New RFP from CPB for in-depth educational reporting projects

Funding from the CPB for in-depth reporting on education. Details below.
CPB: New RFP

CPB seeks to enhance the capacity of public radio stations and national radio production organizations to create high quality multimedia journalism on important topics in education. CPB is seeking grant proposals for innovative original reporting that highlights challenges and solutions in American communities as they provide education in the 21st century. In particular, CPB seeks to support public radio stations and national producers in the creation of content that aligns with the American Graduate: Let's Make It Happen initiative, which addresses the high school dropout crisis in our country.

Public radio's capacity to create in-depth reporting on dropout and other topics can raise awareness of important issues and help communities and the nation better understand and address the challenges of providing education in a diverse society where technology and resources are not evenly distributed. Public radio journalism can use broadcast, online, mobile and social media as well as community engagement to explore the people, places and policies that influence America's classrooms. CPB anticipates awarding up to $1 million in grants to support stations and national producers in providing this type of coverage.

The Projects CPB will support must clearly demonstrate their ability to:
Build public media capacity for original education reporting;
Increase citizen understanding of education challenges and solutions and encourage community dialogue; and,
Position public media as a primary source of trusted and reliable information on topics critical to local communities, particularly in education related topics.

Application and more at http://www.cpb.org/grants/grant.php?id=405

40 Scholarships for Journalists to Change the World, deadline Nov 18

Well this looks interesting…
++++++++++++++++++++++++++

40 Scholarships for Journalists to Change the World – Applications for the April 2013 School of Authentic Journalism Are Due
November 18, 2012
By Al Giordano
Founder, School of Authentic Journalism  http://www.authenticjournalism.org/
September 26, 2012
The next School of Authentic Journalism, April 17 to 27, 2013, in Mexico, will mark ten years since we held the first one in 2003.  More than 300 journalists, independent media makers, community organizers and social movement leaders have passed through these doors since we began.  This will be the sixth session of the school but it also might (or might not) be the last one for some time to come, for reasons I’ll explain before this invitation is done.  My point is that if you have ever thought about attending but never got around to actually applying: don’t lose this opportunity. It might (or might not) be the last for a while.  At the 2013 school we will hear from a leader of South Africa’s anti-apartheid boycott and general strike, a union organizer who strategized Bolivia’s “water war” that stopped the privatization of that resource, an organizer who helped – this year – stop the deportation of 800,000 undocumented immigrants from the United States, a strategist who launched the global movement to end nuclear power, a writer and journalist who became a movement leader when her town was threatened by a nuclear waste dump, a young organizer whose creativity and humor helped topple his
country of Serbia’s dictator, and two legendary theorists and organizers who worked alongside Martin Luther King to end racial segregation.
This ten-day intensive program is for the following kinds of people: Journalists and communicators who report on and alongside social movements, community organizing and civil resistance campaigns, and also for those participants in those movements who write, blog, photograph, create and manage websites, make video, radio, graphic design or political cartoons about them. In previous schools we have accepted some applicants with little experience but whose raw talent and urgent desire to make change in their communities and in the world impressed us, and a good number of them have gone on to do great works. Some are even professors of the School of
Authentic Journalism today.  More information at http://narconews.com/Issue67/article4626.html
            

Creative-Radio yahoo Group is an independent forum for people active in or interested in the use of radio in development, in particular promoting public health, improved education, protection of the environment, improved livelihoods, good governance and conflict mitigation. Since it started in 1996, Creative-Radio has been in the forefront of radio's resurgence as a tool for social change and peace-building, and it helps promote best practice in these areas.

Nuts class, Berkeley, CA, November 10 & 11

The fabulous Claire Schoen is offering her Soup to Nuts class again in November. These workshops only happen once in a while, so go now if you can! You won't be disappointed. -Mia

 

======================================================

 

"From Soup to Nuts"

A 2-day intensive on

documentary radio production

offered in the San Francisco Bay Area

Logistics:

This seminar will be held November 10 & 11, 2012.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $250.


The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

 

Claire has taught documentary radio production at U.C.

Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

 

To Register:

Contact Claire Schoen

cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

pdf iconStoN’s Flier 2012 Nov.pdf

News quiz and fundraiser for the Public Press, this Thursday night!, SF

News Quiz Night — this Thursday!
Join us for a fun, interactive fundraiser to support the San
Francisco Public Press. Bring your friends and compete for prizes in
a pub-quiz style contest with a newsy twist emceed by our celebrity
quizmaster Dana Rodriguez, host of KALW's quiz show "Minds Over

Matter."

