Category Archives: Gigs

Audio Producer job at Pandora

Hey Bay Area folks. Pandora is hiring an audio producer. I've heard mixed things about working there, but might be worth a look. Details below. -Mia

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We would like everyone to apply to this link: https://hire.jobvite.com/j?aj=oMFiYfwr&s=airmedia

At Pandora, we're a unique collection of engineers, musicians, designers, marketers, and world-class sellers with a common goal: to enrich lives by delivering effortless personalized music enjoyment and discovery. People-the listeners, the artists, and our employees-are at the center of our mission and everything we do. Actually, employees at Pandora are a lot like the service itself: bright, eclectic, and innovative. Collaboration is the foundation of our workforce, and we're looking for smart individuals who are self-motivated and passionate to join us. Be a part of the engine that creates the soundtrack to life. Discover your future at Pandora.

Pandora's Audio Production team plays a major role in the overall listening experience of the Pandora user. We create audio advertising for local and national campaigns, produce custom audio content, and manage a robust roster of in-house and external voice talent.

We have an excellent opportunity for a skilled audio producer to join our team. You must have an outstanding ear for all types of audio, and be able to produce a high standard of audio in a demanding, fast-paced environment. Exceptional recording, editing and mixing skills are essential, as are flexibility and the ability to communicate with clients and coworkers alike.

You will join a world-class audio team in a role that's crucial to Pandora's future growth and success.

Responsibilities:

Record, edit and mix high quality, high volume audio spots in a fast-moving, deadline driven environment
Master and provide quality assurance for externally produced audio ads
Effectively coordinate and execute incoming audio requests
Help manage and facilitate the work flow of our in house recording studio
Provide proper direction for talent and be able to identify top quality performances
Work collaboratively with the Advertising Operations team to ensure efficiency and client satisfaction
Requirements:

Expert skill set in audio software and plugins; Logic Pro, Pro Tools
At least 4 years experience working in professional audio environments including a minimum of 2 years experience working with voice over and dialogue
Excellent communication skills
Ability to remain calm and focused when handling multiple projects
Ability to work well within a team
Strong ability to balance efficiency and quality
Excellent time management skills
Experience in advertising or radio is preferred

Pandora is an equal employment opportunity employer and considers qualified applicants without regard to gender, race, veteran or disability status

Snap Judgment Call for Pitches

The latest call for pitches from Snap Judgement. Pitch (thoughtfully) away!
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Below please find San Judgment's latest theme list.  Snap rocks first-person, dramatic, true stories. They must have a beginning, middle, and end with a  strong dramatic tension and a narrative arc.  No news hooks. No profiles. No sound art.  Submit brief story ideas to pitches@snapjudgment.org. Remember, if you have a great story that doesn’t fit into one of these themes, please send it along anyway!  Good stories are the most important ingredient here at Snap. 

To find out more about our pitch process, check out http://snapjudgment.org/pitches

Elevator: Stories about people and fortunes that rise and fall–amazing strokes of luck, changes in fortune, mid-life crises, or encounters with disaster. These stories can follow a long arc, taking place over many years, or could transpire within the course of an actual elevator ride, as long as they hinge around a dramatic, personal, rise or fall.

Passing: Stories about people who are trying to blend in, to be incognito, who are trying to pass off as something. These can be stories of someone trying pass as a particular race, gender, religion or class, or the stories of imposters or wannabes.

Mercenary: Stories about people who do your dirty work…for a price. Again, feel free to think big or small here. We have several stories of literal guns for hire, but it would great to find stories of people hired to do more unexpected dirty work–breaking up for friends, covering for affairs or paid scapegoats.

Prophets: Stories from people who claim to see the future and the people who do / don't believe them. Be careful here; we want to steer clear of stories told by people who are mentally ill and unfit to be on air. Rather, we'd like stories of prophetical coincidences, cult near misses, brushes with fortune telling, creepy child foretelling.

