All posts by MiaLobel

Marketplace Ups Freelance Rates

More good news about freelancer rates from AIR and APM's Marketplace. Hurray!!
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In January, we were pleased to share the news of an across the board rate increase by NPR for outside freelance and station-based contributors ( http://www.airmedia.org/PageInfo.php?PageID=19 ). June brings more good news.

American Public Media's Marketplace will significantly increase rates paid to outside contributors, effective immediately. They have also refined their tier-based payment system, originally developed and advocated by AIR in 2008 (see the announcement below).

This decision to increase rates comes after a period of fiscal austerity. Beginning in 2008, major programming outlets for freelancers such as APM’s Weekend America and NPR’s Day to Day, were canceled. Coupled with reduced acquisition budgets across the system, freelance producers have been particularly hard hit over the last several years. We believe this announcement is another indicator that a new chapter of opportunity and promise has opened for producers working across public media.

We are grateful to American Public Media Senior VP and General Manager Judy McAlpine and to Marketplace Executive Producer Deborah Clark and Editor John Haas for working to implement these changes. Their efforts are reflective of APM’s on-going commitment to freelance journalists and to AIR’s vibrant and growing network of more that 850 producers across 46 states and 20 countries worldwide. We are confident that this move will serve to strengthen public media journalism and the important service that we, together, provide to citizens throughout the United States and the world.

Sue Schardt, Executive Director
David Freedman, President

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For Immediate Release:  May 30, 2012

American Public Media's Marketplace will increase rates paid to outside contributors by 8% to 20% beginning immediately. The Marketplace program portfolio, which includes Marketplace, Marketplace Morning Report, Marketplace Tech Report and Marketplace Money, serves nearly 10 million listeners each week. Marketplace also has adopted AIR’s tiered freelance journalist compensation structure, which bases compensation on three tiers pegged to the journalist’s level of experience, and the level of effort expended in producing a feature.

The new rates are posted at the AIRmedia website:
http://www.airmedia.org/PageInfo.php?PageID=737

John Haas, Editor
Marketplace
jhaas@marketplace.org
213-621-4659

Links:
NPR Rates Increase:  http://www.airmedia.org/PageInfo.php?PageID=19
Marketplace Rates Increase: http://www.airmedia.org/PageInfo.php?PageID=737
Join AIR: http://www.airmedia.org/signUp.php

Occupy the Film Festival! September 15-16, New York City

Submission deadline for Occupy the Film Festival is June 30. Details below.
-mia

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On the first anniversary of Occupy Wall Street, "Occupy the Film Festival" is bringing together the most compelling and innovative films of the movement for a weekend of screenings at Anthology Film Archives, the premiere independent cinema in downtown New York City. Festivities will include prominent guest speakers, an Occupy photography exhibit by award-winning photographers, an Occupy fashion show, and guerrilla projections by the famous Illuminator.

The festival is organized by a coalition of radical mediamakers and activists, with the support of many well-known alternative media groups around the city and country.

We are now inviting submissions via our website and would be very honored to receive yours by June 30, 2012:

http://occupythefilmfestival.com/

Please pass this message on far and wide. We'd like to reach all 99% filmmakers!

In solidarity,
Michelle Fawcett
occupythefilmfestival@gmail.com

SOTRU Call for Interns, application deadline June 5

Hey folks. State of the Re:Union is looking for their next round of interns. It's about 10 hours/week, unpaid, but you can work from anywhere and learn with a great group of radio folks. Details below!
-mia
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State of the Re:Union (SOTRU) is a dynamic NPR show that combines hour-long radio documentary episodes with short videos, photography,

music and blog posts to reach audiences online and over the airwaves. For each episode, SOTRU travels to a different American city or town.
Our mission is to tell stories that bring American life into focus, examining the things that divide us as well as the ties that bind us together. We currently air on more than 200 stations across the U.S.

SOTRU currently has several openings for interns for our next production season, June 15 – September 30 (candidates are very welcome

to start earlier if available). Duties include transcribing interviews, story research, pre-interviewing, and podcast / multimedia
production. Interns are invited to listen in on editorial calls with our host, editor and radio producers as we shape each episode, story by story.

