Category Archives: Gigs

freelancer writers wanted for AIR websites

The fine folks at AIR are looking to build long-term relationships with freelancers who can write on a variety of topics. A few themes are below. Contact betsy@airmedia.org with pitches or questions!

• The first time

First-person stories (as told to) about highly interesting, highly educational moments in public media careers: first pitch, first sale, first job, first huge mistake, first time using a fixer, first whatever. I'm looking for two of these each month, $75 per piece, with a mix of famous/not-yet-famous people in our field. Slight preference for independent storytellers, or people who started that way, but we're open to other ideas.

I'd like to work with one or two regular freelancers on these. The right writer has reasonably good access and lots of good ideas, and can get these short-ish pieces (max. 750 words) turned around efficiently.

Also, I am eager to hear pitches for thoughtful reporting. Our pay rate range is based on complexity, length and availability of supporting audio/video/etc. Subjects that we're actively pursuing right now:

• Diversity in public media (perspectives, yes, but especially analysis). This is going to be part of a long-range project and core focus of the site when we relaunch later this year. We're working on how public media leaders, funders and participants define and/or experience diversity; data sets that describe our workforce, our story subjects/sources, and our audience; analysis of efforts to diversify public media's workforce, storytelling and reach; and all of the other things that affect the mission of pubmedia that serves all Americans.

• Skill building for independent producers in public media (one example, not necessarily a template, but a good starting point). Useful subjects: negotiation; finding and cultivating development teams around an indie project; pursuing grants and fellowships; writing a business plan; launching a project/podcast; etc., etc.

• Analysis of R&D and/or interesting pubmedia projects (to include the development of tools like those emerging from Civic Media, the Knight Lab, etc.)

If you have colleagues or students who are interested in these questions, please forward this email and put them in touch with me. We are rapidly (and radically) expanding our editorial effort, and I'd like to build some long-term relationships with writers who need steady work.

Thanks for reading and sharing.

Betsy

Betsy O'Donovan
AIR/editorial
Office: 617-885-4400
Twitter: @AIRmedia
For information: www.airmedia.org
For inspiration: www.airmediaworks.org

Job Opening at the Stanford Storytelling Project, Stanford University

This is pretty much my dream job. Too bad it's 3K miles away. May it go to one of you worthy freelancers. -Mia

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The Stanford Storytelling Project, an arts program at Stanford University that, among other things, produces the radio show State of the Human on KZSU, is looking for a new, full-time Fellow who would both teach undergraduate courses, workshops, and help produce the radio show. Details about the position are below, but the basics are: an advanced academic degree, college-level teaching experience, and audio documentary production experience are required; start date is sometime in September or early October; salary will be between 50-59K, depending on start date, and the position starts as a one-year appointment, to be renewed if all goes well.

if you're interested, please read the ad carefully and visit the link to the application page. More information about the Storytelling Project is at our website (storytelling.stanford.edu) and on our facebook page. And please feel free to forward this widely.

Thanks all!
Jonah Willihnganz, MFA, PhD
Director, The Stanford Storytelling Project
Stanford University
jonahw@stanford.edu



—————-

FELLOW, THE STANFORD STORYTELLING PROJECT Office of the Vice Provost for Undergraduate Education (VPUE)
Stanford University
Job Application Close date: September 23, 2014

Stanford University is seeking a full-time Fellow for the Stanford Storytelling Project, an arts program within the Oral Communication Program. The initial appointment will be for the 2014-15 academic year, with the possibility of re-appointment and the salary range is $50-59k, depending on start date.

The Stanford Storytelling Project (SSP) provides students opportunities to develop skills in the narrative arts through a range of courses and projects. SSP sponsors courses, grants, events, a weekly workshop, and an award-winning radio program featuring stories produced by students. SSP explores in particular the power of performed stories, live or recorded, from myth and memoir to research-based narratives. More information about SSP and its mission is at storytelling.stanford.edu.

The SSP Fellow will offer instruction in oral, audio, and multimedia storytelling craft in a variety of settings across the university and will support the activities and initiatives of SSP. Major duties include developing and teaching courses, designing and delivering workshops, training SSP student staff, mentoring students, and collaborating with faculty to design storytelling course components. The Fellow will also help develop and manage the SSP’s radio program, State of the Human, and help lead its weekly craft workshop, StoryLab.

