barton
        President, American Student Radio

        Guidelines for submissions:
        Your goal is to tell a great story. Focus on one person and tell how his or her story relates to a bigger global issue. Your reporting must be original, factual and true, and it should consider multiple sides of the story. It should feature at least three voices: an in-person interview with the individual affected, an expert on the topic (like a researcher, a teacher, a doctor, or a professor), and any other third voice of your choice. That third person can be you, the narrator.

        Stories can be told using any combination of infographics, audio, video, photography and text. Think carefully about the media you use to tell yours to an audience of peers around the world.

        Articles must be no longer than 2,000 words. Video and audio stories must be no longer than 5 minutes. A photo gallery or infographic collection must contain no more than 10 captioned photographs.

        Making Contact Call for Pitches

        From the good people at Making Contact. Pitch away! -mia

        Hi Freelancers,


        Making Contact is an award-winning, 29-minute weekly magazine/documentary-style public affairs program heard on 140 radio stations in the USA, Canada, South Africa and Ireland.
        Showcasing voices and perspectives rarely heard in mainstream media, Making Contact focuses on the human realities of politics and the connections between local and global events, emphasizing positive and creative ways to solve problems.

        We are seeking pitches for some specific themes for the first part of 2013. Please scroll down for more detail on each theme.


        1. Collective Bargaining and “Right to Work”

        2. Domestic Use of Drones
        3. Reproductive Health and Justice

        4. Transit Justice
        5. LGBTQ Healthcare Issues

        1. Collective Bargaining and “Right to Work”


        What is collective bargaining, anyway? Fights over collective bargaining in Wisconsin and Ohio have hit the front pages over the past couple of years.  But what are we actually talking about—do Americans understand? The same goes for “Right to Work”—another phrase tossed around all the time in stories about unions.  What does it mean?

        We are seeking sound-rich pieces that ‘show’ the audience, through story telling, what ‘collective bargaining’ and ‘right to work’ are and how they function (or don’t function, depending on who you ask). We are not seeking academics, or even union leaders, to explain these concepts.  Instead, these stories might take us through an ongoing labor struggle (or perhaps one that you have archival tape from) which makes these concepts clearly understandable.  Or we might follow a worker as he or she transitions from a union to non-union job (or vice-versa) and starts experiencing the difference.  Think creatively. Also note: by making clear why people support ‘collective bargaining’ or ‘right to work’, we also want to make clear why others are in opposition.

        2. The Domestic Use of Drones

        We already have a piece in the works from Alameda County, CA, where the sheriff wants drones and is facing resistance from the community.  It will deal with the surveillance of protesters, and the ‘slippery slope’ between what law enforcement agencies say they want to use drones for, and what they could potentially be used for in the future. We are looking for stories that take on other angles in regard to drones being used on US soil.  Some possibilities:

        – Drones near the US/Mexico border

        – The potential usage of armed drones in the US

        – Ways in which local communities have successfully organized to change local government’s drone policy, or to force them to create such a policy


        3. Reproductive Health and Justice


        We’re looking for stories that find the human dimension in policy-heavy battles for access to birth control, abortion and the economic resources needed to choose to bear and raise a child.  We especially want to explore the specific impact of reproductive health access on women of color and young women–people most affected by public policy debates that often don’t include them. We are not looking for a specific format or angle, but some possibilities are:

        – “Crisis Pregnancy Centers”: their genesis and history, which neighborhoods are they most prevalent in, and their connection to larger political movements.
        – Hormonal birth control and the role of the large pharmaceutical companies in the development and promotion of certain methods over others. Natural methods of birth control/fertility awareness–what are the structures and obstacles to that?
        – How is the Affordable Care Act, and various state’s responses/revisions to health reform, affecting women’s access to reproductive healthcare?
        – How do women resist restrictions of access to reproductive health services and abortion? Before Roe v. Wade, the Jane Collective created a safe, underground abortion network for women in Chicago. What alternatives exist currently for women/girls who lack access to safe, legal abortion?


        4. Transit Justice


        Issues relating to public transportation policy intersect with issues of economic inequity, air quality/climate change, race and regional demographics, mobility, age and gender.
        We're looking for stories that examine systems and structures together with individual characters/community members and how their lives are affected by their region's transit policies.


        Possible themes:

        – Urban organizing around transit justice–eg: On the Move/Boston, Portland OPAL’s Bus Riders Unite/Portland, Bus Riders Union/Los Angeles
        – Challenging “car culture” in urban communities of color

        – Coalition-building between transit users and transit workers


        5. LGBTT2IQQ Healthcare

        We’re looking for pitches about healthcare issues for lesbian, gay, bisexual, transgender, transsexual, two-spirit, inter-sex, queer and/or questioning people (LGBTT2IQQ). We’d like to hear how the current healthcare sector does, or doesn’t meet LGBTT2IQQ needs, and alternative models that are being tried, perhaps outside the mainstream medical system. Some possible ideas:

        – The campaign against "therapy" that claims to "convert" people’s sexual orientation. In California, a bill banning this kind of practice was signed into law but blocked by an appeals court.
        – Struggles for healthcare equality in health plans

        – Access to LGBTT2IQQ appropriate healthcare in rural and poorer areas.


        This call for pitches is for segments of about 8 minutes, but we also occasionally take longer pieces (12 or 26 minutes). For shorter pieces we generally pay about $300 per story, depending on the producer’s experience. As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/

        Consider the following. Does the story:

        • Link grassroots issues and human realities to national or international trends?

        • Give listeners a historical, political, or social context of major national and international events?
        • Shed light on social and economic inequities?
        • Explore any alternatives or solutions?


        Send pitches to pitches@radioproject.org. Please be detailed but succinct, and include a description of your idea, narrative/story arc, interview subjects, scenes, and sounds/ambi. If you’re pitching to us for the first time, please include a brief bio and relevant audio clips.

        We look forward to hearing from you!


        Jen Chien, Andrew Stelzer & George Lavender

        Making Contact producers

        Enter the 2013 Casey Medals Competition, deadline March 1

        $1-5K for stories about children and families. Details below! -Mia

        Apply now for the 19th annual Casey Medals for Meritorious Journalism honoring distinguished coverage of children, youth and families. First-place winners receive $1,000 and are honored in an awards ceremony in Washington, D.C. Categories include newspaper, video, magazine/nondaily, audio, multimedia, photojournalism and youth media. First-place winners will also be considered for the America's Promise Journalism Awards for Awareness and Action, presented by the America's Promise Alliance. Alliance winners receive $5,000 and will be announced in October. Work must be published or broadcast between Jan. 1 and Dec. 31, 2012. Entry deadline: Friday, March 1, 2013 at 5 p.m. EST.

        http://www.journalismcenter.org/content/history-and-guidelines

        The awards were created to inspire and recognize exemplary reporting on children and families. Winning stories offer a fresh take on a significant issue, show enterprise in research and reporting and demonstrate masterful storytelling and impact. Judging is conducted by respected journalists and journalism educators.

        The Journalism Center on Children & Families is a nonprofit resource center based at the University of Maryland’s Philip Merrill College of Journalism. More than 5,000 journalists have competed for Casey Medals since 1994. The awards are funded by the Annie E. Casey Foundation.

        Sincerely,
        Julie Drizin
        Center Director

        Latino USA Call for Pitches

        2013 call for pitches from a great show – details below! -mia

         

        NPR’s Latino USA, produced by the Futuro Media Group, is a nationally broadcast, half-hour weekly newsmagazine that explores the politics, arts and ideas of the nation’s fastest-growing demographic group.

         

        http://www.futuromediagroup.org/lusa/

         

        Our main focus is on Latino communities around the country. But we are also interested in stories of Latinos intersecting with other communities.

         

        For 2013, the program is also seeking specific pitches on these topics:

        • Social and civic justice
        • Economic fairness
        • Sexual and reproductive health and rights
        • Accordion music of the Americas in the U.S.
        • Youth and stewardship of the environment

        The program is also seeking pitches from California on these topics as related to health:

        • Environmental justice
        • Food/park/gym deserts and possible solutions
        • Urban planning and the challenges of unincorporated places
        • LGBT issues for Latino youth

        Payment is $125 per broadcast minute; most features range from 4-7 minutes.

         

        To pitch, please send a description of your idea and the story arc, characters, scenes and sound you envision to: pitches@futuromediagroup.org. If you’re pitching for the first time, please include a brief summary of your experience and a couple of audio samples of your work.

        google journalism fellowships, deadline Jan 31

        For students working with a host organization – proposal deadline Jan 31. Details below. -Mia

        Students Invited to Apply for Google Journalism Fellowships

        In an effort to help develop the next crop of reporters working to keep the world informed, educated, and entertained, Google has created the Google Journalism Fellowship.

        The ten-week summer program is designed for undergraduate, graduate, and journalism students interested in using technology to tell stories in new and dynamic ways. The program's focus is on data-driven journalism, online free expression, and rethinking the business of journalism. The fellows will get the opportunity to spend the summer contributing to host organizations working on a variety of subjects, including investigative journalism, press freedom around the world, and journalism's future in a digital landscape.

        Host organizations include the Center for Investigative Reporting, the Committee to Protect Journalists, Investigative Reporters & Editors, the Knight Foundation, Pew Research Center's Project for Excellence in Journalism, Poynter, Nieman Journalism Lab, and ProPublica.

        http://foundationcenter.org/pnd/rfp/rfp_item.jhtml?id=402800030

        •••••••••••••••••••••••••
        Rob Rosenthal
        Shunpike Media
        30 Spurwink Ave.
        So. Portland ME 04106
        207-615-1773

        Sound Science audio workshop, Jan 22, 10am-1pm, NYC

        Hey FC NYC folks. I'm teaching a 3-hour audio workshop at the CUNY jschool in Jan and would love to see some friendly faces there. Here's the info:

        Tuesday, Jan. 22, 10 a.m.-1 p.m.

        Sound Science – Mia Lobel – Room 434 (25 students max)

        In this hands-on audio workshop, you’ll learn to take a complex scientific idea or story, break it down into character, plot, and setting, and develop it into an engaging narrative for a wide audience. We’ll discuss how to find and talk to scientists, how to get scientists to talk to you in a language everyone can understand, and how to make science sing. Plus, you’ll learn how to fact-check science stories for accuracy and balance. Students will workshop and pitch their ideas in class. The “winning” pitch may be produced for Distillations, the chemistry podcast. The class will be taught by freelance producer Mia Lobel, who is an adjunct instructor at the CUNY J-School and senior producer of Distillations.


        The course cost $30 (payable to CUNY, not me). If you're interested, email Amy Dunkin <amy.dunkin@journalism.cuny.edu> and she can tell you how to register.
        Lemme know if you have any questions, and hope to see you there! Feel free to pass this along to anyone you think may be interested.
        Best, Mia
        845-444-4034

        Accepting Submissions Now 2012 NAM Ethnic Media Awards SOCAL, deadline Jan 12

        The latest NAM newsletter includes info about the SOCAL Ethnic Media Awards plus a bunch of other stuff. -mia

        To view a webpage version of this newsletter Click here

        nam weekly nwsltr header

        21 December 2012

        CALL FOR ENTRIES for the 2012 NAM ETHNIC MEDIA AWARDS for SOUTHERN CALIFORNIA!

         

        Postmark Deadline for Entries: January 12, 2013 

         

        Dear Media Colleagues,

         

        It is with great pleasure that we invite ethnic media practitioners (print, online, radio and television) to participate in New America Media's 2012 Ethnic Media Awards for Southern California. The NAM Awards bring recognition to the entire ethnic media sector.

         

        We are calling for entries for work published or aired in an ethnic media organization of any size serving an ethnic/newcomer community in Southern California — between October 1, 2011 and December 1, 2012 [within Oct. 1, 2011-Dec. 31, 2011, Jan. 2012-Dec. 1, 2012].    

         

        For the 2012 NAM Awards for Southern California, we are inaugurating several new approaches that reflect the rapid changes in California's media landscape.

         

        NAM will consider all entries in English and in-language; and across all media platforms – in print, online and broadcast [TV & Radio] as a single pool in all of the News Beats  [NB1-NB6] and Spotlight Reports [SR 1- SR6] categories. The news beat categories include Outstanding Reporting on Governance & 2012 Elections Coverage, Outstanding Reporting on Civil Liberties Issues in Ethnic Communities, Outstanding Reporting on Inter-Ethnic, Inter-Racial and Inter-Religious Relations, and many others. 

         

        The spotlight reports categories honor special news reporting on 2012 news events or trends including Outstanding Reporting on California's Economic Divide; Outstanding Reporting on International Affairs, and others including a Community Advocate Award that will honor one ethnic media organization for its public advocacy on a specific issue impacting its own community and/or California.

         

        We are also maintaining a separate track of awards for outstanding photojournalism, outstanding community reporting for radio and outstanding community reporting for television.

         

        Award winners will receive cash prizes and a trophy or certificate.

         

        We are honored to partner with Southern California Public Radio (SCPR) which will host our Awards Gala at their Mohn Broadcast Center and Crawford Family Forum in Pasadena on Thursday, March 7, 2013.

         

        SCPR is a member-supported public media network that operates 89.3 KPCC-FM in Los Angeles and Orange County, 89.1 KUOR-FM in the Inland Empire and 90.3 KVLA in the Coachella Valley.

         

        Below, embedded as a downloadable pdf link — is our NAM Official Call for Entries, Guidelines & Submission Form-SoCal. NAM encourages in-language as well as English-language entries, and participants are encouraged to include their own English translations wherever possible.  For the purposes of this competition, Southern California ethnic media include those located from Calexico to Bakersfield.

         

        We look forward to receiving your entries and any questions you may have.   

         

        CLICK here: NAM Official Call for Entries, Guidelines & Submission Form-SoCal

         

        POSTMARK DEADLINE: JANUARY 12, 2013

         

        Warmest regards,

         

        Odette Keeley

        NAM Awards Chair-California

        New America Media

        okeeley@newamericamedia.org / 415.503.4170

         

        Sandy Close

        Executive Director

        New America Media

        EVENTS & OPPORTUNITIES

          

        Renaissance Journalism, a program of SF State's Journalism Department, invites you to LearningLAB 2013, a multimedia journalism training conference for the ethnic and community news media on Friday, January 11, 8:30 a.m.-4:30 p.m., at San Francisco State University. The conference features workshops on multimedia storytelling, social media and "Hot Topics," important issues such as immigration and health care reform. Reg Fee: $25. For more info: 415.773.0388, ext. 333, or Valerie@renjournalism.org Register Today!  Here is a link to a pdf flyer

            

        The  2013-14 class of John S. Knight Journalism Fellows at Stanford University |(The deadline for U.S. applications is Jan. 15, 2013) Applications are now open for the 2013-14 class of John S. Knight Journalism Fellows at Stanford University.  Fellows in our program work on solving problems, from leveraging technology to help journalism, finding new ways to reach underserved communities, seeking innovative ways to financially support quality journalism as well as fostering independent journalism in countries without a history of a free press.

        REMEMBER OUR NEW ADDRESS IS NOW 209 NINTH STREET, SUITE 200, SAN FRANCISCO, CA 94103

         

        When you come to visit: 

         

        Press Call then 07 — to get buzzed in.

         

        TOP STORIES OF THE WEEK:

         

         
         

         

        In This Issue
        Call for Entries for the 2012 NAM Ethnic Media Awards for Southern California
        Events & Opportunities
        Our new address is 209 9th St. #200, San Francisco, CA 94103
        Top Stories of the Week

        Like us on Facebook                         Follow us on Twitter

        donate

        Call for Entries Open for 2013 Hillman Prizes in Journalism, deadline Jan 31

        Start the new year off with a prize. Deadline Jan 31. -mia

        Follow us on Twitter Like us on Facebook Visit our blog Like us on Facebook
        The Sidney Hillman Foundation

        Submissions For Hillman Prizes In Journalism

        Due January 31, 2013

        Annual Prizes Honor Excellence in Journalism in Service of the Common Good

        The Sidney Hillman Foundation is now accepting submissions for the
        2013 Hillman Prizes that honor investigative journalism and commentary in the public interest.
        The 2013 prizes will be given for work produced, published, broadcast, or exhibited in 2012. Our categories include:
        • books (non-fiction)
        • newspaper reporting (print or online)
        • magazine reporting (print or online)
        • broadcast journalism (video or radio programs longer than 20 minutes)
        • photojournalism (still photos that may or may not be part of a larger multi-media package)
        • web journalism (online reporting done by an individual or an institution (text blog and/or multimedia), and
        • opinion journalism (for commentary and analysis in any medium)

        The received-by deadline for all submissions is January 31, 2013. There  is no submission fee.  View the submission form and application instructions.

        Winners will be announced in April 2013. Each winner is awarded travel to   New York City to receive a $5,000 prize and a certificate designed by New  Yorker cartoonist, Edward Sorel, at our awards ceremony and cocktail  reception to be held Tuesday May 7, 2013 at the New York Times Center.

        Submissions are judged by a distinguished panel of journalists: Hendrik Hertzberg, senior editor, The New Yorker, Susan Meiselas, Magnum photographer, Harold Meyerson, Washington Post columnist and editor-at- large, The American Prospect, Katrina vanden Heuvel, editor and publisher,The Nation, and Rose Marie Arce, senior producer, CNN.

        See previous winners here.

        Since 1950, the Sidney Hillman Foundation has honored journalists, writers and public figures who pursue investigative journalism and public policy for the common good. Sidney Hillman was the founding president of the Amalgamated Clothing and Textile Workers Union of America, a predecessor union of Workers United, SEIU. Sidney Hillman, an architect of the New Deal, fought to build a vibrant union movement extending beyond the shop floor to all aspects of working people's lives.

        For any questions, please contact:

        Alexandra Lescaze
        Executive Director, The Sidney Hillman Foundation
        12 West 31st St., 12th fl., New York, NY 10001

        646-448-6413
        alex@hillmanfoundation.org

        For more information, please visit our website at www.hillmanfoundation.org

        $25,000 Social Justice Leadership Prize Announced!

        Well hey – a new award for social justice journalism. Deadline March 8. Good money for good deeds = good news! -Mia


        $25,000 Social Justice Leadership Prize Announced!

        News Release-----Kalamazoo College Establishes Global
        Prize for Collaborative Social Justice Leadership
        Contact: Jeff Palmer O: 269.337.5724 / C: 269.806.7700
        jpalmer@kzoo.edu

        Kalamazoo College officials announced today the
        establishment of the Kalamazoo College Global Prize for
        Collaborative Social Justice Leadership, a biennial
        $25,000 prize that honors an innovative and

        collaborative leadership project in the pursuit of
        social justice and human rights anywhere in the world.

        The inaugural $25,000 Social Justice Leadership Prize
        will be awarded May 11, 2013, following a juried
        competition administered by the College's Arcus Center
        for Social Justice Leadership. Jurors include author,

        political activist, and University of California-Santa
        Cruz scholar Angela Y. Davis; former Executive Director
        of the International Gay and Lesbian Human Rights
        Commission Cary Alan Johnson; and Detroit-based author,

        educator, and columnist Shea Howell. Howell is also a
        board member of the James and Grace Lee Boggs Center to
        Nurture Community Leadership, in Detroit.

        A $5,000 Social Justice Leadership Prize, also juried,
        will be awarded to a project in Southwest Michigan.
        Jurors include a panel of K students, faculty, staff,
        and Kalamazoo community members.


        Entries-in the form of 8- to 10-minute videos-must be
        received by March 8, 2013. Entry information, FAQ, and
        more may be found at
        www.kzoo.edu/SocialJusticeLeadershipPrize

        Freelance Cafe highlighted on WAMC’s 51%

        I recently spoke with WAMC’s Susan Barnett for her show 51% – The Women’s Perspective. She asked me about my freelancing experience and gave a nice shout out to Freelance Cafe. It was fun to be on the other side of the mic for a change! Listen to hear a bit about why I started FC and my thoughts on networking as an important part of making it as a freelancer.

        This was 51% Episode 1220, broadcast on November 29 at 8pm and again on December 5 at 3pm.

        Here’s a blurb about the show:

        In America, women make up more than half the population. Worldwide, women are expected to outnumber men within the next fifty years. And every issue we face is one that affects us all.

        Whether it’s the environment, health, our children, politics or the arts, there’s a women’s perspective, and 51% is a show dedicated to that viewpoint.

        Host Susan Barnett talks to experts in their field for a wide-ranging, entertaining discussion of issues that not only fall into the traditional ‘women’s issues’ category, but topics that concern us all as human beings and citizens of the global community.

        Tune to 51% weekly throughout the U. S. on public and community radio stations, some ABC Radio Network stations, Armed Forces Radio stations around the world and on the Internet.

        Pimp Your Podcast – a panel discussion at the CUNY J-School

        For you audio folks/podcasters – I was recently on a panel at The CUNY Graduate School of Journalism’s called “Pimp your Podcast” with Amanda Aronczyk (moderator), Jim Colgan of Soundcloud, Adam Davidson of Planet Money, and Ashley Milne-Tyte, producer of the amazing podcast The Broad Experience. We talked about the differences between online audio and broadcast radio and how to sell a podcast idea to a funder or news organization, among other things. It was a lot of fun, and I thought some of you might find it useful.

        ‘Pimp Your Podcast’ Panel – October 22, 2012 from CUNY Grad School of Journalism on Vimeo.

        Strange Beauty Film Festival Call for Audio entires – deadline is MONDAY, Dec 10

        Quick! You have until Monday to send your stuff. -Mia


        Enter Strange Beauty's Aural Fixation 

        Calling all Audio Types!!! here's a chance to have your brilliant work heard by a live audience.

        please consider submitting work to Aural Fixation–a curated listening block–part of the Strange Beauty Film Festival. The deadline was extended to December 10th — get your awesome piece in now!

        For the past 2 years, Aural Fixation, curated by Jennifer Deer, has been a big Saturday night hit at Strange Beauty, the coolest lil' film fest in Durham, NC. 

        Producers featured in Aural Fixation have included John Biewen, Alix Blair, Jesse Dukes, David Goren, Karen Michel, Katie Mingle, Shea Shackelford, David Schulman, David Schultz, Nick Van der Kolk ….

        See the website for more info and to submit. Guidelines below. 

        ENTRY GUIDELINES

        Aural Fixation, an audio-only portion of the Strange Beauty Film Festival, accepts audio work of any shape or form with a running time of 30 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it. 

        Previous broadcast history is of no concern. Audio work/sound art of any type/content is welcome, such as narrated, verite, soundscapes, raw tape, excerpts, scenes, sound or audio "moments," found tape, experimental, audio theater, and creative radio work (to name a few). Music may also be a good fit for Aural Fixation if it relies very heavily on recorded sound over musical instruments.

        A completed electronic entry form and an entry fee of $5.00 must accompany each work submitted. You may submit a URL for auditioning your audio piece, or email us an mp3 file. Please name the file with at least your last name. If your piece is selected for the festival we will contact you for further information and at that point we can arrange for a .wav file to be sent, it you so desire.

        ENTRY FEE
        $5.00 per entry. Entry fees must be in U.S. funds only. 

        AWARDS

        There are no official awards, though we'll have baubles of some kind for all producers/audiomakers who come to the fest.

        Inviting proposals for startup awards, deadline Jan 23

        I've been hankering for one of these myself – go ladies, go! -Mia

        +++++++++++++++++++++

        J-Lab is now accepting proposals for $14,000 in start-up funding for women-led media projects. Please share with your women entrepreneurs.

        Deadline is Jan. 23, 2013. They can apply here:http://www.newmediawomen.org/applying/guidelines

        And they can see past winners at www.newmediawomen.org.

        Best,
        Jan

        Jan Schaffer
        Executive Director
        J-Lab: The Institute for Interactive Journalism
        Entrepreneur in Residence
        American University School of Communication
        3201 New Mexico Ave. NW, Suite 330
        Washington, DC 20016
        P: 202.885.8100
        T: @janjlab

        www.j-lab.org
        www.newmediawomen.org

        KQED TRULY CA, Call for Entries 2013, deadline Jan 11

        For you CA-philes. -Mia


        This is Aldo at KQED in San Francisco and it’s that time of year again when we announce our Call for Entries for the series Truly CA.
        We’re looking for submissions for next season’s Truly CA. Deadline for submissions is January 11, 2013.

        Submission forms can be found at http://www.kqed.org/arts/programs/trulyca/entries.jsp and on our Facebook page

        Truly CA showcases documentaries about California in two formats:

        • Truly CA: Our State, Our Stories is a television broadcast series airing monthly on Sundays at 6pm.
        • Truly CA Shorts is a web-only companion series featuring new downloadable short documentaries (30 minutes or less) every other month.


        We welcome submissions from across the country that document the many faces of California. We run the gamut: this season we have everything from a gentle, nostalgic look back at Camp Beaverbrook to a survey of the experimental filmmaking antics of the Kuchar Brothers to an upcoming raw exploration of schizophrenia.

        Through both Truly CA and our new series Film School Shorts (coming in 2013!), we hope to build online communities for new, fresh filmmakers across the country, highlighting the process, pain and joy of making that perfect piece of cinema.

        If you’d like to share the word with your filmmaking community, like us on Facebook and share our link for the Call for Entries.


        We hope to hear about the amazing documentaries being made! Please let me know if you have any questions about submitting a film or how you can spread the word.

         

        Connect with TRULY CA, featuring the best documentary films about California made by independent filmmakers.

        Visit us at http://www.kqed.org/trulyca

        Like us! facebook.com/KQEDtrulyca

         

        Funding Opportunity – 2014 U.S./Japan Creative Artists’ Program, deadline March 1

        ooooh – nice chunk of money to travel to and work in Japan for three months. Go for it! -Mia
        ++++++++++++++++++++++

        Deadline for the U.S./Japan Creative Artists' Program: March 1, 2013 

        The U.S/Japan Creative Artists' Program, in partnership with the National Endowment for the Arts, provides support for up to five outstanding contemporary or traditional artists from the United States to spend a three-month residency in Japan. Eligible applicants are architects, choreographers, composers, creative writers, designers, media artists, playwrights, visual artists, or solo theater artists who work with original material (including puppeteers, storytellers and performance artists). Multidisciplinary artists and artistic directors of theater or dance companies are also eligible.

        The next deadline for this program is March 1, 2013 for residencies in 2014.

        The U.S/Japan Creative Artists' Program is extremely competitive; applicants should have regional or national recognition and anticipate a highly rigorous review of their work. Artists should also present compelling reasons for wanting to work in Japan.

        Selected artists will receive:

        · A grant award in the amount of $20,000 to cover housing, living, and professional expenses for either 1 artist or a collaborative team.
        · Up to $2,000 for round trip transportation for the artist.

        Additional information, including guidelines and the application, can be found at http://www.jusfc.gov/creative-artists-programs/

        TAL THIS WEEK show

        From the lovely folks at TAL. -mia

        +++++++++++++++++++

        Hello This American Life friends and contributors,

        We've gotten hundreds of great pitches from you since we sent out our call for stories last Friday for the "This Week" show. Thank you so much. Now, we’re reissuing the call for help in hopes of filling some holes in our lineup. And, you guys: this show is going to be so much fun. Please be a part of it!

        Just to remind you about the project, here's what we're doing: the show is for next week and the theme is “This Week,” meaning the show is united by the simple fact that all of the stories take place in the seven days prior to broadcast. It’s kind of a “news” show and kind of not. We’re hoping for a mix of more traditional, topical stories (a school board fight, a drug bust, even a weather-related story) and more personal, specific stories (a break-up, someone losing a job, moving to a new school, etc).

        The eligible dates for this “This Week” show are Saturday, December 1st through Friday, December 7th. If you know of anything interesting happening – to you or someone you know – between Dec 1st and Dec 7th, we want to hear about it. It can be anything that matters to the people involved – just so long as something, however tiny, is at stake: a first date, a championship game, an audition, a medical diagnosis, the first day of a new business, or the last day of a dying one.

        What we’re especially hoping for now are some lighter stories. Funny would be good. We’re also short on political stories – a local politics or news story would be great. Is some huge fight over a stoplight coming to a head the first week of December in your town? Is there any election aftermath playing out in your county in an interesting way?

        Even if you don’t know of anything now, please keep your eyes and ears open and, if possible, even make your own recordings. Most smartphones have recording capabilities so if you come across some scene or event or even just are having an interesting conversation, record it! If you think it’s something we might want – just even as a small clip – email us and let us know what you’ve got and we may ask you to send it. (A note here: you can’t tape anyone secretly. All parties must know they’re being recorded for possible broadcast.) One of our favorite moments from the last “This Week” show was only a few seconds long. It was from a student on a class trip who taped a chaperone telling the kids: Please don’t push each other into the Grand Canyon. It went like this:

        Ira Glass: So much has happened this week. What else? In the Grand Canyon on Wednesday, high school freshman were on a class trip.
        Lauren: This is Lauren. We're walking down the trail to go to the Grand Canyon right now.
        Teacher: Now. I know you wouldn't push anybody over the edge. But just don't even pretend to do it. OK? It's something we want to avoid. OK?
        That’s the kind of stuff we’d love to hear.
        Please send your pitches to: thisweek@thislife.org . You can also use that address to let us know if you have tape you’d like to email or upload to our server.

        Thank you so much, again, for helping us make this show happen.

        Sincerely, Sarah Koenig and Julie Snyder

        two IRP Fellowships for 2013, deadlines early December

        Two grant opportunities from the International Reporting Project at Johns Hopkins. Details below. -Mia

        ++++++++++++++++++

        Apply Now for IRP’s New Media Fellowships in 2013

        Application deadline: December 7, 2012

        http://internationalreportingproject.org/stories/view/apply-now-for-irps-new-media-fellowships-in-2013

        In 2013, the IRP will offer up to six year-long reporting fellowships to influential journalists and media figures who are actively engaged in the new media landscape, using new media and multimedia tools, with strong ties to a social media community, in order to support reporting projects on issues related to health, development, and innovation in the developing world.  

        Priority for these 12-month reporting grants will be given to journalists and other new-media practitioners from the United States, Brazil, France, Germany, Australia, India, Indonesia, the United Kingdom, and sub-Saharan Africa, but applications from other countries and regions are welcomed.

        IRP New Media Fellows will receive a stipend of US$15,000 to produce new and original content focusing on issues specific topics dealing with themes related to poverty, health, foreign assistance/aid and economic progress in the developing world. All candidates must fill out an application form on which they should describe the stories they would produce during the calendar year 2013. A brief telephone interview with finalists would also be part of the selection process.

        IRP New Media Fellows should propose producing both short-form and long-form reports in a variety of media, such as regular blog posts, tweets, video blogs, slideshows on Storify or Flickr, multimedia series, video documentaries, as well as in-depth stories online, in print, radio or television media. Multimedia productions are encouraged. 


        IRP New Media Journalists Trip to India: Examining Child Survival

        February 17-27, 2013


        Application deadline: December 10, 2012

        Children of a migrant community working at a brick kiln near Bishanpur in Darbhanga district are vaccinated by a polio vaccination team.

        Photo: "We – the solution" on Flickr

        In 2013 the IRP will offer three separate reporting trips of 8 to 10 days each for US and international new media journalists to report on important global health and development issues in one country.

        The first of those trips will be to India on February 17-27, 2013. Future trips in 2013 will be to South Africa in July and to Brazil in November.

        Sandy Storyline – New Paticipatory Documentary

        Interesting collaborative project, sharing stories related to Hurricane Sandy. Details below. -Mia
        ++++++++++++++++++++++

        I want to tell you about a new project we've launched called Sandy Storyline. It is a participatory documentary project that invites contributions from anyone with a cell phone or telephone. We are also working with lots of media makers and audio story tellers to collect storie in sound, photographs, and written stories. The technology we are using is developed by MIT Center for Civic Media and a tech start up called Cowbird.

        I'm writing to AIR to see if any of you fine folks might be interested in helping collect stories. Please email sandystoryline@gmail.com if you are interested.

        We are also looking for radio stations who are in the listener areas that were hit by superstorm Sandy that might be interested in doing stories on the project, PSA, or helping us get the word out to listeners about this participatory project.
        Here's the info:
        A beta site should be live in the next few days here: http://sandystoryline.com/ but currently also lives here: http://interoccupy.net/occupysandy/storyline/

        Sandy Storyline is a participatory documentary about Hurricane Sandy and efforts to recover and rebuild our neighborhoods.

        Share a moment. Share an image. Share a reflection. Share a vision for the future.

        Using any phone or mobile device you can contribute a story:

        Send a text or picture message from your phone to storyline@vojo.co
        Call (888) 803-9856 to record your testimony and listen to other people’s stories.

        Want to help us collect stories? Email sandystoryline (at) gmail (dot) com to get involved.

        Sandy StoryLine is a collaboration between HousingisaHumanRight.org, the MIT Center for Civic Media, in partnership with Cowbird, Interoccupy.net, Occupied Stories and a growing number of media makers, storytellers and people like you.

        CPB/PBS Producers Academy – call for applications

        Forwarded from AIR, here's a great opportunity from the CPB. -Mia

        CPB/PBS Producers Academy
        Guidelines

        The Corporation for Public Broadcasting (CPB) and the Public Broadcasting Service (PBS) invite you to participate in the 2013 Producers Academy at WGBH. The CPB/PBS Producers Academy offers professional development activities designed to identify public broadcasting’s next generation of creative talent.

        In the belief that the best producers enhance their production skills and their own creative energy by working and interacting with others, the Producers Academy seeks to: 1) encourage formal learning opportunities under the guidance of experienced producers, 2) facilitate relationship building in a business based on relationships, 3) offer exposure to diverse perspectives and experiences both inside and outside of the public television environment.

        The CPB/PBS Producers Academy is open to both station-connected and
        independent producers. Those selected will be chosen for their production talent, commitment to public broadcasting and potential for success in the program.

        For more information contact: Kathryn Lo at PBS – producers_academy@pbs.org or Angie Palmer at CPB – apalmer@cpb.org.

        For the application and more info (PDF):
        http://www-tc.pbs.org/capt/Producing/2013_Prod_Acad_Appliction-FINAL.pdf

        About the CPB/PBS Producers Academy at WGBH

        “It was the best professional development experience of my career, bar
        none. I feel fortunate and humbled to have been chosen to participate. It was a mind altering and life changing experience.” – Beverly Penninger, 2010 Workshop

        I honestly learned more during the workshop than I did in three semesters of graduate producing courses. Not a critique of my grad school but a testament to the amazing program put together. – Bao Nguyen, 2011 Workshop

        The 2013 CPB/PBS Producers Academy will be held at WGBH-Boston during the week of Saturday, March 30 through Friday, April 5. It has been developed for producers who create or intend to create works for public broadcasting, either through a station or independently. It is an opportunity for these producers to work intensively on the skills that will benefit them most, through classes and through direct contact with some of public television's most talented personnel.

        The definition of "producer" includes producer/writers and producer/directors; individuals who have worked locally as well as nationally, in all genres of programming; professionals who work in video, film, and interactive media; and those who work in studio-based as well as field production. Please note that this program is not for beginners.

        Over its eleven-year life, the CPB/PBS Producers Academy has accepted participants from 43 states plus the District of Columbia and Puerto Rico. Many of these producers have since contributed to public television's signature programming (American Experience, History Detectives, African American Lives, Latin Music U*S*A*, Freedom Riders). They have made programming for local and regional broadcast (New Jersey Legacies, Oregon Field Story, Greater Boston Arts) and online (Katrina Film Project, Journey to Planet Earth Web site). Their independent films (More Than A Month, Promised Land, A Son’s Sacrifice, Adjust Your Color: The Truth of Petey Green, The Eyes of Me, The Longoria Affair) have reached national PBS air.

        To learn more about past Academy producers, visit
        http://producersworkshop.pbs.org

        The 25 producers selected for the 2013 Workshop will receive scholarships that pay for the cost of the program and the week's travel and living expenses.

        Pro Publica offering paid internship in NY

        Happy to spread the word about a PAID internship with Pro Publica. Details below. -Mia

        ProPublica is seeking an intern to both report and help build community around our investigative projects with social media and engagement tools.

        The internship will begin in January and last for up to a year. It is full-time and based in New York. Compensation is $700 per week.

        Interns will be part of our investigative team focused on quick-turn reporting that riffs off the news as well as our engagement team, which works across social networks to build communities around our coverage and develops crowdsourcing and social media strategies for our reporting. Applicants should have prior journalism experience, and a demonstrated interest in leveraging social media for newsgathering purposes. 

        Here are a few examples of the kind of explainers and hard-hitting pieces we do, as well as examples of our engagement efforts. Niemab Lab has also written about our approach to digital journalismcrowdsourcing and audience engagement.

        UnionDocs’ December events

        December Events at UnionDocs:

        The poetics and politics of Glauber Rocha and the Cinema Novo

        Saturday, December 1 at 7:30pm

         Suggested donation $9

        “While Latin America bemoans its general wretchedness, the foreign interlocutor cultivates a taste for this wretchedness not as a tragic symptom, but rather as simple formal information for his field of interest. Neither does the Latin convey his true wretchedness to civilized man nor does civilized man truly comprehend the Latin’s wretchedness. What turned Cinema Novo into an internationally important phenomenon was the degree of its commitment to the truth; once written by the literature of the thirties, this very miserabilism was now photographed by the cinema the sixties. If it was once written as a social condemnation, today it is discussed as a political problem.”  – Glauber Rocha in “AESTHETIC OF HUNGER”

        Historian of Brazil, Marc A. Hertzman (Center for Brazilian Studies, Columbia University) will be in attendance for a discussion.
        This event was curated by Marcia Mansur.

        Forest of Bliss with Richard Allen

        Sunday, December 2 at 7:30pm
        Suggested donation $9

        Forest of Bliss is intended as an unsparing but ultimately redeeming account of the inevitable griefs and frequent happinesses that punctuate daily life in Benares, one of the world’s most holy cities. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give anyone who sees it a wholly authentic though greatly magnified view of the matters of life and death that are portrayed. Of the multitude at work, at play and at prayer, three indivividuals are seen in somewhat greater detail than others. They are a healer of great geniality who attends the pained and troubled, a baleful and untouchable King of the Great Cremation Ground who sells the sacred fire, and an unusually conscientious priest who keeps a small shrine on the banks of the Ganges.

        Richard Allen, Kathryn Myers, and Dr. Pradosh K. Misrha will be in attendance for discussion.

        Upcoming Events at UnionDocs:


        Those Strange, Inescapable Lines and Slivers

        Saturday, December 8 at 7:30pm
        Suggested donation $9

        Brave New York & Radioactive City with Richard Sandler

        Sunday, December 9 at 7:30pm
        Suggested donation $9

        Hello Happiness: A Holiday Party featuring Tony Conrad & Guests Presented by Marie Losier

        Saturday, December 15 at 7:30pm
        Suggested donation $10

        Sunday, December 16 at 7:30pm
        Suggested donation $9


        If you could help us spread the word about these events in any of your publications, we would really appreciate it. For more information about these events, please check out the linked titles. If you do end up publishing something about the events, please let us know!

        Thanks,

        Caitlin Dronen
        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211
         

         

         

        BackStory call for pitches

        Great show looking for stories. Details below!

        -mia
        ++++++++++++++

        BackStory's looking for pitches for a year-end show on Armageddon:

        December 21st, 2012 marks the supposed end of the Mayan Long Count calendar, and some are forecasting the end of the world. So, why not spend the end times looking back at all the good times we had… worrying about the end times. On this episode: moments when we thought it was all over. We'll try to figure out why certain Armageddon scenarios pop up again and again, and what they've told us about American hopes and fears through the centuries. Freak storms, war, supernatural predictions, technological crises – send us stories of pending world doom and what people made of them at the time.

        A couple tips:

        Please read our guidelines before pitching. I promise it will improve your chances: http://backstoryradio.org/producers/

        Also, keep in mind that we are a history show; stories set wholly in the present or past 10 years are not going to work for us.

        Our rates are based on the complexity of the piece and the producer's experience. Check out the AIR pitch page for a breakdown.

        All pitches should be addressed to me, Jess (jengebretson@virginia.edu) with the word "PITCH" in the subject line.

        Looking forward to all your great ideas!

        Thanks,
        Jess

        Radio Diaries & Cowbird Invite You to be Part of the Teenage Diaries Project

        Please share this amazing project with your teenage charges!

        -Mia
        From Radio Diaries & Cowbird:

        If you're having trouble viewing this email, you may see it online.


        Share This: 

        Josh Cutler
        Dear Educators and Friends of Radio Diaries,
         
        To commemorate the “sweet 16” of our acclaimed Teenage Diaries project, Radio Diaries and NPR are now teaming up with the storytelling platform Cowbird to gather new stories written, recorded and photographed by teens.
         
        Some of these stories will be featured on NPR.org and two teens will be selected to work with Radio Diaries to produce full-length Teenage Diaries that will air on NPR in 2013!
         
        As an organization that works with youth, we need you to help spread the word and encourage teens to participate in this project. Download our Teenage Diaries Step-by-Step guide with instructions on how teenagers can tell their stories, and what type of stories we’re looking for.  (Note: These must be TRUE stories).
         
        What we ask of you:
         
        1. Share this project directly with teens in your community, on the airwaves and online.

        2. Incorporate the Teenage Diaries Project into your lesson plan, watch this video to see Cowbird in action, and help teens take the necessary steps to tell their stories.

        3. Listen to the original Teenage Diaries and share these stories with youth.
         
        Our goal is to collect 300 first-person stories by the end of the year. In December, in coordination with the broadcast of a radio series featuring five of the original teenage diarists, a mosaic of the Cowbird Teenage Diaries stories will be featured on the NPR website. Take a look at the stories we've collected so far.
         
        If you’d like to participate or learn more about the Teenage Diaries Project, visit our website and join our Facebook event
         
        We are looking forward to working with you in the coming month. Please “like” us on Facebook and follow us on  Twitter to stay connected. If you have questions or would like to participate, send me an email:  Nellie@radiodiaries.org.
         
        Thank you for all your help in encouraging teenagers to tell their stories. 
         
        Sincerely, 

         
        Nellie Gilles
        Teenage Diaries Outreach Manager

        169 Avenue A #13 | New York, NY 10009 US

        Events at CUNY this week including an evening with Gay Talese MONDAY, Nov 5, Hunter College, FREE

        Lots of great events going on at the CUNY schools this week including a FREE "evening with Gay Talese" at Hunter College. Plus info on how to help with hurricane recovery. -Mia

        This Week at CUNY – November 5, 2012

        Best of the Week

        CUNY Votes

        November 6, 2012 is Election Day and the time to cast your ballot. Become a part of the CUNY Votes effort this Tuesday and vote. Some polling places may have relocated due to Hurricane Sandy, so check here to find the exact location where you can cast your ballot. MORE»

        * * * * * * * * * * *

        Help for Hurricane Survivors

        Check out the University site offering information on support and services to students, faculty and staff coping with the aftermath of Hurricane Sandy. MORE»

        * * * * * * * * * * *

        Colleges Step Up to Shelter Hurricane Sandy's Victims

        Stepping into the breach, hundreds of staff and volunteers at ten college across the city provided round-the-clock care for thousands of evacuees made homeless by Hurricane Sandy. Their heroic efforts won praise from Mayor Bloomberg and a visit by Governor Cuomo. Learn more about this remarkable story of community service in this CUNY Newswire report. MORE»

        * * * * * * * * * * *

        * * * * * * * * * * *

        Spotlight

        Citizenship Now! Application Assistance Day

        Nov. 9 | The University

        CUNY Citizenship Now! assists permanent residents with their citizenship applications. Events are open to anyone, not only CUNY students. This all-day event is sponsored by The College of Staten Island, New York City Council member Deborah Rose and NALEO. MORE»

        * * * * * * * * * * *

        * * * * * * * * * * *

        CUNY Month Pan-Mediterranean Concert

        Nov. 5 | Bronx Community College

        Musica Sol: A concert of pan-Mediterranean music. MORE»

        * * * * * * * * * * *

        Food Theory: How America's Tastes Were Transformed

        Nov. 5 | Queens College

        Chef Rocco Marinaccio will discuss the foodways associated with New York's Italian immigrants in the early 20th century. MORE»

        * * * * * * * * * * *

        'Trust and Violence' Talk

        Nov. 5 | CUNY Graduate Center

        Is violence normal? In his new book, "Trust and Violence," Jan Phillip Reemtsma suggests that the notion that violence is abnormal and beyond comprehension is misleading, and attempts to contain and deter violence informed by this perspective are misguided. MORE»

        * * * * * * * * * * *

        Hunter Symphony Recital

        Nov. 5 | Hunter College

        Reuben Blundell, conducts the Hunter Symphony. MORE»

        * * * * * * * * * * *

        An Evening With Gay Talese

        Nov. 5 | Hunter College

        The Elizabeth Strong-Cuevas Lecture will be offered by legendary writer, Gay Talese. A wine and cheese reception will follow. For more information and to RSVP, use the website. MORE»

        * * * * * * * * * * *

        Judicial Voter Guide

        November 6 | The University

        The Online Judicial Voter is designed to help you make a more informed decision on Election Day; visit the NYS Judicial Voter Guide at www.nycourts.gov/vote. Learn about judicial candidates in each county based on information provided by the state and county board of elections. MORE»

        * * * * * * * * * * *

        Book Talk with Marta Gutman

        Nov. 6 | The City College of New York

        Drawing upon multiple fields of study, the fall Book Talk Series explores the context of childhood including the institutions, policies, social and educational settings most important to the healthy development of young children. Marta Gutman teaches architectural and urban history at the Bernard and Anne Spitzer School of Architecture at City College and her research focuses on public architecture for children. MORE»

        * * * * * * * * * * *

        International Electroacoustic Music Festival

        Nov. 6 – 8 | Brooklyn College

        The 24th annual festival directed by George Brunner. MORE»

        * * * * * * * * * * *

        Arguing the 1930s World

        Nov. 7 – 5 | CUNY Graduate Center

        The Graduate Center lecture will discuss how a group of radicals at City College during the 1930s become the deeply influential political and cultural critics now known as the New York Intellectuals. MORE»

        * * * * * * * * * * *

        Training for Green Jobs

        Nov. 7 | LaGuardia Community College

        The Green Jobs Training Program introduces participants to the principles of sustainability and provides the necessary skills to work for companies that want to develop a green focus. MORE»

        * * * * * * * * * * *

        Lecture: City As Living Laboratory

        Nov. 7 | Graduate Center

        Join us for a conversation with collaborators involved with Mary Miss's project City as Living Laboratory, with Broadway as the "Green Corridor" of New York. MORE»

        * * * * * * * * * * *

        Book Talk: 'The Italians of New York'

        Nov. 7 | Queens College

        Calandra Italian American Institute presents "The Italians of New York," by Maurizio Molinari, a book that offers an overview of various generations of Italians in New York, weaving together numerous stories that highlight different epochs and different backgrounds. MORE»

        * * * * * * * * * * *

        Sexual Violence in Guatemala

        Nov. 7 | John Jay College of Criminal Justice

        The Historical Memory Project invites you to a discussion, Legacies of Mass Atrocities: Sexual Violence Against Women in Guatemala. MORE»

        * * * * * * * * * * *

        On Memory, History, and the Armenian Genocide

        Nov. 7 | Graduate Center

        Actor, Eric Bogosian ("Talk Radio") interviews Fatma Müge Göçek, one of a few Turkish-born scholars to publicly acknowledge the Armenian genocide. MORE»

        * * * * * * * * * * *

        Queens College Art Exhibit

        Nov. 7 – Dec. 21 | Queens College

        In celebration of the 75th anniversary of Queens College and the QC Art Center invite all alumni to send in commentary and/or current artwork — in all disciplines and media — concerning their experience at the school. MORE»

        * * * * * * * * * * *

        Art from the Land of the Peacock

        Nov. 7 – Jun. 27 | Queens College

        Year of India event presents documents of Visual Culture in the Queens College Libraries. MORE»

        * * * * * * * * * * *

        Music In Midtown Series

        Nov. 8 | CUNY Graduate Center

        Raphael Trio: Andy Simionescu, violin; Susan Salm, cello; Daniel Epstein, piano. MORE»

        * * * * * * * * * * *

        Poetry by Pamela Sneed

        Nov. 8 | New York City College of Technology

        New York-based poet and actress, Pamela Sneed, reads from her book, "Imagine Being More Afraid of Freedom Than Slavery." MORE»

        * * * * * * * * * * *

        Kristallnacht Commemoration

        Nov. 8 | New York City College of Technology

        Featured speaker is Nobel Laureate Roald Hoffmann, Cornell University Frank H. T. Rhodes Professor of Humane Letters, Emeritus. MORE»

        * * * * * * * * * * *

        On Stage: 'The Principality of Sorrows'

        Nov. 8 | Brooklyn College

        "The Principality of Sorrows," by Keith Bunin begins in 1923 in a Belgian castle garden where a young New York socialite, named Iris, has sought sanctuary from the real world to sort out her suffering over the loss of her brother in WWI. MORE»

        * * * * * * * * * * *

        Lincoln Center White Light Festival

        Nov. 8 – 10 | John Jay College of Criminal Justice

        Focus of the festival is music's unmatched capacity to illuminate the many dimensions of our interior lives. Spanning musical traditions, genres and disciplines the festival will feature 27 performances and events. MORE»

        * * * * * * * * * * *

        Annual Haitian Association Conference

        Nov. 8 – 10 | York College

        The 24th annual conference presents, "Haiti Beyond Borders: Challenges and Progress Across the Diaspora." MORE»

        * * * * * * * * * * *

        Spotlight on Obesity in Children

        Nov. 9 | John Jay College of Criminal Justice

        Featured speaker is Janice Johnson Dias, assistant professor, Department of Science. MORE»

        * * * * * * * * * * *

        Health Consequences of the War on Terror

        Nov. 9 | John Jay College of Criminal Justice

        "The Health Consequences of the War on Terror: An Agenda for the Future." MORE»

        * * * * * * * * * * *

        Victims and Survivors of Apartheid in New York

        Nov. 9 | CUNY Graduate Center

        Returning to the scene of his prize-winning books, "Rachel and Her Children," and "Amazing Grace," Jonathan Kozol shares insights from 25 years in New York's poorest neighborhood's public school system in conversation with teacher, activist educator Brian Jones. MORE»

        * * * * * * * * * * *

        In Concert: Spottiswoode & His Enemies

        Nov. 9 | Borough of Manhattan Community College

        Spottiswoode & His Enemies will be performing at BMCC. MORE»

        * * * * * * * * * * *

        Coffee on the Brooklyn Waterfront

        Nov. 9 | New York City College of Technology

        Breakfast Talk with speakers Steve Jaffe, a historian, and Michael Pollack, co-owner of Brooklyn Roasting Co., located at the river and Jay Street in a building that once housed a 19th-century coffee company. MORE»

        * * * * * * * * * * *

        Salsa Palooza

        Nov. 10 | Lehman College

        Salsa Palooza is back with three of the most successful and popular salsa artists, who will perform the hits of their amazing careers. MORE»

        * * * * * * * * * * *

        * * * * * * * * * * *

        KALW’s City Visions seeks show producer

        Hey folks. My friends at KALW in SF are seeking a show producer for their weekly call-in program, City Visions. It's a volunteer gig, producing one show/month. KALW is a great place to learn and get some experience on the resume and clips on the reel. Details below. -Mia
        Radio Producer (Volunteer)
        ———————————-
        Location: San Francisco, California, United States
        Organization: City Visions Radio, KALW 91.7
        Skill(s): Producing, Writing
        Start date: Training would begin as soon as interview process was completed
        Last day to apply: Open

        Description

        City Visions, a live call-in radio program, has aired weekly on KALW 91.7 FM San
        Francisco since 1991. (Monday, 7:00-8:00pm). We aim to educate, stimulate, and
        make positive contributions to discussions on Bay Area issues. Our production team
        – a talented group of multi-disciplined, public policy minded volunteers – brings
        a broad perspective to current issues. This is a fantastic opportunity for people
        interested in learning about radio production or who simply want to be part of a
        team of volunteers informing our community about important issues.
        Summary
        City Visions is looking for someone interested in producing one radio program per

        month. With support from the Senior Producer and others on the team, producers

        develop guest panels to discuss a variety of topics important to the San Francisco
        Bay Area. Production requires approximately 10-20 hours per show and consists
        of: researching a topic; developing a guest panel; providing background material,
        bios and potential questions for the host; writing copy; in-studio production on
        show nights from 6pm to 9pm one Monday per month. Attendance at weekend bi-
        monthly production meetings is also required. Show topics are flexible depending
        upon a producer’s interests and skills.
        Please visit our KALW page http://kalw.org/programs/city-visions to check out
        previous shows.
        Qualifications
        Qualified producers will be professionals looking to add radio production to
        their skill set. Excellent writing and communication skills are necessary though
        radio experience is not required. Applicants should be deadline-oriented, highly
        organized, willing to commit for at least 12 shows and possess a strong interest in
        public policy and current affairs.

        Upcoming events at the UC Berkeley J-School

        Here's the latest from the UC Berkeley J-school. -Mia

        D.T. Max | Every Love Story Is a Ghost Story: A Life of David Foster Wallace

        Presented by the Knight Center in Science and Environmental Journalism and the Department of English at UC Berkeley

        When: Wednesday, November 7,  12:00 PM

        Where: North Gate Hall Library

        David Foster Wallace was the leading literary light of his era, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D.T. Max sets out to chart Wallace’s tormented, anguished and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.

        Since his untimely death by suicide at the age of forty-six in 2008, Wallace has become more than the quintessential writer for his time—he has become a symbol of sincerity and honesty in an inauthentic age.  In the end, as Max shows us, what is most interesting about Wallace is not just what he wrote but how he taught us all to live. Written with the cooperation of Wallace’s family and friends and with access to hundreds of his unpublished letters, manuscripts, and audio tapes, this portrait of an extraordinarily gifted writer is as fresh as news, as intimate as a love note, as painful as a goodbye.

        Refreshments will be served.

        Adam Hochschild and T.J. Stiles | Riveting History

        When:  Saturday, November 10,  8:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        Prize-winning authors Adam Hochschild and T.J. Stiles compare notes on the high art of taking historical facts and transforming them into potent narratives.  

        The American Academy of Arts and Letters honored Hochschild for his work, which has ranged from depictions of a fraught relationship with his father to brutality in colonial Africa and opposition to the First World War.  

        Stiles won both the Pulitzer Prize and the National Book Award for his biography of Cornelius Vanderbilt.  He has also written about Jesse James, and is now researching the life of George Armstrong Custer.  

        Julia Flynn Siler, a veteran Wall Street Journal writer and herself the author of two narrative histories, will guide the conversation.

        This event is open to the public and sponsored by UC Berkeley Extension.

        REPORTING FROM ISRAEL: THE US ELECTIONS, THE ARAB SPRING AND JOURNALISM IN THE DIGITAL AGE

        Aluf Benn, Editor-in-Chief, Haaretz Daily Newspaper

        When: Thursday, November 15,  6:00 PM

        Where: North Gate Hall Library

        Israeli journalist and author Aluf Benn on Israel – U.S. post-election relations, Israeli response to the Arab Spring and how journalism is changing in Israel.

        During his 23 years at Haaretz, Aluf Benn covered six Israeli prime ministers from Yitzhak Rabin through Binyamin Netanyahu and reported on Israeli-Arab wars and peace efforts since the Oslo Accords in 1993.  In his roles as diplomatic correspondent, chief news editor and opinion editor at the paper he has become an expert on the country’s leadership, foreign policy and national security. His writing has appeared in The New York Times, The Washington Post, Foreign Affairs, Newsweek, and The Guardian.

        Presented by Berkeley Graduate School of Journalism, Institute of Israeli Law Ethics and Society at UC Berkeley, the Israel Center of the Jewish Community Federation, the Jewish Community Relations Council and the Consulate General of Israel to the Pacific Northwest

        RSVP REQUIRED
        2012 Presidential Election Recap

        Co-sponsored by the University Library, the Media Studies Group major, the Institute of Governmental Studies and the Berkeley Political Review

        When: Friday, November 16

        Reception: 5:30 PM (North Gate Hall Library)
        Discussion: 6:00 PM (Sutardja Dai Hall)

        Where: Banatao Auditorium, Sutardja Dai Hall

        The panel of experts will look at election results, voting patterns, the influence of money and digital technology, prospects for election reforms and, of course, what happens next.  

         
        Ron Elving, MJ '79, Senior Washington Editor, NPR
        Michelle Quinn, MJ '92, Silicon Valley-based technology correspondent, Politico
        Lisa Garcia-Bedolla, Associate Professor, Department of Political Science at UC Berkeley and the Berkeley Graduate School of Education

        David Kennedy, Pulitzer Prize-winning historian, Stanford University
        Bruce Cain, Professor of Political Science, Stanford University

        Moderated by Susan Rasky, Senior Lecturer, Berkeley Graduate School of Journalism

        RSVP: juliehirano@berkeley.edu

        ********** EVENTS OF INTEREST **********

        Berkeley Entrepreneurs Forum: 8th Annual Intel Global Challenge

        When:  Thursday, November 8,  5:30 PM

        Where: Andersen Auditorium, Haas School of Business

        The Lester Center for Entrepreneurship at the Haas School of Business has partnered with Intel to create the premier global business plan competition focused on technology. This year, nearly 30 teams from almost as many countries are expected to compete. Hear pitches from the top eight finalist teams at the Berkeley Entrepreneurs Forum. Participating teams, representing universities and programs in Asia, Europe, Latin America, the Middle East, and the U.S., bring with them some of the brightest and innovative technology ideas in the world and will be vying for $100,000 in prizes. 

        The Forum is free to UC Berkeley faculty, staff, and students. Registration is required via the link above. All pre-registrants receive one free drink.

        Sundance Institute Panel discussion on the power of docs, Tuesday, Nov 13, 7:30pm, IFC Center, NYC

        Tickets are $16.50. -Mia

        If you have trouble viewing this email, click here.
        Sundance Institute Sundance Institute
        Sundance Institute
        Sundance Institute Sundance Film Festival Support our Mission

        Please join Sundance Institute at Doc NYC for a panel discussion on the power of documentary film.

        Tuesday, November 13, 7:30 p.m.
        IFC Center, NYC

        To celebrate the 10th anniversary of Sundance Institute’s Documentary Film Program, journalist Glenn Greenwald of The Guardian leads a conversation with Sundance DFP Director Cara Mertes and three prominent DFP supported filmmakers. Each will share a sneak peak of clips from their highly anticipated new films and discuss the power  of non-fiction storytelling in the 21st century.

        Moderator: Glenn Greenwald (The Guardian)
        Jehane Noujaim (Rafea: Solar Mama)
        Roger Ross Williams (God Loves Uganda—upcoming documentary)
        Jeremy Scahill (Dirty Wars—upcoming documentary)
        Cara Mertes. Director, Sundance Institute Documentary Film Program.

        Click here to get tickets

        SUNDANCE INSTITUTE IS A NONPROFIT ORGANIZATION DEDICATED TO THE DISCOVERY AND DEVELOPMENT OF INDEPENDENT ARTISTS AND AUDIENCES IN FILM AND THEATRE.

        © 2000-2012 Sundance Institute | All rights reserved

        Another Soup to Nuts date Dec 1 and 2

        From Claire Schoen – another Soup-to-Nuts date added for December. Details below. -Mia
        +++++++++++++++++++++


        I got a good response to my Soup-to-Nuts class offering for November. So I've opened a second section on the weekend of December 1&2 for those who couldn't get into the November class.


        But… I still have a couple of spots in this December 1&2 class.
        Please get in touch with me if you are interested in signing up. And please feel free to pass this on to anyone else you think might be interested.

        Thanks!
        Claire Schoen

        Here's the scoop:

        "From Soup to Nuts"

        A 2-day intensive

        on

        documentary radio production

        offered in the San Francisco Bay Area

        Logistics:

        This seminar will be held December 1 & 2, 2012.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a documentary-style radio piece. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

         

        Claire has taught documentary radio production at U.C.

        Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

         

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

        Narrative 30 Below–Final Week to Enter

        For you youngsters 🙂

        ENTER TODAY
         
        Final Week to Enter.

        This year’s 30 Below is open to all young poets, fiction and nonfiction writers, photographers, graphic artists, filmmakers, and performers between eighteen and thirty years old.

        $1,500 First Prize
        $750 Second Prize
        $300 Third Prize
        Ten finalists receive $100 each.

        See the Guidelines. Read prior winners.

        All entries will be considered for publication.

        We're looking for poems, short stories, short shorts, essays, memoirs, photo essays, audio and video stories, graphic stories, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction.

        Once each year we call especially on young writers and artists, and we hope to share your best work with our audience of more than 140,000 readers.

        We are committed to paying our authors, to providing excellent editorial support, and to encouraging a wide audience for good writing.

         
           
        And It’s Free.  
           
        iSTORIES | iPOEMS | RSS | NARRATIVE BACKSTAGE | A Nonprofit Publication

        Marketplace LA is looking for an intern, application deadline Dec 3

        Marketplace in Los Angeles has this part-time PAID internship. I bet they take your freelance pitches when you're done! Application deadline Dec 3. Details and links below. -Mia

        INTERNAL AND EXTERNAL JOB POSTING

        Date: October 24, 2012

        Award-winning Marketplace is public radio's daily magazine of business and economics. Airing weekday mornings and evenings, it boasts the largest audience for any business program in the U.S. on radio, cable, or network television. To check out information about the program, go to: http://marketplace.publicradio.org/.

        Marketplace has an excellent internship opportunity for students and recent grads who have an active interest in journalism. Marketplace Interns will be compensated on an hourly basis ($10/hr). This is a minimum 15 hour a week internship and will work through the 2013 spring semester (January through May).

        Internal and External Applicants:
        For a complete job description and to apply online, please follow this link:
        http://americanpublicmedia.iapplicants.com/ViewJob-366913.html


        Company: American Public Media
        Job Title: Intern, Marketplace
        Job #: 508-13

        American Public Media is an Equal Opportunity Employer. We encourage candidates with a diversity of life experiences to apply.

        Enrich your mind. Build your community. Expand your career.

        www.americanpublicmedia.org/careers
        www.twitter.com/APMJobs
        www.facebook.com/apmcareers

        Call for Submissions – Strange Beauty

        The Strange Beauty Film Festival in Durham, NC put out this call for audio-only submissions. More info on the website for you film folks. Cool opportunity. Details below. -Mia

        ++++++++++++++++++

        Call for Entries – Aural Fixation at Strange Beauty Film Festival (Durham, NC)
        Deadline: Nov 15, 2012

        Aural Fixation, an audio-only portion of the Strange Beauty Film Festival, is currently accepting audio work of any shape or form with a running time of 30 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it.

        Previous broadcast history is of no concern. Audio work/sound art of any type/content is welcome, such as narrated, verite, soundscapes, raw tape, excerpts, scenes, sound or audio "moments," found tape, experimental, audio theater, and creative radio work (to name a few). Music may also be a good fit for Aural Fixation if it relies very heavily on recorded sound over musical instruments.

        The deadline is November 15, 2012, entry fee is $5.

        The festival will be held January 24-26, 2013 at Manbites Dog Theater in gritty Durham, North Carolina.

        More information and entry form are available at our web site:
        http://www.strangebeauty.org

        Monocle Radio is looking for election stories. WILL PAY

        Great opportunity from UK-based Monocle Radio. Contact Katie Bilboa: kb@monocle.com. More details below! -Mia

        We’re just ramping up our coverage ahead of the US elections and there

        are a couple of things we’d like to do but which I so far haven’t
        found freelancers for:

        1.I’m looking to commission someone in Vegas to do a package for us
        about the prolific number of campaign TV ads there

        2.We’re looking for someone who can do a package for us looking behind
        the scenes at the key figures in Romney’s proposed administration

        3.We’re also looking two commission three or four very short reports
        from places which have interesting / quirky other things on their
        ballots – I’m looking for suggestions from across the US

        Fee for rough cut package: Ł250. Short report fee will vary depending
        on what we agree to commission.

        Mashup Contest! Win a Free SoundCloud Pro account

        A fun (and FAST) contest from Pop Up Archive and SoundCloud. Details below. -Mia

        ++++++++++++++++++

        I'm writing on behalf of Pop Up Archive, an organization dedicated to helping organize and preserve oral history, broadcast audio, and related media. It was great to meet some of you at Third Coast.

        We're doing a funky mashup contest with SoundCloud and we'd love to have you (or anyone you know) participate. You can submit practically anything — more on that here: http://blog.soundcloud.com/2012/10/16/fellows-popuparchive-mashup/.

        The contest is a quick one — we're not expecting you to sink much time on it. Submissions are limited to three minutes. It's an opportunity to put archival audio to use — and a great chance to scoop up a SoundCloud Pro account (a 250€ value).

        Sample audio building blocks — http://soundcloud.com/popuparchive/sets — consist of archival material from this year's SoundCloud Community Fellows. The contest is currently scheduled to end Wednesday, October 24th, though it might be extended.

        Don't hesitate to let us know if you have questions, and pass this on to anyone who'd be interested!

        Thanks,
        Anne & Bailey
        http://popuparchive.org
        http://blog.soundcloud.com/2012/10/16/fellows-popuparchive-mashup

        America Abroad Seeking Africa Reporters

        Are any of you FC folks in Africa? Or have appropriate tape lying around from a past trip? America Abroad Media has been doing some great work: http://americaabroadmedia.org/

        ++++++++++++++++++

        America Abroad is currently seeking reporters/pitches for our upcoming program on the growth of extremism in Africa. In particular, we're looking to examine Al Qaeda in the Islamic Maghreb, Boko Haram, MUJAO, and the countries where these groups are active.

        Any and all suggestions are welcome, please send pitches (and previous work samples) to acvaldez@americaabroadmedia.org.

        Thanks!
        A.C. Valdez

        Remix Contest from the Free Music Archive & Prelinger Archives

        Create a mashup, win an ipad. More fun from the Free Music Archive. Details below! -mia

        Free Music Archive Newsletter View the online version.
        Free Music Archive
        Like this on Facebook Share this on Twitter Share this on with +1

         FreeMusicArchive.org

           
         Video Mashup Contest With Prelinger Archives

        Contest Video

        Have you ever thought music from the Free Music Archive would pair nicely with all that great retro video ephemera in the Prelinger Archives? Here's your chance to show your vision in a contest we're calling "The Past Re-imagined As The Future." Enter before Nov. 4th and help us explore the possibilities of open digital archives.

        Visit our contest portal for a fun how-to video, information about our winners screening at Anthology, pictures of our dashing panel of judges, and questions that are frequently asked. Two winners will receive an iThing! Plus, there's always the added prize that if you spend enough hours watching old timey videos, you just might find your 20's doppelganger.  — Andrea

         

        Eyebeam

        Actual Reality By Lucky Dragons
        Named Wired Magazine’s “Most Wired Musician,” Lucky Dragons uses a Google search for the phrase "Actual Reality" to create a candid and democratic view of the Internet. [link]

        Music For ProducersMusic for Video: Autumn Mix

        We have a fresh bushel of Royalty-Free songs up now on our Music for Video portal. These are all instrumental tracks that are perfect for your projects, including everything from dark dubstep to energetic electronic. [link]

        Brewster Kahle on Radio Free Culture

        Brewster Kahle, the founder and digital librarian of The Internet Archive, was our guest on Radio Free Culture. He was interviewed by Ken Freedman, WFMU's station manager. [link]

        More Highlights

        Asian Women on the TelephoneNew post-punk industrial groove experiments from Moscow's Asian Women on the Telephone. [link]

         

        Blake FlemmingThe solo debut from Blake Fleming (Laddio Bolocko, Dazzling Killmen, Mars Volta) is 100% percussion, and catchy as all get out! [link]

        Subterrâneo Records is a new label from Salvador, Bahia. Você Pensa Sub is a six-track introductory comp ranging from irresistible Bahia-pop grooves to hip-hop and new takes on traditional Brazilian song structures. [link]

         

        eyebeam art and technology center

        Welcome our new curator, Eyebeam Art & Technology Center, offering duo improvisations from by Mikael Jorgensen (of Wilco fame) and Travis Thatcher. [link]

        Onterio Independent Music Archive

        The Ontario Independent Music Archive will collect and preserve new and older independent music from Ontario, including releases that were only issued in limited runs on cassette and vinyl. [link]


               

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          ON TOPIC

          YouTube/Google Make Their "Presumed Guilty" ContentID Takedown Policy Slightly Less Kafkaesque

          Soundcloud Partners with Getty Images to Offer 1-Button Film Music Licensing (Getty Keeps 65% of Revenue)

          Do Bad Things Happen When Creative Works Enter the Public Domain? Nope.

        About UsContactDonate Creative Commons LicenseCreative Commons BY NC 2012 Free Music Archive


        Third Sound Bank Grant Scheme Now Open For Submissions

        Grants for creative media from In the Dark. Sweet! -Mia

        Patrons of Sound Bank 3:

        Jane Ray

        falling-tree

        Plus income from "Friends of In The Dark"

         

        The Third Sound Bank is Open To Submissions!

        In The Dark is very pleased to announce the launch of the third Sound Bank Grant Scheme, an international fund for adventurous audio.

        The Sound Bank scheme is offering funding of between £500 and £1500 towards the production of new audio pieces of 3 to 15 minutes duration each. The fund is open to first-time producers and students, migrants from other arts and media as well as experienced radio professionals seeking the opportunity to attempt something bold and adventurous.

        To read more and to find out how to submit a proposal, click here >>

        To hear the work of previous grant winners, click here >>

         

        We look forward to supporting some more great audio!

        Copyright © 2012 In The Dark, All rights reserved.
        .

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        Pimp Your Podcast – a panel discussion at CUNY jschool, Monday 10/22, 12:30pm

        Hey folks. I'm participating in a panel discussion on Monday 10/22 about the future of podcasting. Planet Money's Adam Davidson will be there, and you'll have a chance to pitch your podcast ideas and get feedback. Details are here: http://www.journalism.cuny.edu/events/pimp-your-podcast-the-secrets-of-great-audio-projects/. Hope you can make it! -Mia

        ++++++++++++++++++++++

        With the tremendous success of Freakonomics, WTF with Marc Maron, the Slate Gabfests, and more, podcasting has come into its own in the past five years. But where is it heading? How will fans hear the shows and stories they love in the next decade?

        Come join us for a panel on the state of podcasting: We’ll discuss the two-way street between online audio and broadcast radio and how to sell a podcast idea to a funder or news organization. We’ll also take a peek into the crystal ball.

        Bring your questions and ideas for great podcasts, and we’ll provide riveting conversation.

        Space is limited, so sign up early. Register in advance

        Free for CUNY J-School students and alumni. (Check your class or alumni Facebook page for the promotional code you need to register.)
        $5 + $1.27 online registration fee for everyone else: Register in advance

        Panelists:

        Amanda Aronczyk (moderator) has been a public radio reporter and online producer for almost 15 years, working at WNYC’s Radio Lab, APM’s Marketplace, and PRI’s The Next Big Thing. As a freelancer, she has produced podcasts for the The New Yorker and Slate, and produced radio for a variety of programs, including Studio 360, Freakonomics, and Marketplace. She is currently producing a half hour documentary on crime and debt for the BBC.

        Jim Colgan plays a senior role on the content team at SoundCloud, where he helps news organizations, producers, and anyone else interested in creating spoken word audio on the social sound platform. Before that, he was head of media at Mobile Commons and for 10 years, he was a producer and digital editor at WNYC Radio in New York.

        Adam Davidson is co-founder and co-host of Planet Money, a co-production of NPR and This American Life. He also writes the weekly “It’s the Economy” column for The New York Times Magazine. His work has won several major awards including the Peabody, DuPont-Columbia, and the Polk. His radio documentary on the housing crisis, “The Giant Pool of Money,” which he co-reported and produced with Alex Blumberg, was named one of the top ten works of journalism of the decade by the Arthur L. Carter of Journalism Institute at New York University. In two weekly podcasts, a blog, and regular features on Morning Edition, All Things Considered, and This American Life, Planet Money helps listeners understand how dramatic economic change is impacting their lives. Planet Money also proves, every day, that substantive, intelligent economic reporting can be funny, engaging, and accessible to the non-expert.

        Mia Lobel is the co-founder and senior producer of several podcasts including B-Side Radio and Distillations, an award-winning chemistry podcast for the non-for-profit Chemical Heritage Foundation in Philadelphia. She has freelanced for media outlets across the country including KQED, The Tavis Smiley Show, Youth Radio, Antenna Audio, and Pulse of the Planet. She’s also the founder of Freelance Café, a support, networking, and resource web site for Bay Area and Hudson Valley independents.

        Ashley Milne-Tyte is a New York-based writer and reporter. Ashley produces radio pieces for Marketplace, NPR, and Voice of America, writes for print/online, and teaches radio journalism at Columbia University’s Graduate School of Journalism. Ashley recently completed a fellowship at the CUNY/Tow Knight Center for Entrepreneurial Journalism where she launched a podcast about women and work, called The Broad Experience.

        chief job for Boston area political quarterly

        For you Boston area folks – part-time work (with benefits!) to supplement your freelance career. Details below. -Mia

        +++++++++++++++++++++++++++++

        Editor-in-Chief

        Political Research Associates, a progressive think tank in the Boston-area that tracks the U.S. Right, seeks a part-time Editor-in-Chief of our quarterly Public Eye with oversight over our web editor. The editor works closely with our research and communications directors and has a substantial role directing the website’s coverage.

        Candidates must have five years of professional work experience, a background in journalism and research interest in the U.S. Right. Sparkling news judgment, strong analytical ability, and ease with scholarship a must. Editor must be able to work out of our Somerville, MA office.

        Competitive salary, full health and dental, 401(k), paid vacation. To apply, send a resume and cover letter with story ideas and links to two of your favorite articles by October 31 to n.lewis@publiceye.org.

        PRX’s Global Story Project deadline Oct 15, midnight

        ;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px”>

        We will accept applications:

        • to complete original works
        • to reversion or update prior works or archival material
        • to adapt and complete works based on other media that could work as audio productions.
        Head to prx.submittable.com to get all the details and please send any questions to john@prx.org
        Good luck!
        -Genevieve at PRX

        opportunity for teens – Radio Diaries, NPR, and Cowbird team up for new Teenage Diaries series, deadline Nov 1

        I wanted to pass along this newsletter from Joe Richmond at Radio Diaries for a couple reasons. First, if you don't already know Joe's work, you should. Second, Radio Diaries is celebrating the 16th birthday of its amazing "Teenage Diaries" series with a storytelling project on Cowbird that will eventually turn into a new Teenage Diaries series in 2013. There's a link to a step-by-step guide for getting involved below. Pass this opportunity on to the young people in your lives. -Mia

        Dear Friends of Radio Diaries,
         
        Teen boxer Claressa Shields says she's never gotten anything other than gold, and this weekend at the Third Coast International Audio Festival she kept her record. Radio Diaries is incredibly proud to tell you that our story about Claressa, Teen Contender, won the Gold Award for Best Documentary. If you've seen the video of Claressa accepting her Olympic Gold Medal…then you know how we feel.

        Claressa Shields, 17, reacts wonderfully to becoming the firs... on Twitpic

        At the awards ceremony (brilliantly hosted by our friends, The Kitchen Sisters) our favorite 17-year-old Olympic boxer coached an audience of radio producers and fans on  how to throw a winning jab. Thanks to Claressa, public radio is a little bit fiercer now. 
         
        A huge thank you to everyone who helped produce this story, especially Sue Jaye Johnson, who introduced us to Claressa, as well as Samara Freemark, Deborah George, Ben Shapiro and Marianne McCune. Congratulations to all the other winners at Third Coast, a talented group that includes producers from This American Life, BBC and WNYC. You can hear all those great stories here.

         
        Claressa is boxing in the Police Athletic League tournament in Toledo, Ohio this week. Photojournalist Sue Jaye Johnson is continuing to document Claressa's post-Olympic journey in a feature-length film called  T-Rex. We'll keep you posted.

        More news…
         
        CONTEST TO BECOME THE NEXT TEENAGE DIARISTS
         
        Radio Diaries and NPR are collaborating with the storytelling site  Cowbird to collect new stories from teenagers. It's part of our “sweet 16” celebration of the acclaimed  Teenage Diaries project—where young people around the country are given tape recorders to report on their own lives for public radio. A group of the new stories will be featured on npr.org and two teenagers will be chosen to work with us to produce full-length Teenage Diaries in 2013.

        Check out the stories we’ve collected on Cowbird so far.

        We’re aiming to gather 300 new stories written, recorded and photographed by teens by November 1, and we need your help to spread the word.  Download our Teenage Diaries Step-by-Step guide with instructions on how teenagers can tell their stories on Cowbird and tips on what type of stories we’re looking for. If you'd like to learn more about this project, contact Outreach Manager Nellie Gilles. You'll be hearing a lot more about the Teenage Diaries Project soon.

         
        Thanks for listening,
         
        Joe Richman

        169 Avenue A #13 | New York, NY 10009 US

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        WAMC’s 51% wants your commentaries

        You all know that I generally don't post gigs that don't pay, but I've been teaching this semester and so I have a renewed interest in finding opportunities for newbies – talented folks who have the skills and drive to succeed, but who need an audience and some clips to build their confidence to start charging a reasonable fee for their work. And so I offer this: WAMC's 51% (The Women's Perspective) wants your commentaries. Here's a note from the show's producer:

        I am ALWAYS looking for good commentaries for 51%.  I have zero budget, but sometimes when someone's starting out, the money is less important than the credit.  It's no small thing to be on NPR, CBS, Sirius and AFR, and that's what a commentary on 51% gets. Themes – anything. I do not consider it a women's show – I consider it an issues show with women's points of view. You'd be surprised how difficult it can be to find women experts on things. Environment/health/politics/war/peace/community/sustainability/technology/human interest – I'm interested in all of it. So if you know of people who are interested, I am always happy to get queries and scripts.


        And here's a blurb from their website:

        In America, women make up more than half the population. Worldwide, women are expected to outnumber men within the next fifty years. And every issue we face is one that affects us all. 

        Whether it's the environment, health, our children, politics or the arts, there's a women's perspective, and 51% is a show dedicated to that viewpoint. 

        Host Susan Barnett talks to experts in their field for a wide-ranging, entertaining discussion of issues that not only fall into the traditional 'women's issues' category, but topics that concern us all as human beings and citizens of the global community.

        Also note that men's voices are welcome – but since it is a women's perspective show, their topic must relate to women. For instance, the show has a regular male contributor who is doing a series on women in history. There are no specific themes – though holidays, seasonal and event-related (election, for instance) are always a safe bet. And note that if a topic is time sensitive, it needs to be submitted at least four weeks in advance as they tape early. Submissions for the show should go to sbarnett@wamc.org. Let Susan know I sent you.

        Best,
        Mia

        CPB Radio Grant Opportunity webinar, Oct 16, 3pm ET

        Learn about an upcoming CPB grant in this webinar on Oct 16, 3pm ET. Details below. -Mia

        +++++++++++++++++

        Do you want to deepen your impact on education reporting for public media? Here’s your chance. CPB has a new grant opportunity for original education reporting at the local and national level. In alignment with the American Graduate initiative (http://www.americangraduate.org/) this grant seeks to fund your reporting into challenges and solutions faced by communities providing education in the 21st century.

         
        Public media has long been a trusted educational resource. We invite radio stations and national producers to continue this important work and raise awareness of issues in education, including the high school dropout crisis.

         
        Want to learn more? Join us on Tuesday, October 16, at 3:00 p.m. ET for an informational webinar about this grant opportunity. Please register in advance:
        http://mediaengage.org/webinars/webinar_details.cfm?wbid=164481
         
        The grant deadline is November 12, 2012, at 5:00 p.m. ET. You can see the proposal here:
        http://www.cpb.org/grants/405/AG-Radio-RFP.pdf
         
        Best,
        Cristina Hanson
        Deputy Director
        National Center for Media Engagement
        Engage Your Community. Share Your Story.

        Storytelling Workshops Scheduled in NYC, Boston, Seattle, and San Francisco

        Not sure about the cost of these workshops, but Tom Jenks has an impressive client list. -mia

        MORE INFO

        4-Day Intensive Workshops for Short Story Writers,
                      Novelists, and Authors of Creative Nonfiction

        with TOM JENKS

        The class will meet every day for four days, with a morning workshop and an afternoon seminar focused on craft. For the seminar, there will be reading assignments and study of works by well-known writers. Each participant will have one manuscript workshopped in class and a second manuscript reviewed for an individual conference with Tom. We will study storytelling and the formal elements of fiction, including voice, point of view, characterization, imagery, plot, and theme. Attention will also be given to scene building, sentence making, and the dramatic movement of descriptive writing.

        Enrollment limited to 12 participants. (Acceptance into the class will be based on evaluation of a submitted manuscript.)

        In San Francisco      January 17–20, 2013
        In Seattle                 April 11–14, 2013
        In NYC                     May 2–5, 2013
        In Boston                May 16–19, 2013

        Application deadlines:
        For the San Francisco class:  November 12, 2012
        For the other classes:  December 14, 2012

        To apply or receive more information:

      • Please send an email to Workshops.
      • Or, call 415-346-4477 and leave a message.
      • WRITERS EDITED AND PUBLISHED BY TOM JENKS INCLUDE:

        Rick Bass
        Richard Bausch
        Ann Beattie
        T. Coraghessan Boyle
        Janet Burroway
        Robert Olen Butler
        Italo Calvino
        Ron Carlson
        Michael Chabon
        Frank Conroy
        Don DeLillo
        E. L. Doctorow
        Andre Dubus
        Stuart Dybek

        Jennifer Egan
        Richard Ford
        William Gass
        Donald Hall
        Ron Hansen
        Charles Johnson
        Ken Kesey
        Min Jin Lee
        Bernard Malamud
        Peter Matthiessen
        Jill McCorkle
        Jay McInerney
        James Alan McPherson
        Arthur Miller

        Susan Minot
        Lorrie Moore
        Alice Munro
        Maud Newton
        Joyce Carol Oates
        Tim O’Brien
        Jayne Anne Phillips
        George Plimpton
        Padgett Powell
        Annie Proulx
        Mark Richard
        Tom Robbins
        Philip Roth
        James Salter

        Bob Shacochis
        Lee Smith
        Debra Spark
        Scott Spencer
        Robert Stone
        Elizabeth Tallent
        John Updike
        Kurt Vonnegut
        John Edgar Wideman
        Joy Williams
        Tom Wolfe
        Tobias Wolff
        Richard Yates
        Alexi Zentner

        iSTORIES | iPOEMS | RSS | NARRATIVE BACKSTAGE | A Nonprofit Publication

        Upcoming events at the UC Berkeley J-School

        Some great events for your Bay Area folks. -mia

        SCREENING: "Between Two Worlds" a film produced by Deborah Kaufman and Alan Snitow

        When: Wednesday, October 10,  7:00 PM

        Where: Room 105 North Gate Hall

        BETWEEN TWO WORLDS is a groundbreaking personal exploration of the community and family divisions that are redefining American Jewish identity and politics. The filmmakers' own families are battlegrounds over loyalty to Israel, interpretations of the Holocaust, intermarriage, and a secret communist past. Filmed in the United States and Israel, it explores the vital question:  Who speaks for a divided community at the crossroads?

        Q&A with the producers to follow the screening.

        Praise for BETWEEN TWO WORLDS:

        "The film's graceful, seamless, thoroughly engaging blend of family and communal history is sure to stimulate thousands of provocative conversations about the challenges of Jewish identity in the post-Holocaust era."

        -Letty Cottin Pogrebin, author & founding Editor, Ms. Magazine

        "One of the best films I've ever seen about the contradictions of American Jewish life."
        -Peter Beinart, author & journalist

        Presented by the Berkeley Graduate School of Journalism, the Magnes Collection of Jewish Art and Life, the Joint Degree Program in Jewish Studies at GTU and UC Berkeley, the Jewish Studies Program at GTU, J Street U and Berkeley Hillel

        Iraq Ten Years Later: Forgotten Past and Brutal Present

        When: Friday, October 12,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        An evening with Iraqi Journalist, Haider Hamza, and American journalist and author, David Harris, speaking on Iraq: "Iraq Ten Years Later: Forgotten Past and Brutal Present."

        Best known for ShowTime’s This American Life: "Talk to an Iraqi ", Haider Hamza lived with his family near Babylon, south of Baghdad during the 2003 U.S.-led invasion. While in Iraq, Haider covered all the major events that took place in Iraq including the trials of Saddam Hussein.  Haider will speak about his experience in Iraq and the American public’s response to the war.  Haider is both knowledgeable and entertaining.  His lecture includes film clips from his road trip in America and a slide show of photos he took of post-war Iraq.  He will address the conflicts in Iraq since 2003 and the challenges that emerged after the U.S. troop withdrawal in 2011.

        American Journalist and author of "THE CRISIS: The President, The Prophet, and the Shah; 1979 and the Coming of Militant Islam". David is Vice President of Citizens Reach Out and has been an advocate for anti-militarism since the Vietnam War.  David will present the background of the Iraq war and will introduce the work of Citizens Reach Out.

        Christopher B. Daly | COVERING AMERICA: A Narrative History of a Nation's Journalism

        When:  Wednesday, October 24,  12:00 PM

        Where: North Gate Hall Library

        Today many believe that American journalism is in crisis, with traditional sources of news under siege from a failing business model, a resurgence of partisanship, and a growing expectation that all information ought to be free. In Covering AmericaChristopher B. Daly places the current crisis within a much broader historical context, showing how it is only the latest in a series of transitions that have required journalists to devise new ways of plying their trade.

        Christopher B. Daly is a veteran journalist with experience in wire services, newspapers, magazines, books and online. A Harvard graduate, he spent 10 years at the Associated Press. From 1989 to 1997, he covered New England for the Washington Post.

        RSVP REQUIRED
        David Barstow | The Story Behind the $100 Million Story

        When: Thursday, October 25,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        In April, David Barstow described in The New York Times how Wal-Mart's highest executives covered up evidence of systematic bribery by Wal-Mart de Mexico, it's largest and most important foreign subsidiary. The story triggered investigations by the Justice Department, the SEC and Mexican authorities, along with at least a dozen lawsuits by Wal-Mart shareholders, including several major pension funds. Wal-Mart says it expects to spend at least $100 million this year alone handling the legal fall-out.

         
        David Barstow, a senior writer at The New York Times, is the winner of two Pulitzer Prizes.

        In 2009, he was awarded the Pulitzer Prize for Investigative Reporting for "Message Machine," his series about the Pentagon’s secret campaign to influence coverage of the wars in Iraq and Afghanistan. In 2004, he and Lowell Bergman were awarded the Pulitzer Prize for Public Service for articles about employers who committed egregious work place safety violations.

        Mr. Barstow joined The Times in 1999 and has been a member of the newsroom’s investigative unit since 2002.

        Prior to joining The New York Times, Mr. Barstow worked at The St. Petersburg Times in Florida, where he was a finalist for three Pulitzer Prizes. Before that, he worked at the Rochester Times-Union in upstate New York and the Green Bay Press-Gazette in Wisconsin. Mr. Barstow, a graduate of Northwestern University, grew up in Concord, Mass.

        RSVP: juliehirano@berkeley.edu

        REPORTING FROM ISRAEL: THE US ELECTIONS, THE ARAB SPRING AND JOURNALISM IN THE DIGITAL AGE

        Aluf Benn, Editor-in-Chief, Haaretz Daily Newspaper

        When: Thursday, November 15,  6:00 PM

        Where: North Gate Hall Library

        Israeli journalist and author Aluf Benn on Israel – U.S. post-election relations, Israeli response to the Arab Spring and how journalism is changing in Israel.

        During his 23 years at Haaretz, Aluf Benn covered six Israeli prime ministers from Yitzhak Rabin through Binyamin Netanyahu and reported on Israeli-Arab wars and peace efforts since the Oslo Accords in 1993.  In his roles as diplomatic correspondent, chief news editor and opinion editor at the paper he has become an expert on the country’s leadership, foreign policy and national security. His writing has appeared in The New York Times, The Washington Post, Foreign Affairs, Newsweek, and The Guardian.

        Presented by Berkeley Graduate School of Journalism, Institute of Israeli Law Ethics and Society at UC Berkeley, the Israel Center of the Jewish Community Federation, the Jewish Community Relations Council and the Consulate General of Israel to the Pacific Northwest

        RSVP REQUIRED
        2012 Presidential Election Recap

        Co-sponsored by the University Library, the Media Studies Group major, the Institute of Governmental Studies and The Berkeley Political Review

        When: Friday, November 16,  6:00 PM

        Where: Banatao Auditorium, Sutardja Dai Hall

        The panel of experts will look at election results, voting patterns, the influence of money and digital technology, prospects for election reforms and, of course, what happens next.  

         
        Ron Elving, MJ '79, Senior Washington Editor, NPR
        Michelle Quinn, MJ '92, Silicon Valley-based technology correspondent, Politico
        Lisa Garcia-Bedolla, Associate Professor, Department of Political Science at UC Berkeley and the Berkeley Graduate School of Education

        David Kennedy, Pulitzer Prize-winning historian, Stanford University
        Bruce Cain, Professor of Political Science, Stanford University

        Moderated by Susan Rasky, Senior Lecturer, Berkeley Graduate School of Journalism

        RSVP: juliehirano@berkeley.edu

        ********** EVENTS OF INTEREST **********

        The Betrayal of the American Dream

        Donald L. Barlett and James B. Steele in Conversation

        When: Wednesday, Oct. 17,  6 PM

        Where: Marines' Memorial Club and Hotel (609 Sutter St. San Francisco)

        Please join us for an evening of riveting conversation with Donald L. Barlett and James B. Steele, one of the most widely acclaimed investigative reporting teams in American journalism, and the only reporting team to have received two Pulitzer Prizes for newspaper reporting and two National Magazine Awards for magazine work.

        Donald Barlett and James Steele have worked together for more than four decades, first at The Philadelphia Inquirer (1971-1997), where they won two Pulitzer Prizes and scores of other national journalism awards, then at Time magazine (1997-2006), where they earned two National Magazine Awards, becoming the first journalists to win both the Pulitzer Prize for newspaper work and its magazine equivalent for magazine reporting.  They are now at Vanity Fair as contributing editors. Barlett and Steele also have written eight books. Their new book, "The Betrayal of the American Dream," distills 30 years of their work chronicling the dismantling of the American middle class, told through raw numbers and real American life stories. For more information, please visit http://www.barlettandsteele.com.

        Presented by the Center for Investigative Reporting and the Commonwealth Club of California

        REGISTER HERE



        Julie Hirano
        Event & Fundraising Coordinator
        Graduate School of Journalism
        121 North Gate Hall

        University of California at Berkeley

        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu


        _______________________________________________
        JSchoolEvents mailing list
        JSchoolEvents@journalism.berkeley.edu
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        Journalist mixer Saturday night Oct 13, 6-9pm, SF (FREE)

        A bunch of great Bay Area journalistic organizations are getting together to throw a big (FREE) mixer on Oct 13. Details below. – Mia

        Third Annual Diversity Mixer

        Network, see old friends, make new ones

        6 to 9 p.m. Saturday, Oct. 13

        San Francisco Marriott Hotel

        55 Fourth Street

        FREE ADMISSION

        Complimentary appetizers

        A team effort by The Asian American Journalists Association, Bay Area Black Journalists Association, SPJ, East Bay Press Club, Oakland Local, SF Public Press, Hyphen, PRSA Silicon Valley/San Francisco, National Lesbian and Gay Journalists Association, Pacific Media Workers Guild Freelance Unit, San Francisco Bay Area Journalists and the National Association for Multi-Ethnicity in Communications

         


        Facebook EVENT LINK:

        https://www.facebook.com/events/363046547107000/

        call for pitches – Election Advertising stories

        Hey folks. See the following message from the folks at Making Contact. They need your election advertising story pitches ASAP. -Mia

         

        ++++++++++++++++++++++

        We are planning a show to air beginning the day after the election.(November 7th)  Since we produce our programs in advance, it won’t be about the results.  Instead we want to focus on the election advertising industry—and hopefully from some angles that aren’t usually explored. 

         

        Underlying the entire show is the premise that Americans do not like the current state of election advertising—the frequency of TV ads, the number of flyers they get in the mail, never ending pop-ups online, etc.  So we are looking for pitches for sound-rich stories (generally 6-8 minutes in length) that get beyond the simple 'Enough, already!' sentiment, to look at why these ads might be bad for the nation as whole, and what might be done about it.  Some possible angles we are interested are:

         

        -the advertising industry.  How many people are employed in creating and disseminating ads?—From the script writers all the way down to the print shops that make the flyers and yard signs.  Could this be considered a ‘jobs engine’?  And if so, is this an economic boost that Americans would much rather be without?  Perhaps we could hear voices of people whose work depends on this—but maybe they don’t support what they are participating in?

         

        -are the ads even the point? What about media coverage of the ads which, arguably generates even more free press.  Or wanting to be written about as ‘out-spending’ ones opponent, making one candidate seem like they are in the lead.  This piece is veering into territory that has been covered quite a bit elsewhere (do ads actually convince voters?). So we would really want unique angles and voices.

         

        -A look at other countries that limit the length of the campaign season.  Some also have ‘blackout’ days right before the election.  How does this work?  Do people like it? Does a restricted campaign/advertising season benefit the democratic process or the tone of the campaign?

         

        -another ‘inside the ad industry’ angle to think about—a quote from Noam Chomsky:

        Elections are run by the public relations industry. Its primary task is commercial advertising, which is designed to undermine markets by creating uninformed consumers who will make irrational choices – the exact opposite of how markets are supposed to work, but certainly familiar to anyone who has watched television.

        It’s only natural that when enlisted to run elections, the industry would adopt the same procedures in the interests of the paymasters, who certainly don’t want to see informed citizens making rational choices.”

        -can any of these ideas be connected to voter suppression efforts?  We are open to other ideas as well

         

        We pay $250-300 per story, depending on the producer’s experience. As with any pitches you send us, please check out our show and read our guidelines before you pitch. http://www.radioproject.org/production/submission-guidelines/ 

        Especially important:

        Consider the following. Does the story:

        • Link grassroots issues and human realities to national or international trends?
        • Give listeners a historical, political, or social context of major national and international events?
        • Shed light on social and economic inequities?
        • Explore any alternatives or solutions?

        Please send pitches ASAP to pitches@radioproject.org

         

        Thanks,

         

        Andrew Stelzer & George Lavender

        Making Contact producers

        Media Ideation fellowship deadline Oct 8

        Last chance for this fellowship – deadline is Monday, Oct 8. It's a good one! -mia

        ++++++++++++++++++++

        Deadline Monday
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        View it in your browser.

        Closing Time

        If you haven't started your application for the Media Ideation Fellowship, there's still time! Applications close at midnight CT on Monday, October 8.

        Are you ready to take the plunge? www.mediaideation.org/apply

        This program is the ideal opportunity to seed great projects that will transform progressive politics and resolve social inequities. As a reminder, we are recruiting for five fellowships:

        • Graduate Level Fellows will receive a $12,000 stipend over three months. Candidates must be currently enrolled in a Masters or Ph.D. program, or have received their graduate degree within 12 months of applying for this fellowship. We will place three Graduate Level Fellows.
        • Early Career Fellows will receive a $30,000 stipend over six months. Candidates must have three-to-five years of work experience and can not be currently enrolled in a graduate program. Qualifying Early Career Fellows may also be eligible to receive an additional stipend to help offset the cost of personal health insurance. We will place two Early Career Fellows.

        Start your application today.

        One last chance to share

        Please share this opportunity with others by tweeting about the fellowships or sharing it on Facebook.

        extras needed for “Hypebeasts” shooting nights in NYC, Oct 13-21

        Any NYC folks want to be an extra in a movie? Details below. -mia
         
        A few good extras (over 18 years old) are needed to be sneakerheads in our film "Hypebeasts," a short film by Jessica dela Merced who is being advised by Spike Lee.  The movie is being described as a sneakerhead "Do the Right Thing."  All ethnicities are welcome.  Asian American, Latino and African American extras are highly encouraged!  

        Dates are October 13-21 with Wednesday off.  All NIGHT shoots.

        Please fill out this Google form with your exact availability:  http://bit.ly/Qz5ttP 

        The movie:  The night before a big sneaker drop, things get out of hand for sneakerhead Ronny and his sister Justine when the fast food cashier who wrote a racist remark on their receipt cuts in front of them in line.

        The Low-Down:

        25/per day. Food and snacks provided, you'll get lots of screen time, and you'll be in a fake riot- should be very exciting.  We also have some star names attached to the cast which will be announced hopefully next week. 

        Shoot times will range from 6pm-5am, but you won't have to be there the entire time. As it gets closer we will have a better idea of times you'll need to be there. We are shooting at REED SPACE in the LES on 151 Orchard Street and and a fast food restaurant.  We will contact you with more details on what to wear, but, please avoid wearing  sports team logos because of copyright issues. Please bring chairs to sit in if you have them. 

        And feel free to like us on Facebook:

        And follow us on Twitter:

        Our website:

        Thanks and hope to see you there!

        Marissa Aroy

        social media and other courses at Columbia J-school

        Upcoming events from Columbia jschool's social media guru Sree Sreenivasan and others. Details below.
        -mia
        ____________________________

        Folks: My next two social media workshops are coming up as part of the J-school's Continuing Education program.

        4-nights-over-2-months session starting this Thursday: http://www.journalism.columbia.edu/page/709-smarter-social-media/531

        Social Media One-night Stand, Nov 29, 2012: http://www.journalism.columbia.edu/page/710-social-media-one-night-stand/532

        Lots of other great courses, too – have a look below. Please share with your friends.

        Register now for Columbia Journalism School's fall continuing education workshops!

        More info and details: http://www.journalism.columbia.edu/page/843-training-program-offerings/638

        COMING UP

        Smarter Social Media (10/4, 10/18 & 11/1, 15)

        Advanced Multimedia Storytelling (10/8-12)

        Memoir Writing (10/11, 10/18, 10/25 & 11/1, 11/8, 11/15)

        Introduction to Radio/Audio Storytelling (10/13, 10/20, 10/27 & 11/3, 11/10)

        Reporting Safely in Crisis Zones (10/19-21)

        Self-Publishing a Photo Book for Amateurs and Professionals (11/3-4)

        Investigative Reporting: Data and Digital Media (11/10)

        Investigative Reporting: Using Public Records (11/17)

        Social Media One-Night Stand (11/29)

        Sree Sreenivasan | sree@sree.net | http://sree.net | @sree
        Chief Digital Officer, Columbia University
        [ an explanation: http://bit.ly/sreejob3 ]

        LINKEDIN: http://linkedin.com/in/sreenivasan
        FACEBOOK: http://fb.com/sreetips or http://fb.com/sreenet
        TWITTER: @sree – http://twitter.com/sree (tweeting tech, media & more)
        -> SreeTips blog on CNET News: http://bit.ly/sreetips

        Upcoming events at the UC Berkeley J-School + The Waiting Room documentary

        Some great events coming up at UC Berkeley's Jschool this month. Plus, if you haven't yet seen it, UCB J-school alum Peter Nicks made this AMAZING documentary that's in theaters now – http://www.whatruwaitingfor.com/film/. Go see this film!

        -mia
        _____________________

        SCREENING: "Between Two Worlds" a film produced by Deborah Kaufman and Alan Snitow

        Presented by the Berkeley Graduate School of Journalism,fhe Magnes Collection of Jewish Art and Life and the Jewish Studies Program of the Graduate Theological Union

        When: Wednesday, October 10,  7:00 PM

        Where: Room 105 North Gate Hall

        BETWEEN TWO WORLDS is a groundbreaking personal exploration of the community and family divisions that are redefining American Jewish identity and politics. The filmmakers' own families are battlegrounds over loyalty to Israel, interpretations of the Holocaust, intermarriage, and a secret communist past. Filmed in the United States and Israel, it explores the vital question:  Who speaks for a divided community at the crossroads?

        Q&A with the producers to follow the screening.

        Praise for BETWEEN TWO WORLDS:

        "The film's graceful, seamless, thoroughly engaging blend of family and communal history is sure to stimulate thousands of provocative conversations about the challenges of Jewish identity in the post-Holocaust era."

        -Letty Cottin Pogrebin, author & founding Editor, Ms. Magazine

        "One of the best films I've ever seen about the contradictions of American Jewish life."
        -Peter Beinart, author & journalist

        Iraq Ten Years Later: Forgotten Past and Brutal Present

        When: Friday, October 12,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        An evening with Iraqi Journalist, Haider Hamza, and American journalist and author, David Harris, speaking on Iraq: "Iraq Ten Years Later: Forgotten Past and Brutal Present."

        Best known for ShowTime’s This American Life: "Talk to an Iraqi ", Haider Hamza lived with his family near Babylon, south of Baghdad during the 2003 U.S.-led invasion. While in Iraq, Haider covered all the major events that took place in Iraq including the trials of Saddam Hussein.  Haider will speak about his experience in Iraq and the American public’s response to the war.  Haider is both knowledgeable and entertaining.  His lecture includes film clips from his road trip in America and a slide show of photos he took of post-war Iraq.  He will address the conflicts in Iraq since 2003 and the challenges that emerged after the U.S. troop withdrawal in 2011.

        American Journalist and author of "THE CRISIS: The President, The Prophet, and the Shah; 1979 and the Coming of Militant Islam". David is Vice President of Citizens Reach Out and has been an advocate for anti-militarism since the Vietnam War.  David will present the background of the Iraq war and will introduce the work of Citizens Reach Out.

        Tickets Required
        Daily Cal Reception

        When: Friday, October 19,  6:00 PM

        Where: North Gate Hall Courtyard

        The big news for fall 2012 isn’t just the new home for Cal football: the scoop is the Daily Cal’s new building at 2483 Hearst Avenue. Donated by the Heising-Simons Foundation, the Center for Independent Journalism is across the street from the Journalism School.

        On October 19 – the day before the Big Game – we’ll have a reception to show off the new newsroom, honor Alumna of the Year Maura Dolan ’76 and Friend of Daily Cal Sue Stott, and gather together with old and new friends. Dolan is a legal affairs writer for the Los Angeles Times. Stott and Perkins Coie, the law firm in which she is a partner, have provided the Daily Cal with indispensable pro bono legal advice for three years.

        Please join us for a reception in the Journalism School courtyard and tours of the new Daily Cal building from 6-8pm, Friday, October 19.

        Tickets are $35. To purchase, go to http://donate.dailycal.org/big-game-reception-tickets/

        Christopher B. Daly | COVERING AMERICA: A Narrative History of a Nation's Journalism

        When:  Wednesday, October 24,  12:00 PM

        Where: North Gate Hall Library

        Today many believe that American journalism is in crisis, with traditional sources of news under siege from a failing business model, a resurgence of partisanship, and a growing expectation that all information ought to be free. In Covering AmericaChristopher B. Daly places the current crisis within a much broader historical context, showing how it is only the latest in a series of transitions that have required journalists to devise new ways of plying their trade.

        Christopher B. Daly is a veteran journalist with experience in wire services, newspapers, magazines, books and online. A Harvard graduate, he spent 10 years at the Associated Press. From 1989 to 1997, he covered New England for the Washington Post. 

        David Barstow | The Story Behind the $100 Million Story

        When: Thursday, October 25,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        In April, David Barstow described in The New York Times how Wal-Mart's highest executives covered up evidence of systematic bribery by Wal-Mart de Mexico, it's largest and most important foreign subsidiary. The story triggered investigations by the Justice Department, the SEC and Mexican authorities, along with at least a dozen lawsuits by Wal-Mart shareholders, including several major pension funds. Wal-Mart says it expects to spend at least $100 million this year alone handling the legal fall-out.

         
        David Barstow, a senior writer at The New York Times, is the winner of two Pulitzer Prizes.

        In 2009, he was awarded the Pulitzer Prize for Investigative Reporting for "Message Machine," his series about the Pentagon’s secret campaign to influence coverage of the wars in Iraq and Afghanistan. In 2004, he and Lowell Bergman were awarded the Pulitzer Prize for Public Service for articles about employers who committed egregious work place safety violations.

        Mr. Barstow joined The Times in 1999 and has been a member of the newsroom’s investigative unit since 2002.

        Prior to joining The New York Times, Mr. Barstow worked at The St. Petersburg Times in Florida, where he was a finalist for three Pulitzer Prizes. Before that, he worked at the Rochester Times-Union in upstate New York and the Green Bay Press-Gazette in Wisconsin. Mr. Barstow, a graduate of Northwestern University, grew up in Concord, Mass.

        REPORTING FROM ISRAEL: THE US ELECTIONS, THE ARAB SPRING AND JOURNALISM IN THE DIGITAL AGE
        Aluf Benn, Editor-in-Chief, Haaretz Daily Newspaper

        When: Thursday, November 15,  6:00 PM

        Where: North Gate Hall Library

        Israeli journalist and author Aluf Benn on Israel – U.S. post-election relations, Israeli response to the Arab Spring and how journalism is changing in Israel.

        During his 23 years at Haaretz, Aluf Benn covered six Israeli prime ministers from Yitzhak Rabin through Binyamin Netanyahu and reported on Israeli-Arab wars and peace efforts since the Oslo Accords in 1993.  In his roles as diplomatic correspondent, chief news editor and opinion editor at the paper he has become an expert on the country’s leadership, foreign policy and national security. His writing has appeared in The New York Times, The Washington Post, Foreign Affairs, Newsweek, and The Guardian.

        Presented by Berkeley Graduate School of Journalism, Institute of Israeli Law Ethics and Society at UC Berkeley, the Israel Center of the Jewish Community Federation, the Jewish Community Relations Council and the Consulate General of Israel to the Pacific Northwest

        RSVP REQUIRED
        2012 Presidential Election Recap

        Co-sponsored by the University Library, the Media Studies Group major, the Institute of Governmental Studies and The Berkeley Political Review

        When: Friday, November 16

        Reception: 5:30 PM (North Gate Hall Library)
        Discussion: 6:00 PM (Sutardja Dai Hall)

        Where: Banatao Auditorium, Sutardja Dai Hall

        The panel of experts will look at election results, voting patterns, the influence of money and digital technology, prospects for election reforms and, of course, what happens next.  

         
        Ron Elving, MJ '79, Senior Washington Editor, NPR
        Michelle Quinn, MJ '92, Silicon Valley-based technology correspondent, Politico
        Lisa Garcia-Bedolla, Associate Professor, Department of Political Science at UC Berkeley and the Berkeley Graduate School of Education

        David Kennedy, Pulitzer Prize-winning historian, Stanford University
        Bruce Cain, Professor of Political Science, Stanford University

        Moderated by Susan Rasky, Senior Lecturer, Berkeley Graduate School of Journalism

        RSVP: juliehirano@berkeley.edu

        ********** EVENTS OF INTEREST **********

        The Betrayal of the American Dream

        Donald L. Barlett and James B. Steele in Conversation

        When: Wednesday, Oct. 17,  6 PM

        Where: Marines' Memorial Club and Hotel (609 Sutter St. San Francisco)

        Please join us for an evening of riveting conversation with Donald L. Barlett and James B. Steele, one of the most widely acclaimed investigative reporting teams in American journalism, and the only reporting team to have received two Pulitzer Prizes for newspaper reporting and two National Magazine Awards for magazine work.

        Donald Barlett and James Steele have worked together for more than four decades, first at The Philadelphia Inquirer (1971-1997), where they won two Pulitzer Prizes and scores of other national journalism awards, then at Time magazine (1997-2006), where they earned two National Magazine Awards, becoming the first journalists to win both the Pulitzer Prize for newspaper work and its magazine equivalent for magazine reporting.  They are now at Vanity Fair as contributing editors. Barlett and Steele also have written eight books. Their new book, "The Betrayal of the American Dream," distills 30 years of their work chronicling the dismantling of the American middle class, told through raw numbers and real American life stories. For more information, please visit http://www.barlettandsteele.com.

        Presented by the Center for Investigative Reporting

        REGISTER HERE

        New RFP from CPB for in-depth educational reporting projects

        Funding from the CPB for in-depth reporting on education. Details below.
        CPB: New RFP

        CPB seeks to enhance the capacity of public radio stations and national radio production organizations to create high quality multimedia journalism on important topics in education. CPB is seeking grant proposals for innovative original reporting that highlights challenges and solutions in American communities as they provide education in the 21st century. In particular, CPB seeks to support public radio stations and national producers in the creation of content that aligns with the American Graduate: Let's Make It Happen initiative, which addresses the high school dropout crisis in our country.

        Public radio's capacity to create in-depth reporting on dropout and other topics can raise awareness of important issues and help communities and the nation better understand and address the challenges of providing education in a diverse society where technology and resources are not evenly distributed. Public radio journalism can use broadcast, online, mobile and social media as well as community engagement to explore the people, places and policies that influence America's classrooms. CPB anticipates awarding up to $1 million in grants to support stations and national producers in providing this type of coverage.

        The Projects CPB will support must clearly demonstrate their ability to:
        Build public media capacity for original education reporting;
        Increase citizen understanding of education challenges and solutions and encourage community dialogue; and,
        Position public media as a primary source of trusted and reliable information on topics critical to local communities, particularly in education related topics.

        Application and more at http://www.cpb.org/grants/grant.php?id=405

        40 Scholarships for Journalists to Change the World, deadline Nov 18

        Well this looks interesting…
        ++++++++++++++++++++++++++

        40 Scholarships for Journalists to Change the World – Applications for the April 2013 School of Authentic Journalism Are Due
        November 18, 2012
        By Al Giordano
        Founder, School of Authentic Journalism  http://www.authenticjournalism.org/
        September 26, 2012
        The next School of Authentic Journalism, April 17 to 27, 2013, in Mexico, will mark ten years since we held the first one in 2003.  More than 300 journalists, independent media makers, community organizers and social movement leaders have passed through these doors since we began.  This will be the sixth session of the school but it also might (or might not) be the last one for some time to come, for reasons I’ll explain before this invitation is done.  My point is that if you have ever thought about attending but never got around to actually applying: don’t lose this opportunity. It might (or might not) be the last for a while.  At the 2013 school we will hear from a leader of South Africa’s anti-apartheid boycott and general strike, a union organizer who strategized Bolivia’s “water war” that stopped the privatization of that resource, an organizer who helped – this year – stop the deportation of 800,000 undocumented immigrants from the United States, a strategist who launched the global movement to end nuclear power, a writer and journalist who became a movement leader when her town was threatened by a nuclear waste dump, a young organizer whose creativity and humor helped topple his
        country of Serbia’s dictator, and two legendary theorists and organizers who worked alongside Martin Luther King to end racial segregation.
        This ten-day intensive program is for the following kinds of people: Journalists and communicators who report on and alongside social movements, community organizing and civil resistance campaigns, and also for those participants in those movements who write, blog, photograph, create and manage websites, make video, radio, graphic design or political cartoons about them. In previous schools we have accepted some applicants with little experience but whose raw talent and urgent desire to make change in their communities and in the world impressed us, and a good number of them have gone on to do great works. Some are even professors of the School of
        Authentic Journalism today.  More information at http://narconews.com/Issue67/article4626.html
                    

        Creative-Radio yahoo Group is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

        Nuts class, Berkeley, CA, November 10 & 11

        The fabulous Claire Schoen is offering her Soup to Nuts class again in November. These workshops only happen once in a while, so go now if you can! You won't be disappointed. -Mia

         

        ======================================================

         

        "From Soup to Nuts"

        A 2-day intensive on

        documentary radio production

        offered in the San Francisco Bay Area

        Logistics:

        This seminar will be held November 10 & 11, 2012.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

         

        Claire has taught documentary radio production at U.C.

        Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

         

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

        pdf iconStoN’s Flier 2012 Nov.pdf

        News quiz and fundraiser for the Public Press, this Thursday night!, SF

        News Quiz Night — this Thursday!
        Join us for a fun, interactive fundraiser to support the San
        Francisco Public Press. Bring your friends and compete for prizes in
        a pub-quiz style contest with a newsy twist emceed by our celebrity
        quizmaster Dana Rodriguez, host of KALW's quiz show "Minds Over

        Matter."

        WHEN: 6:30 to 9 p.m. on Thursday, Sept. 27, 2012
        WHERE: Maritime Museum, Beach and Polk streets in San Francisco
        TICKETS: Members — $25 • General Admission — $30 • Students —
        $15

        Purchase your tickets today –

        http://cts.vresp.com/c/?SanFranciscoPublicPr/fec0a89ff1/TEST/2eea80befb !

        Answer this easy sample question to try for a free ticket: What is

        the title of former California governor Arnold Schwarzenegger's new
        memoir?
        We'll give a ticket to the first person who emails the correct answer
        to rsvp@sfpublicpress.org. (If you cheat, we'll expect you to make a

        big donation at the event!)

        The evening also boasts a silent auction featuring many exciting
        items, including tickets to the San Francisco Ballet, California
        Academy of Sciences and Berkeley Repertory Theatre, and services

        Michael Stoll
        Executive Director
        San Francisco Public Press
        965 Mission St., Suite 220 | San Francisco, CA 94103
        (415) 495-7377 office

        (415) 846-3983 cell
        mstoll@sfpublicpress.org

        http://sfpublicpress.org

        http://facebook.com/SFPublicPress
        http://twitter.com/SFPublicPress — @sfpublicpress
        Sign up for our newsletter: http://www.sfpublicpress.org/newsletter

        The San Francisco Public Press is a local, nonprofit, noncommercial news organization covering economy, civics and streetscape in the Bay Area. We aim to do for print and Web what public broadcasting does for television and radio. We produce news online daily and in a quarterly print newspaper.

        From PRX – New funds for global stories

        If you're not already familiar with PRX, you should be. Below is another reason why.
        -mia
        ____________________________

        Left Behind, Dropping Out

        PRX is excited to announce the Global Story Project.
        This is an open call for great audio.

        We're looking for really groundbreaking and gotta-keep-listening stories — long-form works, segment length pieces, and reversioned materials — about people and situations outside of the U.S. that will help American listeners better understand the rest of the world.

        We're not looking for 'foreign reporting' per se. In fact we have some cool projects underway that get to some of that necessary and timely stuff.

        For the Global Story Project, we want story to drive the audio. And creativity.

        Time is short and we have about $50,000 to work with. PRX has fueled a lot of projects over the years, helping struggling and talented producers make great work. One of these previous PRX funding efforts actually lead to The Moth Radio Hour. We want to make a memorable and meaningful impact on listeners.

        So, we'll be taking your pitches online for only a few short weeks. The criteria (please read it!) and application form are here.

        Then, some people you know and some you don't will help PRX decide where to invest. We want all of the chosen works posted to PRX before the end of the year. We'll award the funds based on the proposed budgets, the ambition of the projects, the application criteria, and the overall ability of the applicants to deliver the goods.

        At a time of shrinking independent funds for radio and audio productions, the Global Story Project is a sign of hope. Thank the Open Society Foundations for its vision and dedication to risk and audio storytelling. We're proud to be part of this.

        Dream big; review your archives from that overseas reporting trip or the audio diary you might have kept in the Peace Corps; reach out to friends outside the U.S. and let them know. Let's see what jewels the Global Story Project can unearth.

        Onward,
        John

        John Barth
        Managing Director, PRX


        view in your browser

        Upcoming Events at UnionDocs

        From the fine folks at UnionDocs.
        -Mia

        October Events at UnionDocs:

        My Brooklyn with Kelly Anderson

        Sunday, October 7 at 7:30pm

        Suggested donation $9

         

        My Brooklyn follows director Kelly Anderson’s journey, as a Brooklyn gentrifier, to understand the forces reshaping her neighborhood. The film documents the redevelopment of Fulton Mall, a bustling African-American and Caribbean commercial district that – despite its status as the third most profitable shopping area in New York City – is maligned for its inability to appeal to the affluent residents who have come to live around it. As a hundred small businesses are replaced by high rise luxury housing and chain retail, Anderson uncovers the web of global corporations, politicians and secretive public-private partnerships that drive seemingly natural neighborhood change. The film’s ultimate question is increasingly relevant on a global scale: who has a right to live in cities and determine their future?

         

        Control Group: Shorts presented with Video Data Bank

        Sunday, October 28 at 7:30pm

        Suggested donation $9

         

        This program of experimental videos presented by the Video Data Bank explores the natural world around us and how humans attempt to measure and control it.  The artists turn their cameras toward natural environments and human built spaces to explore the intersections between the two.

         

        Upcoming September Events at UnionDocs:

         

        Running Stumbled: A benefit screening for John Maringouin

        Saturday, September 22 at 7

        Sliding scale donation $10-20

         

        Prologue with Raed Rafei

        Sunday, September 30 at 7:30pm

        $9 suggested donation.

        Pitches for the Believer Magazine Podcast

        A cool new project distributed by KCRW. Details and contact info below. (Note, I'm not sure what "mellow, indie publishing rates" are but KCRW has a dedicated listenership and the mag itself looks great FWIW.) -mia
        +++++++++++++++++

        The Organist is a monthly experimental arts-and-culture program hosted and distributed by KCRW. The editors of the award-winning monthly magazine the Believer, published in San Francisco by McSweeney's, will produce ten annual episodes of the podcast, which includes richly sound designed, eccentric audio documentaries, comic radio drama, un-fusty reviews, narrative field recordings, more. The scope of the podcast will reflect that of the print edition: its contributors take a thoughtful approach to pop culture, along with an irreverent attitude toward the highbrow. From philosophy to daytime TV, from poetry to martial arts, the show scrutinizes and interrogates the world with an affectionate and rigorous intelligence. Pieces from the podcast will grow out of stories in the magazine, and vice versa. Far from functioning as a supplementary appendage of the magazine, the show aims to become a cultural institution in its own right, discovering and developing a new generation of artists and musicians, writers and comedians. Weaving together the voices of its contributors, which include the brightest talents in literature and the arts, the Organist is an elegant, impressionistic, funny, and sharp cultural magazine that itself becomes an object of inquiry, discussion, and wonder.

        We're looking for contributions of between zero and twenty minutes, preferably closer to four. Four minutes is the sweet spot. Any format will be considered, but the best thing you could send would be a radio documentary that doesn't have a twee or self-serious narration that uses sound in an intelligent way that introduces us to a new corner or aspect of the world, whether that world be cultural, political, literary, sociological, artistic, scientific, musical, anthropological, cinematic, or all ten. Send a brief bio, a handful of clips, and a pitch (or link to audio) to organist@believermag.com.

        The podcast will launch December 1 at KCRW.org and believermag.com and iTunes and &c &c. We will pay our contributors mellow independent publishing rates TBD.

        “The Idiocratic Life” screens at Rough Cuts on Tuesday, September 25th, SF

        Great film event in San Francisco………..

        Join us for the 2012 September evening of Rough Cuts

        Tuesday, September 25th, 2012 at 7:30 p.m.
        $9 admission
        Complimentary drinks and hors d’oeuvres provided
        At
        Ninth Street Independent Film Center
        145 Ninth Street, between Mission and Howard, San Francisco

        To attend, please RSVP by noon on Tuesday, September 25th to roughcutsrsvp@yahoo.com

        The Idiocratic Life
        Directed by Kent Kessinger

        Are utopias doomed to failure? Are Thoreau and his children—Eugene V. Debs, the ‘60s, Skinner—nothing more than the stuff of textbooks barely read in undergraduate seminars?

        Kent Kessinger’s “The Idiocratic Life”–a stylishly shot look at counter-culture today—attempts to answer this question, by capturing the faces, stories, and inner struggles of members of communes in America.  In the process, Kessinger shines a light on pockets of America rarely seen in film, or anywhere else, and proves that, far from the media’s spotlight, great social experiments—from egalitarianism to anarchy—continue to percolate, and, in some cases, even thrive.

        Moderator: Kelly Duane de la Vega

        Kelly Duane de la Vega’s documentaries have been screened in film festivals around the world and broadcast on PBS stations and on the Documentary Channel. Her Emmy nominated “Monumental: David Brower’s Fight for Wild America” opened theatrically nationwide and is part of the curriculum in more than 50 universities worldwide. Her most recent documentary “Better This World” (POV, 2011) premiered at SXSW and was awarded Best Documentary by both San Francisco International Film Festival and Sarasota Film Festival.

        For more information about the evening and Rough Cuts in general, visit http://sfroughcuts.com/nextevent.html

        Rough Cuts

        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at various locations throughout San Francisco. For each evening, we screen one rough cut of a long-form documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        Call Out for AIR’s Live Interactive Collaboration/Residency, Deadline Nov 14

        Two of my favorite orgs working together to provide a residency program for YOU! Deadline November 14. Details below. -Mia

        Email not displaying correctly? View it in your browser.

        Call Out for AIR’s "Live Interactive" Collaboration/Residency –> Transmedia 
         

        AIR and free103point9, a 15-year old media arts non-profit operating WGXC 90.7FM, join forces to offer, for the first time, a ten-week residency to support producers developing new collaborative work.

        We’re looking for adventurous media-makers, artists, and documentarians interested in teaming up in Spring 2013 to explore/exploit media that spans the broadcast/transmission, digital, and “street” platforms. Our selected team will receive a $10K stipend to work on-site for eight of the ten weeks in upstate New York. Two weeks will be devoted to planning and advance preparation.

        Applicants may be involved as collaborative partners already, or may be coming together for the first time. We’ll also accept applications from individuals interested in finding a partner/open to a match-up by AIR.

        In addition to the stipend, our Live Interactive Residents will have resources and additional support including:

        •    Housing for eight weeks in Acra, NY (near Hudson and Catskill)
        •    Live broadcast studios 
        •    A research library
        •    A dynamic community of media-makers associated with the station

        Are you who we’re looking for? This is a great opportunity for those with bold ideas who need a supportive space to experiment with broadcast/transmission media. We want gifted makers who have an appetite for risk, and who are bringing ideas that have potential to expand and broaden our understanding of a converged, multiplatform spectrum.  Among the hundreds of makers who have worked with free103point9 are Gregory Whitehead, Brenda Hutchinson, Anna Friz, and Ann Heppermann and Kara Oehler who, with Jason Cady, created a continent-spanning project called Chorus of Refuge.

        Interested producers will be asked to complete an on-line application detailing their experience and their proposed project. The strongest applicants will be those who are recognized for having high standards in work ethics and quality, and able to work both independently and as part of a team. The strongest proposals will put forward ideas that show the most promise of:

        1. transcending traditional or familiar uses of media;
        2. dissolving the barriers between broadcast, digital and/or street media (including installation work); and
        3. extending out in an on-going way, either in a direct way as a “work-in-progress,” or as part of the producers’ continuum of artistic or professional development.

        Those applying as a team must select a lead producer/representative.

        Key dates:

        THE DEADLINE FOR APPLICATIONS:
        Wednesday, NOVEMBER 14, 2012, noon PT

        
Apply here: https://airmedia.wufoo.com/forms/2013-live-interactive-residency/

        We will notify our winning Live Interactive Residents by mid December.

        The dates for the residency will be negotiated with the selected producers for a 10-week period between February 1 – May 31, 2013. 

        ALL WORK MUST BE COMPLETED BY MAY 31, 2013.  If you are not able to complete the 10-week term by that date, do not apply.

        If you have questions, please contact AIR’s Membership Director Erin Mishkin at erin@airmedia.org.

        Links:

        Application:  https://airmedia.wufoo.com/forms/2013-live-interactive-residency/

        AIR:  http://www.AIRmedia.org

        free103point9:  http://free103point9.org

        WGXC: http://www.wgxc.org/about

        Archive: http://transmissionarts.org

        Financial support for Live Interactive comes from the National Endowment for the Arts which believes a great nation deserves great art.

         

        Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        Association of Independents in Radio
        P.O. Box 220400
        Boston, MA 02122
        Phone: 617-825-4400
        www.airmedia.org

         

        Association of Independents in Radio

        PO Box 220400

        Boston, Massachusetts 02122

        Copyright (C) 2012 Association of Independents in Radio All rights reserved.

        Sent to mialobel@gmail.comwhy did I get this?
        unsubscribe from this list | update subscription preferences
        Association of Independents in Radio · PO Box 220400 · Boston, Massachusetts 02122

        Call for pitches – Facebook Stories

        Hey folks. An interesting opportunity from Facebook(?!). Details HERE and below. Note the phrase “we pay well.” -Mia
        _____________________

        I recently became Senior Producer of a new podcast at Facebook, and I’d love your pitches for our next few episodes. The podcast is part ofFacebook Stories (www.facebookstories.com), a new site “dedicated to sharing extraordinary, quirky and thought-provoking stories and ideas from Facebook’s community.”

        I wanted to tell you all about our next few Facebook Stories podcast themes, and it would be great if you could send pitches in the next week or so. There should be some Facebook spin/hook to these stories, but it doesn’t have to be a huge part of the story. These podcasts are truly not intended to be long Facebook ads. Mostly we just want really good stories. We pay well, and will work out details based on length, etc.

        Themes:

        1.) The body politic: how social media is used by governments and by citizens

        2.) Coming out: this is a take on the larger theme of identity, where we focus on Facebook as sort of a last, and in a way, most “official” step of changing your public identity. So more intense content such as coming out as gay, an undocumented immigrant, switching genders, etc., but also lighter stuff such as admitting you still play Magic The Gathering or Collect Beanie Babies or whatever (totally cool if you do! No judgement here).

        3.) Dying: what happens when people die now that everyone has a profile on the internet.

        Also, if you can think of any other crazy/interesting Facebook-related stories you may want to report, but that don’t fit into one of these themes, please do let me know.

        To get an idea of the podcast tone, you can check out our first one here: http://www.facebookstories.com/stories/1575/podcast-1-the-4-74-degrees-of-kevin-bacon.We were tasked with explaining the history and evolution of the term “six degrees of separation.” I like this one, but we had very little time to complete it and I’d like our future podcasts to include a lot more interesting personal stories. So if you have a great story that doesn’t fit into the tone of this podcast, please don’t be discouraged! We are open to lots of new ideas.

        And one last thing in this epic email: If you have any ideas for stories that you’ve heard but don’t have time or interest in reporting, we may be able to give you a small “story finder’s fee” if we use your idea and report it ourselves.

        Thanks so much everyone. Looking forward to your pitches.

        Jenna
        jweissbe@gmail.com

        Media Ideation Fellowship Applications open TODAY

        Cool fellowship opportunity – details here www.mediaideation.org/applications-open and below. -Mia

        Applications open! How to apply for the Media Ideation Fellowship.
        Is this email not displaying correctly?
        View it in your browser.

        And we're off!

        The time has finally come: Applications are now open for the inaugural class of Media Ideation Fellows.

        www.mediaideation.org/applications-open

        We're connecting 5 young innovators to the financial resources and access to mentors they need to bring their world-changing ideas to life. Are you yearning to get off the treadmill and do something important? This is your opportunity to build a cause- or movement-related project that will change the world, bridge a divide, fix an injustice, or spur progressive social change.

        Applications close at midnight on October 8, so get started today.

        Learn more at an in-person event

        We're hosting three informational napkin sketch events in San Francisco, Boulder, and Washington, DC. We'll provide the food and drinks, you bring your questions and big ideas! Space is limited, however, so RSVP right now:

        Spread the Word

        Do you know other people who might have great ideas for fellowship candidates? Help spread the word by passing this email along to your networks. You can also tweet about the fellowships or share on Facebook.

        Copyright © 2012 Media Ideation Fund (SM), All rights reserved.

        You are receiving this email because you signed up at www.mediaideation.org.
        Our mailing address is:

        Media Ideation Fund (SM)

        655 S Sunset St
        Ste A

        Longmont, CO 80501

        Add us to your address book

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        America Abroad Seeks entrepreneurship stories

        America Abroad is looking for stories about entrepreneurs and startups. Details and contact info below. -Mia
        ____________________________
        America Abroad's turning an eye to the economy this month, and specifically towards entrepreneurs and startups. If you have a good story to tell about someone who has (or hasn't) overcome obstacles in opening a store, staying in the US, or starting up a business, we want to hear it. In particular, we're looking for stories that have not just a personal element, but also get at the policy hurdles and red tape entrepreneurs have to deal with. Please get in touch at acvaldez@americaabroadmedia.org.

        UnionDocs Season Opens Sept 16, Brooklyn

        The latest from UnionDocs – details on September/October events below. -Mia
        ________________________

        Images of Asian Music and At Sea with Peter Hutton

        Sunday, September 16 at 7:30pm

        $9 suggested donation. 

        Peter Hutton’s unforgettable films, typically shot and exhibited on 16mm, often portray landscapes and cityscapes from around the world. Here we present his sublime, At Sea, which overviews the life cycle of a container ship (recently awarded the top spot on Film Comment’s Best of the Decade: Avant-Garde list). Proceeding this we will screen Hutton’s Images of Asian Music, which recalls his time as a US Merchant Marine in Southeast Asia in the early 1970′s.

        Running Stumbled: A benefit screening for John Maringouin

        Saturday, September 22 at 7:30pm

        Sliding scale donation $10-20

        As the film community rallies in support of beloved documentary filmmaker, John Maringouin in his ongoing battle against lung cancer, we will screen Running Stumbled to benefit the director and support his recovery. In order to help raise funds for his surgery, all revenues from the box office will be given directly to the John Maringouin Surgery Fund (click the link to donate now before campaign officially ends September 4th). Maringouin cites his inspiration for Running Stumbled to films such as the Maysles brothers’ Grey Gardens, Bela Tarr’s Sátántangó and Harmony Korine’s Julien Donkey-Boy. It premiered at the Rotterdam Film Festival and shocked audiences at CineVegas.

        Prologue with Raed Rafei

        Sunday, September 30 at 7:30pm

        $9 suggested donation.

        The current furor over dramatic shifts that continue throughout the Middle East and North Africa often obscure the significant political protest and social actions that have set the stage for contemporary revolutionary fervor. Prologue is a film that offers audiences imagined yet intimate portraits of young activists in 1974. The film collapses time and offers testimony as an aesthetic project by giving young Lebanese activists a platform to tell the story of their forebears, and reveals a complex narrative of agitation, direct action and rebellion. The film toggles between past and present, imagined history and reality, to create a platform that engenders a dialogue with the past, an action that is often marked as taboo in the Lebanese context.

        My Brooklyn with Kelly Anderson

        Sunday, October 7 at 7:30pm

        Suggested donation $9

         My Brooklyn follows director Kelly Anderson’s journey, as a Brooklyn gentrifier, to understand the forces reshaping her neighborhood. The film documents the redevelopment of Fulton Mall, a bustling African-American and Caribbean commercial district that – despite its status as the third most profitable shopping area in New York City – is maligned for its inability to appeal to the affluent residents who have come to live around it. As a hundred small businesses are replaced by high rise luxury housing and chain retail, Anderson uncovers the web of  corporations, politicians and secretive public-private partnerships that drive seemingly natural neighborhood change. The film’s ultimate question is increasingly relevant on a global scale: who has a right to live in cities and determine their future?

         If you could help us spread the word about these events in any of your publications, we would really appreciate it. For more information about these events, please check out the linked titles. If you do end up publishing something about the events, please let us know!

        Thanks,

        Caitlin Dronen

        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211

        22 in Philadelphia

        Suicide has to be one of the most difficult subjects to cover as a journalist. A couple of great pieces come to mind:
        And this documentary by Eric Steel: http://www.thebridge-themovie.com/new/index.html (filmed in part by some good friends from jschool)
        The Dart Center is offering a FREE training on covering this issue. More information here http://dartcenter.org/covering-suicide-workshop and below. -Mia
        ___________________________

        CALLING REPORTERS, EDITORS, NEWS MANAGERS! 

        FREE PROFESSIONAL TRAINING OPPORTUNITY!


        Journalists don’t often imagine themselves faced with covering a suicide. But in the last year alone suicides of celebrities and public figures, college students and teens, soldiers and veterans, have challenged reporters, news organizations and the public alike to make sense of what happened, how it might have been prevented, and what best newsroom practices should be.


        The Dart Center for Journalism and Trauma invites you to attend a FREE professional training workshop on covering suicide September 21-22 in Philadelphia.

        This workshop — the first of its kind —
        will feature local and national mental health researchers and policy experts, award-winning journalists and suicide prevention advocates to address the challenging topic of suicide. It is geared towards journalists on a range of beats, including:

        – Criminal justice

        – Military and veterans affairs

        – Education and youth

        – Health

        – Obituaries

        – Investigative and special-projects teams


        This workshop is also designed for editors, producers and other newsroom leaders, with five spaces reserved for college journalists and/or campus media advisors.

        Speakers include national and local public health and clinical experts from Columbia, Harvard, Temple and Florida State; trainers from the Poynter Institute and award-winning reporters with New York magazine, Salon.com, Rolling Stone, WHYY and beyond.


        Workshop
        participants will be eligible to apply for $500-$1500 reporting grants being offered by the Dart Center and Scattergood Foundation.

         

        Program and registration details can be found at: http://dartcenter.org/covering-suicide-workshop

        Feel free to forward this invitation to colleagues who may be interested.

        Questions? Email me directly at kate.black@dartcenter.org


        This program is made
        possible by funding from the Scattergood Foundation for Behavioral Health and the American Foundation for Suicide Prevention.

        Wick Magazine Call for Collaborators

        Here's an interesting new digital media project. They're especially interested in pushing the online magazine format to incorporate more audio storytelling. Their website doesn't have any content yet, but there's an email address below to contact if you're interested in getting involved. -Mia ________________________


        WICK MAGAZINE


        The Project:


        “Wick” is a new digital multimedia magazine with the beta issue now under development. Envisioned for the web and iPad, the magazine will be a platform for creative storytellers to push their work to unconventional places, with particular emphasis on experimental media formats. We believe that different media can be purposefully woven together to tell stories in original and illuminating ways.


        Our goal is to empower a new generation of writers, photographers, audio and video producers, animators, designers, artists, and other storytellers who want to expand the boundaries of their work to other media. We want to foster collaboration between creative camps that are too often isolated from one another.


        Our plan for the final months of 2012 is to build our team and to curate a set of stories for our beta issue, the theme of which will be “Streets and Roads.” After releasing the issue, we will be looking to attract funds and partnerships that will help us continue the project on a continuing basis.


        A Call for Collaborators:


        We are looking for people passionate about the future of digital storytelling to join our team and help us create the beta issue of Wick. If you’re interested in any of the roles mentioned below, please email us at info@wickmag.com.

        • Coders / Designers: We need creative, tech-savvy people versed in designing for web and iOS who want in on the ground floor of a new publication. This is not a call for people to work under heavy direction, but an invitation to be true collaborators and founding partners.

        • Editors: We are looking for a few key editors who want to help curate different sections of the magazine, edit copy, and work with contributors to come up with new and creative ways to add to their stories. The beta issue will be an open and collaborative project. Editors will be welcome to contribute to the issue.

        • Contributors: Of course all the design, planning, and ideas for our magazine are nothing without the actual stories! We invite anyone to pitch us with ideas that they would like to contribute to Wick. While we are looking primarily for stories that can be tied to the beta issue’s theme of “Streets and Roads,” we want people to feel free to submit other great ideas that may inspire themes for future issues. Although we will not define rigid sections, we are looking for journalism/nonfiction, fiction, poetry, photography, video, audio, and graphic storytelling. All pitches should cover the basics of the story, what different media you want to write/produce it in, and how you want to integrate the media. We also invite people to submit a piece or idea with the intention of finding a collaborator to expand the project. As we put our core team together, it may take a little bit of time to respond to all submissions, but rest assured you will hear back from us.

        deadline TODAY

        I missed the boat on this one since the late, late, late deadline is today, but good to put on the calendar for the future. More info here: http://www.paleycenter.org/paleydocfest2012-call-for-entries-pitch-workshop-contesthttp://www.paleycenter.org/paleydocfest2012-call-for-entries-pitch-workshop-contest

        Call for Entries: PaleyDocFest Pitch Workshop Contest

        For the 2012

        The PaleyDocFest Pitch Contest offers a $5,000 grant for an unfinished or work-in-progress documentary from an emerging filmmaker.

        The Paley Center for Media is using this contest, now in its ninth year, to choose five finalists who will pitch their unfinished films to a panel of experts and producers in front of an audience. This event, the PaleyDocFest Pitch Workshop, will take place on Saturday, October 20, 2012, in New York as part of the Paley Center's annual documentary festival.

        To Enter Pitch Contest:

        To enter this contest, you must submit no more than ten minutes of footage from an UNFINISHED or WORK-IN-PROGRESS feature-length documentary that you hope to pitch to our panel. You must also send in a printed and filled-out entry form (below.)

        We will judge entries based on the originality of your vision and the viability of the concept. At the pitch workshop, finalists will be judged by originality, viability and the persuasiveness of their pitch to our panel.

        Deadlines to Enter:

        Entries must be postmarked by deadline. Deadlines and fees are as follows:

        • Earlybird Deadline: August 1, 2012 ($25 regular submission fee / 

           $20 for Withoutabox members submitting through Withoutabox)

        • Regular Deadline: August 15, 2012 ($30 / $25 for Withoutabox members)

        • Late Deadline: August 29, 2012 ($35 / $30 for Withoutabox members)

        Special Extended Deadline

        September 5, 2012 ($45 / $35 for Withoutabox members)

        Withoutabox Extended Deadline

        September 12, 2012 ($55 / $40 for Withoutabox members) 

        There Are Two Ways to Submit Your Entry:

         

        1) We accept entries through Withoutabox.

        OR

        2) To submit on your own, download the following PDF forms.

        Overview |  Official Rules |  Entry Form & Submission Agreement

        Then print out, sign, and mail a complete and fully executed copy of the Entry Form & Submission Agreement, along with your DVD, submission materials, and a check for your entry fee made out to The Paley Center for Media to:

        Pitch Workshop

        c/o The Paley Center for Media 
        
9th Floor 
        
25 West 52 Street 

        New York, NY 10019
         

        PREVIOUS WINNERS
        2011: The View from Bellas Luces directed by Christa Boarini

        2010: Charge directed by Mike Plunkett
        2009: From Texas to Tehran directed by Till Schauder

        2008: Circo directed by Aaron Schock

        2007: The House that Herman Built directed by Angad Bhalla 

        2006: Whatever it Takes directed by Christopher Wong 

        2005: Asparagus! (A Stalk-umentary) directed by Anne de Mare and Kirsten Kelly

          

        FREE Radio Festival! Sat. Sept. 22 near NYC! Yay!!!

        From two of the most talented ladies in radio production – a FREE festival in NYC, Sept 22. Some amazing folks presenting. Details below!

        -mia
        _____________________________

         

        Sally Herships and I have some exciting news!  We've put together a *FREE* day-long radio festival at Sarah Lawrence College.  SLC has been gracious enough to open it to everyone and we'd love for you to join us.   So many esteemed people will be presenting!  Amy O'Leary, NYTimes; Ashley Milne-Tyte; The Broad Experience Podcast; Ellen Horne, Radiolab; Jonathan Mitchell, The Truth Podcast; Rob Rosenthal, HowSound, Transom Story Workshop; and Gwen Macsai and Johanna Zorn from Third Coast! 


        Also, did we mention it was…* FREE?!*

         

        WHEN/WHERE

        *Saturday, September 22*

        11 a.m. – 5:30 p.m

        Sarah Lawrence College 

        1Mead Way  

        Bronxville, NY 10708


        Sarah Lawrence College is just
         a short, half-hour train ride from Grand Central (Taxis there will take you to SLC for $5.) Please RSVP if possible,  at sarahlawrenceradio@gmail.com.  Just put "Yes, I'm coming  and so excited!" in the subject line. If you have any questions, feel free to email us there as well.

         

        Yay for Radio!

        Ann Heppermann and Sally Herships


        PROGRAM


        Amy O'Leary, the NY Times – Multimedia – The Sound and the Blurry

        11:00 a.m.-12:20 p.m.

        Heimbold 210

        How do you marry a strong audio narrative to an equally strong visual narrative for the best possible storytelling? In today's world almost all content creators are being asked to produce on a variety of platforms. This is a skill vital for everyone from photographers to writers -almost anyone interested in creating media on a digital platform today. By examining stunning audio-visual collaborations and some cringe-inducing disasters, this session will deliver a set of ready tips, tricks, and best practices for making multimedia projects both sing and shine.

        Print and radio journalist Amy O'Leary has produced for a wide range of pub radio programs including This American Life and Radiolab. She's now a reporter at the New York Times. 

        Ashley Milne-Tyte, The Broad Experience: Women Take Control of the Mic

        11:00 a.m.-12:30 p.m.

        Heimbold 211

        Ashley Milne-Tyte will talk about stories focused on women (and reactions to those stories), women hosts in radio and podcasting and what led her to start her own podcast. She'll play a few of her stories about women and girls and parts of her podcast.

        Journalist Ashley Milne-Tyte is host and producer of The Broad Experience– a new podcast that brings thoughtful, intelligent conversation – and a little attitude – to the subject of WOMEN AND THE WORKPLACE Milne-Tyte’s work has appeared in print in The New York Daily News, the Independent, the Financial Times and the Wall Street Journal and her radio pieces have been aired on Marketplace, WNYC, NPR, The World and the BBC.

        Ellen Horne, Radiolab, Radiolab, the Secret Sauce

        12:30 p.m. – 1:50 p.m.

        Donnelley Auditorium, room 202

        Radiolab executive Producer Ellen Horne will talk about process – the mysterious recipe and ingredients for one of the most magical shows in public radio.

        Rob Rosenthal, What the hell is a story, anyway?

        2:30-3:50 p.m.

        Heimbold 210

        Radio producers are in the storytelling business, right? But that begs the question, what the hell is a story? Rob will unpack some of the mystery surrounding story including tips on how to focus and organize a piece. And he'll offer some thoughts on how to tell a story when you don't have one!

        Rob Rosenthal is an independent producer and a teacher. He’s the producer of How Sound, a bi-weekly podcast on radio storytelling for the Public Radio Exchange, prx.org. Rosenthal ran the Salt Institute for Documentary Studies’ radio track for 11 years and is now the lead instructor at the Transom Story Workshop.

        Jonathan Mitchell – Fiction on the Radio

        2:30 p.m.-3:50 p.m.

        Heimbold 211

        Writing for radio requires a whole different way of thinking than print. Wanna know how to do it? One hint – Mitchell works with improvisational actors and looks for unusual ways of using the recording studio to create dramatic fiction.

        Jonathan Mitchell is executive producer of The Truth, a podcast that creates and presents movies for your ears — short dramatic fiction that feels like a film, but without the pictures. He's contributed a wide range of pieces—documentaries, fictional stories, non-narrated sound collages, and original music—to programs such as Radiolab, Studio 360, This American Life, Hearing Voices, Fair Game, The Next Big Thing, and All Things Considered. His work has won many awards, including the Peabody, the Golden Reel, and the Gold Mark Time Award for Best Science Fiction Audio. He lives in New York City.

        Johanna Zorn and Gwen Mascai, Third Coast – News Can Sound Beautiful

        4:00 p.m.-5:30 p.m.

        Donnelley Auditorium, room 202

        It’s rare that the concepts of “news,” “beauty,” and “innovation” go hand in hand, but when they do… it’s something to behold (with your ears!) Third Coast’s Gwen Macsai and Johanna Zorn will share audio stories that offer inspiration to producers who want to report on the world while deploying radio to its fullest, sound-rich

        potential.

        Based in Chicago, the Third Coast International Audio Festival curates sound-rich audio stories from around the world and shares them with as many ears as possible – on the radio, on the Internet (thirdcoastfestival.org), and at public listening events. Third Coast also hosts an annual competition and biennial conference, offering producers and listeners a multitude of ways to celebrate audio storytelling.

        call-out for submissions Carte Blanche, deadline Sept 15

        I'm not too familiar with this organization but it looks interesting and they take submissions of all kinds – print, audio, photography, etc. Check them out! Details below. – Mia

        http://carte-blanche.org/submissions/

        SUBMISSIONS

        Guidelines for contributors

        At carte blanche we believe there is more than one way to tell a story. Our mandate is to provide a venue for narrative of all forms from fiction and nonfiction, to poetry and photo essays.

        carte blanche is published twice a year, in the spring and the fall.

        How to submit

        We accept original, previously unpublished submissions through our  online submission form ONLY. See carte-blanche.submishmash.com/submit for instructions. If you have problems using our submission form, please send us an email

        Deadlines

        Spring issue – March 1st (May publication)
        Fall issue – September 15th (November publication)

        Our reviewing period is in the few weeks following each deadline date. We do not accept new submissions during this period. Come back after our issue launch to submit for the next issue.

        How to format

        Text should be in Word and double-spaced (except poetry). We like it if you use Verdana 10 pt as your font.

        The first page of each submission must include the author’s name, the name of the piece, its length, the category of submission, and a short bio. Each page should be numbered and include a header or footer with the name of the piece and author name. If you are submitting more than one piece, please upload each poem, story or file separately. Make it easy for us!

        Simultaneous submissions: We accept simultaneous submissions. Please indicate on your cover page if you are sending your piece elsewhere and notify us immediately if it is accepted somewhere else.

        Rights: We ask for first world serial rights and the right to archive your work on the website. Copyright reverts to the author upon publication.

        Paymentcarte blanche pays a modest honorarium per submission. We hope to increase the amount in the future.

        What to send

        Fiction and Nonfiction

        We like narrative: a story that moves from some kind of a beginning to some kind of an end, be it short fiction, memoir, personal essay or literary journalism. If it’s well written and tells a story, we’ll consider it.

        Word limit: 3500 words; maximum of two prose submissions per author per issue; each submission must be on a separate document and uploaded separately.

        Poetry

        Send us your best work.  From odes and haikus to free verse and sonnets, we welcome poems in any form.  Limit: 3 poems per person per submission round. Please upload each poem separately.

        Translations

        We accept English translations of poetry, fiction, and nonfiction written originally in French. If possible, please include the original work on which the translation is based. If we like your piece and choose to publish it, you will be required to provide proof of permission from the copyright holder of the original work to translate and publish the translation. Obtaining permission can take time, so please do so before you submit!

        Graphic fiction

        Along with your work, please include a brief overview of what the piece is about. If your work is selected for publication, we will contact you for a high-res version.  Final submissions must be in JPG, GIF, or PNG format.

        Photography

        Tell a story in 12 photos or fewer. Together, your photos should create a narrative – whether abstract or concrete – and have something to say.

        Send a Word or PDF doc with your work pasted in it and include a statement, captions, and any other relevant text. If your work is selected for publication, we will contact you for a high-res version of the photo essay. Final submissions must be in JPG or PNG format.

        Audio

        Tell us a story in sound. This can include soundscape, documentary, spoken word, author readings, comedy, experimental, etc. Audio pieces do not need to contain words (although they can!) but they should have a

        narrative progression, i.e. a beginning, middle, and end. 5 minute max per piece, submissions should be mp3 or wav files.

        ~ ~ ~

        Now, time to use our handy online submission form!

        Once you have registered, created an account, and uploaded your work, you can come back to check your status. Our reviewing period is in the few weeks following each deadline date (once in the spring, once in the fall). Depending on when you submit, please allow enough time for us to process the submissions and make our decisions. During this period we will be closed for submissions. Come back after our issue launch to submit again for the next issue.

        Please keep in mind that we are a largely volunteer organization and that we have limited resources and time. But we will look at your work. Promise.

        KDMC Multimedia Fall 2012 Workshop Series

        These workshops are not to be missed. Details below! -mia
        __________________________

        Multimedia Storytelling Series

        The kdmcBerkeley Fall 2012 Multimedia Storytelling Series is brought to you by the world's premier center for applied digital communications. All workshops are led by UC Berkeley lecturers and staff, with presentations from award-winning faculty and industry leaders to give you the skills to distinguish you as an expert in digital media.

        Video Storytelling

        October 11-13, 2012
        Learn from master storytellers techniques for capturing the attention of your audience to create engaging videos. This intensive three-day workshop is an immersion in digital video storytelling, providing hands-on video training in every phase of planning, production and digital delivery. This workshop delivers the same world-class training the UC Berkeley Graduate School of Journalism provides its graduate students.

        Register Today

        Social Media for Audience Engagement

        October 22-23, 2012
        Beyond expanding the pool of possible connections to near limitless possibilities, social media is reshaping how we communication, learn, entertain ourselves, participate in politics and public life, search for new employees, transact business, and company-consumer relationships. Join us for two days of comprehensive training on how to leverage the power of social media and storytelling to develop audiences, trust relationships and engagement.

        Register Today

        Data Driven Maps

        November 16-17, 2012
        Data driven maps are an effective visual tool to communicate ideas, explain complex concepts, illustrate relationships or tell a story with data. This two-day workshop is a hands-on program focused on applying Geographical Information Systems (GIS) tools to visualize data with industry standard techniques. Participants will learn to use publicly available map files and data to build layered and informative maps that are easy to understand and fun to view.

        Register Today

        Visual Essentials for Content Creators

        December 10-14, 2012
        Communications professionals, journalists and educators seeking a rapid-paced immersive experience in best practices for telling stories on the web with video, photos and data will benefit from this workshop. This intensive one-week production course focuses on the art and craft of digital storytelling and features hands-on practical skills training.

        Register Today

        To learn more please contact:
        Vicki Hammarstedt
        +1.510.642.3892
        Http://kdmc.berkeley.edu

        This American Life Mini-Theme List

        From the good folks at TAL. Pitch away! -mia
        _______________________________

        Dear This American Life friends and contributors,
        This is Brian Reed writing, a producer here at TAL. Thanks so much for your responses to the last theme list. We're working on another show for early October, and we'd love to hear any pitches and ideas you have for it. Right now we're considering two themes for this show, and it could go either way depending on the stories we get. Even though the themes are similar, they might spark different kinds of ideas so I wanted to send out both for your consideration. Here they are:

        WHEN IT RAINS IT POURS
        Why do bad things always seem to happen all at once? And good things too? In either case, how are you supposed to deal with it all? We have one piece for this show where a comedian who's just had a string of horrible things happen to her — including getting diagnosed with cancer — goes on stage in front of a live audience and cracks jokes about all of it. We have another story about a guy who has a lot of misfortune befall him and then gets caught in a very strange and cathartic situation…in an actual rainstorm. We're looking for more stories about people who come up with inventive and surprising ways to deal with a barrage of misfortune. Or fortune. In fact, we're particularly interested in stories about lots of good things happening to someone, since we already have stories about negative things. And it doesn't only need to be about individual people — it could be a story about an organization or a town or a school. Maybe a place that had so many good things happen to it at once, people were overwhelmed and didn't really deal with it so gracefully. A story about someone with a strange superstition that seems to affect his or her fortune could work in this show too.

        WHAT DOESN'T KILL YOU…
        This show would be about people who've made it through incredibly trying and even life-threatening situations and emerged with an interesting or surprising take on what happened to them. The saying goes "What doesn't kill you makes you stronger," but it seems like a lot of times if something doesn't kill you, you end up not necessarily stronger, but different, having come to some understanding about yourself that you didn't have before. We have one story for this show about a woman with a severe mental illness that gave her compulsions to ingest things — like nails and screws — that put her life in danger. She's well now, and talks about why it felt so satisfying to do things that were so damaging to her. Another story we're considering is about a guy who was shot in Chicago, who then made amends with his shooter and refused to rat on him to police. But stories for this show don't need to be about actual life-threatening situations. Relative hardship would work too — like a story about a kid who was picked on a lot, or someone who faced repeated rejection. These could even be funny stories. Or maybe there's a story about a person who's trying desperately to get rid of someone or something, but with every tactic they try the person or thing only seems to get stronger and more impossible to get rid of.

        For these two themes only, please send your pitches directly to me at brian@thislife.org.

        Also, we wanted to make one last request for anecdotes for our upcoming RED/BLUE show, which we included in our last theme list: We’re interested in your best examples of just how ridiculously toxic our political discourse has become – particularly in cases where friends and family members are at odds. Are there people who you (or your friends) no longer spend time with because of their political views? Plans that have been cancelled or friendships put on hold? In general, we’d welcome any stories that illustrate the inanity of the red/blue war through the toll it’s taken on personal relationships.

        Please send pitches for RED/BLUE to TAL producer Lisa Pollak at lisa@thislife.org.

        As always, many thanks for your pitches. We're very appreciative!

        KUOW PVF grant available for radio projects + editor job opening

        This is a fantastic grant if you're in or have an interest in the Puget Sound region. Plus KUOW is hiring an editor! Great stuff going on at that station – details below. -Mia

        +++++++++++++++++++++++

        A couple of opportunities from our colleagues at KUOW – please let them know AIR sent you!

        KUOW is hiring an editor who will report to Senior Editor Jim Gates:
        http://bit.ly/RJEQ7P

        +

        KUOW PVF GRANT AVAILABLE FOR RADIO PROJECTS

        KUOW is accepting radio project proposals for Round 22 of our Program Venture Fund (PVF). The PVF provides special support for staff and independent producers to develop new programming focused on the Puget Sound region in Washington state.

        Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces. There is no set format. Projects must have a connection to Washington’s Puget Sound region. In the past, PVF funds have been used as seed money to launch projects. The grant is meant to provide radio reporters and producers the time and money to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

        Important: Before submitting a full application you need to send me a short description of your project, no longer than a page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website (see below).

        The application deadline is Friday, October 5, 2012 at 5:00 pm (PT)
        For application information go to www.kuow.org/pvf
        Contact: Jim Gates – jgates@kuow.org

        We look forward to hearing your radio ideas! Below are links to past PVF projects.

        Jim Gates

        Senior Editor

        KUOW 94.9 – Puget Sound Public Radio
        206.221.0747
        www.kuow.org

        Check out our most recent PVF projects:

        More than A Tree
        Reporter: Sarah Waller
        http://www.kuow.org/specials/more-than-a-tree.php

        Refugees In Puget Sound: Navigating A New Home In The Northwest
        Reporter: Jessica Partnow
        http://kuow.org/specials/refugees-in-puget-sound.php

        New call for pitches from Radio Ambulante

        From the lovely folks at Radio Ambulate:

        Just wanted to announce that Radio Ambulante has a newly released call for pitches. Please send us your best ideas, and help spread the word to Spanish-speaking producers, as well as folks who work in Latin America or in US Latino communities. Our rate is $500 per finished story, payable when the piece airs.

        Coming up: Family Portraits, Soccer, Errands, and Neighbors. 

        Details here: 

        If you have any questions, feel free to email me directly: daniel@radioambulante.org

        Thanks!

        Daniel Alarcón

        Executive Producer

        Radio Ambulante

        “Working Now” looking for your working stories

        This is a cool new project – part of the SoundCloud Fellowship. Share your working stories in honor of Studs Terkel (one of my heroes). Details below!
        -mia
        _______________________________

        We need your help!

        “Working Now” (http://www.workingnow.org) is an online collaborative
        project about the working lives of people today around the world. We
        also want to commemorate the 40th Anniversary of the book “Working” by
        oral historian/radio producer Studs Terkel
        (http://bit.ly/StudsWorking). The project is supported by a SoundCloud
        Fellowship so we have funding to pay producers for the first seven
        pieces of new original work. The project is being “seeded” by alumni
        of the Transom Story Workshop but we welcome contributions from other
        radio producers, storytellers and working people themselves.

        Here’s what we’re looking for: Audio stories that are

        Length: Ideally three-five minutes long. We’re also open to even
        shorter stories, i.e. audio postcards or sonic IDs.

        Language: in English (possibly also Spanish in the near future)

        Subject matter: Interviews with
        – Workers (or recently unemployed people) whose jobs have changed
        since being profiled in“Working”
        – People with unique or unusual jobs that did not exist in 1974 (when
        “Working” was published)
        – Individuals profiled in “Working” (or their surviving families)
        – Raw audio files submitted by workers themselves.

        Style: We are open to all styles of radio stories but kind of prefer
        non-narrated oral history-style pieces.

        Originality: We want both original and existing radio stories. We
        welcome pieces that have already been broadcast or posted online. For
        the purposes of the project, however, we can only pay producers for
        new original work that has not yet aired or has been posted online for
        more than six months. Once new work has been posted on this website,
        producers are then welcome to seek other outlets for their pieces. We
        also encourage you to upload your work to PRX.

        Format and how to submit tracks:
        – For previously aired or existing online stories, please email the
        weblink to an embeddable player (i.e. SoundCloud, PRX, etc.) to
        workingnow.audio@gmail.com
        – For original stories, please upload MP3s that are 46 KHZ 16 bit to
        our Dropbox http://soundcloud.com/workingnow/dropbox

        SF Rough Cuts doc screening, tuesday 9/25, deadline to screen is 9/4

        For you Bay Area documentary filmmakers – a good opportunity to showcase and get feedback on your works in progress. Details below!
        _________________________

        The deadline is next week, Tuesday, September 4th

        To submit to:

        ROUGH CUTS – September 2012
        Tuesday, September 25th at 7:30 p.m.

        Ninth Street Independent Film Center

        145 Ninth Street, between Mission and Howard, San Francisco

        Complimentary drinks and hors d’oeuvres provided
        $7 admission

        _____________________________________________________

        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

        Tuesday, September 4th

        Submissions must arrive at the Ninth Street Independent Film Center by 5:00 p.m. [This is not a postmark deadline.]

        Wednesday, September 12th

        Selections will be announced and filmmakers will be notified

        Tuesday, September 25th

        Screenings, followed by discussions led by a guest moderator

        To submit, and for more details about Rough Cuts, visit:
        http://sfroughcuts.com/

        Upcoming events at the UC Berkeley J-School

        Always great happenings at my alma mater. Check them out if you're in the area. -mia
        +++++++++++++++++++++++

        Opening Reception – Rag Theater: The 2400 Block of Telegraph Avenue, 1969-1973

        PHOTOGRAPHS BY NACIO JAN BROWN

        When: Friday, September 7

        Reception: 6:00 PM
        Lecture: 7:00 PM

        Where: Room 105 North Gate Hall 

        Nacio Jan Brown's photographs stop time and record this circle of life he knows so well, saving it from the too-quick and too-dead past for us to view with new eyes. Yet even as, through the grace of his commitment to this block, we take in what is already long gone, surely the lives continue, and, though nothing remains the same, surely right now, at this very moment, the block is alive…From the “Foreword” to Rag Theater, © 1971 by Thomas Farber

        Exhibition on view in North Gate Hall: August 27th – January 11th, 2013

        Robin Shulman | Eat the City

        When: Monday, September 17,  12:00 PM

        Where: North Gate Hall Library

        Robin Shulman will discuss her new book Eat the City. The book tells the story of past and present brewers, butchers, slaughterers, sugar refiners, winemakers, beekeepers, and farmers whose food production helped build New York City, showing that urban food production is no new trend, but has always shaped the life of American cities.

        Robin Shulman has worked as a journalist for the Washington Post, the New York Times, the LA Times, Slate, the Guardian, and other publications. She has reported extensively from the Middle East, as well as the cities, suburbs, and rural areas of the United States. She graduated from the J-School in 2002.

        RSVP REQUIRED
        Seth Rosenfeld | Subversives: The FBI's War on Student Radicals and Reagan's Rise to Power

        When: Wednesday, September 19,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        A conversation between Seth Rosenfeld and Lowell Bergman, Logan Distinguished Professor in Investigative Reporting at the Berkeley Graduate School of Journalism.

        While working as an investigative reporter for the San Francisco Examiner and the San Francisco Chronicle, Seth Rosenfeld sued the FBI four times over the past 30 years to obtain confidential records under the Freedom of Information Act regarding the agency's covert campus activities at UC Berkeley during the 1960s.  Eventually compelling the FBI to release more than 250,000 pages from their files, he painstakingly recreates the dramatic and unsettling history of how J. Edgar Hoover worked closely with then California governor Ronald Reagan to undermine student dissent, arrest and expel members of Berkeley's Free Speech Movement, and fire the University of California's liberal president, Clark Kerr.  Rosenfeld's vivid narrative focuses on three men: Kerr, who played a role in guaranteeing all Californians access to higher education; Mario Savio, the charismatic student activist who led the Free Speech movement; and the ambitious Reagan, who was a more active FBI informer in his Hollywood days than previously known.  By tracing the FBI's involvement with these figures, Rosenfeld reveals how the agency's counterintelligence program took tactics originally developed for use against foreign adversaries during the cold war and turned them on domestic groups whose politics the agency considered "un-American." Rosenfeld also draws on court transcripts, newspaper archives, oral histories, historical works, and hundreds of interviews.

        Books will be available for purchase.

        RSVP: juliehirano@berkeley.edu

        Iraq Ten Years Later: Forgotten Past and Brutal Present

        When: Friday, October 12,  7:00 PM

        Where: Sibley Auditorium, Bechtel Engineering Center

        An evening with Iraqi Journalist, Haider Hamza, and American journalist and author, David Harris, speaking on Iraq: "Iraq Ten Years Later: Forgotten Past and Brutal Present."

        Best known for ShowTime’s This American Life: "Talk to an Iraqi ", Haider Hamza lived with his family near Babylon, south of Baghdad during the 2003 U.S.-led invasion. While in Iraq, Haider covered all the major events that took place in Iraq including the trials of Saddam Hussein.  Haider will speak about his experience in Iraq and the American public’s response to the war.  Haider is both knowledgeable and entertaining.  His lecture includes film clips from his road trip in America and a slide show of photos he took of post-war Iraq.  He will address the conflicts in Iraq since 2003 and the challenges that emerged after the U.S. troop withdrawal in 2011.

        American Journalist and author of "THE CRISIS: The President, The Prophet, and the Shah; 1979 and the Coming of Militant Islam". David is Vice President of Citizens Reach Out and has been an advocate for anti-militarism since the Vietnam War.  David will present the background of the Iraq war and will introduce the work of Citizens Reach Out.

        part time producer job opening at Making Contact, Oakland, CA

        Some great work goes on at Making Contact – supplement your freelance work with a regular part-time gig! Details below.

        -mia

        +++++++++++++++++++


        Making Contact Producer (part-time) Work Location: Oakland, CA

        more info at www.radioproject.org

         

        Making Contact /National Radio Project seeks a part-time (20 hours/week) radio producer with a passion for public-interest community media, to create a world where peace and social justice are paramount.

         

        National Radio Project is a nonprofit media organization that produces the weekly, nationally syndicated, progressive radio series Making Contact. Our high quality public-affairs and documentary radio programs are broadcast on 139 radio stations in the U.S., Canada, and South Africa; thousands more listen via our website and podcasts. Our award winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

         

        We seek an energetic, passionate, organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview.

        Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We’re looking for someone committed to our greater mission and who is willing to do whatever it takes to produce our weekly show and to strengthen Making Contact as a whole.

         

        National Radio Project /Making Contact is more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production. We seek someone who can mentor others and is excited about growing and learning in their own work. We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

         

        Required Skills/Experience

        Demonstrated writing and script editing skills

        Demonstrated audio editing skills

        Strong voice-craft skills and experience

        Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

        Ability to read and synthesize research

        Familiarity with issues of our times and timeless issues

        Track record of delivering pieces on deadline

        Commitment to building Making Contact as a whole, and to participating in a team process

        Enthusiastic about participating in fundraising

         

        Preferred Skills

        Experience coaching and editing freelance reporters and producers

        Multimedia experience:  video, sound-slides, YouTube etc

        Familiar with social marketing and online media distribution

        Experience and enthusiasm for online distribution methods and audience building

        Energetic and able to think on your feet

        Sense of humor

         

        National Radio Project / Making Contact is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and people with disabilities.  

         

        Position Open Until Filled. Please email resume, cover letter, writing sample (radio script preferred) and links to work samples to lrudman@radioproject.org

        Media Ideation Fellowship Applications Open September 11

        This Media Ideation Fellowship looks pretty interesting – one for graduate students and one for early career journos. Details below!

        -mia

        What are the Media Ideation Fellowships? PLUS: How to Nominate Fellows on Aug. 28.
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        Greetings!

        Thanks for signing up for the Media Ideation FellowshipSM enewsletter. Over the next two months we’ll be sending regular updates with information about the fellowships, details on how to apply, and how to nominate your friends and peers to participate in this groundbreaking initiative.

        What is it?

        The Media Ideation FellowshipSM is supporting visionary individuals in the development of early stage ideas for transformative technology. The need for innovations that will reshape progressive politics or resolve social inequities is great, yet the learning curve is steep. The fellowship is jumpstarting the work of talented, driven young technologists who can change the world.

        Starting September 11, we will begin accepting applications for two distinct fellowships:

        • Early Career Fellows will receive a $30,000 stipend and will be expected to complete a project in six months. Candidates must have three to five years of work experience and cannot be currently enrolled in a graduate program.
        • Graduate Level Fellows will receive a $12,000 stipend and will be expected to complete a project in three months. Candidates must be currently enrolled in a Masters or Ph.D. program, or have received their graduate degree within 12 months of applying for this fellowship.

        Check out our answers to Frequently Asked Questions about the fellowships for more details on who we want to recruit, what kinds of projects we’re interested in, and more. The Media Ideation FellowshipSM is a project of the Instructional Telecommunications Foundation.

        How Can You Help?

        A big idea alone won’t change the world. Would-be entrepreneurs need financial resources, smart mentorship, and strong community support to get their innovations off the ground. We want to encourage other innovators, teachers, technologists, and change-makers to support would-be entrepreneurs to take their big ideas and run with them.

         
        That’s why we’re opening a simple, two-step nomination process on Tuesday, August 28, in which anyone can nominate peers, students, or co-workers for the fellowship program. We’ll follow up with all nominees with early information on how to apply—and let them know that their community stands behind them. Who knows? You might be nominating the creator of the next Blue State Digital or MoveOn.Org.

        You’ll be hearing more from us on August 28 with details about how you can nominate candidates—and how to apply. Follow @MediaIdeation on Twitter, or stay tuned to this enewsletter for more details as we prepare to launch.

         
        Best,
        Erin Polgreen
        Fellowship Coordinator

        Copyright © 2012 Media Ideation Fund (SM), All rights reserved.

        You are receiving this email because you signed up at www.mediaideation.org.
        Our mailing address is:

        Media Ideation Fund (SM)

        655 S Sunset St
        Ste A

        Longmont, CO 80501

        Pitch Perfect, The Art of Editorial Persuasion, happening at the Third Coast Conference

        The Third Coast Conference is coming up Oct 5-7 and there are still slots open for the Association of Independents in Radio pitch panel. Get your ideas heard by the best in the biz! Details below.

        ++++++++++++++++++++++

        Hello Friends and fellow Producers:
        I’ve got editors lined up from NPR’s Arts Desk, Marketplace, the BBC, KCRW’s Independent Producer’s Project, Snap Judgment and This American Life. Now all you have to do is STEP ON UP and submit pitches for AIR’s pitch panel, “Pitch Perfect: The Art of Editorial Persuasion” happening at the Third Coast Conference in Chicago October 5-7.

        DEADLINE for PITCHING: Monday, August 20, 5pm PT.

        This is your chance for 12 of you to get the ear of one of the best editors in the business and, at the same time, help provide a great learning experience for your colleagues.

        How do program editors decide what to put on the air (or online)? How do they work with independent producers to try new ideas or launch a national series? Typically these kinds of questions are discussed behind closed doors, leaving many wondering what the magic key is to creating a productive partnership. This session is one of AIR’s most popular panels from the Third Coast Conference. We take you to the creative “sweet spot” with pre-selected producers pitching story ideas and projects to some of public radio’s most experienced editorial gatekeepers.

        Here’s more details on how to become a pitcher, plus a link to our application form:
        http://airmedia.org/PageInfo.php?PageID=675

        Email any questions you have to me at pitch@airmedia.org.

        Best,

        Emily Botein
        pitch@airmedia.org

        Job opening – Associate Producer, Arts and Culture, Word of Mouth

        Word of Mouth is a great show and you'd get to live up here in the lovely Northeast! Details HERE and below.
        -mia
        ++++++++++++++++++++++++
        Position: Associate Producer, Arts and Culture, Word of Mouth

        Classification: Part-time (28 hours/week), Exempt (Salaried)
        Reports to: Word of Mouth Senior Producer

        Responsibility and Objective:
        The Associate Producer, Arts and Culture for NHPR’s midday show Word of Mouth is responsible for executing the daily production of the show and its associated content, with a focus on arts and culture content. The Producer generates segment ideas, produces segments, books and pre-interviews guests, conducts research, writes scripts, edits audio, finds and prepares pieces for air from a variety of sources, generates content for the program website and contributes to the social media activity for the show. The Associate Producer also prepares subsequent broadcasts of segment material beyond the show’s regular timeslot, such as interview excerpts and arts content appropriate for broadcast in NHPR newscasts. This position works closely with the Executive Producer, Producer, Host, VP for Programming and interns and volunteers to achieve the goals and objectives of Word of Mouth. This position also interacts with the News Director, Newscast Producer, and Digital department to coordinate placement of content across platforms.

        Requirements:
        Experience:
        • One year experience in production of radio programming, preferably in public broadcasts OR two years experience in digital/multimedia arts and culture coverage
        • Demonstrated ability to seek out the unexpected source for a good story idea
        • Demonstrated ability to deliver consistent quality work under strict deadlines
        • Experience with Adobe Audition or similar audio editing programs, broadcast automation systems, HTML or XHTML web-posting, and Microsoft Office programs
        • Experience in digital editing and digital media production
        • Understanding of social media best practices

        Skills:
        • Excellent editorial judgment and understanding of public radio core values
        • Demonstrated excellent writing skills, including radio script writing. Arts writing experience for print or digital a plus.
        • Keen sensibility for seeking out interesting, compelling and innovative topics
        • Demonstrated radio editing and production skills. Editing and/or production skills in other digital or print formats a plus.
        • Technologically versatile with willingness to expand skills
        • Ability to find new and interesting angles on stories and determine best means of delivery, including most appropriate media formats to effectively tell the story
        • Knowledge of relevant FCC rules and regulations
        • Computer literacy required; Microsoft Office suite, digital editing and broadcast delivery programs, HTML/web editing, blogging and social media

        Education:
        • B.A. in relevant field or equivalent experience

        To apply, go to nhpr.org , click on About, then Job Opportunities. Or, go directly to nhpr.iapplicants.com.

        Reporting the Arts for Radio with Studio 360 Senior Editor David Krasnow, CUNY Jschool, Aug 7

        An ongoing series of events in August for prospective CUNY jschool students – FREE! Details here and below: http://www.journalism.cuny.edu/events/august-academy/
        Tuesday, August 7

        9 a.m.-Noon
        Constant Culture: Reporting the Arts for Radio, Studio 360 Senior Editor David Krasnow, Room 436
        Join veteran editor and radio producer David Krasnow as he dissects the experience of making a story, from pitch to broadcast, at the national arts and culture program Studio 360. Students will learn what makes not just good, but great arts reporting. Bonus: Bring that story idea you’ve been tossing around and if you’re brave enough to pitch to the crowd, David will give you his two cents. (Limit: 20 students)

        David Krasnow is the senior editor of “Studio 360 with Kurt Andersen,” public radio’s weekly national program on the arts and pop culture. As an editor and writer, he has worked in various media covering music, art, design, land use, history, science, and health care. Formerly the reviews editor of Artforum, he has contributed to the Village Voice, Jazz Times, Metropolis, The New York Observer, and The Wire, and remains a contributing editor for Bomb. He teaches radio writing to print journalists at Mediabistro and has appeared as a panelist at the Third Coast International Audio Festival and the Public Radio Program Directors conference. He began filing for “Studio 360″ with a profile of experimental musician Pauline Oliveros and joined the staff in 2003. For the program’s American Icons series, he produced features on Andy Warhol’s soup cans, the folk ballad “John Henry,” and Jimi Hendrix’s “Star-Spangled Banner.” He was first on air at age 17 on his college station, WESU.

        2012 CA Documentary Project – Grants for film, radio, new media

        Grants from $10-50K are now available for CA doc producers in radio, film, and new media. Deadline is Oct 1. Go for it! Details below.

        -mia
        +++++++++++++++++++ 

        Guidelines are now available for the California Documentary Project (CDP), a competitive grants program of Cal Humanities that supports documentary film, radio, and new media productions that enhance our understanding of California and its cultures, peoples, and histories. Projects must use the humanities to provide context, depth, and perspective and be suitable for California and national audiences through broadcast and/or distribution. CDP grants support projects at the research and development, production, and public engagement stages. Award amounts range from $10,000 up to $50,000 and the deadline is October 1, 2012.

         

        Please see www.calhum.org/grants/california-documentary-project-grant for the latest guidelines, a list of recently supported projects, and information on upcoming grant workshops and webinars.

         

        Thanks so much for helping to spread the word. Please feel free to direct any inquiries to me at jlightfoot@calhum.org.

         

        All the best,

        John

         

        Description: cid:3413278713_36505112

         

         

         

         

        This American Life THEME LIST

        The latest from TAL!
        -mia

        Dear This American Life friends and contributors,

        It’s been a while! We’ve been sending out these Theme Lists with less
        frequency lately in the hopes that we don’t exhaust you and your
        patience with us. But please know that you’re free to pitch us
        stories whenever you like. You don’t need to wait for a Theme List or
        appropriate theme. I know the Theme List can help generate ideas or
        remind you about a story you heard about a while ago so, below, we've
        got a new round of themes-in-progress listed. Please send us your
        story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll
        respond with a generic email letting you know that I received your
        pitch and that I've read it. I promise. I read every pitch. (I
        won't send you the auto response until I've read your pitch so expect
        a bit of a delay getting that email.) If we think the pitch is right
        for us, or if we need more information from you, I'll send you another
        email asking for more info on the story or letting you know we'd like
        to commission the story. But if you don't hear back from us within two
        weeks, beyond the initial auto-reply email, it means the story just
        isn't right for us or for the needs of that particular show. The idea
        of doing it this way is just to get through pitches and get back to
        everyone quickly.

        Like always, these themes are shows we're actively pursuing right now
        but we're always on the lookout for new stories or ideas. So if
        you've got a story that you think would work especially well for us
        but doesn't fit a specific theme listed below, please send it along
        anyway.

        Thanks so much for your pitches. We appreciate it.

        Best,
        Julie
        (julie@thislife.org)

        RED / BLUE : We’re thinking about doing a show this fall on the
        impossible divide between right and left, how we’re two separate camps
        with two completely different perspectives on what’s happening in this
        country. Of course there are many stories where the two camps are in
        collision. That’s basically all the news, every day. For this
        episode we’re looking for something more specific: we want stories
        about the people who have to confront that chasm in their everyday
        lives. For instance, we have one story about a guy who lives in a red
        small town in a red state but he himself is secretly blue. He is a
        central figure in the community – even holds elected office – but he
        hides his political and social views from everyone in town. We’re
        looking for others like him; we’re especially looking for Republicans
        who are living in the blue world. We’re also looking for stories of
        people trying to cross from one side to the other. Or trying to drag
        someone from the other side to their side. Or maybe just trying to
        collaborate and bridge a divide. Another story along those lines is
        one we’ve maybe sent out on this list before: stories about previously
        moderate people getting more extreme, egged on by watching Fox or
        MSNBC. This seems to be an affliction common among older people (your
        parents?) but we’re looking for any age. And finally, our ultimate
        dream story: Romeo and Juliet. Or, like, kind of. A story about a
        relationship that is actually affected by the political divide (one
        family is blue, the other red! The couple is forbidden to be
        together!) would be awesome. But we don’t necessarily need a couple –
        it could be a story about good friends who get driven apart or a
        divide in a group of friends or co-workers. Or send us your examples
        that don’t fit in any of these categories. We’re still at the early
        stages, thinking through the possibilities.

        SUPERLATIVES: The Best Show Ever! Also known as the Superlative
        show. We’d like to do a show where all the stories revolve around the
        idea of an extreme of some kind. The biggest, the oldest, the most,
        the least, the noisiest, the smallest … you get the idea. As usual,
        we’re looking for plot-driven stories in which the characters are
        facing a conflict, and ideally, we’d like a superlative quality to be
        central to that conflict.

        LOOPHOLES: We have a fairly long story in the works for this show so
        we’re now looking for a couple smaller stories to help fill out the
        show. The long-ish story is about an estate planner who has found a
        way to exploit the fine print in health insurance policies, allowing
        hospice patients to make some quick money while he makes something of
        a fortune for himself. It’s not illegal and, at times, the insurance
        companies themselves have actually encouraged the practice. It’s a
        great story but pretty straight-forward in terms of the “finding a
        loophole” kind of story. We’re now looking for other takes on the
        theme: maybe a story where some person or group finds themselves the
        accidental beneficiary of someone else’s sloppy lawmaking? Or maybe
        someone misinterprets a rule or policy to right a wrong in some way?
        Basically, we’d like stories about clever or unexpected workarounds.

        BACK TO SCHOOL: This show is timed for early September and we have a
        couple of stories already about education policy type things and a
        piece about what makes students succeed and fail so what we’d really
        like for this show is maybe something kind of fun. Or, at least, not
        related to policy or curriculum. But just stories about the fun,
        weird, unexpected, exciting or even depressing aspects of starting a
        new school year. We’d love a story about “back to school” shopping.
        Is there someone who has to take a truculent teen shopping for
        appropriate clothes? Or maybe a simple story about dropping an
        anxious kid off for her first day of school? A kid who has decided to
        come back to school as a whole new person? Or maybe a place that
        approaches the new school year in an interesting way?

        DOPPELGANGERS: It’s common that children and teens who grow up in
        high-violence neighborhoods will show the same kind of post-traumatic
        stress disorders seen in veterans returning from combat. For this
        show, we’re putting together one story where a former gang member and
        a former soldier tell surprisingly similar stories about their
        experiences living in a place with an ever-constant threat of
        violence. Their stories begin in very different worlds but end up
        coming together and, at times, they almost seem to take turns telling
        the same story. We’re now looking for more stories about people who
        seem to be “doubles.” Maybe a story about two people who are commonly
        mistaken for one another? Or a story about doubles who are in very
        different phases or places in their lives? The stories don’t
        necessarily need to be about people, though. Maybe two businesses?
        Or similar events that eerily repeat?

        HIMBY: or, rather, “Hot In My Backyard.” Basically, we’d like to do
        a show about the weather. And probably that means the show will end
        up being about climate change, too. We’ve actually been trying to do
        a show about climate change for several years but we always lose steam
        once we start delving into stories that take place in the Arctic. Or
        talk about the quickly-disappearing habitats of various species. The
        difficulty with climate change stories is that many times you’re
        speculating about what is likely to happen in the future. But you
        can’t interview the future. So we end up sort of feeling stuck.
        Until now. Because now it’s beginning to feel like it’s happening,
        right? In America! So we’d like to do a show about the weather and
        it’s effects on us Americans. It’d be great to find weird stories
        about how extreme weather is being reflected in every day things.
        Changing businesses? Changing the way common animals interact with
        humans? Maybe stories about engineers who are coming up with strange
        or frightening designs for things, in light of extreme weather? We’d
        also like to assemble a ‘Gong Show’ type panel consisting of people
        who aren’t climate change deniers or anything, they’re just people who
        have a hard time totally caring enough to make a call for action. Are
        you one of these people? We’d like to run various stories and
        anecdotes past these weather agnostics and see what kinds of facts,
        stories or happenings sway them to want to take action. All of that
        stuff is on the climate change front, though. We’re also open to any
        stories that are weather-related, too. Stories where the weather has
        a big effect on the plot of the story or acts almost like a character
        in the story.

        AIR New Voices Scholarships for minority producers – Apply Now! Deadline 8/20

        Funding is available for minority producers to attend the Third Coast Festival in Chicago this Oct 5-7. It's an amazing conference – get there if you can!
        http://www.airmedia.org/PageInfo.php?PageID=749
        -Mia

        AIR's New Voices scholarships were established 3 years ago with
        funding from CPB and NEA to support professional development for
        minority producers working independently or at a public media
        stations. Our goal is to broaden the pipeline for a new generation of
        diverse talent – people who show potential to help make public media
        more reflective of the American public. Many of our New Voices alumni
        have found ripe opportunities to further develop their talents, expand
        their professional relationships and understanding of the field, and
        strengthen their voice.

        We’ll be directing our 2012 scholars to attend the Third Coast
        Conference happening in Evanston, IL on October 5-7. This is the
        largest gathering of audio creatives in the country. We’re looking for
        emerging and mid-career producers to take advantage of this
        opportunity.  You may be working primarily with audio or sound, or you
        may be a multi-media, video, or film producer interested in expanding
        your chops. Get the scoop by reading our FAQ:
        http://www.airmedia.org/PageInfo.php?PageID=602

        and also visiting:
        http://www.airmedia.org/PageInfo.php?PageID=749

        Will you be one of the 20 we choose this year?  Apply @
        https://airmedia.wufoo.com/forms/airs-2012-new-voices-scholarship/

        DEADLINE FOR APPLICATIONS IS 5:00 pm Pacific Time, MONDAY, AUGUST 20, 2012.

        We'll provide up to $1500 to each individual chosen. The funds must be
        used to offset costs associated with Third Coast transportation,
        meals, hotel, and registration. For more information and to apply:
        http://www.airmedia.org/PageInfo.php?PageID=749

        If you know talented, eligible candidates, please forward this email to them.

        If you have any questions about AIR’s New Voices scholarship contact
        Erin Mishkin at erin@airmedia.org.

        +++ AIR is everywhere. +++
        www.airmedia.org

        Funding for this program comes from the Corporation for Public
        Broadcasting (CPB) and the National Endowment for the Arts (NEA).

        SoundCloud Fellowship – deadline extended to July 27

        From the folks at SoundCloud – new deadline July 27. Details below.
        -mia
        ++++++++++++++++++++

        Wanted to let you know that the submission deadline for fellowship applications has been EXTENDED UNTIL JULY 27.

        If you haven't yet heard, SoundCloud is hoping to support 10 amazing 2-month fellowship projects with PR support + funding up to $5000.


        We've got a fantastic selection panel who will pick the projects:

        Producer Shea Shackelford representing AIR (!!)

        Julie Shapiro, artistic director of the Third Coast Audio Festival, the country’s biggest showcase of audio feature and documentary work.

        Lea Thau, The Peabody award-winning creator of The Moth Radio Hour and the new hit radio show Strangers

        Corey Ford of The Public Media Accelerator, a new incubator for public-service media focused start-ups

        Sree Sreenivasan, Chief Digital officer of Columbia University

        Tyler Moody, Vice President of CNN Radio

        Nuala McGovern, Presenter of the BBC World Service’s Newsday

        The crew from NPR and PRX’s Snap Judgment

        Soraya Darabi, a New York City based entrepreneur, working on a new initiative. She is a co-founder of Foodspotting and sits on the Notables Board of Carnegie Hall.

        Steve Angello of the world-renowned Swedish House Mafia


        —————–

        More info on the submission process can be found here: https://docs.google.com/document/d/1mO1lAjqIAlgB2CF8CEOxylyQReeBnA94ZYx_TSmg6K8/edit

        CDS’s Making It Sing – AIR stipends available!

        Last chance to sign up for the advanced radio course at CDS in a few weeks. Details below!
        +++++++++++++++++++++++++

        One more reminder about our summer week-long audio courses at CDS. We
        still have openings for Making it Sing, our advanced course, August 6
        – 11. If you're in, it's time to say so! Neenah Ellis, Shea
        Shackelford and I will be working with producers as they produce a
        piece they've brought to work on. In a special treat, we're looking at
        a special guest appearance by the wonderful Tift Merritt, daughter of
        North Carolina, singer-songwriter and interview podcaster.

        Go here for the course description and registration  — note also the
        fast-approaching Audio Retreat  offered by our good friends from Big
        Shed:

        http://register.asapconnected.com/Courses.aspx?CourseGroupID=500

        AIR is offering its members a $100 travel stipend to attend Making it
        Sing. Four stipends for each course are available, first come, first
        served. If you know someone who's NOT an AIR member who might benefit
        from this opportunity, tell em to join AIR.

        To apply for the AIR stipend:
        https://airmedia.wufoo.com/forms/center-for-documentary-studies-air-member-stipend/
        Any questions, let me know ( jbiewen@duke.edu ), or contact
        my colleague April Walton:  awalton@duke.edu

        Cheers,

        John Biewen

        Advanced Audio Storytelling at Maine Media Workshops, Aug 19-25

        The very talented Sarah Kramer is teaching an advanced audio workshop in Maine this August. Details HERE and below. Don't miss it!

        Advanced Audio Storytelling

        Mesmerize your audience with audio narrative

        Rob Rosenthal interviewing: Photo by Kate Philbrick

        Rob Rosenthal interviewing: Photo by Kate PhilbrickAudio narratives engage the imagination. As Ira Glass of This American Life says with a smile, “Radio is your most visual medium.” That may be heretical to say to photographers, but Ira has a point. Audio storytelling engages the imagination like a good book. The listeners create their own images. Now that photographers are being asked to produce audio slideshows, videos, podcasts, and other media with a sound component, it’s important to learn to effectively harness the power of audio storytelling.

        This workshop puts students in contact with some of the radio industry’s most qualified and creative individuals as a means to explore and utilize sound. During the week, students find and produce short documentary audio projects about the local community. In class, students discuss narration, interview techniques, ambient audio and story structure as a means to create compelling audio narratives. Additionally, instructors provide daily lectures, equipment demonstrations and critiques.

        This is an advanced level audio class. Students should have a good understanding of digital audio content gathering. Students will utilize ProTools in editing and mixing their projects. General familiarity with this industry standard software is encouraged but not required.

        Be a SoundCloud Community Fellow, rolling deadline ends 7/25

        Be a SoundCloud Community Fellow and Help Us Unmute the Web!

        High five to sound creators!

        At SoundCloud, we’re continuously striving to unmute the web. Today, we’re looking for leaders to join our mission!

        After last year’s inaugural program, today we’re launching our 2nd annual SoundCloud Community Fellowship to support and encourage the best creative minds to express their vision through sound. From mid-August to mid-October 2012, we will support up to 10 Fellows as they pursue a project of their own design using sound as a creative medium.  

        So who are Community Fellows? Our Fellows are people who want to be heard, people with a story to tell, pursuing sound projects that cause a visceral reaction in their listeners. Our Fellows aim to make us laugh, cry, or think. They want to inspire and motivate others to follow in their footsteps and express creatively through sound. With SoundCloud’s support, we’ll bring to life the projects you dream up. And together, we’ll demonstrate to the world the compelling nature of sound.  

        To get you inspired, here are some categories we are looking to pair with a potential Fellow. If you have ideas for creative sound projects in one of the following categories, please specify this in your project proposal. Feel free of course to also send us your proposals for projects outside of those categories:

        • Arts & Culture
        • Education
        • News & Politics
        • Storytelling

        Take a look at the proposal process here and send us your proposals pronto. Don’t delay –  it’s a rolling submissions process so the sooner you apply, the better your chances will be of getting the support you request. Final deadline for consideration is 11:59pm Pacific Time on Wednesday July 25, 2012. Questions? Email Eliana at eliana(dot)sur(at)soundcloud.com

        Alright, let’s do this! We can’t wait to learn about your ideas for creative and engaging sound projects.

        A Documentary Retreat July 29 – Aug 4, Durham, NC

        Well this is just about the best idea I've ever heard. If you have the time and the means, go spend a week with these folks. I will be envious.
        -Mia

        +++++++++++++++++++++++++

        Any chance there's a project/tape/a documentary/proposal you've been meaning to set
        aside the time to work on, but you're too busy? Wishing to freeze time or build a

        secret room where you can just hide away and make the creations you imagine?

        There is another option! 

        Digging In: A Documentary Retreat
        with Big Shed
        (at the Center for Documentary Studies)
        July 29 – Aug 4, 2012  |  Course fee: $480

        For details — bigshed.org/training

        Spend a week with a community of independent producers, Big Shed and
        special guests at the Center for Documentary Studies at Duke in Durham,
        North Carolina. What you work on is up to you — a story you’re finishing,

        a proposal you’re developing, a project you’re conceptualizing, or maybe you
        just want the space and community to think about your creative trajectory.

        I'm also super excited to join Shea Shackelford and Jesse Dukes of Big Shed 
        in leading the retreat this summer.

