Pimp Your Podcast – a panel discussion at the CUNY J-School

For you audio folks/podcasters – I was recently on a panel at The CUNY Graduate School of Journalism’s called “Pimp your Podcast” with Amanda Aronczyk (moderator), Jim Colgan of Soundcloud, Adam Davidson of Planet Money, and Ashley Milne-Tyte, producer of the amazing podcast The Broad Experience. We talked about the differences between online audio and broadcast radio and how to sell a podcast idea to a funder or news organization, among other things. It was a lot of fun, and I thought some of you might find it useful.

‘Pimp Your Podcast’ Panel – October 22, 2012 from CUNY Grad School of Journalism on Vimeo.

Strange Beauty Film Festival Call for Audio entires – deadline is MONDAY, Dec 10

Quick! You have until Monday to send your stuff. -Mia


Enter Strange Beauty's Aural Fixation 

Calling all Audio Types!!! here's a chance to have your brilliant work heard by a live audience.

please consider submitting work to Aural Fixation–a curated listening block–part of the Strange Beauty Film Festival. The deadline was extended to December 10th — get your awesome piece in now!

For the past 2 years, Aural Fixation, curated by Jennifer Deer, has been a big Saturday night hit at Strange Beauty, the coolest lil' film fest in Durham, NC. 

Producers featured in Aural Fixation have included John Biewen, Alix Blair, Jesse Dukes, David Goren, Karen Michel, Katie Mingle, Shea Shackelford, David Schulman, David Schultz, Nick Van der Kolk ….

See the website for more info and to submit. Guidelines below. 

ENTRY GUIDELINES

Aural Fixation, an audio-only portion of the Strange Beauty Film Festival, accepts audio work of any shape or form with a running time of 30 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it. 

Previous broadcast history is of no concern. Audio work/sound art of any type/content is welcome, such as narrated, verite, soundscapes, raw tape, excerpts, scenes, sound or audio "moments," found tape, experimental, audio theater, and creative radio work (to name a few). Music may also be a good fit for Aural Fixation if it relies very heavily on recorded sound over musical instruments.

A completed electronic entry form and an entry fee of $5.00 must accompany each work submitted. You may submit a URL for auditioning your audio piece, or email us an mp3 file. Please name the file with at least your last name. If your piece is selected for the festival we will contact you for further information and at that point we can arrange for a .wav file to be sent, it you so desire.

ENTRY FEE
$5.00 per entry. Entry fees must be in U.S. funds only. 

AWARDS

There are no official awards, though we'll have baubles of some kind for all producers/audiomakers who come to the fest.

Inviting proposals for startup awards, deadline Jan 23

I've been hankering for one of these myself – go ladies, go! -Mia

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J-Lab is now accepting proposals for $14,000 in start-up funding for women-led media projects. Please share with your women entrepreneurs.

Deadline is Jan. 23, 2013. They can apply here:http://www.newmediawomen.org/applying/guidelines

And they can see past winners at www.newmediawomen.org.

Best,
Jan

Jan Schaffer
Executive Director
J-Lab: The Institute for Interactive Journalism
Entrepreneur in Residence
American University School of Communication
3201 New Mexico Ave. NW, Suite 330
Washington, DC 20016
P: 202.885.8100
T: @janjlab

www.j-lab.org
www.newmediawomen.org

KQED TRULY CA, Call for Entries 2013, deadline Jan 11

For you CA-philes. -Mia


This is Aldo at KQED in San Francisco and it’s that time of year again when we announce our Call for Entries for the series Truly CA.
We’re looking for submissions for next season’s Truly CA. Deadline for submissions is January 11, 2013.

Submission forms can be found at http://www.kqed.org/arts/programs/trulyca/entries.jsp and on our Facebook page

Truly CA showcases documentaries about California in two formats:

  • Truly CA: Our State, Our Stories is a television broadcast series airing monthly on Sundays at 6pm.
  • Truly CA Shorts is a web-only companion series featuring new downloadable short documentaries (30 minutes or less) every other month.