The Fellow will have the opportunity to develop his/her own courses, participate in professional development through SSP and the Oral Communication Program, collaborate with faculty across the university, and, through the events series, engage with some of the best storytellers in the country. The Fellow will also have the opportunity to help produce, with other SSP staff and students, stories for large live and radio audiences.

Job Requirements:

Advanced degree (PhD preferred) in a field focused on narrative craft such as English, Creative Writing, Performance, or Documentary Studies. 2-3 years experience teaching college-level courses, mentoring others in creating stories for recorded media or live performance, and some form of media production. Qualified applicants must also have demonstrated knowledge of oral and/or multimedia storytelling forms, trends, and programs, understanding of up-to-date pedagogy in teaching narrative craft, and the organizational and leadership skills to help manage workshops and media production.

Information and Application Process Instructions:

For a more comprehensive job description and to apply, please visit: http://apply.interfolio.com/25649.

Stanford University is an equal employment opportunity and affirmative action employer and is committed to recruiting and hiring qualified women, minorities, protected veterans and individuals with disabilities. Applicants with dual-career considerations can find postings of other employment opportunities at the Stanford University and at other institutions of higher education in the region on www.AcademicCareers.com

Radio Journalist needed for IOM mission in Philippines, Aug 25-29

Know any talented radio journalists in the Philippines? Spread the word! Details and contact info below. -Mia
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The International Organization for Migration (IOM) is looking for an experienced radio producer/journalist to produce a broadcast quality podcast from our mission in Philippines. To that end we wish to engage journalist specialized in radio production to accompany our research team to the Philippines to conduct interviews with IOM staff. The aim is to produce a 45-60 minute podcast program of broadcast quality using voice interviews and natural sound exploring the possible impact of the new set of humanitarian principles in crisis situations.

IOM is developing and implementing an institutional humanitarian policy which will be embodied in a set of ‘Principles for Humanitarian Action’ (PHA) for the mobility dimension of crisis situations. These Principles will underpin IOM’s ‘Migration Crisis Operational Framework’, and will guide IOM staff and field operations when responding to the human mobility dimension of crises.

Field-based reports will be undertaken to explore and identify the current and recent operational experience of humanitarian challenges and issues IOM staff face, and the effects the PHA initiative will have on these challenges.

Payment will cover 10 days of work (five days in field and five days for post-production), flight, transport and daily allowance.

The journalist should have experience with international media and ideally have produced work for international organizations previously.

Aims and Objectives of Podcast Report –
§ To scope out, identify and document the nature and the different types of humanitarian challenges and dilemmas faced in diverse operational settings;
§ To explore how accountability challenges towards communities and affected populations are met in the field;
§ To document the types of support provided at different levels to guide humanitarian and rights-based interventions and identify gaps.

Please contact Leonard Doyle ldoyle@iom.int

freelance arts reporter needed in Colorado

Hey Colorado freelancers. Great (STEADY) opportunity from the CPR arts desk. Details below. (Wish I lived in CO!) -Mia

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Colorado Public Radio in Denver is looking for a talented freelancer to produce a regular 5-minute audio/web segment for our Arts Bureau Editor, Chloe Veltman, once a month. The segment is called Voicebox. here are a couple of examples of segments produced to date:

https://www.cpr.org/news/story/voicebox-how-singing-cures-stuttering

https://www.cpr.org/news/story/voicebox-how-auctioneers-turn-selling-art-form-and-sport

This person needs to be a great reporter, based in Colorado and ideally has an interest in stories about the human voice.

The pay is $375 per segment. That covers pitching, reporting, writing and going through whatever editing stages are necessary to create a polished piece. Mixing the final product is not a requirement, at least to start, though mixing skills are a plus.

If interested, please contact Chloe at cveltman@cpr.org.

Deutsche Welle looking for freelancers

Deutsche Welle (DW) is looking to expand their freelancer base, especially in Washington and London. Details and contact info below!

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We are looking to expand our correspondent base for the website. We need freelance reporters who we can contact for both quick turnarounds of developing news stories as well as features. Though I'm focussed on making more contacts in Washington and London, I would also like to hear from people in capitals around the world. There are all too many places where we have gaps in our coverage.