WHEN: 6:30 to 9 p.m. on Thursday, Sept. 27, 2012
WHERE: Maritime Museum, Beach and Polk streets in San Francisco
TICKETS: Members — $25 • General Admission — $30 • Students —
$15

Purchase your tickets today –

http://cts.vresp.com/c/?SanFranciscoPublicPr/fec0a89ff1/TEST/2eea80befb !

Answer this easy sample question to try for a free ticket: What is

the title of former California governor Arnold Schwarzenegger's new
memoir?
We'll give a ticket to the first person who emails the correct answer
to rsvp@sfpublicpress.org. (If you cheat, we'll expect you to make a

big donation at the event!)

The evening also boasts a silent auction featuring many exciting
items, including tickets to the San Francisco Ballet, California
Academy of Sciences and Berkeley Repertory Theatre, and services

Michael Stoll
Executive Director
San Francisco Public Press
965 Mission St., Suite 220 | San Francisco, CA 94103
(415) 495-7377 office

(415) 846-3983 cell
mstoll@sfpublicpress.org

http://sfpublicpress.org

http://facebook.com/SFPublicPress
http://twitter.com/SFPublicPress — @sfpublicpress
Sign up for our newsletter: http://www.sfpublicpress.org/newsletter

The San Francisco Public Press is a local, nonprofit, noncommercial news organization covering economy, civics and streetscape in the Bay Area. We aim to do for print and Web what public broadcasting does for television and radio. We produce news online daily and in a quarterly print newspaper.

From PRX – New funds for global stories

If you're not already familiar with PRX, you should be. Below is another reason why.
-mia
____________________________

Left Behind, Dropping Out

PRX is excited to announce the Global Story Project.
This is an open call for great audio.

We're looking for really groundbreaking and gotta-keep-listening stories — long-form works, segment length pieces, and reversioned materials — about people and situations outside of the U.S. that will help American listeners better understand the rest of the world.

We're not looking for 'foreign reporting' per se. In fact we have some cool projects underway that get to some of that necessary and timely stuff.

For the Global Story Project, we want story to drive the audio. And creativity.

Time is short and we have about $50,000 to work with. PRX has fueled a lot of projects over the years, helping struggling and talented producers make great work. One of these previous PRX funding efforts actually lead to The Moth Radio Hour. We want to make a memorable and meaningful impact on listeners.

So, we'll be taking your pitches online for only a few short weeks. The criteria (please read it!) and application form are here.

Then, some people you know and some you don't will help PRX decide where to invest. We want all of the chosen works posted to PRX before the end of the year. We'll award the funds based on the proposed budgets, the ambition of the projects, the application criteria, and the overall ability of the applicants to deliver the goods.

At a time of shrinking independent funds for radio and audio productions, the Global Story Project is a sign of hope. Thank the Open Society Foundations for its vision and dedication to risk and audio storytelling. We're proud to be part of this.

Dream big; review your archives from that overseas reporting trip or the audio diary you might have kept in the Peace Corps; reach out to friends outside the U.S. and let them know. Let's see what jewels the Global Story Project can unearth.

Onward,
John

John Barth
Managing Director, PRX


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Upcoming Events at UnionDocs

From the fine folks at UnionDocs.
-Mia

October Events at UnionDocs:

My Brooklyn with Kelly Anderson

Sunday, October 7 at 7:30pm

Suggested donation $9

 

My Brooklyn follows director Kelly Anderson’s journey, as a Brooklyn gentrifier, to understand the forces reshaping her neighborhood. The film documents the redevelopment of Fulton Mall, a bustling African-American and Caribbean commercial district that – despite its status as the third most profitable shopping area in New York City – is maligned for its inability to appeal to the affluent residents who have come to live around it. As a hundred small businesses are replaced by high rise luxury housing and chain retail, Anderson uncovers the web of global corporations, politicians and secretive public-private partnerships that drive seemingly natural neighborhood change. The film’s ultimate question is increasingly relevant on a global scale: who has a right to live in cities and determine their future?

 

Control Group: Shorts presented with Video Data Bank

Sunday, October 28 at 7:30pm

Suggested donation $9

 

This program of experimental videos presented by the Video Data Bank explores the natural world around us and how humans attempt to measure and control it.  The artists turn their cameras toward natural environments and human built spaces to explore the intersections between the two.

 

Upcoming September Events at UnionDocs:

 

Running Stumbled: A benefit screening for John Maringouin

Saturday, September 22 at 7

Sliding scale donation $10-20

 

Prologue with Raed Rafei

Sunday, September 30 at 7:30pm

$9 suggested donation.