        The week is lightly structured to help you make significant progress
        on a project that’s important to you.  Each day we’ll help you think
        about how you can make the most of that time and offer some tools for

        working to help you during the week and beyond.  Each day you’ll share
        your ongoing work with other participants, the Big Shed team and
        other special guests. While you’re getting helpful input, others
        will be benefitting from your valuable ideas.  And when it’s time to

        put your pencils down, we’ll stoke your creative fires and create ways
        for you to relax and play.  Throughout the week you can expect
        brilliant adventures, special guests, tasty food, music, dancing, thought provoking

        presentations, late-night conversations, and hand-cranked ice cream on
        the porch.

        If you could use a break to really focus on something important in
        your work, and you'd like to do that in a community of other producers

        who will be doing the same sort of thing, Big Shed will make sure you
        have an intensely relaxing, invigoratingly supportive time to dig deep
        and get some serious (or not so serious—it’s up to you) work done.

        – Kara (and Shea and Jesse)

        Ps. This summer, we’re expanding our invitation to other documentary
        mediums — writers, photographers, new media, film, et al. If you have
        colleagues in those fields whom you think would be interested, please

        feel free to share this with them.

        Feet in 2 Worlds seeks part-time editor/blogger in NYC

        Feet in 2 Worlds is looking for a part time (20-ish hours/week) media editor/blogger in NYC. Details below!

        Feet in 2 Words, an award-winning media outlet focused on immigrants and immigration, is seeking an editor/blogger to oversee its online content and assist with related activities.   Responsibilities include working with a roster of immigrant journalists who contribute to the Feet in 2 Worlds website (news.feetintwoworlds.org), making assignments, helping to develop story ideas, mentoring reporters, managing student interns and editing for both style and content.  The editor also writes for the website, contributes to the Fi2W social media stream on Twitter and Facebook, helps produce and edit podcasts, and produces multimedia slideshows and photo galleries.   Additional responsibilities include working with Fi2W’s media partners in public radio, ethnic media and online publications.

         
        The editor works closely with the Fi2W’s executive producer and technical director and the staff of the Center for New York City Affairs at The New School, where Feet in 2 Worlds is based. 

         
        Qualifications include experience reporting and editing for a news website, familiarity with WordPress and multimedia for the web and audio production skills.  A background in public radio is a plus, as are knowledge of issues including immigration and immigrant rights and foreign language skills.  

         
        This is a part time position for a journalist based in or near New York City.  For more information or to apply contact feetintwoworlds@gmail.com.

        Applications should include a cover letter, resume and a few writing samples.

        The Guardian is on the hunt for UK-based multimedia talent, application deadline July 10

        For UK producers – the Guardian is looking for multimedia producers and exec. Details here http://gs10.globalsuccessor.com/fe/tpl_GuardianNews01.asp?newms=jj&id=90369&aid=13972 and below.


        WANTED: Executive Producers and Producers


        Earlier this year, the Guardian made a geo-located audio app called Streetstories (www.guardian.co.uk/streetstories). Set in Kings Cross, London, the app triggers off stories by GPS, so as you walk the streets in the area, stories, music and sounds are automatically triggered by your location.


        We may be making more so are now advertising for Executive Producers and Producers who can be part of a talent pool.


        Specifically we’re looking for:


        1. Exec producers: who can oversee the full production of the app. Have an editorial vision for the content and ensure quality of all the assets and technical implementation, working with our in-house and out of house developers, design team, product manager and marketing team. 


        2. Producers: Researching stories, recording and editing content on location and in studio. Producers may be working in a mixture of media so skills in audio, video, photography and written skills would be an advantage. 


        On Monday 23 July we will be running an assessment day. You will be shown how the apps and related software work and also the skills needed to make a successful app. You will then be tasked with recording and editing a piece to be submitted on Wednesday 25 July for assessment. We’ll tell you about storytelling techniques for audio on location but if you wish to start thinking about your piece now it will be set in the area of Angel, Islington (N1) and we’ll ask you to record and edit us a 2 minute story for use on such an app. 

        How to register your interest:

        If you would like to be considered for this pool and attending the assessment day please send you CV and covering letter to streetstories@guardian.co.uk by 10th July 2012

        In your covering letter please outline your main areas of expertise and why you feel you are the right person to join this pool with Guardian News and Media.

        We welcome applications from any individual regardless of ethnic origin, gender, disability, religious belief, sexual orientation or age. All applications will be considered on merit.

        August Academy for prospective CUNY jschoolers

        CUNY is offering three days of *free* or low-cost workshops for prospective J-Schoolers this August, including food writing, photo — and a 3-hour workshop on arts reporting for radio with David Krasnow.

         

        Details here: http://www.journalism.cuny.edu/events/august-academy/ and below.

         

         

        August Academy for Class of 2014 Applicants

        Date & Time:

        From August 6, 2012 to August 8, 2012

        Location:

        CUNY Graduate School of Journalism

        219 W. 40th St.

        New York, NY   10018

        August Academy for Class of 2014 Applicants

        This special series of enrichment classes is open to any prospective student who has commenced the application process for the CUNY Graduate School of Journalism’s Class of 2014. There is no cost to applicants for taking part in the August Academy. Candidates may select up to three courses.

        If you are interested in applying to the CUNY Graduate School of Journalism and registering for August Academy, please email Assistant Dean Stephen Dougherty, director of admissions & student affairs, or call him at 646-758-7731.

        Monday, August 6

        9 a.m.-12 p.m.
        Food Writing  Indrani Sen, Adjunct Faculty, Room 434

        Writing about food must be as simple as eating and cooking it, right? Wrong. Food writing requires more than a fine-tuned palate and a good recipe for holiday cookies. Locavores, the Farm Bill, food safety scares, commodity prices, environmental justice – in this post-Michael Pollan era, food writing is increasingly complex. The good news is it’s also a growing field. Gourmet magazine is gone, but the fertile landscape of localized or specialized food web sites, blogs and food zines is still expanding, and general interest publications have increased their food coverage. Voices of NY Editor Indrani Sen leads this workshop that will introduce students to the fundamentals of food writing. Sen, who has taught Craft of Journalism at the CUNY J-School, is a former Newsday reporter who has written for The New York Times dining section and Saveur magazine, among other publications.

        1-4 p.m.
        Social Media for Journalists – Mitch Trinka, Room 434
        Whether you’re a Twitter newbie or a master Tweeter, here’s your chance to dive in deep. During the first half of this session, we will explore how social media tools – from Twitter and Facebook to LinkedIn and Pinterest – can spark story ideas, reveal trends, and connect you with new sources. In addition to covering social media ethics and etiquette, we will explore best practices and tips, tricks, and tools. During the second half of the workshop, discover how social media can help you build your brand in the new world of Web 3.0. We will explore how leading journalists and news organizations are capitalizing on social networks to reach out to readers, viewers, and communities. Class of 2010 alumnus Mitch Trinka now works as community manager for the CUNY Graduate School of Journalism and is a multimedia teaching fellow at the Tow-Knight Center for Entrepreneurial Journalism.

        5-8 p.m.
        Art of the Personal Essay – Magazine Editor Paula Derrow, Room 432
        At the heart of every personal essay is a memory—and any memory can be the starting point for a personal essay or a memoir, for that matter. The trick is learning how to access your memories, then using them as a jumping off point for something larger. In this three-hour workshop taught by Paula Derrow, SELF magazine’s articles director and editor of the Self Expression column, we’ll use writing prompts to spur your memory, to warm up your writing muscles, to get you thinking about details, sights, sounds, smells that you may not have thought of in a long time. We will then read each other’s results and discuss the elements that make for a compelling personal essay. Besides in class writing, we will also talk about the basics of pitching personal essays, the difference between personal essay and a blog or diary, and various techniques that make for effective personal writing. (Limit: 15 students.)

        Tuesday, August 7

        9 a.m.-Noon
        Constant Culture: Reporting the Arts for Radio, Studio 360 Senior Editor David Krasnow, Room 436

        Join veteran editor and radio producer David Krasnow as he dissects the experience of making a story, from pitch to broadcast, at the national arts and culture program Studio 360. Students will learn what makes not just good, but great arts reporting. Bonus: Bring that story idea you’ve been tossing around and if you’re brave enough to pitch to the crowd, David will give you his two cents. (Limit: 20 students)

        David Krasnow is the senior editor of “Studio 360 with Kurt Andersen,” public radio’s weekly national program on the arts and pop culture. As an editor and writer, he has worked in various media covering music, art, design, land use, history, science, and health care. Formerly the reviews editor of Artforum, he has contributed to the Village Voice, Jazz Times, Metropolis, The New York Observer, and The Wire, and remains a contributing editor for Bomb. He teaches radio writing to print journalists at Mediabistro and has appeared as a panelist at the Third Coast International Audio Festival and the Public Radio Program Directors conference. He began filing for “Studio 360″ with a profile of experimental musician Pauline Oliveros and joined the staff in 2003. For the program’s American Icons series, he produced features on Andy Warhol’s soup cans, the folk ballad “John Henry,” and Jimi Hendrix’s “Star-Spangled Banner.” He was first on air at age 17 on his college station, WESU.

        1-5 p.m.
        News Photography – John Smock, Adjunct Faculty, Room 438
        This workshop led by veteran photojournalist John Smock will help you improve your photographic skills for use in all media. We will cover the technical and conceptual aspects of basic camera usage, composition, visual vocabulary, photo editing, lighting, and Photoshop. You will learn how to handle portraits, news conferences, politics, intimate photo essays, and international conflicts. You will also learn how to photograph while recording audio, shooting video, or reporting for print. Whether you are a beginner or intermediate photographer, you will learn the tricks of the trade that professional photojournalists use.

        5:30-8 p.m.
        Meet the Students and Faculty Reception, 3rd Floor Cafe Area

        Wednesday, August 8

        10 a.m.-2 p.m.
        Freelancing Workshop – Tim Harper, Adjunct Faculty, Room 308
        We’ll cover generating ideas, understanding markets, getting to the right editor, pitching the story, and contracts and rights issues. Students will also write in-class pitches, to be critiqued on the spot, for magazines and web sites. Longtime independent journalist Tim Harper, a CUNY J-School Craft professor and writing coach, will teach the class. He has written a dozen books, helped many other writers with their books, and written hundreds of articles for markets ranging from Atlantic magazine to airline publications.

        TO COMMENCE THE APPLICATION FOR ADMISSION:

        ➢ Candidates should go to the CUNY Graduate Center Online Application.

        ➢ Fill out the first two sections entitled Applicant Information, Pages 1 and 2.

        ➢ Send a copy of your current resume and a personal statement of up to 1,000 words detailing your interest in Journalism, the reasons why you have decided to apply to the CUNY Graduate School of Journalism, and the elements of your background you feel will enable you to succeed in the program and the profession to either:

        Steve Dougherty, stephen.dougherty@journalism.cuny.edu
        Colleen Marshall, colleen.marshall@journalism.cuny.edu

        Once you have completed the application, please send your selection of up to three August Academy classes in an email to either Steve or Colleen. You will be sent an email confirmation of your registration when complete, along with details regarding program participation.

        Above the Fray Fellowship Opportunity


        "The Above the Fray fellowship is designed to give a promising journalist the opportunity to cover important but under-reported stories from a location abroad. One fellow will be selected each year based on a winning proposal to report from a region lacking significant mainstream media attention. The selected individual will spend three months filing on-air and online stories for NPR."

        The application is due July 1.

        apply

        2012 Online Application — Available Now!

        IMPORTANT DATES

        2012 Application Posted: May 1, 2012
        2012 Application Deadline: July 1, 2012, 11:59 PM
        2012 Selection Notification: July 31, 2012

        APPLICATION REQUIREMENTS

        The Above the Fray application is accessible online only and consists of the following items:

        1. Basic personal details and work experience.

        2. A pitch to report from a far-flung or otherwise under-reported foreign region.

        3. Two (2) on-air clips, either audio or video that may either be uploaded as attachments or sent as links.

        4. Three (3) essays to be uploaded as attachments. Essay topics are specified in the online application form.

        5. Two (2) letters of recommendation (requested online via our application system). These are due the same day as the rest of the application materials—July 1—so be sure to request them with ample time to meet the deadline. Once your application has been saved as a draft, a link to request your recommendations will be activated.

        Optional: You may also upload up to two (2) additional work samples.

        Macktez Summer Stipend for creative development

        $1K to do a personal project this summer? Really? Details HERE and below.

        What are you trying to create? Not for your boss, not for your client — for yourself. What personal creative project has been patiently simmering, waiting for your full attention?

        The Macktez Summer Stipend is a grant for creative development. Each year we try to reach out to the many junior designers, interns, and other creative individuals we come across every day for whom a little extra cash could be the difference between a great idea and a great, finished project. We have a simple set of criteria: originality, relevance, and conviction. And we’d prefer a project already underway that $1000 would push across the finish line. This year we’ll also be relying on our esteemed panelists’ guts and good sense: David Israel, Roanne Adams, Douglas Morris, Dean Crutchfield, Bethany Koby Santiago Matheus, Jeffrey Zeldman. If you can sell them on your great idea, you’ll get $1000 from Macktez to make it happen. It’s that simple. Applications open June 18th. Apply online at www.macktez.com/stipend by July 27th.

        IDA Awards 2012 – Submit Your Doc!

        Having trouble viewing this email? Click here

         

        IDA eBlast
        IDA Awards 2012
        Visit IDA Website IDA on Facebook Join IDA Donate to IDA IDA Awards 2012
         

        IDA Documentary Awards 2012

        CALL FOR ENTRIES 2012

        Regular Deadline this Friday! June 22, 2012

        IDA is proud to announce submissions are open for the 28th annual IDA Awards. The IDA Documentary Awards is the foremost event dedicated to the art of documentary film. All winners will be honored at the IDA Documentary Awards Gala in Los Angeles, December 7, 2012. Click here to see last year’s winners.

        Entry is open to any documentary, nonfiction or factual program completed between July 1, 2011 and June 30, 2012 that qualifies for one of the five main award categories. Projects submitted to prior IDA Awards shows are not eligible. Please contact awards@documentary.com with any questions.

        Multiple projects may be submitted, however each submission must be made separately. Submission fees paid online via Withoutabox.com are discounted $5.00.

        Regular Deadline: June 22, 2012
        Late Deadline: July 6, 2012

        The 28th annual IDA Awards rules & requirements are available on Withoutabox or here.

        Click to submit, Withoutabox

        Click to submit.

         

        IDA Documentary Award Main Categories

        IDA recognizes achievement in five main categories, including:
        FEATURE, SHORT, LIMITED SERIES, CONTINUING SERIES, and the DAVID L. WOLPER STUDENT DOCUMENTARY AWARD.

        Student filmmakers are strongly encouraged to enter the David L. Wolper Student Documentary Award category if they were enrolled students at the time the project was finished.


        Special Recognition Awards

        IDA Special Recognition Awards highlight exemplary and unique attributes of some entries in the main five categories. These Awards include:
        FEATURE FILM CREATIVE RECOGNITION AWARDS, ABCNEWS VIDEOSOURCE AWARD, PARE LORENTZ AWARD, and the HUMANITAS AWARD

        Join IDA to receive significant member discounts on your entry fees! Individual membership levels start at $55 ($45 for students). Click here for more information on IDA membership.


        Submission deadlines and fees:
        Entries must be complete in Withoutabox.com by 11:59pm July 6, 2012.

         

         

         

         

         

         

        Forward email 

        IFP | 212-465-8200 | 68 Jay St, Suite 425 | Brooklyn | NY | 11201

         

         

        Pitching the Hell Out of Your Stories”

        Some of you asked about links to this great event. Here you go!

        Highlight video and full audio podcast are up for 

        "Throw Like a Girl: Pitching the Hell Out of Your Stories"

        Her Girl Friday panel held on May 29, 2012 and hosted by New York Times reporter Amy O’Leary


        https://soundcloud.com/hergirlfriday/throw-like-a-girl-panel-zoom


        Panelists were:

        Evan Ratliff, founder of The Atavist
        Carolyn Ryan, Metro editor of The New York Times
        Jessica Pressler, contributing editor to New York Magazine
        Katherine Lanpher, award-winning print and broadcast journalist and teacher at the Op-Ed project.


        Read ore about the panel at http://www.facebook.com/events/134503483350516

        Follow Her Girl Friday:
        http://facebook.com/hergirlfriday

        http://twitter.com/hergirlfri

        Job and Internships at Radio Ambulante

        Radio Ambulante is a great new program based in San Francisco – join them!
        ++++++++++++++++

        Radio Ambulante is hiring a Director of Development and two interns (Production Assistant & Community Management). Please forward widely. You can find more information on our website:

        http://radioambulante.org/en/About_Us/Jobs

        Director of Development

        POSITION SUMMARY:

        The Development Director is the chief fundraising staff member of Radio Ambulante. In conjunction with the rest of the team (Executive Director, Executive and Senior Producers), the Development Director will manage and oversee all aspects of Radio Ambulante’s fundraising strategy. Responsibilities will include identifying and soliciting funds from individual donors, maintaining relationships with past donors, researching and writing grants that can support the work of Radio Ambulante, and leading the organization of fundraising events in the Bay Area and beyond. An ideal candidate has contacts in the US and across Latin America, and is comfortable in the role of spokesperson and champion for a new journalistic venture. He or she must believe in the mission of Radio Ambulante, understand the important role stories can play in the life and culture of a community, and be able to articulate the significance of the project to potential funders in both Spanish and English.

        ABOUT RADIO AMBULANTE:

        We are a Spanish language journalism and storytelling project based in San Francisco, CA, with partners throughout Latin America. Our goal is to merge the immense talents of Latin American journalists with the sophisticated audio production aesthetics of radio here in the United States. We’re currently working with journalists and producers from more than a dozen countries, and have already created partnerships with prestigious institutions like the Fundación Nuevo Periodismo Iberoamericano (Colombia), as well as the magazines Etiqueta Negra, Cometa (Peru), and Anfibia (Argentina). We are currently in our pilot season. The Pulitzer Center on Crisis Reporting serves as our fiscal agent, and KALW Public Radio 91.7 in San Francisco serves as our home station.

        We are offering a starting salary of $2,500 month, with two months guaranteed, after which the Development Director will be expected to raise his or her own wages, in addition to operating costs for Radio Ambulante.

        REQUIREMENTS:

        – Fully bilingual in English and Spanish
        – Excellent written and oral communication skills
        – Organized, self-motivated and detail-oriented
        – 1-3 years experience working in media, philanthropy, or related fields
        – Local (SF Bay Area) candidate preferred

        Interested candidates should forward a cover letter, in English or Spanish, as well as a résumé to:

        Carolina Guerrero
        Executive Director
        carolina@radioambulante.org

        Thank you all!

        Latitudes Radio Call for Pitches, deadline June 26

        Experienced producers only, please!

         

        Latitudes, WAMU’s global affairs radio program, will be producing a series of hour-long programs this fall. The show goes behind the headlines to bring listeners into the daily lives of ordinary people all over the world. It also highlights local-global connections and looks at solutions to global challenges.  (www.latitudesradio.org.)
         
        We’re looking for story ideas that surprise, provoke and illuminate, and address issues from unique and offbeat angles. Here are some themes we may be following this fall, defined freely and broadly:
         
        Food: We’re looking for a wide mix of stories, from something as frothy as the history of cake in Ethiopian cuisine to something as heavy as hunger strikes. How does food shed light on a local culture, have the power to make change, or reflect what’s happening in the news? We’re also looking for stories about how our relationship with food — how we produce it, cook it and eat it – is shifting.
         
        Consumption: What we consume and how we consume it can affect everything from the environment to public health to local cultures. These stories would highlight global disparities in consumption, what happens when wants turn into needs, the impact of new technologies and the changing patterns of consumption in emerging nations.
         
        Going Backwards: This theme confronts the reality that “progress” is not always always linear. Stories could focus on anything from a coup d’etat, to the status of women in certain places, to self-deportation, to development aid and technology. We may also question whether failure itself is always a bad thing – including stories from cultures that honor it for the effort it reflects and the lessons it offers.
         
        People on the Move: This can cover anything from transportation to immigration. The world never stays still.
         
        Making a Living: What are some of the original/uplifting/inspiring ways people are managing in a tough global economy? What happens when it’s impossible to find a job?
         
        While Latitudes’ focus is mainly international, we’re also interested in domestic story ideas that fit these themes, especially if they have an international element or make a local-global connection. And if you have a great international story idea that doesn’t fit into any of these themes, let us know anyway!
         
        Latitudes pays $650 for standard, sound-rich features (4-6 minutes long) and $250-$350 for shorter vignettes (2-3 minutes long) depending on the level of difficulty involved.
         
        Please send your pitches and questions to Latitudes producer Andrea Wenzel at awenzel@wamu.org, by Tuesday, June 26.

        Kitchen Sisters Interviewing & Recording Workshop, July 19 in San Francisco

        From the master of seamless and timeless interviews – a workshop on July 19. Don't miss it!

        Dear Friends,

        Davia Nelson of The Kitchen Sisters is holding two recording and interviewing workshops on Thursday, July 19 in San Francisco. These three-hour sessions are designed for people who want to acquire and hone their skills in an array of audio projects–radio, online storytelling, oral histories, audio slide shows, family histories, news, documentaries, podcasts, and other multimedia platforms.

        In the workshops, Davia will cover interviewing, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story and how to listen (which is harder than it looks).

        The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, journalism, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, and beyond. The groups are always lively and good contacts are made.

        The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny St. Of course, a snack will be served.

        Morning Workshop: 10:00 AM – 1:00 PM
        Afternoon Workshop: 2:30 PM – 5:30 PM

        Each session is $115.

        If you, or someone you know is interested, email kitchen@kitchensisters.org. Please pass this along to your community.

        Expand your skills, meet new people, support the work of The Kitchen Sisters.

        See you there,

        The Kitchen Sisters

        Remix Radiolab! deadline June 12

        Get creative with Radiolab elements. Details below.

        Hi all,

        So Radiolab is doing something a little different for our next episode and it involves… involvement. The concept is pretty simple but the deadline is super soon. So jump in with both feet if you're so inspired.


        Here's the scoop:

        We’ve put up the “stems” of 8 Radiolab segments… just the raw elements we used to mix those stories… onto a website called "Indaba." The idea is that you, or someone you love, would download any of the stems you want to use and construct something new out of them.


        You can remix a single story. You can take elements from multiple stories and mash them up together. You can use outside elements as well as what we’ve provided. Anything goes.

        In the end, our top two favorites are going to become part of the next episode. Plus, our ABSOLUTE favorite gets money. 

        Here’s the catch: you only have a week from today to do it.

        The web-site, with lots more details, is here: http://www.indabamusic.com/opportunities/wnyc-radiolab-remix-contest


        Summer Audio Camp, Center for Documentary Studies, Duke University

        The amazing Center for Documentary Studies at Duke University has a few openings for their summer bootcamp. There's a stipend available for AIR members. (Sign up!) Details below.

         
        Hi all, 
        It's June, time to firm up those summer plans. How about a "vacation" to radio bootcamp? CDS's week-long intensive audio courses, the intro class in July and the more advanced one in August, are filling steadily but have spaces available. Hard to believe but this is the tenth year of our "audio camps for grownups," meaning several hundred people have completed the courses — and a bunch of them are now radio makers of many stripes. Go here for course descriptions and registration (note also the Audio Retreat  offered by our good friends from Big Shed): 
        The Association of Independents in Radio (AIR) is offering its members a $100 travel stipend to attend Hearing Is Believing I or Hearing is Believing II: Making it Sing. Five stipends for each course are available, first come, first served. So if you're not an AIR member, the stipend is one of many reasons to join.

        To apply for the AIR stipend: https://airmedia.wufoo.com/<wbr>forms/q7x1k3/

        NPR legend Alex Chadwick, now working with the environmental reporting project BURN, will be the guest presenter/teacher for the intro course in July, and the faculty for the more advanced August course includes Neenah Ellis (longtime NPR producer, now GM at WYSO) and Big Shed's Shea Shackelford. Think a radio-making course that is both rigorous and laidback with good company, great lunches, and rocking chairs on porches. You come out of either course with a finished piece. We make things as affordable as possible by finding local "friends of CDS" who'll rent you a room for much less than a hotel. 
        Any questions, contact me or my colleague April Walton: awalton@duke.edu919-660-3670.
        Cheers,
        John


        John Biewen 
        Audio Program Director 
        The Center for Documentary Studies at Duke University

        Durham, NC  27705 
        Phone: 919-660-3667 

        http://cds.aas.duke.edu/

        http://realityradiobook.org

        Documentary Makers – Apply for UnionDocs Collaborative 2012 in Brooklyn

        The UnionDocs Collaborative Studio (CoLAB) is a one-year program for a select group of 12 emerging media artists from the US and abroad. Based in one of NYC’s most exciting neighborhoods, Williamsburg, Brooklyn, UnionDocs offers a platform for exploring contemporary approaches to the documentary arts and a process for developing a collaborative project. The program consists of weekly production meetings, seminars, screenings and other public programs, along with regular masterclasses and critiques with visiting artists. Key benefits include:

        – Dynamic interaction among a network of talented peers.

        – Direct exchange with visiting artists and industry experts.

        – A structured environment for research and experimentation.

        – Mentoring on the production of original work and regular group critique.

        – Exhibition opportunities for the year's collaborative project.

        The CoLAB represents a new and alternative fellowship model, offering residency and visa support for six participants coming from abroad and an equal number of spots for local, non-resident participants. It is designed to be affordable and, although participants are asked to make the UDC their primary creative focus, the schedule does accommodate full-time or freelance work. Rather than applying with a project proposal or rough cut, all participants are selected on the basis of previous work and enter the program at square one, open to discovery and fresh connections. The CoLAB has presenting original work at premiere venues such as MoMA’s Documentary Fortnight, the Harvard Film Archive, the Visible Evidence Conference, Camden International Film Festival, Hot Docs, and Direktorenhaus, Berlin, among other venues. We expect a very competitive group of applicants, representing some of the most exciting emerging talents in documentary.

        http://www.uniondocs.org/uniondocs-collaborative/

        #fellowships #nyc #documentary

        Radio Cabaret, June 9, 7:30pm, Brooklyn

        Another super cool event from the folks at Radio Cabaret. Details below.

        +++++++++++++++++++++++

        A couple months back we announced on this list that a group of us were experimenting with the medium of radio in performance.  In March, we had our first ever Radio Cabaret at Union Docs in New York.  I'm pleased to announce that we're back for more this Saturday, June 9th.
        If you're as interested as we are in how to bring our radio work into other mediums, I encourage you to come check us out.
        The last event sold out and we had to turn people away, so get 'em while they're hot!

        RADIO CABARET

        Saturday June 9th, 7:30-9:00pm
        UNION DOCS 322, Union ave. Brooklyn NY

        Radio Cabaret is a variety show featuring documentary audio based performances. We bring the traditions of public radio to the stage through storytelling, musical performance, visual animation, theater and live interviews. Stylistically similar to a variety show or radio magazine, performances range in topic but share a common reference to the art of radio broadcast.

        This event is a living breathing hour of radio performed quarterly and hosted by our fabulous DMC (disembodied MC), Chris Berube.

        Featuring: Contortionist Amazing Amy, Laura Hadden, Brendan McMullan, Michal Richardson, Alexis Powell, & Random Tape
        for more info:
        radiocabaret.org

        Transom Story Workshop Deadline – June 15th

        Transom has extended their deadline for the Transom Story Workshop this fall – new deadline June 15. Details below.
        +++++++++++++++++++++

        A lot of people requested more time to complete their Transom Story Workshop application for the fall, so we've extended the deadline to: 11:59pm EST, June 15, 2012.


        As you may already know, the Transom Story Workshop is an eight week training for beginning radio producers in Woods Hole, MA. Our next session is scheduled for October 1 – November 30, 2012. The class is taught by radio teaching legend, Rob Rosenthal along with lots of amazing guests. For this past Workshop some of our guests included: Transom Tool guy Jeff Towne, This American Life’s, Hillary Frank and Jonathan Menjivar, producer Scott Carrier, David Krasnow of Studio 360, Kitchen Sister Nikki Silva, independent producer Ari Daniel Shapiro, and John Barth of PRX. You'll get a piece edited by Jay Allison, vocal coaching from Viki Merrick, and support from the whole Transom team.  


        Participants stay in wonderful old Cape Cod houses, with some rooms right on the water.  There are a couple of group meals each week, cooked by a famous local sea cook.  It's fun.  An amazing radio camp.  You can check Transom for reports from students who've attended, many of whom are now working in public media.


        Students leave the Workshop with a portfolio of work, their own copy of Hindenburg editing software, a PRX membership, and AIR members who are accepted into the Workshop will receive a travel stipend.


        You can find guidelines and the application all right here:


        http://transom.org/?page_id=26554


        ================

        If you have any questions, please send them to info@transom.org

        Call for Pitches from America Abroad – Religious Minorities in the Mideast

        The latest call for pitches from A.C. at America Abroad. Details and contact info below.

        ++++++++++++++++++++++

        Hi all,

        Thanks so much to all of the freelancers who rapidly (and enthusiastically!) answered my last call for pitches. The next America Abroad will focus on religious minorities in the Middle East.

        We're looking for reports that can answer questions like to the following:

        -What does the Arab Spring mean for Christians, Jews, and other religious minorities where new governments and constitutions are forming?

        -What policies of tolerance and protections of minority rights(or lack thereof) exist in the Middle East?
        -How do religious minorities fit into political systems where they are outnumbered?
        -What is the societal role played by minority Muslim sects?
        -What non-Abrahamic traditions exist in the Middle East, and where are they surviving/thriving? How do they fit into their society and its sociopolitical dynamics?

        Of course, these are just examples. Feel free to think outside the box. We're looking for pieces around 8-10 minutes in length, with good potential for natural sound and a real opportunity to take our listeners to somewhere they might never otherwise go. We also want to make a serious examination of policy, government, and how religion fits into political questions.

        The deadline for completed pieces will be June 29th, and we pay $125-$150 per minute, with higher rates dependent on a piece's quality, reporter experience, and contribution of multimedia (photos, social media participation, video, etc.)

        Please get in touch off-list at acvaldez at americaabroadmedia dot org.

        Thanks!
        A.C.

        Upcoming at UnionDocs, Brooklyn

        The latest events from UnionDocs in Brooklyn. Details below!
        +++++++++++++++++++++++

         
        Saturday, June 16 at 7:30pm. $9 suggested donation.
         
        New York-based documentary filmmaker Kathleen Foster will screen and discuss her films Afghan Women: A History of Struggle (2007) and 10 Years On, Afghanistan & Pakistan (2011). “Foster challenges viewers to examine how Afghan women have continually borne the dual costs of American imperial ambitions on the one side, and the barbarity of feudal warlords on the other.” — Prerana Reddy, Queens Museum of Art, New York.
         

        Sunday, June 17 at 7:30pm. $9 suggested donation.
        Post-Vietnam, Paul bought a trailer for his family to live in. Many bad winters (upstate, near Troy) made the mobile home unlivable, so he took matters into his own hands and started to build a house – around the trailer. He never made any blueprints. 30 years, 4 floors and 100 windows later, the house is almost done. A home movie documentary,Be Like An Ant spends some time in the house. Mike Plante in attendance for the discussion. His uncle Paul Plante, subject of "Be Like An Ant," will join via conference.

        Coming up next weekend: 

        Radio Cabaret – Summer Edition

        Saturday, June 9 at 7:30pm. $9 suggested donation.

        Radio Cabaret is a variety show where radio stories come to life before your eyes. Producers bring the traditions of public radio to the stage through storytelling, musical performance, visual animation, theater and live interviews. Performances range in topic but share a common reference to audio documentary. This hour unfolds like a living breathing radio magazine with a radio host (disembodied MC) and a variety of acts. This evening will feature the work of public radio journalists Brendan McMullan, Michal Richardson, Alexis Powell and Laura Hadden. Their performances will vary in length from five to fifteen minutes.

        Coming up this weekend:

        Nomadic Archive: Abraham Ravett presents the Works of Tom Joslin

        Saturday, June 2th at 7:30pm. $9 suggested donation.


        Abraham Ravett will screen and discuss two of Tom Joslin’s works:  Blackstar: Autobiography of a Close Friend from 1976, and the posthumously assembled work The Architecture of Mountains (2010). Ravett writes the following about the project: Before he left for LA in 1981 to pursue a career in Hollywood, documentry filmmaker Tom Joslin completed an innovated and to this day, historically significant film called Blackstar: Autobiography of a Close Friend (1976, 85 minutes, color, sound, 16mm). It was one of the first autobiographical, diary format films that addressed the issue of gay identity and coming out to one’s family. It’s a beautifully made film, formally inventive, and still resonates on many fronts.

         


        If you could help us spread the word about these events in any of your publications, we would really appreciate it. If you do end up publishing something about the events, please let us know!

        Thanks,


        Neta Alexander
        Associate Programmer
        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211
        347.820.3213

        Marketplace Ups Freelance Rates

        More good news about freelancer rates from AIR and APM's Marketplace. Hurray!!
        ++++++++++++++++++++++

        In January, we were pleased to share the news of an across the board rate increase by NPR for outside freelance and station-based contributors ( http://www.airmedia.org/PageInfo.php?PageID=19 ). June brings more good news.

        American Public Media's Marketplace will significantly increase rates paid to outside contributors, effective immediately. They have also refined their tier-based payment system, originally developed and advocated by AIR in 2008 (see the announcement below).

        This decision to increase rates comes after a period of fiscal austerity. Beginning in 2008, major programming outlets for freelancers such as APM’s Weekend America and NPR’s Day to Day, were canceled. Coupled with reduced acquisition budgets across the system, freelance producers have been particularly hard hit over the last several years. We believe this announcement is another indicator that a new chapter of opportunity and promise has opened for producers working across public media.

        We are grateful to American Public Media Senior VP and General Manager Judy McAlpine and to Marketplace Executive Producer Deborah Clark and Editor John Haas for working to implement these changes. Their efforts are reflective of APM’s on-going commitment to freelance journalists and to AIR’s vibrant and growing network of more that 850 producers across 46 states and 20 countries worldwide. We are confident that this move will serve to strengthen public media journalism and the important service that we, together, provide to citizens throughout the United States and the world.

        Sue Schardt, Executive Director
        David Freedman, President

        #####################

        For Immediate Release:  May 30, 2012

        American Public Media's Marketplace will increase rates paid to outside contributors by 8% to 20% beginning immediately. The Marketplace program portfolio, which includes Marketplace, Marketplace Morning Report, Marketplace Tech Report and Marketplace Money, serves nearly 10 million listeners each week. Marketplace also has adopted AIR’s tiered freelance journalist compensation structure, which bases compensation on three tiers pegged to the journalist’s level of experience, and the level of effort expended in producing a feature.

        The new rates are posted at the AIRmedia website:
        http://www.airmedia.org/PageInfo.php?PageID=737

        John Haas, Editor
        Marketplace
        jhaas@marketplace.org
        213-621-4659

        Links:
        NPR Rates Increase:  http://www.airmedia.org/PageInfo.php?PageID=19
        Marketplace Rates Increase: http://www.airmedia.org/PageInfo.php?PageID=737
        Join AIR: http://www.airmedia.org/signUp.php

        Occupy the Film Festival! September 15-16, New York City

        Submission deadline for Occupy the Film Festival is June 30. Details below.
        -mia

        +++++++++++++++++++++++++


        On the first anniversary of Occupy Wall Street, "Occupy the Film Festival" is bringing together the most compelling and innovative films of the movement for a weekend of screenings at Anthology Film Archives, the premiere independent cinema in downtown New York City. Festivities will include prominent guest speakers, an Occupy photography exhibit by award-winning photographers, an Occupy fashion show, and guerrilla projections by the famous Illuminator.

        The festival is organized by a coalition of radical mediamakers and activists, with the support of many well-known alternative media groups around the city and country.

        We are now inviting submissions via our website and would be very honored to receive yours by June 30, 2012:

        http://occupythefilmfestival.com/

        Please pass this message on far and wide. We'd like to reach all 99% filmmakers!

        In solidarity,
        Michelle Fawcett
        occupythefilmfestival@gmail.com

        SOTRU Call for Interns, application deadline June 5

        Hey folks. State of the Re:Union is looking for their next round of interns. It's about 10 hours/week, unpaid, but you can work from anywhere and learn with a great group of radio folks. Details below!
        -mia
        ++++++++++++++++++++++++++

        State of the Re:Union (SOTRU) is a dynamic NPR show that combines hour-long radio documentary episodes with short videos, photography,

        music and blog posts to reach audiences online and over the airwaves. For each episode, SOTRU travels to a different American city or town.
        Our mission is to tell stories that bring American life into focus, examining the things that divide us as well as the ties that bind us together. We currently air on more than 200 stations across the U.S.

        SOTRU currently has several openings for interns for our next production season, June 15 – September 30 (candidates are very welcome

        to start earlier if available). Duties include transcribing interviews, story research, pre-interviewing, and podcast / multimedia
        production. Interns are invited to listen in on editorial calls with our host, editor and radio producers as we shape each episode, story by story.

      • We have a new position available this summer for one person to intern with award-winning independent producer Lu Olkowski on a special hour-long episode that Lu summarizes this way: "This is a story about a pint-sized community in Appalachian Ohio whose residents appear to be white yet cling to the notion that they are, in fact, black." This would be an extraordinary opportunity to dig into American notions of race in a deep, considered way, and to get exposure to long-form documentary production.*

        To be considered for a SOTRU internship, you should have a strong creative background, solid writing skills and be able to take
        direction. Self-starters who value attention to detail have particularly enjoyed interning with us. Audio and video editing skills
        are very welcome. Our staff works remotely, and you can too; people anywhere in the U.S. can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy weeks.

        You can read more and listen to the show right on our website, www.stateofthereunion.com. If interested, please submit a cover letter and resume by June 5 to:

        internships(at)stateofthereunion(dot) com

        We will evaluate candidates on a rolling basis, so earlier applicants may snap up available positions. Thanks for reading and spread the word!

      • Audio Engineer Needed, NYC

        Hey NYC audio folks – interesting opportunity for the right producer/engineer. Details below.
        -mia
        +++++++++++++++++++++++

        I am a host moving from a prerecorded environment to a live show in New York City Metro. The show will air 9am – 11am M-F. I need to find a producer/audio engineer/BFF–who needs very little sleep (at least for the first month)–to be my right arm, left foot and, frankly, my spine.

        Please don't send me any attachments. I do not want anything fancy. All I want to know is the following: (1) What is your work history, (2) links to any audio/visual samples, and (3) the exact amount you would expect to make per a YEAR for the FIRST year of the show being on air. [Send items to: studio@urrepublic.com].

        For the corporate types, the professional job advert is below:

        Title: Audio Engineer/Creative Producer
        Hire Type: Full-Time or Part-Time (depending upon experience/knowledge)
        Hire Date: 21 June 2012
        Initial Contract Term: 26 June 2012 – 25 June 2013
        Work Days: M-F, occasional weekend/holiday work (extra days are paid extra)
        Work Time: 5:30AM – 12:30NOON (1st month will be longer days and late evenings)
        Base Pay Range: (TBD)
        Benefits/Perks: No-Benefits at this time
        Supervisor: Show Host

        Overview:

        New live broadcast show needs an audio engineer/producer: This person MUST have a good ear and be responsible for:

        General supervision of the broadcast clock, interns, guests and callers

        Development/supervision of show imaging and music
        Operations for the broadcast console, sound board/jingle palette
        Monitor of live audio/video stream
        Get/keep the show on the air on time every day
        Programming of breaks including adverts, social service announcements
        Other duties often related to the production of the show

        Preference will go to producers that: (a) posses solid and creative production/music/audio skills; (b) have some commercial radio experience; and (c) is funny.

        America Abroad seeking US pitches

        Hey folks. A quick turn-around opportunity with America Abroad. Shoot an email to A.C. if you want more information, and to get on his list for future calls for pitches.

        -mia

        ++++++++++++++++++++++++

        You might know me as Diane Rehm's former call screener and a longtime independent producer in my own right. Recently I was hired as a producer for America Abroad, PRI's monthly show on international affairs.

        I'm working right now at growing my rolodex of reporters both here in the US and abroad, and since we focus primarily on international affairs, I'm very excited to connect with anybody who might want to help us out in the future, particularly if you're an expat reporter.

        However! This month we're looking to make a local/global connection happen. We're focusing on water issues all over the globe. What we're trying to do is tie a water-related issue in the US into the water crisis in the world at large, either in terms of sanitation, water recycling, irrigation, solving scarcity problems, policies that need to be examined in terms of environmental cleanup, that kind of thing.

        If you're from a dry area of the US, know of any exciting technological innovations that are happening here and can be applied to other places, are familiar with river issues in your area that apply elsewhere, or have another story you're willing to pitch, I want to hear from you! Here's the challenge, though: we're looking to have a story ready to go by the 5th of June (we feed to stations on the first Tuesday of each month).

        Please shoot me a note off-list at acvaldez@americaabroadmedia.org.

        Thanks!
        A.C. Valdez

        Free NYC Event May 29 “Throw Like a Girl – Pitching the Hell Out of Your Stories”

        This promises to be a great event, hosted by NYT's Amy O'Leary – directed at women but open to all, and it's FREE! Details below.
        -mia
        ++++++++++++++++++++++++

        FACEBOOK INVITE
        https://www.facebook.com/events/134503483350516/

        PANEL DESCRIPTION:

        Grab your notebooks and mark your calendars – Her Girl Friday is thrilled to announce our upcoming event:

        "Throw Like a Girl: Pitching the Hell Out of Your Stories"

        A free panel with the best editors in the business, hosted by New York Times reporter Amy O’Leary.

        WHEN: Tuesday, May 29
        WHERE: Public Assembly

        70 North 6th Street, Brooklyn, NY
        TIME: 7pm-9pm, followed by a boozy mixer (DJ tbd)

        A few months ago, VIDA released its 2011 count comparing female and male bylines in major publications. As usual, the results were pretty dismal. 

        The Atlantic? 235 male bylines and 91 female ones.
        The New Yorker? 459 dudes, 165 ladies.
        Harper's? 141 men, 42 women.

        When the editor of Harper's was asked about the gender disparity, she explained, "The dearth of female bylines is an industry-wide issue. There may be some sort of a historical hangover from past years that has resulted in us getting fewer pitches from female writers, but I would like to change that equation."

        All this got us thinking: How do we change the equation? 

        WE PITCH. MORE. STORIES. 

        While we're at it, why not learn a few tips from some of the best editors in the business?

        Our panelists are:

        Evan Ratliff, founder of The Atavist
        Carolyn Ryan, Metro editor of The New York Times
        Jessica Pressler, contributing editor to New York Magazine
        Katherine Lanpher, award-winning print and broadcast journalist and teacher at the Op-Ed project.

        Oh, and the best part? 
        It's FREE.

        *Dudes are totally welcome to attend.

        KUOW Program Venture Fund seeking project proposals, deadline June 15

        The great folks at KUOW in the Puget Sound just announced their latest call for proposals. Details HERE and below. Good luck!

        -mia

        +++++++++++++++++++++

        KUOW Program Venture Fund Grant Round 21

        Beginning Monday, May 7, KUOW we will begin accepting project proposals for Round 21 of PVF. The PVF provides special support for staff and independent producers to develop new programming focused on the Puget Sound region in Washington state.

        Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces. There is no set format. Be creative. Think of a PVF grant as seed money for that radio project you’ve always dreamed of doing. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

        Important: Before submitting a full application you need to send me a short description of your project, no longer than a page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website (see below).

        The application deadline is Friday, June 15, 2012 at 5:00 pm (PT)

        For application information go to www.kuow.org/pvf

        Contact: Jim Gates – jgates@kuow.org

        We look forward to hearing your radio ideas! Below are links to past PVF projects.

        Jim Gates
        Senior Editor

        KUOW 94.9 – Puget Sound Public Radio

        206.221.0747

        www.kuow.org

        Check out our most recent PVF projects:

        More Than A Tree:
        Reporter: Sarah Waller
        http://kuow.org/specials/more-than-a-tree.php

        Refugees In Puget Sound: Navigating A New Home In The Northwest
        Reporter: Jessica Partnow
        http://kuow.org/specials/refugees-in-puget-sound.php

        Announcing the Media Ideation Fellowship program

        Interesting new opportunity from the Instructional Telecommunications Foundation. Help spread the word – details HERE and below.
        -Mia
        +++++++++++++++++++

        Hi all,

        I'm excited to send a sneak peek of a the Media Ideation Fellowship, a program that I've been working on with The Instructional Telecommunications Foundation. Read on and feel free to contact me with any questions, etc.

        The Media Ideation Fellowship program (www.mediaideation.org) is a mixture of paid three- and six-month fellowship opportunities to young technologists and changemakers who want to solve some of our nation's toughest social problems. The application process will open in Fall 2012, and we're hoping to recruit a diverse set of five early career individuals and graduate students in our inaugural year. Fellowships will start in early 2013.

        Each fellow will receive financial support, be matched with a mentor who can help bring their ideas to life, and be connected to a vibrant network of progressive technologists and change makers.

        Here are two easy ways to stay in the loop as we prepare for launch:

        How you can help: We are committed to recruiting a diverse set of fellows, and as such, communities like this list will be invaluable. Here's how you can help spread the word: 
        • Share this email with potential fellowship candidates.
        • Become a mentor. If you're a veteran of the start-up space or consider yourself a seasoned entrepreneur, drop me a line. You could be a tremendous resource to a young leader. Email me for more details.
        • Be a connector. Do you know great communities that would make for good recruiting ground? Are you involved in any academic programs that focus on social justice and social ventures? Please, email me with names of institutions and organizations that we should know about.
        I'll be at AMC, Netroots Nation, and PDF this June and would be happy to meet with folks who are interested in learning more. Drop me a line and we'll set up a time to chat.

        Best,

        Erin

        2012 Producers Institute for New Media Technologies at BAVC, final deadline July 6

        Great opportunity with BAVC this fall. Details HERE and below. Deadline July 6.
        -mia

        ++++++++++++++++++++++++++

        Announcing BAVC's 2012 Producers Institute for New Media Technologies

        BAVC's 2012 Producers Institute for New Media Technologies is now accepting applications. Through a competitive process, BAVC will engage a panel to select at least six of the world's most promising and important social issue documentary projects to participate in a week-long new media and social impact laboratory in San Francisco in October 2012.

        Selection for this year's cohort will focus on documentary films and transmedia projects that have the greatest potential to catalyze action around contemporary social justice issues, with an emphasis on projects that highlight themes of economic justice, educational opportunity and human rights.

        Filmmakers will apply with partner organizations that already work with the communities they mutually seek to reach, educate, inspire and move to action. Impact mentors will help the participating teams establish mutual goals and outreach strategies and track the resulting projects over the course of the implementation year.

        For more information and to apply — http://www.bavc.org/producersinstitute

        2012 Third Coast/Richard H. Driehaus Foundation Competition, final deadline July 9

        Hey folks. It's time for the Third Coast International Audio Festival Competition. Early deadline is June 18th, final deadline July 9. Entry fees range from $30-75. Details HERE and below. Good luck!

        -mia

        PS: Drop me a line if you plan to go to the festival in October – I'd love to see some FC folks there!

        ++++++++++++++++++++++++++++++++

        2012 THIRD COAST/RICHARD H. DRIEHAUS FOUNDATION COMPETITION

        NOW ACCEPTING ENTRIES! 

        The Third Coast/Richard H. Driehaus Foundation Competition seeks the best audio work produced worldwide in the following categories: Best Documentary (Gold, Silver, Bronze, Directors’ Choice, Honorable Mentions), Best New Artist, Radio Impact and Best News Feature.

        Winning producers will receive prizes ranging from $1000 to $4000, a license for Hindenburg Journalist Pro editing software and free registration to the 2012 Third Coast Conference, October 5-7 in Evanston, IL.

        Winning will also be celebrated at the Third Coast Awards Ceremony on the final evening of the Conference, and their programs will be heard by a national audience this fall in Best of the Best: The 2012 Third Coast Festival Broadcast, distributed by the Public Radio Exchange (PRX).

        Other outstanding entries from the competition may be presented on our weekly radio show Re:sound (on WBEZ, Chicago), on this website and at public listening events in Chicago and beyond. Entrants will be notified and compensated if/when their work is featured.

        All producers who enter are eligible for a discounted year’s membership with PRX.org.

         

        JUDGING

        Competition entries are judged by panels of accomplished audio producers, along with media professionals in related fields such as film, photography and print.

        Judges consider the degree to which the entries – of all styles, lengths and subject matter – relate their stories successfully. Story choice, technical quality, editorial integrity, creativity, writing and use of sound all factor into the selection of the winners.

        All decisions are final.

        MORE INFORMATION

        Awards

        Entry Guidelines

        FAQ

        Upload your entry

        2 spots left in Catskills Audio Retreat, May 18-20

        My friends are hosting what promises to be an enlightening audio retreat at their home in the Catskills, May 18-20. Improve your skills with two of the most experienced and creative audio folks in the biz! Plus its awfully pretty around here this time of year. Details below.
        -mia
        +++++++++++++++++++++++++

        There are two openings left for our Springtime Audio Retreat. We're two hours north of NYC; the dates are May 18 20th.

        All the Best;
        Jim

        Sounds, Stories and Springtime – An Audio Retreat
        Spend a weekend in the Catskills honing your recording and storytelling skills while reinvigorating your creative spirit. Join Jim Metzner and Eileen McAdam for an immersive experience in field recording, listening, and learning how to use sound to bring stories to life. This retreat offers personal attention while leaving room for reflection and community.

        • Explore the use of sound to illustrate stories and set a mood
        • Expand your audio palette
        • Experiment with binaural, stereo and parabolic microphones
        • Receive individualized feedback for your work

        Jim Metzner has pioneered the use of sound in radio features and multi-media projects. Best known for his award-winning series Pulse of the Planet, his work has been featured in National Geographic, All Things Considered, Marketplace, Weekend Edition, the New York Times, the Wall Street Journal, Audio Magazine, and the Today Show.

        Eileen McAdam is the co-founder of the World Sound Foundation and the producer of the Hudson Valley Sound and Story Project, Tales of Two Cities Audio Tour and StoryScape Hudson Valley, and a recipient of five major grants.

        Special Guest: Emmy Award Winning musician Steve Gorn
        Saturday Night Barbecue!

        May 18 – 20, 2012
        $450/person, all meals included; camping available. Attendance limited to 8 intermediate to experienced audio/media producers. Contact: emcadam@hvc.rr.com or call 845-338-0464

        http://jimmetznerproductions.com/workshop

        The Audible Picture Show comes to NYC!, May 8, 6:30pm

        And another cool NYC event coming up. This one in Brooklyn, May 8.
        -mia
        +++++++++++++++++++++++++++++

        Just want to spread the word about a creative audio event taking place next Tuesday!

        NYC producers and friends I encourage you to indulge in an hour of sonic exploration:

        THE AUDIBLE PICTURE SHOW
        What! No pictures?
        The Audible Picture Show is a totally unique cinema experience – an international touring show of short audio works to be enjoyed in dark cinemas, mixing a diverse range documentary, spoken word, experimental and musical works. During its decade long international tour the show's been to the Third Coast International Audio Festival, Garage Moscow and Rotterdam Film Festival and includes works by renowned musicians Momus and Max Richter, artists Torsten Lauschmann and Helena Gough, radio artist Julie Shapiro, and film makers Andrew Kotting and Tony Hill.

        On Tuesday 8th May (6:30pm) it reaches reRun GastroPub Theater and will premiere a new work by Brooklyn radio artist Kaitlin Prest. Curator Matt Hulse will be present for Q&A at the close of the picture show.

        Hope to see you there, it's going to be fun 🙂

        http://www.facebook.com/events/365387596841556/

        The Hustle – Freelancing in Radio

        The CUNY Graduate School of Journalism is hosting a panel on freelancing in radio. It's a great line up – don't miss it! Details HERE and below.

        -mia

        +++++++++++++++++++++++++++++

        The Hustle: Freelancing in Radio…and Other Media, Too

        Friday, May 4, 2012 from 4:30 PM to 6:30 PM (ET)

        It takes more than good sources and writing chops to make it as a freelancer in radio. To pay the bills without a boss, you need strategy, time management skills, smart pitches, good contacts…and an eye for opportunity.

        Two successful freelancers will explain how they mix and match media, topics, and beats to deliver the goods. You’ll also hear from editors about what they look for in a story and the storyteller. Julie Snyder of “This American Life” and David Krasnow of “Studio 360″ will take live pitches from graduate students at the CUNY J-School and give their raw, unedited feedback.

        Bring your questions, we’ll provide great radio conversation, banh mi, and beer.

        Free for CUNY J-School students and alumni
        $5 for everyone else
        RSVP to Lili Grossman, lili.grossman@journalism.cuny.edu

        Panelists:

        Alex Goldmark (moderator) has served several roles at WNYC – New York Public Radio, including senior Producer, reporter, and editor. Before that, he was an executive producer of two shows at Air America Radio. He has reported locally and internationally on business, social enterprise, arts, technology, justice, and media for over a dozen radio programs, including NPR’s “Morning Edition,” “On The Media,” and APM’s “Marketplace.” He writes for such publications as Fast Company andGOOD magazine.

        David Krasnow is the senior editor of “Studio 360 with Kurt Andersen,” public radio’s weekly national program on the arts and pop culture. As an editor and writer, he has worked in various media covering music, art, design, land use, history, science, and health care. Formerly the reviews editor ofArtforum, he has contributed to the Village VoiceJazz TimesMetropolisThe New York Observer, andThe Wire, and remains a contributing editor for Bomb. He teaches radio writing to print journalists at Mediabistro and has appeared as a panelist at the Third Coast International Audio Festival and the Public Radio Program Directors conference. He began filing for “Studio 360″ with a profile of experimental musician Pauline Oliveros and joined the staff in 2003. For the program’s American Icons series, he produced features on Andy Warhol’s soup cans, the folk ballad “John Henry,” and Jimi Hendrix’s “Star-Spangled Banner.” He was first on air at age 17 on his college station, WESU.

        Monica Miller works as a freelance reporter covering current events, politics, and breaking news for various news organizations across New York, New Jersey, and Pennsylvania. Her work has been heard on CBS Radio, NPR, WHYY, WBGO, WABC, and WOR. She has also worked as a reporter for the largest 24-hour television news network in the region, News 12 New Jersey, and written for thePhiladelphia Inquirer and The Times of Trenton. In 2003, Monica produced the two-part series, “Jazz Under the Nazi Regime” which won her regional awards for Best Radio News Series. Monica was also honored by the North Hudson Islamic Educational Center and the Muslim and Arab Communities of New Jersey for her work covering the Islamic community after the 9/11 attacks.

        Julie Snyder is the senior producer at Public Radio International and WBEZ’s “This American Life.” That means she’s in charge of finding material for the program. Hundreds of people wrote to the show after hearing her story about battling the phone company in episode 253. Before joining “This American Life,” she was a reporter for WGN radio in Chicago, and was news director at KZSC, Santa Cruz’s public radio station.

        SPJ Eugene C. Pulliam Fellowship for Editorial Writing, deadline June 22

        Another opportunity from the SPJ – this one is a fellowship for editorial writing, deadline June 22. Details HERE and below. -mia

        ++++++++++++++++++++++++++

        Eugene C. Pulliam Fellowship for Editorial Writing

        Postmark deadline for entries: June 22 


        (If you're looking for the Pulliam First Amendment Award, it can be found here)


        The Eugene C. Pulliam Fellowship was established to enable a mid-career editorial writer or columnist at a U.S. newspaper to have time away from daily responsibilities for study and research. The cash award allows Pulliam Editorial Fellows to:

        — Take courses
        — Pursue independent study
        — Travel 
        — Pursue other endeavors that enrich their knowledge of a public interest issue

        History

        The Eugene C. Pulliam Fellowship is a Sigma Delta Chi Foundation educational program of the Society of Professional Journalists. The Society first offered the fellowship in 1977. It is funded by a grant from Mrs. Eugene C. Pulliam honoring the memory of her husband, one of the original members of the Society, which was founded in 1909 as Sigma Delta Chi. Eugene C. Pulliam was the publisher of The Indianapolis Star, The Indianapolis News, The Arizona Republic and The Phoenix Gazette.


        What the fellowship provides

        The Pulliam Fellowship awards $75,000 to an outstanding editorial writer or columnist to help broaden his or her journalistic horizons and knowledge of the world. The annual award can be used to cover the cost of study, research and/or travel in any field. The fellowship results in editorials and other writings, including books.


        Eligibility requirements

        To be eligible for a Pulliam fellowship, a candidate must:

        — Hold a position as a part-time or full-time editorial writer or columnist at a news publication located in the United States.
        — Have at least three years experience as an editorial writer or columnist.

        — Demonstrate outstanding writing and analytical abilities.
        — Secure assurances by the editor or publisher that the applicant will be allowed sufficient time to pursue the fellowship without jeopardizing employment. (Fellows do not have to leave their jobs.)

        — Demonstrate ability and intent to publish work within 18 months of selection. (If selected, work must be published within 18 months of receiving the fellowship).

        The selected applicant must provide a post-fellowship written report on how funds were used. Each Fellowship recipient will become a mentor to the following year’s recipient. 

        Application

        The Fellowship has no formal application form. Each applicant should submit the following materials:

        — A cover letter stating the purpose and nature of the proposed study, a time line for accomplishing the work, and a plan for how the stipend will be used. The cover letter should contain complete contact information for the applicant including mailing address, telephone number and e-mail address. 

        — The editor’s endorsement. 
        — A one-page professional biography and summary of professional experience.
        — Five samples of editorials or columns. (Please submit on 8.5 x 11 paper).

        Applications for the Eugene C. Pulliam Fellowship should be sent to:

        Pulliam Editorial Fellowship 
        Eugene S. Pulliam National Journalism Center
        3909 N. Meridian St.
        Indianapolis, IN 46208

        All entries must be in English. Applications must be postmarked by June 22nd. If selected, applicant should consult with their financial and/or tax adviser. Any tax implications associated with the Fellowship are the responsibility of the Fellowship recipient. 


        Selection and Presentation

        A panel of judges will review materials submitted by all the applicants and select the Fellow. The Fellowship presentation will take place during the 2011 National Conference of Editorial Writers Convention.


        Questions?

        For more information contact SPJ Headquarters at 317/927-8000 or by e-mail: awards@spj.org

        SPJ Eugene S. Pulliam First Amendment Award, deadline June 22

        Hey folks. The SPJ has announced their upcoming First Amendment Award, deadline June 22. Details HERE and below. -mia

        +++++++++++++++++++++++

        Eugene S. Pulliam First Amendment Award 


        Postmark deadline for entries: June 22 


        (If you're looking for the Pulliam Fellowship for Editorial Writing, it can be found here)


        The Sigma Delta Chi Foundation presents the Eugene S. Pulliam First Amendment Award to honor a person or persons who have fought to protect and preserve one or more of the rights guaranteed by the First Amendment.

        Mr. Pulliam, who died in January 1999, was publisher of The Indianapolis Star and The Indianapolis News until his death and was well-known for consistently supporting activities which educated the public about First Amendment rights and values. The Foundation has established this annual award to honor those committed to the same goals and as a tribute to the professional contributions that he made to journalism.


        About the Award

        Annually at the Society of Professional Journalists National Convention, the Sigma Delta Chi Foundation will honor an individual, group of individuals or organization with a $10,000 cash award and an engraved crystal. The honoree(s) also will receive transportation (airfare and two-night hotel stay) to the national convention. (Additional travel costs are the responsibility of the award recipient). 


        Eligibility

        Nominations are open to any person, persons or organization in the U.S. or its territories who have worked to protect the basic rights provided by the First Amendment. Honorees do not have to be journalists. In fact, the Foundation encourages recognition of those outside the journalism profession for their First Amendment efforts and initiatives, such as, but not limited to, public officials, members of the legal profession, scholars, educators, librarians, students and ordinary citizens.


        Nominations

        Nominations for the annual award may be made by anyone, inside or outside of the journalism profession. 

        Nominations should include:

        — Completed entry form

        — Three signed letters of nomination or one letter endorsed by three individuals or organizations.
        — Nomination letter should detail the specific efforts taken on behalf of the protection of First Amendment rights; obstacles and difficulties encountered; and impact made as a result of those efforts how they have contributed to the protection of the First Amendment.

        — Supporting materials may consist of published or broadcast materials, documentation of service or lifetime achievement or any appropriate materials. Provide 5 copies of all supporting materials.

        — Entries become the property of the Sigma Delta Chi Foundation. They may be republished for general distribution or used to publicize the award. Submitted materials will not be returned. 
        — Nominations are automatically considered for two years after initial submission. 

        — There is NO entry fee.

        Deadlines

        Nominations must be postmarked on or before June 22nd. Nominations Should be Mailed to:

        Eugene S. Pulliam First Amendment Award
        Sigma Delta Chi Foundation
        3909 N. Meridian St.
        Indianapolis, IN 46208

        For More Information

        For more information contact SPJ Headquarters at 317/927-8000 or by e-mail: awards@spj.org. If selected, applicant should consult with their financial and/or tax adviser. Any tax implications associated with the award are the responsibility of the award recipient.


        The Eugene S. Pulliam First Amendment Award is a program of the Sigma Delta Chi Foundation. More about Mr. Pulliam’s distinguished career can be found in The Indianapolis Star’s online library.

        Upcoming at UnionDocs

        The latest from UnionDocs for you NYC folks.
        -mia
        +++++++++++++++++++++++

        Future Events at UnionDocs:


        Everything’s Personal: Documentaries and Narrative Shorts from the New School


        Monday, May 14 at 7:30pm. $9 suggested donation.

        Independent filmmaker Caveh Zahedi, best known for his autobiographical films, also teaches a personal documentary class at the New School in which students are asked to make a film every week on a given topic. “The Personal Documentary” showcases the work of his students. All of the films are approximately 3 minutes long, and all of them were made in 2012. This evening will also include Narrative shorts from the screen studies senior seminar eugene lang college of the New School.

         

        The Future Well-Made: On the Conditions for a Personal Vision


        Saturday, May 19th at 7:30pm. $9 suggested donation.

        A theoretical nuclear physicist, a media critic and a philosophy of religion professor reveal the mechanisms and the framing devices they use for envisioning the future. Paul Levinson, Agnes Mocsy and Michael Waltemathe in attendance for discussion. Moderated by Tom Klinkowstein.

        Holocaust Reloaded: Israeli Artists Deconstruct Trauma,History and Commemoration

        Sunday, May 20 at 7:30pm. $9 suggested donation.


        We will be screening four provocative, original and fascinating works commenting on the loaded history of artistic depictions of the Holocaust. Rona Yefman and Tamar Latzman in attendance for screening and discussion moderated by UnionDocs' Associate Programmer Neta Alexander.


        Coming up next weekend: 


        Between Perp Walk and Victory Dance: Thoughts on Sex, Money and color TV

        Friday, May 11 at 7:30pm. $9 suggested donation.


        On May 14, 2011, Guinean Sofitel housekeeper Nafissatou Diallo accused the then president of the International Monetary Fund, Dominique Strauss Kahn of France, of forcibly and violently trying to have sex with her. Haig Aivazian will be revisiting the details of the so-called DSK saga as it unfolded in the media over the course of the past year. His findings will serve as a tool to advance alternate and underlying readings of the scandal and how it televises and visualizes the intersections of class, race, gender, sex, money, power and journalism.


        Local News: Three Neighborhood Films by John Smith

        Saturday, May 12th at 7:00pm. $9 suggested donation.

        Between 1988 and 1996, John Smith made three quasi-documentary works that register the disastrous effects of the construction of the M11 Link Road on the filmmaker’s East London neighbourhood. While all three function to preserve the memory of this vanishing landscape, and implicitly participate in the large-scale protests that met the highway’s construction, Smith — one of England’s most consistently inventive avant-garde filmmakers — puts the material to various suggestive uses, crafting three very different formal investigations whose unfolding stimulates a profound reflection on memory, time, history, and the lived experience of the city.

        Coming up this weekend:

        Branded Documentary – Work and Play

        Saturday, May 5th at 7:30pm. $9 suggested donation.

        We look where documentary, marketing, music, and interactive design can meet to produce the “bread and butter” to fuel your creative practice. There is a long history of documentarians creating for clients – we will examine this relationship and try to find that happy place between work and artistic practice. This panel will bring together Ari Kuschnir and Scott Thrift (m ss ng p eces), David Usui and Ben Wu (Lost & Found Films). Moderated by Tom Roston (PBS POV).

        Scene: Brooklyn – A Master Class with Filmmaker Jem Cohen

        Sunday, May 6th at 2pm. $20.

        Filmmaker Jem Cohen will screen and discuss rarely seen films including Real Birds, the Patti Smith portrait, Long for the City, some of the Gravity Hill Newsreels (about Occupy Wall Street) and excerpts from recent projects including the multi-screen live show,We Have an Anchor, and his upcoming feature.

        Kinetic Cinema: Screening and Discussion with Amy Ruhl

        Monday, May 7th at 7:30. $9 suggested donation.

        Filmmaker Amy Ruhl curates a provocative program of Kinetic Cinema that examines how the female body, under the unique technology of cinema, has been the primary source of spectacle since the beginnings of film. Amy Ruhl, Kerrie Welsh and Amy Greenfield in attendance for screening and discussion. Presented with Pentacle’s Movement Media

        If you could help us spread the word about these events in any of your publications, we would really appreciate it. For more information about these events, please check out the links bellow. If you do end up publishing something about the events, please let us know!

        Thanks,


        Neta Alexander
        Associate Programmer
        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211
        347.820.3213

        CaFE

        Hey folks. This site – callforentry.org is kind of awesome. Thanks to original FC member Marissa Aroy for passing it along! Lots of opportunities posted here.
        -mia

        ++++++++++++++++++++

        Dear CaFE™ Artist,

        New opportunities are listed on CaFE™, and many application deadlines are approaching. See what new opportunities you can apply to below. You can login to CaFE here or go to www.callforentry.org to apply to one of these opportunities. Unless otherwise noted, all deadlines in CaFE™ occur at 11:59 PM Mountain Time (Denver, CO USA)

        Upcoming Deadlines – APPLY TODAY!

        Showcase Noir: African American Artist and Designer Market

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        Event Dates: 6/2/12 – 6/3/12
        Entry Deadline: 4/30/12

        Showcase Noir: African American Artist and Designer Market, a project of the Pittsburgh Cultural Trust's Department of Education and Community Engagement, presents a fine art and fine craft artists' market that celebrates African American artistic expression. The two-day event will take place June 2 – June 3, 2012, in the heart of Pittsburgh's Cultural District. The event will be outdoors beneath a canopy on the corner of Penn and Eighth Street, positioned between two stages during the Pittsburgh Jazz Live International Festival, during the annual Three Rivers Arts Festival. We invite you to apply and celebrate with us this summer.

        Wheat Ridge, CO Meet the Artist Event

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        Entry Deadline: 4/30/12

        The Wheat Ridge Cultural Commission is seeking to contribute to the vitality of the Wheat Ridge Arts community by presenting our own local artists to the community. The Commission is sponsoring a series of "Meet The Artist" events which will take place at various businesses throughout Wheat Ridge on a monthly basis. Each artist selected will be featured at a designated business and will have the opportunity to display their artwork and make a presentation of their work to the public. ARTIST ELIGIBILITY: Open to artists whose primary residence or artist’s studio is in Wheat Ridge, Colorado.

        2012 MACAA Members Juried Exhibition

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        Fee: $15.00 (2012 MACAA Members Juried Exhibition )
        Entry Deadline: 5/1/12

        The Elaine L. Jacob Gallery (ELJG), Wayne State University (WSU), Detroit, MI presents a call for entries for the Mid-America College Art Association (MACAA) Members Juried Exhibition. The exhibition dates are August 3 – October 6, 2012. The exhibition coincides with the 2012 MACAA Conference in Detroit, hosted by WSU’s James Pearson Duffy Department of Art and Art History. The conference dates are October 3 – 6, 2012. A reception for the exhibition will be held at the ELJG on October 5 from 5-8PM and will include a conference keynote speaker at the Schaver Music Recital Hall (next door to the gallery) from 6-7:30PM. ABOUT THE JUROR Michelle Perron: Director, College for Creative Studies Center Galleries + Woodward Lecture Series and Director, Kresge Arts in Detroit.

        4th Annual Loveland Art Studio Tour

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        Fee: $15.00 (Loveland Art Studio Tour Application Fee)
        Entry Deadline: 5/1/12

        The 4th Annual Loveland Art Studio Tour is held the 2nd weekend in October and is open to artists living in Loveland, CO. This juried exhibition is an exciting opportunity to showcase and invite collectors into artist’s studios. This event is organized to enhance recognition of the wonderful art community in Loveland and show visitors the quality of work being produced here.

        Port of Portland North Tunnel Art

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        Entry Deadline: 5/1/12

        The Port of Portland (Port) is requesting statements of qualifications (SOQs) from respondent artists or artist teams capable of contracting with the Port for the Port’s commission of a work of public art in a 1,030’ long subterranean pedestrian tunnel at the Portland International Airport (PDX) in Portland, Oregon. The artwork budget must not exceed $500,000. The deadline for submission of SOQs is May 1, 2012, 11:59 PM, MST. The Port intends to issue a Request for Proposals (RFP) to up to five (5) respondents whose SOQs indicate to the Port that they are highly qualified for the project.

        City of Thornton: Art in the Park

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        Entry Deadline: 5/1/12

        The Thornton Arts, Sciences and Humanities Council (TASHCO) through the City of Thornton, Colorado, is requesting proposals in an open competition. We’re seeking Colorado artists to produce bench sculptures to be placed at the Margaret Carpenter Recreation Center Multi-purpose site at 11151 Colorado Blvd., Thornton, CO 80233.

        WEAD l Ecological Maintenance Art

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        Entry Deadline: 5/2/12

        EcoFeminist l Maintenance Art is a group exhibition comprised of artists who are members of the WEAD–Women Environmental Artists Directory and whose work speaks to taking care of the planet and sustaining nature—ways that women maintain or nurture the earth that are sometimes seen as distinctly feminine. The works will be presented June 15 – September 28, 2012 at the Marin Community Foundation (MCF) offices in Novato, California. An opening reception will be on June 28. Jurors include WEAD co-founder Susan Leibovitz Steinman, San Francisco artist Bonnie Sherk, Bay Area curator Randy Rosenberg, Los Angeles gender studies professor Gloria Orenstein, and ecoartspace founder Patricia Watts who is organizing the exhibition. Approximately 150-170 pieces will be selected with no more than three works per artist. 2D only from artists outside the Bay Area, and also 3D if the artist lives in the Bay Area and can deliver works. Entry Deadline is May 2nd. The show is open to all US! based artists 18 yrs. and older who are currently members of WEAD–Women Environmental Artist Directory, or become members by May 2, 2012.

        Flanders Nature Center/Blue Horse Arts: Plight of the Pollinators

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        Fee: $25.00 (Flanders Nature Center/Blue Horse Arts: Plight of the Pollinators)
        Event Dates: 6/2/12 – 6/22/12
        Entry Deadline: 5/4/12

        Plight of the Pollinators: A Call to Artists Flanders Nature Center and Land Trust, in conjunction with Blue Horse Arts Studio, located in Watertown, Connecticut, seeks artwork for an upcoming exhibition in June, 2012. Artists will be challenged to create works of art inspired by nature and/or critical environmental issues. This “Art of the Earth” series of events will encompass seasonal group exhibitions starting this spring with an initial call for art and multimedia creations for a “Plight of the Pollinators” exhibition. This exhibition will be open to the local and online community in an effort to raise awareness of the vital importance of the role of pollinators in maintaining the health of our food and eco-systems. Partial proceeds from the sale of work from the exhibition and entry fees will be donated to Flanders Nature Center and Land Trust’s environmental educational programming.

        Metro Nashville Arts Commission RFQ KVB Roundabout Public Art Project, Nashville,TN

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        Entry Deadline: 5/4/12

        The Metro Nashville Arts Commission (Metro Arts) is soliciting artists to design, fabricate and install artwork(s) at a newly constructed roundabout located at 8th Avenue, Lafayette Avenue and Korean Veterans Boulevard. The project budget allocates $750,000 for one artwork or multiple, related artworks. The public art project is open to established professional artists with a minimum of two years professional experience and experience with commissioned work budgets of at least $500,000.

        City of Seattle: Art Interruptions

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        Entry Deadline: 5/4/12

        Art Interruptions is seeking artists to create temporary art installations along Greenwood Avenue North and the Central Waterfront for six weeks during the summer of 2012. Art Interruptions encourages artists to install artworks on city sidewalks and parks and offer passers-by a brief interruption in their day, giving a moment of surprise, beauty or humor. Possible locations for artworks include street and park infrastructure/furniture (utility poles, trees, tree pits, walls, railings, stair risers, etc.). Up to 12 artists will be selected to develop a series of artworks in summer 2012. The call is open to artists residing in Washington state. The application deadline is 11 p.m., Friday, May 4.

        Rhode Island State Council on the Arts: Wickford Junction Station

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        Entry Deadline: 5/4/12

        Artwork for the facade and grounds of the Wickford Junction Train Station, 1051 Ten Rod Road, North Kingstown, RI, will be commissioned through Rhode Island’s Public Art Law, which mandates that 1% of all state capital construction and renovation funds be allocated to the purchase and maintenance of public art. Through this program the State recognizes that “public art creates a more humane environment: one of distinction, enjoyment, and pride for all citizens.”

        Louisville Art Association 2012 National Juried Photography Show

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        Fee: $35.00 (Louisville Art Association 2012 National Juried Photography Show)
        Entry Deadline: 5/9/12

        CALL FOR ENTRIES: The Louisville Art Association 2012 National Juried Photography Show

        Rivers of Gold: The Inaugural Exhibition of the CAC Greater Sacramento Sierra Chapter

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        Fee: $35.00 (Rivers of Gold: The Inaugural Exhibition of the CAC Greater Sacramento Sierra Chapter)

        Entry Deadline: 5/11/12

        California Art Club Greater Sacramento Sierra Chapter members are invited to submit works representing the Sacramento, San Joaquin, and American Rivers, as well as other rivers and important waterways in the Northern California region.

        Linn County: Wickiup Hill Learning Center Exhibit Gallery

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        Entry Deadline: 5/11/12

        The Linn County Public Art Commission is seeking qualifications from artists for a project at the Wickiup Hill Learning Center. BACKGROUND The Linn County Public Art Commission was established in 2010 by an ordinance adopted by the Linn County Board of Supervisors to direct funding for the inclusion of works of art in County capital improvement projects. The Commission, overseen by the County’s Board of Supervisors, is responsible for the planning, commissioning, and acquiring of all artwork in Linn County capital improvement projects. The mission of the Linn County Public Art program is to enrich the lives of local citizens and visitors by integrating public art into County planning, services, design and infrastructure.

        Linn County: Courthouse

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        Entry Deadline: 5/11/12

        The Linn County Public Art Commission is seeking qualifications from artists for a project at the Linn County Courthouse, which is being rebuilt as part of Linn County’s recovery from the 2008 flood. BACKGROUND The Linn County Public Art Commission was established in 2010 by an ordinance adopted by the Linn County Board of Supervisors to direct funding for the inclusion of works of art in County capital improvement projects. The Commission, overseen by the County’s Board of Supervisors, is responsible for the planning, commissioning, and acquiring of all artwork in Linn County capital improvement projects. The mission of the Linn County Public Art program is to enrich the lives of local citizens and visitors by integrating public art into County planning, services, design and infrastructure.

        2012 TACA Biennial: The Best of Tennessee Craft

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        Fee: $35.00 (2012 TACA Biennial: The Best of Tennessee Craft)
        Event Dates: 8/24/12 – 10/21/12
        Entry Deadline: 5/17/12

        The 2012 Best of Tennessee Craft Biennial Exhibit showcases the fine craft of Tennessee, providing public visibility and recognition for the quality and diversity of craft found throughout the state. This juried exhibit will be held at the Tennessee State Museum in Nashville, Tenn., with cash awards presented including a $500 Best of Show.

        San Francisco Bay Area Rapid Transit District: 24th Street Mission BART Station

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        Entry Deadline: 5/18/12

        PURPOSE OF RFQ In keeping with the Federal Transit Administration (FTA) guidelines to incorporate art into mass transit projects, the San Francisco Bay Area Rapid Transit District (BART) is soliciting qualifications from professional artists in consideration of the commissioning of artwork for the 24th Street BART station plaza. GEOGRAPHIC ELIGIBILITY: This RFQ is open only to professional visual artists residing in the state of California who meet the minimum eligibility qualifications.

        Aaron Siskind Foundation: 2012 Individual Photographers Fellowship

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        Entry Deadline: 5/18/12

        The Aaron Siskind Foundation is offering a limited number of fellowship grants for individual artists working in photography and photo-based art. Recipients are selected by a review panel on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense. Applicants must be non-students, 21 years of age or older, U.S. citizens or legal permanent residents. The Foundation seeks to support artists/photographers who demonstrate a serious commitment to the field, who are professionally active or employed in the field. Applications accepted beginning: Monday, March 12th. Deadline: Friday, May 18, 2012. For more information visit: www.aaronsiskind.org

        City of Seattle: Lower Mapes Creek Art Project

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        Entry Deadline: 5/18/12

        The Seattle Office of Arts & Cultural Affairs, in partnership with Seattle Public Utilities (SPU) and Seattle Parks and Recreation, seeks an artist or artist team to develop site-integrated artwork for the Lower Mapes Creek Restoration project in Seattle’s Rainier Beach neighborhood. The project area includes 52nd Avenue South, between Rainier Avenue South and South Henderson Street into Beer Sheva Park. The project is currently in design through early 2013 and construction is expected to begin in mid 2013. Project completion is expected in 2015. The artist or artist team will work with SPU and its consultants to develop the artwork within the schedule of the creek restoration. The call is open to professional artists residing in the United States. The total project budget is $200,000, all-inclusive of travel expenses, taxes and other project costs. The application deadline is 11 p.m., Friday, May 18 (Pacific Daylight Time).

        Artist Trust Grants for Artist Projects

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        Entry Deadline: 5/20/12

        Artist Trust is a non-profit organization whose sole mission is to support individual artists working in all disciplines in order to enrich community life throughout Washington State. Founded in 1986 by a group of local artists, arts administrators, and arts patrons who were seeking a creative solution to the lack of support for individual artists, Artist Trust awarded the first Grants for Artist Projects (GAP) in 1988. The Grants for Artist Projects Program was and is one of the few project grants available to individual artists in Washington State.

        Fort Worth Public Art: Pre-Qualified Public Artist List 2012

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        Entry Deadline: 5/23/12

        The Fort Worth Art Commission invites artists to submit qualifications for potential inclusion in the Fort Worth Public Art (FWPA) Pre-Qualified Public Artist List – the primary resource for artist selection for most City of Fort Worth public art projects.

        Art in Public Places, Bend OR: Mt Washington and Simpson Roundabout

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        Entry Deadline: 5/29/12

        Art in Public Places, Inc. (AiPP) on behalf of the public art initiative for the City of Bend, Oregon seeks to commission a permanent large scale work of art for the roundabout (traffic circle) at Mt. Washington Drive & Simpson in Bend, Oregon. This is an open competition for professional artists residing in the Northwest United States, specifically the states of Oregon, Washington, Idaho, Montana, and Northern California.

        Savage Arts Council: Juried Art Competition and Show

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        Fee: $40.00 (Savage Arts Council: Juried Art Competition and Show)
        Event Dates: 6/14/12 – 7/21/12
        Entry Deadline: 5/30/12

        The Savage Arts Council presents the Sixth Annual Savage Juried Art Competition and Show, and invites all professional and amateur artists in Minnesota to apply to compete and exhibit their works. The Savage Juried Art Competition and Show is a celebration of visual arts created in Minnesota. The Show is open to the public June 14 – July 19, 2012. Artists across the state come together to showcase the wide variety and depth of art created throughout Minnesota. $1,225 in prizes will be awarded. Please join us in celebrating the original art of Minnesota.

        Indianapolis Art Center: Artist Residency and Engagement Series

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        Fee: $25.00 (Indianapolis Art Center: Artist Residency and Engagement Series)
        Entry Deadline: 5/31/12

        During this one-week residency, the artist will work directly with the public to create a new site-specific installation/sculpture within the confines of the Indianapolis Art Center’s 9.5 acre ArtsPark. The Art Center is requesting that artists submit proposals to be considered. The Art Center will then convene a panel to select one artist for the residency. The artist will receive an honorarium, production budget, and organizational support. The residency will occur in fall of 2012.

        City of Denver: Parkfield Lake Park

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        Entry Deadline: 5/31/12

        Arts & Venues Denver is seeking an artist, or artist team, for a site-specific public art commission for the third phase of improvements at Parkfield Lake Park. This commission is open to Colorado artists/artist teams working in all media. Estimated budget for artwork is $70,000. The park is adjacent to the heavily used Montbello Recreation Center, which provides lighted, multipurpose soccer and football fields, baseball and softball fields, basketball courts, playground, an urban skate plaza, splash pool and other facility improvements. The park was designed to comply with the City’s Executive Order 123, which mandates sustainable or “green” building practices in all publicly funded projects.

        Art Melt 2012

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        Fee: $35.00 (Art Melt 2012)

        Event Dates: 7/13/12 – 8/3/12
        Entry Deadline: 6/1/12

        This call is for LOUISIANA RESIDENTS ONLY! The Art Melt is the largest multi-media, juried exhibit in the state of Louisiana. Now in its 9th year, the Art Melt strives to promote professional artists throughout the state of Louisiana while providing an opportunity for the public to experience the best of local fine art, music, performing arts, and culinary creation. This show is open to Louisiana resident artists only. The Art Melt 2012 will take place in downtown Baton Rouge, LA at the Shaw Center for the Arts on Saturday, July 14th from 5-10pm. All artwork accepted to the competition will hang in the Shaw Center Gallery and remain up and open to the public for 3 weeks following the event.

        Industry & Art: Workers, Nature, and Environment

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        Entry Deadline: 6/1/12

        Industry & Art: Celebrating the Worker September 19-23, 2012 2nd Annual Juried Art Exhibition and Sale The Regional Arts & Culture Council, on behalf of Industry & Art (sponsored by the Working Waterfront Coalition of Portland) invites artists currently living in Oregon, Washington, Idaho and Montana to submit up to three (3) digital images of existing original artwork for the 2nd Annual Industry & Art juried exhibition and sale to be held at Vigor Industrial on Swan Island, 5555 N Channel Avenue, in Portland, Oregon. The goal for this exhibition is to celebrate the beauty, skill, diversity and professionalism of industrial workers through artists’ perspectives, and promote an awareness of our region’s thriving working waterfronts. The event is also a fundraiser to support industrial job training programs and habitat restoration. Applications must be submitted using the CaFÉ website (www.callforentry.com). The deadline for submissions is Friday, June 1, 2012, 11:59PM Mo! untain Daylight Time.

        Treasures of the Mission Trails Regional Park

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        Fee: $35.00 (Treasures of the Mission Trails Regional Park)
        Entry Deadline: 6/1/12

        California Art Club San Diego Chapter members are invited to submit paintings celebrating the diverse "treasures" found in the beautiful Mission Trails Regional Park.

        Nemeth Art Center: Midwest Multiples

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        Fee: $20.00 (Nemeth Art Center: Midwest Multiples)
        Entry Deadline: 6/1/12

        This show is open to all artists residing in Minnesota, Michigan, Wisconsin, Iowa, South Dakota or North Dakota who work in the editioned print or artist book format.

        Camera Club of New York 2012 Juried Photography Competition

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        Entry Deadline: 6/4/12

        The Camera Club of New York (CCNY) is pleased to announce an open call for entries for its Annual National Photography Competition. Photographers and photo-based artists working in any genre are eligible to apply. Applicants are encouraged to submit a cohesive body of work. This year’s jurors will be photo editor and curator Elisabeth Biondi and photographer Martine Fougeron. Selected applicants will be featured in an exhibition at the CCNY gallery in the summer of 2012 and on our website. The first place selection will receive $500. Deadline is 11:59pm, June 4, 2012.

        Dairy Center for the Arts 2013

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        Fee: $35.00 (Dairy Center for the Arts 2013)
        Entry Deadline: 6/8/12

        The Dairy Center for the Arts, Boulder CO has opened the application process for individual and group gallery exhibits for 2013. The Dairy encourages artists who work in all visual art mediums (with the exception of jewelry) to apply. The application deadline is midnight, Friday, June 8, 2012.

        Art Windows at the El Paso International Airport

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        Entry Deadline: 6/15/12

        The City of El Paso International Airport (EPIA) seeks to establish a pool of artists or artist teams from the Greater El Paso area for consideration in upcoming exhibits for Art Windows. The Art Windows program will introduce artists to our community and provide them with valuable exposure and gallery space for temporary exhibitions.

        Pacific Northwest Plein Air 2012

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        Fee: $35.00 (2011 Pacific Northwest Plein Air Landscape Painting Exhibition)
        Event Dates: 8/31/12 – 9/30/12
        Entry Deadline: 6/15/12

        Located in the heart of Oregon & Washington’s National Scenic Area, Columbia Center for the Arts hosts the Pacific Northwest’s premier Plein Air event. Each year, artists gather in the Columbia River Gorge to take in the stunning beauty of its black basalt cliffs, ribbon-like waterfalls, mighty rivers, snow-capped mountains, and lush fir forests. Columbia Center for the Arts hosts a regional Paint Out and month-long Gallery Exhibition in downtown Hood River, Oregon. Show Reception and Awards commence Friday, September 7, 2012 from 5-8pm. This event is open to the public. The gallery and exhibition are open daily from 11am – 6pm from September 7nd through September 30th, 2012.

        IEA EncaustiCon 2012 International Juried Exhibition

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        Fee: $35.00 (IEA International Juried Exhibition 2012)
        Entry Deadline: 6/22/12

        An international juried exhibition of encaustic artwork open to all artists worldwide. The exhibition is sponsored by International Encaustic Artists (IEA), a non-profit, artist-run organization, with the purpose of promoting fine art encaustic work and visual artists working in the encaustic medium. Selected artworks will be exhibited in Gallery Nord, in San Antonio, Texas, in conjunction with IEA EncaustiCon 2012, an annual conference for artists working in the medium. Cash and other prizes will be awarded, with top three(3) prize winners featured in a National fine arts publication.

        Art Ability 2012-2013 at Bryn Mawr Rehab Hospital

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        Event Dates: 11/3/12 – 1/20/13
        Entry Deadline: 6/25/12

        Open to artists with physical, cognitive, visual and hearing disabilities. Only work executed after the onset of disability or injury is eligible. All works must be for sale. Art previously exhibited in Art Ability is not eligible for submission. Reproduction prints will not be accepted.

        Whelan Galleries & LCAD- Night of a Hundred Angels 2012

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        Fee: $25.00 (Whelan Galleries & Cottage Gallery – Night of a Hundred Angels 2012)
        Event Dates: 7/14/12 – 8/6/12
        Entry Deadline: 6/28/12

        The 2nd Annual “Night of a Hundred Angels” event will be a celestial celebration of worldwide talent featuring an eclectic array of artworks in various media including painting, drawing, sculpture, crafts, and jewelry, as well as digital art. All ideologies dealing with the theme of angels will be represented. Whelan Galleries, in conjunction with LCAD are co-sponsors of the show slated for a gala opening in the world famous art community of Laguna Beach on the evening of Saturday, July 14th 2012.

        2012 Sylvia White Gallery: SOLO EXHIBITION OPPORTUNITY

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        Fee: $35.00 (Sylvia White Gallery: 5th Annual Summer Juried Show)
        Event Dates: 8/1/12 – 9/1/12
        Entry Deadline: 6/30/12

        Sylvia White will jury this exhibition. The group show will be held at Sylvia White Gallery August 1- September 1, 2012. In addition to the group show, 3 winning artists will be invited to have a solo exhibition in July 2013. To view our past exhibitions or learn more about the gallery, visit sylviawhite.com. Sylvia White is also founder and director of ArtAdvice.com. She has been advising artists on all matters related to business, marketing and exhibitions since 1979. Considered a pioneer in the field of professional practices for visual artists, White has presented workshops and lectured extensively on career management skills. A graduate of the University of California, Los Angeles, School of Fine Arts, her workshops and lectures have been sponsored by, among others; California College of the Arts and Crafts, Chicago Art Institute, Otis Art Institute, Claremont Graduate School, Artists’ Equity, San Francisco Art Institute, California Institute of the Arts, University o! f Southern California, California Arts Council, California College Arts Association, National Conference and The National Endowment for the Arts.

        Car Culture: LAPS Member Show

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        Fee: $20.00 (Car Culture: LAPS Member Show)
        Event Dates: 10/3/12 – 11/16/12
        Entry Deadline: 6/30/12

        READ CAREFULLY. THIS IS A PRINT SHOW This exhibition is a collaborative effort with the Mid America College Art Association. From the assembly lines in Dearborn, MI, to the hot rods of Southern California, the automobile reflects many aspects of our culture and society. We are seeking artwork that reflects, represents, poses questions about the vehicle or the CULTURE SURROUNDING THE AUTOMOBILE. Artists’ statements are requested and will be displayed along with the selected artwork.

        Anchorage Museum – All Alaska Juried Exhibition XXXIV

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        Fee: $25.00 (Anchorage Museum – All Alaska Juried Exhibition)
        Entry Deadline: 7/1/12

        This popular biennial juried art exhibition was established more than 30 years ago to encourage the creation of new works by Alaska artists in all media and will be on view at the Anchorage Museum October 5, 2012 until January 6, 2013. The exhibit will then tour for one year and visit Juneau and Fairbanks. Only artists residing in Alaska are eligible.

        Sustaining / Creating

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        Entry Deadline: 7/8/12

        A national juried exhibition of emerging artists, ages 16-25, with disabilities. Sustaining / Creating asks emerging artists to showcase work that illuminates innovative viewpoints on sustainability and contemporary creativity. Beyond its scientific definition, sustainability references notions of responsibility and stewardship of our natural world in all facets of human interaction–from the environmental to the cultural. Sustainability indicates the capacity to endure.

        2012 American Impressionist Society 13th Annual National Juried Exhibition

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        Fee: $48.00 (American Impressionist Society 13th Annual National Juried Exhibition)
        Event Dates: 11/1/12 – 11/30/12
        Entry Deadline: 7/13/12

        Over $50,000 in cash and prizes with over 20 awards presented by judge, Kevin Macpherson, AISM. Hosted by Eckert & Ross Fine Art in Indianapolis, IN. Between 150 and 200 accepted juried works to be shown with work of AIS Master Artist,Carolyn Anderson, Clayton J. Beck, III, Scott Burdick, Nancy Bush, Scott Christensen, Kim English, Nancy Guzik, Albert Handell, Quang Ho, Peggy Kroll Roberts, Calvin Liang, Kevin Macpherson, C.W. Mundy, and Zhiwei Tu. This show is accompanied by a Master Symposium painting demonstrations, keynote speakers and panel discussions featuring AIS Master Artists, Kevin Macpherson, C.W. Mundy, Clayton Beck, Peggi Kroll-Roberts, Carolyn Anderson, Calvin Liang and Zhiwei Tu. Visit www.AmericanImpressionistSociety.orgmore more information on Master Symposium.

        American Craft Today

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        Fee: $35.00 (The Bascom: American Craft Today)
        Event Dates: 9/22/12 – 12/29/12
        Entry Deadline: 7/21/12

        This prestigious juried exhibition is a mix of uniquely creative, one-of-a-kind pieces of contemporary crafts. Approximately 50 of America's most skilled and visionary craftspeople will be selected to exhibit basketry, ceramics, fiber, furniture, glass, jewelry, leather work, metal, paper and wood crafted objects in The Bascom's Bunzl Gallery. Our juror for this year's exhibition is Mark Leach, Executive Director of the Southeastern Center for Contemporary Art.

        Santo Foundation: Individual Artists Grants 2012

        VIEW MORE INFO

        Fee: $40.00 (Santo Foundation: Individual Artists Grants 2011)
        Entry Deadline: 7/31/12

        The Santo Foundation 2012 Call for entry deadlines are April 15-July 31 2012. 6 entries per applicant. We are accepting all mediums including audio/video. Artist must submit 6 jpegs or 6 short video/audio clips. Video can include stills. Artists can submit any combination of mediums but no more than a total of 6 images or clips. Artists may submit more than once-a new jury fee will apply to each submission. Graduate School candidates are eligible as well as mid-career to mature artists. This is an international call and all artists are welcome to apply regardless of nationality.

        Meeker Sheep Dog Classic Art Contest

        VIEW MORE INFO

        Fee: $35.00 (Meeker Sheep Dog Classic Art Contest)
        Event Dates: 9/5/12 – 9/9/12
        Entry Deadline: 8/1/12

        Meeker Sheep Dog Classic International Art Contest 2013 seeks to exhibit and auction the best sheep dog art and invites submissions that are original artwork of a reproducible medium that reflect Sheep Dog trials. This is the 25th year of the International art contest. and the 2012 First Place artwork will be the only artwork used for the 2013 Meeker Classic poster, t-shirts, sweatshirts, mugs and other official souvenir items. Sculptures, photographs, and digital art are not eligible. Check out last year's entries and winners athttp://www.facebook.com/SheepdogArt.

        Fiberart International 2013

        VIEW MORE INFO

        Fee: $35.00 (Fiberart International 2013)
        Event Dates: 4/19/13 – 8/18/13
        Entry Deadline: 8/31/12

        Fiberart International 2013 is a juried exhibition that invites submissions of contemporary fiberart from around the world.

        WAOW, Inc.: 2013 Application for membership in Women Artists of the West

        VIEW MORE INFO

        Fee: $35.00 (WAOW, Inc.: 2013 Application for membership in Women Artists of the West )
        Entry Deadline: 10/1/12

        Application for membership in Women Artists of the West (WAOW, Inc.), an organization of women artists with members across the United States and Canada. “Membership includes a page on WAOW’s web page with links to your private e-mail and web site. We have at least one National juried show per year for our members. We also have several online shows with different themes throughout the year. We have an extensive communications program for our members.”

        Land Through the Lens: Photography of Boulder County Open Space

        VIEW MORE INFO

        Fee: $25.00 (Land Through the Lens: Photography of Boulder County Open Space)
        Entry Deadline: 11/9/12

        A juried show will be held at The Dairy Center for the Arts, Boulder Colorado, in March 2013, to promote the discovery, understanding and enjoyment of Boulder County Parks and Open Space through the photographic celebration of the natural world.

        BackStory Call for Pitches – Natural Disasters

        Hey folks. BackStory with the American History Guys is accepting pitches for an upcoming show. This from Jess: "We'd need pieces from outside contributors in hand by the end of May, and pitches that come in this week will have a significantly better shot at making it than pitches that come in later." Details HERE and below. Good luck!
        -mia
        ++++++++++++++++++++++++++

        Ahead of hurricane season, BackStory's looking at a show on natural disasters: floods, tornadoes, blizzards, hurricanes, you name it. Some questions we're mulling over: why are some disasters remembered and others forgotten? How natural are natural disasters? And while we all love wild stories, we're looking for pitches that get beyond "this crazy thing happened" and show us something surprising about American society or culture. We're a history-focused show, so your story will need a clearly defined historical angle.

        As always, we’re looking for features that have a couple key components: first, a story. Your characters might be alive, or they might be long dead. Either way, you should still have some character(s) with something at stake. Second, when pitching your story, think about ways to bring these characters to life. We’re open to re-enactments, experts telling the story second hand, oral histories, personal essays, and so on. But don’t be afraid to think outside the box. Questions we’re always going to ask are: What does this reveal about America at the time? Why should we care about that now?

        For more information on what we're looking for and other upcoming show topics, check out our pitch page: http://backstoryradio.org/producers/ 

        And here's the pay scale:
        Payment: $200 – $500+ depending on difficulty and skill of the producer. All the rates below are flexible, but are meant to give you a sense of what we offer. 

        Level 1 Piece: $200-$350

        – May include a snapshot essay of a particular moment in history, typically with simple production requirements.

        – May be a shorter, 2-3 minute sound rich “audio postcard” style piece.

        Level 2 Piece: $350 -$450

        – Medium length story with at least one interview and some reporting.

        – May include some field tape. Probably requires little travel

        Level 3 Piece: $450 – Negotiable

        – Longer feature with multiple interviews.

        – Significant research and creative use of sound and/or content.

        Please send pitches to Jess Engebretson at jengebretson@virginia.edu.

        Women In Film Foundation

        Money for films by, for, or about women. Final deadline is May 18. Details HERE and below. Good luck!

        -mia

        ++++++++++++++++++++++++

        The Women In Film Foundation’s Film Finishing Fund (WIFF FFF) supports films by, for or about women by providing cash grants of up to $15,000 and in-kind services.

        The 2012 Grant Cycle opens on January 30, 2012.
        CLICK HERE for an application.

        See the application for fees and the 2012 timeline.

        CLICK HERE for more information about the FFF program.

        upcoming @COLUMBIAJOURN EVENTS

        Upcoming events at Columbia jschool for you NYC folks. Also livestreaming if you're elsewhere.

        -mia

        +++++++++++++++++++++++

        Folks: Three events at Columbia Journalism School I wanted you to know about.

        * TONIGHT: In-person & Livestream – Hearst New Media Lecture by Rebecca
          MacKinnon (@RMack). A reminder about tonight's lecture by digital
          pioneer MacKinnon, who is going to make the case that in pursuit of
          commercial self-interest, many news organizations are supporting
          business practices, technologies, and legislation that will diminish the
          Internet's openness and freedom.  While this might be good for business
          in the short term, in the long run everybody will lose – especially
          journalists. Details below and at http://bit.ly/cjhearst12

        * MONDAY, APRIL 23, 5:30-7 pm: Michael Moran, a former Hearst Lecturer, is
          back with us for a special book event in conversation with Prof. Tom
          Edsall, NYT politics columnist and long-time WashPost correspondent.
          They will discuss Moran's highly anticipated new book, "The Reckoning:
          Debt, Democracy, and the Future of American Power." Moran, a geostrategy
          analyst at Roubini Global Economics, the Council on Foreign Relations,
          and other leading institutions, explores how a variety of forces are
          converging to challenge U.S. leadership–including unprecedented
          information technologies, the growing prosperity of countries like
          China, India, Brazil, and Turkey, and the diminished importance of Wall
          Street in the face of global markets. To RSVP please email:
          dos.events.rsvp@gmail.com – [SUBJECT: MICHAEL MORAN]

        * WEDNESDAY, MAY 23: NYC + ONLINE – Social Media One-Night Stand, an
          advanced social media workshop for Columbia J-school Continuing
          Education program, with special guest speakers and more. Details at
          http://bit.ly/sreeonenight

        – – – –

        SAMPLE TWEET: Thurs, 7p ET in-person & webcast – Rebecca MacKinnon (@RMack) Hearst Lecture @ColumbiaJourn – http://bit.ly/HSwB1l #cjhearst #cjsm

        Dear Colleagues: This is one of our signature digital-media events each spring. Open to the public. Food and drink served.

        [Questions to sree@sree.net or @sree on Twitter; hashtag for this event: #cjhearst and link for tweeting: http://bit.ly/cjhearst12 ]

        This year's installment of our popular annual new media lecture series – please pass on to your friends in NYC – also available via live video and more at http://bit.ly/cjhearst12

        Nicholas Lemann, Dean of Columbia University Graduate School of Journalism, cordially invites you

        to the annual Hearst Foundation New Media Lecture

        Thursday, April 19, 2012 (6:30-9 pm; live video from 7 pm ET)
        Columbia Journalism School
        116th St & Broadway (#1 train to 116th St)

        "Collateral Damage: News Organizationsw, Free Speech, and the Internet" by Rebecca MacKinnon (@RMack), author of the brand-new "Consent of the Networked: The Worldwide Struggle For Internet Freedom" and Bernard L. Schwartz Fellow at the New America Foundation

        Join us for the annual lecture by our Hearst New Media Professional in Residence, a major thinker – and do-er – on digital issues. This year, Internet journalism pioneer Rebecca MacKinnon will make the case that in pursuit of commercial self-interest, many news organizations are supporting business practices, technologies, and legislation that will diminish the Internet's openness and freedom. While this might be good for business in the short term, in the long run everybody will lose – especially journalists.

        The Hearst New Media Professional-in-Residence is appointed each academic year to participate in the educational activities of the school. The appointment has been made possible by a generous gift from the William Randolph Hearst Foundation. Recent professionals-in-residence have included: Krishna Bharat, founder of Google News; Steven Berlin Johnson, noted digital media expert and bestselling author; Kenneth Lerer, Huffington Post’s chairman and co-founder; Brian Storm, former lead multimedia producer, MSNBC.com; Adrian Holovaty, former editorial innovations editor, WashingtonPost.com, among others.

        6:30-7:00 pm – reception – drinks and light food

        7-8:30 pm ET – lecture + Q&A (live webcast)

        No charge; no RSVP required; all are welcome.

        NOTE: Free open, wi-fi available in the lecture hall for journalists, bloggers and others.

        We'll be webstreaming this live at http://bit.ly/cjhearst12 – and using the #cjhearst hashtag.

        SAMPLE TWEET: Thurs, 7p ET in-person & webcast – Rebecca MacKinnon (@RMack) Hearst Lecture @ColumbiaJourn – http://bit.ly/HSwB1l #cjhearst #cjsm

        Read/hear some of the previous Hearst New Media Lectures and learn more about the Hearst programs at Columbia: http://bit.ly/cjhearst

        OUR THANKS TO THE HEARST FOUNDATION FOR ITS GENEROUS SUPPORT OF NEW MEDIA EDUCATION AT THE COLUMBIA JOURNALISM SCHOOL

        ==>     IF YOU ARE NOT AN ALUM AND WOULD LIKE TO KNOW ABOUT COLUMBIA J-SCHOOL TALKS, LECTURES, PANELS:

        Signup to get alerts about future Columbia Journalism School events: http://bit.ly/columbiasignup

        We have a separate webcasting program that includes recordings of SOME of the in-person events. Keep your eye on http://blogtalkradio.com/columbiajournalism (more than 100 conversation are archived there).

        -30-

        Upcoming at UnionDocs, Brooklyn, April and May

        The latest happenings at UnionDocs in Brooklyn. Check it out!
        -mia

        ++++++++++++++++++

        Future Events at UnionDocs:

        Branded Documentary – Work and Play

        Saturday, May 5th at 7:30pm. $9 suggested donation.

        We look where documentary, marketing, music, and interactive design can meet to produce the “bread and butter” to fuel your creative practice. There is a long history of documentarians creating for clients – we will examine this relationship and try to find that happy place between work and artistic practice. This panel will bring together Ari Kuschnir and Scott Thrift (m ss ng p eces), David Usui and Ben Wu (Lost & Found Films). Moderated by Tom Roston (PBS POV).

         
        Scene: Brooklyn – A Master Class with Filmmaker Jem Cohen

        Sunday, May 6th at 2pm. $20.

        Filmmaker Jem Cohen will screen and discuss rarely seen films including Real Birds, the Patti Smith portrait, Long for the City, some of the Gravity Hill Newsreels (about Occupy Wall Street) and excerpts from recent projects including the multi-screen live show,We Have an Anchor, and his upcoming feature.

        Kinetic Cinema: Screening and Discussion with Amy Ruhl

        Monday, May 7th at 7:30. $9 suggested donation.

        Filmmaker Amy Ruhl curates a provocative program of Kinetic Cinema that examines how the female body, under the unique technology of cinema, has been the primary source of spectacle since the beginnings of film. Amy Ruhl, Kerrie Welsh and Amy Greenfield in attendance for screening and discussion. Presented with Pentacle’s Movement Media

        Coming up next weekend:

        Roll Out, Cowboy: Screening and Live Performance

        Saturday, April 28th at 7:30pm

         
        Chris “Sandman” Sand is a rappin’ cowboy from Dunn Center, North Dakota (population: 120 and shrinking). Roll Out, Cowboy follows Sandman as he travels the open road from North Dakota, to Washington and back again. Join us for a DVD launch party – and meet the Rappin' Cowboy Chris "Sandman" Sand in person.

        Coming up this weekend:

        A Master Class with Michael Glawogger

        Friday, April 20th at 19:00pm, $15.

        Director, Writer and Cinematographer Michael Glawogger will present and discuss his awards-winning works with film historian Scott Macdonald. Glawogger will talk about his documentry trilogy on the world of work which includes Workingman Death (2004),  Megacities (2009) and  Whores’ Glory (2011), which was honored with a special Orizzonti Jury Prize at the Venice International Film Festival in September.

        Reportage in Balloons: The Emerging Field of Comic Journalism

        Saturday, April 21th at 7:30pm. $9 suggested donation.

        Acclaimed comic journalists Josh Neufeld, Seth Tobocman, Matt Bors and NPR host/media analyst Brooke Gladstone will present selections of their work and participate in a group discussion lead by comic critic, curator and teacher Bill Kartalopoulos. They will discuss the genesis of this emerging form, their unique approaches to journalism, and finally how this world is being defined and what the future holds.

        Finding the Hidden Story: An Audio Evening with Big Shed

        Sunday, April 22th at 7:30pm. $9 suggested donation.


        Big Shed’s audio and multimedia documentaries made them think about the ways we gather and share stories. They will present two of their ongoing projects – Verite x 2 and the Place + Memory Project – as a way to examine ideas like treating your microphone as a camera, the value of real social networks beyond the virtual kind, and what happens when your audience becomes your collaborator. The evening will be part discussion, part dinner theatre and part dance party.

        If you could help us spread the word about these events in any of your publications, we would really appreciate it. For more information about these events, please check out the links bellow. If you do end up publishing something about the events, please let us know!

        Thanks,


        Neta Alexander
        Associate Programmer
        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211
        347.820.3213

        Sounds Elemental Brooklyn workshop, application deadline May 18

        Hey folks. The latest Sounds Elemental workshop is coming up in June – details below.

        -mia

        ++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        It's Magnetic. AIR + UnionDocs = … 

         

        UnionDocs

        Can you feel the pull? Time is short for picking up one of the remaining slots for AIR’s week-long Sounds Elemental: Magnetism intensive at UnionDocs, a Center for Documentary Art in Brooklyn, NY. 

        The first of our two 2012 sessions runs June 25-29, 2012.   
        Many of you have already experienced these inspiring sessions with NYC-based sound masters Michael Schumacher and Brenda Hutchinson, with a special session led by New York Times deputy news editor Amy O’Leary. AIR brings these popular intensives to their new home at UnionDocs, a rising force in the creative media-documentary realm, with their Artistic Director Christopher Allen joining the team.
         

        If you’re not familiar with AIR’s Sounds Elemental series, find out more. 


         

        DEADLINE to apply is Friday, May 18, 2012. 
         

        +++Full attendance is mandatory for all sessions. Class runs from 10AM – 6PM, Monday through Friday. If you are unable to attend each day of the intensive, please do not apply.+++
         
        If you're a snowbird, it’s not too early to sign on for our winter intensive, Gravity, that's running December 17-21, 2012. Again, just 10 slots and we’re already starting to fill up.
         

        Fee:  $700. A non-refundable $350 deposit is required upon acceptance. AIR members who live outside of New York are eligible for a small travel stipend. Join AIR to be eligible for the stipend.
         
        Learn more. Questions? Contact AIR Membership Director Erin Mishkin (erin@airmedia.org). We encourage questions in advance to ensure this course is the right match for you.

        About UnionDocs:
        UnionDocs (UnDo) is a Center for Documentary Art that generates and shares big ideas. We bring together a diverse community of experimental media-makers, dedicated journalists, critical thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.
         
        About AIR:
        AIR is a vibrant, tightly networked association of more than 800 journalists, documentarians, technicians, media entrepreneurs, and sound artists spanning 46 states and 14 countries worldwide. Founded in 1988, AIR has emerged as force for identifying, cultivating, and deploying talent to accelerate public media innovation and expand service to more citizens across the U.S. AIR's mentorship and training programs, unique in the industry, were launched in 1995 with a grant from the MacArthur Foundation and continuing support from the National Endowment for the Arts, NYSCA, and the Corporation for Public Broadcasting.  Since the inception of the program, AIR has served hundreds of independent and station-based producers across public media as they work to adapt and grow in a dynamic, 21st century media culture.

        Links:
        UnionDocs: http://www.uniondocs.org

        Learn more about Sounds Elemental: http://airmedia.org/PageInfo.php?PageID=562

        Apply: http://airmedia.org/PageInfo.php?PageID=732

        Join AIR: http://www.airmedia.org/signUp.php

        Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        Association of Independents in Radio

        P.O. Box 220400
        Boston, MA 02122
        Phone: 617-825-4400
        www.airmedia.org

         

        Association of Independents in Radio

        PO Box 220400

        Boston, Massachusetts 02122

        Copyright (C) 2012 Association of Independents in Radio All rights reserved.

        Sent to emishki@gmail.comwhy did I get this?

        unsubscribe from this list | update subscription preferences
        Association of Independents in Radio · PO Box 220400 · Boston, Massachusetts 02122



        +++AIR is everywhere.+++
        Erin Mishkin
        Membership Director
        Association of Independents in Radio

        erin@airmedia.org

        www.airmedia.org

        AIR Launches Initiative to Turbo-charge Public Media

        Casey Medal for Meritorious Journalism on Children & Families, deadline April 20

        Just a few days left to apply for this nice award. Spread the word!
        -mia

        ++++++++++++++++++++

        Please share this news with anyone you think should apply:


        Stories can change lives. Did you write, report, produce, shoot, or create a powerful piece of journalism/media in 2011 about the lives of children and families in the U.S.? If so, you should submit this work to the 2012 Casey Medals for Meritorious Journalism, a project of the Journalism Center on Children & Families, funded by the Annie E. Casey Foundation.  Winners in a dozen categories are awarded $1000 at a ceremony in D.C. in October and will also be considered for $5000 prizes from America's Promise Alliance. Check out the application and guidelines at www. journalismcenter.org. New this year: Youth Media category. Deadline: April 20, 2012.


        Thanks!

        Julie Drizin
        Director
        Journalism Center on Children & Families
        Philip Merrill College of Journalism
        University of Maryland

        @JCCFNews @JDriz  

        Casey Medals for Meritorious Journalism honor exemplary reporting on disadvantaged children, youth and families in the United States. 
        Application deadline: April 20, 2012.

        Gates Foundations Seeks Communications Proposals

        Interesting grant opportunity from the Gates Foundation. Here's the nut graf:

        The goal of this challenge is to solicit new approaches to communications that motivate the public in the wealthy countries of the world to change their minds about aid, and take actions to demonstrate their support.

        More details HERE and below!
        -mia
        +++++++++++++++++++++++++

        TOPIC:
        Aid is Working. Tell the World

        Grand Challenges Explorations Round 9
        February 2012

        In Partnership with the 

        Cannes Lions International Festival of Creativity 


        The Challenge
        :

        Many people in the developed world are aid weary. They know billions of dollars go into aid, and yet the problems never seem to go away. This leads them to question if the money ever gets to where it is needed, and even then, if it is used wisely. The media seems full of stories of corruption, waste and broken systems.

        But that’s not the whole story. Effective aid programs help developing countries become self-sufficient. They do not replace those countries’ efforts, but rather support the important work that’s already under way.

        While not all aid projects deliver the kind of returns we hope for, very many do—and it’s critical to keep the support for those projects flowing.

        Insight:

         “Aid, which is less than 1 percent of the budget in most countries, has a significant impact on people’s lives…. Whether it’s fighting plant disease, treating people with AIDS, or getting a measles vaccine to a child in a remote area—modest investments in the poorest make a huge difference…

        The relatively small amount of money invested in development has changed the future prospects of billions of people—and it can do the same for billions more.” — Bill Gates, 2012 Annual Letter

        What We are Looking For:

        If we, as a global community, are to succeed in ending extreme hunger and poverty and improving the health of the poorest, we must find ground-breaking ways to gather and share stories of aid working well. We must bring the data behind those stories to life. And we must do it on a global scale, making it relevant to audiences who are wrestling with tough economic decisions at home. 

        The goal of this challenge is to solicit new approaches to communications that motivate the public in the wealthy countries of the world to change their minds about aid, and take actions to demonstrate their support.

        We and others in the development community have traditionally focused on the “why” of aid. But most people already believe it is the right thing to do.  We must do a better job of explaining the “how” and the “what” (How exactly does aid work? Where does the money go? How is it used? What impact does it have on communities?).

        We want to find revolutionary ways to make these issues matter deeply to the global community. We’re inspired by projects that allow anyone– no matter where they live or what their background– to take part. We encourage projects that embrace the complexity of these issues. We admire work that surprises us with its emotional power, and that comes at the problem from entirely new angles.

        Most importantly, we’re looking for game-changing ideas we might never imagine on our own, and that could revolutionize the field. A few of the many specific examples to be considered include (but are by no means limited to…)

        • New ways to collect and share first-person stories from those impacted by aid in the developing world;
        • Data collection and visualization that demonstrates the “how” and “what” of aid, e.g. where funding goes and how it impacts people and communities; money spent on development relative to other areas; measurable progress against the Millennium Development Goals. (The foundation is particularly interested in MDGs 1,4,5,and 6.);
        • Creative distribution mechanisms to deliver stories, data, and information to key audiences;
        • Concepts that spark active engagement and collaborative problem-solving, e.g. games, crowdsourcing, and other projects that move the field from one-way communications towards authentic engagement;
        • Revolutionary ways to humanize the challenge and the solutions and to connect communities receiving aid to those who provide it.

        We will not consider funding for:

        • Projects not aligned with the foundation’s goals in health and development;
        • Single pieces of content that are not supported by a robust engagement strategy;
        • Projects focused on  crisis response, individual donations,  or emergency relief, which are not as impacted by the current aid narrative;
        • Basic research without a clear objective to solve a communications problem;
        • Solely behavioral change/educational initiatives (e.g., training programs, scholarships, education programs);
        • Solely infrastructure or capacity-building initiatives;
        • Projects earmarking foundation funds for lobbying activity (e.g., attempts to influence legislation or legislative action) or efforts to influence political campaigns for public office.

        How We'll Evaluate Proposals:

        Proposals will be reviewed against the following criteria:

        • Response to the topic: Does the proposal address the problems described in the topic? Please note the types of projects that will not be funded, above;
        • Innovative approach: Does the idea offer an unconventional or creative approach to the problem outlined in the topic? Does it demonstrate application of a new or pioneering approach? Does the proposal describe how the project varies from current approaches, offers new premises or hypotheses to test, and does it provide a rational basis for expecting success?

        About Our Partnership:

        The Bill & Melinda Gates Foundation has partnered with the Cannes Lions International Festival of Creativity to issue this call for proposals in Round 9 of its Grand Challenges Explorations program. Cannes will help the foundation promote the call to the creative community.

        In addition, Cannes Lions has created a group, the Cannes Chimera, made up of one creative representing the agency who produced each of the 2011 Cannes Grand Prix winning pieces of work, who will advise the program, review the submissions, and mentor the winners as they develop their projects.

        About Grand Challenges Explorations:

        Grand Challenges Explorations (GCE) supports hundreds of early-stage projects – including many ideas that have never before been tested – and experts from a wide range of disciplines and regions. The Explorations initiative funds innovative ideas that could lead to new vaccines, diagnostics, drugs, and other tools and technologies targeting our greatest challenges in health and development

        GCE is an extension of the Bill & Melinda Gates Foundation’s commitment to the Grand Challenges in Global Health, which was launched in 2003 to accelerate the discovery of new technologies to improve global health. To date, the Foundation has committed over $500 million to support hundreds of projects on topics such as making childhood vaccines easier to use in poor countries, and creating new ways to control insects that spread disease.

        Key features of the Grand Challenges Explorations initiative are:

        • A short application. Two-page applications are accepted online at https://gce.gatesfoundation.org/_layouts/GCE/Pages/login.aspx;
        • Rapid turnaround time. We will select grants in approximately 5 months from the proposal submission deadline;
        • We review for novel ideas that show great promise. Our review process is based on reviewers with a track record in identifying innovative ideas selecting the proposals they find most pioneering – no consensus or peer review is needed;
        • Phase I grants of $100,000 USD are awarded initially; projects have one opportunity to apply for a follow-on Phase II grant of up to $1,000,000 USD.

        Biomimcry talk by Tim McGee, 4/11, 7pm, EMPAC

        They really do the coolest stuff at EMPAC. If you're up in the capital region, check them out.
        -mia

        +++++++++++++++++++++++++++

        THIS WEEK: Biomimcry, a public exchange, and Infinite Jest
        Is this email not displaying correctly?
        View it in your browser.
        Tim McGee: Biomimicry : WED, APR 11, 7PM
        TALK

        Tim McGee: Biomimicry WEDNESDAY, APRIL 11, 7 PM

        FREE

        Biologist Tim McGee shares how biological wisdom is changing the way we work, think, and create, and how our modern technologies increasingly have more in common with 3.8 billion years of evolution. Presented as part of the Susan Sgorbati creative research residency.

        EMPAC: A Public Exchange : THU, APR 12, 5:30 PM
        TALK

        EMPAC: A Public Exchange

        THURSDAY, APRIL 12, 5:30 PM

        FREE

        An evening of information and discussion on the many ideas of what EMPAC should be—and the mission and program it pursues.


        Campus Events

        TALK

        Transactions :: The Business of Architecture in an Era of Instability

        MON, APRIL 9, 6 PM
        CONCERT

        NATURESONGS: Rensselaer Contemporary Music Ensemble

        TUE, APRIL 10, 4 PM
        CONCERT

        Dean Mary Simoni in Concert

        FRI, APRIL 13, 8 PM

        SUE-C + AGF: Infinite Jest : THU, APR 12, 7:30 PM
        PERFORMANCE: QUOTE UNQUOTE

        SUE-C + AGF: Infinite Jest

        THURSDAY, APRIL 12, 7:30 PM

        TICKETS

        A live handmade film and electronic music event inspired by late author David Foster Wallace’s remarkable novel of the same name.


        On View

        EXHIBITION

        Ryan + Trevor Oakes: The Periphery of Perception

        FEBRUARY 21 – MAY 31, 2012
        EXHIBITION

        Ben Rubin: A Shakespeare Accelerator

        MARCH 5 – JULY 28, 2012
        EXHIBITION

        Jennifer + Kevin McCoy: Index

        APRIL 6 – OCTOBER 13, 2012

        Exhibitions are free + open to the public Monday-Saturday, 12-6 PM


        Recent News

        John Zorn concert review by Joseph Dalton.

        EMPAC Director Johannes Goebel interviewed ahead of Thursday's public exchange on EMPAC.

        Photo Credits: Flickr photographer lostandcold, courtesy of The Biomimicry Institute; ©Peter Aaron/ESTO; ©SUE-C

        EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

        Box Office:
        518.276.3921

        Mailing Address:

        EMPAC

        Rensselaer Polytechnic Institute
        110 8th Street

        Troy, NY 12180

        Add us to your address book

        Copyright © 2012 EMPAC, All rights reserved.

        Springtime Audio Retreat, upstate NY, deadline May 1

        Hi folks. You have a few more weeks to sign up for Jim and Eileen's weekend audio retreat. It promises to be a fun and educational experience. Plus, I'd love to see some of my FC friends at the Saturday BBQ. Contact Eileen McAdam [emcadam@hvc.rr.com] if you have questions about the workshop. And you can write me directly if you want to chat about other things to do in the lovely Hudson Valley!
        Best,
        Mia
        +++++++++++++++++++

        Sounds, Stories & Springtime
        An Audio Retreat

        Spend a weekend in the Catskills honing your skills as a sound recordist and storyteller while reinvigorating your creative spirit. Veteran Producers Jim Metzner and Eileen McAdam lead this immersive experience in field recording, listening, and the art of bringing stories to life with sound.

        Limited to eight intermediate producers, the workshop offers personal attention and also leaves time for reflection, community, and learning from each other.

        Friday night includes a special appearance by musician Steve Gorn, and an evening listening excursion to explore the acoustics of a nearby cave. Saturday night is for storytelling and barbeque!
        • Learn to weave a narrative with natural sounds
        • Expand your audio palette
        • Experiment with binaural, stereo and parabolic microphones
        • Crafting a narrative that weaves and contextualizes your sounds.

        About your hosts:
        Jim Metzner has pioneered the use of sound in radio features and multi-media projects. Best known for his award-winning series Pulse of the Planet. His work has been featured in National Geographic Online, All Things Considered, Marketplace, Weekend Edition, the New York Times, and elsewhere.

        Eileen McAdam is the co-founder of the World Sound Foundation and the producer of The Hudson Valley Sound and Story Project, Tales of Two Cities Audio Tour and StoryScape Hudson Valley. She has been a recipient of five major grants

        Dates: May 18 – 20.

        Cost: $450/person. All meals and Saturday night Barbecue included.

        Accommodations: There are local B&B’s throughout the Hudson Valley area. Camping is available at our site.

        To register, or for more information, email Eileen McAdam [emcadam@hvc.rr.com] or call 845-338-0464

        Attendance limited to 8 intermediate to experienced audio/media producers.

        Announcing Call for Entries for Rough Cuts in June – Deadline is May 30th

        Hi folks. The next round of SF Rough Cut screenings is coming up. Details for submitting your work is below.

        Best,
        Mia
        +++++++++++++++++++++

        Wednesday, May 30th is the deadline

        to submit to

        ROUGH CUTS – June 2012 SERIES
        Wednesday, June 20th at 7:30 p.m.

        CounterPULSE
        1310 Mission Street @ 9th Street, San Francisco
        Complimentary drinks and hors d’oeuvres provided
        $7 admission

        _____________________________________________________

        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

        Wednesday, May 30th
        Submissions must arrive at CounterPulse by 5:00 p.m. [This is not a postmark deadline.]

        Tuesday, June 5th
        Selections will be announced and filmmakers will be notified

        Wednesday, June 20th
        Screening, followed by a discussion led by a guest moderator

        To submit, and for more details about Rough Cuts, visit:
        http://sfroughcuts.com/

        Pulse of the Planet Seeking Stories

        Hey audio folks. I'm thrilled to tell you that Pulse of the Planet is accepting pitches! Details below.

        -mia

        ++++++++++++++++++++++
        For those of you who may not be familiar with it, Pulse of the Planet is an award-winning daily two-minute radio series independently produced and distributed to over 200 public and commercial stations. The hallmark of the series is its use of ambient sound. Our stories are often seasonal and evergreen. We "track the rhythms of life on earth", including nature, culture and science as our broad subjects.

        A typical story might be a seasonal nature event or traditional celebration of some kind. We also air science stories which may not be seasonal, but which have a sound "hook". Check out pulseplanet.com to get a feeling for the program.

        The first step would be to pitch your story ideas: Tell us the subject matter, where it would be taking place, what you'd be recording and who you'd be interviewing. If we're not familiar with your work, you'll need to send us a link to hear a sample of it. We'll respond to the stories that interest us.

        If we say yes to your story, we'll send you a set of guidelines and you'd be sending us raw sound and interview files, typically from 30 minutes to an hour of interview, plus sounds. How the sounds relate to the interview will depend upon the subject. We like stories which portray science in action, where we're hearing something interesting and its meaning is explained in the context of the story. To be clear – you'll be sending us raw sound, not a produced piece. In summary – an attractive pitch will have a strong sound component, and a compelling, seasonal subject.

        We pay $250/story for raw sounds/interviews as described above which meet our standards, plus travel expenses, when necessary. We'll pay an additional $50 for a log of your sound files (not a transcription, a summary log) and another $50 if you send usable photographs to illustrate the story.

        Please send your pitch ideas to pulse@igc.org. I'll be glad to respond to generic questions in comments to this post.

        All the Best;
        Jim Metzner
        pulse@igc.org
        http://www.pulseplanet.com

        AIR and UnionDocs Unite for Sounds Elemental!, application deadline May 18

        Hey folks. Applications for the next round of the AIR/UnionDocs Sounds Elemental audio intensive are due on May 18. Details below!

        -mia

        +++++++++++++++++++++

        AIR is excited to announce that our popular Sounds Elemental audio intensives are coming to UnionDocs, a Center for Documentary Art in Brooklyn, NY. 

        UnionDocs is a rising force in the creative media-documentary universe offering weekend screenings and events, workshops, as well as a year-long artist fellowship program called the Collaborative. They have an interdisciplinary focus, incorporating audio, film/video, writing, photography, interactive and other forms. Like AIR, their programs touch hundreds of media-makers each year, and the partnership represents a natural trajectory and an opportunity for their respective constituencies to further cross-pollinate and grow. 

        The application window is open now and competition for slots can be stiff. AIR accepts only 10 producers for each of our two 2012 sessions: Sounds Elemental: Magnetism, held June 25-29, 2012 and Sounds Elemental: Gravity, held December 17-21, 2012. 

        >Deadline to apply for the June intensive is May 18.<<

        Learn more and find the application here:
        http://airmedia.org/PageInfo.php?PageID=562

        Producers benefit from intensely individualized attention from sound artists-teachers Brenda Hutchinson, composer and installation artist Michael Schumacher, and UnionDocs’ own, Christopher Allen. New York Times deputy news editor Amy O’Leary leads an afternoon dive into storytelling and audio slideshows, a session that producers have called "enriching" and "inspiring."  

        These intensives are designed to provide mid to advanced level media producers with a unique opportunity to spend an entire week exploring unconventional approaches to assembling sound. Over the week, there will be a combination of lectures on the history and landscape of contemporary sound art (think John Cage to Brian Eno to Pauline Oliveros), group discussion and critique, and hands-on “lab” time where students will create a short audio piece inspired by the theme of Magnetism or Gravity. 

        +++Please note: The aim of this intensive is to inspire new ways of thinking about and approaching non-narrative audio craft, with the hope that will open new thinking and approaches for you in your everyday work. Please go here to learn more about the curriculum; we encourage questions in advance to ensure this course is the right match for you.+++

        The cost is $700. A non-refundable $350 deposit is required upon acceptance. You do not have to be a member of AIR to apply. AIR members living outside of New York City who are accepted are eligible for a stipend (up to $150) to help underwrite the cost of the intensive and travel to NYC. 

        ++Full attendance is mandatory. If you are unable to attend each day of the intensive, please do not apply. Class meets from 10AM – 6PM, Monday through Friday.++ 

        >Deadline to apply for the June intensive is May 18.<<

        Learn more and find the application here:
        http://airmedia.org/PageInfo.php?PageID=562

        Questions? Contact Membership Director Erin Mishkin at erin@airmedia.org

        About UnionDocs – www.uniondocs.org
        UnionDocs (UnDo) is a Center for Documentary Art that generates and shares big ideas. We bring together a diverse community of experimental media-makers, dedicated journalists, critical thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.

        About AIR – www.airmedia.org
        AIR is a vibrant, tightly networked association of more than 800 journalists, documentarians, technicians, media entrepreneurs, and sound artists spanning 46 states and 14 countries worldwide. Founded in 1988, AIR has emerged as force for identifying, cultivating, and deploying talent to accelerate public media innovation and expand service to more citizens across the U.S. AIR's mentorship and training programs, unique in the industry, were launched in 1995 with a grant from the MacArthur Foundat

        call for pitches from Latitude News

        Latitude News is seeking freelance radio folks to help bring another layer of rich storytelling to their site. Details and contact info below.

        -mia

        +++++++++++++++++++++

        Latitude News is looking for radio reporters who can make strong connections between local/national and international stories. We publish text stories with strong audio clips as a supplement – audio is used to add another dimension to a text article. This is an opportunity for radio producers who would like to get some “print” experience while still working on audio, and you need not be traveling the world to contribute to our growing website.

        Latitude News tells “international” stories in an unconventional way – we start by listening on the ground in the US, then finding international parallels. We also feature stories that highlight surprising connections between the US and the rest of the world.

        Audio in Latitude News features (500-1200 words) should act like well-placed photos in a magazine article – clips don’t tell the entire story, but move the narrative forward and give it depth. Potential contributors should read through our website before pitching, but here are a few samples of stories that feature audio:

        Unlike Netherlands, U.S. gives no shelter to sex trafficking victims

        One Syrian activist’s lonely exile

        Far from Moscow, Putin’s power faces off with the grassroots

        Submissions can be sent to jack@latitudenews.com with the heading “Submission.” Rates available upon request.  

        Upcoming events at the J-School, Berkeley

        And for you west coast folks, a whole lot of events coming up at the UC Berkeley Graduate School of Journalism.
        -mia

        ++++++++++++++++++++++

        Film Screening: Budrus

        When: Wednesday, April 4,  7:00 PM

        Where: 105 North Gate Hall

        Budrus is an award-winning feature documentary film about a Palestinian community organizer, Ayed Morrar, who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save his village of Budrus from destruction by Israel's Separation Barrier.  Success eludes them until his 15-year-old daughter, Iltezam, launches a women's contingent that quickly moves to the front lines.  Struggling side by side, father and daughter unleash an inspiring, yet little-known, movement in the Occupied Palestinian Territories that is still gaining ground today.

        In an action-filled documentary chronicling this movement from its infancy, Budrus shines a light on people who choose nonviolence to confront a threat.  The movie is directed by award-winning filmmaker Julia Bacha, and produced by Bacha, Palestinian journalist Rula Salameh, and filmmaker and human rights advocate Ronit Avni. (MORE)

        The screening will be followed by a Q&A with Nadav Greenberg, the Outreach and Programming Coordinator at Just Vision Media.

        The Horace M. Albright Lecture in Conservation
        The U.S. Farm Bill: What’s at Stake?

        When:  Thursday, April 5,  6:30 PM

        Where:  Wheeler Auditorium

        The U.S. Farm Bill is the single most important piece of legislation determining what Americans eat. Join us for a panel discussion on what’s at stake in the upcoming U.S. Farm Bill with:

        Michael Pollan, John S. and James L. Knight Professor of Journalism and Director of the Knight Program in Science and Environmental Journalism, UC Berkeley
        Karen Ross, Secretary of the California Department of Food and Agriculture
        Ken Cook, President and Co-Founder of the Environmental Working Group

        Patricia Crawford, Director of the Atkins Center for Weight and Health and Adjunct Professor, College of Natural Resources, UC Berkeley

        Moderated by Gordon Rausser, Robert Gordon Sproul Distinguished Professor in the Department of Agriculture and Resource Economics, College of Natural Resources, UC Berkeley

        This is a free, public event. Seating is on a first-come, first-serve basis.

        Free tickets are available at the Wheeler Auditorium Box Office at 5:00 PM on the day of the event. Doors open at 6:00 PM.

        This discussion will be recorded and available online after the event.

        Event Contact: Sasha Keller | 510.643.1051

        Living Portraits of the Human World: A conversation with JONATHAN HARRIS, computer scientist, storyteller, statistician, designer and Cowbird creator

        When:  Monday, April 10,  1:00 PM

        Where:  North Gate Hall Library

        Jonathan Harris makes projects that reimagine how humans relate to technology and to each other. Combining elements of computer science, anthropology, visual art and storytelling, his projects range from building the world's largest time capsule to documenting an Alaskan Eskimo whale hunt on the Arctic Ocean. He is the co-creator of We Feel Fine, which measures the emotional temperature of the human world through large-scale blog analysis, and created recent projects about online dating, modern mythology, anonymity, news and language.

        View the Cowbird website here.


        Does Narrative Journalism Have a Future Online?

        When:  Monday, April 16,  6:30 PM

        Where:  North Gate Hall Library

        A panel discussion with Gerry Marzorati (former editor, New York Times Magazine), Mark Bryant (editor, Byliner) and Eric Ratliff (editor, The Atavist).


        ******* EVENTS OF INTEREST *******


        Primal Ireland: Photo exhibit by Sally Mack

        When:  March 1-31, 2012

        Where: The Faculty Club

        The Newgrange Passage Tomb (Bru Na Boinne) is 5,000 years old, its purpose unknown.  It had been closed up for untold centuries before its re-discovery in 1699 when the owner began building a road through the hillside, uncovering the front of the tomb.  It's on a hillside so rocky that at times it has been used as a quarry.

        From 1699 through the 1960s, the tomb was open, people entered at will, carving their names in the stones, removing any grave goods (or anything else) that might have given clues to the purpose of the tomb.  It has a "light box" above the entrance which aligns perfectly with the rising sun on the day of the winter solstice.  The groups of three carved spirals on the stone in front of the entrance and inside the tomb are comprised of a single line.

        Some photos of the exhibit can be seen on Sally Mack's website.  All photos were taken on film with a classic Hasselblad camera and printed through an enlarger from the original negatives.

        Please contact Sally Mack (photos@sallymack.us) if you would like more information to to see more photos.

        "Understanding the Political Landscape: The Use and Abuse of Polls"
        Jon Cohen, Director of Polling, The Washington Post

        When:  Monday, April 2,  12:00 PM

        Where:  Harris Room, 119 Moses Hall

        Lunch will be provided on a first-come, first-served basis.

        Jon Cohen is director of polling for The Washington Post. He is responsible for conceptualizing, implementing and analyzing all Post polls, and co-directs the Post-ABC and Post-Kaiser-Harvard surveys. He instituted the Post’s polling blog, Behind the Numbers, and frequently discusses public opinion on radio and television, as well as online chats. Before joining The Washington Post in 2006, he was assistant polling director at ABC News in New York and associate survey director at the Public Policy Institute of California in San Francisco. He holds an M.A. in political science from the University of California, Berkeley, and is a graduate of Johns Hopkins University. In addition to reporting on Post polls, Jon is primary editor, gatekeeper and reporter for all public opinion content used by The Washington Post.

        Event Contact: 510.642.1473

        The Robert T. Matsui Center for Politics and Public Service presents the 31st Annual Review of the Presidency

        Election Year: The Obama Presidency and the 2012 Campaign


        When:  Monday, April 2,  7:30 PM

        Where: 105 Stanley Hall

        As President Obama seeks a second term, we examine his presidency and the 2012 election. Is the president to blame for the stagnant economy that has bedeviled his administration? Would any president have been able to engineer a speedier economic recovery? How has the president managed the foreign policy challenges of his time? Has he met the need for symbolic leadership from the president? And what of the Republicans who seek to replace him? Four years after a dramatic election that made American history, what should we expect from the election of 2012?

        31st Annual Review Panelists

        Andrew E. Busch, Professor of Government and Associate Dean of the Faculty at Claremont McKenna College
        John Fund, Senior Editor, The American Spectator and author of Stealing Elections: How Voter Fraud Threatens Our Democracy

        Anne E. Kornblut, White House correspondent for the Washington Post and author of Notes From the Cracked Ceiling
        Paul Pierson, John Gross Endowed Chair, Professor of Political Science, University of California, Berkeley and author of Winner-Take-All Politics: How Washington Made the Rich Richer and Turned Its Back on the Middle Class


        Event Contact:
        510.642.1473

        ASMP NorCal Presents Lee Foster on “Entrepreneurial Travel Photo Publishing”

        When: Tuesday, April 10,  6:30 PM

        Where: 141 McCone Hall

        ASMP member Lee Foster will talk about what he calls “Entrepreneurial Travel Photo Publishing.” Lee hopes to provide ASMP members with practical information and inspiration on how their photo marketing can flourish in a more entrepreneurial manner.

        Lee Foster is an award-winning travel writer/photographer, winner of eight Lowell Thomas Awards, the highest prize in travel journalism. All of Lee’s contemporary work in travel writing/photography can be seen at his website www.fostertravel.com. Lee has published 10 books, 3 apps, and 3 ebooks. His work has appeared in all the leading U.S. travel magazines and newspapers, from Travel + Leisure to the New York Times. His partnership with the main worldwide travel book company, Lonely Planet, has presented his photos in more than 225 of their books. Lee’s first “independent” book was his travel literary book (with photos) titled Travels in an American Imagination, which is now out as a print book and an ebook.

        Purchase tickets here.

        Event Contact: 415.839.3049

        The Mugging of Main Street in America: Implications for the World with Robert Scheer

        When:  Thursday, April 26,  7:30 PM

        Where:  International House

        Robert Scheer, Editor-in-Chief of "Truthdig.com", has built a reputation for strong social and political writing over his 30 years as a journalist. His in-depth interviews have made headlines, including the famous Playboy magazine interview in which Jimmy Carter confessed to the lust in his heart and notable Los Angeles Times interviews with Richard Nixon, Ronald Reagan, Bill Clinton and many other prominent political and cultural figures. A USC professor and radio personality on Left, Right and Center with Arianna Huffington, Scheer is the author of The Great American Stickup: How Reagan Republicans and Clinton Democrats Enriched Wall Street While Mugging Main Street. Mr. Scheer will speak to the current social, political, and economic climate in the U.S. and its implications for the world today.

        Purchase tickets here.

        Event Contact: ihprograms@berkeley.edu, 510.642.9460

        Philosophy Talk: Live at The Marsh

        When:  Sunday, April 29 (see below for times)

        Where:  The Marsh Theatre (2120 Allston Way, Berkeley)

        Philosophy Talk, the nationally syndicated radio program that, "questions everything, except your intelligence," is back in Berkeley on April 29th, to record two new live episodes:

        At noon, it's "Identities Lost & Found in a Global Age" with U.C. Berkeley English Professor Bharati Mukherjee.
        Throughout human history, people have tended to live and die in the same place, or at least the same region, in which they¹re born. Place is an important part of one's identity. But what happens when people are deprived of this sense of place? What psychological effects do emigrants, exiles, and expatriates endure? What happens to the importance of place when community membership can be based on common interests among people linked by email and facebook? Do we risk losing an important part of human life? Or do we gain freedom from the lottery of birth? John and Ken situate themselves with UC Berkeley English Professor Bharati Mukherjee, author of Miss New India and other novels exploring migration, alienation, and identity.

        At 3pm, we confront "Hypocrisy" with Lawrence Quill, from San Jose State University.
        Hypocrites believe one thing, but do another. Jefferson opposed slavery, but owned slaves. Jesus professed universal love, but cursed an innocent fig tree. Jerry Brown opposes the death penalty, but as governor of California will be responsible for executions. Hypocrites all ­ but vile hypocrites? Surely it was better that Jefferson was a hypocrite, and articulated the case against slavery, than not opposing it at all. Does it take courage to defend a view that you, yourself, don't have the courage or the character to follow through on? John and Ken try to practice what they preach with Lawrence Quill from San Jose State University, author of Civil Disobedience: (Un)Common Sense in Mass Democracies.

        Purchase tickets here.

        Event Contact: 415.826.5750

        Upcoming Events at UnionDocs, Brooklyn

        Hey all. There are a bunch of great events coming up at UnionDocs in Brooklyn. Details below!

        -mia
        +++++++++++++++++++

        Future Events at UnionDocs:



        Saturday, April 14th at 7:30pm. Free and open to the public.

        Over 60 students have crafted short docs that lovingly explore the many faces and stories of New York City —from B-boys to nannies, cab drivers to urban farmers, and subway buskers to church tower bell-ringers. This program offers a glimpse of that work and invites audiences to come see the latest crop of DocStudies’ student work at the New School.

        When Documentary met Data


        Sunday, April 15th at 7:30pm. $9 suggested donation.


        We live in a world drenched in data, providing a new seam of content for documentary. With the latest version of the web coding language HTML5, data can also now be connected to video content in new ways. So how are documentary makers responding to these creative possibilities? What storytelling possibilities are emerging around these new resources? Jigar Mehta, (18 Days in Egypt), Laura Kurgan (Spatial Information Design Lab), and Fabien Streit, (Upian) in attendance for presentation and discussion with scholar-artist Mandy Rose.


        Coming up next weekend: 

        Capturing Palestine: Witnessing and Storytelling with Michael Kennedy

        Friday, April 6 at 7:30pm. $9 suggested donation.

        Can the photographer, researcher, artist, journalist, human rights worker or activist meet the demands of objectivity and proof required in the documentation of rights abuses and still take the miraculous seriously? Photographer and scholar Michael Kennedy will try to answer this question while exploring the disturbing death of a young boy at the West Bank village of Iraq Burin.

         

        Coming up this weekend: 

        Master Class: Kim Longinotto on Documentary Filmmaking

        Friday, March 30 at 7:00pm. $15. 


        Critically acclaimed, Peabody, Sundance, Cannes, and BAFTA award-winning documentary filmmaker Kim Longinotto (Rough Aunties, Sisters in Law), will give a special Master Class for documentry filmmakers. Longinotto will share clips, documentary techniques, working experiences, as well as craft and process from her 30+ year career as a documentarian.

        Remakes and Reverse Shots: Amie Siegel in conversation with Michael Almereyda

        Saturday, March 31th at 7:30pm. $9 suggested donation.


        Amie Siegel joins us to present The Sleepers, a film that voyeuristically explores the space between cinema and architecture, sceerning alongside Siegel’s recent film which intertwines histories of cinema and architecture with the cinematic gesture of the remake serving as an uncanny reflection on gender, history and the production of images.

        Same as the Old Boss: On the Very Rich History of the Right

        Sunday, April 1th at 7:30 pm, $9 suggested donation

        In a conversation moderated by journalist Christian Parenti, political scientist Corey Robin will speak with leftist economist (and former conservative) Doug Henwood about the history of reactionary theory, the creation of the right wing, and the role of the ruling class in fostering the conservative movement.

        UNIONDOCS.ORG
        322 Union Ave.
        Brooklyn, NY 11211
        347.820.3213

        Narrative Magazine winter story contest, deadline March 31

        Hey folks. Last few days to submit your material for Narrative Magazine's winter story contest. Details below.
        -mia

        ++++++++++++++++++++++

        ENTER TODAY
        CONTEST FINAL WEEK.
        Deadline: Saturday, March 31
        , at midnight, PDT.

        $2,500 First Prize
        $1,000 Second Prize
        $500 Third Prize
        Ten finalists receive $100 each.

        The Contest is open to all writers, and all entries will be considered for publication.

        See the Guidelines.

        New and emerging writers account for more than a third of the hundreds of writers whom Narrative publishes each year, and the new writers appear prominently alongside today’s most- recognized authors.

        Read our recent winners, including a stunning first fiction by Gabriel Tallent and great new stories by emerging writers such as Kirsten Clodfelter, Brian Trapp, and Amy Parker.

        Prior winners and finalists have gone on to win other contests, to publish acclaimed books, and to win awards from the Pushcart Prize, New Stories from the South, the Atlantic, and others. View some recent awards won by our writers.

         
        SIX-WORD STORIES | RSS | NARRATIVE BACKSTAGE | A Nonprofit Publication

        8th Annual SF International Women’s Film Festival, April 13-15

        The 8th Annual SF International Women's Film Festival is happening in a few weeks – April 13-15. Details HERE and below.
        -mia
        ++++++++++++++++++


        What's in store for the SFIWFF this year? A "True Blood" actress gets behind the camera, Obama's older half-sister lands in front, and Internet mover and shaker Tiffany Shlain grabs the mic at the 8th Annual San Francisco International Women's Film Festival (SFIWFF). On April 13th, the Women's Film Institute will present the 8th Annual San Francisco International Women's Film Festival (SFIWFF), a three-day celebration of films directed by women. The 2012 selection of diverse films honors the exceptional contributions of women in cinema, and represents a global panorama of women filmmakers. 


        For more information about the festival line-up, schedule and tickets, visit: http://www.sfiwff.com

        call for entries SEJ Annual Awards for Reporting on the Environment, deadline April 2

        Call for entries for the annual SEJ Awards for Environmental Reporting. Details HERE and below. Deadline April 2.

        -mia


        +++++++++++++++++++++

        Deadline to enter: April 2, 2012

        Instructions for Entering:

         

        NEWS!  SEJ has added a category for Photojournalism. See below for a full description.

        Below you will find the definitions for  SEJ's 2012 categories.  When you have selected the appropriate category for your entry, prepare the materials you will need for entering. Once your materials are assembled, click the name of the category (below) to open the online form. Follow the instructions on the form.  Some fields have instructions written below them. Please take note of all instructions!

        Materials needed:

        • PDFs* or links to each story, commentary or photo

        • Publication or air date for each story, commentary or photo
        • Cover letter 

        • Team contact sheet if you do a group entry
        • Broadcast transcript if you enter radio or television stories, of if your online entry includes audio/video components

        • Credit card for immediate online payment. (You can opt to send a check on the online payment site.)

        * 15MB max file size. Multiple PDFs for one day must be combined. See Help with low-resolution or combined PDF

        If you are unable to reduce your file to 15MB, email Awards Director Chris Rigel or call her at (502) 641-1844.

        Each entry requires a cover letter in electronic format, either .doc, docx, PDF, .html, or .txt file to be uploaded into the online form.

        Book entries: Enter the contest using the online entry form below. After submitting your form and payment, ship four copies of your book and a copy of the cover letter with the author's name and contact info to Chris Rigel, Director of Awards (address below). Note: even if you ship your entries, you must still complete an online form, including the uploaded cover letter.

        Print entries: low-resolution PDF or html files of your entry stories. (Check your category for the allowable number of stories and other details.) (Help with low-resolution or combined PDFs) If you are unable to supply links or low-res PDFs, you may ship four copies of your entries to SEJ with a cover letter including the entrant's name and contact information. Be sure to follow the preparation rulesNote: even if you ship your entries, you must still complete an online form, including the uploaded cover letter.

        Online and broadcast entries: web links to Internet pages where your television, radio or online news story can be viewed or listened to. (Check your category for the allowable number of stories and other details.) If you are unable to supply links, you may ship four copies of your entries to SEJ with a cover letter including the entrant's name and contact information. Be sure to follow the preparation rulesNote: even if you ship your entries, you must still complete an online form, including the uploaded cover letter.

        Shipping address:

        SEJ Awards
        C/O Chris Rigel, Awards Director

        186 North Bellaire Ave
        Louisville, KY 40206

        Follow the preparation rules for preparing your entries for shipping. Shipped entries that are incorrectly prepared will not be sent to judges. Please pay special attention to the instructions, since your payment is non-refundable.

         

        ENTRY FEES

         After completing your entry form, the payment site will open. Please pay your fee immediately after submitting your entry form. For those needing to pay by check, the payment site includes a check option. Your entry will not be processed for judging until payment is received. 

        $40 Member Rate

        You must already be a member of SEJ to enter at the member rate. If you are unsure of your membership status, please contact SEJ at sej@sej.org or (215) 884-8174.

        $60 Prospective Member Rate

        To enter SEJ's awards contest at this rate, you must complete a membership application. (After you click the link, scroll down until you see the maps: In North America and Outside North America. Click on the appropriate map to open the membership application. Please note on your application in the comments field at the end that you are applying for membership with your contest entry.) After completing the application, return to this page to complete your entry.

        This special discounted $60 fee is only for non-members who are joining SEJ for the first time. It covers your first year of membership (discounted) as well as the contest fee. 

        $100 Non-member Rate

        CAUTION!

        As you complete the awards entry form, be sure to fill in all required fields. If you miss one, the files you've uploaded will not "stick." Your other information will remain intact, but you'll have to upload your cover letter and other files again.

        You can recognize required fields by the red asterisk for all fields except upload fields. Uploaded cover letters ARE REQUIRED FOR ALL ENTRIES.

        AWARDS CATEGORIES

        Deadline to enter: April 2

        Read the descriptions carefully, then click on the name of the category you want to enter to open the corresponding entry form. Have your electronic files and web links ready.

        CLICK TO ENTER: Kevin Carmody Award for Outstanding In-depth Reporting, Large Market: An investigative or explanatory feature or series on a single environmental topic, published between March 1, 2011, and Feb. 29, 2012. Related stories published on the same day count as one part. TV & Radio stories must not exceed 60 minutes; Print and Online series must not exceed five parts. Multimedia links may be included in the cover letter. Eligibility: Print media: circulation of 200,000 or more; TV & Radio: national networks in the U.S. and elsewhere and top 10 markets in the U.S. as determined by Nielsen; Online: sites with 1 million or more monthly unique visitors. Cover letters must include a description of the reporting's impact.

        CLICK TO ENTER: Kevin Carmody Award for Outstanding In-depth Reporting, Small Market: An investigative or explanatory feature or series on a single environmental topic, published between March 1, 2011, and Feb. 29, 2012. Related stories published on the same day count as one part. TV & Radio stories must not exceed 60 minutes; Print and Online series must not exceed five parts. Multimedia links may be included in the cover letter. Eligibility: All outlets and publications falling outside the large-market definition. Cover letters must include a description of the reporting's impact.

        CLICK TO ENTER: Outstanding Beat Reporting, Large Market: Up to five broadcast or published news reports and/or commentary on a broad range of environmental topics published between March 1, 2011, and Feb. 29, 2012. Entry must be the work of an individual, either alone or with a small supporting team. Related stories published or aired on the same day count as one story. Broadcast entries must have a combined total running time of no more than 60 minutes. Eligibility: Print media: circulation of 200,000 or more; TV & Radio: national networks in the U.S. and elsewhere and top 10 markets in the U.S. as determined by Nielsen; Online: sites with 1 million or more monthly unique visitors.

        CLICK TO ENTER: Outstanding Beat Reporting, Small Market: Up to five broadcast or published news reports and/or commentary on a broad range of environmental topics published between March 1, 2011, and Feb. 29, 2012. Entry must be the work of an individual, either alone or with a small supporting team. Related stories published or aired on the same day count as one story. TV & Radio entries must have a combined total running time of no more than 60 minutes. Eligibility: All TV, Radio, Print and Online publications falling outside the large-market definition.

        CLICK TO ENTER: Rachel Carson Environment Book Award: A nonfiction book, published between January 1 and December 31, 2011, covering an environmental topic. Memoirs and picture books are not eligible.

        CLICK TO ENTER: Outstanding Feature Story: One environmental feature or commentary published between March 1, 2011,  and Feb. 29, 2012. Multi-part stories, sidebars and other supplemental material are prohibited.  Eligibility: All TV, Radio, Print and Online entities.

        CLICK TO ENTER: Outstanding Photography: Up to five photographs on one or more environmental topics, published between March 1, 2011 and Feb. 29, 2012. Only photos published as photojournalism will be accepted. Entered photos must not be manipulated or digitally enhanced in a way that changes the content and/or context of the image. A caption that describes the event or situation captured in the photograph must be included for each photo entered. Photos must be submitted as jpeg files, maximum 2MB.

        Back to the main Awards page.

        upcoming events at UnionDocs

        A few announcements and events from UnionDocs in Brooklyn.

        -mia

        +++++++++++++++++++++

        Call for Entries: Gaze Looking for Works made by Women
        by UnionDocs

        Former UnionDocs Programmer Mallary Abel is working with GAZE on a film series dedicated to screening independent film and video made by women. GAZE promotes women’s artistic expression and… more»

        Call for Video Fellow: Five Borough Farm

        by UnionDocs

          The Design Trust seeks a Video Fellow to produce between three to six high-quality, web-based videos (each three minutes or less) that will serve as advocacy and education tools for… more»

        Gardener on the Roof: Examining Urban Farming 

        Saturday, March 24th at 7:30pm

        Examined Waterways with J.P. Sniadecki and Sarah J. Christman

        Sunday, March 25 at 7:30pm

        BackStory radio call for Pitches

        BackStory, a new show on American History, is seeking story ideas. Details below!

        -mia

        ++++++++++++++++++++++++

        Backstory

        Each week, the show chooses a topic and tells stories, conducts interviews, and shares insight on how that topic has played out through American history. We’re looking for features that have a couple key components: First, a story. Your characters might be alive, or they might be long dead. Either way, you should still have some character(s) with something at stake. Second, when pitching your story, think about ways to bring these characters to life. We’re open to re-enactments, experts telling the story second hand, oral histories, all the typical stuff. But don’t be afraid to think outside the box. Questions we’re always going to ask are: Why did this happen when it happened? What does this reveal about America at the time? Why should we care about that now? Most of themes will have a news peg of some sort. You can see some of the themes we plan to produce at our independent producers page: http://backstoryradio.org/producers/
        show: one hour/weekly
        segments: 2-8 minutes

        compensation: $200 – $500+ depending on difficulty and skill of the producer. All the rates below are flexible, but are meant to give you a sense of what we offer.
        Level 1 Piece: $200-$350
        – May include a snapshot essay of a particular moment in history, typically with simple production requirements.
        – May be a shorter, 2-3 minute sound rich “audio postcard” style piece.

        Level 2 Piece: $350 -$450
        – Medium length story with at least one interview and some reporting.
        – May include some field tape. Probably requires little travel
        Level 3 Piece: $450 – Negotiable
        – Longer feature with multiple interviews.

        – Significant research and creative use of sound and/or content.
        pitch: Email Associate Producer, Eric Mennel at EMennel@Virginia.edu, with the word “PITCH:” in your title. The more concise your pitch, the better. Include what, if any, sources you would use in your story and how you would produce them. Also include what you think this piece would sound like (field tape, scoring, effects, readings, those kinds of things). We understand we’re a new show, so we won’t be offended if you compare it to something you might hear on another radio show. We’re open to non-narrated features, written essays, and reported pieces. You don’t need to have worked in radio or history to pitch, but if you can give us a sense of your experience (radio or otherwise), please do, and include a couple of links to your best stuff.
        contact: Eric Mennel, Associate Producer: EMennel@virginia.edu (email preferred)

        phone: 434-924-4403
        mailing address: 145 Ednam Drive, Charlottesville, VA 22903
        website: http://www.BackstoryRadio.org

        Call for pitches WBEZ’s Race – Out Loud Series, deadline April 2

        Very cool storytelling opportunity from the folks at WBEZ. Details and contact information below. Deadline April 2.
        -mia

        ++++++++++++++++++

        WBEZ is looking for great material for a series we’re calling Race: Out Loud. Here’s the idea: What would it sound like if people said what they really think and feel about race, about ethnicity? What if they really talked about how it shapes them, their lives, and attitudes? What would we hear, if we listened?

        This is a call for all manner of stories and ideas—in as creative an approach or production manner as you can imagine.  Think original. Think things we haven’t heard.  Things we don’t talk about.  And don’t limit yourselves to black and white—this is race, ethnicity in our time. Between races, ethnicities.   Within races.   We’re dealing here with Chicago and metro area.  But if you have some wild and wonderful idea beyond, try us.

        A few examples of ideas already bubbling from reporters:  Nightlife: why don’t we play together?; Code words; What conversations do you have with your own race that you’d be squeamish having with people not of your race?

        Multi-media. Video. Blog.  Music. Non-narrated stories. Investigative.  Stretch yourself and our listeners.

        If you want to participate but don’t have an idea—let us know.

        Otherwise, here’s the deal:  Deadline for written pitches [a brief description of the content and form of your idea] is Monday, April 2. 

         Send pitches and questions to: ccahan@wbez.org or nmoore@wbez.org 

         Thanks,

        Cate and Natalie, WBEZ

        2012 Dag Hammarskj

        Interesting fellowship opportunity for young journalists from developing countries. Spread the word. Details HERE and below.

        -mia

        ++++++++++++++++++

        The Dag Hammarskjöld Fund for Journalists is now accepting applications from professional journalists from developing countries for its 2012 fellowship program. The application deadline is Friday, March 30, 2012.

        The fellowships are available to radio, television, print and web journalists, age 25 to 35, from developing countries who are interested in coming to New York to report on international affairs during the 67th session of the United Nations General Assembly. The fellowships will begin in early September and extend to late November and will include the cost of travel and accommodations in New York, as well as a per diem allowance.

        The fellowship program is open to journalists who are native to one of the developing countries in Africa, Asia, South America and the Caribbean, and are currently working full-time for a bona fide media organization in a developing nation. Applicants must demonstrate an interest in and commitment to international affairs and to conveying a better understanding of the United Nations to their readers and audiences. They must also have approval from their media organizations to spend up to two months in New York to report from the United Nations. Click here for full eligibility criteria and documentation requirements and the fellowship application form.

        In an effort to rotate recipient countries, the Fund will not consider journalist applications for 2012 from nations selected in 2011: China, Ethiopia, India and Nigeria. Journalists from these countries may apply in 2013.

        Four journalists are selected each year after a review of all applications. The journalists who are awarded fellowships are given the incomparable opportunity to observe international diplomatic deliberations at the United Nations, to make professional contacts that will serve them for years to come, to interact with seasoned journalists from around the world, and to gain a broader perspective and understanding of matters of global concern. Many past fellows have risen to prominence in their professional and countries. The program is not intended to provide basic skills training to journalists, as all participants are media professionals.

        Questions about the program, eligibility and application process can be directed to fellowship@unjournalismfellowship.org.

        KDMC Multimedia Storytelling Institute – June 2012

        KDMC – one of my favorite resources for multimedia – is expanding their offerings. Do one of their workshops if you can!
        -Mia
        ++++++++++++++++++++++

        Journalism Today Requires That Reporters Have The Flexibility To Tell Stories Across Multiple Platforms

        Getting stories to the world demands having the ability to use emerging digital media in an increasingly complex information ecosystem.

        The KDMC Multimedia Storytelling Institute is a unique opportunity to learn critical digital skills from industry leaders at the world's premier center for applied digital communications.

        Our two-week, June 18-29, 2012, intensive Multimedia Storytelling Institute will help you develop transformative skills to deliver rich multi-platform content for sustainable journalism.

        What You Will Learn

      • Strategies for multimedia story planning, production and delivery using mobile, tablet, and desktop platforms,
      • Hands-on field reporting to learn professional video, photo and mobile techniques,
      • Photoshop and Final Cut Pro X for editing visual content,
      • Data storytelling with interactive databases, visualizations and maps,
      • Social Media for reporting, content distribution and community engagement,
      • Each participant takes home an iPad with the complete training curriculum.
      • What Journalists Are Saying About KDMC

        "It was that real-world component that really set it apart. I have many concepts I can bring directly back to the newsroom."- Marisa Kwiatkowski, Digital Storytelling 2012

        "This was an incredible experience. The stuff we learned is all very practical, and I know I can put it all into use immediately in my newsroom (and use it to train others)."-Jennifer Peebles, Multimedia Training 2011

        "I have used the audio editing, soundslides and video skills frequently over the past several months, especially during my time covering the Iran elections in June. I also use a lot of the overall 'big picture' multimedia skills nearly every second that I work. I really feel that the KDMC training gave me the edge needed to succeed in this job. Thank you!"- Anna Johnson, Multimedia Workshop 2009

        To Register or for More Information Contact

        Vicki Hammarstedt
        Knight Digital Media Center at UC Berkeley
        vhammarstedt@berkeley.edu
        +1.510.642.3892

        Sounds, Stories & Springtime – An Audio Retreat in the beautiful Hudson Valley

        Hurray – an audio workshop/retreat in my neck of the woods! Come study the art of sound with two fine producers in their beautiful Hudson Valley home. I'll be on hand for the BBQ on Saturday night and would LOVE to meet some audio-loving FC members. Drop me a line if you have questions, or contact Eileen directly at emcadam@hvc.rr.com.
        -mia

        ++++++++++++++++++++++

        Sounds, Stories & Springtime

        An Audio Retreat

        Spend a weekend in the Catskills honing your skills as a sound recordist and storyteller while reinvigorating your creative spirit. Veteran Producers Jim Metzner and Eileen McAdam lead this immersive experience in field recording, listening, and the art of bringing stories to life with sound.

        Limited to eight intermediate producers, the workshop offers personal attention and also leaves time for reflection, community, and learning from each other.

        Friday night includes a special appearance by musician Steve Gorn, and an evening listening excursion to explore the acoustics of a nearby cave. Saturday night is for storytelling and barbeque!

        • Learn to weave a narrative with natural sounds

        • Expand your audio palette

        • Experiment with binaural, stereo and parabolic microphones

        • Crafting a narrative that weaves and contextualizes your sounds.

        About your hosts:

        Jim Metzner has pioneered the use of sound in radio features and multi-media projects. Best known for his award-winning series Pulse of the Planet. His work has been featured in National Geographic Online, All Things Considered, Marketplace, Weekend Edition, the New York Times, and elsewhere.

        Eileen McAdam is the co-founder of the World Sound Foundation and the producer of The Hudson Valley Sound and Story Project, Tales of Two Cities Audio Tour and StoryScape Hudson Valley. She has been a recipient of five major grants

        Dates: May 18 – 20.

        Cost: $450/person. All meals and Saturday night Barbecue included.
        Accommodations: There are local B&B’s throughout the Hudson Valley area. Camping is available at our site.

        Eileen McAdam
        Director
        Sound and Story Project 

        Journeys of Recovery” screens at Rough Cuts on March 20th, SF

        Loving this regular event in SF – screenings of documentary rough cuts. Details below!
        -mia

        +++++++++++++++++++++

        Join us for the 2012 March evening of Rough Cuts

        Tuesday, March 20th, 2011 at
 7:30 p.m.

        $7 admission
        Complimentary drinks and hors d'oeuvres provided
        At Ninth Street Independent Film Center,
        145 Ninth Street, between Mission and Howard, San Francisco

        To attend, please RSVP by noon on Tuesday, March 20th to roughcutsrsvp@yahoo.com

        Going the Distance: Journeys of Recovery
        Directed by David L. Brown

        In “Going the Distance: Journeys of Recovery,” four survivors take us inside the experience of traumatic brain injury (TBI): a corporal in the U.S. Marines, African-American Jason Poole, who has suffered massive head injuries in a roadside bomb in Iraq; co-ed Kristen Collins, severely injured in a motorcycle accident while away at college; pre-med student Jay Waller, victim of a savage road-rage beating while on vacation; and six-year old Ian McFarland, survivor of a car crash that left him an orphan.

        Along their paths to recovery, the four protagonists relive the dramatic accidents that almost took their lives; learn how to walk, talk and live again; and face the most daunting challenge of all—reinventing themselves. In the process, they reveal stories of heroism and hope.

        For more information about the evening and Rough Cuts in general, visit http://sfroughcuts.com/nextevent.html

        Rough Cuts
        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at various locations throughout San Francisco. For each evening, we screen one rough cut of a long-form documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        Mixed Roots Film & Literary Festival accepting submissions until March 15

        Deadline is TODAY so it's a little late for this year, but you filmmakers could put this on your list for next… the Mixed Roots Film and Literary Festival. Details below.

        -mia

        ++++++++++++++++++++
        The Mixed Roots Film & Literary Festival is still accepting submissions for the 2012 Festival, held this year on June 16 and 17 in Little Tokyo at the Japanese American National Museum. 

        Now in its fifth year, the Mixed Roots festival is seeking submissions of all genres and formats in film, literature and live performance that explore the mixed experience, including but not limited to interracial relationships, transracial and transcultural adoptions and more. Recently we've been highlighted in the New York Times and Ebony magazine. 

        And for those interested in teaching and helping artists grow and hone their skills, the festival is always interested in workshops that assist with the craft of story telling, working with actors, new media, directing, producing and writing for television, film and theatre. We're also interested in what other new ideas you can bring to the table!

        The deadline to apply and submit your work is March 15. You can apply through the website at www.mxroots.org. 

        Lemuel H. Thornton III
        Film Coordinator 
        Mixedrootsfilm@gmail.com

        @mxroots on twitter. 

        Call for pitches from Making Contact

        Hello friends. Longtime FC member Andrew Stelzer sends the following call for pitches from Making Contact. And just a quick word about rates here. My policy is to pass along any and all opportunities I come across that are available to freelance media producers. The folks at Making Contact are really good people, and they are doing the best they can with limited funds. If you don't like the $, don't pitch! Or better yet, make a story you can sell to multiple outlets.
        My two cents,
        -mia
        +++++++++++++++++++++

        Hi there freelancers!

         

        We haven’t been too frequent on our calls for pitches—but hopefully that’s a trend we’re turning around…Below are a few topics for shows we’re working on.  Please send us any ideas you have for sound-rich reported pieces.  We pay $250-$300 for a piece ranging from 6-12 minutes—not standard pub radio rates we know, but you get to do a longer piece, which can bring its own satisfaction.  We also are open to altered reversions or previously aired material. 

         

        We are not really interested in interviews (unless they are amazing), or stories with more than minimal phone tape.  We also are not looking for super time sensitive stories because of our production schedule.  Think not ‘what’s happening this week’, but maybe ‘what’s happening this season,’ or ‘this year’—we step back, take a bigger look at issues and how the relate to larger trends.

         

        If you are not familiar with our program, please surf around our site a bit and check out the pitching guidelines:

        http://www.radioproject.org/production/submission-guidelines/

         

        In particular, note this:

        Does the story:

        -Link grassroots issues and human realities to national or international trends?

        -Give listeners a historical, political, or social context of major national and international events?

        -Shed light on social and economic inequities?

        -Explore any alternatives or solutions?

         

        Please submit story ideas to pitches@radioproject.org

         

        Let us know what the story is about, who the voices will be, and if there is a time/date peg.

         

        Thanks,

         

        Andrew Stelzer

        Producer

        Making Contact

        www.radioproject.org

         

        1. Prison Guard Unions

         

        At least one piece for this show will come from California, where the Prison Guards union has tremendous strength.  But we also want stories from other parts of the country.  How do these unions affect public policy around drug laws, sentencing laws, prison expansion and other spending priorities?  How about their campaign contributions?  Local stories that connect to the national picture are ideal.

         

         

        2. Coal:

        The U.S. is a world leader in both the production and consumption of coal. From mountaintop removal to clean coal technology, the increased demand for energy continues to drive new gimmicks to extract this fossil fuel, regardless of the impacts to our health and environment. We want segments that delve deeply in this industry, the ramifications on communities and how activists are responding.

         

        3. Population Justice:

        A new movement called “population justice” has emerged recently, which intersects the work of reproductive and environmental justice activists. We seek segments that show what activists are doing to combine these two historically independent movements to advance the needs of both women and the environment. One idea could be about local communities enacting family planning services and how that shapes a woman’s decision to have children, and the impacts on the environment.  

         

        4. Freshwater:

        We are especially looking for stories from the Eastern United States (this particular show must all be US stories, not international).

        We want to examine both problems and solutions.  Some angles we are particularly interested in are:

        Hydrofracking (not the basics-we’ve covered that previously, but maybe zeroing in on a particular local struggle or evolving angle of the national situation)
        the intersection between fresh water and energy—consumption and pollution of water by both ‘dirty’ and ‘renewable’ energy sources  

         -the intersection between drinking water and food.

         -water infrastructure

        Drinking water contaminants and citizen action to clean up our act:

         

        5.   We also are open to segment ideas related to the 2012 election—both the conventions and the election itself.  We haven’t determined any particular show topics yet, but think big picture, not horse-race or ‘news of the week’: Voting rights, militarization of the convention cities, redistricting, how Occupy interfaces with the election?

         

        Again, send your story ideas to pitches@radioproject.org

        Making Contact

        www.radioproject.org

        Freelance opportunity for CA health journalists at KQED Public Radio

        Hey folks. My friends at KQED are looking for freelance health bloggers. Details below!
        -mia

        +++++++++++++++++++++++

         

        Freelance Blogger; State of Health blog; KQED News. Location: California.

        Position Summary: Experienced journalists needed to pitch, conceptualize, research and write 400 to 700-word blog posts about health topics and issues in California. Of particular interest are writers who have experience reporting about health issues in their city or county. State of Health has special interest in public health and health policy stories. The expectation is that most stories will be covered by phone or be local to the blogger’s home. On occasion, stories may be assigned by the State of Health editor. Since the position is freelance, we are interested in writers who can post one to four times per month, although we cannot guarantee frequency.

        Please visit kqed.org/stateofhealth to grasp the style and content of the blog.

        Essential Functions:

        ·        Strong writing skills in a conversational voice.

        ·        Experience reporting on health in California.

        ·        Experience writing for blogs is a plus.

        ·        Experience in radio reporting, especially public radio, is preferred, but not required.

        To Apply:

          Please submit cover letter, resume and three writing samples (ideally blog posts or short newspaper articles) to: stateofhealth@kqed.org. Write “Freelance Application: State of Health” in the subject line of the email.

        doc iconBloggerJobDescription_KQEDhealth.docx

        Radio for Peacebuilding Africa Awards 2012 is now open for submissions, deadline May 11

        This one is new to me – awards for African radio broadcasters working towards peace. Details below.
        -mia

        ++++++++++++++++++++

        The competition for the Radio for Peacebuilding Africa Awards 2012 is
        now open for submissions!

        The RFPA Awards recognise the best radio programmes that contribute to
        peace in Africa. The RFPA Awards particularly celebrate radio
        programmes that help to reduce group and community tensions, enhance
        and give value to shared interests, break down listener stereotypes,
        or provide positive role models.

        The 2012 Awards are open to all African radio broadcasters, both men
        and women. Prizes will be awarded in the following categories:
        •    RFPA Gender Award;
        •    RFPA Youth Award; and
        •    RFPA Jury’s Special Award.
        Three prizes will be awarded in each category. The first prize is 600
        Euros, the second 300 Euros, and the third 150 Euros. The winning
        recipients will be honoured at an award ceremony.

        Specific entry requirements include:
        •    Programmes can be in any language spoken on the African
        continent, but must be accompanied by a translation in either English
        or French.
        •    Programmes must be a minimum of 20 minutes in duration.
        •    Radio programmes must have been broadcast between January 1 and
        December 31, 2011.
        •    Participants can submit more than one entry, but each must be
        sent as a discrete submission.

        Each entry must include a complete entry form, a copy of the radio
        programme, and a translation if necessary. Submissions can be
        submitted electronically to rfpa@sfcg.org or by mail to any SFCG
        Africa Country Office (list available at
        http://www.sfcg.org/sfcg/sfcg_world.html) or SFCG’s Brussels Office.

        All entries must be received by midnight GMT, May 11, 2012.

        Previous winning entries are available for listening and download from
        the audio section of our website www.radiopeaceafrica.org
        For more information and to apply, contact the RFPA Team: rfpa@sfcg.org

        We wish good luck to all the participants and we look forward to
        listening to your radio programmes!

        The RFPA Team

        Casey Medals for Meritorious Journalism, deadline April 20

        Get rewarded for your good works about children, youth, and families: The Casey Medals deadline is April 20. Details below.
        -mia
        +++++++++++++++++++++

        Did you write, report, produce, shoot, or create a powerful piece of journalism/media in 2011 about the lives of children, youth and families in the U.S.? If so, you should submit this work to the 2012 Casey Medals for Meritorious Journalism, a project of the Journalism Center on Children & Families, funded by the Annie E. Casey Foundation. Think back to last year. Did you hear, see, watch or read something about young people or parents that got under your skin and stayed there? Please tell the maker to apply for a Casey Medal. Winners in a dozen categories are awarded $1000 at a ceremony in D.C. in October and will also be considered for $5000 prizes from America's Promise Alliance. Check out the application and guidelines at www. journalismcenter.org. New this year: Youth Media category.
        Thanks for helping to spread this good news.

        1100 Knight Hall

        College Park, MD 20742

        301-405-8812

        @JCCFNews @JDriz  

        Casey Medals for Meritorious Journalism honor exemplary reporting on disadvantaged children, youth and families. 
        Application deadline: April 20, 2012.

        Radio Cabaret, March 17, 7:30pm, NYC

        Super cool radio/performance event at Union Docs in Brooklyn, March 17. Details below!
        Best,
        Mia

        +++++++++++++++++++++++

        A bunch of us in New York have gotten together to experiment with bringing the medium of radio into three dimensional space.  We're not talking about playing radio pieces for an audience or hosting a live show – though that can be nice – but instead we are fusing our audio documentary work with performance, melding mediums to create a hybrid form.  On Saturday March 17th, we are presenting our work at Union Docs in Brooklyn.  

        RADIO CABARET

        WHERE: Union Docs, 322 Union Ave. Brooklyn NY

        WHEN: March 17th, 7:30-8:30pm with green beers to follow

        WHO: Kaitlin Prest, Sharon Mashihi, Audrey Quinn, Brendan Baker, Rachel James and Laura Mayer.

        If you are local, we'd love to see you there.  And please do come up and say hello. 

        We plan to have future Radio Cabarets so if this peaks your interest, do write to us at: radio.cabaret.nyc@gmail.com.

        And please RSVP at our Facebook page!

        Love,

        The Radio Cab Crew

        20th Raindance Film Festival call for submissions, deadline May 6

        British Film Festival encourages first-time directors. More info here: http://www.raindance.co.uk/site/festival

        -mia

        +++++++++++++++++++++++++++++

        Submit Your FilmRules and Regulations

        The 20th Raindance Film Festival will take place in London from 26 September to 7 October 2012. The festival aims to reflect the cultural, visual and narrative diversity of the international independent filmmaking community and specialises in films by first-time directors. Raindance accepts fictional, documentary and experimental features, short films, music videos and children’s films.

        Submit Your Film Through Withoutabox

        Submission Deadline

        Submissions will be accepted from 1 November 2011. 
        The regular deadline is 6 May 2012. 
        The late deadline is 10 June 2012. 
        There is an extended Withoutabox-only deadline of 24 June 2012.

        Submission Format

        Films must be submitted on DVD only. The title, screening format and running time must be clearly labelled on the cover. Submitted copies will not be returned.

        Submission Eligibility

        – All submissions must have been completed after 1 June 2011.
        – Films must not have been released in the UK on any format.
        – Films must not have been screened on the internet, television, cable any other media in the UK.

        – Raindance requires at least a UK premiere for any feature film it screens, and London premiere for any short.
        – Submission packages must include a preview copy, a completed 20th Raindance Festival Submission Form, the correct submission fee and a 50 word synopsis.

        – All films in a language other than English must be subtitled in English.
        – Exploitation or grossly indecent genres are not eligible.

        Submission Fee

        Early deadline (6 May 2012):
        •    Shorts (up to 45 minutes long) – £20
        •    Features (45 minutes +) – £50
        Late deadline (10 June 2012):
        •    Shorts (up to 45 minutes long) – £25
        •    Features (45 minutes +) – £75

        Extended Withoutabox-only deadline (24 June 2012):
        •    Shorts (up to 45 minutes long) – £35
        •    Features (45 minutes +) – £100

        The submission fee is not refundable

        Payments not made through Withoutabox must be made in Pounds Sterling. Raindance is unable to accept payment in any other currency. Submission fees must be paid by cheque from a UK bank, international money order, Pounds Sterling travellers cheques or by VISA, Mastercard or Switch. Please make cheques payable to ‘Raindance Limited’.

        Shipping

        Submissions should be sent to:
        Festival Submissions
        Raindance Film Festival
        6-7 Little Russell Street
        London WC1A 2HR 
        United Kingdom

        call for entries to the People’s Film Festival, May 17-20, NYC, deadline April 5

        Attention FC filmmakers – this looks awesome. Details below. Deadline April 5.

        -mia

        +++++++++++++++++++++

        CALL FOR ENTRIES TO THE PEOPLE'S FILM FESTIVAL MAY 17-20 2012 HARLEM, NYC MAYSLES CINEMA


        The People's Film Festival is a showcase of emerging filmmakers, producers, and videographers, reflecting both traditional & advant-garde styled films on one screen.

        Open to filmmakers of all levels in all categories, we are looking for narratives, features, shorts, @ documentaries —with an emphasis on films that integrate multi-digital platforms using today's new media & technology.  We've included an outlet for films about the Worldwide Occupy Wall St Movements (WWOWS) and a special feature called "Your Best Shot"  contest for video content providers, film junkies and aficionados alike to submit their best 1—2 minutes clips in action.


        The People's Film Festival runs from May 17 – 20, 2012 in NYC. For  more info on submission guidelines / forms / fees visit us NOW@ www.thepeoplesfilmfestival.com


        TPFF POSTER: http://tinyurl.com/The-peoples-film-fest-poster

        YOUR BEST SHOT CONTEST FLYER 1: http://tinyurl.com/Your-best-shot-contest-flyer-1


        YOUR BEST SHOT CONTEST FLYER 2: http://tinyurl.com/Your-best-shot-contest-flyer-2


        TPFF CALL FOR SUBMISSIONS FLYER: http://tinyurl.com/TPFF-call-for-submissions

        SUBMISSIONS: submissions@thepeoplesfilmfestival.com

        TPFF INFO: info@thepeoplesfilmfestival.com


        SPONSORSHIP: sponsorship@thepeoplesfilmfestival.com

        TWITTER:  http://twitter.com/#!/peoplesfilmfest


        FACEBOOK:  http://www.facebook.com/pages/The-Peoples-FilmFestival/295415027193149


        TUMBLR:  http://thepeoplesfilmfestival.tumblr.com/

        GOOGLE+:  https://plus.google.com/105296977912457925178


        PINTEREST:  http://pinterest.com/peoplesfilmfest/

        Transmission Art Symposium call for papers, deadline March 16

        Hey folks. See below for info on the 2012 Deep Wireless Festival of Radio & Transmission Art.
        -mia

        +++++++++++++++++++++++++

        Trans-X Symposium Call for Papers deadline March 16, 2012

        New Adventures in Sound Art (NAISA) is pleased to announce the Trans-X,
        a symposium about Transmission Art May 25-27, 2012

        We are now inviting proposals for papers.

        Rooted in the earliest experiments with radio, Transmission Art has
        continued to flourish with experiments with wireless communications
        technology over the past 100 years. The 21st Century is not excluded
        from this experimentation as artists have ventured into exploring a
        variety of mobile-based platforms and more lesser known forms of
        transmission such as VLF. The terrain of transmission art is dynamic
        and fluid, always open to redefinition.

        The Trans-X symposium, part of the Deep Wireless Festival of Radio &
        Transmission Art, will focus on transmission art, with particular
        interest in paper contributions that summarize, examine or reframe
        traditions and histories of transmission art practices, technology,
        education and pedagogy. Additionally, we are very interested in paper
        presentations that go beyond the local contingent to give a sense of
        what new technologies of international transmission activity might
        sound like.

        Proposals related to any aspect of transmission art practice are
        welcome. Submit a 500-1000 word abstract, and a biography of 250 words
        or less, to the symposium's Review Committee at: http://naisa.ca/transx-submit-piece.php

        All symposium contributions will be webcast live, and text proceedings
        will be published on-line on the NAISA web-site.

        Important Information
        Deadline for receipt of proposals: Friday March 16, 2012 @ 11:59 PM EST
        Notification of acceptance: Monday April 2, 2012
        Symposium sessions including workshops, keynote lectures, papers and
        panel discussions: May 26 & 27, 2012
        Keynote address by Joseph Galen-Hunter, author of Transmission Arts:
        Artists & Airwaves and Executive Director of free103point9
        Deep Wireless Festival concerts: May 25 and 26, 2012 @ 20:00
        Symposium registration fees (General): $70 (includes admission to all
        concerts)
        Symposium registration fees (Student): $35 (includes admission to all
        concerts)
        Questions and requests for further information should be directed to: naisa@naisa.ca

        Review Committee:
        Galen Joseph-Hunter, author of Transmission Arts: Artists and Airwaves
        Anna Friz, post-doctoral fellow, School of the Art Institute of Chicago
        Gregory Whitehead, radio artist / co-editor of Wireless Imagination
        Jonathon Guberman, Site 3 coLaboratory
        Geoffrey Shea, OCAD University
        Tetsuo Kogawa, Tokyo Keizai University
        ___________________________________________________________
        NAISA Inquiries & general information:

        Nadene Thériault-Copeland
        Executive Director
        New Adventures in Sound Art
        Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON
        M6G 4C7
        Tel 416 652 5115
        www.naisa.ca

        NAISA current/upcoming events:

        TransX, a Symposium about Transmission Art May 25 – 27, 2012
        Call for Papers, deadline March 16, 2012

        http://naisa.ca/opportunities.html

        Deep Wireless Festival of Radio & Transmission Art May 1 – 31, 2012

        Follow us on:
        Facebook www.facebook.com/NAISASoundArt
        Twitter www.twitter.com/NAISASoundArt
        You Tube www.youtube.com/user/NAISAtube

        Knight News Challenge Call for Applications, deadline March 17

        From the lovely folks at AIR, the announcement of the latest round of the Knight News Challenge. Deadline March 17. Good luck!

        -mia

        +++++++++++++++++++++++++++

        The Knight News Challenge is open for applications.

        Enter by answering seven questions, with 450 words, for a shot at a share of $5 million.

        The theme is networks, which means we’re seeking breakthrough ideas for using existing software and platforms to deliver news and information.

        Learn more and apply at www.NewsChallenge.org.

        Don’t delay, the challenge is open for 20 days – until March 17.

        Twitter: @knightfdn and #newschallenge

        All-expenses-paid mini-fellowship, plus three different reporting grants from USC Annenberg, deadline April 16

        Hey all. Latest grants and fellowships (up to $10K) from USC Annenberg have been announced. Deadline to apply is April 16. Details HERE and below.
        -mia

        ++++++++++++++++++++++++++

        USC Annenberg image
        USC Annenberg/California Endowment Health Journalism Fellowships
        February 27, 2012

        Call for Applications!

        All-Expenses-Paid Mini Fellowship, $2,000-$10,000 Reporting Grants At USC Annenberg

        When: July 22-26, 2012

        Where: Los Angeles

        Deadline to Apply: April 16, 2012

        USC Annenberg's California Endowment Health Journalism Fellowships program is offering three different reporting grants this year to underwrite investigative or explanatory journalism projects on substantive health issues. The grants all include participation in The National Health Journalism Fellowships , which allow journalists to step away from their daily routines to spend five days in Los Angeles exploring topics related to "Health and Place," or how neighborhood and work environments impact health and life expectancy. This intensive mini fellowship will help you understand how community health, health policy, and the nation's growing ethnic diversity intersect. You'll come away from the experience with a multitude of story ideas and sources, new insights into what community influences contribute to personal health, and funds to pursue an important health-related reporting project.

        Based at USC's Annenberg School of Journalism, the National Fellowship is open to print, broadcast, and online journalists from around the country. National Fellows receive meals, travel, and lodging, plus a $2,000 stipend upon publication or broadcast of a major fellowship project on almost any domestic health issue.

        The Hunt Fund (grants of $2,500 to $10,000) will support projects that examine the effects of a specific factor or confluence of factors on a community's health, such as poverty, health disparities, pollution, violence, land use, urban development, access to health care, and access to healthy food. And our new Lucile Packard Foundation for Children's Health Fund (California journalists only) will provide grants of $2,000-$5,000 to underwrite projects focused on children's health issues.

        Competition for all the grants is open to both newsroom staffers and freelancers who contribute to print, broadcast, and online news outlets. The stipends and grants can be used to defray reporting and publishing-related costs such as travel, website development, database acquisition and analysis, environmental testing, translation services, and a journalist's otherwise uncompensated time.

        Applicants must join ReportingonHealth.org, a Web 2.0 community for health journalism and the official website for the Fellowships. To encourage collaboration between mainstream and ethnic media, preference will be given to applicants who propose a joint project for use by both media outlets.

        For more information, visit ReportingonHealth.org or e- mail Martha Shirk at Cahealth@usc.edu. (To improve your prospects for success, we recommend that you discuss your project idea with us in advance.)

        Visit Our Website


        deadlines approaching for two Independent Filmmaker Project fellowships, March 6 and 21

        Two IFP fellowship deadlines coming up, March 6 and March 21. Details HERE and below.

        -mia

        ++++++++++++++++++++++++

        Applications Now Open for IFP International Fellowships

        CANNES PRODUCER’S NETWORK FELLOWSHIPS

        Deadline March 6, 2012

        As the sole U.S. Partner Organization for the Cannes Producer’s Network & Producer’s Lab, IFP is pleased to offer producers the opportunity to attend this prestigious week-long immersion program in May 2012. Running concurrently with Cannes International Film Festival, the Producer’s Network is specifically designed for experienced producers to build up the international networks and share expertise on the international production, financing and packaging marketplace. Cannes’ latest initiative, The Producer’s Lab, is open to all emerging producers with at least completed feature film credit.

        To apply, please send a resume and one-page letter of interest to John Sylva, jsylva@ifp.org, byTuesday, March 6th.  5 producers will be selected to attend the Producers Network and 2 emerging producers will attend the Producer’s Lab. All applicants must be IFP members at any level to be considered for the program.

        For more information:  http://www.ifp.org/programs/international/international-fellowships/cannes-producers-network/

        TRANS ATLANTIC PARTNERS FELLOWSHIP

        Deadline March 21, 2012

        TRANS ATLANTIC PARTNERS is an intensive three-week film training program for U.S., Canadian, and European producers seeking co-production/co-venture professional development. Module 1 begins in June 2012 in Berlin. Module 2 takes place September 2012 in Halifax leading into Strategic Partners (SP), Canada’s international co-production market. Directly following SP, Module 3 takes place at the Independent Film Week in New York, the oldest and largest forum in the U.S. for the discovery of new projects in development and new voices on the independent scene.

        TAP offers a unique combination of intensive, hands-on training with effective networking and targeted project partner search. Topics covered in the program include an overview of the European, Canadian and US audiovisual market-figures, structure, and players; the financial landscape for European, Canadian and US feature film production; and current marketing and distribution realities.TAP application forms are available at www.coproduction-training.com, and the deadline to apply is March 21, 2012.

        Please contact John Sylva, jsylva@ifp.org, or visithttp://www.ifp.org/programs/international/programsinternational-programstrans-atlantic-partners/for more information.

        Only one week left to submit to Rough Cuts for the March 2012 series, SF, deadline March 1

        Submit your film-in-progress to this screening series in SF. Details below.
        -mia

        ++++++++++++++++++++

        Thursday, March 1st is the deadline

        to submit to

        ROUGH CUTS – MARCH 2012 SERIES
        Tuesday, March 20th at 7:30 p.m.

        Ninth Street Independent Film Center

        145 Ninth Street, between Mission and Howard, San Francisco

        Complimentary drinks and hors d’oeuvres provided
        $7 admission

        _____________________________________________________

        Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

        We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

        Thursday, March 1st
        Submissions must arrive at the Ninth Street Film Independent Center by 5:00 p.m. [This is not a postmark deadline.]

        Tuesday, March 6th
        Selections will be announced and filmmakers will be notified

        Tuesday, March 20th
        Screening, followed by discussion led by a guest moderator

        To submit, and for more details about Rough Cuts, visit:
        http://sfroughcuts.com/

        Upcoming events at the J-School

        The latest events at the UC Berkeley J-school.
        -mia
        +++++++++++++++++++++

        Anatomy of Injustice: A Murder Case Gone Wrong, by Raymond Bonner

        A book discussion with Raymond Bonner and Mark Danner

        When:  Thursday, March 15,  6:30 PM

        Where:
        132 Boalt Hall

        In January 1982, an elderly white widow was murdered in the small town of Greenwood, South Carolina. Police immediately arrested Edward Lee Elmore, a poor, mentally challenged black man with no previous felony record.  Barely ninety days after the victim's body was found, he was tried, convicted, and sentenced to death. The case has all the issues that mark the debate about the death penalty — race, mental retardation, "snitch" testimony, DNA-testing, a strong claim of innocence, bad defense lawyers, and prosecutorial misconduct writ large.  The book also tells the inspirational story of a lawyer, Diana Holt, who fought to save Elmore's life. Reviewing the book for The Atlantic, Andrew Cohen called it "the book of the century about the death penalty." Publishers Weekly described it as a "lucid, page-turning account" and "not only a gripping human story but a first-rate introduction to the more problematic aspects of American criminal law."  

        Bonner examines Elmore's defense through three jury trials and many complex legal proceedings.  He also explores the moral and legal issues in a case that has been in the courts for three decades.

        Raymond Bonner earned a law degree from Stanford in 1967 and practiced before teaching law at UC Davis and founding the Public Interest Clearinghouse at Hastings College of Law in San Francisco. Later, he became an investigative reporter and foreign correspondent for The New York Times and received numerous awards and honors, including the Louis M. Lyons Award for Conscience and Integrity in Journalism, from the Nieman Foundation Fellows, in 1996. He was a member of the Times team that won a Pulitzer Prize in 1999 for articles about the sale of American technology to China. He has also been a staff writer at The New Yorker and has written for The New York Review of Books. His first book, Weakness and Deceit: U.S. Policy and El Salvador, received the Robert F. Kennedy Book Award; his second, Waltzing with a Dictator: The Marcoses and the Making of American Policy, received the Overseas Press Club and Sidney Hillman book awards. He now lives in London.