Schooled: Stories that center around learning and lessons. Please try to avoid stories about personal growth that do not have a lot at stake, or an interesting plot. We’d love stories that take place in unique school environments, stories of terrible teachers, school plays gone wrong, drivers ed disasters….

Washed Up: Stories about people and things who are washed up on shore or washed up in life. What happens when life veers horribly of course, or our best laid plans suddenly crumble beneath us. 

BackStory call for pitches

Call for pitches from BackStory. This one looks fun! -Mia
++++++++++++++++BackStory’s working on an upcoming show on the history of sexual norms in America. We’re looking for stories that illuminate how those norms have been defined, understood, policed, and challenged: everything from same-sex desire to interracial marriage to norms of intimacy and prostitution. We’re a history-focused show, so we are interested in stories set in the past – generally the 18th, 19th and 20th centuries, but sometimes as far back as the 15th century. If it happened in the last 20 years, it’s probably not a good fit for us. Our key question is: what does this story reveal about how people in the past understood their world differently than we do today? That is, a successful pitch will reveal something specific (and surprising!) about the time and place where the story happens. (A story set in the 1830s that could just as easily have happened in the 1730s or 1930s is probably not a good fit.)

As always, we’re looking for stories with strong characters (living or dead), something at stake, and a surprising takeaway. Find more detailed pitch guidelines here: http://backstoryradio.org/producers/ We have a tiered payment structure, available on AIR’s pitch page — it usually ends up being roughly $100/min, but depends on the skill of the producer and the complexity of the story. We’re generally looking for elements between 3 and 8 minutes. Please email pitches, and any questions, to BackStory Associate Producer Nina Earnest: nina.earnest@virginia.edu.

We look forward to your brilliant ideas!
Jess

 

audio editing gig by the Bay

Part-time, long-term audio editing gig for someone in the SF Bay Area. Details below. -Mia

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Job Posting for an Audio Editor in the S.F. Bay Area:
Climate One is looking for an audio editor who can put together our weekly audio series, “Climate One California Weekly.” This job requires very basic audio editing skills and some experience with file management. It should take about 5-6 hours/week. We are looking for someone based in the San Francisco Bay Area who can make a long-term commitment.
The Gig: 
— Pulling a single, mono audio file down from DropBox or High Tail.
— Shortening each taped conversation (running about 65 minutes) down to 59 minutes
— Adding a pre-produced Intro and Outro. (This is part of the 59 minutes) — Cleaning up volumes, fades, basic EQ
— Posting on iTunes, Content Depot and PRX, within 2-3 days of the live eventInterested?
Reply to Claire Schoen: cschoen@earthlink.net
And I will send you the full details.

Call for Pitches from America Abroad – Religious Minorities in the Mideast

The latest call for pitches from A.C. at America Abroad. Details and contact info below.

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Hi all,

Thanks so much to all of the freelancers who rapidly (and enthusiastically!) answered my last call for pitches. The next America Abroad will focus on religious minorities in the Middle East.

We're looking for reports that can answer questions like to the following:

-What does the Arab Spring mean for Christians, Jews, and other religious minorities where new governments and constitutions are forming?

-What policies of tolerance and protections of minority rights(or lack thereof) exist in the Middle East?
-How do religious minorities fit into political systems where they are outnumbered?
-What is the societal role played by minority Muslim sects?
-What non-Abrahamic traditions exist in the Middle East, and where are they surviving/thriving? How do they fit into their society and its sociopolitical dynamics?

Of course, these are just examples. Feel free to think outside the box. We're looking for pieces around 8-10 minutes in length, with good potential for natural sound and a real opportunity to take our listeners to somewhere they might never otherwise go. We also want to make a serious examination of policy, government, and how religion fits into political questions.

The deadline for completed pieces will be June 29th, and we pay $125-$150 per minute, with higher rates dependent on a piece's quality, reporter experience, and contribution of multimedia (photos, social media participation, video, etc.)

Please get in touch off-list at acvaldez at americaabroadmedia dot org.