We welcome submissions from across the country that document the many faces of California. We run the gamut: this season we have everything from a gentle, nostalgic look back at Camp Beaverbrook to a survey of the experimental filmmaking antics of the Kuchar Brothers to an upcoming raw exploration of schizophrenia.

Through both Truly CA and our new series Film School Shorts (coming in 2013!), we hope to build online communities for new, fresh filmmakers across the country, highlighting the process, pain and joy of making that perfect piece of cinema.

If you’d like to share the word with your filmmaking community, like us on Facebook and share our link for the Call for Entries.


We hope to hear about the amazing documentaries being made! Please let me know if you have any questions about submitting a film or how you can spread the word.

 

Connect with TRULY CA, featuring the best documentary films about California made by independent filmmakers.

Visit us at http://www.kqed.org/trulyca

Like us! facebook.com/KQEDtrulyca

 

Funding Opportunity – 2014 U.S./Japan Creative Artists’ Program, deadline March 1

ooooh – nice chunk of money to travel to and work in Japan for three months. Go for it! -Mia
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Deadline for the U.S./Japan Creative Artists' Program: March 1, 2013 

The U.S/Japan Creative Artists' Program, in partnership with the National Endowment for the Arts, provides support for up to five outstanding contemporary or traditional artists from the United States to spend a three-month residency in Japan. Eligible applicants are architects, choreographers, composers, creative writers, designers, media artists, playwrights, visual artists, or solo theater artists who work with original material (including puppeteers, storytellers and performance artists). Multidisciplinary artists and artistic directors of theater or dance companies are also eligible.

The next deadline for this program is March 1, 2013 for residencies in 2014.

The U.S/Japan Creative Artists' Program is extremely competitive; applicants should have regional or national recognition and anticipate a highly rigorous review of their work. Artists should also present compelling reasons for wanting to work in Japan.

Selected artists will receive:

· A grant award in the amount of $20,000 to cover housing, living, and professional expenses for either 1 artist or a collaborative team.
· Up to $2,000 for round trip transportation for the artist.

Additional information, including guidelines and the application, can be found at http://www.jusfc.gov/creative-artists-programs/

TAL THIS WEEK show

From the lovely folks at TAL. -mia

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Hello This American Life friends and contributors,

We've gotten hundreds of great pitches from you since we sent out our call for stories last Friday for the "This Week" show. Thank you so much. Now, we’re reissuing the call for help in hopes of filling some holes in our lineup. And, you guys: this show is going to be so much fun. Please be a part of it!

Just to remind you about the project, here's what we're doing: the show is for next week and the theme is “This Week,” meaning the show is united by the simple fact that all of the stories take place in the seven days prior to broadcast. It’s kind of a “news” show and kind of not. We’re hoping for a mix of more traditional, topical stories (a school board fight, a drug bust, even a weather-related story) and more personal, specific stories (a break-up, someone losing a job, moving to a new school, etc).

The eligible dates for this “This Week” show are Saturday, December 1st through Friday, December 7th. If you know of anything interesting happening – to you or someone you know – between Dec 1st and Dec 7th, we want to hear about it. It can be anything that matters to the people involved – just so long as something, however tiny, is at stake: a first date, a championship game, an audition, a medical diagnosis, the first day of a new business, or the last day of a dying one.

What we’re especially hoping for now are some lighter stories. Funny would be good. We’re also short on political stories – a local politics or news story would be great. Is some huge fight over a stoplight coming to a head the first week of December in your town? Is there any election aftermath playing out in your county in an interesting way?

Even if you don’t know of anything now, please keep your eyes and ears open and, if possible, even make your own recordings. Most smartphones have recording capabilities so if you come across some scene or event or even just are having an interesting conversation, record it! If you think it’s something we might want – just even as a small clip – email us and let us know what you’ve got and we may ask you to send it. (A note here: you can’t tape anyone secretly. All parties must know they’re being recorded for possible broadcast.) One of our favorite moments from the last “This Week” show was only a few seconds long. It was from a student on a class trip who taped a chaperone telling the kids: Please don’t push each other into the Grand Canyon. It went like this:

Ira Glass: So much has happened this week. What else? In the Grand Canyon on Wednesday, high school freshman were on a class trip.
Lauren: This is Lauren. We're walking down the trail to go to the Grand Canyon right now.
Teacher: Now. I know you wouldn't push anybody over the edge. But just don't even pretend to do it. OK? It's something we want to avoid. OK?
That’s the kind of stuff we’d love to hear.
Please send your pitches to: thisweek@thislife.org . You can also use that address to let us know if you have tape you’d like to email or upload to our server.

