All posts by MiaLobel

ABC’s Creative Audio Unit seeks pitches for upcoming shows, deadline Oct 27

Pitch down under! The folks at ABC's Radiotonic and Soundproof want your pitches for their next round of shows. Details and pitching guidelines in the links below. Go for it!

-Mia

We're coming up on a deadline (October 27) for our next round of commissions, so if you've been thinking about pitching:
http://www.abc.net.au/radionational/programs/soundproof/about/
http://www.abc.net.au/radionational/programs/radiotonic/about/

Best to send your short pitch sooner than later, so you have time to develop a full proposal if we're interested.

New project from The World seeks pitches on the status of women and their communities, deadline ASAP

Holy WOW – what a great opportunity from PRI's The World. (Important topic! Travel budget! Multimedia!!) The word from the acting editor is that they're looking for a very high level of reporting here, so not for newbies. Details and contact info below. -Mia

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We wanted to let you know about an exciting new initiative The World and our partners at pri.org are undertaking over the next 18 months.
 
It’s working title is Across Women’s Lives, and it will focus on the relationship between the status of women around the world and the status of their larger communities and societies. In particular it will examine the questions of whether, and if so how, particular improvements in the status of women leverage improvements in “development” and quality of life indicators for everyone. (And if not, why not?)
 
Our working project summary is below. The reason I’m writing to you now is that we’re looking for pitches. The series will have a special focus on India and sub-Saharan Africa, but we’ll be looking for stories everywhere. And while the focus here is specific, the kinds of stories we’re looking for are the same as always: driven by strong characters, strong voices, strong sound and strong writing.
 
We’ll be paying our usual rates for these pieces but we do have a healthy budget for travel. That doesn’t mean you should think first of big trips away from your home base—there might well be great stories right in your local areas—but if you’ve got a great idea for a story that would require travel, and can sell us on it, we might well be able to make it happen.
 
We’re also planning to build a significant multimedia component into every story, including a fully-produced stand-alone video. Sometimes the same reporter could produce both of these, other times it would involve pairing the radio reporter with a video journalist. And of course if the same reporter produces both, you’ll be paid for both.
 
We’re in the process of hiring a dedicated editor for this project, but until we do, please send any story ideas to me.
 
And we’re on a pretty aggressive timetable to launch, so if you have a great story along these lines that you’ve been itching to do, send along a pitch as soon as you can.
 
As always, thanks for thinking of us and we look forward to working with some of you on this project.
 
Best, from Boston,
 
Peter Thomson
Acting Editor, Across Women’s Lives
 
************
 
PROJECT SUMMARY
 
PRI’s The World and pri.org are launching a high-profile, 15-month reporting project on the status of women around the world. The “Across Women’s Lives” project (working title) will deploy radio & multimedia producers working independently and together to produce top-quality feature stories on:
* Efforts to improve the well-being of communities by raising the status of women and girls, especially in India and sub-Saharan Africa;
* Links between the status of women and girls in developing countries and broader social indicators of health, education and economic opportunity for society;
* Women, men and organizations making a difference in the lives of their families and communities by working to improve the status of women.
 
The reports will be broadcast on The World and featured on pri.org starting in December, 2014 and will be clustered around five stages of women’s lives: birth and infancy, early childhood, adolescence and young adulthood, middle age, and old age.
 
 
Peter Thomson
Environment Editor, PRI's The World
Author, Sacred Sea: A Journey to Lake Baikal

 
@bluepearmain

Destination DIY Seeks Pitches For December Episode

Great show seeks pitches. Details below! -Mia
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Destination DIY is seeking pitches for our December episode. Please have a look at our pitching guidelines on the AIR pitch page: http://www.airmedia.org/PageInfo.php?PageID=21 and send your pitch to info@destinationdiy.org 
As you may know, the show is monthly, and we typically showcase one longish (10-12 min) feature per episode. We recently joined the Maximum Fun network and we're excited to be sharing the show with a whole new audience. 
Thanks so much,
Julie


Host, producer and creator of Destination DIY
http://destinationdiy.org
Twitter: @DIYgirl
Facebook: http://facebook.com/DestinationDIY

Studio 360 seeks spring interns, application deadline Oct 19

Intern at Studio 360! Details below. -Mia
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Studio 360 interns make radio, not coffee. The also write for and help produce our new blog and podcast, sideshow.

