All posts by MiaLobel

Sounds Elemental Brooklyn workshop, application deadline May 18

Hey folks. The latest Sounds Elemental workshop is coming up in June – details below.

-mia

++++++++++++++++++

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It's Magnetic. AIR + UnionDocs = … 

 

UnionDocs

Can you feel the pull? Time is short for picking up one of the remaining slots for AIR’s week-long Sounds Elemental: Magnetism intensive at UnionDocs, a Center for Documentary Art in Brooklyn, NY. 

The first of our two 2012 sessions runs June 25-29, 2012.   
Many of you have already experienced these inspiring sessions with NYC-based sound masters Michael Schumacher and Brenda Hutchinson, with a special session led by New York Times deputy news editor Amy O’Leary. AIR brings these popular intensives to their new home at UnionDocs, a rising force in the creative media-documentary realm, with their Artistic Director Christopher Allen joining the team.
 

If you’re not familiar with AIR’s Sounds Elemental series, find out more. 


 

DEADLINE to apply is Friday, May 18, 2012. 
 

+++Full attendance is mandatory for all sessions. Class runs from 10AM – 6PM, Monday through Friday. If you are unable to attend each day of the intensive, please do not apply.+++
 
If you're a snowbird, it’s not too early to sign on for our winter intensive, Gravity, that's running December 17-21, 2012. Again, just 10 slots and we’re already starting to fill up.
 

Fee:  $700. A non-refundable $350 deposit is required upon acceptance. AIR members who live outside of New York are eligible for a small travel stipend. Join AIR to be eligible for the stipend.
 
Learn more. Questions? Contact AIR Membership Director Erin Mishkin (erin@airmedia.org). We encourage questions in advance to ensure this course is the right match for you.

About UnionDocs:
UnionDocs (UnDo) is a Center for Documentary Art that generates and shares big ideas. We bring together a diverse community of experimental media-makers, dedicated journalists, critical thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.
 
About AIR:
AIR is a vibrant, tightly networked association of more than 800 journalists, documentarians, technicians, media entrepreneurs, and sound artists spanning 46 states and 14 countries worldwide. Founded in 1988, AIR has emerged as force for identifying, cultivating, and deploying talent to accelerate public media innovation and expand service to more citizens across the U.S. AIR's mentorship and training programs, unique in the industry, were launched in 1995 with a grant from the MacArthur Foundation and continuing support from the National Endowment for the Arts, NYSCA, and the Corporation for Public Broadcasting.  Since the inception of the program, AIR has served hundreds of independent and station-based producers across public media as they work to adapt and grow in a dynamic, 21st century media culture.

Links:
UnionDocs: http://www.uniondocs.org

Learn more about Sounds Elemental: http://airmedia.org/PageInfo.php?PageID=562

Apply: http://airmedia.org/PageInfo.php?PageID=732

Join AIR: http://www.airmedia.org/signUp.php

Funding for AIR comes from our members and the generous support of the Corporation for Public Broadcasting (CPB), the John D. and Catherine T. MacArthur Foundation, the New York State Council on the Arts (NYSCA), the Wyncote Foundation, Recovery.gov, and the National Endowment for the Arts (NEA), which believes that a great nation deserves great art.

Association of Independents in Radio

P.O. Box 220400
Boston, MA 02122
Phone: 617-825-4400
www.airmedia.org

 

Association of Independents in Radio

PO Box 220400

Boston, Massachusetts 02122

Copyright (C) 2012 Association of Independents in Radio All rights reserved.

Sent to emishki@gmail.comwhy did I get this?

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Association of Independents in Radio · PO Box 220400 · Boston, Massachusetts 02122



+++AIR is everywhere.+++
Erin Mishkin
Membership Director
Association of Independents in Radio

erin@airmedia.org

www.airmedia.org

AIR Launches Initiative to Turbo-charge Public Media

Casey Medal for Meritorious Journalism on Children & Families, deadline April 20

Just a few days left to apply for this nice award. Spread the word!
-mia

++++++++++++++++++++

Please share this news with anyone you think should apply:


Stories can change lives. Did you write, report, produce, shoot, or create a powerful piece of journalism/media in 2011 about the lives of children and families in the U.S.? If so, you should submit this work to the 2012 Casey Medals for Meritorious Journalism, a project of the Journalism Center on Children & Families, funded by the Annie E. Casey Foundation.  Winners in a dozen categories are awarded $1000 at a ceremony in D.C. in October and will also be considered for $5000 prizes from America's Promise Alliance. Check out the application and guidelines at www. journalismcenter.org. New this year: Youth Media category. Deadline: April 20, 2012.


