Category Archives: Freelance Cafe West

2013 CA Documentary Project, deadline Oct 1

Potential big money for CA-based doc projects. Details below! -Mia

Guidelines are now available for the California Documentary Project (CDP), a competitive grants program of Cal Humanities that supports documentary film, radio, and new media productions that enhance our understanding of California and its cultures, peoples, and histories. Projects must use the humanities to provide context, depth, and perspective and be suitable for California and national audiences through broadcast and/or distribution. CDP grants support projects at the research and development, production, and public engagement stages. Award amounts range from $10,000 up to $50,000 and the deadline is October 1, 2013.

 

Please see www.calhum.org/grants/california-documentary-project-grant for the latest guidelines, a list of recently supported projects, and information on upcoming grant workshops and webinars.

 

To attend an informational grant workshop in San Francisco on August 26, please click here.

 

Thanks so much for helping to spread the word. Please feel free to direct any inquiries to me at jlightfoot@calhum.org.

 

All the best,

John

 

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More time for WBEZ podcast sonic logos

From the folks at WBEZ:

We've extended the deadline a week for you to design a WBEZ podcast sonic logo. If you've been kicking around an idea for a 5-second logo, you have until August 26th at 5pm CST to submit. We hope you can have some fun making these buttons!

Ira Glass of This American Life, Nick van der Kolk of Love + Radio and Snap Judgment, and Julie Shapiro of the Third Coast International Audio Festival will pick the winning ID, which will be used in WBEZ's podcasts. You can find more information here: http://www.wbez.org/content/wbez-podcasts-sonic-logo-contest

Thanks,

Mickey Capper
Podcast Intern at WBEZ

Knight News Challenge – Health

Two important updates on the Knight News Challenge: Health: 

– Inspiration phase opens: We’re launching a virtual brainstorming session around the theme of this challenge: How can we harness data and information for the health of communities? During the next two weeks, we want to collect your ideas surrounding the difficulties, successes and opportunities you have experienced with health information. (Official entries will be accepted starting Sept. 3.)

Link to travel schedule is below.

– Additional prizes: Also, two of our collaborators, the Robert Wood Johnson Foundation and the California HealthCare Foundation, are providing an additional $200,000 in grants to the $2 million challenge. The Robert Wood Johnson Foundation will award funds to three projects that “best combine public health data and health care data to improve the health of communities.” Meanwhile, California HealthCare Foundation will award funding to one or more projects focused on helping county and city officials use health data for policymaking.

My colleagues and I will be traveling around the country for the next several weeks talking with people about the News Challenge. Meanwhile, you can learn more, and submit those inspirations, at newschallenge.org.

– John Bracken

Director of Journalism and Media Innovation
Knight Foundation

Information at:
<http://www.knightfoundation.org/blogs/knightblog/2013/8/19/knight-news-challenge-opens-inspiration-phase-additional-prizes-from-collaborators/>

Travel schedule:
http://www.knightfoundation.org/blogs/knightblog/2013/8/15/join-brainstorm-around-news-challenge-health/

Ready, Set, Produce! KCRW 24-Hour Radio Race

First ever Radio Race, from PRX and KCRW. This is way cool. Register by Aug 16, race begins Aug 17. On your marks…

Ready…Set…Produce!

PRX is excited to share the news about one of the coolest projects this year:

KCRW's 24-Hour Radio Race

Producers of all experience levels from all over the world will have 24 HOURS to write, record, and edit a non-fiction radio story.

Winner receives $1000 prize, plus other goodies.

On Saturday, August 17 at 10AM PT, contestants will be emailed a THEME. They will then have 24 hours to create a story that somehow relates to this theme.

Halfway through the 24 hours (at 10PM PT), contestants will receive another email with an optional BONUS ELEMENT, which they can choose to incorporate into their story for extra credit.

By Sunday, August 18 at 10AM PT, their finished piece must be posted on Soundcloud for judging.

Join radio producers all over the world for a whirlwind 24 hours of high–stakes radio making.

Click the button below to register. Registration is $10 per team. Learn more!

Registration closes on August 16th at 12AM PT.

POV Hackathon, NYC July 27-28

A few spots left for the POV Hackathon this weekend! -Mia

Hey docu-programmer-y-creative-type-awesome-peoples, heads up! There are last-minute slots open for a designer and a developer experienced with HTML5, JavaScript, Popcorn and/or online video to participate in P.O.V. Hackathon 4! If you're interested, or know someone who is, *whether they are remote* or in NYC, please share!