Thank you so much, again, for helping us make this show happen.

Sincerely, Sarah Koenig and Julie Snyder

two IRP Fellowships for 2013, deadlines early December

Two grant opportunities from the International Reporting Project at Johns Hopkins. Details below. -Mia

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Apply Now for IRP’s New Media Fellowships in 2013

Application deadline: December 7, 2012

http://internationalreportingproject.org/stories/view/apply-now-for-irps-new-media-fellowships-in-2013

In 2013, the IRP will offer up to six year-long reporting fellowships to influential journalists and media figures who are actively engaged in the new media landscape, using new media and multimedia tools, with strong ties to a social media community, in order to support reporting projects on issues related to health, development, and innovation in the developing world.  

Priority for these 12-month reporting grants will be given to journalists and other new-media practitioners from the United States, Brazil, France, Germany, Australia, India, Indonesia, the United Kingdom, and sub-Saharan Africa, but applications from other countries and regions are welcomed.

IRP New Media Fellows will receive a stipend of US$15,000 to produce new and original content focusing on issues specific topics dealing with themes related to poverty, health, foreign assistance/aid and economic progress in the developing world. All candidates must fill out an application form on which they should describe the stories they would produce during the calendar year 2013. A brief telephone interview with finalists would also be part of the selection process.

IRP New Media Fellows should propose producing both short-form and long-form reports in a variety of media, such as regular blog posts, tweets, video blogs, slideshows on Storify or Flickr, multimedia series, video documentaries, as well as in-depth stories online, in print, radio or television media. Multimedia productions are encouraged. 


IRP New Media Journalists Trip to India: Examining Child Survival

February 17-27, 2013


Application deadline: December 10, 2012

Children of a migrant community working at a brick kiln near Bishanpur in Darbhanga district are vaccinated by a polio vaccination team.

Photo: "We – the solution" on Flickr

In 2013 the IRP will offer three separate reporting trips of 8 to 10 days each for US and international new media journalists to report on important global health and development issues in one country.

The first of those trips will be to India on February 17-27, 2013. Future trips in 2013 will be to South Africa in July and to Brazil in November.

Sandy Storyline – New Paticipatory Documentary

Interesting collaborative project, sharing stories related to Hurricane Sandy. Details below. -Mia
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I want to tell you about a new project we've launched called Sandy Storyline. It is a participatory documentary project that invites contributions from anyone with a cell phone or telephone. We are also working with lots of media makers and audio story tellers to collect storie in sound, photographs, and written stories. The technology we are using is developed by MIT Center for Civic Media and a tech start up called Cowbird.

I'm writing to AIR to see if any of you fine folks might be interested in helping collect stories. Please email sandystoryline@gmail.com if you are interested.

We are also looking for radio stations who are in the listener areas that were hit by superstorm Sandy that might be interested in doing stories on the project, PSA, or helping us get the word out to listeners about this participatory project.
Here's the info:
A beta site should be live in the next few days here: http://sandystoryline.com/ but currently also lives here: http://interoccupy.net/occupysandy/storyline/

Sandy Storyline is a participatory documentary about Hurricane Sandy and efforts to recover and rebuild our neighborhoods.

Share a moment. Share an image. Share a reflection. Share a vision for the future.

Using any phone or mobile device you can contribute a story:

Send a text or picture message from your phone to storyline@vojo.co
Call (888) 803-9856 to record your testimony and listen to other people’s stories.

Want to help us collect stories? Email sandystoryline (at) gmail (dot) com to get involved.