Thanks!

Julie Drizin
Director
Journalism Center on Children & Families
Philip Merrill College of Journalism
University of Maryland

@JCCFNews @JDriz  

Casey Medals for Meritorious Journalism honor exemplary reporting on disadvantaged children, youth and families in the United States. 
Application deadline: April 20, 2012.

Gates Foundations Seeks Communications Proposals

Interesting grant opportunity from the Gates Foundation. Here's the nut graf:

The goal of this challenge is to solicit new approaches to communications that motivate the public in the wealthy countries of the world to change their minds about aid, and take actions to demonstrate their support.

More details HERE and below!
-mia
+++++++++++++++++++++++++

TOPIC:
Aid is Working. Tell the World

Grand Challenges Explorations Round 9
February 2012

In Partnership with the 

Cannes Lions International Festival of Creativity 


The Challenge
:

Many people in the developed world are aid weary. They know billions of dollars go into aid, and yet the problems never seem to go away. This leads them to question if the money ever gets to where it is needed, and even then, if it is used wisely. The media seems full of stories of corruption, waste and broken systems.

But that’s not the whole story. Effective aid programs help developing countries become self-sufficient. They do not replace those countries’ efforts, but rather support the important work that’s already under way.

While not all aid projects deliver the kind of returns we hope for, very many do—and it’s critical to keep the support for those projects flowing.

Insight:

 “Aid, which is less than 1 percent of the budget in most countries, has a significant impact on people’s lives…. Whether it’s fighting plant disease, treating people with AIDS, or getting a measles vaccine to a child in a remote area—modest investments in the poorest make a huge difference…

The relatively small amount of money invested in development has changed the future prospects of billions of people—and it can do the same for billions more.” — Bill Gates, 2012 Annual Letter

What We are Looking For:

If we, as a global community, are to succeed in ending extreme hunger and poverty and improving the health of the poorest, we must find ground-breaking ways to gather and share stories of aid working well. We must bring the data behind those stories to life. And we must do it on a global scale, making it relevant to audiences who are wrestling with tough economic decisions at home. 

The goal of this challenge is to solicit new approaches to communications that motivate the public in the wealthy countries of the world to change their minds about aid, and take actions to demonstrate their support.

We and others in the development community have traditionally focused on the “why” of aid. But most people already believe it is the right thing to do.  We must do a better job of explaining the “how” and the “what” (How exactly does aid work? Where does the money go? How is it used? What impact does it have on communities?).

We want to find revolutionary ways to make these issues matter deeply to the global community. We’re inspired by projects that allow anyone– no matter where they live or what their background– to take part. We encourage projects that embrace the complexity of these issues. We admire work that surprises us with its emotional power, and that comes at the problem from entirely new angles.

Most importantly, we’re looking for game-changing ideas we might never imagine on our own, and that could revolutionize the field. A few of the many specific examples to be considered include (but are by no means limited to…)

  • New ways to collect and share first-person stories from those impacted by aid in the developing world;
  • Data collection and visualization that demonstrates the “how” and “what” of aid, e.g. where funding goes and how it impacts people and communities; money spent on development relative to other areas; measurable progress against the Millennium Development Goals. (The foundation is particularly interested in MDGs 1,4,5,and 6.);
  • Creative distribution mechanisms to deliver stories, data, and information to key audiences;
  • Concepts that spark active engagement and collaborative problem-solving, e.g. games, crowdsourcing, and other projects that move the field from one-way communications towards authentic engagement;
  • Revolutionary ways to humanize the challenge and the solutions and to connect communities receiving aid to those who provide it.

We will not consider funding for:

  • Projects not aligned with the foundation’s goals in health and development;
  • Single pieces of content that are not supported by a robust engagement strategy;
  • Projects focused on  crisis response, individual donations,  or emergency relief, which are not as impacted by the current aid narrative;
  • Basic research without a clear objective to solve a communications problem;
  • Solely behavioral change/educational initiatives (e.g., training programs, scholarships, education programs);
  • Solely infrastructure or capacity-building initiatives;
  • Projects earmarking foundation funds for lobbying activity (e.g., attempts to influence legislation or legislative action) or efforts to influence political campaigns for public office.