From @POV:

POV Hackathon 4 is this weekend in New York City (July 27-28) and it's a unique opportunity to meet and work with storytellers and technologists at the forefront of non-fiction media.

If this is you, contact us at hackathon at pov dot org! Or if you know someone who should participate, please share this post!"

Pitching Latino USA, Our One-Hour Sound

Great news from the team at Latino USA. Details below! -Mia

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Dear reporters/producers/contributors,

The team at Latino USA is happy to let you know that as of September 6th, we will be expanding to a new one-hour weekly format! As part of the expansion, the staff has been working hard to build a new sound, a new brand, and better coverage of recurring topics.

The show in general will still focus on Latino issues and the concerns of people of color and other minorities, including immigration, arts/music/culture, questions of identity, and life in cities (particularly those with large or growing Latino populations). So keep those pitches coming!

However, we're also trying to switch up and improve the sound of these pieces, whether they're interviews, produced pieces, or postcard-esque bits of sound. Key to what we really want:

• LOTS of ambi, which gives listeners a strong sense of place. Location, location, location.

• Stories that get right to the tape (rather than reading), especially at the top, with fun or surprising bits dropped in to keep a listener hooked.
• Idiosyncratic characters, sometimes with unique ways of speaking.
• Stories where the personal angle meets the facts.

We're also planning out a certain number of shows per year (exactly how many is TBD) based on a theme. They're meant to be taken both literally (we're planning an update on closings of Chicago schools for our "Back to School" show) and figuratively (for that same show, we're also looking back at what the LUSA staff has been doing this summer). Some of these are scheduled, some aren't, but the sooner you get in pitches to us, the better we can work them to fit with the other stories involved in a theme show. Here's our current list:

• Back to School (September 6th)
• Neighbors (September 20th)
• Death (November 1, for Dia de los Muertos)
• Christmas (December 20th)
• Justify My Love (February 14th, Valentines Day)
• Money, Money, Money
• Language
• Mutts
• Larger Than Life
• Have Faith
• '73, '83, '93 (as in 1973, 1983, 1993)

Finally, we're looking for outside contributors to help us with several series:

• BOCADITO: A little morsel of news. These segments are designed to be lighthearted, fun, and short, often appearing at the end of a show.

• CLASS OF 2030: 1/4 of current kindergartners are Latin@. This is our education series on anything related to K-12 coverage, trying to capture an image of this growing population.
• BY THE NUMBERS: Anything related to polls and percentages, mostly (but not exclusively) demographics-related, characterized by one startling figure (#) or two juxtaposing ones.
• ENVIRONMENTAL STEWARDHIP: Stories about Latinos who are restoring or protecting their ecosystem – whether it’s an urban, suburban or rural environment. We’re interested in stories that reach communities of color, especially youth.

• OUTDOOR ADVENTURE: Stories of people developing teamwork and confidence, surmounting fear and showing leadership through an adventure activity.

To pitch Latino USA, please send an email to pitches@futuromediagroup.org. We're looking forward to hearing from you.

Cheers,
A.C. Valdez & Leda Hartman

2013 New Voices Scholarship at PRPC, deadline Aug 1

Scholarships available to attend PRPC this fall. Details http://bit.ly/NewVoices13“>HERE and below. Deadline Aug 1. -Mia

AIR's 2013 New Voices Scholarship

at PRPC

Who is eligible to apply?

All minority producers and program makers are eligible to apply. The focus of the PRPD Programming Conference (PRPC) is radio/audio, but we welcome applicants from the full range of discipline. All ages are welcome, but applicants younger than 18 will need an adult sponsor to sign off on their application and handle funds on their behalf.

What do you mean by "minority"?

We are looking to attract individuals who represent groups that are typically under-represented at the PRPC and in the industry in general. This could be based, of course, on a candidate's ethnic or racial background. It could be that they come from a particular socio-economic group, or any number of categories. It will, ultimately, be up to the judgment of those screening applications to select candidates who bring a new and diverse mix to the conference, to the New Voices group, and to the industry in general. 


How much experience are applicants expected to have?
There is no specific requirement in terms of number of years of experience, but we will be especially interested in producers attending PRPC for the first time and are relatively new to working in public media. 


