Category Archives: Freelance Cafe East

AIR

Third Coast is a fabulous conference for audio folks and I highly recommend it if you've never been. I'll be there this year so drop a line if you plan to go. It'd be fun to have an FC gathering in Chicago!
Best,
mia

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The Association of Independents in Radio, Inc. is pleased to announce the New Voices $20,000 scholarship fund to support minority producers – both independent and station-based – interested in attending Third Coast International Audio Festival's 2010 conference in Chicago, IL October 28-30. Funding for this program comes from the Corporation for Public Broadcasting (CPB) and the National Endowment for the Arts (NEA).

The Third Coast Conference attracts a broad, international group of bright, inventive producers. AIR will kick off the conference with a producers’ meeting convened on Thursday, October 28, 3-4:30 pm. AIR members, as well as those wanting to learn more about AIR, are encouraged to attend.

The goal of the New Voices scholarship is to help broaden the pipeline for a new generation of diverse media talent and to provide support for bright program makers. Applicants will be asked to submit a brief statement outlining ideas for how the public radio system can provide more channels of opportunity for new talent trying to find a way into public media. A panel will be convened to review applications, and final decisions will be announced by September 21st. Those who have never attended a Third Coast Conference are particularly encouraged to apply.

Individual scholarships of up to $1500 per person will be awarded and must be used to offset costs associated with Third Coast transportation, meals, hotel, and registration. The registration cost for Third Coast is $395, or $345 if submitted by the early bird deadline of September 15, 2010.

To apply for a New Voices scholarship, please complete an on-line application:
http://airmedia.org/PageInfo.php?PageID=601

+++Applications must be received by 5:00 pm Pacific Time Wednesday, September 16, 2010.+++

If you have any questions about AIR’s New Voices scholarship, please review our FAQ ( http://www.airmedia.org/PageInfo.php?PageID=602 ) or contact Erin Mishkin at erin@airmedia.org.

+++ AIR is everywhere. +++
www.airmedia.org

Funding for AIR comes from our members and the generous support of the
Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Robert E. Davoli and Eileen McDonagh Charitable Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

2nd NYC Area Producer’s Meeting – TONIGHT!

NYC freelancers are getting organized! Join them tonight – details follow.
-mia

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Hey there New York Producers,

A reminder that the second New York area meeting for those of you who have done or plan to do any kind of freelance work is TONIGHT. If you produce any kind of freelance work this is something you should attend.

Tues., Sept. 7, 6:30
Maximo Pino Cafe
6th Ave @ 13th Street

We'll be getting together to discuss the basic needs of freelancers. Working on developing a criteria for pay scale and other issues that works for us and reflects the amount of work that we actually put in to our pieces.

We need everyone to come to the meeting to give input and work together on the issues.

Please RSVP to:

Sally Herships
Sally@sohosally.com

Looking forward to seeing you!

Sally Herships
Laura Friedman

health coverage update from the CA Freelancer’s Guild

More info about getting health coverage from the CA Freelancer's Guild. They're getting very close!
-mia

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Dear Friends,

Guild Freelancers is close to securing group health insurance. In
order to meet the letter of the law, we need to adopt an eligibility
process that offers concrete proof that we do not, as an organization,
exist only to provide health coverage for anyone who walks in the door
and pays dues.

With that in mind, we’ve crafted a provision for a two-tier
membership, one of which requires a track record in journalism and
qualifies the member for health coverage.

Please read our proposal carefully and offer all the comments,
questions, and objections that cross your mind. The deadline for
comment is Sept. 10. We will meet as a unit to ratify the plan Sept.
17.

Once again, here are links to the cost tables provided by DublinSure.

Medical:
https://mail.google.com/mail/?ui=2&ik=50bc97e310&view=att&th=12a925f8ac0f8fc6&attid=0.1&disp=inline&realattid=f_gd3tdqst0&zw

Dental/Vision:
https://mail.google.com/mail/?ui=2&ik=50bc97e310&view=att&th=12a925f8ac0f8fc6&attid=0.2&disp=inline&realattid=f_gd3thgip1&zw

Refer to a googlegroups posting of Aug. 20 for our timeline.

