Deadline is THURSDAY, APRIL 25TH
To submit to:

ROUGH CUTS – MAY 2013
Tuesday, May 21st at 7:30 p.m.

Z Space
450 Florida St, San Francisco, CA, 94110
(between 17th St et Mariposa St)

Complimentary hors d’oeuvres provided
$9 admission

To submit, please visit:
http://sfroughcuts.com/callforsubmissions.html

And for more details about Rough Cuts, visit:
http://sfroughcuts.com/

_________________________________

Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

Please note the following dates:

Thursday, April 25th
Submissions must arrive by 5:00 p.m. [This is not a postmark deadline.]

Monday, May 6th
Selections will be announced and filmmakers will be notified

Tuesday, May 21st
Screening, followed by a discussion led by a guest moderator

The Kitchen Sisters (Davia Nelson & Nikki Silva), are holding an Interviewing & Recording Workshop in New York City on Thursday, April 18 from 10:00 am – 1:00 pm at WNYC Radio. The three-hour session is designed for people who want to acquire and hone their skills for an array of audio projects: radio, online, podcasts, storytelling, oral histories, audio slideshows, family histories, news, documentaries and other multimedia platforms.

We'll cover interviewing approaches, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it seems).

The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, blogs, journalism, photography, oral history, historical societies, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, farms and beyond. The groups are always lively and good contacts are made

The workshop will be on the 8th floor of WNYC, 160 Varick St., New York, NY. Of course, snacks will be served.

Register here: http://www.brownpapertickets.com/event/364049

The session is $120.

This workshop is sponsored by AIR.

If you have questions email kitchen [at] kitchensisters [dot] org.

Please pass this announcement along to your East Coast community.

Expand your skills, meet new people, support the work of The Kitchen Sisters.

See you there,

Davia & Nikki

This April to New York City (April 13-14, 2013), teams of filmmakers and technologists will be challenged to create web documentary prototypes – be they mobile sites, web apps, widgets, games or something we've never seen before – over two days of intense collaboration.

POV's documentary lab "POV Hackathon" (http://www.pbs.org/pov/hackathon/) is seeking filmmakers, designers and developers to participate.

Check out previous prototypes (http://www.pbs.org/pov/hackathon/previous-hackathon-projects.php), read our submission tips (http://www.pbs.org/pov/blog/povdocs/2012/12/pov-hackathon-submission-tips-for-filmmakers/), then apply (http://www.pbs.org/pov/hackathon/call-for-participants.php)!

More questions? Email hackathon@pov.org or visit http://pov.org/hackathon.

Sights and Sounds of Bayview
A Partnership between the San Francisco Arts Commission and KALW

Background:
In 2009, the San Francisco Arts Commission launched the Deep Roots podcast, which promotes art in communities where people live and work. Segments have included the creation of the bust of Harvey Milk in City Hall, Mission-based Poet Laureate Alejandro Murgia, and the 2013 Mayor’s Art Awardee Rhodessa Jones who is known for her work with incarcerated women. With funding from the National Endowment for the Arts to focus on Central Market, SFAC developed Sights and Sounds of Central Market , a series of commissioned audio portraits highlighting positive activity in the neighborhood.

SFAC is partnering KALW, one of San Francisco’s prized public radio stations – specifically its community storytelling project, HEAR HERE – because of its efforts to reach underserved listeners, bring new voices to the air, create a new dimension for the radio medium, and bring communities together through live events.

The funding for this project is from the San Francisco Public Utilities Commission (SFPUC). Under the City’s Art Enrichment Ordinance, the SFPUC works in partnership with the SFAC to support arts-based activation in District 10 and recognizes the arts as a vital part of its commitment to: healthy living; neighborhood stewardship, design, implementation, and evaluation; workforce and economic development resulting from collaborative partnership with local companies and residents; and developing community bonds.

CALL FOR PITCHES:
We are seeking proposals for creative audio portraits of people from Bayview. These could be about individuals that speak to the rich history of African Americans in the neighborhood, the changing demographics (the area is now 33 percent African American, 33 percent Asian/Pacific Islander, 25 percent Latino ), or a celebration of positive activity in the community.

We will commission six portraits; half of them should address environmental justice, healthy living, water flow, or energy conservation. How do you do that? Maybe you find a leader from Literacy for Environmental Justice, or a shop owner addressing food access and security by stocking fruits and vegetables at the local bodega, or an artist making work with found materials.

These stories should be evergreen and will be broadcast on KALW 91.7 FM, distributed through SFAC’s Deep Roots podcast, and played at a live event.

A photographer will be assigned to your story so that we can turn the segments into multimedia pieces. Audrey Dilling, Hear Here lead producer, will edit the segments, with oversight from Martina Castro, Crosscurrents’ managing editor. Stephanie Foo, producer for NPR’s Snap Judgment, will design the sound of the project.

Deliverables:
Segments may be 4-7 minutes long. Raw audio files and final engineering scripts should be delivered to the sound designer.

The producer should be available to share the story at a celebratory live event, which features a multimedia presentation of the segments, accompanied by a band or DJ, and spotlighting the people featured in the sound portraits on August 15, 2013 (tentative) at the Bayview Opera House.

Compensation:
The producer will receive $500/segment and an additional $100 for participating in the listening party.

How to apply:
Please submit a pitch that includes the following:
● What is the story and why is it relevant
● Why is this important to Bayview; why is it important citywide
● Who will you interview
● What sounds will be incorporated

The deadline for pitch submissions is April 5, 2013. Please email them to audreydilling@gmail.com.