 

We’re looking for interns for our winter/spring term – roughly Jan-May. We don’t pay much (it’s more of a meal stipend situation), which is unfortunate. But we do teach you things. We’re super serious about making sure our interns learn a ton of stuff while they’re here.

 

If you or someone you know might be a good match, please apply! The deadline is October 19.

 

Application info: http://www.studio360.org/about/internships/

Term: roughly Jan-May

 

Studio 360’s internship is a hands-on experience. Interns sit in on editorial meetings, gather research, pitch ideas, collect materials for the website, and learn a variety of tasks involved in producing a weekly program. Over the course of the term, they gain fundamental radio skills (including audio editing) and will assist staff mentors with producing segments for the show.

Poynter Environmental Journalism Workshop with SEJ, Nov 3, FL

Wish-I-could-be-there environmental journo training program with Poynter and the SEJ. Details below.

DATE: Nov. 3, 2014
APPLY BY:  Oct 13, 2014

LOCATION: 
Poynter Institute, 801 3rd Street South, St. Petersburg, Florida

Making Science Storytelling Engaging and Accurate

 This is a one-day intensive workshop that will help science and environmental journalists, bloggers and students produce engaging and informative content.

With increasing demand to produce compelling science stories, journalists are also faced with entertainment successes, such as "Shark Week" and "Sharknado," that can confuse scientific fact and fiction. As the need for science stories continues to grow, it has left the American public more misinformed about science than ever.

Join us for a comprehensive day of learning how to pitch, investigate and 

Kelly McBride

Vice President 
of Academic Programs
Poynter Institute 

craft compelling science-based stories in a competitive media landscape to accurately inform the public while keeping them engaged.

You'll learn how to:

  • breathe excitement into your stories
  • pitch to editors
  • tap into research tools that make data accessible
  • begin an investigation into an individual or organization

The day's schedule: (subject to change)
9:00 a.m. – 9:15 a.m. ~ Welcome

Jennifer BogoExecutive Editor, Popular Science

9:15 a.m. – 10:30 a.m. ~ Session 1, The Pitch with 
Jennifer Bogo
Whether you are a freelance writer pitching various editors, or a staff writer pitching your boss, your pitch must be on target. In this session faculty will walk the workshop audience through the various methods for developing a story ideaand sounding it out to editors.

Angela Posada-Swafford

Freelance Science and Exploration Writer

10:45a.m. – 12:00 p.m. ~ Session 2, Getting it Right with Angela Posada-Swafford  
There's so much to get wrong. And it's so difficult to find the right sources to provide the foundation for the best information. In this session, we will describe the methods for judging an expert's appropriateness for contributing to a story, translating scientific jargon into the vernacular and fact-checking the work before publication.

12:00 p.m. – 1:00 p.m. ~ Lunch

1:00 p.m. – 2:15 p.m. ~ Session 3, Longform Science Journalism with 
Angela Posada-Swafford
A time-tried way to engage the public is by telling a good tale. But that requires the ability to organize and execute a complicated project, often within a short time frame. In this session, we will lay out the methods for organizing a long project from conception to publication.

2:30 p.m. – 3:45 p.m. ~ Session 4, Character-driven Stories with 
Jennifer Bogo
Science is often complicated and inaccessible to the audience. One of the best ways to get readers over that hurdle is a character-driven story. In this session we will describe how reporters find characters and bring them to life in stories about science.

3:45 p.m. – 4:00 p.m. ~ Wrap-up

Who Will Benefit: Science and environmental journalists, bloggers, students and anyone interested in reporting about science and the environment.

Price: $79.00
(Lunch is included.)

Price for SEJ members and students: $59.00

Email SEJ HQ  or call 215.884.8174 for the promo code.

REGISTER NOW

2 positions teaching radio at UC Berkeley Grad School of Journalism this spring, deadline Oct 17

Teach radio at my alma mater this spring. Application deadline Oct 17.