In solidarity,
Bill Snyder, Michael Fitzhugh and Rebecca Rosen Lum
Health Benefits Committee
Guild Freelancers
freelance@mediaworkers.org
rrosenlum@gmail.com

Eligibility Requirements
We propose creating two classes of membership in Guild Freelancer,
professional and general. Professional members will be eligible for
group health insurance, following 90 days of membership in good
standing. General members will not be eligible for group health
insurance. Guild freelancer members are responsible for self-reporting
any changes in status that would change their membership class.

Professional
Professional class is limited to persons substantially engaged
primarily in, and paid for, reporting and/or editing in either print,
broadcast or online, blogging, books, poetry, technical writing, copy
writing, design/illustration, audio/radio, photojournalism, video,
multimedia, or web design/production.

General
General membership is available to individuals engaged in occasional
writing, editing, etc. and to former journalists, journalism
educators, students, and supporters now engaged in occupations other
than journalism.

Adapted from the Investigative Reporters and Editors guidelines, “Who
can join”:
http://www.ire.org/join/classes.html

Other issues
•       We need to adopt a waiting period to minimize liability to the
Guild. The industry standard ranges from 90 days to six months; we are
opting for 90 days.
•       A review committee composed of the credentials chair, unit chair, a
Guild staff representative and three unit members will determine
eligibility for Professional Memberships.
•       The two-tiered membership includes a process for hearing appeals of
denials and/or disputes, with Representative Assembly of the Guild the
ultimate authority.

This American Life Theme List

From the fabulous folks at TAL. Pitch away!
-mia

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Dear This American Life friends and contributors,

We've got a new round of themes-in-progress and we're coming to you for story pitches, thoughts and suggestions for our upcoming shows.
How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

Thanks so much for your pitches. All of us here are very appreciative.

Best,

Julie
(julie@thislife.org)

NEIGHBORHOOD WATCH: For this show we’re seeking stories about communities, large and small, where people are engaged in some sort of struggle to change or protect their way of life. We have one story that explores this theme on a very personal level: It’s about a woman who develops an elaborate plan for how her autistic son will live without her after she dies. First she buys the house across the street from her so he can practice living on his own. Then she lobbies her town – neighbors, cops, people on Craigslist, basically anyone who will listen — to build a network of people who will look after him. We’d love to find a story that’s actually about a neighborhood watch group – even if it’s just one person single-handedly trying to look out for the block. Funny stories about nosy neighbors or other neighborhood conflicts would be great too.

CRY BABIES: (note: we’ve sent out this theme before but the show is coming up soon-ish and we’re still looking for a few more stories.) We’d like to do a show about people who have out-of-proportion responses to perceived wrongs. There’s always one cry baby – one member of the family or one person in the office. And what’s so galling is that being the cry baby almost always works. For a short-term strategy, it’s kind of brilliant. It’s just in the long term that it gets really annoying. We have one story for this show about disability activists in California who constantly sue businesses for violations of the Americans with Disabilities Act (ADA). They're suing for totally legit violations, but some activists do it so often that they actually make a living off it. And some of the suits are over tiny infractions that could potentially be resolved without lawyers and money. But the thing is, being a crybaby in this situation is actually giving the ADA some real teeth that the law lacks. Political and sports stories are potential goldmines for crybaby stories, but smaller personal/family stories would be also be great. We're also hoping for some real tears on this show. Really whiny ones. So any ideas for situations or stories where either kids or adults are being crybabies would be nice. Maybe a time when you played the crybaby card or were unfairly labeled as one?