Dear This American Life friends and contributors,

It’s been a while! We’ve been sending out these Theme Lists with less frequency lately in the hopes that we don’t exhaust you and your patience with us. But please know that you’re free to pitch us stories whenever you like. You don’t need to wait for a Theme List or appropriate theme. I know the Theme List can help generate ideas or remind you about a story you heard about a while ago so, below, we've got a new round of themes-in-progress listed. Please send us your story pitches, thoughts and suggestions for our upcoming shows.

How this process works: When you send in a story idea to me, I'll respond with a generic email letting you know that I received your pitch and that I've read it. I promise. I read every pitch. (I won't send you the auto response until I've read your pitch so expect a bit of a delay getting that email.) If we think the pitch is right for us, or if we need more information from you, I'll send you another email asking for more info on the story or letting you know we'd like to commission the story. But if you don't hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn't right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone quickly.

Like always, these themes are shows we're actively pursuing right now but we're always on the lookout for new stories or ideas. So if you've got a story that you think would work especially well for us but doesn't fit a specific theme listed below, please send it along anyway.

Thanks so much for your pitches. We appreciate it.

Best,
Julie
(julie@thislife.org)

TRIBES: This show is coming up quick (two weeks away) and we'd love a couple smaller stories about a group of people bonding together or falling apart. These could also be stories about someone who finally belongs to a group or someone that's never actually belonged to anything at all. Maybe you're always trying to escape friends, family or colleagues who annoyingly assume you share the same beliefs? Right now, we're working on stories about a kid doing his best to fit in at camp, a Native American tribe that is kicking out its members, and a woman who found out she's not the only one soothed by … whispering.

I WAS JUST TRYING TO HELP: These are stories about people taking it upon themselves to help, even if they aren't actually qualified to be giving that help. Stories about people with the best intentions who get in over their heads would work well for this show. Maybe a do-gooder who messed everything up? Or a story about a person or a group who genuinely was helped but won't acknowledge it? One story we're working on now is about a mental health organization that is using more of a recovery model for treatment, where people struggling with their own mental health help people who are more acutely struggling. One goal of the program is to erase the power dynamic between practitioner and patient. It's difficult, though, for the staffers to draw on their own experiences and 'help' without actually telling someone what to do. We'd love more stories about situations where trying to make a situation better gets very complicated.

HOW I GOT INTO COLLEGE: This show is pretty literal. We're looking for fun, dramatic, surprising or unique ways that people got into college. The show is built around the story of how a very esteemed college professor and researcher essentially got into college through a bit of fraud he committed back in elementary school. (The fraud was committed in a very innocent way though — you love the guy for it.) We're also pursuing a story about a man going from prison to a university. We'd love more stories about the interesting or illuminating ways people get into college. And we'd really love to hear from stories from an admissions perspective! I heard a rumor last fall that lots of well-off Manhattan high school seniors were descending on Staten Island and the Rockaways to help with relief efforts post-Hurricane Sandy, taking many pictures of themselves doing it along the way. Are there admissions counselors that are up to their eyeballs in essays about how sorting canned goods on the Jersey shore has made the candidate a better person? Are there surprising trends on the path to college?

THE ONE THING YOU'RE NOT SUPPOSED TO DO: A family from Mexico illegally enters the United States and, of course, the parents tell their kids, "whatever you do, don't tell ANYONE you're not a citizen." The son keeps it a secret for many years until one day a few months ago, he walks up to a Border Patrol agent and basically says, "I'm undocumented. I entered the country illegally. Arrest me." His goal — and he succeeded! — was to get locked up in the local Detention Center in order to survey other detainees about their criminal charges and their access to legal defense. We're looking for other stories about people either purposely or inadvertently doing the BIG thing you're not supposed to do. Maybe a story about spilling a family secret or making friends with the wrong person? Or a story about touching the third rail politically or professionally? Or maybe just a story about how, counter intuitively, the one wrong thing is actually the right thing?

DAYTIME DRAMA: We'd like to do a show where all of the stories could, in a different context, exist as a story you'd see on TV in the middle of the day. Either a classic Jerry Springer/Montel Williams kind of story or maybe a story where the plot seems more akin to a soap opera than to real life. But we'd like to do these stories where the focus of the story isn't just about the reveal or "your husband is the father of your sister's baby!" moments but is instead looking at what really is going on around the extraordinary circumstances. Doesn't it seem like, if someone were to scream "I don't care I'm sleeping with your husband!" at another person — doesn't it seem like there's a deeper story behind that? Or maybe there's a story about someone who got temporary amnesia and it actually wasn't that big of a deal? Stories that make you think, "I feel like this should be on Judge Judy" would definitely work well for this show.

THE VIEW FROM IN HERE: Sayed Kashua is Palestinian but an Israeli citizen. His first spoken language was Arabic but he got into a fancy boarding school as a kid and only really learned to write Hebrew. He hates the parochialism, claustrophobia, and bad municipal services of Arab areas of Israel, so now he feels like a fraud and maybe a traitor for living in the Jewish Israeli part of Jerusalem. In a series of columns he wrote for a national Israeli newspaper, he writes about his apartment being renovated and uses the changes in that small world to talk about the other small world he feels like he lives in. And explains that world to everyone else. We're looking for more stories about people who feel like they have a unique perspective on something because they're actually inside of it. Maybe trapped in it. And the insiders' perspective is at odds with what everyone else seems to think about it.