  • We have a new position available this summer for one person to intern with award-winning independent producer Lu Olkowski on a special hour-long episode that Lu summarizes this way: "This is a story about a pint-sized community in Appalachian Ohio whose residents appear to be white yet cling to the notion that they are, in fact, black." This would be an extraordinary opportunity to dig into American notions of race in a deep, considered way, and to get exposure to long-form documentary production.*

    To be considered for a SOTRU internship, you should have a strong creative background, solid writing skills and be able to take
    direction. Self-starters who value attention to detail have particularly enjoyed interning with us. Audio and video editing skills
    are very welcome. Our staff works remotely, and you can too; people anywhere in the U.S. can apply. This internship is unpaid, and we generally ask for about 10 hours a week, sometimes more during busy weeks.

    You can read more and listen to the show right on our website, www.stateofthereunion.com. If interested, please submit a cover letter and resume by June 5 to:

    internships(at)stateofthereunion(dot) com

    We will evaluate candidates on a rolling basis, so earlier applicants may snap up available positions. Thanks for reading and spread the word!

  • Audio Engineer Needed, NYC

    Hey NYC audio folks – interesting opportunity for the right producer/engineer. Details below.
    -mia
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    I am a host moving from a prerecorded environment to a live show in New York City Metro. The show will air 9am – 11am M-F. I need to find a producer/audio engineer/BFF–who needs very little sleep (at least for the first month)–to be my right arm, left foot and, frankly, my spine.

    Please don't send me any attachments. I do not want anything fancy. All I want to know is the following: (1) What is your work history, (2) links to any audio/visual samples, and (3) the exact amount you would expect to make per a YEAR for the FIRST year of the show being on air. [Send items to: studio@urrepublic.com].

    For the corporate types, the professional job advert is below:

    Title: Audio Engineer/Creative Producer
    Hire Type: Full-Time or Part-Time (depending upon experience/knowledge)
    Hire Date: 21 June 2012
    Initial Contract Term: 26 June 2012 – 25 June 2013
    Work Days: M-F, occasional weekend/holiday work (extra days are paid extra)
    Work Time: 5:30AM – 12:30NOON (1st month will be longer days and late evenings)
    Base Pay Range: (TBD)
    Benefits/Perks: No-Benefits at this time
    Supervisor: Show Host

    Overview:

    New live broadcast show needs an audio engineer/producer: This person MUST have a good ear and be responsible for:

    General supervision of the broadcast clock, interns, guests and callers

    Development/supervision of show imaging and music
    Operations for the broadcast console, sound board/jingle palette
    Monitor of live audio/video stream
    Get/keep the show on the air on time every day
    Programming of breaks including adverts, social service announcements
    Other duties often related to the production of the show

    Preference will go to producers that: (a) posses solid and creative production/music/audio skills; (b) have some commercial radio experience; and (c) is funny.

    America Abroad seeking US pitches

    Hey folks. A quick turn-around opportunity with America Abroad. Shoot an email to A.C. if you want more information, and to get on his list for future calls for pitches.

    -mia

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    You might know me as Diane Rehm's former call screener and a longtime independent producer in my own right. Recently I was hired as a producer for America Abroad, PRI's monthly show on international affairs.

    I'm working right now at growing my rolodex of reporters both here in the US and abroad, and since we focus primarily on international affairs, I'm very excited to connect with anybody who might want to help us out in the future, particularly if you're an expat reporter.

    However! This month we're looking to make a local/global connection happen. We're focusing on water issues all over the globe. What we're trying to do is tie a water-related issue in the US into the water crisis in the world at large, either in terms of sanitation, water recycling, irrigation, solving scarcity problems, policies that need to be examined in terms of environmental cleanup, that kind of thing.

    If you're from a dry area of the US, know of any exciting technological innovations that are happening here and can be applied to other places, are familiar with river issues in your area that apply elsewhere, or have another story you're willing to pitch, I want to hear from you! Here's the challenge, though: we're looking to have a story ready to go by the 5th of June (we feed to stations on the first Tuesday of each month).

    Please shoot me a note off-list at acvaldez@americaabroadmedia.org.