How We'll Evaluate Proposals:

Proposals will be reviewed against the following criteria:

  • Response to the topic: Does the proposal address the problems described in the topic? Please note the types of projects that will not be funded, above;
  • Innovative approach: Does the idea offer an unconventional or creative approach to the problem outlined in the topic? Does it demonstrate application of a new or pioneering approach? Does the proposal describe how the project varies from current approaches, offers new premises or hypotheses to test, and does it provide a rational basis for expecting success?

About Our Partnership:

The Bill & Melinda Gates Foundation has partnered with the Cannes Lions International Festival of Creativity to issue this call for proposals in Round 9 of its Grand Challenges Explorations program. Cannes will help the foundation promote the call to the creative community.

In addition, Cannes Lions has created a group, the Cannes Chimera, made up of one creative representing the agency who produced each of the 2011 Cannes Grand Prix winning pieces of work, who will advise the program, review the submissions, and mentor the winners as they develop their projects.

About Grand Challenges Explorations:

Grand Challenges Explorations (GCE) supports hundreds of early-stage projects – including many ideas that have never before been tested – and experts from a wide range of disciplines and regions. The Explorations initiative funds innovative ideas that could lead to new vaccines, diagnostics, drugs, and other tools and technologies targeting our greatest challenges in health and development

GCE is an extension of the Bill & Melinda Gates Foundation’s commitment to the Grand Challenges in Global Health, which was launched in 2003 to accelerate the discovery of new technologies to improve global health. To date, the Foundation has committed over $500 million to support hundreds of projects on topics such as making childhood vaccines easier to use in poor countries, and creating new ways to control insects that spread disease.

Key features of the Grand Challenges Explorations initiative are:

  • A short application. Two-page applications are accepted online at https://gce.gatesfoundation.org/_layouts/GCE/Pages/login.aspx;
  • Rapid turnaround time. We will select grants in approximately 5 months from the proposal submission deadline;
  • We review for novel ideas that show great promise. Our review process is based on reviewers with a track record in identifying innovative ideas selecting the proposals they find most pioneering – no consensus or peer review is needed;
  • Phase I grants of $100,000 USD are awarded initially; projects have one opportunity to apply for a follow-on Phase II grant of up to $1,000,000 USD.

Biomimcry talk by Tim McGee, 4/11, 7pm, EMPAC

They really do the coolest stuff at EMPAC. If you're up in the capital region, check them out.
-mia

+++++++++++++++++++++++++++

THIS WEEK: Biomimcry, a public exchange, and Infinite Jest
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Tim McGee: Biomimicry : WED, APR 11, 7PM
TALK

Tim McGee: Biomimicry WEDNESDAY, APRIL 11, 7 PM

FREE

Biologist Tim McGee shares how biological wisdom is changing the way we work, think, and create, and how our modern technologies increasingly have more in common with 3.8 billion years of evolution. Presented as part of the Susan Sgorbati creative research residency.

EMPAC: A Public Exchange : THU, APR 12, 5:30 PM
TALK

EMPAC: A Public Exchange

THURSDAY, APRIL 12, 5:30 PM

FREE

An evening of information and discussion on the many ideas of what EMPAC should be—and the mission and program it pursues.


Campus Events

TALK

Transactions :: The Business of Architecture in an Era of Instability

MON, APRIL 9, 6 PM
CONCERT

NATURESONGS: Rensselaer Contemporary Music Ensemble

TUE, APRIL 10, 4 PM
CONCERT

Dean Mary Simoni in Concert

FRI, APRIL 13, 8 PM

SUE-C + AGF: Infinite Jest : THU, APR 12, 7:30 PM
PERFORMANCE: QUOTE UNQUOTE

SUE-C + AGF: Infinite Jest

THURSDAY, APRIL 12, 7:30 PM

TICKETS

A live handmade film and electronic music event inspired by late author David Foster Wallace’s remarkable novel of the same name.