Thanks!
A.C.

Audio Engineer Needed, NYC

Hey NYC audio folks – interesting opportunity for the right producer/engineer. Details below.
-mia
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I am a host moving from a prerecorded environment to a live show in New York City Metro. The show will air 9am – 11am M-F. I need to find a producer/audio engineer/BFF–who needs very little sleep (at least for the first month)–to be my right arm, left foot and, frankly, my spine.

Please don't send me any attachments. I do not want anything fancy. All I want to know is the following: (1) What is your work history, (2) links to any audio/visual samples, and (3) the exact amount you would expect to make per a YEAR for the FIRST year of the show being on air. [Send items to: studio@urrepublic.com].

For the corporate types, the professional job advert is below:

Title: Audio Engineer/Creative Producer
Hire Type: Full-Time or Part-Time (depending upon experience/knowledge)
Hire Date: 21 June 2012
Initial Contract Term: 26 June 2012 – 25 June 2013
Work Days: M-F, occasional weekend/holiday work (extra days are paid extra)
Work Time: 5:30AM – 12:30NOON (1st month will be longer days and late evenings)
Base Pay Range: (TBD)
Benefits/Perks: No-Benefits at this time
Supervisor: Show Host

Overview:

New live broadcast show needs an audio engineer/producer: This person MUST have a good ear and be responsible for:

General supervision of the broadcast clock, interns, guests and callers

Development/supervision of show imaging and music
Operations for the broadcast console, sound board/jingle palette
Monitor of live audio/video stream
Get/keep the show on the air on time every day
Programming of breaks including adverts, social service announcements
Other duties often related to the production of the show

Preference will go to producers that: (a) posses solid and creative production/music/audio skills; (b) have some commercial radio experience; and (c) is funny.

America Abroad seeking US pitches

Hey folks. A quick turn-around opportunity with America Abroad. Shoot an email to A.C. if you want more information, and to get on his list for future calls for pitches.

-mia

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You might know me as Diane Rehm's former call screener and a longtime independent producer in my own right. Recently I was hired as a producer for America Abroad, PRI's monthly show on international affairs.

I'm working right now at growing my rolodex of reporters both here in the US and abroad, and since we focus primarily on international affairs, I'm very excited to connect with anybody who might want to help us out in the future, particularly if you're an expat reporter.

However! This month we're looking to make a local/global connection happen. We're focusing on water issues all over the globe. What we're trying to do is tie a water-related issue in the US into the water crisis in the world at large, either in terms of sanitation, water recycling, irrigation, solving scarcity problems, policies that need to be examined in terms of environmental cleanup, that kind of thing.

If you're from a dry area of the US, know of any exciting technological innovations that are happening here and can be applied to other places, are familiar with river issues in your area that apply elsewhere, or have another story you're willing to pitch, I want to hear from you! Here's the challenge, though: we're looking to have a story ready to go by the 5th of June (we feed to stations on the first Tuesday of each month).

Please shoot me a note off-list at acvaldez@americaabroadmedia.org.

Thanks!
A.C. Valdez

BackStory Call for Pitches – Natural Disasters

Hey folks. BackStory with the American History Guys is accepting pitches for an upcoming show. This from Jess: "We'd need pieces from outside contributors in hand by the end of May, and pitches that come in this week will have a significantly better shot at making it than pitches that come in later." Details HERE and below. Good luck!
-mia
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Ahead of hurricane season, BackStory's looking at a show on natural disasters: floods, tornadoes, blizzards, hurricanes, you name it. Some questions we're mulling over: why are some disasters remembered and others forgotten? How natural are natural disasters? And while we all love wild stories, we're looking for pitches that get beyond "this crazy thing happened" and show us something surprising about American society or culture. We're a history-focused show, so your story will need a clearly defined historical angle.