        Mark Danner, Chancellor's Professor of Journalism, Politics and English at the University of California at Berkeley, has written for more than two decades on foreign affairs and international conflict. He has covered Central America, Haiti, Balkans and Iraq, among many other stories, and has written extensively about the development of American foreign policy during the late Cold War and afterward, and about violations of human rights during that time. His books include Stripping Bare the Body: Politics Violence War (2009), The Secret Way to War: The Downing Street Memo and the Iraq War's Buried History (2006), Torture and Truth: America, Abu Ghraib and the War on Terror (2004), The Road to Illegitimacy: One Reporter's Travel's Through the 2000 Florida Vote Recount (2004) and The Massacre at El Mozote: A Parable of the Cold War (1994).

        Presented by the Berkeley Law Death Penalty Clinic and the Graduate School of Journalism.


        VALLEY OF SHADOWS & DREAMS: Reception and Book Signing
        and Current Exhibition at the North Gate Hall Gallery (January 17-May 15, 2012)

        When: Friday, March 16, 6:00 PM

        Where: 105 North Gate Hall

        Photography by Ken Light | Text by Melanie Light | Forward by Thomas Steinbeck

        “Valley of Shadows and Dreams explores a different California from the one that most people know—a California far from Hollywood and Malibu and San Francisco, a California that in some elemental respects has not changed much since the days of the Spanish conquistadors.  The same sort of manual labor prevails in the fields, the same exploitation of the weakest and poorest still blights the land.  In this book you will find a powerful indictment not only of what has happened lately in America's largest state, but also of what is happening across this country right now. The abuse of illegal immigrants, environmental degradation, the madness of a real estate bubble, and all the other problems of the Central Valley are unfortunately relevant nationwide.  Ken and Melanie Light bring great compassion and an eye for beauty to this subject, facing hard truths but refusing to despair.  As John Steinbeck argued more than seventy years ago, the demand for justice and the need for true democracy are timeless, essential things.”

        —Eric Schlosser, author of Fast Food Nation


        ******* EVENTS OF INTEREST *******

        Is Democracy on the Retreat?  Europe Between Market Pressure, German Rigour, and Technocracy

        When: Thursday, March 1,  4:00 PM

        Where: 223 Moses Hall

        Federico Rampini is la Repubblica's New York Bureau Chief. Previously, he has served as a columnist and correspondent for la Repubblica in Beijing, where he inaugurated the publication's China bureau in July 2004. As a special envoy, he travels frequently to India, Japan and Southeast Asia. From 2000 to 2004, Rampini was la Repubblica's West Coast correspondent based in San Francisco, California. From 1997 to 2000, he was the European editor of la Repubblica. He has been a visiting professor at the University of California, Berkeley, School of Journalism and at the Shanghai University of Economics and Finance.


        The Iranian Crisis: Is War Inevitable?

        When: Monday, March 19,  4:00 PM

        Where: Sutardja Dai Hall, Banatao Auditorium

        As the U.S. and Israel reach a dangerous turning point in their relations with Iran, a panel of distinguished analysts will focus on these issues:

        • Can Iran be stopped in its drive to produce nuclear weapons?
        • If Iran succeeds, what will be the consequences for regional stability?
        • In what ways do domestic politics and regional dynamics drive the principal actors—the U.S., Iran, and Israel—in their choice of war or diplomacy?
        • How has the Arab Spring changed the dynamics of regional politics and the outlook for proliferation?
        • How will the American Presidential elections affect the crisis?

        Avner Cohen is a Senior Fellow at the Center for Non-Proliferation Studies at the Monterey Institute of International Studies  and a Professor in the Graduate School of International Policy and Management.  He is widely known for his path-breaking history of the Israeli nuclear program, is an internationally recognized author and expert on nonproliferation issues, focusing on the Middle East. His most recent publication is The Worst-Kept Secret: Israel’s Bargain with the Bomb.

        Karim Sadjadpour is an associate at the Carnegie Endowment. He joined Carnegie after four years as the chief Iran analyst at the International Crisis Group based in Washington and Tehran, where he conducted dozens of interviews with senior Iranian officials, and hundreds with Iranian intellectuals, clerics, dissidents, paramilitaries, businessmen, students, activists, and youth, among others.  He is a regular contributor to BBC TV and radio, CNN, National Public Radio, PBSNewsHour, and Al-Jazeera. He contributes regularly to publications such as theEconomist, Washington Post, New York Times, International Herald Tribune, and Foreign Policy.

        Shibley Telhami is the Anwar Sadat Professor for Peace and Development at the University of Maryland, College Park, and non-resident senior fellow at the Saban Center at the Brookings Institution.  His publications include his best-selling book,The Stakes: America and the Middle East.  He has been a principal investigator in the annual Arab Public Opinion Survey, conducted since 2002 in six Arab countries.


        The Robert T. Matsui Center for Politics and Public Service presents the 31st Annual Review of the Presidency
        Election Year: The Obama Presidency and the 2012 Campaign

        When:  Monday, April 2,  7:30 PM

        Where: 105 Stanley Hall

        As President Obama seeks a second term, we examine his presidency and the 2012 election. Is the president to blame for the stagnant economy that has bedeviled his administration? Would any president have been able to engineer a speedier economic recovery? How has the president managed the foreign policy challenges of his time? Has he met the need for symbolic leadership from the president? And what of the Republicans who seek to replace him? Four years after a dramatic election that made American history, what should we expect from the election of 2012?

        31st Annual Review Panelists
        Andrew E. Busch, Professor of Government and Associate Dean of the Faculty at Claremont McKenna College
        John Fund, Senior Editor, The American Spectator and author of Stealing Elections: How Voter Fraud Threatens Our Democracy

        Anne E. Kornblut, White House correspondent for the Washington Post and author of Notes From the Cracked Ceiling
        Paul Pierson, John Gross Endowed Chair, Professor of Political Science, University of California, Berkeley and author of Winner-Take-All Politics: How Washington Made the Rich Richer and Turned Its Back on the Middle Class




        Julie Hirano
        Event & Fundraising Coordinator
        Graduate School of Journalism

        121 North Gate Hall
        University of California at Berkeley

        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu

        how to set up a small recording studio, from Transom.org

        Well this is just about the most useful and comprehensive write-up for how to set up your own home recording studio I have ever seen. Jeff Towne rocks (as does Transom.org). Enjoy! http://transom.org/?p=23904

        -mia

        +++++++++++++++++++++++

        TRANSOM.org
        a showcase & workshop for new public radio
        February 22, 2012

        * NEW TOOL: "Setting Up a Small Recording Studio" by Jeff Towne – UPDATED *

        One of Transom's most popular features ever is TOOLS Editor Jeff Towne's primer on setting up a small recording studio, but the page hasn't had an update in six years. So, Jeff has created a completely new version–covering computer and software selection, the requisite hardware, along with equipment recommendations in various price ranges and pretty much everything you need on this topic, all in one place. There are links to individual tests of gear, manufacturer's sites, downloads, etc. etc. (One interesting new thing: ProTools is becoming dislodged as the go-to choice for documentary production.) This is the kind of useful, generous advice that makes us all love Jeff Towne.

        http://transom.org/?p=23904

        Drop over any time,

        Jay Allison
        Atlantic Public Media
        Woods Hole, Massachusetts
        www.transom.org

        =========================

        "As the trend toward smaller, less-expensive, more-powerful recording gear continues to accelerate, it gets harder and harder to stay on top of the latest innovations and deals. It seems like we updated our recommendations for setting up a home studio only yesterday, but in fact, a few years have gone by, and several important things have changed. We're temperamentally more likely to wait and see if the latest, greatest thing is really stable and reliable and useful, rather than continually staying out on the bleeding edge, so we might not include that virtual mixer that you control with your mind, until we're sure it's reliable. Ultimately we're more interested in getting work done, and doing it efficiently, than in having the coolest, shiniest, geekiest gear. Keep in mind: if your current set-up is working for you, you may not need to make any changes. But if you're feeling constricted by your old home studio, or if you're setting one up for the first time, here's what we think you might want (at least for the next few days…)."

        -Jeff Towne, continued at Transom.org

        Nieman Storyboard’s 2012 conference roundup

        How handy! All the storytelling-related conferences happening in 2012 written up in one convenient blog post. Thanks, Nieman Storyboard!

        -mia
        +++++++++++++++++++++++

        All the narrative edification you need: our 2012 conference roundup

        Nieman Storyboard blog
        http://www.niemanstoryboard.org/2012/02/21/all-the-narrative-edification-you-need-our-2012-conference-roundup/

        It’s time for our annual almost-spring listing of 2012 writing events and conferences. From California to Texas and Boston, there are options to work on your writing or storytelling skills coast to coast. Whether you want to sharpen up your scene-setting, peek into the world of multimedia, or just network with others who are devoted to narrative, we bet you can find what you’re looking for here.

        But be sure to watch for dates and early bird registrations – one of these conferences has already filled! Here they are in chronological order:

        The 2012 AWP Conference in Chicago, an offering of the Association of Writers and Writing Programs, will take place next week, Feb. 29-March 3, but is completely sold out. Look for online updates on talks from Dagoberto Gilb, Margaret Atwood, Luis Rodriguez, Rebecca Skloot and Marilynne Robinson.

        The Narrative Arc: storytelling journalism goes digital,” a production of the Boston University College of Communication, will take place March 23-25 on the BU campus. Highlights include Pulitzer Center on Crisis Reporting Director Jon Sawyer, audio storytellers Jay Allison and Maria Balinska, New York Times reporter Amy O’Leary, The Atavist’s Evan Ratliff, and journalists-turned-authors Adam Hochschild and Tom French.

        The Muse and the Marketplace 2012, put on by Grub Street, will run May 5 and 6 in downtown Boston. Highlights for nonfiction writers include Jerald Walker on suspending disbelief, Seth Mnookin on choosing topics, and Wendy Call (co-editor of the Nieman Foundation’s own “Telling True Stories” and winner of this year’s Grub Street nonfiction prize) on writing scenes.

        The American Society of Journalists and Authors 2012 Writers Conference will take place April 27 and 28 (with sessions on the 26th for members) in New York City. Highlights include science writer Dan Ferber, nonfiction author Janine Latus and New York Times columnist Samuel Freedman.

        The Compleat Biographer Conference, run by the Biographers International Organization, will take place May 18-20 on the campus of the University of Southern California. Highlights include Jack El-Hai on narrative suspense, Kathleen Sharp on interviewing techniques and Tracy Daugherty on choosing a subject.

        The Mayborn Literary Nonfiction Conference will take place July 20-22 in Grapevine, Texas (outside Dallas). Highlights include Pulitzer winners Richard Rhodes, Isabel Wilkerson, and Amy Harmon; Esquire writers Chris Jones and Tom Junod; memoirist and nonfiction author Luis Alberto Urrea; and GQ’s Jeanne Marie Laskas.

        National Center for Media Engagement and CPB Teacher Wall Grants, deadline Feb 29

        CPB and NCME team up to help teachers share their stories. Deadline February 29. Details HERE and below.

        -Mia

        +++++++++++++++++++++++++

        TEACHER WALL GRANT

        Purpose & Background:

        In response to the nation's dropout crisis, The Corporation for Public Broadcasting (CPB) recently launched American Graduate: Let's Make It Happen to advance the national conversation around the dropout crisis, its impact on children, communities and the country, and ways to address it. This multi-year, multi-million dollar effort is led by local public media stations, currently targeting 20 communities that are among those with the most significant dropout problem in the nation and, through the National Center for Media Engagement (NCME), an additional 37 communities with demonstrated need.

        Research and common sense both highlight the role of teachers in students' success in school and in life. Because of this, engaging educators in honest conversation and raising teacher voices to a national stage have been important parts of the American Graduate: Let's Make It Happen initiative. The National Center for Media Engagement, in conjunction with The Corporation for Public Broadcasting (CPB), is pleased to announce a unique opportunity for public media stations to amplify teacher voices in their local communities. With a grant from the Bill & Melinda Gates Foundation to CPB, NCME will make small grants available to up to 50 public media stations to produce brief interviews with educators in their local communities to contribute to the nationalTeacher Wall and distribute locally. By leveraging public media's unique combination of production and community engagement skills, stations have the opportunity to collect, listen to, and amplify local teacher voices, and use those voices to inform their local American Graduate: Let's Make It Happen work.

        Grant Goals and Implementation:

        The Teacher Wall project is a new avenue to extend public media's local and national American Graduate: Let's Make It Happen initiative. The Teacher Wall (www.teacherwall.org) enables teachers to share their ideas and add their voices to the national education conversation. A joint project of Scholastic, the Bill & Melinda Gates Foundation, and Donors Choose, the Teacher Wall launched online in fall 2011, and now features over 8,000 videos uploaded by more than 3,000 educators nationwide.

        Stations will structure teacher interviews around questions designed by the Teacher Wall, such as:

        • What was one of your greatest moments as a teacher?
        • What, or who, has most inspired you as a teacher?

        • What was one of the greatest moments or highlights of your teaching career?
        • Where do you go to get feedback on your performance as a teacher and why?

        In addition, station will pose questions designed to inform American Graduate, which could include:

        • What do you think is the single most important reason local students drop out of school?
        • How can teachers help students who are at risk of dropping out stay in school?
        • What resources or assistance do educators need from the community to help students graduate, on time, ready for college and careers?
        • In the quest to improve graduation rates, who is your great ally and who is preventing progress?

        Overall, this grant offers public media stations an opportunity to facilitate educator interviews and help communicate the personal experience of teachers, their commitment to their profession and the complexities of education, especially in high-need, underserved communities.

        In collaboration with the Bill & Melinda Gates Foundation and CPB, NCME will administer and support up to 50 public media stations with a $2,200 grant to interview at least five different teachers. These interviews are to be divided into clips no longer than 90 seconds (one question per clip) and added to the Teacher Wall site.

        Goals for this grant include:

        • Build on public media's current work on advancing the conversation around the dropout crisis to amplify the conversation among teachers and their local communities
        • Foster a deeper understanding of the educational issues faced by underserved and underrepresented populations.
        • Connect and share teachers' personal experience, insights and commitment to their profession with their local and national community.
        • Use public media's on-air and online distribution channels to create broader awareness of educators' dedication, commitment and needs.

        Stations will have the option to air or stream their local spots as part of the American Graduateinitiative and will submit their spots to the national Teacher Wall site. Interviews need not be overly produced and can be created using low budget mini camcorders or higher end HD video cameras.

        Stations should focus their interviews on teachers who work with low-income and minority youth primarily at Title I schools. In addition, stations should propose a theme for their teacher interviews, such as, but not limited to: rural teachers, minority teachers, special education teachers, pre-service teacher candidates, career changers who have become teachers and/or other locally relevant themes. In choosing a theme stations demonstrate their ability to authentically reflect the diverse opinions, issues and perspectives of their community and add those voices to the Teacher Wall. Stations may conduct interviews in conjunction with other educator engagement activities they may already be involved in, including events for teacher recognition, professional development orAmerican Graduate Teacher Town Halls.

        Grant Amounts and Term:

        NCME will provide up to 50 public media stations with a $2,200 Teacher Wall Grant to capture a minimum of five teacher interviews, each of which will be divided, by the station, into clips no longer than 90 seconds (one question per clip) and submitted to NCME to be added to the Teacher Wall site.

        The grant term will be March 19, 2012 through September 14, 2012.
        Final reports will be due by September 28, 2012.

        Eligibility:

        Any public radio or television station or joint licensee that receives a CPB Community Service Grant is eligible to apply. Stations that can demonstrate they are already addressing the dropout crisis or have an American Graduate: Let's Make It Happen grant from CPB or NCME will be favored.

        Application Review Process:

        Applications will be reviewed by NCME and external reviewers. Grants will be awarded by NCME and CPB, based on the likelihood that proposed projects will meet the goals for the grant program.

        Submission Instructions and Deadlines:

        Applications must be submitted using the online form. Please review Terms and Conditions before applying. We anticipate a rapid contracting process.

        The application deadline is February 29, 2012

        Grant program and technical questions should be directed to Jamie Holzhuter at NCME.

        Award Notifications:

        Grant notifications will be made mid-March.

        Grant Administration:

        The Station Grant Agreements will be made between Stations and the National Center for Media Engagement. The grant award will be disbursed to Grantees once signed Grant Agreement is received by NCME. Grant deliverables will be reviewed by NCME.

        IWMF offers three $20K grants to women entrepreneurs in digital media, deadline March 2

        The International Women's Media Foundation is offering three $20K grants to women-run digital media startups. Application deadline March 2. Details below. -Mia

        ++++++++++++++++++

        Apply here!   

        Women Entrepreneurs in the Digital Media Frontier: Frequently Asked Questions

        1. What is the purpose of the grant?

        The Women Entrepreneurs in the Digital News Frontier grant program is designed to diversify the emerging digital news media landscape by expanding the voice and role of women entrepreneurs.  In addition to seed funding, grantees will receive pro-bono coaching, and will participate in a monthly call series featuring leading entrepreneurs and digital news media experts.

        ____________________________________________________

        2. What is the award amount, and how is it funded?

        The IWMF will award three $20,000 grants to women journalists who aspire to be digital news media entrepreneurs.  This initiative is made possible with generous support from the Ford Foundation.
        ____________________________________________________

        3. What are the application criteria? 

        Applicants must be U.S.-based women journalists (full-time, part-time or freelance women news media professionals are eligible).  

        Applicants must propose a new digital news media enterprise that has not yet launched – and that will not launch before the IWMF announces the winners in April, 2012 – that uses digital media in innovative ways to deliver the news.

        Applicants must include a business plan summary that demonstrates sustainability after initial funding has ended.

        Applicants must demonstrate how their project advances women in the field of news media.

        Personal blogs and documentary projects will not be considered.
        ____________________________________________________

        4. What is the application and selection timeline?

        Applications will be accepted from January 31 – March 2, 2012 (deadline is midnight EST).  Late applications will not be accepted.  Winners will be notified in April 2012.
        ____________________________________________________

        5. How do I apply?

        Click here to access the application form.  Please note that you must complete all required fields (denoted by red asterisks) to successfully submit your application.  There is no option to save an incomplete application and return to it later, or to review a completed application after it has been submitted, so applicants are strongly advised to review the application questions below and prepare and save their responses in a separate document for their records.  

        ____________________________________________________

        6. What are the application questions?

        Succinctly describe your background in journalism, including career highlights.

        What is the name of your proposed digital news media concept?  

        What is your concept for a digital news media enterprise?  

        What makes your proposed digital news media enterprise innovative? What unique need does it address?  

        How will your digital news media enterprise further the role of women in news media? 

        What benchmarks will you use to measure the success of your digital news media enterprise within the first year of launching it?  

        How many people will be involved in your digital news media enterprise, and in what capacity?  Please list any team members with a brief summary of their qualifications.

        What business partnerships, if any, will you pursue?   

        What type of business or other training have you had that will contribute to your ability to successfully launch and sustain your proposed digital news media enterprise?  

        IWMF's grantees receive pro-bono coaching as a component of this program.  What specific topics would be most valuable to your development as an entrepreneur? 

        What revenue generation strategies do you plan to put in place to ensure that your digital news media enterprise is financially sustainable?  Please include any funding you have already secured for this enterprise.

        If relevant, include an assessment of your competition.

        If you have developed a business plan for your proposed digital news media enterprise, please include a summary here.

        How would a $20,000 grant from the IWMF impact you as a woman entrepreneur in the digital news frontier?

        Provide three professional references.  Include reference name, title, organization, primary phone number, and email.
        ____________________________________________________

        7. How will I be notified of my application status?

        Due to the high volume of applications received, only finalists will be contacted.
        ____________________________________________________

        8. Who can I contact if I am having difficulty submitting an application?

        Please email newmediagrants[at]iwmf.org with any questions related to the application, including difficulty submitting an application.

        Meet Radio Ambulante

        Hi folks. I've been following the early days of Radio Ambulante with great interest and I'm happy to forward along this note from Senior Producer and long-time FC member Martina Castro. This promises to be a very exciting program – and they will be paying freelancers for content! Details follow.

        -mia 


        +++++++++++++++++++++


        Introducing Radio Ambulante

         

        Hi! Meet Radio Ambulante, a monthly Spanish-language radio program headed up by the novelist Daniel Alarcon and a team of talented bilingual producers. We want to bring you stories from around Latin America and the U.S., told in the first person. Think This American Life, in Spanish.

        We plan to launch later this year, with a monthly podcast available for streaming and downloading from our website. We’ve already produced three episodes. (You can listen to a sample here). These piece include an emotional story about the fall of the legendary Argentine soccer team, River Plate; a piece about migrating from Europe back to South America; and a story about one boy’s trials upon arriving to the U.S., and being sent straight to the belly of the beast: the high school cafeteria.


        We hope you like what you hear and will consider donating to our Kickstarter page. You can also spread the word by posting that link to Facebook or Twitter! This is really important, because to move forward, we need to raise at least $40,000 by March 25th. This seed money will help us roll out our first three episodes and secure long-term funding.    

        Why Spanish?


        First, we want to bring the kind of pioneering storytelling heard on This American LifeSnap Judgment, and Radiolab to a new audience, including the 50 million U.S. Latinos. In time, we will be creating partnerships with radio stations in Latin America and in the U.S. to reach the broadest possible Spanish-speaking audience.  Second, we want to give Latin Americans a chance to tell their own stories, in their own language. We feel this is one way to help broaden the dialogue surrounding Latinos and immigrants in general. To this end, we plan to create bilingual editions of our stories.

         

        Thank you! 


        Radio Ambulante


        Website: 

        http://radioambulante.org/english/index.html (English)

        http://radioambulante.org/index.html (Spanish)


        Kickstarter: 

        http://www.kickstarter.com/projects/1255653356/radio-ambulante

        In addition to our team, Radio Ambulante's advisory board includes writers/producers Jay Allison, Ricardo Corredor Cure, Katie Davis, Dave Eggers, Francisco Goldman, Cynthia Gorney, Marianne McCune, Mario A. Murillo, John Rudolph, and Julio Villanueva Chang. KALW in San Francisco is Radio Ambulante's home station. The Pulitzer Center On Crisis Reporting serves as our 501(c)3 fiscal sponsor. In Latin America, Radio Ambulante  is collaborating with the Fundación de Nuevo Periodismo Iberoamericano in Colombia, and the magazines Etiqueta Negra in Lima, Perú, and Anfibia in Buenos Aires, Argentina.

        Margaret Mead Film Festival call for submissions, final deadline May 16

        The American Museum of Natural History has a film festival – who knew? Early deadline April 2, final deadline May 16. Details HERE and below.

        -mia

        ++++++++++++++++++++++++++

        2012 CALL FOR SUBMISSIONS THE MARGARET MEAD FILM FESTIVAL
        The Margaret Mead Film Festival is held each November at the American Museum of Natural History. The Mead Festival was founded in honor of pioneering anthropologist Margaret Mead, one of the first anthropologists to recognize the significance of film for fieldwork. With Mead's innovative spirit in mind the Festival screens documentaries, experimental films, animation, and hybrid works that increase our understanding of the complexity and diversity of the peoples and cultures that populate our planet.

        In addition to our general screenings the Mead programs a series of curated side bars (topics to be announced), exhibits installation artworks, and celebrates the Margaret Mead Filmmaker Award nominees.

        The Margaret Mead Filmmaker Award recognizes documentary filmmakers who embody the spirit, energy, and innovation demonstrated by Margaret Mead in her research, fieldwork, films, and writings. The award is given to a filmmaker whose feature documentary offers a new perspective on a culture or community remote from the majority of our audiences' experience as well as displays artistic excellence and originality in storytelling technique. Films selected for the Margaret Mead Film Festival that are U.S., North American, or World Premieres are eligible for the Award. The award winner is selected by a jury of industry professionals. The 2011 jury was comprised of Darren Aronofsky (director), Liz Garbus (documentarian), Karen Cooper (director of Film Forum, NY), and Stanley Nelson (documentarian). This award has a cash prize.

        2012 dates: November 15-18 at the American Museum of Natural History

        Please look at our on line application for details about how to submit: http://www.amnh.org/programs/mead/submit/

        Submit your film today.

        Questions? Meadfest@amnh.org

        freelance filmmakers seek to share Office Space in Brooklyn

        Hey folks. An FC reader in NYC is looking to share his office space in Brooklyn with 1-2 like-minded freelancers. Craigslist posting and details below.
        -mia
         

         

        +++++++++++++++++++++++++++

        We are 2 editors/filmmakers looking to share our space with 1 or 2 other freelancers (editors, photographers, graphic designers. . . anyone using a desk and a computer). We have tons of space and the studio is fully furnished with a conference table, a big comfy couch, a mini fridge, shelving/storage, and an HD PROJECTOR with surround sound (great for screenings). It’s a good place to bring clients or have a photo shoot. The 2 empty desks in the photos are the spots we’re looking to fill (obviously you could use your own desks) (also- if you’re 1 person looking for a bigger space for youself– you could take that whole wall for $750/m). As you can see from the pictures- we have dedicated about 200 sq ft as blank space– we use it for photo and video shoots, building things and it’s also the wall that we project onto.


        Our building is right on the water next to Brooklyn Bridge park. 3 minutes from the F at York St. 8 minutes from the A, C at High St. Also really close to tons of restaurants, bars, great coffee or even China Town if you feel up for a Brooklyn Bridge stroll!


        Heat and electric included. 24/7 access.

        (and we are dog friendly)


        Thanks!

        WBEZ’s Front and Center Literacy Series Call for Pitches, deadline Feb 29

        Hey audio folks. WBEZ has just put out this call for pitches for a new series on literacy. FYI, all pitches should have stories connected to the Great Lakes Region: Minnesota, Wisconsin, Michigan, Illinois, Indiana, Ohio, Pennsylvania, New York, Ontario, or Quebec. Details HERE and below. 

        +++++++++++++++++++++++++

        Front and Center: Literacy series

        Call for Pitches – 2012

        In 1990, then-President George H. W. Bush and the nation’s governors adopted the goal that all of America’s adults be literate by the year 2000. That goal was never met. Over 20 years later, literacy is still staggeringly low. In cities like Chicago and Detroit, it’s estimated nearly 50 percent of the adult population has trouble reading. And ironically, the last comprehensive and federally-funded assessment of adult literacy took place nearly a decade ago.

        The issue is more important than ever in this changing economy. With a decline in manufacturing and a boom in technology, more jobs require strong reading and writing. And if you don’t have those skills, you may not earn a living wage.

        The literacy series will examine the cost of low literacy and strategies to move forward. The series will air regionally in May of 2012.

        We’re looking for pitches from station reporters and independent journalists throughout the region for radio stories, slide shows, photo essays, documentaries and other multi-platform components that can help us understand how important literacy is to our future and economy.

        We imagine the literacy series as a richly-textured collection of special shows and compelling stories, including enterprise reports about the region’s literacy problems, as well as profiles and first-person narratives about the ways that reading and writing affects our lives.

        Here are some statistics to help put the problem in context.

        • In Chicago, half a million adults can’t read, write, or speak English well enough to meet their own goals for education or employment

        • More than 60 % of all prison inmates are functionally illiterate

        • Experts estimate that nearly 40 % of adults in Chicago’s Lawndale community have less than a high school education and only 35% are employed

        • 54% of working age adults in extreme poverty have only a high school diploma or less

        • 84% of the need for English as a Second Language courses in Illinois is not being met

        • Over 40 million Americans age 16 and older have significant literacy needs.

        • 43% of people with the lowest literacy skills live in poverty

        • 70% of people with the lowest literacy skills have no full or part time job.

        • Workers who lack a high school diploma earn a mean monthly income of $452 compared to $1,829 for those with a college degree.

        • Misread or misunderstood prescription labels cause up to 7,000 deaths each year

        •  Low health literacy causes an additional $73 billion in health care costs

        Among the questions we’re interested in answering are: How is federal education policy impacting literacy?

        • What’s the role of the library in affecting literacy?
        • How will changes in the GED change standards of literacy?
        • How will the Common Core initiative change the way we teach kids to read?
        • Has the quality of educational TV and/or textbooks affected kids reading experiences?
        • How has the economy affected family literacy, including bedtime reading?
        • What’s the cost of childhood literacy?
        • How does the brain work when we’re learning to read? How does that change as we age?

        • What sectors of the economy are most likely to get away with low literacy and why?

        • What’s the link between literacy and poverty?

        • How is the elderly population dealing with literacy problems?

        • How does literacy affect the deaf or disabled?

        • How is bilingualism affecting literacy?

        • How is the prison population dealing with concentrated low literacy?
        • How has slang, code-switching and vernacular changed the way we communicate?
        • How has word processing and diminished emphasis on penmanship affected literacy?
        • How has the internet changed the way we read?
        • How does low literacy affect your health and proper use of prescription drugs?
        • How is the adult literacy problem being addressed? What’s working? What’s not?
        • How is the literacy issue affecting the changing workforce?

         

        What are the stories we should be telling in your community?

        Our freelance rates range from $300 for a profile or audio postcard to $5000 for a half hour documentary with multi-media components.

        You can pitch around these themes or propose your own.  We look forward to your submissions.  All pitches should include ideas for multi-platform treatments.

        Pitches with literacy series pitch in the subject line should be submitted to:

        Sally Eisele, managing editor

        seiesele@wbez.org

        Aurora Aguilar, project editor

        aaguilar@wbez.org

        Deadline: Call for pitches closes February 29, 2012

        *statistics come from Literacy Works Chicago, Literacy Chicago, Begin to Read, Heartland Alliance, National Institute for Literacy, White House Conference on Aging

        BBC Commissioning new docs about America by Americans, first deadline March 2

        Interesting new partnership between the BBC and US-based indie radio supporters AIR and PRX (among others). Deadline for pitching your doc ideas is March 2. Details HERE and below.
        -mia
        ++++++++++++++


        Real America
        The BBC Public Radio Partnership
         

        The aim of the scheme is to give a chance to any radio producer working in the USA – independent and those working at public radio stations – to make a documentary for the BBC World Service.

         

        Editorial Brief

         

        We are looking for documentaries that will show our global audience of 40 million (including millions in the USA) an America they didn’t know existed. We want to hear stories that are unexpected, that only radio producers living in the USA could unearth. The stories could be obscure or could be staring us in the face but will say something about the USA of 2012. If a listener was to hear all 4 documentaries they would come away with a deep understanding of American society and the direction its traveling in. The brief is deliberately vague as we don’t want to be prescriptive – I simply have no idea what we will commission. Just be aware that it has to appeal to an audience that could be listening in Atlanta, Bristol, Cairo, Delhi, or Hong Kong.
         

        HOW IT WILL WORK

         

        We will commission 4 documentaries (single or series). These will be made by producers working in the USA. We want to find and encourage new talent.

         

        Stage 1.  A call out for ideas – at this stage we only want one paragraph on the idea and one on your talents/experience. Closing date for Stage 1 – 02.03.2012 (12noon EST)  All ideas should be submitted to wsprp@bbc.co.uk  
         

        Stage 2.  The short list. A shortlist of 20 or so ideas will be drawn up with the help of the BBC Public Radio Partnership Committee. The shortlisted candidates will then draw up a fully budgeted proposal.  BBC World Service staff will be at the end of the phone and email to advise producers on their ideas. Closing date for Stage 2 – 26.03.2012 (12noon EST)

         

        Stage 3. The BBC Public Radio Partnership Committee will meet to identify the successful candidates. The BBC will have final say on the successful ideas. Meetings to be held during week beginning 2nd April 2012.  

         

        The BBC Public Radio Partnership CommitteeJeremy Skeet (Commissioning Editor, BBC World Service, Chair); Heather Maclean (Head of Business Development, Americas & Australasia, BBC World Service); Sue Schardt (Executive Director, Association of Independents in Radio (AIR)); John Barth (Managing Director, PRX.org); Steve Edwards (Content Development Director, WBEZ); Sam Fleming (Managing Director of News and Programming, WBUR); John Decker (Director of Programming, KPBS).

        Stage 4. Production. Each commissioned producer will come up with a production timetable.  If the producers are station based we would hope the station would help find an executive producer. If an independent producer is commissioned we will work with AIR to find an executive producer/mentor.
         

        Stage 5. Broadcast. We will broadcast the documentaries on the World Service, and they would also be available to any Public Radio Station for broadcast. They will live online at www.bbcworldservice.com/documentaryarchive and prx.org (tbc).

        IFP Independent Filmmaker Labs Open for Submissions, deadlines March 9 and April 6

        Hey first-time filmmakers. The Independent Filmmaker Project is taking submissions for their 2012 labs. Details HERE and below.
        -mia

        ++++++++++++++++++++++

        IFP Independent Filmmaker Labs Open for Submissions

         
        Deadlines to Apply: March 9 (Documentary) / April 6 (Narrative)
        IFP's Independent Filmmaker Labs are a year-long fellowship supporting

        independent filmmakers when they need it most: through the completion,
        marketing, and distribution of their first features. Lab submission is open
        to all first-time documentary and narrative feature directors with films in

        post-production. Structured in three week-long components held over the
        year, the Labs offer personalized attention on post-production, audience
        building, and distribution strategies in the digital age, followed by

        continued support from IFP as the project premieres in the marketplace.

        Recent Lab Project alumni now in theaters include Dee Rees' Pariah (Focus
        Features), Alrick Brown's Kinyarwanda (AFFRM), and Victoria Mahoney's

        Yelling to the Sky (MPI), being released this spring. Premieres at 2012
        festivals have included An Oversimplification of Her Beauty (Sundance),
        Welcome to Pine Hill (Slamdance, Grand Jury Award), Una Noche (Berlin), and

        The Light in Her Eyes and Smokin' Fish (IDFA 2011) – with more Lab alumni
        set for upcoming festivals and broadcast. To apply or for more information,
        please visit http://www.ifp.org/programs/labs . 

        seminar on Structuring the Character-Driven Documentary at the San Francisco Film Society, Feb 25-26

        Hey folks. Veteran doc film editor Karen Everett is offering a seminar on Structuring the Character-Driven Documentary at the San Francisco Film Society, Feb. 25-26. Details HERE and below. -mia

        +++++++++++++++++++++++

        Structuring the Character-Driven Documentary

        Saturday–Sunday, February 25–26, 9:00am–5:00 pm
        Ninth Street Independent Film Center

        145 Ninth Street, SF
        Instructor: Karen Everett
        $190 SFFS member
        $220 general

        Acquisition executives from HBO, PBS and Sundance want story-driven films that deliver an engaging narrative. Whether you are a novice making your first nonfiction film or a seasoned veteran, this two-day seminar will reveal the essential narrative building blocks that will attract funders, entice television execs and keep viewers glued to the screen. Learn how to adapt screenwriting devices and solve structural problems so that your documentary will be as engaging as a narrative film.

        http://www.sffs.org/content.aspx?catid=927,1032&pageid=2635

        Karen Everett
        Documentary Story Consultant
        Get "The Ultimate Guide to Structuring Your Documentary"

        http://newdocediting.com/land/ultimate_documentary_guide/

        Soup to Nuts documentary radio workshop, March 3-4, Berkeley

        Hello friends and colleagues. The fabulous Claire Schoen is offering her Soup to Nuts radio documentary workshop March 3-4 in Berkeley, CA. It might be the last workshop for awhile, so jump in while you can! Details below.

        -mia


        ++++++++++++++++++++


        Dear Radio People,

         

        I am offering "Soup-to-Nuts," my weekend class on documentary radio in the San Francisco Bay Area on:

        March 3 & 4, 2012.

         

        If you are interested in attending, please let me know asap, as the class sometimes fills quickly.

         

        1.) Email me to let me know you would like to sign up.

        2.) I'll write back and let you know if there is still space. If so, I'll hold a place for you.

        3.) Then please send me a check at your earliest convenience.

        4.) Receiving your check will guarantee your spot. If you have to cancel after that I will return your check if I can fill your slot.

        5.) A couple of weeks before March 3/4, I'll send out a Welcome Letter with logistical details and some suggestions for ways you might want to prepare for the weekend.

         

        Checks can be written to:

        Claire Schoen

        Amount: $250

        and mailed to:

        1815 Grant Street, Berkeley, CA 94703

         

        I’ve attached a pdf of the flier for this class.

         

        AND… check out my website!

        <<claireschoenmedia.com>>

        Under “Teaching” you can find feedback from previous “Soup-to-Nuts” students.

        Under “Biography” you can find out more than you’d ever want to know about me.

        Under “Productions” you can listen to the past 25 years of my audio work.

         

        I hope you can join us in March.

        Best, Claire Schoen

         

        Claire Schoen Media

        claireschoenmedia.com

        cschoen@earthlink.net

        510-540-5106

         

        =========================

         

        "From Soup to Nuts"

        A 2-day intensive

        on documentary radio production

        offered in the San Francisco Bay Area


        Logistics:

        This seminar will be held March 3 and 4, 2012.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver Reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.

         

        Claire has taught documentary radio scriptwriting and production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, Third Coast Audio Festival Conferences and AIR's mentorship program.

         

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net    510-540-5106     www.claireschoenmedia.com

         

         

        pdf iconStoN’s Flier 2012 March.pdf

        Fellowships available for the Association of Health Care Journalists annual conference, April 19-22, Atlanta, GA

        Hey folks. The Association of Health Care Journalists has fellowships available for their upcoming conference. See below for details and a note about their ** Freelance PitchFest.**
        -mia

        +++++++++++++++++++++

        The Association of Health Care Journalists is offering a number of fellowships to enable journalists to attend our annual conference, which will be in Atlanta in April.

         

        We have fellowships available for journalists in Missouri, California, New York and Oregon, as well as fellowships for those covering health in rural areas and for journalists who cover beats other than health. We hope to announce one more fellowship in the coming days. More information and a fellowship application is available at http://www.healthjournalism.org/secondarypage-details.php?id=1009.

         

        At the conference, award-winning reporters, medical experts and policy specialists will take part in sessions on medical research, public health, the business of health care and consumer health. The preliminary schedule is at http://www.healthjournalism.org/secondarypage-details.php?id=1010.

         

        One highlight of our conference, especially for freelancers, is the Freelance PitchFest:

        This gives freelancers an opportunity to sit down and discuss your ideas one-on-one with editors from some of the top magazines, newspapers and websites. In the coming weeks, we'll post information about the editors taking part. In March, you'll have the chance to sign up for quick appointments with the editors you're interested in working with. On Friday, April 20, writers will have a limited amount of time with each editor, so come prepared to sell your work. That means you need to arrive with specific pitches for the editors, as well as clips, resume, etc. This has been called AHCJ's version of “speed dating for writers” and we keep things moving to make many matches with editors and writers possible.

         

        We are still getting commitments from editors to participate but for an idea of the caliber of publications that take part, see last year’s lineup: http://www.healthjournalism.org/secondarypage-details.php?id=931

         

        I’m happy to answer any questions.

         

        Thank you,

         

        Pia Christensen

        Managing Editor/Online Services

        Association of Health Care Journalists

        www.healthjournalism.org

        pia@healthjournalism.org

        405-707-7300

         

        Have you seen Covering Health, AHCJ's blog?

        Follow me on Twitter: AHCJ_Pia

        "Like" us on Facebook: http://www.facebook.com/healthjournalists

         

        KUOW Program Venture Fund announces new round of grants, deadline March 16

        Hey Washington State folks (or folks who want to spend time in Washington State). The yearly grants from awesome station KUOW have just been announced. Details below.

        -mia

        +++++++++++++++++++++
        KUOW PROGRAM VENTURE FUND ANNOUNCES NEW ROUND OF GRANTS

        KUOW is launching an accelerated application schedule for KUOW Program Venture Fund (PVF) projects. In the future we will have more grant rounds per year but with shorter application deadlines.

        Beginning Monday, February 6, we will start accepting project proposals for Round 20 of PVF. The PVF provides special support for staff and independent producers to develop new programming focused on the Puget Sound region in Washington state.

        Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces. There is no set format. Be creative. Think of a PVF grant as seed money for that radio project you’ve always dreamed of doing. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

        Important: Before submitting a full application you need to send me a short description of your project, no longer than a page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website (see below).

        The application deadline is Friday, March 16, 2012 at 5:00 pm (PT)
        For application information go to www.kuow.org/pvf
        Contact: Jim Gates – jgates@kuow.org

        We look forward to hearing your radio ideas! Below are links to past PVF projects.

        Jim Gates

        Senior Editor

        KUOW 94.9 – Puget Sound Public Radio
        206.221.0747
        www.kuow.org

        Check out our most recent PVF projects:

        Refugees In Puget Sound: Navigating A New Home In The Northwest
        Reporter: Jessica Partnow
        http://kuow.org/specials/refugees-in-puget-sound.php

        4-Part series examining the relationship between eastern and western Washington

        Reporter: Dominic Black
        http://kuow.org/specials/cascade-curtain.php

        This Not Just In: Audible Moments from Pacific Northwest History
        Reporter: Feliks Banel
        http://kuow.org/specials/thisnotjustin.php

        WGBH/WORLD TV seeks independent long-form documentary film pitches, deadline March 1

        Awesome news from WGBH's WORLDcompass – now accepting pitches from indie doc filmmakers. Details HERE and below. Deadline March 1.

        ++++++++++++++++++++++++++ 

        SUBMISSION GUIDELINES  | SUBMISSION APPLICATION  | ABOUT WORLD

        SUBMIT YOUR DOCUMENTARY TO WORLD! 

        WORLD TV will premiere a new long-form documentary program in the spring of 2012 that will feature documentaries you won’t see any place else on broadcast television.

        Here’s your chance to be a part of it.

        If you’re an accomplished filmmaker with a completed documentary and you think it has a compelling story– we want to hear about it! Submit your doc!

        What we are looking for?

        This new program looks to showcase films that explore domestic issues and which feature diverse voices from communities all over the United States.

        While the show will be inclusive of all makers, WORLD TV’s goal is to highlight those films that give our viewers a “snapshot” of the transforming American life —the glamour, the grit and the hope of a new and changing American demographic.

        From contemporary life on Native reservations, to stories of recovery on the Gulf — to hardships and revitalization in the mountains of Appalachia — the transformation of emerging urban centers like Brooklyn and St Louis, WORLD is looking for stories that document the times in which we we live

        If your film strikes these chords, we want to consider it for broadcast and web distribution. Submit your doc!

        How to submit?

        To have your film considered for this new collection- you must do the following :

        Submission deadline for season 1 is March 1st 2012  

        Be sure to folow WORLD on Facebook or Twitter for updates ! 

        NPR and Washington post Stone & Holt Weeks Fellowship, deadline April 30

        This radio/print/web fellowship involves 12 weeks at the Washington Post followed by 12 weeks at NPR. Details HERE and below.
        -mia

        ++++++++++++++++++++++


        What Is The Stone & Holt Weeks Fellowship?
        The Fellowship was created in memory of Stone and Holt Weeks by NPR and The Washington Post following their tragic deaths. Designed to give a promising individual the opportunity to launch a career in journalism, the fellowship consists of two sessions: 12 weeks atThe Washington Post followed by 12 weeks at NPR in Washington, to learn how to report for print, web and radio.

        What Will I Learn?
        The Fellow will learn about the role of journalism in "making the world a better place." He or she will get broad exposure to the relationship between journalism and public education, citizenship, social change and democracy, and will learn that a major aim of journalism, as expressed a century ago by author Finley Peter Dunne, is "to comfort the afflicted and afflict the comfortable." The intent is to be educational and experiential, with the Fellow publishing original stories and other news content at The Washington Post, and then learning the craft of journalism NPR-style, getting on the air, online and out in the field. The Fellow will learn the skills and the craft of reporting from the very best at both institutions.

        Who Is Eligible For The Fellowship?
        Anyone who will have received a bachelor's degree by July 15, 2012, is eligible to apply for the fellowship. Individuals with additional education and experience are of course also welcome to apply. While a demonstrated appetite for journalism is desired, there is no specific requirement for a journalism degree or experience as a journalist.

        How Do I Apply?
        Download and complete the application form. Be sure to read this document carefully and include all required materials with your application.

        What Are The Deadlines?
        Applications must be postmarked on or before April 30, 2012. Finalists will be notified in early June and invited to travel to Washington for an interview with the fellowship committee. (Travel costs for the interview will be paid by NPR and The Washington Post.) The selected candidate will be notified by the end of June and asked to confirm his or her commitment early in July. The fellowship begins after Labor Day.

        What If I Have More Questions?
        More information about the Stone & Holt Weeks Fellowship can be found in this FAQ.

        Who Are Stone & Holt Weeks?

        HoltandStoneWeeks

        Stone and Holt Weeks were brothers and best friends. They were victims in a tragic highway crash in the summer of 2009. Stone was 24. Holt was 20.

        They were extraordinary, focused young men committed to doing great work – in history, public policy and environmental issues. They were insatiably curious, ambitious, wildly fun-loving and dedicated to making the world a better place. They had a keen social conscience and were enthusiastic volunteers for good causes. They were, as the National Journal said, "devoted to helping less fortunate people and fixing our troubled world." Their passion for up-to-the-minute news was inspired and informed by an equal passion for history and politics. This fellowship is to celebrate their brief, brilliant lives – and to honor what might have been – by giving someone this enormous opportunity to launch a career in journalism.

        Their father, Linton Weeks, is a reporter at NPR and spent nearly two decades at The Washington Post. Their mother, Jan Taylor Weeks, is an artist, teacher, and volunteer. In recognition of Stone and Holt, and of Linton's lifelong service as a journalist and storyteller, NPR and The Washington Post joined together to create this unique fellowship.

        Learn more about The Stone & Holt Weeks Foundation.

        Carte Blanche website call for submissions, deadline March 15

        From the Montreal-based Carte Blanche website via the good folks at AIR – interesting opportunity for you non-traditional storytellers. Submission deadline March 15. Details below.
        -mia
        +++++++++++++++++++++++ 

        Hi there,

        My name is Cristal Duhaime and I recently became the audio editor for a literary website based in Montreal called Carte Blanche. It's an online magazine published twice a year, in association with the Quebec Writers' Federation.

        http://carte-blanche.org/

        In the past, we've put up exciting storytelling work in traditional categories such as fiction, non-fiction and poetry writing; we're now looking to expand those categories to include sound. The deadline to submit audio "stories" for the spring issue is coming up soon on March 15th. The term "story" is used loosely; audio submissions can include soundscape, documentary, spoken word, author readings, comedy, experimental, etc. Audio pieces do not need to contain words (although they can!) but they should have a narrative progression, i.e. a beginning, middle, and end. Any additional details can be found here:

        http://carte-blanche.org/submissions/

        I thought this might be something of interest to your members so if you could help spread the word in any way, it would be much appreciated. We can offer only a small honorarium to those whose works we decide to publish but the site does get quite a bit of exposure so the experience might prove rewarding for audio producers in other ways.

        As a radio producer and audiophile myself, (I currently work on CBC Radio's Wiretap) I'm quite familiar with the art and impact of storytelling through sound so I'm quite excited to open up the audio category to the site's followers.

        Please get in touch with any questions you might have.

        take care,

        Cristal Duhaime

        SFPortals – a multimedia photo project, February 2, 7-9pm, SF

        A great event with two longtime Freelance Cafe members. If you're in the Bay Area, don't miss it!

        -Mia


        ++++++++++++++++++++++

        Jan Sturmann and I will be presenting our new multimedia photo project at the Apple Store in SF on Thursday, February 2, 7-9pm.  Please join us!

        Best wishes,

        Lonny

        Logo2Redsmaller.jpg

        Open Show San Francisco presents:
        SFportals
        – Collaborative Multimedia in Action

        Feb.2nd (Thurs) 7-9pm
        Apple SF Store | 1 Stockton St., San Francisco

        Come experience five San Francisco multimedia stories from veteran reporters and photojournalists Lonny Shavelson and Jan Sturmann. How do you make a leg? Can you build a bike from bamboo? Who still sells Zoot Suits? Are there superheroes in the Bay Area?

        1) Real Life Super Heroes
        2) The Leg Maker
        3) Zoot Suit
        4) Bamboo on Wheels
        5) Desire for Words

        SPJ Sigma Delta Chi awards, deadline Feb 9

        Journo award season continues with the SPJ awards, deadline Feb 9. Details HERE and below.

        -mia
        +++++++++++++++++++++++

        SPJ Sigma Delta Chi awards

        Enter by Feb. 9

         

        The deadline for this year's Sigma Delta Chi national journalism awards, from the Society of Professional Journalists, is fast approaching. These awards recognize the best professional journalism in all types of media. The contest is open to any U.S. media outlet.

        Online media categories include: reporting (deadline and non-deadline), investigative reporting, column writing, specialized journalism site, digital media presentation and public service.

        Learn more and enter now

        Deadline: Feb. 9
        Entry fee: $60 (SPJ members), $100 (non-members)

        The Narrative Arc – Storytelling Journalism Goes Digital, workshop March 23-25, Boston

        Super cool narrative storytelling workshop for the digital age. Boston, March 23-25. Early bird discount $150 until Feb 19. Details HERE and below.

        -Mia

        +++++++++++++++++++++

        The Narrative Arc: Storytelling Journalism Goes Digital
        March 23 – 25, 2012
        Boston University

        http://www.bu.edu/com/narrative/

        The twelfth in a series of narrative journalism conferences celebrates and
        explores narrative non-fiction journalism – a powerful, unfettered,
        public but individually-voiced genre – as it expands into digital media.

        Targeted at practitioners, teachers, and early and mid-career writers and
        editors, the conference will cover print, radio, podcasts, web-based
        multimedia, dedicated apps, and documentary film, with keynote talks,
        breakout sessions and skills workshops.

        Masters of the craft will share their know-how, alongside many of the
        founders and innovators in the vanguard of digital narrative journalism.

        Confirmed Speakers Include:

        Jay Allison
        Maria Balinska
        Lisa Biagiottiis
        Roy Peter Clark
        Chris Daly
        David Finkel
        Alex Gibney
        Adam Hochschild
        Michelle Johnson
        Mary MacGrath
        Tracey Minkin
        Amy O'Leary
        Kara Oehler
        Evan Ratliff
        Jan Schaffer
        Dean Starkman
        John Tayman
        Mitch Zuckoff

        ‘Future of Radio’ Panel Discussion in SF, Feb. 2 (W/Nikki Silva, Glynn Washington, and more!)

        Wish I could be at this FREE SoundCloud meetup. Feb 2, 510 Treat Avenue, SF. Details and link below.
        -Mia
        ++++++++++++++++

        Hey everyone-

        Wanted to let you all know about a fun panel discussion we're putting together for next week. Feel free to spread the news to your Bay Area friends! It's free, so come join us!

        Details below, find more info here:
        http://www.meetup.com/All-About-Sound/events/49064192/

        February 2nd, 2012

        Join us for an evening of lively discussion, as some of the Bay Area's most respected radio-veterans give us their perspective on where the industry is today, and where it's headed tomorrow.

        Panel Moderator: Jim Colgan – former WNYC producer and Head of Media at Mobile Commons

        Panelists:

        Larry Magid – Tech-analyst CBS Radio, KCBS San Francisco, and tech-writer for The San Jose Mercury and CNET.com

        Nikki Silva – of the Peabody award-winning duo The Kitchen Sisters

        Glynn Washington – Creator and host of PRX and NPR's Snap Judgment

        Ian Hill – KQED's Online Community Engagement specialist

        Schedule:

        6:45: Arrive for refreshments, networking

        7:00: Panel discussion begins

        8:15: Q+A, open discussion

        9:00: End of program. Networking and ping-pong

        Any questions? Feel free to contact me off-list at evan@soundcloud.com

        See you there!

        online Fundraising Proposal/Grants Writing Workshop February 4, socal OR online

        I don't know much about this online fundraising seminar for filmmakers but it looks interesting. Rate ranges from $75-150. I'd love feedback from anyone who attends.
        Details HERE and below.
        -mia

        +++++++++++++++++++++

        BACK BY POPULAR DEMAND!
        REGISTRATION FOR THE WINTER 2012 SEMINAR IS NOW OPEN, PLEASE REGISTER
        BELOW!
        Film Grants and Proposal Writing 101 with special section on Social
        Media & Crowdfunding – now also ONLINE!

        SPECIAL BONUS: The filmmakers resources CD (containing filmmakers
        funding sources lists/contacts domestic and international, sample
        proposals, industry contracts and much more)!

        (EARLY REGISTRATION SUGGESTED [VERY LIMITED CAPACITY DUE TO NEW ONLINE COMPONENT])
        Overwhelmed by an upcoming grant/media fund deadline? Don't know
        how to begin to gather your materials? Or do you just want to start
        making your own projects and need to write a funding proposal? If so,
        this workshop is for you. This workshop will introduce you to the
        preparation, organization and submission of a successful grant
        proposal/package to foundations, donors/prospects and film funds.

        Most proposals/packages can increase their possibilities of funding if
        done properly. Many mistakes are oversights that could be avoided. Our
        facilitator will lead you through the basic steps and general overview
        needed to complete a successful grant-writing campaign and/or a film or
        television project proposal sharing her years of experience in the
        field. Participants are encouraged to engage in the learning process by
        bringing their upcoming proposals to follow along, ask questions and
        seek limited personalized assistance after the workshop.

        You will also get an overall overview of the industry and what you will
        need to know when preparing to present your projects to a funder.

        What you will get: a general overview of how to prepare your
        grants/proposals and the job of fundraising/presenting your film to
        prospects as well as a comprehensive list of SOURCES of funding and
        their contact information to save you time and money.

        This is an intensive seminar so make sure you are rested and free from
        distractions as there will be a lot of information covered and virtually
        no breaks.

        Open to all.

        Suggested Materials:
        * Laptop computer preferably with a word processing and spreadsheet
        program (you can download a whole productivity suite comparable to
        Microsoft Office (Word, Excel, Powerpoint, etc.) for free at
        www.openoffice.org (you can make a donation to the developers there if
        you so desire to do so).

        * Journal/notebook.

        * Your own proposals/grants application/s.

        * A sweater/jacket/coat in case you need it.

        * Sack lunch.

        * If taking the class online (Firefox browser, Skype downloadable at
        www.skype.com, headphones and a webcam [optional], the latest version of
        Flash downloadable at www.adobe.com and quicktime at www.apple.com)

        Date:

        February 4, 2012

        Time:

        Tentatively 10 AM – 6 PM (1/2 lunch break)

        Bring your sack lunch.

        Place:

        *Southern California (Location to be arranged upon registration by consensus and majority)

        *or ONLINE via webconferencing service (Firefox browser and audio required, webcam optional)

        VISIT THE WEBSITE FOR REGISTER, FOR INFORMATION ON THE TOPICS COVERED OR
        TO REACH US: http://www.filmmakerseminars.com

        High Country News seeks multimedia pitches

        Great news from High Country News – now accepting freelance pitches!! Details HERE and below.
        -mia

        +++++++++++++++++++++++

        HIGH COUNTRY NEWS SEEKS VIDEO AND AUDIO PITCHES

         

        High Country News, a Colorado-based nonprofit newsmagazine, seeks pitches for compelling video and audio stories. High Country News has been around for over 40 years, and is known for its independent, in-depth, award-winning coverage of environmental, natural resource and cultural issues.

        Our coverage area includes the 11 Western states: Montana, Wyoming, Colorado, New Mexico, Utah, Arizona, Nevada, California, Idaho, Oregon and Washington. Occasionally we make forays into Alaska and the High Plains.

         

        What we want:

         

        We are looking for videographers and photographers who want to create videos or audio slideshows that include strong narrative storytelling elements for our website, www.hcn.org. We like character-driven stories, action, beauty and surprise.

         

        We are also interested in animated videos that explain a science or policy process in a viewer-friendly way.

         

        Most video pieces will fall in the range of 3-7 minutes, although we're open to series or longer stories.

         

        We are also open to pitches for audio postcards, and narrated or non-narrated produced pieces – preferably sound rich – for our soon-to-be expanded monthly podcast, High Country Views. Additionally, we’re interested in collecting unique and unexpected sonic IDs from around the West. They need not all be “natural” sounds; just great, interesting sounds from our coverage area.

         

        What we don't want:

         

        We are not interested in TV-news style stories, talking heads or straightforward Q&As. We don't cover breaking news, and we don't want stories that everyone else is already covering.

         

        Topics:

        For the next year, we seek work in the following thematic areas, although pitches outside these topics that fit into High Country News’ core coverage areas, will also be considered. (See our website for examples of stories we run.)

         

        How the "One Percent" shape the West, both positively and negatively.

        Rich people aren't like you and me. They have a lot of power, and can use it for public benefit (consider Ted Turner's land conservation) or for private gain (land swaps giving wealthy individuals public lands in exchange for private parcels of sometimes questionable value). How are the One Percent shaping the West? Pitches in this vein could consider local and state politics, public lands, mega energy corporations and their influence, etc.

         

        The post-Recession world, and where the West goes now.

        The housing boom is dead, and it’s not coming back. Poverty is rising. Unemployment is up. Median incomes are only rising in drilling boomtowns like Gillette, Wyoming. Only roughnecks and the super rich seem to have come out of the economic crisis somewhat unscathed. Post-recession, are individuals and communities rebuilding their economies? How? Stories within this topic could include place and character profiles of economic successes — and failures.

         

        Lessons for the West from the rest of the world.

        Australia’s Murray-Darling Basin has seen remarkable water reform in recent years in response to a long and devastating drought. European cities have solved growth and transportation problems that Western cities can’t seem to get a handle on. What can Western communities learn from these parts of the world and other grappling with the same issues we do? Possibilities include on-the-ground stories of Western localities learning from the wide world around them, or even stories from abroad that have particular relevance for the American West.

         

        How developments in science and technology are changing what we know about wildlife and landscapes

        From advances in genetics to mechanical advances in wildlife tracking and equipment, scientists are always learning more about flora and fauna. Is that knowledge helping land managers make better decisions? This topic might lend itself to explanatory animations, or documentary-style stories about quirky, innovative scientists and charismatic wildlife.

         

        Restoration science grows up.

        The West is full of degraded landscapes. The science, social science and collaborative relationships necessary to restore them may be coming into its own. And more ambitious projects are constantly being attempted. Stories in this vein might track new work; longstanding efforts implementing promising, innovative techniques in landscapes that have been seen as all but lost; profile scientists on the cutting edge of their field; cover innovative work or surprising new political alliances in communities in iconic environments that are allowing restoration work to progress to new heights. Restoration stories seem to easily fall into the trap of all sounding the same; be careful to tell us why yours is surprising among all those others out there, or how the characters driving it will give an old story new life.

         

        Large-scale environmental change and how it hits home.

        From climate change to the rapid pace of new energy development, massive environmental transformations are already underway in the West and are expected to become even more pronounced in the future. How are these transformations changing how individuals and communities work and interact with the land?

         

        Whom we'll work with:

         

        Anyone with passion for a story and the desire to tell it through video or sound. We encourage students and new producers to pitch us; while we consider experience when making decisions, we're mostly interested in the quality of your idea and how well it fits our needs.

         

        We don’t have a set-in-stone pay scale. If your pitch is accepted, compensation will be negotiated based on experience and project scope. Our budget is small, however, so if you're a major video producer looking for $15,000 for an 8-minute doc, we're not the publication for you.

         

        If you're already working on a documentary project and think a segment of it might fit our needs, pitch us, and maybe we can support you with travel funding and a payment for the clips we use.

         

        Like most underfunded nonprofits, we love collaboration, and are open to working with existing institutions or news organizations.

         

        Please send inquiries to multimedia@hcn.org with a subject header of "Multimedia story query."

         

        Please feel free to share this call for pitches. While our network runs far and deep (we are reporters, after all) there are likely amazing multimedia journalists who didn't receive this note. Feel free to send it along to them.

        Rough Cuts documentary call for entries + film screening – entry deadline March 1, event March 20, SF

        Hey folks. Great opportunity for filmmakers to get feedback on their docs. More details HERE and below. Submission deadline March 1.

        Best,

        Mia
        +++++++++++++++++++++++

        Thursday, March 1st is the deadline to submit to

        ROUGH CUTS – MARCH 2012 SERIES

        Tuesday, March 20th at 7:30 p.m.

        Ninth Street Independent Film Center

        145 Ninth Street, between Mission and Howard, San Francisco

        Complimentary drinks and hors d’oeuvres provided

        $7 admission

        _____________________________________________________

        Rough Cuts is a series of work-in-progress documentary screenings that are
        produced every other month at a variety of locations throughout San
        Francisco. For each evening, we screen one rough cut of a feature-length
        documentary and then moderate a conversation about the film. These
        post-screening discussions are designed to give the filmmaker a better,
        more objective sense of what is working and not working with his/her film,
        with particular attention paid to improving the film’s structure and
        narrative clarity. We hope that the series also provides a welcome space
        for local filmmakers, film professionals, and fans of documentary film to
        meet and talk.

        We are seeking long-form works with a final running time of 40 minutes or
        longer. Principal photography should have been completed, and we encourage
        filmmakers to submit cuts that are in the later stages of post-production
        (i.e. NOT first or second cuts).

        *Thursday, March 1st*

        Submissions must arrive at the address above by 5:00 p.m. [*This is not a postmark deadline.*]

        *Tuesday, March 6th*

        Selections will be announced and filmmakers will be notified**

        *Tuesday, March 20th*

        Screening, followed by discussion led by a guest moderator

        To submit, and for more details about Rough Cuts, visit:

        http://sfroughcuts.com/

        new online mag – Open City – Mapping Urban Asian America @aaww, Call for Creative Nonfiction Fellows

        For you NYC writers. Interesting opportunity.
        -mia
        +++++++++++++++++++++++

        Open City: Mapping Urban Asian America, a new online magazine on Asian American news and culture in New York, is hiring creative nonfiction fellows to produce content on the vibrant immigrant communities of Manhattan, Brooklyn and Queens. The new magazine will offer smart takes on Asian American (particularly immigrant) culture as it's lived in New York right now. Imagine stories on: the proliferation of x-rated video stories in Sunset Park, migratory patterns of Little Pakistani residents, karaoke bar culture, gentrification in Chinatown, or how Korean taco trucks define ethnic borders and space. Applications are due on February 17, 2012. How to apply: aaww.org/opencityapply. For more info., contact Kai Ma, editor, at kma@aaww.org.


        Kai Ma | Managing Editor
        The Asian American Writers' Workshop
        110-112 W. 27th Street, Sixth Floor, NY, NY 10001
        www.aaww.org | @aaww

        Editor
        Open City: Mapping Urban Asian America
        Support Asian American literature: www.aaww.org/donate

        Call for Entries – BAVC 2012 MediaMaker Fellows Program, late application deadline Feb 1

        For you Bay Area filmmakers – you have to be a BAVC member to apply to this, but it's a great organization and looks like a great fellowship. Details HERE and below. Late application deadline Feb 1.

        -mia

        +++++++++++++++++++++++

        MEDIAMAKER FELLOWS PROGRAM

        BAVC MediaMaker Fellows 2012 Application Timeline

        • Application available: Thursday, December 1, 2011
        • Information session: Tuesday, December 13, 2011 6:00 – 8:00pm at BAVC (RSVP here) 
        • Application deadline: Tuesday, January, 17th, 2012 5:00pm
        • Late application deadline: Wednesday, February 1, 2012 5:00pm ($40 entry fee) 
        • 2012 Fellows announced: Monday, February 13, 2012

        Frequently Asked Questions (FAQs) >

        Click here to complete the 2012 MediaMaker Fellows application >

        “I was thrilled to be a 2011 MediaMaker Fellow.
        it has meant exposure to cutting edge technologies,
        collaboration with this amazing group of filmmakers,
        and it forced me to make space in my life

        to think about innovation and how I could make this work.”

        – Samantha Grant, “A Fragile Trust”
        2011 BAVC MediaMaker Fellow

        About the Program

        Since 1991, BAVC's MediaMaker Awards have provided in-kind training and post-production grants for independent artists with a particular focus on supporting emerging artists and underserved communities. The Awards were designed to give independent artists direct access to the latest digital media technologies and prepare them for broadcast on public television with focused digital and multiplatform strategies for community engagement. BAVC offers six in-kind awards annually to be used for a combination of post-production services, facilities access, and training. We are extremely proud of our past MediaMaker award winners and are honored to have played a role in their development, completion, broadcast, and distribution.

        The 2012 BAVC MediaMaker Fellows program is designed to engage local artists in a year-long series of opportunities that will support project development through professional mentorship in multiplatform and transmedia storytelling through emerging technologies, strategic social media, marketing, and fundraising. The BAVC MediaMaker Fellows program will build an engaged local community of creative media artists from diverse fields, increase their capacity for diverse and lasting impact, and inspire new partnerships to support future work.

        BAVC MediaMaker Fellows:

        • Participate in New Media Workshops throughout the year, designed to provide special access to experts in emerging technologies and multiplatform documentary storytelling.
        • Participate in MediaMaker Fellows Labs to screen works-in-progress and receive feedback from fellow MediaMakers and invited industry experts on films and digital projects.

        • Receive a package of free BAVC equipment and facilities access for project development, focus groups, mentor meetings, professional production, postproduction, technical development, and beta-testing.
        • Receive numerous exposure opportunities including serving as a guest blogger for the BAVC web site and newsletter, highlighting your project, your creative process, screenings, events, and community engagement plans.
        • Are eligible for assistance from BAVC-trained media interns who will assist MediaMaker fellows in creating a short video documentary about the MediaMaker’s project to be used in presentations, funding proposals, and project promotion. (For samples of these see http://bavc.org/stream.) 
        • Be included in the MediaMaker Showcase – a public event for the BAVC MediaMaker Fellows to pitch their projects to local funders, broadcasters, and community organizations.
        • Access to and involvement with BAVC’s creative program alumni network.
        • A small cash stipend to support the development of your promotional behind-the-scenes video documentary with assistance from a BAVC-trained intern.

        Program Elibility & Criteria

        Any Bay Area BAVC member at the Producers Bundle level and above working on a noncommercial project is eligible for the MediaMaker Fellows program. BAVC takes special interest in artists who are working on projects about community and social justice issues, but we encourage projects of any genre or subject matter to apply. The MediaMaker Fellows program is particularly interested in supporting a diverse cross-section of artists with multi-disciplinary backgrounds. The proposed project must have some existing produced content, and must have a funding commitment from at least one additional source (besides BAVC). The project must also have a strong digital media component, but it need not be a traditional documentary or narrative film. Projects can be web-based, linear, interactive, performance, installation or a hybrid of these.

        • Propose a compelling, high-quality, noncommercial project to develop over the course of the year. Project must be digital media or centrally contain digital media components.
        • Have demonstrated an expertise in one or more creative disciplines.
        • Have demonstrated an ability to conceive, develop, and implement a high-quality creative project – at least one public performance, exhibition, or screening of an original work.
        • Be able to write effectively about their creative process and vision for their project.
        • Be willing to be an active participant in monthly labs and quarterly workshops, an annual exhibition, pitch/showcase, and ongoing online forum.

         

        2012 Edward R. Murrow Awards, deadline Feb 9

        It's time for the Edward R. Murrow Awards. More information HERE and below. Good luck!

        -mia

        ++++++++++++++++++++++++++++

        Awards

        2012 Edward R. Murrow Awards Contest – Enter Now!



        RTDNA has been honoring outstanding achievements in electronic journalism with the
        Edward R. Murrow Awards since 1971. Murrow’s pursuit of excellence in journalism embodies the spirit of the awards that carry his name. Murrow Award recipients demonstrate the excellence that Edward R. Murrow made a standard for the electronic news profession. In 2011, 600 Regional Edward R. Murrow Awards were handed out and of those 600, 95 went on to win National Edward R. Murrow Awards. 


        Entries may be submitted by stations, networks, syndication services, program services websites and online news organizations. Entrants will be identified as Radio Network/Syndication Service/Program Service, Large Market Radio Station, Small Market Radio Station, Television Network/Syndication Service/Program Service, Large Market Television Station, Small Market Television Station and Online News Organization. Entries must be submitted in the category in which the story first aired and must be as it was heard on air or online.


        Our entry process has changed in 2012 – please read the 2012 entry document in full by clicking here BEFORE submitting your entry or contacting RTDNA with questions.


        (NOTE: RTDNA will no longer provide a media upload platform. Individuals must
        submit a URL to their piece in the space provided on the application. Entrants are encouraged to upload media to YouTube, Vimeo, or personal sites. YouTube instructions can be found on page 6 of the entry document.)

        The deadline for entries is Thursday, February 9, 2012.

        a bunch of opportunities from New America Media

        Hey folks. A bunch of opportunities listed in the latest newsletter from New America Media. Info and links below.
        -mia
        ++++++++++++++++++++++++

        Events & Opportunities:  

        Deadline: February 8th

        New England Center for Investigative Reporting Offers Free Training on Covering Veterans' Issues

        The New England Center for Investigative Reporting in Boston is offering a three-day McCormick Specialized Reporting Institute (SRI) training on veterans' issues March 5th-7th.
        With tens of thousands of soldiers returning from Iraq and Afghanistan, one of the major reporting tasks of 2012 will be tracking what happens to these veterans as they face the challenge of settling back in to life at home. Reporters and editors will learn how to navigate the VA bureaucracy, hear from experts-including veterans– who will provide an in-depth understanding of the major issues impacting returning soldiers, and learn from the head of Investigative Reporters & Editors (IRE) how to transform complex data into compelling stories. 

        Application deadline is February 20th
        http://necir-bu.org/mccormick-specialized-reporting-institute/

        Entry Deadline for New America Award: 
        February 9th

        This award, presented by the Society of Professional Journalists, honors reporting on ethnic and immigrant communities living in the U.S. The contest upholds an important value of SPJ: to promote diversity in journalism – in the newsroom and in the stories journalists report.

        To make it as accessible as possible, the New America Award contest is free to enter. Nominations are welcome from media outlets, journalists, community and issue advocacy groups, individuals, and others concerned with ethnic issues. The winner will be recognized in late September at the 2012 Excellence in Journalism conference in Ft. Lauderdale, Fla.

        Awards entries must be mailed to SPJ headquarters and postmarked by Feb. 9. For more information about the award, including entry requirements, click here. Please contact Lauren Rochester with questions at lrochester@spj.org.

        Tax Tips for the Self-Employed workshops in SF and Berkeley, Jan 24 + 31

        Hello all. For those of you who've been with Freelance Cafe for a long time, you'll remember our tax season workshops with SF indie CPA Jason Stallcup. Jason is an amazing wealth of knowledge about tax stuff for freelancers, and he presents the information in a way that actually makes sense. He and his associate are presenting their workshop again this year, once at Sandbox Suites SF and once in Berkeley. Details below. Spread the word!
        Best,
        Mia

        ++++++++++++++++++++

         

        Tax Tips for the Self-Employed in San Francisco on Tuesday, Jan. 24 http://taxsandbox.eventbrite.com/

        Tax Tips for the Self-Employed in Berkeley on Tuesday, Jan. 31 http://taxtipsberkeley.eventbrite.com/


        International Documentary Challenge Registration Open, deadline Feb 29

        Interesting competition for doc filmmakers. Details HERE and below. Final deadline Feb 29.
        -mia

        ++++++++++++++++++++++++ 

        The International Documentary Challenge is coming up quick! Now in its 7th
        year, the Doc Challenge takes place March 1-5, 2012 with registration now
        open to filmmakers worldwide.

        The premise is simple; filmmakers will push their skills to the limit by
        making a short (4-7 minute) documentary in just five days. Top films will
        make their world premiere at North America's largest documentary festival,
        the Hot Docs Canadian International Documentary Festival. Filmmakers are
        assigned a theme (e.g. Dreams/Nightmares) and must choose between two
        assigned documentary genres (Character Study, Music, 1st Person, etc.)
        These two requirements provide a challenge to filmmakers, as it will shape
        the content and direction their film takes.

        In addition to making their world premiere at Hot Docs, three major awards
        will also be announced at the festival. Awards include The American
        Documentary/P.O.V. Award, The Documentary Educational Resources (DER) Award
        and the Best Film Award (presented by the Documentary Channel.) There are
        also cash prizes for award winners. Additionally, online viewing and voting
        will determine an Audience Award winner. After the premiere, there are
        additional theatrical screenings in major cities, national television
        exposure (10 films from 2011 were selected for national broadcast on the
        Documentary Channel) and a DVD release of the best films.

        Check out the Doc Challenge website where you can learn more about the
        event, view films and hear directly from past participants about their
        exhilarating experiences:

        http://www.docchallenge.org/

        IMPORTANT DATES:
        Registration: NOW OPEN Sign up
        now<https://www.docchallenge.org/sign-up.html?utm_source=Doclists&utm_medium=email&utm_campaign=IDC2012>

        Early Registration Deadline: February 14, 2012
        Final Registration Deadline: February 29, 2012
        Doc Challenge: March 1-5, 2012

        Hot Docs Dates: April 26 – May 06, 2012

        Complete details and entry forms can be found at www.docchallenge.org

        Doc Challenge is produced by Kat Touschner of KDHX Media. 2012 Presenting
        Partners include Hot Docs, The Documentary Channel, American
        Documentary/P.O.V. and Documentary Educational Resources. Supporting
        partners include the International Documentary Association, the Documentary
        Organization of Canada, DocuMentors, the Big Sky Documentary Film Festival,
        Dokufest, Docs In Progress and the 48 Hour Film Project.

        The International Documentary Challenge.
        Real Life. Filmed Real Fast.

        Google-sponsored Data Journalism Awards, deadline April 10

        First ever awards for data-driven investigative reporting, visualization/storytelling, and mobile apps. Cool. Details HERE and pasted below.

        Best,Mia

        +++++++++++++++++++++++++++++++

        Data Journalism Awards now accepting submissions

        1/19/2012 06:55:00 AM

        Last November, we announced our support for a new Data Journalism competition, organized by the Global Editors Network. The competition is now open to submissions and today we hosted an event at our offices in London to share details on how to compete and win a total of six prizes worth EUR 45,000. The European Journalism Centre is running the contest and Google is sponsoring.

        Journalism is going through an exciting—if sometimes wrenching—transition from off to online. Google is keen to help. We see exciting possibilities of leveraging data to produce award-winning journalism. “Data journalism is a new, exciting part of the media industry, with at present only a small number of practitioners,” said Peter Barron, Google’s Director of External Relations. “We hope to see the number grow.”

        In data journalism, reporters leverage numerical data and databases to gather, organize and produce news. Bertrand Pecquerie, the Global Editor Network’s CEO, believes the use of data will, in particular, revolutionize investigative reporting. “We are convinced that there is a bright future for journalism,” he said at the London event. “This is not just about developing new hardware like tablets. It is above all about producing exciting new content.”

        The European Journalism Centre, a non-profit based in Maastricht, has been running data training workshops for several years. It is producing the Data Journalism Awards website and administering the prize. “This new initiative should help convince editors around the world that data journalism is not a crazy idea, but a viable part of the industry,” says Wilfried Ruetten, Director of the center.

        Projects should be submitted to http://www.datajournalismawards.org. The deadline is April 10, 2012. Entries should have been published or aired between April 11, 2011 and April 10, 2012. Media companies, non-profit organisations, freelancers and individuals are eligible. 

        Submissions are welcomed in three categories: data-driven investigative journalism, data-driven applications and data visualisation and storytelling. National and international projects will be judged separately from local and regional ones. “We wanted to encourage not only the New York Times’s of the world to participate, but media outlets of all sizes,” says Pecquerie. “Journalism students are also invited to enter, provided their work has been published.”

        An all-star jury has been assembled of journalists from prestigious international media companies including the New York Times, the Guardian and Les Echos. Paul Steiger, the former editor-in-chief of the Wall Street Journal and founder of the Pulitzer Prize-winningProPublica, will serve as president.

        Winners will be announced at the Global News Network’s World Summit in Paris on May 31, 2012. 

        Dart Awards for Excellence in Coverage of Trauma, Deadline January 19

        $5K award for coverage of violence, crime, disaster, and trauma. Deadline is January 19.
        Best,
        Mia

        ++++++++++++++++++++++++

        Dart Center for Journalism and Trauma

        Dart Awards for Excellence in Coverage of Trauma:
        Deadline January 19

         

        Dear friends and colleagues,

         

        There is now less than a week to submit work for the Dart Awards for Excellence in Coverage of Trauma. Please spread the word.

         

        Open to North American journalism in all media, the Dart Awards honor innovative, ethical and effective reporting on the impact of violence, crime, disaster and other traumatic events. Dart Award winners, who receive a $5,000 prize, rise above the ordinary in focusing on the experience of victims and survivors, and contributing to public understanding on trauma-related issues.

         

        The deadline for entries is January 19, 2012, for work published or broadcast in 2011.

         

        Details and entry materials are online.

         

        Questions and inquiries should be sent to Kate Black, associate director of programs.

         

        Best,

         

        Bruce

         

        Bruce Shapiro
        Executive Director
        Dart Center for Journalism and Trauma
        Columbia University Graduate School of Journalism

        NY Press Club Awards for Journalism, deadline April 9

        Information HERE and below about the New York Press Club annual awards. Deadline April 9.
        -mia

        +++++++++++++++++++++++

        Entries open for the 2012 New York Press Club Awards for Journalism on Monday, January 30th, 2012 and close on Monday, April 9th. Winners will be announced in early May. Presentations will be made in early June at our annual Journalism Awards Dinner.

        SOME AWARD CATEGORIES HAVE CHANGED FROM PREVIOUS YEARS. Click the Downloads tab above to view and/or download details and entry materials for the 2012 competition.

        When entries open, submissions must be made in digital form as described in "Tech Specs." Entries must be submitted from this Web page.


        An enduring tradition in New York media, the annual New York Press Club Awards For Journalism honor excellence in the craft by writers, reporters, editors, producers, shooters and multimediographers.


        Entries are considered in more than 20 categories of reporting from material submitted by New York metropolitan area news organizations and individual journalists. 


        Judging is by prominent working journalists, former journalists and academics who are selected for their expertise in each category.


        Awards unique to the New York Press Club competition are the Gold Keyboard Award, honoring excellence in investigative journalism; Nellie Bly Cub Reporter, honoring the best journalistic effort by an individual new to the profession and The Rev. Mychal Judge Heart of New York Award for reporting that is most complimentary of New York City.

        Upcoming events at the UC Berkeley J-School

        Here are the latest public events from UC Berkeley's J-School. Good stuff!

        -mia

        ++++++++++++++++++++

        The Renaissance of Local News


        When:
        Friday, January 27,  5:00 PM

        Where: North Gate Hall

        The inaugural event in honor of the Robert A. Peck Chair in Journalism at Berkeley.

        Jim Brady – Journal Register Company’s Editor-in-Chief and Editor-in-Chief of Digital First Media

        Lydia Chavez – Professor and Robert A. Peck Chair at the Graduate School of Journalism and Editor-in-Chief of Mission Loc@l

        Ken Doctor
        – Media industry analyst, author of Newsonomics: Twelve New Trends That Will Shape the News You Get

        Lisette Mejia
        – Master’s Candidate 2012, Graduate School of Journalism and reporter for Mission Loc@l

        Chris Peck – Editor, The Commercial Appeal, Memphis

        Seating is limited – RSVP required: juliehirano@berkeley.edu | 510.642.3394


        Thomas Peele | Killing the Messenger: A Story of Radical Faith, Racism's Backlash, and the Assassination of a Journalist

        When: Monday, February 13,  6:00 PM

        Where: North Gate Hall Library

        On the morning of August 2, 2007, journalist Chauncey Bailey, editor of the weekly Oakland Post, was gunned down in broad daylight and died.

        Investigating police would soon uncover the motive behind Bailey's shocking murder: to stop a story.  Bailey was working on an article about Your Black Muslim Bakery, an Oakland institution posing as a charitable organization but uncovered as a criminal and violent one.  The Bakery was founded by a man named Joseph Stephens who later took the name Yusuf Ali Bey. Bey preached of Black Power and fundamental Black Muslim beliefs, while behind the scenes he led a violent cult. When he died in 2003, a bloody internal struggle ensued with Bey’s son, Yusuf Bey IV, eventually seizing control. Under Bey IV, the Bakery began to crumble and fell into bankruptcy. As Chauncey Bailey was investigating the Bakery and the Beys, Bey IV ordered his assassination.

        Outraged by Bailey’s murder, a group of California journalists, known as The Chauncey Bailey Project, banded together to finish Bailey's work, help bring his assassins to justice, and prove that “you can't kill a story by killing the messenger.” Now, in KILLING THE MESSENGER: A Story of Radical Faith, Racism's Backlash, and the Assassination of a Journalist, Thomas Peele, an award-winning investigative reporter and member of The Chauncey Bailey Project, provides the first comprehensive narrative examination of Bailey's murder by bringing to light the astonishing series of events that led to his death.

        KILLING THE MESSENGER explores the origins and history of the Black Muslim movement, the rise of Elijah Muhammad as a Muslim leader in Oakland and the separatist cult known as the Beys. Drawing from his research and the investigative reporting of The Chauncey Bailey Project, Peele weaves present-day events together with history to show how years of corruption, abuse, and propaganda resulted in one of the most shocking and gruesome attacks on a working journalist and the First Amendment in recent American history.

        Books will be available for purchase.

        Seating is limited – RSVP required: juliehirano@berkeley.edu | 510.642.3394

        VALLEY OF SHADOWS & DREAMS: Reception and Book Signing
        and Current Exhibition at the North Gate Hall Gallery (January 17-May 15, 2012)

        When: Friday, March 16, 6:00 PM

        Where: North Gate Hall Room 105

        Photography by Ken Light | Text by Melanie Light | Forward by Thomas Steinbeck

        “Valley of Shadows and Dreams explores a different California from the one that most people know—a California far from Hollywood and Malibu and San Francisco, a California that in some elemental respects has not changed much since the days of the Spanish conquistadors.  The same sort of manual labor prevails in the fields, the same exploitation of the weakest and poorest still blights the land.  In this book you will find a powerful indictment not only of what has happened lately in America's largest state, but also of what is happening across this country right now. The abuse of illegal immigrants, environmental degradation, the madness of a real estate bubble, and all the other problems of the Central Valley are unfortunately relevant nationwide.  Ken and Melanie Light bring great compassion and an eye for beauty to this subject, facing hard truths but refusing to despair.  As John Steinbeck argued more than seventy years ago, the demand for justice and the need for true democracy are timeless, essential things.”

        —Eric Schlosser, author of Fast Food Nation

        2012 Hale Fellowship from PRI’s The World, deadline Feb 8

        Hey folks. PRI's The World is inviting three reporters to join their newsroom for one week each. Fellowship deadline, February 8. Details HERE and below. -Mia

        +++++++++++++++++++++++

        PRI’s The World is looking for U.S.-based public radio reporters interested in coming to Boston to spend one week in residence in our newsroom!

        Hale Fellows will spend the week working with World staff to produce stories that highlight how international issues have an impact on the United States, or how U.S. issues can have a global impact. Applicants should describe stories they would be interested in pursuing as part of their fellowship.

        Following the residency, we hope Hale Fellows will have gained new insight into the kind of global-local connections that can make a U.S. news story a World story.

        Fellowship opportunities are open to public radio reporters who are either station-based or freelancers. Three reporters will be chosen from the pool of applicants to complete three separate one-week residencies during March, April, and May of 2012. Applicants should state which month would be preferable. The fellowship covers travel and lodging expenses, as well as a stipend.

        The Hale Fellowship program honors former PRI Board Chair Roger Hale and his substantial support for PRI’s The World.

        For more information please contact Katherine Griffin at PRI’s The World at katherine.griffin@bbc.co.uk

        Download the application here.

        Application Deadline: Wednesday, February 8, 2012

        PT producer at Making Contact, Oakland, CA

        The great people at Making Contact are looking for a half-time radio producer. The gig is in Oakland, CA. Details below.
        Best, Mia
        +++++++++++++++++++

        Making Contact Producer (part-time) Work Location: Oakland, CA

        more info at www.radioproject.org

         

        Making Contact /National Radio Project seeks a part-time (20 hours/week) radio producer with a passion for public-interest community media, to create a world where peace and social justice are paramount.

         

        National Radio Project is a nonprofit media organization that produces the weekly, nationally syndicated, progressive radio series Making Contact. Our high quality public-affairs and documentary radio programs are broadcast on 139 radio stations in the U.S., Canada, and South Africa; thousands more listen via our website and podcasts. Our award winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

         

        We seek an energetic, passionate, organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview. The candidate will also be able to work efficiently on quick turn-around program segments. Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We vary our program format from week to week from sound rich docs to straight-ahead compelling speeches. We’re looking for someone committed to our greater mission and who is willing to do whatever it takes to produce our weekly show and to strengthen Making Contact as a whole.

         

        National Radio Project /Making Contact is more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production as possible while meeting deadlines. We seek someone who can mentor others and is excited about growing and learning in their own work. We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

         

        Required Skills/Experience

        Demonstrated writing and script editing skills

        Demonstrated audio editing skills

        Strong voice-craft skills and experience

        Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

        Ability to read and synthesize research

        Familiarity with issues of our times and timeless issues

        Track record of delivering pieces on deadline (even if it means it's not "everything you want it to be" 🙂

        Commitment to building Making Contact as a whole, and to participating in a team process

        Willingness to participate in fundraising

         

        Preferred Skills

        Experience coaching and editing freelance reporters and producers

        Multimedia experience:  video, sound-slides, YouTube etc

        Familiar with social marketing and online media distribution

        Experience and enthusiasm for online distribution methods and audience building

        Sense of humor

         

        National Radio Project / Making Contact is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and people with disabilities. 

         

        Submit app ASAP. Position Open Until Filled. Please email resume, cover letter, writing sample (radio script preferred) and links to work samples to lrudman@radioproject.org

        Nieman-Berkman Fellowship in Journalism Innovation, deadline Feb 15

        Harvard is looking for an innovative journalist, people. Fellowship details follow. Deadline Feb 15. This is a good one! -mia

        ++++++++++++++++++

        Nieman-Berkman Fellowship in Journalism Innovation

        The Nieman-Berkman Fellowship in Journalism Innovation will bring one individual to Harvard University for the 2012-13 academic year to work on a specific course of research or a specific project relating to journalism innovation.

        The fellowship is a collaboration between two parts of Harvard: the Nieman Foundation for Journalism and the Berkman Center for Internet & Society. Both share a set of common interests around journalism, innovation, and the evolution of the digital space. And both have longstanding fellowship programs that give people a year to learn and collaborate with others in the Harvard community.

        The Nieman-Berkman Fellow will be a joint fellow between the two centers — a full Nieman Fellow and a full Berkman Fellow.

        The Nieman-Berkman Candidate
        Candidates will be asked to propose a specific course of study or project relating to journalism innovation. That proposal could deal with any issue relating to journalism’s digital transformation. Examples might include ideas for new revenue streams to fund journalism, the construction of new tools for reporting, or research into news consumption patterns. The candidate’s application must make it clear how his or her proposal will benefit the field.

        The Nieman-Berkman Fellow will be able to draw upon the wealth of resources available at Harvard and in the surrounding area for his or her work. Along with the Nieman Foundation and the Berkman Center, Cambridge is home to institutions like the Harvard Business School, MIT’s Center for Civic Media, the Hauser Center for Nonprofit Organizations, the Shorenstein Center for Press, Politics and Public Policy, and others relating to journalism’s evolution.

        Our goal is to identify a candidate who would benefit from the time and resources the fellowship provides, and whose work during the year at Harvard would benefit journalism more broadly.

        Day-to-day Life of the Nieman-Berkman Fellow
        The primary responsibility of the fellow will be to execute the proposal that earned him or her the fellowship.

        In addition, the fellow will be expected to spend the year in residence in Cambridge and to be a full participant in both the Nieman and Berkman fellowship communities.

        In terms of specific time commitments, that includes attendance at Nieman and Berkman events designed for the fellows, such as the weekly Berkman Fellows’ hour on Tuesdays and the Nieman Fellows’ seminar on Wednesdays. More broadly, it means engagement with both communities and serving as part of the bridge between them. We believe journalists and technologists have important things to teach one another, and the Nieman-Berkman Fellow will be part of that information sharing.

        Finally, the Nieman-Berkman Fellow will be expected to share the results of his or her work with other fellows and through the Nieman Journalism Lab.

        Eligibility
        The Nieman-Berkman Fellowship is open to both United States citizens and citizens of other countries.

        Candidates should either be working journalists or work for a news organization in a business, technology, or leadership capacity. Independent journalists are also welcome to apply.

        The Nieman Foundation and the Berkman Center share a commitment to diversity and encourage applications from members of underrepresented groups.

        Learn more about the requirements and stipulations for eligibility.

        Financial Terms
        The Nieman-Berkman Fellow will receive the standard Nieman Fellowship stipend from the Nieman Foundation, which is $60,000 over 10 months. Fellows receive additional allowances for housing, childcare, and health insurance, which differ in size depending on their family situation.

        How to Apply
        You apply through the Nieman Fellowship online application process.

        The deadline for applications in Feb. 15, 2012.

        Note that this deadline is later than the standard deadline for Nieman Fellowships, which is Jan. 31 for United States citizens. Americans are welcome to apply for both the standard Nieman Fellowship and the special Nieman-Berkman Fellowship.

        Once submitted, your application will be evaluated by a joint Berkman and Nieman review team. Interviews with finalists will be held in the spring, and, if a satisfactory candidate is found, the winner will be notified in May.

        For More Information
        For questions about the application process, email Nieman fellowship administrator John Breen at john_breen@harvard.edu.

        For questions about the fellowship itself, email Joshua Benton (Nieman) at joshua_benton@harvard.edu or Colin Maclay (Berkman) at cmaclay@cyber.law.harvard.edu.

        ProPublica News Apps Fellowship, deadline Jan 20

        Hey news techies – ProPublica is looking for a paid intern/fellow to work in their NYC office. Details HERE and below. Interesting opportunity! -mia

        +++++++++++++++++++++

        The ProPublica News Apps desk is looking for a smart, technically-savvy journalist to join our team for a pilot project we’re calling a News Applications Fellowship.

        In this special internship, which is paid and will run until the end of the year, you’ll help us test a hypothesis: Can a smart, technical journalist with excellent and proven skills in other nerdy newsroom disciplines like graphics and CAR become a news app developer?

        You’ll learn how to make news apps like our Dollars for Docs and Opportunity Gap projects, working side-by-side with our news app developers. You’ll leave here with a set of skills and experience that will make you an invaluable member of any news apps or interactive news team. If you’re already got some programming skills, we’ll round out your knowledge and teach you how we turn raw data into journalism, and if you’re an accomplished journalist, we’ll teach you how to code.

        Here are the three requirements.

        1. You want to be an editorial developer. A lot. We recognize that there are a lot of jobs for news app developers, but if you’re in it just for job security, or you think coding is something that will get your foot in the door to do other stuff, this isn’t gonna work. Staying up all night trying to prop up an overloaded server, or tracking down a bad database migration, or reading somebody else’s code to figure out how it works, are things you do when you love the work, not when it’s just a job.

        2. You are an experienced graphics editor, CAR expert, web producer, or web designer. Central to our hypothesis is the idea that if you know how to take output files from SPSS and turn them into gorgeous charts in Illustrator, or you know how to take a map from ESRI and style it to look terrific, or if you know how to run a regression using R, you’re already technical enough to learn how to program a news app. Writing code for news apps can be easier than those things, once you know how. We love reporters, but the leap from story to news app is way bigger than the leap from graphic to news app, so for the time being we’re looking for candidates from disciplines other than narrative reporting.

        3. You are a trained and/or experienced journalist. If you’re a developer and are thinking about making the jump into journalism there are some great options. But the most important part of making a news app is editorial judgment, and it’s the hardest part to learn on the job.

        Current students or recent grads who have academic work that shows a talent in these disciplines are encouraged to apply.

        Naturally, if you already have some coding skills, especially in front-end markup like CSS and HTML, you’ve got a leg up. But we’re expecting to train the right person. We know that out there in the news universe there are whip-smart people who are starting to teach themselves how to program by reading books and building stuff they never show anybody; people who want to take their graphics talents to the next level and to start working on the back-end code as well. If that's you, hurry up and apply already.

        The fellowship is based in our New York City office.

        To apply, send an e-mail with your résumé and URLs to scott.klein@propublica.org. Make sure to submit a brief explanation of the exact role you played in the projects your URLs point to. Application deadline is January 20. Start date is flexible, but can be immediate.

        International Reporting Project Fall 2012 Fellowships in International Journalism, deadline April 2

        Hey folks. The International Reporting Project is now accepting applications for their fall fellowships on religion and other international topics. Details HERE and below.

        -mia

        +++++++++++++++++++++++++++

        IRP Fellowships in International Journalism

        2011 IRP Fellow Megan Verlee reported on Meskel, a major Ethiopian holiday.

        The IRP Fellowships allow U.S. journalists to do original, in-depth reporting projects overseas. Since the program was created in 1998, nearly 200 U.S. journalists have been awarded IRP Fellowships and have reported from more than 100 countries around the world. IRP Fellows’ prize-winning stories have appeared in all major media organizations in the United States.

        The program encourages U.S. journalists to cover neglected, “under-reported” stories of global importance. As much of the mainstream media have reduced their coverage of international issues, the International Reporting Project (IRP) is filling some of the void.

        FALL 2012 IRP FELLOWSHIPS IN REPORTING ON RELIGION AND OTHER INTERNATIONAL TOPICS

        The International Reporting Project (IRP) is pleased to announce that it will award up to four IRP Fellowships in the fall 2012 to U.S. journalists reporting on topics of international religion, as well as reporting fellowships on other international issues. The fall 2012 program begins in early September 2012 and ends in early November 2012. Applications are due by April 2, 2012 .

        http://www.internationalreportingproject.org/about/fellowships/

        This American Life THEME LIST

        Always a popular post – the call for pitches from TAL. Plus a nice explanation of their process at the top. Good luck!
        -mia
        PS: I get these calls for pitches because I'm a member of AIR – a fantastic organization for public media folks of all stripes. Happy to provide more info if you're interested. (And no, I don't work for them, I just like them a lot.)

        ++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you
        for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll
        respond with a generic email letting you know that I received your
        pitch and that I've read it.  I promise.  I read every pitch.  (I
        won't send you the auto response until I've read your pitch so expect
        a bit of a delay getting that email.)  If we think the pitch is right
        for us, or if we need more information from you, I'll send you another
        email asking for more info on the story or letting you know we'd like
        to commission the story. But if you don't hear back from us within two
        weeks, beyond the initial auto-reply email, it means the story just
        isn't right for us or for the needs of that particular show.  The idea
        of doing it this way is just to get through pitches and get back to
        everyone quickly.

        Like always, these themes are shows we're actively pursuing right now
        but we're always on the lookout for new stories or ideas.  So if
        you've got a story that you think would work especially well for us
        but doesn't fit a specific theme listed below, please send it along
        anyway.

        Thanks so much for your pitches.  We appreciate it.

        Best,
        Julie
        (julie@thislife.org)

        PLAY THE PART:  We’ve sent this theme out before and the show is
        coming up pretty soon (mid February) so we’re somewhat set on big
        stories.  But we’re still searching for smaller or more interview or
        essay-ish type stories to fill this one out.  The idea of the show is
        that throughout our lives, there are moments where we take on roles
        and do our best to play them convincingly.  Sometimes it’s a conscious
        choice and sometimes we realize we’re representing something that is
        unintentional or not totally true.  Now for the show, we’d love a
        story that’s about playing a role in a relationship – maybe something
        about finding yourself being the kind of
        daughter/son/girlfriend/boyfriend/spouse/employee that another person
        wants you to be, and getting into trouble because it’s actually very
        different from who you are.  Funny would be good for this show, but
        not required.

        WHAT I DID FOR LOVE: We're hoping to put together a Valentine's Day
        show this year about the extremes we go to for love.  Falling in love,
        chasing it down, trying to make relationships work – all of these
        stages of love have the potential to make us do insane, over-the-top
        things.  We’re interested in any story where passion and love make
        people do things they’d never consider otherwise.  We’re also toying
        with the idea of a love show that examines the cliché idea that if you
        love something, you should set it free.  Because the cliché doesn’t
        even make sense, right?  Doesn’t it seem sort of crazy?  If you have
        any stories of people wrestling with this question and deciding either
        way, we’re interested in hearing those, too.  And while it is
        Valentine’s Day, we’re not necessarily limiting the show to romantic
        love.  We’ll consider stories about familial love or being obsessed,
        too.

        HIDDEN TREASURE:  For this show, we’re looking for both literal
        treasure hunt-type stories along with more metaphorical stories about
        finding unexpected treasures or things of value.  Right now we’re
        working on a story about a treasure hunt several years ago that began
        with clues placed in a children’s book and ended with deceit, a sex
        scandal and the treasure being lost in a pile of dirt.  We’re not sure
        if this story is going to work out, though, so more stories about
        actual treasure hunts or buried treasures would be great.  We’ve also
        got a story about finding an unexpected treasure that really begs a
        question as to whether “finders, keepers” should be true.  We’d love
        stories that get at a “one man’s treasure…” idea, something where the
        value of the object is in question.  And then even just stories about
        finding something that has long been lost or hidden.  A family secret
        maybe?  Or stories about trying to keep something hidden – keeping a
        person hidden or a powerful secret hidden.  Maybe a story about hiding
        money from a company or a spouse or kids?

        SHOW ME THE WAY:  This is a show about “guides” of all sorts.  Stories
        about  the people, books, companies we hire or turn to in the hopes of
        them helping us navigate an unfamiliar place or experience or world.
        We have one really incredible story about an elderly man who
        essentially guides a young boy through his illness and death.  We have
        another story about an unbelievably bad seeing-eye dog.    And a story
        about a flight instructor who teaches people to get over their fear of
        flying, only to die in a plane crash himself.  We’d like more stories
        about people having to show faith, give up control and trust someone
        else to successfully get through a particular experience.  Stories
        about travel would obviously be good for this show but we’d also love
        business or political stories, too.  Maybe a story about a consultant
        with especially arcane knowledge?  Or a guide who takes on more than
        she or he can handle?  Stories about a mentorship or Big Brother/Big
        Sister type program?  Are there guides for things that seem like
        they’d be obvious or easy but are, in fact, close to impossible to
        achieve?  Suggestions for short fiction would be great for this show,
        too.

        SEND A MESSAGE: Two years ago conservative legislators in Arizona
        decided to make a point in sort of a tongue-in-cheek way.  They formed
        a fund called the “I Didn’t Pay Enough in Taxes” fund to point out
        that no one in Arizona was willing to pay more in taxes so they should
        stop complaining about new tax cuts.  Surprisingly, though, a lot of
        people contributed to the fund.  One of the contributors was a fairly
        well-off former Republican who says he’d had a bit of a political
        conversion and, by paying extra taxes, decided to send a message
        himself: that by drastically reducing its tax base, Arizona was
        shooting itself in the foot and destroying all the things that make
        the state a great one.  Now the former Republican is meeting with the
        author of the gimmicky fund, hoping their “messages” can now reach
        each other and find some middle ground.  We’d like to find more
        stories about people or groups or efforts that go to great lengths to
        “send a message.”  The Occupy Wall Street movement has probably been
        the biggest message-sender this past year and there are still Occupy
        encampments in smaller, more unlikely towns across the country.  Maybe
        there’s an interesting story at Occupy Poughkeepsie?  Or Occupy
        Lancaster?  We’re looking for stories that aren’t necessarily
        political, too.  Maybe a story about taking sort of an arbitrary stand
        or drawing a seemingly weird line in the sand?  Stories about making
        an example of something?  A story about a message received in an
        unintended way would be great for this show, too.

        The following isn’t for radio but rather for a special project we’re
        working on for Spring:

        THINGS YOU CAN’T DO ON THE RADIO:  Hi all – Ira writing this one.  A
        little while back I saw this dance troupe do this piece that I found
        totally charming and funny and completely in the sensibility of our
        radio show and I thought "we have to put this on the air," but of
        course, that makes no sense at all because there's no way to do dance
        on the radio.  Very soon after that, I saw this comedian I love do
        this story onstage that we recorded for the radio show, and I was
        struck with the fact that seeing her deadpan delivery made it so much
        funnier than just hearing it.  All of which led me to this thought: we
        have to do another cinema event, one of those things where we go into
        a theater and set up cameras and beam the show into movie theaters all
        around the country.  That way people can see, and not just hear, these
        two pieces.

        Our theme will be Things You Can't Do on the Radio.

        So now I'm turning to you.  The dance and the comedy bit total about
        25 minutes.  That leaves a lot of space.  We've got a whole show to
        fill!  We need your help!  We're looking for stories that are
        particularly visual that we can report on.  We'll either shoot video
        or take stills or have artists render the visuals.  Maybe the story is
        about something spectacular in nature, or some amazing scene or
        happening that we can film and witness.  Maybe the story is about the
        sort of subject that always presents a problem for radio: someone who
        can't speak, or a small child, or animals, or a group of people
        interacting and what's interesting is watching them interact.  Maybe
        you’ve seen an interesting short film or animated film that you think
        we should take a look at?  A magician or some other kind of visual
        performer doing something that's not, um, unbearably corny.  I'd love
        a magician but it would have to be someone doing something pretty
        unusual, and maybe very story-based, telling some story or making some
        bigger point as he or she does his tricks, to make sense in the
        context of one of our shows.  And we especially need at least one
        story with some emotional heft to it.  Both the things we have already
        are fantastic, but they're on the fun/funny side of things.  We need
        to balance that out.  Stories that would work particularly well would
        be stories that actually are about the idea of seeing/not seeing or
        hearing/not hearing.

        I know all this is kind of a broad request, but we're thinking big
        here, trying something we haven't tried before.  The show will be in
        May, which is closer than it seems, so write soon!  Put in the subject
        line of your email: Things You Can't Do On the Radio.  And thanks, as
        always, for your help.

        *****

        NYT social media internships, deadline extended to Jan 20

        Hey grad students. The NYT is looking for social media interns. It's unpaid, but, you know, it's the NYT – looks pretty good on the resume. Details and link to apply HERE and below. Good luck! -Mia

        +++++++++++++++++++++

        NYT Social Media Internship

        The New York Times newsroom is seeking academic interns for its social media desk, which works to engage its readers on social media platforms and innovate new forms of journalism. Tasks will include: sparking conversations on The Times’s social media accounts — including Facebook, Twitter, Google+, Tumblr and Instagram — as well as assisting on social journalism projects and providing general support. The intern will work closely with the social media editors and developers, as well as reporters, editors and Web producers working on social media-related projects around the newsroom.

        Graduate students preferred. Selection will be competitive. The internship is unpaid. Student must receive course credit for the internship and must produce proof of such credit. This position is based in New York; the applicant must commit to being available to work at The Times headquarters at 620 Eighth Avenue in Manhattan for the spring 2012 semester, with schedules subject to restrictions and expectations set by the academic institution.

        Candidates should understand the journalistic opportunities presented by social media. While you should have deep familiarity with social technologies, developer skills are not required. Experience using social networks in an editorial context or related work in a newsroom is required. You should also have an excellent eye for detail and great news instincts.

        Applicants should submit a cover letter and resume, including links to social media accounts you maintain personally. Application deadline is Jan. 20, 2011; you must then be available for an interview to be considered further. Decisions will be made by Feb. 1.

        http://www.nytimes-internship.com/internships/social-media/apply

        Fellowships for education reporting from Columbia J-school, deadline Jan 31

        Hey folks. Columbia J-School offers three $75K fellowships for education reporters, educators, and researchers. Deadline Jan 31. Details here and below.
        -mia

        +++++++++++++++++++++++

        How to Apply

        Spencer Fellowship Application — Apply Online

        The Spencer Fellowship for Education Reporting is open to journalists, educators and education policy researchers who want to develop a long-form journalism project to advance the public’s understanding of the American education system.

        Three fellows will be selected for this highly-competitive program, which combines coursework in residence at Columbia’s Graduate School of Journalism, Columbia University and Teachers College, and hands-on advising from education writing experts.
        Spencer Fellowship applicants are expected to submit the following for a complete package no later than Jan. 31.  Successful applicants will be notified in April.

        • A professional biography or resume.
        • Writing samples that demonstrate a passion for education research and writing, including newspaper and magazine clips, books, monographs, academic reports, or other writing samples.  Applicants with reporting experience in covering American education or American educators who are interested in journalism style writing are preferred. For broadcast applicants, please send links to audio or broadcast clips. We cannot duplicate DVDs.
        • An essay on a proposed long-form journalism project on a significant topic in education. The essay should explain how a greater understanding of education research would materially enhance the project and the candidate’s ability to cover education. Preference will be given to applicants who can show proof of publication of their work, either through a letter or commitment from a news organization or a book contract. The application should also include the commitment to cover education in the long term.
        • A list of possible coursework at Columbia and an essay explaining how the proposed coursework and education research would materially enhance the project.
        • An essay about an education trend you have observed. This trend does not have to be related to your project. It is geared to see how you are following education trends and policies.
        • At least three letters of recommendation, including, if possible, one from a publication that has shown interest in the project. Preference will be given to applicants who can demonstrate a strong likelihood that their work may be published.
        • The application should also reflect a commitment to cover education in the long term.

        There are no academic prerequisites. However, the applicant must have an interest in pursuing academic coursework in support of the project.

        International journalists are invited to apply, but their projects must cover the American education system, and they must furnish a publication commitment that includes distribution in the United States.

        The fellows will work with Columbia Journalism School faculty members who will serve as project advisers. The fellows may also work with professors in other departments at Columbia University on an independent study basis. A curriculum specialist will coordinate the selection of the fellows’ academic courses, preferably in the fall semester, either at Teachers College, the Journalism School, or elsewhere at Columbia.

        Applicants with a full-time job should provide the school with a letter that approves leave of absence for the academic year, a commitment to publish the final project and guarantee of the reporter’s return to the workplace. In turn, the candidate should produce a signed agreement that he or she will rejoin the organization with a finished or nearly finished project.

        Each fellow will be awarded a stipend of $75,000.  A modest travel expense account is in addition to the stipend.

        Classes begin the day after Labor Day, with orientation the prior week. Classes end with J-School graduation ceremonies in mid May.

        For more information, contact Associate Dean Arlene Morgan at am494@Columbia.edu or call 212-854-5377.

        Good Pitch seeks film projects for three 2012 events

        A very cool workshop for you doc film folks. Ideal for "projects looking for completion funding, outreach funding, campaigning networks or a combination of these." http://britdoc.org/real_good/gp2012
        -Mia

        +++++++++++++++++++++

        Good Pitch is an invitation-only event starting with an intensive two-day campaign development workshop, followed by the day-long live event. This process covers a four-day period.

        WHAT’S HAPPENING IN 2012?

        We have three flagship events planned for 2012, taking place in New York, San Francisco and Europe.

        Good Pitch New York: May 24th 2012

        Closing date for applications: Wednesday 1st February, 4pm UK time

        Good Pitch Europe: June 2012

        Closing date for applications: Wednesday 1st February, 4pm UK time

        Good Pitch San Francisco: October 2012

        Closing date for applications: Wednesday 9th May, 4pm UK time

        YOU’RE A FILMMAKER?

        If you’re a filmmaker and you’d like to present your documentary project at one of the three flagship Good Pitches, carry on reading for guidance on what we are looking for, what we offer and what we expect in return.

          THEM’S THE RULES

        • We’re looking for documentary film projects which tackle important global and national issues and enhance our understanding of the world.
        • We look for projects at any stage from early production to completion; rough cut stage is ideal. The call is open to projects looking for completion funding, outreach funding, campaigning networks or a combination of these.
        • Your finished film must be 60+ minutes in length.
        • You must submit a trailer or key sequence or trailer by 4pm UK time on the closing date of each call to be eligible for Good Pitch 2012. You can upload your material after you’ve submitted your written application, as long as it is before the closing date & time.
        • You must also record and upload a 2-minute video of yourself, telling us why you want to make this film and what want it to achieve.
        • You can only apply for Good Pitch if you have outreach or audience engagement plans for your film. Your outreach campaign can take any form, with any ultimate goal.
        • In order to finalise our selection, we enlist some external reviewers who have experience in the field of using films for social impact. You will need to confirm you are happy for your project to be viewed by external parties.

        WHICH PITCH?

        We have redesigned our application so that you can apply for multiple events with just one form. Neat!

        You should decide which city is appropriate for your project. Where are your potential partners based and where do you hope to undertake your outreach? Travel and accommodation is the responsibility of filmmakers, so you should also consider where you can afford to get yourself to.

        Please only apply for a city which is a realistic fit for your project and budget.

        AND IF YOU’RE SELECTED…?

        If you are selected, then we will work for you and your film for a 3 month period, completely gratis. In this time we will collaborate with you to identify the best partners, funders and advocates for your project from across society. Once identified, we will work like trojans to get them to the live event.

        In return we need both members of your pitch team to attend the two-day campaign development workshop and Pitch day – this takes place over a four-day period and is at your own expense.

        If your project is selected to pitch and you are still in production, we ask you acknowledge our work by including ‘with thanks to the Good Pitch’ in the closing credits of the completed film.

        Knight Science Journalism at MIT – Food Boot Camp, deadline Jan 18

        Hey foodie journos – this is for you. Fellowship deadline Jan 18.
        -mia

        ++++++++++++++++++++

        Food Boot Camp
        March 27-30, 2012 – Cambridge, MA

        We are now accepting applications for our Food Boot Camp which will be held on the MIT campus from Tuesday, March 27 to Friday, March 30, 2012. 
        From lethal baby formula to tainted peanut butter, from biofuel bonanzas to food riots, from lean and local organics to fat-loaded meals for children, food is now routinely in the news. Researchers are speaking in terms of dramatic change and possible crises on topics of how food is grown, distributed and consumed. To help journalists explain the facts to readers, the Knight Science Journalism at MIT is offering a four-day course on some of the most important food-related issues.
        Twelve journalists will be chosen to attend the Boot Camp, joining the twelve Knight Fellows already in residence at MIT. Applicants may be journalists who already cover science, medicine or health, or those who wish to prepare themselves to cover these fields. Applicants may be reporters, writers, editors or producers and must have at least three years of full-time experience in journalism. 

        If selected, we will reimburse you for up to $750 of your travel expenses to Cambridge and pay for your hotel room and most meals. Participants are required to attend all sessions, which begin on Tuesday, March 27 and end on Friday, March 30. 

        Confirmed faculty: 
        Hank Cardello has spent 30 years as a food industry insider, having served as President of Sunkist Soft Drinks, Inc. and marketing executive with Coca-Cola, General Mills, RJR Nabisco and Canada Dry. He is a Visiting Fellow with the Hudson Institute and a frequent contributor to the Atlantic. Cardello is the author of Stuffed: An Insider’s Look at Who’s (Really) Making America Fat.

        J. Glenn Morris, the director of the Emerging Pathogens Institute at the University of Florida, is a former officer at the Centers for Disease Control and has served on numerous National Academies of Science food safety committees. He is an expert on the emergence of E. coli as a human killer that is carried in food.

        Robert Paarlberg is professor of political science at Wellesley College and adjunct professor of public policy at the Harvard Kennedy School.   He writes and consults in the area of international food and agricultural policy.  Paarlberg travels frequently to Africa, and his 2008 book, Starved for Science: How Biotechnology is Being Kept Out of Africa, argued that Europe’s hostility toward the use of genetic engineering in farming had slowed the uptake of this technology in Africa.  His 2010 book from Oxford University Press is titled Food Politics: What Everyone Needs to Know.    

        Robert Tauxe is Deputy Director of the Division of Foodborne, Bacterial and Mycotic Diseases at the Centers for Disease Control and Prevention.

        Michael R. Taylor is Deputy Commissioner for Foods at the U.S. Food and Drug Administration.  Mr. Taylor is a nationally recognized food safety expert, having served in high-level positions at the FDA and USDA, as a research professor in academia, and on several National Academy of Sciences expert committees.

        Application deadline: January 18, 2012. 
        Please visit http://mit.edu/knight-science for more details and application information. 
             http://mit.edu/knight-science      *      knight-info@mit.edu     *      617-452-3513

        OPEN CALL – EMPAC 2012 artist-in-residence proposals, first deadline Jan 17

        EMPAC, one of my favorite orgs in the Capital Region, has announced deadlines for their 2012 artist-in-residency programs. Includes residencies in Audio/Video production. First deadline is Jan 17.  Go for it! (And call me when you get here 🙂

        -mia

        ++++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        EMPAC 2012

        Open Call for Artist in Residence Proposals

        Since 2005, the Experimental Media and Performing Arts Center (EMPAC) has established a vibrant residency program that has hosted over 150 artists and their collaborators, spanning theater, dance, music, video, and installation. We are pleased to announce the new deadlines for 2012 artist-in-residence open call program on January 17, May 14, and September 17, and new application guidelines and application form.

        Laurie Anderson, Delusion Photo: Andrea Dudla

        Laurie Anderson, Delusion

        Early Morning Opera, ABACUS Photo: Kris Qua

        Early Morning Opera, ABACUS
        Photo: Kris Qua

        We encourage applications for a wide range of projects from a diversity of artists, composers, directors, choreographers, and performers from international artists of different cultural and geographical backgrounds.

        We are open to proposals for all phases of a project, from initial concept to full production.

        In addition to our ongoing residency open call, we also have additional special initiatives:

        Creative Research: Provides artists, writers, and theorists with the opportunity to conduct research over extended periods of time (minimum six weeks).

        Audio Production / Post-Production: For sound recording, development of multichannel sound works, documentation, mastering, mixing, film scoring, or any other task involving microphones, speakers, consoles and computers.

        Video Production / Post-Production: For multiple camera shoots, documentation of a performance, development of multichannel video projection, digital video post-production, or any project involving HD video cameras, computers, and projectors.

        ** Please note that residency proposals do not need to fall into one of these special initiatives.

        Our unique facilities offer four major venues including a concert hall, theater, and two black box studios, in addition to artist-in-residence studios, and a state of the art infrastructure.

        For more information including application guidelines, please visit http://empac.rpi.edu/.

        Box Office:
        518.276.3921

        Plan your visit! Get directions, maps, parking info, and a visitors guide.

        Mailing address:

        EMPAC

        Rensselaer Polytechnic Institute
        110 8th Street

        Troy, NY 12180

        Add us to your address book

        Copyright © 2012 EMPAC
        All rights reserved.

        EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

        Latino USA is hiring 1-2 producers/engineers

        Latino USA, a great show with a great team, is hiring 1-2 engineers/producers. It sounds like the details are still TBD which is the perfect time to get a foot in the door and show what you do best. Details below.

        Good luck!
        -mia

        ++++++++++++++++++

        Can you expertly mix a radio show on PT or something similar? Do you like deadline-driven news or long-format docs? Are you familiar with Latino issues? If you can say ‘yes!’ to one or all of these, Latino USA would like to talk to you. We’re in the process of looking for hard workers who can handle the pressure of meeting a weekly deadline and thrive on working in a casual-but-challenging environment.

        Latino USA is looking to fill 1 or 2 positions right now. Preferably, we’d love it if you already live in New York, but if you don’t, that’s OK, too. We can still talk about the possibilities. At this point, we’re determining whether these positions are FT or PT, but if either of the below descriptions interests you, then please get in touch with us and specify what you’re looking for.

        AUDIO ENGINEER:
        • Have expert knowledge and operational skills in digital audio production using in-house software-editing platforms. We use Pro Tools and Final Cut.
        • Must have extensive production skills with a demonstrated ability to record and mix sound content
        • Extensive knowledge of microphones, multi-track and broadcast consoles and audio storage media and archiving
        • Must understand equalizers, compressors, limiters, de-esser’s, AD/DA converters and mic pre-amps
        • Ability to troubleshoot and problem solve local and remote networks and modern personal computer hardware
        • Establish and monitor any equipment necessary for two-ways and in-house interviews including ISDN, T1/E1, IP Network
        • Collaborate closely with managing editor, show host and producers to accommodate a productive and creative broadcast environment
        • Creates, maintains and disseminates a variety of production and broadcast logs and reports that address technical issues, helps to solve those problems and works with team to constantly ensure we have the best sound quality for the show

        PRODUCER:
        • Work closely with managing editor and host
        • Develop sources in the field and maintains excellent working relationships
        • Identify and research stories, characters and background for stories
        • Develop creative and innovative editorial approach to stories
        • Conduct original reporting and interviews on-location, around the country and across the globe
        • Write scripts and promos for broadcast
        • Field produce the host and write interview questions along with other show segments
        • Help with editorial framing and planning of show based on world events, production calendar and upcoming events
        • Book, produce and edit host interviews
        • Create, produce and develop regular show segments
        • Must know how to edit audio, pull bites, and schedule studio time
        • Write introductions and prep stories for broadcast, internet and other platforms
        • Direct the show as needed, create rundowns, select music, coordinate fixes with engineer and help manage LUSA archives
        • Help maintain web page and assist with social media activities
        • Collect information from identified content sources for posting to the web
        • May be required to support host, including travel logistics, and direct work of interns
        • Familiar with studio and field recording, and gathering multi-media materials, including digital photography
        • Knowledge of Latino issues, both in the U.S. and abroad, and understanding of issues affecting communities of color

        WORK ENVIRONMENT:
        A casual environment that encourages collaboration, creativity and interaction.

        The Futuro Media Group highly values diversity in our workplace and will not discriminate against any employee or applicant for employment because of age, race, creed, color, national origin, ancestry, marital status, gender or sexual orientation.

        TO APPLY FOR THIS POSITION:
        Submit cover letter and résumé and writing & audio links to:
        trubio@futuromediagroup.org. Must include job title in the subject field or it could get lost. No phone calls, please. Thank you!

        Happy New Year to us – NPR announces 7.5% rate increase for 2012

        Thanks in part to the wonderful folks at AIR, NPR has increased their freelancer rates for the first time in ten years. Woot! New rates are posted here. Details below. What an awesome way to ring in 2012!

        -mia

        +++++++++++++++++++++

        Date: January 1, 2012

        From: Margaret Low Smith, Interim SVP of NPR News

        Dear Colleagues,

        Happy New Year! I’m delighted to give you some good news to start 2012. Effective immediately, NPR is instituting an increase of at least 7.5% in most fees paid to station-based and independent radio contributors. We’ve also simplified the existing compensation structure as you’ll see in the attached document. Rates for Digital and Multimedia work will not be affected by this increase since those rates were set more recently.

        We’ve heard a lot of feedback on this issue from our Member Station contributors and have had many conversations with Sue Schardt on behalf of the Association for Independents in Radio. NPR’s decision to increase rates, which comes at a time of tight budgets, is intended to reflect our commitment to the vital network of station-based and independent reporters whose contributions enhance our programming every day.

        With that same spirit, we’re developing a dedicated resource space on NPR.org. Freelancers will be able to find contacts, sample pitches, policies and guidelines all in one place. We hope this will provide clarity and transparency and ultimately make everyone’s life a whole lot easier. We’ll let you know when it’s ready for prime time.

        If you have any questions, please feel free to reach out to our bureau chiefs and editors. We hope you had a wonderful holiday and look forward to working with you in 2012.

        Best,
        Margaret

        NAM Launches 2012 Women Immigrants Fellowship, deadline Jan 23

        $2K fellowship (plus 2-day DC training) available for projects on women immigrants. Details below!
        -mia

        +++++++++++++++++++++++

        NAM Media advisory
         
        Call for Applications
         

        NAM Launches 2012 Women Immigrants Fellowship – Apply Now

        Dear Colleagues,

        Happy New Year! This week New America Media is launching its call for applications for its 2012 Immigration Fellowship, “Women on the Move,” a national fellowship program open to both ethnic media and mainstream media reporters, including bloggers and online journalists, to report on women immigrants.

        Women are now the majority of immigrants, and in many ways immigration can be seen as a feminist issue. With funding support from The Atlantic Philanthropies, New America Media is offering a fellowship program for journalists across the country to cover immigrant women’s issues and report on the intersection of immigration and gender.

        The fellowship includes a two-day training in Washington, D.C., on April 19-20, 2012; and the publication of an in-depth, substantive story (or series) focusing on the challenges and/or triumphs of immigrant women in the United States, before August 30, 2012.

        Fellows will receive a $2,000 stipend following publication of the story in their media outlet and on New America Media.

        For more information and to apply, go to: http://newamericamedia.org/2012-nam-women-immigrants-fellowship.php

        Applications are due on Monday, January 23, 2012 at 5:00 pm Pacific Time. All application forms must be sent to womenimmigrants@newamericamedia.org. Please direct any inquires to Project Co-Director Elena Shore eshore@newamericamedia.org or 415-503-4170 x112. Applications may also be faxed to 415-503-0970.

        We look forward to hearing from you!

        Saludos,

        Elena Shore and Irma Herrera
        Women Immigrants Project
        New America Media

        NAM Ethnic Media Directory | Advertise With Us | NAM Newsletters
        New America Media is a project of Pacific News Service.
        New America Media | 275 9th Street, San Francisco, CA 94103 | Tel. 415-503-4170
        Copyright © 2009 Pacific News Service. All Rights Reserved.
        www.newamericamedia.org

        To View the online version of this email click [here].

        Two FREE NYC events this week – citizen journalism + Afghanistan

        Two FREE events at Columbia j-school this week for you NYC folks. Details below.
        -mia

        ++++++++++++++++++

        WEDNESDAY, Jan 4, 4-5 pm in the Stabile Student Center… Columbia Journalism School, lobby floor, 116th St & Broadway

        Those of you who have attended Sree Sreenivasan's (@sree) classes have heard him say, "When the plane lands in the Hudson, it's too late to figure out Twitter." He uses that to mean the time to figure out new and emerging social media tools is when you don't need them, not when news breaks. Our next guest is someone who helped show many journalists the power of social media when, it turns out, a plane did land in the Hudson.

        Meet JANIS KRUMS (@jkrums), a non-journalist who created the most widely-seen tweet and photo of 2009. His January 15, 2009, tweet and photo read: "There's a plane in the Hudson. I'm on the ferry going to pick up the people. Crazy."

        He beat the world's biggest news organizations to a major story taking place in their own backyard and helped change the perception (in many people's minds) of the value of Twitter and similar services. He'll talk about what happened that day, how the media covered the story (and him) and his thoughts on how journalists can better use such services.

        Janis lives in Florida, but is speaking at the J-school for a second time; he was last here when he won the 2010 Shorty Award for Real-Time Photo of the Year. He joins us a week before the third anniversary of the crash.

        See the photo:
        http://twitpic.com/135xa

        See @Sree's article on lessons he learned from what @JKrums went through: http://bit.ly/dnakrums

        We will also be joined by folks from @Rawporter, a startup that helps connect citizen journalists with media orgs.

        See details and RSVP at http://bit.ly/cjkrums

        SAMPLE TWEET: TALK: @JKrums, "Miracle on the Hudson" photo-tweeter, speaks @ColumbiaJourn, Wed, 4-5p: http://j.mp/y6kJDl track via #cjkrums #cuj12

        o o o o o

        South Asian Journalists Association
        Columbia Journalism School
        CUNY Journalism School
        Women for Afghan Women
        Arab & Middle East Journalists Association
        are all coming together to present…

        FARIBA NAWA, distinguished Afghan-American journalist and author of the highly-acclaimed book, "Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan." The book is the first to offer a revealing look inside men's and women’s lives involved in Afghanistan’s drug trade. From the farmer to the smuggler and child bride, Nawa discovers the underworld of the multi-billion dollar narcotics industry while she revisits her own family’s deep roots to the land. (see blurb below from Khaled Hosseini, author of "The Kite Runner")

        Friday, Jan 6, 2012
        5-6:30 pm
        Columbia Journalism School
        Stabile Student Center, lobby floor one flight up from the lobby
        116th Street & Broadway (#1 subway to 116th St stop)

        No charge; RSVP: dos.events.rsvp@gmail.com
        or RSVP via Twitter: http://bit.ly/cujnawa

        Please join us if you can.

        FROM FARIBANAWA.COM: Fariba Nawa, an award-winning Afghan-American journalist, covers a range of issues and specializes in immigrant and Muslim communities in the United States and abroad. She is based in the San Francisco Bay Area but has traveled extensively to the Middle East and South Asia. She lived and reported from Afghanistan from 2002 to 2007, and witnessed the U.S.-led war against the Taliban and al Qaeda. She has also reported from Iraq, Pakistan, Iran, Egypt, and Germany. She has a master’s in Middle Eastern studies and journalism. Her work has appeared in the Sunday Times of London, Newsday, Mother Jones, The Village Voice, The Christian Science Monitor and numerous other publications. She also reports for radio, including National Public Radio (NPR) and is the author of the groundbreaking report, Afghanistan, Inc., and a contributing writer in the upcoming book Under the Drones: Modern Lives in the Afghanistan-Pakistan Borderlands, to be published in spring 2012 by Harvard University Press. Her essays have also been published in two other books, March to War and Women for Afghan Women. A frequent speaker on Middle East and South Asian issues, she has participated in talks at the World Affairs Council, major universities, and has been interviewed by prominent television and radio networks.

        Her own book Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan, a mix of memoir and reportage about the drug trade in Afghanistan, (HarperColllins, November 2011) is on sale at http://amzn.to/t4ym5x and other online stores.

        She is available for interviews and talks; please contact her publicist Heidi Metcalfe, heidi.metcalfe@harpercollins.com

        “An insightful and informative look at the global challenge of Afghan drug trade. Fariba Nawa weaves her personal story of reconnecting with her homeland after 9/11 with a very engaging narrative that chronicles Afghanistan’s dangerous descent into opium trafficking, its impact on the U.S. campaign, and most revealingly, how the drug trade has damaged the lives of ordinary Afghan people.” — Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns

          SAMPLE TWEET: Meet @FaribaNawa, Afghan-Am journo author of major book
          about Afghanistan, Fri 5pm @ColumbiaJourn: http://bit.ly/cujnawa
          #cjnawa #cuj12

        Call for Pitches – Deutsche Welle’s new WorldLink

        A new radio show on Germany's Deutsche Welle is looking for pitches. Details below.
        -mia

        ++++++++++++++++++

        World Link
        World Link is a weekly, one-hour magazine that looks at real-life stories behind the headlines. The show is broadcast on Deutsche Welle, Germany’s international broadcaster that produces television, radio and online content in 30 languages. It provides a European perspective to its global audience and promotes intercultural dialogue. Pieces normally profile someone with an interesting story to tell. Recent examples include a Rwandan genocide survivor now helping widows and orphans, a Virginia Tech shooting survivor campaigns for gun control or a Korean family separated for more than 50 years after the North-South divide. The pieces should include as much nat sound as possible and take a reportage style. The topic can be anything from social issues to environment to culture to technology to human rights. And the show is global in its outlook so we would welcome pitches from anywhere.
        segments: Magazine pieces, ca 5-8 mins.
        compensation: Pay is the usual DW rates (Euros 240 plus for 5 min radio, higher for longer stories, plus additional fee for online piece, pics or pic gallery)
        pitch: By email: rob.turner@dw-world.de or planning@dw-world.de
        contact: Rob Turner, Editor/Producer (rob.turner@dw-world.de)

        phone: ++49(0)228 429 4598
        fax: ++49(0)228 429 4583

        mailing address: Rob Turner, Deutsche Welle English Service, Kurt Schumacher Strasse 3, 53110 Bonn, Germany
        website: http://dw-world.de/worldlink

        Soup-to-Nuts audio production workshop Jan 21-22, Berkeley, CA

        Hi folks. The fabulous and talented Claire Schoen is offering her soup-to-nuts class again this January. If you want to learn the basics of radio documentary production and/or hone your production skills, you can't do much better than this workshop. Details below!

        -mia

        +++++++++++++++++++++++++

        Claire Schoen is offering "Soup-to-Nuts," her weekend class on documentary radio production again in the San Francisco Bay Area on

        January 21 & 22, 2012.


        This class is being offered now through Duke University's Center for Documentary Studies. However, it will be held in her studio here in Berkeley California.

        To sign up, please visit this Duke website:
        http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

        If you are interested in attending, please sign up asap, as the class sometimes fills quickly.

        If you'd like to learn more about Claire and her past work, please take a look around her website at:
        www.claireschoenmedia.com

        For questions, you can call Claire at: 510-540-5106

        ========================


        "From Soup to Nuts"

        A 2-day intensive on documentary radio production

        offered in the San Francisco Bay Area

        Logistics:

        This seminar will be held January 21 & 22, 2012.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $230.


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.


        Claire

        has taught documentary radio production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program and the Third Coast Festival Conference.

        To Register:

        http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

        doc iconStoN’s Flier 2012 Jan (CDS-Berk).doc

        Bay Area Video Coalition Preservation Internship

        One of my favorite Bay Area organizations is looking for an intern. No pay, but great experience and a foot in the door with a fine bunch of folks. Details below.

        -mia

        +++++++++++++++++++++


        Bay Area Video Coalition
        Preservation Internship

        Job Description

        Bay Area Video Coalition seeks an unpaid intern for our Preservation
        Department beginning February 2012. We are a leading vendor in the

        field of archival video and audio preservation, and wish to work with
        a library, archives, or film production / history student who aspires
        to learn about the field of preservation, archival audio and video

        formats, and the developing field of born-digital and tape-based
        moving image preservation.

        Skills acquired include: Archival care and handling of legacy video-
        and audiotapes, using a patch bay set-up for video and audio

        preservation and transfer, reading a waveform monitor, vector scope,
        audio meters, etc. to ensure accurate and authentic preservation,
        function and use of a time base corrector, and a variety of other

        skills related to tape duplication and preservation standards and
        protocol, including new advances in the field.

        Duties will include assisting shipping and receiving, labeling

        preserved tapes, hard disk drives, and digital files, light clerical,
        metadata and cataloging entry at clients’ request.

        Following training, additional duties may include tape and DVD

        duplication and quality control, archival videotape inspection and
        cleaning, blacking and coding tapes.

        Experience desired includes any video or audio production or
        post-production, an interest in preservation or archives, particularly

        video or audio preservation, library experience, education, or current
        training in audiovisual archives or museum studies.

        We require at least a three-month commitment, of 8-15 hours per week.

        School credit may be arranged.

        If interested, please send a resumé and cover letter to the BAVC
        Preservation Department, 2727 Mariposa Street, 2nd Floor, San
        Francisco, CA 94110, or by email to moriah@bavc.org, or any questions

        at415-558-2158.

        WGXC seeks Hudson Studio Manager, deadline Dec 23

        The Hudson Valley's WGXC community radio station is seeking a studio manager. The pay is woefully low, but the station is fantastic – filled with smart, dedicated, creative folks. Could be a good fit for the right person. Details below.

        -mia

        ++++++++++++++++++++++++

        WGXC 90.7-FM is hiring a full-time Hudson Studio Manager. Resumes accepted until December 23, 2011.

        Email not displaying correctly?
        View it in your browser.
         
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        Hudson Studio Manager
        WGXC 90.7-FM
        Term: Full-time, 1-year contract (with opportunity for long-term renewal)
        Salary: 1,650/monthly (19,800 annually) + benefits
        Website: http://www.wgxc.org

         

        WGXC 90.7-FM: Hands-on Radio is a creative community radio station serving Greene and Columbia counties in New York’s Hudson Valley. WGXC launched its FM signal February 2011, and transmits 3,300 watts to 78,000 potential listeners in the two counties, and southern Albany County. WGXC is a creative community media project, re-envisioning radio as an innovative platform for local participation with special exhibitions and events, media training for our community's youth and adults, a news blog, and a community calendar of events. WGXC operates out of studios in Hudson, Catskill, and Acra, and is a program of the nonprofit arts organization free103point9, whose mission is to define and cultivate Transmission Arts: creative and experimental use of airwaves.

         

        In addition to managing WGXC’s most active studio location, the Hudson Studio Manager is a leadership position that will play a major role in the day-to-day operations of the station-at-large. The Hudson Studio Manager works closely with a small passionate staff. The position will include the following responsibilities:

         

        Operations
        ·       Oversee the day-to-day operations at WGXC's Hudson Studio
        ·       Manage WGXC communication and contacts
        ·       Work with Council Coordinator to prepare council agendas
        ·       Manage FCC filings, compliance, and Public File
        ·       Manage WGXC reporting calendar, and budget working with staff to ensure compliance
        ·       Ensure station policies are followed; manage proposed revisions to the policy handbook
        ·       Coordinate weekly staff meeting
         
        Fundraising
        ·       Coordinate two annual pledge drives, with staff participation and support
        ·       Assist Executive Director with development work
        ·       Manage station memberships and merch sales
         
        Volunteers
        ·       Organize monthly volunteer meetings & orientations
        ·       Maintain current volunteer information
        ·       Connect volunteers with appropriate committees and events
        ·       Track required programmer volunteer hours
         
        Programming
        ·       Assist programmers who visit the Hudson studio and need support
        ·       Serve as emergency Day Contact on specified days
         
        Qualified candidates will have experience in community media. Training in radio, non-profit organizational management, strong writing skills, and enthusiasm for experimental media art is desirable. Candidates must be highly organized, energetic, passionate about community and creative radio, and able to work well with a diverse range of personalities and perspectives.

         

        Please submit a cover letter, resume, and references to info@wgxc.org.
        Please reference the position title in the subject line.
        Resumes will be accepted until December 23, 2011. 
        Only qualified candidates will be contacted. No calls please.
         

        free103point9, WGXC’s parent organization, is an equal-opportunity employer.

        www.wgxc.org •  info@wgxc.org518-697-7400

        Walk-in Visitors:  WGXC Hudson Studio
        704 Columbia St. 2nd Fl., Hudson NY 12534

        Mailing Address: 5662 Route 23, Acra, NY 12405

        WGXC is a program of free103point9.

        Email Marketing Powered by MailChimp

        Columbia j-school promotes new post-graduate program in science, health, and the environment

        The Columbia School of Journalism has a new post-graduate program in Health and Science Journalism among other specialties. Their Dean of Student Affairs is seeking talented and motivated potential students. LOTS of details below, or visit http://www.journalism.columbia.edu/maprogram. Deadline for the fall semester is Jan 15.

        -mia

        +++++++++++++++++++++++

        M.A. in Journalism and the Robert Wood Johnson Foundation Program in Health
        and Science Journalism

        OVERVIEW OF THE M.A. PROGRAM: The prestigious Master of Arts program,
        inaugurated in 2005, is for experienced journalists who wish to study a
        specific subject area, such as science, health and the environment; arts and
        culture; politics or business and economics. Unlike our Master of Science
        program, which focuses on teaching basic reporting, the M.A. is designed to
        equip experienced journalists with subject-area expertise so that they may
        cover complicated issues in a sophisticated, nuanced manner.

        For instance, students develop the knowledge that will allow them to situate
        news events in their larger context, to ask more informed questions, and to
        evaluate competing claims made by sources. The program imparts a deeper
        understanding of journalism and the forms it takes, and the focus is on
        content as much as on skills.

        The students do an intensive seminar in their major, along with advanced
        courses in other departments of Columbia University specializing in topics
        of their interest. They will also design and create a Master's Thesis over
        several months of study working closely with a faculty editor as well as
        outside experts. The end result will be an in-depth, compelling piece of
        long-form journalism (8,000-10,000 words for a print story, or the
        equivalent in another medium).

        THE SCIENCE, HEALTH & ENVIRONMENT MAJOR: the Robert Wood Johnson Foundation
        Program in Health and Science Journalism

        This program is an excellent opportunity for journalists from around the
        world interested in deepening their knowledge of health, science and
        environmental issues and improving their ability to tell stories about these
        critical topics.

        The Science seminar, taught by distinguished professors Marguerite Holloway
        and Jonathan Weiner, covers everything from quarks and black holes to the
        quirks of the human genome; from Galileo’s funding troubles to NASA’s
        travails. Whether students study the contemporary debate over global warming
        or evolution, the seminar starts back before the fever began. Students learn
        to see science in the widest perspective and to write about it with all the
        tools of narrative nonfiction. Most applicants are experienced journalists
        who have demonstrated the potential to become leading science writers. The
        field of science writing is changing explosively, and this course is
        designed to make our students the very fittest to survive in it, adapt to
        its transformations, and shape its future.

        Other courses will allow M.A. students to work closely with science, health
        and environment departments throughout Columbia University.

        The program is full-time, and runs from August through May. For more
        information, please visit our website
        http://www.journalism.columbia.edu/maprogram

        This particular program has more generous scholarship aid than most of our
        other programs.

        COMMENTS FROM PAST STUDENTS: "Prof. Holloway led us fearlessly &
        enthusiastically through everything from quantum mechanics to human
        migrations out of Africa." – Moises Velasquez, M.A. 2006

        "The M.A. program is not another rung on a ladder; it's a launching pad." –
        Haley Sweetland Edwards, M.A. 2009

        IDEAL APPLICANTS: We seek students who have excellent writing skills and are
        familiar with the fundamentals of reporting and journalistic ethics. In
        addition, we look for candidates who are curious about the world, eager to
        learn more about a particular subject area, determined and resourceful,
        motivated to dedicate their careers to journalism, and who exhibit
        leadership potential. Experience in science journalism is NOT essential.

        ADMISSIONS INFORMATION AND DEADLINES: The deadline for Fall 2012
        applications is January 15, 2011. http://www.journalism.columbia.edu/apply

        SCHOLARSHIP INFORMATION: The Graduate School of Journalism is proud to offer generous financial assistance to students who demonstrate excellent academic achievement, financial need and exceptional promise for leading careers in journalism. We work with each student to ease the cost of attendance through a combination of scholarships and need-based programs, including grants and Federal and private loans. For more information, please visit our website: www.journalism.columbia.edu/ scholarships

        CAREER SERVICES: Graduates of the M.A. program have been hired at news
        organizations including The New York Times, The Washington Post, The Wall
        Street Journal, Pro Publica, Reuters, The NewsHour, and CNN. They are also
        writing books, producing independent documentaries, and freelancing for a
        wide variety of magazines, newspapers, broadcast and online news
        organizations.

        Our career services staff – all former journalists with strong industry
        connections in print, broadcast and online media – work closely with
        students to help them pursue the most prestigious jobs in the U.S. and
        overseas. Students meet with a career services counselor for one-on-one
        consultations throughout the school year. For more information please visit
        the Career Services website: http://www.journalism.columbia.edu/careers

        PLEASE NOTE: The program runs full-time in the Fall and Spring semesters and
        you do NOT need the GRE to apply.

        For more information, to set up an informational interview, or to visit a
        class, please contact the Admissions Office:

        Columbia University Graduate School of Journalism
        2950 Broadway (@ 116th St)
        Room 203 (lobby)
        New York, NY 10027

        (212) 854-8608
        admissions@jrn.columbia.edu
        http://www.journalism.columbia.edu

        – – –

        Prof. Sree Sreenivasan | sree@sree.net | @sree
        Dean of Student Affairs, Columbia Graduate School of Journalism
        http://www.sree.net | http://www.journalism.columbia.edu
        TECH COLUMNS @DNAinfo: http://bit.ly/dnainfosree
        LINKEDIN: http://linkedin.com/in/sreenivasan
        GOOGLE+: http://bit.ly/sreeg
        FACEBOOK: http://facebook.com/sreetips
        TWITTER: @sree – http://twitter.com/sree (tweeting tech, media & more)

        Funding for women-led Journalism projects, deadline Jan 27

        Hey ladies. Money is available from the J-Lab for women-led journalistic projects. Details below.
        -mia

        ++++++++++++++++++++

        J-Lab: The Institute for Interactive Journalism and the McCormick Foundation are seeking to fund four women-led projects that will rock the world of journalism.
        We will fund U.S.-based individuals who have original ideas to create new Web sitesmobile news services or other entrepreneurial initiatives that offer interactive opportunities to engage, inspire and improve news and information in a geographic community or a community of interest.
        The McCormick New Media Women Entrepreneurs program will give $14,000 in funding to women who have the vision, skills and experience to launch a new venture. Awardees will receive an initial $12,000 in the first year. If they are able to raise $2,000 through their own efforts, they will receive an additional $2,000 for their projects in the second year. 
        This match is designed to encourage women to consider how their ventures can become sustainable. Matching dollars will be distributed after awardees submit documentation. This money can be used for training or technical support.
        Projects that are in early beta (launched since Jan. 27, 2011) may apply.
        There is a $25.00 fee to apply. 

        Eligibility:

        Funding is available for start-ups only.
        1. Projects must launch (at least a live beta) within 10 months.
        2. Projects must have a plan for continuing after initial funding has ended.
        3. Projects must have journalistic value.
        4. Projects may be independent or housed within traditional media.
        5. Personal blogs or one-time documentaries will not be funded.
        6. Awardees will receive funding through a subcontract if they are an individual or affiliated with a business; and through a grant if they are affiliated with a non-profit institution.
        7. Deadline: January 27, 2012

        Complete guidelines and criteria available here —

        “Reel Aging Real Change” Documentary Media Residency, deadline Jan 6

        Interesting opportunity from Working Films – films at any stage of production are welcome to apply. Deadline Jan 6. Details below and here: http://workingfilms.org/article.php?id=440

        -mia

        ++++++++++++

        Working Films, with support from the John D. and Catherine T. MacArthur Foundation, announces Reel Aging: Real Change, an initiative that will tie compelling documentary films and transmedia projects that explore aging to ongoing policy work and grassroots campaigns supporting older populations globally. This new initiative will bring together media makers and advocates of elder rights for a residency and collaborative campaign that will offer audiences a unique way to reflect on how the aging process affects multiple generations all at once, as we head towards a future we all face – growing older.

        We are seeking applications from media makers for participation in Reel Aging: Real Change. All nonfiction projects that explore the aging experience are eligible to apply, and applicants may be at any stage of production or distribution, from new and completed projects to works-in-progress.

        Reel Aging: Real Change will begin with a four-day residency for the accepted media makers held from March 23 – 26, 2012 near Washington, DC. On Tuesday, March 27, the media makers will present their projects to regional, national and global NGOs, funders, government agencies, activists, and policy makers – all leaders in the field of aging who have a track record of supporting elder rights, respect and health. The goal: to embed the film and media projects into on-the-ground efforts by the advocates in the room. Hosted in Washington, DC in collaboration with the Center for Social Media at American University, this day-long strategic convening will launch a collaborative campaign between the participating media makers and the NGOs and foundations.

        The central idea behind Reel Aging: Real Change is that organizers and advocates need numerous media tools to enliven their efforts for progressive change: poignant first-person feature-length narratives, concise shorts highlighting human struggles and triumphs, and "buzz" on multiple platforms – including social media networks. Authentic change and real transformation of the status quo requires many types of stories that can catalyze action by audiences, constituents and those entrusted with decision-making.

        Reel Aging will transform competition into collaboration between eight to ten teams of selected social issue documentary and media makers. At the residency they will sharpen their strategies for audience and community engagement and brainstorm about a collaborative campaign featuring the full group of participating projects. Participants will identify target audiences and develop tactics to reach them through non-traditional outreach and distribution, including interactive technologies and social media.

        On day five the residents will start to develop collaborative relationships with funders, government agencies, and advocacy organizations. Each project team will leave the retreat with a series of next-steps and commitments with the convened allies. Each organization and foundation will leave the convening with new films and media they can embed into their short and long-term strategies to support concrete change.

        After the residency, Working Films will aggregate and capture the collective energy of the participating media makers and the NGO’s to design an integrated, multi-tier campaign that will:  

        •    Strengthen the voice of older adults and more actively involve them in advocating on their own and others behalf,
        •    Extend and protect the rights of older adults to health and economic security through policy change, and

        •    Sustain the capacity of organizations focused on aging issues to respond to future challenges.

        Application Deadline:  January 6, 2012

        Transom Story Workshop spring session, application deadline Jan 2

        I heard phenomenal things about this radio training workshop offered by the folks at Transom in Woods Hole, MA. The deadline for their spring session is Jan 2. If you want to learn radio storytelling with the best of the best, check this out!

        -mia

        ++++++++++++++++++++++

        * NEW SHOW: Transom Story Workshop – Class of Fall 2011 *

        For seven weeks, students from all over the US (plus Canada and Australia) came to Woods Hole to immerse themselves in radio. They were led by Rob Rosenthal, with help from all of us at Transom, WCAI, and visiting friends–Ira Glass, John Barth, Kelly McEvers, and many others. They were beginners when they arrived, some with no experience at all, but they all left with completed radio pieces good enough for broadcast on our station and nationally.

        They lived and ate together. They worked on their stories until dawn. They actually looked different when they left, filled with new energy. They were a wonderful, coherent, lively group of people and we loved having them here on Cape Cod. Audiences are already benefitting from the stories they told. We hope you'll drop by Transom to read about their experiences, listen to some of their work, and ask them questions.

        http://transom.org/?p=21825

        And, by the way, the application deadline for the Spring Session (April-May 2012) is January 2nd.
        http://transom.org/?p=21642

        Drop over any time,

        Jay Allison
        Atlantic Public Media
        Woods Hole, Massachusetts
        www.transom.org

        ten fellowships and one job opportunity from the Metcalf Institute

        Two opportunities for journos from The Metcalf Institute. Details below!
        -mia

        +++++++++++++++++++++

        METCALF 14TH ANNUAL SCIENCE IMMERSION WORKSHOP FOR JOURNALISTS
        Metcalf will award ten fellowships to professional journalists from across
        the globe to attend the weeklong intensive program on impacts of global
        change in coastal ecosystems at the URI Graduate School of Oceanography.
        Fellows will learn about state-of-the-art research methods and topics in
        environmental science. Applications must be postmarked by February 13,
        2012. Details and the downloadable application form are available at
        www.metcalfinstitute.org.

        METCALF JOB OPENING
        Metcalf Institute is accepting applications for the part-time position of
        publicity coordinator. Details on candidate requirements and how to apply
        are available through the University of Rhode Island's Human Resources
        website at jobs.uri.edu. Search postings and view the posting for Marine
        Research Specialist at the Graduate School of Oceanography.

        27th Annual James Madison Freedom of Information Awards, Deadline Jan 6

        For Northern CA journos and community groups – award for advancement in freedom of info. Good luck!
        -mia

        ++++++++++++++++++++

          27th Annual James Madison Freedom of Information Awards

           
          The James Madison Freedom of Information Awards recognize Northern
          California organizations and individuals who have made significant
          contributions to advance freedom of information and/or expression in the
          spirit of James Madison, the creative force behind the First Amendment.
           
          The awards are presented annually by the Freedom of Information
          Committee of the Northern California Chapter of the Society of
          Professional Journalists. There is no fee for submitting an entry. An
          awards ceremony and dinner is planned in mid-March, during National
          Freedom of Information Week, near Madison's birthday.
           
          Eligible for nomination are Northern California journalists, citizens,
          media organizations, or community groups who, during 2011, have defended
          public access to meetings, public records, or court proceedings or
          otherwise promoted the public's right to know, publish and speak freely
          about issues of public concern.
           
          Award Categories (awards may not be given in every category):
          Professional Journalist, Nonprofit Organization, Source/Whistle Blower,
          Career Achievement, Citizen, Public Official, Educator, Cartoonist,
          Legal Counsel, Student Journalist, Electronic Access, News Media.
           
          * The Professional Journalist and Student Journalist awards recognize
          journalists who have been involved in fights for access to records,
          meetings or court proceedings, who have made exceptional use of public
          records in their reporting or who have promoted education on FOI issues
          through stories, editorials or other advocacy.
           
          * The Public Official award is given to a governmental official who has
          demonstrated extraordinary commitment to keeping public records or
          meetings public, or otherwise has taken exemplary leadership on FOI or
          First Amendment issues.
           
          * The Beverly Kees Educator Award recognizes extraordinary efforts by
          educators to cultivate a devotion to the values of freedom of information.
           
          The Norwin S. Yoffie Career Achievement Award is named in honor of a
          stalwart supporter of the chapter's Freedom of Information Committee,
          who died in November 2000 after many years of distinguished service to
          SPJ and the cause of freedom of information.
           
          Click here to submit a nomination online.
          <https://spreadsheets.google.com/viewform?formkey=dGZva3dwUUVQNTVZVHdlN3hySlc2WGc6MA>
           
          Questions: Please contact Geoff King or Rebecca Bowe at
          spjnorcalfoi@gmail.com <mailto:spjnorcalfoi@gmail.com>.
          Please include "James Madison Awards Question" in the subject line.

        NYS Technical Assistance Funding – Deadline Jan 1 + Cage Open Call – Deadline Mar 1

        For New York State arts and media folks: one grant and one call for submissions from free103point9. Deadlines Jan 1 and March 1. Details below.

        -mia

        ++++++++++++++++++++++++

        BOOK CELEBRATION AT ISSUE PROJECT ROOM IN BROOKLYN &

        FUNDS FOR NEW YORK STATE MEDIA ARTISTS & ORGANIZATIONS

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        free103point9: Transmission Arts Archive + WGXC 90.7-FM
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        Technical Assistance Applications due January 1.

        Cage Centennial Open Call Proposals due March 1.

        As 2011 draws to a close, free103point9 is gearing up for an exciting year ahead. 2012 will mark free103point9's 15th Anniversary. Stay tuned for the launch of the newly designed and expanded  Transmission Arts Archive, exciting updates about the opening of the Wave Farm Study Center, and new guidelines for the AIRtime Visiting Artist program.

        In these final weeks of this calendar year, we hope that New York State Media Arts Organizations will pursue support from the Media Arts Technical Assistance Fund, and that Transmission Artists from around the globe will submit proposals for our John Cage Centennial project, presented in collaboration with the John Cage Trust.

        TECHNICAL ASSISTANCE FOR ORGANIZATIONS

        Next Deadlines: January 1, 2012; April 1, 2012

        The Media Arts Technical Assistance Fund is designed to strengthen media arts organizations in all regions of New York State by providing funds with which media arts organizations can hire outside consultants to address capacity and technology needs in three specific areas:

        • Organizational Development
        • Professional Development
        • Conferences and Convening

        NEW for 2012 and 2013!

        The Fund’s current funding priorities include:

        • Projects that deepen and expand organizational online public presence and capacities.
        • New approaches to organizational management, through strategic utilization of web-based tools and platforms.

        The Media Arts Technical Assistance Fund is a regrant program of the New York State Council on the Arts, Electronic Media and Film, adminstered by free103point9. The maximum grant award is $4,000.

        Guidelines, Deadlines, and Application Instructions: www.free103point9.org


        NYSCA logo

        The New York State Council on the Arts (NYSCA) is dedicated to preserving and expanding the rich and diverse cultural resources that are and will become the heritage of New York's citizens. NYSCA's Electronic Media and Film funding is dedicated to furthering artistic growth and public engagement in old and new technology. NYSCA has a long-standing commitment to creative exploration and exhibition in all aspects of the media arts – including a variety of activities that enable diverse constituents in the development, exhibition and appreciation of film, electronic media and sound as an art form.

        The Media Arts Technical Assistance Fund was previously administered by Experimental Television Center (Owego, NY), who ended their granting programs this past July 2011. Two other previous ETC programs, Presentation Funds and Finishing Funds, will now be managed by The ARTS Council of the Southern Finger Lakes.

        Transmission Arts Book Cover
        free103point9 and the John Cage Trust are pleased to announce:

        120 Hours for John Cage

        An open call for works celebrating Cage's radio compositions.

        In conjunction with a staggering array of events celebrating the John Cage Centennial in 2012, we are pleased to announce an open call for proposals around Cage's compositions with, for, and about radio. Selected proposals will be broadcast on free103point9's FM radio station (WGXC 90.7-FM in upstate New York) and streamed online thoughout a month-long program September 2012.

        Submissions are due on March 1, 2012, and may be made in three categories:

        • recordings of a specific Cage radio composition (old or new)
        • live performance of a specific Cage radio composition (presented remotely or on-site)
        • works in homage (original projects inspired by Cage's radio work.)

        Click here for more info …

        Pictured above: John Cage, San Francisco, 1969. Photo: James Klosty.

         

        This email should be received by individuals who have expressed interest in free103point9 programs including: the Transmission Art Archive; WGXC 90.7-FM, creative and community radio in Greene and Columbia Counties; and the Distribution Regrant for New York State media artists.

        Our mailing address is:

        free103point9

        5662 Route 23

        Acra, NY 12405

        Add us to your address book

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        LA based freelancer needed for a half day this weekend

        Short gig for LA-based audio producer, this weekend. Details and contact info below.
        -mia

        +++++++++++++++++

        We're looking for someone to attend a conference for 2-4 hours in Los Angeles this Friday or Saturday. The pay is $250.00 and you'll get into the conference for free. It's health conference organized by Vision y Compromiso, an organization that trains Promotoras throughout California — really interesting work. Here's the website — http://www.visionycompromiso.org/. You may need google to translate the site.

        It's being held at the LA Marriott Hotel & Convention Center at 5855 West Century Boulevard.


        It'd be terrific if you speak Spanish too, but it's not necessary.

        If you're interested, please contact me and I'll give more details.

        Cheers!
        Tena
        NPR's Latino USA
        Managing Editor/Senior Producer
        trubio@futuromediagroup.org

        get your film funded in 2012 – Announcing Documentary Journalism Fund

        Oh happy day! Info on a new fund to support documentary filmmakers below. Yay!
        -mia

         

        The Bertha BRITDOC Documentary Journalism Fund – for filmmakers from around the world working at the intersection of film and investigative journalism. For films that break the important stories of our time, exposing injustice, bringing attention to unreported issues and cameras into regions previously unseen. £250,000 a year for 3 years is available to filmmakers as a mixture of grants and investments. Soniya Kirpalani's We The People, about a miscarriage of justice against migrant workers in Dubai, is announced as the first production grant. Jess Search said, "This fund is urgently needed. Documentary is becoming an increasingly important medium for breaking stories which require long term investigation and the commitment to gather evidence and amplify voices. 'We The People' is just such a film and we are proud to be supporting it."

        for more info

        The new Bertha BRITDOC Fund for Journalism is an international film fund dedicated to supporting long form feature documentaries of a journalistic nature.

        We are looking for films that break the important stories of our time, expose injustice, bring attention to unreported issues and cameras into regions previously unseen.

        This new fund recognises such films are often delicate and protracted, making them difficult to fund. With a mission to enable in-depth analysis of issues through long-form investigative filmmaking, we are particularly looking to work with filmmakers with a journalistic background or those who are collaborating with journalists.

        It is key that the journalistic intent is embedded within the film itself rather than the film simply being about a journalist or journalistic institution.


        Elements we can support:

        • In-depth research & development
        • Production funding for longitudinal investigations
        • Editorial support for long-form documentary structure
        • Hostile Environment Training
        • Emergency transportation
        • Legal Advice during production and post production
        • Legal advice for complex E&O policies

        pdf iconBertha BRITDOC pressrelease FINAL.pdf

        Media Justice/Criminal Justice Mix & Mingle, NYC, 11/29, 6pm

        For you NYC folks – looks like an interesting event.
        -mia

        +++++++++++++++++++++++

        MEDIA JUSTICE/CRIMINAL JUSTICE MIX & MINGLE

        Where: Colors, 417 Lafayette Street New York, NY 10003

        When: Tuesday, November 29, 2011 at 6-9PM

        A networking event for criminal justice and media justice activists.

        Appetizers provided.  Please forward to folks who you think would be interested in the mix & mingle.

        Sponsored by: Thousand Kites, Center for Media Justice, and Prison Legal News

        grants available from the New Media Women Entrepreneurs initiative, deadline Jan 27

        Great opportunity for innovative women in journalism from j-lab. Details below.
        -mia

        +++++++++++++++++++++++++

        http://www.newmediawomen.org/site/new_funding_for_women_media_entrepreneurs/

        New Funding for Women Media Entrepreneurs

        For release:            Contact: Jan Schaffer
        Nov. 15, 2011         202-885-8100

        Washington, D.C. – J-Lab: The Institute for Interactive Journalism at American University has been awarded $250,000 from the McCormick Foundation to fund eight innovative women-led news startups over the next two years.

        Under the grant, eight winners (four in 2012 and four in 2013) will each be given an initial $12,000 to launch their ideas. The winners will receive an additional $2,000 in the second year if they match it with $2,000 from other sources.

        The deadline for 2012 proposals is Jan. 27. See the proposal guidelines and apply here: http://www.newmediawomen.org/site/proposal_guidelines/

        The McCormick New Media Women Entrepreneurs initiative is part of a unique effort to address issues of opportunity and innovation, recruitment and retention for women in journalism.  To date, 14 projects have been funded since the program started in 2008. See them at www.newmediawomen.org.

        Next year’s awardees will be the first group required to raise a small match. The change is designed to encourage women entrepreneurs to reach out for advertising, donations, sponsorships, events and other revenue streams that can help make their ventures sustainable, said Jan Schaffer, executive director of J-Lab, which administers the project. The matching dollars will be awarded as soon as winners document the match.

        “Sustainability is the lifeblood of innovation,” said Clark Bell, McCormick's Journalism Program Director. “We look forward to seeing more of our women media entrepreneurs survive and thrive.”

        NMWE grant funding is available for news websites, mobile news services, apps or other ideas that offer interactive opportunities to provide news and information locally, nationally or among a community of interest. These can be solo ideas or team projects spearheaded by women. Early beta versions of projects are eligible to apply.

        The application fee is $25. Awardees will also be required to blog at least once a month for the newmediawomen.org website. Under the grant, women media entrepreneurs will showcase their work at a daylong summit.

        The McCormick New Media Women Entrepreneurs initiative is a project of J-Lab, a center of American University’s School of Communication. J-Lab is a journalism catalyst that funds new approaches to journalism, rewards innovations, researches what works and shares practical insights with news creators and news gatherers.

        The Robert R. McCormick Foundation is committed to fostering communities of educated, informed and engaged citizens. Through philanthropic programs, Cantigny Park and museums, the Foundation helps develop citizen leaders and works to make life better in our communities. The Foundation was established as a charitable trust in 1955, upon the death of Colonel Robert R. McCormick, the longtime editor and publisher of the Chicago Tribune. The Robert R. McCormick Foundation is one of the nation's largest foundations, with more than $1 billion in assets. For more information, please visit www.McCormickFoundation.org.

        Dart Center for Journalism and Trauma FREE workshop – covering youth violence, Philly 12/9-10

        Columbia's Dart Center for Journalism and Trauma is hosting a FREE workshop on youth violence, Dec 9-10 in Philadelphia. Deadline to register is Nov 23. Details here and below.

        -mia

        +++++++++++++++++++

        On behalf of the Dart Center for Journalism and Trauma and the Columbia Graduate School of Journalism, I invite you to participate in a special workshop on covering youth violence, being held on December 9 & 10 in Philadelphia.

        Even as crime rates hit record lows in cities across the country, gun homicides, gang violence and dating abuse among young people remain stunningly high. Last year, there were more than 4,000 violent incidents in Philadelphia's schools, the majority of them involving students not yet in high school.

        Youth violence represents a serious public health problem for all communities. It challenges health professionals and educators, law enforcement and courts, community organizations and government agencies.  It also challenges news professionals, whether health and education reporters, cops and court reporters, feature writers, investigative reporters or journalists covering schools, families and neighborhoods. To help journalists and news organizations in the greater Philadelphia area strengthen their coverage of this crucial public health issue, the Dart Center for Journalism and Trauma based at the Columbia University Graduate School of Journalism is presenting a two-day workshop: “Getting it Right: Reporting on Youth Violence.”

        The workshop, supported with funding from the Thomas Scattergood Behavioral Health Foundation and additional support from the Stoneleigh Foundation, will take place at WHYY in Philadelphia. It will feature a range of local and national mental health and policy experts, award-winning journalists and violence prevention advocates. It will include background briefings as well as specialized reporting skills training to enhance journalists’ capacity to report on youth violence knowledgeably, ethically and effectively.

        The workshop is open to working reporters, editors, photographers, producers or bloggers for print, broadcast or online media based in Philadelphia and the surrounding areas. Staff, contract and freelance journalists are eligible.

        The registration deadline is November 23, 2011 at 5 p.m. EST. More information can be found at bit.ly/dartcenteryouthviolence


        I hope you’ll register for this FREE workshop. I also hope you will pass along this invitation to colleagues.


        Best,

        Bruce Shapiro



        Bruce Shapiro
        Executive Director
        Dart Center for Journalism & Trauma
        Columbia University Graduate School of Journalism

        work: 212.854.8056

        cell: 203.843.4390

        Fellowship in Immigration Coverage in 2012, application deadline Jan 17

        The Institute for Justice and Journalism is seeking applicants for their Immigration Reporting Program happening in April 2010. Deadline is January 17. Details below!
        -mia

        ++++++++++++++++++++

         http://www.justnews.org/page.asp?EntryID=413

         Apply for IJJ's 2012 Immigration Reporting Program

         Fellowship Application Deadline: January 17

        IJJ is accepting applications for its 2012 professional fellowship program, which will examine the contentious immigration issues playing out across the country on local, state and federal levels and their role in the 2012 election campaign.

         

        Twelve Fellows will be selected to participate in the professional development program, which will help reporters cover legal, political and demographic developments involving immigration.

         

        The program will provide journalists with facts, figures and perspectives to move beyond the typical campaign rhetoric on immigration. It also will examine the anticipated electoral impact of immigrants who have become newly eligible to vote.

         

        The program, “Immigration in the Heartland: the 2012 Elections and Beyond,” will take place April 20-25 at the University of Oklahoma’s Gaylord College of Journalism and Mass Communication and its Institute for Research and Training, which are partnering with IJJ in this program.

         

        The Ethics and Excellence in Journalism Foundation is the program’s funder.

         

        The deadline for receipt of applications is Jan. 17.

         

        Click here for program details and application form. 

                                     Questions may be directed to ijj@justnews.org

         PLEASE SEND NAME AND EMAIL OF POTENTIAL APPLICANTS

        TO ijj@justnews.org AND WE WILL FOLLOW UP.

         

        Visit our website: www.justnews.org

                  See previous Immigration in Heartland projects:http://immigrationintheheartland.wordpress.com/


        KQED Panel Discussion for Filmmakers & Independent Producers

        Hey folks. KQED in San Francisco is hosting event for indie filmmakers Nov 29, 6-8pm. These panelists are the folks who give money to make indie films – don't miss it!
        -mia

        ++++++++++++++++++++++++++

        Having trouble viewing this email? Click here

        KQED – Panel Discussion for
         Independent Filmmakers

        Where:

        KQED
        2601 Mariposa Street
        San Francisco, CA 94110

        Driving Directions

        When:
        Tuesday November 29, 2011 from 6:00 PM to 8:00 PM PST
        Add to my calendar
         

        Learn more about the resources available to independent filmmakers with a panel discussion at KQED. Representatives from several organizations around the Bay Area will give an overview of their services and answer your questions. We will also be discussing the specifics of the call for entries for the eighth season of Truly CA.

         

        Join us at KQED on Tuesday November 29th at 6PM

        2601 Mariposa Street

        San Francisco, CA 94930

         

        Panelists:

        Lisa Landi, KQED;

        John Lightfoot, California Council for the Humanities;

        Michele Turnure-Salleo, San Francisco Film Society;

        Tere Romo, San Francisco Foundation;

        Erica Deiparine-Sugars, ITVS 

         

        with Sue Ellen McCann, KQED

         

        Seats are limited

         

        By-the-way…the deadline to submit your feature-length documentary to Truly CA

        is Monday, January 9, 2012 at 5pm, this is not a postmark deadline!

         

         

        Register Now!
        I can't make it
        Questions?              Tina Salter
        KQED
        KQED | 2601 Mariposa Street | San Francisco | CA | 94110

        Latino USA is looking for stories for new series

        Latino USA wants your pitches. This is a great program – details and contact info below.
        -mia

        ++++++++++++++++++++

        Latino USA is looking for stories from across the U.S. that will share and celebrate people’s connections to nature, specifically stories involving communities of color.

        This past summer, LUSA launched a new sound-rich environmental series called RadioNature. The goal of the series is to uncover and tell stories about diverse communities interacting with nature and celebrating the outdoors.

        We’re looking for sound-rich story driven pieces or first person environmental diaries or audio postcards. The segments will run throughout the year, so we're looking for stories that span the seasons.

        FYI — We’re not looking for pure environmental justice stories, but if EJ themes occur naturally in your story, we’re all for it.

        So, if you have a story you want to tell and you think it fits into our RadioNature series, then please send an email to pitches@futuromediagroup.org.

        We’re looking to assign right away. If you send a pitch, please be as detailed as you can.

        Saludos,
        Tena

        Tena Rubio
        Latino USA
        Managing Editor/Senior Producer

        SOTRU radio show Call for Interns

        Hey folks. NPR's State of the Re:Union is looking for interns to begin in late November – about 10 hours/week, work from anywhere. Great for students or anyone who wants to get a foot in the door with a unique, creative show. Details below, and spread the word!

        Best,
        Mia

        ++++++++++++++++++++

        http://stateofthereunion.com/about-2/internships

        Please pass this along to educators, students, colleagues, etc. Thank you!

        State of the Re:Union (SOTRU) is a dynamic NPR show that combines hour-long radio episodes with short videos, photography, music and blog posts to reach audiences online and over the airwaves. For each episode, SOTRU travels to a different American city or town to tell stories about what makes community there. Our mission is to bring American life into focus, examining the things that divide us as well as the ties that bind us together. We currently air on more than 200 stations across the U.S.

        SOTRU currently has several openings for interns for our next production season, November 20 – April 15. Duties include transcribing interviews, story research, pre-interviewing, and multimedia production. Interns are invited to listen in on editorial calls with our host, editor and radio producers as we shape each episode, story by story.

        To be considered for this internship, you should have a strong creative background, solid writing skills and be able to take direction. Self-starters who value attention to detail have particularly enjoyed interning with us. Audio and video editing skills are very welcome. Our staff works remotely, and you can too; people anywhere in the U.S. can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy

        weeks.

        You can read more and listen to the show right on our website, www.stateofthereunion.com. If interested, please submit a cover letter and resume to:

        internships(at)stateofthereunion(dot)com

        Thanks for reading and spread the word!

        Fellowship on covering immigration and 2012 elections, deadline Jan 17

        Hey folks. The Institute for Justice and Journalism is offering 12 fellowships related to immigration and the 2012 elections. Details below, deadline Jan 17.
        -mia

        +++++++++++++++++++++

        http://justnews.org/page.asp?EntryID=413

        Apply for IJJ's 2012 Immigration Reporting Program
        Fellowship Application Deadline: January 17

        IJJ is accepting applications for its 2012 professional fellowship
        program, which will examine the contentious immigration issues playing
        out across the country on local, state and federal levels and their
        role in the 2012 election campaign.

        Twelve Fellows will be selected to
        participate in the professional development program, which will help
        reporters cover legal, political and demographic developments
        involving immigration. The program will provide journalists with
        facts, figures and perspectives to move beyond the typical campaign
        rhetoric on immigration. It also will examine the anticipated
        electoral impact of immigrants who have become newly eligible to vote.

        The program, “Immigration in the Heartland: the 2012 Elections and
        Beyond,” will take place April 20-25 at the University of Oklahoma’s
        Gaylord College of Journalism and Mass Communication and its Institute
        for Research and Training, which are partnering with IJJ in this
        program.

        The Ethics and Excellence in Journalism Foundation is the
        program’s funder. The deadline for receipt of applications is Jan. 17.

        Click here for program details and application form.
        Questions may be directed to ijj@justnews.org

        PLEASE SEND NAME AND EMAIL OF POTENTIAL APPLICANTS
        TO ijj.justnews.org AND WE WILL FOLLOW UP.

        Visit our website: www.justnews.org
        See previous Immigration in Heartland projects:
        http://immigrationintheheartland.wordpress.com/

        TAL Special Theme List

        Apparently there is no end to the awesomeness of TAL. See below for their latest call for stories.
        -mia

        +++++++++++++++++++

        Hello THIS AMERICAN LIFE friends and contributors,

        We'll be sending out a traditional Theme List with radio themes-in-progress in the next few weeks but in the meantime, we've got a really exciting new project we're working on and we're coming to you to see if you might have pitches, suggestions or ideas for us.

        It's actually a non-radio project. THE NEW YORK TIMES MAGAZINE has invited us to guest edit their end-of-the-year obituaries issue, called "The Lives They Lived." The issue has varied a lot over the years but generally has featured small to medium-sized profiles of 20-25 notable people who have died in the past year. For this year's issue (people who died in 2011), we're hoping to change the format and concept a bit. Instead of longer profiles, we're hoping to feature just one story — one anecdote or one day or one moment — for each person's life. We also would like to broaden the scope of the people featured. We'll have fewer notable people and more everyday people. In other words, lots of people who wouldn't normally get an obit in THE NEW YORK TIMES. We're looking for people who haven't gotten a lot of press attention but have extraordinary stories nonetheless.

        So this is where we're coming to you. We're looking for stories, anecdotes, suggestions about people who have died this year that are particularly personal, emotional, unbelievable, extraordinary. These stories can be told by friends or relatives, business associates or casual acquaintances. They can even be told by the deceased people themselves, if archival tape, interviews or memoirs exist. They don't have to be long or epic – the story isn’t supposed to tell their whole life – but it’d be great if they're emotional or surprising and evocative of the featured person in some way.

        In particular, we'd love stories or suggestions about soldiers who have passed away, firefighters or police officers. Beloved teachers and the big turning points in their lives, or just one amazing teachable moment they nailed. Politicians? Town eccentrics? Someone who died who lived a great love story. A child who died. Also, anyone who left a particularly charming or extensive or simply mindblowing instructions for their memorial service. A funeral "rider" type of thing.

        Last, if you’ve read or heard a story about a person who died this year that seemed particularly interesting or fascinating, infuriating or heart-warming, a story that stayed with you but it didn’t get national press attention, could you let us know? Sending a link is fine or even just a vague description and geography.

        We're radio people so we've obviously got quite a learning curve when it comes to editing this issue but we're really excited to get started. We're being told that we're already behind schedule (!) so we'd need your pitches and suggestions as soon as possible. We're hoping to have our final list by December 1st.

        You can send emails to me and I will write you back within two or three days.

        Thank you so much for all of your help. We really appreciate it.

        Best,
        Julie Snyder
        julie@thislife.org

        Julie Snyder
        Senior Producer
        This American Life
        153 W. 27th Street, #1104
        New York, NY 10001
        (212) 624-5012

        KDMC’s New Digital Storytelling Workshop

        Hey folks. KDMC is offering up a new workshop this winter – looks like a great one! I attended one of their trainings a few years ago and am happy to answer any questions.
        Best,
        Mia

        ++++++++++++++++++++++++++

        We've got an exciting new workshop that merges the best of our Multimedia Storytelling Workshop and our Web 2.0 Tools for Journalists training. The Digital Storytelling Workshop is packed with sessions on the latest skills needed to create content suited to every platform and channel.

        Knight Digital Media Center Digital Storytelling Workshops 

        December 11-16, 2011 & January 8-13, 2012

        The Digital Storytelling Workshop offers intensive training that covers all aspects of multimedia news production from basic storyboarding to hands-on instruction with hardware and software for production of multimedia stories. Fellows will work on structured training assignments to learn skills for multi-element stories and then apply new skills to a story for his or her publication. 


        Training includes:

        • Video and audio recording and editing in Final Cut X

        • Photojournalism basics including use of Photoshop

        • Voice coaching for narration or stand-ups and reporter debriefs

        • HTML basics

        • Creating interactive charts, graphs and maps to visualize data

        • Mobile reporting for breaking news

        • Social media and community engagement


        Mobile session will use smart phones (Android or Apple) but phones will not be provided. Please bring yours to the workshop.


        WHO SHOULD APPLY: Professional print, TV/radio broadcast and web journalists who want to develop multimedia skills to support their publication’s web publishing effort.


        December 11-16, 2011 Digital Storytelling workshop applications must be received by November 7, 2011 at 11:59 p.m. PST.

        January 8-13, 2012 Digital Storytelling workshop applications must be received by November 28, 2011 at 11:59 p.m PST.


        Both workshops will be held at the UC Berkeley Graduate School of Journalism 


        COST: The fellowship covers all lodging, meals, and instruction costs. Cost of travel to the workshop must be paid by the applicant’s news organization.


        Answers to the most commonly asked questions about the workshop and the application process can be found on our FAQ page http://multimedia.journalism.berkeley.edu/training/faq. If your question is not addressed on that page, contact Lanita Pace-Hinton, director of the Knight Digital Media Center at UC Berkeley. She can be reached at pacel@berkeley.edu or (510) 643-7429.

         

        *Organizational investment commitment required as a part of application

        Who are Public Media’s 30 under 30? Nomination deadline MONDAY 10/31

        Know any under-30 superstars in public media? Help get them some attention. Details below.
        -mia

        +++++++++++++++++++++

        Each year, Edison Research puts out a call for the 30 people under 30 in all of broadcasting making a real difference in the industry now, and likely will shine even brighter in the future.

        Who should public media nominate?  Lets put some good names forward by Monday.

        Two Contests from Narrative Magazine, deadlines Oct 29 and Nov 30

        See the latest storytelling contests from Narrative. At least one is open to multimedia. CASH prizes! Details below.
        -mia

        ++++++++++++++++++++++++

        CALLING ON YOUNG WRITERS, artists, photographers, performers, and filmmakers, between eighteen and thirty: TELL US A STORY. We’re interested in narrative in the many forms it takes, including fiction, nonfiction, graphic stories, and audio/video works.

      • $1,500 First Prize
      • $750 Second Prize
      • $300 Third Prize
      • Ten finalists receive $100 each.
      • Contest Deadline: October 29. See the Contest Guidelines.

        All entries will be considered for publication. All are eligible for the $5,000 Narrative Prize for 2012 and for acceptance as a Story of the Week.

        Read the winners of last year’s contest, including Kevin A. González’s wonderful First Place story, “Cerromar.”


        With more than 120,000 readers and a host of excellent authors, including well-established and new and emerging ones, Narrative is a great place to publish your work.

        Prior winners and finalists in Narrative contests have gone on to win other contests and to be published in prize collections, including the Pushcart Prize, Best New Stories from the South, an Atlantic prize, and others. View some recent awards won by our writers.

        Contest Deadline: November 30.

        All entries will be considered for publication.

      • $3,250 First Prize
      • $1,500 Second Prize
      • $750 Third Prize
      • Ten finalists receive $100 each.
      • See the Contest Guidelines.

        Read works by previous winners here.

      • PLEASE SHARE THIS NOTICE WITH ANYONE WHO MIGHT BE INTERESTED.

      • 2012 Jack Straw Artist Residencies, application deadline 10/31

        Pass this along to your colleagues in the Pacific Northwest. Thx!
        -mia

        ++++++++++++++++++++++++

        Applications for 2012 Jack Straw Artist Residencies available now!

        THE JACK STRAW ARTIST RESIDENCY PROGRAMS offer established and emerging artists in diverse disciplines an opportunity to explore the creative use of sound in a professional atmosphere through residencies in our recording studios and participation in our various presentation programs. Artists may apply to only one program per year.

        Deadline:
        Monday, October 31, 2011 Applications must be postmarked or delivered by 5:00 pm on the due date.

        Applications and more information online at: www.jackstraw.org/programs/asp/2012/2012_apps.shtml

        FAQs online at:
        www.jackstraw.org/programs/asp/2012/2012_Programs_FAQs.shtml

        WRITERS PROGRAM –
        http://www.jackstraw.org/programs/asp/2012/WP2012_application.shtml

        Twelve writers working in all forms and styles are selected by an invited curator. Participants create new work during the residency to be presented through live readings, recorded interviews, a published anthology, and via podcasts on our web site. Participants also receive professional training in voice and microphone technique, performance and delivery, and studio interviews.

        ARTIST SUPPORT PROGRAM
        http://www.jackstraw.org/programs/asp/2012/ASP2012_application.shtml
        Up to eight artists/teams are awarded 20 hours of recording and production time with an engineer at Jack Straw Productions; an additional 10-12 artists/teams receive matching awards. The Artist Support Program is open to artists of all disciplines whose project proposals include sound as a major component. Such projects might include recording a music CD, producing radio programs, oral histories, audio literature, sound for a gallery installation or public art project, film, performance, digital media work, etc. Completed projects are publicly presented at a Meet the Artist Night, Artist Showcase, or Composer Spotlight event, and via our Artist of the Week podcast series.

        NEW MEDIA GALLERY PROGRAM
        http://www.jackstraw.org/programs/asp/2012/Gallery2012_application.shtml
        The Jack Straw New Media Gallery is a unique venue in Seattle where artists from various disciplines .can present works in which sound is an integral or exclusive element. This program enables artists to experiment with audio and to develop new skills and ideas in a supportive setting. Up to three artists/teams are selected to receive 20 hours in our studios with an engineer to realize the sound component of their project, and to exhibit their completed project in our gallery. Gallery exhibitions include an opening reception, artist talk/workshop, podcasts/interviews, and other events.

        About Jack Straw Productions
        Jack Straw Productions is a non-profit multidisciplinary arts organization dedicated to the creation, production and presentation of all forms of audio art. Jack Straw Productions' history began in 1962, when a group of artists, educators, and journalists formed the Jack Straw Foundation, which founded KRAB-FM, one of the first community radio stations in the United States. Jack Straw continues to assist artists, educational institutions, and community organizations that are interested in working creatively with sound through our audio production services and recording studios, artist residency programs, educational programs, and community partnerships. Jack Straw Productions has been open to the public in Seattle's University District since 1989.

        Acknowledgements
        Jack Straw Productions thanks The Paul G. Allen Family Foundation, Seattle Office of Arts & Cultural Affairs, 4Culture King County Lodging Tax Fund, Washington State Arts Commission, National Endowment for the Arts, PONCHO, ArtsFund, and individual contributors for their support of the Jack Straw Artist Programs.

        Jack Straw Productions
        4261 Roosevelt Way NE
        Seattle, WA 98105
        www.jackstraw.org
        (206) 634-0919

        full time podcast producer gig at Marketplace, Los Angeles

        A rare post for a full-time gig, but Marketplace is a great show so I had to share. Job is in Los Angeles, pretty good pay.
        -mia

        ++++++++++++++++++++++++

        Marketplace is looking for a podcast producer. Yeah, Marketplace produces programs on business and economics, and yeah, it’s public radio. But it’s no snooze. Marketplace is one of the most creative, fast-moving outfits in radio, with a cumulative audience of nine million people across the US. We have a portfolio of six programs, four of which are daily shows, and we are looking for ways to grow, and grow quickly. We want to hire someone who has broad knowledge of and experience in the podcasting business, and who can help us build a new product line by repurposing existing and new content for podcast distribution. If you’re interested, click on the link to American Public Media’s website and apply. If you know anyone who might be interested, please send them the link.

        We’re looking forward to hearing from you!

        http://americanpublicmedia.publicradio.org/careers/job_details.php?id=794

        New Yorker Writer Adam Gopnik at the Commonwealth Club Silicon Valley, Nov 1

        For you Northern CA New Yorker fans – event details below.

        -mia

        +++++++++++++++++++++++++
         

        CWC0001 Logo-crop

        Adam Gopnik

         

        Gopnik_Adam-crop– Writer, The New Yorker

        – Author of Paris to the Moon & The Table Comes First: Family, France, and the Meaning of Food

         

        We are a culture obsessed with food but how did we get here?  Gopnik traces our table ancestry back to France and discusses its rapid evolution.

         

        In the hopes to create a new discussion about the way we eat, Gopnik explains how food helped families and friends come together and why those conversations and relationships were always more important than what was actually put on the table. 

         

        Date: Tuesday, November 1, 2011

        Time: 6:30 p.m. Check-In; 7:00 p.m. Program; 8:00 p.m. Book Signing

        Location: Cubberley Community Theatre, 4000 Middlefield Road, Palo Alto

        Price: $12 Members; $20 Non-Members

         

        For tickets call 1-800-847-7730 or register online at

        http://commonwealthclub.org/events/2011-11-01/adam-gopnik

         

        audio event at UnionDocs in Brooklyn this Sunday, Oct 16

        Listening event at Union Docs in Brooklyn this Sunday – this sounds awesome! (pun intended) Details below.
        -mia

        +++++++++++++++++++++

        http://www.uniondocs.org/no-bills

        Sunday, October 16 at 7:30pm, $9 suggested donation.– 322 Union Avenue

        Nick Yulman and participants Steve Smith, Marion Smith, Mark Wayne Thomas, Geri Pacheco in attendance for discussion.

        This project presented audio oral histories about North Brooklyn through listening stations situated in construction fences and on the street. This created serendipitous encounters for passers-by, inviting them to engage with neighborhood’s history while standing at sites of its developing future. Starting in the fall of 2010, Yulman and the The North Brooklyn Public Art Coalition (nbART) reached out to community members, including long term residents, business owners and leaders, from Williamsburg and Greenpoint to record their stories about the neighborhood.

        We will feature selected recordings, ranging from family immigration stories to accounts of the 1975 sit-in at the People’s Firehouse. From July through September, the project was installed at sites throughout Williamsburg, including the McCarren Park Pool and the Triangle Court construction site, a few blocks away from UnionDocs. This event marks the closing of Yulman’s public sound installation and oral history project.

        This project is sponsored in part by funding from the NYC Department of Cultural Affairs and New York State Council on the Arts, administered by the Brooklyn Arts Council. The NYC Department of Parks and Recreation and the Open Space Alliance for North Brooklyn provided additional support.

        Localore seeks producers to help stations tell untold stories across multiple platforms, deadline Nov 10

        Great potential in this AIR and CPB funded initiative. Details below.
        -mia

        +++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        DEADLINE FOR PRODUCER PROPOSALS AND STATION RUNWAY SUBMISSIONS
        THURSDAY, NOV 10, 2011

         

        Since our September 15th launch, more than 2000 unique visitors have checked out the Localore Station Runway and details for how to get aboard this new initiative. We'll bring more than $1 million in CPB funding to support 10 station-based producer-led teams that help stations "go outside" of their walls and traditional reporting routines to tell untold stories across multiple platforms.

        If you'd like to be one one of our lead Localore producers, you must submit proposals for project ideas at Localore.net by the November 10th deadline. By that same deadline, stations hoping to serve as Localore incubators must produce 3-5 minutes of media to upload to our Station Runway, where we're showcasing the creative culture and aspirations of potential incubators. (Note:  the sooner you get your media up, the more eyeballs you'll attract.) Up to 30 lead producers and incubator stations will be selected by December 2nd and invited to submit a second-round proposal. Final teams will be announced by late January, and projects will begin launching in March.

         

        Want to learn more?
        Read our FAQ and Guidelines.
        Watch the project's launch video.
        Check out coverage of Localore in Current, the Nieman Journalism Lab, and MediaShift.
        Watch our recent project webinar, produced in conjunction with the National Center for Media Engagement.
         
        Interested in helping us spread the word? Feel free to share this message with colleagues or relevant listservs, or tweet about the project using the #Localore tag.
         
        Questions? Contact Media Strategist Jessica Clark at jessica@airmedia.org

        Produced by the Association of Independents in Radio with support from CPB, the MacArthur Foundation, the Wyncote Foundation, and the NEA, Localore will charge producers with inventing new, multiplatform models for fresh, locally-sourced, high quality journalism. Selected producers will lead a 9-12 month station-based project designed to expand the station's innovation capacity. 
         

        +++AIR is everywhere.+++
        www.airmedia.org
        www.airmediaworks.org
         

        Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        Association of Independents in Radio
        P.O. Box 220400
        Boston, MA 02122
        Phone: 617-825-4400
        www.airmedia.org

         

        Association of Independents in Radio

        PO Box 220400

        Boston, Massachusetts 02122

        Copyright (C) 2011 Association of Independents in Radio All rights reserved.

        Scoop a storytelling kit! GPRX announces call for pitches, deadline Oct 26

        Fantastic opportunity for you educator types. Help spread the word!
        -mia

        ++++++++++++++++++++++

        Hello producers and teachers of youth radio!
        I am very excited to present a new and creative producing project from Generation PRX:
        With help from the Motorola Mobility Foundation, we're launching Bullying Stories: A Community Storytelling Project from GPRX.  For the first time, we’re asking youth radio groups to send us pitches for stories on the topic of bullying.  
        In return, we're offering some terrific resources: an audio storytelling kit, training webinars, and possible inclusion in an hour-long special on bullying which will be shared nationally by PRX.
        Are there bullying stories you've witnessed in your community? Have you created a story about bullying that you'd like to take further? Pitches should address a specific theme and make a concise, compelling case for the story.  Please see details here.  Send pitches to generationprx@prx.org by midnight EST on Wednesday, October 26, 2011

        All pitches will be reviewed by a panel of youth and adult producers.  Selected pitches will receive:
        – Audio storytelling kit that includes a digital recorder, microphone, and audio editing software (a $500 value)
        – Training webinars on producing, refining, and distributing stories
        – Likely inclusion in a youth radio special to be broadcast nationwide via PRX
        For all groups, the Bullying Stories Project is an opportunity to develop pitching skills and be part of a national movement of young people speaking up about bullying.  As the project progresses, we'll send updates and links on ways to be involved.
        Please download details here (also available in this blog post).  As always, thank you for being part of this important movement!

        Jones

        Johanna (Jones) Franzel

        Generation PRX Director

        PRX Public Radio Exchange

        upcoming Digital Audio storytelling workshops in Rhinebeck, NY

        Hey folks. I'm teaching a couple audio workshops in the next month here in the Hudson Valley: a 3-hour intro to digital audio storytelling on Sunday Nov. 6, and a 4-week mini-course in which I'll help attendees produce a short audio piece from beginning to end – Wednesday evenings from Oct. 19 – Nov. 9.

        All classes are held at Wing and Clover – 22 East Market Street Rhinebeck, NY 12572 [map](845) 876-1035

        Come enjoy the fall colors and enhance your audio skills 🙂 Drop me a line if you have any questions, and spread the word if you know anyone who might be interested!

        More info below and at http://wingandclover.com/?page_id=5.
        Best,
        Mia

        From Concept to Completion: Audio Storytelling in the Public Radio Style

        Are you obsessed with NPR? Do you have a story you’ve always wanted to tell with sound? In this 4-part series we’ll cover all the steps to creating a digital audio story including recording, editing, mixing, and writing for the ear. Come to the first class with an idea, and I’ll help you turn it into into a completed audio project that you can burn onto a CD, post on your website or Facebook, or email to your family and friends. Equipment is provided but individual laptops and/or recording equipment are welcome. The workshop will break down as follows: class 1-conceptualizing an audio piece and tools of the trade; class 2- recording and interviewing; class 3- editing and mixing; class 4- critique, resources, distribution.

        Wednesdays, October 19, 26 & November 2, 9, 6:00-8:00

        $150 ages: 14- adult

        Intro to Digital Audio Storytelling

        Stories are best told by the people who live them. In this workshop you will learn basic digital audio recording and editing to produce public-radio-style features, oral histories, and other sound-rich documentaries. Together, we will create a short audio feature that you can use as a guide for future personal projects. We will cover interview and recording techniques, tips for telling stories with sound, and basic digital editing and mixing. Recording and editing equipment will be available for your use in class, but we will also discuss how to set up your own digital recording suite at home.

        Sunday, November 6, 1:00-4:00

        $60 ages: 14- adult

        2011-12 deadlines for grants from the New York State Council on the Arts

        More funding opportunities from the NYS Council on the Arts. Details and deadlines below.

        -mia

        +++++++++++++++++++++++

        The New York State Council on the Arts, a state agency, has announced that The ARTS Council of the Southern Finger Lakes (The ARTS) is the new administrator of two state-wide regrant programs for NYSCA Electronic Media and Film (EMF).

        The two programs, Presentation Funds and Finishing Funds, were previously administered by the Experimental Television Center (ETC) in Owego, NY.  Another previous ETC program, the Media Arts Technical Assistance Fund, is now being managed by free103point9 Transmission Arts, in Acra, NY.  All three programs are supported with public funds from the New York State Council on the Arts.

        Presentation Funds offers partial support to non-profit organizations located in New York State for in-person appearances by independent artists working in film, video, sound, new media and Web-based art. The mission of the program is to encourage opportunities for conversations between artists and audiences, support the creative programming of independent media-makers, and help increase appreciation for electronic media and film as an art form throughout New York State.