On View

EXHIBITION

Ryan + Trevor Oakes: The Periphery of Perception

FEBRUARY 21 – MAY 31, 2012
EXHIBITION

Ben Rubin: A Shakespeare Accelerator

MARCH 5 – JULY 28, 2012
EXHIBITION

Jennifer + Kevin McCoy: Index

APRIL 6 – OCTOBER 13, 2012

Exhibitions are free + open to the public Monday-Saturday, 12-6 PM


Recent News

John Zorn concert review by Joseph Dalton.

EMPAC Director Johannes Goebel interviewed ahead of Thursday's public exchange on EMPAC.

Photo Credits: Flickr photographer lostandcold, courtesy of The Biomimicry Institute; ©Peter Aaron/ESTO; ©SUE-C

EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Box Office:
518.276.3921

Mailing Address:

EMPAC

Rensselaer Polytechnic Institute
110 8th Street

Troy, NY 12180

Add us to your address book

Copyright © 2012 EMPAC, All rights reserved.

Springtime Audio Retreat, upstate NY, deadline May 1

Hi folks. You have a few more weeks to sign up for Jim and Eileen's weekend audio retreat. It promises to be a fun and educational experience. Plus, I'd love to see some of my FC friends at the Saturday BBQ. Contact Eileen McAdam [emcadam@hvc.rr.com] if you have questions about the workshop. And you can write me directly if you want to chat about other things to do in the lovely Hudson Valley!
Best,
Mia
+++++++++++++++++++

Sounds, Stories & Springtime
An Audio Retreat

Spend a weekend in the Catskills honing your skills as a sound recordist and storyteller while reinvigorating your creative spirit. Veteran Producers Jim Metzner and Eileen McAdam lead this immersive experience in field recording, listening, and the art of bringing stories to life with sound.

Limited to eight intermediate producers, the workshop offers personal attention and also leaves time for reflection, community, and learning from each other.

Friday night includes a special appearance by musician Steve Gorn, and an evening listening excursion to explore the acoustics of a nearby cave. Saturday night is for storytelling and barbeque!
• Learn to weave a narrative with natural sounds
• Expand your audio palette
• Experiment with binaural, stereo and parabolic microphones
• Crafting a narrative that weaves and contextualizes your sounds.

About your hosts:
Jim Metzner has pioneered the use of sound in radio features and multi-media projects. Best known for his award-winning series Pulse of the Planet. His work has been featured in National Geographic Online, All Things Considered, Marketplace, Weekend Edition, the New York Times, and elsewhere.

Eileen McAdam is the co-founder of the World Sound Foundation and the producer of The Hudson Valley Sound and Story Project, Tales of Two Cities Audio Tour and StoryScape Hudson Valley. She has been a recipient of five major grants

Dates: May 18 – 20.

Cost: $450/person. All meals and Saturday night Barbecue included.

Accommodations: There are local B&B’s throughout the Hudson Valley area. Camping is available at our site.

To register, or for more information, email Eileen McAdam [emcadam@hvc.rr.com] or call 845-338-0464

Attendance limited to 8 intermediate to experienced audio/media producers.

Announcing Call for Entries for Rough Cuts in June – Deadline is May 30th

Hi folks. The next round of SF Rough Cut screenings is coming up. Details for submitting your work is below.

Best,
Mia
+++++++++++++++++++++

Wednesday, May 30th is the deadline

to submit to

ROUGH CUTS – June 2012 SERIES
Wednesday, June 20th at 7:30 p.m.

CounterPULSE
1310 Mission Street @ 9th Street, San Francisco
Complimentary drinks and hors d’oeuvres provided
$7 admission

_____________________________________________________

Rough Cuts is a series of work-in-progress documentary screenings that are produced every other month at a variety of locations throughout San Francisco. For each evening, we screen one rough cut of a feature-length documentary and then moderate a conversation about the film. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

We are seeking long-form works with a final running time of 40 minutes or longer. Principal photography should have been completed, and we encourage filmmakers to submit cuts that are in the later stages of post-production (i.e. NOT first or second cuts).

Wednesday, May 30th
Submissions must arrive at CounterPulse by 5:00 p.m. [This is not a postmark deadline.]