INSTITUTIONAL MEMORY: INSTITUTIONAL MEMORY: We have a story about a woman who has had cancer for 22 years. And the interesting thing, besides long surpassing the life expectancy of someone with cancer, is that her story is kind of the history of cancer treatment in this country. When she was first diagnosed, doctors recommended that people undergoing chemo wear this icepack hairnet so their hair wouldn't fall out (it didn't work). Since then, she's been through a barrage of different treatments including a bone marrow transplant, hormone treatments, and gene therapy. And each of her treatments is kind of a mini-history lesson in the promises, results, failures, and even outright lies that have occurred during the "War on Cancer." So we'd like to do a whole show about people whose personal stories tell the history of some larger idea or industry or movement. Maybe a personal court battle that tells the story of changing laws? Maybe a politician who's views have evolved or completely shifted over time? Maybe an immigrant who rides the shifting waves of immigration policy? The cancer story will be science related, but other non-health science stories could work. And it'd be great if we could have a story where someone really regrets positions they took or ideas they held.

MID-TERM ELECTIONS: For this show, we're looking for stories that get at some of the unique characteristics of this cycle. Some of these things are so heavily-trafficked it almost hurts to say them–but the anti-incumbent backlash, the fracturing and energizing caused by the Tea Party crowd, the role of the war and the economy, the sad lot of the Democrats who are obviously coming off of a high in 2008. We're looking for people, groups, and potentially races that somehow embody the complexity of what's happening. To that effect, we could use stories about anyone with a rich personal narrative that shines a light on the moment part of what this election cycle represents. We’re especially looking for local races – state reps, school boards – that might be interesting.

PETTY TYRANTS: We'd like stories about people who consolidate power in an unusual way, or get put in a position of power and then find themselves abusing it – either on purpose or because they can't help themselves. Or maybe a story of a well-meaning person who's in charge, but then makes a decision that spins out of control. For this show, we're interested in exploring: 1. How does a person start out like you and me, but then turn into a tyrant? What's the process? And 2. How do tyrants stay in power? We've got one story about a school janitor who somehow takes control of the entire school district's facilities, ingratiates himself with key higher-ups, becomes head of his union, and then proceeds to terrorize anyone who crosses him or even irritates him in any way. He keys their cars, throws paint on their houses, plants small bombs on their truck windshields. So what might be nice are more personal, or funny stories about someone who bullies other people – maybe not even a person but a company that controls everything, or a group; or even an unusual story about a real-life political tyrant somewhere – not a Stalin or a Kim Jong Il — but someone lesser known, like a small-town mayor or something, who quietly screwed his or her people. Maybe a story of someone who tried to stop a tyrant?

CLIMATE CHANGE: We have some great potential material for this show, but we still have room. Very generally, as you might expect, we need stories that don't feel like we've heard them before–which is hard when the topic is climate change. There's interesting work being done with ice melting, snow surveying, policy maneuvering… but in the current climate of ambient apathy, we're keenly aware that people have a hair trigger for tuning this subject out. In light of that, we're looking for people trying to solve problems in new ways or doing research in emerging areas. We're looking for stories that revolve around a single person/group with an interesting role in climate change. That might be a person who regulates something surprising, someone fighting an interesting court battle, or someone living with the effects of climate change in an interesting way. Going back to apathy, we are looking for a way to get at the malaise that seems to be hanging over country that goes something like "I know it's important, but I have other stuff to worry about, and even if I was going to do something I wouldn't know what to do. Thanks a bunch for reminding me the world sucks." We want to understand that.

KID JURY: In the late 80s H.R. Haldeman, Nixon’s chief of staff, showed up one day at the newly-opened Nixon Presidential Library and, weirdly, made his case to a bunch of junior high kids. Basically, he pleaded with them to see things from his perspective – that he was a scapegoat, that Watergate wasn’t really that bad, and that, besides, everything he did was because of love and loyalty to the President. The kids were confused not only because they didn’t really understand who in the hell H.R. Haldeman was but, also, they didn’t know what he wanted them to do about his plea – how was any of this their business? For this show, we’re looking for stories where kids are put in powerful positions and asked to make decisions, or take sides, or take action. Maybe stories where a group of kids have acted as judge and jury against an adult or a teacher or a parent. Or kids who all decide that one parent is the bad guy when the evidence clearly points to the other parent? Maybe a story about a kid who is uncomfortable with a big decision that is being left up to him or her? Interesting school councils or disciplinary committees could work well for this show, too. Also, we’re thinking of maybe assembling a jury of kids to weigh in on the big issues that are often debated in their name (“think of the kids!”) like climate change or deficit spending or gay marriage. If you’ve got any early teens you think might be game, please let us know.