        Deadlines are four times a year:

            December 1, 2011 for projects occurring between January 1 – March 31, 2012
            March 1, 2012 for projects occurring between April 1 – June 30, 2012
            June 1, 2012 for projects occurring between July 1 – September 30, 2012

            September 1, 2012 for projects occurring between October 1 – December 31, 2012

        Finishing Funds provides support to New York State artists for the completion of film, video, sound, new media and Web-based art. Awards are made annually and range from $500 to $2,500. The postmark deadline for applications is March 15, 2012.

        Please visit www.eARTS.org/EMF for detailed information on both grant programs, or email director@eARTS.org.

        NEH Media Funding Workshop, Oct 10, SF

        Learn more about grant opportunities from the National Endowment for the Humanities. Details below on their upcoming workshop.
        -mia

        ++++++++++++++++++++++++

        WORKSHOP ON FUNDING OPPORTUNITIES FOR MEDIA PRODUCERS AT NEH

        Co-sponsored by the California Council for the Humanities and the San Francisco Foundation

         

        Michael Shirley of the Division of Public Programs at the National Endowment for the Humanities will present a free workshop on funding opportunities for media producers at the NEH. The presentation and discussion will introduce attendees to categories of funding for digital media projects, documentary films and television programs, and radio programs. Michael will present examples of successful projects funded by NEH, offer a walkthrough of the grant writing and review processes, and be available to discuss projects one-on-one.

         

        As Senior Program Officer and Acting Assistant Deputy Director in the Division of Public Programs at NEH, Michael advises media producers on the grant-making process and the creation of humanities-based documentary films, television programs and series, and digital media projects. He has served as an adviser and presenter at the House of Docs at the Sundance Film Festival and as a presenter to the World Congress of History Producers (now History Makers), SXSW, Silverdocs, Miami International Film Festival, Museums and the Web, American Association of Museums, and the Games for Change Festival.

         

        Monday, October 10, 4:00-6:00 pm

        San Francisco Foundation

        225 Bush Street, Suite 500

        San Francisco, CA 94104

         

        Space is limited. To attend, please register here:

        http://events.constantcontact.com/register/event?llr=xyeaj8dab&oeidk=a07e4xzsugze53acf9d

         

         

        WFMU convenes radio, digital innovators to explore radio’s future

        This looks awesome. I think I'm going to attend the Saturday symposium if any NY-based FC members want to meet up. Drop me a line if you're interested.
        -mia

        ++++++++++++++++++

        WFMU convenes radio, digital innovators to explore radio's future

        The freeform broadcasters of Jersey City's WFMU are producing the first-everRadiovision Festival in New York later this month, a weekend-long confab to highlight creativity in radio and technology's potential to unleash it.

        On Oct. 29, panelists from WFMU's own talent roster will be joined by the likes of This American Life creator Ira Glass, media innovator Kenyatta Cheese, and blogger Andy Baio of Waxy.org, among many others, for a day-longsymposium on the future of radio. On "Hack Day," Oct. 30, code-writers, digital story-tellers, musicians and others will "reinvent radio" by using WFMU's Free Music Archive to create new programs and software applications.

        The festival opens Oct. 28 with a live performance by Joe Frank that's already sold out, but tickets are still available for the symposium and Hack Day. The event coincides with WFMU's annual Record Fair, also held at the Metropolitan Pavilion in Manhattan.

        WFMU General Manger Ken Freedman described his objective for the festival in a recent interview with Radio Survivor: "I think it’s more important than ever to explore how radio is evolving and changing and taking on new forms. The very question of 'What is Radio?' is now debatable, which it never was before. It’s exciting to discuss these ideas with radio artists and digital pioneers."

        Cultural Equity Grants from the SF Arts Commission

        There are a bunch of grants available for San Francisco projects through the SF Arts Commission. See below for upcoming application workshops. More details at http://sfartscommission.org/ceg/grants/index.html#iac. Good luck!

        -Mia

        ++++++++++++++++++++++++

        Individual Artist Commissions (IAC)

        Deadline: December 1, 2011
        Deadline for Narrative Drafts (optional): November 1, 2011
        Email draft narratives to corinne.matesich@sfgov.org

        Grants of up to $10,000 to individual artists living and working in San Francisco, to stimulate the creation and presentation of high-quality works of art throughout the city’s neighborhoods. The program considers proposals for projects in alternating disciplines each year. We will consider proposals in fiscal year 2011-12, for performing arts: dance, music, and theater. Support for multi-disciplinary projects (within the disciplines being offered) are available each year.

        Grant Period:
        July 1, 2012 – December 31, 2013

        Application Workshops:
        October 13, 2011 from 6:00-8:00pm; Galeria de la Raza, 2857 24th Street @ Bryant
        October 17, 2011 from 12:00-2:00pm; 25 Van Ness, Suite 70

        October 17, 2011 from 6:30-8:30pm; Bindlestiff Studio, 185 6th Street @ Howard
        November 15, 2011 from 12:00-2:00pm; 25 Van Ness, Suite 70

        Please email your workshop rsvp to corinne.matesich@sfgov.org.

        If you have any further IAC questions, please contact Program Associate Lucy K Lin, 415-252-3257, lucy.lin@sfgov.org.

        Branding, Networking & Fund-raising teleseminar for non-profits, Oct 20

        Hey folks. FC member Karen Lewellen is offering her skills as non-profit consultant in a tele-seminar on Oct 20. Details below! Contact karen.lewellen@gmail.com with any questions.

        Best,
        Mia

        +++++++++++++++++++++++

          It's a common complaint among nonprofits across North America. What our
          organization really needs is more…RAM! Or, Respect, Activity, and
          Money! No one appreciates our mission. We cannot find enough volunteers
          and corporate connections. We just cannot raise the funds we want to
          keep our goals on track.

          My name is Karen Lewellen and, believe me, I understand. As a nonprofit
          sector consultant with more than 20 years of experience, I guide
          countless organizations through the task of branding networking and
          fund-raising all the time. Additionally, I manage my own media
          nonprofit, meaning I appreciate firsthand the decisions you make to
          achieve your organizational desires. I want to help! I am offering 50
          organizations a RAM upgrade designed to give you the extras required to
          work more effectively. Branding, Networking, & Fund-raising: The
          Nonprofit RAM Upgrade Kit is a program focusing on these critical
          management issues. Here is what's included.

          On October 20th, I am inviting 50 groups to join me for the Branding,
          Networking & Fund-raising: Nonprofit RAM Kit teleseminar. Fifty
          participants will receive a toll free phone number connecting them with
          me for this one hour conference call. You can download the session
          later for sharing with your board and associates, and a transcript will
          be available upon request. This is more than just a lecture. Each
          participating nonprofit must complete a workshop assignment prior to
          the call. That way, I can season the tips I provide with examples
          addressing your specific needs based on your input.

          Additionally, each organization receives a one on one private
          consultancy with me. During the session, I take the information shared
          in class and fine tune it to assist your agency's needs right now.
          Having fundraised with the likes of Barbara Walters, branded nonprofits
          serving the disabled, and guided everyone from environmentalists to
          activists to artists, I feel sure I can help you. There is no situation
          too unusual or nonprofit too disheartened to benefit from a RAM
          upgrade!

          Cost of the package is $25. If interested, send an email to
          karen.lewellen@gmail.com. I will provide you with event details and the
          link to make your Paypal payment. Seats are limited to 50 participants,
          one from each organization, so hurry. Deadline for registration is
          midnight on Monday, October 17th. Want to know more? Send an e-mail to
          the above address.

          I look forward to guiding you to the Respect, Activity and Money your
          mission deserves!

        TAL Theme List

        For you TAL fans – here's the latest call for pitches. Good luck!
        -mia

        +++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you
        for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll
        respond with a generic email letting you know that I received your
        pitch and that I've read it. I promise. I read every pitch. (I
        won't send you the auto response until I've read your pitch so expect
        a bit of a delay getting that email.) If we think the pitch is right
        for us, or if we need more information from you, I'll send you another
        email asking for more info on the story or letting you know we'd like
        to commission the story. But if you don't hear back from us within two
        weeks, beyond the initial auto-reply email, it means the story just
        isn't right for us or for the needs of that particular show. The idea
        of doing it this way is just to get through pitches and get back to
        everyone quickly.

        Like always, these themes are shows we're actively pursuing right now
        but we're always on the lookout for new stories or ideas. So if
        you've got a story that you think would work especially well for us
        but doesn't fit a specific theme listed below, please send it along
        anyway.

        Thanks so much for your pitches. We appreciate it.

        Best,
        Julie
        (julie@thislife.org)

        ADVENTURE: This is our next show up – airing October 7th – so we’re
        just looking for quick turn-around stories now, most likely an
        interview. We’ve currently got a story about a new model’s experiences
        in New York City, a young man’s time in a Chinese Detention Center and
        a series of super-short adventure stories from a variety of authors.
        But we’re still looking for more stories about wild, unexpected,
        one-of-a-kind experiences. Stories that begin in sort of mundane
        places would work particularly well for this show. Maybe a trip to the
        grocery store, walking to work, a quick flight – that ends up taking
        extreme twists and turns? Maybe a shortsighted plan that turned into a
        super adventure? Right now we’re working with a couple different
        ideas of what adventure means: something you’re glad you did once but
        wouldn’t ever want to do again; an experience where a very familiar
        place becomes wildly unfamiliar; a place or situation where instinct
        drives your abilities to navigate and understand rather than
        intellect. Any other ideas of what “adventure” can mean?

        THE MIDDLE: There is a lot of “middle” dread in life: middle school,
        being the middle child, middle age, middle brow. There is also a
        fetishization of the middle: the middle class, the political middle,
        etc. We’re looking for stories about being in the middle or that very
        specifically take place in the “middle” – either literally or
        figuratively. Maybe a story about being caught in the middle of a
        funny (or frightening) situation and struggling to get out of it. .
        Or a literal interpretation of “middle” – a story that takes place in
        the middle seat of an airplane, for example, or someone acting as the
        middleman in a crime scheme. Maybe a story about the exact
        mathematical middle of something? And we’re particularly interested
        in stories that would take us inside the chaos and craziness of middle
        school.

        WHAT KIND OF COUNTRY?: It seems like so many political stories lately
        just come down to people arguing over how much to cut federal and
        state budgets. But we don’t hear much discussion of the bigger
        question: do we want to live in a country with lower taxes and less
        government services? Or do we prefer the opposite? Higher taxes like
        they’ve been in the past, and the bigger services that go with that?
        In this show we’d take up that debate. We need stories in locations
        where communities have either made the choice for lower taxes or for
        higher ones. If you know a place that consciously chose one of these
        paths or another, with interesting results, let us know. Or if you
        know of a place in transition from one to another, where we can
        observe what that change means. Your suggestions on how to get at
        this would be helpful.

        BREAKTHROUGH: We were working on this show several months ago and then
        it got put on hold but now it’s back. With a vengeance. And we mean
        it this time. We have one pretty long story for this show about two
        people working on a very unlikely and oddly beautiful cure for cancer.
         So we’re kind of covered on the scientific breakthrough front and
        we’re hoping to find smaller, more personal breakthrough moments.
        It’d be really fantastic if we could capture that breakthrough on
        tape. Know of any people conquering a fear or phobia who are about to
        try something for the first time? Maybe someone who’s about to step
        out on the dance floor for the first time after surgery or finally ask
        out the crush they’ve been pining over for months? Any story where
        someone is taking a risk where they could potentially discover
        something new about themselves would be nice. Or maybe a sports story
        about someone close to breaking some personal record that really
        matters to them, or a local political story where politicians come to
        an agreement over a seemingly intractable issue.

        POULTRY SLAM 2011: We’ve been doing versions of this show for ages,
        as is demonstrated by the theme title. “Poultry Slam” is actually a
        play on “poetry slam.” Remember poetry slams?! Back in the day? Ask
        your older sister. Anyway, we always run the show some time between
        Thanksgiving and Christmas, when poultry consumption is at its highest
        of the year. Stories about poultry! A few years ago we thought the
        well had run dry on poultry stories but now we’ve got a few new ideas
        and so we think this is the year to make a run at more fun, weird,
        narrative stories that somehow feature chickens, turkeys, ducks,
        geese. And, really, we’ll cheat on this one and pretty much open it
        up to birds of any kind. We’ve got one really funny story about
        neighbors banding together to build a chicken coop and how that
        totally doesn’t work out. Another story about misadventures in making
        foie gras (kind of gross but also kind of cool). We’d love a pigeon
        story because we’ve never done that before. Maybe a story about the
        weird prevalence of wild turkeys? A story about cooking a bird? A
        pet? A warning, though: we’ve done a lot of stories about slaughtering
        birds. So we may want to steer clear of those. Short fiction would
        also be nice for this show so please let us know if you’ve got a
        favorite short story that also has a bird in it.

        WHERE DID ALL THE PEOPLE GO?: We’re thinking about doing a show about
        what’s happened to people who have had to move out of their houses,
        because they’ve either been foreclosed on or simply had to sell
        because they couldn’t afford the payments. We know stories like this
        have already been done since the housing crash, and that sometimes the
        answers to where the people went aren’t all that surprising (they’re
        now simply renting a fine apartment, for instance). But we thought
        we’d try to it differently. Ideally we’d like to start with one place
        – a housing development, co-op, condo, block, street – somewhere where
        a bunch of people have had to leave, and then try to find out what’s
        happened to them. So we’re looking for ideas for places. Or, if you
        know of someone who’s experienced the housing crash in an unusual way
        – maybe they had to move back in with a parent they can’t stand, and
        something interesting has ensued – we’d love to hear about that too.

        AMERICANS IN CHINA: It’s sort of a cliché to talk about the new “gold
        rush” to China but it is the place so many Americans are now looking
        with an eye to the future. Is it the new land of opportunity? Or a
        place to fear? Is getting into bed with China like sleeping with the
        enemy? Ideally we’d like stories from Americans who either are living
        in China or have spent considerable time there and hear about what it
        means to be an American in China – do you stick out or are you simply
        absorbed by all the people? What are the surprising similarities and
        differences between America and China? What do you learn about
        America being in China? And, simply, what is it like to live and work
        there? Business and economic stories that can illustrate the benefits
        and drawbacks to doing business in China would be great for this show.
         We’re also interested in stories from Chinese Americans who have
        moved to China, too.

        MORTAL OR VENIAL: In a religious sense, what separates the mortal from
        venial sins is both the seriousness of the offense and also the
        intention. Gossiping, for instance, isn’t that serious of a sin so
        generally it’s considered venial – bad, yes, but not unforgivable. If
        the gossiper’s intention, though, was to damage someone's reputation,
        then it’s a mortal sin, risking eternal damnation. In a secular world
        it’s sometimes hard, though, to assess those things. Maybe the victim
        thinks it’s a huge sin but others don’t. Maybe the sinner thinks he
        meant no harm. And, after a while, don’t a bunch of venial sins just
        add up to a mortal sin? At some point, doesn’t carelessness or
        cluelessness become aggressive and purposeful? We’d like to do a
        show about determining just how bad something is and then struggling
        with forgiveness, punishment or, perhaps, eternal damnation. At the
        very least, cutting someone or something off. Maybe stories about the
        consequences of what seems to be a small transgression? Or forgiving
        something that seems unforgivable? Or not forgiving something that
        seems very minor?

        MAKES US STRONGER: Poland – like a lot of countries – has long had a
        social and political divide that very generally lays out as the urban
        elite versus the rural working class. Poland A and Poland B, though,
        came together last year following the Polish president’s death in a
        plane crash. For weeks, Poles grieved together at a cross placed in
        front of the Presidential palace. The tragedy seemed to bring out the
        best in people. Until the flowers started to wilt and the stuffed
        animals started to mold, and the new president made the move to take
        the cross down. Then all hell broke loose. We’d like to do a show
        about what happens after a tragedy or a crisis or just a tough time.
        In many cases, people really do pull together and achieve amazing
        things. Many times they don’t. Maybe a story about former enemies
        banding together to fight a tormentor? Or, conversely, friends or
        family who turn on each other when the going gets tough? Stories that
        are just about the struggle would work well for this show too.

        Julie Snyder
        Senior Producer
        This American Life
        153 W. 27th Street, #1104
        New York, NY 10001
        (212) 624-5012

        Grant funding and applicant info sessions from the CA Council for the Humanities

        A number of FC members have received funding for their projects through the CSF. Details below on their upcoming informational sessions.
        Best, Mia

        ++++++++++++++++++++++++++++

        image
        The California Council for the Humanities will be holding its first informational session for California Story Fund (CSF) grantseekers this Friday, with additional sessions to follow. For more information about CSF, see below. (You may need to enable graphic elements.) Please feel free to forward this email to friends and colleagues who might be interested.

        Dates and times for upcoming informational sessions are as follows:

        Informational Webinar

        • Friday, September 30, 2011—10:30 am to 12:00 pm Pacific Time

        Informational Meetings

        • San Diego Region Session 

          Tuesday, October 4, 2011—4:00 to 5:30 pm Pacific Time

          Malcolm X Library

          5148 Market Street, San Diego, CA 92114

        • Inland Empire Region SessionWednesday, October 5, 2011—12:00 to 1:30 pm Pacific Time

          Highgrove Library

          530 W. Center Street, Highgrove, CA 92507

        All sessions are free. For more information and to register for one of the sessions, click HERE.

        image
        image image
        image
        The California Council for the Humanities connects Californians to ideas and one another in order to understand our shared heritage and diverse cultures, inspire civic participation, and shape our future.
        California Council for the Humanities 312 Sutter Street, Suite 601 | San Francisco, CA 94108 US
        Got this as a forward? Sign up to receive our future emails.

        Network for Good

        EmailNow powered by Emma

         

        part time photog gig in Menlo Park, CA

        Interesting photo gig in Menlo Park. Details below!
        -mia

        +++++++++++++++++++++

        SLAC National Accelerator Laboratory

        Menlo Park, CA
        www.slac.stanford.edu

        SLAC National Accelerator Laboratory is one of the world's leading
        research laboratories in particle physics research. SLAC is now a
        multipurpose laboratory for astrophysics, photon science, accelerator
        and particle physics research, and is operated by Stanford University
        for the U.S. Department of Energy. Our Laboratory Multimedia
        Communications department is seeking a part-time photographer to cover
        a diverse range of visual subjects and events in a high-end scientific
        research environment. All equipment will be provided.

        RESPONSIBILITIES:  Spend one day a week at SLAC taking photos as
        determined and scheduled by the Multimedia Communications Manager and
        the Communications Department / Work closely with the Multimedia
        Communications Manager to establish guidelines and routines for
        generating photographic content for a variety of outlets for both
        print and web / Photograph scientific equipments, construction
        projects, working scientists, staff members, events, and editorial
        subject matter / Must be available to work a full 8-hour shift the
        same day each week (specific day is negotiable), and must be available
        for 2-4 additional hours per week on an as-needed basis.

        Qualifications:  Bachelor's degree (or higher) in Photo -Journalism,
        Design or a combination of related education and experience  / Must
        have a portfolio that demonstrates an ability to handle a variety of
        photographic projects, including taking portraits, covering events,
        and creating images for editorial and promotional use / Must be able
        to set up and work quickly / Must be highly organized with an ability
        to create and maintain a workflow to support the required creation,
        keyword tagging and cataloging of all images in a networked
        database /  Must have extensive knowledge of Adobe Photoshop / Ability
        to work a full 8 hour shift the same day each week (specific day is
        negotiable), and must be available for 2-4 additional hours per week
        on an as-needed basis. Desired Skills:  Experience shooting with Canon
        equipment / Experience shooting in a research or technical
        environment / Knowledge of Adobe Bridge and Lightroom or similar image
        database software.

        To Apply:   Interested applicants can apply online at
        https://tbe.taleo.net/NA12/ats/careers/requisition.jsp?org=SLAC&cws=1&rid=549

        Soup-to-Nuts radio how to workshop in Bay Area, Oct 15-16

        The fabulous Claire Schoen is offering her radio how-to class again – once in Berkeley in Oct and again in Durham, NC in November. Details below!
        -mia

        ++++++++++++++++++


        Award-winning, documentary radio producer Claire Schoen will be teaching her "Soup-to-Nuts class again at her studio in Berkeley, California over the weekend of October 15/16. It will be offered this time under the auspices of Duke University's Center for Documentary Studies, but it is essentially the same class that she usually teaches. She will also be offering it as a 3-day class November 3-6 in Durham, North Carolina on Duke's campus.

        You can sign up for either of these classes at this url:
        http://www.asaponlinereg.com/Courses.aspx?CourseGroupID=500

        Also, you might want to check out Claire's website and listen to some of her work at www.claireschoenmedia.com.

        ********************

        The Center for Documentary Studies presents:

        "From Soup to Nuts"

        A 2-day intensive on documentary radio production

        October 15&16, 2011

        Logistics:
        Where: Berkeley CA
        Class runs from 10am to 5:30 pm each day.
        Class size is limited to 8 students


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio

        documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape, and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will

        be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards. a PASS award and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.


        Claire has taught documentary radio production at numerous venues including U.C. Berkeley's Graduate School of Journalism, the Third Coast Festival Conference, AIR’s mentorship program and the CDS Summer Institute at Duke.

         

        To Register:

        http://www.asaponlinereg.com/Courses.aspx?CourseGroupID=500

        Kitchen Sisters Interviewing, Recording & Sound Doctor Workshops – Thurs, Oct 6th

        My favorite women of radio are offering two workshops on Oct. 6 in San Francisco. You don't want to miss this! Details below.
        -mia

        +++++++++++++++++++++

        Dear Friends,

        Davia Nelson and Nikki Silva of The Kitchen Sisters are conducting a recording and interviewing workshop and a "sound doctor" workshop on Thursday, October 6th in San Francisco. These three-hour sessions are designed for people who want to acquire and hone their skills in an array of audio projects–radio, online storytelling, oral histories, audio slide shows, family histories, news, documentaries, podcasts, and other multimedia platforms.

        In the recording and interviewing workshop, Davia will cover miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to listen (which is harder than it looks), how to use interviews in conjunction with images, recording equipment and more.

        The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, and beyond. The groups are always lively and good contacts are made.

        Nikki will also hold a sound doctor session. Bring your work-in-progress, something that you need help thinking through, that is vexing you and needs some brainstorming. Bring radio, images, multimedia, a video, an excerpt of a film and be ready to play it for a group and have a focused, constructive conversation. Davia will play excerpts from a few Kitchen Sisters stories that are illustrative of various problem solving techniques.

        The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny St. Of course, there will be a snack.

        The recording and interviewing workshop will be from 10:00 AM – 1:00 PM.

        The Sound Doctor workshop will run from 2:00 PM – 5:00 PM.

        Each session is $115. You can sign up for one or both sessions.

        If you, or someone you know is interested, email kitchen@kitchensisters.org. Please pass this along to a friend.

        See you there,

        The Kitchen Sisters

        KALW seeks producers for City Visions Radio

        Hi folks. Our friend at KALW's City Visions Radio are looking for volunteers to produce one show/month. This note from the team:

        In nearly all cases, after producing with City Visions, the producers we brought on the show were able to further their careers and find new work opportunities.  We feel strongly that producing for us provides a great opportunity to demonstrate and fine tune skills and deepen resumes.  

        Good opportunity to learn from some talented and dedicated folks. Details below.
        -mia

        +++++++++++++++++++

        Radio Producer (Volunteer)

        ———————————-

        Location: San Francisco, California, United States

        Organization: City Visions Radio

        Skill(s): Producing, Writing

        Start date: Training would begin as soon as interview process was completed

        Last day to apply: Open

        Description

        City Visions, a live call-in radio program, has aired weekly on KALW 91.7 FM San Francisco since 1991. (Monday, 7:00-8:00pm). We aim to educate, stimulate, and make positive contributions to discussions on Bay Area issues. Our production team – a talented group of multi-disciplined, public policy minded volunteers – brings a broad perspective to current issues. This is a fantastic opportunity for people interested in learning about radio production or who simply want to be part of a team of volunteers informing our community about important issues.

        Summary

        City Visions is looking for someone interested in producing one radio program per month. With support from the Senior Producer and others on the team, producers develop guest panels to discuss a variety of topics important to the San Francisco Bay Area. Production requires approximately 10-20 hours per show and consists of: researching a topic; developing a guest panel; providing background material, bios and potential questions for the host; writing copy; in-studio production on show nights from 6pm to 9pm one Monday per month. Attendance at weekend bi-monthly production meetings is also required. Show topics are flexible depending upon a producer’s interests and skills.

        Please visit our website (cityvisionsradio.com) to check out previous shows and read the bios of current producers.

        Qualifications

        Qualified producers will be professionals looking to add radio production to their skill set. Excellent writing and communication skills are necessary though radio experience is not required. Applicants should be deadline-oriented, highly organized, willing to commit for at least one year and possess a strong interest in public policy and current affairs.

        To Apply

        Send a cover letter and resume, with subject line "Producer Resume," to: Lauren Meltzer, Host, at Laurenmeltzer@yahoo.com

        Lauren Meltzer

        City Visions Radio, Host

        www.cityvisionsradio.com

        KALW 91.7 San Francisco

        Laurenmeltzer@yahoo.com

        415-235-5798

        KeywordSmart – new keywording tool for professional photographers

        Hey folks. My good friend has launched a new software program for professional photogs and I'm trying to help him get the word out. So if you or anyone you know want to check this out, he's offering an extended free trial for friends of Freelance Cafe. Just tell him I sent you. Happy keywording!

        -mia

        +++++++++++++++++

        My company software has gone live!
        It's a web-based image keywording tool for professional photographers.
        If you're asking, what the hell is that, don't worry, you probably don't need to know.  But if you have friends who are serious photographers, please pass my info along.

        Dart Center for Journalism and Trauma FREE intimate partner violence workshop, 10/21-22, NYC – deadline 9/26

        FREE workshop from the Dart Center for Journalism and Trauma at Columbia's J-School. Application deadline is Sept 26.
        -mia

        ++++++++++++++++++++

         "Out of the Shadows," a specialized reporting workshop organized by the Dart Center for Journalism and Trauma at Columbia Journalism School is being held Oct. 21 and 22 in New York City. The workshop aims will give journalists access to top clinical, research and policy experts in the fields of intimate partner violence, dating abuse, sexual violence and prevention. Through expert briefings on new research and initiatives and journalism craft workshops, it aims to broaden and deepen journalists' knowledge of these issues, offer best practice examples and practical tools for reporting knowledgeably, ethically and effectively on intimate partner violence within a range of diverse communities.

        It is FREE! The application deadline is September 26th. Please find more information below:

        Across the United States, nearly five million women and three million men each year face violent abuse within an intimate relationship. Intimate partner violence transcends race, ethnicity, class, gender and sexual orientation, and poses a serious public health problem for all communities. It challenges law enforcement and courts, health professions and educators, community organizations and government agencies.  The challenge deepens within groups contending with special vulnerabilities.  One in four teenagers report verbal, physical, emotional or sexual abuse from a dating partner each year. Immigrants and refugees may resist reporting abuse to police for fear of jeopardizing their legal status or that of their family.  Lesbians and gay men whose families and friends are unsupportive of their sexuality often have fewer sources of support, increasing isolation and making it more difficult to leave abusive relationships.

        Reporting on intimate partner violence also challenges news professionals, whether cops and courts reporters, feature writers, investigative reporters or journalists covering neighborhoods, education or health. To help journalists and news organizations strengthen their coverage of this crucial public health issue, the Dart Center for Journalism and Trauma based at the Columbia University Graduate School of Journalism is presenting a two-day workshop: “Out of the Shadows: Reporting on Intimate Partner Violence.”

        The workshop, supported by funding from the Robert Wood Johnson Foundation, will take place October 21 and 22, 2011 at the Columbia Journalism School in New York. The workshop will feature a wide range of national and local mental health and policy experts, award-winning journalists, educators and prevention advocates. It will include background briefings as well as specialized reporting skills training to enhance journalists’ capacity to report on relationship violence knowledgeably, ethically and effectively. It will examine these issues across  diverse communities and special populations including teenagers, immigrants and refugees; and lesbian, gay, bisexual and transgendered individuals.

        The workshop will:

        • Serve as a forum for improving journalists’ knowledge of critical issues such as the mental and physical health impacts of intimate partner violence; innovations in prevention and intervention; social, economic and legal implications, and responses by schools, public health institutions, and community and faith-based organizations;
        • Explore new research, reporting ideas and best practices with leading mental health, policy, and prevention experts;
        • Confront challenges — and identify opportunities — that exist for journalists pursuing these stories with limited resources;
        • Provide practical tools to enable journalists to successfully produce stories that examine the problem of intimate partner violence in diverse communities and serve to educate and encourage prevention.

        Participation is open to working reporters, editors, photographers, producers or bloggers for print, broadcast or online media. Staff, contract and freelance journalists are eligible. 25 individuals will be selected for the workshop.

        Application Information

        The application deadline is September 26, 2011 at 5 p.m. EST.

        To apply, please email Kate Black at kate.black@dartcenter.org with your contact information (name, address, city, state, zip, phone, email) along with a one-page letter of interest that:

        • Describes how and why this workshop is relevant to you and your  work;
        • Identifies three issues around intimate partner violence of particular interest to you; and
        • Explains one or more challenges you have encountered in pursuing a story on this topic or a related one.

        If you have any questions or need additional information contact Kate Black at kate.black@dartcenter.org

        Food Writing/Reporting Fellowship for Immigrant Journalists in NYC – deadline Oct 7

        A 3-month fellowship all about FOOD! Details below.
        -mia

        +++++++++++++++++++++

        Food Writing/Reporting Fellowship for Immigrant Journalists


        Call for applications

        Feet in Two Worlds is offering a limited number of fellowships to immigrant and ethnic media journalists in New York City who want to join us in an exploration of food in immigrant communities.  We are looking for stories that use food to examine a wide range of subjects including culture, politics, health, economics, migration, communities and neighborhoods.  Whether the focus is on family traditions, markets, home cooks, food professionals, street vendors, restaurants, growers or consumers, we seek stories that give our audience unique insights into the lives of immigrants along with specific information including recipes, restaurant recommendations, and cooking and shopping tips.


        Fellows will receive training in blogging and multimedia presentations (audio slide shows and podcasts), as well as on social media sites such as Twitter and Facebook.  They will produce stories for the Feet in Two Worlds blog (news.feetintwoworlds.org) and for the news organization(s) for whom they normally report.  There will also be opportunities for a select group of fellows to produce radio stories for broadcast online and on the air.


        This three-month fellowship runs from Oct. 31, 2011 to January 31, 2012. Fellows are required to produce two stories, including an audio podcast for our series Food in Two Worlds ™, and an online piece that includes multimedia content, and attend three workshops.  In addition to media training, fellows will receive a $500 stipend and the opportunity to have their work featured on news.feetintwoworlds.org and other online news sites.


        The fellowship is open to staff or freelance immigrant and first-generation immigrant reporters and editors who work in any language. The training will be conducted in English, and all reporting for Feet in Two Worlds and our partner organizations will be in English.  The training will focus mainly on work in the field, although there will also be a limited number of group workshops.  Prior experience as a food writer is not required.


        Applications are due by 5 PM on Friday, October 7, 2011 and should include the following:

        • Three story ideas for coverage of food in New York’s immigrant communities.
        • Your resume.
        • Samples of your work.
        • The URL of the media outlet(s) for whom you report.

        To apply or for more information please contact us at fi2wfellowships@gmail.com.

        Feet in Two Worlds is a project of the Center for New York City Affairs at the New School which brings the work of immigrant and ethnic media journalists to public radio and the web.

        Feet in Two Worlds is supported by the John S. and James L. Knight Foundation, the New York Community Trust and the Mertz Gilmore Foundation.

         

        a bunch of upcoming journalism fellowships

        Hey folks. Details and links below for a bunch of upcoming fellowships. Get your fabulous ideas funded!
        -mia

        ++++++++++++++++++++++

        Abe Fellowship for Journalists
        Deadline: Sept.  15
         
        The Abe Fellowship for Journalists encourages in-depth coverage of topics of pressing global concern to the United States and Japan through individual short-term policy-related projects. The fellowship provides support for six weeks of fieldwork in Japan and nearby countries. The maximum stipend is $25,600, which includes a preparation allowance, one roundtrip air ticket, a per diem for overseas fieldwork, and support for interpretation and research assistance based on requests.  For more information, go to:  http://www.ssrc.org/fellowships/abe-fellowship-for-journalists/ or e-mail us at abe@ssrc.org.

        Narrative Workshops for January, March, and May, San Francisco

        This looks great for you Bay Area writerly types. Script submission is required. I'm not sure of the cost so check the website if you're interested.
        -mia

        ++++++++++++++++++++++++

        NEW CLASS DATES
        for January, March, and May

        4-Day Intensive Workshop for Short Story Writers,
                      Novelists, and Authors of Creative Nonfiction

        with TOM JENKS

        The class will meet every day for four days, with a morning workshop and an afternoon seminar focused on craft. For the seminar, there will be reading assignments and study of works by well-known writers. Each participant will have one manuscript workshopped in class and a second manuscript reviewed for an individual conference with Tom. We will study storytelling and the formal elements of fiction, including voice, point of view, characterization, imagery, plot, and theme. Attention will also be given to scene building, sentence making, and the dramatic movement of descriptive writing.

        Enrollment limited to 12 participants.

        In SAN FRANCISCO
        January 19 — 22, 2012
        March 1 — 4, 2012
        May 3 — 6, 2012

        Application deadlines:
        For January — October 31, 2011
        For March — November 30, 2011
        For May — January 13, 2012

        To apply or receive more information:

      • Please send an email to Workshops.
      • Or, call 415-346-4477 and leave a message.

      • WRITERS EDITED AND PUBLISHED BY TOM JENKS INCLUDE:

        Rick Bass
        Richard Bausch
        Ann Beattie
        T. Coraghessan Boyle
        Janet Burroway
        Robert Olen Butler
        Italo Calvino
        Ron Carlson
        Michael Chabon
        Frank Conroy
        Don DeLillo
        E. L. Doctorow
        Andre Dubus
        Stuart Dybek

        Jennifer Egan
        Richard Ford
        William Gass
        Donald Hall
        Ron Hansen
        Charles Johnson
        Ken Kesey
        Min Jin Lee
        Bernard Malamud
        Peter Matthiessen
        Jill McCorkle
        Jay McInerney
        James Alan McPherson
        Arthur Miller

        Susan Minot
        Lorrie Moore
        Alice Munro
        Maud Newton
        Joyce Carol Oates
        Tim O’Brien
        Jayne Anne Phillips
        George Plimpton
        Padgett Powell
        Annie Proulx
        Mark Richard
        Tom Robbins
        Philip Roth
        James Salter

        Bob Shacochis
        Lee Smith
        Debra Spark
        Scott Spencer
        Robert Stone
        Elizabeth Tallent
        John Updike
        Kurt Vonnegut
        John Edgar Wideman
        Joy Williams
        Tom Wolfe
        Tobias Wolff
        Richard Yates
        Alexi Zentner

        Upcoming events at the UC Berkeley J-School

        Hey folks. Some upcoming events at UC Berkeley's jschool. Details below!
        -mia

        ++++++++++++++++++++++++

        Opening Reception
        Civil Rights Under Three Hats: Photographs by Matt Herron

        When: Friday, September 16,  7:00 PM

        Where: North Gate Hall Room 105

        Photojournalist, Social Documentarian, Movement Propagandist: The Photography of Matt Herron.

        When Matt Herron moved to Mississippi with his family in 1963, he thought of himself as wearing three hats. As a photojournalist, he was beginning to see his career take off and hoped to win assignments from editors he knew in New York by submitting picture story ideas from the heart of the Civil Rights struggle. Influenced by several formative meetings with the well-known documentary photographer Dorothea Lange, Herron also hoped to document the process of social change that was beginning to disrupt deeply ingrained patterns of life in both black and white communities of the Deep South. To this end, he organized a team of photographers in the Spring of 1964 to follow this process through one of the most tumultuous summers in Civil Rights history. Finally, as a pacifist and political radical, Herron was personally drawn to the cause of racial justice and eagerly committed his cameras to the organizing work of the Student Non-Violent Coordinating Committee (SNCC) in Mississippi and other venues of the South.

        How well did these three hats fit one head? That is the subject of a new photography exhibition at the UC Berkeley Graduate School of Journalism.

        The exhibit will be available for viewing at North Gate Hall, Monday-Friday, from August 29- December 1, 2011


        ***RSVP REQUIRED***
        Counterstrike: The Untold Story of America’s Secret Campaign Against Al Qaeda

        A Conversation with Eric Schmitt

        When: Monday, September 19,  6:00 PM

        Where:
        North Gate Hall Library

        In their new book, Counterstrike, Eric Schmitt and Thom Shanker of The New York Times tell the story of how a group of analysts within the military, spy agencies, and law enforcement has fashioned an innovative, effective new strategy to fight terrorism, unbeknownst to most Americans and in sharp contrast to the cowboy slogans that have characterized the U.S. government's public posture. Adapting themes from classic Cold War deterrence theory, these strategists have expanded the field of battle in order to disrupt jihadist networks in ever more creative ways.

        Eric Schmitt is one of the most experienced reporters in the country covering the Pentagon, national security issues, and covert operations. No stranger to controversy and reporting on difficult stories, he was sent by The New York Times to evaluate the material offered up by WikiLeaks and negotiate with their leader, Julian Assange.

        Schmitt is a terrorism correspondent for The New York Times and has embedded with troops in Iraq, Somalia, and Pakistan. Schmitt has twice been a member of Times reporting teams that were awarded the Pulitzer Prize.

        Thom Shanker, a Pentagon correspondent for the Times, routinely spends time embedded with troops in Iraq and Afghanistan. Shanker was formerly a foreign editor and correspondent for the Chicago Tribune, based in Moscow, Berlin, and Sarajevo.

        Books will be available for purchase.

        RSVP: juliehirano@berkeley.edu

        Pamela Constable
        Playing with Fire: Pakistan at War with Itself

        When: Tuesday, September 20,  6:00 PM

        Where:
        North Gate Hall Library

        A volatile nation at the heart of major cultural, political, and religious conflicts in the world today, Pakistan commands our attention. Yet more than six decades after the country’s founding as a Muslim democracy, it continues to struggle over its basic identity, alliances, and direction. In Playing with Fire, acclaimed journalist Pamela Constable peels back layers of contradiction and confusion to shed light on modern Pakistan.

        Pamela Constable, a frequent visitor to the Berkeley campus, is a foreign correspondent and former deputy foreign editor at The Washington Post. Since 1998, she has reported extensively from Pakistan, Afghanistan, and India as well as Iraq. Before joining the Post in 1994, she was a foreign correspondent and foreign policy reporter for The Boston Globe, where she covered South and Central America for a decade, focusing on Chile and Haiti, as well as parts of Asia and the former Soviet Union. Constable is author of Fragments of Grace: My Search for Meaning in the Strife of South Asia and co-author of A Nation of Enemies: Chile Under Pinochet.

        Books will be available for purchase.


        "Disengaged: Elite Media in a Vernacular Nation"
        A Conversation with J-School Senior Lecturer Bob Calo

        When:  Tuesday, September 27,  5:00 PM

        Where: North Gate Hall Library

        Join Senior Lecturer Bob Calo in a conversation about the demographic, cultural and political roots of audience disengagement. He'll be talking about his recent article as a Shorenstein Center Goldsmith Fellow, at the Harvard Kennedy School of Government in the Spring 2011: "Disengaged: Elite Media in a Vernacular Nation".

        Journalists tend to regard the "crisis in journalism" as something that happened to them, and not anything they did. It was the Internet that jumbled the informational sensitivities of their readers, corporate ownership that raised suspicions about our editorial motives, the audience itself that lacked the education or perspective to appreciate the work. Yet, 40 years of polling is clear about one thing: The decline in trust and the uneasiness of the audience with the profession and its product started well before technology began to shred the conventions of the media. If we fail to examine our part in the collapse of trust, no amount of digital re-imagining or niche marketing is going to restore our desired place in the public conversation.

        Bay Area Radio Coffee House – Sunday September 11th, 5pm

        Bay Area listening session TOMORROW! This promises to be an inspiring event. Details and calls for submissions below. Don't miss it!
        -mia

        ++++++++++++++++++++

        Radio Coffee House this Sunday!


        what: an hour or so of radio listening where radio makers can play their work to an audience, listen to great radio, talk shop and be inspired.
        when: Sunday, September 11th 2011, 5-7pm
        where: Berkeley, in the lovely living room of Lonny Shavelson (please RSVP for the address!)
        why: because radio is awesome.

        CALL FOR SUBMISSIONS: please email kaitlin.prest@gmail.com with a piece you would like to share (we'll have a pre-set list)
        Submissions should be something you're proud of, something that challenges traditions of sound, storytelling and radio, or something your'e not sure about and want feedback on.

        Do please bring beverages or snacks as you like 😉

        Radio Ambulante CALL FOR PITCHES

        For you Spanish speakers – a call for pitches from Radio Ambulante – a new Spanish language podcast. See below for links to pitch pages.
        -mia

        ++++++++++++++++++++

        Radio Ambulante is a monthly Spanish-language radio program launching in early 2012, telling uniquely Latin American stories. At a time when much of the rhetoric seeks to harden the concepts of borders, we believe precisely the opposite is needed. We take the view that the Spanish-speaking Americas—including the United States—together form a diverse cultural region, united by a common language.

        We’re currently accepting pitches for our first three episodes. To find out the sorts of stories we’re looking for, please click here >

        For more information, write us at:
        contacto@radioambulante.org

        Call for pitches in English: http://radioambulante.org/pitches_eng.html
        Convocatoria en Español: http://radioambulante.org/pitches_esp.html

        Thanks,

        d

        Stipends from the Prometheus Radio Project to promote community radio

        Interesting opportunity from the folks at the Prometheus Radio Project. Details below.
        -mia

        ++++++++++++++++++++++

        Hit the Road! Go on tour to expand community radio!

        The passage of the Local Community Radio Act has opened up the possibility of thousands of new community radio stations. Now, we have about a year to mobilize social justice organizations and community groups around the country to take advantage of this amazing one-time opportunity and get their own radio stations.

        We need to make sure that this historic moment in radio expansion is not wasted and that real community groups and organizations working for justice know about this opportunity and have the information they need to successfully get their own station.
         
        Prometheus is offering $500 stipends for people to go on tour to spread the word about community radio and what groups need to do to prepare.
         
        If you would like go on tour to support the largest expansion of community radio in our country's history this is what you need to know:
         
        Goal of the tour
        The goal is to get organizations in your region thinking about how radio can be a powerful tool in their work and to explain the process by which they can get their own community radio station. We also want to connect groups to resources and other organizations who can support them to successfully apply for a license.
         
        Support
        In addition to the $500 stipend you can expect that we will:
        • Check in with you by phone or email
        • Help you identify resources you might need
        • Help to connect you with allies in your touring area
        • Promote your event on our websites, Facebook pages, and email list
        • Provide training for using the Popular Education Tools
        • Follow-up with participants who want more information
        In exchange for our support, we need a few things from you:
        • Logistical information about your events so we can help promote it
        • Good communication with our staff and volunteers who want to help you
        • Pictures, videos or audio from your event
        • A follow-up call to let us know how the event went and to help you wrap up
        • Timely return of contact data – either online or by mail
        Proposing a tour
        To be considered for the stipend you must review the Radio Summer Toolkit and propose a tour including:
        1. the dates when you plan on touring,
        2. the towns or cities you plan to visit,
        3. the groups you plan to meet with or have connections with,
        4. how you will do outreach to meet other groups, and
        5. what kinds of events you will hold
        You will also need to provide two references who can speak to your organizing skills. And that's it!
         
        Tour stipends will be awarded on a rolling basis until the end of August or until the six stipends are awarded. We'll call you if your proposal has been accepted to work out more details!
         
        Stipends will be awarded based on the following priorities. We are eager to find organizers who have experience outreaching to communities who have been historically marginalized from participation in the media. Priority will be given to proposed geographic areas that we don't have strong ties to and with populations that we don't have connections with. We'll also value the setting of realistic goals in your proposed tour.
         
        To propose your tour, email radiosummer@prometheusradio.org

        AP-Google Journalism and Technology Scholarship, deadline Jan 27, 2012

        Six $20k student scholarships available from Google and the AP. Details here and pasted below. Sweet!

        -mia

        The Associated Press and Google announce a new national scholarship program intended to foster digital and new media skills in student journalists. The Online News Association, the world’s largest membership organization of digital journalists, will administer the program.

        The AP-Google Journalism and Technology Scholarship program will provide $20,000 scholarships for the 2012-13 academic year to six promising undergraduate or graduate students pursuing or planning to pursue degrees at the intersection of journalism, computer science and new media. The program is targeted to individual students creating innovative projects that further the ideals of digital journalism. A key goal is to promote geographic, gender and ethnic diversity, with an emphasis on rural and urban areas.

        Our goal: To shine a light on the hidden treasures in schools across the country — the digital-minded journalists who will be the future of our industry.

        Applications are now open for the 2012-13 academic year. Scholars will be chosen in Spring 2012.

        “AP has long recognized how important and powerful new digital tools and knowledge can be in the hands of journalists,” said Sue Cross, AP senior vice president for the Americas. “The scholarship program, part of our ongoing relationship with Google, will help build these vital skills in a new generation of journalists.”

        “So many students have new ideas for news, and with the right encouragement they will become leaders showcasing what’s possible through digital journalism,” said Nilka Thomas, manager of Global Diversity and Talent Inclusion, Google. “We hope this program with the AP and ONA encourages innovation at the grassroots level while also furthering the opportunities available for women and minorities considering the fields of computing, technology, and journalism.”

        Irving Washington, consulting Scholarship Manager for ONA, will manage the application process. Washington is a nonprofit media education consultant who created new partnerships for the scholarship and internship programs for the National Association of Black Journalists, and managed scholarship, fellowship and internship programs as Diversity/Education Coordinator for the Radio-Television Digital News Foundation. He holds degrees in Journalism and Public Relations from Ball State University.

        The scholarships are open to college sophomores or higher with at least one year of full-time undergraduate or graduate study remaining. Applicants must submit a project or concept that explains how his or her strategy moves digital journalism forward. Scholarship winners also will receive a one-year ONA membership and recognition at ONA’s 2012 conference in San Francisco. Read about the eligibility criteria and apply here.

        “We’re proud to be part of the AP-Google Journalism and Technology Scholarship program,” said ONA Executive Director Jane McDonnell. “Our hope is to shine a light on the hidden treasures in schools across the country — the digital-minded journalists who will be the future of our industry.”

        For more information, contact:
        Irving Washington, Scholarship Manager
        iwashington@journalists.org
        (317) 441-5051

        Harvard short video contest, deadline Sept. 15

        Cash prizes (and the eye of an impressive panel of judges) for the best short video about the future of news. Details below. Good luck!

        -mia

        +++++++++++++++++++++

        In celebration of the Shorenstein Center's 25th Anniversary we're calling on aspiring journalists, filmmakers and avid media consumers to help us think about the future of news.

        To be eligible for the competition, you must create a video no more than two minutes long (PG-rated please) that answers the question, "What is the future of news?"

        Winning videos will be chosen by a selection committee appointed by the Shorenstein Center. The judges are Lorie Conway, documentary filmmaker; Rick Kaplan, executive producer, This Week with Christiane Amanpour, ABC News; and Mark Whitaker, executive vice president and managing editor, CNN. The winning entry will receive a cash prize of $2,000. Two runners-up will receive $500 each. The grand prize winner and two runners-up will be invited to the 25th Anniversary Celebration of the Shorenstein Center: "The Media and Politics Frontier."

        To Submit a Video:

        Send an email to joan_shorenstein_center@hks.harvard.edu. Include a link to your Entry (hosted on YouTube, Vimeo or another site of your choosing), as well as your name, age, mailing address, daytime telephone number and email address.

        Or, mail a DVD Entry to: Video Contest, C/O Joan Shorenstein Center on the Press, Politics, and Public Policy, John F. Kennedy School of Government, Harvard University, 79 JFK Street, Cambridge, MA 02138. Your DVD should be in .mov .avi or .wmv format. Your submission must include your name, age, mailing address, daytime telephone number and email address.

        Entries must be received by 11:59 p.m. EST, September 15, 2011. If you have questions, please email us.

        Click here for important contest rules.

        25th Anniversary of the Shorenstein Center

        About the Shorenstein Center

        The Joan Shorenstein Center on the Press, Politics and Public Policy is a Harvard University research center dedicated to exploring and illuminating the intersection of press, politics and public policy in theory and practice. The Center strives to bridge the gap between journalists and scholars, and between them and the public.

        Related Links

        Official Contest Rules
        History of the Shorenstein Center
        Harvard University's 375th Anniversary

        Front Page Awards from the Newswomen’s Club of New York, deadline Sept 6

        Hey ladies of FC NYC, this is for you!

        -Mia

        +++++++++++++++++++++++++

        The Newswomen's Club of New York is now accepting entries for the 2011 Front Page Awards. Each year, our awards honor the best journalism by women in the New York Metropolitan area for their work in print, wires, broadcast and online media.

        — Categories

        — Contest Rules

        — Entry Form

        — Past Winners

        Entries must be postmarked no later than September 6, 2011. Entries submitted by email will not be accepted.

        Segments of winning entries will be shown at the Front Page Awards dinner on November 10, 2011.

        Direct queries to newswomensclub@verizon.net. Please include FRONT PAGE AWARDS QUERY in the subject line of your email.

        Microgrants from ITVS

        Doc money available from the Indie Television Service. Details and links below. Rolling deadline ends Sept 15. Good luck!
        -mia

        ++++++++++++++++++++++
         
        The Independent Television Service (ITVS) is beginning a multiyear, public media initiative called "Women and Girls Lead" [http://www.itvs.org/women-and-girls-lead]. To prime the pump for inspiring public media stations to participate in the Women and Girls Lead campaign, ITVS is awarding up to 20 microgrants for late summer/early fall starter activities for the initiative.

         
        The microgrants will be available on a rolling basis until Thursday, September 15, or until all grant funds have been distributed, so apply now! Read more about the initiative [https://mediaengage.box.net/shared/xi5uzv2tuq1ep2gluh72] and download the application for the microgrants here [https://mediaengage.box.net/shared/5impatx84pp4oez9yskd].

         
        Also, while you are on the ITVS site, visit their Indies Showcase [http://www.itvs.org/indies-showcase/films] with free online documentaries to celebrate their 20th anniversary.

         
        Best of luck!
         
        Cristina Hanson
        Deputy Director
        608-263-0297
        National Center for Media Engagement
        Engage Your Community. Share Your Story.

        Links
        ITVS website: http://www.itvs.org/
        NCME blog: http://blog.mediaengage.org/
        Public Media Maps: http://publicmediamaps.org/login.cfm?map=2

        AIR offers 2011 New Voices Scholarships to PRPD, deadline Aug 12

        The Public Radio Program Directors conference is coming up Sept 20-23, and AIR is offering $20K in scholarships to attend. Contact the fabulous Erin Mishkin <erin@airmedia.org> with any questions.

        -Mia

        +++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        AIR @ PRPD: Scholarships for New Voices

        DEADLINE: FRIDAY, AUGUST 12TH

        ++ PRPD EARLY BIRD REGISTRATION ++  
        ++ NEW VOICES SCHOLARSHIP APPLICATION ++

         

        AIR will again offer $20,000 in New Voices scholarships to support independent producers and new station-based programmers attending the PRPD Programming Conference in Baltimore, MD September 20-23, 2011.  AIR offers these scholarships contingent on an anticipated signed agreement with the Corporation for Public Broadcasting.

        The goal of this scholarship is to advance innovation in local programming by exploring new pathways between stations and the extensive network of independent producers across the US. AIR invites bright program makers – producers and station programmers alike – to step forward with their ideas. AIR membership is not required to apply for a scholarship.

        Applicants are invited to submit a brief statement outlining one big idea for how independent producers and stations can work together to blend broadcast and digital media tools to expand the tentacles of public radio stations into the local community. A panel will be convened to review applications and final decisions announced by August 19. Those who have never attended a PRPD Conference are particularly encouraged to apply.  If you’ve received a conference scholarship from AIR in the last 3 years, you are not eligible to apply (i.e. (New Voices 2010 or Making Creative Media 2009).

        Individual scholarships of up to $1500 per individual will be awarded and must be used to offset costs associated with PRPD transportation, meals, hotel, and registration.

        For more information, visit http://www.airmedia.org/PageInfo.php?PageID=673 and also read our FAQ. To apply for a New Voices scholarship, please complete an on-line application. Those chosen to be a New Voice Scholar 2011 will be automatically eligible for the discounted early bird registration fee to the conference.

        If you have any questions about AIR’s New Voices 2011, please contact Erin Mishkin at erin@airmedia.org or 617-825-4400.

        +++AIR is everywhere.+++
        www.airmedia.org

        Links:
        New Voices information: http://www.airmedia.org/PageInfo.php?PageID=673
        New Voices FAQ: http://www.airmedia.org/PageInfo.php?PageID=602
        New Voices application: http://www.airmedia.org/PageInfo.php?PageID=671
        PRPD Conference: http://www.prpd.org

        Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Robert E. Davoli and Eileen McDonagh Charitable Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        Association of Independents in Radio
        P.O. Box 220400
        Boston, MA 02122
        Phone: 617-825-4400
        www.airmedia.org

         

        Association of Independents in Radio

        PO Box 220400

        Boston, Massachusetts 02122

        Copyright (C) 2011 Association of Independents in Radio All rights reserved.

        Mission Arts Performance Project and KALW event, THIS Saturday, Aug 6, 6pm, SF

        Some familiar names on the list of performers for this event – sounds like it will be a great show! Don't miss it. Details below.

        -mia

        ****


        STORIES FROM THE BAY

        Time:
        Saturday, August 6th
        6:00 PM – 9:00 PM
        Location: 
        The Secret Garden – El Jardin Secreto, on Harrison St. between 23rd and 24th
        Join us at MAPP (Mission Arts Performance Project) for an evening of funny, moving, and surprising stories from around the Bay – curated by KALW 91.7FM Local Public Radio. This special evening will feature spoken word storytellers, radio producers, digital media artists, and musicians. Come and get the chance to share your story with KALW as well! We’ll be recording first-person stories, which we might just put on air…
        Performers Include:
        Martina Castro, KALW

        Julie Caine, Independent Radio Producer
        Ali Budner, KALW
        Sophia Simon-Ortiz, Independent Radio Producer
        Chris Colin, Writer and former Salon editor

        And more…
        With music by San Francisco musician Jeremy Rourke.

        News Reporter Position Open at WMNF in Tampa

        Hey folks. One of our members worked at this station awhile back. Let me know if you want to be put in touch and I’ll hook you up.
        -mia

        +++++++++++++++++++++++

         

        Senior Reporter/Producer for non commercial radio. Produce and develop stories, field production, anchor news. Must be flexible in work schedule. Min one year exp in radio journalism, proven record of reporting skills, excellent writing, announcing and editing ability required. EOE. Resume deadline 09/16/2011. Send to Mercedes@wmnf.org.

        www.wmnf.org

        JOB OPENING – Senior Reporter/Producer

        FULL TIME –NON-EXEMPT

        Please send resumes for consideration to Mercedes Skelton

        DEADLINE SEPTEMBER 16, 2011

        TITLE: Senior Reporter/Producer (Supervisor is Assistant News Director)
        JOB SUMMARY:

        Provide quality local, national and international news in accordance with WMNF style and format. Listed below are the responsibilities of the job. Other responsibilities may be assigned as needed.

        Write, edit and produce stories as appropriate for radio presentation.
        Perform local reporting and field production of at least one original story per day, on tight deadlines, to be broadcast on the WMNF evening news, which also may be utilized on morning and afternoon newscast, as assigned by Assistant News and Public Affairs Director, or News and Public Affairs Director.
        Assist with the production of the WMNF evening news.
        Anchor evening newscast as assigned by Assistant News and Public Affairs Director.
        Develop news story ideas and coordinate coverage of local events and stories with the News and Public Affairs Director and the Assistant News and Public Affairs Director.
        Maintain fairness, accuracy and high ethical standards
        Perform Assistant/News Director functions when necessary.
        Gather sound and communicate with a variety of sources.
        Participate in on-air fundraising during the WMNF Marathons
        Assist with station events as requested.
        Assist in the training of news volunteers.
        Supervise assigned volunteers
        Report problems to supervisor.
        Daily updates of WMNF news website.

        REQUIRED SKILLS

        Proven record of reporting skill.
        Excellent writing and editing ability
        Good computer skills
        Good live on-air presentation
        Ability to work on deadline and at varying hours
        Ability to edit sound files digitally.
        Work well as part of a team
        Ability to research independently
        Photography, video, editing software, web and social media competence.

        QUALIFICATIONS

        B.A. with Liberal Arts background or equivalent
        Minimum one year experience in radio/print journalism
        Basic knowledge of broadcast production and field recording equipment.
        Good broadcast voice, demonstrated announcing and writing skills
        Familiar with current copyright regulations
        Must have a working vehicle, valid drivers license and minimum amount of vehicle insurance required by the state.
        Ability and willingness to travel.
        Understanding of FCC Rules and Regulations regarding broadcast

        Salary is $34,000

        KUOW Venture Fund seeks applicants, deadline Oct 31

        The folks at Puget Sound Public Radio are looking for creative project proposals for their upcoming Program Venture Fund. Details below, deadline October 31.
        -mia

        ++++++++++++++++++

        KUOW is now accepting project proposals for Round 19 of the KUOW Program Venture Fund (PVF).  The PVF provides
        special support for staff and independent producers to develop new programming focused on the Puget Sound region in Washington state.

         
        Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces.  There is no set format.  Be creative.  This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region. 

         
        Before submitting a full application you need to send me a short description of your project, no longer than a page.  Once the preliminary idea is approved then you can officially submit the full application.  All instructions are at our website (see below).

         
        The application deadline is Monday, October 31, 2010 at 5:00 pm (PT)
        For application information go to www.kuow.org/pvf
        Contact:  Jim Gates – jgates@kuow.org
         
        Past producers who've contributed include Dominic Black, Jessica Partnow, Jeannie Yandel, Sarah Waller, Liz Jones, Feliks Banel, Harriet Baskas, Phyllis Fletcher, Andrea Smardon, Cathy Duchamp, Patricia Murphy

        Thanks.
         
        Jim Gates
         
        Senior Editor
        KUOW 94.9 – Puget Sound Public Radio
        206.221.0747
        www.kuow.org

        SPJ NorCal Excellence in Journalism Awards Call for Entries

        For you Bay Area folks – get yourself a prize! Good luck.
        -mia

        +++++++++++++++++++++++++

        FOR IMMEDIATE RELEASE


        July 2011

        Contact: Liz Enochs, president, (415) 323-0220


         

        26th ANNUAL EXCELLENCE IN JOURNALISM AWARDS

        CALL FOR NOMINATIONS


        Know a deserving journalist who soldiers on through cutbacks to tell the truth? Get the story, photo or video? Whose dedication to our craft is second to none? Or is that journalist you? For the past 26 years, the Northern California Chapter of the Society of Professional Journalists has selected from among the Bay Area's best of the best for its acclaimed Excellence in Journalism Awards. These awards honor the journalists whose work best reflects the SPJ ideals of initiative, integrity, talent and compassion.

        This year marks two significant changes to the awards: categories and entries. The board voted to realign the categories to reflect changes in journalism: Print/Text, Radio/Audio, TV/Video and Multimedia. Some categories will also be subdivided into daily and non-daily. The six special Board of Directors Awards will remain the same: Journalist of the Year, Career Achievement, Distinguished Service, Unsung Hero, Meritorious SPJ Service and the Silver Heart.

        The change to an online-only format, a first for this chapter, is one that we hope will make the contest process easier and faster. We will no longer accept mailed entries. The contest entry site will feature a one-stop shop for all your contest needs, including a short video with detailed, step-by-step instructions. All entrants need to do is create an account, and the site will walk you through the rest. As with all product launches, however, we anticipate a few kinks along the way. We thank you in advance for your patience as we make this important transition and would appreciate your feedback. The site — www.awards.spjnorcal.org — is set to go live by Aug. 6. 

        Details and rules below. Deadline Aug. 19. Best of luck!

        Instructions:

        Stories must have been published between July 1, 2010, and June 30, 2011, by a news outlet or individuals based in Northern California.

        DEADLINE: Aug. 19. Entries must be time-stamped by Aug. 19, 2011.

        QUESTIONS: Call chapter President Liz Enochs at (415) 323-0220.


        CONTEST CATEGORIES


        BREAKING NEWS

        Honors individuals, teams or news organizations whose work demonstrates clear and accurate reporting and graceful writing on deadline. Judges will consider deadline pressure and complexity of subject.

        Entry specifications: Submit up to three stories.

        Categories: Print/Text, Radio/Audio, TV/Video and Multimedia.

        INVESTIGATIVE REPORTING

        Honors individuals or teams that identify important issues and demonstrate initiative, persistence and resourcefulness pursuing information that is restricted or not easily available.

        Entry specifications: Submit one story or series of related stories.

        Categories: Daily and non-daily in Print/Text, Radio/Audio, TV/Video and Multimedia.

        EXPLANATORY JOURNALISM

        Honors journalists who increase readers' and/or viewers' understanding of significant or complex issues. Entries may add understanding to issues in the news or may focus on issues largely uncovered by the media.

        Entry specifications: Submit one story or series of related stories.

        Categories: Daily and non-daily in Print/Text, Radio/Audio, TV/Video and Multimedia.

        COMMUNITY JOURNALISM

        Honoring journalists and organizations whose primary focus is coverage of a well-defined small community or neighborhood. Entries may include print publications, news broadcasts or news sites. University-supported projects are not eligible. Entry specifications: This is for community-based outlets. Submit no more than five news stories or packages demonstrating the range and depth of local news coverage.

        Categories: Print/Text, Radio/Audio, TV/Video and Multimedia.

        FEATURE STORYTELLING

        Honors journalists for exceptional writing that demonstrates originality of approach. Judges will consider humor or drama evoked, style, clarity of writing and suitability of the writing to the subject.

        Entry specifications: Submit story or series.

        Categories: Daily and non-daily in Print/Text, Radio/Audio, TV/Video and Multimedia.

        COMMENTARY/ANALYSIS

        Honors individuals for exceptional writing of commentary, analysis and editorials. Print entries may include bylined or unsigned editorials and columns. Online entries may include news-related blogs. Judges will consider quality of writing, clarity of analysis and originality of approach.

        Entry specifications: Submit up to three samples

        Categories: Print/Text, Radio/Audio, TV/Video and Multimedia.

        ARTS & CULTURE REPORTING

        Honors journalists for incisive reporting about art, music, movies, theater, dance, books, restaurants, architecture or other public performance. May also include reviews. Judges will consider quality of analysis and persuasiveness of arguments.

        Entry specifications: Submit up to three samples

        Categories: Daily and non-daily in Print/Text, Radio/Audio, TV/Video and Multimedia.

        JOURNALISM INNOVATION

        Honors individuals or organizations that have demonstrated innovative ways to further the goals of journalism, using online tools, new funding strategies and/or other approaches; entrants should demonstrate how innovation has led to unique coverage.

        Entry specifications: Submit up to three samples showing how this innovation works.

        Categories: All media.

        PHOTOJOURNALISM

        Limited to 3 separate submissions of not more than 15 images each. Include the written story or explanation:

        1) Newspaper stories/essays/features (for stories published either in print or on a paper's website)

        2) Magazine stories/essays/features (for stories published in print or on the magazine's website)

        3) Audio slideshow: Limited to 1 audio slideshow up to 3 minutes in length.

        Limited to 1 submission not to exceed 10 images:

        4) Newspaper single image/portfolio

        OUTSTANDING EMERGING JOURNALIST

        Honors a journalist with less than five years of professional experience whose work shows great promise. Entry specifications: Submit resume and three samples of work.

        Categories: All media

        STUDENT SPECIAL PROJECT

        Honors individuals or classes of college-level students for exemplary reporting, writing, and/or photography produced by all forms of student media, including special projects that report local news. These should be student-generated and not part of an ongoing university-sponsored project. Entry specifications: Submit up to three samples.

        Categories: All media

        PUBLIC SERVICE

        Honors individuals, teams, or news organizations that try to improve conditions for the benefit of society. Entries will be judged on the significance of the issues, evidence of initiative, effectiveness of presentation and results obtained or pledged.

        Entry specifications: May include project articles, editorials, public service announcements, cartoons, photos, graphics and online material.

        Categories: All media

        NORCAL SPJ BOARD OF DIRECTORS' AWARDS CATEGORIES:

        (A nomination letter is required; also see online instructions)

        Journalist of the Year: For extraordinary journalistic contributions in the past year.

        Career Achievement: For extraordinary achievements exemplifying the highest standards of the profession.

        Unsung Hero: A person whose contribution to journalism is often overlooked (e.g., copy editor, librarian, web producer).


        Meritorious SPJ Service/The John Gothberg Award: For outstanding contributions to the NorCal Chapter of SPJ.

        Distinguished Service: For distinguished service to journalism by a journalist or non-journalist.

        The Silver Heart: Awarded to a journalist whose career reflects an extraordinary dedication to giving voice to the voiceless.


         

        SUBMISSION INSTRUCTIONS


        Stories must have been published between July 1, 2010, and June 30, 2011, by a news outlet or individuals based in Northern California.

        Deadline: Entries must be time-stamped by Aug. 19, 2011.

        Multiple entries:

        Only stories or projects entered in the Public Service category may also be entered in one other category.

        Fee:

        $30 per entry for SPJ members*; $40 per entry for non-members. Payments must be made via www.awards.spjnorcal.org.


        *To be eligible for the $30 member entry fee, you must be a member of both the SPJ national organization (current price $72) AND the SPJ Northern California chapter ($20) at the time-stamp of entry. Membership is good for 12 months, based on the date you joined. Chapter membership entitles you to free or reduced member admission to NorCal chapter activities, including the Excellence in Journalism Awards dinner. See www.spj.org/join.asp to join SPJ and the NorCal chapter.

         

        ###

        Sourcefabric – redesigning the future of journalism

        Hey folks. I was recently contacted by an interesting organization in Europe. They have a contest coming up that some of y'all might be interested in. (Prize is a trip to Prague!) Details and a message from their communications guy below.

        -Mia

        ++++++++++++++++++++++

        We're a non-profit organisation supporting independent media through a variety of things from running contests challenging people to redesign news on the web (http://contest.sourcefabric.org), to building great broadcast networks in interesting places (http://www.wadr.org based in Dakar, using SoundCloud, satellite technology and open source software), to reporting on undercovered stories (http://sourcefabric.org/en/community/blog/670). We have our own CMS for journalists, and we're currently developing an open source newsroom management tool.

        But perhaps it's the contest that might interest people the most. More details are below – any help you could give us on spreading the word about what we do would be great.

        Many thanks, Adam

        Hyphen Public Interest Journalism Fellowship – deadline August 1

        A great opportunity from Hyphen Magazine – deadline is approaching!
        -mia

        +++++++++++++++++++++++++

        http://hyphenmagazine.com/fellowship

        Hyphen Public Interest Journalism Fellowship

        The Hyphen Public Interest Journalism Fellowship will foster high-impact stories about Asian Americans with a focus on coverage of the pressing social issues of the day, such as immigration or the environment.

        Fellows who are selected will funded up to $3,500 each. Projects can be in any medium, and the fellowship is open to journalists in all media. Fellows will be selected based on the strength of the proposal and likelihood for successful reporting and completion. Hyphen publishes a print magazine, website and blog.

        The fellowship will fill a need for ambitious journalism covering Asian American communities and issues. Fellows will be expected to report and produce stories that illuminate some aspect of the Asian American experience. Fellows will be supervised by Hyphen’s editorial team.

        Timeline: Applications must be received by 11:59 p.m. Pacific Standard Time on August 1, 2011 (electronic application only). Email the application to: fellowship@hyphenmagazine.com.

        Fellows will be announced August 31, 2011.

        Fellows are expected to complete the first draft of the project by January 2012.

        Eligibility: Journalists who have at least three years of experience in print, video, audio or electronic journalism (writing, reporting, editing, producing) and demonstrate the ability to produce high-quality in-depth journalistic work. Applicants should have prior experience and a clear passion for covering Asian American communities and issues, or other marginalized communities and communities of color. Fellows must be eligible to work in the United States, though they do not need to be based in the United States. The candidate must represent and warrant that she or he be able to work in the United States or otherwise be able to receive the fellowship and perform the services required by the fellowship without violating applicable laws and regulations. Nothing stated herein shall obligate Hyphen magazine to awarding the fellowship or otherwise selecting a recipient for the fellowship. 

        About Hyphen: Hyphen is a national independent magazine covering Asian American arts, culture and politics. Hyphen’s magazine has a readership of 10,000 as well as an established and growing online presence with an average of 45,000 unique monthly visitors to its website, hyphenmagazine.com, and blog, hyphenmagazine.com/blog. The stories produced will be publicized via our magazine, website and social media.

        How to Apply

        Please include a fellowship proposal, budget, work samples and resume.

        Fellowship Proposal: A statement not to exceed 2,000 words that includes a detailed description of the proposed project. Discuss the significance and timeliness of the topic and how it affects the Asian American community.

        Please ensure that your project proposal responds to the following questions/points

        1. An overview of the project you propose.
        2. What is new, innovative, useful, counterintuitive or controversial about the topic addressed by your project?

        3. What are the implications of the project both in the short and long term for Asian Americans and others?
        4. Why are you proposing the project? How did you happen upon the topic?
        5. Why are you the best person to do this project and story?

        Budget: Include a one-page estimated project budget describing how the funds will be used to support the project (research, materials, travel if necessary).

        Work Samples: Please submit an electronic copy of three work samples that include the name of the publication or outlet and the date it was published.

        Resume: Please include a list of representative publications and outlets, membership in professional organizations, major journalism prizes and/or awards and year awarded. Include at least one professional reference.

        Email all materials to fellowship@hyphenmagazine.com

        Distribution Grant for New York State Artists

        Funding available for you New York State folks to get your work out to the public. Details below.
        -mia

        ++++++++++++++++++++

        Distribution Funds Available: Deadline: 10/31/2011

        free103point9 is pleased to announce the next Distribution Grant Deadline for New York State Artists providing support for the distribution and exhibition of new works in film, video, sound, new-media, and media-installation. Funding is available from free103point9 through a regrant from New York State Council on the Arts' Electronic Media and Film Program ( http://nysca.org/public/guidelines/electronic_media/index.htm ). Grant awards will assist artists in making works available to public audiences and may include, but are not limited to: moving image and sound works; duplication of preview, screening and exhibition copies; promotional materials including documentation and schematics of media-installation and new-media works. The rental or purchase of equipment essential for exhibition/distribution by individual artists is also eligible. More information: http://free103point9.org/nysca/

        Looking for LA-based Indies for new public affairs program

        For you LA-based radio folks – a great opportunity to work on a new project with radio legend Jim Russell. Exciting stuff!
        -mia

        +++++++++++++++++++++++

        I am looking for talented LA-based Indies who might like to work on a pilot for Town Hall Los Angeles. We're reinventing a public affairs program, needing to give it life, surprise, energy and coverage of the incredible diversity that is Los Angeles. Town Hall LA thinks civic engagement is essential, but it doesn’t think public affairs have to be boring. Especially in a megalopolis like Los Angeles, where Hollywood, politics, money, 120 languages, cultures and palates all collide to create one of the most energetic and exciting places in the world. If you are an experienced radio producer who wants to show off your skill and creativity, email me at jim@programdoctor.com with your background and a link to an audio sample of your best work.


        Jim Russell
        The Program Doctor

        FSRN is hiring a DC Correspondent

        Our friends at Free Speech Radio News are hiring in DC. Details below.
        -mia

        ++++++++++++++++++++++++++

        FSRN is hiring!  Great chance to really cover the capital for a national audience.
        Please share with anyone you know who might be interested. Send application materials to jobs@fsrn.org.

        DC Correspondent Position


        Free Speech Radio News is looking for a creative, passionate and experienced broadcast news reporter to join our worker-run collective.

        Free Speech Radio News is the only collectively run daily news program in the United States, and is broadcast on more than 110 stations across the country. FSRN has reporters in 40 states and 50 countries and covers national and international stories that aren’t being told elsewhere, highlighting how the actions of elected officials and decision-makers affect real people.

        The DC Staff Correspondent plays a crucial role in determining and carrying out our coverage from Capitol Hill, and is a familiar and trusted voice for our audience. Our ideal candidate is a news junkie, who eats and sleeps current events and is constantly on the look-out for new and under-reported stories and voices.

        Responsibilities:

        -File a 3-4 minute long feature story each day on breaking news and current events emanating from Washington and the US Capitol.


        -Gather additional sound from events, press conferences, speeches and interviews.


        -Follow closely news and developments in Congress, the White House, government departments and agencies and the US Supreme Court.  Have a good understanding of Washington, DC community news, which FSRN also covers.

        -Plan and execute FSRN’s 2012 Election coverage.


        -Participate in daily editorial meetings.


        -Prepare multimedia elements for FSRN’s website, including video.


        -Recruit, train and oversee DC freelance reporters.


        -Participate as a guest on radio shows throughout the Pacifica Network and on stations airing FSRN.


        -Participate in staff collective that helps to run FSRN, including attending staff meetings and annual meeting, and serving on committees.

        -As a collective, decisions at FSRN are made in a decentralized manner. Consequently, the ideal candidate must be comfortable with this kind of process and be able to work effectively with it. Also due to the collective nature of the organization, the candidate must be able to function with a high level of autonomy.

        -Other duties as required


        Qualifications:


        -Proven track record filing feature stories covering government on daily deadline

        -Solid understanding of Congress and legislative process

        -Excellent writing, communication and organizational skills

        -Ability to find appropriate and diverse sources on short turn-around

        -Ability to write accurate, compelling radio stories on tight daily deadlines

        -Ability to find new, under-reported angles and break news of interest to the FSRN audience

        -Knowledge of and dedication to grassroots radio/independent journalism


        Preferred experience:


        -2 years daily deadline reporting experience in Washington, DC

        -Experience shooting and editing video

        -Fluency in languages other than English

        -Journalism training and mentoring background

        -Investigative reporting experience


        Location: Washington, DC office. Candidates must have their own broadcast-quality radio recording equipment.


        Hours: This is a full-time, 40-hour per week position, Monday through Friday with occasional weekend work.  We provide paid holidays, two weeks of vacation and the opportunity to participate in an egalitarian worker-run structure. Currently, FSRN does not provide health care.

        Pay:  $18.75/hour


        How to Apply: Send a cover letter, resume, four references and links to three of your best radio feature news stories (3-4 minutes in length) to jobs@fsrn.org. No audio attachments please. First review of applications begins August 15th. Please put the title of the position in the subject line. Expected start date: September/Early October.

        People of color, women, LGBT people, people with disabilities, immigrants, and people who have lived in poverty are strongly encouraged to apply.

        2011 CA Documentary Project grants

        This org has funded some brilliant projects in the past. Deadline is Oct 3 for the latest round of funding. Go for it!

        -mia

        +++++++++++++++++++++++++++++++++++

         

        2011 CA Documentary Project

        Grants for film, radio and new media

        Deadline October 3, 2011

         

        The California Documentary Project (CDP) is a competitive grant program of the California Council for the Humanities (CCH). CDP supports the research and development, production, and public engagement stages of film, radio, and new media projects that document the California experience and explore issues of significance to Californians. Projects must approach subject matter from a humanities perspective; enhance our understanding of California and its cultures, peoples and histories; and be suitable for California and national audiences.

         

        Eligible projects may apply for research and development funding up to $7,000, film or radio production funding up to $50,000, or new media production funding up to $20,000.

         

        Please see www.calhum.org for more information.

        NY part-time reporting job for 5k

        This looks interesting for you NY print folks.
        -mia

        ++++++++++++++++++++++

        New York reporters:

        Please see the job description below – it's for a part-time reporting position that'll run at least through September for a state accountability project run by the Center for Public Integrity, in conjunction with Public Radio International. It requires someone who knows NY state politics and is used to delving for state-related information. After gathering a lot of data you'll be required to write a report – there's a possibility that a radio piece could come out of it too. If interested please contact Caitlin Ginley, whose information appears at the end of the post. She'd like to fill the position ASAP.
        Thanks,
        Ashley

        Subject: State Accountability Project Seeks 50 Reporters

        The Center for Public Integrity Seeks 50 Experienced Reporters for State Accountability Project

        Over the next 18-months, the Center for Public Integrity will create a risk analysis of corruption in all 50 state governments. We're hiring part-time, freelance reporters to assess the existence and effectiveness of anti-corruption and government transparency measures at the state level, including political financing, civil service management and state budget processes.  We want reporters who know their state and how to dig. The project team will also create online data, reporting, and technology tools to help empower people to demand greater accountability and reform.

        The Center is partnering with Public Radio International and Global Integrity on the project. The Center has been a leader in nonprofit investigative journalism for more than 20 years and our work is widely cited, referenced, and used by media and non-media organizations around the country.

        If you are interested in applying, please click on the enclosed link www.bit.ly/sap-apply. We also encourage you to share this link with colleagues you think might be interested in applying.

        Thank you


        For more information, please contact:
        Center staff writer Caitlin Ginley
        Ph. (202) 481-1238
        cginley@publicintegrity.org

        NYC-based Job opening at TAL

        This American Life is hiring a producer in NYC. Sweet gig if you can get it. Details and contact information below.
        -mia

        ++++++++++++++++++++++++

        You can apply by emailing jobs@wbez.org or apply directly on line at www.wbez.org/jobs.

        This American Life is produced by Chicago Public Media (WBEZ) and is heard on over 500 public radio stations in the U.S. by 1.7 million listeners each week. Most weeks it's also the most popular podcast in the country, with another 650,000 people downloading. It's heard each week in Canada on the CBC and in Australia on the ABC. The show has won every major American award for broadcasting and journalistic excellence, but from the start, it was designed as an entertainment, a documentary show for people who hate documentaries. It's known for a distinct sound that it created, with funny and compelling stories about everyday people. In recent years, the show has tackled newsier subjects.

        The job includes but is not limited to:
        Finding, commissioning, editing, directing, mixing and producing segments for a weekly show. These include stories with field reporting and sound, host interviews and authors reading original fiction and non-fiction.

        Designing entire programs, in collaboration with the Senior Producer.
        Structuring and producing stories with freelance reporters. Some of our producers also report their own stories.
        Directing talent in the studio, editing voice tracks and quotes, selecting and mixing music into the stories.

        Qualifications:
        Demonstrated experience with narrative journalism is essential: creating stories that unfold with a plot and emotion and humor and fully relatable characters. Five years’ experience reporting or producing in radio, preferably for a nationally distributed show.

        Film or TV documentary experience may substitute for radio experience, if it's crafting stories similar to the style of our program.
        Digital audio editing and mixing skills are essential.
        College Graduate or equivalent training and experience.
        Please note: We will only consider candidates who have experience doing narrative journalism like the stories on our show.

        Salary consummate with experience. This position is based in New York City. Due to the production schedule of the show, we will be contacting candidates for interviews in late August and early September. Please include links to your work in your cover letter.

        Chicago Public Media is an Equal Opportunity/Affirmative Action Employer that seeks diversity in the workplace.

        Third Coast – RHDF Competition deadline is this week

        Last minute entries still being accepted for the Coasties audio awards. Go for it!
        -mia

        +++++++++++++++++++

        Hey Producers,

        The LATE deadline for the 2011 Third Coast / Richard H. Driehaus Foundation Competition is just three days away!

        After noon PDT on Thursday, July 14, you'll have to wait an entire year to participate. So why not enter, say… right now?
        http://www.thirdcoastfestival.org/competitions/tc-rhdf-competition/info

        Winning producers will receive prizes ranging from $1,500 to $5,000 to support future creative endeavors. Winning programs (and their producers) will be celebrated at an awards ceremony in Chicago and heard by a national audience this fall in Best of the Best: The 2011 Third Coast Festival Broadcast, distributed by the Public Radio Exchange (PRX).

        Read more about the Competition, categories and how to upload your entry here:
        http://www.thirdcoastfestival.org/competitions/tc-rhdf-competition/info

        And don't hesitate to get in touch with any questions (info@thirdcoastfestival.org.) You can also call 312-948-4682.

        Happy listening and entering, people!

        Yrs,
        TCF

      • * * * * The 2011 TC/RHDF Competition is powered by PRX.org.
      • UNITY Journalism Fellowships

        More funding for non-traditional journalistic ventures.
        -Mia

        ++++++++++++++++++++

        "New U" entrepreneur fellowship program opens

        Applications are now being accepted for the latest round of the New U: News Entrepreneurs Working Through UNITY fellowship, a competitive program funded by the Ford Foundation for journalists of color who want to become entrepreneurs. Participants will attend a “startup camp” in October in Las Vegas, get one-on-one mentoring, and compete to win $10,000 in start-up funding. Fellowship winners will be announced in September.

        Scholarships Available for DEMO Conference

        Could be a great opportunity for some of y'all.
        -Mia

        +++++++++++++++++++

        Knight Foundation is sponsoring DEMO ( http://www.demo.com/ ), a leading technology investment conference in Silicon Valley this September where companies pitch ideas to investors.

        Some 20 scholarships are available for start-ups to attend – including two for women and minority-led digital media companies.

        Apply by July 15th at DEMO.com.

        Snap Judgment Pitch List

        Here's the latest call for pitches from our friends at Snap Judgment. Pitch away!
        -mia

        ++++++++++++++++++++

        Hello Snap Judgment friends, here's our latest theme list. Please send pitches to Pitches@snapjudgment, and remember that our stories need a strong narrative arc, told by a central character.  Lastly, please listen to the show before pitching. For some guidance, check our flowchart, "Is your story right for Snap Judgment?"

        The Tortoise and the Hare: Stories about an unexpected winner, an underdog, or a patient clairvoyant. We have the story of a young musician in an oil boom town who resists getting a job in the oil business, eventually the oil dries up but his band goes on to become famous. We're looking for stories where seemingly foolhardy or difficult to understand decisions pay off unexpectedly.

        Lost in Translation OR Misdiagnosis: Mr. Roper thinks Jack is sleeping with Cindy but it's all a big misunderstanding sorted out at the Regal Beagle. OK, so we're looking for stories a bit more sophisticated than the plot line of 3's Company. Stories of misunderstandings that lead to dramatic or surprising consequences. We are working on stories about sign language being misinterpreted as gang symbols, a widespread disease in a small town being misdiagnosed and a young girl misunderstanding her families bigamy.

        Nemesis: Stories about enemies, arch rivals, the opposition. We are working on a piece about a young man who writes a cruel letter to a neighborhood developer. Nemesis stories should have an unexpected twist or outcome.

        Something quite precocious : We're hoping this episode will feature the voices of young people, and tell stories that highlight the ways in which kids see situations differently than adults. Examples include the story of a young girl who saves her father's life after a car accident.

        We're still looking for stories for several themes from our last call, including Spaceman (these stories can include air travel, hot air ballooning, etc), Waste, and The Wiz.

        Thank you very much,

        Anna


        Anna Sussman
        510-501-5959
        www.Snapjudgment.org
        www.backpackjournalist.org

        Knight NEA Arts Journalism Challenge

        Large grants available for arts journalism – a rare opportunity! Details below.
        -mia

        +++++++++++++++++++++

        Knight Foundation and NEA offer up to $100,000 for projects in Eight-city Community Arts Journalism Challenge

        WASHINGTON, D.C. (July 6, 2011) Knight Foundation and the National Endowment for the Arts (NEA) today are launching an eight-city competition seeking new models for local arts journalism in the digital age. The initiative seeks to rethink how traditional media systems function, harnessing the latest tools and technology to make the transition to the new information environment.

        Just as cultural institutions are pursuing new ways to engage audiences, information portals are also seeking innovative methods to cover, inspire and engage communities through the arts and to provide platforms for high quality cultural criticism and coverage.

        Winners of the Knight/NEA Community Arts Journalism Challenge will use the latest tools for storytelling and engaging readers to create model programs that could be replicated in other communities.

        “Arts journalism is essential to the kind of vibrant communities we all want to live in,” said Dennis Scholl, vice president/arts for the John S. and James L. Knight Foundation. “With the changing media landscape, we have a real opportunity here to find new, engaging and sustainable models.”

        NEA Chairman Rocco Landesman said, “The challenges facing arts journalism are well known. However, no clear solutions have yet emerged to sustain locally relevant coverage. We are counting on the bold and innovative thinking in these eight communities to begin showing a path forward.”

        Applications are being accepted for projects in the following cities: Akron, Ohio, Detroit, Mich., Macon, Ga., Charlotte, N.C., Miami, Fla., Philadelphia, Pa., San Jose/ Silicon Valley, Calif., and St. Paul, Minn. Although the applicant may be from outside these eight cities, the proposed project must benefit at least one of these communities directly.

        Up to $100,000 is available per project: first round winners will receive up to $20,000 to create an “action plan” for developing their idea, and will be eligible for up to $80,000 in the contest’s second round to implement it.

        Individuals, non-profits and businesses are eligible to apply. Partnerships between legacy and emerging media organizations are encouraged. There is no limit to the number of applications an organization can submit.

        “No idea is too unusual,” Scholl said. “Embedding a nonprofit reporter in a for-profit news organization? Creating a new collective to share professional work? Asking the community to decide which arts stories are best and put up the money to cover those? Have better ideas that never would have occurred to us on our own? Fill out the application form, and send them in. The best ideas may well be the ones that stretch our thinking.”

        For application materials and more information, visit http://www.artsjournalism.org. The application deadline is Thursday, August 18, 2011.

        Knight and NEA staff will answer questions about the challenge during a live, online chat at 2 p.m. July 27th at http://www.ArtsJournalism.org. No registration is required, though you can go to ArtsJournalism.org to sign up for a reminder.

        About the John S. and James L. Knight Foundation: http://www.knightfoundation.org

        About the National Endowment for the Arts: http://www.arts.gov

        Media Contacts:
        Marc Fest, Vice President of Communications, Knight Foundation,
        305-908-2677; fest@knightfoundation.org

        Victoria Hutter, Assistant Director, Public Affairs

        202-682-5692, hutterv@arts.gov

        Sally Gifford | Public Affairs Specialist | National Endowment for the Arts

        giffords@arts.gov | 202-682-5606
        URL – www.arts.gov
        Twitter – http://twitter.com/NEAarts
        YouTube – http://www.youtube.com/NEAarts

        full time photog gig in Spain

        This is a full-time gig but I couldn't resist passing it along. ¡Viva España!
        -mia

        +++++++++++++++++++

        10058459 — Chief Photographer/Photo Editor

        This photographer organizes and provides photographic coverage of spot
        news, enterprise, sports and entertainment, primarily in Spain but
        also in the region as required. This person works closely with the
        Regional Photo Editor in London and bureau text and TV staff to ensure
        planning and coverage of hard and soft news in Spain and Portugal. He
        or she generates projects that add a dimension beyond the daily
        report. The incumbent manages as small team of staff photographers and
        helps develop and maintain a network of freelancers as well. The
        photographer covers assignments in the Iberian peninsula as required.
        International travel is a required part of the job.

        QUALIFICATIONS:

        All candidates must have superior news judgment and the photographic
        skills to provide high level coverage competitively from this
        important area in Europe, plus a demonstrated ability to generate
        strong photos beyond scheduled assignments. Skills include a sharp
        sense of photo composition, the ability to compose as events unfold
        and tell a story photographically.

        Creativity is critical, as well as the ability to meet deadlines. The
        photographer must be able to shoot sport to a high level to provide
        competitive coverage of the many international sports events in Spain.
        The applicant must be able to edit digital images and transmit using
        appropriate technology. Proficiency in writing captions that are
        accurate and informative is essential. Multimedia skills are a plus.
        This person must be self-motivated and well-organized, with the
        flexibility to juggle priorities; good planning skills are essential.
        He or she must have excellent written and oral communication skills.
        The candidate must be eager and able to work as part of a team and to
        also work effectively independently.

        Advanced-level professional competency in written and spoken English
        language is required as well as a good working knowledge of Spanish.
        The successful candidate must be willing and able to work in a 24/7
        news environment. The selected candidate must be able to obtain legal
        authorization to work in Spain if not currently authorized to do so.

        The Associated Press is the essential global news network, delivering
        fast, unbiased news from every corner of the world to all media
        platforms and formats. Founded in 1846, AP today is the largest and
        most trusted source of independent news and information.  On any given
        day, more than half the world's population sees news from AP.

        Sound Interesting? Log onto:

        https://careers.ap.org/viewjob.html?erjob=22303&eresc=ERNOTIFY

        Video internships at Burning Man

        For you crazy desert lovers 😉
        -mia

        +++++++++++++++++++

        Reply to <cameratales@burningman.com> with any and all correspondence.

        VIDEO INTERNSHIPS @ BURNING MAN 2011: Now accepting Applications!

        Send in a resume, links of prior work and/or a cover letter telling us
        which project you want in on… We've got three!
        ((Read details below))

        Work involves shooting video in the morning or in the evening at
        specific assigned locations. A video team and a schedule will be
        formed so shifts can be shared/signed up for, and distributed. A
        dedicated area for charging cameras (and dumping content) will be
        provided at Media Mecca.

        VIDEO INTERN QUALIFICATIONS

        *Video shooting and/or editing experience.
        *Audio or Digital Production experience.
        *Ability to uphold deadlines.
        *Familiarity with Burning Man.
        *Strong communication skills.

        (PREFERRED)

        *You already have the Video Equipment you will use (definitely not
        required, but we are looking for more video recording tools!)

        (REQUIRED)

        *Video Interns must be able to shoot for Burning Man on some days
        between Sunday night August 28, 2011 through Friday, September 2nd,
        2011. Interns will work in shifts for no more than 2 hours at a time.
        Those working on the experimental Civic Participation project must be
        able to come to Burning Man starting August 22, 2011.

        Internships at POV

        POV is looking for interns… I'm guessing the internships are based in NYC, but check the link below to be sure.

        -mia

        +++++++++++++++++++

        INTERNSHIPS AVAILABLE

        POV/American Documentary

        Produced by American Documentary, POV ("point-of-view") is television's longest-running showcase for independent non-fiction film, premiering 14-16 high-impact documentaries every year on PBS. Hailed by critics as among the most important and relevant programming on television, POV films have won every coveted television and film award, including 18 Emmys, 11 George Foster Peabody Awards, eight Alfred I. duPont-Columbia Broadcast Journalism Awards, three Academy Awards, and the Prix Italia.

        We are looking for self-motivated individuals who have excellent communication and writing skills and a keen attention to detail to assist in the areas of production/programming, research and development, community engagement and education, Web, and communications and marketing. Interested candidates are strongly encouraged to visit the POV website to learn about the series and our other activities.

        Interns must commit to a minimum of 12-16 hours per week. Internships are unpaid; college credit can be arranged. Travel stipend available. All interns are required to attend a one-hour orientation session, date TBD.

        To find out more about internship opportunities at POV and to apply, please submit the following materials via our online application form.

        *cover letter detailing your availability and your interest in POV
        *resume
        *writing sample

        Incomplete applications will not be considered.

        Note: We are not a production company.

        BBC.com hiring multimedia journalists in Washington DC

        BBC.com is hiring in Washington DC. Spread the word!
        -mia

        +++++++++++++++++++++++

        BBC.com, the international news site for the BBC, has four vacancies for multimedia journalists in Washington DC. Expertise in video is particularly desired, in addition to an interest in international news and a commitment to the BBC values of impartiality and independence.

        Details here

        http://www.mediabistro.com/joblistings/?journalism

        Thanks
        James Montgomery
        BBC Global News

        Arts/Culture Editor Bay Guardian

        SFBG is hiring! Details below.
        -Mia

        ++++++++++++++++++++++++

        Associate Arts and Culture Editor

        Reply to: jobs@sfbg.com


        Come print the news and raise hell! The San Francisco Bay Guardian —
        a Bay Area institution since 1966, recently named "California's Best
        Large Weekly" by the California Newspaper Publishers Association —

        has an opening on its staff for an Associate Arts and Culture Editor.

        The ideal candidate will have a journalism background with
        demonstrated writing and editing skills. Must be extremely organized

        and deadline-oriented, web-savvy, and have a strong connection to the
        Bay Area arts and culture scene. Local candidates will be given
        preference.

        Candidates with a special interest in local music preferred.


        Duties will include: writing, assigning, and editing feature articles,
        as well as entering listings and other calendar-related tasks.

        The Guardian is an equal opportunity employer.


        To apply, send your resumé, cover letter, and writing samples (clips
        preferred) to jobs@sfbg.com.

        tech producer job opening at FSRN, Berkeley, CA

        Job posting from our friends at FSRN. Job description and contact info below.
        -mia

        ++++++++++++++++++

        Free Speech Radio News, a half-hour daily news show, is searching for a qualified candidate to fill the Assistant Technical Producer position.  This position is 20-25 hours per week, 10:00am – 3:00pm Monday through Friday. The position is located at KPFA 94.1 FM in Berkeley, California. 


        The Assistant Technical Producer is responsible for assembling the final newscast.  This is a key role in the post-production process and the Assistant Technical Producer’s skill determines the quality and delivery of the daily newscast. This position works independently, and closely with the Producers, Headlines Editors, Host and Reporters to meet broadcast quality requirements.  S/he has full and complete understanding of high-end radio production, and also has demonstrable knowledge of digital audio editing systems audio recording equipment and website CMS. The successful candidate must be able to calmly and effectively problem solve under extreme deadline pressure.


        Responsibilities:


        1-Assures professional quality productions and smooth execution of projects by planning, organizing, instructing reporters and staff, implementing proper audio techniques, coordinating and scheduling pre-production, production and post-production with appropriate personnel.


        2-Downloads incoming audio from FSRN’s server Monitors audio quality and communicates with producers and reporters about sound that does not meet broadcast quality standards.


        3-Continually works with reporters, improving their audio recording techniques.  and also Suggests equipment upgrades, when necessary.  Also, troubleshoots various audio-editing, computer and ftp setups over the phone and/or via email.


        4-Assembles/edits incoming news segments.  Records phoners, 2-ways and voice-overs when needed. Also, actively listens to content, and reports any inaccuracies to the producers and reporters for corrections.


        5-Works efficiently and with speed and is capable of recording/assembling multiple segments daily and under time constraints. Maintains and adheres to predetermined production constraints, deadlines and quality standards. Assists the technical producer in timing out the daily newscast.


        6-Communicates with Web Host and others, as needed, when web stream problems occur, and regarding other technical issues related to FSRN’s website and audio upload page.


        7-Assembles the daily newscast and prepares it for the 1 pm PST national broadcast.  Monitors the webstream and the 1:45, 2:30, 3:00 and 3:30 pm PST Satellite feeds.


        8-Communicates with producers via phone, email or online chat.

        on the status of incoming news segments and the status of the show. 


        9-Updates www.fsrn.org daily, using ftp and Drupal content management system.  Uploads the newscast audio and leads text for affiliate stations and online listeners. Troubleshoots any technical issue via phone or email.


        10-Maintains a back-up archive of all finished FSRN newscasts on an external hard drive, clears out old files.


        11-May be called upon to recruit and train possible fill-in tech producers.  May be involved in write-ups or re-writes of guidelines for recording, mixing, uploading and other technical material.


        Qualifications for the position include:


        1-Ability to multi-task, organize and meet scheduled deadlines in a fast paced news environment.  Capable of prioritizing work assignments in a deadline and detail oriented environment.


        2-Excellent communication skills and works well in a team. 


        3-Experience with studio quality digital audio editing systems, especially

        Soundforge. Proficiency in Drupal (CMS), and WordPress, mysql, wikis, ssh, and other web tools needed to expand FSRN’s online presence, manage data, and provide encryption.  


        4-Ability to operate audio equipment used for productions. Solid knowledge of various portable audio recording devices to assist reporters with troubleshooting in the field.


        5-Ability to work under extreme deadline pressure on a daily basis. Excellent organizational and time management skills, with the ability to work under pressure to complete assignments under time and budget constraints and otherwise adverse conditions encountered during routine productions.


        6-Ability to frequently use repetitive motions of the wrist, hands and/or fingers. Must be able to maintain a fast physical pace during shift hours.


        7-Commitment to the FSRN newscast and progressive news.  Also, the desire to help govern the diverse worker run collective consisting of 7 staff members and about 200 reporters.  Must maintain a positive work atmosphere by behaving and communicating in a manner that works well with co-workers, reporters, affiliates and listeners.


        8- Strong computer skills and the ability to learn and master new hardware and software quickly.


        9-Strong command of English language and ability to proofread scripts for grammatical errors.


        Desired qualities:


        *2 years daily deadline broadcast newsroom production experience.


        *Knowledge of languages other than English.


        Those interested in applying for the position should submit the following:


        1) A cover letter describing the applicant’s interest in the position that will highlight their qualifications.


        2) A resume.


        3) A technical critique of a recent FSRN newscast (no more than 700 words) and a description of how FSRN could improve its website (no more than 700 words).


        People of color, queer people, transgendered people, women, differently-abled people, working class people and others traditionally excluded from newsrooms are especially encouraged to apply.


        We are unable to pay any moving expenses that may accrue upon acceptance of this position.


        There will be a rolling deadline for applications with the first review of applications beginning July 1, 2011. There will be an audio editing test at our Berkeley location as part of the interview and selection process. Please send a resume, cover letter and references to jobs@fsrn.org.


        AS
        ——-
        Alan Searle
        Development Director &
        General Administrator
        Free Speech Radio News
        PO Box 381 Toledo, Oregon 97391 USA
        Twitter: @fsrn
        FB: Free Speech Radio News

        TAL Theme List

        Here's the latest from the folks at This American Life. Pitch away!
        -mia

        +++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a bit of a delay getting that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

        Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

        Thanks so much for your pitches. All of us here are very appreciative.

        Best,
        Julie
        (julie@thislife.org)

        FATHER’S DAY 2011: We’re a little under-the-gun getting this show together in time for Father’s Day (June 19th, in case you were wondering when to mail your card) so we’re mainly looking for stories that won’t take too long to produce. Interviews, essays, small documentaries would be great. But, basically, we’re looking for stories that, of course, feature dads but also comment in a larger way about what it means to be a dad – in good ways and bad. We’ve done a couple Father’s Day shows over the years and some successful stories have simply been about dads who tried to go above and beyond in their parenting efforts –sometimes they succeeded and sometimes they didn’t. We now have two really nice stories for this show but both stories are kind of bummers, in a way, so a story about a dad doing something nice, heroic, impressive, etc, would be really great for this show. Or maybe a story about a dad doing something unexpected – both to his kids and to himself. An overachieving dad? Or a dad who has/had an interesting philosophy about fatherhood? We’re also thinking about putting together two short segments for the show – one idea is a series of people (the “children”) talking about touching, emotional or affecting moments with their dads that they think their dads are unaware of; another segment could about various types of fatherly advice – the weirder, the sweeter, the misinformed, the better. If you remember any particular gems from either your own dad or friends’ dads, or moments with your own dads, will you let us know?

        BREAKTHROUGH: This was originally a show about the search for a cure for cancer but we’ve decided to now make it a show about breakthroughs, discoveries and realizations of all kinds. One story we’re working on now is about the early days of natural gas exploration in Pennsylvania, and how those discoveries have affected research and development at national universities. We’re interesting in more stories about scientific breakthroughs with surprising consequences, but we’re also interested in stories of small, personal breakthrough moments. Maybe a story about a person conquering a fear or phobia – a fear of flying or of heights or something more unusual. Maybe a story about resolving a problem or dispute – two opposing sides coming to a truce. Another type of story could be a breakthrough that solved a crime, like a break in a case or something similar. Stories of smaller or more personal breakthrough moments would work best if there were surprising consequences.

        A HOUSE DIVIDED: Stories where some kind of group who is usually very functional and civil (think family, or corporation or, in one example, the state of Wisconsin), finds itself in a circumstance where everyone takes sides. And where taking sides can even threaten to shove a portion of that group out. The idea of the theme is very Last Straw or Boiling Point. For example, we have one story about the recent recall petitions filed against 9 Wisconsin senators (6 Republicans, 3 Democrats), in a move that is so atypical of Wisconsin’s easygoing politics, that it leaves us wondering what the hot tempers are really all about. We have a couple of big institution stories in the plans for this show, so a story about an actual family feud or something more personal would be really nice.

        REALITY SHOWS: We’re aware that talking about reality shows is a little late-90s but we’re now coming across so many stories where the engine of the story – the goals or the stakes – is simply the desire to either make or be cast on a reality show. The “reality show” as a plot device in stories is now taking the place of wanting to strike it rich or wanting to find love or wanting eternal life. It’s just understood that, of course, you’d do crazy, nefarious stuff and possibly go to extreme lengths because, in the end, you might get a reality show out of it. And, we’ve found, these types of stories can be really fun. We’re currently working on one story about a wannabe reality show private detective agency that actually gets involved in very real, very scary and very criminal work. We’re looking for more stories about the making of reality shows that take an unexpected turn or have surprising consequences for the contestants. We’d also love great reality show ideas. The difficulty of doing stories about reality shows, though, is that we’re often left wondering “what does this even mean?” So if you have a story or a thought about how reality shows can mean something larger, that’d be great.

        THE SUBURBS: One of our producers was recently in a car with a friend of hers, driving down the wide streets and past the big box stores of a Chicago suburb when, both at the same time, our producer said “God, I could never live here” and her friend said “God, this would be so easy.” It’s that tension between a more livable life and the idea of the soul-crushing homogeneity of the suburbs that can be so interesting. Sometimes the darkest stories take place in the suburbs and often suburban life can run counter to what you’d expect. We’re looking for stories about things that can either only take place in a suburb or, conversely, shockingly took place in a suburb. One story we’re pursuing now is about a 21 Jump Street-type of undercover police sting at a suburban high school in Florida that set the town on fire. We may focus the show entirely on crime in the suburbs so if you have suburban crime stories, that’d be great. But we may also keep the more general theme, in which case historical stories about suburbs and how they came to be would be good but also stories about truly suburban events or politics or relationships could work, too.

        AMUSEMENT PARK: We’ve done a few shows in the past where all of the stories are located in one place – for instance, a Rest Stop show set at a New York Thru-way rest stop, a show several years ago set at a 24 hour diner in Chicago – and we’re hoping to do another show like that this summer set at an amusement park. We’re still in the very early stages of planning this out and figuring out logistics and permissions but if you have thoughts or suggestions for this show, we’d really appreciate it. We might also set part of the show gathering day-in-the-life type of documentary stories at the park but also have part of the show with essays or short fiction about working at amusement parks or an event that happened at an amusement park and things like that. So if you have any interesting, emotional or funny stories about amusement parks, let us know.

        SUMMER FLING: It’s possible this show and the Amusement Park show will join together but our hope for now is that the shows could be separate. We don’t have any particular stories yet for this show but we have a wish list of stories for this show. A classic “summer fling” story would be great – maybe something just really romantic or funny or time or place-specific? An unlikely summer fling? But we also don’t have to limit the show only to relationship/romance stories. We could also have any stories that are summer-specific – a business that only lasts one summer? Or someone who adopts a new identity for one summer? A friendship that lasts for the summer?

        OUT OF MY DEPTH: Basically, stories about people getting in over their heads. We have one story about a man who comes up with a truly inventive and diabolical plan to pay off a debt, only to have the whole thing spectacularly backfire on him. We’d like more stories about simple plans or overconfidence or even just fingers-crossed-hope-it-works type of situations that quickly become too complicated or difficult. Because we have a few personal stories already in mind for this show, a story about a larger institution or business or enterprise could work well for this show.

        GOSSIP: We'd like to do a show about the strange and surprising ways that gossip works. We've got one possible story about American researchers in Malawi, who track the way local communities think about AIDS. For more than a decade, they've been giving notebooks to certain women in Malawi, who are tasked with writing down whatever gossip they hear about AIDS in their villages – who's got it, how they got it, why they got it, whether they're getting treated, etc. In this way, they've figured out how people's ideas, and misconceptions, about the disease have changed – and how to better fight it. We'd love to have more pitches about the good side of gossip, the utility of gossip. Or perhaps well-meaning gossip that went very wrong. Or stories about how gossip spreads in unexpected ways — maybe you told the guy sitting next to you in an airplane a top-secret story, and then heard it repeated back to you at a party three years later. That kind of thing. Stories about how gossip has changed history would be great, too. We'd probably like to avoid stories of straight-up mean gossip that had awful consequences – just because we're all familiar with those stories. That said, if there's a really great one, we'd certainly consider it.

        WAIT – YOU’RE THE CAVALRY?: This is a show about imperfect heroes. Much of the show we’re planning is about an FBI whistleblower who is now single-handedly reviewing thousands of criminal convictions at the heart of the famous scandal in the FBI’s crime lab ten years ago. But while the whistleblower may have been a great whistleblower – he’s obsessive, honest, and repulsed by deceit – he may not be the best person for the job of cleaning up the mess. We’re now looking for more stories about possibly flawed saviors. Maybe a story about a person or a group that is called to fix the problem they themselves created?

        2011 Call for Entries – Knight-Batten Awards (deadline extended)

        FYI folks: the deadline for this j-lab award has been extended to Friday, June 10. For more info and to apply, visit:

        http://www.j-lab.org/projects/knight-batten-awards-for-innovations-in-journalism/
        -Mia

        +++++++++

        The Knight-Batten Awards for Innovations in Journalism reward news and information ideas that significantly enhance opportunities for digital engagement. The awards honor novel efforts that actively involve people in public issues, supply entry points that invite their participation, sit their imagination, and meet their information needs in creative ways.

        Honored are pioneering approaches to news and information that:
            * Spark widespread audience engagement.
            * Encourage new forms of information sharing.
            * Spur non-traditional interactions that have an impact on a
                  community.
            * Foster animated two-way conversations between audiences and
                  news providers.
            * Create new ways of imparting useful information.
            * Employ new definitions of news.

        Entries could consist of such things as networked journalism projects, new social networking ideas, innovative citizen media initiatives, news games, creative use of mobile devices, data mining ideas, new online applications, augmented reality experiences, other advances in interactive and participatory journalism or out-of-the-box thinking.

        Entries may also employ simple efforts that notably connect in new ways with a community.

        Entries from all news producers are eligible. Encouraged are both top-down and bottom-up innovations, those driven by news creators and those driven by news consumers.

        The John S. and James L. Knight Foundation has funded a $16,000 awards program to honor the creative use of new technologies to engage people in important public issues and to showcase compelling models for the future of news.

        Among the prizes to be awarded are:
            * A $10,000 Grand Prize.
            * $6,000 in Special Distinction Awards to be awarded at the judges’ discretion.

        Winners will be announced in the summer of 2011 and are expected to participate in a panel on September 7, 2011 at the Knight-Batten Awards Symposium and invited to help educate the profession about journalism innovations.

        http://www.j-lab.org/projects/knight-batten-awards-for-innovations-in-journalism/

        Call for Summer Interns with State of the Reunion

        Want to get a foot in the door with an NPR multimedia program? Here's your chance. No pay, but the hours are reasonable, you can work from anywhere, and the experience is invaluable. Pass it along.
        -mia

        +++++++++++++++++

        State of the Re:Union (SOTRU) is a dynamic NPR show that combines hour-long radio episodes with documentary shorts, video podcasts, images, music and written articles to reach audiences in new and exciting ways. With each episode SOTRU travels to a different American city or town to explore what makes a community, to discover the people who bring it together and understand the issues they face. We air on more than 200 stations across the US.

        SOTRU currently has several openings for interns for our June 6 – September 15 summer production season. Interns will mainly be responsible for transcribing audio interviews, as well as special projects, including story research, pre-interviewing, and multimedia production.

        As a SOTRU intern, you will also have the unique opportunity to listen in on editorial calls with our host, editor and radio producers as we shape each episode.

        To be considered for this internship, you should have a strong creative background, solid writing skills and be able to take direction and work independently. Audio and video editing skills are very welcome. Our staff works remotely, and you can too; people anywhere in the US can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy weeks.

        If interested, please submit your resume to:

        Brenton Crozier, Multimedia Producer
        brenton@stateofthereunion.com

        Thank you for your interest in State of the Re:Union!

        Brooklyn Lit Mag Seeks Audio / Multimedia Submissions

        Very cool online journal seeks your multimedia submissions. Details below.
        -mia

        ++++++++++++++++++++++++

        Storyscape, an online literary and arts journal that is “story centered,” is actively pursuing audio, art, mixed media, and multi-media works that explore the concept of “story” from a non-textual perspective. The mission of Storyscape Journal is to collect stories in all their forms and formats. We get particularly excited when we publish stories that have no… you know… words. Or, at least, no words you can SEE.

        We’re looking for audio, and this is where you come in.

        Submit your audio, video, multimedia, and thing-we-can’t-describe-
        because-we’ve-never-seen-it-before (gasp) by link or by .mp3 or by whatchamacallit HERE:

        storymaster@storyscapejournal.com

        To check out the site: www.storyscapejournal.com

        Our mission statement: http://www.storyscapejournal.com/home/mission.php
        Our submission guidelines: http://www.storyscapejournal.com/home/submit.php

        Past contributors include: Amber Boardman, Ken Cormier, David Shapiro, Stephanie Chambers, Tereza Swanda, Ryan Scammell, and many more.

        WYPR in Baltimore hiring education reporter

        This is a full time gig, but I thought some of you might be interested. Pass it along!
        -mia

        ++++++++++++++++++++

         
        EDUCATION REPORTER

        Baltimore’s NPR News station WYPR seeks a full-time Education reporter with 5 years reporting experience, previous radio experience a plus.  Applicants must have knowledge of digital editing.  Salary is depending on experience.

        Submit cover letter (cite recruitment source) and resume to: Business Manager at the address posted below or: jobs@wypr.org.  NO PHONE CALLS PLEASE.  WYPR is an EOE.

        WYPR-FM
        2216 North Charles Street
        Baltimore, Maryland 21218

         

        call for audio postcards from the Great Lakes Region

        Self-explanatory. Send along to your contacts in the Great Lakes region.
        -Mia

        ++++++++++++++++++++++++

        CALL FOR AUDIO POSTCARDS FROM GREAT LAKES REGION. Pay: 300 Dollars plus expenses, 50 dollars for images. 2-3 minutes. 


        Front and Center is a new project based at WBEZ, but working with stations across the Great Lakes Region.  The project will be making long-form pieces that are creative and engaging. Every six-months we will put out a call for pitches.  You can expect a longer letter from us in the future explaining the upcoming themes and how to pitch.

        But right now, we have a more pressing request: Leading up to the launch we are releasing short audio post cards from around the region. We’d love to hear from freelancers who might want to make one. The postcards should come from the Great Lakes region and have something to do with water. For example:

        -These guys who ride their metal boats in the rivers and stir up Asian Carp to jump the air, then shoot them with cross bows.  

        -Divers who go look at shipwrecks in the Great Lakes.  

        -Is there a local cuisine involving Great Lakes fish? A unique sport or hobby  that happens on the beach? Music inspired by the lakes? People who work in the lakes? A family tradition connected to the lakes? A brewery that gets its water from the Great Lakes? A local myth, tall tale, or ghost story that features the lake?

        The postcards should be 2-3 min long. We pay 300 dollars per postcard. Expenses can likely be covered, but must be pre-approved. We can throw in an extra 50 bucks for digital images.


        Production can happen through June, but we are on a tight deadline to schedule the post cards and would love to hear from folks ASAP. We also have a few postcards we could possibly assign, so if you don’t have an idea, but live in the region, drop me a line and we can see if there is a fit.

        Shannon Heffernan, Front And Center
        sheffernan@wbez.org

        CALL FOR ENTRIES – duPont-Columbia Awards

        Hey journos. Details below for submitting your work for the prestigious duPont award. Some indie colleagues and I won this last year for Trey Kay's independent radio documentary The Great Textbook War and I have to say, it was a great thrill. Go for it!

        -mia

        ++++++++++++++++++++++

        Alfred I. duPont-Columbia University Awards
        Honoring the Best in Broadcast & Digital News Programming

        DEADLINE – JULY 1, 2011

        Eligibility Period: July 1, 2010-June 30, 2011
        www.dupontawards.org


        WE INVITE YOU to submit entries in the following categories:

      • Independent Productions – Documentaries
      • Local & National Radio
      • Digital Productions

        WHAT MAKES A DUPONT WINNER? The duPont Jury honors outstanding journalism. We look for excellence in reporting and evidence of commitment to important stories. We especially encourage the submission of daily news stories and breaking news coverage as well as feature stories, a series of related reports or selections from a correspondent's beat reporting in a given year.

        ELIGIBILITY Programs must have appeared on air, on line or in theaters for the first time between July 1, 2010 and June 30, 2011.

        ENTRY DEADLINES Long-form entries running longer than 2 hours must be
        submitted by June 15. All other entries must be submitted by July 1.

        ENTRIES WILL BE JUDGED by a Board of Screeners, many of whom are past duPont Award winners. The best entries are then referred to the duPont Jury. Finalists will be selected in November and the winners will be announced in December 2011.

        ENTER ONLINE The entry form for the duPont-Columbia Awards is now available online at www.dupontawards.org

        We encourage digital submissions of media. Please see the Web site for more details.

        QUESTIONS? Call us at 212-854-5047, e-mail us at dupontawards@jrn.columbia.edu, or visit our Web site www.dupontawards.org for answers to frequently asked questions.

        Abi Wright
        Director, Alfred I. duPont-Columbia University Awards
        John Chancellor Award
        Graduate School of Journalism
        Columbia University
        212-854-5047
        www.dupontawards.org

      • Metcalf workshop deadline extended to June 3

        New deadline for environmental reporting fellowship – details below.
        -mia

        +++++++++++++++++++++

        METCALF INSTITUTE EXTENDS DEADLINE FOR MARINE SCIENCE SEMINAR FOR JOURNALISTS

         

        Seminar to focus on environmental issues facing coastal communities
         
        Application postmark deadline extended to June 3

         

        NARRAGANSETT, RI – May 17, 2011 –The Metcalf Institute for Marine & Environmental Reporting is offering a seminar for journalists, Coastal Impacts: a Marine Science Seminar for Journalists, July 13-15, 2011, at the University of Rhode Island Graduate School of Oceanography in Narragansett, Rhode Island.

         

        The three-day science seminar will provide an introduction to environmental issues affecting coastal communities, including marine pollution, water quality, and links between oceans and human health. The Metcalf program will feature leading marine and environmental scientists and journalists, coastal field trips, and visits to marine research labs.

         

        Journalists from all media who want to improve their skills in environmental reporting and gain a thorough understanding of how scientific research is conducted are invited to apply for the science seminar. Journalists who report for ethnic news outlets, including freelancers, and minority journalists are strongly encouraged to apply. Applicants should have a minimum of two years’ experience and a demonstrated interest in covering environmental topics.

         

        The seminar is funded by the National Marine Sanctuary Foundation, the National Science Foundation, and the Chicago Tribune Foundation and will be held at the URI Graduate School of Oceanography, a leading oceanographic research campus.

         

        The tuition-free seminar includes lodging, meals, and travel support up to $200. Newsrooms are asked to cover salaries while participants are "on assignment" during the program. Detailed instructions are noted on the application form.

         

        Applications may be downloaded at www.metcalfinstitute.org The application deadline has been extended, and should be postmarked by June 3, 2011.  For additional information, email fellowships@metcalfinstitute.org or call 401-874-6500.

         

        The mission of the Metcalf Institute for Marine and Environmental Reporting is to promote clear and accurate reporting of scientific news and environmental issues; to strengthen understanding and working relationships between members of the scientific community and members of the news media; and to provide opportunities for beginning journalists to learn, on both a formal and an informal level, how to improve their skills in marine and environmental reporting.

         

        The Metcalf Institute for Marine and Environmental Reporting, based at the University of Rhode Island’s Graduate School of Oceanography, was established in 1997 with funding from three media foundations, the Belo Corporation, the Providence Journal Charitable Foundation and the Philip L. Graham Fund, and from the Telaka Foundation. It is named for the late Michael P. Metcalf, a visionary in journalism and publisher of The Providence Journal Bulletin from 1979-1987. In addition to providing science training for reporters and editors, Metcalf Institute administers The Grantham Prize for Excellence in Reporting on the Environment. For more information, contact Metcalf Institute at 401-874-6211 or visit us online at www.metcalfinstitute.org.

        Sunshine Menezes, Ph.D.

        Executive Director
        Metcalf Institute for Marine and Environmental Reporting
        Graduate School of Oceanography
        University of Rhode Island

        Narragansett Bay Campus

        Narragansett, RI  02882

        Office:  401.874.6499

        Fax:      401.874.6486

        Support Metcalf Institute with a tax-deductible contribution. 

        KQED seeks San Jose freelancers

        Hey folks. KQED needs freelancers in San Jose. Print reporters who want to try their hand at radio are welcome. Details below from Molly Samuel.
        -mia

        +++++++++++++++++++

        Hi everyone,

        I work part-time at KQED, and told our assignment editor I'd post a note here: we need freelancers in San Jose! If you live there, or know anyone there, please get in touch. This is mainly for being available for assignments and turning around dailies for the newscast, but I think she'd be open to pitches, too. If you're a print reporter in San Jose, and willing to learn some radio basics, we'd like to hear from you, too.

        You can email me at msamuel@kqed.org.

        Thanks,

        Molly


        Molly Samuel
        Radio Producer/Reporter
        415.259.4143

        radio producers sought for KALW storytelling event, Saturday, June 4

        Our friends at KALW are hosting a storytelling event on June 4 and they need your radio pieces! Contact Erica Mu mu.erica@gmail.com for details.

        -mia

        ++++++++++++++++++++++++

        San Francisco's KALW is hosting a multiplatform storytelling event as part of the Mission Arts & Performance Project (MAPP) on the evening of Saturday, June 4th. We're looking for radio producers interested in presenting/performing a live, 10-15 minute, Bay Area-inspired radio story. Please send a message to Erica Mu (mu.erica@gmail.com) if you are interested! Thanks so much!
        Best,
        Erica

        Third Coast Festival Announces Call for Entries

        The Academy Awards of radio storytelling are accepting entries – details follow. Good luck!
        -mia

        +++++++++++++++++++

        Entries are now being accepted for the Third Coast International Audio Festival’s 11th annual Richard H. Driehaus Foundation Competition!

        The TCIAF invites producers around the globe to submit their finest radio/audio stories in the following categories: Best Documentary (gold, silver, bronze, honorable mention, directors’ choice), Best New Artist, Radio Impact and Best News Feature.

        The TCIAF accepts stories that document people, places, times, events, phenomena and issues. These include but are not limited to: investigative reports, narrative stories, personal essays, profiles and audio portraits. Podcasts and documentaries that redefine the documentary form are welcome.

        Winners receive cash awards – $5,000 for the gold prize – to support their future creative endeavors. They also receive national recognition in Best of the Best: The 2011 Third Coast Festival Broadcast, airing on public radio stations across the country this fall.

        The early deadline for entries is June 23rd at noon PDT. The late deadline is July 14th at noon PDT. Entry fees range from $30 (students) to $50 (by early deadline) to $70 (by late deadline.) Read more about guidelines, prizes and how to upload entries at: http://www.thirdcoastfestival.org/competitions/tc-rhdf-competition/info

        Competition winners will be announced publicly on October 22, 2011 in Chicago at the Third Coast Awards Ceremony.

        As of 2011, the TC/RHDF Competition will have honored nearly 100 extraordinary stories from seven countries/four continents and given $250,000 in cash prizes to many of the most innovative producers of the past decade.

        The 2011 TC / RHDF Competition is powered by the Public Radio Exchange (PRX).

        Friend us ( http://www.facebook.com/pages/Third-Coast-International-Audio-Festival/51072992130?ref=ts )/follow us ( http://twitter.com )to receive the latest TCIAF Competition updates. Send questions to info@thirdcoastfestival.org or call 312-948-4652.

        Johanna Zorn
        Executive Director
        Third Coast International Audio Festival
        Navy Pier
        848 East Grand Ave. Suite 400
        Chicago IL 60611
        312-948-4652
        jzorn@thirdcoastfestival.org

        Keep the audio stories coming… Support
        the Third Coast Festival, and thanks.
        http://www.thirdcoastfestival.org/about-tciaf/supporters/help-us-soar

        Pulse of the Planet “Sounds of Science” event at KQED, May 10, 6:30pm

        Hey Bay Area folks. A great event next week from my friends at Pulse of the Planet and KQED! Don't miss it 🙂
        -mia
        PS: There's a bonus offer for Freelance Cafe members at the bottom of this post, so keep reading!

        +++++++++++++++++++++

        Are you in the Bay Area? Ever wondered what extraordinary things the earth might say if we took a moment to listen to it?

        Here’s your chance to grab a beer and join Jim Metzner of "Pulse of the Planet" to listen to some amazing audio, and to talk about the science and journalism behind it. (RSVP at http://soundsofscience.eventbrite.com)

        Tuesday, May 10th, 2011

        6:30 PM – 7:00 PM — Beer & Snacks

        7:00 PM – 9:00 PM — Audio Salon & Science Discussion

        at KQED Public Media

        No one has captured the sounds of the planet and explored the science behind them like Jim Metzner, the award-winning host and producer of public radio’s “Pulse of the Planet,” one of the longest running programs about science and the environment.

        A science & audio journalist for more than 35 years, Metzner has explored the world by conducting audio expeditions to remote locals such as the Australian Cloud Forests, the Pantanal Wetlands south of the Amazon, and the Gobi and Sonoran Deserts, among other fascinating places. He has interviewed hundreds of scientists and researchers along the way, developing a comprehensive grasp of current innovations in science, as well as a healthy respect for the cycles and rhythms of nature. His work is both timely and timeless.

        In this Audio Salon & Science Café, Jim will play some of his rare, evocative recordings, and we’ll discuss story, science, audio, and life on earth. Bring your own tales of hard-to-gather sound and using craft to tell the story!

        Join us for beer, snacks, listening and talking.

        Presented by Stacy Bond & AudioLuxe

        Co-Sponsored by KQED’s QUEST and SF Bay Area Journalists

        Space is limited.

        RSVP at http://soundsofscience.eventbrite.com/

        BONUS OFFER FOR FREELANCE CAFÉ MEMBERS: We’d love it if you leave some quick love on the “Pulse of the Planet” FB page! If you have a quick (or long) story about trying to get good sound (or a great scoop), go to our FB page and share it – and I’ll put you in a hat drawing for a $10 iTunes gift card, and one of Jim’s new CD’s. This offer is only for Freelance Café peeps. The drawback is that you’ll also need to send me a quick email so I know which comments are actual FC folks, but that won’t take too long – plus, hey, free gift card.

        Here’s our POTP page on FB: http://www.facebook.com/pulseoftheplanet

        Here’s my email: stacyb@audioluxe.org

        Hope to see you Tuesday!!!

        XO,

        Stacy

        Two opportunities from the Knight Foundation

        Thanks to AIR for these two posts!
        -mia

        ++++++++++++++++++

        Two opportunities we thought might interest you:

        – The first Knight-Mozilla News Innovation Challenge is open, and is looking for ideas on "Unlocking Video: How can new web video tools transform news storytelling?" Ultimately, the Knight-Mozilla News Technology Partnership will embed journalists in news organizations to help harness the open web for journalism. More: knightmozilla.org

        – The Apps for Communities Challenge, sponsored by Knight and the FCC, is looking for software applications that bring personable, actionable information to those least likely to be online. More: www.kflinks.com/appscontest

        Best of luck,

        Knight Foundation

        NYC office space with sound booth

        In case any of you NYC folks are in need of office space… sound booth included!
        -mia

        +++++++++++++++++++++

        Hello! We are a progressive non-profit currently looking for an organization to share our large office space with in NoHo. We currently have two open offices ($700 a piece) and the tenants will have full access to our copiers, fax, postage machine and sound booth. We are looking for a fellow non-profit organization, or related group. If you are interested and think you may be a good fit, please don't hesitate to email me and set up an appointment!

        We offer:

        *Access to postage machine/copiers/fax and broadcast quality sound booth
        *24/7 Building Access
        *Doorman
        *Shared Conference Rooms
        *Comfortable kitchen with filtered water, coffee, tea machine, microwave oven, refrigerator
        *Cleaning service
        *Close to various subways
        *Great Neighborhood!

        We also have a private office suite available which is detached from the communal office space for $1000 per month (including utilities)



        Contact: drew.zimmerman@fex.org


        Digital preservation workshop for Videotape – NYC, June 6

        Interesting workshop for you NYC folks.
        -mia

        +++++++++++++++++++++

        Please share – for people who might be interested in videotape preservation.  
        Linda Tadic, the trainer, is well-established as an expert and teacher in video preservation.

        Independent Media Arts Preservation (IMAP)
        Presents a Workshop on
        Digital Preservation for Videotape
        Co-sponsored by The New York Metropolitan Library Council (METRO)

        Monday, June 6, 2011
        10:00 a.m. – 4:00 p.m.

        If content on analog videotape is to survive for the long term, the tapes must be digitized–moved from the unstable magnetic media on which the content is currently held, into the digital realm where–in theory–they can be preserved indefinitely and migrated forward as files rather than physical objects.  Digitization, however, means more than simply selecting a destination file format.  It requires a series of decisions that will determine the long-term viability of files created–and thus of the valuable video content. Workshop topics include: basic digital file creation, preservation and access file formats and codecs, software, storage and trusted digital repositories, workflows for digitization, and technical and preservation metadata. In addition, participants will examine case studies of small and large-scale digitization projects in order to understand real-world applications of principles introduced in the workshop.

        Workshop location:
        METRO Training Center (4th Floor)
        57 E. 11th Street
        New York, NY 10003
        Phone: (212) 228-2320

        Workshop fee and registration
        $100 IMAP and METRO members
        $150 non-members
        $50 artists and students
        Pre-payment is required with registration. Space is limited.

        REGISTER AT:
        http://www.metro.org/en/cev/76
        INQUIRIES:
        imap@imappreserve.org

        Grant opportunity for Arts Writers, deadline June 8

        Wow – this looks like a good one! I'm not familiar with this org so if anyone has experience they'd like to share, drop me a line. Details below.
        -mia

        ++++++++++++++++++++++

        Online application form opens:
        Tuesday, April 26, 2011

        Application deadline:
        Wednesday, June 8, 2011

        http://www.artswriters.org

        The Creative Capital | Warhol Foundation Arts Writers Grant Program supports individual writers whose work addresses contemporary visual art through grants ranging from 3,000 to 50,000 USD.

        Writers who meet the program’s eligibility requirements are invited to apply in the following categories:

        Articles
        Blogs
        Books
        New and Alternative Media
        Short-Form Writing

        Due to legal constraints we can only fund U.S. citizens, permanent residents, and holders of O-1 visas. For guidelines and additional eligibility requirements, please visitwww.artswriters.org/guidelines.html.

        <<Art Writing Workshop>>

        In partnership with the International Association of Art Critics/USA Section, the Arts Writers Grant Program offers applicants consultations with leading art critics. For more information, please visithttp://www.aicausa.org.

        This American Life looking for contributions for next week’s show

        Forwarded from the folks at AIR, a fabulous opportunity from Ira Glass. LOVE this idea!
        -Mia

        +++++++++++++++++++

        Hi there This American Life friends and contributors:

        It’s Ira Glass here.  We're doing this show next week – May 6th – that
        we've been planning for months and are very excited about.  It's
        unlike any show we've ever done.  The theme is simply:  "This Week."
        Everything in the show will have happened in the previous seven days.
        That'll include an international story or two, and things that are
        happening in national news in DC and elsewhere.  But it'll also
        include hyper-local: hopefully a bar fight, a first kiss.  In other
        words: an approach to doing a “news” show in a narrative way,
        reporting the week's news with great characters and stories and
        hopefully a lot of feeling.  Fingers crossed on that anyway.  Not one
        minute of tape has been recorded as I write this.

        Here's where you fit in.

        Do you know of anything especially interesting happening (to you or
        anyone else) between Saturday April 30 and Friday May 6th?  Something
        that might qualify as having a “big” week?  Some ideas we’ve thrown
        around here: a Youth League soccer or school sports rivalry that'll
        come to a big decisive game?  Someone doing something for the first
        time?  Someone who might go into remission or come out of a coma or
        get married or open a business or shut down their business?  Anyone
        who'll get their tax check back from the government and get to spend
        it?  A talent show or recital or school play?  Someone getting their
        first drunk tattoo or braces put on or braces taken off?  Someone
        trying as hard as they can in the last weeks of the semester not to
        flunk out?

        Or maybe there's an interesting local news story where you are that
        might be approaching a turning point next week?

        Obviously, the best stories – as always – would be ones where
        something important is at stake for someone.  What we already have: a
        beauty pageant, Wisconsin electoral news, a college student who's
        graduating and moving back in with her parents.  That leaves a lot of
        room for you.

        Because we'll be turning these stories around so fast, if you're not
        an experiened radio producer or reporter we most likely will pay you
        for the idea and then either set up a quick phone interview with the
        subject or figure out a way to get a producer to gather some tape.

        And if nothing comes to mind as you read this right now, please keep
        us in mind next week should you happen to fall in love for the first
        time, decide suddenly to emigrate to Norway, find a thousand dollar
        bill on the sidewalk or get called up from the minor leagues to the
        majors.

        Like always, you can send pitches/ideas/thoughts to Julie Snyder at
        julie@thislife.org.

        Thanks!  I know the contributions we get from all of you will be an
        important part of this show.

        Ira Glass

        UC Berkeley Investigative Reporting Event in New York, 5/4, 6pm

        Great looking event hosted in NYC by my alma mater.
        -Mia
        ++++++++++++++++++++

        NYC Investigative Reporting
         
         

        Join fellow Berkeley alumni and friends in the New York area for

        Uncovering the Future of Investigative Reporting

        Featuring Lowell Bergman, Pulitzer Prize-winning reporter and producer and professor of investigative reporting at the Graduate School of Journalism in conversation with veteran journalist Bill Moyers.

        As traditional news organizations face decreasing resources and readership, how can investigative reporting be sustained?  What new models are emerging?  What role will nonprofits and universities play? How is new media changing the field? Join Professor Bergman, a producer/correspondent for the PBS documentary series Frontline, and Emmy award-winning journalist Bill Moyers, for this provocative conversation. Al Pacino played Bergman in The Insider, a 1999 film about his investigation of the tobacco industry for 60 Minutes.

        Wednesday, May 4, 2011

        Museum of Arts and Design
        2 Columbus Circle
        New York, NY

        Networking reception from 6–7 p.m., 7th Floor
        Program from 7–8:30 p.m., Museum Theatre

        $25 in advance only
        Please note that at-the-door registration will NOT be available for this event 

        Includes hosted hors d’oeuvres and wine

        Please register now, as registration will close prior to the event.

        For information, call 888.864.8225 or e-mail Catherine Brennan.

         
        UC Berkeley   UNIVERSITY OF CALIFORNIA, BERKELEY
         

        Copyright © 2011 UC Regents. All rights reserved.

        Unsubscribe

        The Art of Audio for Non-Fiction Writers

        For print writers AND audio producers – this promises to be a great event. Evite and details below!
        -mia

        http://new.evite.com/services/links/HJXAB6DQRC

        ++++++++++++++++++

         

        You are warmly invited to an informal gathering and professional discussion April 28 sponsored by the Journalism & Women Symposium (JAWS) and the Mills College journalism program. “The Art of Audio – for Nonfiction Writers in a Trans-media World” brings radio reporters Rachel Louise Snyder of NPR and Sarah Varney of KQED to talk about how the audio story is another element of a literary & journalistic calling and how radio reporting can complement other skills when building a journalism career. Please tell others about the event at Mills College in Oakland if you think they might like to attend. We will begin and end with a wine reception; the discussion will start at 7 p.m.

         

        Rachel Louise Snyder is the best-selling author of "Fugitive Denim: A Moving Story of People and Pants in the Borderless World of Global Trade (WW Norton)." She is also the host and executive producer of the weekly public radio program "The Global Guru," which uncovers mysteries of global culture around the world, as well as hosting a new global affairs show in Washington, DC called "Latitudes." Her work has also appeared in the New York Times Magazine, Travel & Leisure, the New Republic, and Slate, among others, and she received a 2006 Overseas Press Award for her work on the public radio show "This American Life." She lived in London for two years, before moving to Cambodia for six, and she recently relocated to Washington, D.C., where she is an assistant professor of literature in the MFA program at American University. She earned her MFA degree in Creative Writing with a focus in fiction from Emerson College in Boston.

         

        Sarah Varney covers health for KQED's statewide news programs The California Report and Health Dialogues. She has reported extensively on health policy, health disparities, public health and environmental health, including a series of stories on the safety of alternatives to banned substances like phthalates. She began reporting for KQED in 2002 and has covered a range of subjects and stories – from the ethics, politics and science of stem cell research to the religious and legal challenges over gay marriage to the inside workings of baseball park food vendors. Sarah also reports regularly for National Public Radio's Morning Edition and All Things Considered. 

        Kat

        Katherine Ann Rowlands

        Assistant Managing Editor for News, Bay Area News Group-East Bay

        Metro Editor, Contra Costa Times

        President-elect, Journalism & Women Symposium (www.jaws.org)

        925-943-8379 office or 510-872-2007 cell

         

        Grant funding available from the CA Council for the Humanities

        Upcoming info sessions (both in-person and online) on receiving grant funding from the CA Council for the Humanities. Details below!
        -mia

        +++++++++++++++++++++

        If you're having trouble viewing this email, you may see it online.
        Share This:

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        The California Council for the Humanities recently held its first informational session for California Story Fund (CSF) grantseekers. If you were unable to attend Monday's session, don't worry: more meetings and webinars are coming up! For more information about CSF, see below. (You may need to enable graphic elements.) Please feel free to forward this email to friends and colleagues who might be interested.

        Dates and times for upcoming informational sessions are as follows:

        Informational Meetings

        • Wednesday, April 27, 2011—4:00 to 5:30 pm

          Fresno Central Library, Fresno, CA

        • Thursday, April 28, 2011—12:30 to 2:00 pm

          Beale Memorial Library, Bakersfield, CA

        • Wednesday, May 11, 2011—12:30 to 2:00 pm

          Sacramento Public Library, Sacramento, CA

        Informational Webinars

        • Tuesday, May 10, 2011—10:30 am to 12:00 pm PDT
        • Friday, May 6, 2011—10:30 am to 12:00 pm PDT*

          *Note: this webinar is for Academic Applicants—faculty, staff, and students of two- and four-year colleges and universities.

        For more information on these meetings and webinars and to register for one of the sessions, click HERE.

        image
        image image
        image
        The California Council for the Humanities connects Californians to ideas and one another in order to understand our shared heritage and diverse cultures, inspire civic participation, and shape our future.
        California Council for the Humanities 312 Sutter Street, Suite 601 | San Francisco, CA 94108 US

        Got this as a forward? Sign up to receive our future emails.

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        EmailNow powered by Emma

        NYC journalism and trauma event w/Daniel Zwerdling, Wed. 4/27, 5:30pm

        Another upcoming event for you NYC folks. This looks like a good one.
        -Mia

        +++++++++++++++++++++

        2011 Dart Awards for Excellence in Coverage of Trauma

        Wednesday, April 27, 2011

         5:30 – 8:00 pm

         

        Reception: 5:30 pm * Awards and winners' round table: 6:00 pm *

         

        Columbia University Graduate School of Journalism

        World Room, 3rd floor

        116th Street and Broadway

        New York, NY

         

        Crusading Against Silence:

        High Impact Reporting on Invisible Victims

         

        The 2011 Dart Awards recognize searing, in-depth investigations which exposed how important institutions – schools, universities and the military – betray the very people they are supposed to protect: victims of teenage bullying and campus rape, brain-injured soldiers and families left behind by war. Please join us in celebrating the winners and engaging in a conversation on journalism that is both hard-hitting and humane.

         

        Panelists:

         

        Kevin Cullen, Columnist, Boston Globe

        Sonya N. Hebert, Photographer, Dallas Morning News

        Kristen Lombardi, Reporter, Center for Public Integrity

        T. Christian Miller, Reporter, ProPublica

        Daniel Zwerdling, Correspondent, NPR

         

        Moderator:   Bruce Shapiro, Executive Director, Dart Center for Journalism and Trauma

         

        This event is free and open to the public.

         

        Winners of the the 2011 Dart Awards are The Boston Globe for "A Tormenting Problem: An Exploration of New-Age Bullying"; The Dallas Morning News for "Private Battles"; NPR and the Center for Public Integrity for "Seeking Justice in Campus Rapes"; and NPR and ProPublica for "Brain Wars: How the Military is Failing its Wounded."

         

        Established in 1995, the annual Dart Awards recognize exemplary journalism on the impact of violence, crime, disaster and other traumatic events on individuals, families and communities.  The Dart Awards are administered by the Dart Center for Journalism and Trauma, a project of  the Columbia University Graduate School of Journalism at Columbia.

        Several Columbia Jschool events over the next few days

        The latest events at the Columbia J-school. Spread the word.
        -mia

        +++++++++++++++++++++++

        Please see below and share widely…

        In addition to the Social Media Weekend May 13-15 (with limited 15% off tickets) described below, here are several other events at the J-school over next few days:

        * Tuesday, April 26


        4-5 pm: "Storycraft." Long-form narrative writing coach Jack Hart shares his trade secrets to help you develop, craft, structure and edit your work. Room 601B of the Journalism School.


        5:30-7 pm J-School Debates. Round 2. SPJ hosts another debate for students, faculty and industry, with the motion: "This House would accept government funding to finance its journalism operations." Featuring Columbia President Lee Bollinger; Chen Weihua, the Editor of the U.S. Edition of the China Daily; John Bentley, CBS reporter, Political unit; Dan Pashman, formerly of NPR, host of the Sporkful; and students Linette Lopez, Bilal Lakhani and Jonathan Hall. Professor Richard Wald will be chairing. Lecture Hall of the Journalism School.


        * Thursday, April 28

        7-9 pm: Delcorte Lecutre by Amy DuBois, editor-in-chief, Ebony The Delacorte Lectures examine various aspects of magazine journalism, presented in the spring semester each week by a leader in the field of magazine publishing.


        * Monday, May 9

        12-2 pm Social Media in the Middle East
        Rasha Abdulla, Chair of Journalism and Mass Communication, American University in Cairo, "The People Want to Tweet the Revolution: How Social Media Brought Down Egypt's Dictator." Journalism 601B


        * Tuesday, May 10

        The release of The Story So Far: What We Know About the Business of Digital Journalism

        A special report by

        BILL GRUESKIN
        Dean of Academic Affairs, Columbia Journalism School

        AVA SEAVE
        Principal, Quantum Media
        Adjunct Associate Professor, Columbia Business School


        LUCAS GRAVES
        Ph.D. Candidate, Columbia Journalism School

        Discussion moderated by
        KEN AULETTA
        "Annals of Communication" Writer, The New Yorker

        Author, Googled: The End Of The World As We Know It

        Opening remarks by
        NICHOLAS LEMANN
        Dean, Columbia Journalism School

        and


        EMILY BELL
        Director, Tow Center for Digital Journalism
        Columbia Journalism School
        6:00 – 7:00 p.m. Reception, World Room
        7:00 – 8:00 p.m. Panel Discussion, Lecture Hall

        RSVP REQUIRED: http://fs12.formsite.com/jschoolacademics/form15/index.html


        0 0 0 0 0

        Social Media Weekend at Columbia Journalism School http://bit.ly/socmediaweekend

        May 13-15 (Friday evening to Sunday afternoon), the Continuing Ed department of Columbia Journalism School (@columbiajourn) is hosting a weekend of workshops, panels and keynotes to help journalists, media professionals and others understand social media better. We expect about 200 people from around the country to attend various parts of the weekend, which will be a fun, interactive, multi-day learning experience filled with new-fangled tools and services and sprinkled with some old-fashioned networking, too.


        The opening event will give you a flavor of the weekend:
        Friday 6-9 pm Opening Keynote & Reception features Andy Carvin (@ACarvin) of NPR, whose innovative Twitter work during #Egypt, #Libya, #Japan, etc, have gotten attention around the world, including a Washington Post Style cover profile; and CJR asked, "Is this the world's best Twitter account?"


        SAMPLE TWEET: JOIN US! @ColumbiaJourn’s first Social Media Weekend of LEARNING, May 13-15 (Fri-Sun): http://bit.ly/socmediaweekend #socmediaweekend


        NOTE: 75 tix get 15% off the weekend pass! http://j.mp/h5BeFT

        Prof. Sree Sreenivasan | sree@sree.net
        Dean of Student Affairs, Columbia Graduate School of Journalism

        http://www.sree.net | http://www.journalism.columbia.edu

        Contributing editor, DNAinfo: http://bit.ly/dnainfosree
        LINKEDIN: http://linkedin.com/in/sreenivasan

        FACEBOOK: http://facebook.com/sreetips
        TWITTER: @sree – http://twitter.com/sree

        Sonic Soiree in SF Bay Area, May 1, 5-7pm, Berkeley

        Another gathering of Bay Area audio/multi-media producers. Don't miss it! Details and contact info below.
        -mia

        +++++++++++++++++++++++++++

        Independent producers in the Bay Area are again meeting at the house of Lonny Shavelson in Berkeley (see address at www.photowords.com) on Mayday, Sunday May 1,from 5-7pm. If interested, reply offlist to the emcee, David Dunaway, new Professor of Radio at San Francisco State University (Dunaway@sfsu.edu). We will audition current and past projects, and David will offer a short session on gaining national distribution for long-form projects. Bring something to eat or drink and some great voices and sounds !

        EMPAC – Summer Workshops in Music and Audio

        Very cool stuff going on at this place. See below for two upcoming workshops.
        -mia

        +++++++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.
        EMPAC

        EMPAC

        Composer Hans Tutschku in residence at EMPAC – photo by Natt Phenjati

        EMPAC – the Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute in Troy, NY – offers two unique one-week workshops this summer, each suited for advanced undergrads, graduate students, and professionals:

        Composing for Large Scale Multi-Channel Loudspeaker Environments offers the opportunity to work in a very large 24-channel speaker set-up plus two “smaller” rigs (16 and 8 channels) while studying with Hans Tutschku (Harvard), one of the foremost composers for such configurations. This is a workshop with an emphasis on hands-on work, as well as discussion of participants’ pieces, aesthetics, and technology. June 5 – 10, 2011

        Physical Modeling for Digital Audio Workstation Plug-ins is your chance to get an introduction on using computers to generate physical models of analog audio circuits with plug-in guru David Amels (Bomb Factory) as instructor. Participants will work together to reverse engineer and model the Shure Level-Loc (limiter/compressor unit) with a Shure SM57 microphone attached – and then integrate it as functional VST plug-in. The best way to learn with an expert in the field! July 18 – 23, 2011

        For more information: http://empac.rpi.edu/workshops/

         


        EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions

        EMPAC Box Office:
        518.276.3921

        Plan your visit to EMPAC! Get directions, maps, parking info, and a visitors guide.

        Our mailing address is:

        EMPAC

        Rensselaer Polytechnic Institute
        110 8th Street

        Troy, NY 12180

        Add us to your address book

        Copyright © 2011 EMPAC
        All rights reserved.

        NAM Weekly Newsletter (15 April 2011)

        Just a reminder that the NAM newsletter has a ton of great resources/information in it. There are a bunch of great upcoming events/workshops/fellowships listed below, so check it out!! (FYI – FC has no affiliation with NAM. I'm just a fan.

        -mia

        ++++++++++++++++++++

         

        NAM Access Washington
         

        15 April 2011

         

        DEADLINE EXTENDED! Attention California ethnic journalists! Four of you could win $1,000 each, and three of you could win $500 each. Seriously.

        This is an easy-to-enter essay contest. Here is what you need to know:

        California is gearing up to redraw state and congressional district lines to ensure fair representation for all Californians. But how should those lines be drawn?  For the first time a citizen's commission will make those determinations drawing on recommendations from people across the state about what constitutes "community."   As the story tellers and advocates for our audiences, ethnic media practitioners have an important responsibility to help identify, explain and describe the communities our media organizations serve. With that in mind, we at NAM are offering a contest that is open to all ethnic media reporters and content producers in the state… enter it and you could win $1,000 for describing the community your ethnic media organization serves.

        NAM will select four winners and three runners-up. Deadline extended to April 22. So do it now. For complete details and entry form, go to this page.

        If you have some questions or concerns about the state's redistricting effort, we have been covering it a lot recently. Please look these stories over:

        New Panel Holds Key to Minority Political Power in California

        In Redistricting Debate, What Role Should Citizenship Play?

        Why Asians (and Other Minorities) Must Get Involved in CA Redistricting

        Tracking The Crackdown: On Wednesday April 20th, New America Media and The Opportunity Agenda will be holding a teleconference call to discuss the most recent developments in immigration policy efforts at the state level. Now that efforts for comprehensive reform at the federal level have taken a backseat on the federal policy agenda, states around the country are dealing with the issue directly. Please join us on the call on April 20, 2011 at 10am PST/1pm EST.

        NAM partner Azizah Magazine celebrated their 10th Anniversary in Atlanta, GA on April 9th. From everyone at New America Media to everyone at Azizah Magazine–Happy 10th Anniversary! We are proud to partner with a publication that does such great things for the community.

        Last week's New York Ethnic Media Watchdog Workshop: About 60 reporters and editors from the ethnic media in the New York area attended the IRE Ethnic Media Workshop last weekend at the New York Times. The two-day boot camp, which took place from April 8 to 9, taught the journalists new investigative skills, including utilizing Web resources, using multi-media, and developing award-winning police and disaster stories. Speakers at the workshops include reporters and editors of the New York Times, IRE and El Nuevo Herald.

        Follow the Money: Tracking Stimulus Dollars and Covering the Budget Crisis in Your Community is a free workshop for reporters — May 9-12, 20011 at the New England Center for Investigative Reporting in Boston — that will provide you with the tools and the expertise you need to for insightful coverage of the next big story taking shape in post-stimulus America — the budget crises gripping communities and states nationwide. You’ll also learn how to track the stimulus dollars that have flowed into your community in an effort to revitalize the economy.

        Deadline to apply for the workshop is April 10. Tuition and travel underwritten by the McCormick Foundation. For details, click here or contact Joe Bergantino, Director/Senior Investigative Reporter, New England Center for Investigative Reporting at 617-353-4546.

        And now for our weekly news roundup. Here are this week's most read stories:

        Letter from Fukushima: A Vietnamese-Japanese Police Officer's Account This letter, written by a Vietnamese immigrant working in Fukishima as a policeman to a friend in Vietnam, has been circulating on Facebook among the Vietnamese diaspora. It is an extraordinary testimony to the strength and dignity of the Japanese spirit, and an interesting slice of life near the epicenter of Japan's current crisis, the Fukushima nuclear power plant.

        Is Japan's Elite Hiding a Weapons Program Inside Nuclear Plants? One logical reason for the chain of lies about the Fukushima disaster: the nuclear industry is trying to prevent the discovery of weapons research facilities.

        Eye on Arab Media: Facebook Loses Face After Intifada Page Is Pulled Facebook has outraged Arabs by shutting down “The Third Palestinian Intifada” page, based on questionable Israeli-government claims that the page incited violence.

        Every workday, our stories are packaged up and sent to inboxes around the globe. They could just as easily come to yours. Sign up here for our new home delivery service. And remember for instant gratification, you can also follow us on Twitter or Facebook. And we have a lively presence on Tumblr.

        If you are living close to Washington, D.C. or if you have the means to travel there, consider attending World Press Freedom Day. Focusing on "21st Century Media: New Frontiers, New Barriers," the event will be held May 1-3, 2011, in venues in throughout the capital city. Information is available here.

        Events

        Hmong National Conference
        Apr 22-24 Marriott City Center Hotel in Minneapolis, Minnesota

        San Francisco Diasporic Vietnamese Film Festival
        Apr 23 SF State University in San Francisco, San Francisco

        Asian Law Caucus' 39th Anniversary Dinner
        Apr 29 Marriot Marquis in San Francisco, California

        The American Arab Media 10 Years since Sept. 11
        Apr 29 – May 1 Hyatt Regency Hotel in Dearborn, Michigan

        Playground Raising
        Apr 30 Wade Johnson Park in Oakland, California

        A Place Of Her Own
        May 5 SOMArts Cultural Center in San Francisco, California

        Follow the Money
        May 9 New England Center for Investigative Reporting in Boston, Massachusetts

        15th Annual Immigrant Day
        May 24 State Capitol in Sacramento, California

        Netroots Nation
        Jun 16-19 Minneapolis, Minnesota

         

        Competitions

        San Francisco Latino Film Festival's Cine+Mas
        Deadline: Jun 3

        Daniel Pearl Awards
        Deadline: Jul 1

         

        Career Opportunities

        California Documentary Project Grant
        Deadline: April 29

        National Health Journalism Fellowship at USC Reporting Grants
        Deadline: May 2

        Beyond The Border: Covering The Immigration Phenomenon through Digital Media
        Deadline: May 2

        Coastal Impacts: A Marine Science Seminar for Journalists
        Deadline: May 9

        California Council for the Humanities: California Story Fund
        Deadline: June 15

        NAM Ethnic Media Directory | Advertise With Us | NAM Newsletters
        New America Media | 275 9th Street, San Francisco, CA 94103 | Tel. 415-503-4170
        www.newamericamedia.org

        Magnetic Media Preservation Internship Opportunity, NYC

        Skill-building internship in Manhattan/Long Island. Small travel expense voucher available. Details below.
        -mia

        ++++++++++++++++++++

        Magnetic Media Preservation Internship

        The Standby Program is seeking an intern to apprentice in our video and audio preservation program. Interns will gain valuable hands on experience and participate in the day-to-day workings of a magnetic media preservation facility designed specifically to address the needs of the arts and cultural community.

        Standby is a non-profit media arts service organization founded 28 years ago that provides artists with access to a variety of media technology by forming partnerships with commercial post-production facilities. Standby preservation clients include:

        Anthology Film Archives, Appalshop, Barcelona Museum of Contemporary Art (MACBA), Dia Arts, Estate Project for Artists with AIDS, Experimental Television Center, Franklin Furnace, Hallwalls Contemporary Arts Center, The Kitchen, Mix Festival NYC, Muse TV, Museum of Modern Art, Museum of the Moving Image, New York Public Library, Orphans Symposium, The Poetry Project, as well as a host of individual artists.

        Intern candidates should have an interest in experimental film and video, time based art, and social issue media. Work will take place in both our Manhattan and Long Island facilities. A small stipend will be provided to offset travel expenses.

        Skills acquired may include:

        • Archival handling of magnetic materials

        • Tape inspection and evaluation

        • Operation of waveform monitors, vectorscopes and audio meters

        • Operation of time base correctors and proc amps

        • Equipment maintenance and repair

        • Tape migration

        • Metadata collection and database entry

        Preferred qualifications:

        • Understanding of basic audio and video production

        • Familiarity with Mac based editing systems

        • Knowledge of signal flow and connectors

        • Experience in a library, archive, museum, post-production or media access facility

        • A desire to learn about the technical aspects of magnetic media preservation and conservation

        Interested applicants should e-mail a resume and cover letter to:

        Maria Venuto

        Executive Director

        Standby Program

        245 W 55th St., 10th Fl.

        New York, NY 10019

        info@standby.org

        Tel: 212.206.7858

        SF Bay Area Journalist Census presentation, 4/19, 6-8pm

        Interesting Bay Area event next week in SF. Contact Lila Hood info@journalistcensus.org, 415-846-5346 for details.

        -mia

        **********

        Please join us for a presentation and discussion of the

        San Francisco Bay Area Journalist Census 2000-2010

        Tuesday, April 19, 2011

        6 to 8 p.m.

        World Affairs Council of Northern California

        312 Sutter St., San Francisco

        6 to 6:30 p.m. — Reception with refreshments 

        6:30 to 8 p.m. — Presentation of the report, followed by a panel discussion with audience participation.

        Find out how job loss has affected journalists in the Bay Area since 2000, talk with a few who have navigated the rapidly shifting media landscape and hear employment experts discuss where the job market is headed. 

        RSVP at http://journocensusevent.eventbrite.com

        We hope to see you there!

        Preliminary report summaries available at http://journalistcensus.org.

        The San Francisco Bay Area Journalist Census a workforce study assessing changes in the media industry and job dislocation among Bay Area journalists, is sponsored by NOVA, a federally funded employment and training agency based in Sunnyvale. This event is cosponsored by the Northern California chapter of the Society of Professional Journalists and the Renaissance Journalism Center at San Francisco State University.

        GROW THOSE EARS – Apply for Sounds Elemental in NYC, deadline May 6

        This week-long audio workshop in NYC comes highly recommended by my colleagues. Details below.
        -mia

        ++++++++++++++++++++++++++

        =GROW THOSE EARS=
        Apply for Sounds Elemental in NYC!
        June 13 – 17, 2011

        Take a sonic plunge and spend a week this summer at Harvestworks in NYC immersing yourself in sound with our popular Sounds Elemental intensive. Our winter 2010 session focusing on ”sky” received rave reviews from producers, including "I feel like my ears grew over the course of the week… I have a stronger, deeper sense of locating myself in the world in relation to sound." This time around, we're taking on Metal (June 13 – 17). Are you up to the challenge? We're looking for ten producers to step up who are open to learning unconventional approaches to assembling sound and telling story.

        The deadline is less than a month away: applications are due Friday, May 6, 2011. Please forward this along to anyone who wants to spend a week giving their ears a work-out. We're also accepting applications for our winter intensive, Wood (December 12 – 16).

        This opportunity may be especially appealing to those working primarily in traditional narrative and documentary formats eager to experiment with unconventional approaches to assembling sound and telling story. Producers benefit from intensely individualized attention from renowned sound artists-teachers, NYC-based composer and performer Michael Schumacher, Harvestworks’ Hans Tammen, and public radio producer and musician Brenda Hutchinson. New York Times new media editor Amy O’Leary will also lead an afternoon mini-dive into audio slideshows – called "fascinating," "awesome," and "the highlight of the week" by participants.

        The cost is $700. A non-refundable $350 deposit is required upon acceptance. AIR members who live outside of New York City are eligible for a small stipend to help underwrite the cost of the intensive and travel to NYC. _Attendance is mandatory for all sessions. If you are unable to attend each day of the intensive, please do not apply._

        Learn more:
        http://www.airmedia.org/PageInfo.php?CatID=5&PageID=562

        Listen to instructor and AIRster Brenda Hutchinson's audio

        montage of Sounds Elemental: Sky:
        http://airmedia.org/audio/SE_SKY_LongFinalMIX.mp3

        Apply:
        http://www.airmedia.org/PageInfo.php?CatID=5&PageID=563

        > THE DEADLINE FOR APPLYING IS FRIDAY, MAY 6. <<

        Questions? Contact AIR's Membership Director Erin Mishkin at
        erin@airmedia.org.

        +++AIR is everywhere.+++
        www.airmedia.org

        Funding for AIR comes from our members and the generous support of the
        Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Robert E. Davoli and Eileen McDonagh Charitable Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        Association of Independents in Radio
        P.O. Box 220400
        Boston, MA 02122
        Phone: 617-825-4400

        Upcoming events at the UC Berkeley J-School

        Upcoming events at the UCB J-school. Details below.
        -mia

        ++++++++++++++++++++++

        After the Vote: Challenges and Opportunities for a Two-State Sudan

        A brown bag lunch with Rebecca Hamilton

        When: Monday, April 11,  12:00 PM

        Where: North Gate Hall Library

        Rebecca Hamilton will visit the Graduate School of Journalism to share her most recent work on Sudan from where she just returned. Bec is a New America Foundation Fellow and a Pulitzer Center journalist/Washington Post special correspondent who has reported in Sudan over the last year. Her reporting with the Pulitzer Center has led to a series of articles in The Washington Post, The New Republic and Christian Science Monitor, and can be seen in her latest project, Sudan in Transition. Her most recent articles, "What about Darfur?" (The New Republic) and "One Referendum, Two New Nations" (The International Herald Tribune) can also be found on her project page.


        The Price of Sex
        A private screening for students, faculty and local community members

        When: Tuesday, April 12,  7:00 PM

        Where: Sutardja Dai Hall, Banatao Auditorium

        The Price of Sex is a feature-length documentary about young Eastern European women who've been drawn into a netherworld of sex trafficking and abuse. Intimate, harrowing and revealing, it is a story told by the young women who were supposed to be silenced by shame, fear and violence.

        Photojournalist Mimi Chakarova, who grew up in Bulgaria, takes us on a personal investigative journey, exposing the shadowy world of sex trafficking from Eastern Europe to the Middle East and Western Europe.

        Filming undercover and gaining extraordinary access, Chakarova illuminates how even though some women escape to tell their stories, sex trafficking thrives.

        A screening and discussion with:
        Mimi Chakarova, director and producer
        Stephanie Challberg, editor
        Adam Keker, director of photography
        Steve Talbot, executive producer

        Joe Davidson, retired FBI agent
        Robert Rosenthal, executive director of The Center for Investigative Reporting

        RSVP REQUIRED —  EVENT IS FULL

        Tomas Brunegård, World Association of Newspapers and CEO of the Stampen Group


        When: Tuesday, April 19,  12:45 PM

        Where: North Gate Hall Library

        Tomas Brunegård will discuss the differences between the American and Scandinavian media market, press freedom issues internationally, and newspaper company management.

        Brunegård is currently a Vice President of the World Association of Newspapers, Chairman of the Swedish Publishers Association, and CEO of the media Stampen Group – the largest publisher in Sweden.  


        Richard Koci Hernandez: Multimedia Journalist

        When: Tuesday, April 19,  7:00 PM

        Where: Pacific Film Archive

        This installment in the lynda.com Creative Inspirations documentary series features Richard Koci Hernandez, a national Emmy® award-winning video and multimedia producer who is at the forefront of the next generation of journalism.

        Event Contact: dwhite@lynda.com

        Democracy in Nepal: The Local and the National
        Journalist and Civil Rights Activist, Kanak Mani Dixit

        When: Wednesday, April 27,  6:00 PM

        Where: North Gate Hall Library

        Nepal has become a republic. The People's Movement of 2006 demanded an end to violent politics and a return to democracy, but the path is not clear. Nepal is declared a federal country, but the debate on form and content of federalism has barely begun. The unique experiment in local governance ended amidst the political uncertainty. Will it be revived? Will the values of pluralism and participatory democracy thrive?

        Kanak Mani Dixit is a journalist, editor and civil rights activist, recognized in Nepal and elsewhere in South Asia as a voice for pluralism and democracy. He has helped shape the debate about his country’s political direction over the last two decades, and worked across many fields to promote the principles of social justice. Founder editor of both Himal Southasian, the liberal and politically independent regional monthly, and the Nepali-language Himal Khabarpatrika newsmagazine, [MORE]

        To End All Wars: A Story of Loyalty and Rebellion, 1914-1918

        When: Monday, May 2,  6:00 PM

        Where:
        North Gate Hall Library

        With a slide show of photographs, posters and a little music, Adam Hochschild gives a preview of his new book, To End All Wars: A Story of Loyalty and Rebellion, 1914-1918. In part, this is a master class on storytelling as he tells how, for this unusual account of the First World War, he chose a narrative strategy, scenes to describe, and characters through whom to tell the story. These include cabinet ministers, generals, conscientious objectors, feminists, a circus lion-tamer turned antiwar activist, and a number of journalists—ranging from those who wrote government propaganda to a imprisoned editor who published a clandestine newspaper for his fellow war resisters on toilet paper.


        ****** EVENTS OF INTEREST ******


        40 Years of Silence: An Indonesian Tragedy
        Film Screening + Discussion with Director Robert Lemelson, Department of Anthropology, UCLA

        When: Friday, April 8,  12:00 PM

        Where: 221 Kroeber Hall, Gifford Room

        In one of the largest unknown mass-killings of the 20th century, an estimated 500,000 to 1,000,000 people were secretly and systematically killed in 1965 when General Suharto began a bloody purge of suspected "communists" in Indonesia through a complex and highly contested series of events where he ultimately gained power and the presidency.

        "40 Years of Silence: An Indonesian Tragedy" follows the compelling testimonies of four individuals and their families, located in Central Java and Bali, two regions heavily affected by the purge, as they break the silence with an intimate look at what it was like for survivors after the mass-killings, during Suharto's New Order regime. Through their stories, the audience comes to understand the potential for retribution, rehabilitation, and reconciliation in modern-day Indonesia within this troubled historical context.

        Please RSVP to emily.ng@berkeley.edu

        The Inaugural Maharaj Kaul Memorial Lecture
        "Pay-to-print": How Media Corruption Undermines Indian Democracy

        When: Monday, April 11,  5:00 PM

        Where: Blum Hall, B100 (conference room on the Plaza Level)

        Palagummi Sainath, the 2007 winner of the Ramon Magsaysay award for journalism, literature, and creative communication arts, is an award winning Indian development journalist – a term he himself avoids, instead preferring to call himself a 'rural reporter', or simply a 'reporter' – and photojournalist focusing on social problems, rural affairs, poverty and the aftermaths of globalization in India. He spends between 270 and 300 days a year in the rural interior (in 2006, over 300 days) and has done so for the past 18 years. He is the Rural Affairs Editor for The Hindu, and the website India Together has been archiving some of his work in The Hindu daily for the past six years. His work has won praise from the likes of Nobel Laureate Amartya Sen who referred him as "one of the world's great experts on famine and hunger." He is the author of Everybody Loves a Good Drought: Stories from India's Poorest Districts.

        Civil Liberties in the Age of Obama

        When: Monday, April 18,  4:00 PM

        Where: Sutardja Dai Hall, Banatao Auditorium

        The Institute of International Studies and the Institute of Governmental Studies at UC Berkeley cordially invite you to attend this event as part of UC Berkeley's Political Science Department Travers Program. U.S. lawyer, journalist and defender of Wikileaks, Glenn Greenwald will lead this lecture.

        Greenwald worked as a constitutional and civil rights litigator prior to becoming a contributor to Salon.com, where he focuses on political and legal topics. He is the author of three books: How Would a Patriot Act? (2006) and A Tragic Legacy (2007), both New York Times bestsellers; and Great American Hypocrites (2008).

        In March 2009 he was selected, along with Democracy Now's Amy Goodman, as the recipient of the first annual Izzy Award by the Park Center for Independent Media, an award named after famed independent journalist I.F."Izzy" Stone and devoted to rewarding excellence in independent journalism. The selection panel cited Greenwald's "pathbreaking journalistic courage and persistence in confronting conventional wisdom, official deception and controversial issues."

        Event Contact: 510.642.2472

        Documentary: Better This World

        54th San Francisco International Film Festival at BAM/PFA

        When: Tuesday, April 26,  6:30 PM

        Where: Pacific Film Archive

        Set against the backdrop of the 2008 Republican National Convention amid bomb plots, arrests, and subsequent trials, this portrait of two young activists caught in the web of an opportunistic mentor and a desperate justice system poignantly describes not only the problems of power and authority, but also the ultimate power of forgiveness and love.

        Filmmakers: Kelly Duane de la Vega and Katie Galloway

        To tickets: http://www.bampfa.berkeley.edu/film/FN19045

        To the trailer: http://www.pbs.org/pov/betterthisworld/trailer.php

        To a recent review of the film: http://www.variety.com/review/VE1117944805

        Event Contact: 510.642.1412


        Julie Hirano
        Event & Fundraising Coordinator
        Graduate School of Journalism

        121 North Gate Hall
        University of California at Berkeley
        (work) 510.642.3394

        (fax) 510.643.2680
        http://journalism.berkeley.edu

        full time Communications/Marketing Job with CMJ, Oakland, CA

        Hi all. I don't generally pass on full-time job postings, but I thought some of you might find this appealing. Check it out and pass it on.
        -mia

        ++++++++++++++++++++++++

        dear friends….
        Know an experienced media-maker and progressive PR strategist in the Oakland area who wants a job with an awesome group working for racial and economic justice?
        Please pass it on!!
        ~~~~~~~~~~~
        Full announcement online.

        Communications and Marketing Director

        Position

        The Center for Media Justice (CMJ) seeks a Communications and Marketing Director to join our team of experienced, inspired media professionals. We seek a skilled communications leader with expertise in social media strategy and experience developing strategic frames and messages for advocacy, conducting successful media campaigns, and engaging collaboratively with a team to deliver communications training.  This is an excellent opportunity for a self-motivated individual committed to organizational sustainability and social justice. The position is full-time and exempt; salary is $50,000-$53,000 DOE. Full medical, dental, and vision benefits; optional 401(k); substantial vacation package; and quarterly personal growth stipend provided. Position is in Oakland, California, and begins in May 2010.

        Who We Are

        Founded in 2002, the Center for Media Justice is a dynamic communications strategy and media policy tank for grassroots organizations serving communities of color and America’s poor.

        With an office in Oakland, California, and staff in Chicago and New York, CMJ is the only group in the nation that both develops communications strategies and leaders for a 21st-century progressive movement, and organizes nationally for media policy solutions to end racism and poverty.

        roommates sought for commercial live/work loft space in SF’s SOMA

        From one of our Bay Area members – sounds like a great opportunity for the right person/people.
        -mia

        +++++++++++++++++++++++

        I've just signed a lease for a commercial loft in SOMA that I plan on building out into live/work studios AND I'm looking for roommates. It's a really unique setup in S.F. and I'd love to get some creative people in there (like writers and radio producers!).  PLUS, I'm planning on building in a recording studio.

        I'm looking to have 5 people total, and I have 2 guys signed on already so it would be great to get some gals in the mix.

        Call for Pitches–Snap Judgment

        Snap Judgment needs your stories. Details below!
        -mia

        +++++++++++++++++++++++++


        Hey folks, Snap Judgment is calling for another round of pitches. You know the deal, we want first-person, dramatic, true stories. They must have a beginning, middle and end, strong dramatic tension and a narrative arc. No news hooks. Submit brief story ideas to pitches@snapjudgment.org

        Upcoming Episodes…

        Spaceman:
        Stories about NASA, space camp, life on mars, marrying the rocketman, finding a piece of shuttle in your swimming pool, crashing down to earth or inventing astronaut ice-cream. Examples include the story of a man building his own spacecraft, and a NASA pilot in trouble.

        Infestation:
        Stories about bugs, insects and things that crawl into your sleeping bag at night. Has an insect taken over your life? Are you the owner of a pet millipede, attacked by ants in central Africa or bitten by a scorpion? Did a spider bite give you super-powers? Did you find your way home in a Malaria-induced fever hallucination? Examples include a love story based on a termite infestation, a flying Japanese cockroach and accidentally jumping into a pool of spiders.

        Cheaters:

        This one speaks for itself–stories about getting something unfairly. Cheating in love, sports, school, or work. Cheating the system, cheating the man, cheating yourself or cheating death, it's wide open folks.

        Villains:
        Stories about the bad guy, or good people forced to do bad things. Confronting an evil first grade teacher, escaping a brutal island kingdom, hatching a plan with a criminal mastermind, getting your ex-lover fired,  or having coffee with a warlord. Examples include the stories of a rebel-leader turned taxi driver, a toxic polluter giving local residents cancer, and the discovery of medical malfeasance.

        Big Poppa
        This is our father's day episode and we want stories about dads. Becoming a dad unexpectedly, losing a dad, finding a dad, shoving a dad off a cliff. Examples include one father saving his daughter from religious persecution and a father's dying wish for a bowling game.

        The Wiz: Stories with a Wizard of Oz theme. Think creatively, not just searches for brain, heart and courage, but stories about going home, emerald cities, fake wizards, good witches, tornadoes and your little dog too. Examples include the story of a heart transplant recipient experiencing the memories of his donor.

        Thanks so much, if you're unclear on what we want, please check out the "IS YOU STORY RIGHT FOR SNAP JUDGMENT" flowchart.

        Anna

         


        Anna Sussman
        510-501-5959
        www.Snapjudgment.org
        www.backpackjournalist.org

        WEBCASTS Today – Meet Ira Glass + NYT’s Arthur Sulzberger & Janet Robinson discuss the pay wall

        Two FREE webcasts happening TODAY (Tuesday, 4/5) at the Columbia jschool. Links below.
        -mia

        +++++++++++++++++++++

        Dear colleagues: Today, we are hosting two major webcasts at @ColumbiaJourn.

        The first, at 5 pm, is being hosted by Alex Hotz, one of our Digital Media Associates – a conversation with Ira Glass of "This American Life." If you have questions for Glass, you can ask them live or email Alex in advance. See announcement below.

        The second, at 7 pm, is a live VIDEO simulcast of our in-person event with NYT's top two biz-side folks, Arthur Sulzberger and Janet Robinson, in conversation with Bill Grueskin, our Academic Dean: http://bit.ly/nytpaidcontent (seats still available if you show up early – otherwise, catch it on the web.

        SAMPLE TWEET: Webcast & live event w/ NYT's Sulzberger & Robinson, with @ColumbiaJourn's @BGrueskin: http://bit.ly/nytpaidcontent

        ⇒ TIP: Want to get an automagic email one hour ahead of every Columbia J-school webcast? Create a free account at http://blogtalkradio.com/columbiajournalism and hit the "fav" for favorite button.

        ==>   Tuesday, April 5, 5-6 pm ET  [ see local time around the world: http://timeanddate.com/s/2064 ] http://bit.ly/cjglass

        Meet Ira Glass, creator, host and producer of WBEZ’s “This American Life.” Columbia Journalism School (@ColumbiaJourn) presents a conversation with legendary radio producer Ira Glass. Glass will discuss his career in public radio, what he looks for in a narrative, the changes taking place in public radio and the future of This American Life. If you have any questions you’d like Ira to answer contact Alexander Hotz, alum and Digital Media Associate at alexandermhotz@gmail.com or tweet him at @hotzington. Moderated by Hotz & Prof. Sree Sreenivasan (@sree). LISTEN LIVE OR LATER TO A RECORDING: You can also call-in live via phone, Skype, etc: +1-646-915-9583 (to listen or ask questions) or http://bit.ly/cjglass

        SAMPLE TWEET: Meet @IraGlass of @ThisAmerLife via @ColumbiaJourn webcast, Tues 5p, interviewed by @hotzington and @sree: http://bit.ly/cjglass #cuj11

        ⇒ TIP: Want to get an automagic email one hour ahead of every Columbia J-school webcast? Create a free account at http://blogtalkradio.com/columbiajournalism and hit the "fav" for favorite button.

        Los Angeles listening session, Thursday, April 21st, 8pm

        Something for you LA-based audio producers. Details below.
        -mia

        ++++++++++++++++++++++++

        Bring your ears (and beers) as we gather in Los Angeles for the first Listen Up LA session. This will be a great opportunity to meet other audio folks in the LA area while getting feedback on your work. Audio pieces can be finished or in-progress stories, interviews, audio art, you name it!

        What: Listen Up, LA!
        When: Thursday, April 21st 8pm
        Where: A cozy Angelino Heights home

        Bring your recent work, food or drink to share. See you soon!

        Please RSVP for address:
        jasmin.mara@gmail.com
        415-572-2319

        REMINDER – Hudson Valley freelancer gathering TONIGHT, Tivoli, 8pm

        Hey folks. Just a reminder about tonight's Hudson Valley freelancer gathering at the Black Swan – 66 Broadway in Tivoli, 8pm. I know the weather is not looking good, but I'm planning on going regardless, defying this ridiculous endless winter.

        This event is open to everyone, so feel free to invite friends, co-workers, anyone who might like a night out to socialize with fellow self-employees.

        I've created a facebook invite if you want to see who's planning on coming, and again, it's an open invite, so please do spread the word.

        http://www.facebook.com/freelancecafe?ref=ts#!/event.php?eid=196771733677837

        See you soon!
        Best,
        Mia

        845-444-4034

        Two upcoming online micro-conferences from Webbmedia Group

        Interesting concept. Tickets are $59 for the first conference, and $175 for the second. Details and links below.
        -mia

        +++++++++++++++++++++

        Hi everyone. Just wanted to give you a heads up that we're planning two micro-conferences in May and June. We're experimenting with a new conference format, which includes a panel session, a Twitter attendee lounge, tech tools demos and virtual swag bags.

        The first is our Mid-Year Tech Trends Micro-Conference on Saturday, May 21. Full details: http://www.webbmediagroup.com/10-tech-trends-microconference.html 
        The second is our QR Code Micro-Conference on Wednesday, June 22. Full details: http://www.webbmediagroup.com/qr-code-microconference.html
        Tickets officially go on sale tomorrow. We do have a limited number of press passes for those interested in covering the events. Please let me know if you have any questions. Meantime, we're available to talk more about tech trends, barcodes and why we're producing virtualized micro-conferences if you'd like…

        Cheers,
        Amy
        ____________________
        Amy Webb
        CEO + Principal
        Webbmedia Group, LLC

        Philadelphia workshop on covering veterans this Friday/Saturday – FREE

        Not sure if there are any Philly-based folks on this list, but this FREE workshop sounds pretty good. Pass it on to your colleagues!
        -mia

        ++++++++++++++++++

        The Dart Center for Journalism and Trauma of the Columbia Journalism School invites you to a two-day professional training workshop April 1 & 2, 2011 in Philadelphia on covering returning veterans.

        In-depth reporting on veterans, especially at the local and regional level, poses special challenges – from navigating the VA and local agencies to understanding the psychological injuries many soldiers carry home. We’ve designed this free workshop (funded by Philadelphia’s Scattergood Foundation) to help reporters and editors in the greater Philadelphia region both develop a rich array of authoritative expert sources,  and learn ideas and strategies for high-impact local stories and projects on veterans from award-winning colleagues.  


        The workshop will offer practical tips and expert sources on issues including among others:

        ·      PTSD, TBI and mental health

        ·      Soldiers and families

        ·      Navigating the VA and vets’ culture

        ·      Women veterans

        ·      Suicide

        ·      Veterans, violence and the criminal justice system

        ·      High-impact local stories on veterans’ issues

        Speakers include T. Christian Miller of Pro Publica; Helen Benedict, author of The Lonely Soldier; Iraq veteran and former U.S. Congressman Patrick Murphy; the Hon. Patrick Dugan, Philadelphia Veterans’ Court; Kelly Kennedy, USA Today and author, They Fought For Each Other; and many others, including a wide range of experts on veterans issues.


        There is no cost to attend.

        More information can be found at: http://dartcenter.org/content/upcoming-workshop-in-philadelphia-on-veterans-reporting

        To register, please contact Kate Black at kate.black@dartcenter.org

        TAL Theme List

        The latest call for pitches from This American Life, courtesy of the Association of Independents in Radio. Good luck!
        -mia

        ++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you
        for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll
        respond with a generic email letting you know that I received your
        pitch and that I've read it. I promise. I read every pitch. (I
        won't send you the auto response until I've read your pitch so expect
        a bit of a delay getting that email.) If we think the pitch is right
        for us, or if we need more information from you, I'll send you another
        email asking for more info on the story or letting you know we'd like
        to commission the story. But if you don't hear back from us within two
        weeks, beyond the initial auto-reply email, it means the story just
        isn't right for us or for the needs of that particular show. The idea
        of doing it this way is just to get through pitches and get back to
        everyone a little more quickly.

        Like always, these themes are shows we're actively pursuing right now
        but we're always on the lookout for new stories or ideas. So if
        you've got a story that you think would work especially well for us
        but doesn't fit a specific theme listed below, please send it along
        anyway.

        Thanks so much for your pitches. All of us here are very appreciative.

        Best,
        Julie
        (julie@thislife.org)

        SEE NO EVIL: We have one story for this show about the aftermath of a
        murder in a family. Actually within the family. Two brothers are
        struggling with the death of their mother and the additional difficult
        layer that it’s their other brother who killed her. He’s in prison now
        and the brothers and their families are trying to figure out what
        place he’s going to have in their family once he’s out. Everyone
        acknowledges that the murder was an unspeakable act, but their mother
        was abusive to all of them, particularly to the brother that killed
        her. They’re not trying to justify it, they’re just not sure how they
        look past this act of evil that’s at the center of all their lives
        now. Or whether they should. In another story, an employee at the
        Kennedy Center gift shop tries to figure out why the register is
        coming up short every month … they’re actually losing money. It
        takes the employee a really long time to see the obvious culprit
        that’s staring him in the face. The See No Evil show is coming up
        soon, but we’re still looking for some smallish things to fill out the
        show. We sent this out before, but we’re still on the lookout for
        parents and children who have basically the same political views as
        their parent (liberal or conservative) but as their parent ages – and
        has the time to watch more and more cable TV news – the parent's views
        have become more extreme. And, to the kid, more annoying. In order
        for this to work, we’d need you to have very specific anecdotes. What
        are the sound bites you’ve heard from your parents? What was the last
        issue you talked about where you thought your parents were just
        parroting a talk show host? We’re also considering a small segment
        that would feature people talking about something annoying that
        happens in their lives that they try desperately to ignore. Like say
        the person on the bus next to you who doesn’t seem to mind that their
        leg is brushing up against yours. Forcefully. Or the parent on your
        kid’s soccer team who won’t stop talking about the incredible teeth
        whitening product they’ve just discovered. If you have suggestions for
        any kind of moment where you have to put your head in the sand and
        pretend like everything is ok, we’d love to hear from you.

        KNOW WHEN TO FOLD ‘EM: Stories about trying to figure out when it’s
        time to give it up. Or get over it. We have one story about a
        tragedy that spurs an entire family – aunts, uncles, cousins and all –
        into nearly full-time political activism. But now, several years on,
        the family has to take stock and look at what has been gained and what
        has been lost. And they have to ask themselves whether or not it’s
        been worth it. In another story, a guy spends years itching for a
        fight with his dad but finally realizes, when it’s almost too late,
        that he should just give it up. So we’re looking for more stories
        about people who fail to assess when it’s time to give up and move on.
         Funny stories would be great for this show and, of course, stories
        about relationships. Maybe someone who is just willfully blind to how
        incompatible they are with their partner? Or maybe a story about
        someone who consistently gives up too soon? Poker stories (people who
        stubbornly hold on to ridiculous hands?) would, of course, be perfect
        for this show.

        GOSSIP: We'd like to do a show about the strange and surprising ways
        that gossip works. We've got one possible story about American
        researchers in Malawi, who track the way local communities think about
        AIDS. For more than a decade, they've been giving notebooks to certain
        women in Malawi, who are tasked with writing down whatever gossip they
        hear about AIDS in their villages – who's got it, how they got it, why
        they got it, whether they're getting treated, etc. In this way,
        they've figured out how people's ideas, and misconceptions, about the
        disease have changed – and how to better fight it. We'd love to have
        more pitches about the good side of gossip, the utility of gossip. Or
        perhaps well-meaning gossip that went very wrong. Or stories about how
        gossip spreads in unexpected ways — maybe you told the guy sitting
        next to you in an airplane a top-secret story, and then heard it
        repeated back to you at a party three years later. That kind of thing.
        Stories about how gossip has changed history would be great, too. We'd
        probably like to avoid stories of straight-up mean gossip that had
        awful consequences – just because we're all familiar with those
        stories. That said, if there's a really great one, we'd certainly
        consider it.

        WOULD YOU RATHER: There is a growing movement in addiction programs
        called “wet houses.” A wet house is essentially a homeless shelter
        for alcoholics where they can go and drink, often until they die. Most
        of the residents are lifetime alcoholics with multiple DWIs, arrests,
        injuries, hospital stays, and failed trips to rehab. The idea is that
        they will cost the state less money drinking with a roof over their
        heads and being looked after by an in-house nurse than they would if
        they were out on the street. It’s a program that fills many people
        with a mixture of empathy and outrage but also raises the question of,
        really, what is the ultimate priority here? Asking the question
        “Would you rather x or y” is often an incredibly precise way to
        prioritize preferences and we’re looking for more stories where – when
        faced with a choice – the right answer becomes clear. It’s also a
        really fun game that I play a lot with my family. Like, to my
        brother: “Would you rather live in a housing project in Manhattan or
        in our hometown in Western Illinois? The project might be a little
        scary but you’d get real estate in Manhattan” vs. the sort of hometown
        drawbacks that my brother understands but I don’t need to list here.
        Or to my husband: “If you HAD to be married to one of my friends, ‘x’
        or ‘y’, who would it be?” Then I know exactly who my husband wants to
        leave me for. See? Endless fun! Stories that will work for this
        show are stories where there are two (maybe three) clear choices and
        each has its benefits and drawbacks. A political, economic, or
        budgetary story would be great for this show (what is gained and what
        is lost). Or a story about being stuck between a lofty ideal and a
        pragmatic solution. Maybe stories about choosing a career or a
        relationship or a school?

        GOOD OL’ BOYS: A few years ago, at a hospital in a small town in West
        Texas, two nurses filed complaints against a doctor who, they charged,
        was acting unethically. They said the doctor would sometimes advise
        patients to stop taking their prescribed medications and switch,
        instead, to homeopathic remedies. And it just so happened the doctor
        himself SOLD these remedies on the side! They said the doctor would do
        unsanctioned operations in non-sterile rooms, perform unnecessary GYN
        exams and other questionable things. Within a few months of filing the
        complaints, though, the nurses themselves were brought up on charges
        of somehow violating patient confidentiality by reporting the doctor’s
        actions to the state Medical Board. The charges against the nurses
        were pretty dubious and the nurses were quickly acquitted but what was
        remarkable was simply the fact the nurses were charged at all. It
        would suggest pretty outrageous actions on the part of the doctor, the
        hospital, the sheriff and, even, the District Attorney. The nurses
        say their story may seem crazy but it wasn’t all that surprising to
        them – they say they knew what would happen if they went up against
        the Good Ol’ Boys. “Good Ol’ Boy network” is a term that’s used a lot
        in small towns – particularly in the South – but it exists in various
        incarnations all over the place. We’re now looking for more stories
        about powerful cliques that seem impenetrable and often-times above
        the law. Wall Street seems like ripe ground for a GOB kind of story.
        Or schools or clubs. Just because this Texas doctor story is sort of
        large and sprawling, smaller and more personal stories would be great
        for this show. Maybe a group of girls that make all the decisions?
        Or a seemingly innocuous group that actually has huge influence?
        Unexpected gatekeepers? It’d be great to hear from a person who
        suspects that s/he is actually part of a “good ol’ boys” network.

        THE MISSING PIECE: On the second day of her first job as a social
        worker, a woman meets a 12 year old boy who, she thinks, everyone else
        has given up on. He’s been in and out of juvie, never had a stable
        home, been pushed around the state system. So she makes the kid her
        first project: she helps his mother find a job, relocates the family
        to a better neighborhood with better schools, gives the boy
        self-confidence and a sense of responsibility by having him baby-sit
        her kids. The boy thrives, gets better grades and stops getting into
        trouble. Until one day, five years later, the boy shoots and kills a
        college cheerleader and leaves her boyfriend for dead. For the last
        15 years, the social worker has been wracked with the feeling that
        this shouldn’t have happened – there must have been something she
        could’ve done that would have saved the boy. The social worker now
        has three kids of her own and has adopted her four nephews after they
        were removed from her sister’s home, and she is worried that whatever
        mistake she made with the boy, she’ll now make raising her own kids –
        what’s to keep them from going off the rails, too? What could make
        the difference? For this show, we’d like to find more stories about
        people searching for a piece that could solve a puzzle. Or searching
        for the answer to something or a missing ingredient. Science stories
        would be great for this show, or business stories. Or maybe just a
        story about losing something? We also have a hilarious story about a
        guy getting his appendix removed so even just talking about the thing
        that is missing could work for this show, too.

        MY CHURCHILL MOMENT: We keep seeing the phrase “Churchill moment”: in
        British politics, American politics (Obama has had at least two
        already), Israeli politics….someone is always declaring or wondering
        if some speech or some crisis is so-and-so’s “Churchill moment.” When
        we started poking around on the web, even individual people talk about
        Churchill moments. But there seems to be some confusion about what IS
        a Churchill moment. Does it refer to moments where someone looks the
        nation straight in the eye and delivers bad news, like when Churchill
        told the British at the start of WW2 “I have nothing to offer but
        blood, toil, tears and sweat?” Or does it refer to moments where
        someone who has been in the political wilderness for years (as
        Churchill was) suddenly gets their day in power? Or does it describe
        moments where someone has an especially witty comeback, like Churchill
        always seemed to? Does it encompass all these? So the idea for the
        theme would be “My Churchill Moment.” Possible Churchill moment
        stories: small-scale, personal Churchill moments where the story has a
        speech in it that rallies everyone in spite of being full of bad news
        (“The second half of this game is going to suck even worse than the
        first half, but bear down and let’s beat these bastards!”); or maybe a
        missed opportunity to make such a speech; a union story could work—a
        leader or member trying to tell other members something they don’t
        want to hear; maybe a story about the fallout from making a witty but
        mean comment, i.e. what happens after a Churchill moment. Failed
        Churchill moments would also work: the rousing speech that did not
        rouse people; etc.

        Community Health Reporting Fellowships

        This fellowship is open to journalists nationwide, though the event itself takes place in Los Angeles. Details below.
        -mia

        ++++++++++++++++++++++++++

        The California Endowment Health Journalism Fellowship

        Application Deadline: May 02, 2011
        How to Apply »

        Who Can Apply:

        This Fellowship is open to professional journalists from print, broadcast, and online media around the country, including freelancers. Applicants need not be fulltime health reporters, but they need to have a passion for health news (broadly defined). Applications from ethnic media journalists are strongly encouraged, as are applications proposing collaborative projects between mainstream and ethnic news outlets. Applicants must be based in the United States, and Fellowship projects must be published in or broadcast by bona fide journalistic outlets, not outlets whose operations are funded exclusively by a corporation, foundation, university, or advocacy organization. Journalism students are ineligible. Please contact us at CAHealth@usc.edu if you have questions about your eligibility.


        Event Schedule:

        July 24 – July 29, 2011. The National Health Journalism Fellowships offer journalists from around the country an opportunity to explore the intersection between community health, health policy and the nation's growing diversity. Reporting projects are supported with a $2,000 grant to each Fellowship recipient. 

        At a time when one-third of the 300 million residents in the United States are ethnic minorities, this program explores the cultural dynamics at play in the debate over health policy. Based in Los Angeles, an international city that has been called a "proving ground" for a multicultural society, program participants learn about health trends, policy innovations and political conflicts involving health and health care. California has the largest numbers of Asians and Latinos in the nation, and many of the health challenges and opportunities that accompany changing demographics have been debated and legislated here for decades.
         
        During field trips and seminars, fellows hear from prize-winning journalists and leaders in community health, health policy, and medicine. They go home with a deeper understanding of current health care reform initiatives and gain insight into the larger picture of colliding interests and political battles over health policy. Participants also explore ways to document — through data, online maps and stories — the health inequities in their local communities. Hands-on workshops also provide fellows with new sources, practical reporting tips and multimedia strategies to reach a broader digital audience.
         

        Program Description:

        The National Health Journalism Fellowships are offered over a six-day period, beginning with an evening keynote address on Sunday night and ending with a midday wrap-up session the following Friday. Participants are expected to attend all sessions. To encourage journalists and their newsrooms to aim high in reporting on health at a time of scarce resources, we offer a $2,000 stipend to fellows in this track upon completion of what are expected to be ambitious, major fellowship projects. To stimulate collaboration between mainstream and ethnic media, we encourage applicants to propose a joint project for use by both media outlets. Up to two collaborators for each project may receive a stipend. 