Tuesday, June 5th
Selections will be announced and filmmakers will be notified

Wednesday, June 20th
Screening, followed by a discussion led by a guest moderator

To submit, and for more details about Rough Cuts, visit:
http://sfroughcuts.com/

Pulse of the Planet Seeking Stories

Hey audio folks. I'm thrilled to tell you that Pulse of the Planet is accepting pitches! Details below.

-mia

++++++++++++++++++++++
For those of you who may not be familiar with it, Pulse of the Planet is an award-winning daily two-minute radio series independently produced and distributed to over 200 public and commercial stations. The hallmark of the series is its use of ambient sound. Our stories are often seasonal and evergreen. We "track the rhythms of life on earth", including nature, culture and science as our broad subjects.

A typical story might be a seasonal nature event or traditional celebration of some kind. We also air science stories which may not be seasonal, but which have a sound "hook". Check out pulseplanet.com to get a feeling for the program.

The first step would be to pitch your story ideas: Tell us the subject matter, where it would be taking place, what you'd be recording and who you'd be interviewing. If we're not familiar with your work, you'll need to send us a link to hear a sample of it. We'll respond to the stories that interest us.

If we say yes to your story, we'll send you a set of guidelines and you'd be sending us raw sound and interview files, typically from 30 minutes to an hour of interview, plus sounds. How the sounds relate to the interview will depend upon the subject. We like stories which portray science in action, where we're hearing something interesting and its meaning is explained in the context of the story. To be clear – you'll be sending us raw sound, not a produced piece. In summary – an attractive pitch will have a strong sound component, and a compelling, seasonal subject.

We pay $250/story for raw sounds/interviews as described above which meet our standards, plus travel expenses, when necessary. We'll pay an additional $50 for a log of your sound files (not a transcription, a summary log) and another $50 if you send usable photographs to illustrate the story.

Please send your pitch ideas to pulse@igc.org. I'll be glad to respond to generic questions in comments to this post.

All the Best;
Jim Metzner
pulse@igc.org
http://www.pulseplanet.com

AIR and UnionDocs Unite for Sounds Elemental!, application deadline May 18

Hey folks. Applications for the next round of the AIR/UnionDocs Sounds Elemental audio intensive are due on May 18. Details below!

-mia

+++++++++++++++++++++

AIR is excited to announce that our popular Sounds Elemental audio intensives are coming to UnionDocs, a Center for Documentary Art in Brooklyn, NY. 

UnionDocs is a rising force in the creative media-documentary universe offering weekend screenings and events, workshops, as well as a year-long artist fellowship program called the Collaborative. They have an interdisciplinary focus, incorporating audio, film/video, writing, photography, interactive and other forms. Like AIR, their programs touch hundreds of media-makers each year, and the partnership represents a natural trajectory and an opportunity for their respective constituencies to further cross-pollinate and grow. 

The application window is open now and competition for slots can be stiff. AIR accepts only 10 producers for each of our two 2012 sessions: Sounds Elemental: Magnetism, held June 25-29, 2012 and Sounds Elemental: Gravity, held December 17-21, 2012. 

>Deadline to apply for the June intensive is May 18.<<

Learn more and find the application here:
http://airmedia.org/PageInfo.php?PageID=562

Producers benefit from intensely individualized attention from sound artists-teachers Brenda Hutchinson, composer and installation artist Michael Schumacher, and UnionDocs’ own, Christopher Allen. New York Times deputy news editor Amy O’Leary leads an afternoon dive into storytelling and audio slideshows, a session that producers have called "enriching" and "inspiring."  

These intensives are designed to provide mid to advanced level media producers with a unique opportunity to spend an entire week exploring unconventional approaches to assembling sound. Over the week, there will be a combination of lectures on the history and landscape of contemporary sound art (think John Cage to Brian Eno to Pauline Oliveros), group discussion and critique, and hands-on “lab” time where students will create a short audio piece inspired by the theme of Magnetism or Gravity. 

+++Please note: The aim of this intensive is to inspire new ways of thinking about and approaching non-narrative audio craft, with the hope that will open new thinking and approaches for you in your everyday work. Please go here to learn more about the curriculum; we encourage questions in advance to ensure this course is the right match for you.+++

The cost is $700. A non-refundable $350 deposit is required upon acceptance. You do not have to be a member of AIR to apply. AIR members living outside of New York City who are accepted are eligible for a stipend (up to $150) to help underwrite the cost of the intensive and travel to NYC. 