Please pass on the word and if you know of anyone who may be interested, ask them to contact me for more details. They should send a C.V. and samples of their work.

This is a group mail, so please forgive me if you get it twice.

All the best,
Nancy

Nancy Isenson
Editor/Redakteurin
Deutsche Welle (DW)
Kurt-Schumacher-Straße 3
53113 Bonn Germany

Tel: +49 228 429-4058
Fax: +49 228 429-4583
nancy.isenson@dw.de

News, analysis and service from Germany and Europe in 30 languages: http://www.dw.de/english

BackStory with the American History Guys seeks two FT positions and a summer intern

BackStory is currently accepting applications for the following open staff positions. If you have questions about anything here, please put them in writing and send them to backstoryjobs@virginia.edu.

EDITOR

BackStory with the American History Guys is seeking an Editor to join its Charlottesville-based radio production staff. The Editor will coordinate production of each of the program’s weekly episodes, and supervise the editing of all show content, including host interviews, listener calls, script copy, and reported pieces. The Editor will also oversee audience outreach and engagement efforts for each episode, collaborating with fellow producers to utilize and develop the program’s social media and other digital assets. The Editor will also work closely with BackStory’s historian-hosts in the studio, directing their recording of interviews, analysis, and narration.

Competitive candidates will be passionate, curious, and skilled radio professionals who are enthusiastic about the program’s mission of making historical scholarship relevant and accessible to a broad audience. Experience editing the work of others is a must, and supervisory experience in a journalistic setting will be considered a definite plus. The Editor must be comfortable engaging intellectually challenging content under tight deadlines. Candidates with a background in U.S. history, American studies, or a related area of the humanities will be particularly well suited to the demands of the position.

View complete details and apply online through UVA Human Resources. >>

ASSOCIATE PRODUCER

BackStory with the American History Guys is seeking an energetic, thoughtful, creative associate producer to join the show’s production team. This individual will be responsible for all aspects of show production, including research, generating segment ideas, booking, directing of hosts, scripting, field recording, and editing. Associate producers also assist in maintaining the program’s online presence and may help to create and disseminate related multimedia content.

Competitive candidates will share a passion for making the study of American history accessible and relevant to a broad public audience. Applicants should have extensive experience with audio and/or multimedia production software (preferably Pro Tools). They should possess excellent research, writing, conceptual, organizational, and decision-making abilities, have an active interest in current events, and feel comfortable engaging high-level humanities scholars and scholarship. A background or experience in the field of American history and journalism is preferred.

View complete details and apply online through UVA Human Resources. >>

SUMMER INTERN

BackStory is seeking a summer intern to join its Charlottesville-based staff. Although some remote work is possible, the majority of the four-month internship will take place at the Virginia Foundation for the Humanities, where the program is produced. Interns will be expected to devote 10-20 hours per week to the program, and will receive a stipend prorated to the number of hours they work, not to exceed $2,250 in total. If you are a student, we’re also willing to work with your host institution to arrange for school credit for the internship.

The intern will be involved in a wide range of production tasks, with a particular emphasis on maintaining and growing the program’s social media presence. He/she can expect to devote a significant portion of each week to cultivating and participating in the program’s social media presence. The intern will also sit in on editorial meetings, and participate in editorial discussions with staff producers. Interns receive basic training in the use of Pro Tools (the industry standard for digital audio editing), and basic studio engineering practices. Self-starters who display an interest in and facility for field reporting may also have the opportunity to report, voice, and produce stand-alone segments for the radio show.

The ideal candidate will have an active interest in the field of history, and will be an avid consumer — if not creator — of digital and/or audio media. We’re looking for someone with excellent research, writing, and organizational skills, as well as a thorough working knowledge of social media practices and conventions. Digital multimedia production experience is a plus, but not required. Last but not least, we’re looking for someone who is excited by the mission of making academic material relevant and accessible to the public-at-large.

Start Date: Mid-May; Application Deadline: March 15

View complete details and application instructions. >>

Nate Silver’s FiveThirtyEight seeks freelancer writers

Nate Silver's FiveThirtyEight is looking for freelance writers. Details HERE and pasted below.