        The California Endowment Health Journalism Fellowship

        Program Highlights:

        The 2011 program is still being finalized.  Here are some highlights from the 2010 program:
        • John A. Rich, M.D., M.P.H, a MacArthur Genius Award winner and author of Wrong Place, Wrong Time: Trauma and Violence in the Lives of Young Black Men, spoke about youth violence, strategies to prevent it, strategies to report on it, as well as the impact of recurrent trauma and violence on the health of young black men.
        • A visit to Homeboy Industries provided a closeup view of one program in action. Fellows heard from a panel of experts about different strategies for gang and violence prevention, including Olis Simmons, executive director of Project Youth Uprising, Father Stan Bosch, a priest and psychotherapist who provides group counseling to gang members, and Dr. Theodore Corbin, an emergency room physician and medical director of Healing Hurt People at Drexel University. Patrick Boyle, editor of Youth Today, moderated.
        •  A how-to talk by Suzanne Bohan and Sandy Kleffman, former Health Journalism Fellows and Bay Area News Group reporters who won a White House Correspondents’ Prize for their project, Shortened Lives: Where You Lives Matters.
        • A conversation with Mary Lee, from PolicyLink, on “Health and Place.”
        • A unique view of the Ports of Long Beach and Los Angeles, the nation’s busiest ports, on the Urban Ocean: World Port and Sealife Cruise hosted by the Aquarium of the Pacific. The tour provided a first-hand look at what happens when heavy industry and the natural environment share the same landscape.
        • A briefing by key thinkers who have studied, regulated, managed and challenged the Port of Los Angeles as it launched historic air-quality improvements. In a discussion led by Journalist Deborah Schoch, Fellows learned about the economic and community health impacts of the goods movement industry (shipping and trucking).
        • A briefing by two of the country’s top diabetes experts, Dr. Fran Kaufman and Dr. William Knowler, on diabetes research, including Kaufman's study of a school-based obesity prevention and reduction strategy and Knowler's research on exercise and nutrition-based interventions for adults at risk of diabetes. 
        •  A look at novel technologies for participatory mapping (and community journalism) using mobile phones
        • A case for the value of using maps to tell stories about inequity, with Ann Moss Joyner, head of the Cedar Grove Institute for Sustainable Communities.

        doc iconNational Health Journalism Fellowship.doc

        a bunch of NY EVENTS this week

        A bunch of NYC events and resources for the next week, courtesy of Columbia j-school prof Sree Sreenivasan. (NY folks – get on one of his many lists if you want to hear about more NY events. He's got his finger on the pulse of EVERYTHING!)

        -mia

        +++++++++++++++++++++++++

        DETAILS BELOW

        * Tuesday, March 22 · 12:00pm – 3:30pm
           Columbia School of Public Health
           Perspectives on the Current Crisis in Japan

        * Wednesday, March 23, 5pm
           Columbia School of the Arts
           Creative Fundraising Panel

        * Wednesday, March 23, 7 to 9 pm
           Barnard College
           Reporting the Revolution: What's next for the Arab World?

        * Fri, March 25, 12 pm to 2 pm
           Asia Society
           Makers of Modern India: Ramachandra Guha in conversation with Christopher Lydon

        * Fri, March 25, 5:30 – 7 pm
           Columbia Journalism School & SAJA
          "Geek Nation: How Indian Science is Taking Over the World"

        * Sun, March 27, 4-6 pm
          Riverside Church
          Interfaith Time of Reflection for Japan
          A Benefit Event for Japan featuring Japanese Disaster Survivors, Speakers
          and Musicians

        * Wed, March 30, 6:30-8:30 pm
         AAJA/SAJA at Columbia Journalism School
         Social Media Workshop and Fundraiser for Japan

        o o o

        Tuesday, March 22 · 12:00pm – 3:30pm
        Columbia School of Public Health
              Perspectives on the Current Crisis in Japan
        Details: http://www.facebook.com/event.php?eid=198794086809404

                Speakers Featured:
                David Brenner, PhD, Director of the Center for Radiological
                Research http://crr-cu.org/   at Columbia
                University Medical Center

                Yasuko Nagamatsu, RN, PHN, MPH, Senior Assistant Professor in
                International Nursing, St. Luke's
                College of Nursing in Tokyo and expert on public health efforts
                following the Kobe earthquake

                Panel Discussion 
                Moderated by Irwin Redlener, MD, Director National Center for Disaster
                Preparedness (NCDP)
                Panelists will include:

              David Brenner, PhD, Director of the Center for Radiological Research
              http://crr-cu.org/

              Richard Garfield, DrPH, RN, NCDP and Henrik H. Bendixen Professor of
              Clinical International Nursing

                Yasuko Nagamatsu, RN, PHN, MPH, Senior Assistant Professor in
                International Nursing, 
                St. Luke's College of Nursing
                       
        Introductory Remarks:  Dean Linda Fried

        WHEN:       Tuesday, March 22, 2011
                         12:00 -2:00 pm
         
        WHERE:      Alumni Auditorium, Black Building, Columbia University Medical Center 650 West 168 Street (corner of Fort Washington Ave.)

        CONTACT:   Members of the media: For more information and to RSVP, please contact Stephanie Berger, Mailman
        School of Public Health – 212-305-4372/5635, sb2247@columbia.edu 
         
        o o o

        Wednesday, March 23, 2011, 5pm, School of the Arts, Dodge Hall, Room 413
        Creative Fund-raising Panel

        Learn how to use social media and your network to creatively raise funds for your next project.

        Wednesday, March 23, 2011, 5pm, School of the Arts, Dodge Hall, Room 413

        Register Today!!
        https://calendar.columbia.edu/sundial/priv/eventView/index.php?EventID=48480

        The Creative Fund-raising Panel will include guest speakers from:
         
        IndieGoGo: IndieGoGo helps you raise more money, from more people, faster. Learn how to set up a
        professional online funding campaign.

        Women Make Movies: Women Make Movies is a program that provides support to women in independent production.
        They will discuss their Production Assistance Program (the organization's key Fiscal Sponsorship Program).

        Independent Filmmaker Project (IFP): The IFP Fiscal Sponsorship is exclusively for creative, artistic and/or
        educational film, video and trans-media projects.

        Refreshments will be provided.

        Presented by Columbia School of the Arts Artists' Resource Center & Career Services.

        o o o

        Reporting the Revolution: What's next for the Arab World?
        Wednesday, March 23rd, 7 to 9 pm
        Barnard College – Barnard Hall

        We invite you to an evening with some of the best journalists of the 21st century, who have been covering the recent revolts in North Africa and the Middle East. You will have the opportunity to hear accounts and analysis of the Arab revolutions from those who have brought them to us live over the past few months!

        This round-table will discuss the implications of the popular struggles that have swept the region and raise the ques…tion 'What's next?" – whether in Egypt, Palestine, or elsewhere.

        *Ayman Mohyeldin, Middle East-based correspondent for Al Jazeera English. Ayman has covered the December 2008 Israeli Airstrikes over Gaza. He became the first journalist to report on the intricate network of tunnels that were once used for smuggling of weapons and people across the Egyptian-Gaza border. Most recently, Ayman covered the Egyptian Revolution for Al-Jazeera Arabic and English.

        *Sharif Abdel Kouddous, Senior Producer and correspondent for Democracy Now! has covered the Egyptian revolution. Sharif covered a plethora of stories around the world, including reporting from Baghdad during the Iraq war, New Orleans in the aftermath of Hurricane Katrina, Haiti in the days after the January 2010 earthquake as well as the Democratic and Republican conventions in 2004 and 2008.

        *Max Blumenthal, Independent journalist, writing fellow for the Nation Insitute, columnist, documentary filmmaker, and political blogger. His work has been featured on The Nation, The American Prospect, Washington Monthly, Al Jazeera English, Alternet, and The Huffington Post.

        *Mostafa Omar, Egyptian socialist and reporter on worker and popular struggles in Egypt, including the recent wave of strikes and the formation of new independent trade union federations. Omar is also a contributor to 'The Struggle for Palestine' and the International Socialist Review.

        ** This event will be moderated by Prof. Bashir Abu-Manneh. Bashir Abu-Manneh is Assistant Professor of English and director of the Film Studies program at Barnard College. He teaches courses in Global Literature, Palestinian and Israeli literature, Marxism, and Post colonialism.

        Co-sponsored by:
        Turath, Columbia International Socialist Organization, Columbia Students for Justice in Palestine, Muslim Student Association, the Arab Student Association at SIPA, and the Arab Middle Eastern Journalist Association at the Journalism school

        o o o

        NEW SERIES: Makers of Modern India: Ramachandra Guha in conversation with Christopher Lydon

        Makers of Modern India
        by Ramachandra Guha

        725 Park Avenue, New York, NY (at 70th st)
        $7 members; $10 students with ID and seniors; $15 nonmembers
        LIMITED NUMBER OF http://asiasociety.org/events-calendar/new-series-makers-modern-india-ramachandra-guha-conversation-christopher-lydon

        Inaugurating a major new series on figures who have shaped India in the modern world, Asia Society welcomes one of that country’s preeminent historians, Ramachandra Guha, for a special luncheon conversation with radio and Internet journalist Christopher Lydon, host for Radio Open Source, produced in partnership with Brown University’s Watson Institute for International Studies.

        Guha's new book, Makers of Modern India, presents 19 brilliant and fascinating personalities who have played a critical role in India's emergence as the world's largest democracy and a rising economic colossus. This anthology provides a representative sampling of the writings of key figures including Gandhi, Ambedkar, Tagore, and Nehru, as well as lesser-known but seminal writers like Rammohan Roy and Syed Ahmed Khan, placing them in the broad historical context of India's political evolution. Sunil Khilnani of Johns Hopkins University calls it "an indispensable introduction to the rich diversity of Indian political argument and a testament to the intellectual ferment out of which India emerged."

        Historian, columnist, environmental activist and passionate cricket fan, Ramachandra Guha is the author of India After Gandhi: The History of the World's Largest Democracy and other books.

        A brown-bag lunch is available for purchase at an addition cost or bring your own. Lunch orders must be received at least 48 hours before the program.

        o o o o o

        SAJA BOOK CONVERSATION: "Geek Nation: How Indian Science is Taking Over the World"

             FRIDAY, March 25, 2011
             05:30 PM – 07:00 PM
             Columbia Journalism School, Stabile Student Center, 116th St & Broadway
             on the main Columbia campus (#1 subway to 116th St)

        [ DETAILS: http://bit.ly/sajasaini ]

        SAJA, the South Asian Journalists Association (@sajaHQ) presents…

        Join Angela Saini (@angelaDsaini), the London-basedauthor of a major new book on India and the role of science (past, present and future) in a rare appearance in New York City.

        The book is entitled: "Geek Nation: How Indian Science is Taking Over the World" (which has just been published by Hodder & Stoughton). Here's what the Sunday Times said about her work: "Saini has a genuine talent for describing science."

        Saini will be joined by veteran science writer (Time and elsewhere) and long-time SAJA member Unmesh Kher, in a conversation moderated by an alleged Indian geek, Prof. Sree Sreenivasan (@sree), Columbia J-school professor and SAJA co-founder. They will discuss these and other questions:

             How did India become a scientific superpower?
             What lessons can America learn from India's ascent?
             Why isn't Indian science more innovative than it is now?
             Can science help India deal with its problems of poverty, malnutrition?
             What do sports failures got to do with India's science success?
             Is India really, as she says, "a nation of nerds, dweebs, dorks, boffins
             and geeks"?

        Refreshments will be served; this is a free, public event.
        If you'd like to interview her or learn more about the book you can email her at angela.d.saini (at) gmail.com (tell her SAJA sent you).

        ABOUT THE AUTHOR: Angela Saini is an award-winning independent journalist based in London, and the author of Geek Nation, a journey through India, to find out whether the country is set to become the world's next scientific superpower. Her work focuses on science, technology and their impact on society. Angela's writing has been published in New Scientist, Science, Wired and The Economist, and she's a regular reporter on BBC radio science shows, including Digital Planet. Angela was shortlisted for the best feature award from the Association of British Science Writers in 2010 and named European Junior Science Writer of the Year by the Euroscience Foundation in 2009. Before going freelance, she was a reporter for BBC News in London, where her investigation into bogus universities won the Prix Circom Award for European television journalism. She started out as a newspaper journalist in New Delhi before joining ITN in London on its prestigious News Trainee scheme. Her undergraduate degree was a Masters in Engineering from Oxford University and she has a second Masters in Science and Security from the Department of War Studies at King's College London.

        o o o

        Sunday, March 27 4-6pm
        Interfaith Time for Reflection Benefit event for Japan
        at The Riverside Church 490 Riverside Drive (between 120-122 Sts.),
         
        The Interfaith Time of Reflection for Japan event will feature prayer and reflection by interfaith leaders, Japanese survivors and speakers from the three prefectures damaged by the earthquake and tsunami as well asperformances by Japanese musicians.

        Among the participants are Kenjiro Sasaki from Sendai and Yoji Shikama from Fukushima. The musicians include pianist,Taka Kigawa, and koto player, Masayo Ishigure. An interfaith service led by Rev TK Nakagaki with include leaders from the Buddhist, Shinto, Christian, Muslim and Jewish faiths.

        "This will be a chance for the Japanese community here in New York, and all New Yorkers, to come together for healing and comfort," said Reverend Nakagaki. "I hope the event can provide us with the spiritual encouragement and strength to overcome this time of suffering together."

        All donations received will be sent to Japan for relief efforts.

        Pls join our new FB page at
        http://www.facebook.com/pages/Japan-Quake-Interfaith-Time-of-Reflection/133181550086639

        ps we need 25 likes on our FB page to get upgraded, pls join. Thx!

        MORE INFO? WANT TO HELP? suzennyc@gmail.com

        MORE JAPAN BENEFITS LISTED AT http://bit.ly/japansoc

        o o o

        Learn how to be a social media maven, connect with colleagues, and give generously to the people of Japan.

        Sree Sreenivasan (@sree), Columbia Journalism School professor and one of Poynter's 35 most influential people on social media will download all the tips and strategies you need to be a wired, networked, engaged reporter.

        The event is free for AAJA and SAJA members.  Admission is $30 for all others.

        Ticket proceeds and your generous donations will go to the Japan Society’s Japan Earthquake Relief Fund.  This fund directly benefits local Japanese and American non-profits that are working on the frontline of disaster relief and recovery in Japan.

        Please join us for a fun and educational evening, and an opportunity to give on Wednesday March 30th at 6:30-8:30 pm.  At:

        Columbia Journalism School
        Pulitzer World Room
        116th St & Broadway (#1 train to 116th St)

        RSVP to:  http://socialmediasree.eventbrite.com

        For more information on the Japan Earthquake Relief Fund, please visit http://www.japansociety.org/earthquake.

        Sign up for AAJA membership (open to all): http://aaja.org/membership

        Sign up for SAJA membeship (open to all): http://saja.org/membership

        ABOUT THE WORKSHOP:  Already comfortable on Twitter, Facebook, LinkedIn? Then it's time to take it your social-media skills to the next level.  See what new tools, tips and best practices Sree has encountered teaching social media at Columbia and around the country.   Learn how to use Foursquare and geolocation services as a journalist.

        THE SPEAKER: Prof. Sree Sreenivasan, Dean of Student Affairs, Columbia Journalism School & contributing editor, DNAinfo.com – one of AdAge's 25 media people to follow on Twitter and one of Poynter's 35 most influential people in social media.

        More on him at http://sree.net and you can see how he uses social media by connecting with him on Twitter: http:/twitter.com/sree | Facebook: http://facebook.com/sreetips | LinkedIn: http://linkedin.com/in/sreenivasan

        He promises the workshop, like his tweets, will most likely be helpful, useful, informative, relevant, practical, actionable, entertaining, fun & occasionally funny!

        Cheers!

        one open spot in this weekend’s Bay Area Soup-to-Nuts documentary radio training workshop

        Another Bay Area opportunity to learn radio documentary from one of the best. One spot left in Claire Schoen's two day intensive!
        -mia

        ++++++++++++++++++++

        "From Soup to Nuts"

        A 2-day intensive

        on documentary radio production

        offered in the San Francisco Bay Area

         

        Logistics:

        This seminar will be held March 26 and 27, 2011.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.

         

        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver Reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.

         

        Claire has taught documentary radio scriptwriting and production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, Third Coast Audio Festival Conferences and AIR's mentorship program.

         

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net  •  510-540-5106  •   www.claireschoenmedia.com

         

         

         

        Second Kitchen Sisters Workshop added March 31st, 2-5pm

        Bay Area folks interested in audio – this is not to be missed if you want to learn from the masters. Details below.
        -mia

        +++++++++++++++++++++++++++

        Dear Friends,

        We have added an afternoon workshop on March 31st from 2:00-5:00 PM. There are a few spaces still left. Email kitchen@kitchensisters.org if you'd like to come.

        Original announcement:

        Davia Nelson of The Kitchen Sisters is conducting a basic recording and interviewing workshop in San Francisco on Thursday, March 31 from 10:00 AM to 1:00 PM (this session is now full) and 2:00 PM to 5:00 PM. The three-hour workshop is for people who want to acquire and hone their skills for an array of projects–radio, online storytelling, oral histories, audio slide shows, family histories, and other multimedia endeavors.

        We will cover miking techniques, sound gathering, use of archival audio, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to listen (which is harder than it looks), how to use interviews in conjunction with images, field recording techniques, recording equipment and more. The workshop is customized to fit the projects you are working on.

        People who attend come from radio, film, multimedia, newspapers, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design and beyond. The groups are always lively and good contacts are made.

        The fee is $115. Of course, there will be a snack. The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny Street (at the corner of Columbus).

        If you, or someone you know is interested, email kitchen@kitchensisters.org

        For Fellows working in California – Irvine Foundation California Leadership Award

        Short, sweet, and totally self-explanatory.
        -mia

        ++++++++++++++++++

        For Fellows working in California:  Irvine Foundation California Leadership Award
        Deadline: April 29, 2011

        Grants of $125,000 are awarded to individuals and groups working to advance innovative and effective solutions to significant California issues; nominees may come from any sector and any field of interest. More information can be found  here.

        Long-Form Storytelling in a Short Attention Span World, streaming TONIGHT, 3/16, 7pm ET

        This looks really interesting. I'll be tuning in via live stream. Details below.
        -mia

        ++++++++++++++++++++++++++++++

        Long-Form Storytelling in a Short Attention Span World

        Wednesday, March 16, 2011 7:00 p.m.

        This discussion will cover the full scope of putting together long-form investigative pieces, including: what topics appeal to audiences; how can you make complex issues interesting and easy to understand; is television, the web, radio or print the best medium for long-form reports; and what methods of funding or business models are best suited to support in-depth stories. Ira Glass, Host and Producer,This American LifeDavid Remnick, Editor, The New YorkerRaney Aronson-Rath, Series Senior Producer, PBS FrontlineStephen Engelberg, Managing Editor,ProPublica.  Moderated by Alison Stewart, Co-Anchor, PBS Need To Know.

        This event is also available as a live stream. Please visit this site to view it live on the evening of the event:

        www.ustream.tv/channel/long-form-storytelling

        Sponsored by ProPublica and the New School. 

        Location:

        Tishman Auditorium, Alvin Johnson/J. M. Kaplan Hall, 66 West 12th Street

        Admission:

        Free; seating is limited; reservations required by calling or emailing

        Phone: 212.229.5353 
        Email: publicprograms@newschool.edu


        May 2011 Multimedia Workshop

        I attended one of these workshops a couple years ago and it was great. Happy to chat if you want more info. Details below!
        -Mia

        ++++++++++++++++++++++++

        May 15-20, 2011 MULTIMEDIA REPORTING AND CONVERGENCE WORKSHOP
        The Multimedia Reporting and Convergence Workshop offers intensive
        training that covers all aspects of multimedia news production; from
        basic storyboarding to hands-on instruction with hardware and software
        for production of multimedia stories. Participants will be organized
        into teams to report on a pre-arranged story in the Bay Area, and then
        construct a multimedia presentation based on that coverage.

        Participants are taught skills they need to produce quality multimedia
        stories including:

        • Video recording and editing
• Photography and audio slideshows
•
        Audio recording and editing
• Voice coaching for narration or stand-
        ups
• Photoshop and Web design concepts
• Producing Adobe Flash
        interactive story graphics

        May 2011 multimedia workshop applications must be received by March
        25, 2011 at 11:59 p.m. PST.

        WHO SHOULD APPLY:  Professional print and broadcast journalists who
        want to develop multimedia skills to support their publication’s web
        publishing effort.

        COST: The fellowship covers all lodging, meals, and instruction costs.
        Cost of travel to the workshop must be paid by the applicant’s news
        organization. 

        HOW TO APPLY: An online application form and instructions are
        available at: http://multimedia.journalism.berkeley.edu/workshops/apply/

        Applicants need to register with the site to begin an application
        (valid e-mail address required). Applications can be saved and
        completed in several sessions.
         
        If you have any questions, please see our Frequently Asked Questions
        at http://multimedia.journalism.berkeley.edu/training/faq  or contact
        Alisha Diego Klatt, program specialist, at
        kdmcinfo@journalism.berkeley.edu or (510) 642-3892.

        *Organizational investment commitment required as a part of
        application.

        Observed Launches With SF Listening Party | March 24, 6:30pm

        This promises to be a great event for a great magazine. Details below.
        -mia

        ++++++++++++++++++++++++++++++++ 

        The [Un]Observed is an online radio magazine that showcases innovative and thought-provoking pieces. With an emphasis on works that examine more uncommon facets of art, culture, and daily life, The [Un]Observed offers an unparalleled platform for listeners to interact with eclectic aural media. By featuring work from the archives and hard drives of the world’s best journalists, producers and audiophiles, the [Un]Observed breathes new life into pieces that deserve a wider and more permanent audience.

        The San Francisco listening party on March 24th is the first in a series of off-line events that will act as companions to the [Un]Observed’s online community. The launch will feature (among others) new work from BBC Radio4's Tony Phillips, as well as pieces by Francesca Panetta, Senior Audio Producer of the guardian.co.uk and creator of the Sony Award-winning Hackney Podcast, and Prix Italia-winning independent producer Alan Hall.

        There will also be delicious drinks and treats…

        Hope to see you there!

        digital storytelling workshop this Sunday, March 20 AND HV freelancer gathering Thursday, March 31

        Hello Hudson Valley freelancers! It's been a LOOOOONG winter and now that things are finally starting to thaw, I'm eager to climb out of my winter den and socialize a bit. So let's make a date – Thursday, March 31, 8pm. The Black Swan, Tivoli. There may even be some homemade maple syrup in it for the first few who show up 🙂 I'll put an invite out on the Freelance Cafe page on Facebook, but just drop me a line here as well if you think you can make it.

        Also, I'm teaching a digital audio storytelling workshop at Wing and Clover this Sunday, March 20 from 1-4pm in Rhinebeck. This has completely snuck up on me and I'm trying hard to fill the class (need at least 3 more people!) so let me know if you're interested and/or spread the word to your friends/colleagues/kids/etc. It should be a good time. Details below.

        Happy (almost) spring, and hope to see you on the 31st!
        Best,
        Mia
        845-444-4034

        ++++++++++++++++++++

        Oral History: Intro to Digital Audio Storytelling

        Learn basic digital audio recording & editing to produce public-radio-style features, oral histories, and other sound-rich documentaries. We will create a short audio feature that you can use as a guide for future projects. Learn interview and recording techniques, tips for telling stories with sound, and basic digital editing/mixing. Equipment provided.

        Instructor: Mia Lobel

        Sunday, March 20, 1:00-4:00

        $80 ages: 14-adult

        J-Flash – March 11, 2011

        A couple good opportunities from j-lab.
        -mia

        ++++++++++++++++++++

         
        j-lab logo            
         

        J-Flash: March 11, 2011

        From J-Lab: The Institute for Interactive Journalism

        Funding
        25 Days Left: Apply for $12K for Women-Led News Startups
         
        Attention women entrepreneurs: Want to launch your own news site? Applications are now open. J-Lab will give four women-led projects $12,000 each in start-up funding this summer as part of the McCormick New Media Women Entrepreneurs initiative. Deadline: April 4.
        Awards
        Get Ready to Apply for Knight-Batten Innovations Awards
         
        Deadline is June 6 to apply for the $10,000 Grand Prize and other awards. Honored is journalism that advances opportunities for digital engagement, creates new ways of imparting information or develops new processes for doing journalism

        REMINDER – Bay Area sonic soiree, Sunday March 13, 5-7pm, Berkeley

        Just a reminder – the Bay Area sonic soiree is THIS SUNDAY, March 13 at 5pm. Don't miss it!
        -mia

        ++++++++++++++++++++++

        The Bay Area is having its next Sonic Soiree, on Sunday March 13 in Berkeley, from 5-7pm at the Studio of Lonny Shavelson. For directions and more information, visit  http://www.photowords.com/map.htm. Bring a CD of your work, old or new, and meet local audio talent. MC for the evening will be David Dunaway,  the new professor of Radio and Documentary Studies at San Francisco State University's Broadcasting and Electronic Communication Arts program.

        Radio France International call for pitches

        A colleague at Radio France International needs stories! Both from the US and abroad. Spread the word!
        -mia

        +++++++++++++++++++++++

        As some of you may know, I am a producer/reporter for Radio France
        International's English language service. I am writing a call for
        pitches, as we are in the process of changing our news programming
        which will allow for (even require!) one or more 2.5 minute pieces
        from all over the world every day. (This is a change from our current
        format of mostly phone Q&As).

        So we are calling on our networks of correspondents to start pitching
        stories, and we are looking for more… which is where you come in!

        I realize most of you are based in the US, and while we are interested
        in that part of the world, we are particularly keen to find people in
        Latin America and in Asia. Africa, too, though as that is where the
        bulk of our listeners are, we have already developed a pretty good
        network of correspondents.

        Please send your pitches to our news editor, Daniel Singleton
        (daniel.singleton@rfi.fr), with a copy to our assistant editor,
        Rosslyn Hyams (rosslyn.hyams@rfi.fr)

        You would be paid about 120 euros for a 2.5 minute reported piece (on
        the ground, natural sound, etc) – we would like it to have some kind
        of news hook, though we're looking for all kinds of stores, not just
        news, but culture, economy, environment, etc. And repurposed pieces
        are fine.

        We're also interested for voice reports and/or soundbites, if you are
        in a place where news is happening.

        Please send along your ideas – whether your based somewhere, or just
        passing through.

        Happy pitching!
        Sarah

        Radiolab call for pitches part 2

        That last post from Radiolab got cut off before it was finished. Here’s the rest.
        -mia

        ++++++++++++++++++++++++

        Radiolab topics, continued (email Brenna Farrell, bfarrell@wnyc.org, with stories or ideas)

        TALKING TO MACHINES

        Each year, The Loebner Prize for artificial intelligence is awarded to the “most human-like computer.” And the competition consists of computers talking to humans and trying to fool the humans into thinking the computers are human too. Very blade-runner. This got us think about the sad life of Alan Turing and about people who fall in love with their machines. Or people who get fooled or out-smarted by their machines. We’re set on the big thinkers, what we’re looking for are small, surprising, personal stories of people engaging with their boxes.

        SILENT WARS/TINY EMPIRES
        There’s an invisible world war raging below our feet— for the last hundred years, a giant super-colony of ants have been systematically murdering competition and taking over huge swaths of the world. And yet we don’t see them. Unless you happen to live Escandido and keep finding ants in your fridge. We find this whiplash of scales really cool, how you can go global to invisible in split second. We also find the downright evilness of these ants interesting. So we’re also investigating “rank bulls” ( the practice breeding the best bucking bulls in rodeo).
        Ideas we’d like to explore:
        Warrior classes—ants, bulls…are their other examples of born warriors?
        The idea of tiny empires—especially characters who are the master of small domains…maybe bullies, maybe self-styled benevolent dictators…who hold absolute sway over little worlds.

        LOOPS/CYCLES

        Hey you people,
        This is an attempt to wriggle out the ideas in loops. Please give it a quick once-over in the next couple minutes and let me know if you have anything to add/remove, and then we can shoot it out to the world.

        LOOPS / CHASING YOUR OWN TAIL

        We’re working on a story about how when a whale dies, it’s carcass falls to the ocean floor and creates an ecosystem that can last for 100 years.

        This got us thinking about things recurring, cycles of creation and destruction, Phoenixes rising from the ashes, feedback loops, periodicity…this could be on a personal level, or in music, or nature. After repeating however many times does something start to subtly change? What does it feel like to be caught in a loop? This show is very wide open.

        Radiolab call for pitches

        A call for pitches from my favorite radio program. Check it out!
        -mia

        ++++++++++++++++++++++

        Radiolab is about to launch into production for a new season, and we’re in search of stories. We’d love your help. 

        If you’re inclined, give a glance at the topics below (some of which are still in the half-baked, even doughy, stage). And if you have any pitches or ideas, please contact Brenna Farrell offlist at bfarrell@wnyc.org.

        We’ll try super hard to respond to every pitch promptly. But we’re a tiny staff, so..just in case, let’s say that if we don’t get back to you within a week, that means we’re not gonna move forward with the pitch.

        Thanks everyone in advance!

        Jad Abumrad
        Host/Creator
        WNYC/NPR’s Radiolab
        http://radiolab.org

        Upcoming topics:

        PERSONALITY
        Our starting point here is a conversation with Oliver Sacks about three different people who suffered from the same disease…but who had radically different symptoms. Oliver thinks the difference is due to their personalities, that somehow the disease and the personality are engaged in a kind of conversation. This got us thinking. When you get down to it, what exactly is personality? Where does it come from? Is it fixed? And how low can you go? We’ve heard stories of researchers who believe even fruit flies have personalities. We’re looking to take this far past science if we can…

        Possibilities
        – Stories of actors inhabiting personalities very different from their own (I’ve always been fascinated by things like method acting).

        Anyone know a specific story like this?

        Somebody who gets bumped on the head and their personality changes dramatically?
        ???

        GAMES
        We’re thinking about play and games. We’re reporting a story about a high school basketball game whose outcome was so dramatic and stunning that it should have changed the lives of the players involved forever…but it didn’t. Not one bit. Games are these funny contradictions. In the moment, they matter more than anything, life or death. The moment they’re over, you realize it was “just a game.” Why are we so invested? On a similar theme, what happens when a game is no longer a game? We’d be interested in stories where one person thought they were just playing a game…until things got serious. Like when you’re playing with your cat and suddenly cat goes into fight mode. Do you know of any stories of people inventing games? Maybe a game that completely flopped? What are the elements of a good game? What makes a game a dud?

        Casey Medals for Meritorious Journalism honoring distinguished coverage of children, youth, and families, deadline April 15

        Apply now for the 17th annual Casey Medals for Meritorious Journalism honoring distinguished coverage of children, youth and families. First-place winners receive $1,000 and are honored in an awards ceremony in Washington, D.C. Categories include newspaper, video, magazine, audio, multimedia and photojournalism. First-place winners will also be considered for the America’s Promise Journalism Awards for Awareness and Action, presented by the America’s Promise Alliance. Alliance winners receive $5,000 and will be announced in October. Work must be published or broadcast between Jan. 1 and Dec. 31, 2010. Entry deadline: Friday, April 15, 2011 at 5 p.m. EST.
        http://www.journalismcenter.org/content/history-and-guidelines

        The awards were created to inspire and recognize exemplary reporting on children and families. Winning stories offer a fresh take on a significant issue, show enterprise in research and reporting and demonstrate masterful storytelling and impact. Judging is conducted by respected journalists and journalism educators.

        The Journalism Center on Children & Families is a nonprofit resource center based at the University of Maryland’s Philip Merrill College of Journalism. More than 4,500 journalists have competed for Casey Medals since 1994. The awards are funded by the Annie E. Casey Foundation.

        Journalism Center on Children & Families
        University of Maryland
        Room 1100, Knight Hall
        College Park, MD 20742-7111
        www.journalismcenter.org

        Getty Images Announces Grant Guidelines for Editorial Photography and Nonprofit Work, Deadline May 1

        Hey folks. Funding opportunity below for photogs and filmmakers.
        -mia

        ++++++++++++++++++++++

        Call for Proposals – Getty Images Announces Grant Guidelines for Editorial Photography and Nonprofit Work – Deadline: May 1

        For more information or to apply, follow this link: http://imagery.gettyimages.com/getty_images_grants/overview.aspx

        Getty Images has announced the guidelines for its 2011 Grants for Editorial Photography and Grants for Good programs.

        The Getty Images Grants for Editorial Photography program is designed to provide professional photographers with the creative freedom to create compelling social, political, and cultural stories. Both individual photographers and those who work as teams may apply for the program, which will award five grants of $20,000 each to as well as additional resources such as project execution guidance from Getty Images photo editors and support from the Getty Images communications team. Applications will be accepted online beginning April 1, 2011, with a deadline of May 1, 2011. (Please note: The May 1 deadline is for professional photographers only; Getty Images will announce guidelines for student photographers later in the year.)

        The Getty Images Grants for Good program is designed to support photographers/filmmakers and communications professionals who use imagery to promote positive change in the world. The program will award two grants of $15,000 each to cover photographer, filmmaker, and agency costs as they create compelling new imagery for the nonprofit of their choice. Teams or groups of photographers or filmmakers may apply for the grants in 2011.

        For more information or to apply, follow this link: http://imagery.gettyimages.com/getty_images_grants/overview.aspx

        UC Berkeley J-School Announces Competition for Two Investigative Reporting Fellowships

        Great fellowship opportunity at my alma mater. Deadline April 25. Details below.
        -Mia

        ++++++++++++++++++++++

        J-School Announces Competition for Two Investigative Reporting Fellowships
        From the Graduate School of Journalism | March 1, 2011

        BERKELEY – To help develop a new generation of investigative reporters in an era of cutbacks at major news organizations, UC Berkeley’s Graduate School of Journalism today announced a call for entries for its fifth-annual competition for yearlong fellowships in investigative reporting. Two fellowships will be awarded in June.

        The fellowships are open to all working investigative journalists, but preference will be given to graduates of UC Berkeley’s master’s program in journalism. A strong track record of successfully reporting on complex subjects in the public interest is required.

        Applicants will be chosen based on their qualifications, their proposed area of investigation and the strength of references. Candidates must have strong organizational skills as well as the ability to self-motivate and work both productively and independently in a congenial newsroom environment. Story proposals should involve subjects under-reported by traditional news organizations. Proposals may include print, broadcast and multimedia components.

        This year’s fellowships are made possible by core grants from the Sandler Foundation and the Hellman Foundation along with donations from Scott and Jennifer Fearon, The Financial Times and Jerome and Hillary Simon.

        “Forty years ago, when I got into the business of reporting, I dreamed that I would find a place, a paper, a school that would let me pursue a story without fear or favor wherever it led,” said Logan Professor Lowell Bergman, the director of the Investigative Reporting Program.

        “Today, I have the privilege to able to raise and disperse funds to do that for a new generation dedicated to reporting in the public interest. These fellowships, I am proud to say, have been a great success for the participants and for me. They have opened me up to new stories and new ways of doing them in the digital age. And they have allowed me, and the others involved in the IRP to share our sources, our ‘tricks of the trade’ and the hard lessons that have come from decades in the business,” Bergman said.

        Winners of the 2010-2011 fellowships were Trevor Aaronson and Lee Wang, a 2006 graduate of the journalism school. Mr. Aaronson was formerly a reporter for the Commercial Appeal in Memphis, Tennessee, and a staff writer for Village Voice Media in Miami and Fort Lauderdale. Ms. Wang, a documentary filmmaker, has worked for PBS’ “Frontline” and “Frontline/World”, MSNBC and Newsweek.

        Mr. Aaronson’s project on sources in federal criminal investigations will run as a cover story for a national magazine in collaboration with a major broadcaster, and will air on television and radio this fall.

        “By providing a year to carry out a deep investigation, the Fellowship is one of the best jobs in journalism,” says Aaronson. “Lowell knows how to identify the untold stories and how to tell those difficult stories with authority across platforms.”

        Lee Wang, developing a broadcast investigation of the secret world of immigration courts says, “Working with IRP is not only an opportunity to dig deep into a subject, free of the ‘bottom line’. It’s a chance to be part of a unique community of thoughtful and tenacious journalists committed to the craft of investigative storytelling,” Wang says.

        The IRP also occasionally awards grants to support journalists not selected for the fellowships. Applicants will be notified if they have been placed in a special category for consideration for one of these grants.

        Tim McGirk, a veteran investigative reporter and former Time magazine bureau chief and graduate of UC Berkeley; cinematographer Zachary Stauffer, a 2008 graduate of the journalism school; and veteran print reporter Matt Isaacs, a 1999 graduate of the school were the applicants chosen to receive project-specific funding last year.

        Mr. McGirk is currently contributing reporting to a PBS Frontline documentary on Afghanistan, and continues his investigation of intelligence gathering in South Asia for publication and broadcast this fall.

        “The IRP is like a fantastic laboratory for stories,” McGirk says. “It gives you all the tools you need, contacts, technical know-how and sage advice, that enable you to experiment with different forms of storytelling. I wanted to try switching from print to making documentaries, and IRP has given me an invaluable assist in making that giant leap.”

        Matt Isaacs continues his groundbreaking investigations into corruption in China in collaboration with Reuters, and is in preliminary development of both a documentary and a book. “At this point, I’ve gone beyond the deep-dive of reporting into entirely uncharted water; moving into books and television and developing material that actually leads to criminal investigations,” Isaacs said.

        “I’ve never worked in a more supportive environment,” says Isaacs. “This is more than an opportunity to keep doing meaningful journalism. It’s a chance to get on board where the industry is going.”

        Mr. Stauffer is working as a cinematographer and producer for the IRP. He served as director of photography for the PBS FRONTLINE documentaries “Post-Mortem: Death Investigation in America” and “The Card Game” and is currently in production on a film on college sports. He was also principal cameraman for the PBS NewsHour segment “Checkpoints.”

        Stauffer says the IRP is a great example of what happens when hard-working, talented people get together.  “It’s been integral to my career development.  I’m constantly being pushed by the talented reporters around me and am able to produce better stories as a result.”

        Additionally, Katie Galloway, a producer and Berkeley alum that received project-based funding in 2009 has received ongoing support and editing facilities for her production team as our Filmmaker in Residence. Ms. Galloway’s feature documentary “Better This World” on a domestic terrorism case will premiere at the SXSW Film Festival in March. The film will also air on P.O.V. on PBS nationwide later this year.

        Fellowship Terms

        Fellows will be employees of the University with an annual salary of $51,000 and are eligible for full UC benefits. Office space, basic expenses and up to $10,000 in funds for approved travel provided. No housing or relocation supplements provided. Fellows must refrain from outside journalistic projects, and to use the Berkeley offices as their base of operations.

        Application Requirements (Please note applications will only be accepted via email)

        ·        Current resume or CV.

        ·        One-page cover letter.

        ·        Two-page memo outlining your proposed project and reporting strategy.

        ·        Two-page memo summarizing media coverage of your subject area over the last five years in print and broadcast and how you would advance the subject, if applicable.

        ·        Three letters of reference from current/recent supervisors, be they journalists or academics, on company letterhead, mailed to the attention of Professor Lowell Bergman. These letters should speak to your capabilities, potential and character. Emails will not be accepted.

        ·      Three work samples. For print/web samples, attach them as PDFs to your submission. For broadcast, include URLs for samples in your cover letter. Do not mail DVDs of broadcast samples unless links are unavailable.

        ·        One-page estimated travel/expense budget.

        ·        Note, proposals submitted in previous years’ competitions will not be considered.

        The deadline for the academic year 2011-2012 is midnight on Monday, April 25. The yearlong tenure begins in September.

        The Investigative Reporting Program at UC Berkeley
        2481 Hearst Avenue
        Berkeley, CA 94709
        Questions and proposals may be emailed to: fellowapplicant@berkeley.edu

        three funding opportunities for various do-gooder work

        A few great opportunities courtesy of FC member Kara Andrade. Thanks, Kara!
        -mia

        ++++++++++++++++++++

        Nominations Open for the 2011 Purpose Prize Honoring Encore Social Innovators
        Deadline: March 31, 2011
        Nominate your favorite social entrepreneur over 60 for the Purpose Prize, which honors people combining their passion and experience for social good. The Prize awards up to $100,000 each to 10 people in encore careers creating new ways to solve tough social problems.  For more information, click here.

        The Social Venture Network awards aim to support and connect the most influential social entrepreneurs on the planet. Past winners include US Fellows Willy Foote, Founder of Root Capital and Mark Hanis, Founder of the Genocide Intervention Network.  See details here.

        Funding for Nonprofits Serving Low-Income Hispanic Families
        Deadline: March 16, 2011
        Grants of $50,000 are offered by AVANCE, Inc., a nonprofit organization that provides parent and early childhood education programs, is accepting proposals from nonprofit organizations serving low-income Hispanic families to enter into a grant agreement with AVANCE to integrate the AVANCE program model into their existing services. More info is here.

        Berkeley Center for New Media Crossing Boundaries Conference, March 17-18, UCB

        Early registration for this new media conference ends TODAY!! Details below.
        -mia

        ++++++++++++++++++++++++

        UC’s Berkeley Center for New Media
        Early Registration Ends Monday March 7

        03.17-18.11 / Conference: Crossing Boundaries: An International New(s) Media Conference / Banatao Auditorium, Sutardja Dai Hall, UC Berkeley


        Crossing Boundaries: An International New(s) Media Conference
        Thursday, March 17 & Friday, March 18, 2011
        Banatao Auditorium, Sutardja Dai Hall, UC Berkeley
        To register visit: crossingboundaries2011.org
        ——————————————————–
        In an age of “Twitter and Facebook Revolutions,” Wikileaks, and cell phone reporting, how are journalists and governments adapting to the speed of content generated outside the traditional newsroom? What are the digital trends that are shaping international news and events? Journalists, scholars, and industry leaders will speak on timely, boundary-crossing news, audiences, and technology in a 2-day conference on March 17, 18 at UC Berkeley.

        Crossing Boundaries features new research and scholarship on social media platforms, activism, the recent uprisings in the Arab world; gender and racial divides in new media; news distribution in the new media age; and other topics. Speakers examine changes in the technology and sourcing of breaking news to explore a new tangle of privacy, free speech and human rights issues raised by digital media. Prominent social critic and author Nicholas Carr is the keynote speaker on March 18.

        Additional speakers include: Joaquin Alvarado, American Public Media / Katherine Corcoran, AP Bureau Chief Mexico City / Steven Fish, UC Political Science / Ken Goldberg, UC Engineering / Paul Grabowicz, UC Journalism / Marcia Hoffman, Senior Staff Attorney, EFF / Rich Jaroslovsky, Columnist Bloomberg News, BusinessWeek / Alan McClain, Wikileaks Team, The New York Times / Craig Newmark, craigslist / Xiao Qiang, China Digital Times / Jane B. Singer, U of Iowa Journalism / Eric Stover, Human Rights Center / James Wheaton, Environmental Law Foundation.

        Early registration closes Monday, March 7.
        Limited complimentary seating for students and faculty with id.
        For information and to register, visit crossingboundaries2011.org
        ——————————————————–

        Co-presented by Innovation Center Denmark, the UC Berkeley Graduate School of Journalism, Center for Information Technology Research in the Interest of Society, the Berkeley Center for New Media, Aarhus University, and University of Southern Denmark.

        For information about BCNM visit:bcnm.berkeley.edu

        Follow Crossing Boundaries on Twitter #xb11
        Photo Credit: Yasmin Moll & Ahmad Hammoud

        Part time producer openings at WFUV in NYC

        Part time job opportunities at WFUV in the Bronx. Sounds like fun!
        -mia

        ++++++++++++++++++++++

        PART TIME PRODUCER OPENINGS
        New York City's WFUV is looking for part-time, temporary producers to handle production of the music interview and performance programs, "Take Five" and "Words and Music from Studio A." These air daily on 90.7 FM, online, and often through NPR music. Learn more about them at http://www.wfuv.org/programs/wordsandmusic.

        Responsibilities: Edit interviews, create scripts, record with hosts, mix and produce final programs, and load into on-air system. Post-production responsibilities include archiving scripts, sessions and final programs; maintaining playlists, and other tasks as assigned. Additional production duties also as assigned. Producer is responsible for quality control and FCC compliance.

        Qualifications: 2 years experience scriptwriting, audio editing, and mixing; knowledge of Protools a must; detailed knowledge of "Triple A" music; public media experience preferred. Send letter, resume and mp3 production samples to: jobs@wfuv.org, or via mail to Production opening, WFUV Radio, Bronx, NY 10458. WFUV/Fordham University is an Equal Opportunity/Affirmative Action institution.

        Chicago Public Radio Call For Pitches about the Great Lakes Region, deadline March 24

        From a colleague: Chicago Public Radio has a call for pitches for a new project called Front and Center. Freelance rates range from $500 for a short audio or video feature to $5000 for a half hour documentary with multi-media components. Stories are about the Great Lakes Region and it sounds really fantastic. Please help spread the word!

        ++++++++++++++++++++++++++

        The vast expanse freshwater in the Great Lakes have always defined this region and allowed it to prosper. But the lakes were also an easy dumping ground for toxic industrial, manufacturing and human waste.  Now many here are looking at the lakes to play a critical role in rebuilding and transforming the region as it looks to the future.

        Some call it a “freshwater economy,” others label it a “blue” economy.  We want to look critically at whether these efforts to re-work and re-define the region around clean freshwater are viable, sustainable and do-able and plan a series to air regionally in June of 2011.

        We’re looking for pitches from station reporters and independent journalists throughout the region for radio stories, slide shows, photo essays, documentaries and other multiplatform components that can help us understand how important the Great Lakes are to our future, how new industries are being born right now that are framed around our access to freshwater, and how ongoing efforts to clean up, restore and revitalize the Great Lakes face enormous challenges.  Some ideas of the kinds of stories we’re looking for include:

        • Experts say that if the 20th century was the century of oil, the 21st will be the century of water.  There is growing scarcity throughout the world, yet this region is like Saudi Arabia. What are the implications of that for development this century?
        • The 2008 Great Lakes Compact was an agreement to ban future water diversions – how did it come about and how effective will it be?
        • In the “water wars” over access to the Great Lakes water, who are the winners and losers?
        • Are there examples in the region of economic growth or change building on freshwater resources?  We’re looking for stories on things like the new high-tech water business; green energy; bottled water; and the economic benefits of shoreline revitalizations.
        • There are hundreds of thousands of jobs that depend on a healthy Great Lake ecosystem, including sportsfishing and recreational boating.  But in terms of fish, the lakes are almost entirely bioengineeried, with millions of non-native species introduced every year.  How sustainable is that industry?
        • How has the 2009 Great Lakes Restoration Initiative helped the effort to restore the lakes?  What has worked and what hasn’t?  What are the prospects for continued funding and if funding is cut, what are the prospects for Great Lakes health?
        •  What about the dozens of unmediated toxic hot spots throughout the region – we’re looking for examples of areas that have been cleaned up, and others that remain toxic.
        • One of the biggest threats to the Great Lakes is invasive species like the Asian Carp.  In fact an entire bureaucracy has grown up around fighting off the enormous fish, including a newly appointed Asian Carp Czar, and “rapid response” teams designed to go in quickly wherever the fish is found.
        • Another ongoing problem is the huge amount of sewage and wastewater that still flows into the lakes.  What’s being done to mitigate that and what more needs to happen?
        •  What is the impact or potential impact of climate change on the Great Lakes?
        •  What about better efforts to conserve water – how are water using industries in the region working to re-tool to conserve water?
        • There’s a debate going on in the US and in Canada over various efforts to close down the “front door” into the lakes – the St. Lawrence Seaway and to shut the “back door” through the engineered Chicago River.  Both are efforts to keep the lakes free of new invasive species, but both are problematic and controversial.
        • One of the more challenging aspects of trying to control the water in the Great Lakes and to restore them is the fact that they straddle an international border.  What are those specific binational challenges?
        • A major new energy source – tar sands from Alberta Canada – may be refined and distributed through the Great Lakes – what are the implications of that new industry?
        Our freelance rates range from $500 for a short audio or video feature to $5000 for a half hour documentary with multi-media components.
         
        You can pitch around these themes or propose your own.  We look forward to your submissions.  All pitches should include ideas for multi-platform treatments.
        Pitches should be submitted to:
         
        Sally Eisele, WBEZ managing editor
         
        Deadline: The deadline for submissions is March 24, 2011
        Questions? Email Sally or call her at 312 948-4621

        Upstate New York Local Journalism Center reporter job in Albany

        I usually don't post full-time gigs, but since it's so rare to see journo jobs in my neck of the woods I figured I'd pass it along. Details below.
        -Mia

        ++++++++++++++++++++

        From: Emma Jacobs <jacobs.emma.c@gmail.com>

        The upstate LJC is hiring a reporter in Albany ASAP. Not so clear from the job description, but: the TV experience is a real must at this station. This is a two-year CPB-funded position, with work on funding beyond the first two years underway. Sort of an unusual gig so happy to field any questions. Please share this listing far and wide.

        Best, Emma

        Position Guide: Producer/Reporter
        Upstate New York Local Journalism Center (LJC)
        WMHT Educational Telecommunications

        Position Summary:
        The LJC Multimedia Reporter is a producer/reporter focusing on innovation and technology and their impact on the upstate New York economy. The producer/reporter will write, produce and edit balanced and engaging audio, visual, online and new media news and feature story content intended for television and radio broadcast, online, and on-demand audiences. The producer/reporter will create content specific to the LJC community on behalf of his/her partner station and will also contribute to collaborative reporting and engagement activities with other LJC reporters and stations.

        Duties and Responsibilities:
        -Conduct regular research to understand the issues and terminology associated with the innovation economy;
        -Cultivate diverse sources including under-represented segments of the population;

        -Produce as assigned multimedia, multiplatform content including, feature reports, enterprise reports, news and public affairs spots, blogs entries and extensive television, radio and on-line content;
        -Contribute to roundtable discussions, broadcast and multimedia talk shows, interviews and community engagement discussions of the issue;

        -Assist in training/mentoring of interns and other staff.
        -Ensures compliance of technical specifications and standards.
        -Maintains familiarity with professional standards and current trends in field.
        -Maintains working knowledge of tools and equipment specific to job.

        General Responsibilities
        -Coordinates activities with other staff in order to achieve the highest quality finished product.
        -Assists in station-wide projects and corporate fund-raising efforts.
        -Carries out special assignments as required.

        Qualifications and Education Required:
        -Two to five years on-air broadcast news experience.
        -Knowledge of new media production techniques, as well as television and radio production.
        -Authoritative, conversational on-air delivery.

        -Solid news judgment and ability to perform without supervision.
        -Experience in reporting/producing technology/science based stories highly desirable.
        -Bachelor degree in broadcasting, radio/TV communications, or related field, or equivalent training in production. Electronic media Journalism degree preferred.

        -Strong communication and interpersonal skills: ability to organize and present ideas clearly and persuasively.
        -Ability to work under extreme deadline pressure.
        -Must be familiar with the Final Cut Pro SD/HD
        -Familiarity with video uses and formats for social media networks. I.E. Twitter, Facebook, MySpace, etc.

        -Familiarity with video and audio digital monitoring for quality assurance.
        -Must be a team player that can also work independently.
        -Strong PC computer skills, including Microsoft Office Suite and Outlook. (Windows 7)

        -Ability to lift and carry equipment up to 50 lbs, carry out frequent reaching, stretching, twisting and bending. Standing for up to two hour at one time, and sitting for extended periods. Excellent sight, hearing and manual dexterity are also required to operate equipment.

        -A valid New York State driver’s license and good driving record is required for all WMHT positions.
        -Commitment to the mission and goals of public broadcasting.
        -Strong commitment to excellence in the finished product; ability to work successfully either independently or as a team member.

        -Demonstrated technical skill in professional field.
        -Ability to maintain a flexible schedule.

        WMHT Educational Telecommunication
        4 Global View
        Troy, NY 12180
        Email resume and cover letter to Valerie Flouton at vflouton@wmht.org

        WMHT Educational Telecommunications is an Equal Opportunity Employer M/F. Qualified veterans, women, minorities, and persons with disabilities are encouraged to apply.

        Nominate Candidates for the Knight International Journalism Awards, deadline March 15

        Nominate your journalistic heroes for this sweet award – deadline approaching!
        -mia

        +++++++++++++++++++++

        If you're having trouble viewing this email, you may see it online.
        Share This:
         
        Want to honor an international journalist, media manager–or citizen journalist–whose work has changed society for the better? If so, send us your nominations for the 2011 Knight International Journalism Awards by March 15.
                                                                                     
         
        Call for Nominations

        Knight International Journalism Awards

        Every year, we honor two outstanding colleagues with the Knight International Journalism Award. We are now seeking candidates whose work has made a significant difference in the lives of people in their countries. Nominees can be reporters, editors, media managers, citizen journalists or bloggers. Please send in your nominations by March 15.
         
        The award reflects the mission of the Knight International Journalism Fellowships, funded by the John S. and James L. Knight Foundation. The Fellowships are designed to significantly improve the quality and free flow of news in the public interest around the world. The International Center for Journalists (ICFJ) administers the program.
         
        Winners will be honored at ICFJ’s Awards Dinner in Washington, DC, on November 1, 2011. For more information, please contact Pedro J. Rodriguez at prodriguez@icfj.org or 1.202.737.3700. We truly appreciate your recommendations.
         
        Pictured: 2010 Knight International Journalism Award Winners Daniela Arbex of Brazil and Tosca Santoso of Indonesia (center) at ICFJ’s Annual Dinner

        1616 H Street NW Floor 3 | Washington, DC 20006 US

        T

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        EMPAC DANCE MOViES Commission 2011-2012 – open call for proposals

        Good money available for your film docs about DANCE. Spread the word!
        -mia

        ++++++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        EMPAC

        Mucca Pazza featured in Marching Banned (DMC 2010-2011)- image courtesy Mark Messing

        EMPAC DANCE MOViES COMMISSION 2011-2012: OPEN CALL FOR PROPOSALS
        Submission deadline: April 18, 2011
        http://empac.rpi.edu/commissions/DMC/

        EMPAC is now accepting proposals for the next round of its successful DANCE MOViES Commission program. Selected artists receive awards ranging up to $40,000, and can also apply to create their works in conjunction with the Artist-in-Residence program at EMPAC. Works commissioned may take advantage of EMPAC’s infrastructure and technology, such as computer-controlled rigging, flexible black-box studios, and post-production engineering for audio and video.

        Online registration opens on March 15, 2011, with a final submission deadline of April 18, 2011.

        As the first major US-based commissioning program available to dance-film artists in the North and South America, the DANCE MOViES Commission represents an important opportunity for those working at the intersection of the moving body and the moving image. The commission has funded seventeen projects in the last five years, with four of them also receiving residencies at EMPAC.

        Previously commissioned works range from a punk marching band creating mayhem in the streets of Chicago to a poetic film based on the autobiographical account of a US-based African choreographer returning to dance in Zimbabwe; a piece in which a contemporary Russian dancer is viewed in the aesthetic context of post-Soviet surveillance to a film were three street kids in the streets of Rio seem to juggle air; and an installation created through 3D laser scanning to another installation where multiple video screens installed side by side layer film samples and a dancer’s gestures to create counterpoints of movement and image.

        For more information on EMPAC and the DANCE MOViES Commission, or to download the guidelines and application, please visit the EMPAC website. Guidelines and information also available in Spanish.

        Follow EMPAC on FACEBOOK + TWITTER


        EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

        EMPAC Box Office:
        518.276.3921

        Plan your visit to EMPAC! Get directions, maps, parking info, and a visitors guide.

        Our mailing address is:

        EMPAC

        Rensselaer Polytechnic Institute
        110 8th Street

        Troy, NY 12180

        Add us to your address book

        Copyright © 2011 EMPAC
        All rights reserved.

        Snap Judgment Happy Hour Salon, March 24, 5:30pm, Oakland

        Hey Bay Area folks. Join the Snap Judgment crew for an informal networking event at their place in Oakland. They have a great show, plus they're a whole lot of fun! Details below.

        -mia

        +++++++++++++++++++++++

        Evite link

        DETAILS:

        If you haven't heard, Snap Judgment is a brand new, smoking-hot NPR radio show. We work with writers, producers, performers and other creative folks to bring listeners storytelling with a beat. And now we want to meet YOU!

        Join us next month for an informal salon at our offices. It's a chance for folks from all disciplines (audio/video/writing/music/design–whatever) to cross-pollinate ideas and chat about their creative endeavors/interests.

        Later in the evening, we'll also invite you to share your talents.  Tell a story, read a poem, sing a song, strum your banjo. Anything goes. But five minutes tops!

        Want to learn more about us? Check out www.SnapJudgment.org. Or join us on Facebook.

        We can't wait to meet you!

        Who: The SJ staff and you wonderful people.

        What: Creative folks mixing it up and sharing what they got. Plus drinks and snacks.

        Where: Snap Judgment Office
        405 14th St. 9th Floor
        Oakland, CA
        (entrance on Franklin St.)

        When: March 24, 5:30 p.m. – 7:30 p.m.

        two not-to-miss photo show openings this weekend, SF and LA

        If you're in SF or LA this weekend, step out and support long-time FC member and brilliant photographer Ann Marie Donahue. Details below.
        -mia

        ++++++++++++++++++++++

        Ann Marie Donahue will have 2 photography pieces in 2 separate openings this upcoming weekend! 

        If you are in the Bay Area, please stop by Rayko Photo Center for the 4th Annual Plastic Camera Show which opens on Friday, March 4th from 6 to 8 PM.  This is one of the most beloved photo shows in SF due to the uniqueness and beauty that comes from these toy cameras.   This show will be up from 3.4.11 – 4.30.11.

        If you are in L.A.  stop on by 1650 Gallery in Echo Park for the Urban Landscape opening on March 5th from 7:30 to 10:30 PM.  The images were chosen by juror Joshua Hess http://www.joshuahessdp.com/ Joshua Hess is a Swiss born cinematographer and still photographer whose career has taken him to scores of cities around the globe where he has appreciated and photographed many different urban landscapes. He is currently based in Los Angeles working on films and commercials.  This show will be up for one month.

        Coincidentally both pieces from Ann Marie are from the plastic camera.  Hope you can see the shows. 

        Ann Marie Donahue

        Photographer
        Do you need a photo for your Facebook or LinkedIn profile or perhaps something for on-line dating? Let's have fun and capture the best YOU.  Please check out my website at http://www.annmariedonahue.com/.

        Bay Area sonic soiree, Sunday March 13, 5-7pm, Berkeley

        Bay Area multimedia gurus David Dunaway and Lonny Shavelson are hosting a listening party in Berkeley on March 13. Don't miss it if you're in the area! Details below.
        -mia

        ++++++++++++++++++++++

        The Bay Area is having its next Sonic Soiree, on Sunday March 13 in Berkeley, from 5-7pm at the Studio of Lonny Shavelson. For directions and more information, visit  http://www.photowords.com/map.htm. Bring a CD of your work, old or new, and meet local audio talent. MC for the evening will be David Dunaway,  the new professor of Radio and Documentary Studies at San Francisco State University's Broadcasting and Electronic Communication Arts program.

        Kitchen Sisters Interviewing & Recording Workshop, March 31, SF

        Learn from one of the best in the biz in this audio workshop. Details below.
        -mia

        +++++++++++++++++++++++++++++++

        Davia Nelson of The Kitchen Sisters is conducting another basic recording and interviewing workshop in San Francisco on Thursday, March 31 from 10:00 AM to 1:00 PM. The three-hour workshop is for people who want to acquire and hone their skills for an array of projects–radio, online storytelling, oral histories, audio slide shows, family histories, and other multimedia endeavors.

        We will cover miking techniques, sound gathering, use of archival audio, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to listen (which is harder than it looks), how to use interviews in conjunction with images, field recording techniques, recording equipment and more. The workshop is customized to fit the projects you are working on.

        People who attend come from radio, film, multimedia, newspapers, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design and beyond. The groups are always lively and good contacts are made.

        The fee is $115. Of course, there will be a snack. The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny Street (at the corner of Columbus).

        If you, or someone you know is interested, email kitchen@kitchensisters.org.

        See you there,

        The Kitchen Sisters

        2011 McCloy Fellowship in Environmental Policy Deadline March 31, 2011

        Fellowships available for journos interested in Germany and the environment. Details below.
        -mia

        +++++++++++++++++++++++++

         

        The American Council on Germany is currently seeking applications for our 2011 McCloy Fellowship in Environmental Policy. The fellowship provides American and German environmental professionals and academics with the opportunity to travel across the Atlantic for up to three weeks to conduct research of their design. Fellows receive a stipend of $200 per day which covers housing, meals and local transportation costs. Transatlantic roundtrip airfare and pre-approved intercity travel are also covered by the program.

         

        The fellowships are intended to support professionals in the public, private and nonprofit sectors who are engaged in environmental policy, journalism, and law, as well as those in academia who are undertaking research that bears significance for environmental policy in the United States, Europe and beyond.

         

        The 2011 call for applications is attached to this email as a PDF and is also pasted below. We would appreciate if you would pass this call for applications on to colleagues in your circles or in the wider environmental community who you feel might be good candidates for this program.

         

        The applications must be postmarked by Thursday March 31, 2011. Further information about the fellowships may be found on our website at www.acgusa.org. Feel free to direct all questions to me.

         

        Thank you in advance for your collaboration.

         

        All the best,

        Robin

         

         

        Ms. Robin Cammarota

        Fellowship Coordinator

        American Council on Germany
        14 East 60th Street, Suite 1000
        New York, NY 10022 USA
        T: 212-826-3636
        F: 212-758-3445
        www.acgusa.org

         

         

        2011 McCloy Fellowships in Environmental Policy


         

        The American Council on Germany (ACG) is seeking applications for the 2011 McCloy Fellowships in Environmental Policy. McCloy Fellowships provide German and American mid-career professionals and academics with the opportunity to travel across the Atlantic for three weeks to undertake independent research and meet with their counterparts to exchange best practices and foster professional and intellectual ties.

         

        In the era of globalization, the formation of sound environmental policies and practices has become an increasingly collaborative international effort. The free flow of knowledge and ideas among professionals working toward these collective goals is crucial in order to preserve natural ecosystems and to promote sustainable development. The McCloy Fellowships in Environmental Policy are intended to foster this spirit of dialogue and collaborative discovery among Germans and Americans.

         

        The fellowship program welcomes applications from professionals in the public, private, and nonprofit sectors who are engaged in environmental policy, journalism, and law, as well as those in academia who are undertaking research that bears significance for environmental policy in the United States, Europe, and beyond. Past McCloy Fellows have analyzed a wide range of issues, including renewable energy, carbon markets, chemicals legislation, green labeling, corporate environmental responsibility, and transatlantic environmental cooperation at the subnational level.   

         

        Fellows pursue independent research and conduct interviews and meetings with interlocutors as they work on a specific, self-directed project. The ACG works with its partner organization for the fellowships – Ecologic Institute (www.ecologic.eu) – to provide guidance on the development of fellows’ itineraries and on potential meeting partners as appropriate. 

         

        The fellowship provides round-trip transatlantic airfare to Germany or the United States, pre-approved inter-city travel, and a daily stipend of $200 to cover housing, meals, and local transportation for up to 21 days abroad. Travel must take place within one calendar year of receipt of the award.    

         

        Applications are reviewed by the American Council on Germany. All applicants must hold German or U.S. citizenship. German language ability may be helpful for American applicants, but it is not a prerequisite for the program. All German applicants must have a working knowledge of English. To apply, please submit: a cover letter outlining your personal and professional objectives for the fellowship; a project proposal of at least two pages detailing the background and scope of your project, the general sources and institutions with whom you would like to consult while abroad, and the relevance of the project for environmental policy and transatlantic relations; a current resume; and two letters of recommendation. Applications may be sent via e-mail to rcammarota@acgusa.org or via mail to:

         

        Selection Committee, McCloy Fellowships in Environmental Policy

        American Council on Germany

        14 East 60th Street, Suite 1000

        New York, NY 10022 USA

         

        Application Postmark Deadline: Thursday, March 31, 2011

         

        For more information, please visit www.acgusa.org or contact Robin Cammarota, Fellowship Coordinator,

        at 212-826-3636 or rcammarota@acgusa.org.

         

        pdf icon2011 McCloy Fellowships in Environmental Affairs – Deadline March 31.pdf

        New Meetup Group – Current News Reading and Discussion – Bay Area

        I thought this might be of interest to some Bay Area journos.
        -mia

        ++++++++++++++++++++++

        New Meetup group!
        Meetup

        I'm starting this group to discuss current news.
        I'm reading challenged to understand news and current affairs. I tried to understand news on TV and cable channels, but most news is presented as views, not as facts. The choices media make, as to what will be in headlines and how they decide to present facts, are interesting.
        Then came news aggregators like google news. They do a better job of presenting… [read more]

        Organized by:

        Rahul

        Meetup, PO Box 4668 #37895 New York, New York 10163-4668

        Meetup HQ in NYC is hiring! http://www.meetup.com/jobs/

        New York Press Club Awards deadline April 15

        For you NY folks – the NY Press Club is accepting entries for their annual awards. They also sponsor a bunch of interesting monthly events – their most recent newsletter is included below. Check it out.
        -mia

        ++++++++++++++++++++++++++++

        ENTRIES ARE OPEN
        Entries close
        : Friday, April 15, 2011.
        Per-entry fee
        : $50 until March 1st, $75 thereafter.

        Click here for a printable PDF containing the Awards categories, rules, and tech specs or see Downloads, above.

        CLICK HERE TO ENTER THE 2011 COMPETITION

        CLICK HERE TO SUBMIT ENTRY FEES

        An enduring tradition in New York media, the annual New York Press Club Awards For Journalism honor excellence in the craft by writers, reporters, editors, producers, shooters and multimediographers.

        Entries are considered in more than 20 categories of reporting from material submitted by New York metropolitan area news organizations and individual journalists.

        Judging is by prominent working journalists, former journalists and academics who are selected for their expertise in each category.

        Among the awards unique to the New York Press Club competition are the Gold Keyboard Award, honoring excellence in investigative journalism; Nellie Bly Cub Reporter, honoring the best journalistic effort by a writer or reporter new to the profession and The Rev. Mychal Judge Heart of New York Award for reporting that is most complimentary of New York City.

        Click here to open this item in your Web browser

         

        NEWS FROM THE NEW YORK PRESS CLUB

        An Evening With New York Times Executive Editor, Bill Keller

        Thursday, March 3rd

        6:30PM: refreshments, socializing

        7:00PM to 8:30PM: program

        CUNY Graduate School of Journalism

        219 W 40 Street (7th & 8th)

        A Pulitzer Prize winning reporter before his jump to management, Bill Keller's informed perspectives on the business and practice of journalism, especially these days,

        are bound to enlighten and provoke.

        The Times has been aggressive in contending with transformative technologies that threaten the survival of many print media companies. It has built a robust Web site brimming

        with opportunities for reader interactivity, video, multimedia, clever interstitials, custom apps for mobile devices, special e-mail editions, e-readers, "push" and "pull" strategies, blogs – and most recently, a foray into digital book production (e-books) with the digital-only story of the

        company's adventures when presented with the Wikipedia trove (introductory essay by Keller). Plenty going on but is it the right stuff and is it enough?

        Don't miss this rare opportunity for a face-to-face dialogue with Bill Keller on topics of vital interest to journalists and journalism.

        Moderator: Brooke Gladstone host and managing editor of WNYC-FM / NPR's "On the Media."

        Free admission for NY Press Club members (RSVP required). Response is strong, don't delay.

        Non-members: $15, Students: $5. Visit our Website  for more information and to reserve.

        Entries Are Open for Press Club's 2011 Journalism Awards

        Call For Entries

        Categories, rules, and entry procedures can be found on the Awards page of our website

        where a downloadable document containing information about this year's competition can also be found.

        To encourage prompt action, the Press Club is again offering an entry-fee discount for submissions received before March 1st. Entries close, April 15th.

        An enduring tradition in New York media, the annual New York Press Club Awards for Journalism honor excellence in the craft by writers, reporters, editors, producers, shooters

        and multimediographers.

        Become a "Constant Columnist" on www.nypressclub.org

        Call For Contributions!

        An opportunity to publish on the
        New York Press Club website

        Open to submissions from all, the New York Press Club's Constant Columnist Web page

        is intended as a platform for journalists to post pieces of general and specific interest on pretty much any topic or flight of fact or fancy.

        Submissions of all kinds are welcomed – instructional, observational, reflective, reactive – almost any kind of prose or poetry is likely to be appropriate.

        The goal is to offer a potpourri comprised of many voices and disparate topics. Why let that brilliant rumination on the meaning of life moulder? Send it in!

        Member News

        Members are reminded of the open invitation to send news about themselves for our Member News page.

        Send word of changes, accomplishments, and other career developments and we will keep the community posted.

        Inquiries and submissions for both pages can be made by email.

        An illustrative graphic is OK. (Please be mindful of credits and copyrights). Submit pieces as plain text if possible, in the body of an email

        or as an attachment, to mailbox@nypressclub.org,

        Subject: Constant Columnist or Member News.

         

        New York Press Club Spring "Mixer" at Blondies Bar

        Tuesday, April 5th

        6:00PM – 9:00PM

        Blondies Bar

        212 W 79 (B'way & Amsterdam)

        Our first mixer of the year will take place in early April at a West Side watering hole popular with the sporting set.

        But sports is by no means at the top of the agenda

        so don't worry if you're not sure which New York baseball team plays in the Bronx. The idea is to mix & mingle.

        Why not join colleagues and friends for socializing and elbow-bending on April 5th (no cover, no minimum, no RSVP, sports-talk optional, non-members welcome). Hope to see you there!

        Join the New York Press Club | Contact the New York Press Club

        $5000 grants for humanitarian and environmental photography projects

        Something for you photogs. Spread the word!
        -mia

        +++++++++++++++++++

        MORE INFO: http://www.photocrati.com/photocrati-fund/

        The Photocrati Fund offers $5000 grants to pro and emerging photographers to undertake important humanitarian and environmental photography projects. Our goal is to identify outstanding, photographers and to provide the resources necessary to pursue projects that will have a tangible and positive effect on the world.

        The 2011 Photocrati Fund competition will begin in November 2010 and will run through April 1, 2011. The 2011 Photocrati Fund award(s) will be announced at the Look3 Festival of the Photograph in Charlottesville, Virginia in June 2011. Awardees become Photocrati Fellows for the calendar year from the announcement of their award until the announcement of the following year’s award.

        Award decisions will be made by the Photocrati Fund Board, a prestigious panel that includes some of the world’s best-known environmental and cultural photographers. The 2010 Photocrati Fund Board and judges for the competition included:

        Steve McCurry
        Michael “Nick” Nichols
        Art Wolfe

        Photocrati will announce the 2011 judges shortly!

        Note: The Photocrati Fund and Photocrati.com are administered by Frontier Digital Media, LLC. Photocrati and the Photocrati Fund are sometimes hereinafter referred to collectively as Photocrati.

        Note: The 2010 Photocrati Fund emphasized non-professional photographers. The 2011 grant will focus on pro photographers and emerging photographers who are making a career of photography

        Eligibility
        Application Submission Guidelines
        Selection Criteria
        Notification of Award
        Disbursement of Funds, Project Report, Photo Essay and Deadline for Completion of Project

        Copyright and Use of Images
        Other Important Notes
        Photocrati Fund Board Member Bios

        FREQUENTLY ASKED QUESTIONS

        2010 Photocrati Fund Winner and Top Finalists

        MORE INFO:

        http://www.photocrati.com/photocrati-fund/


        You may view the latest post at
        http://salaamgarage.com/2011/02/5000-grants-for-humanitarian-and-environmental-photography-projects/

        Upcoming events at Columbia Journalism School

        Always interesting (and sometimes FREE!) events going on at Columbia Jschool. Details below.
        -Mia

        +++++++++++++++++++++

        Folks: A mix of events over the next few months at @ColumbiaJourn…

        * Thursday, 3/3:  Social Media One-night Stand: An ADVANCED social-media
         workshop – FEE REQD. Details below.

        * March/April: third edition of Smarter Social Media for Journalists,
         Media Professionals and Bloggers: A four-nights-over-two-months course
         that will make you proficient in social media tools and techniques.
         – FEE REQD. Details below.

        * Thursday, April 7: Hearst Annual Lecture by Krishna Bharat, creator of
         Google News (talk & reception) – FREE. Details coming soon to
         http://bit.ly/columbialectures – our public events list.

        ==> Plus two workshops of varying lengths…

             * @ColumbiaJourn Continuing Ed:  Thursday, March 3, 2010;  6-9:30 pm
               Social Media One-night Stand: An ADVANCED social-media workshop
               for journalists, media professionals and bloggers – taught over
               one night and two weeks of online Q&A. This innovative workshop
               consists of a 3.5-hour in-person group class on March 3, followed
               by two weeks of online Q&A and community, curated by Sree and his
               adjunct professors. Cost $100 (10 percent off for @ColumbiaJourn
               alumni).  REGISTRATION: http://bit.ly/columbiajce

               SAMPLE TWEET: Social-media One-night Stand, @Sree's ADVANCED
               socmedia workshop, 3/3 @ColumbiaJourn: http://bit.ly/columbiajce

             * @ColumbiaJourn Continuing Ed presents third edition of Smarter
               Social Media for Journalists, Media Professionals and Bloggers: A
               four-nights-over-two-months course that will make you proficient
               in social media tools and techniques. March 17 (Thurs), March 31
               (Thurs), April 12 (Tues), April 26 (Tues); 6:30 – 9 p.m.6:30-9 pm.
               Cost $575 (10 percent off for @ColumbiaJourn alumni). Read NY
               Observer article about April 2010 version of this course, "The
               Twitter Tutor": http://bit.ly/sreenyo * DETAILS & REGISTRATION:
               http://bit.ly/columbiajce

               SAMPLE TWEET: 4-week social media course at @ColumbiaJourn, taught
               by @sree – open to all: http://bit.ly/columbiajce

        Prof. Sree Sreenivasan | sree@sree.net
        Dean of Student Affairs, Columbia Graduate School of Journalism
        http://www.sree.net | http://www.sreetips.com
        http://www.journalism.columbia.edu
        Contributing editor, DNAinfo: http://DNAinfo.com
        FACEBOOK: http://facebook.com/sreetips
        TWITTER: @sree – http://twitter.com/sree

        Making the Online Times Pay, Tuesday, March 1, 6:30pm, UC Berkeley

        Interesting event this week at UC Berkeley. Details below.
        -mia

        ++++++++++++++++++++++++

        The Graduate School of Journalism is pleased to announced that Gerald Marzorati, Assistant Managing Editor of The New York Times for New Products and Strategies will be on UC Berkeley's campus, Tuesday March 1 6:30 – 8:30pm at the Banatao Auditorium in Sutardja Dai Hall. 


        Mr. Marzorati will be discussing plans to monetize the Times' new media platforms in the coming months. He will be joined on-stage by Mark Danner, Chancellor's Professor for Journalism and Politics & Michael Pollan, Knight Professor of Science and Environmental Journalism at the Graduate School of Journalism, UC Berkeley. 


        The event is free and open to the public. We look forward to seeing you there!

         

        Sponsored by the Knight Program in Science & Environmental Journalism and the UC Berkeley Graduate School of Journalism

        Marzorati2011.jpg

        -- Kristi Mitchell Director of External Relations School of Information U.C. Berkeley 102 South Hall #4600 Berkeley, CA  94720-4600 kristi@ischool.berkeley.edu (510) 643-4206  phone (510) 642-5814  fax http://www.ischool.berkeley.edu

        TRANSOM.org – NEW OPPORTUNITY – 2001 Transom Donor Fund

        If you work in audio and aren't already familiar with Transom.org, you should be! Check out their latest news below.
        -mia

        +++++++++++++++++++++++++

        TRANSOM.org

        a showcase & workshop for new public radio
        http://www.transom.org
        February 21, 2011

        * NEW OPPORTUNITY:  2011 Transom Donor Fund *

        A couple of months ago, we asked for support and many of you sent in donations.  Thank you. Transom operates on a thin budget, but we've always offered payment for the Shows we feature.  Now, we find ourselves liking this idea: We'll send these donations back out there to the people making work.  We've decided to pay more for the next few Shows (still public radio scale, but a good rate for a website), hoping to help some talented producers finish their pet projects and give them a first home.  
        Of course, we encourage (and will help) you to place those pieces in a broadcast setting after they premiere on Transom.  We want to assist you on your way.  If you've just finished something great or need help finishing it, get in touch. 
        As always, we're looking for Shows from talented emerging producers and from established producers trying something new.  We want work that pushes at the boundaries of what's on public radio.  Please send us finished pieces or pitches no later than March 31st. Selected pieces will be featured throughout the spring and into the summer, and maybe longer, if we can find more support.  More details on sending your work to Transom are here:

        Drop over any time,

        Jay Allison
        Atlantic Public Media
        Woods Hole, Massachusetts
        www.transom.org

        Upcoming events at the UC Berkeley J-School

        The latest events at the UC Berkeley J-School. Check it out!
        -mia

        +++++++++++++++++++++++++++++

        The Future of Investigative Journalism


        When:
        Wednesday, February 23,  12:00 PM

        Where:
        North Gate Hall Library

        As traditional news organizations drown in red ink, how can we sustain the critical work of investigative reporting?  There are some promising new models, including ProPublica, but will the future rely on private philanthropy?  What are the roles of private and public media in this work?  What new business models are evolving?  Where does the game changing Wikileaks fit in this landscape?  What about social media?  A conversation about the future of investigative reporting with:

        Lowell Bergman, Frontline
        Daniel Zwerdling, National Public Radio
        Meghann Farnsworth, Center for Investigative Reporting/California Watch

        Ellin O'Leary, Youth Radio
        Jaxon Van Derbeken, The San Francisco Chronicle

        Can Mainstream Journalism Survive? Making the Online Times Pay


        When:
        Tuesday, March 1

        Reception:  6:00 PM
        Discussion: 6:30 PM

        Where:
        Banatao Auditorium, Sutardja Dai Hall

        Gerald Marzorati, Assistant Managing Editor of the New York Times, for New Products and Strategies in conversation with Mark Danner, Chancellor's Professor of Journalism and Politics, UC Berkeley Graduate School of Journalism and Michael Pollan, John S. and James L. Knight Professor of Science and Environmental Journalism.


        Opening Reception:
        Photographs of South Africa in the 1950’s by Jurgen Schadeberg

        AND

        A Book Signing and Public Lecture:
        American Soldiers and Torture
        Joshua Phillips and Mark Danner in conversation about None of Us Were Like This Before, a book by Joshua Phillips

        When: Friday, March 4

        Reception: 6:00 PM
        Discussion: 7:00 PM

        Where: North Gate Hall Room 105

        Joshua E. S. Phillips and Mark Danner will explore how soldiers and senior officials came to believe that torture was permissible, effective, and necessary.  Danner and Phillips will also discuss the impact of abuse and torture on detainees and soldiers.

        Mark Danner has produced some of the most important essays and books about U.S. policies that led to detainee abuse and torture during the “war on terror.”  His most recent books are Torture and Truth: America, Abu Ghraib and the War on Terror and Stripping Bare the Body: Politics Violence War. He is Chancellor's Professor of Journalism and Politics at UC Berkeley.

        Based on first-hand reports from the Middle East and Afghanistan, and years of interviewing ordinary soldiers, Joshua E.S. Phillips’s new book None of Us Were Like This Before explores how troops turned to torture and presents a shattering record of the impact of detainee abuse and torture on detainees and America’s veterans.


        Will the Real Terrorist Please Stand Up
        A screening and discussion with director Saul Landau and associate-producer Julia Landau

        When: Thursday, March 10,  6:00 PM

        Where: North Gate Hall Library

        "Will the Real Terrorist Please Stand Up" is a new film by award-winning director Saul Landau about US-Cuba relations, The Cuban 5, and Miami terrorist groups who have attacked Cuba.

        Saul Landau has produced over forty films. He has received numerous awards; including an Emmy with Jack Willis for "Paul Jacobs and the Nuclear Gang"; the Letelier-Moffitt Human Rights Award; the George Polk Award for Investigative Reporting; and the First Amendment Award.  Landau received an Edgar Allen Poe Award for Assassination on Embassy Row, an investigative book about the 1976 murders of Chilean Ambassador Orlando Letelier and his colleague, Ronni Moffitt.

        He is a senior fellow at and vice chair of the Institute for Policy Studies. In 2008, the Chilean government presented him with the Bernardo O'Higgins Award for his human rights work.

        Extended trailer can be viewed here.

        Julie Hirano

        Event & Fundraising Coordinator
        Graduate School of Journalism
        121 North Gate Hall
        University of California at Berkeley
        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu

        TAL looking for ideas

        The latest from Julie Snyder at This American Life.
        -mia

        +++++++++++++++++++++++++++++++++

        Dear This American Life contributors,

        I'll be sending out a complete Theme List in the next few weeks but in the meantime we need help with a story we've already got in production. If you have a suggestion for a possible interviewee for this story, could you let us know?

        We're looking for someone who has basically the same political views as their parent (liberal or conservative) but as their parent ages – and has the time to watch more and more cable TV news – the parent's views have become more extreme. And, to the kid, more annoying.

        This story is sort of a radio "cover" version of a piece that recently ran on the Frum Forum web site. The author writes:

        "Over the past couple of years, I’ve been keeping track of a trend among friends around my age (late thirties to mid-forties). Eight of us (so far) share something in common besides our conservatism: a deep frustration over how our parents have become impossible to take on the subject of politics. Without fail, it turns out that our folks have all been sitting at home watching Fox News Channel all day – especially Glenn Beck’s program….Even though we’re all conservatives, I found myself having to steer our phone conversations away from politics and current events. It wasn’t that I disagreed with their opinions – though I often did – but rather that I found the vehemence with which they expressed those opinions to be so off-putting."

        With the author's help, we're looking for adult children who may have similar experiences — either with Fox News watchers or devotees of MSNBC and the like — who have found themselves exasperated listening to their parents' parrot O'Reilly/Maddow talking points or conspiracy theories. What would be even better would be if the parents would want to be interviewed as well. And then they can bitch about their apathetic, closet-conservative/liberal children.

        I promise this will be fun and won't be trash-talking. I promise!

        Anyway, if you are experiencing this phenomenon or know or anyone else who may be game to talk, will you let us know? You can send emails to the producer of this piece, Jane Feltes, at jane@thislife.org.

        Thank you so much!

        Best,
        Julie Snyder
        This American Life
        julie@thislife.org

        Julie Snyder
        Senior Producer
        This American Life
        153 W. 27th Street, #1104
        New York, NY 10001
        (212) 624-5012

        NEA Arts Journalism Institute in Theater and Musical Theater Fellowship

        Word from a colleague is that this fellowship is great: "Two weeks in LA – one or even two plays a day, great teachers, a classy program." Details below.
        -mia

        ++++++++++++++++++++++++++++


        News from the USC Annenberg School for Communication & Journalism

        FOR IMMEDIATE RELEASE
        February 17, 2011

        USC Annenberg announces seventh NEA Arts Journalism Institute in Theater and Musical Theater

        Contact:  Arianna Sikorski, USC, 213-740-1899 or sikorski@usc.edu

         

        February 17, 2011 — The University of Southern California's Annenberg School for Communication & Journalism and the National Endowment for the Arts (NEA)announced today that applications are now being accepted for the seventh annual Arts Journalism Institute in Theater and Musical Theater.

        The Institute, which will be held June 14-24, 2011, is an 11-day intensive theater and musical theater fellowship program for critics, reporters, editors and broadcast and online producers from the United States. Staff journalists and freelancers who work in print, radio, TV or online media — and whose main subject is the arts, culture or entertainment — are welcome to apply.

        Institute applications are due March 29, 2011. To apply, visithttp://annenberg.usc.edu/nea.

        The NEA fellowship will coincide with the 2011 Theatre Communications Group (TCG) National Conference, hosted by the LA STAGE Alliance, which will bring more than 1,000 influential theater organizers, producers, artists and journalists to Los Angeles on the occasion of TCG's 50th anniversary. In addition, the RADAR L.A. Festival,Hollywood Fringe Festival 2011 and National Asian American Theater Conference and Festival will be taking place concurrently in L.A. The opportunity to see world premieres from across the globe, as well as new works by resident companies and artists, and to interact with frontline theater people from all over the country will shape the NEA Institute's programming.

        Sasha Anawalt, founding director of USC Annenberg's nine-month graduate degree program in Specialized Journalism (The Arts), will for the seventh year direct the NEA Arts Journalism Institute in Theater and Musical Theater. Joining her as associate directors are Douglas McLennan, editor and founder of Artsjournal.com, and Jeff Weinstein, editor and critic formerly with the Village Voice, Philadelphia Inquirer and Bloomberg News.

        "This fellowship will take the pulse of what's going on in theater right now, because we will not only avail ourselves of the stunning confluence of artists, resources, ideas and performances, but we will report on them," said Anawalt. "We will use the stuff of the conferences and festivals as the raw material for this fellowship that is about advancing the understanding and practice of arts journalism in the digital age."

        Most costs are covered by the Institute, including air travel, hotel, transportation within the city and most meals. Registration to the TCG conference and tickets to all theater performances are also covered by the NEA fellowship.

        Professional sessions addressing changes in the media industry will be offered and special attention will be paid to multimedia storytelling skills. Participants will also meet theater professionals ranging from directors and administrators of L.A.'s primary theater companies to critics of national stature, who will work with them individually and in small workshops. Faculty in the past has included Hilton Als, Susan Brenneman, Robert Brustein, Robert Christgau, Sylvie Drake, John Lahr, Charles McNulty, Dominic Papatola, Michael Phillips, Ann Powers, Steven Leigh Morris, Laurie Ochoa and Jack Viertel.

        About the NEA Arts Journalism Institutes
        The Theater and Musical Theater Institute at USC Annenberg is one of three NEA Arts Journalism Institutes, along with the Institute in Classical Music and Opera at the Columbia University Graduate School of Journalism in New York and the Institute for Dance Criticism at the American Dance Festival in Durham, N.C. In 2009, anInternational Institute in the Visual Arts at American University in Washington, D.C., also was created. Funded by a multimillion-dollar NEA initiative, these institutes offer intensive training for arts reporters and their editors. The four Institutes also partnered in October 2009 to produce the first-ever National Summit on Arts Journalism held at USC Annenberg. The summit explored new ideas for arts coverage and journalism business models in front of a live and virtual audience of nearly 20,000 people. For more information, visit http://annenberg.usc.edu/nea.

        About the National Endowment for the Arts
        The National Endowment for the Arts was established by Congress in 1965 as an independent agency of the federal government. To date, the NEA has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. To join the discussion on how art works, visit the NEA at arts.gov.

        About the USC Annenberg School for Communication & Journalism
        Located in Los Angeles at the University of Southern California, the Annenberg School for Communication & Journalism is a national leader in education and scholarship in the fields of communication, journalism, public diplomacy and public relations. With an enrollment of more than 2,200 students, USC Annenberg offers doctoral, graduate and undergraduate degree programs, as well as continuing development programs for working professionals, across a broad scope of academic inquiry. The school's comprehensive curriculum emphasizes the core skills of leadership, innovation, service and entrepreneurship and draws upon the resources of a networked university located in the media capital of the world.

        ###


        Contact USC Annenberg Public Affairs at (213) 821-3015

         

        International Youth Journalism Contest for teens and teen educators

        Great contest for teens and teen educators! Pass this on to your kids, your students, your cousins, friends, neighbors. Details below.
        -mia

        +++++++++++++++++++++++++

        Worldwide Teen Journalism Contest

        Featuring New 2011 Award for Journalistic Courage

        Youth Journalism International, a Connecticut-based nonprofit, is seeking nominations by young reporters or others in the field of youth journalism. There are a number of categories for entries, including Student Journalist of the Year, Journalism Educator of the Year, The Jacinta Marie Bunnell Award for Commentary and The Frank Keegan “Take No Prisoners” Award for News.

        A new Courage in Journalism award will be one of many handed out to the world’s most talented young reporters, photographers and cartoonists in the largest journalism contest for young people. The Courage in Journalism award aims to honor an individual youth journalist, journalism educator or a student newspaper that showed particular courage in pursuing a story despite danger, official roadblocks or other unusual obstacles.

        Winners in major categories receive crystal trophies and other prize winners receive custom-made certificates.

        Entries, which must be in English and published between Jan. 1, 2010 and Feb. 1, 2011, are due no later than March 8. Awards will be handed out in May.

        Details on how to enter the contest are available under the Contests link at the top of Youth Journalism International’s website at www.YouthJournalism.org.

        A complete list of last year’s winners, who hailed from eight countries on four continents, is also available on the website.
        Youth Journalism International is a recognized 501(c)(3) public educational charity by the U.S. Internal Revenue Service. A non-governmental organization, YJI depends on donations from supporters to continue its important work training the next generation of journalists.

        Its students’ work has been featured by The Huffington Post, National Geographic, PBS NewsHour, The Tattoo teen newspaper, Radio Pacifica, Connecticut Public Radio and other news organizations.

        For more information, contact Jackie Majerus, YJI’s executive director, or Steve Collins, YJI’s president, at (860) 523-9632 or yjicontest@gmail.com.

        SPJ panel discussion, “Journalism in the Age of Wiki-Leaks,” Feb 24, 6pm, SF

        Interesting panel discussion happening at CNET, SF, next week. Details below.
        -mia

        ++++++++++++++++++

        SPJ panel discussion, "Journalism in the Age of Wiki-Leaks"

        Join us as we discuss the challenges journalists face in the current
        environment, and consider questions like: How should news
        organizations handle situations like the ones the New York Times et al
        faced with WikiLeaks? And what's the role of professional news
        organizations when anyone can publish the kind of information that
        previously was only the purview of journalism? And what do you think
        of how the New York Times handled WikiLeaks? (See Bill Keller's
        "Dealing with Assange and the WikiLeaks Secrets:
        http://www.nytimes.com/2011/01/30/magazine/30Wikileaks-t.html)

        Panelists:

           * Declan McCullagh, chief political correspondent, CNET
           * Lance Williams, award-winning investigative reporter, California Watch
           * Steve Proctor, managing editor, San Francisco Chronicle
           * Evan Hansen, editor-in-chief, Wired.com
           * Burt Herman, Hacks & Hackers
           * Moderator: E.B. Boyd, FastCompany.com and board member, SPJ-NorCal

        Date: Thursday, Feb. 24, 2011

        Time: 6pm: Registration. 6:30: Panel begins.

        Location: The panel will take place in the ground floor meeting room
        at CNET. Come to the front desk, and they will direct you.

        Hosted by: The Society of Professional Journalists-Northern California
        and CNET, part of CBS Interactive.

        Sign up: http://spj-wikileaks-panel.eventbrite.com/

        Feet in Two Worlds announces education reporting fellowship in NYC

        NYC fellowship deadline approaching. Small stipend, but could be a good opportunity. Details below.
        -Mia

        ++++++++++++++++++++++++++

        Education Reporting Fellowship for Immigrant and Ethnic Media Journalists in New York

        http://news.feetintwoworlds.org/fellowships-immigrant-ethnic-media-journalists/

        Call for applications

        Feet in Two Worlds is offering a limited number of fellowships to immigrant and ethnic media journalists who want to improve their online reporting and social networking skills while covering education issues in New York City.

        Fellows will receive training in blogging and multimedia presentations (audio slide shows, videos, podcasts), as well as on social media sites such as Twitter and Facebook. They will produce stories for the Feet in Two Worlds blog (news.feetintwoworlds.org) and for the news organization(s) for whom they normally report. There will also be opportunities for a select group of fellows to produce radio stories for broadcast online and on the air.

        This three-month fellowship runs during the three final months of the current school year, April 1, 2011 to July 1, 2011. In addition to media training, fellows will receive a $500 stipend and the opportunity to have their work featured on news.feetintwoworlds.org, Insideschools.org, and other online news sites.

        The training is open to staff and freelance reporters and editors who work in any language. The training will be conducted in English, and all reporting for Feet in Two Worlds and our partner organizations will be in English. The training will focus mainly on work in the field, although there will also be a limited number of group workshops.

        Applications are due by 5 PM on Friday, March 11, 2011 and should include the following:

        * Three story ideas for coverage of education issues in New York’s immigrant communities or directly affecting immigrants in New York City.

        * Your resume.
        * Samples of your work.
        * The URL of the media outlet(s) for whom you report.

        To apply or for more information please contact Anna Schneider at fi2wfellowships@gmail.com.

        Feet in Two Worlds is a project of the Center for New York City Affairs at the New School which brings the work of immigrant and ethnic media journalists to public radio and the web.

        Feet in Two Worlds is supported by the John S. and James L. Knight Foundation, the New York Community Trust and the Mertz Gilmore Foundation.

        WED/THURS – Susan Orlean and Chris Anderson at Columbia J-school – stars of the magazine world and of Twitter

        For you NYC folks – upcoming events at the Columbia jschool. Details below! -mia

        +++++++++++++++++++++++

        Folks: Free, no-RSVP-required events. More coming next week and beyond.

        If you want to sign up for our events list: http://bit.ly/columbiajsignup

        Check out our events calendar: http://bit.ly/columbialectures

        Today, Wednesday, 4:30-6 pm Meet Susan Orlean Meet this staff writer for The New Yorker who has also written seven books – and is a star on Twitter, too: @susanorlean World Room Columbia Journalism School 116th St & Broadway (#1 train to 116th St station)

        Thursday, 12:30 – 2:30 p.m. Meet Chris Anderson – @chr1sa Delacorte Lecture. This week’s guest: Chris Anderson, editor-in-chief, Wired. The Delacorte Lectures examine various aspects of magazine journalism, presented in the spring semester each week by a leader in the field of magazine publishing.

        World Room Columbia Journalism School 116th St & Broadway (#1 train to 116th St station)

        Many more events coming.

        Prof. Sree Sreenivasan | sree@sree.net Dean of Student Affairs, Columbia Graduate School of Journalism http://www.sree.net | http://www.sreetips.com http://www.journalism.columbia.edu Contributing editor, DNAinfo: http://DNAinfo.com FACEBOOK: http://facebook.com/sreetips TWITTER: @sree – http://twitter.com/sree

        “From Soup to Nuts” 2-day intensive on documentary radio production, Berkeley, March 26-27

        The lovely and talented Claire Schoen is once again offering her “Soup to Nuts” training on documentary radio production. Bay Area folks – you don’t want to miss this! Details below.
        -Mia

        ++++++++++++++++++++++++++++

        “From Soup to Nuts”

        A 2-day intensive

        on documentary radio production

        offered in the San Francisco Bay Area

        Logistics:

        This seminar will be held March 26 and 27, 2011.

        Each day’s class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.

        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver Reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.

        Claire has taught documentary radio scriptwriting and production at numerous venues including U.C. Berkeley’s Graduate School of Journalism, Duke University’s Center for Documentary Studies, Third Coast Audio Festival Conferences and AIR’s mentorship program.

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net 510-540-5106 www.claireschoenmedia.com

        pdf iconStoN’s Flier (March 2011).pdf

        Al Jazeera English live taping at Columbia J-school about “Info Wars” this FRIDAY

        For you New Yorkers – this looks to be a fascinating event, with a great panel. Details below.
        -mia

        ++++++++++++++++++++++++

        Folks: This is a free, open, public event at the Columbia J-school. It's a live taping – in front of a studio audience – of one of the biggest shows on Al Jazeera English. Please join us and participate in what is sure to be a fabulous conversation. Unlike most of our events this will NOT be livestreamed as it will be aired on AJE later this month. PLEASE SHARE!

        Al Jazeera English's "Empire" presents

        "Information Wars"

        Friday, Feb. 11, 2011
        2:45 p.m. to 4:30 pm

        Lecture Hall
        Columbia Journalism School
        116th St & Broadway (#1 train to 116th St station)

        Information is power, and controlling the flow of information in the age of globalization is the ultimate power.

        "Empire" host Marwan Bishara asks: "How will governments deal with the information revolution, and do social networks really lead to social revolution?"

        Join Al Jazeera for a televised discussion with panelists:

           *  Emily Bell, director, Tow Center for Digital Journalism, Columbia
              Journalism School

           *  Carl Bernstein, Pulitzer Prize-winner; author, "All the President's
              Men"

          *  Amy Goodman, host and executive producer of Democracy Now!

           *  Evgeny Morozov, author of "The Net Delusion: The Dark Side of Internet
              Freedom"

           *  Clay Shirky, author of "Cognitive Surplus: Creativity and Generosity in
              a Connected Age"

        Welcome remarks by Prof. Sree Sreenivasan, Dean of Student Affairs

        Tweet about this event using the hashtag #cjaje
        Be sure to follow @ColumbiaJourn

        {Sample tweet = All-star Al Jazeera (@AJEnglish) live studio taping Friday @Columbiajourn: http://bit.ly/cjaje #cjaje }

        No RSVP required.

        Questions: Chanel Roche, cr2586@columbia.edu  

        If you want to sign up for our events list: http://bit.ly/columbiajsignup 

        Prof. Sree Sreenivasan | sree@sree.net
        Dean of Student Affairs, Columbia Graduate School of Journalism
        http:  //www.sree.net | http://www.sreetips.com
        http:  //www.journalism.columbia.edu
        Contributing editor, DNAinfo: http://DNAinfo.com
        FACEBOOK: http://facebook.com/sreetips
        TWITTER: @sree – http://twitter.com/sree

        Radiauteur radio art mag

        A new, UK-based online magazine for radio art. Details (and call for submissions) below. Check it out!
        -mia

        ++++++++++++++++++++++++++

        Hi everyone,

        Radiauteur – a new web magazine dedicated to radio art is now live online.

        Intro:

        Dedicated to radio art, the transmission of conceptual sounds and voiced thoughts, Radiauteur was launched to become a web magazine for academics and artists from all over the world to publish their work. In addition to this, Radiauteur aims to become an online platform for the dissemination of past, present and future praxis – an Ariadne’s thread for radio art to reach an audience as wide as possible.

        Radiauteur is a non-profit initiative kindly supported by the Centre for Cultural Studies and the Department for Media and Communications of Goldsmiths, University of London.

        Transmissions:

        We have included radio stations (and podcasts) which either broadcast radio art or are radio-art-friendly, and open to contributions. Please feel free to suggest any other stations you might know of.

        Artists:

        We are currently still updating our database of radio artists. If you would like to be featured on our website please send us a short bio, a link to a personal website/page and a sample of your work. We are also working on setting up an online radio playing exclusively radio artworks. If you would like your pieces to be featured please send them in mp3 format to info@radiauteur.com.

        Call for papers and radio artworks:

        The subject of the first issue of Radiauteur is ‘Freedom’. Abstracts and proposals for artworks (found sounds, field recordings, radio experiments and installations, collages, readings, interviews, etc) should be submitted by the 31st of March and final articles and pieces by the 30th of April.

        The first issue of Radiauteur will be published online on the 1st of June 2011.

        All queries should be sent to: info[at]radiauteur[dot]com

        Very best,
        The Radiauteur team
        Radiauteur: make waves
        www.radiauteur.com

        Upcoming events at the UC Berkeley J-School

        The latest happenings at North Gate Hall – details below.
        -Mia

        +++++++++++++++++++++++++

        Basketball and Books

        When: Thursday, February 10,  12:00 PM

        Where: North Gate Hall Library

        Three seasoned guests talk about reporting on the sport and its impact on race, education and society.

        George Dohrmann, investigative reporter for Sports Illustrated and author of Play The Hearts Out: A Coach, His Star Recruiter, and the Youth Basketball Machine.
        Tim Keown, a senior writer for ESPN the Magazine and author of several books, including Skyline One Season, One Team, One City.

        Doug Merlino, a North Gate alum and author of the newly released Hustle: One Team and Ten Lives in Black and White.

        The Future of Investigative Journalism

        When: Wednesday, February 23,  12:00 PM

        Where: North Gate Hall Library

        As traditional news organizations drown in red ink, how can we sustain the critical work of investigative reporting?  There are some promising new models, including ProPublica, but will the future rely on private philanthropy?  What are the roles of private and public media in this work?  What new business models are evolving?  Where does the game changing Wikileaks fit in this landscape?  What about social media?  A conversation about the future of investigative reporting with:

        Lowell Bergman
        , Frontline
        Daniel Zwerdling, National Public Radio
        Megahnn Farnsworth, Center for Investigative Reporting/California Watch

        Ellin O'Leary, Youth Radio
        Jaxon Van Derbeken, The San Francisco Chronicle

        Can Mainstream Journalism Survive? Making the Online Times Pay

        When: Tuesday, March 1,  6:30 PM

        Where: Banatao Auditorium, Sutardja Dai Hall

        Gerald Marzorati, Assistant Managing Editor of the New York Times, for New Products and Strategies in conversation with Mark Danner, Chancellor's Professor of Journalism and Politics, UC Berkeley Graduate School of Journalism and Michael Pollan, John S. and James L. Knight Professor of Science and Environmental Journalism.

        Opening Reception:
        Photographs of South Africa in the 1950’s by Jurgen Schadeberg

        AND

        A Book Signing and Public Lecture:

        American Soldiers and Torture
        Joshua Phillips and Mark Danner in conversation about None of Us Were Like This Before, a book by Joshua Phillips

        When: Friday, March 4

        Reception: 6:00 PM
        Discussion: 7:00 PM

        Where: North Gate Hall Room 105

        Joshua E. S. Phillips and Mark Danner will explore how soldiers and senior officials came to believe that torture was permissible, effective, and necessary.  Danner and Phillips will also discuss the impact of abuse and torture on detainees and soldiers.

        Mark Danner has produced some of the most important essays and books about U.S. policies that led to detainee abuse and torture during the “war on terror.”  His most recent books are Torture and Truth: America, Abu Ghraib and the War on Terror and Stripping Bare the Body: Politics Violence War. He is Chancellor's Professor of Journalism and Politics at UC Berkeley.

        Based on first-hand reports from the Middle East and Afghanistan, and years of interviewing ordinary soldiers, Joshua E.S. Phillips’s new book None of Us Were Like This Before explores how troops turned to torture and presents a shattering record of the impact of detainee abuse and torture on detainees and America’s veterans.


        Will the Real Terrorist Please Stand Up
        A screening and discussion with director Saul Landau and associate-producer Julia Landau

        When: Thursday, March 10,  6:00 PM

        Where: North Gate Hall Library

        "Will the Real Terrorist Please Stand Up" is a new film by award-winning director Saul Landau about US-Cuba relations, The Cuban 5, and Miami terrorist groups who have attacked Cuba.

        Saul Landau has produced over forty films. He has received numerous awards; including an Emmy with Jack Willis for "Paul Jacobs and the Nuclear Gang"; the Letelier-Moffitt Human Rights Award; the George Polk Award for Investigative Reporting; and the First Amendment Award.  Landau received an Edgar Allen Poe Award for Assassination on Embassy Row, an investigative book about the 1976 murders of Chilean Ambassador Orlando Letelier and his colleague, Ronni Moffitt.

        He is a senior fellow at and vice chair of the Institute for Policy Studies. In 2008, the Chilean government presented him with the Bernardo O'Higgins Award for his human rights work.

        Extended trailer can be viewed here.


        ********** EVENTS OF INTEREST **********

        Doug Merlino reads and discusses The Hustle: One Team and Ten Lives in Black and White


        When: Thursday, February 10,  7:30 PM

        Where:  Pegasus Books Downtown Berkeley (2349 Shattuck Avenue)

        Doug Merlino (MJ 2003) will read and discuss The Hustle: One Team and Ten Lives in Black and White. Merlino was part of a mid-80's, league-winning basketball team constructed for its diversity. He follows up with his teammates in this study of privilege, opportunity, race and class.

        Event Contact:
         510.649.1320

        RELATED EVENT: Doug Merlino at Book Passage (Corte Madera)




        Julie Hirano
        Event & Fundraising Coordinator

        Graduate School of Journalism
        121 North Gate Hall
        University of California at Berkeley
        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu

        _______________________________________________
        JSchoolEvents mailing list
        JSchoolEvents@journalism.berkeley.edu
        http://journalism.berkeley.edu/mailman/listinfo/jschoolevents_journalism.berkeley.edu

        Finishing Funds 2011 for NY residents – Deadline March 15

        For NY residents looking for $ to complete a media project – this is for you!
        -mia

        +++++++++++++++++++++++

        The Experimental Television Center is pleased to announce Finishing Funds 2011. Guidelines and applications are available on the web at http://www.experimentaltvcenter.org/

        Finishing Funds provides media and new media artists with grants up to $2,500 to help with the completion of diverse and innovative moving-image and sonic art projects, and works for the Web and new technologies. Eligible forms include film and video as single or multiple channel presentation, computer‑based moving-imagery and sound works, installations and performances, interactive works and works for new technologies, DVD, multimedia and the Web. We also support new media, and interactive performance. Work must be surprising, creative and approach the various media as art forms; all genres are eligible, including experimental, narrative and documentary art works. Individual artists can apply directly to the program and do not need a sponsoring organization. Applicants must be residents of New York State; undergraduate students are not eligible. The application requires a project description, resume and support materials, including a sample of the proposed project. Selection is made by a peer review panel. About $25,000 is awarded each year. Announcement is made in early June.

        The program is supported in part by public funds from the New York State Council on the Arts, a public agency.

        Postmark Deadline: March 15, 2011

        Guidelines and applications are now available on the web at http://www.experimentaltvcenter.org/ in the ETC News Section and the Grants area or by mail or email etc(at)experimentaltvcenter.org

        Announcing the Knight-Mozilla News Technology Partnership

        This looks interesting… something to keep an eye on.
        -mia

        ++++++++++++++++++++++++++++

        Greetings,  friends!

        Today at Mozilla, we are launching the Knight-Mozilla News Technology Partnership!

        For the next three years, we will have the opportunity to engage a huge community, bring people together for trainings and in-person events, and ultimately build software and thought leadership to address the challenges that news organizations are facing today.

        Over the course of the  partnership, we’ll be awarding at least fifteen yearlong fellowships to participants who demonstrate passion, great ideas and collaborative skills. This fellowship cohort might include software developers, user experience designers and statisticians.  We’re open to many types of candidates.  The fellows will be embedded within the news partner organizations, where they will work side-by-side with newsmakers, producing experimental news applications based on open-source, open-web technologies.

        We’ll be working with some amazing news partners: BBCBoston.comThe Guardian, and Zeit Online, who are launching the partnership with us, and many more who we will invite to join the initiative.

        You can read more about the partnership at any of the posts below my signature, and you'll all be hearing much more from me in the coming months.

        Please help us spread the word to relevant lists and here's a sample tweet:

        @knightfdn and @mozilladrumbeat embed technologists in newsrooms, launch #media innovation challenge http://bit.ly/iifrTt #drumbeat #mojo

        Nathaniel James
        News Technology Program Manager
        Mozilla

        ——————

        Official Mozilla Post: http://blog.mozilla.com/?p=2864

        Official Knight Post: http://kng.ht/exg5pN

        Phillips Post: http://bit.ly/i5BmTf

        Participate in the SF Bay Area Journalist Census

        For you Bay Area folks.
        -mia

        +++++++++++++++++++++++++

        Have you worked as a journalist in the Bay Area in the past decade? If so, we need your help with an important survey:

        The San Francisco Bay Area Journalist Census 2000-2010 aims to assess the employment experiences of journalists working in the Bay Area and the opportunities available to them today both within the changing field of journalism and beyond. Our ultimate goal is to enhance the economic and professional prosperity of Bay Area journalists.

        Please participate in this survey and share the link with other current and former Bay Area journalists. With your help, this study will gauge the real experience of media workers during a period of rapid industry transformation. As with any survey, the higher the participation, the richer the findings.

        The survey will be live from Feb. 1 to 10. For more information, please visit www.journalistcensus.org. If you have any questions, send an e-mail to info@journalistcensus.org.

        The Journalist Census is a project of the North Valley Job Training Consortium, also known as NOVA, a federally funded nonprofit employment and training agency based in Sunnyvale. NOVA will produce a public report on the Journalist Census findings and will use the study to plan and support future training and workforce development programs in the Bay Area.

        Thank you for your participation.

        Show + Tell – A Multimedia Cross Training from Big Shed and CDS (March 3-6, 2011)

        A multimedia training program offered by some of the best producers out there. Details below.
        -mia

        ++++++++++++++++++++

        Join Big Shed at the Center for Documentary studies this March for a
        new course called Show + Tell: A Multimedia Cross Training.

        Show + Tell is designed for practitioners–radio producers,
        photographers, writers, editors, and other media makers–to build on
        your expertise. The first half of the training focuses on building
        your acumen in a complimentary medium, either photography or audio.
        The second half focuses on multimedia production.

        In workshops, you’ll develop new skills. In field exercises, you’ll
        put what you’ve learned to use. In presentations, you will explore
        larger issues surrounding this work. All of this so you can leave
        this cross training with a working knowledge of the elements you need
        to plan and create rich multimedia stories.

        There will be special guests, including featured presenter New York
        Times Editor, Amy O'Leary. Faculty for this workshop include Jesse
        Dukes, Maisie Crow, Jennifer Deer, Elena Rue, and Shea Shackelford.

        For training details and registration information — bigshed.org/training

        Show + Tell: Multimedia Training from Big Shed

        March 3-6, 2011 | Course fee: $650

        We hope to see you there.

        ___________________________________________
        Shea Shackelford, Jennifer Deer and Jesse Dukes
        Big Shed, an audio + media production shop
        bigshed.org
        www.airmedia.org

        Making Contact is Seeking Interns for Spring 2011

        I occasionally post unpaid positions if the organization is really worthwhile and this one is. Making Contact is home to many FC members, and it's a great opportunity to learn and do some on-the-job networking. Details below.

        -mia

        +++++++++++++++++++++++++

        please forward widely…contact info is below in email message

        Making Contact is Seeking Interns for Spring 2011!

        Making Contact is an internationally syndicated, public affairs program, heard on over 200 radio stations. We focus on topics of environmental, economic, political and social justice. We highlight stories of progressive organizing and systemic solutions.  The staff of Making Contact is small, but extremely talented, committed, intelligent, seasoned and professional. We are seeking individuals who are energetic team players.

        1. Production Intern
        National Radio Project is looking for a 12-20hr/week Production Intern.  The intern must be reliable and flexible, familiar with community and public radio, and able to make a 6-12 month commitment.

        The intern will learn how to produce a radio segment or feature for "Making Contact." (S)he will learn audio editing, voicing, script writing, interviewing and field reporting. By the time the intern leaves, he or she will have produced at least one piece for us for national broadcast.

        Qualifications:

        • Must have excellent research skills.
        • Ability to book and conduct interviews (in-person and phone interviews) and assist in script writing
        • Qualified individuals should have a basic knowledge of how to use a microphone, digital audio recorder, headphones, and how to plug into a multbox.
        • Some knowledge of Cool Edit Pro/Pro Tools/Sound Forge or any other applicable editing software is preferred.
        • Additional

          responsibilities include: transcription, audio editing, selecting soundbites/clips, participating in listening/critique sessions and attending meetings, as needed.

        To Apply:  Download the production internship application at our website: http://www.radioproject.org/production/prodintern.html Copy and Paste into a Word document, and send completed application to lrudman@radioproject.org along with an introductory e-mail letter (2-3 paragraphs is fine) and resume.

        2. Online Social Marketing Intern

        National Radio Project is looking for a 6-12hr/week Online Social Marketing Intern and Online Mobilizer. Some tasks that you might do include:

        • ·         Designing and implementing outreach strategies to generate and increase awareness online.
        • ·         Creating and then managing profiles / pages / events / campaigns in social media sites (i.e., Facebook, Twitter, etc.)
        • ·         Corresponding with blogs and social media portals that cover the environment, gender, immigration, or other topics we cover
        • ·         Researching and identifying potential publicity opportunities and exploring ways in which we might engage our user community both within our existing sites and on external social media platforms.

        To Apply:  Download the organizational internship application at our website: http://www.radioproject.org/getinvolved/orgintern.html. Copy and Paste into a Word document, and send completed application to karl@radioproject.org along with an introductory e-mail letter (2-3 paragraphs is fine) and resume.

         

         ————-

        3. Web Editing intern

        National Radio Project is looking for an intern who can help update our website for roughly 3-5 hours a week. We're looking for a candidate who knows HTML and can navigate through Dreamweaver and content management systems such as WordPress. Knowledge of Photoshop or basic photo editing program preferred. The intern will work at home, but will occasionally need to come into our offices. This internship is unpaid.

         

        Tasks include:

        Making basic word and formatting edits to our website (www.radioproject.org)

        short video competition from Aesthetica Magazine, deadline April 30

        Another short film competition – this one from the UK's Aesthetica Magazine. Details below and here: http://www.aestheticamagazine.com/film_submissions.htm.

        Thanks to FC member Niall McKay for pointing it out!

        -mia

        ++++++++++++++++++++++++

        Short Film Competition

        How to enter


        To enter the competition and to view the Frequently Asked Questions, please click here.

        Supporting and Championing Short Film


        Aesthetica is looking for filmmakers who are driving the genre of short film forward through inspirational and innovative works. Whether you are fresh out of film school or have been making films for years, we want to hear from you. Accepting films in all genres: drama, documentary, music video, satire, comedy and artists' film.

        This award offers the winner and runners-up a fantastic prize package, which will bring your films to a wider audience.

        The deadline for submissions is 30 April 2011. All winners will be notified by 30 July 2011 and the DVD will be released with the December issue of Aesthetica Magazine.

        Once you have entered the competition, please send your DVD as soon as possible. You can enter the competition up until 30 April, however we understand that postage can sometimes take a while, therefore we will be accepting DVDs until 15 May.

        Winner


        • £500 first prize.
        • Screenings of your film at: Rushes Soho Shorts Film Festival (London), Glasgow Film Festival, Branchage Film Festival (Jersey).
        • A weekend filmmaking course courtesy of Raindance.
        • 12 months membership to Shooting People.
        • Inclusion on a DVD that will go to all Aesthetica readers (60,000 viewers).

        Runner-up & Finalists


        • £250 for the runner-up.
        • The runner-up and finalists will be included on a DVD that will go to all Aesthetica readers (60,000 viewers).

        Submission Guidelines


        • Running times up to 25mins.
        • English language, dubbed in to English or with English subtitles.
        • Entries to be submitted by DVD.
        • Please include: Director's name, country of production, running time.
        • Plus full contact details including postal address, telephone number and email address.
        • Your film must not be in breach of any copyright, including music or sound contained in your entry.

        Eligibility


        • The competition is open to anyone in the world.
        • Please inform us if your work has been screened elsewhere.
        • An entry fee of £15 is required per film.
        • You may submit more than once.

        WGBH Lab Announces Open Call for video submissions – deadline Feb 14

        Deadline is 2/14 for this short video competition. Details below. Go for it!
        -mia

        ++++++++++++++++++++++

        An invitation to produce a 3-minute video for WGBH Lab: The deadline to qualify for judging and a chance to win one of five $1000 cash prizes from the Lab, in collaboration with AMERICAN EXPERIENCE, is February 14th, 2011. AE will also consider airing the judges' top video pick at the end of the television premier of the film Stonewall Uprising on PBS this April 25th.

        This link to the Lab's open call page– http://www.thewgbhlab.org/open-call/stonewall — gives you all the background, details, tips, judges bios…everything you need to know, and NO! it's not too late to make a good video story! Here's fun advice from one of our judges, Mike Rosenblum, on shooting with your iPhone. http://www.tumblr.com/tumblelog/wgbhlab .

        Best,

        Annie Shreffler

        PS: Questions can come to me, anne_shreffler at wgbh dotorg

        Narrative Magazine Winter 2011 Story Contest, deadline March 31

        Writing competition from the folks at Narrative Magazine. Details below and at http://www.narrativemagazine.com/node/114958.
        -Mia

        ++++++++++++++++++++++++++

        Our winter contest is open to all fiction and nonfiction writers. We’re looking for short stories, short shorts, essays, memoirs, photo essays, graphic stories, one-act plays, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction. Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.

        Prior winners and finalists in Narrative contests have gone on to win other contests and to be published in prize collections, including the Pushcart Prize, Best New Stories from the South, the Atlantic Prize, and others.

        As always, we are looking for works with a strong narrative drive, with characters we can respond to as human beings, and with effects of language, situation, and insight that are intense and total. We look for works that have the ambition of enlarging our view of ourselves and the world.

        We welcome and look forward to reading your pages.

        Click here to submit your work.

        Awards: First Prize is $3,250, Second Prize is $1,500, Third Prize is $750, and ten finalists will receive $100 each. All entries will be considered for publication.

        Submission Fee: There is a $20 fee for each entry. And with your entry, you’ll receive three months of complimentary access to Narrative Backstage.

        Timing: The contest deadline is March 31, 2011, at midnight Pacific daylight savings time.

        Judging: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by April 30, 2011. All writers who enter will be notified by email of the judges’ decisions.

        Submission Guidelines: Please read our Submission Guidelines for manuscript formatting and other information.

        Other Submission Categories: In addition to our contest, please review our other Submission Categories for areas that may interest you.

        Click here to submit your work.

        BRINGING GREAT LITERATURE TO THE WORLD. ONLINE. FREE.

        Call for Submissions to the Freedom from Fear Award

        Interesting award opportunity from the folks at New America Media. Details below.
        -mia

        ++++++++++++++++++++++++++

         
        NAM Media advisory
        January 31, 2011

        News | Blogs | Events | Directory | Association | J-Schools | Client Services | Polls | About Us

        Call for Submissions to the Freedom from Fear Award

        The Freedom From Fear Award is a new national award that will honor fifteen ordinary people who have committed extraordinary acts of courage on behalf of immigrants and refugees—individuals who have taken a risk, set an example, and inspired others to awareness or action. The award seeks to honor unsung heroes who are not professional advocates. Based on nominations from people like you, awardees will receive a $5,000 cash award.

        Watch the video about the award

        And be sure to nominate someone before February 28, 2011

        Please share this information with your networks!

        NAM Ethnic Media Directory | Advertise With Us | NAM Newsletters
        New America Media is a project of Pacific News Service.
        New America Media | 275 9th Street, San Francisco, CA 94103 | Tel. 415-503-4170
        Copyright © 2009 Pacific News Service. All Rights Reserved.
        www.newamericamedia.org

        Snap Judgment Call for Stories

        Hey all. Another call for stories from Snap Judgment. Details below.
        -mia

        +++++++++++++++++++++

        Snap Judgment, “Storytelling . . . with a BEAT,” is calling for pitches for several upcoming episodes, listed below.


        Snap rocks character-narrated and producer-narrated, dramatic, first person, stories and airs on over 100 NPR stations (and growing) nationwide.  Our stories are heavily produced with music and sound effects and need not have a news hook.  Pay scale is on par with other national programs.

        The best Snap stories allow listeners to understand the world from the perspective of the protagonist, and start strong, often with a premise that describes the dilemma.  We dig the stories that bob and weave, dance, take listeners someplace unexpected.  And we want the ending to grab you by the throat.  (NO WISHY WASHY ENDINGS!)  

        Snap Judgment seeks stories told from a points of view often under-represented on-air, particularly stories told by folks from marginalized communities, international stories, or anything off-the-beaten-path.

        To hear what we’re talking about, please listen to a show.  Any one is cool, but to get an idea of the range of Snap storytelling, episodes you may want to try include:

        Superheroes: Origin Stories (http://snapjudgment.org/superheroes-origin-stories)


        Utopia (http://snapjudgment.org/utopia )


        The following is a list of the episodes we’re working on.  But if you have an amazing story, and it doesn’t hit one of these general “themes” – no worries!  Send it to us anyway.  Nothing is set in stone:

        Episodes We’re Busy Cooking Up

        Fame:  Stories about 15 seconds of fame, brushes with greatness or a moment in the sun. Examples include the story of a failed actor whose dog makes it to the big time, and the life of a central character in a chart-topping song.  

        Road Trip: This episode features stories from the open road, cross-country or ‘round the world, life on the highway, pitch us your stories of breakdowns, hold-ups, train-hopping, dog-sledding or coast-to-coast skate boarding.

        Lying Liars: Stories about the consequences of lying, and the lives of lying liars. Our definition of lying includes misleading, going under cover, scams, trickery and fraud.

        April fools:  For this episode we’re looking for stories of amazing pranks, hoaxes or practical jokes, and the fallout when the dust clears.


        Justice League: This is a follow-up to our superheros episode, and we need stories about heroes for justice, criminal do-gooders, prison breaks, weekend-warriors and peacekeepers.

        BoyGirlBoyGirl: Stories about gender-bending, breaking down sex barriers, reversing parental roles, living within the constraints of biology or breaking from them entirely, stories of a new generation of boys and girls, of female firsts or ground-beaking guys.

        Border Crossing: Stories of international boundaries, life on the border, refugees, asylum seekers, ex-pats and immigrants. These stories must have a narrative arc that takes listeners across an international boundary.

        Best Intentions: Stories of the best laid plans, going horribly wrong: international aid resulting in famine, loving a bunny to death, surprise parties ending in cardiac arrest, gifts misunderstood or any stories of well intentioned ideas resulting in chaos, mayhem or disaster.

        Mere Mortals: Stories of brushes with death, stupid or brave acts of heroism, encounters with mortality, stupendous survival or coming back from the dead.

        International Intrigue: Stories of espionage, spies, secret agents, clandestine missions, sneaking across borders, midnight phone calls from the CIA, and concealed identities. Examples include the story of a man recruited by the CIA.

        All In It Together: Go team. Stories about working together, feeling outcast, being accepted, signing-up or going AWOL. Examples include the story of a young man who finds himself at a bar on the night of 9/11 listening to the stories told by emergency workers.

        The Wiz: Stories with a Wizard of Oz theme. Think creatively, not just searches for brain, heart and courage, but stories about going home, emerald cities, fake wizards, good witches, tornadoes and your little dog too. Examples include the story of a heart transplant recipient experiencing the memories of his donor.

        Tilt: Stories about reaching a tipping point, changing your tune, convincing others, falling from grace, rising to fame, giving-up, standing-up, or more literal stories about tilting, tipping or toppling over.

        Waste: Stories about trash, time wasted, lives wasted, money wasted, garbage dumps, e-waste, wasting resources, wasting talent, finding treasure in trash. Examples include the story of a high powered attorney’s slow decline into crack addiction.

        Cha-Ching : Stories about the value of a dollar. Stories about learning the worth of something, something that’s value changes with time or with events, losing money, finding money, inheriting money, dirty money, money laundering, winning money, greed or generosity. Examples include the story of a robber who returned his victim’s wallet upon learning that his victim was homeless.


        Pitch Procedure

        1.     Listen to Snap Judgment.

        2.     Check out the “Is your story right for Snap Judgment?” flowchart.

        3.     Send your pitch to pitches@snapjudgment.org.

        4.     The Snap team will discuss your pitch and do our best to get back to you in two weeks.


        We can’t WAIT  to hear your stories!


        –Snap

        a bunch of fellowships posted by the National Association of Hispanic Journalists

        Hey folks. FC member Kara Andrade forwarded me the newsletter from the National Association of Hispanic Journalists. There's a lot of great stuff in here – so I'm passing along most of it. Check it out.

        -mia

        +++++++++++++++++++++++

        http://nahj.ihispano.com

         Metcalf Institute For Marine and Environmental Reporting

         

        The Metcalf Institute for Marine and Environmental reporting is offering a fellowship for a science training opportunity: a Science Seminar on oil spill impacts, April 6-8, 2011;

        In response to the need for clear, accurate and sustained coverage of the impacts of the Deepwater Horizon oil disaster, Metcalf Institute will offer two 2011 programs on the emerging science of the spill.

        Metcalf Institute, Louisiana State University, and Louisiana Universities Marine Consortium (LUMCON) will offer a 2.5-day seminar for journalists and informal science educators from the Gulf of Mexico region. The science seminar, Impacts of the Deepwater Horizon Oil Disaster, will be held in Cocodrie, Louisiana, April 6-8, 2011. Participants will gain hands-on knowledge of oceanographic techniques in labs and on board the R/V Acadiana and discuss the latest research on the Deepwater Horizon oil disaster with leading experts. Seminar is tuition free and includes room and board. Applications must be postmarked by January 31, 2011.

        Applications for the programs may be downloaded at www.metcalfinstitute.org. For additional program information, call 401-874-6211 or email fellowships@metcalfinstitute.org.


        ________________________________________________________________


        The Persephone Miel Fellowship for Crisis Reporting

         

        This fellowship is intended to give non-native English speaking media professionals the opportunity to reach audiences beyond their home countries on critical under-reported issues.  The fellowship, overseen by the Pulitzer Center in collaboration with Internews, is designed to help media professionals outside of the United States do the kind of reporting they've always wanted to do, and enable them to bring their work to a broader international audience. The fellowship will benefit those with limited access to other fellowships or international distribution of their work.

         

        The Pulitzer Center on Crisis Reporting will provide a travel grant of $7500 for a reporting project on topics and regions of global importance, with an emphasis on issues that have gone unreported or under-reported in the mainstream American media.
         

        The Persephone Miel fellowships are open to all journalists, writers, photographers, radio producers or filmmakers; staff journalists as well as free-lancers who are non-native English speaking media professionals seeking to report from their home country.

        Deadline: February 1, 2011 http://pulitzercenter.org/persephone-miel-fellowship

         


        Who Will Win the $75,000 Grantham Prize in 2011?


        Metcalf Institute for Marine and Environmental Reporting seeks entries for the 2011 Grantham Prize for Excellence in Reporting on the Environment. The book entry deadline has passed, but all other entries, including print, broadcast and web, must be postmarked by Friday, February 4, 2011.

         

        Grantham Prize contest rules, entry and eligibility information, forms, and a helpful checklist are available online at www.granthamprize.org. Specific inquiries may be directed to info@granthamprize.org.

        ________________________________________________________________


        American Press Institute Fellowship

        The Institute will award thousands of dollars in fellowships to newspaper employees and journalism educators from the United States and Canada to attend API seminars. These fellowships are financed through the generosity of individuals, organizations and trusts.

         

        The list of programs, fellowship details and an application form are available HERE. The application deadline for seminars held March-June 2011 is Tuesday, Feb. 1, 2011.

        As API adds seminars to its programming schedule on a rolling basis, additional fellowships will become available.  Questions? Please contact the fellowship coordinator at: fellowships@americanpressinstitute.org

        _____________________________________________________________________________

         

        Apply Now for IRP Gatekeeper Editors' Trip to Indonesia

         

        The International Reporters Project (IRP) is pleased to announce a two-week Gatekeeper Editors Trip to Indonesia on May 6-20, 2011, for senior U.S. editors and producers interested in learning more about this important country in Asia.

         

        This trip will focus on issues such as health, climate change and environment, economic development, the role of religion, minorities and human rights and Indonesia's rising importance in Asia and the world.

         

        Application forms for this trip must be received by the IRP by March 11, 2011.

         

         

        NCI Health Communications Internship Program

         

        The National Cancer Institute (NCI) recognizes that health information dissemination is key to raising public awareness about new cancer treatments, support for cancer patients and their families, and prevention strategies.   To that end, in 1975 the NCI established the Health Communications Internship Program (HCIP) to attract and developindividuals interested in careers in health communications and science writing.   

         

        The HCIP gives highly qualified graduate students and recent graduate degree recipients the opportunity to participate in vital health and science communications projects in one of the many offices that make up the NCI.  Interns will select an area of emphasis: Health Communications or Science Writing.  Six-month and one-year internship terms are available. 

         

        Additional information about this program including an online application can be found by visiting http://hcip.nci.nih.gov/

         

         

        International Center for Journalists: Arthur F. Burns Fellowships

         

        American print and broadcast journalists have until March 1, 2011, to apply for a two-month professional exchange program in Germany. Successful applicants will spend August and September living, working and reporting for their home and host news organizations from across the Atlantic. The Arthur F. Burns Fellowships is a competitive program open to media professionals between the ages of 21 and 37 who are employed by a newspaper, news magazine, broadcast station, news agency or who work free-lance and/or online. For more information go to http://www.icfj.org/burns

         

         


         
        2011 Ian Axford (New Zealand) Fellowships in Public Policy

         

        Ian Axford (New Zealand) Fellowships in Public Policy give outstanding American mid-career professionals the opportunity to research, travel and gain practical experience in public policy in New Zealand for seven months.  Established and funded by the New Zealand Government in 1995 to reinforce links between New Zealand and the United States, the program aims to advance all areas of public policy by cross-fertilization of ideas and experience and to continue building a network of public policy experts on both sides of the Pacific.

         

        Axford Fellows have the opportunity to gain first-hand knowledge of the New Zealand government sector and its economic, social or political reforms and issues. Fellows will identify a particular policy topic they wish to explore and will be based at an appropriate government ministry or department. They will be carefully paired with a leading policy expert who will serve as their mentor.  In addition, Fellows will be expected to spend a substantial part of their Fellowship in contact with other relevant organizations to gain practical experience in their field in New Zealand.  They are required to produce a policy report for publication by the Fellowships Office (Fulbright New Zealand) and report their findings in public seminars in New Zealand before returning and in the USA after their return.

         

        Three to five Fellows are selected each year.  Applicants must be US citizens with at least five years experience in their professions, and must submit a formal application. 

        For further information and an application form, see Fulbright New Zealand's website at http://www.fulbright.org.nz/awards/am-ian-axford.html

         

        Applications Deadline March 1, 2011 

         

        For inquiries please contact:

         

        Stefanie Joe                                         OR                Frank Cain

        Program Team Leader                                               US Program Coordinator

        Fulbright New Zealand                                               Phone +1 202 460 0609

        Phone +64 4 494 1507                                               Email:  axford@fulbright.org.nz

        Email stefanie@fulbright.org.nz

         

        To view a list of New Zealand Government Ministries and Departments with the names of the Chief Executive Officers please visit http://www.ssc.govt.nz/display/document.asp?NavID=264

        Upcoming events at the UC Berkeley J-School

        Some great events coming up at the UC Berkeley J-School. Details below.
        -mia

        ++++++++++++++++++++++

        The Future of Music Journalism: Computer or Curator?

        When: Wednesday, February 2,  6:00 PM

        Where: North Gate Hall Library

        Critics and tastemakers have been talking about, reviewing, and exposing music to the masses for generations. With the advent of sophisticated algorithms, computer programs such as Pandora and Apple Genius are now suggesting new or unusual music for listeners.

        Our panelists debate "algorithms and blues" — whether technology has freed listeners from music journalists — or made them more valuable than ever.

        Tim Westergren, Founder, Pandora
        Doug Brod, Editor-in-Chief, Spin
        Joel Selvin, Senior Pop Music Critic, San Francisco Chronicle

        Niema Jordan, Executive Editor, 38th Notes

        Moderated by Ben Manilla, lecturer at the Berkeley Graduate School of Journalism

        Basketball and Books

        When: Thursday, February 10,  12:00 PM

        Where: North Gate Hall Library

        Three guests talk about reporting on the sport and its impact on race, education and society.

        George Dohrmann, investigative reporter for Sports Illustrated and author of Play The Hearts Out: A Coach, His Star Recruiter, and the Youth Basketball Machine.

        Tm Keown, a senior writer for ESPN the Magazine and author of several books, including Skyline One Season, One Team, One City.
        Doug Merlino, a North Gate alum and author of the newly released Hustle: One Team and Ten Lives in Black and White.

        ****** EVENTS OF INTEREST ******

        Fred Korematsu Day Celebration

        When: Sunday, January 30,  2:00 PM

        Where:  Wheeler Auditorium

        The program includes keynote speaker Reverend Jesse Jackson, spoken word artist Beau Sia, as well as tributes from Karen Korematsu, California Assembly Members Warren Furutani and Marty Block.  

        Tickets available now!

        Click here for more details.  

        Event Contact: info@korematsuinstitute.org | (415) 848-7727

        Doing Dance Criticism

        When:
        Friday, January 28,  4:00 PM

        Where:  Wheeler Hall, Maude Fife Room (315)

        Four of the nation's leading dance writers will discuss the roles and responsibilities of the critic and the changing nature of arts journalism.

        Sarah Kaufman, dance critic for The Washington Post, won the 2010 Pulitzer Prize for Criticism.
        Wendy Lesser, editor of The Threepenny Review, regularly writes about dance, music, and opera. She is the author of eight books, including The Amateur: An Independent Life in Letters and Nothing Remains the Same: Rereading and Remembering.

        John Rockwell, former dance critic, music critic, and editor of The New York Times Arts and Leisure section, is the board chairman of the National Arts Journalism Program.
        Lewis Segal, formerly the staff dance critic for the Los Angeles Times, is a freelance arts writer based in Hollywood and Barcelona.

        Event Contact: mpugh@berkeley.edu

        Civil Liberties in the Age of Obama

        When: Thursday, February 3,  4:00 PM

        Where: Sutardja Dai Hall, Banatao Auditorium

        Glenn Greenwald is a US lawyer, columnist, blogger, and author. Greenwald worked as a constitutional and civil rights litigator prior to becoming a contributor (columnist and blogger) to Salon.com, where he focuses on political and legal topics. He has also contributed to other newspapers and political news magazines.

        Greenwald is the author of three books: How Would a Patriot Act? (2006) and A Tragic Legacy (2007), both New York Times bestsellers; and Great American Hypocrites (2008).

        In March 2009 he was selected, along with Democracy Now's Amy Goodman, as the recipient of the first annual Izzy Award by the Park Center for Independent Media, an award named after famed independent journalist I.F."Izzy" Stone and devoted to rewarding excellence in independent journalism. The selection panel cited Greenwald's "pathbreaking journalistic courage and persistence in confronting conventional wisdom, official deception and controversial issues."

        Event Contact: iis@berkeley.edu


        Julie Hirano
        Event & Fundraising Coordinator

        Graduate School of Journalism
        121 North Gate Hall
        University of California at Berkeley
        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu

        online Social Media Class @ Center for Doc. Studies – Wednesdays, Feb. 2 thru Mar. 10

        Pass this on to your friends/colleagues in North Carolina, or be prepared to partner with a Durham-based community organization from afar. Details below.
        -Mia

        ++++++++++++++++++++++

        Katina Parker is teaching her Exploits in New Media and Emerging Technologies class at Center for Documentary Studies. This on-line course offers step-by-step guidance on how to launch a social media project from scratch. You’ll learn everything from the basics of securing a domain name and using freeware to build your site to shooting and uploading web video; from choosing the right viral video distributor for your project to creating a web advertising campaign to drive traffic to your site in order to generate revenue. Please note: Students will be expected to create a sample social media campaign in collaboration with a Durham-based community organization.

        We will focus on Facebook, Twitter, YouTube, web advertising, viral outreach, on-line fundraising options, promotional press strategies, and e-mail campaigns.

        >THIS IS AN ON-LINE CLASS<<

        The class meets on-line weekly for 6 sessions beginning Tuesday, February 2 from 6pm to 8pm and ending March 9.

        Cost for the course is $265. Please note that the course fee does not include the $15 materials fee that is due at the first class.

        To register go to: http://www.asaponlinereg.com/CourseDetail.aspx?CourseId=5602

        Katina Parker has served as a communications/social media consultant for the Ford Foundation, the National Black Justice Coalition. Southerners on New Ground, the Association of Independents in Radio and several other progressive public media projects. She has employed her talents as a filmmaker, photographer, and graphic/web designer for such clients as Will Smith, Jada Pinkett Smith, and Saul Williams. Prior to founding the nonprofit New Orleans: A Labor of Love, she worked as a creative director and as a media strategist for the Gay & Lesbian Alliance Against Defamation (GLAAD). Parker received an M.F.A. in film production from the University of Southern California and a B.A. in Speech Communications from Wake Forest University.

        Middlebury Fellowship in Environmental Journalism deadline May 16

        This from our fabulous FC west correspondent Molly Samuel. She's happy to chat with anyone who has questions – contact her at molly.samuel@gmail.com.
        -Mia

        ++++++++++++++++++++++++++

        Middlebury Fellowship in Environmental Journalism is accepting applications until May 16. The program accepts 10 journalists at the start of their careers, and works with them for a year-long reporting project (plus sessions with visiting journalists, a retreat in Bread Loaf in the fall and Esalen in the spring). I was a 2009 fellow, and recommend the program highly. I'm happy to talk with anyone about it, and the fellowship directors are also open to questions.

        Check it out here http://www.middlebury.edu/sustainability/fech/fellowships

        Africa photo opening TOMORROW at Rayko in SF – 1/27, 6pm

        Hey Bay Area folks. Come out tomorrow night to support my friend and FC member Chris Smith. Rayko has a gorgeous gallery and Chris' images are amazing. Details below.
        -mia

        ++++++++++++++++++++++++++

        I'm one of four photographers taking part in Rayko gallery's next show, "4xAfrica." I've got 15-20 images in the show, spanning a full decade of work, from Cairo to Cape Town.

        The opening reception is Thursday, January 27, from 6-8 pm, at Rayko in San Francisco (3rd @ Harrison). The show will be up until February 27. 

        Details:
        http://raykophoto.com/?page_id=38

        For more about the images:
        http://www.ca-smith.net/blog/2011/01/urban-africa/

        Hope to see you there,
        Chris

        —–
        Chris Smith
        web: www.ca-smith.net
        twitter: chrisasmith

        Free Webinar TONIGHT 1/26, 7pm EST – How to Charge What Your Writing is Worth

        Huh – this looks really interesting. Might be worth checking out.
        -mia

        ++++++++++++++++++++++++

        At a time when anyone with an Internet connection can get published, freelance writers — from independent journalists to contract copywriters — need entrepreneurial savvy to set themselves apart as professionals and earn a good living. Requisite skills include identifying worthwhile clients, pricing services competitively and negotiating lucrative contracts. Writing Coach (http://www.writingcoach.com) plans to offer a free webinar, "How to Charge What Your Writing Is Worth," on Wednesday, January 26, 2011, from 7 p.m. to 8 p.m. (EST) to help freelance writers to improve their businessacumen and sales results.

        Led by Maya Payne Smart, The Business Coach for Writers, the one-hour webinar will provide expert insight, helpful tips and specific details about:

        • How to convey a professional image and set yourself apart from the ranks of amateurs;
        • What the typical rates are for various media and industries;
        • How to position yourself to earn more and why you must maintain a strong online presence to maximize your earnings;
        • How to decide which types of clients are right for you; and
        • What you need to do to get repeat assignments and negotiate higher fees.

        Moreover, writers will leave the call with a clear, step-by-step action plan for raising their freelance rates. All registrants will receive an audio recording of the call after the fact, so professionals are encouraged to sign up for this free webinar even if they can't attend live.

        "After 23 years as a newspaper reporter, my position was eliminated. I wanted to take control of my writing career but I was intimidated about starting a freelance business," says freelance writer Robin Farmer. "So I turned to Maya Smart. Working with Maya as my business coach has empowered me and kept me focused so I can flourish."

        To register for "How to Charge What Your Writing Is Worth," visit http://www.writingcoach.com/webinar


        Maya    MSJ '05


        Maya Payne Smart
        330.329.1614
        maya@writingcoach.com
        http://www.writingcoach.com




        617-923-9073
        www.DanGrossmanMedia.com
        http://bit.ly/NatGeoBlog  

        Latino Journalists of California seeks entries for Ruben Salazar Journalism Awards competition

        Latino Journalists of California is now accepting entries for its 12th Ruben Salazar Journalism Awards competition. Details below!
        -Mia

        ++++++++++++++++++++

        The Ruben Salazar Journalism Awards are presented annually by CCNMA: Latino Journalists of California to photographers and reporters or teams for work published or broadcast in the state of California that exemplify journalism excellence while contributing to a better understanding of Latinos in the United States by portraying Latinos fairly and accurately, including general stories affecting the Latino community.

        Those submitting do not have to be Latino or members of CCNMA.

        The deadline for filing is March 11, 2011. Winners will be recognized at CCNMA's 32nd Scholarship Banquet on Friday June 10, 2011, at the Millennum Biltmore Hotel in Los Angeles.
         
        Attached is an entry form.

        More information is available on the CCNMA website at www.ccnma.org

        Julio Moran
        Executive Director
        CCNMA: Latino Journalists of California
        USC Annenberg Kerckhoff Carriage House
        727 W. 27th. St., Room 201
        Los Angeles, CA 90007-3212
        ph: (213) 821-0075
        fax: (213) 743-1838
        www.ccnma.org

        pdf icon11.SalazarApp.pdf

        New fellowship for CA bloggers and editors of online news sites

        Community health reporting fellowship for CA-based bloggers. Details below!
        -Mia

        +++++++++++++++++++++++++

        Click to view this email in a browser

        Two More Weeks To Apply for Community Health Reporting Fellowship

        Application Deadline: Feb. 7

        Please share this posting with your colleagues on your social and professional networks!

        box_top.gif

        A reminder that the application deadline for USC Annenberg’s California Endowment Health Journalism Fellowship is February 7, just two weeks away. The Renaissance Journalism Center is a partnering organization on this project.

        The fellowship includes a $2,000 stipend to help underwrite an innovative community health news or storytelling project;  two three-day training seminars in LA; six months of personalized coaching and technical assistance on health reporting techniques, community health issues, and community engagement strategies and social media; and a subsidized one-year membership in the Online News Association.

        Who's Eligible
        • California-based bloggers who write about community issues.
        • Founders and top editors of California-based news websites.
        • Program is designed for the principals of independent web sites.
        • Blog or news site should have an established and documented following.

        For More Info & To Apply
        Visit ReportingonHealth.org or contact Martha Shirk at cahealth@usc.edu or Valerie Chow Bush at
        valerie@rjcmedia.org

        box_bottom.gif

        rjc Logo_Color 6


        DETAILS

        WHO CAN APPLY:
        California-based bloggers & founders/top editors of independent news websites

        EVENT SCHEDULE:
        April 28 – May 1, 2011 & June 23 – June 25, 2011

        FOR MORE INFO & TO APPLY
        Visit ReportingonHealth.org

        Contact: Martha Shirk
        Cahealth@usc.edu

        Valerie Chow Bush
        valerie@rjcmedia.org

        Renaissance Journalism Center
        Tel: (415) 773-0388

        Email:valerie@rjcmedia.org

        next WAM workshop – Pro Tools studio workflow

        For Bay Area audio folks who want to sharpen their PT skills. I took some workshops with Women's Audio Mission a while back and they are well worth it! Details below.
        -mia

        ++++++++++++++++++++

        Pro Tools Studio Workflow: Tips & Tricks for Speed and Efficiency in a Studio Tracking Environment

        Monday, January 31st AND Monday, February 7th, 7-9:30PM
        Location: WAM, 1890 Bryant Street, Suite 312, SF
        $60 Members, $80 Non-Members
        NOTE: you must be proficient in Pro Tools. This workshop does not teach introductory Pro Tools skills.

        Tracking sessions in a professional studio environment move very quickly, use a lot of tracks, a lot of  I/O and require the ability to perform quick edits, punch-ins and processing. They also require much more data and archive management. This workshop will focus on how a Pro Tools HD 2 system is used in a professional recording studio. It will cover I/O management using 2 192 I/Os, templates, playlists, keyboard shortcuts, file management and tips and tricks to keep a session moving. If you only have experience using Pro Tools in an LE environment with only a couple of inputs then this workshop is a must if you plan to intern or work in a professional studio. Taught by Laura Dean.

        Register

        Cancellation-Rescheduling Policy

        Women's Audio Mission | 1890 Bryant Street | Suite 312 | San Francisco , California 94110 | United States

        New Workshops – Documentary Production & 8mm/16mm Filmmaking

        I occasionally pass along newsletters from other organizations doing cool stuff. This is one you NY folks should check out. Some great workshops coming up in the next couple months. Details below.
        -Mia

        ++++++++++++++++++++++

        Having trouble viewing this email? View it in your browser
        UnionDocs Logo

        We are excited to be branching out  our operations and partnering with two fantastic local organizations starting next week to offer weekday courses. Raindance will be presenting a valuable Documentary Production Certificate program, and Mono No Aware will be bringing us exciting hands on opportunities for 8mm and 16mm filmmaking. Prices for both programs are very reasonable, and seating is limited in order to keep a level of intimacy so please sign up as soon as possible!

        Raindance has been an important force in the international filmmaking community for  the past two decades. Founded by filmmakers for filmmakers, the organization started out with their now famous independent film festival in London, and later founded the British Independent Film Awards. Now with offices around the world including a newly formed New York City chapter, they continue to promote independent filmmaking through screenings, workshops, and seminars.

        Together we are offering a “Documentary Production Certificate” with them beginning Wednesday, February 2 and spanning the next five Wednesday evenings. This certificate program provides the nuts and bolts from the early stages through distribution with some of the leading industry experts. Courses including Funding Fundamentals (with Reva Goldberg from Cinereach), basic legal contracts (Innes Smolansky, entertainment attorney), Documentary Production & Post Overview (Julia Mintz, producer), Film Festivals (Basil Tsiokos, doc consultant and Sundance programmer), and finally Outreach and Distribution with Lila Yomtoob (filmmaker-producer). These courses will provide important access and information on how to get started making docs, and if there is one you’ve been waiting on, the time is now. Also, as an added bonus, mention this email while signing up and receive a 15% discount, or join our Bodega Program and receive a 30% discount!

        Mono No Aware has built a reputation over the past few years as one of the most exciting expanded cinema festivals in the world. Placing a strong emphasis on the cinematic experience, they pride themselves on showcasing 8mm and 16mm film accompanied in some capacity by performance. Past noteables include Paul Clipson, Tara Nelson, and Bradley Eros.

        Picking up on a successful run of courses they previously taught, we are pleased to be hosting four upcoming series of workshops. These are all taught with experienced and practicing filmmakers.  Super 8mm filmmaking (instructor Lucas Millard), 16mm hand-painting on film, direct filmmaking workshop & Stop Motion Puppet Animation (Steve Cossman) and 16mm filmmaking (Fern Silva). Courses include film, processing, and equipment access. Thanks to our partners at Kodak for making these workshops possible.

        Sincerely,
        UnionDocs

        Documentary Production Certificate

        Raindance New York
        Wednesdays, February 2 – March 2

        8mm & 16mm Filmmaking Workshops

        MONO NO AWARE
        February and March 2011

        UPCOMING EVENTS
        Coup Pour Coup with Marin Karmitz
        Sunday, January 30 at 7:30pm
        Cory McAbee presents TnT

        (Titles and Trailers)
        Saturday, February 5, 2011 at 7:30pm

        Grégoire Chamayou:

        Hunter vs Hunted
        Tuesday, February 1st at 7:00pm

        FROM LAST EVENT
        WE GRATEFULLY ACKNOWLEDGE OUR FUNDERS:

        Documentary Production Certificate – courses from Raindance New York

        Learn how to fund, produce and distribute an independent documentary project, short or feature-length. There has never been a better time to make a documentary! Don't miss this opportunity to learn from the best industry professionals.
        Wednesdays February 2, 9, 16, 23 and March 2.
        All courses 7:00-9:30pm
        All 5 courses- $196 / $166.60 for Members
        Individual courses – $49

        Limited number of seats. Book online or by phone at 646 217 4165.

        Purchase Tickets

        Week 1: Funding Fundamentals: Intro to raising money for your documentary

        Wednesday, February 2 – Reva Goldberg (Cinereach)

        This workshop will provide an overview of the landscape for funding documentaries. Some questions we will address include: Should I wait to find funding or just grab a camera and start following my story? When and how do I approach investors, broadcasters or distributors about getting involved with my project?

        Reva Goldberg

        By day, Reva Goldberg is Communications & Fellowships Manager at Cinereach, an NYC not-for-profit film foundation and production company that champions vital stories, artfully told.

        There she handles all public communications, as well as serving on the grants selection committee, and heading up the Reach Film Fellowship program that provides a grant and seven months of advising to emerging filmmakers producing socially conscious short films.

        Reva has an extensive background in film production, fundraising and audience building. Before joining Cinereach, she was a producer at Pureland Pictures where she produced the documentary All of Us, which aired on Showtime in 2008.

        Goldberg also co-produced Pureland’s Toe to Toe, a narrative feature that premiered at Sundance ‘09. In 2004, Reva was Associate Producer of an Emmy-nominated History Channel documentary on the 9/11 Commission (produced by CBS). She has worked with TLC, UPN, Discovery, The Travel Channel, Washington Square Films/Arts, Cronkite Productions and the Michael J. Fox Foundation for Parkinson’s Research. Reva is a graduate of the SI Newhouse School at Syracuse University.

        Week 2: Basic Legal Contracts for Documentaries

        Wednesday, February 9 – Innes Smolansky

        Rights and clearances issues specific to documentary production as well as legal needs of documentary producers will be covered in this workshop.

        Innes Smolansky

        Innes Smolansky is a transactional entertainment attorney with over 10 years of entertainment law experience who represents individual producers and production companies, film investors, writers, directors, visual artists, performers and composers in independent motion picture production, documentaries, television, international co-productions, book publishing and personal management deals.

        Specific expertise includes representing young filmmakers on legal and business transactions for low budget films. Ms. Smolansky was born in St. Petersburg Russia and studied at Brown University (B.A. magna cum laude); University of Pennsylvania (J.D.); University of Paris X (Diplome D’Etudes Juridiques Europeenes).

        Week 3: From Script to Deliverables: The Nuts and Bolts of Documentary Production and Post-Production production

        Wednesday, February 16 – Julia Mintz (Documentary Producer)

        This seminar will focus on workflow and the creative process involved in putting together a production plan for your documentary project. It will give attendees an opportunity to engage in a dynamic dialogue with documentary industry professionals

        Julia Mintz

        Julia Mintz post produced and associate produced the theatrical documentary Soundtrack for a Revolution, about the civil rights movement, which premiered at Cannes and the Tribecca Film Festival. The film was also short-listed for an Academy Award® for Best Documentary Feature 2009.

        Mintz has produced programs for NASA, PBS and NHK. She has worked as Post Production Supervisor for Discovery Channel, National Geographic, THINKFilms, and Miramax. Recent projects include A Son’s Sacrifice, winner IDA 2007 Short Documentary Film Award; The Life and Times of Frida Kahlo, Emmy® Award nominee; The Killer Within, Emmy® Award-winner, and Billy Strayhorn: Lush Life, Emmy® Award-winner for best documentary. Mintz post produced the acclaimed feature documentary Nanking, which won Peabody and Emmy® Awards, winning the Editorial Award at its national premiere at Sundance. Nanking was theatrically released by THINKFilms and HBO Documentary Films. Mintz’s feature documentary about the Jewish Partisans of World War II is currently in production.

        Julia has taught seminars on filmmaking and digital production and post-production at numerous celebrated international workshops including the Toronto and Sante Fea Film workshops, Maine film Workshops, Woodstock Film festival, as well as the Key note speaker and Seminars at Hong Kong’s Film Arts festival in China. She has held an adjunct faculty position at LIU in NYC. Mintz is co-founder of Full Res Productions, a high definition and film production company, which focuses on the integration of creative story telling using new technologies and integrated design for films.

        Julia is producing the documentary called “California State of Mind: the Legacy of Pat Brown” currently in the last stage of editing.

        Week 4: Documentaries & Film Festivals: What You Should Know

        Wednesday, February 23 – Basil Tsiokos (Programming Associate for Sundance)

        This workshop will offer practical advice for documentarians from a seasoned film festival programmer about how to get your documentary into festivals and how to maximize your experience when selected.

        Basil Tsiokos

        Basil Tsiokos has been a Programming Associate for Sundance since 2005.
        He also consults for film festivals, providing guest programming and logistical support, and for filmmakers, offering project feedback and festival and promotional strategies.

        He co-produced the feature documentary THE CANAL STREET MADAM (world premiere, SXSW 2010 competition). Basil was the Executive and Artistic Director of NewFest: The NY LGBT Film Festival between 1996-2008.

        He has served on festival juries including the Atlanta Film Festival, Atlantic Film Festival, Berlinale, Cleveland International Film Festival, Fantasia Film Festival, Full Frame, Outfest, SXSW, and Starz Denver Film Festival. His writing appears on indieWIRE.com, and he can be found on Twitter as @1basil1 offering advice and information to filmmakers. Basil is a graduate of Stanford University (BA) and New York University (MA).

        Week 5: Outreach, marketing and self distribution strategies for documentary film

        Wednesday, March 2 – Lila Yomtoob

        In this course you will learn tools you will need to run a successful campaign for your film.

        Lila Yomtoob

        Lila Yomtoob is a filmmaker, a producer specializing in marketing and development, and former sound editor.

        Her feature length directorial debut “High Life” premiered at San Francisco Indie Fest in 2005, and she has made several shorts and viral videos that played in festivals and galleries across the country.

        Most recently she co-produced “Foreclosure” starring Michael Imperioli and is producer of marketing and distribution (PMD) on “Hidden Battles,” a documentary about the psychological effects that combat has on soldiers worldwide that premiered at Rhode Island Int’l Film Fest in 2010.

        Ms. Yomtoob has also served on the selection committee for Brooklyn International Film Festival, The Nantucket Film Festival and the Crown Point Festival. Lila received her degree at NYU’s Tisch School of the Arts.

        She has several projects in development. To see a sizzle reel, visit www.yomtoob.com.


        Raindance New York

        8mm & 16mm Filmmaking Workshops

        Presented with MONO NO AWARE
        Sign up below for February and March 2011.

        SUPER 8 MM FILMMAKING 101

        Instructor: Lucas Millard
        Thursdays, Feb 3rd, 17th, and 24th – 7:00-9:15pm
        Saturday Feb 12th – Noon – 4:00pm
        In this class students will learn Super 8 techniques from start to finish.

        Learn the art and craft of 18 frames per second filmmaking. This will be a hands-on class designed for the beginner that covers all aspects of Super-8MM filmmaking: Cameras, Angle, Story, Timing (exposure), Lighting, Editing, and Sound. Students will conceive, shoot and edit their own silent one-reel films. In this class students will learn Super 8 techniques from start to finish. We will also discuss how to promote your short film work with a list of S-8 friendly film festivals.

        All equipment and materials will be provided for, however should you want to work with actors and props you will need to plan for that in conjunction with your shooting schedule. Finished projects will be presented at the conclusion of the course.

        COURSE FEE: $95 (includes film, processing, and access to equipment)

        CLASS CAP: 12 students

        Lucas Millard is a filmmaker & camera professional currently living in New York City. His work in film and camera has been screened at festivals nationally – including SXSW, Cinematexas, Olympia Film Festival, Austin Film Festival, Seattle True Independent Film Festival, Urbanworld Festival, Los Angeles International Shorts – and internationally – including the Venice International (Biennale) , Thessaliniki Int’l Film Fest (Greece), Tokyo Int’l Film Fest, Oldenberg Film Festival (Germany), American Film Festival (Wroclaw, Poland), and Cannes. Lucas was a recipient of the 2006 Texas Filmmaker’s Production Fund award for his short 35mm project, Western. He received an MFA in film production with a concentration in cinematography from the University of Texas at Austin in late 2007 and has subsequently led filmmaking workshops and courses in Austin and NYC. He picked up his first Super8 camera in 1998 and hasn’t put it down yet.

        16 MM HAND-PAINTING ON FILM DIRECT FILMMAKING WORKSHOP

        Instructor: Steve Cossman

        Tuesdays, Feb 8th, 15th, & 27th – 7:00-9:15 pm

        In this workshop students will learn to manipulate the surface of the film using a variety of direct film-making techniques; painting, scratching, collage, and masking in order to create an experimental film on 16mm. This intensive workshop is designed to introduce, explore and master (on some level) the ability to articulate movement through the tactile gesturings of this beautiful cinematic language.

        The course will meet 4 times, beginning with a brief history of filmmakers using these methods along with their contemporaries. After instruction students will get their hands dirty almost immediately.

        The goal is to have each participant create a well developed direct film work, that we will screen at the end of the session. Students will walk away with hands on experience of direct filmmaking, a finished film work, the knowledge to continue to work in this practice at home and a list of venues to pursue for exhibition. All materials will be provided for.

        COURSE FEE: $75 (includes film and materials)

        CLASS CAP: 12 students

        Steve Cossman received his BFA in Sculpture & Painting and went on to study Cinema with a focus on Animation in the Czech Republic at FAMU. Currently he works as a curator, filmmaker and is founder/director of Mono No Aware, an ‘annual exhibition of expanded cinema’ showcasing contemporary artists who incorporate live projections as part of their work. Cossman believes that ‘time is constantly moving within a framework of units and that this irrepressible motion is the nexus of human experience’. Recent film direct animation film Tusslemuscle has screened at the Chicago Underground Film Festival, Milwaukee Underground Film Festival, Seattle International Film Festival, VideoEx in Zurich, LA Film Forum, Olympia Film Society, and the touring program of Ann Arbor Film Festival. His work can be found in the collections of the University of Seattle, WA, University of Hartford Art School, and The Len Lye Foundation, New Zealand. He currently has work in a group show at 35 Gallery in SOHO and a solo show of his video works will be held in June 2011 at Trinity College, CT.

        STOP MOTION PUPPET ANIMATION WORKSHOP

        Instructor: Steve Cossman

        Tuesdays, March 1st, 8th, 15th &22nd – 7:00-9:15pm

        In this workshop participants will learn to create their own stop motion animation short film.

        Designed to introduce you to the wonderful world of puppet animation, you will begin by designing your own puppet and then learn to choreograph movement one frame at a time. Starting with a brief history of stop-motion films and filmmakers, students will get their hands dirty almost immediately. The entire sequence will be shot on film, developed and screened within the course of the workshop.

        The ambitious goal is to have all participants work together collaboratively on a short 2-minute film. Students will walk away with hands on experience of stop-motion puppet animation, a copy of the finished film work and the knowledge to continue to working independently. All materials will be provided for, but students will be encouraged to develop their puppets with materials at home.

        COURSE FEE: $90 (includes film and materials)

        CLASS CAP: 8 students

        Steve Cossman received his BFA in Sculpture & Painting and went on to study Cinema with a focus on Animation in the Czech Republic at FAMU. Currently he works as a curator, filmmaker and is founder/director of Mono No Aware, an ‘annual exhibition of expanded cinema’ showcasing contemporary artists who incorporate live projections as part of their work. Cossman believes that ‘time is constantly moving within a framework of units and that this irrepressible motion is the nexus of human experience’. Recent film direct animation film Tusslemuscle has screened at the Chicago Underground Film Festival, Milwaukee Underground Film Festival, Seattle International Film Festival, VideoEx in Zurich, LA Film Forum, Olympia Film Society, and the touring program of Ann Arbor Film Festival. His work can be found in the collections of the University of Seattle, WA, University of Hartford Art School, and The Len Lye Foundation, New Zealand. He currently has work in a group show at 35 Gallery in SOHO and a solo show of his video works will be held in June 2011 at Trinity College, CT.

        16 MM FILMMAKING

        Instructor: Fern Silva

        Thursdays, March 3rd, 10th & 24th – 7:00-9:15 pm

        Saturday March 20th – Noon-4:00pm

        Enter the world of 16 mm filmmaking. In this workshop you will learn how to shoot and edit a short film. This will be a hands-on class designed for the interested beginner that covers all aspects of filmmaking: cameras, angle, story, exposure, lighting, editing, and sound. Students will conceive, shoot and edit their own silent one reel films, to which the students will have the option of adding sound. All equipment will be provided for. A finished work will be screened at the conclusion of the course.

        COURSE FEE: $110 ($95 in advance to register, $15 on first day of class: includes film, processing and access to equipment)

        CLASS CAP: 10 students

        Fern Silva has been an active filmmaker since 2005 whose personal journeys and impulsery disposition give rise to his visionary process. He has created a body of film, video, and projection work that conveys a congruent existence through the aesthetics of reflections and detriments within controlled microcosms. His work has been screened and performed at various festivals, galleries, museums and cinematheques including International Film Festival Rotterdam, New York Film Festival, Anthology Film Archive, Images Festival, Antimatter Film Festival, PDX Film Festival, World Film Festival of Bangkok, Biennale Bandits-Mages, Roulette Gallery, Millennium Film Workshop, White Box Gallery, and MOMA P.S.1. Although Brooklyn based, Fern Silva is from central Connecticut, he received a BFA from Massachusetts College of Art and an MFA from Bard College.


        Workshops presented in association with


        322 Union Ave | Brooklyn, NY 11211 | info at uniondocs.org | www.uniondocs.org

        Voice of Russia radio is hiring in Washington DC

        Pass this on to your colleagues in the DC area. And since VOR will be broadcasting in NY, perhaps there will be some future opportunities there as well. Stay tuned!
        -mia

        +++++++++++++++++++++

        The “Voice of Russia”, the leading and the only Russian international
        broadcaster, has recently embarked on a new project launching a 24-hour
        radio station in New York and in Washington, DC. on AM bands (at the

        bottom of this letter I have attached more info on VOR – in former times
        similar Russian structure to VOA).

        In the long run the format of the radio station would be similar to
        international government run stations like Deutsche Welle, Radio France

        International and BBC World Radio. VOR US would see its mission in
        providing international and local news, informing the public locally on
        current events, politics, and civic affairs; export Russian arts and cultural

        riches to NY and Washington and give voice to diverse audiences. As we
        envision approximately 30% of original programming and content will be
        made locally by US production team while the rest will be produced by our

        Moscow-based studio.

        The project is unfolding gradually – right now we are broadcasting from
        Moscow (http://english.ruvr.ru ), but tentatively in March 2011 our

        Washington DC based on-air facility starts operating and local team will
        start producing US based content. Our current personnel search is going
        in various directions, but one of our primary concerns is hiring experienced
        on –air talents, anchors/radio hosts and reporters for our locally produced

        shows (approximately 3- hour long morning and evening shows). We will
        be having interviews with candidates for the above mentioned positions in
        Washington DC from March 1-March 11. So at this stage we have reached

        some preliminary agreements but still searching for more candidates.

        If you know people who might be interested in anchor/reporter‘s positions
        based in Washington, please let them know about the opportunities ahead.

        I will gladly provide more details on the show format and requirements for
        candidates after January 12th. Here is an e-mail for letters of interest
        and resumes: rubinova@ruvr.ru

        Bay Area Video Coalition Preservation Internship

        This is an UNPAID internship, but BAVC is a great org and a great place to learn/network if you have 12-16 hours/week to spare. Details and contact info below.

        -Mia

        +++++++++++++++++++++++


        Bay Area Video Coalition

        Preservation Internship

        The Bay Area Video Coalition (BAVC) is seeking an intern to work

        side-by-side experienced video and audio preservationists for 12

        weeks, 12-16 hours per week. Interns will gain valuable apprentice

        skills, observe industry professionals and participate in the

        day-to-day workings of a nationally recognized preservation facility.

        Interns can expect to leave BAVC’s program with a thorough

        understanding of video formats, preservation techniques, navigating a

        preservation suite, and the administration of running a successful

        program. The goal of the internship program is to expose new people to

        the preservation field in hopes of increasing the number of industry

        professionals exposed to the technical concepts around video and

        digital preservation; as well as raising awareness in the production

        community of the need for preservation.

        Interns will start with preservation administrative tasks and will

        grow into more advanced preservation projects depending on their

        aptitude and ability to complete projects to industry standards. The

        depth of advanced training of interns shall be left to the discretion

        of BAVC’s staff on a case by case basis.

        Skills acquired can include:

        • Archival handling of videotapes

        • Operating a patch bay

        • Reading a waveform monitor, vector scope and audio meters

        • Using a time base corrector

        • Tape duplication

        • Concepts in new and emerging technologies

        • Tape inspection

        • Assisting in preservation administrative duties

        • Metadata and cataloging entry

        Preferred qualifications:

        • Knowledge of signal flow

        • Understanding of basic video production

        • Experience in a library, archive, museum, or education facility

        • Desire to learn about preservation, conservation, and digital repositories

        Preservation interns are not BAVC employees and will not be

        compensated for hours worked. They will also not receive health

        benefits or paid time off; however, college credit may be arranged.

        All applicants must send a résumé and cover letter, which should

        include a personal statement about  how this internship will build

        from your existing experience and help you in your future goals to

        jennifero@bavc.org. BAVC believes in a diverse work force and

        applicants from underserved or minority communities are encouraged to

        apply.

        Freelance work for American Association of Healthcare Journos

        Potentially good pay for this multimedia freelance gig. Details below.
        -mia

        +++++++++++++++++++++

        http://www.healthjournalism.org/prof-dev-jobs-details.php?id=259

        The Association of Health Care Journalists seeks freelance assistance in building helpful and dynamic web pages for fellow journalists trying to keep up with the implementation of health reform and the continuing health care debate.

        This year-to-year commitment would include writing tip sheets for journalists, summarizing key issues, webcasting short interviews with top experts, and identifying good story examples and important dates for journalists. This writer would work with AHCJ's Web editor to encourage reader interaction and should be willing to share knowledge at AHCJ events. Experience in covering health reform a must. Multimedia experience a plus.

        This freelance work will pay up to $12,000 a year.

        Send letter stating applicable experience with resume (and story links) to champion@healthjournalism.org by Jan. 28. Notes of inquiry can be sent to the same address.

        Position details

        We will be looking for a lead editor or "champion" in each of several topic areas we want to feature on the healthjournalism.org website. These new "learning centers" are expertise areas we feel are essential to reporting on health or health care.

        The health reform topic champion will:

        (at the front end)

        • write a collection of concise background briefs – explainers on the various elements going into the health reform law
        • set up a timeline showing when each piece of the law goes into effect
        • write or assign explainer pieces to go with each of the timeline elements, including localized story suggestions

        (on-going)

        • contribute a blog item once a week to AHCJ's blog, Covering Health, that points out good work being done around the country or otherwise prepares reporters to advance their coverage
        • Search for key health reform-related events to add to AHCJ's Web calendar
        • Review crowd-sourced suggestions once a week and determine which to add to our resources
        • Arrange for occasional audio or video interviews with a health reform expert or fellow journalist
        • Assign occasional first-person stories/tip boxes by other journalists ("how I covered this aspect of health reform")

        CA fellowships to attend Health Journalism 2011

        Fellowships available to attend this health journalism conference. Details and deadlines below.
        -mia

        +++++++++++++++++++

                                               

        2011 AHCJ-California Health Journalism Fellowships                                              


        Need financial assistance to attend Health Journalism 2011, the national conference of the Association of Health Care Journalists?

         

        Thanks to the California HealthCare Foundation’s generous support, AHCJ will be able to grant a number of professional fellowships for the April 14-17, 2011 conference in Philadelphia.

         

        Fellowships are open to full-time California print, broadcast and online journalists and part-timers or freelancers who derive the majority of their income from journalism.

         

        Fellowships include:

                 all conference registration fees

                 a one year membership in the AHCJ (new or extended)

                 up to four nights in the conference hotel (Wednesday-Saturday)

                 up to $400 towards travel

         

        For more information and an application form (see below) or click HERE!  You may also cut and paste the following link into your browser:  http://www.healthjournalism.org/secondarypage-details.php?id=906

         

        The completed form and accompanying material must arrive in our office via e-mail to ev@healthjournalism.org, or at the below address,

        by Feb. 23, 2011:

         

        Association of Health Care Journalists

        Attn: Fellowships Program-CA

        10 Neff Hall

        Columbia, MO 65211

         

        The Association of Health Care Journalists is an independent, nonprofit membership organization dedicated to advancing public understanding of health care issues. Its mission is to improve the quality, accuracy and visibility of health care reporting, writing and editing.

        Deutsche Welle’s English’s Pulse looking for Asia, Africa freelance pitches

        Hey folks. This from one of our long-time FC members who moved across the pond:

        From my colleague, Kate Bowen, who runs Pulse, our youth culture show.
        Please send pitches to: kate.bowen@dw-world.de and tell her I sent
        you.
        -Cyrus Farivar

        Details below for traveling audio folks.
        -mia

        ++++++++++++++++++++++++++++++

        Our current series Europe on a Shoestring will be coming to a close
        when the clocks change in March. At that time, we'll begin a new
        series profiling young people all over the world who are making a
        difference around them.

        TOPIC:

        Find a young person (under 30) who is actively engaged in making the
        world a better place in some way. This could be through peace
        activism, environmental projects, providing music lessons to
        underpriveleged children, cleaning up trash in their neighborhood,
        volunteering at a senior center, rescuing an endangered species, etc.
        Maybe they have founded an organization, maybe they are a small player
        in a larger help organization, or maybe they are just being proactive
        on their own. Whatever the case, it needs to be clear to the listener
        that this person is worth profiling.

        As I am particularly interested in geographical diversity, please keep
        our series in mind when you are traveling to interesting places!

        FORMAT:

        I am looking for a sound-rich package profiling your chosen
        individual. While they are the focus of the report, clearly they
        impact other people, so it's crucial to have a couple other voices in
        there as well. Include as much

        The packagd must be exactly 5 minutes long (as close as possible) to
        make it as interesting as possible for rebroadcasters.

        FEE:

        240 Euros.

        TIME FRAME:

        The series begins with daylight savings time – the first show after
        that is on Tuesday, March 29. It will run through the change of the
        clocks in October. Please start submitting pitches as soon as
        possible.

        I very much look forward to your pitches and to making this an exciting series.

        ps – We're still looking for a name for the series; your ideas are welcome.

        Kate Bowen
        Kulturredakteurin / Culture Editor
        DW-RADIO/DW-WORLD.DE/Englisch

        Deutsche Welle
        Kurt-Schumacher-Straße 3
        53113 Bonn, Deutschland / Germany

        Tel: ++49 228 429-2592
        Fax: ++49 228 429-4583
        kate.bowen@dw-world.de

        5-channel sound installation at UnionDocs in NYC this Sunday, 1/23

        This NYC Union Docs event looks very cool on many levels. Check it out!
        -Mia

        +++++++++++++++++++

        If you're in NYC this Sunday, we have an amazing sound event at UnionDocs in Brooklyn. Anthropologist and sound artist Ernst Karel will be presenting recent and in-progress ethnographic electroacoustic work on a 5 channel / 5 speaker system.
        Hope to see you there, and email if you have any questions!
        Kara
        Kara Oehler
        Director
        UnionDocs Collaborative Program
        Sunday, January 23 at 7:30pm $9 suggested donation
        UnionDocs | 322 Union Ave | Brooklyn, NY 11211

        Ernst Karel will present recent and in-progress work made from location recordings, in stereo, quadraphonic, and 5-channel configurations.  Work will include:  Heard Laboratories (and/OAR 2010) and a 5-channel extension of that project incorporating an electroacoustic interpretation by the Chicago Sound Map ensemble; a piece composed for German radio connected with Swiss mountain transport systems, an eight-channel work in collaboration with Helen Mirra currently on exhibition at Diapason Gallery; current quadraphonic work in progress; and if time allows, experimental ethnographic audio work coming out of the Sensory Ethnography Lab.

        Discussion might take up the documentary use of nonlinguistic sound to produce ‘doubtful knowing’, in connection with ideas such as anthropologist of sound Steven Feld’s notion of ‘acoustemologies’, or sonic ways of knowing and being in the world, and the recognition (found, for example, in new books by sound theorists Salomé Voegelin and David Toop) that listening is an experience of a continuously fleeting, ungraspable present moment, and as such is “full of phemonemological doubt,” as Voegelin puts it (Listening to Noise and Silence, 2010:4): “The understanding gained is a knowing of the moment as a sensory event that involves the listener and the sound in a reciprocal inventive production.”

        Ernst Karel works with analog electronics and with location recordings, sometimes separately, sometimes in combination, to create audio pieces that move between the abstract and the documentary. His musical biography includes classical trumpet, early-1990s Seattle ‘free noise’, jazz, extended-technique acoustic improvisation, and electronic/electroacoustic improvisation and composition. He performs widely both solo and in various collaborations, has made solo and collaborative sound installations, and his work has been released on and/OAR, Another Timbre, BoxMedia, Cathnor, Dead CEO, Formed, Kuro Neko, Locust, Lucky Kitchen, and Sedimental record labels, among others. Current collaborations include the long-running electroacoustic duo EKG and the New England Phonographers Union. He has worked as a live sound engineer, recordist, and editor at Chicago Public Radio, mixed audio and contributed sound design for nonfiction video. He received his PhD from the University of Chicago, where his fieldwork-based dissertation, Kerala Sound Electricals, was a study in the anthropology of sound. Karel currently manages the Sensory Ethnography Lab and the Film Study Center at Harvard University, where as Lecturer on Anthropology, he also co-teaches courses in media archaeology and ethnographic audio and video production.

        Ford Foundation to Put Up $50 Million for Documentaries

        New funding possibility for doc filmmakers. Woo hoo!!
        -mia

        www.fordfoundation.org/justfilms


        +++++++++++++++++++++++++++++++


        From the NY Times
        January 18, 2011, 2:09 pm

        Ford Foundation to Put Up $50 Million for Documentaries

        By BROOKS BARNES
        Documentarians, rejoice! The Ford Foundation on Tuesday announced a five-year plan to pour $50 million into documentaries -– defined broadly, including online-only efforts -– that are focused on social issues.
        “With the growth of the Web and social networks, the potential global audience for filmed content with a social conscience has exploded,” Luis A. Ubiñas, president of the Ford Foundation, said in a statement.
        Although the documentary has flourished in recent years in large part because of festival support, the genre continues to pose severe financing challenges because of a lack of interest at the mainstream box office. The Ford Foundation’s program, called JustFilms, will dole out money in three ways. The first involves partnerships with organizations like the Sundance Institute, whose Sundance Film Festival opens on Thursday in Park City, Utah. JustFilms will contribute $1 million a year over five years to support Sundance’s documentary film workshops, for instance.
        Other financing plans for JustFilms include an open application process -– details are at www.fordfoundation.org/justfilms – and partnerships with other Ford Foundation grant-making programs where the introduction of a documentary film could help draw attention.
        Directing the program will be Orlando Bagwell, whose credits include the award-winning PBS series “Eyes on the Prize,” which looked at the civil rights movement. Mr. Bagwell said the foundation’s major commitment “reflects our recognition that individual stories –- meaningful and well told -– can be a powerful instrument of change.”
        JustFilms is already supporting several films, including “Detroit Hustles Harder,” a documentary that chronicles the lives of people who have decided to stay in that economically ravaged city and work for its recovery.

        Metcalf Fellowships Application Deadlines approaching

        Some upcoming fellowships from the Metcalf Institute. Details below.
        -mia

        ++++++++++++++++++++++++++

        NEWS@METCALF  

        January 18, 2011

         

        Metcalf Institute FELLOWSHIPS APPLICATION DEADLINE REMINDER

         

        Metcalf Institute Deadlines for Seminar and Workshop on Oil Spill Research

        Metcalf Institute for Marine and Environmental Reporting is accepting applications for two science training programs for journalists and informal science educators focusing on research on impacts of the Deepwater Horizon oil spill: Science Seminar, April 6-8, 2011, in Cocodrie, LA; and the 13th Annual Science Immersion Workshop for Journalists, June 12-17, 2011, in Narragansett, RI.

         

        These fellowships are made possible by a Rapid Response grant through the National Science Foundation's Informal Science Education program.

         

        Science Seminar: Impacts of the Deepwater Horizon Oil Disaster

        April 6-8, 2011 in Cocodrie, LA
        Application postmark deadline: January 31, 2011

         

        Participants will gain hands-on knowledge of oceanographic techniques, cultivate scientific resources and sharpen their reporting and communication skills, and discuss the latest research on the oil spill impacts with leading experts.

         

        The seminar supports journalists and informal science educators with a minimum of two years professional experience and a demonstrated interest in environmental communication or reporting. Tuition free, includes room and board and some travel support. Applications for the 2.5-day Science Seminar must be postmarked by January 31, 2011.

         

        For additional science seminar program information, call 401-874-6211 or email fellowships@metcalfinstitute.org.

         

        13th Annual Science Immersion Workshop for Journalists
        Coastal Impacts: One Year of Research on the Deepwater Horizon Oil Spill

        June 12 –17, 2011 in Narragansett, RI

        Application postmark deadline: January 21, 2011

         

        The Metcalf Institute 13th Annual Science Immersion Workshop for Journalists is a hands-on introduction to research methods, data analysis, translation of scientific research, and integration of science and policy. The 2011 workshop, Coastal Impacts: One Year of Research on he Deepwater Horizon Oil Spill, will be held at the University of Rhode Island Graduate School of Oceanography, June 12-17, and will explore the state of the science and methods used to assess the impacts of a major deep water oil spill. Fellows will gain a better understanding of environmental science research methods, cultivate scientific resources and sharpen their reporting skills through daily fieldwork and labs.

         

        The Annual Science Workshop Fellowship includes room, board, tuition and some travel support. Applications must be postmarked by January 21, 2011. For additional Annual Science Workshop information, call 401-874-6211 or email fellowships@metcalfinstitute.org.

        Details about eligibility and the applications for both programs can be downloaded at www.metcalfinstitute.org.

        Quick links:

        Eligibility and

        Applications

        Frequently

        Asked Questions

        -- Kat Anderson Metcalf Institute for Marine and Environmental Reporting URI Graduate School of Oceanography Narragansett Bay Campus 218 South Ferry Road Narragansett, RI  02882
        
        Email: kat@gso.uri.edu
        
        Office: 401.874.6009 Fax:  401.874.6486
        
        http://www.metcalfinstitute.org http://www.granthamprize.org 

        REMINDER – Tax Q&A with CPA Jason Stallcup, Jan 20, Sandbox Suites, Union Square, SF, 6:30pm

        Hey all. Just a reminder that CPA Jason Stallcup is giving his annual tax talk this THURSDAY, Jan 20 at Sandbox Suites in Union Square. It's intended for freelancers and other independents and he has endless knowledge (and patience for all questions) about the crazy rules that apply to us. Don't miss it!

        -Mia

        http://www.meetup.com/SF-Coworking/calendar/15960725/

        Tax Tips for the Self-Employed

        Location

        567 Sutter St.

        San Francisco, CA 94102
        415-762-0093

        How to find us
        "Top floor"

        Price

        $10.00 per person
        refund policy

        Sandbox Suites is bringing back the San Francisco superstar CPA Jason Stallcup for another round of tax talk with great tips and updated information on new tax law changes for the self-employed. Jason is great about answering everyone's questions and giving hot tips, so this is not-to-be-missed!

        He'll also discuss:

        • New tax law changes: treatment of health insurance premiums and lowered self-employment tax
        • Documentation: what you need to keep for your records
        • Entity options: should you create an LLC or Corporation
        • Discussion of common deductions: Home office, auto expenses, travel, meals, etc.

        Speaker
        Jason Stallcup is a CPA with an entrepreneurial background focusing on the self-employed and small-to-medium sized businesses. His expertise lies in tax preparation for all entity types and accounting services for businesses. Check him out at http://www.jasoncpa.c….

        Schedule
        6:30-7 Refreshments & networking
        7-8:30 Talk and Q&A
        8:30-9 Networking

        Please note this event takes place at Sandbox Suites Union Sq!

        Tickets are $10 online, $15 at the door; free for Sandbox members – learn how to become a member

        new FC member seeks audio recorder advice

        Hey folks. An unusual request from a new FC member, but one I'm happy to oblige. This from Will Evans:

        My wife and I are freelance reporters in the Bay Area, print mostly (I've worked at the Center for Investigative Reporting and the Sacramento Bee) and some radio. We're having trouble with our audio equipment at the moment, and wondered if anyone on your list has a Marantz PMD 620. That's what we have and we're trying to find out if there's anything wrong with it. An editor for a piece we're working on says the sound is bad but we can't figure out what it is – whether it's normal background hiss from a 620 or something else. We would like to get in touch with someone in the bay area that has a PMD620, so we can compare ours and theirs and see if ours has some kind of problem.

        Also, if people have advice for what kind of mic to use with that recorder, that would be great too. We're using an RE50b, and we're confused why that combo isn't working out so well since that's what NPR has its reporters use. [NOTE: I suggested that the mic might not put out a strong enough signal to overcome the natural hum of the 620, but if this is what they use at NPR then I'm not sure. I use a 660. I also suggested they take it to Leo's Pro Audio and check out transom.org.]

        So, this kind of thing is exactly what Freelance Cafe was created for. If you think you can help, please contact Will Evans <willevans4@gmail.com>. You can also post a comment on freelancecafe.org or our Facebook page.

        Thanks all!
        Best,
        Mia

        SAJA-NY EVENT – Meet Krishna Bharat at GoogleNY + workshop

        Looks like a great event for NY folks… and it sounds like you can get in as long as you have a friend in SAJA. Details below.
        -mia

        ++++++++++++++++++

        Google NYC is pleased to extend an invitation to members of the South Asian
        Journalists Association and their media friends:

        Thursday, January 20 — from 6-9 p.m.
        @ Google NYC at 75 Ninth Ave. (more details below)

        a reception with hors d'oeuvres & refreshments, followed by: 

        Google News Discussion / Q&A with Krishna Bharat
         – founder and head of Google News ( http://bit.ly/hEbcpP )
         – Hearst New Media Professional-in-Residence at Columbia J-school
                        ( http://bit.ly/igDwYl )

        Krishna Bharat is the founder and head of Google News, responsible for
        leading a team developing Google's news products. He is also a Google
        distinguished research scientist. Google News won the 2003 Webby Award
        in the news category, and Krishna received the 2003 World Technology
        Award for Media & Journalism. In 2004 he founded Google's R&D
        operations in India and served as the center's first director until
        2006. Before joining Google in 1999, he was a member of the research
        staff at DEC Systems Research Center in Palo Alto, Calif. He holds a
        Ph.D. in Computer Science from Georgia Tech.

        ——

        Google for Journalists: Getting the Most from the Web — training
        session

        Every day, millions of people around the world use Google's search
        engine to find what they're looking for. Journalists, editors,
        producers, and others in the media have long known just how essential
        it is to be able to find and use information, and this
        "Google for Journalists" session demonstrates ways to work more
        efficiently and effectively on the web. Learn how to get the most from
        Search and other free tools from Google. Whether you're in print,
        broadcast, or digital journalism, this session will introduce tips and
        tricks you can use to search smarter, keep better tabs on your beat,
        see what's hot and what's not, and add a visual edge to your online
        content. (Delivered by Sean Carlson)

        Sean Carlson is Manager for News Industry Relations at Google,
        responsible for building the company's relationship with the
        journalism community. Based in New York City, Sean previously worked
        at Google's Mountain View, Ca. headquarters and has also led
        initiatives in Southeast Asia and the South Pacific. Prior to joining
        Google in 2006, Sean interned with the Consulate-General of Ireland in
        Sydney and Fleishman-Hillard in Boston. He graduated from Boston
        University with degrees in political science and communication.

        ——

        @ Google New York's offices in Chelsea Market
        75 Ninth Ave. (at W. 15th St.), New York, NY
        directions via Google Maps: http://bit.ly/gbXVdL

        (Just inside the main entrance to Chelsea Market, there's an elevator and
        staircase to the right. Please proceed up to the second floor for the
        evening event.)

        PLEASE RSVP via Google Docs: http://bit.ly/fLdo4n

        2012 BAVC Producers Institute – proposal deadline Jan 17

        BAVC is so very cool and this institute promises to be amazing. Go for it!
        -mia

        +++++++++++++++++++++++

        BAVC Producers Institute for New Media Technologies

        INDIGENOUS SCIENCE

        In 2011, The Producers Institute seeks innovative proposals from documentary and narrative media producers with an interactive science component that includes the participation of communities of origin. For more detailed information, see http://bavc.org/producersinstitute.

        Completed applications must be submitted electronically prior to 5pm PST on Monday, January 17, 2011. Please do not wait until the last minute to submit. The application form will go offline at 5PM PST on January, 17,2011. NO LATE PROPOSALS WILL BE ACCEPTED. Seriously.

        INSTITUTE DATES are Friday, June 10 – Sunday, June 19, 2011. Please do not apply unless you are available to attend the ENTIRE program in San Francisco. Travel and Accommodations are provided by the Institute.

        Questions should be directed to wendy@bavc.org

        Go here for an application form:
        https://bavc.wufoo.com/forms/producers-institute-for-new-media-technologies/

        +++AIR is everywhere.+++

        www.airmedia.org

        seeking LA-based audio producer for oral history project

        Any LA-based audio folks available? Contact Sarah Elzas <toucanradio@gmail.com>.

        -Mia

        +++++++++++++++++++

        I have been asked to find someone in LA who might be up for working on
        a project documenting oral histories of a few graduates of a charter
        school for troubled girls (near downtown LA) – they want some oral
        histories recorded and edited into audio slideshows for a benefit they
        are putting on in March. This might lead to other projects with the
        grads and/or students. This would be a paid gig – you'd be working
        with a photographer. Anyone interested? I'd like to give them a list
        of people who might be interested… email me if you want more
        details, and/or send me your information to send along.
        Sarah

        website consultant looking for beta testers

        A colleague forwarded this to me. Looks like it could be a good option for folks who want a website and don't have a ton of money to spend. I don't know the developer personally, but I trust Amy's instincts and she seems to think this is a really good deal. Details below. Feel free to post any feedback as a comment on freelancecafe.org!

        -mia

        +++++++++++++++++++++

        If you have a project in need of a website, and not a lot of money to hire a developer, I have a lead for you. I had lunch today with a web designer/developer who is about to launch a beta round of a new service she hopes to offer. The service is a custom website and brief training on using WordPress to maintain it, in about two days. Her process is to talk with the client by phone, develop three unique possibilities, have the client choose one, put the site together and then do a one-hour (or so) phone training so the client can then manage it alone. She hasn't set the prices yet.

        Right now she's looking for 20 volunteers to beta test the service, at a very modest expense (or possibly none, I'm not quite sure). She's not putting too much of this information out for public consumption yet, but if you fill out her inquiry form, she's happy to answer additional questions individually.

        Her name is Tess Gadwa. Website is dcs-creative.com. To sign up to be a beta tester, or just to stay in the loop about this, fill out the form at yesexactly.com.

        The project that led me to Tess isn't ready for a site yet, so I haven't actually hired her and can't, therefore, vouch for her business. But I am planning to work with her, so that says something. 😉

        Amy
        amy@amymayerwrites.com

        Job Opening – social media marketer for Pulse of the Planet

        Hey all. Pulse of the Planet is hiring a social media marketer for their program. I have done contract work for them and would be happy to provide any insight if you have questions. They are based in upstate NY but you do NOT need to be local to apply for this position. Good luck!

        Best,
        Mia

        ++++++++++++++++++++

        Now in its 23rd year, Pulse of the Planet, http://www.pulseplanet.com/ the award-winning daily radio series produced by Jim Metzner, is looking to hire a social media marketer to develop and implement a social media strategy for the program. Demonstrated experience with current social networking tools a must. This is a part time contract position. Please contact Eileen at emcadam@hvc.rr.com.

        Tax Q&A with CPA Jason Stallcup, Jan 20, Sandbox Suites, Union Square, SF, 6:30pm

        Hey all. Many of you might remember Jason Stallcup, the SF CPA who did a couple events with Freelance Cafe in the past. Well he's back, this time with Sandbox Suites in Union Square. You do NOT want to miss this. January 20, 6:30pm. Details below.

        -Mia

        +++++++++++++++++++++++


        http://www.meetup.com/SF-Coworking/calendar/15960725/

        Location

        Sandbox Suites Union Sq

        567 Sutter St.

        San Francisco, CA 94102
        415-762-0093

        How to find us
        "Top floor"

        Price  $10.00 per person

        Sandbox Suites is bringing back the San Francisco superstar CPA Jason Stallcup for another round of tax talk with great tips and updated information on new tax law changes for the self-employed. Jason is great about answering everyone's questions and giving hot tips, so this is not-to-be-missed!

        He'll also discuss:

        • New tax law changes: treatment of health insurance premiums and lowered self-employment tax
        • Documentation: what you need to keep for your records
        • Entity options: should you create an LLC or Corporation
        • Discussion of common deductions: Home office, auto expenses, travel, meals, etc.

        Speaker
        Jason Stallcup is a CPA with an entrepreneurial background focusing on the self-employed and small-to-medium sized businesses. His expertise lies in tax preparation for all entity types and accounting services for businesses. Check him out at http://www.jasoncpa.c….