++Full attendance is mandatory. If you are unable to attend each day of the intensive, please do not apply. Class meets from 10AM – 6PM, Monday through Friday.++ 

>Deadline to apply for the June intensive is May 18.<<

Learn more and find the application here:
http://airmedia.org/PageInfo.php?PageID=562

Questions? Contact Membership Director Erin Mishkin at erin@airmedia.org

About UnionDocs – www.uniondocs.org
UnionDocs (UnDo) is a Center for Documentary Art that generates and shares big ideas. We bring together a diverse community of experimental media-makers, dedicated journalists, critical thinkers, and local partners on a search for urgent expressions of the human experience, practical perspectives on the world today, and compelling visions for the future.

About AIR – www.airmedia.org
AIR is a vibrant, tightly networked association of more than 800 journalists, documentarians, technicians, media entrepreneurs, and sound artists spanning 46 states and 14 countries worldwide. Founded in 1988, AIR has emerged as force for identifying, cultivating, and deploying talent to accelerate public media innovation and expand service to more citizens across the U.S. AIR's mentorship and training programs, unique in the industry, were launched in 1995 with a grant from the MacArthur Foundat

call for pitches from Latitude News

Latitude News is seeking freelance radio folks to help bring another layer of rich storytelling to their site. Details and contact info below.

-mia

+++++++++++++++++++++

Latitude News is looking for radio reporters who can make strong connections between local/national and international stories. We publish text stories with strong audio clips as a supplement – audio is used to add another dimension to a text article. This is an opportunity for radio producers who would like to get some “print” experience while still working on audio, and you need not be traveling the world to contribute to our growing website.

Latitude News tells “international” stories in an unconventional way – we start by listening on the ground in the US, then finding international parallels. We also feature stories that highlight surprising connections between the US and the rest of the world.

Audio in Latitude News features (500-1200 words) should act like well-placed photos in a magazine article – clips don’t tell the entire story, but move the narrative forward and give it depth. Potential contributors should read through our website before pitching, but here are a few samples of stories that feature audio:

Unlike Netherlands, U.S. gives no shelter to sex trafficking victims

One Syrian activist’s lonely exile

Far from Moscow, Putin’s power faces off with the grassroots

Submissions can be sent to jack@latitudenews.com with the heading “Submission.” Rates available upon request.  

Upcoming events at the J-School, Berkeley

And for you west coast folks, a whole lot of events coming up at the UC Berkeley Graduate School of Journalism.
-mia

++++++++++++++++++++++

Film Screening: Budrus

When: Wednesday, April 4,  7:00 PM

Where: 105 North Gate Hall

Budrus is an award-winning feature documentary film about a Palestinian community organizer, Ayed Morrar, who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save his village of Budrus from destruction by Israel's Separation Barrier.  Success eludes them until his 15-year-old daughter, Iltezam, launches a women's contingent that quickly moves to the front lines.  Struggling side by side, father and daughter unleash an inspiring, yet little-known, movement in the Occupied Palestinian Territories that is still gaining ground today.

In an action-filled documentary chronicling this movement from its infancy, Budrus shines a light on people who choose nonviolence to confront a threat.  The movie is directed by award-winning filmmaker Julia Bacha, and produced by Bacha, Palestinian journalist Rula Salameh, and filmmaker and human rights advocate Ronit Avni. (MORE)

The screening will be followed by a Q&A with Nadav Greenberg, the Outreach and Programming Coordinator at Just Vision Media.

The Horace M. Albright Lecture in Conservation
The U.S. Farm Bill: What’s at Stake?

When:  Thursday, April 5,  6:30 PM

Where:  Wheeler Auditorium

The U.S. Farm Bill is the single most important piece of legislation determining what Americans eat. Join us for a panel discussion on what’s at stake in the upcoming U.S. Farm Bill with:

Michael Pollan, John S. and James L. Knight Professor of Journalism and Director of the Knight Program in Science and Environmental Journalism, UC Berkeley
Karen Ross, Secretary of the California Department of Food and Agriculture
Ken Cook, President and Co-Founder of the Environmental Working Group

Patricia Crawford, Director of the Atkins Center for Weight and Health and Adjunct Professor, College of Natural Resources, UC Berkeley

Moderated by Gordon Rausser, Robert Gordon Sproul Distinguished Professor in the Department of Agriculture and Resource Economics, College of Natural Resources, UC Berkeley

This is a free, public event. Seating is on a first-come, first-serve basis.