Blackpublicmedia.org Digital Web Series Open Call, deadline Sept 27

Got this post from AIR (the supplier of many of my posts.) This looks great! Contact christian@nbpc.tv with questions.
-Mia

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Online application:
http://blackpublicmedia.org/DOC-2011.php

Digital Web Series Open Call Guidelines
BlackPublicMedia.org

Blackpublicmedia.Org reviews and considers for distribution on a rolling basis films about the black experience globally. Our content priorities include films in contemporary settings depicting black life and experience in a rare and often overlooked context. We are most thrilled by those cinematic gems which bring to us knowledge that has been ignored by popular culture; films outside the norm which approach black characters, stories and locales in a fresh and engaging manner.

In that same spirit BlackPublicMedia.org also executively produces interactive online content designed to engage any audience interested in African Diaspora content online. The following is a guideline for submitting content for consideration to BlackPublicMedia.org’s annual Web Series Open Call.

The BlackPublicMedia.org Open Call awards project requests of up to $20,000 for interactive web series concepts. Selected projects will be published on BlackPublicMedia.org, made available for public broadcasting options, and executive produced by the National Black Programming Consortium.

  • *THE SUBMISSION DEADLINE FOR THE 2011 OPEN CALL IS SEPTEMBER 27th, 2010**

    Content Categories & Criteria
    The goal of the BlackPublicMedia.org Web Series Competition is to identify serial content concepts based within a unique contemporary African Diaspora context. Project concepts will be considered most highly if they utilize new distribution models to explore maximum engagement, and provide a public forum/platform for valuable networks of civic discourse. Series proposals must fall under one of the following categories:

    • Social Satire
    • Narrative Fiction
    • News & Documentary
    • Public TV/Radio

    Each series must have between eight (8) and twelve (12) episodes completed during the contract year. Please read the criteria for each submission category below.

    Social Satire
    Often broad conversation about important issues can only be sparked by bold satire. Initiatives considered for the Social Satire category are meant to employ more flexible techniques to engage an audience in dialogue – comedy and provocative social commentary being some methods.

    Narrative Fiction
    The Narrative Fiction category is for the consideration of fictional web series ideas with Black or African American lead characters. This category is meant to encourage the submission of broader ideas and explorations that are not necessarily factual but metaphoric in their

    implications for social and civic discourse. A broad example could be a series around a single mother raising a family; episodes could prove to be platforms for online discourse around equal pay, housing inequity, love and relationships, family, etc.

    News & Documentary
    The News & Documentary genre is for the consideration of interactive content initiatives designed to provide up to date factual information about a specific Black/African Diaspora community or
    issue area. Series proposed here are factual “webisodes” which offer general platforms for discourse around discreet social, or political issues. This is also a category for more intimate explorations of ideas and issues that might be part of a larger documentary project. “Behind the scenes” ideas will not be considered too highly in this category unless they provide a distinct platform for discussing larger issues pertaining to the project idea.

    Public TV/Radio
    Within this genre proposals are for ideas attached to an ongoing project with a standing, or upcoming public television or public radio broadcast. Producers working on longer format projects
    may use this opportunity to develop an interactive relationship with a community of interest related to their main project. For example, video podcasts for a regularly scheduled

  • 2 producer jobs at KCRW, application deadline Sept 3

    Two full-time gigs in at KCRW in LA, but odd hours so you may be able to continue with other projects as well. Details below.
    -mia

    +++++++++++++++++++++++++++

    http://www.kcrw.com/about/jobs-at-kcrw

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's flagship station for Southern California. The Santa Monica-based nonprofit represents cutting edge radio at its best, presenting an eclectic mix of independent music, news, talk and arts programming.

    KCRW is looking talented and creative people to join our team.

    Morning News Producer

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station. The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming. The station serves seven Southland counties as well as listeners around the world via the web. KCRW is looking for a talented Morning News Producer to join our team.