        Schedule
        6:30-7 Refreshments & networking
        7-8:30 Talk and Q&A
        8:30-9 Networking

        Please note this event takes place at Sandbox Suites Union Sq!

        Tickets are $10 online, $15 at the door; free for Sandbox members – learn how to become a member

        Enter the 2011 Casey Medals Competition, deadline April 15

        Awards opportunity for reporting on children, youth, and families – deadline is April 15.
        -mia

        ++++++++++++++++++++++++++

        Apply now for the 17th annual Casey Medals for Meritorious Journalism honoring distinguished coverage of children, youth and families. First-place winners receive $1,000 and are honored in an awards ceremony in Washington, D.C. Categories include newspaper, video, magazine, audio, multimedia and photojournalism. First-place winners will also be considered for the America's Promise Journalism Awards for Awareness and Action, presented by the America's Promise Alliance. Alliance winners receive $5,000 and will be announced in October. Work must be published or broadcast between Jan. 1 and Dec. 31, 2010. Entry deadline: Friday, April 15, 2011 at 5 p.m. EST.

        http://www.journalismcenter.org/content/history-and-guidelines

        The awards were created to inspire and recognize exemplary reporting on children and families. Winning stories offer a fresh take on a significant issue, show enterprise in research and reporting and demonstrate masterful storytelling and impact. Judging is conducted by respected journalists and journalism educators.

        The Journalism Center on Children & Families is a nonprofit resource center based at the University of Maryland’s Philip Merrill College of Journalism. More than 4,500 journalists have competed for Casey Medals since 1994. The awards are funded by the Annie E. Casey Foundation.

        Journalism Center on Children & Families
        University of Maryland
        Room 1100, Knight Hall
        College Park, MD 20742-7111
        www.journalismcenter.org

        Smart Freelance Audio Editors Needed – Blank on Blank

        I don't know anything about Blank on Blank, but this might be worth looking into if you're a freelance audio person looking for work.
        -Mia

        ++++++++++++++++++++++++++++

        My media nonprofit, Blank on Blank, is looking for some smart

        freelance audio editors with a creative ear who can make rough
        interviews shine. Must be able to work remotely and be able to clean
        up interviews recorded on cassette or digital recorder. Three-five
        minute finished audio pieces include tracks and music, so music
        knowledge is a plus–though not required. Pay per interview project.
        Drop a line to info at blankonblank dot org.
        Thanks
        David

        audio verite story competition, 10 Days to Go!

        Couple weeks left for this competition, sponsored by some radio colleagues. Details below.
        -mia

        ++++++++++++++++++++++

        Friends, colleagues, radio producers, documentarians,

        Are you planning on putting together an audio verite story for verite + 1;, Big Shed’s first ever competition? If so, you have 2 more weeks before the January 15th deadline.

        We’ve gathered a team of judges, built a submission system and we’re all ready for you. One winner will be awarded a $250 cash prize. Honorable mentions will be featured on upcoming Big Shed podcasts.

        To submit, just follow the instructions here:http://www.bigshed.org/verite/#submission;

        What’s verite +1 again?

        By audio verite, we mean sound recorded without direction or prompting from the recordist. Also called "fly on the wall", or "direct audio". By +1, we mean you can use tape from one interview in order to help your piece make sense as a story.

        Why are we doing this?

        We believe verite is a powerful and beautiful storytelling tool, which you’re unlikely hear on North American radio. Producers rarely use verite in their stories and when they do, editors often don’t understand where they’re coming from,finding the form confusing, overly long and potentially disorienting to listeners. We think this is lame. And we want to encourage producers to start working in verite, and we want to help listeners to develop an appreciation for it.

        So join us as we kindle a North American verité movement (we’re happy for our European, Asian, African and Australian friends to take part as well). And get it together by January 15th!

        For full submission guidelines, go to www.bigshed.org/verite.

        Send questions to jesse@bigshed.org.

        In friendship,

        Jennifer, Shea, and Jesse at Big Shed.

        NY Event “Telling the Truth – Investigative Journalism in the Age of WikiLeaks”

        For NYC folks – this looks interesting.
        -mia

        +++++++++++++++++++++++


        If you're in and around New York City this Wednesday, I'm curating this film screening/discussion that I think may be of interest to you. Info below, hope you can come check it out!

        Amanda

        "Telling the Truth: Investigative Journalism in the Age of WikiLeaks"

        Wednesday January 5th @ 7:30 at The Brecht Forum, 451 West Street, New York, NY

        In 1971, Daniel Ellsberg, a high level Pentagon official and Vietnam strategist, concluded that the war was based on decades of lies and leaked 7,000 pages of top secret documents to the New York Times, making headlines around the world. Hailed as a hero, vilified as a traitor, ostracized by even his closest colleagues, Ellsberg risked life in prison to stop a war he helped plan.

        In 2010, Bradley Manning – who supposedly leaked thousands of diplomatic cables to Julian Assange and WikiLeaks – is being held in prison and faces 52 years in jail. Sarah Palin and Mike Huckabee are calling for their assassination. Are Bradley Manning and Julian Assange the new Daniel Ellsbergs? Or are they troublemaker anarchists, as some would have us believe?

        Narrative Ark, POV and The Brecht Forum present a screening of the documentary "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers", Academy Award nominee for best documentary.

        Come join the discussion!

        Special Guests:
        Jay Rosen and Gideon Lichfield

        Jay Rosen teaches journalism at New York University, where he has been on the faculty since 1986. From 1999 to 2004 he was chair of the department. He is the author of PressThink, a blog about journalism's ordeals in the age of the Web, which he launched in 2003. In 1999, Yale University Press published his book, What Are Journalists For, which was about the rise of the civic journalism movement. In July 2006 he announced the debut NewAssignment.Net, his experimental site for pro-am, open source reporting projects. The first one was called Assignment Zero, a collaboration with Wired.com. A second project was OfftheBus.Net with the Huffington Post, for which he served as co-publisher with Arianna Huffington. Rosen has a Ph.D in media studies from NYU. He writes and speaks frequently about new media and the predicament of the press in a time of rapid transformation. On Twitter he is @jayrosen_nyu.

        Gideon Lichfield has worked at The Economist since 1996, including over a decade as a foreign correspondent in Mexico City, Moscow and Jerusalem. In 2009 he moved to New York to be deputy digital editor, responsible for development and innovation in The Economist's online and mobile editions.

        sliding scale admission $6-15, with no one turned away.


        Amanda Thieroff
        Podcast Producer
        Learning Matters, Inc.

        __,_._,___

        American Folklife Center Fellowships for Culture of American Workers, proposal deadline March 11

        I'm not sure what "pending funding" means, but this looks like a great opportunity. Details below.
        -Mia

        ++++++++++++++++++++++++

        http://www.loc.gov/folklife/grants.html#archiedates

        Archie Green Fellowships

        The 2011 competition for Archie Green Fellowships is now open, pending funding. 

        To honor the memory of Archie Green (1917-2009), the pioneering folklorist who championed the establishment of the American Folklife Center at the Library of Congress and was a scholar and advocate for the documentation and analysis of the culture and traditions that arise from and are passed on by American workers, a fellowship program has been established at the American Folklife Center.

        The Archie Green Fellowships will support new documentation and research into the culture and traditions of American workers and will create significant digital archival collections (audio recordings, photographs, motion pictures, fieldnotes) that will be preserved in the American Folklife Center archive and made available to researchers and the public.

        Radio Associate Producer – The Callie Crossley Show (Boston)

        Not sure if there are any Boston producers on this list, but figured I'd pass it along just in case. Happy Holidays all!
        -mia

        ++++++++++++++++++

        Type: Full time Posted on 08 Dec-2010

        Job Req # 4970
        Date opened 24 Nov-2010
        Posting title Radio Associate Producer [Radio] – The Callie Crossley Show (Boston)
        Position Type AEEF, Full Time, Project Contract
        Department Radio
        Proposed Salary Range $37,464 – $38,000
        Union Salary Range $37,464 – $53,324
        Department Overview WGBH Radio's news department seeks to inform, educate and enlighten our audience on both the news of the day and the news in historical context through in-depth, high quality radio journalism using the best tools and methods of the craft. WGBH news seeks always to report on and facilitate discussion of the news with integrity, fairness, balance, accuracy and civility, WGBH news also seeks to tell the stories of and allow expression of the diversity of voices that make up our entire community.

        Position Overview
        The Associate Producer is responsible for working with host and producer to produce WGBH's daily public affairs show, The Callie Crossley Show. Make story pitches and develop those pitches for broadcast. Select, contact, and schedule program guests. Gather background materials for host. Update web content. Gather and edit audio material for program for air and Web. Screen callers for live broadcast. As needed, the producer will perform all necessary tasks as director during the broadcast, including, cuing host, cuing engineer, greeting and preparation of program guests and coordination with technical help. Perform all administrative duties as assigned. Book segment, pre-interview guests, follow through on story development from a pitch to the actual radio conversation. Responsible for supporting diversity and inclusion in the workplace and interacting in a way that is free from discrimination, intolerance or harassment.

        Requirements Overview
        A Bachelor's degree is required. Must have at least 3 years of radio and broadcast journalism experience, preferably on public broadcasting. A live daily show experience is essential. Must be a self-starter and able to work collaboratively with a small staff. Must have excellent organizational skills and attention to detail, general knowledge of this region and news talk programming and ability to plan in advance. Proven ability for story pitches and development skills as well as ability to manage many tasks simultaneously is required. Expected to be interested in a wide range of areas beyond current events, including arts, culture, film, history, science and public policy. Digital editing experience is desirable.

        Application available at http://careers.wgbh.org/ or via direct link:
        https://recruit.zoho.com/ats/NewData.hr?digest=ySUs*6td*dw4QpRBkBkI8LY83igyov0p8YG*7iCucPv*Bj*sZ*H6Lg–&bgrndcolor=333399&font=Arial&headercolor=FFFFFF

        Freelance Guild Member info for dental/vision coverage

        Good news on vision/dental insurance from the Bay Area Freelancer's Guild.
        -mia

        +++++++++++++++++++++

        We are happy to report that members of the Freelance Unit are now
        eligible to participate in group dental and vision plans. Dental is
        through Delta Dental, which includes about 92 percent of all dentists
        in the state. Vision is through VSP, which is widely accepted.

        The open enrollment period starts now and ends Jan. 31, 2011. People
        who become members subsequent to open enrollment will have a three-
        month waiting period. You have the option of selection one or both
        plans. Billing and administration will be handled by Dublin Insurance
        Services, of Dublin, Calif.

        Although open enrollment extends through the end of January, it is
        possible to sign up for an earlier start.

        Please read this carefully and if you elect to enroll IMMEDIATELY send
        your name, the number of family members who will enroll, your mailing
        address and phone number to:  Margot Wallace,
        mwallace@mediaworkers.org.

        We will forward that information to Dublin Insurance, which will then
        mail you enrollment forms and more information on coverage.

        Health coverage through Kaiser is still a work in progress (More
        later).

        Here’s a summary of coverage for the dental plan:

                                                       In Network:                             Out of
        Network:

        Diagnostic and Preventative:    100%                                    100%
        Basic                                    90%                                    85%
        Prosthodontics                           60%                                    50%

        Annual Benefit Maximum                             $2000
        Individual Deductible                                  $25
        Family Deductible                                             $75

        Monthly Rates:  Enrolled member only $49.26
        Member plus:  $90.35
        Member plus 2 or more: $143.64

        Here’s a summary of coverage for the vision plan:
        Copay per plan year     $24
        Vision Exams                    1 per 12 months
        Prescription Lenses     1 per 12 months
        Frames                          1 per 12 months
        Frame/contacts allowance        $130

        Monthly Rates:Enrolled member only $8.46
        Member plus 1: $14.07
        Member plus 2 or more: $25.21

        The benefits table can also be found at
        http://guildfreelancers.org/gf/benefits/table-2-dental-and-vision-options.

        Questions? Email rrosenlum@gmail.com

        Bill Snyder
        Rebecca Rosen Lum
        Health Benefits Committee

        Maps

        One of the best radio shows out there needs your ideas! Details below.
        -Mia

        +++++++++++++++++++

        Hey everyone,

        Radiolab will be sending out a couple story calls for pitches over the next short while…I thought I'd start small by requesting pitches for our next show: Maps.

        A quick note about process: If you have ideas, please send them to radiolab@wnyc.org with STORY PITCH in the subject line. We're a small team and read every one. If we like the idea, we'll contact you within a week. If the idea isn't quite right for us, we'll try our best to let you know that quickly. If you don't hear from us within a week, assume that we're going another direction.

        So, maps. Here's a quick summary of the show and what we're after.

        MAPS: We're interested in the objects themselves but also how people navigate through space. We'll be looking at people who have terrible sense of direction (not just just terrible like me, but folks who can't find their way from their bathroom to their living room). We have a story of a lady who falls into the latter category. And we're looking into a frothy debate on homing pigeons. We're also pursuing a story about a guy who ended up getting his house demolished because the demo crew plugged the wrong coordinates into their GPS units.

        But what we're still missing is something experiential… a discovery of the heart…perhaps a story where a person emotionally gets very lost and then charts their path to being found. Perhaps a story of a person seeing their town on the map for the first time and forever being changed as a result. Who knows.

        If you have any ideas, we'd love to hear them. And thanks everyone in advance!

        Jad Abumrad
        Host/Producer
        WNYC's Radiolab
        http://radiolab.org

        State of the Re:Union seeking interns

        Another opportunity for those just getting started in radio. This is an internship – so no dough, but a chance to work with a great production team. Working remotely is totally okay. Runs January to May.
        -Mia

        ++++++++++++++++++

        State of the Re:Union (SOTRU) is a dynamic, nationally-aired NPR show and new type of multimedia program that combines hour-long radio episodes with documentary shorts, video podcasts, images, music and written articles to immerse its audience in new and exciting ways. With each episode SOTRU travels to a different American city to

        explore what makes a community, discover the people who bring it together and understand the issues they face.

        SOTRU currently has several openings for interns. Interns will mainly be responsible for transcribing audio interviews as well as other special projects that include story research, podcast production, scheduling interviews and making contacts.

        As a SOTRU intern, you will also have the unique opportunity to listen in on editorial calls with our host, content editor and radio producers.

        To be considered for this internship, you should have a strong creative background, solid editorial skills and be able to take direction and work independently.

        If interested, please submit your resume to:

        Brenton Crozier, Multimedia Producer
        brenton@stateofthereunion.com

        Thank you for your interest in State of the Re:Union!

        International Reporting Fellowships Deadline MONDAY 12/20

        Really tight deadline for this one (due MONDAY!) but a great opportunity to do overseas reporting. Details and link below.
        -mia

        ++++++++++++++++++++++++++++

        Applications for Global Health Reporting Fellowships Due Monday!
        Application deadline: December 20, 2010

        U.S. journalists who are interested in reporting on global health
        stories are invited to apply for up to five IRP Fellowships in Global
        Health Reporting that will be run from March 10 to May 14, 2011, as
        part of a special IRP reporting grant.

        Selected journalists will spend two weeks in Washington, D.C., at the
        IRP offices preparing for their overseas trip and then five weeks
        reporting on their chosen health topics in the country of their
        choice. Topics may include reporting about diseases such as HIV/AIDS,
        malaria, tuberculosis; maternal and child health; or new scientific
        research to reduce the impact of global diseases. Fellows will return
        to Washington for a final two weeks of reporting and presentations of
        their findings.

        Learn more and apply now!

        http://www.internationalreportingproject.org/stories/detail/1596/

        Deadline December 31

        Excellent opportunity for recent grads interested in public radio.
        -mia

        +++++++++++++++++++++

        The NPR Kroc Fellowship was established to identify and develop a new generation of extraordinary journalists for the public radio system.

        Who Should Apply
        NPR is looking for a diverse pool of applicants who aspire to work in public radio. Candidates must be just completing college or graduate school, or be out of school for one year or less as of December 31, 2010. They do not need journalism or radio experience, but must demonstrate exceptional potential and drive. PLEASE CLICK ON THE FREQUENTLY ASKED QUESTIONS BELOW FOR MORE INFORMATION REGARDING ELIGIBILITY.

        Fellowship In Brief
        Three Kroc Fellows will be accepted into the program this year. The Fellowship begins in August 2011 and lasts one year. It includes a stipend of more than $40,000, plus benefits, which include paid vacation. Fellows will get rigorous, hands-on training in every aspect of public radio journalism — writing, reporting, producing and editing, for both radio and the Web. Kroc Fellows will work primarily at NPR headquarters in Washington D.C., though each Fellowship will include an assignment to an NPR member station.

        Application Process
        Download Application at http://www.npr.org/about/careers/fellowships/kroc.html
        Applications will be accepted beginning November 1, 2010 but must be postmarked no later than December 31, 2010.

        Candidates should submit:
           * Resume
           * Three references, at least two of which are from professional or academic contacts. (Forms will be provided.)
           * Academic transcript(s)
           * A cover letter explaining why the candidate should be selected by the Kroc Fellowship Committee
           * A sample of work reflecting remarkable initiative or accomplishment. This might include a writing sample (of 1000 words or less, please), an excerpt (five minutes or so) from a video production or a musical composition, etc.

        Finalists will be brought to Washington, D.C. to take part in an interview in April or May. The three Kroc Fellows will be notified shortly thereafter.

        Rotations At NPR
        NPR Kroc Fellows will work alongside some of the nation's most respected reporters, producers and editors. The program will ensure the Fellows develop:
           * Production and editorial skills, by working on an NPR show. Past fellows have worked at All Things Considered, Morning Edition, and Weekend Edition Saturday
           * Reporting and on-air experience, by working under the guidance of NPR editors
           * Web writing and multi-media production skills, by working with NPR Digital Media producers and editors
           * First-hand broadcast journalism experience, by working at an NPR member station

        NPR will provide Kroc Fellows with professional guidance and assist in job placement toward the close of the one-year Fellowship.

        Would you like to learn more?
        Please view our frequently asked questions at:
        http://www.npr.org/about/careers/fellowships/kroc_faq.html

        Please direct questions to kroc@npr.org

        A NonProfit News Roundtable

        I think about this all the time: how to find journalistic work outside the traditional media outlets – who either aren't hiring, or aren't paying a livable wage. The discussion/link below highlights one of the answers.
        -mia

        ++++++++++++++++++++++

        Why Nonprofits

        By now it is relatively common knowledge that America’s news industry is undergoing profound and frequently tumultuous change. Every news organization is affected by the development of the Internet and the resulting changes in revenue streams, audience habits and community needs. Traditional media companies have been particularly distressed by shifts in the markets and business models that historically supported them—and the conversation about how to “save” or “reinvent” journalism has been largely focused on their concerns.

        To a growing group of practitioners, funders and observers, however, the challenge is not saving traditional news organizations or traditional forms of journalism. The challenge is creating, strengthening and protecting informed communities and local information ecosystems, of which journalism is a necessary component.

        Thus enters the nonprofit model, which allows organizations to pursue a journalistic mission without the competing demands of operating a for-profit business. Nonprofit news startups have been created in communities across the country, most with funding from major donors or foundations. The Knight Foundation alone has funded more than 200 experiments with what it calls a “build to learn” approach.

        Read more:

        Snap Judgment Call for MORE stories

        Hey folks. Snap Judgment wants your stories. (And they DO PAY!) Details below.
        -Mia

        +++++++++++++++++++++++++++

        Hey folks, below is a NEW pitch list for seven, upcoming Snap Judgment episodes.
        I've included the previous pitch list as well, just in case you had any stories hiding out that you forgot.

        Snap Judgment tells both character-narrated and producer-narrated, dramatic, first person, true stories and airs on over 85 stations nationwide. Our stories are heavily produced with music and sound effects and need not have a news hook. Pay scale is on par with other national programs.

        We seek stories told from a point of view often under-represented on-air, particularly stories told by folks from foreign, off-the-beaten-path, poor or marginalized communities.  

        Episodes
        Bollywood love: Love stories that feature two people from conflicting communities, tribes, casts, religions, political parties, groups or traditions, who overcome the barriers presented by their backgrounds, in the name of love. This entire show will be produced in Bollywood style.
        (((Other love: If you have other, truly amazing and dramatic love stories, we’ll take a look at those too.)))


        Area 51: Stories about run-ins with conspiracy theories, proof of E.T., alien encounters, U.F.O sightings, secret government space missions, mars landings, the fifth dimension, X-files and Twin Peaks episodes come-true, and visits to the Bermuda Triangle. Examples include the story of a State Police officer who in the 1970s coordinated vigorous interstate investigations of livestock mutilations.

        Best Intentions: Stories of the best laid plans, going horribly wrong: international aid resulting in famine, loving a bunny to death, surprise parties ending in cardiac arrest, gifts misunderstood or any stories of well intentioned ideas resulting in chaos, mayhem or disaster.

        Adoption Options:  This show is all about adoption and includes the stories of cross-border baby-smuggling, war-time adoption, adopted triplets and the failed searches for lost biological parents.

        Abduction:  Stories about being held against your will, narrow escapes, being on lock-down, capturing an enemy, throwing a family member in the trunk of your car, being detained or perhaps even extended periods of being grounded.  Examples include the stories of a Texas oil worker taken hostage in Nigeria.

        Mere Mortals: Stories of brushes with death, stupid or brave acts of heroism, encounters with mortality, stupendous survival or coming back from the dead.

        International Intrigue: Stories of espionage, spies, secret agents, clandestine missions, sneaking across borders, midnight phone calls from the CIA, and concealed identities. Examples include the story of a man recruited by the CIA.

        **************


        All In It Together: Go team. Stories about working together, feeling outcast, being accepted, signing-up or going AWOL. Examples include the story of a young man who finds himself at a bar on the night of 9/11 listening to the stories told by emergency workers.

        The Wiz: Stories with a Wizard of Oz theme. Think creatively, not just searches for brain, heart and courage, but stories about going home, emerald cities, fake wizards, good witches, tornadoes and your little dog too. Examples include the story of a heart transplant recipient experiencing the memories of his donor.

        Tilt: Stories about reaching a tipping point, changing your tune, convincing others, falling from grace, rising to fame, giving-up, standing-up, or more literal stories about tilting, tipping. Examples include the story of a gang of bikers turned born-again.

        Waste: Stories about trash, time wasted, lives wasted, money wasted, garbage dumps, e-waste, wasting resources, wasting talent, finding treasure in trash. Examples include the story of a high powered attorney’s slow decline into crack addiction.

        Cha-Ching : Stories about the value of a dollar. Stories about learning the worth of something, something that’s value changes with time or with events, losing money, finding money, inheriting money, dirty money, money laundering, winning money, greed or generosity. Examples include the story of a robber who returned his victim’s wallet upon learning that his victim was homeless.


        Pitch Procedure

        1.     Listen to Snap Judgment.

        2.     Check out the “Is your story right for Snap Judgment?” flowchart.

        3.     Send your pitch to pitches@snapjudgment.org.

        4.     The Snap team will discuss your pitch and do our best to get back to you in two weeks.


        We can’t wait to hear your stories!


        –Snap

        Bay Area Artists Unite For KPFA, A benefit & appreciation party for KPFA 94.1 FM, 12/19, 7-10pm

        Great event for KPFA coming up Dec. 19. There's been a lot of drama over there recently so this is a nice chance to focus on the positive and give some support. Details below.
        -mia

        ++++++++++++++++++


        Sunday December 19, 2010

        Bay Area Artists Unite For KPFA, A benefit & appreciation party for KPFA 94.1 FM

        At La Peña Cultural Center

        3105 Shattuck Avenue

        Berkeley, CA 94705 USA


        7-10pm

        $15-50 sliding scale, $10 for students 

        This event features some of the Bay’s best musicians, artists and poets all joining artistic forces to support our beloved community radio station, KPFA 94.1 FM. In times of financial and political struggle, we unite through song, spoken word and dance.

        Featuring:

        An intimate acoustic set with Rupa Marya of Rupa and the April Fishes


        Carne Cruda featuring hip hop MC Rico Pabon


        La Mission Band performing music from the movie, 'La Mission' 


        Las Bomberas De La Bahia, An all female group upholding the Puerto Rican tradition of

        Bomba drumming and dancing.

        Soulful wonders: Valerie Troutt and Codany Holiday

        Poetess Nina Serrano and artist Mamacoatl


        Drummer Jaz Sawyer and the Bay Area All Stars: Maya Kronfeld & Howard Wiley


        MC’d by Luis Medina with DJ SANTERO + DJ I J Special Guests

        * A special thanks to La Pena and all the artists performing and every single person working at KPFA.


        For more info visit : www.kpfa.orgwww.lapena.org


        Esther Manilla
        KPFA's Morning Show
        Producer
        (510)848-6767
        www.kpfa.org

        __________________________________________________________________________

        "I can feel guilty about the past, apprehensive about the future, but only in the present can I act. The ability to be in the present moment is a major component of mental wellness."

        -Abraham Maslow

        Open Call for Artist in Residence Proposals at EMPAC

        Something for the Hudson Valley folks.
        -Mia

        ++++++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        EMPAC

        Composer Hans Tutschku in residence at EMPAC – photo by Natt Phenjati 

        Open Call for Artist in Residence Proposals

        Since 2005, EMPAC has established a vibrant residency program that has hosted over 40 artists and their collaborators, spanning theater, dance, music, video, and installation. While EMPAC will continue its open call residency program, we are pleased to announce four additional focused initiatives:

        ‐ Audio Production / Post‐Production

        For sound recording, development of multichannel sound works, documentation, mastering, mixing, film scoring, or any other task involving microphones, speakers, consoles, and computers.

        ‐ Creative Research

        Provides artists, writers, and theorists with the opportunity to conduct research over extended periods of time (minimum six weeks).

        ‐ Dance / Theater

        To rehearse, workshop, or finalize a production. Provides a group of up to six individuals a two‐week rehearsal period in a 3,300 sq. ft. black box space with full production support.

        ‐ Video Production / Post‐Production

        For multiple camera shoots, documentation of a performance, development of multichannel video projection, digital video post‐production, or any project involving HD video cameras, computers, and projectors.

        EMPAC’s unique facilities offer four major venues including a Concert Hall, Theater, and two black box Studios, in addition to artists in residence studios and a state of the art infrastructure.

        To apply, please include a letter of intent, a project description, a resume or CV for all major collaborators, as well as works, samples, and other supporting materials. Proposals are reviewed by EMPAC curators four times a year. Upcoming reviews will take place on January 14, April 15, July 15, and October 15. In general, residencies are scheduled six months to one year in advance.

        For more information, please visit: http://www.empac.rpi.edu/residencies/artist/.

        Facebook Twitter Digg

        NEWS

        If you happen to be in New York City tonight / this weekend (December 9-11), head over to The Kitchen to catch former EMPAC artist in residence Toni Dove's Spectropia! More information and tickets can be found on The Kitchen's website.

        Follow EMPAC on FACEBOOK + TWITTER


        EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

        You are receiving this announcement because you signed up for the EMPAC email list either on www.empac.rpi.edu or in person. You may unsubscribe anytime!

        Unsubscribe mia@freelancecafe.org from this list | Forward to a friend | Update your profile

        EMPAC Box Office:
        518.276.3921

        Plan your visit to EMPAC! Get directions, maps, parking info, and a visitors guide.

        Our mailing address is:

        EMPAC

        Rensselaer Polytechnic Institute
        110 8th Street

        Troy, NY 12180

        Add us to your address book

        Copyright © 2010 EMPAC
        All rights reserved.

        Radio Rally and Audio Slam in Portland, Maine — call for proposals and entries

        Blunt does some great radio, and now they're hosting a rally! Details below.
        -mia

        +++++++++++++++++++

        The Great Northeast Radio Rally:

        A conference for audio producers of every age and stripe

        brought to you by Blunt Youth Radio Project

        Who: Audio producers from near and far, and hopefuls who are interested in getting more involved in radio.

        What: The Rally will feature a lot of listening and sessions that inform, ask questions, and inspire. The conference will end with what may be the world’s first Audio Slam, a friendly but serious competition—with a cash prize! (More details below.)

        When: Sunday, January 16, 2011 (the day before Martin Luther King Day),  from 9 am to 4pm, with our grand finale event from 7 to 9 pm.

        Where: The daytime portion of the conference will take place on the campus of the University of Southern Maine in lovely Portland, Maine. The Slam will be happening at the Space Gallery in downtown Portland.

        How to Get Involved:

        —Make a presentation

        —Enter a submission in the Slam

        —Plan to attend!

        1) Call for Presentations:

        Proposals deadline: Monday, December 27, 2011 at 5:00 p.m

        Blunt’s Radio Rally crew is inviting audio producers to pitch a presentation for the conference. We’re looking for people to host listening sessions and to propose ideas for various radio/audio-related workshops. Each session will be about an hour and fifteen minutes. You may also suggest an idea for a panel (whether or not you have other panelists in mind).

        We’re looking for sessions that are interactive, fun, scary, thoughtful —something that might get us thinking and inspire us in midst of the legendary Northeast winter!

        It’s easy to send us your ideas — and we really want to hear your ideas, so don’t be shy! Just send an email to Claire Holman at cholman@usm.maine.edu with your idea and any relevant information (a brief bio, links to your work), with the subject line “Rally Presentation Proposal.” Be sure to include your full name, email address, and a phone number where we can reach you.

        Proposals deadline: Monday, December 27, 2011 at 5:00 p.m. Please email your idea to:

        Claire Holman

        cholman@usm.maine.edu
        Feel free to call me with questions 207-650-5835

        2) Audio Slam Throwdown — fun, fame, and modest fortune!!

        Audio Slam entries deadline: Monday, January 10, 2011 at 5:00 p.m.

        Our Audio Slam competition is kind of like a poetry slam, but with a few twists. Producers will enter a piece, and we will play the entries and judge them in one-minute rounds, for a total of 4 rounds. So, no matter how long your piece is, we’ll only be judging 4 minutes of it. You can enter a 4-minute piece, or pick which individual 4 minutes you want us to play of a longer piece. Or, if you have a longer piece, you could consider doing a shorter version for the Audio Slam.

        The judges will score the pieces right then and there and determine which ones advance to the next round. So, in round one, we hear minute one, and in round two, we hear your chosen minute two. This means that each minute has to be compelling enough that we’ll want to hear more.

        Entries may be any style or genre, and it’s perfectly fine if they have previously aired elsewhere. There will only be one winner, and the prize is $500! In addition, all entries will air on Blunt, the weekly show of Blunt Youth Radio on WMPG, Greater Portland Community Radio. You don’t have to be present to win, but it sure helps! Only the first 30 entries will be accepted.

        Not sure if you should enter? Enter, enter, enter. This will be great fun—we’re not snobs, and your work is really wanted!

        To enter, please send us a CD, email us an audio file, or give Blunt Youth Radio access to your piece on PRX. We need to know the title of your piece, plus your name and contact information. If your piece is longer than 4 minutes, you need to specify which minutes you want us to play.
        Audio Slam entries deadline: Monday, January 10, 2011 at 5:00 p.m.

        Send your entries (or links thereto) to:

        Claire Holman  cholman@usm.maine.edu

        Blunt Youth Radio   http://www.bluntradio.org

        Feel free to call with questions 207-650-5835

         

         

         

        <br/>

        Claire Holman
        cholman@usm.maine.edu
        207-650-5835

        <br/>

        Tax Q&A with Jason Stallcup, Dec 17, SF

        Hey Bay Area folks. Jason has done talks for FC in the past and he is FANTASTIC! Don't miss this chance to have all your tax questions answered. December 17 in SF. Details below.
        -mia
        PS: This is NOT a Freelance Cafe event but I encourage you to attend, and join the Guild while you're at it! (Again – no association with FC. I just really believe in what they do for freelancers.)

        ++++++++++++++++++

        UNIT MEETING AND PROGRAM DEC. 17

        Back by popular demand, veteran CPA Jason Stallcup will answer any and
        all questions about filing for 2010 in a lunchtime Q&A Friday, Dec.
        17.

        Should you incorporate? Should you go LLC? What about quarterly tax
        payments? What’s deductible and what’s not?

        Our unit meeting begins at 12 noon. Jason will begin promptly at 12:30
        p.m.

        The event is free for members. We request a donation of $10 for
        nonmembers to help cover the cost of food. Please email your RSVP to
        freelance@mediaworkers.org. If you haven't yet joined, visit
        GuildFreelancers.org and click on "Join Us."

        Over the years, Jason has worked for a high-tech company and as part
        of a large CPA firm. Today, he is an entrepreneur focusing largely on
        the self-employed.

        Northern California Media Workers Guild
        433 Natoma Street, Third Floor
        San Francisco, CA 94103

        Between Fifth and Sixth streets in San Francisco, the Guild office is
        adjacent to the Chronicle building. Take BART to Powell St or park in
        the Fifth and Mission garage.

        Questions? Give me a ring at 510-472-3024.

        Warm regards,
        Rebecca Rosen Lum
        Unit Chair, Guild Freelancers

        ICFJ Knight fellowship opening

        Travel fellowship from the International Center for Journalists. Details below.
        -mia

        ++++++++++++++++++++

        Country: Bangladesh

        Project Description:  In honor of Rebecca Lipkin’s dedication to broadcast
        journalism and her work as a Knight International Journalism Fellow training
        journalists in Eastern Europe in 1999, the International Center for
        Journalists will send a fellow to Bangladesh in early 2011. For
        approximately a one-month period, the Rapid-Response Fellow will support the
        development of the Television News Agency (TvNA <http://tvnabd.com/new/> ).
        Launched in 2009 by the Bangladesh Centre for Development, Journalism and
        Communication (BCDJC <http://www.bcdjc.org/> ) and Knight International
        Journalism Fellow Kawser Mahmud, TvNA is the first women’s broadcast news
        agency in Bangladesh. In partnership with BCDJC, the fellow will help women
        journalists produce quality programming on issues that affect women and
        children for TvNA. The fellow also will help TvNA and its partners develop
        better newsroom management practices. The ideal candidate will have
        broadcast journalism and media-management experience.
         
        Requirements:
        10 years of broadcast journalism experience
        Media-management experience
        Demonstrated understanding of best journalistic practices
        Journalism training or teaching experience

        To apply: http://knight.icfj.org/GetInvolved/FellowshipOpenings/tabid/73/Default.aspx

        Thank you!

        Best, Pedro

        Pedro J. Rodriguez – Program Officer, Knight International Journalism
        Fellowships
        T 202.349.7638, F 202.737.0530 www.knight.icfj.org
        <http://www.knight.icfj.org/>
        @ICFJKnight <http://twitter.com/icfjknight>  | facebook.com/ICFJKnight
        <http://facebook.com/ICFJKnight>
         
        International Center
        for Journalists
        Advancing Quality Journalism Worldwide

        This American Life theme list

        The latest call for pitches from TAL. Good luck!
        -mia

        +++++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it.  I promise.  I read every pitch.  (I won't send you the auto response until I've read your pitch so expect a day or two delay sometimes to get that email.)  If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show.  The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

        Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas.  So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

        Thanks so much for your pitches.  All of us here are very appreciative.

        Best,
        Julie
        (julie@thislife.org)

        SLOW TO REACT: Stories about delayed reactions to pretty huge events.  We have one story about a 12 year old boy who sees the benefits of his father’s death – missing school, sugar cereals flow, he gets to watch R rated movies – but seems to entirely miss the actual consequences of the death, until years later.  We’d like to find more stories about people or organizations who either don’t realize or purposely ignore seminal moments, only to have to deal with those happenings sometime later.  Maybe a great “one who got away” story?  Or a story about not realizing a crisis is happening when it’s happening?  Or just a story about extreme lethargy or laziness, just not wanting to deal with something until it’s too late?

        BREAKTHROUGH: This is a show about the search for a cure for cancer.  We’re not planning anything comprehensive – no “Giant Pool of Cancer” or anything – just a collection of stories about people working to find a cure.  We’ve got two pretty long stories already so we’re almost set for this show but we’d love another one or two shorter stories.  Maybe interesting or unexpected anecdotes about cancer research over the years?  Or a story that illustrates the often nonsensical ways that cancer research is funded?  A story about navigating the maze of FDA approval?

        WILL THEY KNOW ME BACK HOME?: We may change the title of this show but essentially we’re looking for stories about people going through experiences that make they feel they’re a part of something larger.  And maybe struggling with that decision or change.  We did a show about the war in Iraq a few months ago and had one story left over that we still really love.  It’s about an Iraqi woman who, before the war, considered herself just a very normal housewife.  Her world was entirely domestic – raising kids, cooking, being a wife.  But after the invasion and her husband losing his job, she reluctantly becomes an interpreter for the American military and slowly becomes overwhelmed – excited – by her role at the center of everything.  Her family suffers for her job, obviously her safety suffers, but she essentially becomes a new woman and it’s exhilarating.  We’re hoping to find more stories about these experiences or moments where a person or a group or a company gets sort of sucked into something so much larger.  And maybe that’s not a good thing?  The “larger” can be totally relative here, too.  Maybe a story of moving from extreme isolation into the world?  Or maybe a story about trying to move back to the smaller world?

        RELATED CRIMES: We’re looking for stories about committing crimes against one’s own family.  We’re working on one story about a son who murders his abusive mother and then his brothers turn him into the police.  So you can’t get much darker than that.  At least, we hope you can’t.  What would be great for this show (besides something a little lighter) would be something along the lines of “crimes” committed against family members.  Maybe a really great story about a family member framing someone else for a crime?  Or a sibling stealing another sibling’s identity?  Maybe a family tries to recover from a crime committed in the past?  Suggestions for short fiction would also be great for this show.

        SEE NO EVIL:  One night, a 23 year old woman fails to show up at work and immediately her family knows something is wrong.  Something has happened.  The police, of course, think the family is being hysterical.  The next day, the police discover the woman’s car, but no woman.  Still, though, they think the family is overreacting and everything is fine.  Even when the family finds the woman’s driver’s license and blood in the car, the police refuse to entertain the thought that a crime has been committed.  For the next three days, the family is thwarted at every turn in their search for help – the police believe the woman has run away, the media won’t get the word out because the police won’t comment and even friends and neighbors think the family is crazy.  No one will acknowledge anything bad has happened.  We’re looking for other stories where everyone pretends like things are fine, even when they clearly aren’t.  Maybe a story about refusing to acknowledge something has failed or that a person has bad intentions.  Maybe a story about inventing an elaborate scenario to justify obviously bad actions?  A classic head-in-the-sand story?

        OH, YOU SHOULDN’T HAVE:  Stories about gratitude and gifts.  We’re working on one story about a woman who has an Amazon “stalker.”  Mysteriously, over the past year, somebody has been methodically buying and shipping the woman items from her “wish list” on Amazon.  So far, she’s had to build an entirely new book shelf to hold all of the books her stalker has sent her.  She’s not quite sure what has prompted this gift-giving, but she suspects it’s a ‘thank you’ for a small kindness in junior high school.  We’d love more stories about gestures of kindness or thanks.  Maybe a story about an inappropriate or over-the-top gift?  An unwanted or undeserved gift or award or promotion?  Maybe a story about trying to express gratitude but just not finding the right way to do it?

        HOW DO YOU CREATE A JOB?:   During the election season there were a lot of promises to focus on “job creation.”  But what does that even mean?  How do you create a job?  Is it even possible?  For this show, we hope to check in on some workers who lost their jobs a few years ago and find out who ended up where and where the jobs did and didn’t go.  If you know of someone who worked in large company or factory that closed five or ten years ago, will you let us know?  Or maybe a worker who dropped out of high school thinking their life would be okay but now it’s not?  We’d also like to spend time with someone who actually is charged with “creating” jobs – an interesting Economic Development Officer or a local legislator.  Even better: maybe a person at a factory who makes the decision to add a third shift? We’re still in the pretty early planning stages for this show so any suggestions or guidance for this show is greatly appreciated.

        KID JURY: In the late 80s H.R. Haldeman, Nixon’s chief of staff, showed up one day at the newly-opened Nixon Presidential Library and, weirdly, made his case to a bunch of junior high kids.  Basically, he pleaded with them to see things from his perspective – that he was a scapegoat, that Watergate wasn’t really that bad, and that, besides, everything he did was because of love and loyalty to the President.  The kids were confused not only because they didn’t really understand who in the hell H.R. Haldeman was but, also, they didn’t know what he wanted them to do about his plea – how was any of this their business?  For this show, we’re looking for stories where kids are put in powerful positions and asked to make decisions, or take sides, or take action.  Maybe stories where a group of kids have acted as judge and jury against an adult or a teacher or a parent.  Or kids who all decide that one parent is the bad guy when the evidence clearly points to the other parent?  Maybe a story about a kid who is uncomfortable with a big decision that is being left up to him or her?  Interesting school councils or disciplinary committees could work well for this show, too.  Also, we’re thinking of maybe assembling a jury of kids to weigh in on the big issues that are often debated in their name (“think of the kids!”) like climate change or deficit spending or gay marriage.  If you’ve got any early teens you think might be game, please let us know.

        3 East-West Center journalism fellowships now accepting applications

        Three fellowship opportunities from the East-West Center. Details below.
        -mia

        +++++++++++++++++++++

        The East-West Center is accepting applications for three study-tour fellowships for American and Asia Pacific journalists: the new Pakistan-U.S. Journalists Exchange; the Senior Journalists Seminar, which looks at US-Asian Muslim issues; and the Japan-U.S. Journalists Exchange. Details can be seen at http://www.eastwestcenter.org/journalismfellowships.

         
        We would appreciate your assistance in getting information about these exciting journalism opportunities. Please let us know if you have questions.
         
        Thank you very much.
         
        With aloha,
         
        Susan Kreifels
        Media Programs Manager
        East-West Center
        (808) 944-7176
        kreifels@eastwestcenter.org 

        Democracy Now seeks news producers and a graphic designer/CG operator in NYC

        NYC folks, check out the job descriptions below.
        -mia

        +++++++++++++++++++++++++

        http://www.democracynow.org/about/jobs

        Jobs

        News Producers (Full-Time)

        Democracy Now!, a Manhattan based daily independent news hour, seeks experienced and tech savvy journalist/producers with a passion for independent media to fill full-time News Producer positions. News Producers are responsible for research, booking guests, writing ledes and developing stories.

        Responsibilities

        • Research topics for shows
        • Book & pre-interview guests
        • Write story ledes
        • Work with TV producers to select visual elements
        • Monitor national & international news

        Qualifications

        • In depth knowledge of Democracy Now!
        • News research & writing experience
        • Line producing experience a plus
        • Able to handle multiple deadline driven tasks under pressure
        • Excellent writing and communication skills
        • Excellent news judgment
        • Excellent online research skills
        • Proficiency in word processing and generally web/computer savvy

        This is a full-time New York City based position with benefits. Some travel required. Salary based on experience. Democracy Now! is an equal opportunity, affirmative action employer and encourages people of color, women, persons with disabilities, and persons with diverse gender and sexual identities to apply for job openings. To apply, please submit a resume and cover letter to job (at) democracynow (dot) org with “News Producer” as the subject. No phone calls.

        On-Air Graphic Designer/CG Operator (Part-Time)

        Democracy Now!, a Manhattan based daily independent news hour, seeks part-time Live On-Air Graphic Designer/CG Operator. High level of skill in Photoshop and After Effects required. Experience with live news production, Harris Inscriber and Google Earth strongly preferred. This position is available immediately. Please email a resume, cover letter and work sample to job (at) democracynow (dot) org with “Graphics” as subject.

        WGBH Lab Announces a new Open Call for video submissions

        This is a contest – so no money unless you win. But might be a good chance for some exposure.
        -mia

        ++++++++++++++++++++++

        WGBH Lab Announces a new Open Call
        Deadline: February 14, 2011

        I'm excited to tell you about our latest opportunity for all storytellers and new media makers. In partnership with the PBS show American Experience, which is airing the film Stonewall Uprising next spring, we are asking you for videos that tell us the story about the gay rights movement happening today in your community. Help us share news about this important civil rights story by contributing your own view.

        Your video could be one of five to win a $1000 prize and maybe even a chance to air on PBS after the film. Video submissions will become part of a contest and guest judges, including prominent gay rights advocates Cyndi Lauper and Dan Savage, will help decide who wins. You can find out more about them, about the application process and what makes a winning video on the open call home page:

        http://www.thewgbhlab.org/open-call/stonewall

        I can't wait to see your story.

        Sincerely,
        Christopher Hastings
        chris_hastings@wgbh.org
        WGBH Lab

        About Us
        The WGBH Lab invites you to help shape the future of public media.

        Consider this an opening, a chance to share your fresh ideas as the next generation of independent and public media makers. We encourage emerging talent, aided by the latest technology, to lead us into new ways of making and interacting with content.

        The engine of the Lab is innovation. Participate in our Open Calls, and take your work to a new level to win prizes or a chance to make it on-air, and contribute to the content we distribute to our partners in broadcast.

        The WGBH Lab stands at the intersection of broadband and broadcast. The creative results of the Lab may appear on WGBH TV, WGBH.org and, as our partnerships expand, more broadly on PBS. What remains the same is WGBH's commitment to substance, quality, and independent voices.

        Welcome to your public media.

        Snap Judgment Call for Stories

        Hey all. This very cool new radio show is looking for pitches. Details below.
        -mia

        +++++++++++++++++++++++

        Snap Judgment, “Storytelling, with a Beat,” is calling for pitches for five upcoming episodes, listed below.


        Snap Judgment tells both character-narrated and producer-narrated, dramatic, first person, true stories and airs on over 85 stations nationwide. Our stories are heavily produced with music and sound effects and need not have a news hook. Pay scale is on par with other national programs.

        Episodes
        All In It Together: Go team. Stories about working together, feeling outcast, being accepted, signing-up or going AWOL. Examples include the story of a young man who finds himself at a bar on the night of 9/11 listening to the stories told by emergency workers.

        The Wiz: Stories with a Wizard of Oz theme. Think creatively, not just searches for brain, heart and courage, but stories about going home, emerald cities, fake wizards, good witches, tornadoes and your little dog too. Examples include the story of a heart transplant recipient experiencing the memories of his donor.

        Tilt: Stories about reaching a tipping point, changing your tune, convincing others, falling from grace, rising to fame, giving-up, standing-up, or more literal stories about tilting, tipping. Examples include the story of a gang of bikers turned born-again evangelicals.

        Waste: Stories about trash, time wasted, lives wasted, money wasted, garbage dumps, e-waste, wasting resources, wasting talent, finding treasure in trash. Examples include the story of a high powered attorney’s slow decline into crack addiction.

        Cha-Ching-999: Stories about the value of a dollar. $9.99, $999.00, $99,900.00. Stories about learning the worth of something, something that’s value changes with time or with events, losing money, finding money, inheriting money, dirty money, money laundering, winning money, greed or generosity. Examples include the story of a robber who returned his victim’s wallet upon learning that his victim was homeless.


        Pitch Procedure

        1.     Listen to Snap Judgment.

        2.     Check out the “Is your story right for Snap Judgment?” flowchart.

        3.     Send your pitch to pitches@snapjudgment.org

        4.     The Snap team will discuss your pitch and do our best to get back to you in about two weeks.


        We can’t wait to hear your stories!


        –Snap

        World Vision Report Seeks Editor

        Good, part-time contract job for experienced radio producer. Can work from anywhere. Application deadline Dec. 1.
        -mia

        +++++++++++++++++++++

        The World Vision Report, a nationally broadcast, award-winning public radio show, is seeking a seasoned editor for a part-time contract position for one year. We are looking for someone with a minimum of 8 – 10 years of public radio editing experience.

        The WVR is an hour-long weekly newsmagazine that focuses on issues of poverty and justice worldwide, with a special emphasis on developing countries. The show tells personal stories of ordinary people through original, sound-rich segments.

        Candidates must have excellent editing skills, the ability to present stories in fresh ways, and the willingness to develop collaborative relationships with reporters at different skill levels all over the world. We work mainly with reporters from English-speaking countries who are based abroad, but we’re also committed to cultivating local reporters in developing countries. Experience living and working abroad is a plus, but being well-informed and having an interest in other cultures and places are equally important.

        The editor is responsible for contributing story ideas, shaping pieces with reporters, editing scripts, fact-checking and approving final mixes. The editor may also check show scripts, write billboards, review interviews and rough show mixes, and fill in for the show producer or assignment editor as needed. This is a part-time contract position that offers a competitive wage, flexible hours that vary by week, and no need to relocate.

        The WVR is funded by the Christian humanitarian organization World Vision. The show values its editorial independence, and the views expressed on the show are not necessarily those of the organization.

        The WVR airs on more than 100 public radio stations, and in six years has received a variety of national awards, including Edward R. Murrows, Gracies, Gabriels, New York Festivals and Clarions. To hear the show, go to www.worldvisionreport.org.

        Please send a cover letter, resume and audio samples of radio pieces you have edited to: kbaldyga@worldvision.org. Please write “Editor position” in your subject line. Only applicants with more than 8 years of public radio editing experience will be considered.

        The deadline to submit applications is Dec. 1.

        RFP-The Women Entrepreneurs in the Global Digital News Frontier

        There are a couple weeks left to apply for this, deadline is Nov 30. Good luck!
        -mia

        +++++++++++++++++++++++

        Brief description:  The International Women's Media Foundation is accepting applications for its Women Entrepreneurs in the Global Digital News Frontier grant program. The initiative is funded by the Ford Foundation.

        The program is open to United States-based women journalists proposing to use digital media in innovative ways to deliver the news. A successful applicant will be dedicated to a media career, and will clearly demonstrate how her project furthers the role of women in digital news media. In addition, she will provide a business plan that demonstrates project sustainability, including tangible benchmarks to measure success.

        Three awardees will receive grants of $20,000 each to launch digital news media projects, as well as pro-bono coaching and technical assistance to support their work.

        Link to website:  http://www.iwmf.org/pioneering-change/new-media-women-entrepreneurs/frequently-asked-questions.aspx

        NYC area Job Opportunity – audio production with Electric Literature – NOW thru end of December

        Not stellar pay, but a great, short-term gig for someone who wants some extra holiday cash and an in with what seems like a cool organization. Must be in the general NYC area.
        -mia

        +++++++++++++++++++++++


        Here's a pretty sweet job opportunity with Electric Literature, a publishing house in Brooklyn, New York. If interested, please
        feel free to be in touch asap with my colleague, Chloe Plaunt, at chloe@electricliterature.com.

        Electric Literature is creating audio maps of the world that will be available for free to anyone with a mobile phone. They will be filled with stories and oral histories of people's lives, notable places, and relevant facts. We need a top notch, hard working, blazingly fast Pro Tools editor to help us from now to the end of December edit audio before the launch. The job is full time, $10 per hour – 40 hours per week, plus overtime. Electric Literature is the start-up publishing company The Washington Post called "a refreshingly bold act of optimism." Our mission is to use new media and innovative distribution to keep storytelling a vital force in popular culture. We have over 150,000 followers on Twitter and are successfully expanding our audience through YouTube videos, iPhone and iPad apps, micro-serializing stories over Twitter, and other ways of using new technology and mediums to redefine what it means to “publish” in the digital age.

        April 2011 Science Literacy Workshop

        Hey folks. The next Science Literacy Workshop is happening in April 2011 in Berkeley, CA. I did this workshop a couple years ago and it was FANTASTIC! Meet fabulous producers from all over the country and learn a ton about science and telling science stories. I'm happy to answer any specific questions you might have. Deadline is December 10. Go for it!
        Best,
        Mia

        +++++++++++++++++++++

        The next Science Literacy Workshop is scheduled to be held the week of April 10 – April 16, 2011.
        The application Deadline is December 10, 2011.

        The Science Literacy Project workshop is an intensive, six-day training opportunity for mid-career public radio producers and reporters.

        http://scienceliteracyproject.org/sites/default/files/SciLit_application_2011.pdf

        Soup to Nuts audio documentary training course, December 18-19, Berkeley, CA

        Hey Bay Area folks. Claire Schoen is offering her audio documentary training seminar again in December. Don't miss it! Details below.
        -mia

        ======================================================

         

        "From Soup to Nuts"

        A 2-day intensive

        on documentary radio production

        offered in the San Francisco Bay Area


        Logistics:

        This seminar will be held December 18 and 19, 2010.

        Each day's class will run from 10 am to 5:30 pm,

        including 6 hours of class work, plus lunch and breaks.

         

        It will be held at Claire’s studio in Berkeley, California

        Class will be limited to 8 students.

        The cost of the 2-day seminar is $250.


        The Course:

        Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

         

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

         

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

         

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

         

        The Teacher:

        Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.

         

        Claire has taught documentary radio scriptwriting and production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, Third Coast Audio Festival Conferences and AIR's mentorship program.

         

        To Register:

        Contact Claire Schoen

        cschoen@earthlink.net    510-540-5106     www.claireschoenmedia.com

         

         

        pdf iconSoup-to-Nuts Flier (Dec 2010).pdf

        Free ProTools Demo, Nov 11, 6-9pm, NYC

        Hey NYC audio folks. Free pro-tools demo at the Puck Building in NYC this Thursday at 6pm. Their new software promises lots of goodies. Check it out!
        -mia
        PS: Warning – the new PT is more expensive, but supposedly more flexible than the earlier versions. Go see for yourself.

        ++++++++++++++

        Pro Tools 9 – Elevate Your Sound – New York City

         
        Meet the new Pro Tools family.

        See the new Pro Tools family live in person and open yourself to the possibilities.

        Come out and see the new Avid® Pro Tools® family—live at an event near you. Meet our Pro Tools experts as they take you through all the exciting things you can do with the new line-up:

        • Work the way you want—with more than ever—using Pro Tools 9
        • Get the benefits of Pro Tools HD in a native solution with Pro Tools|HD Native
        • Hear what you’ve been missing with the Pro Tools HD Series interfaces
        • Expand your mixing options with the Artist Series and Pro Series (formerly Euphonix) controllers/consoles
        • Elevate recording with the all-new Pro Tools Mbox® family

        Join the fun and test-drive the latest gear in our workstations, get your questions answered, and mingle with your peers over hors d’oeuvres and refreshments.

        Event overview:
        6:00pm – registration, cocktail hour, and hands-on Pro Tools 9 workstations
        6:55 – short video clip
        7:00 – main Pro Tools 9 presentation, demonstration and Q/A
        8:00 – talk with Avid Pro Tools experts, refreshments and access to hands-on Pro Tools 9 workstations
        9:00pm – event ends

        This event is free, but space is limited, so RSVP today to reserve your spot.

         
         
        Where
        The Puck Building
        295 Lafayette Street
        New York, New York 10012
        USA
        212-993-5858
         

        new WAMU global affairs radio project seeks pitches

        Hey folks. Get in on a brand new global affairs radio program based out of WAMU in DC. They're taking pitches now for their pilot and if all goes well it will get much, much bigger. Contact Andrea at awenzel@wamu.org for more details.
        Best,
        Mia

        ++++++++++++++++

        Attached is a list of upcoming program themes for WAMU's global affairs program-in-development, Latitudes. We are currently producing a series of pilots to run starting in January. Fingers crossed it will be a weekly program in the future. 
        We're seeking pitches from freelance producers around the globe and country– sound-rich features–narrated or non-narrated, essays, essays with tape, short interviews or vox, almost anything really.  These will then be woven into in-studio discussions/interviews on the given themes. Please note deadlines for pitching stories on some themes are very soon.
        Full disclaimer, in this start-up phase, our rates are modest. Please contact me for details, and any other questions.
        If you're getting this, it's because I thought you or people you know might be interested (or I bumped into you at the Third Coast Conference!). If you'd rather not get these messages please let me know (they should be infrequent). If you know others who might be interested, please forward along.
        Many thanks!
        All best,
        Andrea

        * * * * *
        Andrea Wenzel
        Global Affairs Producer
        WAMU 88.5 FM

        202.378.8523
        awenzel@wamu.org

        WAMU-Latitudes
        Upcoming program themes

        Latitudes is looking for story ideas for the following themes. If you
        have a pitch that doesn’t quite fit, send it along. Latitudes seeks
        solutions-oriented stories—people with interesting ideas or projects
        that aim to make an impact. We’re also seeking ideas that make local-
        global connections. Please note the pitch deadlines for each theme.

        Send pitches describing focus of your story, characters, and
        sound to: awenzel@wamu.org

        Pluralism and preventing communal conflict—As the US
        struggles with an upsurge of ‘Islamaphobia’, this program
        will examine efforts in other countries to encourage cross-
        communal tolerance—from India to the UK, and closer to home.
        [DEADLINE: 11/8/10]

        Global parenting- From maternity/paternity leave to affordable
        day-care and more, an exploration of global programs and
        projects to help parents. [DEADLINE: 11/15/10]

        Urban agriculture- As the world becomes increasingly urban,
        this program looks at efforts to bring a bit of the farm to the
        city. Honeybees in Iraq and the US, visions for fruit orchards in
        downtown Detroit, and more. [DEADLINE 11/17/10]

        Cancer in developing countries- Cancer is a major cause of
        death in many developing countries, but for most in these same
        countries, treatment is not an option for all but the elite few
        able to travel abroad. Now some doctors and health advocates
        are making plans to change this, arguing what has been done
        to address HIV treatment could work similarly with cancer.
        [DEADLINE 11/22/10]

        Down the toilet- For many, basic sanitation is not something to
        take for granted. This program looks at what a difference a toilet
        can make… from communal toilets to compost toilets… to the
        difference access can make for women living in slums who have
        to wait until nightfall to go to the toilet. [DEADLINE 11/29/10]

        Cultural connections- Most Latitudes episodes feature
        programs connecting local and global cultures through food,
        music, art, poetry, jokes, sport, history, etc. Wide open for
        interpretation. [OPEN DEADLINE]

        doc iconLatitudes themes_1110.doc

        Two Job opportunities with SoundVision Productions, based in Berkeley, CA

        Hey CA producers. SoundVision Productions is looking for two new hires, one full time and one part time. I've attended one of their Science Literacy workshops and can vouch for their talent and professionalism – plus they produce some really phenomenal radio. Details attached and pasted below.

        Good luck!
        -mia

        ++++++++++++++++++++++

        SoundVision Productions® is looking for a managing editor/senior producer
        for The Public Radio Energy Project (working title), an integrated,
        cross-platform journalism initiative that will use community projects,
        concept art and other public engagement means to extend informal education
        about the science, technology, engineering, and social context of energy and
        to tap community knowledge for innovation. This is a two-year position,
        based in Berkeley, California
        . The Public Radio Energy Project is funded by
        the National Science Foundation.

        The managing editor/senior producer will be responsible for leading a small
        editorial staff as well as freelance writers, reporters, editors and
        producers. The ME/SP will work in conjunction with other team leaders
        overseeing the technical, digital, outreach, community engagement, research,
        evaluation, development & marketing areas.

        Looking to fill as soon as possible.

        ++++++++++++++++++++++++++++++

        SoundVision Productions® is looking for a Digital Media Producer/Social
        Media Coordinator
        for The Public Radio Energy Project (working title). This
        part-time, two year position is located in the San Francisco Bay area. Start
        date is as soon as possible.

        The Public Radio Energy Project is an integrated, cross-platform journalism
        initiative that will use community projects, concept art and other public
        engagement means to extend informal education about the science, technology,
        engineering, and social context of energy and to tap community knowledge for
        innovation. The Public Radio Energy Project is funded by the National
        Science Foundation.

        This is a unique opportunity for the right person who lives for the Internet
        yet needs the flexibility of a part-time position.

        +++++++++++++++++++++++++++

        SoundVision Productions Managing Editor/Senior Producer

         

        SoundVision Productions® is looking for a managing editor/senior producer for The Public Radio Energy Project (working title), an integrated, cross-platform journalism initiative that will use community projects, concept art and other public engagement means to extend informal education about the science, technology, engineering, and social context of energy and to tap community knowledge for innovation. This is a two-year position, based in Berkeley, California.  The Public Radio Energy Project is funded by the National Science Foundation.

         

        The managing editor/senior producer will be responsible for leading a small editorial staff as well as freelance writers, reporters, editors and producers. The ME/SP will work in conjunction with other team leaders overseeing the technical, digital, outreach, community engagement, research, evaluation, development & marketing areas. 

         

        Looking to fill as soon as possible. 

         

        Qualifications

         

        The ideal candidate will have experience in:

         

        • Shaping and developing an hour of public broadcast programming such as documentaries, news magazines, or series;
        • Covering or managing coverage of energy/environmental science; 
        • Producing, editing or reporting broadcast features;
        • Managing a diverse group of media professionals, including independents and freelancers;
        • Digital technologies including social networking.

         

        The characteristics of the ideal candidate are:

         

        • Ability to generate benchmarks and deadlines and motivate team members to meet them;
        • Ability to transform the mission of the project into a process that keeps everyone moving forward;
        • Detail-oriented yet flexible;
        • Leadership, collegiality, calm under pressure, and a sense of humor.
        • Excellent writing and communication skills.

         

        Duties include

         

        • Maintain and communicate SoundVision's editorial vision of sound journalism values, quality production and accuracy in science;
        • Coordinate hiring of freelance and independent writers, editors, producers and reporters in consultation with senior leadership team;
        • Make assignments and manage freelance and independent writers, reporters, producers and editors;
        • Lead team meetings using appropriate brainstorming, problem-solving, decision-making, and project planning techniques;
        • Delegate team tasks as needed;
        • Coordinate editorial review process, from treatment to final;
        • Edit program components as needed;
        • Lead ongoing self-evaluation of the team’s effectiveness;
        • Coordinate with other team leaders and the executive producer to assure timeliness and coherence across project elements such as digital, outreach, evaluation, etc;
        • Collaborate with partners in the ethnic media, local radio stations and universities.

         

        Salary negotiable and commensurate with experience.  Some benefits offered.

         

        Please submit cover letter and resume/cv with links to three examples of your work, with a description of your specific role in each, to jobs@svproductions.org.  Write editor/producer in the subject line.  No phone calls, faxes or snail mail.  Candidates invited to the next round will be contacted.

         

        SoundVision has more than a decade of experience in producing exceptionally substantive, impact-oriented science journalism.  Its NPR-distributed series The DNA Files won numerous awards and aired internationally.  SoundVision produces The Really Big Questions with NPR’s Lynn Neary, which explores the dynamic boundary between science and the humanities and achieved wide carriage. SoundVision also conducts the annual Science Literacy Workshop, a weeklong science and production training for public radio producers, reporters and editors.

         

        +++++++++++++++++++++


        SoundVision Productions Digital Media Producer/Social Media Coordinator

         

        SoundVision Productions® is looking for a Digital Media Producer/Social Media Coordinator for The Public Radio Energy Project (working title). This part-time, two year position is located in the San Francisco Bay area.  Start date is as soon as possible.

         

        The Public Radio Energy Project is an integrated, cross-platform journalism initiative that will use community projects, concept art and other public engagement means to extend informal education about the science, technology, engineering, and social context of energy and to tap community knowledge for innovation. The Public Radio Energy Project is funded by the National Science Foundation.

         

        This is a unique opportunity for the right person who lives for the Internet yet needs the flexibility of a part-time position.

         

        Qualifications

         

        • Degree in journalism with an online or multimedia emphasis or equivalent experience;
        • Social media aficionado who lives and breathes all things digital and loves learning new technologies;
        • Extreme familiarity with multiple blogging programs;
        • Ability to adapt to changes in equipment, software and workflow;
        • Willing to explore or develop new methods for creating and distributing digital content;
        • Excellent storyteller and writer experienced with video and audio recording, editing and production;
        • Basic skills with Photoshop, iMovie, Final Cut, Pro Tools, Flash and other similar or complementary software;
        • Familiarity with Microsoft Office (Excel, Word, Outlook, PowerPoint);
        • Interest in science in general and energy science in particular;
        • Able to work independently and as part of a team;
        • Cool and efficient under deadline pressure;
        • A sense of humor.

         

        The successful candidate for this hybrid position will be responsible for:

         

        • Updates to website and social media communities including, Facebook, Twitter, Foursquare etc;
        • Conceiving and quickly producing compelling digital features and multimedia packages such as slide shows, galleries, audio presentations and/or videos;
        • Reporting and writing original story elements;
        • Editing topic pages, writing and editing headlines for blog posts and other display copy;
        • Providing suggestions for home page treatment of material;
        • Maintaining online content across multiple platforms, including websites, newsletters, social media and mobile;
        • Support social media presence by integrating tools, apps and widgets from different networks;
        • Integrate Energy Project-branded content into social media sites including Facebook, YouTube, Flicker, Tumbler, Twitter and wikis, etc;
        • Promoting Energy Project-branded content on blogs and aggregator sites;
        • Updating digital databases;
        • Conduct ongoing evaluation of keywords, content and meta data, campaign performance tracking and link building.

         

         

        Salary commensurate with experience.

         

        Please submit cover letter and resume/cv to jobs@svproductions.org.  Write digital in the subject line.  No phone calls, faxes or snail mail for this digital position.  Candidates invited to the next round will be contacted.

         

        SoundVision has more than a decade of experience in producing exceptionally substantive, impact-oriented science journalism.  Its NPR-distributed series The DNA Files won numerous awards and aired internationally.  SoundVision produces The Really Big Questions with NPR’s Lynn Neary, which explores the dynamic boundary between science and the humanities and achieved wide carriage. SoundVision also conducts the annual Science Literacy Workshop, a weeklong science and production training for public radio producers, reporters and editors.

         

        SoundVision is an equal opportunity employer.

         

         

         

         

        doc iconsvp_job_openings.doc

        Justine Sharrock reading at Revolution Books November 11th

        Fabulous author and Freelance Cafe member Justine Sharrock is reading from her new book in NYC on November 11. Details below.
        -mia

        ++++++++++++++++++++++

        World Can't Wait presents a book talk and discussion with Justine Sharrock:

        Tortured: When Good Soldiers Do Bad Things

        Thursday November 11, Veteran's Day @ 7:00 pm
        Revolution Books 146 West 26th Street, NYC

        Justine Sharrock, an investigative journalist, writes for Mother Jones, Alternet, and San Francisco magazine.  Her 2010 portrait of U.S. soldiers is "an eye-opening exposé of America’s torture regime."

        “Powerful and important. Justine Sharrock talks to soldiers whose patriotic duty was warped by the Bush administration, making torturers out of ordinary men and women. A must-read for all Americans concerned by the corrosive impact of the Bush administration’s “War on Terror” policies on the US military.” –Andy Worthington, journalist and author of The Guantanamo Files

        Debra Sweet, reporting from Berkeley Says NO to Torture Week, October 2010: "Justine read from her book about Chris Arendt, an anarchist, Jack Kerouac-reading punk from the Midwest who somehow ended up in a National Guard unit sent to Guantanamo. As he learned the pattern of detainee abuse, like the “frequent flyer” program where detainees were moved every few hours to a different cell for months, he began folding the order forms into origami birds which spilled over his whole desk.  Then he tried to kill himself."

        Fellowship opportunities for ethnic media journalists in New York

        Two fellowship opportunities for NYC producers. Details below.
        -Mia

        ++++++++++++++++++++++++

        For those of you who don't know, Feet in Two Worlds brings the work of immigrant and ethnic media journalists from communities across the U.S. to public radio and the web. We're happy to announce two new fellowship opportunities for immigrant journalists in New York. 


        Call for Applications

        Business and Economics Reporting for Immigrant and Ethnic Media Journalists in New York

        Feet in Two Worlds is offering a limited number of fellowships to immigrant and ethnic media journalists in New York City who want to improve their online reporting and social networking skills while covering business and economics issues in immigrant communities in New York City.

        Fellows will receive training in blogging and multimedia presentations (audio slide shows, videos, podcasts), as well as on social networking sites such as Twitter and Facebook.  They will produce stories for the Feet in Two Worlds blog (news.feetintwoworlds.org), and for the news organization for whom they normally report.

        This three-month fellowship runs from December 1, 2010 to March 1, 2011.  In addition to media training, fellows will receive a $500 stipend and the opportunity to have their work featured on http://news.feetintwoworlds.org and other online news sites.

        The training is open to staff and freelance reporters and editors who work in any language. The training will be conducted in English, although the actual reporting may be in a language other than English.  The training will focus mainly on work in the field, although there will also be a limited number of group workshops.

        Applications are due by 5 PM on Friday, November 12, and should include the following:

        • Three story ideas for coverage of business and economic issues in New York’s immigrant communities or directly affecting immigrants in New York City.

        • Your resume.

        • Samples of your work.

        • The url of the media outlet(s) for whom you report.

        To apply or for more information please contact Anna Schneider at schneida@newschool.edu.

        Feet in Two Worlds is a project of the Center for New York City Affairs at the New School which brings the work of immigrant and ethnic media journalists to public radio and the web.

        Feet in Two Worlds is supported by the John S. and James L. Knight Foundation, the New York Community Trustand the Mertz Gilmore Foundation.

        Call for Applications

        LGBT Reporting for Immigrant and Ethnic Media Journalists in New York

        Feet in Two Worlds is offering a limited number of fellowships to immigrant and ethnic media journalists in New York City who want to improve their online reporting and social networking skills while covering LGBT issues in immigrant communities in New York City.

        Fellows will receive training in blogging and multimedia presentations (audio slide shows, videos, podcasts), as well as on social networking sites such as Twitter and Facebook.  They will produce stories for the Feet in Two Worlds blog (news.feetintwoworlds.org), and for the news organization for whom they normally report.

        This three-month fellowship runs from December 1, 2010 to March 1, 2011.  In addition to media training, fellows will receive a $500 stipend and the opportunity to have their work featured on http://news.feetintwoworlds.org and other online news sites.

        The training is open to staff and freelance reporters and editors who work in any language. The training will be conducted in English, although the actual reporting may be in a language other than English.  The training will focus mainly on work in the field, although there will also be a limited number of group workshops.

        Applications are due by 5 PM on Friday, November 12, and should include the following:

        • Three story ideas for coverage of LGBT issues in New York’s immigrant communities.

        • Your resume.

        • Samples of your work.

        • The url of the media outlet(s) for whom you report.

        To apply or for more information please contact Anna Schneider at schneida@newschool.edu.

        Feet in Two Worlds is a project of the Center for New York City Affairs at the New School which brings the work of immigrant and ethnic media journalists to public radio and the web.

        Feet in Two Worlds is supported by the John S. and James L. Knight Foundation, the New York Community Trustand the Mertz Gilmore Foundation.

        Several all-star events over next few days

        Hey NY folks. List of FREE upcoming events at Columbia j-school.
        -Mia

        ++++++++++++++++++++

        Thought you and your NYC-area friends might like to know about three free all-star events we are having over the next few days at Columbia Journalism School – just three of many listed at http://bit.ly/columbialectures

        * Thursday, Nov. 4, 4:30-6 pm: Knight News Challenge info session, with
          Jennifer 8. Lee Details below and at http://twtup.com/8knc

        * Tuesday, Nov. 9, 6:15-9 pm: Our annual Changing Media Landscape panel &
          receptions (and live webcast), presented with the Hearst Foundation.
          Panel features the global managing editor of Reuters; the founder of
          Tumblr; the national innovations editor of the Washington Post; the
          editor in chief of Mashable; the editor of El Diario La Prensa. Learn
          about the names behind the titles and other details below and at
          http://bit.ly/columbiajh10

        * Thursday, Nov. 11, 6:30-8 pm: "The Science of Storytelling” – Dean
          Nicholas Lemann in conversation with Professor and Pulitzer Prize winner
          Jonathan Weiner for a discussion of the practices and pitfalls,
          techniques and triumphs of long-form science writing focusing on
          Professor Weiner’s critically acclaimed new book, "Long for This World."
          Details below.

        NON-COLUMBIA-J-SCHOOLERS! Signup to get alerts about future Columbia Journalism School events and webcasts: http://bit.ly/columbiajsignup * We list the school's in-person events at http://bit.ly/columbialectures (lots of spring events coming). Our events as a Google Calendar: http://bit.ly/columbiajcal

        [ A quick note to remind any experienced journalists looking to earn a Master's degree that Columbia J-school's new nine-month M.A. program (which allows you to specialize in business, arts, politics or science/health/environment reporting) is a great option. Along with in-depth specialization, you can also learn the digital skills that are in such demand in newsrooms today. We also have launched a new joint Master's degree in journalism and computer science with with the Columbia Computer Science Department. These programs program are in addition to our more traditional M.S. and Ph.D. programs. Details at http://www.journalism.columbia.edu/admissions …. Questions to admissions@jrn.columbia.edu ]

        o o o o o

        Knight News Challenge info session, with Jennifer 8. Lee Thursday, 11/4, 4:30-6 pm in Stabile Student Center
        Columbia Journalism School, 116th St & Broadway (#1 train to 116th St)

        Optional RSVP via Twitter: http://twtup.com/8knc
        hashtag: #cjknc

        JENNIFER 8. LEE, a reviewer and consultant with the Knight News Challenge [ http://newschallenge.org ], will discuss and answer questions about the competition, which launched Oct. 25 with a deadline of December 1. In last year's awards, the News Challenge received more than 2,300 applications and gave out 12 grants totaling $2.74 million. In a previous year, alum David Cohn, received a $300,000 grant for his http://spot.us crowdfunding project. Lee will discuss the technicalities of the contest — including the categories, the open-source requirements, and different funding mechanisms. Lee, a journalist focused on investments in the frontiers of news and information in communities, worked for nine years as a reporter for the New York Times and is author of "The Fortune Cookie Chronicles," a book on Chinese food in America. She helps organize Hacks/Hackers NYC and spearheaded the crowdsourced journo-tech glossary, which has been translated into Arabic and French.

        o o o o o

        All are invited to this in-person event (with two free receptions) or video webcast (you provide your own snacks)…

        {SAMPLE TWEET: All-star @ColumbiaJourn media panel+webcast, Nov. 9:
        http://twtup.com/columbiajh10 #cjhearst }

        "Changing Media Landscape, 2010" Columbia J-school & Hearst Foundation's annual look at the journalism revolution, with several fascinating influencers. This is a different kind of panel, with a real conversation among the participants and audience – and no Powerpoint in sight. FREE IN-PERSON EVENT + WEBCAST

        The Hearst Foundation & Columbia Journalism Digital Media Program present…

        Columbia-Hearst Journalism Dialogues

        Tuesday, November 9, 20010
        6:15-9 pm (live webcast at 7 pm on http://livestream.com/columbiajournalism
        see local time around the world here: http://timeanddate.com/s/1v9h )

        SPEAKERS:

        HILDA GARCIA, VP, multiplatform news and information of Impremedia, the largest
        Hispanic news and information company & editor of El Diario La Prensa, the
        oldest Spanish-language daily in the United States. FOLLOW ON TWITTER:
        http://twitter.com/garsiknews

        DAVID KARP, founder, Tumblr, a leading microblogging site, with more than two billion pageviews a month, eight million publishers and 7.4 million posts a day. FOLLOW ON TWITTER: http://twitter.com/davidkarp

        MARK LUCKIE, national innovations editor, Washington Post; founder of 10,000
        Words blog (which was just bought by Mediabistro); author of "The Digital
        Journalist's Handbook." FOLLOW ON TWITTER: http://twitter.com/marksluckie

        ADAM OSTROW, editor-in-chief, Mashable, a leading news and information site
        about social media; and a new media consultant and entrepreneur. FOLLOW ON
        TWITTER: http://twitter.com/adamostrow

        BETTY WONG, global managing editor, Reuters, one of the world's most
        influential media companies. FOLLOW ON TWITTER: http://twitter.com/DestinationRTRS

        MODERATOR: Prof. Sree Sreenivasan, Columbia J-school's Dean of Student Affairs
        FOLLOW ON TWITTER: http://twitter.com/sreenet

        HASHTAG FOR THE EVENT: #cjhearst
        OPTIONAL: RSVP via Twitter – http://twtup.com/columbiajh10

        Tuesday, Nov. 9, 2010
        6:15 – doors open
        6:15-7:00 pm – networking reception – drinks & light food
        7-8:30 pm – discussion
        8:30-9 pm – reception and networking  continue

        No RSVP required. No charge. Open to the public. Add yourself to this form to
        be kept posted about future events like these: http://bit.ly/columbiasignup

        Columbia Graduate School of Journalism Lecture Hall, 3rd Floor – 116th St &
        Broadway [ #1 train to 116th St or get directions:
        http://www.hopstop.com/route?city=New+York&county2=Manhattan&address2=2950+broadway&mod

        e=s
        ]

        LIVE & ARCHIVED WEBCAST OF THE EVENT WILL BE AVAILABLE VIA LIVESTREAM AT
        http://livestream.com/columbiajournalism

        NOTE: Free, open wi-fi available in the lecture hall for blogging, tweeting, etc. Please use the #cjhearst hashtag.

        This program is dedicated to Hossein "Hoder" Derakhshan, Iranian-born blogger/Internet activist, who spoke at this panel in 2007; he was arrested in Iran in 2008 and has been sentenced to 19.5 years in prison. More info: http://www.freetheblogfather.org/

        FUTURE DATES:
        Thursday, April 7, 2011, 6:30-9 pm: The annual Hearst New Media Lecture will be
        delivered by Krishna Bharat (@KrishnaBharat), founder of Google News & Hearst
        New Media Professional-in-Residence at the J-school: http://bit.ly/b7UGuv

        Tuesday, Nov. 15, 2011, 630-9 pm: Hearst "Changing Media Landscape, 2011" Panel

        MANY THANKS TO THE HEARST FOUNDATION FOR ITS CONTINUED SUPPORT OF THE
        COLUMBIA JOURNALISM SCHOOL'S DIGITAL MEDIA EFFORTS. Some video and links from this series at http://bit.ly/hearstprograms

        o o o o o

        The Columbia Graduate School of Journalism
        invites you to an evening event: 

        “The Science of Storytelling”

        Dean Nicholas Lemann
        in conversation with
        Professor and Pulitzer Prize winner Jonathan Weiner

        for a discussion of
        the practices and pitfalls, techniques and triumphs
        of long-form science writing

        focusing on Professor Weiner’s critically acclaimed new book

        Long for This World  

        Thursday, November 11, 2010
        6:30 p.m.
        World Room, 3rd floor
        Columbia University Graduate School of Journalism
        116th and Broadway
        New York City

        Register here: http://bit.ly/aY04i9

        o o o o o

        NEW-ISH WAYS CONNECT WITH COLUMBIA JOURNALISM SCHOOL:

        Facebook: friend "Columbia J-school" –
        http://www.facebook.com/profile.php?id=611726581

        Twitter: http://twitter.com/columbiajourn

        Audio webcasts with faculty, alumni and more:
        http://www.blogtalkradio.com/columbiajournalism (set automatic e-mail
        reminders there for yourself)

        YouTube: http://www.youtube.com/columbiajournalism

        Blip.tv: http://cujs.blip.tv/ (five- and 12-minute mini-documentaries about the school + events at the school)

        MAIN WEBSITE: http://www.journalism.columbia.edu

        Updated Bruno’s info for TONIGHT

        Hey all. Hope you can make it out to Bruno’s in SF tonight. And I hope to see many of you at the Third Coast East meets West gathering in Chicago tomorrow!
        Best, Mia

        +++++++++++++++++++

        Our MC for tonight @ Bruno’s in San Francisco is freelance guru Jeff St. John. Here’s his contact information. Let em know when you’ll arrive and he will wave you into the clique. 
        Jeff St. John:
         jeffstjohn@hotmail.com
        415.505.7175


        Jennifer Inez Ward
        Contributing Editor
        Oakland Local
        510.393.7544
        oaklandlocal.com/
        oaklandscene.blogspot.com/
        twitter.com/oaklandscene

        Call for Audio / Multimedia Submissions – Storyscape

        No $ for this, but it's a very cool site. Might be good for that project you just want to see light.
        -mia

        +++++++++++++++++++++++++++

        Storyscape, an online literary and arts journal that is “story centered,” is actively pursuing audio, art, mixed media, and multi-media works that explore the concept of “story” from a non-textual perspective. The mission of Storyscape Journal is to collect stories in all their forms and formats. We get particularly excited when we publish stories that have no… you know… words. Or, at least, no words you can SEE.

        We’re looking for audio, and this is where you come in.

        Submit your audio, video, multimedia, and thing-we-can’t-describe-because-we’ve-never-seen-it-before (gasp) by link or by .mp3 or by whatchamacallit HERE:

        storymaster@storyscapejournal.com

        To check out the site: www.storyscapejournal.com

        Our mission statement: www.storyscapejournal.com/mission.html
        Our submission guidelines: www.storyscapejournal.com/submit.html

        Past contributors include: Amber Boardman, Ken Cormier, David Shapiro, Stephanie Chambers, Tereza Swanda, Ryan Scammell, and many more.

        Request for Reporting Proposals

        Hey all – help spread the word about this LA-based project, based on an award-winning story reported out of Oakland last year. This from one of the producers:

        The basics: Newsdesk.org is teaming up with Spot.Us to iterate the production and funding formula that won us an SPJ SDX award for our pollution and public-health reporting in Oakland. This time, we're taking it to Los Angeles, and welcome proposals from reporting teams looking to do new coverage of pollution and public health in the region.

        Details follow.
        Best,
        Mia

        +++++++++++++++++++++

        Request for Reporting Proposals: The Los Angeles Toxic Tour

        View online: http://newsdesk.org/2010/10/the-los-angeles-toxic-tour-request-for-proposals/

        Download as a PDF: http://newsdesk.org/wp-content/uploads/2010/10/LA-Toxic-Tour-RFP.pdf

        Would you like to bring the award-winning "Toxic Tour" reporting project to Los Angeles? Newsdesk.org and Spot.Us welcome proposals from journalists interested in developing new coverage of pollution and environmental health in Los Angeles communities.  

        • Proposals are due Nov. 12 for short-term projects using text and multimedia to document pollution and communities in greater Los Angeles. Topics include neighborhoods, economics, industry, land use, transportation, politics, activism, environment and health.
        • Spot.Us is seeding the LA Toxic Tour with a $1,000 mini-grant; the rest of the budget will be crowdfunded from local, regional and national communities. 
        • Finished work will be published and promoted by Newsdesk and Spot.Us, and shared with regional and national media partners, including the Investigative News Network.
        Proposal Requirements: Budget & Personnel
        • The maximum proposed budget we can accept is $6,000. The majority of project funding will come from individual donors, so be realistic when budgeting. 
        • Project must include two or more journalists with complementary skills (i.e., reporter, editor, multimedia producer), who can collaborate to finalize reporting for publication. 
        Project Goals
        • Produce quality coverage serving overlooked Los Angeles communities
        • Strengthen crowdfunding as a tool to finance independent journalism
        • Create a replicable model for funding, producing and publishing coverage by small, independent reporting teams in underserved communities
        To Apply (Deadline Nov. 12) 
        Proposals can be modeled on the first Toxic Tour (see below), or can take an entirely fresh approach. Send an email to latoxictour@newsdesk.org with the following details pasted in as text only: 
        • Proposal title & primary contact information
        • Production timeline and number of proposed reports
        • 100-word summary outlining: pollution issue/s, geographic region, community impacts and responses, links to previous coverage of issue/s (if any)
        • 30-word bios of reporters (minimum two reporters) with links to published work
        • Are you willing to help promote the crowdfunding campaign to your networks? 
        • Line-item project budget (maximum: $6,000)
        Proposal evaluation criteria 
        • Relevance to underserved L.A. communities
        • Quality of the producing team's work
        • Viability of the project budget for crowdfunding. 
        Background 
        Newsdesk.org's 2009 series "The Bay Area Toxic Tour: West Oakland" covered the impacts of pollution from the Port of Oakland on adjacent communities. The project was produced by three independent journalists, financed by Spot.Us, and won the Society of Professional Journalists Sigma Delta Chi Award for Excellence in Journalism. 

        Questions? Drop us a line at: latoxictour@newsdesk.org

        Dual Meetings at Third Coast – Radio Guild Wage Standards followed by Freelance Cafe East meets West soiree

        Hey FC folks. The Third Coast International Audio Festival is coming up THIS WEEKEND!! I'm so excited to see a bunch of you there, and in hopes of connecting with as many of you as possible, we've scheduled an East meets West FC gathering. First – we'll meet up with the Radio Guild to discuss setting wage standards for freelancers (details below), then meld into a purely social drinks/dinner for as long as y'all care to hang out.

        Hope you can join us!
        Friday, October 29
        5:45pm
        followed by drinks/dinner (place TBD)

        Meet at the Wyndham Chicago Hotel 2nd Floor Lounge and we'll go from there.
        Best,
        Mia
        845-444-4034

        +++++++++++++++++++++

        Going to Third Coast? We thought this would be a great time to meet folks to discuss an issue dear to every producer who's ever done any freelance work – setting wage standards.

        Please join us Friday, Oct. 29, at 5:45, for a quick, pre-dinner brainstorming session. Location to be announced, at Third Coast or sooner. Drop us a line to add your name to the email list so we can keep you in the loop.

        Thanks and looking forward to seeing you soon,

        Sally Herships
        sally@sohosally.com
        Cell: (718) 938-0576

        Laura Friedman
        Lrahip@aol.com

        Cell: 646-721-4651

        Open Call for EMPAC Artist Residency Applications, Troy, NY

        Hey Hudson Valley folks. Just learned about this artist-in-residence program in Troy – it looks fantastic! Details below.
        -mia

        ++++++++++++++++++++++++

        EMPAC Open Call for Artist in Residence Proposals: Troy, N.Y. – Since 2005, the Experimental Media and Performing Arts Center (EMPAC) has established a vibrant residency program that has hosted over 40 artists and their collaborators, spanning theater, dance, music, video, and installation. While EMPAC will continue its open call residency program, EMPAC is pleased to announce four additional focused initiatives:

        ‐ Audio Production / Post‐Production

        For sound recording, development of multichannel sound works, documentation, mastering, mixing, film scoring, or any other task involving microphones, speakers, consoles and computers.

        ‐ Creative Research

        Provides artists, writers, and theorists with the opportunity to conduct research over extended periods of time (minimum six weeks).

        ‐ Dance / Theater

        To rehearse, workshop or finalize a production. Provides a group of up to six individuals a two‐week rehearsal period in a 3,300 sq. ft. black box space with full production support.

        ‐ Video Production / Post‐Production

        For multiple camera shoots, documentation of a performance, development of multichannel video projection, digital video post‐production, or any project involving HD video cameras, computers, and projectors.


        EMPAC’s unique facilities offer four major venues including a Concert Hall, Theater, and two black box Studios, in addition to artists in residence studios, and a state of the art infrastructure. To apply, please include a letter of intent, a project description, a resume or CV for all major collaborators, as well as works, samples, and other supporting materials. Proposals are reviewed by EMPAC curators four times a year. Upcoming reviews will take place on October 15, January 14, April 15, and July 15. In general, residencies are scheduled six months to one year in advance. 

        For more information, go to: http://www.empac.rpi.edu/residencies/artist/

        Freelance Cafe West October Gathering, Thursday Oct 28, 6:30pm SF

        Come one, come all to our October Social gathering Thursday, October 28 at 6:30 p.m. at Bruno's in the San Francisco Mission District.

        It's your chance to connect and meet up with some of the coolest Bay Area freelancers who have tons of experience working the freelance market–whether it's writing for an online news site, doing audio reports for radio, or trying to get a consulting business off the ground.

        We'll chat about the freelance life, waiting for checks from editors, and cool spots to celebrate Halloween.

        So come have a drink and some tasty treats in the City.

        Any questions, contact Jen Ward, West Coast party director, at jennifer.wrd@gmail.com or 510.393.7544.

        Bruno's Info:

        2389 Mission St., San Francisco, CA
        (415) 643-5200
        Map


        Jennifer Inez Ward
        Contributing Editor
        Oakland Local
        510.393.7544
        oaklandlocal.com/

        oaklandscene.blogspot.com/
        twitter.com/oaklandscene

        Knight Fellowship deadline Nov 7th

        I've done one of the KDMC fellowships and it was phenomenal. Go for it!
        -mia

        +++++++++++++++++

        The Knight Digital Media Center at UC Berkeley J-School is hosting a training session/fellowship on data journalism aimed at unpacking the 2010 Census. The training is in December; the deadline to apply is November 7th.

        KDMC fellowships are wonderful opportunities to meet other journalists, learn new, cutting-edge skills, and frankly, eat awesome food. And Berkeley's not bad, either…

        Data Visualization is a growing piece of the journalism innovation pie , another possible skill that can enhance your audio storytelling.

        One of the trainers, the wonderful Jerry Monti, has written about data journalism here: http://bit.ly/aTBsUb

        More information about the workshop and links to applications are here: http://multimedia.journalism.berkeley.edu/workshops/39/

        BTW, One of the presenters at this session is from public media. It's Dante Chinni, the award-winning creator of Patchwork Nation, a project now affiliated with PBS Newshour.

        Paid Multimedia Reporting Trip to India

        Word from a radio colleague is that this is a legitimate organization. Check it out!
        -mia

        +++++++++++++++++++++++

        Just wanted to pass along a really incredible opportunity being offered by an innovative new org called Round Earth Media. They're seeking "smart, creative, socially-networked multimedia journalists" for a paid 3-week reporting trip to India in Feb/March of 2010. Emphasis on early-career, but no restrictions. Details here: http://www.roundearthmedia.com/indianetwork/

        Community Media” is tomorrow, Wednesday, October 13, 2010 6:00 PM, SF

        I case you hadn't heard about this – event tomorrow at Sandbox Suites in Berkeley. Check it out!
        -mia

         

        Meetup

        Meetup Reminder

        SF Bay Area Journalists

        Your group has a Meetup tomorrow!

        You RSVPed Yes.

         

        When

        Wednesday, October 13, 2010 6:00 PM

        Who

        13 Yes

        Where

        Sandbox Berkeley
        1900 Addison St. Suite 200
        Berkeley CA 94704
        415-659-8197

        How Much

        Price: $3.00 per person

        Update your RSVP

        13 journalists RSVPed Yes, including…

        Meetup Description

        Looking for a new path in journalism? It may be just around the corner, literally.

        Find out why veteran journalists and recent J-school grads are helping to build community news organizations and what these groups can – and can't – provide to their writers, photographers, videographers, designers and editors. You may be surprised. We'll be meeting with several community news leaders who'll provide an overview on the myths, challenges, training, opportunities and satisfaction in building local newsrooms from the ground up.

        Guests will include:

        TRACEY TAYLOR, Co-founder and Editor of the red-hot site Berkeleyside.com; and
        KWAN BOOTH, Senior Community Manager of widely read Oakland Local, and
        MICHELLE FITZHUGH-CRAIG, Co-Founder and Editor in Chief of the just-launched Shades magazine,with
        Host: SF Journalist Group Organizer TOM MURPHY, who is also Founder and Editor of Newswire21.organd RedwoodAge.com


        This is the second in our "Rewrite Desk" series of low-cost programs designed to help experienced journalists learn about opportunities in new media.

        Cost: FREE for members of the Society of Professional Journalists; $3 at the door for others.

        SF Bay Area Journalists is sponsored by the Society of Professional Journalists, Northern California. Co-sponsors include: New America Media; the Center for Integration and Improvement of Journalism; Newswire21.org; RedwoodAge.com.

        This Meetup Group is sponsored by

        SPJ of Northern California · Co-sponsor · · BABJA

        Freelance Rate survey – deadline approaching

        Hey folks. The deadline is approaching for the Radio Guild's freelancer survey. They are not associated with Freelance Cafe or the Freelance Media Workers Guild, but I know the folks organizing it and they are really great people. This is an opportunity to help secure better wages for freelancers of all stripes. You can access the survey here:

        Audio Art for Radio – Deadline Passed

        Hey all. I totally missed the boat on this (my apologies) but it might be worth putting these folks in your contact lists for the future.
        -Mia

        +++++++++++++++++++++++++

        Sometimes you can’t do something right without doing it wrong. A mistake can be an unplanned act of genius. Getting hopelessly lost can set you on the right path.

        Broadcasting For Reels is seeking works of audio art that address the idea of “Success Through Failure.” Chosen entries will be aired on CKDU-FM in Halifax and distributed to community radio stations throughout Canada.

        Broadcasting For Reels is an audio art project presented annually by the Centre for Art Tapes since 1993. The project accepts new audio work no more then one year old up to a maximum of 10 minutes in length. Works should be submitted as an audio CD or as a data file (wav, aiff or mp3) via email, web transfer or disc. Only those selected will be notified. If you would like your submission returned to you please include a self addressed, stamped envelope.

        Deadline for submissions: October 1, 2010. Artist fees will be paid.
        Send submission with current CV and artist statement to:

        Centre for Art Tapes
        5600 Sackville Street, Rm. 207
        Halifax, NS B3J 1L2
        cfat.communication@ns.sympatico.ca

        For more information contact (902) 420-4002 or visit centreforarttapes.ca.

        PRX and NPR’s State of the Re:Union is hiring!

        Full time radio producer gig for the right person. The show is based in Jacksonville, FL, but word is you can work from anywhere in the continental U.S.  Details below.
        -mia

        ++++++++++++++++++

        State of the Re:Union is hiring a producer! It's an amazing job– involving travel all over the country, producing long-form documentary radio– though it's also a really demanding one… And we need just the right talented, motivated, creative-minded radio producer for the gig… Description is below. You can also find it here:

        http://www.cpb.org/jobline/index.php?mode=print_listing&listing_id=8508

        ………………………………………….

        About the Show
        State of the Re:Union (SOTRU) is an hour-long, nationally-aired radio show distributed by PRX and and NPR and funded by the Corporation for Public Broadcasting. Each episode SOTRU introduces listeners to a different city and town and examines various aspects of that area’s community. The show aims to illustrate that despite the many issues, interests and actions that divide us a country we’re all really more alike than we are different.

        Hosted by poet, playwright, and Public Radio Talent Quest winner, Al Letson, SOTRU combines a fresh voice and distinctive storytelling with music and interviews to create fascinating radio that has a sound all it’s own. In addition to radio episodes, SOTRU also produces regular video podcasts, short documentaries and various multimedia segments for the show’s website.

        Job Description
        The SOTRU producer must be ready and excited to work on location, collaborate with the team and create challenging and engaging audio while still being cognizant of and contributing to the digital media aspects of the show. Our ideal candidate will have experience in public radio, but also a willingness to think about the medium in new ways. Strong leadership skills are required to manage all aspects of episode production from initial research to show completion. She/he will have strong ideas and fight for their opinions, but also be willing to make concessions for the good of the show and see the bigger picture. The producer will have a clear understanding of the show’s mission and be passionate about helping that mission evolve and grow.

        Responsibilities
        Job tasks include, but are not limited to:

        • Work with host, production staff and multimedia team to create original and compelling radio and multimedia programming.
        • Propose and research story/segment ideas for program.
        • Participate in regular production meetings with staff.
        • Suggest, locate, pre-interview, and evaluate guests; book guests and confirm bookings.
        • Work to manage logistics of getting people and equipment on location when needed.
        • Interview subjects as needed, collect ambient sounds and relevant archival recordings.
        • Field produce radio show episodes, segments and special projects.
        • Make frequent blog entries and provide on-location material to multimedia producers.
        • Conduct background research to ensure correct facts and cleared copyrights, and provide host with materials for broadcast.
        • Develop script outline for host to work from, write and edit copy as needed.
        • Use sound & music in creative ways to add texture, imagery, and a sense of place to each SOTRU episode.
        • Work with executive producers and content editor to achieve a consistent State of the Re:Union feel and sound.
        • Edit and mix audio for episode segments, and build a timeline for the overall episode.

        Qualifications
        The ideal candidate will have a combination of education and work experience that illustrates the necessary skills and abilities to thrive in this position, including:

        • 2 years of previous radio production experience.

        • Work well under pressure and effectively manage multiple priorities.
        • Available to travel as needed.
        • Dependable and flexible to perform unscheduled assignments and work odd hours to ensure all deadlines are met without sacrificing output quality.
        • Proven ability to work well in a collaborative team environment as well as independently.
        • Previous experience conducting interviews and gathering audio material on-location.
        • Ability to develop an overall story-arch and tell stories creatively.
        • Capable of assembling and mixing radio stories (voice, sound and music) at a broadcast-quality level.
        • Excellent communication and organizational skills.
        • Focused and determined work ethic with strong creative thinking skills.
        • Experience researching stories and writing scripts.
        • Strong interest and knowledge of national news and passionate about community.
        • Computer savvy with a strong knowledge of other forms of media a plus.

        To Apply:
        Please send a resume and links or files of 3-5 radio stories you’ve produced to jobs@stateofthereunion.com

        Northcoast Environmental Center journal seeks writers (volunteer)

        Hey folks. A new North coast environmental journal is looking for volunteer writers. I know, I know – volunteer – but this is a good opportunity for students or other newbies who are looking for clips. I know the editor and she's a total pro, so this is a great chance to get edited by a professional team and get clips for your portfolio. That is worth something if you're just getting started. Contact amy@yournec.org for more information.
        -mia

        ++++++++++++++++++++++

        The Northcoast Environmental Center publishes a journal focusing on forestry policy and environmental news.  Volunteer writers are needed for assignments, and pitches are welcome.  This is a great opportunity for law students, environmental science students, or journalism students to see their name in print.  Stories are read by an educated community, so you won't have to shy away from the details.  You will make great contact within the environmental community, and learn about the biggest news items in the forestry field.  Stories must be related to the Northcoast area, although this isn't hard given the breadth of forestry impacts in this area, and the local nexus of state-wide and national policy endeavors.    
        If you are interested in writing a 300, 500, 800 or 1200 word story, please send a short pitch or request for an assignment to the editor. Include links to published work or an attached writing sample.  Final stories should also include photos.  

        Amy Coombs Editor, EcoNews Northcoast Environmental Center (415) 407-3739 (cell) amy@yournec.org www.yournec.org

        Upcoming events at the UCB J-School

        Some great events coming up at the UCB j-school including a talk TOMORROW by radio super-star and good friend of FC Tamara Keith. Don't miss it!
        -mia

        +++++++++++++++++++++++

        The Big Story: National Public Radio’s Tamara Keith

        When: Wednesday, October 6

        Reception: 5:30 PM
        Lecture: 6:00 PM

        Where: North Gate Hall Library

        NPR Reporter and Journalist-in-Residence Tamara Keith discusses radio journalism, the challenge of covering disasters, and NPR’s transition in the digital age, while outlining her experiences covering major stories ranging from the world financial crisis, to the earthquake in Haiti, to the BP oil spill in Louisiana.

        Our Patchwork Nation: political journalist and author Dante Chinni

        When: Wednesday, October 13

        Reception: 5:30 PM
        Lecture: 6:00 PM

        Where:
         North Gate Hall Library

        Political journalist and author Dante Chinni talks about his highly praised new book, Our Patchwork Nation. The outgrowth of an online reporting project that began in 2008, Patchwork Nation demonstrates that the subtle distinctions in how Americans vote, invest, shop, and communicate reflect what they experience on their local streets and in their local communities.


        What Happens When Refugees Tell Their Own Stories?
        A film screening with Becky Palmstrom

        When: Wednesday, October 27,  6:00 PM

        Where:  North Gate Hall Library

        Over the summer Becky Palmstrom worked with Film Aid International in Kakuma Refugee camp in Kenya. Together with 30 young refugees from Sudan, Somalia, Ethiopia, Congo, Uganda and Kenya they produced four short documentaries about life in the camp. Becky will be screening the documentaries and talking about participatory video and its implications for humanitarianism and citizen journalism.

        The event is co-sponsored by the Human Rights Center, the Center for African Studies and the Graduate School of Journalism at the University of California, Berkeley.


        Berkeley and YouTube: Innovators at Work!


        When:
        Thursday, October 28

        Reception: 5:30 PM
        Discussion: 6:00 PM

        Where: North Gate Hall Library

        Join J-School student Shannon Service, alumna Anna Bloom, YouTube’s Olivia Ma, New America Media's Kevin Weston, ABC's Jennifer Mitchell and the Bay Area Video Coalition's Ken Ikeda as they discuss an exciting joint project in which the School is working to understand, curate, and engage citizen-contributed news content to the online video powerhouse. Moderated by Associate Dean Paul Grabowicz.


        George Azar
        Film maker and photographer based in Amman, Jordan


        When:
        Tuesday, November 9,  6:00 PM

        Where:
        North Gate Hall Library

        George Azar will screen and speak about his two powerful films:

        "The Gaza Fixer" –  the human story of one man's personal loss during the Gaza War.                            

        "Two Schools in Nablus" – teachers at a boys and a girls school work to educate students living under the Israeli occupation.

        George Azar has covered the Middle East and Arab/Islamic culture for the past 29 years from Beirut, Jerusalem and Gaza. He is a recipient of television’s 2007 Rory Peck Award for his film ‘Gaza Fixer.’ The following year his film, ‘Two Schools in Nablus’ won the Japan Prize and the U.K. Royal Television Society’s Education Award.

        As a photojournalist, Azar’s work has appeared on the front pages of The New York Times, International Herald Tribune, Economist, Newsweek, the Philadelphia Inquirer and other leading newspapers and periodicals. His photographs appear on the covers of many books, most recently Mahmoud Darwish’s State of Siege (2009).

        He is the author of the books Palestine, A Photographic Journey (University of California Press, 1991) and Palestine, A Guide (Interlink Books, 2006).


        Simon Wiesenthal: The Life and Legends
        Historian and Israeli journalist, Tom Segev

        When: Friday, November 12,  Noon

        Where: North Gate Hall Library

        Historian and Israeli journalist, Tom Segev, speaks about his widely acclaimed new book, Simon Wiesenthal: The Life and Legends.

        Segev, who writes a weekly column in Ha'aretz, Israel's leading daily newspaper, is the author of The Seventh Million: The Israelis and the Holocaust and other pathbreaking books, including One Palestine, Complete, which was named one of the ten best books of 2000 by the New York Times Book Review. He lives in Jerusalem.

        "A Mad Day Out, 1968", by Stephen Goldblatt
        An Exhibition and Public Lecture

        When:  Friday, November 12

        Reception: 6:00 PM
        Lecture:  7:00 PM

        Where:  North Gate Hall Room 105

        On Sunday, July 28th 1968, in the midst of recording sessions for the White Album, The Beatles decided to spend a Mad Day Out being photographed at seemingly random locations all over London. This exhibition of photographs by Stephen Goldblatt traces that day and the madcap and energy of the Beatles roaming and playing through London.

        Stephen Goldblatt began his career as a news photographer, including work for the London Sunday Times, and later specializing in shooting rock stars, including The Beatles at the peak of their popularity. He ran Anthony Armstrong-Jones' studio in Pimlico for three years before attending the Royal College of Art Film School. Upon graduation, he went to work shooting documentaries and animation, much of it in 16mm. Among his assignments were two "Disappearing World" episodes for Granada TV. He became a director of photography in 1980 for the feature, "Breaking Glass". He has been nominated for an Oscar twice: "Prince of Tides" (1991) and "Batman Forever"(1995) and has been director of Photography for "Julie and Julia", "Angels in America", "Percy Jackson and the Olympians", "Rent", "Charlie Wilsons War", "The Pelican Brief", "The Cotton Club" and is currently finishing "The Help" based on the #1 NY Times best seller list novel.



        Julie Hirano
        Event & Fundraising Coordinator
        Graduate School of Journalism
        121 North Gate Hall
        University of California at Berkeley
        (work) 510.642.3394

        (fax) 510.643.2680
        http://journalism.berkeley.edu

        a note about the last FC West gathering

        See the following note from FC West coordinator Jen Ward. I'll take it as a good sign that there were enough people out to have two complete groups at Luka's!
        Best,
        Mia

        +++++++++++++++++++++++

        I’d like to offer an apology for any confusion connected with the different Freelance Café groups that met on Thursday. I didn’t receive a text sent to me by a group chilling in the back by the pool tables. Consequently, there were two Café groups at Luka’s Thursday night. From what I know, both groups had a blast, I’m just sorry we could not have hung out as one big group. In any case, a good time was had by all. We’ve got our eye on San Francisco for next month’s gathering. Maybe we’ll find a smaller spot, what do you say?

        Best,

        Jen Ward

         




        Jennifer Inez Ward
        Contributing Editor
        Oakland Local
        510.393.7544
        oaklandlocal.com/
        oaklandscene.blogspot.com/

        twitter.com/oaklandscene

        workshop open house at Wing and Clover TOMORROW, Sunday Oct. 3, 1-3pm

        Hey folks. For any of you interested in the workshops held at Wing and Clover in Rhinebeck, they're having an open house tomorrow (Sunday 10/3) from 1-3pm. You can come see the place and talk to the teachers of the fall/winter workshops. (And I hear they'll be apple cider too!) Many of the workshops are great for older kids (12 and up).

        I'll be around to answer questions about my upcoming digital audio storytelling workshop. Family oral histories can make fabulous holiday/birthday/anniversary gifts, and we can talk about how to add your audio to slideshows and other multimedia presentations. If you have an idea but aren't sure if the workshop is right for you, stop by tomorrow and we can talk it out. You can also contact me directly at mialobel@gmail.com.

        Hope to see you tomorrow!
        Best,
        Mia

        Oral History: Intro to Digital Audio Storytelling

        Stories are best told by the people who live them. In this class you will learn basic digital audio recording and editing to produce public-radio-style features, oral histories, and other sound-rich documentaries. As a class, we will create a short audio feature that you can use as a guide for future personal projects. We will cover interview and recording techniques, tips for telling stories with sound, and basic digital editing and mixing. Recording and editing equipment will be available for your use in class, but we will also discuss how to set up your own digital recording suite at home.

        Instructor: Mia Lobel

        Sunday, October 17, 1:00-4:00

        $70 ages: 14- adult

        bay area freelancer gathering TONIGHT, 9/30, 6:30pm, Oakland

        Hey all. Don't forget the next Bay Area Freelance Cafe gathering is TONIGHT at Luka's Tap Room – 2212 Broadway in Oakland, 6:30pm. Should be a good turnout. Hope you can make it!
        Best,
        Mia,

        ++++++++++++++++++++++++++++++++++

        Freelance Café would like to invite you to our upcoming social gathering at 6:30pm on September 30, 2010 at Luka’s, located in the Uptown District of Oakland and a few blocks from BART. Sponsored by Oakland Local, this month’s gathering is a chance for organizations and freelancers to casually network and connect.

        Freelance Café is a 300 member strong organization of writers, photographers, filmmakers, graphic designers, and audio producers in the Bay Area.
        If you are looking to connect to a wide array of talented media workers, this is a great opportunity to network at a cool spot in Oakland.

        Please RSVP to jennifer.wrd@gmail.com by September 20 if you are interested in attending. You can also RSVP on Facebook. Let me know if you have any questions, and I hope to see you on September 30.

        Best,
        Jennifer Inez Ward
        510-393-7544
        Social Secretary
        Freelance Cafe

        Call for proposal for San Francisco cell phone tour

        This one looks good, Bay Area audio folks. Contact info below.
        -mia

        +++++++++++++++++++++++++

        The San Francisco Arts Commission would like to develop an audio tour of the public art that
        will be located in San Francisco International Airport’s new Terminal 2, which is scheduled to
        open next spring. The content will be delivered through a cell phone and will also be repurposed

        for an iApp that is currently being developed by the airport. The Arts Commission will retain full
        copyright of the audio content and will be free to repurpose the content on an ongoing basis and
        through multiple platforms.

        Scope of work:
        • The tour will cover 17 new and existing artworks (17 stops)
        • The tour may also include supplemental layers of content that enhance several of the
        stops, or content about the individual works of art.

        • The tour will include actualities from interviews with the five living artists who will be
        installing new works in the terminal. This will require setting up and recording the audio
        remotely as several of the artists live outside of the Bay Area. This project scope does

        not include traveling expenses. These recordings should be recorded at a studio or via
        tape synch (with a technician located in the artist’s area).
        • For the older artworks, archival audio or interviews with curators or other art experts

        might be included in the stops.
        • The tour should have one unifying narrator or neutral voice. Ideally, this would be a
        professional actor.
        • The tour should include some background/transition music, but limited since the audio

        will be delivered on a cell phone.
        • This project will require developing a script and interview questions from materials
        provided by the San Francisco Arts Commission’s Public Art Program as well as other
        outside sources.

        • The Arts Commission will also need transcripts of the final audio content for ADA
        purposes

        Interested parties should contact Kate Patterson at 415-252-4638 or via email, kate.
        patterson@sfgov.org.

        REMINDER – FC West gathering Thursday, Sept 30, 6:30pm

        Message below from our intrepid west coast leader, Jen Ward. Hope you can all make it out on Sept. 30. Should be a great gathering! RSVP to jennifer.wrd@gmail.com or on Facebook.
        Best,
        Mia

        +++++++++++++++++++++

        Based on the RSVPs, this month’s social gathering at Luka’s on Sept. 30 is shaping up to be a nice gathering of media organizations, freelancers, and others interested in our Café crew.

        The social gathering is being sponsored by Oakland Local and is a great opportunity to mingle, network, and unwind. I’m sure plenty of us will have lots to talk about and I look forward to finding out what different Bay Area organizations are doing.

        If you have any questions or comments, please don’t hesitate to get in touch with me.

        Best,
        Jen Ward
        Freelance Cafe

        Freelance Rate survey, deadline Oct 1

        Hey folks. Some radio freelancer colleagues are banding together to figure out what a "fair wage" is for freelance audio work. Help them out by taking the survey below.
        Thx!
        Mia

        +++++++++++++++++++++

        I am working with a group of New York City producers (our group is under the working title of 'Radio Guild')  to explore the status of independent audio/radio work, in terms of compensation. Our ultimate goal is to set standards that reflect the amount of work that's actually done and get stations, outlets and shows to agree. To that end, our first step is to put out a survey to determine how much time independents put into their work, and what they're currently getting paid for that time. This will allow us to come up with a realistic schedule for rates that can uniformly be used when approaching stations and PRX (while we're fans of PRX and love to get our work aired, selling stories for $3 undercuts independent's ability to make a living).

        You can access the survey at the following link:
        http://www.surveymonkey.com/s/RadioGuild_FREELANCE_PRODUCER_SURVEY

        Thanks!

        Deadline 10/29

        Want to do some reporting on the Puget Sound area? Funding is available. Details below.
        -Mia

        ++++++++++++++++++++++++++

        KUOW Funding Available for Radio Projects

        You still have time! The deadline for applying for Round 18 of the KUOW Program Venture Fund (PVF) is October 29, 2010. PVF provides up to $10,000 for independent producers to develop new programming focused on the Puget Sound region in Washington state.

        Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces. There is no set format. Be creative. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

        The application deadline is Friday, October 29, 2010 at 5:00 pm (PT)

      • *Applicants must submit a preliminary proposal for review and be approved to submit a final proposal. See application for details.

        For application information go to www.kuow.org/pvf
        Contact: Jim Gates – jgates@kuow.org

        Check out our most recent PVF projects:

        Alaskan Way Viaduct: A History – 4-part series
        http://kuow.org/specials/viaduct.php

        Human Trafficking – 4-part series
        http://kuow.org/specials/humantrafficking.php

        Addicted on the Rez – feature
        http://kuow.org/specials/addictedontherez.php

        +++AIR is everywhere.+++
        www.airmedia.org

      • free Biz writing webinar

        I'm not sure what "noon OR 4pm EST" means, but I'm sure they'll clarify that before December. Put it on your calendars!
        -mia

        +++++++++++++++++++++++++++++++

        Event: Writing Business News for the Web

        Where: Online
        When: Dec. 1-2, noon or 4 p.m. EST

        The Donald W. Reynolds National Center for Business Journalism is
        hosting a free business journalism Webinar titled, "Writing Business
        News for the Web." Presented by Jacqui Banaszynski, Pulitzer winner
        and Knight Chair in Editing at the Missouri School of Journalism. For
        more information, log onto:

        http://businessjournalism.org/2010/05/27/writing-business-news-for-the-web-online-dec-1-2/

        California Story Fund Application, deadline November 15

        Good money available for CA stories. Details below!
        -Mia

        ++++++++++++++++++++

        CCH has just posted guidelines and application instructions for the next round of the California Story Fund on our website, www.calhum.org.  The next deadline will be November 15, 2010.  Maximum award amount is $10,000.

         

         

        Funds available for story-based projects

        Guidelines:                              http://www.calhum.org/guidelines/guidelines_main.htm

        Online application available:   October 15, 2010

        Application deadline:              November 15, 2010

        Awards announced by:           February 28, 2011

        Maximum award amount:       $10,000

         

        The California Council for the Humanities (CCH) invites applications for the next round of the California Story Fund (CSF). The purpose of this ongoing, competitive grant program is to capture and share compelling stories from and about California’s diverse communities. Descriptions of previously funded projects can be viewed at http://www.calhum.org/programs/story_intro.htm.

         

        For this round, applicants are requested to submit proposals for story-based projects that will encourage examination of the meaning of democracy. Applicants may request up to $10,000.

         

        Potential applicants are strongly encouraged to review the guidelines and attend an informational webinar before applying. Webinars will be held during fall 2010; details will be posted on the CCH website once they become available.

         

        For more information on the Council and its programs, visit www.calhum.org.

         

         

        Jody Sahota-Hundal

        External Affairs Coordinator

        California Council for the Humanities

        312 Sutter Street, Suite 601

        San Francisco, CA 94108

        (415) 391-1474 ext. 303

        www.calhum.org 

         

        doc iconCalifornia Story Fund.doc

        AIR

        Third Coast is a fabulous conference for audio folks and I highly recommend it if you've never been. I'll be there this year so drop a line if you plan to go. It'd be fun to have an FC gathering in Chicago!
        Best,
        mia

        ++++++++++++++++++++++

        The Association of Independents in Radio, Inc. is pleased to announce the New Voices $20,000 scholarship fund to support minority producers – both independent and station-based – interested in attending Third Coast International Audio Festival's 2010 conference in Chicago, IL October 28-30. Funding for this program comes from the Corporation for Public Broadcasting (CPB) and the National Endowment for the Arts (NEA).

        The Third Coast Conference attracts a broad, international group of bright, inventive producers. AIR will kick off the conference with a producers’ meeting convened on Thursday, October 28, 3-4:30 pm. AIR members, as well as those wanting to learn more about AIR, are encouraged to attend.

        The goal of the New Voices scholarship is to help broaden the pipeline for a new generation of diverse media talent and to provide support for bright program makers. Applicants will be asked to submit a brief statement outlining ideas for how the public radio system can provide more channels of opportunity for new talent trying to find a way into public media. A panel will be convened to review applications, and final decisions will be announced by September 21st. Those who have never attended a Third Coast Conference are particularly encouraged to apply.

        Individual scholarships of up to $1500 per person will be awarded and must be used to offset costs associated with Third Coast transportation, meals, hotel, and registration. The registration cost for Third Coast is $395, or $345 if submitted by the early bird deadline of September 15, 2010.

        To apply for a New Voices scholarship, please complete an on-line application:
        http://airmedia.org/PageInfo.php?PageID=601

        +++Applications must be received by 5:00 pm Pacific Time Wednesday, September 16, 2010.+++

        If you have any questions about AIR’s New Voices scholarship, please review our FAQ ( http://www.airmedia.org/PageInfo.php?PageID=602 ) or contact Erin Mishkin at erin@airmedia.org.

        +++ AIR is everywhere. +++
        www.airmedia.org

        Funding for AIR comes from our members and the generous support of the
        Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Robert E. Davoli and Eileen McDonagh Charitable Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

        2nd NYC Area Producer’s Meeting – TONIGHT!

        NYC freelancers are getting organized! Join them tonight – details follow.
        -mia

        ++++++++++++++++++++++++

        Hey there New York Producers,

        A reminder that the second New York area meeting for those of you who have done or plan to do any kind of freelance work is TONIGHT. If you produce any kind of freelance work this is something you should attend.

        Tues., Sept. 7, 6:30
        Maximo Pino Cafe
        6th Ave @ 13th Street

        We'll be getting together to discuss the basic needs of freelancers. Working on developing a criteria for pay scale and other issues that works for us and reflects the amount of work that we actually put in to our pieces.

        We need everyone to come to the meeting to give input and work together on the issues.

        Please RSVP to:

        Sally Herships
        Sally@sohosally.com

        Looking forward to seeing you!

        Sally Herships
        Laura Friedman

        SF audio production studio seeks part time accounting help

        Hey folks. This is not a freelance gig per se, but if you know a CPA looking for some regular work, please pass it along. Ben is a good friend of FC and his production studio is top notch.
        -mia

        ++++++++++++++++++++
         

        Audio production studio looking for part time accounting help.  Invoice entry and bill paying.  Familiarity with Quickbooks helpful, but not essential. 2-5 hours per week.  In San Francisco's Mission District.  Please contact Ben Manilla, benm@bmpaudio.com

        Next Bay Area Freelancer gathering Thursday, Sept 30, 6:30pm, Oakland

        Hey all. The next Bay Area Freelancer Gathering promises to be a good one! Hope you can make it – and spread the word!
        Best,
        Mia

        ++++++++++++++++++++++++++++++++++

        Freelance Café would like to invite you to our upcoming social gathering at 6:30pm on September 30, 2010 at Luka’s, located in the Uptown District of Oakland and a few blocks from BART. Sponsored by Oakland Local, this month’s gathering is a chance for organizations and freelancers to casually network and connect.

        Freelance Café is a 300 member strong organization of writers, photographers, filmmakers, graphic designers, and audio producers in the Bay Area.
        If you are looking to connect to a wide array of talented media workers, this is a great opportunity to network at a cool spot in Oakland.

        Please RSVP to jennifer.wrd@gmail.com by September 20 if you are interested in attending. You can also RSVP on Facebook. Let me know if you have any questions, and I hope to see you on September 30.

        Best,
        Jennifer Inez Ward
        510-393-7544
        Social Secretary
        Freelance Cafe

        Upcoming events at the UCB J-School in Sept/Oct

        A bunch of interesting talks coming up at the UC Berkeley Jschool. Details below.
        -mia

        +++++++++++++++++++++++

        Fat Profits on the Economic Fringes: Award-winning Reporter and Writer-in-Residence Gary Rivlin

        When: Wednesday, September 8,  6:00 PM

        Where: North Gate Hall Library

        Award-winning author and Writer-in-Residence Gary Rivlin discusses his acclaimed new book, Broke USA, and how the working poor become big business. A former national reporter for the New York Times and Industry Standard, Rivlin’s book has attracted acclaim and wide attention in print and broadcast media, including appearances on Charlie Rose, Terry Gross’ Fresh Air, and National Public Radio.

        The Bay Citizen: A Progress Report on New Journalism in the Bay Area

        When: Wednesday, September 15,  6:00 PM

        Where:
         North Gate Hall Library

        Join us for a lively discussion about the most widely watched new online news enterprise in the country, The Bay Citizen, a $12 million non-profit enterprise founded in partnership between the Hellman Family Foundation and Berkeley’s School of Journalism. Featuring: Citizen Multimedia producer Tasneem Raja, Partnerships coordinator Queena Kim, and reporters Richard Parks and Kate McClean.

        Michael x Michael: Michael Lewis and Professor Michael Pollan in conversation

        When: Thursday, September 23, 7:00 PM

        Where: Berkeley Repertory Theatre

        Two admired, best-selling writers will talk about writing, storytelling, books, and journalism.

        Advance tickets required. This is a fundraising event for Journalism School student fellowships.

        Berkeley and YouTube: Innovators at Work!

        When: Wednesday, September 29,  6:00 PM

        Where: North Gate Hall Library

        Join J-School student Shannon Service, alumna Anna Bloom, YouTube’s Olivia Ma and New America Media's Kevin Weston as they discuss an exciting joint project in which the School is working to understand, curate, and engage citizen-contributed news content to the online video powerhouse. Moderated by Associate Dean Paul Grabowicz.

        The Big Story: National Public Radio’s Tamara Keith

        When: Wednesday, October 6,  6:00 PM

        Where: North Gate Hall Library

        NPR Reporter and Journalist-in-Residence Tamara Keith discusses radio journalism, the challenge of covering disasters, and NPR’s transition in the digital age, while outlining her experiences covering major stories ranging from the world financial crisis, to the earthquake in Haiti, to the BP oil spill in Louisiana.




        Julie Hirano
        Event & Fundraising Coordinator
        Graduate School of Journalism
        121 North Gate Hall
        University of California at Berkeley

        (work) 510.642.3394
        (fax) 510.643.2680
        http://journalism.berkeley.edu

        health coverage update from the CA Freelancer’s Guild

        More info about getting health coverage from the CA Freelancer's Guild. They're getting very close!
        -mia

        ++++++++++++++++++++++

        Dear Friends,

        Guild Freelancers is close to securing group health insurance. In
        order to meet the letter of the law, we need to adopt an eligibility
        process that offers concrete proof that we do not, as an organization,
        exist only to provide health coverage for anyone who walks in the door
        and pays dues.

        With that in mind, we’ve crafted a provision for a two-tier
        membership, one of which requires a track record in journalism and
        qualifies the member for health coverage.

        Please read our proposal carefully and offer all the comments,
        questions, and objections that cross your mind. The deadline for
        comment is Sept. 10. We will meet as a unit to ratify the plan Sept.
        17.

        Once again, here are links to the cost tables provided by DublinSure.

        Medical:
        https://mail.google.com/mail/?ui=2&ik=50bc97e310&view=att&th=12a925f8ac0f8fc6&attid=0.1&disp=inline&realattid=f_gd3tdqst0&zw

        Dental/Vision:
        https://mail.google.com/mail/?ui=2&ik=50bc97e310&view=att&th=12a925f8ac0f8fc6&attid=0.2&disp=inline&realattid=f_gd3thgip1&zw

        Refer to a googlegroups posting of Aug. 20 for our timeline.

        In solidarity,
        Bill Snyder, Michael Fitzhugh and Rebecca Rosen Lum
        Health Benefits Committee
        Guild Freelancers
        freelance@mediaworkers.org
        rrosenlum@gmail.com

        Eligibility Requirements
        We propose creating two classes of membership in Guild Freelancer,
        professional and general. Professional members will be eligible for
        group health insurance, following 90 days of membership in good
        standing. General members will not be eligible for group health
        insurance. Guild freelancer members are responsible for self-reporting
        any changes in status that would change their membership class.

        Professional
        Professional class is limited to persons substantially engaged
        primarily in, and paid for, reporting and/or editing in either print,
        broadcast or online, blogging, books, poetry, technical writing, copy
        writing, design/illustration, audio/radio, photojournalism, video,
        multimedia, or web design/production.

        General
        General membership is available to individuals engaged in occasional
        writing, editing, etc. and to former journalists, journalism
        educators, students, and supporters now engaged in occupations other
        than journalism.

        Adapted from the Investigative Reporters and Editors guidelines, “Who
        can join”:
        http://www.ire.org/join/classes.html

        Other issues
        •       We need to adopt a waiting period to minimize liability to the
        Guild. The industry standard ranges from 90 days to six months; we are
        opting for 90 days.
        •       A review committee composed of the credentials chair, unit chair, a
        Guild staff representative and three unit members will determine
        eligibility for Professional Memberships.
        •       The two-tiered membership includes a process for hearing appeals of
        denials and/or disputes, with Representative Assembly of the Guild the
        ultimate authority.

        This American Life Theme List

        From the fabulous folks at TAL. Pitch away!
        -mia

        +++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you for story pitches, thoughts and suggestions for our upcoming shows.
        How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

        Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

        Thanks so much for your pitches. All of us here are very appreciative.

        Best,

        Julie
        (julie@thislife.org)

        NEIGHBORHOOD WATCH: For this show we’re seeking stories about communities, large and small, where people are engaged in some sort of struggle to change or protect their way of life. We have one story that explores this theme on a very personal level: It’s about a woman who develops an elaborate plan for how her autistic son will live without her after she dies. First she buys the house across the street from her so he can practice living on his own. Then she lobbies her town – neighbors, cops, people on Craigslist, basically anyone who will listen — to build a network of people who will look after him. We’d love to find a story that’s actually about a neighborhood watch group – even if it’s just one person single-handedly trying to look out for the block. Funny stories about nosy neighbors or other neighborhood conflicts would be great too.

        CRY BABIES: (note: we’ve sent out this theme before but the show is coming up soon-ish and we’re still looking for a few more stories.) We’d like to do a show about people who have out-of-proportion responses to perceived wrongs. There’s always one cry baby – one member of the family or one person in the office. And what’s so galling is that being the cry baby almost always works. For a short-term strategy, it’s kind of brilliant. It’s just in the long term that it gets really annoying. We have one story for this show about disability activists in California who constantly sue businesses for violations of the Americans with Disabilities Act (ADA). They're suing for totally legit violations, but some activists do it so often that they actually make a living off it. And some of the suits are over tiny infractions that could potentially be resolved without lawyers and money. But the thing is, being a crybaby in this situation is actually giving the ADA some real teeth that the law lacks. Political and sports stories are potential goldmines for crybaby stories, but smaller personal/family stories would be also be great. We're also hoping for some real tears on this show. Really whiny ones. So any ideas for situations or stories where either kids or adults are being crybabies would be nice. Maybe a time when you played the crybaby card or were unfairly labeled as one?

        INSTITUTIONAL MEMORY: INSTITUTIONAL MEMORY: We have a story about a woman who has had cancer for 22 years. And the interesting thing, besides long surpassing the life expectancy of someone with cancer, is that her story is kind of the history of cancer treatment in this country. When she was first diagnosed, doctors recommended that people undergoing chemo wear this icepack hairnet so their hair wouldn't fall out (it didn't work). Since then, she's been through a barrage of different treatments including a bone marrow transplant, hormone treatments, and gene therapy. And each of her treatments is kind of a mini-history lesson in the promises, results, failures, and even outright lies that have occurred during the "War on Cancer." So we'd like to do a whole show about people whose personal stories tell the history of some larger idea or industry or movement. Maybe a personal court battle that tells the story of changing laws? Maybe a politician who's views have evolved or completely shifted over time? Maybe an immigrant who rides the shifting waves of immigration policy? The cancer story will be science related, but other non-health science stories could work. And it'd be great if we could have a story where someone really regrets positions they took or ideas they held.

        MID-TERM ELECTIONS: For this show, we're looking for stories that get at some of the unique characteristics of this cycle. Some of these things are so heavily-trafficked it almost hurts to say them–but the anti-incumbent backlash, the fracturing and energizing caused by the Tea Party crowd, the role of the war and the economy, the sad lot of the Democrats who are obviously coming off of a high in 2008. We're looking for people, groups, and potentially races that somehow embody the complexity of what's happening. To that effect, we could use stories about anyone with a rich personal narrative that shines a light on the moment part of what this election cycle represents. We’re especially looking for local races – state reps, school boards – that might be interesting.

        PETTY TYRANTS: We'd like stories about people who consolidate power in an unusual way, or get put in a position of power and then find themselves abusing it – either on purpose or because they can't help themselves. Or maybe a story of a well-meaning person who's in charge, but then makes a decision that spins out of control. For this show, we're interested in exploring: 1. How does a person start out like you and me, but then turn into a tyrant? What's the process? And 2. How do tyrants stay in power? We've got one story about a school janitor who somehow takes control of the entire school district's facilities, ingratiates himself with key higher-ups, becomes head of his union, and then proceeds to terrorize anyone who crosses him or even irritates him in any way. He keys their cars, throws paint on their houses, plants small bombs on their truck windshields. So what might be nice are more personal, or funny stories about someone who bullies other people – maybe not even a person but a company that controls everything, or a group; or even an unusual story about a real-life political tyrant somewhere – not a Stalin or a Kim Jong Il — but someone lesser known, like a small-town mayor or something, who quietly screwed his or her people. Maybe a story of someone who tried to stop a tyrant?

        CLIMATE CHANGE: We have some great potential material for this show, but we still have room. Very generally, as you might expect, we need stories that don't feel like we've heard them before–which is hard when the topic is climate change. There's interesting work being done with ice melting, snow surveying, policy maneuvering… but in the current climate of ambient apathy, we're keenly aware that people have a hair trigger for tuning this subject out. In light of that, we're looking for people trying to solve problems in new ways or doing research in emerging areas. We're looking for stories that revolve around a single person/group with an interesting role in climate change. That might be a person who regulates something surprising, someone fighting an interesting court battle, or someone living with the effects of climate change in an interesting way. Going back to apathy, we are looking for a way to get at the malaise that seems to be hanging over country that goes something like "I know it's important, but I have other stuff to worry about, and even if I was going to do something I wouldn't know what to do. Thanks a bunch for reminding me the world sucks." We want to understand that.

        KID JURY: In the late 80s H.R. Haldeman, Nixon’s chief of staff, showed up one day at the newly-opened Nixon Presidential Library and, weirdly, made his case to a bunch of junior high kids. Basically, he pleaded with them to see things from his perspective – that he was a scapegoat, that Watergate wasn’t really that bad, and that, besides, everything he did was because of love and loyalty to the President. The kids were confused not only because they didn’t really understand who in the hell H.R. Haldeman was but, also, they didn’t know what he wanted them to do about his plea – how was any of this their business? For this show, we’re looking for stories where kids are put in powerful positions and asked to make decisions, or take sides, or take action. Maybe stories where a group of kids have acted as judge and jury against an adult or a teacher or a parent. Or kids who all decide that one parent is the bad guy when the evidence clearly points to the other parent? Maybe a story about a kid who is uncomfortable with a big decision that is being left up to him or her? Interesting school councils or disciplinary committees could work well for this show, too. Also, we’re thinking of maybe assembling a jury of kids to weigh in on the big issues that are often debated in their name (“think of the kids!”) like climate change or deficit spending or gay marriage. If you’ve got any early teens you think might be game, please let us know.

        Blackpublicmedia.org Digital Web Series Open Call, deadline Sept 27

        Got this post from AIR (the supplier of many of my posts.) This looks great! Contact christian@nbpc.tv with questions.
        -Mia

        +++++++++++++++++++++++

        Online application:
        http://blackpublicmedia.org/DOC-2011.php

        Digital Web Series Open Call Guidelines
        BlackPublicMedia.org

        Blackpublicmedia.Org reviews and considers for distribution on a rolling basis films about the black experience globally. Our content priorities include films in contemporary settings depicting black life and experience in a rare and often overlooked context. We are most thrilled by those cinematic gems which bring to us knowledge that has been ignored by popular culture; films outside the norm which approach black characters, stories and locales in a fresh and engaging manner.

        In that same spirit BlackPublicMedia.org also executively produces interactive online content designed to engage any audience interested in African Diaspora content online. The following is a guideline for submitting content for consideration to BlackPublicMedia.org’s annual Web Series Open Call.

        The BlackPublicMedia.org Open Call awards project requests of up to $20,000 for interactive web series concepts. Selected projects will be published on BlackPublicMedia.org, made available for public broadcasting options, and executive produced by the National Black Programming Consortium.

      • *THE SUBMISSION DEADLINE FOR THE 2011 OPEN CALL IS SEPTEMBER 27th, 2010**

        Content Categories & Criteria
        The goal of the BlackPublicMedia.org Web Series Competition is to identify serial content concepts based within a unique contemporary African Diaspora context. Project concepts will be considered most highly if they utilize new distribution models to explore maximum engagement, and provide a public forum/platform for valuable networks of civic discourse. Series proposals must fall under one of the following categories:

        • Social Satire
        • Narrative Fiction
        • News & Documentary
        • Public TV/Radio

        Each series must have between eight (8) and twelve (12) episodes completed during the contract year. Please read the criteria for each submission category below.

        Social Satire
        Often broad conversation about important issues can only be sparked by bold satire. Initiatives considered for the Social Satire category are meant to employ more flexible techniques to engage an audience in dialogue – comedy and provocative social commentary being some methods.

        Narrative Fiction
        The Narrative Fiction category is for the consideration of fictional web series ideas with Black or African American lead characters. This category is meant to encourage the submission of broader ideas and explorations that are not necessarily factual but metaphoric in their

        implications for social and civic discourse. A broad example could be a series around a single mother raising a family; episodes could prove to be platforms for online discourse around equal pay, housing inequity, love and relationships, family, etc.

        News & Documentary
        The News & Documentary genre is for the consideration of interactive content initiatives designed to provide up to date factual information about a specific Black/African Diaspora community or
        issue area. Series proposed here are factual “webisodes” which offer general platforms for discourse around discreet social, or political issues. This is also a category for more intimate explorations of ideas and issues that might be part of a larger documentary project. “Behind the scenes” ideas will not be considered too highly in this category unless they provide a distinct platform for discussing larger issues pertaining to the project idea.

        Public TV/Radio
        Within this genre proposals are for ideas attached to an ongoing project with a standing, or upcoming public television or public radio broadcast. Producers working on longer format projects
        may use this opportunity to develop an interactive relationship with a community of interest related to their main project. For example, video podcasts for a regularly scheduled

      • 2 producer jobs at KCRW, application deadline Sept 3

        Two full-time gigs in at KCRW in LA, but odd hours so you may be able to continue with other projects as well. Details below.
        -mia

        +++++++++++++++++++++++++++

        http://www.kcrw.com/about/jobs-at-kcrw

        KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's flagship station for Southern California. The Santa Monica-based nonprofit represents cutting edge radio at its best, presenting an eclectic mix of independent music, news, talk and arts programming.

        KCRW is looking talented and creative people to join our team.

        Morning News Producer

        KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station. The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming. The station serves seven Southland counties as well as listeners around the world via the web. KCRW is looking for a talented Morning News Producer to join our team.

        Responsibilities / Duties:

        NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Morning News Producer will work closely with the Morning Edition host to collect and produce news and features with the local Morning Edition host and help shape the sound of the overall broadcast.  Stories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

        Qualifications:

        • Excellent news judgment
        • Experience booking, conducting and recording interviews
        • Experience writing news stories for radio
        • Ability to write clear, concise and accurate copy under tight deadlines
        • Extensive knowledge of the city, region and state
        • Editing ability, (Dalet and ProTools knowledge a plus)
        • Experience in collecting and editing tape in and out of studio
        • Field recording experience a plus
        • Contacts/sources a plus

        This position reports directly to Director of Programming Development and the General Manager.   The working hours are 5AM-1PM, Monday-Friday, though hours may be flexible.

        Compensation:

        TBD + medical benefits 

        To Apply

        Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

        Jobs
        KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

        Deadline

        All applications must be received by September 3, 2010.

         

        Afternoon News Producer

        KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station.  The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming.  The station serves seven Southland counties as well as listeners around the world via the web.

        KCRW is looking for a talented Afternoon News Producer to join our team.

        Responsibilities / Duties:

        NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Afternoon News Producer will work closely with the Morning Edition host to collect and produce news and features for use the following dayStories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

        Qualifications:

        • Excellent news judgment
        • Experience booking, conducting and recording interviews
        • Ability to write clear, concise and accurate copy under tight deadlines
        • Extensive knowledge of the city, region and state
        • Editing ability, (Dalet and ProTools knowledge a plus)
        • Experience in collecting and editing tape in and out of studio
        • Contacts/sources a plus

        This position reports directly to Director of Programming Development and the General Manager. The working hours are noon-8PM, Monday-Friday, though hours may be flexible.

        Compensation:

        TBD + medical benefits 

        To Apply

        Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

        Jobs
        KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

        Deadline

        All applications must be received by September 3, 2010.

         

        Snap Judgment Seeks Amazing Radio Producer, Oakland, CA

        This is a full-time gig (not freelance) but Glynn and his show are so cool I just couldn't help myself. They also take freelance pieces. Check out their website (linked below) for details.
        -mia

        +++++++++++++++++++

        Snap Judgment is the brand new, smoking hot, nationally-aired radio / television / stage show funded by the Corporation for Public Broadcasting. Join us for the launch of a bold new style of storytelling.

        Hosted by Glynn Washington, winner of the Public Radio Talent Quest, the show is a multi-platform experience that interacts with audiences through radio, TV, stage and web. Snap Judgment’s edgy, intimate, hip storytelling redefines expectations for public media.

        The show sits on the razor’s edge of culture, race, gender, and sexuality. Applicants must be comfortable in dealing with people from a variety of backgrounds that may not have traditionally had voice on public media.

        Job Description

        Quite simply, we are looking for an amazing someone. A super superstar. The skills required for the undertaking are vast, and this is only a short list. (This is a full time position based in Oakland, California.)

        Most importantly, be able to work with host Glynn Washington and the Snap Judgment crew to create amazing, stupendous, breathtaking radio. This show is on a rocketship, and we are looking for a creative, energetic, contributor to help us take it to the next level.

        Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

        Creative and musical use of sound is extremely important, as every single episode of the radio program is constructed with the care of a music album.

        Project management skills an absolute must. Must be able to effortlessly juggle many conflicting duties with rigorous deadlines.

        Interview both regular people and irregular artists and construct their stories into compelling narratives.

        Proactively get / create / write / interview compelling stories.

        Grunt work. Absolutely anything and everything that needs to get done.

        Qualifications

        Rigorous Storytelling Background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children’s show, audio artist, speechwriter, novelist, animator, theatre producer, newspaper reporter, fiction editor, etc . . .

        Radio lover. Must know and love public radio, but not be so rigid that you can’t work within a new model. Snap Judgment is nothing like anything on public radio.

        No Drama. Proven ability to work well in a collaborative team environment as well as independently.

        Used to working in a Mac environment. Familiarity with Logic, Final Cut Pro, ProTools, Soundtrack Pro, etc. You need to be able to build broadcast-quality stories.

        Resourceful. Used to making the magic happen routinely on an absolute shoestring. We are looking for the “MacGyver” of storytelling.

        To Apply

        Before applying, please go to SnapJudgment.org and listen to full episodes of the show.

        If you really dig it, please send a cover letter, resume, salary requirements, and links to 2 – 3 projects for which you had primary responsibility to Jobs@SnapJudgment.org. E-mail only please!

        Women and minorities STRONGLY encouraged to apply.

        Peace and soul! We can’t WAIT to hear from you . . .

      • **
      • Soros Justice Media Fellowship, deadline Nov. 3

        Big money (plus health insurance!) for this year-long fellowship from Soros. Details below.
        -mia

        +++++++++++++++++++++

        I just received a request for proposals for the Soros Justice Media Fellowship.  The fellowship ($50K for a year plus health insurance for the year) support writers, print and broadcast journalists, bloggers, filmmakers, and other individuals with distinct voices proposing to complete media projects for local, regional, and national markets that engage the public and spur debate on one or more of the Open Society Foundations' U.S. criminal justice priorities (there are 12 priorities within the US criminal justice program and are detailed in the guidelines).

        The deadline is November 3, 2009.

        http://www.soros.org/initiatives/usprograms/focus/justice/programs/justice_fellows/guidelines/media

        Making Contact seeks part-time producer

        Any of you CA audio folks looking for a steady gig to balance out your freelance work? This could be a good opportunity for you. A bunch of FC members work with this show so drop a line if you want more info and I'll put you in touch with the right people. Good luck!
        -mia

        +++++++++++++++++++++++++

        Making Contact Producer (part-time) work location: Oakland, CA

        more info at www.radioproject.org

        Making Contact /National Radio Project seeks a part-time (20 hours/week) radio producer with a passion for public-interest community media, to create a world where peace and social justice are
        paramount.

        National Radio Project is a nonprofit media organization that produces the weekly, nationally syndicated, progressive radio series Making Contact. Our high quality public-affairs and documentary radio programs are broadcast on 139 radio stations in the U.S., Canada, and South Africa; thousands more listen via our website and podcasts. Our award winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

        We seek an energetic, passionate, organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview.

        Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We’re looking for someone committed to our greater mission and who is willing to do whatever it takes to produce our weekly show and to strengthen Making Contact as a whole.

        National Radio Project /Making Contact is about more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production. We seek someone who can mentor others and is excited about growing and learning in their own work. We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

         Required Skills/Experience

        Demonstrated writing and script editing skills
        Demonstrated audio editing skills
        Strong voice-craft skills and experience
        Track record of journalistic work –dedicated to fairness, accuracy and fact-checking
        Ability to read and synthesize research
        Familiarity with issues of our times and timeless issues
        Track record of delivering pieces on deadline
        Commitment to building Making Contact as a whole, and to participating in a team process

         Preferred Skills

        Experience coaching and editing freelance reporters and producers
        Multimedia experience:  video, sound-slides, YouTube etc
        Familiar with social marketing and online media distribution
        Experience and enthusiasm for online distribution methods and audience building
        Sense of humor

        National Radio Project / Making Contact is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and people with disabilities.

        Position Open Until Filled. Please email resume, cover letter, writing sample (radio script preferred) and links to audio work samples to lrudman@radioproject.org.

        doc iconPT Producer v.final.doc

        Immigration Institute for Journalists at UC Berkeley, deadline Sept 10

        UC Berkeley jschool and law school and teaming up for a 4-day intensive on immigration. Looks pretty interesting. Contact Rosa M. Ramirez <rosamramirez@berkeley.edu> for any details you can't find on the website (linked below).
        -Mia

        +++++++++++++++++++++

        An Intensive Institute for Journalists

        November 14-17, 2010

        University of California, Berkeley

        The Graduate School of Journalism and the Warren Institute at Berkeley Law are organizing a four-day institute for working journalists on covering immigration, an issue that has become central to debates over the economy, health care, education and law enforcement. Reporters and editors from traditional and new media are welcome to apply.

        Selected fellows will get an in-depth understanding of the dynamics of America’s often-divisive immigration debate and the tools to uncover new perspectives and insights backed by solid research and data. The deadline to submit your application is September 10th. For more information on the institute or to apply, please visit our website: http://journalism.berkeley.edu/conf/2010/immigration/.

        The Changing Face of America:<http://journalism.berkeley.edu/conf/2010/immigration/>

        Going Beyond the Rhetoric on Immigration<http://journalism.berkeley.edu/conf/2010/immigration/>

        Best,
        Rosa M. Ramirez
        (720) 496-6555

        Antenna Audio gig in LA Wed 8/25

        Any LA audio folks available for this last-minute gig? Contact adrianna_murillo@discovery.com. Tell her I sent you. Details below.
        -Mia

        +++++++++++++++++


        We need an engineer to record an artist tomorrow 8/25 in Venice/LA for a tour we are working on. The Engineer should arrive at 9:45a to set up for a 10-11 recording, and the interviewer will call in. I’m still waiting to hear back from the Producer regarding exact compensation.

        Adrianna Murillo
        Production Coordinator
        Antenna Audio Inc.

        PO Box 176
        Sausalito, CA
        94966

        t: 415.332.4862  x125
        f: 415.332.4870
        e: adrianna_murillo@discovery.com
        w: http://www.antennaaudio.com


        Benefits update from CA Freelancer’s Guild

        Promising opportunity for health benefits from the Guild Freelancers in SF. Details below.
        -mia

        ++++++++++++++++++++++

        Dear Freelancers,

        Great news! A comprehensive medical/dental/vision plan is within
        sight.

        Friday, members of the Guild Freelancers unit heard from Carrie
        Winsten, representing the Dublin Insurance Services. Dublin
        administers the Health Care Employee/Employer Dental and Medical Trust
        of the CWA. Dublin has been providing coverage to disparate labor
        groups — some through a common employer, others independent workers
        like us — for 60 years, and they come to Carl Hall highly
        recommended.

        Carrie presented various options for health coverage, including
        medical, dental and vision.

        The Dublin plan contrast with the others we've reviewed in two ways:
        One, we do not need the large numbers that other insurers require to
        underwrite a health plan. We would be added to the Taft-Hartley Trust,
        whose ranks number 25,000.

        Also, we would not have to choose between Kaiser and another plan
        (likely United Health Care). We could offer  up to four choices, just
        as employers do. All the plans, incidentally, would cover children
        through the age of 26 come February, thanks to the health care reform
        law.  And Carrie can arrange flexible spending accounts.

        It will be the Guild's responsibility to develop eligibility
        requirements and police compliance. According to Carl and Carrie, we
        need to avoid the appearance of being an association that exists
        merely to gain group health coverage (That’s the law.) One way would
        be to require members to show they derive a certain minimum percentage
        of their income from freelance employment. We will get clarification
        on where we need to set the bar as soon as possible. Meanwhile, we
        welcome your thoughts on this matter.

        Dublin Insurance would handle billing and collection, for which we
        would each pay $8 a month (as compared to the industry average of $21
        a month).

        If we as a unit opt to go with Dublin Insurance, we could add short-
        and long-term disability coverage and life insurance three to six
        months after the date coverage takes effect. We may also choose to
        incorporate a supplemental plan for those on Medicare.

        At the moment, those of us who were at the meeting believe this is by
        far the best option we’ve seen. Yes, it would be great to have lower
        rates. Indeed, Guild retirees are probably better off with what they
        have. But for the rest of us, this looks very promising. We want to
        emphasize that we need to move fairly quickly to get a plan in place
        by
        the beginning of 2011 when many of us lose COBRA coverage.

        How to proceed? Here's a rough timeline:

         August-September: Circulate the options among the membership, and
        develop a plan that reflects member input to the greatest degree
        possible.
         September: Guild Health Coverage Committee meets with staff to
        develop eligibility requirements and develop a structure for
        monitoring compliance.
         October: Committee presents a plan to the Guild executive committee
        for approval.
         November: Open enrollment month.
         Dec. 1: Deadline for delivering plan to Dublin.
         Jan. 1: Plans take effect.

        Please peruse the attached tables and share your thoughts, questions
        and preferences (contact Rebecca if you are having trouble with the
        links). We would like to move on this aggressively but thoughtfully,
        and shape a proposal based on a thorough reading of member concerns.

        Proposed dental & Vision insurance
        http://tngweb.net/images/pix/Dental%20and%20vision%20options.JPG

        Proposed medical insurance
        http://tngweb.net/images/pix/Medical%20coverage%20options2.jpg

        In solidarity,

        Bill Snyder
        415-824-3875
        Bill.snyder@sbcglobal.net

        Rebecca Rosen Lum
        Unit Chair, Guild Freelancers
        510-472-3024
        rrosenlum@gmail.com

        Michael Fitzhugh was not at the meeting but has agreed to join our
        unit’s health benefits committee (michael.fitzhugh@gmail.com). Another
        volunteer would be welcome, of course.

        Sandbox Suites Comes to Union Square

        Wow! Co-working is going gangbusters in the Bay Area. Check out Sandbox Suite's sweet new spot in SF. Details below.
        -mia

        ++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        Sandbox Suites

        Sandbox Suites on Union Square!
         Opens Sept. 7, 2010
         
        Some of you may have heard rumors about Sandbox Suites coming to Union Square. Well, it's true! Last month, we signed a lease on a 5,000 sq ft space at 567 Sutter St.

        The new space is located above two galleries and features skylights, four meeting rooms, sleek private offices for 2-6, comfy lounges and unique workstations custom-made for us by the leader in office furniture innovation, Turnstone. We think you're really gonna love it!

        Here's a little preview of the lobby:

        Sandbox Union Square will be open for tours and trials on Tuesday, Sept. 7.
        And we'll be offering desk memberships for 50% off Sept 7 – Oct 7!
        The Grand Opening party is on Oct. 7 – stay tuned for the invite!   

        BOOK A TOUR OR FREE TRIAL

        or contact us for more info:

        Phone: (415) 659-8197
        Email: info@sandboxsuites.com 
        Where: 567 Sutter St. (@ Mason) map

        Hours: after Sept. 7 Mon-Fri, 8am-6pm

        Like this campaign on Facebook   

        We rely a lot on referrals, so please pass this along!


         

        Arts Market SF debuts Aug. 19 in UN Plaza

        This looks very cool. Go out and support your local artists!
        -Mia

        ++++++++++++++++++++

        ArtistsMarket_SFWeeklyANNOUNCING ARTS MARKET SF

        Aug. 19: Arts Market SF debuts in UN Plaza

        Participate: Vendor info, licenses, registration

        Learn More: About Arts Market SF

        Home Page: http://artsmarketsf.org/

         

        Independent Arts & Media, the Mayor's Office of Economic and Workforce Development, the San Francisco Arts Commission and Blick Art Materials announce a new, open-air marketplace for local arts and culture in downtown San Francisco.

        Arts Market San Francisco debuts on Thursday, August 19, in UN Plaza, and will run every Thursday thereafter from noon to 8:00 p.m. throughout this summer and autumn. An additional run during the December holiday season is also in the works.

        Indy-Arts-logo-fresh

        Located at 1182 Market Street between Grove and Eighth streets, Arts Market San Francisco at UN Plaza will feature diverse arts, crafts and culture, including painting, photography, mixed media, literature, music, fashion, jewelry, toys, children's goods, creative home and garden wares, and much more.

        GET INVOLVED

        Local artists, artisans, fashionistas, musicians, publishers, crafts- and culture-makers, and more are all welcome to apply for a tent space at the San Francisco Arts Market!

        • All exhibitors must be selling work that has been handmade by local Bay Area artists. The goal of the Arts Market is to help local Bay Area arts and culture entrepreneurs as well as revitalize the arts community and cultural economy around San Francisco's Civic Center region.
        • Tents will be provided and set up on the day of each Market. Exhibitors will need to provide their own tables and chairs.
        • Exhibitors need to hold vendor permits as issued by the Mayor's Office of Economic and Workforce Development.
        • Musicians are welcome for the performance area, but must provide their own PA. There is no budget for performances, but performers are welcome to sell merchandise and promote their shows.

        FOR MORE INFO: http://artsmarketsf.org/

        CONTACT: http://artsmarketsf.org/contact/

        Jessica Brown
        Events Coordinator
        Independent Arts & Media
        jessicab@artsandmedia.net
        415-819-6367

        Clarisa Morales Roberts
        Executive Director
        Independent Arts & Media
        clarisa@artsandmedia.net
        415-321-4903 (direct)
        707-342-3815 (cell)

         

        SF Freelancer’s Guild meeting this Friday, 12pm, All About Benefits

        Hey all. Our friends at the Freelancer's Guild are having a meeting this Friday to discuss health benefits among other things. Definitely worth checking out if you're a Bay Area freelancer! Details below.
        -Mia
        PS: The next FC gathering with be Thursday 8/26 in Oakland. Details to come.

        ++++++++++++++++++

        Join us Friday at the Guild offices as we meet to discuss benefits.
        We'll hear from Carrie Winsten,  of the Health Care Employees/Employer
        Dental and Medical Trust.

        We'll have coffee and bagels. Take BART to the Powell Street Station,
        or park in the garage on Mission and Fifth.

        If you haven't yet, this would be a great time to join Guild
        Freelancers. Log onto GuildFreelancers.org and click on "Join Us."

        12 noon
        Fri Aug 20, 2010
        433 Natoma St.
        San Francisco, Calif., 94103
        415-421-6833
        For more details:
        mediaworkers.org
        guildfreelancers.org

        See you there.
        Rebecca Rosen Lum
        Unit Chair, Guild Freelancers

        National Radio Project’s Making Contact is looking for interns

        Wanna learn radio from folks who know what they're talking about? NRP's Making Contact is looking for interns. No pay, but valuable experience. Some FC members have worked there for a long time so let me know if you want more info and I'll put you in touch.
        -mia

        ++++++++++++++++++++++++++

        National Radio Project's Making Contact Internship
        The National Radio Project, producer of Making Contact, seeks
        Organizational and Production interns.

        Making Contact is an internationally syndicated, public affairs
        program, heard on 139 radio stations.

        Making Contact currently has several available unpaid internships.
        College credit can be given, but is not necessary.

            * Production Intern
            * Development Intern
            * Social Marketing Intern

         We are seeking individuals who are energetic, respectful, and
        professional team players. Interns should possess a commitment to
        social justice and the desire to support the use of media to inform,
        inspire, and move people to take action.

        Interns will gain excellent experience working on, Making Contact, an
        award-winning weekly magazine/documentary-style public affairs
        program. Come join our team of highly trained and experienced staff
        in a supportive and nurturing environment.

        Women and people of color are encouraged to apply. National Radio
        Project is an Equal Opportunity Organization and does not discriminate
        on the basis of gender, color, sexual preference, disability, national
        origin, religion, or economic status.

        Production Intern
        National Radio Project is looking for a 12-20hr/week Production
        Intern. The intern must be reliable and flexible, familiar with
        community and public radio, and able to make a 6-12 month commitment.
        The intern will learn how to produce a radio segment or feature for
        "Making Contact." (S)he will learn audio editing, voicing, script
        writing, interviewing and field reporting. By the time the intern
        leaves, he or she will have produced at least one piece for us for
        national broadcast.

        Qualifications:

            * Must have excellent research skills.
            * Ability to book and conduct interviews (in-person and phone
        interviews) and assist in script writing
            * Qualified individuals should have a basic knowledge of how to
        use a microphone, digital audio recorder, headphones, and how to plug
        into a multbox.
            * Some knowledge of Cool Edit Pro/Pro Tools/Sound Forge or any
        other applicable editing software is preferred.
            * Additional responsibilities include: transcription, audio
        editing, selecting soundbites/clips, participating in
        listening/critique sessions and attending meetings, as needed.

        To Apply: Download the production internship application at our
        website: http://www.radioproject.org/production/prodintern.html Copy
        and Paste into a Word document, and send completed application to
        karl@radioproject.org along with an introductory e-mail letter (2-3
        paragraphs is fine) and resume.

        Development Intern
        National Radio Project seeks a 6-12 hours/week Development Intern to
        support a range of activities, including: research, online social
        networking, and administrative support.

            * Manage individual donor communications, including donor letters,
        acknowledgements and tracking.
            * Assist with editing E-newsletters and mail appeals
            * Database entry to support communication with our supporters.
            * Provide administrative support to Associate Director and
        Executive Director.
            * Identify and research potential foundation and individual donors.
            * Assisting in researching and editing grant proposals;

        Social Marketing Intern
        National Radio Project is looking for a 6-10hr/week Social Marketing
        Intern. Some tasks include:

            * Be part of a team that develops strategies to increase our
        online presence..
            * Manage online social networking sites like Making Contact’s
        Facebook Fan page, Twitter, etc. to continue to engage and communicate
        with supporters.
            * Corresponding with blogs and social media portals that cover the
        environment, gender, immigration, and other topics we cover.
            * Researching and identifying potential publicity opportunities
        and exploring ways in which we might engage our audience.

        To Apply: Download the organizational internship application at our
        website: http://www.radioproject.org/getinvolved/orgintern.html. Copy
        and Paste into a Word document, and send completed application to
        karl@radioproject.org along with an introductory e-mail letter (2-3
        paragraphs is fine) and resume.

        Making Contact seeks pitches on freshwater, healthcare, recession, and more

        Hey all. The fab public radio program Making Contact is looking for pitches. They are one of the few shows out there that takes long, sound-rich docs. I'm not sure about their rates so contact them if you have questions. Details below.
        -Mia

        +++++++++++++++++++

        Hi there Making Contact reporters, freelancers, and friends,

        Our latest call for pitches is below. In the short-term, we’re looking for a quick turnaround story on fresh water in the Eastern United States. We also have a pressing need for reports about health care reform and the impact of the oil industry on local communities. For our ongoing “How We Survive” series, we want recession-related features.

         

        Please send story ideas to pitches@radioproject.org.  Generally, we look for 7-13 minute sound-rich pieces reported from under-covered areas.

        As always, feel free to send us ideas you don’t see on this list. We’ve recently increased our freelance budget, and would really like to hear some voices from around the US, and overseas.  Keep in mind, we occasionally commission full length 29 minute documentaries.

        For those new to “Making Contact,” check out our site (www.radioproject.org).
        We try to feature voices that aren’t normally heard. Our shows highlight structural problems as well as grassroots solutions.

        Thanks, and please forward widely!

        Pauline Bartolone & Andrew Stelzer
        Producers
        Making Contact
        www.radioproject.org

        Freshwater issues in the Eastern US

        In light of the UN’s recent vote that clean drinking water is a human right, how are communities in the US working to claim their entire water systems? We already have a story about a movement in Michigan to put freshwater into a public trust. Another segment could be about crumbling water infrastructure in your city or town—how are privately owned vs. publicly owned water systems dealing with it? This piece will need to be finished by August 25th—a two week turnaround, so get your pitches in!

        Cleaning up After Big Oil

        Months after the explosion on the BP-owned oil rig in the Gulf of Mexico, the long-term impact on the coastal way of life is still unknown. For this show we’re looking for stories about how an oil company's presence in a community has changed their way of life. We’re also looking for stories about how to make oil companies accountable.

        We Got Health Care Reform. Now what?
        Health care reforms are just starting to be implemented, but massive change won’t be seen until 2014. But will these reforms really provide
        the change system really needs? And what are people doing now to get the health care they need? We’re particularly interested in stories
        about the undocumented.

        Seniors in the Recession
        In this show, we'll explore how senior citizens are affected by the recession, and what they're doing to maintain quality of life despite
        rising costs and fixed incomes. We're particularly interested in the differences in experiences along race, class and gender lines.

        Young People and the Recession
        Studies show that more than a third of young people in the U.S. have cut back on cigarettes and alcohol because of strapped personal
        budgets. Others are "boomeranging" back to their parents place because of a bad job market. We want stories about how young people are
        getting creative and becoming active and organized. We invite collaborations with Youth Media initiatives.

        We’re also looking for pitches that fit under the following themes:

        Rural Areas and the Recession

        Access to Mental Health Care and the Recession

        Women and the Recession

        Send your story ideas to pitches@radioproject.org

        video adjunct position in DC this fall

        Not sure we have any DC folks in the group, but spread the word to your peers in the area. Or maybe find an excuse to hang in DC for a semester?
        -mia

        +++++++++++++++++++++

        *Adjunct Instructor Videography, Washington, D.C.*

        *Four days a week, flexible for 11 weeks, beginning Sept. 20 and ending Dec. 8, 2010 *

        *Deadline for Applications: Aug. 18*

        The Medill School of Journalism seeks an accomplished video storyteller with experience in public affairs, business or science journalism to teach in the school’s unique program in Washington, D.C. The job is a fulltime, temporary adjunct position.

        The successful applicant will be an outstanding visual storyteller with experience in original video production for broadcast and non-broadcast platforms and a strong record of enterprise journalism.

        He/she will be able to teach techniques that include, but are not limited to, audio collection, voice coaching, field producing, non-linear editing, creation of news packages and longer-form storytelling for digital platforms.

        He/she will work with a range of students who are studying videography/broadcast, and/or specialist reporting in public affairs, business or science/health/environmental journalism.

        The position is not a fulltime faculty position. It is an adjunct position for 11 weeks beginning Sept. 20. Schedule has some flexibility.

        To apply, please send resume to:

        Salome Angrand
        Office Manager
        Medill News Service
        1325 G St. NW, Suite 730
        Washington, DC 20005
        s-angrand@northwestern.edu

        Hacks/Hackers summer update

        Another group with great resources you might want to follow. I'll only forward this newsletter occasionally.
        -mia

        ++++++++++++++++++++++++

        Email not displaying correctly? View it in your browser.

        Hacks/Hackers Summer Update

        We bring you news from Facebook, SXSW, Mozilla and Gawker in this update about Hacks/Hackers activities of late. Please keep reading to the bottom — there are many opportunities in here.

        Projects

        — Hacks/Hackers is working with the Mozilla Foundation to create an online class about journalism and technology, taught by a mix of journalists and technologists. Nieman Lab wrote about the planned class (http://www.niemanlab.org/2010/06/hackshackers-mozilla-team-up-for-peer-to-peer-course/) after it was a winner in the collaboration contest at the Future of News and Civic Media Conference at MIT. Ideas for class topics are being discussed at the Hacks/Hackers Q-and-A forum.

        –Daylife offered an API challenge to Hacks/Hackers members, where they will help market and sell applications developed with their API and give 70 percent of the proceeds to the developer. Read about it here and start hacking.

        — Since launching http://help.hackshackers.com — our Q-and-A community for technology/journalism problems — we've signed up nearly 200 members and generated and nearly 190,000 page views. Check out the questions and answers, or ask one yourself!

        SXSW

        SXSW Interactive is putting out a call to news-related projects and technologies (among other categories) for its American Idol-like Accelerator competition on March 14-16, 2011. Note that the business side of news counts too! The category is “News Related Technologies – This category pertains to applications and technologies to support the dissemination of news and information for communities, both on the content side or on the underlying business model side (an example is advertising). This could include technologies related to data, text, documents, mapping, engagement, among other areas.” The deadline is December 10. There is a $150 entry fee, but they will nearly always waive it if you email them.

        Scholarships

        — The Medill School of Journalism still has scholarships to its journalism master's program available to people with backgrounds and/or degrees in computer programming. More information is available at

        http://www.medill.northwestern.edu/admissions/programmers.html.

        — Freelance journalist Corey Takahashi won the Hacks/Hackers scholarship to Poynter’s workshop on programming for journalists / journalism for programming.

        Meetup Roundup

        We’re expanding as more people launch their own chapters of Hacks/Hackers.

        — Bay Area: Facebook launched their media partnership initiative at a Hacks/Hackers Bay Area meetup in July, seeking to work more closely with publishers to leverage the social network. You can read more details about the event here.

        — New York: New York Hacks/Hackers had a busy July with two meetups. It had a meta-meetup at meetup.com itself, featuring CEO Scott Heiferman, along with demos by Brad Flora from Chicago’s Windy Citizen and Nick Diakopoulos, a post-doc research associate at Rutgers University. It also hosted a photo-themed Meetup with the New York Times team behind the Moment in Time project and Demotix, a crowdsourced photowire service.

        — Boston had their first Meetup at Microsoft’s NERD Center, featuring Fernanda Viégas and Martin Wattenberg and version "0.5" of their Time Flow tool.

        — Los Angeles: The LA chapter of Hacks/Hackers had an initial meeting and is gearing up for more events in the fall. Go to http://meetupla.hackshackers.com to join and get involved.

        — Chicago: The Chicago chapter is gearing up for a series of events this fall and is looking for people interested in helping organize and/or make presentations at these these events. Contact Rich Gordon, richgor@northwestern.edu.

        — We are also looking to expand into Minneapolis, Seattle and Dallas, if anyone wants to jump in.

        Volunteer

        We’re looking for folks to help with the newsletter, job board and planning hackathons. Email volunteers@hackshackers.com

        Jobs!!

        Here are some messages from organizations that have sponsored and supported Hacks/Hackers:

        Gawker Media is Expanding Its Tech Team

        Gawker Media has openings for bright tech minds of all kinds — with an emphasis on front-end/UI, Python and Java developers —  to help with their large tech infrastructure. Their content management system is home-grown and proprietary, and sees 30 million global visitors (up 38 percent year over year), 450+ million pageviews per month, 10,000 stories a month, and over 50,000 comments a day. Salary is competitive, includes benefits, 401k, and a 5,000-square foot roof deck! Get in touch with Gawker CTO Tom Plunkett at tom@gawker.com. New York’s next big social Meetup is on September 9 at their offices. Keep an eye out.

        Patch is Hiring Both Hacks and Hackers

        Patch, Aol's local community journalism network which currently operates more than 50 news sites in towns with populations under 70,000, is hiring both hacks and hackers.

        On the hacker front, the editorial positions Patch is filling include Local Editors (2+ years of journalism experience plus a degree in journalism) and Regional Editors (4-5 years of management experience and several years of journalism experience).

        These cover jobs in the Midwest (Ohio, Illinois, Michigan, Minnesota, Wisconsin and Indiana); West Coast+ (California, Washington, Colorado, and Arizona), Northeast (New York, New Jersey, Connecticut, Pennsylania, Rhode Island and Massachusetts); the South (Texas, Georgia, Florida and Missouri); plus Virginia and Maryland. As of recently, they had almost 80 editorial job listings.

        On the hack front, they are looking for experienced software developers to design, implement, and improve their Ruby on Rails-based local news platform. For the front-end, the engineers must know the ins and outs of JavaScript, Web standards, semantic markup and client-side libraries (like jQuery and Prototype). And for the back-end, engineers must have experience building and scaling user-focused web applications, as well as experience with Rails and MySQL (or similar DB).  They are also looking to hire mapping engineer talent with experience or desire to work with Mapnik, TileCache, OpenStreetMap, and PostgreSQL/PostGIS.

        Those and all the other Patch job listings (in editorial, advertising sales and corporate divisions) are listed online. In addition to this nationwide expansion, they also recently announced Patch.org, which will allow them to cover underserved communities.

        Thanks again for your support!

        Burt

        burt@hackshackers.com

        Main site

        HacksHackers.com

        Follow us on Twitter
        @hackshackers

        Q&A site
        Help.HacksHackers.com

        Meetups worldwide
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        SPJ NorCal 2010 Excellence in Journalism awards

        Get recognized, my norcal j-friends. Good luck!
        -mia

        +++++++++++++++++++++++

        ***Please distribute far and wide!***
        Society of Professional Journalists, Northern California Chapter
        2010 Excellence in Journalism Awards

        Deadline: Sept. 7, 2010

        Know a deserving journalist who soldiers on through cutbacks to get the story, photo or video? Whose dedication to our craft is second to none? Or is that journalist you?

        For the past 25 years, the Northern California Chapter of the Society of Professional Journalists has selected from among the Bay Area’s best of the best for its acclaimed Excellence in Journalism Awards. This year, in honor of our 25th awards anniversary, we’ve tweaked the format and revamped some of the categories to capture the breadth of our industry and make for a truly compelling awards ceremony. We’ve kept our special “Economy” category and added two more special categories: “Health Care” and “Environment.”

        These awards honor the journalists whose work best reflects the SPJ ideals of initiative, integrity, talent and compassion. We also are seeking nominees for six special Board of Directors Awards: Journalist of the Year, Career Achievement, Distinguished Service, Unsung Hero, Meritorious SPJ Service and the Silver Heart. More details can be found in our online and pdf entry forms. For online entries, click here. Or fill out the attached PDF.

        Entry deadline: Sept. 7. Best of luck!

        pdf iconSPJ.NC.AwardEntryForm.pdf

        Personal Essay Class at the Grotto, 3 evenings in sept/oct

        Super-talented FC member and writer extraordinaire Chris Colin will be teaching a personal essay class at the Grotto this fall. You don’t want to miss this opportunity. Details below.
        -mia

        +++++++++++++++++++

        Fall Writing Classes at the Grotto Now Enrolling

        The Personal Essay, for Publication

        Instructor: Chris Colin
        Contact: chris@chriscolin.com
        Number of sessions: 3
        Meeting times: Tuesday evenings, 6:30-9:30; Sept. 21, Sept. 28, Oct. 5
        Course fee: $175

        I like sandwiches. My fridge is sticky. Dad wore a beard. Our lives are full of banal but vital little bits, and god knows we should get more of them on paper. But spinning those bits into a publishable personal essay — the kind enjoyed by people other than our mothers — requires a specific and sometimes counterintuitive approach. This three-week workshop will help anyone from absolute beginners to practiced writers onto this path.

        We will dissect the many approaches to a successful personal essay, from the straightforward to the unconventional. There will be reading, there will be writing. Did you spend six months on a desert island, sending smoke signals and gnawing porcupine? Cool, we’ll get you writing about it. But incredible personal histories are absolutely unrequired for this course, and for this genre. Some of the most memorable and affecting essays come from the most ordinary experiences, the most perceptive and polished from people who’d never picked up a pen before.

        No need to arrive with a draft already written, but be prepared to write — and eventually workshop — over the duration of the class. Note: Class limited to 12 students.

        Instructor bio: Chris Colin is the award-winning author of What Really Happened to the Class of ’93, and a former Salon.com editor. His essays have been published in the New York Times Magazine and other sections of the paper, as well as several anthologies. He’s also written for Mother Jones, Smithsonian, Men’s Journal, Conde Nast Portfolio, McSweeney’s, the New York Observer, San Francisco magazine, Women’s Health magazine, 7×7 and other publications, and was the longtime “On the Job” columnist for SFGate. http://www.chriscolin.com

        Narrative Advanced Writing Workshop – Jan 2011, SF

        Some FC members have a relationship Narrative; this could be a good opportunity for face time with an editor/publisher of literary geniuses. Good luck!
        -mia

        ++++++++++++++++++++++++

        4-Day Intensive Workshop for Short Story Writers,
                      Novelists, and Authors of Creative Nonfiction

        with TOM JENKS

        The class will meet every day for four days, with a morning workshop and an afternoon seminar focused on craft. For the seminar, there will be reading assignments and study of works by well-known writers. Each participant will have one manuscript workshopped in class and a second manuscript reviewed for an individual conference with Tom. We will study storytelling and the formal elements of fiction, including voice, point of view, characterization, imagery, plot, and theme. Attention will also be given to scene building, sentence making, and the dramatic movement of descriptive writing.

        Enrollment limited to 12 participants.

        In SAN FRANCISCO
        January 20 – 23, 2011

        Application deadline: September 30, 2010

        To apply or receive more information:

      • Please call 415-346-4477 and leave a message.
      • Or, send an email to Workshops.

      • WRITERS EDITED AND PUBLISHED BY TOM JENKS INCLUDE:

        Rick Bass
        Richard Bausch
        Ann Beattie
        T. Coraghessan Boyle
        Janet Burroway
        Robert Olen Butler
        Italo Calvino
        Ron Carlson
        Michael Chabon
        Frank Conroy
        Don DeLillo
        E. L. Doctorow
        Andre Dubus
        Stuart Dybek

        Jennifer Egan
        Richard Ford
        William Gass
        Donald Hall
        Ron Hansen

        Charles Johnson
        Ken Kesey
        Min Jin Lee
        Bernard Malamud
        Peter Matthiessen
        Jill McCorkle
        Jay McInerney
        James Alan McPherson
        Arthur Miller

        Susan Minot
        Lorrie Moore
        Maud Newton
        Joyce Carol Oates
        Tim O’Brien
        Ann Pancake
        Jayne Anne Phillips
        George Plimpton
        Padgett Powell
        Annie Proulx
        Mark Richard
        Tom Robbins
        Philip Roth
        James Salter
        Bob Shacochis
        Lee Smith
        Debra Spark
        Scott Spencer
        Robert Stone
        Elizabeth Tallent
        John Updike
        Kurt Vonnegut
        John Edgar Wideman
        Joy Williams
        Tom Wolfe
        Tobias Wolff
        Richard Yates
        Alexi Zentner

        iSTORIES | RSS | NARRATIVE PRIZE | A Nonprofit Publication of Narrative Press

        intro digital audio storytelling workshop at Wing and Clover next Sunday?

        Hi all. Are any of you interested in an intro to digital audio storytelling workshop in Rhinebeck next weekend? I'm supposed to teach it but somehow the summer has just slipped away and I haven't had time to promote it. So far only one person has signed up. We can reschedule it for later this fall, but I'd love to gauge general interest in this sort of thing. The class will be held at the fabulous Wing and Clover, 22 East Market Street in Rhinebeck. Let me know if this is something you'd like to do (either next weekend or in the future), and feel free to pass it on to anyone who might be interested – all ages welcome!
        Best,
        Mia

        Oral History: Intro to Digital Audio Storytelling

        Stories are best told by the people who live them. In this class you will learn basic digital audio recording and editing to produce public-radio-style features, oral histories, and other sound-rich documentaries. As a class, we will create a short audio feature that you can use as a guide for future personal projects. We will cover interview and recording techniques, tips for telling stories with sound, and basic digital editing and mixing. Recording and editing equipment will be available for your use in class, but we will also discuss how to set up your own digital recording suite at home.

        Instructor: Mia Lobel

        Sunday, Aug. 15, 1:00-4:00

        $70 ages: 14- adult

        NYC Area Freelance Journalist’s Meeting, Aug 11, 6:30pm

        Hey folks. Some colleagues in NYC are holding a meeting to discuss freelancer issues. The organizers are radio folks but journalists in all media are welcome to attend. Details below.

        Also, for the HV folks, I'm hoping to schedule a gathering before the end of the summer. I'll keep you posted!
        -mia

        ++++++++++++++++++++

        Hey there New York Producers,

        We're planning a meeting for any of you who have done or plan to do any kind of freelance work. If you produce any kind of freelance work this is something you should attend.

        Wed., Aug. 11, 6:30
        Maximo Pino Cafe

        We'll be getting together to discuss the basic needs of freelancers. Working on developing a criteria for pay scale and other issues that works for us and reflects the amount of work that we actually put in to our pieces.

        We need everyone to come to the meeting to give input and work together on the issues.

        Please RSVP to:

        Sally Herships
        Sally@sohosally.com

        or

        Laura Friedman
        Lrahip@aol.com

        Looking forward to seeing you!

        Sally Herships
        Laura Friedman

        NAM Newsletter highlights

        Some highlights from the latest New America Media newsletter. Some great opportunities in here. I only pass on the newsletter once in awhile so sign up to receive it yourself if you like it. (FYI, FC is not associated with NAM, I just find them really useful!)
        -Mia

        ++++++++++++++++++++++

        $1,500 Aging Fellowship — Only 5 Days to Apply!

        The deadline to apply for the MetLife Foundation Journalists in Aging Fellowship, offered by New America Media (NAM) and the Gerontological Society of America (GSA), has been extended to Tuesday, Aug. 10

        NAM urges ethnic media to apply for this opportunity to cover the critical and under-covered issues of aging.

        The fellowship includes an expenses-paid trip to New Orleans for GSA's Annual Scientific Meeting, plus a $1,500 stipend for each of the 14 journalism fellows – half from ethnic media and half from the media covering aging. Fellows will write at least one brief article or blog based on any aspect of this huge conference and also propose and write a longer-term, in-depth project on any topic in aging.

        See the call for proposals at www.geron.org/journalistfellows.

        Contact Todd Kluss, GSA Communications Manager at tkluss@geron.org; 202-587-2839, or NAM Ethnic Elders Editor Paul Kleyman, pkleyman@newamericamedia.org, 415-503-417 ext. 133.

        ________________________________

        Calling all chefs, cooks and culinary enthusiasts!

        picKulinarya: A Filipino Culinary Showdown is being held in San Francisco. The grand prize winner in both the professional and amateur categories will receive a round trip ticket to the Philippines and a tour to Philippines culinary destinations, gift certificates and other prizes. Submit your short bio-data/credentials and recipe of their entry dish no later than August 10, 2010. Semi Finals will be held August 15, 2010 and the finals will be October 24, 2010 in celebration of the Filipino-American History Mopicnth.

        For more information and guidelines of the contest, email pdotsf@aol.com or call 415-956-4060, or visit www.experiencephilippines.org.

        And tune in to NAM's upcoming series: New America Now On Assignment: Philippines. Anchor Odette Keeley takes you on a culinary travelogue via the Philippine Department of Tourism's "Kulinarya [Culinary] Food Trips" also sponsored by Philippine Airlines and the Phil. Tourism Office-Philippine Consulate General-San Francisco

        ________________________________

        Travel stipends available for a two day training on health reporting in New Orleans, LA on August 11 -13, 2010. The training will enable journalists to interact, learn from one another, and share strategies for reporting on health care and health disparities. Contact: Sherice Perry, sperry@familiesusa.org, 202-628-3030. For more information, click here.

        Don't miss a special 5-day IRE boot camp, August 16-20, 2010, hosted by San Diego State University and The Watchdog Institute. Learn how to use spreadsheets and databases to analyze data, plus how to download data, how to convert it from text, where to look for it on the Web, and more. Contact: Stephanie Sinn, stephanie@ire.org

        ________________________________

        25 spaces in a free workshop on the coverage of Urban Education as initiative to prioritize urban education reporting, September 29 to October. 2, at the Columbia Journalism School in New York as part of the New York Times Institute Fellowship on Education Reporting. Contact: Arlene Morgan, am494@columbia.edu DEADLINE: September 3, 2010

        ________________________________

        picThe California Endowment Health Journalism Fellowships at USC's Annenberg School of Journalism provide California journalists with an opportunity to gain insights into community health issues and to learn multimedia reporting skills during two four-day sessions in Los Angeles October 21-24, 2010 and January 20-23, 2011. All-expenses-paid fellowships are open to print, broadcast and online reporters, photographers, editors and producers. Click here to register. DEADLINE: September 2, 2010.

        ________________________________

        The Rory Peck Awards, honoring the work of professional freelance cameramen and women is calling for entries for 2010. The competition is free to enter. Entries must have had their first broadcast between August 1, 2009 and July 31, 2010. DEADLINE: September 6, 2010.

        ________________________________

        GRANTS AVAILABLE! The Fund for Investigative Journalism seeks grant proposals from journalists investigating issues in their states and local communities, and working on investigative stories for ethnic media. The program for local, regional, and ethnic media is funded by a $100,000 grant from Ethics and Excellence in Journalism Foundation. Contact: Sandy Bergo, fundfij@gmail.com, 202-481-1218. DEADLINE: September 8, 2010

        ________________________________

        Visual Communications seeks to cultivate a new generation of Asian Pacific American. The Armed with a Camerica Fellowship will award up to ten fellows $500 to complete a five-minute digital video, within a five-month span of time. Contact: Kennedy Kabasares, kennedy@vconline.org DEADLINE: October 1, 2010 5PM PST

        ________________________________

        Call For Submissions for an anthology on women of color's self/body image as shaped by family, friends, media, society etc. Click here for more information. DEADLINE: October 15, 2010

        ________________________________

        South Asian Americans Leading Together (SAALT) and Race/Ethnicity: Multidisciplinary Global Contexts are calling for submissions that are reflections, critiques, and analysis on how the way we think about race, religion, etc has been change by 9/11. More information here. Contact: info@saalt.org DEADLINE: October 15, 2010.

        ________________________________

        The Paul & Daisy Soros Fellowships for New Americans is offering a $25,000 stipend and half the tution for graduate study in the US for applicants 30 and younger who are either a resident alien, someone who has been naturalized as a US citizen, or the child of a US naturalized parent. DEADLINE: Novemeber 1, 2010

        Fund for Investigative Journalism grant proposals, deadline Sept 8

        Another great funding opportunity – this one from the Fund for Investigative Journalism. Seems like they'll fund many different types of projects: print, broadcast, multimedia. FYI, it looks like the link to apply for the grant is broken on their main page, but you can access it here: http://fij.org/apply-grant/. Good luck!
        -mia

        ++++++++++++++++++++++++

        FIJ Seeks Grant Proposals from Journalists Investigating Issues in States and Local Communities – and for Stories for Ethnic Media


        For more information contact:
        Sandy Bergo
        202-481-1218


        WASHINGTON (August 4, 2010) — The Fund for Investigative Journalism has announced that the deadline for its next round of grant proposals is Wednesday, September 8.

        The Fund is particularly interested in proposals from U.S. reporters investigating issues in their states and local communities, and working on investigative stories for ethnic media. The program for local, regional, and ethnic media is funded by a $100,000 grant from Ethics and Excellence in Journalism Foundation.

        FIJ accepts applications through its newly redesigned website, www.fij.org.

        Questions about the application process can be sent to Fund executive director Sandy Bergo, fundfij@gmail.com

        For more than forty years, the Fund for Investigative Journalism has supported work by reporters who do not have the resources to do their investigations, with grants ranging from $500 to $10,000. The Fund’s distinguished board not only decides which applicants to help, but also provides guidance in pursuing stories and placing them with media outlets. In a new partnership with Investigative Reporters and Editors, the Fund also matches grant recipients with veteran journalists who serve as mentors, at a recipient’s request. 

        The Fund depends on donations from foundations and individuals. Donations can be made online or by mail to The Fund for Investigative Journalism, 910 17th Street NW – 7th floor, Washington DC 20006.

        CA Documentary Project grants, deadline Nov 1

        Hey CA producers – a BRILLIANT funding opportunity here for film, radio, and new media. At least two FC members have received funding from CDP in the past, so drop a line if you have questions and I'll put you in touch with one or both of them. Good luck!
        -mia

        +++++++++++++++++++++++++

         

        California Council for the Humanities

         

        The California Documentary Project (CDP) is a competitive grant program of the California Council for the Humanities. CDP supports film, radio and new media projects that document the California experience and explore issues of significance to Californians. Projects should use the humanities to provide context, depth and perspective; enhance our understanding of California and its cultures, peoples and histories; and be suitable for California and national audiences. Guidelines are now available at www.calhum.org.

         

        Grants are offered in the following categories:

        ·         Production
        Film and radio up to $50,000. New media up to $20,000.

        ·         Research & Development
        Film, radio and new media up to $7,000

         

        Please see the Council’s website for guidelines and a list of previously supported projects. For more info contact John Lightfoot, CDP Program Officer, at jlightfoot@calhum.org.

         

        DEADLINE: November 1, 2010

        John Lightfoot

        Program Officer

        California Documentary Project

        California Council for the Humanities

        415.391.1474 ext. 314

        Sounds Elemental Workshop

        This isn’t cheap, but they do some very cool work. Grants may be available to attend. Details below.
        -mia

        ++++++++++++++++++

        From Earth to Sky! AIR’s Sounds Elemental with Harvestworks

        New York City

        November 15-19, 2010

        We’ve completed our first 2010 summer intensive focusing on “earth” with high marks from attendees, from “a remarkable opportunity to return to the wellspring of the craft” to “I found the Q&A with Amy O’Leary super valuable for thinking about the future of audio journalism and journalism in general.”

        Grab one of 10 available slots for our second week-long immersion – this time the focus is on “sky.” It’s a unique way to treat yourself to a deep dive into unconventional approaches to assembling sound and telling story. The cost is $650. AIR members who are accepted are eligible for a stipend to help underwrite the cost of the intensive and travel to NYC.

        Producers benefit from intensely individualized attention from renowned sound artists-teachers, NYC-based composers and performers Michael Schumacher, Hans Tammen (Harvestworks) and Brenda Hutchinson (AIR), plus New York Times new media editor Amy O’Leary.

        > THE DEADLINE FOR APPLYING IS THURSDAY, SEPTEMBER 30. <<

        Learn more, and – most importantly – apply now: http://www.airmedia.org/PageInfo.php?CatID=5&PageID=562

        To listen to previous work and to hear interviews from past Sounds Elemental participants, visit: http://www.airmedia.org/AIRblast/audio/AIRmuse_May09.mp3

        production opportunity at City Visions Radio Show, KALW, SF

        Another opportunity at City Visions Radio, KALW. This is a volunteer gig but a good opportunity to get some experience and a foot in the door at KALW; they do a lot of great work. This from their senior producer:

        In nearly all cases, producing with us has given a nice push to producers to further their careers and find new work opportunities.  I feel strongly that producing for us provides a great opportunity to demonstrate and fine tune skills and deepen resumes. 

        Application details below. -Mia

        ++++++++++++++++

        Radio Producer  (Volunteer)

        ———————————-

        Location: San Francisco, California, United States

        Organization: City Visions Radio

        Skill(s): Producing, Writing

        Start date: Training would begin as soon as interview process was completed

        Last day to apply: Open               

        Description

        City Visions, a live call-in radio program, has aired weekly on KALW 91.7 FM San Francisco since 1991. (Monday, 7:00-8:00pm). We aim to educate, stimulate, and make positive contributions to discussions on Bay Area issues.  Our production team – a talented group of multi-disciplined, public policy minded volunteers – brings a broad perspective to current issues. This is a fantastic opportunity for people interested in learning about radio production or who simply want to be part of a team of volunteers informing our community about important issues.

        Summary

        City Visions is looking for someone interested in producing one radio program per month. With support from the Senior Producer and others on the team, producers develop guest panels to discuss a variety of topics important to the San Francisco Bay Area.  Production requires approximately 10-20 hours per show and consists of: researching a topic; developing a guest panel; providing background material, bios and potential questions for the host; writing copy; in-studio production on show nights from 6pm to 9pm one Monday per month.  Attendance at weekend bi-monthly production meetings is also required. Show topics are flexible depending upon a producer’s interests and skills.

        Please visit our website (cityvisionsradio.com) to check out previous shows and read the bios of current producers.

        Qualifications

        Qualified producers will be professionals looking to add radio production to their skill set. Excellent writing and communication skills are necessary though radio experience is not required. Applicants should be deadline-oriented, highly organized, willing to commit for at least one year and possess a strong interest in public policy and current affairs.

        To Apply

        Send a cover letter and resume, with subject line "Producer Resume," to: Brian Moran, Senior Producer, at brian@cityvisionsradio.com

        Brian Moran
        senior producer
        City Visions Radio Show
        KALW 91.7 FM
        San Francisco
        www.cityvisionsradio.com
        323-309-8699 – cell

        brian@cityvisionsradio.com

        Reality Radio book signing in SF, Aug 5, 7:30pm

        John Biewen of Duke's Center for Doc Studies and the Kitchen Sisters' Davia Nelson will be signing books at The Booksmith in the Haight on Thursday at 7:30pm. Check it out!

        http://www.booksmith.com/event/reality-radio-john-biewen-and-kitchen-sisters

        1644 Haight Street
        San Francisco, CA 94117
        (415) 863-8688

        ++++++++++++++++

        John Biewen will be joined by the wondrous Davia Nelson of the Kitchen Sisters for a presentation and Reality Radio book signing this Thursday, August 5, 7:30, at The Booksmith in the Haight. Would be great to see you there.

        Nat’l Conf for Media Reform

        Send your ideas for the next National Conference for Media Reform. Details below.
        -mia

        +++++++++++++++++++++++

        Hello friends,
         
        The next National Conference for Media Reform will be April 8-10, 2011 in Boston.
         
        We know everyone in this community has great ideas for better media, so we are excited to let you know that the call for suggestions for the conference is now open. If you have a session, speaker, or topic idea and want to share it, go here to submit a suggestion. (www.freepress.net/call-for-suggestions)
        We want the conference to reflect the broad sweep of media reform — from policy to journalism to social justice to technology and innovation. Your input will help make this our best conference yet. 
        More info is below. Feel free to contact me off list if you have questions.
        Looking forward to hearing from you! Mary Alice

        **********************************************************************************************************
        Program Priorities: We are looking for session proposals on topics related to media reform, media activism and media policy. Sessions should fit into one of our themed tracks for the conference. Descriptions of the tracks can be found here.
        • Policy and Politics
        • Social Justice and Movement Building
        • Journalism and Public Media

        • Media Makers, Culture and the Arts
        • Technology and Innovation
        • Workshops and Trainings

        Sessions should be designed to:
        • Energize, motivate and inspire participants to reform the media.
        • Educate on pressing media reform issues and actions to achieve real change.
        • Share models for successful media reform campaigns and actions.
        • Strengthen the skills of activists working for media reform.
        • Examine "who's doing what" in various sectors of media reform, media policy and media activism.
        • Provide opportunities to network, connect with allies, and meet others interested in making media better.
        • Discuss strategies for realizing concrete change in our media system.
         
        More information about the session selection process can be found here and more information about deadlines and timelines can be found here.
        .

        Learn More: Frequently Asked Questions and other information can be found here.

        Spread the word: Let everyone know about the 2011 National Conference for Media Reform by forwarding this e-mail and sharing details on Twitter and Facebook.
        Sign up for updates: You can sign up for future conference announcements and updates here.
         
        Mary Alice Crim
        Outreach Manager
        Free Press :: www.freepress.net
        413.585.1533 ext. 202
         
        reform media. transform democracy.
         

        The Daniel Schorr Journalism Prize now accepting submissions

        Hey folks. Awards info below. I believe "young" means 35 and under, but check the link to make sure. -mia

        ++++++++++++++++

        The Daniel Schorr Journalism Prize, jointly sponsored by WBUR and Boston University, honors a young public radio journalist who has produced a news piece within the past year of particular significance to the listening public. The work must have been broadcast on a CPB-qualified public radio station.

        The deadline for submissions is Friday, September 17, 2010.

        The relevant link to WBUR’s website, which accesses the Prize criteria and pertinent application forms, is:
        http://www.wbur.org/about/2010-daniel-schorr-journalism-prize

        free webinar – 10 Steps to a Tech-Savvy You, Aug 5, 2pm ET

        I haven't done one of these, but it's free, and seems like a good opportunity to brush up on some tech knowledge. Check it out!
        -mia

        +++++++++++++++++++++

        Hi everyone. I just wanted to let you know that we're hosting a free webinar for stay-at-home entrepreneurs, displaced journalists, seasoned academics, C-level corporate managers, retirees and others. It's called "10 Steps to a Tech-Savvy You."  Think of it as a digital media makeover.  It's happening August 5 at 2pm ET.