What is the total cost of the conference?
The cost varies, based on your geography, but PRPD generally estimates the cost at $1600 if you take a single hotel room, and spend $300 on your flight. The early bird registration rate for AIR producers and selected New Voices is $495 until August 9. Many of our producers room share, to further offset expenses. If you're selected, we can help facilitate this.

Is there anything I need to do if I am awarded a scholarship?

Yes. AIR requires you to attend several specific events at the conference. They include, at this time, AIR's member meeting on Wednesday, September 18 at 3:30 pm; a New Voice "mixer," on Tuesday before the opening reception; manning the AIR table; and a dedicated session at the conference (details to be determined). All fun. You will also be required to send AIR a brief report on your experience at the conference (750 – 1000 words) by October 1. If you are chosen for a scholarship, you will be given specific instructions on what to include in the report at that time.


When will I know if I received a scholarship or not? 

Final announcements will be made by early August.


If I am awarded a scholarship, when will I receive my funds?

Funding will be disbursed after the conference, as a reimbursement, 30 days after you submit a brief report on your experience at the conference and an invoice. 


Learn more and apply.

For more information on the 2013 PRPC please visit PRPD's website.

Calling all filmmakers, writers, storytellers & creatives, deadline Aug 4

A few shots of Bombay Sapphire might be needed to get what this is all about, but it sounds fun! Deadline Aug 4.

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Main Shot

The Bombay Sapphire Imagination Series Film competition gives everyone the chance of having their imagination play out on the big screen.

No experience is required, just imagination. All you have to do is read the script by Oscar winning writer Geoffrey Fletcher, imagine your version of it and enter before 4 August 2013.

A judging panel including Oscar winning actor Adrien Brody will select the five most imaginative scripts, which will be produced into 5 films and premiered on the big screen at Tribecca Film Festival 2014. The winners and a friend will be flown out New York in style to attend to the premiere.

To enter, visit imaginationseries.com, where you can also watch last year’s films and get tips for your entry.

script

When you are ready to enter go to imaginationseries.com.

Entries close on 4 August 2013.

Participatory Media Panel on Thursday 7/18, Brooklyn, 7pm

For you Brooklyn producer/radio-types:

If you are in the Gowanus neighborhood in Brooklyn Thursday, and not melting, come by Littlefield Art Space for a rousing panel on the Future of Local Radio! I have been assured it will be chilly inside.

Thursday, July 18th at 7:00 PM
Littlefield art space in Gowanus, Brooklyn (622 Degraw Street). 
The entire discussion will be live-streamed via BBOXRADIO.COM

Advanced Audio Storytelling workshop, Rockport, ME, Aug 18-24

From the brilliant producer of the NYT series One in 8 Million – don't miss this workshop! Aug 18-24. 

Come join me in Maine this summer. Learn how to tell stories with sound; walk out with a piece you're proud of; be part of a creative community. AND have some of the best lobster rolls on earth.

Advanced Audio Storytelling | Maine Media
Produce documentary audio projects and hone your storytelling skillsAudio narratives engage the imagination. As Ira Glass of This American Life says with a smile, “Radio is your most visual medium.” That may be heretical to say to photographers, but Ira has a point. Audio storytelling engages the im…

Advanced Audio Storytelling

Produce documentary audio projects and hone your storytelling skills

Rob Rosenthal interviewing: Photo by Kate PhilbrickAudio narratives engage the imagination. As Ira Glass of This American Life says with a smile, “Radio is your most visual medium.” That may be heretical to say to photographers, but Ira has a point. Audio storytelling engages the imagination like a good book. The listeners create their own images. Now that photographers are being asked to produce audio slideshows, videos, podcasts, and other media with a sound component, it’s important to learn to effectively harness the power of audio storytelling.

This workshop puts students in contact with some of the radio industry’s most qualified and creative individuals as a means to explore and utilize sound. During the week, students find and produce short documentary audio projects about the local community. In class, students discuss narration, interview techniques, ambient audio and story structure as a means to create compelling audio narratives. Additionally, instructors provide daily lectures, equipment demonstrations and critiques.

This is an advanced level audio class. Students should have a good understanding of digital audio content gathering. Students will utilize ProTools in editing and mixing their projects. General familiarity with this industry standard software is encouraged but not required.