    Responsibilities / Duties:

    NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Morning News Producer will work closely with the Morning Edition host to collect and produce news and features with the local Morning Edition host and help shape the sound of the overall broadcast.  Stories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

    Qualifications:

    • Excellent news judgment
    • Experience booking, conducting and recording interviews
    • Experience writing news stories for radio
    • Ability to write clear, concise and accurate copy under tight deadlines
    • Extensive knowledge of the city, region and state
    • Editing ability, (Dalet and ProTools knowledge a plus)
    • Experience in collecting and editing tape in and out of studio
    • Field recording experience a plus
    • Contacts/sources a plus

    This position reports directly to Director of Programming Development and the General Manager.   The working hours are 5AM-1PM, Monday-Friday, though hours may be flexible.

    Compensation:

    TBD + medical benefits 

    To Apply

    Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

    Jobs
    KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

    Deadline

    All applications must be received by September 3, 2010.

     

    Afternoon News Producer

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station.  The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming.  The station serves seven Southland counties as well as listeners around the world via the web.

    KCRW is looking for a talented Afternoon News Producer to join our team.

    Responsibilities / Duties:

    NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Afternoon News Producer will work closely with the Morning Edition host to collect and produce news and features for use the following dayStories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

    Qualifications:

    • Excellent news judgment
    • Experience booking, conducting and recording interviews
    • Ability to write clear, concise and accurate copy under tight deadlines
    • Extensive knowledge of the city, region and state
    • Editing ability, (Dalet and ProTools knowledge a plus)
    • Experience in collecting and editing tape in and out of studio
    • Contacts/sources a plus

    This position reports directly to Director of Programming Development and the General Manager. The working hours are noon-8PM, Monday-Friday, though hours may be flexible.

    Compensation:

    TBD + medical benefits 

    To Apply

    Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

    Jobs
    KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

    Deadline

    All applications must be received by September 3, 2010.

     

    Snap Judgment Seeks Amazing Radio Producer, Oakland, CA

    This is a full-time gig (not freelance) but Glynn and his show are so cool I just couldn't help myself. They also take freelance pieces. Check out their website (linked below) for details.
    -mia

    +++++++++++++++++++

    Snap Judgment is the brand new, smoking hot, nationally-aired radio / television / stage show funded by the Corporation for Public Broadcasting. Join us for the launch of a bold new style of storytelling.

    Hosted by Glynn Washington, winner of the Public Radio Talent Quest, the show is a multi-platform experience that interacts with audiences through radio, TV, stage and web. Snap Judgment’s edgy, intimate, hip storytelling redefines expectations for public media.

    The show sits on the razor’s edge of culture, race, gender, and sexuality. Applicants must be comfortable in dealing with people from a variety of backgrounds that may not have traditionally had voice on public media.

    Job Description

    Quite simply, we are looking for an amazing someone. A super superstar. The skills required for the undertaking are vast, and this is only a short list. (This is a full time position based in Oakland, California.)

    Most importantly, be able to work with host Glynn Washington and the Snap Judgment crew to create amazing, stupendous, breathtaking radio. This show is on a rocketship, and we are looking for a creative, energetic, contributor to help us take it to the next level.

    Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

    Creative and musical use of sound is extremely important, as every single episode of the radio program is constructed with the care of a music album.

    Project management skills an absolute must. Must be able to effortlessly juggle many conflicting duties with rigorous deadlines.

    Interview both regular people and irregular artists and construct their stories into compelling narratives.

    Proactively get / create / write / interview compelling stories.

    Grunt work. Absolutely anything and everything that needs to get done.

    Qualifications

    Rigorous Storytelling Background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children’s show, audio artist, speechwriter, novelist, animator, theatre producer, newspaper reporter, fiction editor, etc . . .

    Radio lover. Must know and love public radio, but not be so rigid that you can’t work within a new model. Snap Judgment is nothing like anything on public radio.

    No Drama. Proven ability to work well in a collaborative team environment as well as independently.

    Used to working in a Mac environment. Familiarity with Logic, Final Cut Pro, ProTools, Soundtrack Pro, etc. You need to be able to build broadcast-quality stories.