        This webinar will outline the 10 steps — and critical websites, social networks and gear — to help you become more tech savvy. We're also offering a primer on how to manage information overload.  As always, attendees will receive notes, worksheets and a list of recommended tools.

        The 10 steps we're going to feature, as well as all of the resources, are essential to survive in our increasingly digital world. The webinar is produced by our training website Knowledgewebb (http://www.knowledgewebb.net), which has been featured on MSNBC, FOX and NPR as well as in Entrepreneur Magazine as the go-to website to learn digital skills. We hold a few free webinars a year with more than 500 participants — and we always run out of space because our sessions are so popular. More details, along with registration, are here:http://bit.ly/dd6Na6.

        Cheers,
        Amy
        ____________________

        Amy L. Webb
        CEO + Principal
        Webbmedia Group, LLC

        Main Office: 267-342-4300
        International: +00 (1) 267-342-4300
        Company: http://www.webbmediagroup.com
        Sked: http://bit.ly/djAGJF
        Twitter: http://twitter.com/webbmedia
        LinkedIn: http://bit.ly/ckgblc
        Wave: webbmediagroup

        internship opportunity with Claire Schoen Media

        Hey folks. Yes – this internship is unpaid, but it's with one of the grand dames of radio, an opportunity to learn a whole lot about multimedia storytelling. Details below.
        -Mia

        ==============

        INTERNSHIP OPPORTUNITY

        Hi all,

        I'm looking for a new intern to work on my current media project. Might you be interested?

        I'm about half-way through a big project which I'm producing in multiple formats (radio documentary, radio features, multimedia, audio tour, multimedia tour and interactive website) about climate change in the San Francisco Bay Area. We're getting towards the end of production. And we're (hopefully) moving into the editing/mixing phase within the next month or so.

        I've been working with two fabulous interns. But one is leaving for the East Coast in a couple of weeks. So we are casting about for more help. This is an unpaid position. But I think that interns on the project have so far found it a fair trade for experience and mentoring.

        If this is something that you might be interested in, please shoot me an email. Tell me what media skills/experience you have in editing, writing, producing, whatever. And we can set up a time to talk. I'll fill you in on the project; I'd like to hear what kind of time commitment you can make; we can talk about the kinds of jobs you might be able to do on the project; etc.

        Hope to hear from you!

        Best, Claire Schoen

        Claire Schoen Media
        www.claireschoenmedia.com
        cschoen@earthlink.net
        510-540-5106

        Guild Freelancers meeting, Aug 20, 12pm, SF

        Our friends at the Freelancers Guild are having a meeting on Aug 20 to discuss health coverage among other things. If you haven't yet checked them out, definitely do so. They are doing great things for Bay Area independents. Details below.
        -mia

        guildfreelancers.org
        www.facebook.com/GuildFreelancers

        +++++++++++++++++++++++

        Mark your calendars!

        We meet as a unit at 12 noon Friday, Aug. 20 at the Media Workers
        Guild office in San Francisco.

        On the agenda: We will be talking about choices in health coverage.
        It's important to have as much input as possible, so be there if you
        can.

        We will also hear from Danny O'Brien, late of the Electronic Frontier
        Foundation. Danny heads up the new San Francisco-based branch of the
        Committee to Protect Journalists, which concentrates on protecting
        online journalists from intimidation, imprisonment and murder, as well
        as defending the medium of the internet itself.

        We've got an exciting line-up of speakers and workshops in the
        pipeline. In September, we'll hear from blogging expert Tim White on
        driving traffic to your web-based work.

        Please shoot me an email at rrosenlum@gmail.com if you plan to attend
        our Aug. 20 gathering.

        In solidarity,
        Rebecca Rosen Lum
        Unit Chair, Guild Freelancers
        guildfreelancers.org
        www.facebook.com/GuildFreelancers

        Looking for essay submissions

        Leave it to the folks at Bard College to seek submissions for a Zappa book. Details below.
        -mia

        +++++++++++++++++++++++++++

        Frank Zappa and Popular Music
        Edited by Paul Carr.
        Ashgate Popular and Folk Music Series

        Contributions are sought for an edited book on the social, cultural and musical impact of Frank Zappa’s contribution to the popular music canon. The book will act as a long overdue academic text on Zappa’s legacy, and will examine a range of themes that are pertinent to his life and music. Content of the publication will be broad and aim to address themes that have not been explored in detail before.

        Current contributors include Ben Watson (Author of The Negative Dialectics of Poodle Play), Richard Hand (the founding co-editor of the Journal of Adaptation in Film and Performance) and Michel Delville (Author of Frank Zappa, Captain Beefheart and the Secret History of Maximalism)

        Proposals for the volume should examine a specific theme that is pertinent to Zappa’s life, legacy and idiolect. Though are not limited to, the following are suggested as potential themes of exploration:
         1. Zappa and God
         2. Zappa and Jazz
         3. Zappa and Classical Music
         4. Zappa and Musicology
         5. Zappa and Death
         6. Zappa and the 60’s
         7. Zappa and his musical legacy
         8. Zappa and his Fans
         
        Full titles for the proposal should be constructed as follows:
         Zappa and [Theme]: subtitle that more specifically describes essay

        Deadline for Proposals: September 6th 2010.
        Deadline for Completed Articles: May 2nd 2011.
        Deadline for Final Edits: July 4th 2011.

        Please send proposals of 300 words outlining your submission to pcarr@glam.ac.uk <mailto:pcarr@glam.ac.uk>

        Potential authors will be informed of the editorial team’s decision by October 11th 2010.

        Opportunity Deadline Approaching!

        Hey folks. I try to only pull highlights from these newsletters, but there's so much good info in this one I just couldn't choose. Check out the following and sign up with New America Media if you like what you see.
        -mia

        +++++++++++++++++++++

        If you are having trouble reading this email newsletter, click

        here

        to view it in your browser.

        New America Media Weekly Newsletter

        July 9, 2010

        News | Blogs | Events | Directory | Association | J-Schools | Client Services | Polls | About Us

        NAM News

        The California Research Bureau and the California Homeless Youth Project (HYP) Team are proud to announce their new website. Go the website to get information and a range of policy resources on unaccompanied homeless youth, with a focus on young people in California.  And check out our project publications.

        Visit the Video Wall featuring short interviews with young people who have experienced homelessness or housing instability, including our featured video:  The Street Through My Eyes: A Guided Tour. All videos were produced by NAM/YO! 2009 Summer interns.

        HYP is committed to bringing youth to the policy table and to informing policymakers, opinion leaders, and other stakeholders about the needs of unaccompanied homeless youth. It is a California Research Bureau research and policy initiative conducted in collaboration with the California Council on Youth Relations, a project of New America Media, and funded by The California Wellness Foundation.

        NAM Journalism on Aging Fellowship

        DEADLINE: August 2, 2010

        New America Media (NAM) and the Gerontological Society of America (GSA), in conjunction with Journalists Network on Generations proudly announce that journalists can now submit proposals for a fellowship to attend GSA's 2010 Annual Scientific Meeting in New Orleans, in November. Thanks to a grant from the MetLife Foundation to bring 14 journalists to the conference.

        Selected journalists will receive a $1,500 stipend for their proposed projects, as well as expenses for attend the GSA conference. Each Fellow will participate in a special day-long preconference session on Friday, Nov. 19, and at least two days of GSA conference sessions.

        Click here for more information.

        Contact: Paul Kleyman, pkleyman@newamericamedia.org, 415-503-417

        New America Now on Comcast Hometown Network, Channel 104

        pic

        New America Now airs every Saturday and Sunday at 6 p.m. PST.

        New America Now radio on 91.7 FM KALW:

        New America Now radio airs on Friday's at 12pm and repeats Sunday's at 3pm

        Sandip Roy Talks To:

        Marcelo Ballve and Julie Pham, who discuss the Federal Government's recent move to sue Arizona for passing SB1070. And while Arizona seeks to be less diverse, Julie Pham talks about the zip code that is dubbed the most diverse in the nation–but is it really?

        Duy Nguyen is in the studio talking about the world premiere of his play Beijing, California where in the year 2050 China has literally invaded the US and San Francisco is segregated into militarized zones.

        Jean Marie Offenbacher discusses her film Tea on the Axis of Evil, in which Offenbacher went to Syria and spoke with residents about their daily lives and how it felt to be labeled as an "axis" of evil.

        Richard Rodriguez and Sandip Roy chat about America's amnesia when it comes to past environmental disasters and history.

        Listen to the NAN podcast on the go!

        The Job Listings Page at NAM — Check back frequently for updated job listings in media positions across the country.

        Opportunities, Fellowships & Events

        DEADLINE APPROACHING!! Earn $40k a year as a Butler Koshland Fellow. The program is looking for an independent, intelligent, and highly-motivated person to serve a one-year appointment as a Fellow to Marty Krasney, executive director of a new program: the 14th Dalai Lama Global Scholars and Fellows Program.For more detailed information, please click here. Contact: bkfellowship@gmail.com. DEADLINE: July 12, 2010.

        DEADLINE APPROACHING!! Society of Environmental Journalists Fund for Environmental Journalism is accepting applications for grants of up to $2,500 to help underwrite environmental reporting projects and entrepreneurial ventures. Click here for more information. DEADLINE: July 15, 2010

        The HIV Prevention Research Advocacy Fellowship pairs 10 emerging leaders in advocacy and activism with existing organizations to develop and execute creative, context-specific projects focused on HIV prevention research. Please read all the accompanying documents. Contact: avac@avac.org DEADLINE: July 19, 2010

        CALL FOR SUBMISSIONS: The Dart Center Ochberg Fellowship program is designed for mid-career journalists who want to deepen their knowledge of psychological trauma and improve coverage of violence, conflict and tragedy.The fellowship covers all travel and ground expenses. Fellowships are open to print, broadcast and online reporters, photographers, editors and producers with at least five years of experience. DEADLINE: July 21, 2010

        $250 available in the first-ever Pluralism Project Photo & Video contest. Call for digital images and digital videos that convey the vibrancy of religious diversity in the USA. DEADLINE: August 1, 2010, 5PM EST

        Travel stipends available for a two day training on health reporting in New Orleans, LA on August 11 -13, 2010. The training will enable journalists to interact, learn from one another, and share strategies for reporting on health care and health disparities. Contact: Sherice Perry, sperry@familiesusa.org, 202-628-3030. For more information, click here.

        Don't miss a special 5-day IRE boot camp, August 16-20, 2010, hosted by San Diego State University and The Watchdog Institute. Learn how to use spreadsheets and databases to analyze data, plus how to download data, how to convert it from text, where to look for it on the Web, and more. Contact: Stephanie Sinn, stephanie@ire.org

        The Rory Peck Awards, honoring the work of professional freelance cameramen and women is calling for entries for 2010. The competition is free to enter. Entries must have had their first broadcast between August 1, 2009 and July 31, 2010. DEADLINE: September 6, 2010.

        The California Endowment Health Journalism Fellowships at USC's Annenberg School of Journalism provide California journalists with an opportunity to gain insights into community health issues and to learn multimedia reporting skills during two four-day sessions in Los Angeles October 21-24, 2010 and January 20-23, 2011. All-expenses-paid fellowships are open to print, broadcast and online reporters, photographers, editors and producers. Click here to register. DEADLINE: September 2, 2010.

        South Asian Americans Leading Together (SAALT) and Race/Ethnicity: Multidisciplinary Global Contexts are calling for submissions that are reflections, critiques, and analysis on how the way we think about race, religion, etc has been change by 9/11. More information here. Contact: info@saalt.org DEADLINE: October 15, 2010.

        The Paul & Daisy Soros Fellowships for New Americans is offering a $25,000 stipend and half the tution for graduate study in the US for applicants 30 and younger who are either a resident alien, someone who has been naturalized as a US citizen, or the child of a US naturalized parent. DEADLINE: Novemeber 1, 2010

        NAM Directory of Ethnic Media and Other Announcements
        Fellowships

        New America Media has updated and expanded the NAM Online Directory of Ethnic Media, the largest database of ethnic print, radio, TV and online media in the US. It now includes 3,000 media outlets, searchable by city, state, ethnicity, language and media type.

        To subscribe to the online edition, contact Elena Shore or email directory@newamericamedia.org.

        Dear Newsletter Subscribers,

        Thanks for staying in touch with New America Media. If you or your organization would like to place an announcement for an event, job, or fellowship, please contact me at the email listed below. The rates are $50 per announcement per week for businesses, and $25 per announcement per week for nonprofit, educational, or government organizations. Don't hesitate to send along any questions, and have a great weekend.

        All the best,
        Inga Buchbinder
        ibuchbinder@newamericamedia.org

        NAM Ethnic Media Directory | Advertise With Us | NAM Newsletters

        New America Media is a project of Pacific News Service.
        New America Media | 275 9th Street, San Francisco, CA 94103 | Tel. 415-503-4170
        Copyright (c) 2009 Pacific News Service. All Rights Reserved.
        www.newamericamedia.org

        The Media Consortium — Seeking Immigration Blogger — application deadline July 15

        The pay for this gig isn’t great, but might be a good part-time opportunity for someone. Apply fast – they’re looking to fill the position by July 26!
        -mia

        ++++++++++++++++++++++

        TMC is searching for a blogger that can quickly take the reins on the Weekly Diaspora. The ideal candidate has experience writing about immigration issues with clarity and verve. They are also excellent at meeting firm weekly deadlines and have a love of independent media.

        I’ve included a job description for the position below. Please pass this information on to individuals that might be a good fit. Since our turnaround time is tight, cover letters, resumés and references for this part-time position must be emailed to erin@themediaconsortium.com by COB on Friday, July 15.

        *Women and people of color are especially encouraged to apply. The ideal starting date for this position is July 26.

        Thanks, Erin

        *Job Description*

        *Where:* Telecommute

        *Status:* Freelance blogger/buzz-builder for “Weekly” news summary blogs, Contract is 3 months with option to renew.

        *Who:* The Media Consortium

        *Compensation:* Weekly stipend of $150 for approx. 10 hours/week ($15/hour)

        The Media Consortium, a network of leading progressive independent journalism organizations, announces a freelance blogging and promotions position for a web and independent media savvy journalist with strong background in immigration and immigration reform.

        This work is a key component of The Media Consortium’s MediaWire project–an aggregation and distribution initiative intended to spotlight, build traffic and generate buzz for Media Consortium members’reporting on the nation’s most critical issues including health care, immigration and the economy. For background on the project, visit www.themediaconsortium.org.

        Media Consortium bloggers write weekly syndicated “best of” roundups highlighting exemplary content from our members. Blog posts will be based on content aggregated from the economy, environment, health care, immigration feeds aggregated on Delicious. Opportunities for longer, feature-length articles may arise later on. Articles and blog posts written by Media Consortium bloggers are featured in leading blogs and progressive journalism outlets across the country.

        *Job requirements include:*

        * Writing one weekly blog of 800-1000 words that rounds up and key stories from Media Consortium members for syndication across the net.

        * Using social networking tools such as Facebook and Twitter to draw attention to weekly posts/blog.

        * Helping identify online communities and sites to promote and place blog posts.

        * Joining scheduled calls with Media Consortium staff to plan outreach and coverage.

        *Qualifications:

        * At least 2 years experience as an issue-based or political blogger or reporter

        * Familiarity with progressive media organizations and the political/issue-based blogging community.

        * Comfortable with the concept of adding multimedia elements to reporting.

        * Self-starter and team player with a sense of humor.

        *Note that this is a contract position. Send a cover letter, resume, and links to your work to: erin@themediaconsortium.com. No phone calls please. Women and people of color are strongly encouraged to apply.*

        Erin Polgreen

        Senior Program Associate
        The Media Consortium
        erin@themediaconsortium.com
        Twitter: @tmcmedia / @erinpolgreen
        Skype: ErinPolgreen
        Cell: 312.841.055

        Fund for Environmental Journalism deadline July 15

        Grants available for environmental reporting; deadline for first round is July 15. Details below.

        Fund for Environmental Journalism

        SEJ’s Fund for Environmental Journalism is accepting applications for grants of up to $2,500 to help underwrite environmental reporting projects and entrepreneurial ventures.

        The purpose of the FEJ is to provide incentives and support to qualified journalists and news organizations to enhance the quantity and quality of environmental journalism. Read about the origin of the Fund for Environmental Journalism.

        WHO CAN APPLY?
        Any United States, Canada or Mexico-based journalist working independently or on the staff of either a for-profit or non-profit news organization is eligible to apply for a FEJ grant.

        HOW ARE THE FUNDS TO BE USED?
        Grant funds can be used for project-related travel, training, research materials, database analysis, and other direct expenses required for success of the reporting project or entrepreneurial venture.

        QUALIFICATIONS
        SEJ membership is not required, but all applicants must meet SEJ’s eligibility requirements: your work must be in journalism or closely related to journalism, and your responsibilities must not include public relations work on environmental issues or lobbying on environmental issues. If you’re not sure, please review SEJ’s eligibility requirements.

        APPLICATION FEES
        SEJ Members: Fee waived
        Non-members: $20 (Please see below)*

        * The cost of first-year membership is only $20. Membership includes a year’s subscription to SEJ’s quarterly magazine, SEJournal, access to the online directory of members, subscription to members-only discussion lists, discounts to SEJ’s annual conferences and more. To join:

        1. Apply to be a registered user of SEJ’s website. Go to www.sej.org, then click the “Need help?” link in the burgundy bar at the right near the top of the page. Once your user profile has been activated, you can access the online membership application. (New user accounts are usually activated the same day.)

        2. Access the online membership application, complete and click submit. SEJ staff will fast-track your application and, if you are accepted for membership in SEJ, send you the payment link for new members.

        You do not have to be a member to apply for the Fund for Environmental Journalism. The fee for non-members to apply is $20. If you decide not to join SEJ, click on the Non-member Grant Application Form, below.

        APPLICATION DEADLINES
        First round: July 15, 2010, for all forms, materials and payment to be submitted. Winners of round one will be announced by Aug. 1, 2010.
        Second round: Nov. 15, 2010, for all forms, materials and payment to be submitted. Winners of round two wil be announced  Dec. 15, 2010.

        For more details, please read the FEJ Program Guidelines.

        APPLY FOR THE FUND FOR ENVIRONMENTAL JOURNALISM

        SEJ Members Grant Application Form

        Non-member Grant Application Form

        Now accepting applications for the UnionDocs Collaborative for 2010-2011

        Hey folks. Very cool opportunity for multimedia folks. Details below.
        -mia

        +++++++++++++++++++++++

        The UnionDocs Collaborative (UDC) is a one to two-year program for twelve emerging media producers. It is both a rigorous platform for exploring contemporary approaches to the documentary arts and a process for developing an innovative group project. The program focuses on providing what we believe are the most effective educational resources for individuals at the beginning of their careers.

        This year, two AIR members were a part of the program: Tina Antolini (currently a producer for State of the ReUnion) and Shawn Wen (currently an intern at This American Life). They collaboratively produced pieces with 10 other participants from a wide variety of backgrounds: social justice filmmaking, 16mm film production, a PhD candidate from Portugal focusing on "Interactive Documentary", theater, photography and other fields. This year, the collaborative's work has been shown at MoMA in New York City and the Harvard Film Archive, as well as other venues.
        Right now, we're accepting applications for our 2010-2011 program. We are looking for both resident and non-resident collaborative members to begin this fall. The program will consist of master classes with visiting filmmakers, audio producers, artists, and professors, in addition to producing a year-long project.
        For an overview of the program, please visit: http://www.uniondocs.org/uniondocs-collaborative/

        And feel free to pass this along to anyone who you think may be interested. 

        And if you have any questions, feel free to email me off-list.
        Thanks all! 
        Kara 
        — 
        Kara Oehler

        Program Director
        UnionDocs Collaborative
        617.909.7782

        Sound Travels Intensive Aug 10-13, Toronto

        Cool conference for sound nuts. Details below.
        -mia

        ++++++++++++++++++++++++

        NAISA launches the second annual SOUND TRAVELS INTENSIVE
        August 10 – 13, 2010, $150 registration fee (note registration fee
        also includes a free Sound Travels concert pass)

        The Sound Travels Intensive is an opportunity for artists from across
        Canada and around the world to create and present new work in Toronto,
        exchange ideas with others, and hone electroacoustic skills with the
        guidance of a diverse group of world-renowned instructors. Four
        intense days of workshop sessions, private instruction and creative
        activity culminate in a public concert presentation at Toronto's
        Artscape Wychwood Barns. Participants must apply by Thursday July 30
        at 12 noon Toronto time to be eligible for a limited number of
        scholarship and billeting possibilities.

        On-line registration www.naisa.ca/eshops/eintensive.php

        Intensive Instructors:

        Marcelle Deschênes – composition and multimedia: A celebrated figure
        in the development of electroacoustic music and art, Marcelle
        Deschênes is a composer, multimedia artist, pianist and teacher. Her
        oeuvre is important not only for its pioneering nature, but also its
        diversity: multimedia performances, photography, video art;
        instrumental, mixed, acousmatic and application music; radio art,
        installation art, and animation/creation for non-musicians. Over the
        past 35 years she has concentrated primarily on the development of new
        forms of artistic expression that integrate music, new technologies,
        performing and visual arts and multi-disciplinary teamwork.

        Satoshi Morita – experimental recording and transducers: Berlin-based
        sound artist Satoshi Morita deals with issues of inter-sensory sonic
        experience. His sonic object "Sound Capsule" received an honorary
        mention at Prix Ars Electronica 2008 and has been exhibited
        internationally (currently at the Science Gallery in Dublin,
        Ireland). At the Sound Travels Intensive, Morita will deal with the
        use of transducers, and experimental field recording techniques.

        David Ogborn – interaction and programming: David Ogborn is the
        President of the Canadian Electroacoustic Community (CEC) and teaches
        digital audio and physical computing at McMaster University, where he
        also directs the Cybernetic Orchestra. Recent artistic highlights
        include Metropolis (live electronics + silent film), Opera On The
        Rocks (opera with live electronics and video) and Waterfall (a
        collaboratively-produced interactive video sculpture at the 2010
        Olympic Games).

        Eldad Tsabary – electroacoustic ear-training: Eldad Tsabary is a
        professor of electroacoustic music at Concordia University in
        Montreal, where for the past five years he has been developing a new
        aural training method for electroacoustics, based on perceptual and
        educational research. His compositions have received prizes and
        mentions in several international competitions including Bourges,
        Miniaturas Electroacousitcs, ZKM, Harbourfront, and others. Recent
        artistic highlights include From My Home to Your Home (a telematic
        duet with David Eagle for Deep Wireless 2010), Tikkun Nefesh for
        trombone and electronics (commissioned by trombonist Haim Avitsur),
        and Homo Religiosus (an interreligious piece containing prayers and
        interviews from five places of worship). Eldad is the Treasurer of the
        Canadian Electroacoustic Community.

        Darren Copeland – sound recording and transformation: Darren Copeland
        is a soundscape composer, radio artist, sound designer and concert
        producer. He has studied electroacoustic composition under Barry Truax
        (Simon Fraser University) and Dr. Jonty Harrison (University of
        Birmingham). His concert works have received mentions in competitions
        (Vancouver New Music, Luigi Russolo, Hungarian Radio, La Muse en
        Circuit, and Phonurgia Nova) and appeared on compilation CD releases
        (Storm of Drones, Radius #3, DISContact I & II, Lieu – Non Lieu, and
        Soundscape Vancouver). The CDs Rendu Visible and audio DVD Perdu et
        retrouvé, devoted to his work, are available on the empreintes
        DIGITALes label.

        Rob Cruickshank – DIY electronics and circuit-bending: Rob Cruickshank
        is a Toronto-based multidisciplinary artist whose works often include
        custom electronics. He has developed many workshops to assist artists
        with learning technology, and is the creator of the NAISAtron
        instrument kit for New Adventures in Sound Art. He plays in the audio/
        visual collective i/o media and is a long-time member of the Board of
        Directors of InterAccess Electronic Media Arts Centre. Recently he
        has been working with MusicWorks magazine to create a series of DIY
        articles.

        www.naisa.ca/eshops/eintensive.php
        ___________________________________________________________
        NAISA Inquiries & general information:

        Nadene Thériault-Copeland
        Managing Director
        New Adventures in Sound Art
        Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON
        M6G 4C7
        Tel 416 652 5115
        www.naisa.ca

        When Good Soldiers Do Bad Things book reading, July 6, 6pm, SF

        Hey folks. One of our own has just released a book – please come out in support at her next reading. Details below!
        -mia

        Tortured: When Good Soldiers Do Bad Things

        July 6th
        Book Passage in SF’s Ferry Building
        6 pm

        http://www.bookpassage.com/event_detailed.php?id=3353


        An eye-opening exposé of America’s torture regime

        Myths about torture abound: Waterboarding is the worst we’ve done. The soldiers were hardened professionals. All Americans now believe that what we did was wrong. Torture is now a thing of the past. Journalist Justine Sharrock’s reporting reveals a huge chasm between what has made headlines and what has actually happened. She traveled around the country, talking to the young, low-ranking soldiers that watched our prisoners, documenting what it feels like to torture someone and discovering how many residents of small town America think we should have done a lot more torture.

        Tortured goes behind the scenes of America’s torture program through the personal stories of four American soldiers who were on the frontlines of the “war on terror,” including the Abu Ghraib whistleblower. They reveal how their orders came from the top with assurances that those orders were legal and how their experiences left them emotionally scarred and suffering a profound sense of betrayal by the very government for which they fought.

        • Based on the firsthand accounts of young, working-class soldiers who were forced to carry out orders crafted by officers, politicians, and government lawyers who have never answered for their actions
        • The Department of Justice may still launch an investigation into torture under Bush—and Sharrock argues it must be done
        • Shows how it feels to torture, and how people back home reacted to their revelations

        If reading Tortured doesn’t make you angry, nothing America does to tarnish its reputation as a beacon of fairness and freedom ever will.

        You can pre-order it from Amazon here or at your local indie bookstore here

        Wiley, June 2010, ISBN: 978-0-470-45403-9

        You can also preview it through Google

        Far-flung producers sought for quick turn-around audio demo project

        Anyone traveling at the moment and can handle this request from Radio Lab? Or know someone who can? Details below.
        -mia

        +++++++++++++++++++++++++

        Radiolab is looking for a few folks to help us with a demonstration of a study.

        We're seeking reporters in Africa, Asia, South America and the Middle East who are either FROM that region (and sound like it) or can work with a local collaborator. (We've already got Europe and Australia covered.) Must have good equipment (i.e. flash recorder and shotgun) and be able to upload tape to an FTP by the end of the week. Should be an hour of recording plus transfer/upload time. We'll pay $150.

        Contact me today and include your location and the recording equipment you'd use. Write to EHorne@wnyc.org.

        Thanks!

        Ellen

        next FC gathering at Beer Revolution, 7/24, 6:30pm Oakland

        Join Freelance Cafe For A Beer Revolution Next Thursday

        Please join the Freelance Cafe on June 24 in celebrating the 2010 summer with a relaxing social event at Beer Revolution in Oakland. We'll toast to long, warm nights, meeting our deadlines, and any exciting new projects we're working on. 

        Located in Old Oakland, one of our favorite neighborhood districts, Beer Revolution features outdoor seating, a fine craft beer selection, and reasonable prices. Since there's no food menu, feel free to bring your own munchies. Also, the spot is surrounded by restaurants. A vegan soul eatery next door, Souley Vegan, delivers orders right to your table upon request (yay!). Beer Revolution is located at 464 3rd Street (between Washington St & Broadway). The 12th Street BART station is but a stone's throw away.

        Check them out at: www.beer-revolution.com

        See you at 6:30 p.m.!

        For additional information, please contact Jennifer Inez Ward at 510.393,7544 or jennifer.wrd@gmail.com

        Short-term CWA jobs available now

        Hey all. This from the Freelance Media Workers Guild – earn a few extra bucks for journalism-type work. Details below.
        -mia

        +++++++++++++++++++++++

        CWA is seeking people to do short-term organizing work in San

        Francisco — particularly, folks conversant in Tagalog. The work is a
        good fit for anyone with journalism skills and offers quite decent
        pay.

        It involves walking around UCSF campuses, finding offices and
        departments, locating specific people and collecting their
        signatures… If you've done any reporting, much of this will feel
        really familiar.

        Hours are pretty flexible, so you can work in freelance jobs. Also,
        they will give you an orientation and some basic training. Give it a try,
        and if it feels comfortable to you, you'll be asked to make a two-week
        commitment.

        Questions? Contact John Dugan at jdugan@cwa-union.org.

        Kind regards,
        Rebecca Rosen Lum
        Unit Chair, Guild Freelancers
        rrosenlum@gmail.com

        new podcast looking for pieces on architecture, urban planning

        Interesting opportunity from the Chicago Architecture Foundation – they're starting a podcast and are looking for stories. Pay is decent, content is pretty cool. Details below. -Mia

        +++++++++++++++++++++++++

        One Nation Call Outs

        The Chicago Architecture Foundation and radio host & producer Edward Lifson are developing and producing an ongoing weekly web and radio broadcast program tentatively titled One Nation, Under Construction. The program is about why the United States man-made environment looks the ways it does, and how that affects a person's life. It will engage people in learning the stories behind the building—conceptual and physical—of America’s spaces, places, and structures. Each week, the show will address a humanities theme through exploration of architecture, infrastructure, urban history, planning, and landscape. We are looking for producers of compelling, passionate audio stories about the built / man-made environment for the following segments:

        O Pioneers! Redux? A commissioned story about the following: young people are emptying out of the center of the US. In states such as Nebraska and Kansas, only the very elderly remain as young people seek opportunity elsewhere. How is this different from the pioneer days? A few elderly guests from Nebraska, the Dakotas, Kansas discuss why they’re staying in their homes and how they have witnessed change in the rural US…

        Dream House A commissioned story about the following: a family who bought what they thought would be their dream house, but it turned out to be a disaster. The dream house may be on the extreme fringe of the suburbs, in the city, etc. The story will surprise us, make us laugh, and connect humanities-based ideas about sprawl, cities, home.

        Mortgage Crisis A commissioned story about the following: many people have recently lost their homes in the mortgage crisis. In this segment a diverse group of people come together to discuss the fantasies and realities of home ownership and how the mortgage crisis has affected them. The group may include: a Mexican-American family, a retired schoolteacher, a real estate agent, a firefighter, etc.

        Please send your ideas, your pitches for any or all segments along with a sample of your work.

        Each segment will be 4-6 minutes and $400-$600 compensation, dependent on production process.

        Send all questions and pitches to Alyssa Kilroy: akilroy@architecture.org

        transition to freelancecafe.org

        Thank you all so much for the great feedback on freelancecafe.org – I really appreciate it. So what I’m hearing is that you like the email subscription option and you’re much more likely to read an email than check an RSS feed. Many of you would like a daily summary of the posts, and on the whole, you think the website looks pretty good. Excellent! So I’m ready to make the leap.

        Here’s how this is going to work. I don’t want to lose any of you, so I’m going to sign you all up for the email subscriptions myself. I’ll start with the folks who sent feedback and I’ll wait a week or so to make sure everything is working properly before I start adding the rest of you. Once I add your name to the subscribers list, you’ll get an email that looks like this:

        Click on the link and you should be good to go. Once I see that you’ve subscribed, I’ll take you off the regular email list so you don’t get duplicate emails. Should you decide that the email subscription is not for you, you can unsubscribe using the link at the bottom of any email you receive from Freelance Cafe. Oh, and the email subscription service is automatically a daily digest. It basically takes all the posts from that day and sends them out in email form. I can’t figure out how to change the frequency, so if you want more regular updates, just check the website itself.

        Should you wish to comment or ask a question about any of the posts, I encourage you to click through to the site and write your comments there. I believe any replies to the subscription emails will come to me, but I’d love to generate a bit more conversation on the site itself.

        As always, please continue to forward on any relevant events, workshops, award/fellowship/job opportunities, resources, anything you’d like to share with your fellow freelancers. I absolutely depend on you all to keep this thing going. And please continue to send your feedback on the site itself. I really appreciate any advice/suggestions/etc..

        Finally, in addition to the email subscription, all posts are forwarded to FC on Twitter and Facebook. So follow us, friend us, help spread the word. FC has gone all social media on your ass. 🙂

        Thanks guys. Hope you like the new digs.

        multiple, part-time AP positions available at WNYC’s The Takeaway

        This is an exciting new show, with lots of support from lots of big players. I believe you have to be in NYC for these gigs, but you never know. Details below! -mia

        http://www.thetakeaway.org/
        http://www.wnyc.org/jobs/listings/

        ++++++++++++++++++++++

        GENERAL SUMMARY
        Co-producers WNYC and PRI — in collaboration with the BBC World Service, The New York Times, and WGBH Boston television and radio — are reinvigorating morning drive. The Takeaway is a new multi-platform national morning drive news program that is creating a new model for morning news and public broadcasting in the 21st century. The show is rooted in the values public radio is best known for — highly credible journalism, depth and context — but breaks out from the medium’s conventionally packaged sound. The project features live conversation, reporters in locations around the world, a cast of regular contributors, audience interaction, a website and distributed content, and video. The show is live, delivering national and international news and cultural stories through a conversational and unprecedented personality-driven format.

        About the position:

        The Assistant Producers will be responsible for operating all broadcast audio equipment associated with the live production of the show. The hires will be instrumental in maneuvering the fast-paced and high-intensity environment of a live national radio show. Under the direction of the Technical Director, the assistant producers will play a significant role in the sound and technical aspects of the show. Much of the work on the program will take place during early morning hours.

        Job responsibilities include but are not limited to:

        • Digital editing of recorded radio segments for use in live broadcast
        • Podcast production
        • News/Music/Television editing for broadcast
        • Assist producers with digital audio production
        • Assist with show guests/live production of the show under supervision of Director and Line Producer
        • Comply with all WNYC/WQXR and show policies and guidelines
        • This position requires use of a computer, telephone and other office and/or broadcast equipment; ability to communicate effectively through a variety of methods
        • Ability to work extended hours as needed
        • Work on other special projects and other duties as assigned

        Qualifications:

        • Bachelors Degree required
        • Minimum of 1-2 years of Journalism/Media/News background strongly preferred
        • Must be able to successfully problem-solve and multi-task under pressure of live broadcast
        • Digital audio editing experience required; Cool Edit/Audacity, Easy Track and/or DAVID experience, ProTools, Audition, Ableton, others accepted
        • Knowledge of different styles of radio programming required
        • Strong audio editing skills required
        • Practical knowledge of computers, computer systems, and associated audio interfaces
        • Requires ability to take direction and complete tasks as assigned within specified timeframes
        • Ability to meet objectives under (often intense) deadline pressure required
        • Excellent communication skills—both oral and written—with an impressive reputation for building and maintaining relationships with people at all levels of an organization, across a diverse range of cultural, generational, ethnic, racial, educational and social backgrounds

        • Requires the intellectual and emotional depth, maturity, self-confidence and interpersonal skills to work effectively and/or interact with the other Takeaway staff, executives at WNYC, colleagues, vendors and guests as needed

        To apply for this opportunity, please submit a cover letter, salary requirements and resume online to jobs@wnyc.org with "P/T Assistant Prod, TT" and your last name in the subject line.

        WNYC must receive all information requested in order to consider your candidacy.

        Qualified candidates only please. No calls, no third-party submissions.

        Due to the high volume of submissions, we are able to respond only to the candidates selected for interview. We appreciate your interest in employment with WNYC.

        WNYC is an Equal Opportunity Employer and invites and encourages qualified applicants from all walks of life.

        online resource for Non Profit Law

        This is primarily for non-profits but I'm sure there's some valuable material here for freelancers. Check it out.
        -mia

        +++++++++++++++++++++

        The Chronicle of Philanthropy posted this link to a new web site called LawForChange, that offers information and resources about legal issues affecting nonprofit groups in areas including fund raising, lobbying, governance, and taxation.

        the group that runs it works with a national consortium of law firms from all around the country, so they can assist with local issues as well a national concerns. 

        looks like it's worth watching.
         

        http://www.lawforchange.org/lfc/default.asp

        Call for submissions NAISA

        New Adventures in Sound Art (NAISA) is a very cool arts org based on Toronto. They have an annual festival (a few actually) and are looking for radio/music/sound/multimedia submissions for 2011. Definitely worth checking out. Good luck! -Mia

        ++++++++++++++++++++++

        Current Calls for Submissions

        2010 Calls For Submissions on the theme ABOUT TIME
        Categories:  Radio Art, Electroacoustic Music/Sound Art, Videomusic and Installation Art
        September 30, 2010 Deadline

        2011 marks the 10th anniversary of NAISA’s Deep Wireless and SOUNDplay festivals and so it is an opportunity for NAISA to both reflect on the past and look ahead to the future.  With this in mind, New Adventures in Sound Art invites artists of all ages and nationalities to submit works on the theme ABOUT TIME for consideration in New Adventures in Sound Art’s 2011 programming for its annual Deep Wireless, Sound Travels, and SOUNDplay festivals presented in Toronto, Canada. Artists may submit works in one or all of the following four categories (Note: please send separate submissions for each entry). 

        Preference in programming will be given to works that respond in some way to the theme ABOUT TIME. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component.

        Artists may submit works in one or all of the following four categories (Note: please fill out one on-line submission for each entry):

        1) Radio Art
        2) Electroacoustic Music & Sound Art
        3) Videomusic
        4) Installation Art

        1) Radio Art (for Deep Wireless)

        The Radio Art category is for works conceived for radio or that use radio and other wireless technology in their creation and that play with the medium. Special consideration will be given to 1 minute radio art pieces for broadcast as well as 1 page proposals for collaboration on translocal and network performances.

        Pieces will be selected for broadcast within Canada and on several international radio stations in May 2011 as part of the Deep Wireless Festival of Radio and Transmission Art.

        Both Canadian and International radio art submissions will be considered for inclusion in the following:

        -The Deep Wireless 8 radio art compilation CD
        -The Radio Art Interventions (1 minute pieces played guerilla-style on radio stations during the Deep Wireless festival)
        -The Radio Art Salon – a listening gallery of radio art works exhibited for the month of May.

        2) Electroacoustic Music & Sound Art (for Sound Travels & SOUNDplay)

        The Electroacoustic Music & Sound Art category is for multi-channel and stereo works conceived for concert performance or presentation in the Sound Travels Festival of Sound Art and SOUNDplay festivals. Preferred formats for performance presentation include 5.1, octaphonic, 12 and 16-channel formats in both acousmatic (tape), live, and mixed formats. Please indicate in the notes the intended format of presentation and any required instrumentation or specialized equipment.

        3) Videomusic (for SOUNDplay)

        The Videomusic category is for works that explores non-narrative abstraction with equal emphasis on sound and image. Submitted works will be considered for video screenings with either stereo or multi-channel playback for screenings in either a performance venue or a small-size gallery alongside other works selected from this call for submissions.

        4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)

        Installation proposals of previously realized works for site-specific and gallery installations will be considered for presentation as part of Deep Wireless, Sound Travels or SOUNDplay. Site-specific works can be for indoor or outdoor locations. Works can use multichannel or single channel playback and may incorporate any number of media, but must feature original sound as a primary element.

        Preference will be given to small to medium scale interactive works that appeal to all ages. Please note that almost all of NAISA's exhibition locations are multi-use venues and often require works to be moved and re-positioned on non-exhibition days. Also attach a list of the necessary equipment required to mount the installation and which of these items can be supplied by the artist. Submissions should include audio, video or audio-video documentation of previously realized versions of the work.

        Submission Guidelines

        Please complete in full the online submission form by midnight on September 30, 2010 and submit by post your submission materials (postmarked September 30, 2010) to:
        New Adventures in Sound Art
        601 Christie Street #252,Toronto, ON, M6G 4C7, Canada.

        Click here to begin online submission.

        Once you have completed the on-line submission, you will be provided with a submission number. Please include this number, along with your full name, when mailing in your CD or DVD. For multichannel works, please include a stereo reduction for reference purposes only. For video works, please include a DVD copy for reference only. Screening and multi-channel masters will be requested later if the work is to be programmed. For installation works or performance proposals, please attach a list of required equipment with indication of equipment that can be supplied by the artist.

        Materials will not be returned. Please don't send original copies.

        NAISA Inquiries & general information:
        Nadene Thériault-Copeland
        Managing Director
        New Adventures in Sound Art
        Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON
        M6G 4C7
        Tel 416 652 5115
        www.naisa.ca

        Craigslist Foundation Boot Camp, Aug 14, UC Berkeley

        Hey folks. I went to this bootcamp a few years ago and found it pretty worthwhile for the cost. It's mostly about starting and managing non-profits but there was a lot of useful info about collaboration, marketing, and general biz methods. Plus there are a ton of networking and story-finding opportunities. Check it out.
        -mia

        ++++++++++++++++++++++++


        Boot Camp Earlybird Registration through June 30
        Tickets start at just $75. Ten reasons to
        register now for Boot Camp:

        1.   an action-packed day with inspiring leaders, live music, and hands-on workshops

        2.   morning keynote
        3.   four breakout sessions (select from more than 36 topics in three tracks)

        4.   afternoon closing panel featuring Craig Newmark

        5.   yummy food (breakfast, lunch and snacks)
        6.   access to exhibit plaza with exhibitors, activities, facilitated networking, bookstore and more

        7.   a half-hour, private coaching session with a Coaches Training Institute coach ($150 value)

        8.   facilitated, "everyone is an expert" activities
        9.   post-event cocktail party at The Hub Bay Area
        10. networking with peers, colleagues and fellow change-oriented, passionate professionals

        Back to top

        Volunteers Needed
        Volunteers make Boot Camp happen! For instance, Buckley White, a critical marketing volunteer, put together our first newsletter last week. And Clayton Gaddis is seeking in-kind donations. Thanks to Clayton, Clif Bar, Adina World, Hansen and others will keep your appetite sated on Aug. 14! We are so thankful for Buckley and Clayton's support. If you'd like to join our volunteer team, in advance or on the day of the event,
        learn more here.

        Back to top

        Everyone is an Expert at Boot Camp
        With an emphasis on fun and lively interaction and a belief that everyone is an expert, this year we are introducing two new types of facilitated activities to empower attendees to identify additional challenges and solutions, and share knowledge in a collaborative environment.

        One new activity will be the Tech Campfire, where we invite you to propose a burning tech issue and then provide facilitators to address YOUR questions in a one-on-one or small group format.

        The other is the Idea Bazaar, a free exchange of ideas loosely scheduled into mini-sessions. You are the experts. Some will be group problem solving exercises, others will be about sharing on-the-ground experiences and solutions to collaborative educational experiences. It's up to you.


        If you have a burning tech question or mini-session idea then please let us know! We have set up online forms to gather your suggestions. Share your ideas for
        Tech Campfire or Idea Bazaar topics.

        Back to top

        Boot Camp Presenters Author Two New Books
        Veteran Boot Camp presenter and social media guru Beth Kanter has co-authored a new book,
        The Networked Nonprofit. Coming out June 21st. Join a virtual book launch and support Cambodian kids.

        Peter Block and John McKnight, both best-selling authors and experienced community builders, have authored, The Abundant Community: Awakening the Power of Families and Neighborhoods.

        Beth, Peter and John will each speak about their book topics and more at Boot Camp. Don't miss their workshops. Read more about Beth's session. Read more about John and Peter's session.

        Back to top

        Proud to Announce New Partnerships
        We believe everyone should work together to build stronger communities.  For the first time, Boot Camp has collaborated with our partners to create sessions that demonstrate the power of ALL sectors to empower and enrich communities. Partners include
        International City/County Managers Association (ICMA), Urban Libraries Council, Institute of Museum and Library Services (IMLS), Center for Nonprofit & Public Leadership – Haas, UC Berkeley, and HandsOn Network. In their powerful Boot Camp sessions, these partners and others will discuss how they work with the nonprofit and business communities to jointly build stronger communities.

        Back to top

        Coaches Training Institute Special Offer for Boot Campers
        All Boot Camp registrants are eligible for $200 off Coaches Training Institute's Co-active Fundamentals Course just for attending! Please call 800-691-6008 to register and mention "BootCamp2010".

        Back to top


        2010 Knight-Batten Awards, deadline June 11

        side bar, three days left to apply

         

        Knight-Batten Awards for Innovations in Journalism

        The awards recognize news and information ideas that significantly enhance opportunities for digital engagement.

        $10,000 Grand Prize and $6,000 in Special Distinction Awards

        Click Here to Apply

        There is a $40 application fee per entry. The Knight-Batten Awards are funded by the John S. and James L. Knight Foundation.

        Deadline: Friday, June 11, 2010

         

         

        looking for feedback on freelancecafe.org

        Hey folks. Over the past few months I've been building up freelancecafe.org in the hopes of sending all posts through there rather than through this email list. I have it set up so you can still receive the posts via email, in addition to standard RSS feeds, etc. You can also unsubscribe more easily. Most importantly, you'll be able to comment and interact more easily with fellow freelancers. But before I make the official switch, I'm hoping a few of you could volunteer to check out the website and send me some feedback. Here are some questions I'm hoping to answer:

        – Do you like the email subscription service? How does it compare to a standard RSS feed? Would you be more likely to get posts through this email service or through a standard RSS?
        – Does the site include all the normal stuff you seek from a website? What's missing? Anything not necessary or unclear?
        – I currently have all the comments moderated since I've been getting a lot of spam. How do you feel about that? What makes you comment on a website?

        Any and all comments would be greatly appreciated. Also, if you have a website and want a link in the right hand column, send it along and I'll add you.

        Really looking forward to your feedback.
        Best,
        Mia

        newsdesk.org seeks interns, SF

        Hey folks. I think I'm changing my policy about posting unpaid internship opportunities. For folks just starting out I can't think of any better way to get a foot in the door for future paid freelance gigs. That's how I did it. Obviously I will do my best to find paid positions, but I think it's worth putting these other options out there. This one from Newsdesk.org. Check it out!
        -mia
        freelancecafe.org

        +++++++++++++++++++

        Newsdesk.org is seeking interns to help craft its "News You Might Have Missed" editorial mission. Work opportunities include Web research, online publishing (including social media), and bylined writing.

        We are based in downtown San Francisco, and are grant funded by the Ethics & Excellence in Journalism Foundation. For more information, visit us online at: http://newsdesk.org/

        Intern Tasks:

        • Work with seasoned news reporters and editors, learning to use search-optimized tools such as hypertext (links), images and video to maximize exposure and reach.

        • Research, write and publish articles online.

        • Use social networking tools such as Twitter, Facebook, Digg, Reddit, StumbleUpon, and etc., to distribute our news.

        Work Requirements:

        • Four hours per day, up to four days per week

        • Interns will work in-office depending on computer availability. Telecommuting is also possible with check-ins via Skype, Yahoo Messenger, iChat, etc.

        Coverage Areas:

        Newsdesk.org covers "important but overlooked news and underserved communities," and uses a simple matrix in deciding what its news mix will be. Stories and research should fall under one or more of the following areas:

        • Democracy, Economy, Environment, Nation, Public Health and World. Subcategories include water, energy, agriculture, elections, media, education, justice, arts/culture, public health, etc.

        • Communities and geographic regions include, but are not limited to: China, Latin America, the Indian subcontinent, women, Africa, African Americans, Asian Americans, Latinos, the elderly, children and artists.

        Compensation:
         
        This is an unpaid opportunity. Interns will develop online-publishing skills directly applicable to today's media-job market. We are glad to arrange for academic credit.

        TO APPLY:

        Send your resume and three writing samples to George Shirk, Editor, via e-mail to editor@newsdesk.org.

        NYU’s Open Video Conference seeks proposals

        Something for you video folks. NOTE: deadline for proposals is June 7th. Sorry for the short notice! I forward them as I get them.
        -mia

        +++++++++++++++++++++

        I’m writing on behalf of the Open Video Alliance, in preparation for our Open Video Conference in New York City, October 1-2. OVC is a high-profile gathering of thought leaders in business, academia, technology, and non-profits to explore the future of the online video medium. CFP: Open Video Conference proposals deadline: June 7th

        Apologies for any duplication, but the deadline is soon…

        This year’s OVC is particularly important, given new technology developments.

        If you are interested in the critical debates around online video, participatory culture, and the mass media generally, you may be interested in participating. Details from last year’s event are available at http://openvideoalliance.org/<wbr>open-video-conference/<wbr>speakers09/.

        If you have an idea for a panel, workshop, or any other programming, please take the time to suggest it at:

        http://openvideoconference.<wbr>org/proposals

        We will offer travel funding to a number of participants. The deadline to propose a session is June 7th.

        Please feel free to pass the message along to friends and colleagues who are interested in online video and the open web.

        Best wishes,

        Ben MoskowitzGeneral coordinator, Open Video Alliance

        http://openvideoalliance.org <http://openvideoalliance.org/<wbr>>  <http://openvideoalliance.<wbr>org/>

        Contact: (714) 420-6471

        TAL looking for ideas

        Hey folks. Here's the latest request for pitches from This American Life. Good luck! -mia

        ++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We've got a new round of themes-in-progress and we're coming to you for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that

        particular show. The idea of doing it this way is just to get through
        pitches and get back to everyone a little more quickly.

        Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

        Thanks so much for your pitches. All of us here are very appreciative.

        Best,
        Julie
        (julie@thislife.org)

        FIRST CONTACT: Inspired by the Star Trek movie that I’ve actually never seen, we’re looking for stories about first meetings or beginnings with an “other,” alien or otherwise. Actually, alien would be awesome because we don’t actually have any alien stories for this show yet (yet!) but we are working on a story of an American man who, for the last seven years, has spent four hours every Sunday morning talking with three brothers in Iraq he has never met in person. In another story, a boy recounts how he tried very, very hard to get his first kiss. We’re looking for more stories about the beginnings. Maybe a story about a person who is just truly great at

        making first impressions but things go south after that? Or a story about the first time having to do something? The first time technology comes to a place? Is there a profession or field that specializes in “firsts’? Science stories would be great for this show, too.

        SOCIAL CONTRACT: This is a show that is coming up soon and is pretty much filled, story-wise, but we are looking for a little help with the opening, or “top” story to the show. We’d like to talk about how various municipal and state legislatures across the country are beginning to say we need to fundamentally rethink what government can do and fund. We’d like to get to this idea by playing clips of speeches, press conferences, city council meetings, school board meetings, and the like, where legislators suggest that maybe government just can’t provide the services we’ve come to expect. We’d like these clips to come from all across the country and from a variety of different governmental bodies so if you have suggestions on any quote you’ve read in the news or heard at a meeting or anything, will you let us know? We can track it down and get the audio if you can just point us in the right direction. Thank you so much.

        STICKING IT TO THE MAN: We really love this one story about a toddler who seems to express – in a not-very-subtle way – all of our collective frustrations with our American leaders, so we’d love to do a whole show about big and small attempts to punish the people in charge. We’d like a story that gets at current frustrations with political leaders and maybe we do that through Tea Partiers (what? It isn’t 2009?) or different social and political movements or with specific candidates that seem to shed light on the general dissatisfaction a lot of citizens are feeling now. But we’d also love non-political stories, too. Great “sticking it to the man” stories seem to be about people who justify their bad behavior in the name of righting a wrong, or in pursuit of a larger good. A great story for this show would be one from “the man’s” perspective – maybe a boss who is forced to learn a lesson? Or a company that realizes it’s in the wrong? Stories about vengeance would be nice for this show.

        GOOD COP, BAD COP: Stories about using both brute force and sweet persuasion to get what you want. Classic parenting stories would work well for this show, along with workplace stories. Maybe a story where the players actually decide ahead of time who gets to play what role. We’d really like a story where someone tries a bunch of different ways to get what they want, kind of going through a bunch of approaches to get to the end. Or a story about two people on opposite sides of an issue. Or a story where two people in conflict both believe they’re playing the role of good cop. A “wolf in sheep’s clothing” kind of story would be particularly nice for this show, where something that is purportedly a force for good is actually evil in disguise.

        DREAM ON: A woman who has had cancer for the last 22 years and has grown, understandably, a little cynical about new treatments, new therapies and new discoveries, dares to ask the question: how close are we to finding a cure for cancer? In another story, an architect who briefly believes one of his buildings may have caused the deaths of several people in a horrible collapse, now devotes all his energy to designing buildings with absolutely no environmental impact. We’re looking for more stories about people looking to accomplish things that seem impossible. Just because of the cancer and building collapse, though, a lighter, maybe-kinda-funny story would be really, really nice for this show. Maybe a story about starting a ridiculous business or venture? Or someone who has a vision that they can be the kind of person they most decidedly are not? Maybe a story about a political candidate with a very specific agenda? Short fiction could be really nice for this show, too.

        CRY BABIES: We’d like to do a show about people who have out-of-proportion responses to perceived wrongs. There’s always one cry baby – one member of the family or one person in the office. And what’s so galling is that being the cry baby almost always works. For a short-term strategy, it’s kind of brilliant. It’s just in the long term that it gets really annoying. So we’d love to do a show about a person or an organization or institution where the go-to move is to cry “victim.” And how frustrating that can be, dealing with someone like that. Also, a story told from the “cry baby” perspective would be great, too, because it can also be such an unfair label, undercutting any argument or motive. Political stories, obviously, could really work for this show but family stories would also be great.

        ***** Julie Snyder
        Senior Producer
        This American Life
        153 W. 27th Street, #1104
        New York, NY 10001
        (212) 624-5012
        julie@thislife.org

        Bastiat prize 2010

        In the words of the person who sent me this, here's a "weird but good one." Indeed – both weird and good. Go for it!
        -mia

        ++++++++++++++++++++++++

        The Bastiat prize 2010 is now open for entries.

        IPN's Bastiat Prize for Journalism was inspired by the 19th-century French philosopher and journalist Frédéric Bastiat.

        The prize was developed to encourage and reward writers whose published works promote the institutions of a free society: limited government, rule of law brokered by an independent judiciary, protection of private property, free markets, free speech, and sound science.

        The reward for this year's prize is as follows:

        Bastiat Prize for Journalism
        (First – $10,000; Second – $4,000; Third – $1,000)

        Bastiat Prize for Online Journalism
        (One winner only, $3,000)


        The deadline is June 30th. If you are interested in entering this prize then please let me know.

        For more information please read attached document or click on the link.

        http://www.policynetwork.net/bastiat-2010-announcement

        default icon2010 Rules for Bastiat Prize for Journalism.doc

        internships with State of the Re-Union multimedia broadcast

        Once again, I don't usually post unpaid gigs, but this is a great up-and-coming show and I learned a whole lot doing internships/transcription in between paid jobs when I was starting out. Give it a look. -Mia

        +++++++++++++++++++++

        State of the Re:Union (SOTRU) is a dynamic, multi-faceted public media show that travels to different American cities to explore what makes a community, discover the people who bring it together and understand the issues they face. Combining hour-long radio episodes with documentary shorts, video podcasts, images, music and written articles, our show strives to immerse our audience in new and exciting ways. Co-distributed by PRX and NPR, our nationally-aired show is currently producing our fall season and looking for talented interns to lend a hand.

        SOTRU currently has three openings for interns, and relocation is not required. Interns will mainly be responsible for transcribing audio interviews as well as other special projects that include story research, podcast production, scheduling interviews and making contacts.
        These unpaid positions allow you to work remotely and provide the unique opportunity to listen in on editorial calls with our host, content editor and radio producers.
        To be considered for this internship, you should have a strong creative background, solid editorial skills and be able to take direction and work independently.
        If interested, please submit your resume to:

        Brie Burge, Business Manager

        Thank you for your interest in State of the Re:Union!

               

        The Awesome Foundation — $1,000 grants for your awesome idea

        This is legit, folks, with branches in NYC and SF among other places. One word: awesome. Most definitely go for it! -mia

        ++++++++++++++++++

        Forwarding the interest of Awesome in the universe, $1,000 at a time.

        • Funding for your project

          Need some funding for your crazy brilliant idea? We award $1,000 grants every month. It couldn't be simpler. Apply now.

        • No strings attached

          Your idea is yours alone. We don't want a stake in it. We just want to help you make it happen. Learn more.

        • It's spreading

          We started in Boston, but chapters are sprouting up around the world, including Providence, New York City and San Francisco. Want to help start one in your city? See how.

        next HV freelancer gathering, Thursday June 3, 7:30pm, Tivoli

        Hey all. Something a little different for the next freelancer gathering. Eileen McAdam, an HV freelancer and radio colleague is giving a talk at the Tivoli Bay Visitor Center on Thursday and I'd love some company. Drinks and food after at a place TBD. (Give me a call if you can't make it to the talk but want to join us after. Or just come to Tivoli and find us – oh the joy of a very small town.)

        Thursday, June 3
        7:30-8:30 PM (followed by food/drinks)

        Tivoli Bays Talks: River Voices, Hudson Valley Sounds & Stories, Eileen McAdam, Sound & Story Project
        Tivoli Bays Visitor Center, Tivoli, Dutchess County. For more information: 845-889-4745 x105

        Hope you can join us!
        Best,
        Mia
        845-444-4034
        freelancecafe.org

        Reminder – FC event TONIGHT at TiCouz, 6:30pm, SF

        Don't forget the FC monthly gathering TONIGHT in SF! Hope you can make it. -mia
        freelancecafe.org
        FC on Twitter
        FC on Facebook

        ++++++++++++

        Please join us for our May Happy Hour at Ti Couz Restaurant (3108 16th Street, San Francisco) tonight at 6:30.  If you haven't already RSVPed to Jen, please drop a line to rori@freelancecafe.org.  Also, please bring enough cash to cover your crepe and drink + about 30% for tax and tip. See you there!

        -Rori
        415-730-7380

        2 minute survey can create money for Spot.Us reporting

        Hey all – this is from the folks at Spot.Us. They’re creating an entirely new model for funding independent reporting, and this is one way to help make it happen. I did it. It was strange, but satisfying. Kind of like Kiva.org for freelance reporters. Check it out! -mia

        ++++++++++++++++++

        With less than 2 minutes and 4 clicks you can help independent freelancers make money…for free! You can raise a free $5 to help the reporter of your choice tackle an independent reporting project via Spot.Us. You’ll also get a quick peak at an innovative sponsorship model.1. Go to www.spot.us and hit “register” in the upper left h and corner.
        2. Click the large button that says “Earn Credits”
        3. Take the quick survey.
        4. Your account now has $5 in credits and you’ll automatically be directed to a page that lists current Spot.Us projects. Click “Apply Credits” on the pitch of your choice.

        Once confirmed, you’re done!
        Thank you, thank you.
        Best,


        David Cohn
        http://Spot.Us
        http://twitter.com/digidave

        (310) 365-3600

        Snap Judgment – LIVE!, June 6, 5pm, SF

        Another great event happening in SF next week. This one from FC member Glynn Washington of Snap Judgment. Should be a fabulous show!
        -mia

        +++++++++++++++

        Join us for the taping of our first-ever TV show: “Snap Judgment: LIVE!” That’s right, the nation’s finest storytellers ROCK one stage for one night. This event will sell out . . . but you get first dibs!

        June 6th, Brava Theatre, San Francisco, 5 – 7:30 pm.

        After blowing up the NPR radio airwaves, Snap Judgment takes the magic to the stage! Amazing storytelling performances backed up by the bumping beats and stylistic tunes of the “Snap Judgment Playas.”

        Get your tickets now – brag to your friends later! Purchase tickets online at:

        http://www.brownpapertickets.com/event/113310

        Your ticket includes an after-the-show-up-close-and-personal beer and wine reception with the artists.

        **We will film this event, and might even put your beautiful visage on the television show!**

        Glynn Washington
        Host / Executive Producer
        Snap Judgment Underground Studios
        405 14th Street, Suite 900
        Oakland CA, 94612
        SnapJudgment.org

        415.250.2516
        “Snap Judgment.  Storytelling, with a BEAT.”
        Skype: gdwashington

        Book Release Party! June 16, 7:30 pm, SF

        Help one of our members celebrate the release of her new book. Details below! -mia

        ++++++++++++++++++++

        Please join me to celebrate the release of my book, Tortured: When Good Soldiers Do Bad Things. 

        There will be drinks, books for sale, and good times! 

        When:  Wednesday, June 16th at 7:30

        Where:  Homestead, 2301 Folsom  (at 19th Street) 
        I will be hosting readings at Modern Times, Book Passage and Alexander Book Co. (details are at justinesharrock.com) but the 16th will be pure celebration, torture free. 

        Kids’ Science Challenge needs video logger

        Hey all. Kids’ Science Challenge is looking for a video logger – budget and amount of work is negotiable.

        Check out http://www.kidsciencechallenge.com/ and email me with a quick note about your rate and qualifications if you’re interested/available. I will put you in touch with the right person.

        Thanks!
        -Mia

        PS: If you don’t know what a video logger is, this job is probably not for you.

        TAL request for pitches

        Latest request from TAL. Please note their pitch process in the third graf. Good luck!
        -mia

        +++++++++++++++++++++++++++++

        Hello This American Life contributors,

        Thanks so much for your all responses to our last theme list. Our next list will be sent out soon, and in the meantime, we'd like to get your input on a new theme-in-progress that will air in a couple weeks: "Held Hostage".

        The show will include a story about a radio station in Columbia that broadcasts messages from the family members of hostages to their captive loved ones. But we're also looking for stories that deal with less literal hostage situations people trying to escape or cope with whatever in their lives is keeping them captive. We're particularly interested in stories where the hostage situation is humorous or lighthearted. Or where the "hostage" is a thing instead of a person.

        A reminder of how this process works: When you send in a story idea, you'll get a generic email letting you know that we've read your pitch. If we think the pitch is right for the show, or if we need more information, you'll hear back from us. But if you don't hear back from us within two weeks from the auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

        Also, for this theme only, please address all your pitches to Ben Calhoun, (ben@thislife.org) and/or Lisa Pollak (lisa@thislife.org).

        As always, thanks so much for your pitches. All of us here are very appreciative.

        Best,
        Lisa and Ben

        Video Preservation Workshop at BAVC, June 7

        Valuable workshop on file digitization offered at Bay Area Video Coalition on June 7. BAVC is a great organization and the workshop price is pretty reasonable for this important info. Details below.
        -Mia

        ++++++++++++++++++++++++++++

        Independent Media Arts Preservation (IMAP)
        Presents a Workshop on Digital Preservation for Video
        Monday, June 7, 2010
        10 a.m. – 4:00 p.m.
         
        at Bay Area Video Coaltion (BAVC) in San Francisco, CA
         
        If content on analog videotape is to survive for the long term, the tapes must be digitized–moved from the unstable magnetic media on which the content is currently held, into the digital realm where–in theory–they can be preserved indefinitely and migrated forward as files rather than physical objects. 
         
        Digitization, however, means more than simply selecting a destination file format.  It requires a series of decisions that will determine the long-term viability of files created–and thus of the valuable video content. Workshop topics include: basic digital file creation, preservation and access file formats and codecs, software, storage and trusted digital repositories, workflows for digitization, and technical and preservation metadata. In addition, participants will examine case studies of small and large-scale digitization projects in order to understand real-world applications of principles introduced in the workshop.
         
        Presenter:  Linda Tadic consults and lectures in areas of digital asset management, audiovisual and digital preservation, and metadata.  She is Executive Director of the Audiovisual Archive Network (www.archivenetwork.org), and an adjunct professor in New York University’s Moving Image Archiving and Preservation graduate degree program, teaching two core courses: Collection Management, and Access to Moving Image Collections.  Ms. Tadic’s over 25 years experience working with and managing audiovisual, digital, and broadcasting collections includes the positions of Manager of the Digital Library at Home Box Office (HBO), and Director of the Media Archives and Peabody Awards Collection at the University of Georgia. She is the past Director of Operations for ARTstor.
         
        Workshop location: 
        Bay Area Video Coalition                                               
        2727 Mariposa Street, 2nd Floor      
        San Francisco CA 94110
        Phone: 415.861.3282                                                                       
         
        Workshop fee and registration:
        $100 IMAP and BAVC members
        $150 non-members
                                                      
        $50 artists and students
        Pre-payment is required with registration.  Space is limited. 
        IMAP programs are supported, in part, by the National Endowment for the Arts, the New York State Council on the Arts, and from individual contributions.

        Columbia Earth Institute travel opportunities for journalists

        VERY long list of international travel opportunities for journalists through the Earth Institute. NOTE: Journalists must pay their own way, but they do want to support coverage of their research. Check it out. Or click here if you want the pdf version from their website.
        -mia

        ++++++++++++++++++++

        Kevin Krajick
        Senior science writer,The Earth Institute
        The Earth Institute <http://www.earth.columbia.edu/>

        COLUMBIA UNIVERSITY
        MEDIA ADVISORY

        MAY 20, 2010

        Upcoming Scientific Travel Opportunities for Journalists

        Journalists are encouraged to cover expeditions by Earth Institute researchers, who work on every continent and ocean. Here are upcoming trips of potential interest, in rough chronological order (some dates approximate). Work in the New York City/Hudson Valley region is in a separate section below. Journalists may accompany scientists on a case-by-case basis; news organizations must pay for travel to sites.

        Unless otherwise stated, projects originate with our Lamont-Doherty Earth Observatory <http://www.ldeo.columbia.edu/>.   For those wishing to follow remotely, many teams post blogs on our State of the Planet pages <http://blogs.ei.columbia.edu/> .

        Go to our Media Advisory page: http://www.earth.columbia.edu/articles/view/2637, where updates also are posted.

        More info: Kevin Krajick kkrajick@ei.columbia.edu 212-854-9729.

        Kim Martineau, kmartineau@ei.columbia.edu 845-365-8708.

        PRPD RFP for Online Knowledge Base producer

        Interesting opportunity from the Public Radio Program Directors Association. Proposal deadline is June 4. Details below.
        -mia

        +++++++++++++++++++

        Goal:
        The Public Radio Program Directors Association Inc. (PRPD) seeks responses from qualified vendors and web developers to develop material for the Knowledge Base of www.prpd.org relating to current practices in and impact and dynamics of Digital Media related to programming in the public radio system.

        Background:
        A prime service to PRPD members is an online resource providing programmers with knowledge on a wide range of skills and practices associated with programming radio services. In 2005, we moved our PD Handbook from print to online and established it as the basis for a comprehensive Knowledge Base. With the rapid development and change in Digital Media as a key area of focus for public service media, the “placeholder” sections have become out of date.

        PRPD envisions this resource as a dynamic series of pages and links. The dynamism of this rapidly evolving field requires a different set of standards than our historic “established best practices” approach to radio skills. More appropriate will be more of a “best practices to date” approach, one that will reflect the current state of the art and be easily updated as practices evolve. We understand that whatever is developed will require continual monitoring and updating as we gain experience and learn what works best to serve audiences.

        Scope of Work:
        To develop within the PRPD.org Knowledge Base comprehensive resources covering the latest practices in Digital Media as related to public radio operations including, but not limited to:
        • Social media
        • Streaming audio
        • Podcasting
        • Web sites
        • News coverage in various platforms
        • Integration with on-air efforts
        • Mobile technology
        • Platforms and Apps and the dynamics of each

        Such knowledge may take the form of prose pages, links to existing knowledge and examples, case studies and/or audio/video, including incorporation of existing PRPD webinar recordings. We are open to alternate configurations that might fulfill the primary objective of helping programmers guide their decisions and aggregate the accumulating knowledge in these areas.

        Requirements for any responses to PRPD:

        Please provide the following:
        • Details on how you would support each of the requirements & features
        listed above.
        • Estimates for all costs involved.
        • Proposed timeline.
        • An outline of particular areas of expertise and experience that
        makes your proposal the best choice to provide PRPD.
        • Three references with whom we may contact concerning your past
        projects.

        Interested parties may write to info@prpd.org to request a temporary password to access the member restricted sections of the PRPD Knowledge Base to aid in preparing a proposal. Such password will expire on the submission deadline date.

        Selection Process:
        All RFP responses should contain a detailed description of how the prospective contractor will fulfill the requirements contained herein. Please do not send marketing brochures or “boilerplate” proposal materials.

        After reviewing RFP responses, PRPD may conduct interviews with candidates as necessary before awarding a contract.

        The deadline for submissions is Friday, June 4, 2010. Please send the proposal by email to Arthur Cohen, acohen@prpd.org with a cc to info@prpd.org.

        internship with great food editor/writer

        Hey all. So this is unpaid (I know, I know) but word is that it's worth it to have an opportunity to work with this guy. -Mia

        ++++++++++++++++++

        This is a link to an unpaid internship with a great food writer and editor, Scott Hocker (formerly of San Francisco Magazine, now of Tasting Table).  Someone who loves food who's just getting into the biz would really learn a ton from working with him. 

        MAPP seeks story artists for SF event, June 5

        KALW's Martina Castro is planning a very cool event on June 5 for the Mission Arts and Performance Project and she needs your stories. Details follow. -Mia

        +++++++++++++++++++

        Bringing Story Artists Together for MAPP

        KALW Senior editor, radio producer, and reporter Martina Castro is planning an event for the upcoming Mission Arts and Performance Project on June 5th and is looking for "story artists" who would like to be on the program and perform a story. You can email her at mariamartinacastro@gmail.com if you are interested, with an idea of what your story would be and how long you would need to tell it (also please note if you would require any special equipment).

        What is MAPP?

        If by chance you don't know about MAPP, it's a bi-monthly event on a Saturday evening when performances are organized around the Mission District, so that people can walk to and from local spaces — cafes, restaurants, people's homes — and get to see local artists perform and hopefully get to join in. The spirit of MAPP is for things to be informal and inviting to the community and for people who partake — an act of "cultural activism," if you will.

        What's special about this event?

        For her first event in MAPP, Martina wanted to create a celebration of storytelling in all of its forms and mediums, bringing radio producers, print journalists, photographers, alongside musicians and traditionally recognized artists to share in the art of what we ALL do — tell good stories.

        If you're a journalist, the idea is to bring one of your best audio or print stories, condense it to five or ten minutes (or less, if its super short, those are good too!) and either read it aloud or play it for the audience. The important thing would be to look for a way to create a live element to the story, perhaps you can cut out the tracks and read them aloud to a recording of your actualities…or think of an instrument that would sound good as a soundtrack and we can pair you up with a musician…feel free to be creative. 🙂

        For musicians/singers/visual artists the idea would be to bring a work that comes with some storyline that you can share. If you are an instrumentalist and want to participate, we can pair you up with someone who will be reading a story so you can provide live soundtrack.


        Martina needs to hear from you by Sunday May 23rd if you are interested in participating.


        Please pass this on to anyone you think would be interested, and if you cant make it or don't want to this time around, there are many other ways to help out!

        We are currently looking to borrow or rent the following materials:

        — microphone
        — microphone stand
        — big seat cushions that can be used outdoors
        — blankets that can be used outdoors
        — folding chairs

        — benches
        — candles
        — Christmas lights

        Freelance Camp SF, June 5

        Some of you may have attended the Santa Cruz freelance camp awhile back – now it's happening in SF! Details below. -Mia

        Your browser may not support display of this image.

        Freelance Camp Pro: San Francisco

        Saturday, June 5, 2010 | 8:00 AM – 5:00 PM

        Freelance Camp PRO San Francisco 2010 is a new twist on the established series of BarCamps for freelancers and independent contractors. If you have been running freelance business full time for a year or more and are looking to trade notes with peers, this is the right venue.

        Thanks to our very cool sponsors, the cost of Freelance Camp is only $50. Come ready to learn and, if you are up to it, ready to talk!

        Register for the Event Now!

        Space is limited to 120 people and we will close signup at that point so don't miss out.

        Event Details
        Location NextSpace San Francisco
        28 2nd Street, 3rd Floor
        San Francisco, CA
        Cost $50
        Included Breakfast, Lunch and cool schwag
        URL www.freelancecamp.org
        Stay Connected

        Stay connected leading up to and after the event via our Facebook Freelance Camp Page and on Twitter: @freelancecampsf.

        Who Should Come?

        If you sell your services (or are considering it), you are a perfect fit:

        • Developers
        • Designers
        • Marketers
        • Entrepreneurs
        • Writers
        • Bloggers / Journalists
        • Engineers
        • Lawyers
        • Financial advisers
        • Sales
        • Artists
        • Accountants
        Historically, the bulk of attendees have been from hi-tech. We encourage all types of owners to come to provide a balanced perspective to business.

        What To Expect

        We have based our events on the BarCamp format, which is a network of user generated participatory events whose content is fully provided by the participants. Anyone with something to contribute or with the desire to learn is welcome and invited to join. Here are some tips on how to prepare:

        1. Come with an answer and some questions to help make the agenda in the morning.
        2. Hang out with cool people and compare notes with other business owners in similar industries.
        3. Meet folks who can help your business and/or others whom you can help.
        4. Find potential clients, subcontractors and partners.
        5. Work together to figure out how we can all get more time and money out of our companies.

        Never heard of a bar camp? Here is a quick intro:

        BarCamp is an ad-hoc gathering born from the desire for people to share and learn in an open environment. It is an intense informational event with discussions, demos and interaction from participants.

        how it works | the rules

        What Will We Talk About?

        Here are some of the topics we imagine might surface. Of course, you the attendee will chose the topics on the day of the BarCamp:

        • Transitioning from Freelance to Agency
        • Balancing Products with Services
        • Running 100% Remote
        • Freelance Coops & Coworking
        • The Art of Subcontracting
        • Advanced Toolkits: PM Systems, Finance & Communication
        • Beyond the Basic Services
        • Long Term Clients

        Our Sponsors
        We have been blessed with a phenomenal outpouring of sponsorship offers this year so we wanted to give a quick shout out to some pretty special groups that are nurturing this year's event!
        Your browser may not support display of this image. Outright
        Outright streamlines the work involved with working for yourself; Outright.com will help you pay the right taxes, simplify accounting, and keep your business on track and growing. Created because freelancers struggle to capture business deductions, mileage, and manage contractors. Believing you spend way too much time on the least enjoyable part of your livelihood, Outright's goal is to make it simple; free bookkeeping on auto pilot.
        Your browser may not support display of this image.
        Pennbrook | CAIB Insurance Services
        Pennbrook | CAIB Insurance Services is a full service insurance brokerage located in downtown San Francisco who caters to business and personal clients. We anticipate their needs via risk management services and insurance products including property, general liability, directors & officers' liability, errors & omissions, bonds, workers compensation, employee benefits, individual auto, home & health. Since 1982, we have assisted our clients to understand their risks. We provide each client with a team of professionals including a single point of contact, risk manager, account manager and your own claims specialist.
        Your browser may not support display of this image.
        NextSpace
        NextSpace is the workplace for the new economy. We provide innovative physical and virtual infrastructure that freelancers, entrepreneurs, and creative class professionals need to succeed in the 21st century knowledge economy. In an increasingly disconnected world, NextSpace creates a collaborative community that is revolutionizing the nature of work. NextSpace produces several local Freelance Camps and co manages the global Freelance Camp movement with Shane & Peter.
        Your browser may not support display of this image. Shane & Peter
        Two people meet in a coffee shop while working on their laptops. They quickly discover that they have much in common and a great deal to learn from each other. A friendship is born. A partnership is forged. This is the story of Shane, Peter, and many other independent business owners throughout the world. This is a case study of a global phenomenon. Portable technology and wireless access to information have inspired a revolution in business practices. Highly skilled professionals are now in control of their schedule, their income, their work and their lifestyle. Our clients in turn get efficiency, accountability, superior quality and a passion for success. Our mission is to build a comprehensive network of independent contractors and to mediate their skills with the business needs of our clients. Shane & Peter are co-founders of Freelance Camp.
        Your browser may not support display of this image.
        24Seven
        24Seven is the leading talent recruitment agency for the biggest names in fashion, retail, beauty, marketing, advertising, and entertainment. We represent the best talent in the industries that we serve, and our recruiters have the professional experience necessary to guarantee clients that we make the right match for your business. With one call, we can fill the freelance or full time jobs you need-quickly and effectively. No request is too big or too small. No time frame too demanding. And true to our name, we're always here for you.

        Your browser may not support display of this image.
        Cosmic Design Company
        We are a creative design company based in the innovative surf-city of Santa Cruz, California. We are passionate about using creative design as an effective marketing strategy to help your business succeed. We work closely with you to develop a comprehensive brand strategy and think of creative ways to capture your passion and individuality in all aspects of your branding including logos, print materials, and websites.
        Your browser may not support display of this image.
        Colliers International
        Colliers International is a leading global real estate services organization defined by our spirit of enterprise. Through our culture of service excellence and a shared sense of initiative, we have integrated the resources of real estate specialists worldwide to accelerate the success of our clients.
        Your browser may not support display of this image.
        Mozilla
        We're a global community of thousands who sincerely believe in the power of technology to enrich people's lives. We're a public benefit organization dedicated not to making money but to improving the way people everywhere experience the Internet. And we're an open source software project whose code has been used as a platform for some of the Internet's most innovative projects.

        Iris Kavanagh (r)evolutionary + Chief Operating Officer  |  NextSpace Coworking + Innovation, Inc.

        831.420.0710  | iris@nextspace.us  |  http://nextspace.us

        Local Freelance Camp Organizer/ Worldwide Camp Facilitator

        Freelance Camp. In Business For Yourself, Not By Yourself. Find one near you…http://www.freelancecamp.org/

        summer radio workshops in Maine and NY

        Two summer radio workshops offered by Rob Rosenthal, director of the radio program at the Salt Institute for Documentary Studies and overall radio/sound guru. Details below.  -Mia
        PS: The Omega Institute is right in my neck of the woods so if you head this way, please drop me a line!

        ++++++++++++++++++++++

        Maine Media Workshops
        Rockport, Maine
        July 4-10

        It's Rockport. It's Maine. It's beautiful. And, MMW fosters an incredible sense of community with photographers, videographers, and audio producers. Every one stays and eats and works on site. It's quite something. Here's a link: http://www.mainemedia.edu/instructors/multimedia/rob-rosenthal

        Sound Works, A Radio Documentary Workshop
        The Omega Institute, Rhinebeck, NY
        August 1-6

        I haven't been to the Omega Institute in Rhinebeck, NY but I hear great things about it. It's a center for wellness and personal development. It, too, as far as I know, is all-inclusive with attendees living and eating and working on campus. Here's the link to the workshop. http://eomega.org/omega/workshops/a61d1c13f7d2134ee0280d39251103c8/

        Let me know if you have any questions. Please send far and wide if you would.
        Best,
        Rob

        •••••••••••••••••••••••
        Rob Rosenthal
        Shunpike Audio
        30 Spurwink Ave.
        So. Portland ME 04106
        cell-207-615-1773
        •••••••••••••••••••••••
        Director, Radio Program
        Salt Institute for Documentary Studies
        561 Congress Street
        Portland ME 04101
        207-761-0660

        French Treats in San Francisco

        Hope everyone is enjoying their spring and getting lots of work. We’re very excited about our May social event which is happening in San Francisco.

        This month, Freelance Cafe is going to be relaxing and enjoying wonderful crepes at Ti Couz in the Mission District, just a short walk from the 16th Street BART station.

        With their yummy treats, satisfying meals and nice drink selection Ti Couz is seen as the go-to place for French chow by many San Francisco locals and visitors.

        If it’s sunny, we’ll try to grab some tables outside. If it’s rainy (boo) we’ll enjoy the cozy indoor space. Either way, it’s sure to be fabulous time.

        Please RSVP Jen Ward (jennifer.wrd@gmail.com) if you want to join us in the fun. Also, let us know if you have any questions and I’ll see you in the Mission on May 27!

        Open Call for 2010-11 sound art residencies

        Feeling creative? Opportunity for a sound/video art installation in NYC. Details below.
        -mia

        +++++++++++++++++++++++

        Composers, sound artists, and other qualified individuals are invited to submit proposals for working residencies utilizing Diapason's multi-channel sound environment. 

        Diapason has two state-of-the-art multi channel sound systems (described below). Interested persons are invited to submit proposals for the use of the space to create a new work. Dates and times are flexible. Residents will receive a technical orientation, access to the space, and production assistance should they require it.

        Description of the space:

        Diapason consists of two rooms:

        The “gallery” contains a powerful 8 channel sound system with a subwoofer and is designed for focused listening. The floor is carpeted and there are pillows available as well as some seating (cushioned benches, folding chairs).

        The “lounge” contains a 12 channel sound system, as well as a 4 channel PA system. It is set up in an informal way, with benches, chairs, carpets, etc. ranged around the space.

        The multi-channel sound systems are connected to MOTU 896 (gallery) and 828 (lounge) audio interfaces. Resident artists are expected to bring a laptop with the necessary drivers.

        There are 2 sets of track lights in each room. The number and position of the individual lights can be adjusted.

        For artists working with video, there are projection options.

        It is possible to use the walls for displaying objects, but this must be approved by the gallery.

        Deadline:

        Submissions to participate are due by Friday, July 1, 2010.

        Submission process:

        All submissions and contact will be by email. 

        Send an email to diapason.info@gmail.com that includes the following information in the body:

        Your contact information (Name, Email Address, Phone Number)

        A project description     

        A brief bio/artist statement

        Links to online samples of your works

        NOTE: Please do not attach any work-samples or documents.  All work samples must be available online, and all information must be submitted in the body of the email.


        Diapason is a listening space that gives artists and audiences the opportunity to make and experience sound art. Through the exploration of active and varied modes of listening Diapason seeks to engage artists and the public in a dialogue about the place of contemporary music and sound practice in a broader cultural context. For artists, both established and emerging, Diapason provides a space at once accessible and technologically advanced, fostering the creation of unique works that investigate the implications of new sound practices. For audiences Diapason provides an optimal listening environment and access to artists, encouraging personal exploration of one’s relationship to sound and listening.


        http://www.diapasongallery.org Diapason is supported by NYSCA, the New York City Department of Cultural Affairs, the Phaedrus Foundation, the Foundation for Contemporary Performance Arts, MediaThe Foundation, The Trust for Mutual Understanding, Kirk Radke, and by generous individuals. Diapason is a 501(c)3 organization.

        Kitchen Sisters workshops in late May

        Learn basic audio/interviewing from a radio rockstar. Details below.
        -Mia

        ++++++++++++++++

        Dear Friends,

        Davia Nelson of The Kitchen Sisters is conducting another round of basic recording and interviewing workshops in San Francisco on Wednesday, May 26th from 10:00 AM to 1:00 PM and a second workshop from 2:00 PM to 5:00 PM. The three hour workshop is for people who want to acquire and hone their skills for an array of projects: radio, online storytelling, oral histories, family histories, and other multimedia endeavors. Both workshops will cover the same information so please only sign up for one session.

        We will cover miking techniques, sound gathering, use of archival audio, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to listen (which is harder than it looks), field recording techniques, recording equipment and more. The workshops are customized to fit the projects you are working on.

        People who attend come from radio, newspapers, photography, oral history, historical societies, farms, music, writing, libraries, archives, filmmaking, web design and beyond. The groups are lively and good contacts are made.

        The fee is $115. Of course, there will be a snack. The workshops are held in Francis Coppola's historic Zoetrope Building at 916 Kearny Street (at the corner of Columbus).

        If you, or someone you know is interested contact us at kitchen@kitchensisters.org and let us know which of the two workshops you would like to attend.

        See you there,

        The Kitchen Sisters

        www.kitchensisters.org

        Sonic Soiree in San Francisco May 18

        Hey all. We have a great event coming up in a couple weeks – led by an FC friend and mentor David King Dunaway. Check out the details below and give Rori a holler if you have any questions: 415-730-7380 or rori@freelancecafe.org.
        Best,
        Mia

        +++++++++++++++++++++

        Inspired by similar events around the country, Freelance Café is hosting a "Sonic Soirée" on Tuesday, May 18 at Sandbox Suites (123 10th Street in San Francisco) from 6:30 to 8:30 PM. If you have a story to share, just bring a CD to play for the group, either a work-in-progress or a finished piece. Beginner or pro, you are encouraged to come and present your work in radio–audience members will provide feedback on your piece. If you just want to hear some great stories, you are welcome to come just to listen as well! Pizza and wine will be served–suggested donation is $5 but no one will be turned away.

        Leading the workshop will be David Dunaway, author, national radio producer ("Across The Tracks: A Route 66 Story" and "Pete Seeger" on PRI). David is a new Professor of Radio at the Broadcast and Electronic Communication Arts Program of San Francisco State University (www.davidkdunaway.com). He worked at KPFA as Unpaid Staff for more than a decade.

        social media workshops in May and June

        This guy is everywhere and has a lot to say about social media. Check out details for some of his upcoming workshops below – in NYC, NJ, Chicago and Providence.

        ++++++++++++++++++++

        Sree Sreenivasan, Columbia J-school digital media professor; contributing editor to DNAinfo.com; and one of AdAge's 25 people to follow on Twitter, is offering a series of workshops in May and June. More on him at http://sree.net and you can see how he uses social media by connecting with him on Twitter: http://twitter.com/sreenet | Facebook: http://facebook.com/sreetips | LinkedIn: http://linkedin.com/in/sreenivasan

        He promises his sessions, like his tweets, will most likely be:

        * helpful * useful * informative * relevant * practical * actionable * timely, entertaining * fun * occasionally funny

        ==> You can track his workshops – including sessions in other cities – at http://sree.ly/workshops and/or ask him to add you to his mailing list: sree@sree.net

        – – –

        NYC SEMINAR: "Get Beyond Job Hunting: Tips for Journalists and Media Professionals"

        Wednesday, May 12
        6-9 pm
        Guruloft at Hive at 55
        (55 Broad Street, 13th floor, near Wall Street)

        "Get Beyond Job Hunting: Tips for Journalists and Media Professionals"
        SPEAKER: Prof. Sree Sreenivasan, Dean of Student Affairs, Columbia Journalism School & contributing editor, DNAinfo.com

        "Get Beyond Job Hunting: Tips for Journalists and Media Professionals" presented by Guruloft at Hive at 55 – see details & register at this link – USE THIS DISCOUNT CODE: Sreenet – for 15% off: http://bit.ly/gljobs

        As the media landscape changes, the rules for getting ahead and advancing your career are also changing – dramatically. In this seminar, digital media professor and Dean of Student Affairs at Columbia Journalism School Sree Sreenivasan shares with you the tools and information needed to navigate the industry and succeed as a journalist and media professional. Based on following the career paths, struggles and successes of thousands of students and journalists across the country during his 17-year career, Sree will offer big-picture trends and plenty of actionable, relevant tips. Learn exactly how the climate shift has affected the job search, what you need to be doing to get ahead and how digital and social media will facilitate the process of getting your next job and also shape your career.

        In this seminar, being offered for the first time, and created especially for Guruloft, you will learn:
        * New career-managment trends.
        * How to network effectively and create break-through relationships with employers and contacts.
        * The top social media tools needed as well as mistakes to avoid.
        * How to produce better and more memorable work.
        * How to create, nurture, curate and improve your personal brand.
        You will walk away with a useful guide filled with practical tools and steps for advancing your career in media and journalism.
        At the end of this seminar, join us for a happy-hour of networking, where you can share your ideas and connect with workshop attendees.

        RSVP: http://bit.ly/gljobs (promo code SREENET for 15 percent off)

        – – –

        NYC: Wed, June 2, 6:45-9:45 pm: Mediabistro workshop at Chinatown YMCA: BASIC Social Networking for Media Professionals – register here – USE THIS DISCOUNT CODE, SREE25- save 25% on the class price: http://bit.ly/sreemb6 [this is the basic session; advanced session is June 30 below; you can do one or the other, or both]

        NEW JERSEY: Wed, May 19, 6-9 pm, Montclair, NJ – 21 Van Vleck St, Montclair, NJ 07042 – Social Media for Writers – see details & register at http://schmap.it/rixgw8

        CHICAGO: June 17 or June 18: Details to come. E-mail sree@sree.net for deets.

        PROVIDENCE, Monday, June 7: 1-2:30 pm: Social Media Workshop at the Providence Journal. Limited seats available for outsiders – if you’d like to attend, e-mail sree[at]sree.net

        NYC: Wed, June 30, 6:45-9:45 pm: Mediabistro workshop at Chinatown YMCA: ADVANCED Social Networking for Media Professionals – register here – USE THIS DISCOUNT CODE, SREE25- save 25% on the class price: http://bit.ly/sreemb7 (Note: Sree will be joined by Soraya Darabi, socmedia star who has more than 400,000 Twitter followers – @sorayad). [this is the advanced session; basic session is June 2 above; you can do one or the other, or both.]

        More to come, at http://bit.ly/workshops

        – – –

        SOME RECENT ARTICLES ABOUT SREE – all from 2010:

        NEW YORK OBSERVER: The Twitter Tutor – http://sree.ly/sreenyo

        MEDIABISTRO: So, What Do You Do, Sree Sreenivasan?
        http://bit.ly/sreembprofile

        HUFFINGTON POST: Dean Sree Sreenivasan on Using Social Media For Better
        Journalism –
        http://bit.ly/sreehuffpo

        MEDIANATION: Sree Sreenivasan on journalism’s future
        http://www.dankennedy.net/2010/01/19/sree-sreenivasan-on-journalisms-future/

        TOMMEAGHER.COM: Diving Headfirst Into Social Media –

        JULIA THE READER: Social Media, Demystified: Prof. Sree Sreenivasan on
        linking, tweeting, and
        earning attention: http://bit.ly/bUfhOy

        – – –

        ATTENDEE COMMENTS FROM PREVIOUS SREE SESSIONS
        "This seminar couldn't be better. Sree is articulate and engaging, and really understands both his subject and the needs of the media professionals who attended the seminar." — Lynn Brenner

        "Sree knows his stuff. He packs lots of information into a totally engaging, fast-paced class. I strongly recommend this class for anyone who wants to understand social networking and how to apply it to their professional endeavors." — TaRessa Stovall

        "Sree was wonderful. He has a real knack for imparting an understanding of social networks and technology for the young and old." — Peter Zehren

        "Sree was absolutely terrific! He made a topic that is very difficult for many people to fully grasp very comprehensive." — Melissa Schwartz

        "Sree's presentation was well thought out and the time flew by. He truly knows his stuff and engaged students as well." — Anita Aboulafia

        Prof. Sree Sreenivasan | sree@sree.net
        Dean of Student Affairs, Columbia Graduate School of Journalism
        http://www.sree.net | http://www.sreetips.com
        Contributing editor, DNAinfo: http://DNAinfo.com
        FACEBOOK: http://facebook.com/sreetips
        TWITTER: @sreenet – http://twitter.com/sreenet

        A Thousand Thanks

        Thanks to all who joined us last week for wine and laughs at ZZa’s Trattoria & Wine Bar. It was great seeing all of those new people and I particularly enjoyed chatting about hyper-local media coverage, which is a big deal here in Oakland.

        Anyway, it was a blast and please keep your eyes open for the announcement on our next social even later this month. It’s going to be in San Francisco and it’s going to be a blast!

        See ya in a couple of weeks,

        -Jen & Rori

        one day gig for radio adviser, NYC, June 10

        One-day gig for audio advisor in NYC. Could be a good in with the Hearst Foundation. Details below.

        ++++++++++++++++++++++

        On Thursday, June 10th from 9 am – 4pm the Hearst foundation will have 5 students editing their radio pieces at 20 Cooper Square. These students are competing in the Hearst Journalism Awards Program for the Broadcast Championship. We need a technical adviser to assist these students with their editing. The adviser must be proficient in the following audio editing programs: Soundtrack Pro (Mac), Final Cut Pro (Mac), Pro Tools (Mac), Cool Edit (PC). The finalists will bring their own recorders which need to be compatible with editing software.

        This one-day position comes with a stipend of $400.

        *Please send your resumes and qualifications to: Jan Watten Program Director Hearst Journalism Awards Program* JWatten@Hearstfdn.org

        preview screening of “The Carbon Hunters”, 5/11, 6pm, UC Berkeley Jschool

        Looks interesting. Check it out.

        +++++++++++++++++++++ Having trouble viewing this email? Click here http://campaign.constantcontact.com/render?v=001e4MTcRpscGo-KHgdKF55fhFiZ6yU3IO5pYHR3QJzpsOcxRzBqVFNMNz9H3-MHv10O8vKYGD9C_9Vl1To4rkDOGzhJXea29noXks9EB9b2Fs%3D [image: Special Carbon Watch Screening] [image: Please join us for a special screening] Please join us for a special preview screening of “The Carbon Hunters”, a joint project of PBS FRONTLINE/World and the Center for Investigative Reporting.

        DATE: Tuesday, May 11th, 2010 TIME: 6:00 pm – Reception, Courtyard 7:00 – 8:00 pm – Screening and Q&A, Room 105

        UC Berkeley Graduate School of Journalism

        North Gate Hall, Hearst at Euclid Berkeley, CA 94720

        In “The Carbon Hunters”, reporter Mark Schapiro and producer Andres Cediel follow the trail of an emerging multi-billion dollar market in carbon, and investigate how the economics of global warming are affecting forests and those who live in them.

        The story will broadcast on local PBS station KQED at 10 pm (check local listings), but join us for this advance screening, meet the journalists, producers and editors behind the work, and help us toast the success of our partnership at the reception. Web producers will also highlight the multimedia features of our Carbon Watch portal.

        Please R.S.V.P. to rsvp@flworld.org

        We look forward to seeing you there!

        ~ FRONTLINE/World & The Center for Investigative Reporting

        TOP PHOTO © NICOLAS VILLAUME

        [image: carbon watch]

        Storytelling/hacking on the iPad, May 21-23, 2010

        Great collaborative event coming up in a couple weeks. Check it out! -mia

        ++++++++++++++++++++

        Hacks/Hackers Unite Storytelling/hacking on the iPad, May 21-23, 2010 At KQED

        http://unite.hackshackers.com/

        This event will be both a coding development camp and a journalistic boot camp. Teams of hacks (content creators) and hackers (developers and designers) will cooperate to tell develop media applications for the iPad that help inform users and tell stories. Each team must have at least one hack and hacker each. If you don’t already have a team, we will have some activities to help you find one at the event. Also, find potential collaborators and propose, browse, and discuss ideas here.

        David Gelles Reporter The Financial Times San Francisco Bureau o. +1 415 445 5601 m. +1 510 292 9576 david.gelles@ft.com dgelles2@gmail.com

        SF Bay Area Multimedia gathering, May 5, 7-9pm

        Hey all. This is perfect for many west coast FC members, organized and run by a radio colleague. Check it out! -Mia

        ++++++++++++++++++

        Fotovision Multimedia Salon first Wednesday of each month, 7-9PM at Fotovision

        5515 Doyle St, #11, Emeryville, CA 94608 Map: http://tinyurl.com/yc884fn

        o Fotovision: That hip ever-growing photo-sound-video fanatic’s group o Multimedia: Mixing sound, stills, video, (smells? tastes?), to tell drop-dead stories, commonly for the web. o Salon: Usually a bunch of pretentious intellectuals in a gilded room getting all snooty about their work. But in this case we mean a group of motivated, experienced media folks sharing knowledge and work.

        The group welcomes skilled still photographers, video photographers, journalists, radio and other sound people, editors and storytellers of various stripes working with multimedia.

        Join us if you are: o Actively working with multimedia. o Just starting to work with multimedia as an addition to the work you already do. o A professional on fire about the story-telling potential of multimedia, and serious about sharing and expanding your skills with a group of peers.

        We gather monthly to show works-in-progress for feedback, support, and discussion. We talk about everything from our work to our gear, from getting jobs to wailing about not getting jobs — and just about anything else that comes to mind. Mostly, we show our multimedia works and figure out ways to make them tighter, more informative and more interesting.

        Think of it as a writers’ group for digital storytellers — a group of people with a wide range of skills and styles in the various aspects of multimedia who meet to exchange our hard-found expertise in this new field.

        Cost: A sliding scale contribution of up to $15, depending on how well you’re doing in today’s media economy. The contribution goes to Fotovision ( http: www.fotovision.org ) for their expenses and support of the group.

        Hope to see you there!

        Lonny

        Lonny Shavelson http://www.photowords.com

        Berkeley, California Office/studio: 510 343 6939 Home: 510 849 9382 Cell: 510 847 5223 e-mail: lonny@photowords.com

        National Radio Project’s Making Contact Internship

        If you have a couple days a week to spare and want to learn radio, this is a great place to do it. Some long-time FC members work at NRP so drop a line if you want the inside scoop. – Mia

        +++++++++++++++++++++

        National Radio Project’s *Making Contact* Internship www.radioproject.org

        Making Contact is weekly, internationally syndicated, public affairs program, heard on on over 150 radio stations. The staff of Making Contact is small, but extremely talented and committed. We are seeking hard-working team players to help us produce segments for Making Contact.

        *The intern will learn audio editing, researching, voicing, script writing, interviewing and field reporting. This internship is unpaid, but transportation stipend provided and honorariums for completed segments can be negotiated. We ask interns to commit 16-24 hours a week for a 4-month minimum.*

        Skills and Responsibilities:

        * Must have excellent research skills. As a progressive media outlet, our mission is to interview and tap into the expertise of people who span the political and social spectrum, not just the conventional “experts” or “officials.” The qualified intern is responsible for helping us identify who those lesser-known yet valuable people and community groups are.

        * Ability to book and conduct interviews (in-person and phone interviews) and assist in script writing

        * Qualified individuals should have a basic knowledge of how to use a microphone, minidisc recorder, headphones, and how to plug into a multbox. If the candidate does not have these general experiences, he/she must be willing to be trained.

        * Some knowledge of Cool Edit Pro/Pro Tools/Sound Forge or any other applicable editing software is preferred.

        * Additional responsibilities include: transcription, audio editing, selecting soundbites/clips, participating in listening/critique sessions and attending meetings, as needed.

        Additionals:

        * Should be familiar with community and public radio

        * Knowledgeable and passionate about current events. Includes some knowledge of human rights issues and cause-related advocacy groups.

        * Some journalistic experience a plus

        * Women and people of color are encouraged to apply. National Radio Project is an Equal Opportunity Organization and does not discriminate on the basis of gender, color, sexual preference, disability, national origin, religion, or economic status.

        If you’re interested, first please check out the rest of our website to see what we’re all about. Then if you’re really interested, please fill out and return our (printer-friendly) Production Intern Application and send to us with your cover letter and resume. If you have print work samples and/or a demo reel (CD), include that as well.

        http://www.radioproject.org/production/prodintern.html

        Thank you for your interest in National Radio Project’s *Making Contact *Internship. lrudman@radioproject.org

        *THIS ROUND OF APPLICATIONS are due by May 15th for summer internships. *

        *Applicants are also considered on a rolling basis, so please get in touch. *

        NAISA Radio Without Boundaries conference May 27

        Very cool (and affordable) audio conference out of Toronto. More details at http://www.naisa.ca/RWB/. Check it out! -Mia PS: BIG discounts if you apply today.

        +++++++++++++++++

        April 30th is the last chance to get the early bird discount to the Radio Without Boundaries conference! NAISA is also offering a discount to AIR http://airmedia.org members – this is over and above both the early bird and community radio discounts!

        So for AIR members, this could mean as much as $60 off the $150 conference pass. To register go to www.naisa.ca/eshops/RWB_registration.php

        Here’s a snap shot of what’s included in the conference. We are very excited to include AIR’s Sue Schardt, Third Coast Festival’s Julie Shapiro, award-winning radio producer Scott Carrier and CBC radio’s DNTO host/producer Sook-Yin Lee amongst the many talented artists and radio producers included in this year’s conference. ___________

        NEW ADVENTURES IN SOUND ART is pleased to launch the 8th edition of the RADIO WITHOUT BOUNDARIES CONFERENCE May 27 – 29, 2010 as part of NAISA’s annual month-long Deep Wireless Festival of Radio & Transmission Art in May. The Radio Without Boundaries conference explores the many potentials, boundaries and artist perspectives of radio.

        Conference speakers/topics include:

        – Two Tin Cans and a String by Sook-Yin Lee (Canada – CBC’s DNTO) about how communication, storytelling and first person expression connect with her DIY practice that was born through music, film and TV and which she continues to explore in radio – The Neighborhood by Scott Carrier (USA – This American Life, the Savvy Traveler, All things considered & Hearing Voices). Scott will discuss and play examples of radio stories he produced that are cultural histories of his home, Salt Lake City and composed of interviews with “average” citizens – The DEW Project and Electromagnetic Boundaries in the Arctic by Charles Stankievech (Canada), is about the history of the electromagnetic in the Arctic – Don’t Tell My Ears Where To Go by Frank Kaspar (Germany, co- presented by the Goethe Institute Toronto), about new Hörspiel and Documentary approaches in the spirit of Glenn Gould’s “Contrapuntal Radio” CBC documentaries – Radio Documentary-Feature as Poetry, Drama and Sound Art by Andrea Dancer (Canada) – Visual Radio with Anna Friz, Emmanuel Madan, Kathy Kennedy and Andreas Kahre – Neighbourhood Transmissions: Radio Jean-Talon (Kathy Kennedy) and The Neighbourhood Stories Project (Reena Katz and Emmy Pantin) – Radio Transformed: a Web of Possibilities with Julie Shapiro (Third Coast Festival), Sue Schardt (Association of Independents in Radio), Ian Pringle (Commonwealth of Learning) & Christof Migone (Audio Artist and Director of Blackwood Gallery).

        Workshops include: – Listening Sessions with Götz Naleppa (Germany – co-presented by the Goethe Institute Toronto) and Gregory Whitehead (USA) – Transmitter Workshop with Hector Centeno – Talking It Up (an interview workshop) with Victoria Fenner

        Your conference registration fee also gets you into all Deep Wireless festival events and performances for free. ___________________________________________________________ Help NAISA celebrate Radio Art during May at the Artscape Wychwood Barns

        NAISA Inquiries & general information:

        Nadene Thériault-Copeland Managing Director New Adventures in Sound Art Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON M6G 4C7 Tel 416 652 5115 www.naisa.ca

        Freelancer Tax Workshop 11:50 am Sat, May 1 @ USF

        Part of the Journalism Innovations III conference happening this weekend. Good stuff going on. -mia

        ++++++++++++++++++++++++

        Sending along from SPJ NorCal. It’s part of the SPJ NorCal Regional Conference/Journalism Innovations III. It’s sliding scale but no one will be turned away. Workshop details below. Conference info below that.

        *Tax and legal issues for freelance journalists UC 419 *

        -*CPA and financial adviser Bob Jersin will lead a workshop on the tax pitfalls of going into business for yourself, whether you’re a freelancer, an independent contractor or small business owner. Jersin specializes in start-ups and is a small business consultant. Co-presenter and artist Don McCartney, a former long-time San Francisco Examiner and San Francisco Chronicle designer, will share his experience in starting his own design company, Diablo Graphic Design. The 60-minute workshop will cover the top 10 tax mistakes of being your own boss, with supplemental materials, Excel presentation and a Q&A discussion after the workshop. *

        – *BOB JERSIN (CPA)* – *DON MCCARTNEY (**Diablo Graphic Design, SF Chronicle)*

        *11:50 am-1pm SATURDAY, MAY 1, USF, 2130 Fulton St., Room UC 419, Fromm Hall*.

        *GOOGLE MAP DIRECTIONS:* http://sites.google.com/site/journalisminnovationsexpo/location-and-directions

        *Just 1 more day until the conference! *

        The sessions are ready, the schedule is set, speakers and presenters are flying in to get ready for Friday’s program. The doors open in 24 hours!

        For full conference details go here: http://journalisminnovations.org

        If you haven’t registered yet, now is the time: http://journalisminnovations.eventbrite.com/

        Join hundreds of media makers, academics, advocates and community organizers as we help shape the future of media.

        *Program highlights:*

        – Plenary *Discussion on the Future of Journalism* featuring JOAN WALSH (Salon.com), DAVEY D (Hard Knock Radio/Southern Shift), TRACY VAN SLYKE (Director The Media Consortium, author “Beyond the Echo Chamber”) and IVAN ROMAN (Executive Director, National Association of Hispanic Journalists)

        – A *FREE Career Speed Coaching* event. Register for your 15-20 minute long caching session with a professional career counselor.

        – Trainings on *Social Media, Media Collaboration, Branding and Low Cost Technology* tools.

        – Special sessions for *youth and student journalists*.

        – A film preview of “*A FRAGILE TRUST: Jayson Blair and the New York Times*” with a panel on journalism ethics.

        – A special Sunday partnership with RemakeCamp< http://sites.google.com/site/journalisminnovationsexpo/remakecamp for more tech and media workshops.

        *Attendees and presenters include:*

        The Center for Investigative Reporting, the Center for Public Integrity, IRE, Spot.Us, the Bay Citizen, University of San Francisco, San Francisco State, UC Berkeley, The San Francisco Chronicle, The Sacramento Bee, The San Francisco Bay Guardian, The Examiner,KALW, KPFA, KCET, Oaklandlocal.com, Missionlocal.org, 38thnotes.com, abetteroakland.com, and many more.

        *There is something for everyone!*

        *Click here< http://sites.google.com/site/journalisminnovationsexpo/conference-schedule-2 > for the full conference schedule.*

        For more conference information see the Journalism Innovations/Conference website http://sites.google.com/site/journalisminnovationsexpo/home.

        Thanks! Looking forward to seeing you all! Kwan Booth Conference Organizer

        *Journalism Innovations and SPJ Region 11 Spring Conference*

        Produced by: Independent Arts and Media, The Society of Professional Journalists, NorCal, University of San Francisco, G.W. Williams Center for Independent Journalism.

        Maynard Institute’s Multimedia Editing Program – Application Deadline Extended

        Spend a month in the desert learning multimedia. Details below (“Deadline Extended” screams good odds for getting in.) -Mia

        +++++++++++++++++

        Fellowship Application Deadline: May 7, 2010

        Twelve fellowships — including lodging, tuition and some meals — to attend the Maynard Institute’s Multimedia Editing Program in Reno, Nev. during June are available to journalists from small- and medium-sized publications.

        The fellowships are made possible by a three-year grant from the Donald W. Reynolds Foundation. The program is hosted by the Reynolds School of Journalism at University of Nevada, Reno from May 31 through June 30.

        Fellowship applications are invited from journalists who work at U.S.-based newspapers with circulation of 50,000 and below. Journalists who work for online operations of such newspapers are welcome to apply. The Multimedia Editing Program runs from May 31 – June 30, 2010 at the Reynolds School of Journalism at the University of Nevada, Reno.

        The program will equip participants to help their news organizations strengthen the print product and build a robust online presence. The Reynolds fellowships cover tuition, housing and some group meals during the program. It includes a travel stipend of up to $500.

        With a faculty that includes top editors from the print and online world, the curriculum will cover writing and editing for print, online, wire and broadcast. Instruction will be in-depth and hands-on and cover the breadth of digital media tools: video, audio, blogging, slideshows, tagging, databases, basic HTML, analyzing the success of your Web strategy, using social networking to draw more people to your site and an overview of content management systems.

        Skills will be taught in segments that build upon each other. The length of the program will allow participants to do more than simply touch upon each skill. At the Multimedia Editing program, participants will have time for practice, critique and improvement, giving them a working knowledge that can be applied immediately.

        As always, strong copy editing skills, including headline writing for print and online, and design will be emphasized throughout the program. The program is ideal for copy editors who want more training, reporters who want to acquire new, hone their existing multimedia skills, editors who work on Web sites, and design and graphics editors who want copy editing training.

        Since 1979, the Maynard Institute has trained journalists of color to become copy editors and Web site editors, helped assignment editors improve their copy editing skills, and prepared news professionals for supervisory roles. The program has produced effective newsroom leaders of all races who can promote team work, introduce and manage change, and improve the quality of journalism. Like all Maynard programs, the Multimedia Editing Program is open to people of all races. Apply today at

        http://www.mije.org/multimedia-editing-program-online-application

        The Census & Demographics panel at UCB, 5/3, 10am

        Hey all. Interesting event/panel this Monday at UC Berkeley. Plus free lunch! Details below.

        +++++++++++++++++++++ [image: PPIC Special Event] [image: spacer] *The Public Policy Institute of California and the UC Berkeley, Graduate School of Journalism invite you to a panel discussion and lunch*

        *The Census and Demographics: Telling California’s Story*

        Speakers:

        – *Chase Davis*, Investigative Reporter California Watch – *Mary Heim*, Chief, Demographic Research Unit State of California – *Richard Koci Hernandez* Ford Foundation Multimedia Fellow UC Berkeley Graduate School of Journalism – *Hans Johnson*, Senior Fellow Public Policy Institute of California

        The 2010 Census is different from any in history. It is designed to provide valuable information about who we are—as a state and as a nation—at the beginning of the 21st century. But it’s based on the answers to just 10 questions. In California, the stakes are high: seats in Congress and millions of dollars for health care, transportation, schools, and social services.

        *EVENT DETAILS

        * [image: spacer]

        *Monday, May 3, 2010* 10:00 a.m. to 1:00 p.m.

        *UC Berkeley* Sutardja Dia Hall Banatao Auditorium University of California, Berkeley (map) (directions )

        *RSVP TO* *Kelly Holt* (415) 291-4498 events@ppic.org

        The challenge for journalists will be to find the stories in the data and provide a picture of the new California, in new ways and using new tools.

        This forum brings together experts on demography and multimedia journalists to talk about what the 2010 Census will—and will not—tell us, what alternative data sources are available, and how demographic data can be used in everyday reporting.

        This event will be held on *Monday, May 3, 2010, from 10 a.m. to 1 p.m.* in the Banatao Auditorium of Sutardja Dai Hall at the University of California, Berkeley.

        Lunch will be provided.

        Pre-registration is requested. There is no charge to attend.[image: RSVP TO] *To register, please contact Kelly Holt at events@ppic.org or (415) 291-4498.* [image: spacer]

        FOLLOW PPIC: [image: icon_email] [image: icon_facebook] [image: icon_twitter] [image: icon_youtube] [image: RSS Icon] [image: Visit PPIC:] Public Policy Institute of California 500 Washington Street, Suite 600 San Francisco, CA 94111 Phone: 415-291-4400, Fax: 415-291-4401 Website: www.ppic.org

        PPIC Sacramento Center Senator Office Building 1121 L Street, Suite 801 Sacramento, California 95814 Phone: 916-440-1120

        Please direct any questions or concerns about this email to Kelly Holt at holt@ppic.org. [image: bottom rule]

        freelancer gatherings happening on both coasts TONIGHT, Thursday 4/29

        Hello freelancers east and west. Just a reminder that gatherings are happening in both Oakland, CA and Tivoli, NY tonight. I’ll be hanging out at the Black Swan in Tivoli starting at 8pm, and Jen Ward and Rori Gallagher will be hosting the Bay Area folks at Zza’s Enoteca starting at 7pm. (I’ll be texting you CA folks to make sure you’re behaving.)

        Hope you can make it out! Best, mia

        OAKLAND ZZa’s Enoteca 550 Grand Ave 7pm – 10pm

        TIVOLI The Black Swan 66 Broadway 8pm – 11pm

        +++++++++++++++++ on the web: freelancecafe.org on facebook: facebook.com/freelancecafe on twitter: twitter.com/freelancecafe

        Storyquest.us looking for multi-language audio producers

        Corporate audio gigs tend to pay pretty well and these guys seem legit. Details and link to their site below. Check it out! -Mia PS: Drop me a line if you get in touch with these folks and want to talk pricing. You should be paid CORPORATE rates for this work, not public radio rates. That said, I don’t know these guys so you should do some research first.

        ++++++++++++++++

        StoryQuest is a Chicago based firm that produces multimedia business stories. We produce stories in many languages and we are seeking experienced freelance producers fluent in both English and one or more of the following languages: Russian, Portuguese, Mandarin, Japanese, Korean, Swedish, Flemish, French, Italian, or Danish. Producers can live an work remotely.

        *Skills and Qualifications:*

        – Minimum of 4 years experience in radio journalism, audio documentary work. Ideally some experience with NPR, BBC or similar. – Fluent in English and one or more of languages listed above. – High level of professionalism and ability to meet deadlines. – Proficient in ProTools, Audacity, or similar package. – Willing and excited to apply skill set to corporate communications

        *Independent producers would be expected to*:

        – Review background information provided and follow established processes. – Conduct phone interviews in designated language with corporate executives. – Edit content into final product with compelling storyline. – Provide transcripts and other review support materials in English and other language. – Scope of work requires individuals who are good at following directions, but excited to apply their creativity and storytelling skills to the business world.

        Producer base location unimportant, as *work may be carried out remotely.*

        *About us:* StoryQuest is a leading edge learning, marketing and business communications firm. We are based in Chicago but work with clients all over the world. We turn real world business stories, voices, and imagery into compelling learning, marketing and communication tools. Using digital story telling and digital “postcards” we help our clients leverage their passion, voice and stories in very practical and mobile tools. Our products are driven by a deep commitment to story-arc, authenticity, and creativity.

        Compensation: Paid on per-project basis.

        Contact: For immediate consideration, please submit personal introduction and resume to jobs@storyquest.us Qualified candidates can live and work remotely. No recruiters and no phone calls, please. More information is here: http://www.storyquest.us/resources/jobs/multi-language-audio-producer/

        Thanks in advance

        Tim Keelan StoryQuest Inc. www.storyquest.com tkeelan@storyquest.com o: 312-258-0111 x101 m: 708-404-6707

        Upcoming events at the UC Berkeley J-School

        These events are free and open to the public. Some good stuff here. Details follow. -mia

        +++++++++++++++++++

        *Matt Winkler, Editor-in-Chief, Bloomberg News* * The Federal Reserve and the Public’s Right to Know*

        *When:* Thursday, April 29, 2010, 3:30 PM

        *Where: * North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        One of America’s most influential editors discusses the court fight Bloomberg is waging on behalf of all news organizations for access to public records in connection with the Fed’s financial bailout of American banks.

        *Leaping Tigers, Hidden Dragons: A Wide Angle on India-China *

        *When:* Thursday, April 29, 2010

        Reception: 5:00 PM Discussion: 5:30 PM

        *Where:* North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        China and India, two of the biggest developing countries and euphemistically referred to as the Asian Tigers, are poised to dominate the 21st century. Their economic growth continues to surprise the developed world even after the financial meltdown of 2009. Both countries have tremendous potential amid significant social problems.

        The two countries account for 40 percent of the world’s population and 9 percent of the world GDP. They vie as rivals for western markets on the ground and for business in space. The two countries whose bilateral trade exceeds 52 billion US dollars are also geo-political rivals.

        Both India and China are nuclear powers, having gone to war once (1962) and remain in conflict over the last six decades regarding border issues and on Tibet. What does this rivalry mean for the region and the world?

        Both countries have significant disparities in their populations’ sex ratio, widespread corruption, poverty and censorship. How will these factors affect their success?

        *Panelists include* *Gerard Roland*, Chair of Economics Department, UC Berkeley *Maureen Fan*, China Correspondent, The Washington Post *Ashok Deo Bardhan*, Senior Research Associate, Haas School of Business, UC Berkeley *Ben A. Oppenheim*, Research Fellow, Institute of International Studies, UC Berkeley *Shashi Buluswar*, Dalberg, Global Development Advisors *Todd Carrel*, Visiting Lecturer, Berkeley Graduate School of Journalism* Xiao Qiang*, Adjunct Professor, Berkeley Graduate School of Journalism, founder and editor-in-chief of the China Digital Times Moderated by *Nupur Basu*, Visiting Lecturer, Berkeley Graduate School of Journalism

        Join us at the Graduate School of Journalism for a lively panel discussion about these power-house countries.

        *The Census and Demographics: Telling California’s Story *

        *When:* Monday, May 3, 2010, 10:00 AM

        *Where:* Sutardja Dai Hall http://www.berkeley.edu/map/maps/AB45.htmlBanatai Auditorium

        *Pre-registration is requested.* There is no charge to attend. To register, please contact *Kelly Holt* at (415) 291-4498 or holt@ppic.org.

        The 2010 Census is different from any in history. It is designed to provide valuable information about who we are—as a state and as a nation—at the beginning of the 21st century. But it’s based on the answers to just 10 questions. In California, the stakes are high: seats in Congress and millions of dollars for health care, transportation, schools, and social services.

        The challenge for journalists will be to find the stories in the data and provide a picture of the new California, in new ways and using new tools.

        This forum brings together experts on demography and multimedia journalists to talk about what the 2010 Census will—and will not—tell us, what alternative data sources are available, and how demographic data can be used in everyday reporting. Lunch will be provided.*

        Panelists include*

        *Chase Davis*, Investigative Reporter, California Watch *Mary Heim*, Chief, Demographic Research Unit, State of California *Richard Koci Hernandez*, Ford Foundation Multimedia Fellow, Berkeley Graduate School of Journalism *Hans Johnson*, Senior Fellow, Public Policy Institute of California

        * The Wind Doesn’t Need a Passport Tyche Hendricks speaks about reporting in the U.S.-Mexico borderlands*

        *When:* Thursday, May 6, 2010, 5:30 PM

        *Where:* North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        >From a distance, the border looks like a dividing line. Journalist *Tyche Hendricks*, MJ ’97, believes that it’s really a region: more borderlands than borderline. In *The Wind Doesn’t Need a Passport*,she captures the stories of American and Mexican ranchers, factory workers, police and doctors who inhabit one of the least understood places in either country.

        A new picture of the borderlands emerges from her reporting — as a common ground alive with the energy of cultural exchange and international commerce, burdened with too-rapid growth and binational conflict, and underlain with a deep sense of history.

        With a stalled immigration policy and a raging drug war, it’s the people who live in the borderlands who are bearing the brunt of the violence, the political friction and the pressures of the recession, Hendricks found. But a better understanding of the borderlands — and the way the United States and Mexico are connected — could help policymakers reach more lasting solutions that benefit both countries.

        Hendricks is an editor at KQED Public Radio and a lecturer at UC Berkeley’s Graduate School of Journalism. For many years she covered immigration and demographics at the San Francisco Chronicle. Her talk will be followed by a reception and book-signing.

        Digital Arts Service Corps – 1 year paid media positions

        Yet again, not a high paying gig, but good for a recent grad or someone who wants some real-world experience. Plus partial health benefits and loan deferment/education award. Details below.

        +++++++++++++++++++

        *Year-Long Paid Media Positions! Join the Digital Arts Service Corps! * * * The *Digital Arts Service Corps* is an initiative of the Transmission Project http://transmissionproject.org, a grantee of the Massachusetts state office of the Corporation for National and Community Service, is located at the College of Public and Community Serviceat the University of Massachusetts, Boston http://www.umb.edu.

        They are coordinating a wide range of positions at community media projects around the U.S., being made available through the national Americorps*VISTA program that deploys national service volunteers to public media and technology organizations that strengthen low-income and at-risk communities and the nonprofit organizations that serve them.

        These include positions at: National Radio Project, Oakland CA Center for Media Justice, Oakland CA Free Speech Radio News, Madison WI Prometheus Radio Project, Philadelphia PA Public Radio Exchange, Cambridge, MA Urbana Champagne Independent Media Center, IL Reclaim the Media, Seattle, WA

        You can find the complete list of positions here: http://apply.digitalartscorps.org/vista-positions

        But be sure to check the individual sites for more details, job descriptions, and additional benefits that might be available.

        AmeriCorps*VISTA members are not volunteers. Instead, you will be charged with a broad responsibility for meeting goals and successfully bringing important community projects to completion. AmeriCorps*VISTA members serve full-time for one year (365 days).

        *Benefits of Service* In return for your service, AmeriCorps*VISTA and the Digital Arts Service Corps has many benefits, some more valuable than others:

        – $12,000 – $15,000/year living allowance. This amount varies based upon the community in which you serve. – $5,350 Education Award or $1,500 stipend paid at the successful completion of your year of service – Student loan deferment or forbearance on qualified loans – Limited health benefits and prescription drug coverage – Serve as part of a national team, facilitated by the Transmission Project, to share resources, experience and advice – The opportunity to gain high-level experience, skills and access within the nonprofit sector. Many of our alumni have gone on to full-time employment within their organization or another as a result of their service within the Digital Arts Service Corps

        *Eligibility* AmeriCorps*VISTA candidates must be a U.S. citizen, U.S. national, or lawful permanent resident, be team-oriented, and be willing to take on a wide range of challenges. Some listings may require college degrees or previous work experience. You must be at least 17 years old. There is no upper age limit, and many AmeriCorps*VISTA members bring significant work and life experiences to their assignment. Self-initiative, flexibility and organizational skills are a must.

        *You must be available to serve full-time for one year and are prohibited from outside employment or attending full-time college during your year of service.*

        +++++++++++++++++++ NOTE FROM SOMEONE WHO’S IN THE CORPS:

        Just want to add a quick supportive comment here —

        I’ve been serving as a Digital Arts Service Corps VISTA at NY Media Alliance, upstate in Troy, NY, for the past 9 months, and I have had a fantastic time. I haven’t been able to really save money, travel much, or buy a lot of stuff, but as a 20-something willing to move to a new community, the chance to work at a grassroots media production, advocacy, and/or education organization, get paid a small amount, get half-decent health insurance, and have my student loans deferred is far more appealing than slogging through a retail job while holding unpaid internships with commercial or public radio/media organizations. I’m engaging with a new, dedicated community, learning tons of new audio/video and web-related skills, and making connections in the nonprofit arts and media worlds too.

        Many of the nonprofits offering Transmission Project/DASC VISTA positions would otherwise be unable to hire a full-time staff person for these jobs, so you have the opportunity to help them grow in really significant ways.

        It’s worth noting that not all of the positions listed on http://apply.digitalartscorps.org/ will ultimately be funded, perhaps even after you’ve interviewed with an organization and they’ve decided to bring you on as a DASC VISTA. This is how the Transmission Project runs, given their limited governmental funding for the project, and though it’s not their fault, it can be incredibly frustrating.

        Anyway, I would still recommend applying to one or more positions if you’re in a similar place in your life. You can contact directors Ben or Belinda (and not me please! I don’t represent the Transmission Project, I’m just a member) with further questions: http://digitalartscorps.org/contact_us

        Advanced Social Media Workshop, Wed 5/28

        This guys is Columbia’s social media guru, and the price is right. Details below.

        +++++++++++++++++++++++

        Special Advanced Social Media Workshop, hosted by AAJA & SAJA at Columbia Journalism School. Free for AAJA & SAJA members, $20 for others. SPEAKER: Prof. Sree Sreenivasan

        Wed, April 28, 2010 6:30-8 pm

        Columbia Journalism School 116th St & Broadway (#1 train to 116th St)

        RSVP to: http://sree.ly/aajasaja28

        Sign up for AAJA membership (open to all): http://aaja.org/membership Sign up for SAJA membeship (open to all): http://bit.ly/sajamem

        Free for members of those groups or pay $20 at the door if you are not a member.

        We will check membership status at the door.

        ABOUT THE WORKSHOP: Already comfortable on Twitter, Facebook and LinkedIn? Then it’s time to take it your social-media skills to the next level.

        This special, advanced social-media class is designed to specifically help media pros make the most of social-media tools. You will be expected to know all the basics and be ready to dive into a session filled with practical, actionable tips and case studies.

        # How to deepen your connection with your audience via social media

        # New tools you must absolutely know and use

        # How to build your personal brand

        # How to find, on deadline, specific types of people you need for work

        # The best ways to increase your followers, fans, and connections

        # How to get the “right” followers, fans, and connections

        # Metrics: why you need to understand them and how you can do just that

        # Sustainable social media — how to keep from drowning in information and make time to participate efficiently

        Versions of this have been taught by Sree at CNN, NBC, ABC, St. Louis Post-Dispatch, Boston Globe, Washington Post, NPR, Mediabistro and elsewhere.

        THE SPEAKER: Prof. Sree Sreenivasan, Dean of Student Affairs, Columbia Journalism School & contributing editor, DNAinfo.com – one of AdAge’s 25 media people to follow on Twitter. More on him at http://sree.net and you can see how he uses social media by connecting with him on Twitter: http://twitter.com/sreenet | Facebook: http://facebook.com/sreetips | LinkedIn: http://linkedin.com/in/sreenivasan

        He promises the workshop, like his tweets, will most likely be: * helpful * useful * informative * relevant * practical * actionable * entertaining * fun * occasionally funny

        Here’s one comment from a previous attendee: “Professor Sree’s presentation at the Columbia Club luncheon in Naples was riveting, fast-paced and packed with information. He presented his material clearly, accessing the internet in real-time to introduce his audience to new and useful websites. Sree was friendly and open to questions at all times, and his style and sense of humor contributed to what was a fun learning experience.” – Michael Hanson

        BTW, I am also teaching a brand-new workshop with a brand-new topic for a brand-new organization: “Get Beyond Job Hunting: Tips for Journalists and Media Professionals” – Wed, May 12, 6-9 pm (including mixer), NYC – presented by Guruloft at Hive at 55 (55 Broad Street, 13th floor, near Wall Street) – see details & register at http://bit.ly/gljobs – USE THIS DISCOUNT CODE – SREENET – for 15% off.

        – – –

        Prof. Sree Sreenivasan | sree@sree.net Dean of Student Affairs, Columbia Graduate School of Journalism http://www.sree.net | http://www.sreetips.com Contributing editor, DNAinfo: http://DNAinfo.com FACEBOOK: http://facebook.com/sreetips TWITTER: @sreenet – http://twitter.com/sreenet

        91.7 KALW-FM seeks VOLUNTEER City Visions producer

        Hey all. Again, I don’t normally post volunteer positions, but KALW has been a friend to FC since the beginning and many freelance radio folks have gotten their start there. If you have the time and want to get some experience and a foot in the door at a great station, this could be a good opportunity for you. Details below. -mia

        ++++++++++++++++++++++++++++

        Radio Producer  (Volunteer)

        Location: San Francisco, California, United States

        Organization: City Visions Radio

        Skill(s): Producing, Writing

        Start date: Training would begin as soon as interview process was completed

        Last day to apply: Open

        Description

        City Visions, a live call-in radio program, has aired weekly on KALW 91.7 FM San Francisco since 1991. (Monday, 7:00-8:00pm). We aim to educate, stimulate, and make positive contributions to discussions on Bay Area issues.  Our production team – a talented group of multi-disciplined, public policy minded volunteers – brings a broad perspective to current issues. This is a fantastic opportunity for people interested in learning about radio production or who simply want to be part of a team of volunteers informing our community about important issues.

        Summary

        City Visions is looking for someone interested in producing one radio program per month. With support from the Senior Producer and others on the team, producers develop guest panels to discuss a variety of topics important to the San Francisco Bay Area.  Production requires approximately 10-20 hours per show and consists of: researching a topic; developing a guest panel; providing background material, bios and potential questions for the host; writing copy; in-studio production on show nights from 6pm to 9pm one Monday per month.  Attendance at weekend bi-monthly production meetings is also required. Show topics are flexible depending upon a producer’s interests and skills.

        Please visit our website (cityvisionsradio.com) to check out previous shows and read the bios of current producers.

        Qualifications

        Qualified producers will be professionals looking to add radio production to their skill set. Excellent writing and communication skills are necessary though radio experience is not required. Applicants should be deadline-oriented, highly organized, willing to commit for at least 2 years and possess a strong interest in public policy and current affairs.

        To Apply

        Send a cover letter and resume, with subject line “Producer Resume,” to: Brian Moran, Senior Producer, at brian@cityvisionsradio.com

        Brian Moran

        City Visions Radio, senior producer

        www.cityvisionsradio.com

        KALW 91.7 San Francisco

        brian@cityvisionsradio.com

        323-309-8699

        FCC’s Future of Media Workshop, April 30

        This could be fascinating, lots of big names participating. Will broadcast live at www.fcc.gov/live. Details below.

        ++++++++++++++++++++++++

        FCC ANNOUNCES AGENDA OF SECOND FUTURE OF MEDIA WORKSHOP:

        “PUBLIC AND OTHER NONCOMMERCIAL MEDIA IN THE DIGITAL ERA”

        Washington, D.C. — As part of its project on the Future of Media and the Information Needs of Communities, the Federal Communications Commission will hold a workshop on April 30, 2010, from 9:00 a.m. to 5:00 p.m. in the Commission Meeting Room, Room TW-C305, at 445 12th Street, S.W., Washington, D.C., on noncommercial media entitled “Public and Other Noncommercial Media in the Digital Era.” The workshop will focus on:

        o Evolving business and organizational structures of public and other noncommercial media entities and the ways these are impacted by government policy; o The ways in which public and other noncommercial media entities do and could contribute to the information needs of communities across multiple platforms, focusing in particular on journalism, cultural, and educational content; o The possibilities for greater collaboration among noncommercial media entities such as public broadcasters, PEG channels, noncommercial web-based outlets, and other new media entities; o The role of public and other noncommercial media in serving the information needs of the underserved, including minorities, children, the disabled, and the economically disadvantaged; o The infrastructure needs and assets of public and other noncommercial media in delivering information to communities; o Innovative uses of social media, gaming, Internet applications, citizen journalism, mobile technologies, and other technological and organizational innovations; and o The possibilities for new kinds of noncommercial media networks and associated funding models. (See Press Release dated March 31, 2010).

        The workshop is open to the public, with seating available on a first-come, first-served basis. It will also be broadcast live over the Internet from the FCC Live web page at www.fcc.gov/live. Questions from the Internet audience can be submitted throughout the course of the workshop via e-mail to futureofmedia@fcc.gov and via Twitter using the hash tag #FOMwkshop.

        Agenda and Panelists (All times EST; Panelists in alphabetical order)

        9:00 a.m. Welcome and Opening Remarks

        Chairman Julius Genachowski Steven Waldman, Senior Advisor to FCC Chairman Julius Genachowski, (Moderator) Ellen Goodman, Professor, Rutgers School of Law and Distinguished Visiting Scholar, Future of Media Project (Co-Moderator)

        9:15 a.m. Framing Presentation: A 1967 Moment… A Vision for Public Media

        Luis Ubiñas, President, Ford Foundation (Taped address) Ernest Wilson, Chair, Corporation for Public Broadcasting

        9:30 a.m. Panel Discussion I: Varieties of Public and Noncommercial Media

        Patricia Harrison, President and CEO, CPB Jose Luis Rodriguez, Founder & CEO, Hispanic Information and Telecommunications Network (HITN) Jan Schaffer, Executive Director, J-Lab, The Institute for Interactive Journalism Vivian Schiller, President & CEO, NPR (Via Remote Video) Hari Sreenivasan, Correspondent, NewsHour Presenter: Sue Schardt, President, Association of Independents in Radio

        10:45 a.m. Panel Discussion II: Purposes of Public and Noncommercial Media

        David Fanning, Executive Producer, Frontline James T. Hamilton, Professor, Sanford School of Public Policy, Duke University Paula Kerger, President, Public Broadcasting Service Randolph J. May, President, The Free State Foundation James O’Shea, Editor & Co-Founder, Chicago News Cooperative cont’d from previous post.

        1:00 p.m.Panel Discussion III: New Platforms, Approaches and Structures

        Joaquin Alvarado, Senior Vice President for Digital Innovation, American Public Media Bill Buzenberg, Executive Director, The Center for Public Integrity Maxie Jackson III, President and CEO, National Federation of Community Broadcasters Nan Rubin, Chairperson of the Board, Prometheus Radio Project Jake Shapiro, Executive Director, Public Radio Exchange (PRX) Discussant: Kinsey Wilson, SVP and General Manager NPR Digital Media

        2:15p.m. Panel Discussion IV: New Strategies for Supporting Public and Noncommercial Media

        Craig Aaron, Managing Director, Free Press Orlando Bagwell, Director, Freedom of Expression, Ford Foundation Dean Baker, Co-Director, Center for Economic and Policy Research Lee Bollinger, President, Columbia University Steve Coll, President, New America Foundation

        3:30 p.m. Panel Discussion V: Communications and Regulatory Policy

        Rod Bates, General Manager, Nebraska Educational Telecommunications Terry Clifford, Co-CEO, SRG/ Station Resource Group Susan Harmon, Managing Director, Public Radio Capital Ken Ikeda, Executive Director, Bay Area Video Coalition (BAVC) Bill Kling, President & CEO, American Public Media Craig L. Parshall, Senior Vice President & General Counsel, National Religious Broadcasters

        5:00 p.m. Adjournment

        Open captioning of the workshop will be provided. Other reasonable accommodations for people with disabilities are available upon request. Please include a description of the accommodation you will need, and a way that we can contact you if we need more information. Last-minute requests will be accepted, but may not be possible to fill. Send an e-mail to fcc504@fcc.gov or call the Consumer & Governmental Affairs Bureau at 202-418-0530 (voice), 202-418-0432 (tty).

        For further information, contact Krista Witanowski, Media Bureau, (202) 418-2449.

        Journalism Innovations III, April 30-May 2, SF

        A whole bunch of conference rolled into one – and affordable to boot! Details below. -mia

        +++++++++++++++++++++++

        **Coming up next weekend! Pay what you can!**

        Now in its third year, Journalism Innovations is the West Coast’s premiere showcase for groundbreaking journalism ideas, media innovation and community networking. Produced by the Society of Professional Journalists-Northern California, Independent Arts and Media, The University of San Francisco, and the G.W. Williams Center for Independent Journalism, Journalism Innovations is playing a vital part in shaping the next phase of the industry.

        This event, combined this year with the SPJ Region 11 Spring Conference, will bring in hundreds of working journalists, educators, advocates, citizen media-makers, inventors, recruiters, students and job seekers. Join the leaders shaping the future of news. Register today, or sponsor to gain high-profile exposure for your organization! Visit the conference website or join our Facebook group for the latest details.

        BONUS! All attendees will be registered in a drawing to win free registration for this year’s national SPJ convention in Las Vegas.

        DOUBLE BONUS! RemakeCamp unconference on intersection of media & technology follows immediately after JI3 on Sunday, May 2.

        When: April 30-May 2, 2010

        Where: University of San Francisco campus.

        How much: Sliding scale. Register online today!

        Sounds Elemental producer intensive: deadline May 3

        Training opportunity for mid to advanced level audio folks. Details below.

        ++++++++++++++++++++

        Sound : [Slides] : Sounds Elemental Apply for AIR’s June and November Sounds Elemental producer intensives. Slots limited. Move now. Deadline for June intensive: May 3, 2010

        If you’re interested in applying for our upcoming Sounds Elemental: Earth intensive with Harvestworks in New York City, now’s the time! Deadline for applications is a little over one week away. Read on for details…

        We’re looking for producers to step into the void as AIR, in conjunction with Harvestworks Digital Media Arts Center in New York City, once again offers two week-long intensives for mid to advanced level audio producers. You do not have to be a member of AIR to apply. This opportunity may be especially appealing to those working primarily in traditional narrative and documentary formats eager to experiment with unconventional approaches to assembling sound and telling story.

        We have a new and exciting addition to our upcoming Sounds Elemental: Earth intensive. Guest instructor Amy O’Leary, new media editor at the New York Times, will drop by for an afternoon mini-dive into audio slideshow production. She’ll take the class through the basics of tools and techniques, building out the sound the of earth assemblage to another, increasingly popular media platform.

        We will accept 10 students through a competitive application process for each class: Sounds Elemental: Earth, to be held June 21-25, 2010, and Sounds Elemental: Sky, to be held November 15-19, 2010 at Harvestworks in New York City. The cost is $650. AIR members living outside of New York City who are accepted are eligible for a small stipend to help underwrite the cost of the intensive and travel to NYC. This program, entering its 4th year, boasts a diverse and exciting roster of alumni working across a broad range of disciplines, from ATC and Marketplace reporters to musicians and sound artists.

        We will accept applications for both sessions now.

        >> THE DEADLINE FOR APPLYING FOR THE JUNE SESSION, SOUNDS ELEMENTAL: EARTH IS MONDAY, MAY 3. <<

        Producers benefit from intensely individualized attention from renowned sound artists-teachers, NYC-based composers and performers Michael Schumacher, Hans Tammen (Harvestworks), Brenda Hutchinson (AIR), plus New York Times new media editor Amy O’Leary.

        Visit our website to learn more and apply: www.airmedia.org/PageInfo.php?PageID=562

        If you have questions, don’t hesitate to be in touch.

        Best, erin

        Links: AIR: www.airmedia.org Harvestworks: www.harvestworks.org To apply: www.airmedia.org/PageInfo.php?CatID=5&PageID=562

        AAJA convention, August 4 to 7, Los Angeles

        21st Annual Asian American Journalists Convention – you don’t have to be Asian or a member of AAJA to attend. Details below. -Mia

        ++++++++++++++++++++++++++

        Event: 21st Annual Asian American Journalists Convention

        When: August 4 to 7, 2010.

        Where: Renaissance Hotel, 1755 North Highland Avenue, Los Angeles, CA 90028

        The annual Asian American Journalists Association returns to Los Angeles for the first time in 17 years August 4-7, 2010 at the Renaissance Hotel near the famous Hollywood & Highland entertainment complex. Our world-class program features panels and workshops to strengthen your skills in this dynamic field. Learn new technologies and techniques for investigative journalism, developing stories for multi-media platforms, covering ethnic communities and foreign coverage.

        Some conference highlights:

        Job recruiters from The Associated Press, CNN, The Detroit News, Eli Lilly and Company, Gannett Co., Inc, Gilead, Marketwire, The McClatchy Company, NBC News, The New York Times, NY Daily News, Social Imprints, USA TODAY, The Washington Post and more TBA.

        Laura Ling, a correspondent for Current TV, who was detained in North Korea for 140 days and brought back to the U.S. by Bill Clinton. She has since become an advocate for imprisoned journalists around the world and trafficked women.

        Ben Fong-Torres, a former senior editor and writer with Rolling Stone magazine, who was portrayed in Almost Famous, the 2000 film by Cameron Crowe. The Renaissance Media Man blazed trails both print and broadcast media during the revolutionary, counter-cultural civil rights-embattled 1960s.

        AAJA’s founders and other Asian American media pioneers.

        Free dinner cruise of the beautiful Long Beach Harbor, home of the historic Queen Mary. Transportation to and from the harbor included.

        Opening night reception

        Silent auction

        Gala banquet

        Networking mixers

        Field trips to Disneyland, The Price Is Right TV show, Huntington Gardens

        Register online or download the convention registration book which includes travel information, convention highlights, national awards forms, and more.

        http://www.aaja.org/programs/AAJA_National_Convention/registration

        Registration: $300. On-site registration: $375. The first 100 registrants to book their hotel by May 1 get free Wi-Fi access in their rooms.

        Here’s a video that introduces the history of AAJA, and its founders, six Los Angeles journalists.

        Here is some more background info on AAJA’s history:

        http://www.aaja.org/about/mission/

        More info on the Vincent Chin story prominently featured in the promo:

        http://asianweek.com/061397/feature.html

        next Freelancer’s gathering Thursday, 4/29, 7pm

        Hey all. The next FC gathering is approaching and we’re changing things up a little. Details below!

        April Wine Tasting—Taste the Flights Have a nice relaxing evening away from the computer and deadlines. Come join us when we sample a variety of wines at a low cost at ZZa’s Enoteca one of the coolest hangout spots in Oakland. Located on Grand Ave. right off of I-80 and in the heart of the Lake Merritt district, Enoteca has great music, good food, and knowledgeable staff where the wine sample flights are affordable.

        Thursday, April 29

        7pm – 10pm

        550 Grand Ave (between El Embarcadero & Euclid Ave) Oakland, CA 94610 (510) 839-9124 www.morezzas.com

        Questions, comments? Contact our fabulous hostess for the evening Jennifer Inez Ward : 510.393.7544

        tape sync TODAY (4/22) downtown Oakland

        Hey all. Tape sync needed TODAY in downtown Oakland. Experienced tape syncers only for this one. Must have a flash recorder and be able to upload the audio this afternoon. Contact Aimee Machado <machado.aimee@gmail.com> asap if you’re available. Best, Mia

        ++++++++++++++++++

        Anyone available this afternoon, thursday, 4/22 sometime around 2:30 p.m. PT in downtown oakland? The interview is with the founder of Pandora radio. It’s for the New york Times and freakonomics radio, a podcast by the freakonomics authors. Give me a call or shoot me an email if you are available.

        Aimee Machado 323-369-5647 machado.aimee@gmail.com

        Hearst New Media Lecture by Steven Berlin Johnson TONIGHT at Columbia J-School

        Free lecture at the Columbia J-School TONIGHT! (Thursday, 4/22) Details below. -mia

        ++++++++++++++++++++++

        This year’s installment of our popular, annual free new media lecture series – please pass on to your friends in NYC – others can follow at http://bit.ly/sbjtalk (the hashtag is #columbiajh)

        Nicholas Lemann, Dean of Columbia University Graduate School of Journalism, cordially invites you

        to the annual Hearst Foundation New Media Lecture

        Thursday, April 22, 2010 (6:30-9 pm) Columbia Journalism School 116th St & Broadway (#1 train to 116th St)

        Join us to hear Steven Berlin Johnson deliver an important lecture about the media industry – and take your questions. Johnson, a noted digital media expert and bestselling author, is the 2009-10 Hearst New Media Professional-in-Residence at the Journalism School. He is the author of six books that have influenced political campaigns, urban planning and the battle against 21st century terrorism. His books include “The Invention of Air,” “The Ghost Map” and “Everything Bad Is Good For You.” He is the co-creator and chairman of Outside.In, one of the first in a new generation of hyperlocal news sites to aggregate and map news from thousands of sources.

        6:00-6:45 pm – reception – drinks and light food

        7-9 pm – lecture + Q&A (dessert will be available after the Q&A)

        No charge; no RSVP required; all are welcome. NOTE: Free open, wi-fi available in the lecture hall for journalists, bloggers and others.

        We’ll be covering this live at http://bit.ly/sbjtalk and via the #columbiajh hashtag

        Read/hear some of the previous Hearst New Media Lectures and learn more about the Hearst programs at Columbia: http://bit.ly/HearstPrograms

        See video of the 2009 lecture by Ken Lerer, co-founder and chairman of the Huffington Post, “How We Got Here and We Get Out of Here”: http://bit.ly/lerertalk

        OUR THANKS TO THE HEARST FOUNDATION FOR ITS SUPPORT OF NEW MEDIA EDUCATION AT THE COLUMBIA JOURNALISM SCHOOL

        The Hearst New Media Professional-in-Residence is appointed each calendar year to participate in the educational activities of the school. The appointment has been made possible by a generous gift from the William Randolph Hearst Foundation. Recent professionals-in-residence have included: Kenneth Lerer, Huffington Post’s chairman and co-founder; Brian Storm, former lead multimedia producer, MSNBC.com; Adrian Holovaty, former editorial innovations editor, WashingtonPost.com, among others.

        And here’s a really early save-the-date for a fall panel…

        “The Changing Media Landscape, 2010” The Annual COLUMBIA-HEARST JOURNALISM DIALOGUES Panel Discussion Tuesday, Nov. 9 / Columbia Journalism School / 6:30-9 pm

        Upcoming events at the UC Berkeley J-School

        Some great events coming up at the UC Berkeley J-School. Check it out! -mia

        +++++++++++++++++++++++++++

        *”The Immortal Life of Henrietta Lacks” http://rebeccaskloot.com/ A talk with author Rebecca Skloot*

        *When:* Monday, April 26, 2010, 12:00 PM

        *Where:* North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        Please join us for a conversation with award-winning writer *Rebecca Skloot*about her new book, *The Immortal Life of Henrietta Lacks*.

        Henrietta Lacks, known to scientists as HeLa, was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine. The first “immortal” human cells grown in culture, they are still alive today, though she has been dead for more than sixty years.

        HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the effects of the atom bomb; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions—yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.

        Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. The story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. [MORE]

        *Matt Winkler, Editor-in-Chief, Bloomberg News The Federal Reserve and the Public’s Right to Know*

        *When:* Thursday, April 29, 2010, 3:30 PM

        *Where:* North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        One of America’s most influential editors discusses the court fight Bloomberg is waging on behalf of all news organizations for access to public records in connection with the Fed’s financial bailout of American banks.

        * Leaping Tigers, Hidden Dragons: A Wide Angle on India-China *

        *When: * Thursday, April 29, 2010

        Reception: 5:00PM Lecture: 5:30 PM

        *Where:* North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        China and India, two of the biggest developing countries and euphemistically referred to as the Asian Tigers, are poised to dominate the 21st century. Their economic growth continues to surprise the developed world even after the financial meltdown of 2009. Both countries have tremendous potential amid significant social problems.

        The two countries account for 40 percent of the world’s population and 9 percent of the world GDP. They vie as rivals for western markets on the ground and for business in space. The two countries whose bilateral trade exceeds 52 billion US dollars are also geo-political rivals.

        Both India and China are nuclear powers, having gone to war once (1962) and remain in conflict over the last six decades regarding border issues and on Tibet. What does this rivalry mean for the region and the world?

        Both countries have significant disparities in their populations’ sex ratio, widespread corruption, poverty and censorship. How will these factors affect their success?

        *Panelists include* *Gerard Roland*, Chair of Economics Department, UC Berkeley *Maureen Fan*, China Correspondent, The Washington Post *Ashok Deo Bardhan*, Senior Research Associate, Haas School of Business, UC Berkeley *Ben A. Oppenheim*, Research Fellow, Institute of International Studies, UC Berkeley *Shashi Buluswar*, Dalberg, Global Development Advisors *Todd Carrel*, Visiting Lecturer, Berkeley Graduate School of Journalism *Xiao Qiang*, Adjunct Professor, Berkeley Graduate School of Journalism, founder and editor-in-chief of the China Digital Times Moderated by *Nupur Basu*, Visiting Lecturer, Berkeley Graduate School of Journalism Join us at the Graduate School of Journalism for a lively panel discussion about these power-house countries.

        * The Census and Demographics: Telling California’s Story *

        *When:* Monday, May 3, 2010, 10:00 AM

        *Where: * Sutardja Dia Hall http://www.berkeley.edu/map/maps/AB45.htmlBanatai Auditorium * Pre-registration is requested. *There is no charge to attend. To register, please contact *Kelly Holt* at (415) 291-4498 or holt@ppic.org.

        The 2010 Census is different from any in history. It is designed to provide valuable information about who we are—as a state and as a nation—at the beginning of the 21st century. But it’s based on the answers to just 10 questions. In California, the stakes are high: seats in Congress and millions of dollars for health care, transportation, schools, and social services.

        The challenge for journalists will be to find the stories in the data and provide a picture of the new California, in new ways and using new tools.

        This forum brings together experts on demography and multimedia journalists to talk about what the 2010 Census will—and will not—tell us, what alternative data sources are available, and how demographic data can be used in everyday reporting. Lunch will be provided.

        *Panelists include* *Chase Davis*, Investigative Reporter, California Watch *Mary Heim*, Chief, Demographic Research Unit, State of California *Richard Koci Hernandez*, Ford Foundation Multimedia Fellow, Berkeley Graduate School of Journalism *Hans Johnson*, Senior Fellow, Public Policy Institute of California

        *The Wind Doesn’t Need a Passport Tyche Hendricks speaks about reporting in the U.S.-Mexico borderlands*

        *When: * Thursday, May 6, 2010, 5:30 PM

        *Where: * North Gate Hall http://www.berkeley.edu/map/maps/AB45.htmlLibrary

        From a distance, the border looks like a dividing line. Journalist *Tyche Hendricks*, MJ ’97, believes that it’s really a region: more borderlands than borderline. In *The Wind Doesn’t Need a Passport *, she captures the stories of American and Mexican ranchers, factory workers, police and doctors who inhabit one of the least understood places in either country.

        A new picture of the borderlands emerges from her reporting — as a common ground alive with the energy of cultural exchange and international commerce, burdened with too-rapid growth and binational conflict, and underlain with a deep sense of history.

        With a stalled immigration policy and a raging drug war, it’s the people who live in the borderlands who are bearing the brunt of the violence, the political friction and the pressures of the recession, Hendricks found. But a better understanding of the borderlands — and the way the United States and Mexico are connected — could help policymakers reach more lasting solutions that benefit both countries.

        Hendricks is an editor at KQED Public Radio and a lecturer at UC Berkeley’s Graduate School of Journalism. For many years she covered immigration and demographics at the San Francisco Chronicle. Her talk will be followed by a reception and book-signing.

        * **************** EVENT OF INTEREST *****************

        *Chris Johns, Editor in Chief, National Geographic: Water is Life The Horace Albright Lecture in Conservation

        When:* Tuesday, April 27, 2010, 7:00 PM

        *Where: * David Brower Center: Goldman Theatre (2150 Allston Way)

        The April 2010 issue of *National Geographic* will be devoted to a single topic: fresh water. With striking visuals and in-depth reporting, we will focus on the emerging challenge of global freshwater shortages and the choices ahead as the world manages a limited supply. This coverage continues the magazine’s tradition of documenting key environmental issues and educating readers to care about the planet. *Chris Johns * will provide insight into key freshwater issues facing us today as reported by a team of renowned National Geographic contributors.

        Tenth World Conference of Community Radio Broadcasters, Nov 8-13

        Looking for an excuse to write off a trip to Argentina? Here’s your chance 🙂

        ++++++++++++++++++++

        Invitation to AMARC 10, the Tenth World Conference of Community Radio Broadcasters

        8 to 13 November 2010, La Plata, Argentina

        Dear Colleagues,

        On behalf of the International Board of Directors of the World

        Association of Community Radio Broadcasters (AMARC), I am pleased to

        invite you to join us for the 10th World Conference of Community Radio

        Broadcasters. AMARC 10 will be held from 8 to 13 November 2010 in Ciudad

        de la Plata, in the province of Buenos Aires, Argentina.

        AMARC 10 will be hosted by community radio members of AMARC Argentina

        who have come together to welcome the first global conference of AMARC

        to be held in South America, the region in which community radio was

        born over 60 years ago. Argentina and the Latin America & Caribbean

        region have been characterized by dynamic social change in recent years

        and have much experience to share with our international movement.

        AMARC 10 will bring together more than 400 community broadcasters and

        stakeholders from over 100 countries in all regions of the world. It

        will be a place to reflect on the growth of community media worldwide

        and to respond, through international solidarity, to the challenges that

        we continue to face in creating new forms of popular communication.

        The AMARC10 conference will include, among other issues, sharing of good

        practice in community media; advocacy to improve media policies, laws

        and regulations; joint action through community media for social

        justice, gender equity and a sustainable planet; knowledge sharing on

        the use of new communication tools and technologies; strategies to

        empower and support communities faced with conflict, emergency and disaster.

        AMARC 10 will be an open and participatory event in which we come

        together to share our ideas, knowledge and culture. We invite you to

        contribute by proposing activities, presentations, workshops,

        demonstrations and performances that can enrich our experience and

        ensure our global gathering reflects the diversity of our movement.

        For further information, regular updates and registration, please visit

        the AMARC 10 Conference website at: http://amarc10.amarc.org or contact secretariat@si.amarc.org

        Warm regards,

        Steve Buckley

        President of AMARC

        IRE Freelance Fellowships – Deadline April 30

        Investigative Reporters and Editors freelance fellowship deadline is approaching. One of our members was awarded this fellowship last year so shoot me an email if you want more info and I’ll try to put you in touch. Best, Mia

        ++++++++++++++++++++

        Deadline Approaches for IRE’s Fellowship Awards for Freelance Investigative Journalists

        If you are a freelance journalist working on an investigative project, apply today for one of Investigative Reporters and Editors’ Freelance Fellowships. Awards average $1,000 and may be applied toward travel, research and other costs of your investigation. The postmark deadline is April 30, 2010.

        The application process is fairly streamlined: applicants fill out a one-page form, submit samples of their work, write a narrative of 200 to 1,000 words and answer a series of related questions. Entries will be scrutinized by a committee of three experienced freelance journalists; they are ineligible for the award while serving on the committee.

        Proposals will be judged in part on the breadth, significance and potential impact of the investigative project. Proposals dealing with whistleblowers, business ethics and/or privacy issues will receive priority; projects involving other topics will also be given serious consideration by the committee. The projects must be published or aired primarily in U.S. outlets.

        IRE distributed three $1,000 fellowship awards last year to:

        · Jonathan Jones and Anna Sussman, founders of backpackjournalist.org, a collaborative international professional reporting project.

        · Jim Walls, proprietor of Atlanta Unfiltered, LLC, a Monday-Friday news site, and former investigations editor at The Atlanta Journal-Constitution.

        Eligible journalists may download the application form from the IRE Web site (http://www.ire.org/training/fellowships/) or request the form from IRE staff member John Green via telephone (573-882-2772) or email (jgreen@ire.org). Three copies of the completed form and attachments must be sent in hard copy to: Freelance Journalism Award, IRE, 141 Neff Annex, Columbia, MO 65211.

        IRE is a nonprofit educational and professional organization of more than 3,500 journalists working to foster excellence in investigative journalism. IRE provides extensive training and resources through seminars, publications and its Web site: www.ire.org.

        Book Odds

        Hey all. This is a fun competition for you audio folks. Win a free trip to the Third Coast Festival happening Oct 28-30. Good luck! -Mia

        +++++++++++++++++++

        We’re so very excited to announce that after a year of hibernation, the Third Coast ShortDocs Challenge is BACK! www.thirdcoastfestival.org/competitions/shortdocs/2010

        This year’s Challenge – “Book Odds” – is a happy collaboration with one of our favorite bands, the Books. Any/everyone is invited to produce a short audio story (up to 3 minutes) inspired by song titles from their upcoming record “The Way Out” and including a couple samples from their vast library of musical bits, strange phrases and sonic doodads.

        Read more about Book Odds, the Books, incentives (like winning a trip to this year’s Conference), and all the fine print/submission details, PLUS check out the song titles/download the audio samples at: www.thirdcoastfestival.org/competitions/shortdocs/2010

        Submission deadline is July 5th.

        Special tidbit for educators: Teachers! We hope you’ll consider introducing or even assigning the Challenge to your students. Book Odds are for everyone.

        Happy to answer questions, if you’ve got ’em. Please help us spread the word, and hope you’ll consider participating…

        Yrs, TCF

        Unconference on online media, May 2, 1-6pm, SF

        Hey folks. One of our newest FC members is scheduling an unconference to discuss the future of online media. It’s a unique format for a conference, appropriate for this time of change. Check it out: http://remakecamp.eventbrite.com

        +++++++++++++++++

        RemakeCamp is an unconference about online media. We welcome editors, journalists, engineers, designers and managers of online media as well as service providers for them.

        Topics we cover:

        * Content creation. Crowdsourcing, citizen journalism, freelance journalism, content farming, user contributed content, expert contributed content, collaborative publishing, the future of investigative journalism. * The role of editor. Curation, link journalism, news filtering, tastemaking and trendsetting, social news filtering, freelance and crowdsouring management, reputation systems for contributors, community management. * Tools. Apps and plugins for publishers, tools for reporters and writers, analytics for online media. * User experience. Optimizing content consumption for mobile devices, personalized news, attention profiles, reader interfaces, interactive articles, data visualization, social media integration. * Business. Monetization models, attracting traffic, partner programs, content exchange, creating job boards and marketplaces, paid content and paywalls.

        We organize RemakeCamp to achieve several goals: (1) give everyone a good overview of what’s going on in the space of online media and evolution of journalism; (2) extract and share the knowledge, learned lessons, best practices and open challenges from people’s heads; (3) connect tech, editorial, and journalism communities.

        We are looking for speakers (5, 10 or 20 minutes talks). Distant speakers (skype video call) are also accepted. Email Yury (yury@yury.name ) if you want to present.

        During RemakeCamp we organize collaborative publishing experiment. Using tools like Etherpad, PBWorks and Google Wave we will create in real time a document representing our knowledge, future forecast and important challenges of media innovation.

        Preliminary program:

        * 1pm-3pm – Talks * 3pm-5pm – Networking * 5pm-6pm – Collaborative publishing experiment

        Preliminary list of speakers

        – David Weekly (PBWorks) – Michael Stoll (SF Public Press) – Alexey Maykov (Facebook) – Jason Shen (Stanford Daily) – Siobhan Quinn (Blogger / Google) – Michele Gates (SFGate.com / Examiner.com) – Drake Martinet (AllThingsD / Stanford) – Yury Lifshits (Yahoo!) – Edward Ortiz (Sacramento Bee) – Maxim Grinev / Maria Grineva (TwitterTim.es) // skype-in talk – Mark Albertson (Tech Closeup TV / Examiner.com) – Nicholas Aster (TriplePundit.com) – Alex Gronke (OakBook.com) – Anu (Anirag) Nigam (Buzzbox.com) – Mia Lobel (B-Side Radio, Freelance Cafe) // skyp-in talk – Andrew Stelzer (National Radio Project) – Mark Burdett (Indybay.org) – Jeff Pester (SocialMedia411 / Uniquevisitor) – Xavier Damman (Publitweet) – Anna Hennings (Bitchbuzz.com) – Devin Banerjee (Stanford Daily) – Josh Sprague (Mediactive.com) – Brian Pobuda (Brian Pobuda Photography) – Paul Biggar (NewsLabs/NewsTilt) // skype-in talk – Matt Baume (SF Appeal, Stop8.org) – Chia Hwu (TheSubtleInfluence.com) – Crystal C. Yan (Torque Media Group) – Victor Grishchenko (TU Delft) – Your name here 🙂

        Grassroots Radio Conference – workshops, scholarships, May 13th-16th

        Details below on the 2010 Grassroots Radio Conference happening in Arcata, CA 5/13-16. There may be an opportunity to carpool with some folks from Making Contact and Freedom Archives. Contact Claude Marks < claude@freedomarchives.org> -mia

        ++++++++++++++++++++++

        OPPORTUNITY! Each year the *Grassroots Radio Conference* is held in different cities across the U.S. In May it’ll be just up the road from the bay area in Arcata, California (4 hrs by car from Oakland)

        Reg is $125 and includes 3 days of meals — single day reg avail too and Special registration for under 21 is $50

        Financial assistance requests still being accepted. There is the Solidarity Fund for People of Color and the scholarship Fund for low-income folks.

        Lot’s of hands on skills to learn and housing/crashing with friends of community radio there’s camping and the motels are $60 per night

        Special Media Bus will be rolling through and Prometheus LP-FM micro radio building on site, plus more more more…. * SEE THE LINK FOR MORE DETAILS AND WORKSHOPS *(workshps soon to be posted) http://kmud.org/index.php?option=com_content&view=article&id=459&Itemid=184

        MORE DETAILS:

        KMUD’s Grassroots Radio Conference 2010, May 13th-16th in the Redwoods, is taking shape!

        Laura Flanders has agreed to be a keynote speaker on Friday evening, May 14.

        We’ll be showing on Friday evening the film: Un Poquito de Tanta Verdad (A Little Bit of So Much Truth) by Jill Freidberg. This documentary film highlights the key role of media in the Oaxaca uprising.

        An initial list of workshops and events has just been posted to grc.kmud.org and includes a basic news training course.

        Financial assistance requests received by April 1 receive maximum consideration. Donations are so welcome!

        Workshop proposals are still very welcome.

        Please register early if you’re coming! It would really help us.

        Also, please help us spread the word.

        Info on the conference is at grc.kmud.org

        thanks, behr KMUD GRC Committee

        Spring Training for Journalists, April 24

        Hey folks. This *very* affordable “Spring Training” event sponsored by the CA Media Workers Guild promises to be a good one. Details below!

        +++++++++++++++++++

        California Media Workers is sponsoring “Spring Training: Reinventing Your Journalism Career” on Saturday, April 24 at the Ocean campus of City College of San Francisco.

        Guild members get in free, including members of our freelance unit. Others pay $20 in advance, or $25 at the door.

        Sessions are designed to help journalists — including newsroom staffers, freelancers and students — gain the skills they need to survive in this changing industry.

        Highlights include: * Tips on audio storytelling by Davia Nelson of NPR’s Kitchen Sisters * Welcoming remarks by Steve Fainaru, managing editor of The Bay Citizen (formerly known as the Bay Area News Project) * Sessions on new media skills by instructors from the Knight Digital Media Center * A multimedia workshop by Pulitzer Prize-winning photojournalist Kim Komenich * Help from a career coach experienced in the needs of journalists and other media workers * Sessions on freelancing, foreign reporting, writing nonfiction books and more

        For details, download the attached PDFs or visit the Facebook page for this event: http://www.facebook.com/#!/event.php?eid=112507132096601&ref=ts

        To sign up, just e-mail register@mediaworkers.org

        pdf iconspringtraining-schedule.pdf pdf iconspringtraining-presenterbios.pdf

        seeking volunteer readers for Radio Reading Project

        Hey folks. I don’t normally pass on this sort of thing but it seems like a very worthy project for folks with audio skills/equipment. Contact glrothman-“at”-verizon.netfor details. Best, Mia

        ++++++++++++++++++++++++++++

        A long-established nationally distributed radio reading service serving the visually impaired is seeking volunteers with good reading voices who have their own digital recording equipment, to record magazine and newspaper articles. The Radio Reading Project was known as In Touch Networks until budget cuts forced the closure of its studios at New York ’s Jewish Guild for the Blind. It continues to be heard, over special receivers, via more than 50 radio stations across the country and in hospital rooms around the New York City area.

        Volunteers are asked to record at least one one-hour program a week, as two half-hour mp3 files, which would be FTP’d to a server.

        If you’re interested, please contact Gordon at glrothman-“at”-verizon.net

        Knight Fellowships Freelance Conference at Stanford

        Could there BE a more appropriate conference for FC? Check it out! -mia

        ++++++++++++++++++++++++

        Dear Journalist, I’m writing because I think you may be interested in attending a special workshop at Stanford on June 18-19. It’s a two day conference called The Future of Freelancing: Redefining Journalism, Reinventing Yourself, produced by the John S. Knight Fellowships program.

        General registration opens this Friday, April 16. This is a one-of-a-kind conference, open to just 100 experienced journalists. Editors from the New Yorker, the Washington Post, Esquire, Mother Jones, AOL, the Bay Area News Project and many other traditional and online outlets will talk about their publications, freelance opportunities and the evolution of the craft. The first 40 writers to register will have the chance to meet one-on-one with an editor.

        I’ve organized this as part of my Knight Fellowship and am happy to answer any questions you may have. I’ve put more information below.

        Thanks so much for your time.

        Christine Larson Knight Fellow 2009-2010 Conference Director, The Future of Freelancing Email: freelance@lists.stanford.edu Twitter: LarsonWrites

        The Future of Freelancing: Redefining Journalism. Reinventing Yourself. June 18-19, 2010 Stanford University

        Independent journalists are taking on a more vital and visible role in informing the public and reinvigorating the profession. The Future of Freelancing conference helps experienced journalists explore their evolving careers and stay inspired to do their best work. Registration Opens

        April 9: Members of the American Society of Journalists and Authors, or the Society for Professional Journalists.

        April 16: Other experienced journalists To register, visit http://freelance.stanford.edu/

        Keynote speaker David Granger will discuss the future of magazines, the media and what it means for writers.

        Other speakers include: Daniel Zalewski, features editor, The New Yorker Sydney Trent, editor, Washington Post Mark Robinson, senior editor, Wired Clara Jeffery, editor, Mother Jones Jonathan Weber, editor-in-chief, Bay Area News Project Marcia Parker, West Coast Director, AOL’s Patch.com

        The first 40 writers to register will qualify for a one-on-one meeting with an editor, assigned on a first-come, first-serve basis. Registration opens April 9 for ASJA members, SPJ Northern California members, and current or former Knight fellows; April 16 for the general public.

        Sponsored by the John S. Knight Fellowships for Professional Journalists, the American Society for Journalists and Authors (ASJA), ASJA Northern California, and The Society for Professional Journalists Northern California Chapter.

        For more information, visit http://freelance.stanford.edu/ or e-mail freelance@lists.stanford.edu.

        A Wonderful Outing

        Thanks to everyone who showed up to give Freelance Café Founder, Mia Lobel a great Bay Area welcome back. It was a real blast. We had everything happening; engag

        The Cafe Crowd enjoying conversations and drinks.

        ing conversations, funny stories, and freelancers giving each other cool, useful tips.

        I loved the fact that we had many media sections represented, including documentary film, radio, graphic design, and print.

        One of the cool things about our monthly Café social outings is how it brings together so many friendly people from diverse backgrounds. We are all freelancers, but we’re also Bay Area residents engaged in enriching, interesting crafts.

        At last Thursday’s get together, we all agreed that it was fantastic having Mia back, even for a quick visit. It was like she never left, and that’s a good feeling.

        Anyhoo, we’ll keep you updated on our upcoming activities. Spring has been a great success, so far.

        Keep up the good work freelancers!

        Freelance Café

        Mia enjoying her time with the Freelance Cafe Group

        next Hudson Valley freelancer gathering Thursday, 4/29, 8pm

        Hey all. Mark your calendars and schedule a sitter – the next Hudson Valley freelancer gathering is in a few weeks:

        Thursday, April 29 8pm The Black Swan, Tivoli

        Let’s get a good crowd out for this one, and maybe discuss an early summer freelancer softball game/BBQ?

        No official RSVP necessary, but I’d love to know if you plan on coming so I can keep an eye out for you. Looking forward to seeing you all! Best, Mia 845-444-4034

        USC Annenberg/National Health Journalism Fellowships

        Deadlines approaching for this one. Go for it! -mia

        ++++++++++++++++++++++

        USC Annenberg/National Health Journalism Fellowships April 13, 2010

        Call for Applications!

        All-Expenses-Paid Professional Development Opportunity At USC Annenberg With $2,000-$10,000 Reporting Grants

        When: July 11-16, 2010

        Where: Los Angeles

        Deadlines to Apply: May 5, 2010 and May 12, 2010

        Whether you write an occasional health story or cover health full time, we invite you to spend a week in Los Angeles exploring the intersection between community health, health policy and the nation’s growing ethnic diversity. You’ll come away with a multitude of story ideas and sources, plus a thorough understanding of the role that factors such as race, ethnicity, pollution, violence, and transportation, land-use and food policy play in prospects for good health.

        Based at USC’s Annenberg School of Journalism, The National Health Journalism Fellowships (deadline: May 12) and the Dennis A. Hunt Fund for Health Journalism (deadine: May 5) are open to print, broadcast, and online journalists from around the country. National Fellows receive meals, travel, and lodging plus a $2,000 stipend upon publication or broadcast of a major fellowship project on a domestic health issue. Dennis Hunt Fund grantees attend the National Fellowship seminars and receive reporting grants of $2,500 to $10,000 instead of the $2,000 stipend. The Hunt Fund will support projects that examine the effects of a specific factor or confluence of factors on a community’s health, such as poverty, health disparities, pollution, violence, land use, urban development, access to health care, and access to healthy food. The fund honors the legacy of Dennis A. Hunt, a visionary communications leader at The California Endowment. The fund is administered by the USC Annenberg/California Endowment Health Journalism Fellowships program, which was co- founded by Hunt.

        Click here to help you decide which option is right for you: http://www.reportingonhealth.org/which-fellowship-program-right-me

        Competition for the National Fellowship and the Dennis A. Hunt Fund Grants is open to both newsroom staffers and freelancers. The stipends and grants can be used to defray reporting and publishing-related costs such as travel, Web development, database acquisition, translation services, and a journalist’s otherwise uncompensated time.

        Applicants must join ReportingonHealth .org, a Web 2.0 community for health journalism and the official Web site for the Fellowships. To encourage collaboration between mainstream and ethnic media, preference will be given to applicants who propose a joint project for use by both media outlets.

        For more information, visit Reportingon Health.org or e- mail Martha Shirk at Cahealth@usc.edu. (To improve your prospects for success, we recommend that you discuss your project idea with us in advance.)

        Visit Our Website: http://www.reportingonhealth.org/

        email: cahealth@usc.edu web: http://www.reportingonhealth.org

        call for pitches on Economic Crisis from Making Contact

        Making Contact wants your stories! Details below. -mia

        ++++++++++++++++++++++++++

        Send all story ideas to pitches@radioproject.org

        Hi freelancers, As you might have heard, we’re doing an ongoing series called “How We Survive,” about how communities across the U.S. are responding to the economic downturn. If you’re a Making Contact listener, you’ll know that we also strive to shed light on the systemic problems that make grassroots solutions necessary. Over the next year, we’ll be producing HWS shows about the topics below. We’re investing more resources into freelancers, so feel free to pitch us on stories outside our How We Survive series. We’re particularly looking for stories from under-covered communities outside of California. Please spread the word.

        Jobs and Unemployment Record numbers are signing up for unemployment benefits, and there are dismal reports about long-term job recovery. In this show, we’ll hear how jobless folks are creating an income for themselves from Duluth, MN to Austin, TX. Stories could be about an unemployed movement in your town or what people are doing about a state-funded job program that didn’t work. How has the idea of a “decent job” changed in the U.S. and what are the obstacles to obtaining one?

        Mental Health Care Across the United States, budgets are being slashed for services that care for the homeless and the mentally ill. And with the economic recession pushing millions into conditions of poverty, more and more people need mental health care. How are people taking care of their psychological well-being?

        We Got Health Care Reform. Now what? Health care reform has finally been passed. But it is providing the change the system really needs? And what are people doing while they wait for the changes to kick in? We’re interested in stories about how communities are meeting their own health care needs, beyond what politicians were discussing on Capitol Hill.

        Making Retirement Years ‘Golden’ In this show, we’ll explore how senior citizens are affected by the recession, and what they’re doing to obtain quality of life. Know a few seniors who’ve created an affordable, communal living senior compound? We’re particularly interested in the differences in experiences along race, class and gender lines.

        Young People and the Recession Studies show that more than a third of young people in the U.S. have cut back on cigarettes and alcohol because of strapped personal budgets. Others are “boomeranging” back to their parents place because of a bad job market. We want stories about how young people are getting creative and becoming active and organized. We invite collaborations with Youth Media initiatives.

        Declining Suburbia Reports say, over the past decade, poverty in suburbia has increased at five times the rate of that in primary cities. We’re looking for stories that provide glimpses into that reality. Stories could be about suburban blight, migration from cities to suburbia and failing transportation systems.

        Rural areas and the Recession For many extra-urban places, joblessness is nothing new. But how has the recession changed their situation? We’re looking for stories from the South, farming communities and tribal reservations. Is there a distinctly rural history of community resiliency? How do federal policies such as the Farm Bill affect the countryside?

        Send all story ideas to pitches@radioproject.org. They need not be more than a couple of paragraphs. Please check out our pitching guidelines on our website: www.radioproject.org/getinvolved/howtopitch.html and http://www.radioproject.org/production/subguide.html.

        Thanks,

        Pauline Bartolone, Tena Rubio and Andrew Stelzer

        FC listening session 5/18 with audio documentarian David King Dunaway

        Hey folks. First, a big thank you to all who showed up for last week’s FC gathering. It was great to see everyone and I hope to be back for another gathering soon. In the meantime, there are a lot of great events coming up and I want to plant a bug in your ear about one of them. FC and Sandbox Suites are co-sponsoring a listening session with Pete Seeger documentarian David King Dunaway on May 18. David will be critiquing up to five audio pieces, and we’re looking for your submissions. So if you have something you’re working on and want feedback from someone who knows what he’s talking about, send a note to “Rori Gallagher” .

        More details to come! Best, Mia freelancecafe.org FC on Facebook FC on Twitter http://twitter.com/freelancecafe

        Sandbox Berkeley Grand Opening May 13

        Sandbox Suites, gracious hosts of some of FC’s events, is opening a co-working space in Berkeley. Freelance Cafe is invited to the grand opening party! Details below. -mia

        May 13 6-9pm 1900 Addison St. Suite 200 Berkeley, CA 94704

        http://sandboxberkeley.eventbrite.com/

        Can’t see this email? View it in a browser http://sandboxsuites.us1.list-manage.com/track/click?u=514360ca01f55ec69b2ad48cb&id=b12b780e4f&e=046f162c01 You are invited to attend … Sandbox Berkeley Grand Opening

        *Introducing Sandbox Suites now in the East Bay!*

        We’ve excited to tell you that Sandbox Suitesis opening its second major location in downtown Berkeley next month! Located just two blocks away from BART in the historic Framas Lodge previously occupied by Nvidia, the new Sandbox Berkeley will provide the same amenities and services to the East Bay entrepreneur community. Best of all, Sandbox members will now have access to both spaces for the same price.

        We invite you to:

        Check out photos of the new space

        Tour Sandbox Berkeley starting April 19

        Sign up for a membership starting May 3

        *Attend our Grand Opening party May 13!*

        Drinky drinks – Hors d’ouvres – Fun music – Awesome people

        **

        Learn more on *www.sandboxsuites.com* or follow us on *Twitter* *Date* Thursday, May 13, 2010 from 6:00 PM – 9:00 PM *Location* Sandbox Berkeley 1900 Addison St. Suite 200 Berkeley, CA 94704

        http://sandboxsuites.us1.list-manage1.com/track/click?u=514360ca01f55ec69b2ad48cb&id=b5943b8500&e=046f162c01

        Columbia’s Sree Sreenivasan offers social media workshop in SF, April 11, 5pm

        Hi folks. Details below on a FREE social media workshop offered by Columbia’s Dean of Student Affairs. Check it out! -mia

        ++++++++++++++++++++++++

        *Sunday, April 11, SAN FRANCISCO:*

        Two events at Fairmont Hotel, 950 Mason Street http://www.fairmont.com/sanfrancisco/MapAndDirections.htm

        5:00 – 7:00 p.m.: Social Media Workshop, Pavilion Room

        7:00 – 9:00 p.m.: Informal, no-host drinks at Lobby Bar

        DETAILS & RSVP INFO: http://sree.ly/dcsfworkshops

        THE SPEAKER: Prof. Sree Sreenivasan, Dean of Student Affairs, Columbia Journalism School & contributing editor, DNAinfo.com – one of AdAge’s 25 media people to follow on Twitter. More on him at http://sree.net and you can see how he uses social media by connecting with him on Twitter:

        http://twitter.com/sreenet | Facebook: http://facebook.com/sreetips | LinkedIn:

        http://linkedin.com/in/sreenivasan

        He promises the workshop, like his tweets, will most likely be: * helpful * useful * informative * relevant * practical * actionable * entertaining * fun * occasionally funny

        Here’s one comment from a previous attendee: “Professor Sree’s presentation at the Columbia Club luncheon in Naples was riveting, fast-paced and packed with information. He presented his material clearly, accessing the internet in real-time to introduce his audience to new and useful websites. Sree was friendly and open to questions at all times, and his style and sense of humor contributed to what was a fun learning experience.” – Michael Hanson

        Prof. Sree Sreenivasan | sree@sree.net

        Dean of Student Affairs, Columbia Graduate School of Journalism http://www.sree.net | http://www.sreetips.com Contributing editor, DNAinfo: http://DNAinfo.com

        FACEBOOK: http://facebook.com/sreetips

        TWITTER: @sreenet – http://twitter.com/sreenet

        REMINDER – freelancer gathering TOMORROW, 4/8, Pacific Coast Brewing Company, 7pm

        Hey all. Just a reminder that the next FC gathering is happening TOMORROW!

        Pacific Coast Brewing Company 906 Washington Street, Oakland 7pm until whenever

        I’m in town this week and would love to see you long-time members and meet you new ones. Hope you can make it!

        I think Rori has an FC sign (woo hoo!), but you can call my cell if you can’t find us or want to know if we’re still hanging out late into the night 😉 845-835-8158

        Best, Mia

        NPR and the John Alexander Project’s Above the Fray Fellowship

        New fellowship opportunity for international reporting. Looks interesting! -mia

        +++++++++++++++++++++++

        I am writing to tell you about a wonderful new opportunity for an emerging journalist interested in international reporting. NPR and the John Alexander Project have collaborated to launch the *Above the Fray Fellowship* — a joint international reporting fellowship. The John Alexander Project is a non-profit established in memory of John Alexander, an extraordinary young journalist who died of sudden heart failure while on assignment in Chongqing, China in 2007. Alexander was reporting for *Koppel on Discovery *at the time; he also previously worked for *Morning Edition *as an editorial assistant. The money raised in his honor by the John Alexander Project will support this fellowship.

        The *Above the Fray Fellowship* is designed to give a promising journalist the opportunity to cover important but under-reported stories from a location abroad. The Fellow will be selected based on a winning proposal to report from a region lacking significant mainstream media attention. The selected individual will spend three months in the field, filing on-air and online stories for NPR, while cultivating a deeper understanding of the region and its inhabitants.

        NPR and the John Alexander Project are accepting applications now through July 1, 2010.

        – Professional journalists with at least three but no more than five years of experience are eligible to apply. – One Fellow will be selected and begin in the fall and will work with NPR desk editors and digital news editors. – Forms, requirements and additional details about the Fellowship and John Alexander can be found at www.thejohnalexanderproject.org

        The “Above the Fray” fellowship is open to all professional journalists – *at NPR, NPR Member stations, or elsewhere*. Spread the word!

        MacArthur Foundation Funds The Moth Radio Hour

        This is great news for writers and radio folks alike. Keep an eye out for more opportunities from The Moth! -Mia

        ++++++++++++++++++++++++

        http://www.themoth.org/radio

        The MacArthur Foundation Announces Support for The Moth Radio Hour from PRX

        The Moth, a nonprofit organization dedicated to live storytelling, is thrilled to announce a two-year $200,000 grant from the John D. and Catherine T. MacArthur Foundation to produce The Moth Radio Hour.

        Debuting in 2009 with five pilot episodes, The Moth Radio Hour was an instant success airing on over 200 public radio stations around the country. “The Moth Radio Hour is the realization of a ten-year long dream to bring The Moth to public radio. We have long felt that radio was the perfect medium for our stories to reach a wider audience, and we are grateful to the MacArthur Foundation for making this possible,” says Lea Thau, Executive & Creative Director of The Moth.

        The radio series captures the energy and authenticity of live performance at The Moth and weaves it into a compelling hour of radio. Presented by PRX, the Public Radio Exchange, and produced by award-winning producer Jay Allison of Atlantic Public Media, ten new episodes will be available to public radio stations for broadcast in 2010.

        With generous support from the MacArthur Foundation, The Moth is building on the success of the pilot season. “I love The Moth. It is elemental, even primitive, in its simplicity: One person stands up and tells a story to a crowd of eager listeners. The only thing missing is the cave and the fire. The only thing we add is a microphone,” says Producer Jay Allison.

        Originally formed by the writer George Dawes Green as an intimate gathering of friends on a porch in Georgia (where moths would flutter in through a hole in the screen), and then recreated in a New York City living room, The Moth quickly grew to produce immensely popular events at theaters and clubs around New York City and later around the country.

        “Public radio is powered by true stories that illuminate the human condition,” says Jake Shapiro, Executive Director of PRX. “The Moth introduces new dimensions through live performances as well as online participation.”

        PRX first funded a sample hour of The Moth in 2007 and is now the exclusive distributor for the program on public radio.

        The Moth 2010 series is available to public radio stations at http://www.prx.org/themoth beginning May 1.

        About The Moth The Moth is a nonprofit organization with ongoing programs, all of which contribute their best stories to The Moth Radio Hour. The Moth Mainstage where celebrities appear alongside unique voices from all walks of life; The Moth’s StorySLAM competitions, which are open to all and rapidly expanding to cities across the country; and The Moth’s community outreach program, MothShop, which bring workshops to people whose stories would otherwise go unheard.

        Two additional projects are launching in 2010: The Moth StoryLine invites people to pitch story ideas online or through a toll-free hotline; and the MothUP program helps groups around the country form their own Moth storytelling groups in their homes and submit the recorded stories from these evenings to The Moth.

        About PRX PRX is an award-winning public media network focused on innovation at the intersection of technology and talent. The PRX platform is an open distribution marketplace connecting thousands of producers and local public radio stations, creating public radio’s largest archive of on-demand programs for broadcast and digital use.

        About Jay Allison Jay Allison is an independent broadcast journalist and Executive Director of Atlantic Public Media in Woods Hole, Massachusetts. With APM, he co-founded PRX, Transom.org, and the Cape and Islands public radio stations. Jay was the curator and producer of This I Believe on NPR, and has made hundreds of documentaries and features for national broadcast. He is the recipient of five Peabody Awards and CPB’s Edward R. Murrow Award for outstanding contributions to public radio.

        Apr. 13 Social Media Class Offered Online via Center for Doc Studies

        New media class taught in a new media way. Details below. -mia

        ++++++++++++++++++

        If you’ve been looking for information about how to promote your work and ideas using social media, this is the class for you….

        Exploits in New Media and Emerging Technologies – Online Class

        Instructor: Katina Parker School: Center for Documentary Studies at Duke University Dates: ** April 13 – May 18, 2010 Location: Online Class – you can access it from anywhere in the world!

        *We meet 5 Tuesdays with one break in between so that students can work on their projects. The class meets for 15 hours total. 6-9pm.

        Course Description: How do you utilize Twitter, Facebook, Google Ads, Facebook Ads to promote a new site, event, film project, on-line community or movement?

        This class offers step-by-step guidance on launching a social media project from scratch. You’ll learn everything from securing a domain name and using freeware to build your site to shooting and uploading web video; from choosing the right viral video distributor to creating a web advertising campaign to generate revenue. Students will create a sample social media campaign for a video or social media concept they’ve created (whether made previously or shot specifically for use in this class).

        The course costs $250 – if you don’t have the $$$ try to find an organization to pay your tuition.

        To register visit: http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=5602

        Specific Topics That We Will Cover Include: •Facebook •Twitter •YouTube/Vimeo/Bright Cove/Google •Google Ads/Facebook Ads •Cell Phone Apps •Content Management Systems (Joomla, Drupal, Ruby on Rails, Ning) •Widgets •New media institutes and personal development opportunities

        Katina Parker Bio Prior to founding the nonprofit New Orleans: A Labor of Love, Katina Parker worked as a creative director and as a media strategist for the Gay & Lesbian Alliance Against Defamation (GLAAD). She received an M.F.A. in film production from the University of Southern California and a B.A. in Speech Communications from Wake Forest University. Parker has employed her talents as a filmmaker, photographer, and graphic/web designer for such clients as Will Smith, Jada Pinkett-Smith, and Saul Williams. She is currently working as a social media consultant for the Association of Independents in Radio and several other progressive public media projects.

        Deadline for $47K JSchool Investigative Reporting Fellowships April 9th

        Couple days left to apply for this one. Go for it! -mia

        ++++++++++++++++++++++

        J-School Announces Competition for Two Investigative Reporting Fellowships

        From the Graduate School of Journalism | March 8, 2010

        BERKELEY – To help develop a new generation of investigative reporters in an era of extensive cutbacks at major news organizations, UC Berkeley’s Graduate School of Journalism today announced a call for entries for its fourth-annual competition for year-long fellowships in investigative reporting. The two fellowships will be awarded in June 2010.

        The fellowships are open to all working investigative journalists, but preference will be given to graduates of UC Berkeley’s master’s program in journalism. A strong track record of successfully reporting on complex subjects in the public interest is required.

        Applicants will be chosen based on their qualifications and on the proposed area of investigation they intend to pursue. Story proposals must be those that have been under-reported by traditional news organizations. Proposals may include print, broadcast and multimedia components.

        “Providing a unique opportunity for young journalists to pursue their passion to do a story in the public interest is the most important thing we can do,” said Professor Lowell Bergman, the director of the Investigative Reporting Program.

        “We are part of the growing movement to preserve, protect and promote investigative reporting during a period of contraction in the news business. This effort does not enjoy the support of state funding and is made possible by the generous support of individuals and foundations. These contributions, along with the work of the previous fellows and my colleagues, Robert Gunnison and Marlena Telvick, have made the Investigative Reporting Program a model for a growing number of non-profit efforts,” said Bergman.

        Winners of the 2009-2010 fellowships were Ryan Gabrielson of the East Valley Tribune in Mesa, Arizona and a recipient of the 2009 Pulitzer Prize for local reporting and Matt Isaacs, a 1999 graduate of the journalism school and veteran investigative reporter and editor in California.

        Gabrielson recently launched a multi-media, multi-outlet investigation on DUI checkpoints including a print story in The New York Times and an accompanying video on the Times website. The Center for Investigative Reporting’s “California Watch” edited versions of the story for the Sacramento Bee, the Orange County Register, Mother Jones, the Bakersfield Californian, the Stockton Record and in Spanish for La Opinion. The PBS NewsHour aired a broadcast version of Gabrielson’s investigation.

        “As a newspaper reporter, I began the fellowship without experience producing pieces for multiple news outlets at once, or for television,” says Gabrielson. “But with guidance, I conducted on-camera interviews for a PBS NewsHour segment, while simultaneously writing print pieces for California Watch and The New York Times.”

        “You cannot help but grow as a journalist watching Bergman and his IRP team at work,” Gabrielson says.

        Matt Isaacs, who is continuing his investigation of overseas Chinese power in the United States in collaboration with a major news outlet, says, “The Investigative Reporting Program is the only place I know that can catch the ear of almost any news organization in the country. If you have a story worth telling, the program will find somewhere to place it at the highest levels.”

        “Lowell knows how to make a good story great, and how to send a great one into the stratosphere,” Isaacs says. “He knows what it takes to play on the national stage because he’s been there so long.”

        The IRP also occasionally awards small grants to support investigative projects not selected for the fellowships. Applicants will be notified if they have been placed in a special category for consideration for one of these grants.

        Zachary Stauffer, a 2008 graduate of the journalism school and Katie Galloway, a filmmaker and lecturer in the Media Studies department at UC Berkeley were the applicants chosen to receive project-specific funding last year.

        Mr. Stauffer is working as a cinematographer and reporter for the IRP. He served as director of photography for the PBS FRONTLINE documentary “The Card Game” and also shot Ryan Gabrielson’s story on DUI checkpoints for the PBS NewsHour. Ms. Galloway has been given in-residence support and editing facilities for her feature documentary on a domestic counterterrorism case.

        Fellows will be provided with office space, phones, basic expenses and up to $10,000 in funds for approved travel. Proposals must include an estimate for travel expenses to complete a project. No housing or relocation supplements are provided. Fellows are expected to refrain from outside journalistic projects, and to use the Berkeley offices as their base of operations during the fellowship.

        Fellows will be employees of the University of California with an annual salary of approximately $47,000. They also will be able to audit UC Berkeley classes and use campus research facilities.

        The deadline for fellowship applications for the academic year 2010-2011 is 12 o’clock Midnight on Friday, April 9th. This year’s recipients will be announced in June. The fellows’ year-long tenure will begin in September.

        The application and entry requirements can be found at: http://jobs.berkeley.edu. The job number is #10506. Please note, three letters of reference to the attention of Professor Lowell Bergman will be required. Solicit them early.

        For additional details on the fellowship program, contact:

        Investigative Reporting Program 2481 Hearst Avenue Berkeley, CA 94709 investigativereportingprogram@berkeley.edu

        Mini-fellowships/Reporting Grants from Annenberg

        Two, week-long fellowships from Annenberg plus grant money for reported projects. Details below. -mia

        ++++++++++++++++++++++

        When: July 11-16, 2010 Where: Los Angeles Deadlines to Apply: May 5, 2010 and May 12, 2010

        Step away from your daily routine to spend a week in Los Angeles exploring the intersection between community health, health policy and the nation’s growing ethnic diversity, as well as the role that factors such as race, ethnicity, pollution, violence, and transportation, land-use and food policy play in prospects for good health. You’ll come away from the experience with a multitude of story ideas and sources, plus a thorough grounding in the principles and practice of good health journalism – and funds to pursue a substantive health-related reporting project.

        Based at USC’s Annenberg School of Journalism, The National Health Journalism Fellowships (deadline: May 12) and the Dennis A. Hunt Fund for Health Journalism (deadine: May 5) are open to print, broadcast, and online journalists from around the country. National Fellows receive meals, travel, and lodging plus a $2,000 stipend upon publication or broadcast of a major fellowship project. Dennis Hunt Fund grantees attend the National Fellowship seminars and receive reporting grants of $2,500 to $10,000 instead of the $2,000 stipend. Click here to help you decide which option is right for you.

        http://www.reportingonhealth.org/which-fellowship-program-right-me

        The Hunt Fund, which offers grants of $2,500 to $10,000, will support projects that examine the effects of a specific factor or confluence of factors on a community’s health, such as poverty, health disparities, pollution, violence, land use, urban development, access to health care, and access to healthy food. The fund honors the legacy of Dennis A. Hunt, a visionary communications leader at The California Endowment. The fund is administered by the USC Annenberg/California Endowment Health Journalism Fellowship program, which was co-founded by Hunt.