_______________

Job Postings for January 2015

 

The Graduate School of Journalism is recruiting 2 lecturers to teach courses in the Radio /Audio program beginning spring semester, January 2015.

 

J-212 – ADVANCED RADIO (15 weeks)

Required Qualifications:  Minimum of five years professional radio experience. 

Recommended Qualifications:  Teaching experience at college level or higher.  The ability to facilitate publishing student work on a professional outlet.

 

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise.  Past instructors have arranged for student work to be broadcast locally on KQED-FM or KALW-FM, or nationally on Making Contact.  It's important for the Advanced Radio instructor to guide student work from pitch through final production and provide a pipeline for qualified student work to be published professionally. 

Past syllabi are available upon request, but new proposals with fresh approaches are encouraged. Applications are due October 17, 2014.

 

J-298 – TELLING STORIES ON AIR (15 weeks)

Required Qualifications:  Minimum of five years professional media experience. 

Recommended Qualifications:  Teaching experience at college level or higher.

 

Course Description:

The focus of this course is not solely on audio or production, but rather on the many ways to craft a story.  The course is open to all graduate students, regardless of skill level or platform concentration.  Any instructor applying for this position should be prepared to help students with story-telling skills in a variety of platforms (TV, Documentary, Multi-media, narrative writing, etc.). 

Over the past two years radio reporters and producers (the Kitchen Sisters) and a foreign correspondent with radio and print experience (Annie Murphy) have taught the class.

Past syllabi are available upon request, but we are encouraging new proposals with fresh approaches. Deadline for applications is October 17, 2014.

 

TO APPLY:

 

To be considered, you need to formally apply for the position through the university's academic recruitment website. 

 

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

 

Upload your CV including a summary of teaching experience, broadly defined as:

Delivering instruction in a university or college classroom;

Providing mentoring in the field for which you are applying;

Editing the work of others in the field for which you are applying;

Guest lecturing in the field for which you are applying.

 

The statement of teaching needs to include the time you spent in each activity (i.e. I led a week long workshop on radio in March 2010.)

 

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

 

You will be contacted if your experience is a match for what we need.

Snap Judgment Looking For Magic Stories

Snap Judgment needs your MAGIC stories ASAP. Details below!

Snap Judgment is looking to fill a hole in an upcoming episode all about magic and trickery.  If there are any good radio features featuring magic and/or trickery and/or mysticism you know of that might work for the Snap format (a plot-driven narrative arc in which a character encounters an interesting source of tension that resolves in an unexpected way) let us know at pitches@snapjudgment.org.  Keep in mind, this doesn't need to be your story.  If there's something you've heard that you love and would simply like to bring to our attention, by all means do so!
Also, support the Snap Judgment kickstarter if you're so inclined. It's a really good show.

Call for Entries – 2014 PaleyDocs Pitch Workshop Contest, deadline Oct 1

$5K grant available for a work-in-progress doc from the fine folks at the Paley Center for Media. Extended deadline Oct 1. More info HERE and below.

The Paley Center's Pitch Contest offers a $5,000 grant for an unfinished or work-in-progress documentary from an emerging filmmaker.

The Paley Center for Media is using this contest, now in its eleventh year, to choose five finalists who will pitch their unfinished films to a panel of experts and producers in front of an audience. This event, the Pitch Workshop, will take place on Saturday, November 15, 2014, in New York.

To Enter Pitch Contest:

To enter this contest, you must submit no more than ten minutes of footage from an UNFINISHED or WORK-IN-PROGRESS feature-length documentary that you hope to pitch to our panel. You must also send in a printed and filled-out entry form (below). 

We will judge entries based on the originality of your vision and the viability of the concept. At the pitch workshop, finalists will be judged by originality, viability, and the persuasiveness of their pitch to our panel.

Deadlines to Enter:

Entries must be postmarked by deadline. Deadlines and fees are as follows:

• Earlybird Deadline: August 20, 2014 ($25 regular submission fee / 
   $20 for Withoutabox members submitting through Withoutabox)

• Regular DeadlineSeptember 3, 2014 ($30 / $25 for Withoutabox members)

• Late DeadlineSeptember 17, 2014 ($35 / $30 for Withoutabox members)

Special Extended Deadline
October 1, 2014 ($45 / $35 for Withoutabox members)

Withoutabox Extended Deadline
October 8, 2014 ($55 / $40 for Withoutabox members) 

There Are Two Ways to Submit Your Entry:

 

1) We accept entries through Withoutabox.