As always, we’re looking for features that have a couple key components: first, a story. Your characters might be alive, or they might be long dead. Either way, you should still have some character(s) with something at stake. Second, when pitching your story, think about ways to bring these characters to life. We’re open to re-enactments, experts telling the story second hand, oral histories, personal essays, and so on. But don’t be afraid to think outside the box. Questions we’re always going to ask are: What does this reveal about America at the time? Why should we care about that now?

For more information on what we're looking for and other upcoming show topics, check out our pitch page: http://backstoryradio.org/producers/ 

And here's the pay scale:
Payment: $200 – $500+ depending on difficulty and skill of the producer. All the rates below are flexible, but are meant to give you a sense of what we offer. 

Level 1 Piece: $200-$350

– May include a snapshot essay of a particular moment in history, typically with simple production requirements.

– May be a shorter, 2-3 minute sound rich “audio postcard” style piece.

Level 2 Piece: $350 -$450

– Medium length story with at least one interview and some reporting.

– May include some field tape. Probably requires little travel

Level 3 Piece: $450 – Negotiable

– Longer feature with multiple interviews.

– Significant research and creative use of sound and/or content.

Please send pitches to Jess Engebretson at jengebretson@virginia.edu.

Pulse of the Planet Seeking Stories

Hey audio folks. I'm thrilled to tell you that Pulse of the Planet is accepting pitches! Details below.

-mia

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For those of you who may not be familiar with it, Pulse of the Planet is an award-winning daily two-minute radio series independently produced and distributed to over 200 public and commercial stations. The hallmark of the series is its use of ambient sound. Our stories are often seasonal and evergreen. We "track the rhythms of life on earth", including nature, culture and science as our broad subjects.

A typical story might be a seasonal nature event or traditional celebration of some kind. We also air science stories which may not be seasonal, but which have a sound "hook". Check out pulseplanet.com to get a feeling for the program.

The first step would be to pitch your story ideas: Tell us the subject matter, where it would be taking place, what you'd be recording and who you'd be interviewing. If we're not familiar with your work, you'll need to send us a link to hear a sample of it. We'll respond to the stories that interest us.

If we say yes to your story, we'll send you a set of guidelines and you'd be sending us raw sound and interview files, typically from 30 minutes to an hour of interview, plus sounds. How the sounds relate to the interview will depend upon the subject. We like stories which portray science in action, where we're hearing something interesting and its meaning is explained in the context of the story. To be clear – you'll be sending us raw sound, not a produced piece. In summary – an attractive pitch will have a strong sound component, and a compelling, seasonal subject.

We pay $250/story for raw sounds/interviews as described above which meet our standards, plus travel expenses, when necessary. We'll pay an additional $50 for a log of your sound files (not a transcription, a summary log) and another $50 if you send usable photographs to illustrate the story.

Please send your pitch ideas to pulse@igc.org. I'll be glad to respond to generic questions in comments to this post.

All the Best;
Jim Metzner
pulse@igc.org
http://www.pulseplanet.com

call for pitches from Latitude News

Latitude News is seeking freelance radio folks to help bring another layer of rich storytelling to their site. Details and contact info below.

-mia

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Latitude News is looking for radio reporters who can make strong connections between local/national and international stories. We publish text stories with strong audio clips as a supplement – audio is used to add another dimension to a text article. This is an opportunity for radio producers who would like to get some “print” experience while still working on audio, and you need not be traveling the world to contribute to our growing website.

Latitude News tells “international” stories in an unconventional way – we start by listening on the ground in the US, then finding international parallels. We also feature stories that highlight surprising connections between the US and the rest of the world.

Audio in Latitude News features (500-1200 words) should act like well-placed photos in a magazine article – clips don’t tell the entire story, but move the narrative forward and give it depth. Potential contributors should read through our website before pitching, but here are a few samples of stories that feature audio:

Unlike Netherlands, U.S. gives no shelter to sex trafficking victims

One Syrian activist’s lonely exile

Far from Moscow, Putin’s power faces off with the grassroots

Submissions can be sent to jack@latitudenews.com with the heading “Submission.” Rates available upon request.