Sandy StoryLine is a collaboration between HousingisaHumanRight.org, the MIT Center for Civic Media, in partnership with Cowbird, Interoccupy.net, Occupied Stories and a growing number of media makers, storytellers and people like you.

CPB/PBS Producers Academy – call for applications

Forwarded from AIR, here's a great opportunity from the CPB. -Mia

CPB/PBS Producers Academy
Guidelines

The Corporation for Public Broadcasting (CPB) and the Public Broadcasting Service (PBS) invite you to participate in the 2013 Producers Academy at WGBH. The CPB/PBS Producers Academy offers professional development activities designed to identify public broadcasting’s next generation of creative talent.

In the belief that the best producers enhance their production skills and their own creative energy by working and interacting with others, the Producers Academy seeks to: 1) encourage formal learning opportunities under the guidance of experienced producers, 2) facilitate relationship building in a business based on relationships, 3) offer exposure to diverse perspectives and experiences both inside and outside of the public television environment.

The CPB/PBS Producers Academy is open to both station-connected and
independent producers. Those selected will be chosen for their production talent, commitment to public broadcasting and potential for success in the program.

For more information contact: Kathryn Lo at PBS – producers_academy@pbs.org or Angie Palmer at CPB – apalmer@cpb.org.

For the application and more info (PDF):
http://www-tc.pbs.org/capt/Producing/2013_Prod_Acad_Appliction-FINAL.pdf

About the CPB/PBS Producers Academy at WGBH

“It was the best professional development experience of my career, bar
none. I feel fortunate and humbled to have been chosen to participate. It was a mind altering and life changing experience.” – Beverly Penninger, 2010 Workshop

I honestly learned more during the workshop than I did in three semesters of graduate producing courses. Not a critique of my grad school but a testament to the amazing program put together. – Bao Nguyen, 2011 Workshop

The 2013 CPB/PBS Producers Academy will be held at WGBH-Boston during the week of Saturday, March 30 through Friday, April 5. It has been developed for producers who create or intend to create works for public broadcasting, either through a station or independently. It is an opportunity for these producers to work intensively on the skills that will benefit them most, through classes and through direct contact with some of public television's most talented personnel.

The definition of "producer" includes producer/writers and producer/directors; individuals who have worked locally as well as nationally, in all genres of programming; professionals who work in video, film, and interactive media; and those who work in studio-based as well as field production. Please note that this program is not for beginners.

Over its eleven-year life, the CPB/PBS Producers Academy has accepted participants from 43 states plus the District of Columbia and Puerto Rico. Many of these producers have since contributed to public television's signature programming (American Experience, History Detectives, African American Lives, Latin Music U*S*A*, Freedom Riders). They have made programming for local and regional broadcast (New Jersey Legacies, Oregon Field Story, Greater Boston Arts) and online (Katrina Film Project, Journey to Planet Earth Web site). Their independent films (More Than A Month, Promised Land, A Son’s Sacrifice, Adjust Your Color: The Truth of Petey Green, The Eyes of Me, The Longoria Affair) have reached national PBS air.

To learn more about past Academy producers, visit
http://producersworkshop.pbs.org

The 25 producers selected for the 2013 Workshop will receive scholarships that pay for the cost of the program and the week's travel and living expenses.

Pro Publica offering paid internship in NY

Happy to spread the word about a PAID internship with Pro Publica. Details below. -Mia

ProPublica is seeking an intern to both report and help build community around our investigative projects with social media and engagement tools.

The internship will begin in January and last for up to a year. It is full-time and based in New York. Compensation is $700 per week.

Interns will be part of our investigative team focused on quick-turn reporting that riffs off the news as well as our engagement team, which works across social networks to build communities around our coverage and develops crowdsourcing and social media strategies for our reporting. Applicants should have prior journalism experience, and a demonstrated interest in leveraging social media for newsgathering purposes. 

Here are a few examples of the kind of explainers and hard-hitting pieces we do, as well as examples of our engagement efforts. Niemab Lab has also written about our approach to digital journalismcrowdsourcing and audience engagement.