Pitches for the Believer Magazine Podcast

A cool new project distributed by KCRW. Details and contact info below. (Note, I'm not sure what "mellow, indie publishing rates" are but KCRW has a dedicated listenership and the mag itself looks great FWIW.) -mia
+++++++++++++++++

The Organist is a monthly experimental arts-and-culture program hosted and distributed by KCRW. The editors of the award-winning monthly magazine the Believer, published in San Francisco by McSweeney's, will produce ten annual episodes of the podcast, which includes richly sound designed, eccentric audio documentaries, comic radio drama, un-fusty reviews, narrative field recordings, more. The scope of the podcast will reflect that of the print edition: its contributors take a thoughtful approach to pop culture, along with an irreverent attitude toward the highbrow. From philosophy to daytime TV, from poetry to martial arts, the show scrutinizes and interrogates the world with an affectionate and rigorous intelligence. Pieces from the podcast will grow out of stories in the magazine, and vice versa. Far from functioning as a supplementary appendage of the magazine, the show aims to become a cultural institution in its own right, discovering and developing a new generation of artists and musicians, writers and comedians. Weaving together the voices of its contributors, which include the brightest talents in literature and the arts, the Organist is an elegant, impressionistic, funny, and sharp cultural magazine that itself becomes an object of inquiry, discussion, and wonder.

We're looking for contributions of between zero and twenty minutes, preferably closer to four. Four minutes is the sweet spot. Any format will be considered, but the best thing you could send would be a radio documentary that doesn't have a twee or self-serious narration that uses sound in an intelligent way that introduces us to a new corner or aspect of the world, whether that world be cultural, political, literary, sociological, artistic, scientific, musical, anthropological, cinematic, or all ten. Send a brief bio, a handful of clips, and a pitch (or link to audio) to organist@believermag.com.

The podcast will launch December 1 at KCRW.org and believermag.com and iTunes and &c &c. We will pay our contributors mellow independent publishing rates TBD.

“The Idiocratic Life” screens at Rough Cuts on Tuesday, September 25th, SF

Great film event in San Francisco………..

Join us for the 2012 September evening of Rough Cuts

Tuesday, September 25th, 2012 at 7:30 p.m.
$9 admission
Complimentary drinks and hors d’oeuvres provided
At
Ninth Street Independent Film Center
145 Ninth Street, between Mission and Howard, San Francisco

To attend, please RSVP by noon on Tuesday, September 25th to roughcutsrsvp@yahoo.com

The Idiocratic Life
Directed by Kent Kessinger

Are utopias doomed to failure? Are Thoreau and his children—Eugene V. Debs, the ‘60s, Skinner—nothing more than the stuff of textbooks barely read in undergraduate seminars?

Kent Kessinger’s “The Idiocratic Life”–a stylishly shot look at counter-culture today—attempts to answer this question, by capturing the faces, stories, and inner struggles of members of communes in America.  In the process, Kessinger shines a light on pockets of America rarely seen in film, or anywhere else, and proves that, far from the media’s spotlight, great social experiments—from egalitarianism to anarchy—continue to percolate, and, in some cases, even thrive.

Moderator: Kelly Duane de la Vega

Kelly Duane de la Vega’s documentaries have been screened in film festivals around the world and broadcast on PBS stations and on the Documentary Channel. Her Emmy nominated “Monumental: David Brower’s Fight for Wild America” opened theatrically nationwide and is part of the curriculum in more than 50 universities worldwide. Her most recent documentary “Better This World” (POV, 2011) premiered at SXSW and was awarded Best Documentary by both San Francisco International Film Festival and Sarasota Film Festival.

For more information about the evening and Rough Cuts in general, visit http://sfroughcuts.com/nextevent.html

Rough Cuts

Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at various locations throughout San Francisco. For each evening, we screen one rough cut of a long-form documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

Call Out for AIR’s Live Interactive Collaboration/Residency, Deadline Nov 14

Two of my favorite orgs working together to provide a residency program for YOU! Deadline November 14. Details below. -Mia

Email not displaying correctly? View it in your browser.

Call Out for AIR’s "Live Interactive" Collaboration/Residency –> Transmedia 
 

AIR and free103point9, a 15-year old media arts non-profit operating WGXC 90.7FM, join forces to offer, for the first time, a ten-week residency to support producers developing new collaborative work.

We’re looking for adventurous media-makers, artists, and documentarians interested in teaming up in Spring 2013 to explore/exploit media that spans the broadcast/transmission, digital, and “street” platforms. Our selected team will receive a $10K stipend to work on-site for eight of the ten weeks in upstate New York. Two weeks will be devoted to planning and advance preparation.

Applicants may be involved as collaborative partners already, or may be coming together for the first time. We’ll also accept applications from individuals interested in finding a partner/open to a match-up by AIR.