    Resourceful. Used to making the magic happen routinely on an absolute shoestring. We are looking for the “MacGyver” of storytelling.

    To Apply

    Before applying, please go to SnapJudgment.org and listen to full episodes of the show.

    If you really dig it, please send a cover letter, resume, salary requirements, and links to 2 – 3 projects for which you had primary responsibility to Jobs@SnapJudgment.org. E-mail only please!

    Women and minorities STRONGLY encouraged to apply.

    Peace and soul! We can’t WAIT to hear from you . . .

  • **
  • Soros Justice Media Fellowship, deadline Nov. 3

    Big money (plus health insurance!) for this year-long fellowship from Soros. Details below.
    -mia

    +++++++++++++++++++++

    I just received a request for proposals for the Soros Justice Media Fellowship.  The fellowship ($50K for a year plus health insurance for the year) support writers, print and broadcast journalists, bloggers, filmmakers, and other individuals with distinct voices proposing to complete media projects for local, regional, and national markets that engage the public and spur debate on one or more of the Open Society Foundations' U.S. criminal justice priorities (there are 12 priorities within the US criminal justice program and are detailed in the guidelines).

    The deadline is November 3, 2009.

    http://www.soros.org/initiatives/usprograms/focus/justice/programs/justice_fellows/guidelines/media

    Immigration Institute for Journalists at UC Berkeley, deadline Sept 10

    UC Berkeley jschool and law school and teaming up for a 4-day intensive on immigration. Looks pretty interesting. Contact Rosa M. Ramirez <rosamramirez@berkeley.edu> for any details you can't find on the website (linked below).
    -Mia

    +++++++++++++++++++++

    An Intensive Institute for Journalists

    November 14-17, 2010

    University of California, Berkeley

    The Graduate School of Journalism and the Warren Institute at Berkeley Law are organizing a four-day institute for working journalists on covering immigration, an issue that has become central to debates over the economy, health care, education and law enforcement. Reporters and editors from traditional and new media are welcome to apply.

    Selected fellows will get an in-depth understanding of the dynamics of America’s often-divisive immigration debate and the tools to uncover new perspectives and insights backed by solid research and data. The deadline to submit your application is September 10th. For more information on the institute or to apply, please visit our website: http://journalism.berkeley.edu/conf/2010/immigration/.

    The Changing Face of America:<http://journalism.berkeley.edu/conf/2010/immigration/>

    Going Beyond the Rhetoric on Immigration<http://journalism.berkeley.edu/conf/2010/immigration/>

    Best,
    Rosa M. Ramirez
    (720) 496-6555

    video adjunct position in DC this fall

    Not sure we have any DC folks in the group, but spread the word to your peers in the area. Or maybe find an excuse to hang in DC for a semester?
    -mia

    +++++++++++++++++++++

    *Adjunct Instructor Videography, Washington, D.C.*

    *Four days a week, flexible for 11 weeks, beginning Sept. 20 and ending Dec. 8, 2010 *

    *Deadline for Applications: Aug. 18*

    The Medill School of Journalism seeks an accomplished video storyteller with experience in public affairs, business or science journalism to teach in the school’s unique program in Washington, D.C. The job is a fulltime, temporary adjunct position.

    The successful applicant will be an outstanding visual storyteller with experience in original video production for broadcast and non-broadcast platforms and a strong record of enterprise journalism.

    He/she will be able to teach techniques that include, but are not limited to, audio collection, voice coaching, field producing, non-linear editing, creation of news packages and longer-form storytelling for digital platforms.

    He/she will work with a range of students who are studying videography/broadcast, and/or specialist reporting in public affairs, business or science/health/environmental journalism.

    The position is not a fulltime faculty position. It is an adjunct position for 11 weeks beginning Sept. 20. Schedule has some flexibility.

    To apply, please send resume to:

    Salome Angrand
    Office Manager
    Medill News Service
    1325 G St. NW, Suite 730
    Washington, DC 20005
    s-angrand@northwestern.edu