    Thanks!
    A.C. Valdez

    Free NYC Event May 29 “Throw Like a Girl – Pitching the Hell Out of Your Stories”

    This promises to be a great event, hosted by NYT's Amy O'Leary – directed at women but open to all, and it's FREE! Details below.
    -mia
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    FACEBOOK INVITE
    https://www.facebook.com/events/134503483350516/

    PANEL DESCRIPTION:

    Grab your notebooks and mark your calendars – Her Girl Friday is thrilled to announce our upcoming event:

    "Throw Like a Girl: Pitching the Hell Out of Your Stories"

    A free panel with the best editors in the business, hosted by New York Times reporter Amy O’Leary.

    WHEN: Tuesday, May 29
    WHERE: Public Assembly

    70 North 6th Street, Brooklyn, NY
    TIME: 7pm-9pm, followed by a boozy mixer (DJ tbd)

    A few months ago, VIDA released its 2011 count comparing female and male bylines in major publications. As usual, the results were pretty dismal. 

    The Atlantic? 235 male bylines and 91 female ones.
    The New Yorker? 459 dudes, 165 ladies.
    Harper's? 141 men, 42 women.

    When the editor of Harper's was asked about the gender disparity, she explained, "The dearth of female bylines is an industry-wide issue. There may be some sort of a historical hangover from past years that has resulted in us getting fewer pitches from female writers, but I would like to change that equation."

    All this got us thinking: How do we change the equation? 

    WE PITCH. MORE. STORIES. 

    While we're at it, why not learn a few tips from some of the best editors in the business?

    Our panelists are:

    Evan Ratliff, founder of The Atavist
    Carolyn Ryan, Metro editor of The New York Times
    Jessica Pressler, contributing editor to New York Magazine
    Katherine Lanpher, award-winning print and broadcast journalist and teacher at the Op-Ed project.

    Oh, and the best part? 
    It's FREE.

    *Dudes are totally welcome to attend.

    KUOW Program Venture Fund seeking project proposals, deadline June 15

    The great folks at KUOW in the Puget Sound just announced their latest call for proposals. Details HERE and below. Good luck!

    -mia

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    KUOW Program Venture Fund Grant Round 21

    Beginning Monday, May 7, KUOW we will begin accepting project proposals for Round 21 of PVF. The PVF provides special support for staff and independent producers to develop new programming focused on the Puget Sound region in Washington state.

    Programs funded by the PVF can be a series of features, a long form documentary or a variety of short audio pieces. There is no set format. Be creative. Think of a PVF grant as seed money for that radio project you’ve always dreamed of doing. This is your opportunity to dig into a subject, bring new voices to the air and share the history, culture and issues that impact the Puget Sound region.

    Important: Before submitting a full application you need to send me a short description of your project, no longer than a page. Once the preliminary idea is approved then you can officially submit the full application. All instructions are at our website (see below).

    The application deadline is Friday, June 15, 2012 at 5:00 pm (PT)

    For application information go to www.kuow.org/pvf

    Contact: Jim Gates – jgates@kuow.org

    We look forward to hearing your radio ideas! Below are links to past PVF projects.

    Jim Gates
    Senior Editor

    KUOW 94.9 – Puget Sound Public Radio

    206.221.0747

    www.kuow.org

    Check out our most recent PVF projects:

    More Than A Tree:
    Reporter: Sarah Waller
    http://kuow.org/specials/more-than-a-tree.php

    Refugees In Puget Sound: Navigating A New Home In The Northwest
    Reporter: Jessica Partnow
    http://kuow.org/specials/refugees-in-puget-sound.php

    Announcing the Media Ideation Fellowship program

    Interesting new opportunity from the Instructional Telecommunications Foundation. Help spread the word – details HERE and below.
    -Mia
    +++++++++++++++++++

    Hi all,

    I'm excited to send a sneak peek of a the Media Ideation Fellowship, a program that I've been working on with The Instructional Telecommunications Foundation. Read on and feel free to contact me with any questions, etc.