FiveThirtyEight Seeks Data-Driven Freelance Writers

We've hired our initial team of staff writers and editors, and we’re well on our way to building our team of visual, computational and database journalists. We can't wait to show you their work. But we’re also looking for a few good men and women to contribute writing and analysis to FiveThirtyEight on a freelance basis.  

Let me be a bit more specific about what we’re looking for.

First, and most important, we’re looking for freelance features and articles that involve original research, analysis, or reporting — specifically those that involve statistical analysis, data mining, programming, data visualization, or other data-journalism methods. FiveThirtyEight is not the right outlet for “smart takes,” opinion pieces, or long-form essays that don’t involve some data component. We would potentially have interest in features that involve shoe-leather reporting (i.e., interviewing, first-person observation) if they are numerate as well as literate, and help our readers put data and statistics into context.

Second, we’re looking for freelancers to cover relatively specific subjects — e.g. hockey, weather, the economics of food — as opposed to generalists. A list of subjects that we know we’d be interested in is included below.

Third, as the site has not yet launched, we’re thinking ahead and looking to develop relationships with writers to produce recurring series of articles for FiveThirtyEight. As a general guide, this might mean writing anywhere from once every other month for FiveThirtyEight to once every week or two. The articles might typically be somewhere between 750 and 2,000 words in length.

Fourth, we’re looking for authors who have a track record of publishing work under their byline. This could mean at The New Yorker, in an academic journal, or at an obscure blog. But we’ll want to be able to evaluate published examples of your work and consider how it might fit into our plans.

We recognize that these requirements are strict. But as disciplined as we are in our approach toward journalism, we’re hoping to apply it to a wide range of subjects in the news and in everyday life.

The following list of potential freelance topics is not exclusive: if you want to pitch us on an epic, eight-part series on the statistics of dog breeding, we’re happy to listen. But the subjects listed below are those we’re most likely to be interested in — especially those listed with an asterisk (*).

One major focus for freelance content is our science vertical. Potential subtopics within science include but are not limited to the following:

  • Weather* 
  • Health and medicine* 
  • Technology* 
  • Energy, climate and environment* 
  • Biology and neuroscience 
  • Psychology 
  • Hazards and disasters (e.g. earthquakes, asteroids) 
  • Geography
  • Philosophy of statistics and mathematics

Our lifestyle vertical is broad. We’d be interested in people who provide data-driven analysis of these topics, along with others:

  • Education* 
  • Travel and transportation* 
  • Food and drink* 
  • Sex, dating and romance* 
  • TV and movies* 
  • Parenting 
  • Music 
  • Crime statistics and criminal justice 
  • Games (video games or otherwise) 
  • Gambling 

Within our sports vertical, we have several writers on staff who provide coverage across multiple sports. But there are a couple of ways that we might expand upon their coverage, such as with writers who:

  • Focus on one sport in particular, e.g. 
  • Baseball 
  • Football 
  • Basketball 
  • Soccer
  • Ice hockey 
  • Tennis
  • Golf 
  • Examine the intersection between sports and other FiveThirtyEight verticals, e.g. 
    • Sports science
    • Sports economics and finance

    In politics, we have strong coverage of U.S. elections on staff, but we’d consider pitches in the following areas:

    • Congressional voting and behavior* 
    • Fundraising and lobbying 
    • Political rhetoric and media framing 
    • Demographics 
    • International elections 
    • National security and military strategy
    • The Supreme Court and legal affairs

    In economics, we have strong coverage of micro- and macroeconomic data on staff, but we'd be interested in someone with a strong understanding of:

    • Personal finance
    • Trading markets, or,
    • Overseas economies, particularly in the developing world

    These are paying assignments. We have a schedule of freelance rates that can vary depending upon the writer’s experience, the time commitment involved in preparing the features, and other factors.

    If you’ve been patient enough to read to the end of this post and have an idea that you think might be a great fit for FiveThirtyEight, we’d love to hear from you. Send us a note at 538FREELANCE AT GMAIL DOT COM. Give us a specific sense of what you’d like to write about, illustrated by sample headlines or short summaries. Tell us how you can do this in a differentiating and data-rich way. Include links to articles that you’ve published elsewhere. And let us know how to reach you. We look forward to hearing from you.

    Producer job at Climate One, San Francisco

    Another full time gig. This from Climate One at the Commonwealth Club in San Francisco. Details below.