Free tickets are available at the Wheeler Auditorium Box Office at 5:00 PM on the day of the event. Doors open at 6:00 PM.

This discussion will be recorded and available online after the event.

Event Contact: Sasha Keller | 510.643.1051

Living Portraits of the Human World: A conversation with JONATHAN HARRIS, computer scientist, storyteller, statistician, designer and Cowbird creator

When:  Monday, April 10,  1:00 PM

Where:  North Gate Hall Library

Jonathan Harris makes projects that reimagine how humans relate to technology and to each other. Combining elements of computer science, anthropology, visual art and storytelling, his projects range from building the world's largest time capsule to documenting an Alaskan Eskimo whale hunt on the Arctic Ocean. He is the co-creator of We Feel Fine, which measures the emotional temperature of the human world through large-scale blog analysis, and created recent projects about online dating, modern mythology, anonymity, news and language.

View the Cowbird website here.


Does Narrative Journalism Have a Future Online?

When:  Monday, April 16,  6:30 PM

Where:  North Gate Hall Library

A panel discussion with Gerry Marzorati (former editor, New York Times Magazine), Mark Bryant (editor, Byliner) and Eric Ratliff (editor, The Atavist).


******* EVENTS OF INTEREST *******


Primal Ireland: Photo exhibit by Sally Mack

When:  March 1-31, 2012

Where: The Faculty Club

The Newgrange Passage Tomb (Bru Na Boinne) is 5,000 years old, its purpose unknown.  It had been closed up for untold centuries before its re-discovery in 1699 when the owner began building a road through the hillside, uncovering the front of the tomb.  It's on a hillside so rocky that at times it has been used as a quarry.

From 1699 through the 1960s, the tomb was open, people entered at will, carving their names in the stones, removing any grave goods (or anything else) that might have given clues to the purpose of the tomb.  It has a "light box" above the entrance which aligns perfectly with the rising sun on the day of the winter solstice.  The groups of three carved spirals on the stone in front of the entrance and inside the tomb are comprised of a single line.

Some photos of the exhibit can be seen on Sally Mack's website.  All photos were taken on film with a classic Hasselblad camera and printed through an enlarger from the original negatives.

Please contact Sally Mack (photos@sallymack.us) if you would like more information to to see more photos.

"Understanding the Political Landscape: The Use and Abuse of Polls"
Jon Cohen, Director of Polling, The Washington Post

When:  Monday, April 2,  12:00 PM

Where:  Harris Room, 119 Moses Hall

Lunch will be provided on a first-come, first-served basis.

Jon Cohen is director of polling for The Washington Post. He is responsible for conceptualizing, implementing and analyzing all Post polls, and co-directs the Post-ABC and Post-Kaiser-Harvard surveys. He instituted the Post’s polling blog, Behind the Numbers, and frequently discusses public opinion on radio and television, as well as online chats. Before joining The Washington Post in 2006, he was assistant polling director at ABC News in New York and associate survey director at the Public Policy Institute of California in San Francisco. He holds an M.A. in political science from the University of California, Berkeley, and is a graduate of Johns Hopkins University. In addition to reporting on Post polls, Jon is primary editor, gatekeeper and reporter for all public opinion content used by The Washington Post.

Event Contact: 510.642.1473

The Robert T. Matsui Center for Politics and Public Service presents the 31st Annual Review of the Presidency

Election Year: The Obama Presidency and the 2012 Campaign


When:  Monday, April 2,  7:30 PM

Where: 105 Stanley Hall

As President Obama seeks a second term, we examine his presidency and the 2012 election. Is the president to blame for the stagnant economy that has bedeviled his administration? Would any president have been able to engineer a speedier economic recovery? How has the president managed the foreign policy challenges of his time? Has he met the need for symbolic leadership from the president? And what of the Republicans who seek to replace him? Four years after a dramatic election that made American history, what should we expect from the election of 2012?