    The Media Ideation Fellowship program (www.mediaideation.org) is a mixture of paid three- and six-month fellowship opportunities to young technologists and changemakers who want to solve some of our nation's toughest social problems. The application process will open in Fall 2012, and we're hoping to recruit a diverse set of five early career individuals and graduate students in our inaugural year. Fellowships will start in early 2013.

    Each fellow will receive financial support, be matched with a mentor who can help bring their ideas to life, and be connected to a vibrant network of progressive technologists and change makers.

    Here are two easy ways to stay in the loop as we prepare for launch:

    How you can help: We are committed to recruiting a diverse set of fellows, and as such, communities like this list will be invaluable. Here's how you can help spread the word: 
    • Share this email with potential fellowship candidates.
    • Become a mentor. If you're a veteran of the start-up space or consider yourself a seasoned entrepreneur, drop me a line. You could be a tremendous resource to a young leader. Email me for more details.
    • Be a connector. Do you know great communities that would make for good recruiting ground? Are you involved in any academic programs that focus on social justice and social ventures? Please, email me with names of institutions and organizations that we should know about.
    I'll be at AMC, Netroots Nation, and PDF this June and would be happy to meet with folks who are interested in learning more. Drop me a line and we'll set up a time to chat.

    Best,

    Erin

    2012 Producers Institute for New Media Technologies at BAVC, final deadline July 6

    Great opportunity with BAVC this fall. Details HERE and below. Deadline July 6.
    -mia

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    Announcing BAVC's 2012 Producers Institute for New Media Technologies

    BAVC's 2012 Producers Institute for New Media Technologies is now accepting applications. Through a competitive process, BAVC will engage a panel to select at least six of the world's most promising and important social issue documentary projects to participate in a week-long new media and social impact laboratory in San Francisco in October 2012.

    Selection for this year's cohort will focus on documentary films and transmedia projects that have the greatest potential to catalyze action around contemporary social justice issues, with an emphasis on projects that highlight themes of economic justice, educational opportunity and human rights.

    Filmmakers will apply with partner organizations that already work with the communities they mutually seek to reach, educate, inspire and move to action. Impact mentors will help the participating teams establish mutual goals and outreach strategies and track the resulting projects over the course of the implementation year.

    For more information and to apply — http://www.bavc.org/producersinstitute

    2012 Third Coast/Richard H. Driehaus Foundation Competition, final deadline July 9

    Hey folks. It's time for the Third Coast International Audio Festival Competition. Early deadline is June 18th, final deadline July 9. Entry fees range from $30-75. Details HERE and below. Good luck!

    -mia

    PS: Drop me a line if you plan to go to the festival in October – I'd love to see some FC folks there!

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    2012 THIRD COAST/RICHARD H. DRIEHAUS FOUNDATION COMPETITION

    NOW ACCEPTING ENTRIES! 

    The Third Coast/Richard H. Driehaus Foundation Competition seeks the best audio work produced worldwide in the following categories: Best Documentary (Gold, Silver, Bronze, Directors’ Choice, Honorable Mentions), Best New Artist, Radio Impact and Best News Feature.

    Winning producers will receive prizes ranging from $1000 to $4000, a license for Hindenburg Journalist Pro editing software and free registration to the 2012 Third Coast Conference, October 5-7 in Evanston, IL.

    Winning will also be celebrated at the Third Coast Awards Ceremony on the final evening of the Conference, and their programs will be heard by a national audience this fall in Best of the Best: The 2012 Third Coast Festival Broadcast, distributed by the Public Radio Exchange (PRX).

    Other outstanding entries from the competition may be presented on our weekly radio show Re:sound (on WBEZ, Chicago), on this website and at public listening events in Chicago and beyond. Entrants will be notified and compensated if/when their work is featured.

    All producers who enter are eligible for a discounted year’s membership with PRX.org.

     

    JUDGING

    Competition entries are judged by panels of accomplished audio producers, along with media professionals in related fields such as film, photography and print.

    Judges consider the degree to which the entries – of all styles, lengths and subject matter – relate their stories successfully. Story choice, technical quality, editorial integrity, creativity, writing and use of sound all factor into the selection of the winners.

    All decisions are final.

    MORE INFORMATION

    Awards

    Entry Guidelines

    FAQ

    Upload your entry