        Competition for the National Fellowship and the Dennis A. Hunt Fund Grants is open to both newsroom staffers and freelancers. The stipends and grants can be used to defray reporting and publishing-related costs such as travel, Web development, database acquisition, translation services, and a journalist’s otherwise uncompensated time.

        Applicants must join ReportingonHealth.org, a Web 2.0 community for health journalism and the official Web site for the Fellowships. To encourage collaboration between mainstream and ethnic media, preference will be given to applicants who propose a joint project for use by both media outlets.

        For more information, visit ReportingonHealth.org or e-mail Martha Shirk at Cahealth@usc.edu. (Prospective candidates are strongly encouraged to discuss their proposed projects in advance.)

        More Links:

        http://www.reportingonhealth.org/fellowships/seminars/national-health-journalism

        http://www.reportingonhealth.org/fellowships/seminars/dennis-hunt-fund-health-journalism

        http://www.reportingonhealth.org/

        Open Internet Reporting Fellowship from New America Media

        Another fellowship opportunity – this one from New America Media. Deadline this Friday, April 2! -mia

        ++++++++++++++++++++++

        Open Internet Reporting Fellowships

        DEADLINE APPROACHING: April 2, 2010, 5 PM PDT

        What is net neutrality? What is broadband access and adoption? Why should your audiences care about these issues? Here are three reasons why:

        Do they make international phone calls using the Internet? Do they purchase consumer goods online? Do they search for information, jobs or register for schools online?

        Each fellow will submit a proposal outlining an in-depth or investigative story or series of stories she or he intends to pursue, as well as a signed agreement by his or her publisher/producer to run the story or stories in their ethnic/community media outlet.

        Fellows will receive assistance as needed with research, reporting and producing their stories. NAM will disseminate stories produced by the fellows to ethnic and mainstream media partners and nonprofit collaborators through NAM’s news wire. The G.W. Williams Center will also distribute the stories through independent media as well as its nonprofit partners.

        All stories must be edited and approved by project editors before publication/broadcast and must be completed by June 30, 2010.

        Fellows will receive a $500 stipend once the story or series has been published or aired. For more information contact Linda Jue, director and executive editor, G.W. Williams Center for Independent Journalism: 415/321-1733 or nvijdirector@gmail.com

        Click hereto download the fellowship application.

        The form can be scanned (with the publisher/producer/editor’s signature) and emailed in. Alternatively the editor/publisher/producer can email agreement to publish the story directly to nvijdirector@gmail.com, Attn: Open Internet Reporting Fellowship

        Audio Engineering Society Scholarship

        Scholarships available from the Audio Engineering Society. Details below. -mia

        +++++++++++++++++

        Deadline is May 15th, if you would like to pass this along to interested students/colleagues:

        AES Educational Foundation http://www.aes.org/education/foundation/

        The Audio Engineering Society Educational Foundation is dedicated to encouraging the entry of talented students into the profession of audio engineering and related fields. Since its establishment in 1984, the Foundation has awarded grants for graduate studies to exceptional applicants, many of whom have gone on to prominent and successful careers in the profession. Applications are accepted from students worldwide.

        Short paid article gig

        Anyone available for this short writing gig? Details below. Contact: Kris Haamer -mia

        ++++++++++++++++++++++

        Call: Freelance writer in the San Francisco area for a science story out of the Cal. Academy of Sciences. Preferably interested in African or Lusophone cultures.

        Story: A world class scientist just back from his latest expedition to Sao Tome & Principe. Has previously found a new species on the islands, really excited to tell the unique biodiversity story of the archipelago.

        Job: Feature the scientist, focus on Sao Tome – 500 words, 3 pictures. Background: http://islandbiodiversityrace.wildlifedirect.org/

        Payment: Negotiable.

        Audience: Published on SaoTomeBlog: http://saotomeblog.com/

        Deadline: April 19, 2010

        Interested? Contact: Kris Haamer

        Neo Journalism in Oakland

        Is Oakland ready for it’s close up?

        These days it seems there’s no shortage of news websites or blogs devoted to covering all things Oakland. In the last couple of years we’ve seen Oakland North come aboard, the launch of Oakland Local, The OakBook, and cool sites like A Better Oakland.

        Old scribes like the New York Times are falling all over themselves trying to cover Oakland and the Bay Area, and even the yet-to-be launched The Bay Citizen promises to devote key resources to the city.

        Last night, I stopped by the official launch party of OaklandSeen, a radio and news blog project put together by prominent Oakland citizen, Aimee Allison.

        Not too long ago, Oakland was a dead zone for journalism. The Tribune had moved out of its iconic headquarters and the Chronicle only dropped in when there was a shooting or social unrest.

        But with the demise of traditional print journalism, comes new opportunities for media outlets willing to chuck the old way and come up with a new plan.

        What many of the new Oakland news organizations have in common is a grassroots feel and a promise to cover more than just crime and city hall. Also, reflecting the diversity of the city, almost all of these new organizations are run, in part, by women or journalists of color.

        The days of just seeing news about murder, school board meetings, and ribbon cutting events in Oakland seem to be, thankfully, over.

        I’ll leave aside the issue of providing living wages for writers, photographers, and radio folks for another time.

        Instead, for now, I’ll celebrate this golden age in Oakland journalism.


        –Jennifer Inez Ward

        training event from California Media Workers, Sat. April 24, 9:30 a.m.-5 p.m., SF

        From the Freelancer’s Guild – training session is free to Guild members, pretty affordable for everyone else. Details below: -mia

        ++++++++++++++++++++

        This workshop is free to guild members, including freelance unit members, but RSVPs will help us plan. If it sounds like something you want to do, just send a note with your name and contact info toregister@mediaworkers.org

        We hope to have a complete schedule out soon, but we already have confirmations from some really top-notch speakers and presenters.

        If you have questions, e-mail me at modernsara@gmail.com

        Freelancer gathering – Thursday, 4/8, 7pm, Oakland

        Hey all. I’m coming to the Bay Area for a visit and I would LOVE to see you! Come out and re/connect with your fellow freelancers:

        Pacific Coast Brewing Company 906 Washington Street, Oakland 7pm – whenever y’all get sick of me

        Drop me a note if you think you can make it so I can keep an eye out for you. (And I think Rori may even have an FC sign for the table.)

        You can also RSVP on Facebook .

        Can’t wait to reconnect with the FC crew. Best, Mia 845-444-4034

        PS: I’m also trying to get the FC twitter feedgoing again if you’re interested. And there have been regular posts to freelancecafe.org. FC has gone all social media on you!

        Corporation for Public Broadcasting Launches New Local Journalism Initiative

        Lots of hiring is promised at the stations that received this funding. Seems like a step in the right direction for revitalizing local media.

        +++++++++++++++++++++++

        http://cpb.org/pressroom/release.php?prn=814

        For Immediate Release March 25, 2010

        Corporation for Public Broadcasting Launches New Local Journalism Initiative

        Regional Collaborations to Counter Decline of Local Journalism

        Digital Public Media Platform to Support Innovation

        Washington, DC — The Corporation for Public Broadcasting (CPB) today announced funding for a major journalism initiative that will increase original local reporting capacity in seven regions around the country, and a planning project to develop an open information architecture to harness the collective power of the public media network.

        CPB is funding the creation of seven Local Journalism Centers (LJCs), combining CPB and participating stations’ resources for a ground-breaking new approach to newsgathering and its distribution. The Centers will form teams of multimedia journalists, who will focus on issues of particular relevance to each region; their in-depth reports will be presented regionally and nationally via digital platforms, community engagement programs and radio and television broadcasts.

        The LJC initiative builds on CPB’s long-standing commitment to journalism and its ongoing funding of public media news and public affairs content and initiatives, including Project Argo, a pilot effort funded jointly with the Knight Foundation to enable a dozen NPR and PBS stations to expand their reporting and increase their expertise on topics of local relevance.

        “The Local Journalism Centers will enhance public media’s ability to meet the information needs of local communities at a time when access to high quality, original reporting is declining,” Patricia Harrison, the CEO and President of CPB said. “Public media has long provided independent and in-depth coverage of local issues and public policy. The need for that coverage is even greater today, and we have a responsibility to ensure that journalism can continue to thrive and serve the needs of our democracy.

        “These radio and television stations are locally owned and operated and work in partnership with other community-based organizations,” Ms. Harrison explained. “Working together with stations across a region, along with emerging new digital journalism organizations, they can make a significant contribution to news gathering and distribution, which is critical to the information health of these communities.”

        “In a time when newspapers and other media organizations are cutting back or disappearing altogether, public media is strengthening its commitment to journalism,” said PBS President and CEO Paula A. Kerger. “We’re putting our innovative spirit and strong local and national infrastructure to work for the American people in new ways – filling gaps in news coverage and using new platforms to ensure everyone has access to the most trusted source for in-depth reporting, analysis and investigative journalism. PBS is proud to collaborate with CPB, NPR, our member stations and emerging digital journalism organizations across the country to transform community engagement and information.”

        In addition, CPB also announced funding for the Public Media Platform, a project administered by NPR, in partnership with PBS, APM, PRI and PRX. This coalition of public media leaders will develop a prototype for a flexible common platform to support public media innovation and collaboration. The ultimate goal is to collect, distribute, present and monetize digital media content efficiently, allowing producers and stations to devote their resources to reporting, content production and community engagement.

        Vivian Schiller, President and CEO of NPR, said, “These two initiatives represent the twin paths that public media must travel – expanded original news reporting, and state of the art tools and technology to get that content into the hands of more people. CPB’s investments in these two innovative programs ultimately serve those goals, and the interests of the American people.”

        IRP Fellowship deadline April 1

        International Reporting Project fellowship deadline approaching. Details below. -mia * ++++++++++++++++++++++++++*

        Applications for IRP Fellowship in international reporting due by *April 1*

        In the fall of 2010 the International Reporting Project (IRP) will offer up to 10 IRP Fellowships to U.S. journalists to carry out a project reporting from any country in the world outside the United States.

        As part of its 2010 program, the IRP will offer one “IRP/Stanley Foundation Fellowship” that will be part of the overall Fellowships program. This award will be made to a U.S. journalist of any level of experience – including senior journalists – whose proposed international reporting project will focus on the challenge of securing loose nuclear material.

        Don’t miss this rare opportunity to shed light on an “under-reported” topic and region of the world.

        *Click the below link for more information on the Fellowships:*

        http://internationalreportingproject.org/stories/detail/1508/

        *Online application form is available at:*

        http://internationalreportingproject.org/fellowship_apply.php

        Attention all freelancers seeking HEALTH CARE

        Important message from the Freelancer’s Guild. This is BIG! -mia

        ++++++++++++++++++

        ATTENTION ALL FREELANCERS SEEKING HEALTH CARE

        In the upcoming months, the Guild’s Freelancer unit will be negotiating a contract with a major health care provider that will offer rates far lower than what you could get on the open market as an individual.

        It is vital that before we sit down to negotiate, we obtain the largest possible membership through your sign-ups because that membership size in turn will affect the amount of the annual rate unit that members pay.

        So now is the time for any of you who are freelancing and facing the prospect of no benefits, expensive benefits or loss of benefits to join the unit so we have the largest possible group and thereby win the least costly and best possible health care plan for you.

        Maybe you have health coverage for a few more months — if you were laid off by The Chronicle — or maybe you still are covered by your parents’ policy if you are a journalism student who is about to graduate. But if that coverage is due to end anytime soon, you are exactly the people who should be joining the freelance unit now so we can get a great health policy for you.

        Along with the upcoming health plan, here are some of the benefits provided by the freelance unit for the fee of $144 a year:

        College scholarships of $3,000 each for the 2010-2011 school year for members and their family members. Winners, selected in a lottery drawing, also will receive second-year scholarships of the same amount contingent upon satisfactory academic accomplishment. Part-time scholarships are also available. $500 for families that open a new 529 college savings plan. Juried press pass eligibility.

        Free Lynda.com membership for two weeks — long enough to learn some new programs or skills.

        Membership in the Bay Media Federal Credit Union, which features low- cost loans, high-yield savings, and safe, secured deposits, competitive rates on IRA/Health Savings Accounts and (HSA)/Education Savings Accounts.

        Union Plus, which offers mortgage assistance, discounts on legal counsel, tax services, car rentals, prescription drugs, electronics, and more, a low-cost credit card — and a 10 percent discount on AT&T service — great for those who use iPhones!

        Free admission to monthly seminars on topics of value to freelancers, from filing taxes to pitching a non-fiction book to driving up traffic to your Web-based work.

        You will become part of a group that advocates for better conditions for freelancers, promotes high standards in an age where journalism quality is deteriorating and allows members help one another deal with the hurdles of self-employment.

        Please consider joining today. Log onto guildfreelancers.org and click on “Join Us.” Questions? Call Rebecca at 510-472-3024.

        In solidarity, Rebecca Rosen Lum, Unit Chair Susan Sward, member, Guild Freelancers

        If Not the Chronicle, Then What? SF Commonwealth Club event TONIGHT 3/24, 6pm

        Hey folks. Another media event for your perusal. This one is TONIGHT! Details below. – Mia

        +++++++++++++++++++++++

        https://tickets.commonwealthclub.org/auto_choose_ga.asp?area=1&shcode=1716

        *If Not the Chronicle, Then What?*

        *Location:* SF Club Office *Time:* 6 p.m. check-in, *6:30 p.m. program*, 7:30 p.m. networking reception *Cost:* $12 members, $20 non-members, $7 students (with valid ID)

        *Jeff Hunt*, Editor, Muni Diaries *Brock Keeling*, Editor, SFist.com *Michael Maness*, VP of Innovation and Design, Gannett Co. Inc.; Director, The Bold Italic *Robin Sloan*, Media Partnerships, Twitter – Moderator

        *New Faces of SF Media*

        Sites like SFist.com and the Muni Diaries are doing more than just keeping San Franciscans in the know about the latest bar openings or bus brawls. They represent the shift to a new media model based on the interest and participation of the many; gatekeepers no longer decide what the masses want to see or hear, or who gets to give it to them. With heavy-hitting new media companies like Twitter, Yelp, Digg, Wikipedia and Flickr headquartered in the city, it’s no wonder that San Francisco is widely regarded as the home of new media. Get an insider’s perspective from the new leaders of media in SF.

        Where do you go for your daily local news jolt? Whose writing is so fresh, witty, hilarious or gutsy that you savor each piece like it’s the last of the cake? After the panel, we are hosting up-and-coming media personalities of San Francisco, invitation provided by you. Tell us who just HAS to be there, then vote for who should be crowned king or queen of SF new media. Come to the party to meet, mingle and gush your fandom in person! Vote for your Fav by March 18th: Email mkim@commonwealthclub.org, or tweet your pick with #inforumsf. To check out the current nominees, go to Links below.

        Cecilia Vega(Bio) *KGO-7 *

        Brock Keeling http://sfist.com/staff.php *SFist *

        Melissa Griffin http://sweetmelissa.typepad.com/ (Blog) *Blogger/SF Examiner*

        Jaimal Yogis http://www.jaimalyogis.com/ (Bio) *San Francisco Magazine*

        Markos Moulitsas Zתniga http://www.dailykos.com/ *DailyKos*

        Michael Bauer http://www.sfgate.com/cgi-bin/blogs/mbauer/bios *SF Chronicle*

        *MissionMission http://missionmission.wordpress.com/*

        Mark Frauenfedler http://boingboing.net/markf.html *Boing Boing*

        Lea Troeh http://theweekintro.blogspot.com/ (Blog) *The Week Intro*

        Mac McClelland http://motherjones.com/authors/mac-mcclelland (Bio) *Mother Jones*

        Andy Wright(Articles) *SF Weekly*

        Vanessa Carr http://missionlocal.org/ *Mission Local*

        Tana Ganeva http://www.alternet.org/authors/9078/ (Blog) *AlterNet.org*

        *Laughing Squid http://laughingsquid.com/*

        *Curbed SF http://sf.curbed.com/*

        *Eater SF http://sf.eater.com/*

        Dyanna Pure and JT Paradox http://www.thesfstyle.com/ *The SF Style*

        Alexia Tsotsis *SF Weekly*

        Joe Eskenazi http://www.sfweekly.com/content/result/author:613068 *SF Weekly*

        Lois Beckett *SF Weekly*

        Broke-ass Stuart http://brokeassstuart.com/about/ *brokeassstuart.com*

        Jeff Hunt http://www.munidiaries.com/about-md/ *munidiaries.com*

        Did we forget anyone? Email in with your choice! http://thechefspalate.com/

        Four $20,000 Prizes for Excellence in Reporting – Nominations Open for National Academies Communication Awards

        Big money available for excellent reporting in science, engineering, and medicine. Nomination deadline 4/14. -mia

        +++++++++++++++++++++++

        [image: http://www.nakfi.org/images/newsletter/header.jpg]

        The National Academies Keck *Futures Initiative *has started accepting nominations for the 2010 National Academies Communication Awards for excellence in reporting and communicating science, engineering, and/or medicine to the public during 2009. The National Academies Communication Awards are one component of the National Academies Keck *Futures Initiative, *a far-reaching initiative designed to realize the untapped potential of interdisciplinary research. A $20,000 prize will be awarded in each of the following categories:

        – Book – Magazine/Newspaper – Online – Film/Radio/TV

        *ELIGIBILITY*

        To be considered for a 2010 National Academies Communication Award, the work should:

        – be accessible and appeal to a broad, public audience; – demonstrate clarity, creativity, originality, and accuracy; – address issues and/or advances in science, engineering, and/or medicine; – cover topics that have an impact on society; and – have been published, broadcast, or released in 2009, in the United States and in English.

        *NOMINATION FORM*

        Nominations must be submitted on the online nomination form at www.keckfutures.org; copies of the nominated work must be submitted as described for each category. Self nominations are permitted; there is no nomination fee. Please submit a nomination to the category that most closely describes the work(s) being nominated.

        *BOOK*

        Books published in the U.S. in 2009 will be considered. Please submit two copies of the book. The publisher and year of publication must be printed on the book. Advance publication dates must be verified by the publisher.

        *MAGAZINE/NEWSPAPER*

        Works in this category must be published in the U.S. in 2009, and may comprise a single article, or up to as many as four articles that are unrelated or that constitute a formal series. Please submit three original copies of each article clearly showing the byline and the name and date of the publication *and* a signed copyright release that authorizes the National Academies Keck *Futures Initiative* to reproduce the article for review purposes. If you are not able to provide copyright release, please send an additional 20 copies of the article(s), or a PDF file of the article(s).

        *FILM/RADIO/TV*

        Submissions may include a single story or movie; a series; or as many as six brief, unrelated stories that aired on a U.S. station or were released in theaters or on DVD in 2009. Please submit three CDs or DVDs labeled with the nominee’s name(s), the titles of stories included on the DVD or CD, and the original airdate (with the name of the U.S. station and the program on which the stories aired) or release date. These must be submitted in protective cases *and *include a signed copyright release that authorizes the National Academies Keck *Futures Initiative* to reproduce the CD or DVD for review purposes. Submission of copies of the program transcript are also encouraged. If you are not able to provide copyright release, then please submit an additional 20 copies of the CD or DVD.

        *ONLINE*

        Works created specifically for the Web, which were posted in English online in 2009, will be considered. Entries may include as many as six online articles, hypertext documents, podcasts, commentaries, etc., or any combination thereof. Preference will be given to nominations that make the best use of the medium, including multi-media presentations that incorporate a combination of videos, blog entries, interactive features, and/or other capabilities unique to this communication vehicle. Include links to the unique URLs for each work(s) that will be active through October 1, 2010.

        *This Year’s Selection Committee*

        Visit www.keckfutures.org/awards for a complete listing of this year’s Selection Committee.

        Nominations must be completed online no later than April 14, 2010. All supporting materials must be postmarked by April 14. Please click here http://www.keckfutures.org/awards/nominate.htmlfor more information about the nominations process.

        If you have questions please email commawards@nas.edu

        SF Public Press Print-Raising Party, 4/3 6pm, SF

        *SF Public Press event coming up – details below. -mia *

        *++++++++++++++++++++++ *

        *Start the presses! — SF Public Press is going to print.*

        Come to a print-raising party at Tonic on Saturday, April 3, and join the leading grassroots campaign to advance local, ad-free, public-interest journalism in San Francisco.

        All tips collected during the event will help SF Public Press produce, print and distribute a pilot newspaper this spring. We hope you’ll contribute!

        We’ll offer chances to win one-year Public Press memberships and free copies of McSweeney’s award-winning San Francisco Panorama!

        *WHAT: SF Public Press Print-raising Party WHEN: Saturday, April 3, 6-9 p.m. WHERE: Tonic, 2360 Polk St. (at Union) in San Francisco* RSVP at eventbriteto help us plan accordingly.

        Town Hall Forum on Local News TOMORROW – 3/25 5:30pm, BOWLING at 8pm

        Hey folks. Free SPJ event tomorrow, 3/25 at 5:30pm, bowling to follow at 8pm. Details below. NOTE the time change for bowling.-Mia Town Hall Forum: “Your Views on Local News”

        Community members will have a chance to discuss their views about the local news with a dozen leading figures in journalism, education, business and politics at a town hall meeting produced by the Society of Professional Journalists on Thursday, March 25.

        *When:* 5:30-7:30 p.m.

        *Where: *Koret Auditorium of the main San Francisco Public Library in Civic Center.

        *How much:* Admission is free.

        We’ll discuss how the current crisis in the news industry creates opportunities for the public to help shape new kinds of journalism that contribute to a vibrant democracy. The conversation will explore strategies and business models for ensuring robust and reliable news coverage in a changing economic, technological and social environment.

        Participants will include:

        – *Craig Aaron*, senior program director, FreePress

        – *Mark Adkins*, president, the San Francisco Chronicle

        – *David Callaway*, editor in chief, MarketWatch.com

        – *Sandy Close*, executive director, New America Media

        – *Paul Connolly*, senior vice president, the TCC Group, manager of the Challenge Fund for Journalism

        – *Ron Dellums*, Oakland mayor and former congressman

        – *Glenn Frankel*, Pulitzer Prize-winning Stanford professor and former Washington Post London Bureau chief

        *- Lisa Frazier*, publisher, Bay Area News Project

        – *Dr. Dina Ibrahim*, assistant professor for Broadcast and Electronic Communications, San Francisco State

        – *Pat Kenealy*, managing director, IDG Ventures SF

        – *Barry Parr*, media analyst and entrepreneurial publisher, Coastsider.com; and

        – *Venise Wagner*, Journalism Department chair, San Francisco State

        – ***Sandip Roy* and *Hana Baba* of public radio station KALW-FM will moderate. The program will be recorded and broadcast by SFGTV, San Francisco’s government channel.

        http://www.spjnorcal.org/blog/2010/03/20/your-views-on-local-news%E2%80%9D-8212-a-town-hall-forum/#more-269

        Gates now open for AIR

        Two week-long digital audio training workshops in NYC. You do not have to be an AIR member to apply. Travel stipend available for out of town AIR members. Details below. -Mia

        ++++++++++++++++++++

        Email not displaying correctly? View it in your browser. [image: Association of Independents in Radio] Stir the sound of your imagination. *Apply for AIR’s Sounds Elemental producer intensives. * We’re looking for 10 producers to step into the void as AIR, in conjunction with Harvestworks Digital Media Arts Center in New York City, once again offers two week-long intensives for mid to advanced level audio producers. You do not have to be a member of AIR to apply. This opportunity may be especially appealing to those working primarily in traditional narrative and documentary formats eager to experiment with unconventional approaches to assembling sound and telling story.

        This program, entering its 4th year, boasts a diverse and exciting roster of alumni working across a broad range of disciplines, from ATC and Marketplace reporters to musicians and sound artists.

        We will accept 10 students through a competitive application process for each class: Sounds Elemental: Earth, to be held June 21-25, 2010, and Sounds Elemental: Sky, to be held November 15-19, 2010 at Harvestworks in New York City. The cost is $650. AIR members living outside of New York City who are accepted are eligible for a small stipend to help underwrite the cost of the intensive and travel to NYC.

        We will accept applications for both sessions now.

        *>> THE DEADLINE FOR APPLYING FOR THE JUNE SESSION, SOUNDS ELEMENTAL: EARTH IS MONDAY, MAY 3. <<*

        Producers benefit from intensely individualized attention from renowned sound artists-teachers, NYC-based composer and performer Michael Schumacher, Harvestworks’ Hans Tammen, and AIR member Brenda Hutchinson who teaches and performs extensively around the U.S. and overseas.

        *Visit our website to learn more and apply* *.*

        If you have questions, don’t hesitate to be in touch.

        Best, erin

        *Links:* AIR: www.airmedia.org Harvestworks: www.harvestworks.org To apply: www.airmedia.org/PageInfo.php?CatID=5&PageID=562

        +++AIR is everywhere.+++ Erin Mishkin Membership Director Association of Independents in Radio

        erin@airmedia.org www.airmedia.org

        Let’s Bowl! Thursday, March 25, 7pm

        Instead of Happy Hour this Thursday, Freelance Cafe will be bowling instead. We’ll have our normal Happy Hour in early April in honor of a visit from our founder, Mia Lobel.  Keep your eye out for details soon.

        As for Bowling Thursday, feel free to stop by and bowl with us or just socialize.  We’ll have a Freelance Cafe sign set up at the lane we get.  (or wherever we are waiting if we don’t get a lane right away).

        Thursday, March 25, 2010 7:00pm – 9:00pm Yerba Buena Bowling Center 750 Folsom Street, San Francisco

        The cost is $6/person/game or $35/lane/hour  so we’ll just do whatever is cheapest depending on how many bowlers we get.

        See you there! -Rori 415-730-7380

        SEJ’s Annual Awards for Reporting on the Environment

        Deadline approaching for the Society of Environmental Journalists Annual Awards. Details below. -mia

        +++++++++++++++++++++++++

        April 1 is the last day to enter SEJ’s Annual Awards for Reporting on the Environment – that’s less than two weeks away.

        Entering is easier this year because you can do it online ( http://www.sej.org/initiatives/awards-fellowships/sej-annual-awards-reporting-environment).

        The contest honors outstanding environmental coverage in 10 categories, each winning a $1,000 prize, and a student prize ($250 plus up to $750 travel/lodging for the first-place winner of the student prize).

        Eligibility, rules, FAQs – everything you need to know to enter the contest is at: http://www.sej.org/initiatives/awards/2010-sej-awards-reporting-environment.

        When you’re ready to enter, click the “How to Enter” link. You’ll find the online forms listed as links following the instructions. Just click on the category you want to enter.

        Winners will be honored at SEJ’s 20th Annual Conference, October 13, 2010, at the University of Montana, Missoula.

        Strengthening the quality, reach and viability of journalism across all media to advance public understanding of environmental issues

        Chris Rigel Director of Programs and Operations Society of Environmental Journalists P.O. Box 2492 Jenkintown, PA 19046 T: (215) 884-8177 F: (215) 884-8175 www.sej.org

        Follow SEJ on Twitter: www.twitter.com/sejorg http://www.airmedia.org

        Pop-Up Magazine tickets on sale this week

        Very cool event from one of our members coming up soon. Check out the details below and help spread the word! -mia

        ++++++++++++++++++++++++++

        Friends:

        Big week!

        Tickets to the third installment of Pop-Up Magazine will go on sale *THIS THURSDAY, AT NOON*. As always, the show will be one night only: Friday, April 16th, at Herbst Theater, with the party after in their Green Room.

        Tickets will be available through our web site: www.popupmagazine.com

        It’s going to be a great night. Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman, author and Harper’s contributor Rebecca Solnit, chef and food activist Bryant Terry, Radio Diaries creator Joe Richman, legendary music photographer Jim Marshall, and much, much more.

        But I need your help.

        The first two issues of Pop-Up Magazine sold out really fast. (Last time, 90 minutes!) So for this one, we’re trying out a much bigger theater. That means we need to work extra hard to spread the word. There are two things you could do that would make us really happy.

        1) I just created a Facebook event for the show. If you think of Bay Area friends who might enjoy Pop-Up Magazine, you can click “Invite Other People to Come,” underneath the Pop-Up Magazine logo, and pass along the invite. This would be huge, huge help.

        http://www.facebook.com/event.php?eid=107704215914351

        2) If you like Pop-Up Magazine, tell your friends know about the next show. This could mean tweeting (we’re @popupmag), or forwarding the “On Sale Now!” e-mail we send out on Thursday, or passing along the link to our web site, or mentioning the next show on Facebook. Or best of all: making plans to go together! I promise fun for all.

        Thank you! We’re so grateful for our amazing friends and contributors and fans!

        Hope to see you at the show.

        Cheers, Doug

        91.7 KALW-FM Local Public Radio, SF seeks Blogger-Reporter

        Hey all. I don’t usually post full time job opportunities, but there are a lot of friends of KALW on this list so I thought I’d make an exception. Job summary below, more details in the link. -mia

        http://www.cpb.org/jobline/index.php?mode=print_listing&listing_id=7476

        KALW is seeking a first-rate writer and communicator to lead a news web site focused on criminal justice-related issues in the San Francisco Bay Area—specifically focusing on San Francisco and Oakland.

        The journalist-blogger leading the site will be charged with building a dedicated online following around coverage of criminal justice policy, police-community relations, how the courts are run, and other topics related to criminal justice. The position requires that you establish yourself as the area’s most authoritative voice on the issue, with a strong local profile and a national reach through NPR and the wider public broadcasting system.

        Candidates should have subject-matter expertise and a solid journalistic track record befitting KALW’s reputation as a trusted local news source. Requires a demonstrated ability to cultivate sources, identify important trends in criminal justice and collect and verify information through a variety of online and offline channels. Candidates should be conversant with blogging and social media applications and a variety of multimedia tools. The strongest candidates also will have proven experience developing a successful niche news site, building audience, establishing a social media brand, and stoking community engagement. Candidate must have experience in feature radio production. Minimum five years journalism, including broadcast and online experience required.

        Say My Name

        Does this sound familiar? A news organization is super excited about your blog or story idea. They contact you, give you their spiel, and even mention future work down the line. They seemed excited about your journalism plans.

        Then, after maybe writing a proposal for them, or you send in a sample, that same news organization stops responding to your emails. Suddenly, they can’t be bothered to give the green light to your story. Maybe they’re slammed all of a sudden. Maybe they got pulled away to another project. Maybe, the traffic outside their office window becomes interesting.

        Or, how about this: You actually get contracted to do work for a news organization. Maybe it’s not a contract, but a verbal agreement. It’s not a deep piece. But you put in effort. Then, trying to get that wee small check means spending chunks of time sending gentle email reminders and making subtle calls to whoever is in charge of accounting. The editor you worked with has gone MIA. Maybe out of town, maybe they’re at a conference, but you’re definitely left hanging. You try not to seem like a stalker, or a very desperate soul, but sometimes that $30 check means groceries, or that the light bill gets paid that month.

        Does this just happen in journalism? Is every media organization scatterbrained? Are all editors juggling heavy New York Times schedules? Can’t some news groups just say straight up or down if they’re interested in your work? Can checks ever be cut remotely on time?

        I’m not sure what’s going on, but it’s hard sometimes not to get discouraged. It’s not about taking it personal, but maybe it’s about expected a little more professionalism.

        The best you can do is take your lumps, learn who’s better about treating writers fairly, and keep building your work.  Oh, and no verbal agreements.

        Jennifer Inez Ward

        J-School Alumni Day Conference Saturday, April 10

        Some great panels lined up for this event. Non-jschool alum are welcome for $25.00. -mia

        ++++++++++++++++++++

        *J-School Alumni Day Conference*

        Saturday, April 10, 2010

        9:00 AM – 4:30 PM

        Graduate School of Journalism

        North Gate Hall

        UC Berkeley

        *THE BERKELEY CONNECTION: JOURNALISM & INNOVATION IN THE BAY AREA*

        *9:00AM – 9:30AM* – *Meet and greet continental breakfast*

        *9:45AM – 11:00AM* – *Anatomy of a Story: Bay Area Investigative Reporting in a Digital Age*

        Ever since traditional news organizations began cutting their investigative reporting budgets, non-profit organizations, both established and new, are trying to fill the void with funding from interested and concerned individuals and philanthropies. The Bay Area is a center of innovation for these enterprises. Panelists will discuss the opportunities for deeper investigative reporting and discuss the potential profitability and sustainability of these models.

        *Moderator: Deirdre English*, Director, The Felker Magazine Program, J-School

        *Panelists:*

        *Ryan Gabrielson*, Investigative Reporting Program Fellow, Berkeley J-School

        *Lowell Bergman*, Reva and David Logan Distinguished Professor of Investigative Reporting, Berkeley J-School

        *Robert J. Rosenthal*, Executive Director, The Center for Investigative Reporting

        *Clara Jeffery or Monika Bauerlein*, co-editors, Mother Jones magazine (invited)

        *11:15PM-12:15PM: The iPad and its Progeny: Technology and Bay Area Journalism*

        The Bay Area leads in developing new technology that profoundly changes the way people get their news, reporters capture it, and producers display it. In the age of multi-media story telling, what skills are required in reporting the news and telling good stories? How does tablet technology and multi-media content change reporting and narrative story telling? What is the impact on magazines and newspapers? How are reporter’s voices changing? With increasing demand for immediate, hard-hitting opinion pieces, where is the place for thoughtful narrative writing?

        *Moderator: TBD*

        *Panelists:*

        *Damon Darlin*, Technology Editor, The New York Times

        *Thomas Goetz, MPH ‘07*, Executive Editor, Wired magazine

        *Todd Lappin,’95*, Media Product Strategist and Editor, CBS Interactive

        *Marcia Parker*, West Coast Editorial Director, AOL’s Patch.com

        *LUNCH 12:15 – 1:15 PM. Catered lunch and roundtable networking.*

        * Hosts:*

        *David Gelles, ‘00*, Reporter, The Financial Times

        *Jennifer Kahn, ’00*, J-School lecturer, feature writer and editor

        *Rachel Lehmann-Haupt, ’97*, freelance journalist, author and editor

        *Tim McGirk ’74*, former foreign bureau chief, Time magazine, just back from Kabul

        *Speed Weed*, screenwriter and executive story editor NCIS Los Angeles (CBS); freelance science writer

        *Apple iPad Demo*

        *1:30PM- 2:30PM: The Bay Area News Project: An Experiment in Situ*

        *Moderator: Neil Henry*, Dean, Berkeley J-School

        * **Panelists:*

        *Lisa Frazier*, CEO

        *Jonathan Webber*, Editor- in-Chief

        The Bay Area News Project is a recently launched non-profit news organization. Collaborating with the Berkeley Graduate School of Journalism, its mission is to foster civic engagement by providing original journalism covering civic and community news in the Bay Area. The Project will also be supplying news stories for the Bay Area sections of The New York Times and creating opportunities for journalists to practice their craft in the Bay Area.

        *2:45PM-3:30PM Retraining Opportunities for Reporters and Editors *

        As technologies evolve, journalists must keep up and adapt to a changing job market. Editors and reporters need to learn new skills and become adept at using the technology (e.g. producing blogs, video, web sites, using multi-media equipment and software). This panel will discuss the essential new skills and the best ways of acquiring them.

        *Moderator: Kara Platoni, ’99*, J-School lecturer and editor, Oakland North, freelance editor and science writer.

        *Panelists:*

        *Connie Hale, ’90*, author and former director of the Nieman Foundation Program on Narrative Journalism at Harvard University

        *Carl Hall*, Media Worker’s Guild

        *Lanita Pace Hinton*, Director, Knight Digital Media Center, J-School (invited)

        *4:00 pm Reception*

        *THIS EVENT IS FREE TO ALL J-SCHOOL ALUMNI. PLEASE REGISTER BY EMAIL: ucbjalum@berkeley.edu*

        *GUESTS: $25, payable at door, but please register to reserve a space. [Checks payable to: UC Regents]*

        *Please provide name, year of graduation (alumni), phone #, preferred email address if different.*

        *Thanks, and see you at the J-School on April 10.*

        *We will be providing updates on program and speakers.*

        * *

        Middlebury Fellowships in Environmental Journalism

        Fellowship information from our SF Bureau Chief, Molly Samuel. Contact her (info below) if you want more information. -mia

        ++++++++++++++++++++++++

        I’m a fellow with Middlebury Fellowships in Environmental Journalism this year. They’re starting to send out promo material for next year, so I’m passing it on to you. It’s for journalists at the start of their careers. You pitch a story as your application; if you’re chosen they send you $10,000. There are also two residencies: Bread Loaf in the fall and Big Sur in the Spring, the editors are great, and there are also visiting reporters. It’s a pretty great opportunity.

        http://www.middlebury.edu/sustainability/fech/fellowships

        ms

        More Acquisition Updates from Liaison’s Desk – Pt. 5 TRANSOM.ORG

        And another one – this one is open to everyone, artists, writers, etc.. -Mia

        +++++++++++++++++++++++

        Transom.org

        Transom.org acquires pieces for about $300 a pop. We encourage and assist producers in getting their work broadcast after it appears on Transom: on NPR news shows, This American Life, Hearing Voices, and other venues. We also coordinate Transom features with PRX distribution. We sometimes anthologize pieces in The Transom Radio Hour.

        We’re looking for great radio — things that are less heard, different angles, new voices, new ways of telling, and any other good pieces that haven’t found another way onto public radio. Editors evaluate material more by what it does than what it is. Some questions they’ll consider:

        • On the air, would it keep you by your radio until it’s over? • Is the maker someone of talent who should be encouraged? • Does it push at the boundary of conventional radio in an exciting way? • Will it provoke fruitful discussion online?

        Submissions can be stories, essays, home recordings, sound portraits, interviews, found sound, non-fiction pieces, audio art, whatever, as long as it’s good listening. Material may be submitted by anyone, anywhere — by citizens with stories to tell, by radio producers trying new styles, by writers and artists wanting to experiment with radio. As long as it hasn’t already aired nationally, we’ll consider it.

        More Acquisition Updates from Liaison’s Desk – Pt. 4 SPLENDID TABLE/STUDIO 360

        More updates for radio program acquisitions – thanks to AIRand NPR Liason Paul Ingles! -mia

        +++++++++++++++++++++ *The Splendid Table *

        *series: *The Splendid Table, starring Lynne Rossetto Kasper, is a show about food — enjoying it, buying it, cooking it — and about eating out, entertaining, health and travel. We’re looking for *produced* field pieces which fit our program. We are always seeking stories about food as a window to a culture; about meals as a memorable part of travel; about food producers (artisans and otherwise), the business of food, and new trends; about food and health; about the behind-the-scenes of restaurants or other food businesses; about festivals, family gatherings, holiday celebrations, and amazing parties — and about people with particular passions about food. Pieces with a quirky point-of-view or a sense of humor are encouraged. Pieces about local restaurants or other food businesses should focus on the exceptional people who run them, or have some other editorial focus which makes the story interesting to our national audience. *compensation:* We will pay $500 for a fully mixed piece that is suitable for air and meets both our editorial and technical standards. We ask for the non-exclusive right to broadcast the piece on radio, and to offer it on the Web (in both”streamed” and/or archival form), both in perpetuity. You would own all rights to the piece other than those granted to us. We ask only that The Splendid Table receive an appropriate credit when the piece, or elements thereof, appears elsewhere. We honor the spirit of the Code published by * AIR*.

        *Show*: national one-hour show which airs weekly on over 200 public radio stations across the country and is also podcast weekly. *segments:* we are looking for segments that are 3-5 minutes in length. *pitch:* E-mail a brief description of your piece as well as the edited and mixed piece (mp3, audio link, etc) for our review and consideration. We will respond quickly with ayes or no, or with a proposed modification of the piece. If we say yes, we will send you an Agreement right away. *Contact:* Jennifer Russell, Producer jenrussell@americanpublicmedia.org

        *Studio 360*

        We are still accepting pitches from independents. Our protocol remains the same – a brief (2 paragraph) pitch to Michele Siegel (mtsiegel@wnyc.org) cc me (dkrasnow@wnyc.org). (We hope to revise our Independent Producer Guidelines in the coming month.)

        With regard to rates, we took a tip from the new NPR system and decided that levels based on complexity and labor (rather than arbitrary duration brackets) made a great deal more sense – especially for the kind of feature we make. I’d like to note here that the great majority of stories we assign will fall at Levels 2 or 3.

        *A Level 1 Story *would typically:

        – Start with topic or subject selection provided by Studio 360 – Consist of interview(s) with a single subject, recorded in person or by remote, or short interviews captured in a brief period of time.

        *Fee: $350 **(with mixing bonus: $500)*

        *A Level 2 Story *would typically:

        – Consist primarily of interview(s) with a single subject, recorded on location or in studio – Involve careful subject selection and research – Use sound richly

        *Fee: $475 **(with mixing bonus: $625)*

        *A Level 3 Story *would typically:

        – Involve significant research – Feature multiple interviews in person or by remote – Require reporting on location – Use sound richly

        *Fee: $875 **(with mixing bonus: $1025)*

        *A Level 4 Story *would typically:

        – Involve significant research and expertise in the subject matter – Require out-of-town travel by the reporter – Involve location reporting at multiple sites – Feature multiple interviews – Use sound richly

        *Fee: $1000 **(with mixing bonus: $1150)*

        New York Public Radio will apply the mixing bonus of $150 when Producer provides a complete and finished mix of the Piece, upon approval of that mix from the Editor.

        Spring Changes

        Thanks again to all of the folks who made it out to our last Happy Hour. It was great to unwind with beer and chat about the ups and downs of the media business.

        And all that chatting got us thinking about our next steps for the Café. Thanks to our founder, Mia Lobel, the Café has been a great success and is definitely a fantastic online resource for many Bay Area media types.

        But now, we’re thinking about changing things up with our monthly Happy Hour. How about rotating around the Bay for our meet up? What about making it earlier or on a new day?

        As we approach the start of spring, we’d love to hear from all of ya’ll about improving/changing our monthly Happy Hour. We’d love to hear suggestions for locations in San Francisco, Oakland, and the South Bay. Preferably near BART and also that’s likely to be group friendly.

        While you marinate on that, check out the image of Rori and I mugging for the camera at February’s meeting.

        Health benefits from the Freelancer Media Workers Guild

        An important message from the Freelance Media Workers Guild. -mia

        ++++++++++++++++++++++

        I hear frequently from people whose top priority is medical coverage.

        We are making excellent progress lining up dental and vision coverage for our members, and expect to have some other benefits lined up soon.

        We are negotiating for a medical coverage plan that features maximum portability and affordability. To start getting bids, we need some very basic census data — from members of Guild Freelancers.

        If you are interested in joining the health care pool, you MUST JOIN the freelance unit. We can ONLY amass the kinds of benefits and supports we seek with adequate numbers.

        Joining the Freelance Media Workers discussion or announcements-only Google groups does NOT make you a member of Guild Freelancers.

        We are not a support group, although we offer plenty of support. We are not a job service, although we provide comprehensive contacts for open journalism jobs. We are a labor union, and we seek to provide the same sturdy safety net that unions always have. By committing to the unit, you gain an unconditional commitment from the union to help secure solid, tangible supports and protections.

        To join, log onto guildfreelancers.org right away and click on “Join Us.”

        Membership fees are roughly equivalent to a double latte a week. You can pay by the year ($144), sign up for six months at a time ($72). Student fees are only $60 a year.

        If you ARE a member, and you ARE interested in helping us secure the best health care bid possible, please shoot me a confidential email at rrosenlum@gmail.com that includes your zip code, gender and date of birth, and, if you wish, the number of dependents you might wish to add to your coverage.

        Sincerely, Rebecca Rosen Lum Unit chair, Guild Freelancers rrosenlum@gmail.com

        2010 Knight-McCormick Leadership Institute

        Knight Digital Media Center fellowship opportunity – deadline March 31. Details below. -mia

        +++++++++++++++++++++++++

        March 04, 2010

        Calling for the best and the brightest leaders in the emerging news ecosystem

        Our 2010 Knight-McCormick Leadership Institute will offer tailored training and intensive coaching to 20 fellows who are innovating and pushing transformation both inside and outside traditional newsrooms. March 31 is the deadline to apply yourself or nominate someone you believe is qualified.

        Are you leading transformational change in news media? Keep reading.

        The 2010 Knight-McCormick Leadership Institute is a new program by KDMC, one that reflects our awareness that new faces and forms of leadership dot the landscape of news and that intensive training, coaching and collaboration can help their endeavors be even more successful.

        “There are new players on the field, new news organization leaders who are taking risks and showing a willingness to try new models of information in the public interest at a time the old models are failing fast,” KDMC Director Vikki Porter. While the institute doors are open to the editors of traditional newsrooms that have been the center’s focus in recent years, Porter said the Institute will look at a much wider pool of leaders.

        “We still want to help newspaper editors who are battling the odds and working to transform their newsrooms. But now the doors are open and we want to bring in leaders of news organizations – not necessarily “newsrooms” of the legacy past – who might be online only, or who are creating new networks of organizations and info providers looking to satisfy communities’ news needs big and small,” Porter said.

        The curriculum is open too. It will be tailored to those who are chosen to participate. KDMC’s partnerships with the USC’s Marshall School of Business enable it to bring considerable business, strategy and entrepreneurship expertise to its programs. The institute will consist of two on-site sessions six months apart with intensive coaching and virtual convenings in between.

        We’re being deliberately vague about who might qualify because we’re not sure we have all the answers about what leadership looks like in our exciting news ecology. It will take more than a good idea for a start up (KDMC offers the News Entrepreneur Boot Camp < http://www.knightdigitalmediacenter.org/seminars/archives/news_entrepreneur_boot_camp_2010/for those).

        We want people who lead both inside their organizations (whether large, small or tiny) as well as outside extending their leadership more broadly to help the field of news and information. We want people with proven track records they’ve successfully started a project or are transforming their organization and now use the Institute to scale the project or leverage more organizational change. We want bold thinkers who like to collaborate and are willing to share what they’re learning with the field.

        That said, this is not a conventional leadership program for a newsroom city editor or section editor or a producer. “We want people who have the power to lead and make the decisions that can turn an organization,” Porter said.

        One possible candidate might have established a successful local or niche news site and be ready to scale it to other locations. Another might be a site operator who needs to develop more diverse revenue streams. Another might be a young operation that is financially healthy enough to add staff and expand, a transition that often proves quite challenging for an entrepreneur.

        “In the end I hope we have 20 of the best news leaders most passionate about the possibilities of the new news ecology and whom we can help get to the next level of expertise by bringing them together with other diverse leaders in what we hope will be a collaborative learning environment over a six-month period,” Porter said. “I imagine and hope we will have nominations that represent a greater cross-section of the many experiments as well as the many transforming organizations then we’ve had in the past.”

        *We’d like to hear from you if you believe you are a candidate or of you want to suggest someone as a candidate. We are trying to cast a very wide net so please get the word out. *

        *The deadline is Wednesday, March 31. * More information here .

        If you know of someone or if you believe you fit, please send a 500-word or less nomination email to Vikki Porter. Include name, news organization and title, email and phone contact information. Provide us with the specific reasons you believe we should consider this person for this unique opportunity including examples of their transformative thinking and leadership skills. If you have any questions please don’t hesitate to call (213-821-0071) or email vporter@usc.edu.

        (The Institute is funded by the John S. and James L. Knight Foundationand the McCormick Foundation http://www.mccormickfoundation.org/.)

        J-School Announces Competition for Two Investigative Reporting Fellowships

        Two fellowship opportunities from the UC Berkeley j-school. -mia

        +++++++++++++++++++++++++++

        *J-School Announces Competition for Two Investigative Reporting Fellowships*

        *From the Graduate School of Journalism | March 8, 2010*

        *BERKELEY* – To help develop a new generation of investigative reporters in an era of extensive cutbacks at major news organizations, UC Berkeley’s Graduate School of Journalism today announced a call for entries for its forth-annual competition for year-long fellowships in investigative reporting. The two fellowships will be awarded in June 2010.

        The fellowships are open to all working investigative journalists, but preference will be given to graduates of UC Berkeley’s master’s program in journalism. A strong track record of successfully reporting on complex subjects in the public interest is required.

        Applicants will be chosen based on their qualifications and on the proposed area of investigation they intend to pursue. Story proposals must be those that have been under-reported by traditional news organizations. Proposals may include print, broadcast and multimedia components.

        “Providing a unique opportunity for young journalists to pursue their passion to do a story in the public interest is the most important thing we can do,” said Professor Lowell Bergman, the director of the Investigative Reporting Program.

        “We are part of the growing movement to preserve, protect and promote investigative reporting during a period of contraction in the news business. This effort does not enjoy the support of state funding and is made possible by the generous support of individuals and foundations. These contributions, along with the work of the previous fellows and my colleagues, Robert Gunnison and Marlena Telvick, have made the Investigative Reporting Program a model for a growing number of non-profit efforts,” said Bergman.

        Winners of the 2009-2010 fellowships were Ryan Gabrielson of the East Valley Tribune in Mesa, Arizona and a recipient of the 2009 Pulitzer Prize for local reporting and Matt Isaacs, a 1999 graduate of the journalism school and veteran investigative reporter and editor in California.

        Gabrielson recently launched a multi-media, multi-outlet investigation on DUI checkpoints including a print story in The New York Times and an accompanying video on the Times website. The Center for Investigative Reporting’s “California Watch” edited versions of the story for the Sacramento Bee, the Orange County Register, Mother Jones, the Bakersfield Californian, the Stockton Record and in Spanish for La Opinion. The PBS NewsHour aired a broadcast version of Gabrielson’s investigation.

        “As a newspaper reporter, I began the fellowship without experience producing pieces for multiple news outlets at once, or for television,” says Gabrielson. “But with guidance, I conducted on-camera interviews for a PBS NewsHour segment, while simultaneously writing print pieces for California Watch and The New York Times.”

        “You cannot help but grow as a journalist watching Bergman and his IRP team at work,” Gabrielson says.

        Matt Isaacs, who is continuing his investigation of overseas Chinese power in the United States in collaboration with a major news outlet, says, “The Investigative Reporting Program is the only place I know that can catch the ear of almost any news organization in the country. If you have a story worth telling, the program will find somewhere to place it at the highest levels.”

        “Lowell knows how to make a good story great, and how to send a great one into the stratosphere,” Isaacs says. “He knows what it takes to play on the national stage because he’s been there so long.”

        The IRP also occasionally awards small grants to support investigative projects not selected for the fellowships. Applicants will be notified if they have been placed in a special category for consideration for one of these grants.

        Zachary Stauffer, a 2008 graduate of the journalism school and Katie Galloway, a filmmaker and lecturer in the Media Studies department at UC Berkeley were the applicants chosen to receive project-specific funding last year.

        Mr. Stauffer is working as a cinematographer and reporter for the IRP. He served as director of photography for the PBS FRONTLINE documentary “The Card Game” and also shot Ryan Gabrielson’s story on DUI checkpoints for the PBS NewsHour. Ms. Galloway has been given in-residence support and editing facilities for her feature documentary on a domestic counterterrorism case.

        Fellows will be provided with office space, phones, basic expenses and up to $10,000 in funds for approved travel. Proposals must include an estimate for travel expenses to complete a project. No housing or relocation supplements are provided. Fellows are expected to refrain from outside journalistic projects, and to use the Berkeley offices as their base of operations during the fellowship.

        Fellows will be employees of the University of California with an annual salary of approximately $47,000. They also will be able to audit UC Berkeley classes and use campus research facilities.

        The deadline for fellowship applications for the academic year 2010-2011 is 12 o’clock Midnight on Friday, April 9th. This year’s recipients will be announced in June. The fellows’ year-long tenure will begin in September.

        The application and entry requirements can be found at: http://jobs.berkeley.edu. The job number is #10506. Please note, three letters of reference to the attention of Professor Lowell Bergman will be required. Solicit them early.

        For additional details on the fellowship program, contact:

        Investigative Reporting Program 2481 Hearst Avenue Berkeley, CA 94709 investigativereportingprogram@berkeley.edu

        doc screening March 10, 5:30pm AND singer/songwriter speakeasy March 12, 7:30pm

        Hey all. First, thank you so much for the great turnout last week! I, for one, had a blast and I’m so glad there are other local freelancers who are game to get out and hang once in awhile. Second, a couple of the folks who came out last week have events coming up this week so I thought I’d pass along the info. Details below. Best, Mia PS: Our next gathering will be Thursday, March 25 at 7:30pm, Black Swan, Tivoli. Spread the word and hope to see you there!

        
FULL SIGNAL in the Hudson Valley Where: SUNY Dutchess, Poughkeepsie. When: Wednesday, March 10 Film screening: 5:30 p.m. Who: Open Invitation. Q&A with the director. Contact: Talal Jabari director@fullsignalmovie.com Phone: (302) 565-4948 Fax: (302) 565-4376

        The Singer Songwriter Speakeasy http://www.facebook.com/ana.sanjuan3?v=app_2344061033&ref=profile#%21/event.php?eid=344878280745&index=1 *Friday March 12, 2010 @ 7:30pm* @ http://www.communitymusicspace.com/*The Community Music Space * located in THE CHOCOLATE FACTORY 54 Elizabeth Street, Red Hook , NY 12571 Get the MAP 845.444.0607 B en@CommunityMusicSpace.com

        FULL SIGNAL CHALLENGES LEGISLATORS AND THE CELLULAR INDUSTRY

        FULL SIGNAL, a controversial film providing insight into the reality of the health impact of cellular technology, and the rich industry behind it is coming to the Hudson Valley this March.

        FULL SIGNAL, a multi-Award winning documentary, aims to elevate the voices, stories and successes of those fighting to regulate cell antenna placement, as well as to inform the general public about the real dangers potentially affecting every human being. FULL SIGNAL hears from Dr. David Carpenter, Professor Olle Johansson, Professor Leif Salford, Dr. Zamir Shalita, B. Blake Levitt and Dr. Louis Slesin; world-renowned health professionals and experts on cellular radiation in the United States, Europe and the Middle East on the reality of their findings as well as those of their peers. The science is brought to life through simple-yet-catchy 2D/3D hybrid motion graphics animation and is brought home through the stories of Rigmor Granlund-Lind, a sufferer of a condition known as ElectroHyperSensitivity, Sue and Michael Scott a husband and wife who bought an apartment in New York where the cellular radiation readings are very high, and Samira Azzam, a woman whose neighborhood was crowded with 70 cellular towers, and who suffered from cancer as a result. They talk about their experiences, but also about the fact that they are not the only ones to battle illnesses related to cellular technologies.

        FULL SIGNAL talks to Evie Hantzopoulos, Leonore Gordon, Shimona Tzukernik, Suleiman Abu Rukun, two stories of success and two of failure in individuals trying to take on the cellular industry; and to Whitney North Seymour, Jr, a former NY State Senator and Independent Counsel, and Gabriel north Seymour, a Constitutional and environmental lawyer about their attempts to challenge the FCC in the Nationʼs Supreme Court.

        FULL SIGNAL is being launched at a time when awareness of the dangers of extensive usage of cellular phones is continuously growing, however the knowledge of the health impacts of cell phone antennas remains somewhat elusive. FULL SIGNAL is the first film to connect the dots between cell phones and cell towers revealing a catch-22 scenario that over 3.5 billion people are gambling their health on daily.

        The FULL SIGNAL documentary is complemented by an interactive component, at www. FULLSIGNALMOVIE.com, and multiple screening events planned for the general public in major cities across the country and around the globe throughout 2009-2010. For more information about FULL SIGNAL and to find a screening event near you, visit www.FULLSIGNALMOVIE.com.

        Ana Sanjuan & Ben Senterfit cordially invite you to:

        The Singer Songwriter Speakeasy http://www.facebook.com/ana.sanjuan3?v=app_2344061033&ref=profile#%21/event.php?eid=344878280745&index=1 @ The Community Music Space

        *Friday March 12, 2010 @ 7:30pm*

        Featuring outstanding singer songwriters

        *Ben Senterfit**, *Red Hook *Steven Michael Pague,** *Claverack *Erin Hobson**, *Rhinebeck *Todd Guidice,** *Newburgh

        Enjoy a night of exceptional music in an intimate listening room. * * *BRING A FRIEND. BRING YOUR BEVERAGE. * Speakeasy style.

        *The Community Music Space http://www.communitymusicspace.com/* located in THE CHOCOLATE FACTORY 54 Elizabeth Street, Red Hook , NY 12571 Get the MAP

        845.444.0607 B en@CommunityMusicSpace.com

        “Soup-to-Nuts” documentary storytelling workshop, April 17-18, Berkeley

        Hey all. My friend, mentor, and Freelance Cafe member Claire Schoen is offering her fabulous “Soup To Nuts” documentary storytelling workshop again in April. If you haven’t done this, you should. Details below. Best, Mia

        ======================================================

        “From Soup to Nuts” A 2-day intensive on documentary radio production offered in the San Francisco Bay Area

        Logistics: This seminar will be held April 17 and 18, 2010. Each day’s class will run from 10 am to 5:30 pm, including 6 hours of class work, plus lunch and breaks.

        It will be held at Claire’s studio in Berkeley, California Class will be limited to 8 students. The cost of the 2-day seminar is $250.

        The Course: Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

        Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

        Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

        Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

        The Teacher: Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.

        Claire has taught documentary radio production at U.C. Berkeley’s Graduate School of Journalism. She has also taught radio scriptwriting and production at numerous venues including AIR’s mentorship program and the Third Coast Festival Conference.

        To Register: Contact Claire Schoen cschoen@earthlink.net • 510-540-5106 • www.claireschoenmedia.com

        pdf iconStoN’s Flier (April 10).pdf

        More Acquisition Updates from Liaison’s Desk

        More freelance radio show updates from Paul Ingles. -mia

        +++++++++++++++++++++++

        I’m hearing back from other programs now:

        *PRI’S THE WORLD*

        William Troop: Our program is accepting pitches from independents. The pitches can go to our two planning editors: Jennifer.Goren@bbc.co.uk and Aaron.Schachter@bbc.co.uk. We ask that anybody pitching keep in mind that we are an international news program, so pitches need to be on international angles and be newsy to some degree. Standard feature rate is $115 per minute aired. There are also rates for providing web content (pictures, slideshows, etc.) with the caveat there that the quality of the submissions (as assessed by our web team) affects how much we pay for them.

        *HERE AND NOW*

        Kathleen McKenna: Due to budget constraints, Here and Now, is not taking pitches from independent producers at this time.

        *THE ENVIRONMENT REPORT*

        Lester Graham: Yes, we’re accepting pitches from EXPERIENCED independents. Stories must be relevant to the everyday lives of the majority of the audience. We are a national show and stories must have a national perspective. Before pitching, producers should carefully read our Submission Guidelines: http://www.environmentreport.org/about/submissions.php%C2%A0 http://www.environmentreport.org/about/submissions.php

        We pay $400 for a 3:50 piece (including lead) and an additional $40 for the same piece cut down to 2:15. We pay $40 for a spot and an additional $20 for a two-way for our daily show.

        *MARKETPLACE*

        John Haas: All three Marketplace programs are accepting pitches from independents and John is the pitch contact: jhaas@americanpublicmedia.org. The rates for features generally range between $300 – $600 depending on length and reporting difficulty.

        John also shared these helpful notes for pitching to Marketplace:

        Celeste Wesson, the senior producer for Marketplace, recently did a great workshop for some station reporters on pitching, and wrote up these suggestions. Thought you’d like seeing what she said.

        Pitch workshop notes

        What is a pitch? A reporter might say… a summary of the story; a sales pitch

        From my POV as a show producer… The written pitch may be the only thing I know about you. So not only does it tell me your story idea, it also tells me how well you write, how you think, what kind of reporter you are. You’re not just selling the story, you are selling yourself as the storyteller.

        If you eavesdropped on our pitch meeting, you’d probably hear us turning down pitches for reasons like these: I don’t understand what this story is about. That’s not new. Where’s the Marketplace? Too local. Can s/he write in our style?

        Turning those negatives into positive pitch guidelines:

        * The frame or angle is crucial – what’s the import, the context, and the approach * It’s now, it’s news, it’s fresh * It’s about money, business, the economy – or uses those as a lens on how we live * It’s clear why people all over the country would care * It’s written clearly, conversationally, even cleverly – and gets to the point

        Here’s a list of things that may inspire your pitch. But by themselves, they aren’t enough:

        * A question * An idea * An overview * An issue * An event (especially not a conference) * A character * An anecdote * An unattributed paragraph from a newspaper story

        *FROM JARED WEISSBROT: SOUNDPRINT* is always open for documentary pitches — there’s a submission form linked on our website, and part of your proposal evaluation is based on finding the form :). Responses will generally be slow — production meetings are difficult to schedule and front-loaded with a currently-very-busy production pipeline. Pestering me does help you get results, is entirely appropriate, and will not arise my ire. Go ahead and guilt me — I can take it 🙂 jared@soundprint.org

        YOUR BEST BET IS TO HAVE SOMETHING FOR US TO LISTEN TO. I cannot stress that enough. As far as pitches are concerned, we are currently in acquisition mode almost exclusively — especially if we haven’t worked with you before from soup-to-nuts. Our time is 25:30. We’ll listen to any length, but if your piece isn’t going to work at around 5/12ths-hour, you will likely have more success elsewhere. We do not run hour-long specials within the series, but we will take pieces that work at 29:00 (minus :30 for music bed and about 3:00 for host lead, credits, backs, and forward promotion). We will gladly work with you on reversioning longer-form pieces that we like. It’s doubtful that we’d work with you on reversioning longer-form pieces that we *don’t* like.

        We pay more than the lower rates, and less than the highest rates, per produced minute (we know you gotta eat; but we’re a volume-buyer). We will gladly offer technical assistance, including some mixing&mastering assistance, without affecting your rate. This is for us, too — the flip side is that we often will request technical adjustments.

        We have no set topics or themes that will make your piece more or less likely to be acquired. We like good, rich sound, clear and personal writing/storytelling, and stories which can translate/appeal to a national and international audience (along those lines, national and international rights need to be free and clear — if international is a problem, you have to let us know).

        Hope this helps!

        jw

        Paul Ingles Independent Producer / Reporter NPR Liaison to Independent Producers www.paulingles.com 505-255-1219

        Acquisitions Update – who is taking what from radio freelancers

        This incredibly valuable information for radio freelancers, from Paul Ingles, the NPR Liaison to Independent Producers. Please note that much of the radio information I send on to this group comes from AIR – the Association of Independents in Radio http://airmedia.org/. I have been a member for a long time and it’s an incredibly valuable resource. Please check them out if you’re interested. Best, Mia

        +++++++++++++++++++++++

        At the request of Sue Schardt, I have been trying to contact various show producers to get an update on whether they are actively acquiring content from independents, and update rates paid. Response has been fast from some, slower from others, with no response from several – so far. Here’s what I’ve heard from those who’ve responded:

        *NPR NEWS*

        Ellen Weiss: Fiscal year 2010 looks better but NPR is still chipping away at a deficit so “we are holding the line on expenses – and the close scrutiny and high bar we put into place (on story submissions) remain….and will for the foreseeable future. The current rate system (based on expierence tiers and story enterprise levels) remains the same.”

        *LIVING ON EARTH*

        Eileen Bolinksy: LOE is accepting a limited number of acquisitions from independents. Producers can pitch to me at this email address bolinsky@loe.org. We pay $100/minute, plus previously approved expenses.

        *WORD OF MOUTH (New Hampshire Public Radio)*

        Avishay Artsy: We are accepting pitches from independents. We take produced features (at $60/minute) and scripted two-way interviews (for $150). The show’s focus is the same: new ideas and trends in science, technology, popular culture, the arts, and other fields. AArtsy@nhpr.org

        *WORLD VISION REPORT*

        Leda Hartman: The WVR continues to accept pitches from domestic and overseas reporters. Our pitch meetings take place on Wednesday afternoons, US eastern time. We’re on the lookout for pieces about poverty and justice (broadly defined) that highlight the personal stories of ordinary people, and are rich in scenes and nat sound. We’re especially interested in surprising, out-of-the-box and under-reported stories that tell us something unique about life in the developing world. Our mix is about 80% international stories and 20% domestic. Pitches can be sent to the assignment editor, Leda Hartman, at ledahart@mindspring.com. If you’re pitching for the first time, please include a couple of audio samples of your work.

        The WVR pays $450 for a feature under 4 minutes; $650 for a feature 4-6 minutes long; and $750 for a feature more than 6 minutes. We also run shorter, less conventional segments, including reporter’s notebooks ($300); street vendor segments ($250); cooking segments ($250); trackless “in their own words” segments ($200); photos and blogs ($25-$50). After the first piece, we will consider paying travel expenses if the expense estimate is submitted at the time of the pitch.

        *AARP PRIME TIME POSTSCRIPT* ** Janelle Haskell: I am definitely still seeking submissions for Prime Time Postscript, the weekly 5-minute feature. Pieces need to be fully produced, between 4:00 and 4:15 in length, have not been broadcast previously *nationally, *and appeal to the 50+ audience (meaning on topics of every variety). We pay $350 for the spot and an extra $50 for fully cleared photos to use on the website. JHaskell@aarp.org

        *BBC AMERICANA* ** David Schulman: Not taking many traditional reported pieces from independents as the show draws on the strengths of its host Matt Frei. Are using independents for “enchanced” tape synchs that might involve extra sound gathering. Still, listen to the show and if a story idea that would suit the program’s style comes to mind, pitch away: David.Schulman@bbc.co.uk Rates for a basic tape synch $175 flat fee. Enhanced tape synchs – $225. Buying from PRX (occasionally) at $60 per minute. David suggest keeping your AIR DIRECTORY listing current, because that’s where they go first to look for synch and reporting help where they need it.

        These are programs I’m still nudging to hear back from: Studio 360, Latino USA, Splendid Table, Only A Game, Here and Now, Environment Report, Marketplace, The World, Soundprint. If there are other acquirers you are anxious to hear about, let me know and I’ll try to get in touch with them.

        Paul

        Paul Ingles Independent Producer / Reporter NPR Liaison to Independent Producers www.paulingles.com 505-255-1219

        next Hudson Valley freelancer gathering TOMORROW Thursday, 3/4, 7:30pm

        Hello Hudson Valley freelancers!

        We are ON for tomorrow – come gather, drink, and be merry – out of the house with other independent-minded adults.

        Thursday, March 4 7:30pm until the Coors Girls show up (last month that was around 11:30pm) The Black Swan, Tivoli

        Spread the word, and hope to see you there! Best, Mia 845-444-4034

        PS: I’ll bcc everyone next time but I thought you might want to see who else might come out.

        Pub Trivia Night

        Show ’em what brains it takes to be a freelancer. -m

        +++++++++++++++++++++

        Many of you have expressed interested in creating a Freelance Cafe team for pub trivia. Let’s give it a try! We’ll meet at Rose & Crown Pub in Palo Alto at 7:45PM on Tuesday March 9th to grab a table/beer/food. Trivia starts at 9PM. The pub is within walking distance to the Palo Alto Caltrain Station. The address is 547 Emerson Avenue. Please bring id (they check). See you there! Rori 415-730-7380

        Fun Wednesday press event – benefit for Yerba Buena

        Hey all. I don’t usually pass on this sort of thing, but there could be a good economics or housing story in here somewhere. And it includes a free cruise. 😉 Press event details below. -Mia

        ++++++++++++++++++++++

        Kewl event below, especially the free Bay Cruise aboard the “USS Potomac” from Oakland to SF!

        WHEN: Wednesday, March 3 11am: Cross the Bay from Oakland’s Jack London Square with “Six Presidents” and “Willie L. Brown, Jr.” aboard FDR’s Presidential Yacht “USS Potomac”. Breakfast provided. 11:30am: “Potomac” Docks at Pier E — SF Ferry Building 11:45am: “Motorized Cable Car” leaves for “Dream House” Secret Location in San Francisco’s Noe Valley (shhh! It’s a secret! 12noon: Reception / Tour of $3 million “Dream House” 1pm: Return to Ferry Building and/or Oakland’s Jack London Square

        WEB: www.sfraffle.com

        VIPS IN ATENDANCE AT “Dream House” San Francisco Supervisors Bevan Dufty & David Campos, SF Treasure Jose Cisneros SFCVB President Joe D’Alessandro, Port Commission President Rodney Fong, Donna Sachet, Harry Denton and MUMC President Stephen Adams will all be at the 12noon reception at the house. Also, we’ll be unveiling the new TV PSA that day, starring former Mayor Willie L. Brown, Jr. who very well may be there in person.

        DETAILS: *Yerba Buena Center for the Arts Sponsors 2nd Annual “Dream House Raffle”* * * *Raffle Tickets Go On Sale March 3 when “Dream House” Is Unveiled to Media in* *“By Land & By Sea” Promotion * * * *Former Mayor Willie L. Brown, Jr. Serves as “Dream House”* *PSA Spokesman for Second Year* * * *Winners Drawn July 10* *1st prize: $3 Million San Francisco “Dream House” or $1.5 Million in Cash.* *More than $350,000 in additional winnings* * * *“1-in-100”Chance to Win a Prize!*

        There’s no place like home; and nothing like winning one worth $3 million or $1.5 million in cash if you are the ticket winner for the *2nd Annual Yerba Buena Center for the Arts “Dream House Raffle”*.* * On Wednesday, March 3, 2010 tickets will go on sale for the widely anticipated sequel to last year’s fundraising effort for the iconic nonprofit arts center in downtown San Francisco. On that day, the location of the house – a closely guarded secret – will be unveiled to members of the press at a special mid-day reception. Former San Francisco Mayor *Willie L. Brown, Jr. *is again this year starring in the campaign’s marketing campaign which will be unveiled at the March 3rd reception. Attendees will be ferried in from around the Bay onboard President Franklin Delano Roosevelt’s yacht *Potomac* before being “blind-folded” for transport on a cable car to the secret location of “The Dream House.” Winners will be announced on July 10, 2010.

        If you’d like to be part of a fun event — the kick-off the 2nd Annual “Dream House” Raffle benefiting Yerba Buena Center for the Arts — drop an email / call David Perry at (415) 676-7007 / news@davidperry.com

        SAJA Journalism Awards – deadlines are March 5 and March 26

        FYI – the SAJA Award deadline is approaching. Good luck! -Mia

        +++++++++++++++++++++++++

        Please share with journalists you know. Some of the winners each year are NOT South Asian.

        SAJA 2010 Journalism Awards DEADLINES 3/5/10 and 3/26/10

        http://bit.ly/sajajawards2010

        The South Asian Journalists Association and SAJA Group Inc. invite individual journalists and news organizations in North America to submit entries to this year’s contest. The SAJA Journalism Awards recognize excellence in coverage of South Asia and the diaspora, as well as outstanding reporting by South Asian journalists in the U.S. and Canada. The 2010 Awards, which are open to media companies and freelancers headquartered in the U.S. and Canada, consist of 10 categories (including one for students). Submissions can include print articles, editorials, photographs and new media pieces published, and broadcasts aired by Dec. 31, 2009.

        The EARLY deadline to enter is FRIDAY, March 5, 2010

        The FINAL deadline to enter is FRIDAY, March 26, 2010

        Apply online at http://bit.ly/sajajawards2010

        Any questions, please contact: Jigar Mehta, mehta@nytimes.com SUBJECT: SAJA AWARDS

        Freelance Media Workers Guild survey

        A survey from the Freelance Media Workers Guild – help them help you better. -mia

        +++++++++++++++++++++++++

        If you’re an independent journalist — writer, editor, illustrator, photographer, filmmaker, multi-media producer — and you live in Northern California, we want to hear from you.

        Guild Freelancers is surveying area freelancers to learn more about their lives, their work and the local marketplace.

        The resulting data will help us raise awareness about current issues facing freelancers, and will also help us tailor services to your needs. The 20-question survey is posted online and takes only about 15 minutes to complete.

        Log onto http://guildfreelancers.org/gf/?p=494 and weigh in!

        Rebecca Rosen Lum, Unit Chair Guild Freelancers freelance@mediaworkers.org

        Destination DIY radio show seeking freelancers

        Hey folks. I fully recognize that this is not a high-paying opportunity, but I can certainly appreciate the labor of love and it sounds like a fun project. Details below if you’re interested. -mia

        +++++++++++++++++++++++

        From: Julie Sabatier

        I am the host and creator of a public radio show and podcast called “Destination DIY.” In a nutshell, the show is about unusual do-it-yourself projects from home birth to home funerals and everything in between (including urban chicken coups, brewing your own beer and riding a unicycle). I’ve been developing the show as a labor of love over the past 4 years and have taken it from a live show on the local community radio station to a documentary series that’s been aired on over 20 stations around the country. This year, the show will be airing on Oregon Public Broadcasting this summer and fall and will go from a half-hour show to a one hour program. I have managed to raise a little bit of money for the six shows I’ll be working on in 2010 and part of that money was raised to pay talented radio producers who want to create material for these programs. I’m afraid I can’t offer much ($200 per piece), but I am hoping you’ll find an idea on the list below that inspires you to make a piece of radio you’ll really enjoy creating. I’ll also gladly accept previously produced pieces that fit the themes of these shows. And I should stress that this is a VERY grassroots project. This is the first year that the project has had any funding, meager as it is, and all of it is going straight to production expenses. I am not making any kind of profit off of this endeavor, nor am I paying myself as executive producer. As I said, it’s a labor of love.

        Please send pitches to me by April 14 and by all means, think outside the box (and the state of Oregon as well). More information about Destination DIY can be found here: http://www.destinationdiy.com/about.html Questions? Don’t be shy! Thank you, Julie Sabatier (julie@destinationdiy.org)

        Member Spotlight – April Dembosky

        Freelance Cafe member April Dembosky won the Best New Artist award in the Third Coast International Audio Festival competition last fall. Check out her feature below.

        Best New Artist
        Death Comes Home (USA)
        By April Dembosky with advisors Claire Schoen and Cynthia Gorney

        Death Comes Home is a portrait of three families who have chosen to forego the funeral director and prescribed memorial to instead care for their dead at home. Part of a growing national “home funeral” movement, these families are redefining America’s death rituals. Death Comes Home was first presented as part of the University of California at Berkeley’s annual masters project showcase in May, 2008.


        Death Comes Home
        (51:10)
        Read more about producer April Dembosky.

        Freelancer’s Gathering next Thursday, Feb 25, 7pm

        Hey folks. The next freelancer’s gathering is coming up next Thursday:

        February 25th 7PM Pacific Coast Brewery (906 Washington Street, Oakland)

        And I have a favor to ask of y’all. I’m working on getting the freelancecafe.org website into some kind of passable shape (and yes, those of you who’ve been in the group for awhile know that I’ve done this before, but I really mean it this time!) So I want to know – what do YOU want on the website? Do you want it to just be an RSS feed of the posts I send, eventually replacing this email list? Do you want it to be a repository for resources, events, tools, etc. relevant to freelancers? (Freelance Folder posts some great articles about freelancing, so I don’t want to copy what they do.) Do you want it to be a place to post your own links, blogs, interesting work you’re doing, etc. with highlights of individual freelancers from time to time? Something else entirely?

        If you have a chance to brainstorm about any of this stuff next Thursday, I would be grateful. And just pass on whatever notes you have through Molly or Rori or our newest FC guru Jen Ward. And if you can’t make it on Thursday but have some thoughts on the site anyway, just shoot me an email.

        And finally – if you are a talented wordpress designer and are just dying to make us a lovely site, let me know. This is currently a labor of love, but you’d get a web credit, something for your portfolio, some cash as soon as I manage to find some funding for this sucker, and my undying gratitude. I never, EVER encourage freelancers to work for nothing. This is a personal project and it makes me happy, so please only offer your services if you want to do it for fun (and a bit of good karma.)

        Happy gathering! Best, Mia 845-444-4034

        Knight Science Journalism Fellowships at MIT

        I’ve heard great things about this fellowship. Details below. -mia

        +++++++++++++++++++++++++

        *Call for applicants*

        As journalism reinvents itself, journalists now need to learn multiplatform technologies, such as podcasting, blogging, digital video and audio. They also need an understanding of subjects that consistently rank high with readers—health, environment, medical research, technology and science.

        Only one Fellowship offers the pick of scientific courses at MIT and Harvard, gives audio and video training, and sponsors research trips: The Knight Science Journalism Fellowships at MIT.

        Fellows receive a stipend of $60,000 for nine months, plus health coverage. Applications are due March 1. Find application requirements and forms at http://web.mit.edu/knight-science/fellowships/howtoapply.html .

        I encourage you to apply, or pass this message along to a colleague who could benefit from a year away from deadlines. With all best wishes,

        Philip J. Hilts, Director

        Knight Science Journalism Fellowships at MIT http://web.mit.edu/knight-science/fellowships/howtoapply.html philts@mit.edu

        The Sad Ocurrence

        News writers are in a helluva fix. Despite spanking brand new news websites, micro-local blogging and dedicated journalism programs trying to figure out how to attract and retain readers, the future is bleak for writers. For it is a future which includes diminishing career prospects.

        The fundamental nature of the paid writing career is being turned upside down with these emerging business models. That’s because none of them effectively address the issue of paying writers a living wage. Almost non existent in most of these new programs is any opportunity for advancement within the company or organization.

        The labor is cheap for news sites and organizations. The unions are weak and there are few pennies being thrown to writers.

        For most writers the future is freelance. The future is without benefits. The future is pay based on how many people click your story. The future is you get your $50 per story, shoot art for that story, hyperlink like mad, and get happy.

        The ongoing changes have been fast and furious for writers. Besides layoffs at newspapers, periodicals and other news organizations, writers have had to grapple with learning new technology all the while finding that there are fewer outlets for their work.

        Back in the day, journalism was one of the few stable careers that paid writers. Once the work of the blue collar set, by the late 70s journalism had been embraced as a career choice for college graduates. By the late 90s, it was very rare to find a journalist who had not attended university.

        And while the pay was always low, at many places there was a nurturing of talent, some advancement opportunity, and the pride of covering your community and feeling like you were part of something larger. It was a career and a community. If I met a reporter from Miami, or Iowa, or Bakersfield, I felt a kinship with that beat reporter or editor.

        That’s all over. From my vantage point, you’d be a straight up and down psycho to want to get into news reporting if you’re a young pup. Where’s the payoff? Yeah you got 250 to read your story (if you’re lucky), but you’re still ass broke with huge college loans. What happens when you reach your 40s and you want to settle down and buy a house?

        There will always be news organizations like the NY Times that can scrape up the cream young journalists and pay them a nice salary. But, the majority of original reporting is done at the local level and I can guarantee you that unless new programs invest and nurture their talent, there will soon be a steep decline in news quality.

        Locally, the Bay Area News Project seems like it will pay a living wage and that is very good. But that project is very much the exception. Right now the Baby Boomers are retiring and the Gen Xers are fleeing journalism fast as they can.

        Jennifer Inez Ward

        oaklandscene.blogspot.com/

        REVISED! Snap Judgment’s Call for Stories!!!

        Hey folks – this update from Glynn at Snap Judgments: revised (higher!) pay rates. Hooray! -mia

        ++++++++++++++++++++++

        Thanks to everyone for your amazing response to Snap Judgment’s Call for Stories, and suggestions on our rate structure. As promised, we have gone “back to the drawing board” on the rate structure, as reflected in this revised Call for Stories.

        As former freelancers, we very much understand the need for sustainable compensation practices, and will endeavor to treat EVERYONE in the Snap Judgment community fairly.

        Thanks again,

        Glynn

        # **

        Snap Judgment, winner of CPB’s Public Radio Talent Quest, launches April 2010, and is putting out a call for stories.

        We’re looking for amazing stories. Quick. Distinctive Voice. Bobbing and weaving. Surprising ending. Raw. Urban sensibility. Intimate. Voyeuristic.

        The “perfect” long form Snap Judgment story runs six to nine minutes.

        Check out Episode ONE (Magic Doors) at SnapJudgment.org . . .

        Typically in Snap Judgment pieces, the narrator presents a high stakes choice early on – subtly daring listeners to put themselves in place of the protagonist. Snap Judgment heroes make choices with consequence. As the story unfolds we learn more about both the teller and the environment / context they operate.

        We like stories that transport listeners to different worlds. We really like international stories, but equally dig stories that navigate ethnic or social-economic communities outside the scope of traditional media. (For example, we would love a story about a Tongan prince, but would also dig one from the perspective of a sister-wife in north Utah.)

        While main characters are allowed to draw lessons from their experience, we leave the “judging” of the story to the audience. We don’t mind if overlapping narratives conflict in their conclusions. (One person could conclude that arranged marriages are evil, another could conclude they are great.)

        Don’t let facts get in the way of a good story! We like lies and lying liars. Lies and exaggerations are often more important than some antiseptic recall of the facts. We want character. A snapshot of the person in the moment of their Snap Judgment.

        The more fantastical, the better. Snap Judgment dances on the edge of credulity. Did you see someone fly? Fantastic. Picked up by a UFO? Even better. Got a fictional piece you think would work? Try us.

        The Snap Judgment theme is important, but most important is the story. Good stories have decision points. Good characters suck listeners in. The teller should want to share their story. (Or be so compelling in their reluctance, that we identify with them.) Either way, we must be compelled to listen as they illuminate a hidden piece of the world.

        We’re currently working through a few basic “themes” – BUT don’t let this limit your imaginings. If you have a good idea, let us know!

        1) 5150 (Stories involving people who are a danger to to themselves or and others.) 2) DROP EVERYTHING (people who have abandoned their current lives in search of a new one). 3) LIBRARY TALES (stories in or involving the most innocuous place of all – the local public library . . .) 4) SUPERHEROS (stories of people who use their powers to shake things up . . . hopefully in tights!)

        Interested producers should send a pitch, and a quick synopsis of the story. We will read each and every pitch (promise) and let you know whether we would like to move to the next level.

        We are interested in both fully edited stories and raw interview tape (that show staff will cut into stories for the radio show and podcast)

        Turnaround Times 2 Days – Quick 3 Days – Average 6 Days – Intensive

        Junior Level Day Rate – $250 2 days – $500 3 days – $875 6 days – $1500

        Mid Level Day Rate – $325 2 days – $650 3 days – $1,188 6 days – $1,950

        Senior Level Day Rate – $400 2 days – $800 3 days – $1,400 6 days – $2,400

        Write to us: Pitches@SnapJudgment.org

        Thanks a million! We can’t WAIT to hear from you . . . SnapJudgment.org

        Patch.com seeks multimedia reporters and columnists

        Hey folks. Multimedia reporting opportunity below from one of our FC members. Check it out!

        -Mia

        ++++++++++++++++++++++

        Patch.com seeks local multimedia contributors, reporters and columnists in the Danville, Pleasanton and San Ramon areas. Patch is looking for reporters and contributors who can come up with story ideas or might be able to take on breaking news stories. We are also looking for a weekly columnists who have something to say about these communities.

        The ideal candidate is a writer based in Danville, Pleasanton, or San Ramon, who is an expert on, and will enjoy writing about the communities.

        Some of the topics we’re looking include:

        -Local politics

        -Schools

        -Shopping and Trends

        -Sports

        This is a paid gig, at the rate of $50-$75 per piece, depending on experience (these are for 200-500 words, but we will pay more for longer/more in-depth stories). We are looking for web-savvy writers who will include links to relevant online resources and will jump in and engage with readers who comment on their articles or columns. We’re also willing to consider shorter, blog-style posts several times a week instead of a single 400- to 700-word article/column if the topic lends itself to that approach. We are also open to multimedia pieces, from slideshows to online video, text and photographs.

        For consideration, please send relevant writing samples (including links to any online writing or multimedia pieces) and a résumé.

        To learn more about Patch, please visit Patch.com and click on any of the links.

        For specific questions, please contact:

        Marnette Federis – Pleasanton Patch

        marnette@patch.com

        Elizabeth Shemaria – Danville Patch

        lizs@patch.com

        Julie Dowling – San Ramon Patch

        julie@patch.com

        tape sync in La Jolla TOMORROW (Wednesday) 4pm

        Hey folks. Sorry for the short notice… are any of you in southern CA (or know someone in southern, CA) who might be available for this tape sync tomorrow (Wednesday) at 4pm? This is for Antenna Audio. Drop me a line and I’ll put you in touch with the producer. Thanks! -Mia

        ++++++++++++++++++

        We are looking for someone to go to a swanky resort in La Jolla, California – north of San Diego – to record a car collector on Wednesday – THIS Wednesday – at 4 p.m. Allison will call in at 4:30 once the person is all set up, and the car guy will read some scripted text. It should take about 30 minutes maximum. I’m sure anyone’s rate will be an hour minimum and probably transportation.

        Do you have anyone in that neighborhood? It’s an emergency – I have no one, we’re on deadline, and this fellow is very hard to track down and record.

        Thanks for any leads or help.

        Best, Kate

        Kate Rothrock Creative Director, US Antenna Audio Inc. P.O. Box 176 Sausalito, CA 94966 PHONE: 415-332-4862, ext. 120 FAX: 415-332-5886

        KALW’s City Visions Radio in need of a fill-in producer

        Hey folks. City Visions Radio (part of KALW) is in need of a fill-in producer. Contact info below and details attached. Best, Mia

        +++++++++++++++++++++

        Well, we’re in need again as two producers are on maternity leave. We’re looking to bring on at least one more person. If you can help get this word out through your channels, it would be greatly appreciated.

        Thanks in advance,

        Brian

        Brian Moran Senior Producer City Visions Radio www.cityvisionsradio.com 91.7 FM, KALW, San Francisco brian@cityvisionsradio.com Cell: 323-309-8699

        doc iconCity Visions Producer Announcement.doc

        Science Seminar, last call for applications

        Hey all. There’s not much time left to apply for this one, but I’ve heard great things about this institute’s programs. Details below. -Mia

        +++++++++++++++++++++++

        Applications for Metcalf Institute’s Science Seminar for Journalists need to be postmarked no later than Monday, *February 8, 2010*.

        Metcalf Institute and the Brown University Superfund Research Program will offer this two-day science seminar, March 31 – April 1, 2010, for mid-career journalists at Brown University, entitled “Waiter, There’s a Phthalate in My Soup” — Reporting on the Science and Impacts of Toxic Chemicals.

        The seminar, funded by a grant from the National Institute of Environmental Health Sciences, will feature leading environmental scientists and journalists, visits to research labs, and discussions on the communication of bisphenol-A and air quality impacts.

        Applications for the Science Seminar for Journalists may be downloaded at www.metcalfinstitute.org. Working journalists with at least five years of professional experience who are reporting in the U.S. may apply. The Seminar is tuition-free and includes lodging, but travel costs are not included and space is limited. For additional program information and eligibility, visit www.metcalfinstitute.org or contact us at 401-874-6211 or fellowships@metcalfinstitute.org.

        High Country News Seeking Multimedia Freelancers in the West

        Potentially fantastic opportunity here for you multimedia folks. This post originally went out to the AIR list (Association of Independents in Radio), so if you are not on AIR, please let Cally know that you heard about this through an AIR member. Good luck! -mia

        +++++++++++++++++++++

        I’m currently heading up the multimedia department at High Country News. (Ok, I AM the multimedia department.) Our MM work has been kind of checkered in the past, but we’re making a push to ramp it up. High Country News is a magazine based in teeny tiny Paonia, Colorado, covering the environment, natural resources and changing communities in the American West. If any of you are based out West, have experience shooting and producing video, or shooting strong images, collecting sound, and producing audio slideshows, I’d love to hear from you. We’re looking for good multimedia pitches, and I’m also compiling a list of freelancers around the West for future assignments.

        If you have interest, email me off list at: callyc@hcn.org

        Thanks!

        Cally

        Photocrati competition for non-professional photographers

        Hey folks. I don’t know much about this but it might be worth checking out. -mia

        ++++++++++++++++++++++++++

        Photocrati has announced a documentary photography contest expressly for *non*-professionals, meaning less than half your income can be related to photography. The deadline is March 15 and you can check out the rest of the rules and requirements here:

        http://www.photocrati.com/photocrati-fund/#eligibility

        Snap Judgment Calls for Stories!!

        Hey guys. Some of you may have met Glynn at one of the happy hours. His show is looking for stories. Details below! -mia

        +++++++++++++++++++++++

        Snap Judgment, winner of CPB’s Public Radio Talent Quest, launches April 2010, and is putting out a call for stories.

        We’re looking for amazing stories. Quick. Distinctive Voice. Bobbing and weaving. Surprising ending. Raw. Urban sensibility. Intimate. Voyeuristic.

        The “perfect” long form Snap Judgment story runs six to nine minutes.

        Check out Episode ONE (Magic Doors) at SnapJudgment.org . . .

        Typically in Snap Judgment pieces, the narrator presents a high stakes choice early on – subtly daring listeners to put themselves in place of the protagonist. Snap Judgment heroes make choices with consequence. As the story unfolds we learn more about both the teller and the environment / context they operate.

        We like stories that transport listeners to different worlds. We really like international stories, but equally dig stories that navigate ethnic or social-economic communities outside the scope of traditional media. (For example, we would love a story about a Tongan prince, but would also dig one from the perspective of a sister-wife in north Utah.)

        While main characters are allowed to draw lessons from their experience, we leave the “judging” of the story to the audience. We don’t mind if overlapping narratives conflict in their conclusions. (One person could conclude that arranged marriages are evil, another could conclude they are great.)

        Don’t let facts get in the way of a good story! We like lies and lying liars. Lies and exaggerations are often more important than some antiseptic recall of the facts. We want character. A snapshot of the person in the moment of their Snap Judgment.

        The more fantastical, the better. Snap Judgment dances on the edge of credulity. Did you see someone fly? Fantastic. Picked up by a UFO? Even better. Got a fictional piece you think would work? Try us.

        The Snap Judgment theme is important, but most important is the story. Good stories have decision points. Good characters suck listeners in. The teller should want to share their story. (Or be so compelling in their reluctance, that we identify with them.) Either way, we must be compelled to listen as they illuminate a hidden piece of the world.

        We’re currently working through a few basic “themes” – BUT don’t let this limit your imaginings. If you have a good idea, let us know!

        1) 5150 (Stories involving people who are a danger to to themselves or and others.)

        2) Drop Everything (people who have abandoned their current lives in search of a new one).

        3) Library Tales (stories in or involving the most innocuous place of all – the local public library . . .)

        4) Superheros (stories of people who use their powers to shake things up . . . hopefully in tights!)

        Interested producers should send a pitch, and a quick synopsis of the story. We will read each and every pitch (promise) and let you know whether we would like to move to the next level.

        We are interested in both fully edited stories and raw interview tape (that show staff will cut into stories for the radio show and podcast).

        For uncut interviews, interested producers/interviewers should send the name and one line bio of the storyteller they’d like to interview. Also include a quick synopsis of the Snap Judgment story being told. Flat rate for uncut interview tape: $125.

        For more difficult pieces that require editing or multiple interviews, compensation is based on commissioned length: 3 minutes or less- $250; 3-7 minutes- $450, 7-11 minutes – $700. Only under rare circumstances are we looking for anything over 11 minutes. Special terms may be in effect for regular contributors. Final mix, sound design and music will be completed by Snap Judgment staff.

        Write to us: Pitches@SnapJudgment.org

        Thanks a million! We can’t WAIT to hear from you . .

        SnapJudgment.org

        outLoud Radio’s call for Instructors

        OutLoud Radio needs your expertise! Details below. -mia

        +++++++++++++++++++++++

        *call for media instructors!*

        OutLoud Radio is seeking experienced media producers and social justice youth workers to teach in our Youth Stories Program!

        outLoud Radio works with lesbian, gay, bisexual, transgendered, queer, intersex and allied (LGBTQIA) young people to tell their own stories and produce radio. For 15 weeks, March 6- June 15, 2010, we’ll meet with high school aged young people once a week to teach radio production and storytelling skills. We teach with a social justice analysis and strong group process.

        We are looking for instructors who are good at working with young people and/or who have strong radio production skills- ideally both! Preferably, you have a connection to the queer community, but everyone is invited to apply.

        Instructors are asked to commit for once per week for group work with the outLoud youth interns and once per week for instructor meetings. On average, instructors spend no more than 10 hours a week. A stipend is provided for your time.

        For more information call

        415-658-6010 x 6

        Applications are due by February 12, 2010

        Email your resume and cover letter to volunteer@outloudradio.org

        In your cover letter please tell us about your strengths and experience working with youth and your strengths and experience with media storytelling.

        doc iconcall for volunteer instructors.doc

        Apply now! 2010 NEA Arts Journalism Institute in Theater and Musical Theater

        I’ve heard good things about this one. Check it out. -mia

        ++++++++++++++++++++++++++ * * *NEA Arts Journalism Institute in Theater and Musical Theater *Fellowship Opportunity •• Apply Now! *May 17-27, 2010*

        USC Annenberg School for Communication & Journalism, Los Angeles, CA * * *FOR MORE INFORMATION VISIT*: *http://annenberg.usc.edu/nea* * * *To view press release click here *

        USC Annenberg School for Communication & Journalism and the National Endowment for the Arts (NEA) are pleased to announce the *6th* *annual Arts Journalism Institute in Theater and Musical Theater*. This is an 11-day intensive workshop in theater and musical theater for writers, editors, broadcast and online producers from the 50 states and Puerto Rico. Based in Los Angeles, the Fellowship provides a total immersion experience that includes attending as many as ten performances or rehearsals. Participants will meet theater professionals ranging from directors and administrators of Los Angeles’ primary theater companies to artists and journalists of national stature, who will engage them individually for writing instruction and exercises. Professional sessions addressing changes in the media industry will be offered and special attention will be paid to building multimedia skills and storytelling. The institute is designed for American arts journalists. No specialized knowledge of theater is required. Staff journalists and freelancers who work in print, radio, TV or online media are welcome to apply. * * *IMPORTANT DETAILS* * * *Institute dates*: May 17-27, 2010 *How to apply*: Go to http://nea.uscannenberg.org/application.php to fill out an electronic application, instructions are provided. Only electronic applications will be accepted. *Application Deadline**: March 11, 2010**, received no later than 11:59pm Pacific Standard Time (PST).* *Notification of Acceptance:* March 25, 2010

        *Location**:* USC Annenberg School for Communication & Journalism, downtown Los Angeles. Hotel is located in Little Tokyo. *Cost:* The program covers most expenses, including: roundtrip travel to and from Los Angeles, hotel, most meals, reading materials, Internet access in your hotel room and transportation within Los Angeles. * * *PERFORMANCES* *THIS YEAR’S PARTICIPANTS MIGHT ATTEND*

        · World premiere of *”Road to Saigon”* developed and directed by Jon Lawrence Rivera at East West Players · *”Bengal Tiger Baghdad Zoo”* by Rajiv Joseph at the Mark Taper Forum · Jonathan Brielle’s musical, *”Nightmare Alley,”* directed by Gilbert Cates at the Geffen Playhouse · American premiere with Malcolm McDowell of *”Tynan”* at the Kirk Douglas Theatre · *”The Playboy of the Western World”* by celebrated Irish playwright John Millington Synge at A Noise Within · American premiere of *”The Arsonist”* performed by the Odyssey Theatre Ensemble * * *COMMENTS FROM PAST FELLOWS AND THEIR EDITORS*

        “I couldn’t have asked for a better mix of the sweepingly theoretical and the palpably concrete. One day would see furious discussion over the ways that technology has impacted the journalistic landscape, the next would offer fresh ideas for approaching, and advocating for, the arts in my community.” ~ *Glen Weldon*, *Washington City Paper *and npr.org, D.C.

        “I use things I learned through the Institute every day.” ~ *Sharon Eberson*, *Pittsburgh Post-Gazette*, Pa.

        “Amazing, inspiring and career-changing.” ~ *Bridgette Redman*, *Lansing State Journal,* Mich. “The Institute helped me make crucial connections with other writers and editors. It surely opened my mind about the myriad ways to cover the arts, and I’ve definitely made the jump from ink on paper to blog, voice and video.” ~ *Wendy Rosenfield*, *The Philadelphia Inquirer*, Pa.

        * * *FOR MORE INFORMATION VISIT:* ** http://annenberg.usc.edu/nea* http://annenberg.usc.edu/nea*

        Multimedia and magazine study-abroad programs still accepting students

        For you recent grads. (Hint – if you do one of these programs, you can write it off on your taxes!) -Mia

        ++++++++++++++++++++++

        Please share with students and recent graduates interested in journalism, communications, photography and video:

        *MULTIMEDIA AND MAGAZINE STUDY-ABROAD PROGRAMS STILL ACCEPTING STUDENTS*

        We still have a few openings for the summer multimedia programs in Perpignan, France and Urbino, Italy co-sponsored by San Francisco State University and the Institute for Education in International Media as well as a magazine internship program in Urbino. The applications can be found on the ieiMedia Web site http://ieimedia.com/ (http://www.ieimedia.com).

        The programs are open to college students and recent graduates from all schools.

        * * MULTIMEDIA: Urbino, Italy (June 3-July 2, 2010)* This picturesque Renaissance hill town is the capital of the Marche region, a beautiful but little-touristed region of Central Italy. The city’s impressive Ducal Palace houses one of the most important collections of Renaissance paintings in the world. Students study digital video, photography, blogging and reporting (as well as intercultural communication and Italian language) and produce a multimedia Web site about the town (see last year’s project at http://inurbino.net). Students will live and dine (most meals included) in a University of Urbino dormitory.

        * * MULTIMEDIA/VIDEO: Perpignan, France (June 24-July 23, 2010) *Perpignan lies in the Languedoc region of southwestern France, 8 miles west of the Mediterranean Sea and 19 miles north of the Spanish border, within sight of the Pyrenees. The city features a charming, pedestrian-friendly historic quarter; a daily market; and lively nightlife. Many attractions in France and Spain are only a short train ride away. Students will share studios in a modern apartment-hotel and take French and multimedia classes at the ALFMED language school in the heart of the old city. Students will study various aspects of multimedia with a particular emphasis on video storytelling and will produce a multimedia Web site about the city. The program includes 30 hours of French instruction at the beginner or intermediate level (students will be assessed and placed appropriately).

        Students can earn 3 transferable units of upper-division undergraduate credit (JOUR 677 Multimedia Study Abroad) through the San Francisco State University College of Extended Learning.

        Program cost: $4,900 plus airfare

        * * MAGAZINE: Urbino View Magazine Internship Program (June 2-July 3, 2010)* Applications are also available for a four-week summer magazine program in Urbino. Students will write, photograph, edit and design the second edition of Urbino View, an English-language magazine for distribution in the Marche region of Italy. The program includes full room and some board. Interpreters will assist in the interview and reporting process.Open to journalism, magazine, graphic design and photography students (or students with campus newspaper or similar experience). Students seeking credit must arrange at their home campus independently. Students are required to bring their own laptops and cameras. Those interested can download a PDF of the premier issue of the magazine, produced in summer 2009, at the ieiMedia Web site.

        Program cost: $3,900 plus airfare

        For more information about the Urbino programs, email UrbinoProject@gmail.com; to learn more about Perpignan, email PerpignanProject@gmail.com. Go to http://inarmagh.net and http://incagli.netto see past ieiMedia student projects.

        McCloy Fellowships in Journalism

        Fellowship opportunity for journalists in all media – details below. -Mia

        +++++++++++++++++++++

        2010 McCloy Fellowships in Journalism – Call for Applications

        Application Postmark Deadline: Friday, April 30, 2010

        Questions? Contact Robin Cammarota, Fellowship Coordinator, at 212-826-3636 or rcammarota@acgusa.org. Applications via e-mail are welcome.

        The American Council on Germany is seeking applications for the McCloy Fellowships in Journalism. McCloy Fellowships provide American print, broadcast, and new-media journalists in relatively early stages of their careers with the opportunity to travel overseas to conduct on-site research and interviews and pursue stories of their own design. Fellows travel to Germany and/or other EU27 countries, provided that the project bears relevance for contemporary Germany within the wider EU context. The fellowship provides a stipend in the amount of $200 per day for up to 21 days abroad; transatlantic airfare and pre-approved inter-city travel are also covered. Fellowships may be extended for up to 7 additional days if a compelling need for additional time is demonstrated.

        Past fellows have explored issues such as immigration and integration in Germany, energy security and climate change policy, Germany’s Jewish renaissance, European labor policy, architecture and national identity, and comparative perspectives on a wide range of public policy issues, from health care to education.

        Fellows are chosen through a competitive process by a jury of distinguished journalists, including William M. Drozdiak, President of the American Council on Germany and former Chief European Correspondent for The Washington Post; Josh Friedman, Director of International Programs at Columbia University’s Graduate School of Journalism and winner of the Pulitzer Prize for International Reporting; and Michael Parks, Professor at the USC Annenberg School for Communication and also a winner of the Pulitzer Prize for International Reporting.

        Journalists attached to media organizations are encouraged to apply. Freelance journalists are asked to demonstrate where resulting articles and/or related pieces could be placed. Applicants must hold U.S. citizenship. At least one fellowship in 2010 will be awarded to a student enrolled in a graduate program in journalism at the time of application.

        To apply, please submit: a cover letter outlining your personal and professional objectives for the fellowship; a project proposal of at least two pages detailing the background and scope of your project, the general sources and institutions with whom you would like to consult while abroad, and the relevance of the project for transatlantic relations; a current resume; two letters of recommendation; and (if applicable) a statement outlining why an extension beyond 21 days is preferred to:

        Selection Committee, McCloy Fellowships in Journalism American Council on Germany 14 East 60th Street, Suite 1000 New York, NY 10022

        Application Postmark Deadline: Friday, April 30, 2010

        For more information, please visit www.acgusa.org or contact Robin Cammarota, Fellowship Coordinator, at 212-826-3636 or rcammarota@acgusa.org. Applications via e-mail are welcome.

        PRNDI adds multimedia category to 2010 awards

        Hey folks. A couple awards deadlines coming your way. And don’t forget about tonight’s happy hour! 7:30pm at Pacific Coast Brewing Company in Oakland. Hope you can make it. Best, Mia

        +++++++++++++++++++++++++++++++++

        March 1st is the deadline to apply for PRNDI Awards for local news production. Here’s the link to the rules and regs.

        http://www.prndi.org/submitAwards.html

        Good luck,

        Julie Drizin Talent Manager MQ2: Public Radio Makers Quest AIR: Association of Independents in Radio julie@airmedia.org 240-432-1726

        Women in Periodical Publishing Conference – Special deal for FC

        Hey folks. One of our new members just let me know about the Women in Periodical Publishing (WIPP) annual conference that’s happening this Friday in SF. There are a few discount tickets available if anyone is interested – details below. Best, Mia

        +++++++++++++++++++++

        The conference will offer:

        – A line-up of forward-thinking *speakers *including folks from print (*Dwell, Craft, Make, Saveur, *and others) and digital (Google, Facebook, Redroom.com, and more).

        – Compelling *panel discussions* about the future of media. – Hands-on *new media workshops. * – Speed *life coaching* (20 minutes with a certified life and career coach, if you so choose).

        – *Networking opportunities* throughout the day, as well as during lunch and at our post-conference wine and chocolate tasting.

        I’ve attached a preview program, if you’d like to check out the details.

        The ticket price is $199, but I just got news that, thanks to last-minute support from some generous sponsors, we have *a limited number of subsidized tickets available at $99.* Being a freelancer myself, I wanted to give Freelance Café members a shot at some of these tickets. Once they’re gone, they’re gone.

        We have a special discount code that you can offer Freelance Café members to get that rate.

        Register at: *https://www.acteva.com/go/WIPP-WLC * Enter discount code 9SPONS10.

        Thanks so much, Kim

        (415) 775-8361 www.kimberlyolson.com

        *P** Please consider the environment before printing this e-mail. *

        default iconWIPP_2010_preview_program.pdf

        Enter the 2010 Casey Medals Competition

        Info below on the Casey Medals – in recognition of excellent reporting on children and families. Go for it! -mia

        +++++++++++++++++++++++++++

        [image: JCCF logo] The 2010 Casey Medals for Meritorious Journalism

        Enter the 16th annual Casey Medals for Meritorious Journalismcompetition, which recognizes exemplary reporting on children and families. This year, we’ve updated our categories for the digital age: For the first time, citizen journalists and reporters from online-only news sites are eligible to apply. We have revamped the audio and video categories, and we welcome Web audio and video entries.

        First-place winners receive $1,000 and will be honored at a ceremony in Washington, D.C. Casey Medalists are automatically considered for two additional $5,000 awards presented by the America’s Promise Alliance .

        The Journalism Center on Children & Families is a nonprofit training and resource center based at the University of Maryland’s Philip Merrill College of Journalism. Nearly 4,500 journalists have competed for Casey Medals since 1994.

        2010 Casey Medals for Meritorious Journalism

        [image: Acia Johnson]

        For exemplary reporting on children & families

        Enter Now

        Deadline: Friday, March 5, 2010

        Forward email [image: Safe Unsubscribe] This email was sent to mialobel@gmail.com by rdavidson@journalismcenter.org. Update Profile/Email Address| Instant removal with SafeUnsubscribe™ | Privacy Policy http://ui.constantcontact.com/roving/CCPrivacyPolicy.jsp. Email Marketing http://www.constantcontact.com/index.jsp?cc=TEM_News_112by http://www.constantcontact.com/index.jsp?cc=TEM_News_112 Journalism Center on Children & Families | 1117 Journalism Building, Univ. of Maryland | College Park | MD | 20742

        freelancers gathering Thursday 1/28, 7:30pm

        Hello freelancers. First, I heard that the turnout for the CPA workshop with Jason Stallcup was great, so a huge thank you to Jason and everyone that showed up.

        In case you missed it, you can reach Jason at: jason@jasoncpa.com http://www.jasoncpa.com/ *415.215.0639* 525 Irving Street, SF

        Also, thanks to Sandbox Suites for hosting! Make sure you check them out if you’re looking for a co-working space or want to hold an event. Ask for Sasha.

        *Sandbox Suites* http://www.sandboxsuites.com/ 123 10th Street San Francisco, CA 94103 (415) 659-8197

        Finally, the next FC gathering is coming up next week.

        Thursday, Jan. 28 7:30pm Pacific Coast Brewing Company 906 Washington Street, Oakland

        Contact Rori at (415) 730-7380 if you have any questions.

        As always, contact me at mia@freelancecafe.org if you have comments or questions about the group or have something you want to share. You can also join the FC group on Facebook .

        All the best, Mia 845-444-4034 (new cell)

        [Un]Observed seeks contributions

        Hey folks. One of our own has started a very cool new project and she’s looking for contributors. Details below! -mia

        +++++++++++++++++++++++

        The [Un]Observed, on-line radio magazine, is launching this month. It consists of interviews, more produced radio pieces, and sound pieces in and around art and culture (the culture part makes it a bit more broad). Over the years The [Un]Observed hopes to grow into a hub for interesting and engaging work that both reflects and is produced by the artistically inclined. Currently, The [Un]Observed has several contributors: Ben Adair, Douglas McGray, Aaron Ximm, Kara Oehler, Ann Heppermann, Jason Cady, Jeremiah Moore and Tania Ketenjian.

        The [Un]Observed is seeking contributions! The idea for The [Un]Observed is that it be a play space for brilliant producers like you. Somewhere where you can place work that you are excited about, you really enjoyed producing or you love the way they turned out. Or even ones that are off the beaten path for you and you are in the midst of creating.

        The piece can be as short as 60 seconds to an hour long, it can have aired before or it can be new, a work in progress, a collection of sounds, recordings of a family dinner, whatever you would like to get out there. The main thing is that the piece be about art or culture, or be artistically produced.

        The [Un]Observed can be an archive for you as well where people can come to hear your work, amongst your peers and colleagues from around the world.

        The magazine was conceived of by Tania Ketenjian who is seeking to expand the ways we can have access to interesting and engaging radio and sound works.

        Currently The [Un]Observed is not in a position to compensate contributors but will do so as the site grows. That said, your contribution is invaluable and so appreciated.

        To contribute, please send an e.mail to tania@theunobserved.com with CONTRIBUTION in the subject line.

        Event Coordinator Position at the UC Berkeley Graduate School of Journalism

        There’s a temporary event coordinator position available immediately at my alma mater. Details below. -mia

        +++++++++++++++++++++

        *Event Coordinator Position – UC Berkeley Journalism School *

        *Description*

        The Investigative Reporting Program at UC Berkeley’s Graduate School of Journalism seeks an event coordinator for its 4th Annual Logan Symposium on Investigative Reporting. The event attracts many of the most respected journalists from across the country and around the world to UC Berkeley to discuss issues in investigative reporting at a 3-day event. This year’s symposium takes place on the weekend of April 16-18, 2010 and will include screenings, panel discussions, speeches and catered receptions.

        * Responsibilities*

        – Oversee all operational aspects of the event: venues, catering, accommodation, travel and technology

        – Liaise with conference speakers to put together interesting panels and speeches

        – Create invitations, conference programs and any other publications for the event.

        *Desired Skills and Experience * – Experience organizing conferences or similar events

        – Must be well organized, polite and well spoken

        – Strong computer skills

        – Graphic design or p

        *Commitment and Remuneration*

        This is a ‘ramp up’ position commencing immediately. The first 6 weeks will be 2-3 days/week, followed by 8 weeks full-time, finishing on April 23th, 2010. Remuneration commensurate with experience.

        *Contact:*

        Please send a cover letter and resume to:

        Marlena Telvick: investigativereportingprogram@berkeley.edu * 510 643 1299*

        Bob McChesney & John Nichols in San Fran, Jan. 22, 7 pm

        Media event in SF this Friday. Check it out! -mia

        +++++++++++++++++++++++++++++++

        Dear friends, if you have never heard Bob McChesney and John Nichols dissect the American media and its many shortcomings, you are in for a real treat if you attend this event in San Francisco. More accessible than Chomsky, yet every bit as erudite and insightful, they have a new book out. Get it, roll up your sleeves and sign up to reshape the American media-scape. Here are the details, and see the event notice and more details below. Hope to see you there.

        Friday, January 22, 2010, 7:00 PM

        First Unitarian Universalist Church

        1187 Franklin St. at Geary, San Francisco

        ****

        *Progressive Perspectives*

        presents

        *Robert McChesney & John Nichols*

        discussing their new book

        *The Death and Life of American Journalism:*

        *The Media Revolution that Will Begin the World Again*

        “Communities across America are suffering through a crisis that could leave a dramatically diminished version of democracy in its wake… Journalism is collapsing, and with it comes the most serious threat in our lifetimes to self-government and the rule of law in the United States… Unless we rethink alternatives and reforms, the media will continue to flail until journalism is all but extinguished.”

        In “The Death and Life of American Journalism, McChesney and Nichols explore the history of the media meltdown and its poltical implications, reject the easy answers of blaming the Internet or imagining that markets will prvide the answers, and offer a bold, groundbreadking solution for saving American journalism.

        Robert McChesney is author/editor of sixteen books on the media. He holds an endowed professorship in communications studies at the University of Illinois. John Nichols is Washington correspondent for The Nation and is one of America’s leading progressive political journalists. McChesney and Nichols are co-founders of Free Press, Americas leading media reform organization and organizer of the Nation Media Reform Conference.

        Friday, January 22, 2010, 7:00 PM

        First Unitarian Universalist Church

        1187 Franklin St. at Geary, San Francisco

        Co-Sponsors

        Media Alliance ~ Mother Jones ~ Wellstone Democratic Renewal Club

        Community Media Center/Marin ~ Global Exchange ~ UU’s for Peace/SF

        Donation: $15 – $20.

        RSVP: ProgressivePersp@aol.com or (415) 785-3650

        click to view flyer: http://idisk.mac.com/robtmey-Public/McChesneyNichols.jpg

        KALW news magazine launch

        Hello freelancers. Unfortunately I missed the boat on this one (the launch was yesterday) but I hope you’ll check out the site regardless. KALW is doing some fantastic work in the Bay Area and they are VERY good to freelancers – lots of opportunity there. They are currently looking for community correspondents from various places around the Bay, so check out the below and contact “Zoe Corneli” if you have questions. Best, Mia 845-444-4034 (new cell)

        ++++++++++++++++++++++++

        Hi there,

        I work with the news team at KALW Public Radio in San Francisco, and we are launching our new local digital news magazine today! I was hoping you could take a few minutes to check it out, and if you so desire, blog or tweet about it or post on Facebook before 7 p.m. tonight. (We’d like to try to coordinate so everyone is talking about it at the same time.)

        Here’s a little background:

        Since 2003, KALW News has expanded while other news organizations cut back. Now, www.KALWNews.org combines our award-winning news and arts stories with blogs, photos, social media, interactivity, and mapping. We also feature the growing numbers of Bay Area hyper-local journalism outlets for you to check out, as well as a digest of mainstream local news sources. Visitors can submit their own content and use the collaborative “Fixipedia” tool to help generate solutions to issues in the news. The site really aims to capture the essence of what it is to live in the Bay Area. And, to do it better and more comprehensively, we need you! This is public interest media, and your interests matter to us.

        If you have a moment to take a look and you like it — or even if you don’t

        Unity media mixer Thursday

        Not sure why Comcast is involved, but this seems like a good chance to make connections if you’re into that sort of thing. Details below. -mia

        ++++++++++++++++++++++++++++++++

        Comcast in partnership with: Asian American Journalists Association/SF Bay Area Chapter Bay Area Black Journalists Association California Chicano News Media Association East Bay Press Club California Media Workers Guild/Freelance Unity National Lesbian & Gay Journalists Association/NorCal Chapter Public Relations Society of America/Diversity Committee New America Media Society of Professional Journalists/Northern California Chapter

        Invite you to attend our joint

        UNITY MEDIA MIXER ~ WINTER 2010

        Thursday, January 21 — 5:30 to 8 p.m. Urban Tavern 333 O’Farrell St., San Francisco (near Powell st. BART)

        FREE ADMISSION. COMPLIMENTARY APPETIZERS. Raffle Prizes. And more!

        Reconnect with former colleagues, meet new friends and renew or join your membership of choice.

        For more information, email: sfbaymedia@yahoo.com

        SF State course on Business Journalism

        Hey folks. Spreading the word about a new business journalism course at SF State, focusing on the biotech industry. Sounds pretty interesting. -Mia

        ++++++++++++++++++++++

        *Professional and aspiring journalists should check out this great opportunity to develop skills in specialized business reporting. San Francisco State University’s College of Extended Learning is offering Jour 667-02, Business Journalism. Former Chronicle business reporter Bernadette Tansey will teach this class, which focuses on the biotech industry. **The class meets Tuesdays, 6-8:30 p.m. at the Downtown Center on Market Street. Register Today: **www.cel.sfsu.edu* http://www.cel.sfsu.edu/* OR Call 415-405-7700 ext. 5. Class begins Jan. 26. * *The Bay Area is one of the most innovative regions in the country and you have the advantage of exploring journalism here. Equip yourself for 21st **Century journalism. Learn how to cover cutting-edge enterprises that are transforming global culture. From Stem Cells to Cell Phone Apps, technology is changing lifestyles and life spans. Whether your favorite beat is science, travel, sports or politics, your reporting will be stronger if you understand the impact of technology and the basics of business. *

        TAL theme list

        For those of you not on the AIR list, here are the upcoming themes for This American Life. -mia

        +++++++++++++++++++++++++++++++++++++

        Dear This American Life friends and contributors,

        We’ve got a new round of themes-in-progress and we’re coming to you for story pitches, thoughts and suggestions for our upcoming shows.

        How this process works: When you send in a story idea to me, I’ll respond with a generic email letting you know that I received your pitch and that I’ve read it. I promise. I read every pitch. (I won’t send you the auto response until I’ve read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I’ll send you another email asking for more info on the story or letting you know we’d like to commission the story. But if you don’t hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn’t right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

        Like always, these themes are shows we’re actively pursuing right now but we’re always on the lookout for new stories or ideas. So if you’ve got a story that you think would work especially well for us but doesn’t fit a specific theme listed below, please send it along anyway.

        Thanks so much for your pitches. All of us here are very appreciative.

        Best, Julie (julie@thislife.org)

        CONTENTS UNKNOWN: Stories about guessing, fantasizing and projecting. For this show, we’re sort of running the gamut from the literal to the metaphorical. A literal “contents unknown” story is one we’re planning about people who bid blind on abandoned storage units up for auction. Most of the bidders have a pretty good idea what they’re doing (if you see any hint of a Christmas ornament in the unit, RUN AWAY) but aside from small clues, it’s a lot of guesswork and luck. A more metaphorical take on the theme is a story about a guy who completely loses his memory and essentially allows all of the people around him (family, friends, doctors, bureaucrats) to write his identity for him. We’re now looking for more stories about entering into something where all you really know are the faint outlines of the thing. Maybe entering into a relationship – either romantic or professional – where you really don’t know what you’re getting into? Or someone trying to trust something they’re not sure is true? Stories that head down the more literal route would be great, too. Maybe trying to track down the ingredients to something? Or facing a huge archive without knowing what’s inside? This show is coming up soon and, honestly, we’re feeling a little desperate so if you’ve got something that might be wedged into a “contents unknown” kind of theme, please send it our way.

        PARENT TRAP: When a woman is diagnosed with terminal cancer, she writes a series of letters to her 16 year old daughter, to be delivered after her death on the daughter’s successive birthdays. From the time she is 17 until she turns 29, the daughter gets a letter in the mail – sent by her father, via FedEx – each year. The letters are beautiful, filled with encouragement and affirmations of love. They are also filled with plenty of upbeat words about the Mormon Church and moral advice. Moral advice that, over the years, starts to feel increasingly chafing to the daughter who is moving further away, socially, politically and spiritually, from the Church and her mother’s views. The daughter begins to feel like she is receiving letters written for a girl she no longer is but who her dead mother wishes her to be. For this show, we’re looking for stories about how – with the best of intentions – parents and children can sort of manipulate each other into positions they’re not sure they want to be in. We’d love funny stories for this show – maybe an actual “parent trap” type story of setting parents up or the parents setting the kids up. Maybe a story about a parent organization or event? A parent trying to do the right thing and doing exactly the wrong thing? Stories about feeling trapped in a family situation would work well, too.

        HEROES: A woman in Las Vegas has spent the last few years in a battle with her daughter’s elementary school about a number of different issues – a prominent one being campus security. So when she and another mom find a first grader wandering alone alongside a road near the school one day, they are outraged. They pick up the boy and call the school district saying they’re returning the boy but have also called the local media to document the egregious lack of security at the school. The moms show up with the boy for the drop-off and are promptly arrested and charged with kidnapping. It’s the climax to the story where both the moms and the school have been gunning for each other for years, the battle increasingly fueled with the idea of doing “what’s best for the children.” We have another story about a guy trying to single-handedly save the integrity of Wikipedia entries from his friend who is purposely planting false information on the site. Other stories that’d be great for this show could include stories about unsung heroes – people who maybe don’t believe their actions were heroic despite evidence to the contrary? Or people who shun the spotlight? Or can’t escape their hero status? Maybe a story about someone who thinks he is a hero but everyone else thinks he’s a pain in the ass?

        THE ISLAND: We’d like for all the stories in this show to be held together by a place, instead of an idea. So all the stories have to take place on an island. That’s it. Just an island. But a real island, not a “no man is an island”/”every man is an island” kind of thing. We’re working on one story with the Planet Money team about the economic histories of Jamaica and Barbados and how a fairly small, benign monetary move had very large consequences for those countries. Another story is about an attempt to repatriate lab chimps to an uninhabited island in Senegal. So stories that take place in the United States might be good for this show – Long Island? Rock Island? Hawaii? We were working on a story about Guantanamo that looks like it’ll probably fall through so any stories about Gitmo would work great for this show, too. Ideally, the island would be somewhat of a character in the story or at least the geography would play a part in the how’s and why’s of the story. Maybe a story about being stranded on an island? Opening a business on an island? Fantasizing about an island?

        PERMANENT RECORD: A few months ago we were working on a really great, small story. A guy sent us a letter telling us about this time his father went to inter the guy’s mother’s ashes at a Veteran’s Cemetery in Illinois. Because both the father and the mother were vets, it was the father’s understanding that the interment would be free. But when he shows up at the cemetery, he’s told there is a $14.95 processing fee for the ashes. The father gets totally pissed, sees this as penny-pinching and a total betrayal of the U.S. government and, in his anger, dumps the ashes in the parking lot, goes home and tells his shocked kids what he did. Over the years – until his own death – the father is embarrassed by the story whenever the kids bring it up and accuses them of always “focusing on the bad things.” So it’s kind of a funny story of spazzing out, right? And the son tells the story beautifully. But when we call the Veteran’s Cemetery to fact-check the story, it turns out it’s not true. They DON’T charge a processing fee and, in fact, they double-check and say the mother’s ashes actually ARE interred at the cemetery – right next to the father’s ashes. We call back the son and ask what’s up. He’s shocked. He SWEARS this is the story his father told and his brother and sisters back him up on it. None of them can figure out why their dad would tell them this crazy story if it weren’t true. And all they can figure out is that their dad, in his later years, began to have a horrible memory. And maybe he was just messing with them the first time he told them and then, after that, forgot the story, forgot that it wasn’t true, relied on the kids’ version and then it just became fact. SoooooŠwe’re looking for more stories where something that maybe isn’t true becomes the permanent record. We’re working on a story about a an exonerated prisoner who keeps getting falsely accused of other crimes but that story may fall through so we’re open to more stories about trying to free yourself from an official “record.” Stories that might work well: maybe stories about trying to get free from a notorious reputation or past deed? Or trying to set the record straight? Or trying to change an identity?

        THEMES WE’VE SENT OUT BEFORE BUT ARE STILL WORKING ON:

        TRUE URBAN LEGENDS: The thing that’s remarkable about this story is that you’ve already heard this story: a really normal guy who attends a very conservative evangelical college also leads a secret life on weekends, flying to places like Las Vegas and the San Fernando Valley, to star in hardcore gay porn films where he is known as “power bottom” Vincent De Salvo. The thing that I love about this story is that it’s true. Because I swear I’ve heard this exact story from my college roommate’s friend-from-high school’s sister. So what we want to try and do now is a whole show where the really remarkable part of the story is that, while the story conforms to the narrative structure and has all the editorial qualities of an urban legend, it’s actually true. We’re also thinking about doing something about the “monster fish” that showed up in a puddle behind a Dunkin’ Donuts in Baltimore a few years back (a popular story among the D.C./Baltimore set but, remarkably, little known to the rest of the country). We’ve got our eye on a story about organ trafficking, too. We’d love any other story you can think of that either traces the origins of an urban legend in a surprising way or lays out in a classic ‘urban-legend’ kind of way. A story about someone who created an urban legend, or maybe believes they are at the heart of an urban legend, would be great, too. And finally: we’re thinking we may just do a small part of the show where people admit the urban legends they believed for far too long. If you’ve got one of these stories about your own naïve beliefs, will you let us know?

        MILLION DOLLAR IDEA: A few months ago our staff got to talking about our get-rich-quick schemes. It turns out Ira’s Million Dollar Idea is to domesticate foxes – he claims it’s easier and faster than you’d think. And then you’d have a really, really smart dog. A really smart, really crafty, really sneaky dog. Which sounds like a bad idea to me but I’d like to hear more of the argument before I truly pass judgment. Anyway, it got us to thinking that we’d love to do a whole show about various Million Dollar Ideas. The stories could be about unorthodox approaches to making money. Or, maybe, unorthodox approaches to solving a problem and going at it in a really big way. If someone is in the middle of enacting their Million Dollar Idea, that’d be great. Or stories about past successes that seemed incredibly unlikely at the time of inception. So-crazy-it-just-might-work stories would work well in this show, too.

        CPA workshop 1/12, 6:30pm PLUS January FC gathering 1/28

        Hey folks. First, a reminder that the CPA workshop is coming up this Tuesday, 1/12. Details below. I went to this last year and I promise you don’t want to miss it.

        Second, the first FC gathering of 2010 is coming up on Thursday, 1/28 at 7:30pm, Pacific Coast Brewing Company in Oakland. This meeting will mark the 3rd anniversary of the beginning of Freelance Cafe. In January 2007, some fellow freelancing jschool grads and I met at Pacific Coast for a beer. Three years later, FC has 250 members from Santa Cruz to Santa Rosa and the group continues to grow. I’m so proud of what we’ve all accomplished together and I look forward to more FC happening both in person and online over the next year. I’m working on making freelancecafe.org a true resource for freelancers, and Rori and Molly have some great events planned for 2010. I’m also starting a Freelance Cafe East branch here in the Hudson Valley, NY, so if you know any freelancers in these parts, please have them drop me a line!

        Finally, as always, please contact me if you have any questions or suggestions for how I can better serve the freelance community, and send over any relevant info that I can post to the group!

        All the best, Mia 415-902-0224

        CPA WORKSHOP Please Join us for a workshop with Jason Stallcup, CPA. Jason specializes in tax help for small businesses and freelancers. In fact, he’s known as the “freelance CPA”. Jason was a big hit last year, and has generously agreed to answer all our tax questions once again this year!

        Date: Tuesday, Jan. 12th Time: 6:30 PM Location: Sandbox Suites, 124 10th Street, San Francisco, CA

        If you have any questions please contact Rori at 415-730-7380.

        Temporary position at Making Contact /National Radio Project

        Hey folks. See below if you or someone you know may qualify for this position. Best, Mia _________________________

        Temporary position at Making Contact /National Radio Project IF YOU are SF resident low-income parent radio producer AND QUALIFY via stimulus money at “SF Jobs Now” Check out this site, and if you qualify to join the SF JOBS Now jobs pool and if you get processed into their system, we can consider hiring. (SFJOBS pays the salary employer pays payroll taxes etc) http://www.sfhsa.org/1410.htm

        “Consistent with the goals of the federal stimulus package, the primary objectives of the JOBS NOW! program are to provide an immediate source of income for low-income families and to stimulate local economic recovery. JOBS NOW! builds upon several successful transitional jobs programs already in place at SF-HSA, which were designed to help unemployed individuals address barriers to employment, develop soft skills, gain work experience and progress toward self-sufficiency. JOBS NOW! participants will exit the program with stable employment history, leaving them better positioned to obtain an unsubsidized job when the stimulus period ends. The JOBS NOW! program benefits local employers by providing referrals of qualified workers and by subsidizing 100% of their wages until September 30, 2010. It’s a win-win!”

        New Voices Grants and New Media Women Entrepreneurs Grants

        I know some of our members have gotten funding from j-lab in the past. Details below. -mia ____________________________

        From our friends at J-lab:

        Call for Proposals: 2010 New Voices Grants It’s time again to submit your proposal for a project to improve your community news landscape. J-Lab will award 8 grants of up to $25,000 each to launch new community news efforts. Are you ready to make the media you wish to see in the world? Deadline: March 1, 2010

        Read the FAQs and Guidelines: http://www.j-newvoices.org/site/story/2010rfp/

        APPLY NOW: http://www.j-newvoices.org/site/story/online_application/

        2010 New Media Women Entrepreneurs Grants: Seeking Fresh Ideas for Journalism J-Lab will give four women-led projects $12,000 each in start-up funding in 2010. New forms of journalism are being created where online local news sites have launched to report on their communities. The journalism is characterized by a deliberate shift in the definition of objectivity and broader definitions of “news” that seek to connect readers to a sense of the place where they live.

        Read the Guidelines: http://www.newmediawomen.org/site/proposal_guidelines/ APPLY NOW: http://www.newmediawomen.org/application/

        The Missouri Review’s Audio & Video Contest

        Fun and creative contest. Check it out! -Mia _______________________________________

        The Missouri Review’s Audio & Video Contest 2009 Postmark Deadline: January 16, 2010

        Audio/Voice-Only Literature If you have a short story, a piece of creative nonfiction, narrative essay or poetry that you think worthy of recording, enter this category. All literary genres are considered. Pieces in this category can be solely author-read or contain other tracks of sound, voice and/or recorded interviews. Entries are judged on literary merit, technical proficiency and, most importantly, how the author uses audio media to futher the literary strength of his or her piece. Note: Poets may enter one or more poems as a single entry as long as the total recorded time does not exceed the 10-minute limit. We encourage writers and producers to make innovative use of recording technology as a means of furthering their literary craft.

        Time: 10 minutes or less. First Prize: $1,500 Second prize: $500

        http://www.missourireview.com/contest/audio_competition.php

        Award Deadline and June Workshop

        Environmental reporting prize and workshop – deadlines approaching. Go for it! -mia

        __________________________________

        Metcalf Institute for Marine and Environmental Reporting University of Rhode Island Graduate School of Oceanography

        January 4, 2010

        Metcalf and Grantham 2010 Deadlines ANNOUNCED www.metcalfinstitute.org www.granthamprize.org

        Entries for the 2010 GRANTHAM PRIZE for Excellence in Reporting on the Environment are now being accepted. Journalism entries on the environment must have been originally published, broadcast, or posted in the United States or Canada between January 1 and December 31, 2009. Book entries must be postmarked by January 11, 2010. All other entries must be postmarked by February 1, 2010. Details can be found at www.granthamprize.org or by contacting info@granthamprize.org.

        Metcalf’s TWELFTH ANNUAL SCIENCE IMMERSION WORKSHOP FOR JOURNALISTS, Coastal Impacts: Energy Sources and the Marine Environment, June 6-June 11, 2010, will team journalists with scientists and regulatory experts to work in the field and lab. The workshop will consider research and policy on the value of different energy sources in mitigating climate change and how these options affect surrounding environments. Fellowships are available to working journalists in all media and include tuition, room, board, one year of membership in the Society of Environmental Journalists and limited travel support. There is limited space for non-U.S. citizens. Details and applications are available at www.metcalfinstitute.org.

        Metcalf Institute and Brown University Superfund Research Program will offer a two-day SCIENCE SEMINAR FOR JOURNALISTS, March 31-April 1, 2010, on the science and impacts of toxic chemicals. This program will feature leading environmental scientists and journalists, visits to research labs and discussion of case studies on the communication of bisphenol-A and air quality impacts. The seminar is tuition-free and includes lodging, but travel costs are not included and space is limited. Details and applications available online at www.metcalfinstitute.org.

        Pending funding, Metcalf will offer one to two slots for the 2010-2011 ENVIRONMENTAL REPORTING FELLOWSHIPS, a program that provides unique opportunities for early-career minority journalists who want to better understand and report on the complexities of environmental news. Updates to be announced in early 2010.

        ABOUT METCALF INSTITUTE Metcalf Institute for Marine and Environmental Reporting is a non-profit organization whose mission is to promote clear and accurate reporting of scientific news and environmental issues; to strengthen understanding and working relationships between members of the scientific community and members of the news media; and to provide opportunities for beginning journalists to learn, on both a formal and an informal level, how to improve their skills in marine and environmental reporting.

        To make a tax-deducible gift or for additional information about us, contact Metcalf Institute’s Executive Director, Sunshine Menezes, at (401) 874-6211.

        Metcalf Institute for Marine & Environmental Reporting URI Graduate School of Oceanography 218 South Ferry Road Narragansett, Rhode Island 02882

        tel: (401) 874-6211 fax: (401) 874-6486 info@metcalfinstitute.org www.metcalfinstitute.org

        To be added to the enewsletter list, or to change your email address or preferences, send an email to news@metcalfinstitute.org with the subject “Subscribe” or your detailed request.

        TCF seeks interns in early 2010

        Hey guys. Happy 2010! I usually don’t post unpaid items, but the TCF is amazing and this could be a great opportunity for those looking to get work experience with some fabulous folks. Spread the word. -mia

        _________________________

        From: Julie Shapiro

        The Third Coast Festival plans to take on 2010 full force, and is looking for some interns to help with the assault. We’ll be hiring a Festival Intern, Website Intern, and Re:sound Intern, starting in March. These are unpaid internships, but will be extremely valuable for anyone looking to get a handle on the radio landscape in the US and beyond. There’s more information, including details about each internship, here: http://www.thirdcoastfestival.org/about_staff.asp#internships

        The winter/spring internship deadline is coming up soon – February 1. Please forward to and encourage anyone who you think might be interested.

        Thanks! And happy days as the year winds down.

        -Julie

        Freelancers Guild Post-holiday party

        Hey folks. Happy New Year! Start the freelancing year off right with a party sponsored by some good friends of FC. Details below. -mia

        ___________________________

        Hi freelancers:

        Please join us at California Media Worker’s end of the year party:

        *7-11 p.m. Saturday Jan. 9 at the Tempest, 431 Natoma Street in San Francisco. * (That’s just downstairs from the Guild office, and an easy walk from the Powell BART station).

        Free eats, cash bar, and beginning at 9 p.m., music by Kevin Fagan, theHEAVYthin and other special guests.

        Please help spread the word — download the flyer on www.MediaWorkers.org

        and / or RSVP through our Facebook page, http://www.facebook.com/home.php?#/event.php?eid=211711294794&index=1

        The event is open to all California Media Workers Guild members — and guests are welcome!

        🙂 Sara

        journalism mixer, Jan 21, SF

        Hey folks. If anyone is interested, details below on an event sponsored by the Freelancers Guild. -mia _____________________________

        The Guild freelance unit is sponsoring an upcoming mixer with the Bay Area Association of Black Journalists and a few other journalists’ groups.

        Make it by!

        Thursday, January 21 5:30pm – 8pm Urban Tavern (urbantavernsf.com) 333 O’Farrell Street/SF 94102

        Our partners include: Bay Area Black Journalists Association (BABJA) Asian Journalists Association (AJA) Public Relations Society of America, Diversity Committee (PRSA) East Bay Press Club National Lesbian/Gay Journalists Association (NLGJA) California Chicano News Media Association (CCNMA)

        possible photo opportunity and poetry prize

        Hey folks. A couple posts courtesy of the Freelancer’s Guild. There has been some confusion in the past about this, so let me clarify: the Freelancer’s Guild is a separate organization (part of the CA Media Workers Guild) that has its own organizers, events, posts, etc. They are doing some great work for Bay Area freelancers, including trying to get a group health insurance policy, so if you haven’t already, check out their website and join up: http://guildfreelancers.org/gf/

        We are Freelance Cafe, a group that started out as a social network and has since turned into an information sharing listserv and community. All of the posts to Freelance Cafe are copied to the Freelancer’s Guild, and while we share a lot of information and resources, we remain two separate entities. If you have any questions about this, please contact me or Sara Steffens <modernsara@gmail.com>, the Freelancer’s Guild organizing guru.

        Hope all who attended had a great time at the holiday party, and happy holidays from the very COLD northeast! Best, Mia ___________________________

        Topic: Stock photo company?

        Is anyone familiar with Cavan Images? They have been posting on Craiglist looking for new contributors, and their Web site claims that their photographers regularly earn $500 – $1000 per day: http://www.cavanimages.com/blog/?page_id=931 * Here’s the latest Craigslist ad:*

        Who we are: Cavan Images is a wholly owned image library that buys and commissions work from talented photographers. Photographer’s can either submit images they have shot on their own or, with a proven track record, can be selected for commissioned projects.

        What we are looking for: – Assistants and those just breaking out. This is an excellent way to make money using your camera instead of pushing someone else’s lights around. – Professionals looking for a great way to help subsidize the costs of your travels and various personal projects.

        Benefits: – Photographer’s that are working with us have free access to the latest digital gear to help pull a shoot together. We currently have Canon 5D mark II kits, which include a 24-70mm 2.8 and a 70-200mm 2.8, plus plenty of flash cards. – Any imagery that we choose to add to our collection will be retouched by one of most highly respected retouching studios around. These retouched images will be returned to you for your own self-promotional and fine art needs. – As our company expands and our outreach grows we will continue to help market photographers working with us through our website and contacts in the photographic community.

        http://sfbay.craigslist.org/sfc/med/1503605375.html

        Topic: Kundiman Poetry Prize for Asian American writers

        Kundiman announces Poetry Prize The Kundiman Poetry Prize for Asian American writers New York- Kundiman, Inc. is pleased to announce the inauguration of the Kundiman Poetry Prize in partnership with Alice James Books.

        The prize is open to emerging and established Asian American poets. The award of $2,000, publication of the winning manuscript, and sponsorship of a reading make this a highly desirable prize. Submissions are accepted from November 15, 2009 to January 15, 2010. Guidelines for submission are available to http://www.kundiman.org/%5BCLB%5D_Brightside/1.Source/prize.html Alice James Books is a cooperative poetry press with a mission is to seek out and publish the best contemporary poetry by both established and beginning poets, with particular emphasis on involving poets in the publishing process. For more on Alice James Books, go to http://www.alicejamesbooks.org/ . Kundiman was founded in 2002 to provide opportunities for Asian American poets to perfect their skills through education and performance and to promote Asian American literature as a vital part of American letters. Its programs include a summer poetry retreat, held annually since 2004 and a reading series in New York City.

        Kundiman’s partnership with Alice James Books for The Kundiman Poetry Prize is made possible through the support of Fordham University. For more information on Kundiman, go to http://www.kundiman.org .

        CPA Workshop, Tuesday, Jan 12, 6:30pm, SF

        Hey folks. Back by popular demand, we’re holding our CPA workshop again this year. Details below. -mia

        Please Join us for a workshop with Jason Stallcup, CPA. Jason specializes in tax help for small businesses and freelancers. In fact, he’s known as the “freelance CPA”. Jason was a big hit last year, and has generously agreed to answer all our tax questions once again this year!

        What: A free talk presented by Jason Stallcup, CPA http://www.jasoncpa.com/

        When: Tuesday, January 12th 6:30PM

        Where: Sandbox Suites http://www.sandboxsuites.com/, 123 10th Street, San Francisco

        Hope to see you there for some great tax advice!

        FreelanceFolder is Looking For Designers

        Hey design folks. A blog I really like is looking for designers. Check out the following. And don’t forget about the holiday party at Bliss Bar, SF – tomorrow night at 7:30pm!

        Best, Mia

        __________________

        FreelanceFolder is Looking for Designers! http://freelancefolder.com/freelancefolder-is-looking-for-designers/

        Are you an avid FreelanceFolder reader who happens to be a graphic or web design fanatic? Do you spend more time using Photoshop or Illustrator than anything else, except maybe sketching in your Moleskine notebook? Do you happen to be looking for a new source of design work?

        If you answered yes to any of those questions — then now is your chance. The current owner of FreelanceFolder, Mason Hipp, and the original founder of FreelanceFolder, Jon Phillips, are teaming up to create a new design site called MediaLoot http://medialoot.com/ — and we need designers. Here’s what’s involved:

        – We need all sorts of resources: icons, buttons, brushes, vectors, etc… – You’ll get paid on a per-project basis for all of your work (no waiting) – You’ll get your name and a link on every resource that you contribute – We’ll be needing new designs regularly, so this could be a good ongoing relationship.

        If you’re interested in applying, you can find all of the requirements and instructions after the read more link.

        Job Requirements

        Okay, before you go and apply for the job, you’ll want to know what we’re looking for and what you’ll be getting yourself into. Here are the basic requirements:

        – *Lots of design experience.* The resources you’ll be designing will be used by other designers in their own work, so they have to be pretty darn good. We’re creating a sort of ‘design toolbox’ that will help make designers lives easier, and each of the resources you contribute will need to be very high quality and easy to use by others. If you’ve got this sort of skill (and the portfolio to back it up) then we’d love for you to apply. – *Resell rights.* We’re not sure what the exact licensing will look like, but we will need most of the rights for the designs you produce. These designs will be made available to others on a subscription basis, and they will be used commercially without attribution. We will definitely pay fairly for these rights, but please make sure you understand and are okay with this before applying. – *Consistency & professionalism.* We’re ideally looking to build long term relationships with designers, so the perfect applicants will be able to create designs regularly, work consistently, and act professionally. Most of this goes without saying, but it can’t hurt to put it in here 🙂

        How To Apply

        If you’re interested in applying, just send your application to jobs [at] medialoot [dot] com. In the subject line, put “Designer Application” and then in the body of your message include the following information:

        1. What kind of design do you specialize in? 2. Where can we find your portfolio or past designs? 3. Do you meet all of our above requirements? Why or why not? 4. What resources do you prefer to design: icons, web elements, textures, brushes, vectors, fonts, other? 5. Can you provide us with 2-3 sample projects, and how much you would charge? For example: icon set with 20 icons, cost $xxx. 6. Do you have any questions for us?

        Apply to for this design job →

        If you can’t tell already, we’re really excited about building and launching this project, so I hope you’ll consider applying. We’re really looking forward to reading all of these applications and I hope to speak with many of you personally in the near future.

        Annual Holiday Party – Tuesday, 12/15, 7:30pm, SF

        Hey folks. Just a reminder that the Freelance Cafe Annual Holiday Party is coming up on Tuesday. This is the third year for FC and it promises to be a great event. Hope you can make it! Details below. Best, Mia

        Tuesday, December 15, 7:30PM

        Bliss Bar 4026 24th Street San Francisco, CA 94114 US

        415-730-7380

        You are cordially invited to join your fellow freelancers for our annual holiday party in San Francisco. It’s always one of the highlights of the year for Freelance Cafe. This year it will be at Bliss Bar in Noe Valley. We’ve reserved the entire back area of the bar (note: the party is in the back of the bar, not the “blue room”). Bliss Bar is about a 6-block walk from the 24th-Mission BART station. There’s also a fairly large public parking lot on 24th between Church and Sanchez.

        Please come out and celebrate with us!

        SAJA offering $20,000 reporting grants

        Check it out. Deadline November 30. -mia _______________________

        One of SAJA’s most high-visibility, high-impact programs is the SAJA Reporting Fellowships, which help journalists do better stories on South Asia or the diaspora. This year we are once again giving out upto $20,000, thanks to the Mahadeva Family Foundation. Please let your journalist friends know. You DON’T have to be South Asian to enter – and your story can be set anywhere in the world.

        DETAILS FROM: http://bit.ly/sajasrf

        The SAJA Reporting Fellowships program is aimed at promoting a rare element in 24/7-news-cycle journalism — in-depth and follow-up reporting on major events relating to South Asia or South Asians, long after the breaking-news crews have moved on.

        Questions to Laura Griffin, SAJA Administrative Director: sajamember@gmail.com

        As part of their mission to encourage in-depth coverage of South Asia and the South Asian Diaspora, SAJA & SAJA Group Inc. are pleased to announce a call for submissions for its fifth Annual SAJA Reporting Fellowships (SRF). Open to freelancers and staff journalists in any medium, the fellowships are meant to encourage in-depth reporting projects by providing grants to cover a portion of reporting expenses.

        A total of up to $20,000 may be given out annually, divided among projects or a single project at SAJA’s discretion. Each fellowship award is typically between $3,000-$7,000.

        These Fellowships, launched in 2005 to ensure follow-up reportage about the 2004 tsunami and its victims, were initially funded by SAJA members, corporate donors and friends of SAJA. For the last three years, SRF received a major financial boost thanks to the support of the Mahadeva Family Foundation, which will make an annual contribution of $20,000.

        “The support of Kumar Mahadeva and Simi Ahuja, who have been part of the SAJA community for more than a decade, is critical to SAJA’s core mission of improving the coverage of South Asia through the SAJA Reporting Fellowships and similar programs,” said Sandeep Junnarkar, the group’s president and a professor at the CUNY Graduate School of Journalism. “This will continue to have a major impact on the kind of stories that the Fellows do and how Americans learn about what’s going on in South Asia today.”

        The fellowship is open to proposals on any in-depth topics covering South Asia or the South Asian Diaspora.

        Again, the application deadline is Monday, Nov. 30, 2009, 11:59 p.m. Eastern Time.

        To be eligible for this year’s fellowship, applicants must:

        / Have at least five years of journalism experience. / Produce content in the English language. / Be able to publish or broadcast the finished work in North America (U.S. and Canada). / Publish the work in a U.S. or Canadian media outlet. / Be willing to work with an editor, chosen by SAJA, who will oversee the successful completion of the project. / Be available to discuss the project at SAJA events, including but not limited to the annual SAJA convention and/or panel discussions and SAJA webcasts.

        In addition, the news organization(s) that publish(es) or air(s) the finished work(s) must agree to provide a prominent credit to SAJA.

        Proposals must include the following: / Project Proposal which describes the thesis of the project and explains why it’s an important story. What is the news hook? Why should a news outlet publish, broadcast or post this story? / A preliminary list of people to be interviewed. / A DETAILED budget that spells out what expenses the fellowship funding will cover and how the rest of the project will be funded. / A realistic timeline that shows SAJA’s deadlines (see below) will be met. / A resume and three work samples. We’re looking for applicants with a successful track record in producing print, broadcast, radio, photographic or multimedia pieces. The applicant must provide the work samples either as URLs, attachments, or by cutting and pasting to the application. Broadcast applicants can also provide digital samples. / Support letter(s). If the applicant is an employee of a U.S. or Canadian media outlet, a letter of support from the editor/employer/supervisor. The letter must show that the applicant’s employer will give the applicant the time to report, produce and complete the work to meet our deadlines, as well as allot time for the fellow to speak about the project at SAJA events. The letter must show the company’s willingness to share publication rights with SAJA after an initial, exclusive first-run period is over. The letter MUST also contain contact information for the employer. If the applicant is a freelancer, the proposal must include a letter from a U.S. or Canadian media outlet expressing support and a strong interest in running the piece. Even a South Asia-based freelancer must include a letter from a U.S. or Canadian media outlet expressing support and a strong interest in running the piece. An employee of a South Asia-based media company must include a letter from a U.S. or Canadian media outlet expressing support and a strong interest in running the piece. / A list of at least three references. INCOMPLETE APPLICATIONS WILL NOT BE CONSIDERED.

        ***Please read the Frequently Asked Questions (FAQ) on SAJA’s Web site, http://www.saja.org/programs/fellowships before emailing questions.***

        Timeline for the Fellowships is as follows: Oct. 26, 2009: Applications process opens. Nov. 30, 2009: Application deadline. Jan. 10, 2010: SAJA fellows announced. Between Jan. 10 – April 15, 2010: Reporting completed. May 15, 2010: Finished project submitted to SAJA.

        May 15-29, 2010: First-use period, for exclusive publication by the fellow’s employer, or if a freelancer, by the media company with whom the freelancer is contracted.

        May 30, 2010: SAJA disseminates the work widely, through the web, other media and panel discussions.

        Judging: The pool of applicants will be narrowed down to approximately five finalists. A panel of judges will review the finalists, and rank the projects from first to last. The SAJA board will make the final determinations on what amount of money will be awarded. Finalists will be notified and expected to be available for interviews with the judges if necessary.

        Disclaimer: 1. All decisions are final and subject to the discretion and judgment of the judges and the SAJA board. 2. SAJA board members and members of their families are not eligible to apply. 3. SAJA is not responsible for any financial or legal liabilities (or any other liabilities) that arise from the actions of the fellow(s). 4. SAJA reserves the right to amend or extend deadlines or changing other procedures relating to the fellowship program.

        HOW TO SUBMIT A PROPOSAL: After reading this page carefully, fill in this online form: http://www.formsite.com/columbiaspj/form605725715/

        Deadline is Nov. 30, 2009, at 11:59 pm Eastern Time.

        Questions to Laura Griffin, SAJA Administrative Director: sajamember@gmail.com. Before sending questions, please review the Frequently Asked Questions at www.saja.org/programs/fellowships by clicking on SRF FAQs.

        Roy Peter Clark, writing coach extraordinaire, in a rare NYC appearance

        For any of you NYC folks who might be interested. (Let me know if these posts are still interesting/relevant/etc.) -mia __________________________

        Short notice, folks, but if you have ANY interest in ANY kind of writing (and are in NYC), try and stop by this free, public event. He’s amazing (he’s been on “Oprah,” among a million other places). No RSVP required.

        “Writing Tools” with the Poynter Institute’s ROY PETER CLARK

        7-9 p.m. Lecture Hall, Third Floor, Columbia Journalism School, 116th & Broadway

        ROY PETER CLARK has taught writing at every level — to school children and Pulitzer Prize-winning authors — for more than 30 years, and has spoken about the writer’s craft on “The Oprah Winfrey Show,” National Public Radio and “Today”; at conferences from Singapore to Brazil; and at news organizations from The New York Times to the Sowetan in South Africa. He is the author of “Writing Tools: 50 Essential Strategies for Every Writer,” the book and the blog. In addition to teaching us tricks of the trade, he has also promised to give a small musical performance. THIS EVENT IS OPEN TO THE PUBLIC. FOR MORE INFORMATION: csk2112@columbia.edu.

        LEARN ABOUT COLUMBIA J-SCHOOL EVENTS IN ADVANCE: http://bit.ly/columbialectures

        Nov 10th – Winter DIY Workshop Series

        Seems like an informative and fun event. Check it out! -Mia _____________________________

        Click to view this email in a browser *JOIN US!*

        [image: indy-arts-logo-medium.jpg] The 2009 Winter DIY Workshop Series continues with…

        *Get Your Sh*t Together!*

        *A Hands-On Action Accelerator for Artists * *When* Tuesday, Nov 10th – 6-8pm *Where*

        IndyArts’ New Office

        222 Sutter Street, Suite 600 Sutter @ Kearny, San Francisco

        Google Map

        *Click here to RSVP *

        *SPACE IS LIMITED to 20 Participants * http://cts.vresp.com/c/?1254Missi/30fcd7b947/ac7a582847/18a8bb0ad3

        About this Workshop:

        What are your *NEXT STEPS*?

        Build a bridge between your inspiring ideas and daily life, finances, and career. Audette Sophia of CatalystArts will present tools and resources that can harness all that messy, fabulous potential and creativity, and help your ideas find their way to action.

        Topics Included in this Workshop:

        – *Clarifying & Prioritizing Goals* – *Time & Project Management* – *Creating Dynamic Action Plans. *

        Join usfor hands-on instruction on how to build a Customized Action Blueprint that you can start to implement as soon as you get home! *About our Presenter:*

        *Audette Sophia* is a writer, multi-disciplinary performer and creative career [image: audette.jpg]consultant. She has a B.A. in Integrative Arts from Prescott College and is a certified coach from the Life Purpose Institute. She has over 11 years professional arts background including founding and directing two performance troupes, publishing an interactive poetry book, and teaching many expressive arts classes and workshops.

        http://www.catalystarts.com/

        About the Winter 2009 DIY Workshops:

        This winter, Indy Arts’ DIY SURVIVAL SERIES will present workshops and social gatherings targeted to the grassroots arts community — organizations and individuals alike — with the goal of strengthening community, building capacity, and letting off some steam! As always, No One Turned Away for Lack of Funds! Forward this message to a friend| www.artsandmedia.net

        J fellowships, prize contests from Columbia J-school Continuing Education program

        Hey folks. A few prizes and continuing ed programs out of Columbia. As far as I can tell, you don’t need to be associated with Columbia to win/participate. Good luck! -Mia ______________________

        1. When Veterans Come Home: A Workshop for Working Journalists

        The Columbia Graduate School of Journalism is collaborating with the Dart Center on Journalism and Trauma and the Carter Center Mental Health Program to offer a workshop on “When Veterans Come Home: A Workshop for Working Journalists” on Jan. 7-9, 2010 at the Carter Center in Atlanta, Ga. The workshop will address the special challenges facing local and regional news organizations seeking to improve their coverage of critical issues facing returning veterans, with a special emphasis on journalists in communities with high concentrations of veterans or military families. Former First Lady Rosalynn Carter will be the opening speaker.

        The workshop is underwritten by generous grants from the McCormick Foundation and the Carter Center Mental Health Program. All selected participants will receive a full scholarship to cover travel, hotel and workshop registration and materials.

        Application Deadline: November 20, 2009

        Application Information: http://dartcenter.org/content/workshop-when-veterans-return

        o o o o o

        2. Want to Get Smarter About Your Work? Become a Punch Sulzberger News Media Executive Leadership Fellow

        The Columbia School of Journalism is seeking applicants from news organization leaders for the Punch Sulzberger News Media Executive Leadership Program fourth year, which starts January 25, 2010. (See http://www.sulzbergerleadership.com)

        This program springs from a simple observation: Leaders in the news business grow as they themselves tackle their companies’ most critical business challenges. The program is offered to 20 high-ranking executives over a 12-month period. During that time, the participants learn to use strategy, innovation, and other critical approaches to undertake challenges confronting their companies. We spread classes over four sessions of 3-5 days at the Columbia campus. The program is augmented with peer learning, business advisors, specific assignments, and tailored content – all designed to achieve a project or workplace challenge that participants bring to the program. For more information, contact Associate Dean Arlene Morgan at am494@Columbia.edu or at 212-854-5377. She can put you in touch with editors from the Providence Journal, the Christian Science Monitor, ABC, the Associated Press as well as some start-up digital media leaders who have completed this unique leadership initiative. Application deadline is Nov. 20.

        o o o o o

        3. Seeking Entries for John H. Oakes Award for Environmental Reporting

        The deadline for entries for the John H. Oakes Award has been extended to Nov. 20, 2009 and now includes original stand-alone online work and websites that accompany newsprint projects. The winner receives a $5,000 prize and trip to New York’s Columbia Graduate School of Journalism to appear on a panel on environmental reporting issues. The story can be a single topic or series, published between October 1, 2008 and September 30, 2009. A series must be designated as such by the publication when it is printed. A regular column may also be submitted as a series. An entry form and additional information are located at the Columbia Journalism School website at www.journalism.columbia.edu under Oakes Award. For more information, contact Lisa Redd, program director, at lsr21@Columbia.edu or 212-854-6468.

        FreelanceFolder is Looking For Writers

        Hey folks. I’ve been reading this blog for awhile and it definitely speaks to me. Perhaps there’s some work in it for some of you writers? -Mia ______________________________

        FreelanceFolder is Looking For Writers! via FreelanceFolder http://freelancefolder.com by Mason Hipp on 10/29/09

        Are you an avid FreelanceFolder reader or someone who has always wanted to write for an audience of freelancers? Are you a top professional in your field with unique skills and the ability to write? Have you been freelancing for so long that you just have plenty of wisdom to share?

        If any of that describes you, or if you just want to write for FreelanceFolder — then now is your chance. We are looking to expand our core FreelanceFolder team, and we are ready to hire two new paid writers on a long-term basis. Here’s what’s in it for you:

        – Payment for every article written. – Exposure to an audience of over 20k subscribers. – Author by-line and photo on everything you write. – Become a part of our team and help a lot of freelancers.

        If you’re interested in applying to write for us, you can find all of the requirements and instructions after the read more link. Job Requirements

        So you’ve decided that you want to write for FreelanceFolder — that’s awesome.

        Before you send us an application, though, make sure to check out the requirements below to see if you’re a good fit for the job. Here’s what we’re looking for in our new writers:

        – *Excellent Spelling & Grammar.* We do edit all of the posts that get published, but you need to have really great spelling and grammar so that it’s not too difficult for our editors. – *Long-Term Commitment.* Some of our writers have been with us for over a year — and that’s how we like it. This could be a very stable income for you if the fit is right, so make sure you can write at least 4 articles per month and are committed to helping out over the long-term. – *Practical & Valuable Writing.* We want to provide the best possible content for freelancers, so we’re looking for authors who are comfortable writing practical, hands-on, concrete stuff. We’re looking for tutorials, how-tos, and other *really useful* articles. – *Basic HTML and Image Editing Skill.* Most of the posts you’ll be writing will require some basic HTML (like headlines, lists, etc…) and basic image editing skills. It will be really helpful if you have these already, though we can teach them pretty easily. – *Unique Ideas and Information.* A big part of having great content is coming up with great ideas for articles or content that aren’t written about everywhere. We’re looking for authors who can think ahead of the crowd and write articles that are new, unique, and exclusive to FreelanceFolder.

        How To Apply

        If you’re interested in applying, just send us a message using this contact form http://freelancefolder.com/contact/. In the subject line, put “Writer Application” and then in the body of your message include the following information:

        1. Why do you want to write for FreelanceFolder? 2. Where can we see examples of your previous work? 3. Do you meet all of our above requirements? Why or why not? 4. How much do you charge for an 800-1200 word article with lots of usable information and detail? 5. Can you write How-Tos and Tutorials? 6. Do you have a specific topic or specialty you’d like to write about? 7. Any questions for us?

        Apply to be a FreelanceFolder writer → http://freelancefolder.com/contact/

        We’re all looking forward to expanding our team, and I’m really excited to start working with some of you. Please feel free to contact us with any questions, and we will definitely be in touch shortly!

        FreelanceFolder is Looking For Writers!

        Sent to you by Mia Lobel via Google Reader: FreelanceFolder is Looking For Writers! via FreelanceFolder by Mason Hipp on 10/29/09

        Are you an avid FreelanceFolder reader or someone who has always wanted to write for an audience of freelancers? Are you a top professional in your field with unique skills and the ability to write? Have you been freelancing for so long that you just have plenty of wisdom to share?

        If any of that describes you, or if you just want to write for FreelanceFolder — then now is your chance. We are looking to expand our core FreelanceFolder team, and we are ready to hire two new paid writers on a long-term basis. Here’s what’s in it for you:

        – Payment for every article written. – Exposure to an audience of over 20k subscribers. – Author by-line and photo on everything you write. – Become a part of our team and help a lot of freelancers. If you’re interested in applying to write for us, you can find all of the requirements and instructions after the read more link. Job Requirements So you’ve decided that you want to write for FreelanceFolder — that’s awesome.

        Before you send us an application, though, make sure to check out the requirements below to see if you’re a good fit for the job. Here’s what we’re looking for in our new writers:

        – Excellent Spelling & Grammar. We do edit all of the posts that get published, but you need to have really great spelling and grammar so that it’s not too difficult for our editors. – Long-Term Commitment. Some of our writers have been with us for over a year — and that’s how we like it. This could be a very stable income for you if the fit is right, so make sure you can write at least 4 articles per month and are committed to helping out over the long-term. – Practical & Valuable Writing. We want to provide the best possible content for freelancers, so we’re looking for authors who are comfortable writing practical, hands-on, concrete stuff. We’re looking for tutorials, how-tos, and other really useful articles. – Basic HTML and Image Editing Skill. Most of the posts you’ll be writing will require some basic HTML (like headlines, lists, etc…) and basic image editing skills. It will be really helpful if you have these already, though we can teach them pretty easily. – Unique Ideas and Information. A big part of having great content is coming up with great ideas for articles or content that aren’t written about everywhere. We’re looking for authors who can think ahead of the crowd and write articles that are new, unique, and exclusive to FreelanceFolder.How To Apply If you’re interested in applying, just send us a message using this contact form. In the subject line, put “Writer Application” and then in the body of your message include the following information:

        – Why do you want to write for FreelanceFolder? – Where can we see examples of your previous work? – Do you meet all of our above requirements? Why or why not? – How much do you charge for an 800-1200 word article with lots of usable information and detail? – Can you write How-Tos and Tutorials? – Do you have a specific topic or specialty you’d like to write about? – Any questions for us? Apply to be a FreelanceFolder writer →

        We’re all looking forward to expanding our team, and I’m really excited to start working with some of you. Please feel free to contact us with any questions, and we will definitely be in touch shortly!

        Thanks for subscribing to our RSS Feed! 🙂

        You can subscribe to the Freelance Folder blog posts feed or to the (recently added) Freelance Community News Feed

        Things you can do from here: – Subscribe to FreelanceFolder using Google Reader – Get started using Google Reader to easily keep up with all your favorite sites

        FreelanceFolder is Looking For Writers!

        Sent to you by Mia Lobel via Google Reader: FreelanceFolder is Looking For Writers! via FreelanceFolder by Mason Hipp on 10/29/09

        Are you an avid FreelanceFolder reader or someone who has always wanted to write for an audience of freelancers? Are you a top professional in your field with unique skills and the ability to write? Have you been freelancing for so long that you just have plenty of wisdom to share?

        If any of that describes you, or if you just want to write for FreelanceFolder — then now is your chance. We are looking to expand our core FreelanceFolder team, and we are ready to hire two new paid writers on a long-term basis. Here’s what’s in it for you:

        – Payment for every article written. – Exposure to an audience of over 20k subscribers. – Author by-line and photo on everything you write. – Become a part of our team and help a lot of freelancers. If you’re interested in applying to write for us, you can find all of the requirements and instructions after the read more link. Job Requirements So you’ve decided that you want to write for FreelanceFolder — that’s awesome.

        Before you send us an application, though, make sure to check out the requirements below to see if you’re a good fit for the job. Here’s what we’re looking for in our new writers:

        – Excellent Spelling & Grammar. We do edit all of the posts that get published, but you need to have really great spelling and grammar so that it’s not too difficult for our editors. – Long-Term Commitment. Some of our writers have been with us for over a year — and that’s how we like it. This could be a very stable income for you if the fit is right, so make sure you can write at least 4 articles per month and are committed to helping out over the long-term. – Practical & Valuable Writing. We want to provide the best possible content for freelancers, so we’re looking for authors who are comfortable writing practical, hands-on, concrete stuff. We’re looking for tutorials, how-tos, and other really useful articles. – Basic HTML and Image Editing Skill. Most of the posts you’ll be writing will require some basic HTML (like headlines, lists, etc…) and basic image editing skills. It will be really helpful if you have these already, though we can teach them pretty easily. – Unique Ideas and Information. A big part of having great content is coming up with great ideas for articles or content that aren’t written about everywhere. We’re looking for authors who can think ahead of the crowd and write articles that are new, unique, and exclusive to FreelanceFolder.How To Apply If you’re interested in applying, just send us a message using this contact form. In the subject line, put “Writer Application” and then in the body of your message include the following information:

        – Why do you want to write for FreelanceFolder? – Where can we see examples of your previous work? – Do you meet all of our above requirements? Why or why not? – How much do you charge for an 800-1200 word article with lots of usable information and detail? – Can you write How-Tos and Tutorials? – Do you have a specific topic or specialty you’d like to write about? – Any questions for us? Apply to be a FreelanceFolder writer →

        We’re all looking forward to expanding our team, and I’m really excited to start working with some of you. Please feel free to contact us with any questions, and we will definitely be in touch shortly!

        Thanks for subscribing to our RSS Feed! 🙂

        You can subscribe to the Freelance Folder blog posts feed or to the (recently added) Freelance Community News Feed

        Things you can do from here: – Subscribe to FreelanceFolder using Google Reader – Get started using Google Reader to easily keep up with all your favorite sites

        Kitchen Sisters Call for Stories and a Contest

        Hey folks. The Kitchen Sisters are starting a new multimedia project and are looking for ideas. Info below! -Mia

        The Kitchen Sisters are looking for stories and images and videos and writings.

        We’re launching a new multimedia series on NPR this January, a listener collaboration in the tradition of Hidden Kitchens, Lost & Found Sound, and The Sonic Memorial Project. This one’s about girls. Girls and the women they become. Stories of coming of age, rituals and rites of passage, secret identities. Of women who crossed a line, broke a trail, changed the tide.

        Small everyday stories, dramatic life and death stories. Stories from the middle of the city, to the middle of nowhere.

        What women should we know about? What girl’s story should we tell? The famous, the infamous, the unknown, the untold. Women with public lives. Women with secret lives.

        Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at kitchen@kitchensisters.org

        And here’s The Contest. We want you to help us name this new NPR series. We’ve called it The Secret Life of Girls Around the World, The Scheherazade Project, 1001 Stories, all names we like but can’t go with for one reason or another. So, we turn to you to join our brainstorming sessions. You can call or email us with your suggestions. Whoever picks the title will be featured on our website, get the full line of Kitchen Sisters products and productions, a wild boar dinner with forager, Angelo Garro, and the deep satisfaction of hearing the title you came up with on NPR throughout the year.

        This soon-to-be-titled project will be full of richly layered sound and striking images, created by people around the world who help capture these stories of eccentric, trailblazing women and ground-breaking girls.

        Join The Kitchen Sisterhood and help launch this new multimedia collaboration.

        Many thanks,

        Davia & Nikki

        KALW’s Your Call Producer Job Announcement

        Hey folks. KALW is hiring. They’re doing some great work. Info below. -Mia

        KALW is seeking a new producer for Your Call. The job announcement is attached, and it’s also posted at http://www.kalw.org/yourcallproducer.html

        The application deadline is Wednesday, November 11th, so please take a look today and forward it to your lists or any specific person you think might be interested. And of course, if you think you’d be strong addition to the Your Call team, I welcome your application.

        Thanks,

        Matt

        Matt Martin

        General Manager

        91.7 KALW-FM, San Francisco

        (415) 841-4121 x3003

        matt@kalw.org

        Think globally, listen locally.

        doc iconYour Call producer announcement 10 09 long.doc

        Freelance Cafe Happy Hour THIS THURSDAY, 7pm

        Hey folks. Next happy hour is coming up this week! Also, keep an eye out for info on the annual Freelancer’s holiday party. These have been a big hit in the past – stay tuned! Best, Mia

        Please Join Us for our Monthly Happy Hour at Pacific Coast Brewery in Oakland (906 Washington Street) this Thursday, October 29th at 7PM. If you have any questions or trouble finding us please contact Rori rori@freelancecafe.org or 415-730-7380. Thanks!

        NEH upcoming application deadlines

        Good information to have on file. -Mia

        The Division of Public Programs at the U.S. National Endowment for the Humanities funds radio, television, and digital projects in the humanities that are intended for public audiences.

        New application guidelines are now posted on the NEH Web site (www.neh.gov) for America’s Media Makers: Development and Production grants. The next two deadlines are January 13, 2010, and August 18, 2010.

        Program officers in the Division of Public Programs are available to assist you, whether it is to discuss project ideas or to read a draft proposal. Please call the NEH Division of Public Programs (202-606-8269) or contact a program officer directly. Below are the names and contact information for the Division’s program officers:

        Barbara Bays, 202-606-8290, bbays@neh.gov Bonnie Gould, 202-606-8307, bgould@neh.gov Jeff Hardwick, 202-606-8287, jhardwick@neh.gov Clay Lewis, 202-606-8288, clewis@neh.gov David Martz, 202-606-8297, dmartz@neh.gov John Meredith, 202-606-8218, jmeredith@neh.gov Karen Mittelman, 202-606-8631, kmittelman@neh.gov Kathleen Mulvaney, 202-606-8270, kmulvaney@neh.gov Danielle Shapiro, 202-606-8241, dshapiro@neh.gov Michael Shirley, 202-606-8293, mshirley@neh.gov David Weinstein, 202-606-8308, dweinstein@neh.gov

        Thank you.

        Oaklandlocal.com call for bloggers, writers, and multimedia producers

        Hey folks. Oaklandlocal.com, a new project run by some of FC’s members, went live yesterday and they’re looking for content. See the details below (and attached writer guidelines). Seems like a great opportunity! Best, Mia

        *Journalists, bloggers and multimedia producers wanted* *

        *

        Oaklandlocal.com, Oakland’s new hyperlocal news site and community portal is looking for story pitches. We’re a progressive grassroots media outlet that offers a platform for community dialogue while framing and contextualizing important but often overlooked stories in Oakland.

        Our site is broken down into 5 main topic areas: Environment, Development, Food Justice, Identity and Arts & Education. Stories should fit one of these categories and pitches should clearly detail which topic your piece will fall under.

        We currently have content partnerships with several local organization including the Center for Investigative Reporting ,New American Media http://news.newamericamedia.org/news/ /Youth Outlook , Youth Radio http://www.youthradio.org/and Youth Uprising. We’re looking for freelancers to round out our content.

        *Bloggers:*

        If you are a blogger who lives or works in Oakland and/or writes about Oakland topics and would like to blog for us, or have us cross-post your current blog, we’d love to talk to you.

        We’re a new site but we’ve already received loads of attention and a blogging arrangement could definitely help promote you and your writing. We also have ad trades available.

        *PLEASE NOTE:* We do not offer payment for blog posts

        *Journalists, reporters, and multimedia producers:*

        Oakland Local runs beat reporting, investigative reports, features and story packages on issues important to Oakland and items that catch our interest. We run original writing, photography, web video and multimedia.

        Pitches should provide an overview of your story, your story angle, a couple of ideas for interviews, a time line for completion and a couple of samples of previous work.

        *Payment*

        Yes we do pay! In most cases Oakland Local pays for original stories; our fees, while small, are sadly, competitive with the rest of the industry. We are a brand new news and community nonprofit, right now our rates reflect that, but we do go for great ideas.

        But don’t let funds stand in the way of pitching us (unless you’re looking for big, big bucks). We are partnering with other orgs to raise money for larger, more involved stories. So if you’ve got a great idea let’s talk about it.

        Food and Development pitches go to Susan Mernit susan at oaklandlocal.com

        Environment can be directed to Amy Gahran amy at oaklandlocal.com

        Identity and Arts pieces can go toKwan Booth kwan at oaklandlocal.com

        Guidelines are attached, you can read more on our site at http://oaklandlocal.com/content/submission-guidelines and you can also Dowload the full editorial guidelines

        Please take a look around the site to familiarize yourself with our content before pitching. It’s also a good idea to check out the work on some of our content partner sites to get a feel for the kinds of stories we’re looking for.

        Thanks, and we’re looking forward to hearing from you!

        The Oakland Local Team

        pdf iconwritersguidelines.pdf

        a question for print freelancers

        Hey folks. This is from a colleague of mine in Philly. If any of you print folks have a minute to drop her a line, I would really appreciate it! Thx, Mia

        ++++++++++++++++++

        Hello print freelancers!

        I have a favor to ask–I am a student in a master’s program at the J School at Temple University and am currently taking my Comm Law requirement. For one of my assignments I am reviewing and analyzing a freelance copyright case from 2001 (New York Times v. Tasini). I am looking to talk to someone who has an opinion about the impact of the Court’s decision–whether good or bad–and has been affected by the decision.

        In short, believe it or not, Wikipedia sums the decision up pretty well: ” New York Times Co. v. Tasini , is a leading decision by the United States Supreme Court on the issue of copyright in the contents of a newspaper database. It held that The New York Times , in licensing back issues of the newspaper for inclusion in electronic databases such as LexisNexis, could not license the works of free-lance journalists contained in the newspapers.”

        I’d be happy to talk to someone by e-mail or phone. My assignment is due next week, so if you’re interested, please contact me by next Tuesday, October 27, at the latest.

        Thank you!

        Tori Indivero
        tori.indivero@gmail.com
        610.316.0745

        East Bay Bloggers Camp Oct. 23-24

        Looks like a great workshop, and it’s totally affordable. -Mia

        ++++++++++++++++++++++++

        The Knight Digital Media Center at UC Berkeley is collaborating with the Public Media Collaborative in sponsoring a two-day digital media workshop. The KDMC will lead three hands-on training sessions during the East Bay BEAST Bloggers Camp 2 that will be held Oct 23-24, at Techliminal http://techliminal.com/ technology salon in downtown Oakland.

        The workshops will offer training on social media, multimedia and technology tools for new and experienced bloggers. Staff trainers with the KDMC will provide skills training on Search Engine Optimization (SEO), Soundslides and Google tools on Saturday, Oct. 24.

        For more information, click on the following link http://bit.ly/1LkHJ4.

        We hope to see you there!

        Kitchen Sisters workshops October 29 and November 5, SF

        My favorite lady of radio is hosting another training workshop. If radio is your thing you don’t want to miss it. -Mia

        +++++++++++++++++++++

        Davia Nelson of The Kitchen Sisters is conducting two basic recording and interviewing workshops in San Francisco. Thursday, October 29 and Thursday, November 5 from 10:00 AM to 1:00 PM. The three hour workshop is for people who want to acquire and hone their skills for an array of projects–radio, online storytelling, oral histories, audio slide shows, family histories, and other multimedia endeavors.
        We will cover miking techniques, sound gathering, use of archival audio, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to listen (which is harder than it looks), how to use interviews in conjunction with images, field recording techniques, recording equipment and more. The workshops are customized to fit the projects you are working on.
        People who attend come from radio, newspapers, photography, oral history, historical societies, farms, music, writing, libraries, web design and beyond. The groups are always lively and good contacts are made.
        The fee is $115. Of course, there will be a snack. The workshops are held in Francis Coppola’s historic Zoetrope building in North Beach.

        If you, or someone you know is interested, email kitchen@kitchensisters.org and let us know which of the two workshops you would like to attend.

        See you there,

        The Kitchen Sisters

        Multimedia Producer / Storyteller NEEDED!

        One of our own is hiring for his new show. Check it out. -Mia

        +++++++++++++++++++

        Snap Judgment is hiring, please spread the word . . .

        Snap Judgment is a brand new, smoking hot, nationally-aired radio / television show funded by the Corporation for Public Broadcasting. Join us for the launch of a bold new style of storytelling.

        Hosted by Glynn Washington, winner of the Public Radio Talent Quest, the show is a multi-platform experience that interacts with audiences through radio, TV, internet, and the upcoming Snap Judgment Stageshow. Snap Judgment’s edgy, intimate, hip storytelling redefines expectations for public media.

        The show sits on the razor’s edge of culture, race, gender, and sexuality. Snap Judgment has an urban sensibility, routinely crossing cultures in the blink of an eye. Applicants must be comfortable in dealing with people from a variety of backgrounds that may not have traditionally had voice on public media. Announcement

        Job Description

        1) Quite simply, we are looking for an amazing someone. The skills required for the undertaking are vast, and this is only a short list. (This is a full time position based in Oakland, California.)

        2) Most importantly, be able to work with host Glynn Washington and the Snap Judgment crew to create compelling storytelling across a variety of media – radio, video, theater. . .

        3) Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

        4) Of equal importance is technical proficiency across a spectrum of media including audio, video, and possibly theater. Creative and musical use of sound is extremely important, as every single episode of the radio program is constructed with the care of a music album.

        5) Project management skills an absolute must. Must be able to effortlessly juggle many conflicting duties with rigorous deadlines.

        6) Interview both regular people and irregular artists and construct their stories into compelling narratives.

        7) Manage web strategy, including copy editing, Facebook / Twitter updating, podcast creation, newsletter creation, etc.

        8) Proactively get / create / rob / write / interview compelling stories.

        9) Grunt work. Absolutely anything and everything that needs to get done.

        Qualifications

      • Rigorous Storytelling Background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children’s show, audio artist, speechwriter, novelist, animator, theater producer, newspaper reporter, fiction editor, etc . . .
      • Used to working in a Mac environment. Familiarity with Logic, Final Cut Pro, ProTools, Soundtrack Pro, etc. You need to be able to build broadcast-quality stories.
      • No Drama. Proven ability to work well in a collaborative team environment as well as independently. Absolutely NO DRAMA.
      • Resourceful. Used to making the magic happen routinely on an absolute shoestring. We are looking for the “MacGyver” of radio / filmmaking.

        To Apply

        Before applying, please go to SnapJudgment.org and listen to the full hour long episode, “Magic Doors”.

        Also, please see the short short Snap Judgment film, “Nobody’s Punk” at:
        http://www.youtube.com/watch?v=7gAlQRgF8wI

        Please send a cover letter, resume, salary requirements, and links to 2 – 3 projects for which you had primary responsibility to Jobs@SnapJudgmentRadio.org. E-mail ONLY please!

        The deadline for applications is 11 / 13 / 2009. Women and minorities strongly encouraged to apply.

        Peace and soul! We can’t WAIT to hear from you . . .

      • self-employment disability insurance

        There are only two things I miss about working in a regular office job (besides regular interaction with the rest of the working world, of course).

        1) IT – Tech Support. I can’t even count the number of hours I’ve spent tearing my hair out over some computer problem that an IT department could fix in minutes. Or how many hours I’ve spent on the phone with obnoxious “help” desks that are horribly misnamed. My own personal IT department is number one on my freelance wish list.

        2) HR. Granted, HR departments can be a big pain in the ass, but generally, they help you get paid, on time, and work out all those little details like taxes, benefits, vacation time, and personal/medical leave. I had a baby last May, and I just assumed that because I work for myself, I wasn’t entitled to any kind of maternity or other medical benefits, even though I pay hefty self-employment taxes. Turns out freelancers do qualify for maternity benefits under the Paid Family Leave program (part of State Disability). Only hitch is that you have to pay for related but separate California’s Disability Insurance Elective Coverage. (Essentially, you pay in a certain percentage based on what you make, and if you go on leave, you get back a certain percentage of what you would be making if you were working. The rates are pretty reasonable and the benefit certainly seems worth it.)

        I have no idea how I was supposed to know this. It’s not like I could sit down and have a meeting with myself about the benefits available to me as a freelancer. I suppose when I became self-employed I should have done more research about what was available to me and what wasn’t. But mostly I was just trying to get PAID (and keep my equipment running.)

        Now I know. And hopefully someone else can benefit from my lack of foresight.

        http://www.edd.ca.gov/Disability/Self-Employed.htm

        how may I help you?

        I’m trying to figure out how this site can best serve freelancers. My original idea was to create a go-to place for people looking for freelancers in various fields. They could come to the site, scroll through the links on the right, find the freelancer that best meets their needs, and contact the freelancer directly.

        The other option is to make this site an overall resource for freelancers – using the lists on the right to link to resources for each field – how to sites, pitching and pricing guidelines, funding and awards opportunities, legal advice, inspiration, etc.

        mediabistro.com and others are already doing this, though you definitely have to do a bit of searching to find the information you’re looking for. I would like this site to be more straightforward.

        Ultimately, I would love to include both links to freelancers and links for freelancers, but I fear that would be too much information for one page.

        Thoughts?

        CPA workshop

        We had our first official workshop Tuesday night – a tax presentation and Q & A with freelance CPA Jason Stallcup. It wasn’t a huge crowd – about 15 people – but I have to say I’m thrilled with how it went. Jason did a fantastic job of presenting tax information in an interesting, informative, and accessible way. The workshop attendees were totally engaged, asking lots of questions. And the location – Sandbox Suites (owned and run by another freelancer on the list) was perfect. But most importantly it was an example of the Freelance Cafe group working. It was a presentation for freelancers, by a freelancer, hosted at a co-working space owned by a freelancer. Love it. I hope this will be the first of many events like this one.

        And if you need help with your taxes – call Jason!

        Jason Stallcup, CPA
        415-215-0639.
        jason@jasoncpa.com

        Also, if you’re looking for a workspace, check these guys out.

        Sandbox Suites

        123 10th Street, SF
        info@sandboxsuites.com
        p: 415-659-8197

        new website

        For those of you who saw the old freelancecafe.org website, you’ll understand why I made this change. I know there are better options than a blogger blog for a website, but this is what I know and I’m sticking with it for now. If anyone feels like kicking down about $10k for a real website, let me know.

        In the meantime, I’m hoping to make this site as useful for freelance folks as I can, so feel free to send me links to useful resource sites or your own websites/blogs and I’ll add it this site.

        new year, new life for Freelance Cafe

        It’s been a long time since I’ve posted to this blog and a lot has changed. Most importantly, Freelance Cafe is thriving on Facebook and the email list has grown to more than 150 members. We recently merged with a journalism MeetUp group in San Francisco, and the gatherings are getting bigger by the month. (We had at least 30 people at our holiday party, mostly thanks to the amazing friends-seeing-other-friends-attending-an-event phenomenon of Facebook.)

        We have our first official workshop coming up on Feb. 10 – a tax seminar. And we have other workshops/events in the works. This is exciting! Clearly there are others out there who are as eager as I am to connect with other freelancers. And I will continue to do my best to make that happen.

        For now, the blog is back. Stay tuned.

        Freelance Cafe Happy Hour

        I was inspired by my friend Robin who created a monthly happy hour for folks who work in the environmental field. I’ve been to his Green Drinks gathering a couple times and it’s impressive – 100 people or more. They now have monthly sponsors. Such a great idea.

        So I’ve been asking around about doing a similar thing for freelancers, and it seems that there is some interest. I thought Pacific Coast Brewing Company would be a good spot, and I’ve set the first one for 5/31. The Freelance Cafe Final Thursday gathering for lonely independents like myself. A step in the right direction. Pass it on.

        Chicago Manual Online – group rates

        Another resource to offer members – group discounts for the Chicago Manual of Style online. I’m sure there are similar sites/discounts for AP and other style guides.

        Small user-group prices:

        2–5 users $25.00 per user if the group subscribes by September 30, 2007
        6–10 users 10% discount – $22.50 per user if the group subscribes by September 30, 2007
        11–15 users 15% discount – $21.25 per user if the group subscribes by September 30, 2007
        16–20 users 20% discount – $20.00 per user if the group subscribes by September 30, 2007

        it has a name…

        So apparently my idea is called “co-working” and it’s not a unique idea by far.

        Dave Gilson sent me this BusinessWeek.com article about “co-working facilities” popping up all over the place. I’ve logged some of them in previous posts, but there are a number of new ones that opened in 2006.

        There’s even a coworking wiki to help coordinate people and coworking facilities across the country and abroad. But there’s still not one in Oakland.

        Also check out this slide show of alternative work spaces connected with the article.

        NYC Writer’s Room

        Rob Gunnison put me in touch with Doug Merlino – a fellow j-school grad who is now working as a writer in NYC. He works out of a place called the Writer’s Room. It’s been around since 1978 and was founded to create an affordable workspace for writers of all kinds.

        Here’s what Doug says about it.

        “I love the place I work… Basically, you apply for membership and, assuming you are accepted (you send them a resume and some references), it costs $100 a month to work there. It’s basically a big room with cubicles and a separate kitchen and phone area. You keep your stuff in a locker and, when you come in, grab a place that’s free to work.”

        He also told me about another similar place called The Paragraph. This place was founded by two women who wanted to create a work environment similar to what they had in grad school. YES! Their space is gorgeous – I need to find out how they funded it. They also do special events, round tables, etc.

        And here’s yet ANOTHER one in Tribeca – The Village Quill. Apparently the waiting lists for these places get so long they have to keep opening new ones.

        Finally – Doug pointed me to this NYT article that basically proves the value of these kinds of work spaces. So very encouraging.

        same idea, different clientele

        TWO ROOMS – A work space for freelance moms. Or at least it used to be. Their website is still working but it looks like their physical space is closed for the time being. I wonder what happened?

        The main idea (from their website): “Parents work and children play at a facility designed to meet the needs of the growing population of freelance workers who are parents – a group that requires flexibility, professional resources and childcare. Our mission is to provide a comfortable and complete work environment for parents, with quality childcare on site, to give parents and children the room they need to be creative and productive.”

        Childcare + Office Space – their tagline “You work, they play.”

        help from politicians?

        While it looks like Aimee Allison is not going to defeat Pat Kernighan in the District 2 City Council race, she still might be a helpful ally in developing a small business in Oakland.

        From her campaign website:

        Support Small and Local Businesses
        • Adopt a plan to attract retail that will include development of key neighborhood business districts like the Grand Lake, Eastlake, Chinatown, and 23rd Avenue
        • Encourage Oaklanders to develop independent businesses
        • Provide marketing and promotions grant and loans to merchant associations
        • Encourage successful, well run small businesses to open a second or third site in Oakland (e.g. coffee shops/restaurants)

        other resources and possible supporters

        Craigslist Foundation – the non-profit branch of craigslist which provides resources and workshops for other non-profits. My friend Wendy knows the Executive Director, Darian Heyman. They do a non-profit boot camp every year in SF and NYC. I missed it this year, but I might make it a goal to attend the SF camp next summer.

        Incubator.com is not exactly the kind of support I’m looking for, but who knows… maybe we can draw these hi-tech/startup-focused investors over to the non-for-profit side. Plus, this organization is based in Rensselaer, NY, so maybe they’d be willing to make an exception for a hometown girl. (Or maybe we can skip the whole non-profit thing and go for the big bucks!)

        Here’s google search for “bay area incubator.” I haven’t had time to look through these carefully yet.

        And here’s a google search for “east bay incubator.” Some good stuff in here about local businesses.

        EastBay Works is primarily a career search organization, but there’s some good stuff here about starting your own business.

        Oakland Chamber of Commerce – I don’t think my idea will be as appealing to Mayor Jerry Brown as, say, a shiny new big box store, but he’s on his way out anyway… This site includes a Small Business Resource Directory.

        possible locations

        My favorite space is at 23 Grand at Broadway. It’s next to Front Gallery, down the street from Luka’s TapRoom, and right across from a soon-to-be completed apartment/retail space currently called Broadway Grand. It’s 2000 square feet and costs $3500/month. I have no idea how reasonable that is for the size. Need to do more research here.

        There’s another space on the corner of Broadway and Grand that’s 5000 square feet and $9000/month, but I think that’s a little too big/expensive. 🙂

        The leasee for both of these spaces is Shahla Davoudi, owner of Elite Reprographics which is on the same block. We exchanged messages a few times and I’m sure I could set up a meeting with her if it came to that. (p. 415.957.1234)

        There’s also a space available at 3237 Grand, right near the Grand Lake Theater. It’s $1200/month and it’s quite small (don’t know the square feet) – right next to a discount mattress place. I went to talk to someone there and they were pretty sketchy. But I won’t rule it out – especially for that price. (p. 510-432-0500)

        has it been done before and what makes this idea unique

        mediabistro.com is probably the closest to what I would like to create. (Any name similarity is purely coincidental. If it’s too embarrassingly similar I will make a change – though I rather like “Freelance Cafe” (Dave’s idea)). It combines resources for independents with networking opportunities and special events/classes, and it emphasizes making connections between people who would otherwise be alone in their independent freelancers’ world.

        Two thoughts on how my idea is different:

        1) The physical space – while mediabistro.com creates opportunities for independents to meet, it is primarily an online space.

        2) I’m not sure about the focus on media. While that is what I know the most about, there are plenty of freelancers/contractors who don’t work in media – for example – contract engineers. These folks have different needs and, potentially, a lot more money.

        One thought on how my idea is the same:

        1) Maybe I could work with mediabistro.com to create my cafe with their backing?

        TechShop is a new space in the South Bay that seems really, really cool. It’s kind of like the Crucible (one of my favorite places in Oakland) but it’s for profit. These spots are obviously much more industrial than what I have in mind, but they do share the sense of communal resources and networking for people with like interests.

        Here’s a recent news story about TechShop.

        Creative Growth in Oakland is a well-established program to support creative expression, but it was created for adults with disabilities. Might be a good model for developing an Oakland non-profit. It’s been around since the mid 70’s.

        Oaklandish
        – not really similar to what I want to do, but a very cool Oakland-based organization that is doing great things. Might be a good partnership opportunity.

        Insomnia Cafe in Los Angeles is simply a cafe, but it encourages screenwriters and other independent LA types to sit and stay all day. I love the idea of creating a space like this. Lyssa (amazingly) remembered an article that was written about it the New York Times in 2004.

        AudioLuxe is noteworthy in that it’s a local independent startup non-profit podcasting/training organization run by some folks I know-ish (Stacy Bond and Michael Johnson of KQED). They could potentially be a good partner/resource.

        stop trying to make it perfect and get started already (aka The Big Picture)

        I’ve been talking about starting this blog for far too long. I keep waiting to have the time and energy to create a fabulous and coherent mission statement and a framework business plan to kick it off, but that doesn’t seem to be happening. So I’m just going to start putting stuff up here in all its incoherent glory. We’ll call it brainstorming.

        The main idea – more or less – is to create a space in Oakland for freelancers, contractors, and other independents to gather with others doing similar work, and to find resources and networking opportunities to help them succeed (financially, socially, etc.) in whatever it is they want to do with their time.

        Here’s my very first list of possibilities for this space. (Keep in mind, this is brainstorming so there are no bad ideas, right?)

        • incubator for individuals with an idea
        • memberships
        • workshops
        • resource center
        • brown bags or donated lunches
        • gym membership and other discounts (health insurance)
        • individuals/artists in residence
        • guest speakers (author of “I don’t know what I want…”)
        • resource library
        • in house gallery/pro tools setup/darkroom
        • media center
        • collaborations with other local businesses – Luka’s, other galleries
        • rental spaces for freelancers
        • special events/fundraisers
        • sabbaticals for independents

        So – what now? I need comments, opinions, suggestions, links, resources – anything that will either 1) help make this idea a reality or 2) convince me that this is crazy and unworkable and that I should stick to my day job.

        Ideally – each of my posts will encourage a slew of comments from you all, which will lead to more posts and ultimately that fabulous and coherent mission statement and business plan I mentioned earlier. Ready? Go!