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    Climate One holds about 35-45 events a year with live audiences ranging from 50 to 500 people. Its radio show is broadcast regularly on several stations in Northern California (KQED, KRCB, KSPB and KWMR) and other public radio stations. Its monthly TV show is broadcast on the fourth Sunday of the month on KRCB TV 22 on Comcast and DirecTV.

     

    The successful candidate will speak fluent “sustainability” and have 3-5 years covering clean energy, climate, and related beats. Climate One covers carbon from business, policy, advocacy and scientific perspectives. General knowledge of broad areas is more useful than deep and narrow expertise.

     

    We are seeking a journalist with experience leveraging media distribution platforms – text, audio, video, social – to help us package our content and grow audiences on the Internet and in the room. Ability to quickly write and grasp new ideas is a must. Also need to be comfortable using a wide skill set as a member of a small team in fast paced environment.

     

    Responsibilities:

    Content Packaging and Distribution  

    Edit transcripts for segments on Climate One’s monthly TV program on KRCB TV 22.

    Direct Assistant Producer in editing of online video clips

    Review script and audio of Climate One California Weekly Radio Show.

    Write up post program summary to post on web site within 24 hours of live event

    Send thank you notes to speakers with appropriate links to post event materials

    Package audio and video from past programs into themed and newsy segments.

     

    Booking & Event Production

    Research topics and speakers for radio shows recorded before live audiences

    Write occasional invitations to speakers

    Assist Commonwealth Club public relations staffer in writing/editing media advisories

    Assist with production of live events directed by another producer

     

    Management & Administrative

    Supervise one Assistant Producer

    Light administrative work 1-2 hours a week.

     

    Hours

    9:30am to 6:30pm Monday thru Friday. 10am to 8pm on days with programs (2-5 days a month). 

    Benefits

    Three weeks’ vacation to start plus full health benefits. 401k.

     

    Compensation

    $50s

     

    To Apply:

    Send cover letter, resume and work samples to climateone@commonwealthclub.org.

    Include Climate One Producer in the subject line. Select applicants will be contacted in late February/early March for phone interviews. We anticipate filling the position in March/April. 

    New health and science show at WHYY Looking for Stories

    New outlet for health and science stories from WHYY in Philadelphia:
    WHYY's new radio show "The Pulse" is looking for story pitches. We cover health and science. Got an idea? Email us at mscott@whyy.org and mpinto@whyy.org If you want to check out the show to get a better sense of our sound, www.whyy.org/thepulse

    Stories don’t have to be produced / centered in this region (Pa, NJ, DE) but should at least have some local ties.

    The Moth is Hiring, AP of video and social media, deadline Feb 28

    Ok – so it's a full time job, not freelance. But The Moth is awesome; I had to share. Details HERE and below. Deadline Feb 28.


    Associate Producer, Video and Social Media

    The Associate Producer of Video and Social Media has a hand in every aspect of video production and social media content creation at The Moth. This includes creating engaging video, written, and other content that can be shared and re-shared; managing our Tumblr, Facebook and Twitter accounts and responding to questions from our community; producing videos for our storytellers and our own YouTube channel; designing weekly live show announcement fliers; managing project workflow and timelines; and archiving video from across the country.

    We are looking for someone who is self-motivated, passionate, creative, and is able to multi-task in a sometimes fast-paced environment. This is a full-time job is located in our New York City offices.

    Responsibilities

    ·      Edit and produce simple live story videos for our YouTube channel

    ·      Fulfill all internal and external video requests and orders

    ·      Archive and log all The Moth’s incoming video from its shows across the country

    ·      Coordinate with freelance videographers to ensure good video quality and speedy delivery

    ·      Manage all of the Moth’s social media, including our Tumblr, Twitter, and Facebook page

    ·      Make creative social media content

    ·      Design e-fliers for all upcoming Moth events

    ·      Maintain The Moth’s photo archive

    Requirements

    §  BA or equivalent experience

    §  Strong knowledge of Adobe Premiere (CS4 or more recent), Final Cut (Pro 7, Express 4, or X)

         or similar video editing software

    §  Strong knowledge of Photoshop (CS4 or more recent)

    §  Excellent written and verbal communication skills

     

    Please send a resume and cover letter to jenna@themoth.org by Friday, February 28th.