31st Annual Review Panelists

Andrew E. Busch, Professor of Government and Associate Dean of the Faculty at Claremont McKenna College
John Fund, Senior Editor, The American Spectator and author of Stealing Elections: How Voter Fraud Threatens Our Democracy

Anne E. Kornblut, White House correspondent for the Washington Post and author of Notes From the Cracked Ceiling
Paul Pierson, John Gross Endowed Chair, Professor of Political Science, University of California, Berkeley and author of Winner-Take-All Politics: How Washington Made the Rich Richer and Turned Its Back on the Middle Class


Event Contact:
510.642.1473

ASMP NorCal Presents Lee Foster on “Entrepreneurial Travel Photo Publishing”

When: Tuesday, April 10,  6:30 PM

Where: 141 McCone Hall

ASMP member Lee Foster will talk about what he calls “Entrepreneurial Travel Photo Publishing.” Lee hopes to provide ASMP members with practical information and inspiration on how their photo marketing can flourish in a more entrepreneurial manner.

Lee Foster is an award-winning travel writer/photographer, winner of eight Lowell Thomas Awards, the highest prize in travel journalism. All of Lee’s contemporary work in travel writing/photography can be seen at his website www.fostertravel.com. Lee has published 10 books, 3 apps, and 3 ebooks. His work has appeared in all the leading U.S. travel magazines and newspapers, from Travel + Leisure to the New York Times. His partnership with the main worldwide travel book company, Lonely Planet, has presented his photos in more than 225 of their books. Lee’s first “independent” book was his travel literary book (with photos) titled Travels in an American Imagination, which is now out as a print book and an ebook.

Purchase tickets here.

Event Contact: 415.839.3049

The Mugging of Main Street in America: Implications for the World with Robert Scheer

When:  Thursday, April 26,  7:30 PM

Where:  International House

Robert Scheer, Editor-in-Chief of "Truthdig.com", has built a reputation for strong social and political writing over his 30 years as a journalist. His in-depth interviews have made headlines, including the famous Playboy magazine interview in which Jimmy Carter confessed to the lust in his heart and notable Los Angeles Times interviews with Richard Nixon, Ronald Reagan, Bill Clinton and many other prominent political and cultural figures. A USC professor and radio personality on Left, Right and Center with Arianna Huffington, Scheer is the author of The Great American Stickup: How Reagan Republicans and Clinton Democrats Enriched Wall Street While Mugging Main Street. Mr. Scheer will speak to the current social, political, and economic climate in the U.S. and its implications for the world today.

Purchase tickets here.

Event Contact: ihprograms@berkeley.edu, 510.642.9460

Philosophy Talk: Live at The Marsh

When:  Sunday, April 29 (see below for times)

Where:  The Marsh Theatre (2120 Allston Way, Berkeley)

Philosophy Talk, the nationally syndicated radio program that, "questions everything, except your intelligence," is back in Berkeley on April 29th, to record two new live episodes:

At noon, it's "Identities Lost & Found in a Global Age" with U.C. Berkeley English Professor Bharati Mukherjee.
Throughout human history, people have tended to live and die in the same place, or at least the same region, in which they¹re born. Place is an important part of one's identity. But what happens when people are deprived of this sense of place? What psychological effects do emigrants, exiles, and expatriates endure? What happens to the importance of place when community membership can be based on common interests among people linked by email and facebook? Do we risk losing an important part of human life? Or do we gain freedom from the lottery of birth? John and Ken situate themselves with UC Berkeley English Professor Bharati Mukherjee, author of Miss New India and other novels exploring migration, alienation, and identity.

At 3pm, we confront "Hypocrisy" with Lawrence Quill, from San Jose State University.
Hypocrites believe one thing, but do another. Jefferson opposed slavery, but owned slaves. Jesus professed universal love, but cursed an innocent fig tree. Jerry Brown opposes the death penalty, but as governor of California will be responsible for executions. Hypocrites all ­ but vile hypocrites? Surely it was better that Jefferson was a hypocrite, and articulated the case against slavery, than not opposing it at all. Does it take courage to defend a view that you, yourself, don't have the courage or the character to follow through on? John and Ken try to practice what they preach with Lawrence Quill from San Jose State University, author of Civil Disobedience: (Un)Common Sense in Mass Democracies.

Purchase tickets here.

Event Contact: 415.826.5750