In addition to the stipend, our Live Interactive Residents will have resources and additional support including:

•    Housing for eight weeks in Acra, NY (near Hudson and Catskill)
•    Live broadcast studios 
•    A research library
•    A dynamic community of media-makers associated with the station

Are you who we’re looking for? This is a great opportunity for those with bold ideas who need a supportive space to experiment with broadcast/transmission media. We want gifted makers who have an appetite for risk, and who are bringing ideas that have potential to expand and broaden our understanding of a converged, multiplatform spectrum.  Among the hundreds of makers who have worked with free103point9 are Gregory Whitehead, Brenda Hutchinson, Anna Friz, and Ann Heppermann and Kara Oehler who, with Jason Cady, created a continent-spanning project called Chorus of Refuge.

Interested producers will be asked to complete an on-line application detailing their experience and their proposed project. The strongest applicants will be those who are recognized for having high standards in work ethics and quality, and able to work both independently and as part of a team. The strongest proposals will put forward ideas that show the most promise of:

1. transcending traditional or familiar uses of media;
2. dissolving the barriers between broadcast, digital and/or street media (including installation work); and
3. extending out in an on-going way, either in a direct way as a “work-in-progress,” or as part of the producers’ continuum of artistic or professional development.

Those applying as a team must select a lead producer/representative.

Key dates:

THE DEADLINE FOR APPLICATIONS:
Wednesday, NOVEMBER 14, 2012, noon PT


Apply here: https://airmedia.wufoo.com/forms/2013-live-interactive-residency/

We will notify our winning Live Interactive Residents by mid December.

The dates for the residency will be negotiated with the selected producers for a 10-week period between February 1 – May 31, 2013. 

ALL WORK MUST BE COMPLETED BY MAY 31, 2013.  If you are not able to complete the 10-week term by that date, do not apply.

If you have questions, please contact AIR’s Membership Director Erin Mishkin at erin@airmedia.org.

Links:

Application:  https://airmedia.wufoo.com/forms/2013-live-interactive-residency/

AIR:  http://www.AIRmedia.org

free103point9:  http://free103point9.org

WGXC: http://www.wgxc.org/about

Archive: http://transmissionarts.org

Financial support for Live Interactive comes from the National Endowment for the Arts which believes a great nation deserves great art.

 

Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

Association of Independents in Radio
P.O. Box 220400
Boston, MA 02122
Phone: 617-825-4400
www.airmedia.org

 

Association of Independents in Radio

PO Box 220400

Boston, Massachusetts 02122

Copyright (C) 2012 Association of Independents in Radio All rights reserved.

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Association of Independents in Radio · PO Box 220400 · Boston, Massachusetts 02122

Call for pitches – Facebook Stories

Hey folks. An interesting opportunity from Facebook(?!). Details HERE and below. Note the phrase “we pay well.” -Mia
_____________________

I recently became Senior Producer of a new podcast at Facebook, and I’d love your pitches for our next few episodes. The podcast is part ofFacebook Stories (www.facebookstories.com), a new site “dedicated to sharing extraordinary, quirky and thought-provoking stories and ideas from Facebook’s community.”

I wanted to tell you all about our next few Facebook Stories podcast themes, and it would be great if you could send pitches in the next week or so. There should be some Facebook spin/hook to these stories, but it doesn’t have to be a huge part of the story. These podcasts are truly not intended to be long Facebook ads. Mostly we just want really good stories. We pay well, and will work out details based on length, etc.

Themes:

1.) The body politic: how social media is used by governments and by citizens

2.) Coming out: this is a take on the larger theme of identity, where we focus on Facebook as sort of a last, and in a way, most “official” step of changing your public identity. So more intense content such as coming out as gay, an undocumented immigrant, switching genders, etc., but also lighter stuff such as admitting you still play Magic The Gathering or Collect Beanie Babies or whatever (totally cool if you do! No judgement here).

3.) Dying: what happens when people die now that everyone has a profile on the internet.

Also, if you can think of any other crazy/interesting Facebook-related stories you may want to report, but that don’t fit into one of these themes, please do let me know.

To get an idea of the podcast tone, you can check out our first one here: http://www.facebookstories.com/stories/1575/podcast-1-the-4-74-degrees-of-kevin-bacon.We were tasked with explaining the history and evolution of the term “six degrees of separation.” I like this one, but we had very little time to complete it and I’d like our future podcasts to include a lot more interesting personal stories. So if you have a great story that doesn’t fit into the tone of this podcast, please don’t be discouraged! We are open to lots of new ideas.

And one last thing in this epic email: If you have any ideas for stories that you’ve heard but don’t have time or interest in reporting, we may be able to give you a small “story finder’s fee” if we use your idea and report it ourselves.

Thanks so much everyone. Looking forward to your pitches.

Jenna
jweissbe@gmail.com