OR

2) To submit on your own, download the following PDF forms.

Overview |  Official Rules |  Entry Form & Submission Agreement

Then print out, sign, and mail a complete and fully executed copy of the Entry Form & Submission Agreement, along with your DVD, submission materials, and a check for your entry fee made out to The Paley Center for Media to:

Pitch Workshop

c/o The Paley Center for Media 

9th Floor 

25 West 52 Street 

New York, NY 10019
 

PREVIOUS WINNERS
2013: The Age of Love directed by Steven Loring
2012: Eleven directed by Laura Paglin and Kahlil Pedizisai
2011: The View from Bellas Luces directed by Christa Boarini
2010: Charge directed by Mike Plunkett
2009: The Iran Job directed by Till Schauder 
2008: Circo directed by Aaron Schock
2007: The House that Herman Built directed by Angad Bhalla 
2006: Whatever it Takes directed by Christopher Wong 
2005: Asparagus! (A Stalk-umentary) directed by Anne de Mare and Kirsten Kelly

New Producer RFP from High Plains News, deadline Sept 22

Passed along by the fine folks at AIR. An RFP from High Plains News. Deadline Sept 22.
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High Plains News is seeking proposals for the production of a 30-minute radio program examining both the transition of coal in the national energy mix and the public policies, sometimes, self contradictory, affecting the industry, communities, and people.

About High Plains News

Founded in 1989, High Plains News produces grassroots commentaries and 30-minute special programs, primarily for public and community radio stations. From 1990 to 2001, High Plains News produced and distributed a weekly 15-minute radio magazine. The news service also produced 26 half-hour special programs through 2003.

Over the years, High Plains News and its producers received many awards, including the Scripps Howard National Journalism Award, Gabriel Award, Oscar in Agriculture Merit Award, Award of Excellence from the American Lung Association of Montana, and several awards from the National Federation of Community Broadcasters.

Based in Billings, Montana, High Plains News is a project of WORC, the Western Organization of Resource Councils.

Program Description

We envision a program consisting of three to four stories. Final story topics will be agreed upon with High Plains staff. Potential stories could include:

  • The changing economics of coal – Utilities are decommissioning coal-fired power plants. Domestic coal production is down, as are coal prices. Several coal companies are pinning their futures to exporting coal to foreign markets and spurring proposals to build or expand coal export facilities.
  • Coal leasing and exports – A number of recent studies indicate the federal governmentT coal leasing program is flawed and does not get a fair return for the publicly-owned resource. The low-cost coal has implications for people living near coal mines, residents along the rail routes, and communities facing new or expanded coal export facilities.
  • Reclamation – Coal mining has taken a large swaths of land out of agricultural production in the Powder River Basin, the Illinois Basin, and North Dakota, but reclamation of that land is moving at a snailT pace. And there is mountaintop removal mining in Appalachia. Coal and coal companies are not turning the land back to production as envisioned by the federal strip mine reclamation law passed in 1977.
  • Beyond coal – A look at a just transition for coal miners and communities long dependent on coal mining as the easy to get coal seams are mined out and the United States acts to deal with climate change and towards cleaner energy, air, land, and water.

    Scope of Work

    The producer will produce a 30-minute radio program for distribution to radio stations, the Public Radio Exchange, and other venues and placement on our website. The producer may contract with other producers to produce stories for the special. High Plains staff will work with the producer to determine the stories covered by the special.

    Producer will be responsible for all research, recording of all elements, editing, and scripting. Final assembly of the program shall be done in collaboration with High Plains News staff. Producer shall consult with designated High Plains News staff regularly about the program.

    Producer shall produce the program in stereo at a level of technical quality acceptable to High Plains News as defined by current industry broadcast standards.

    Deliverables

    The producer shall deliver a fully produced 30-minute program and clean version of the final script and list of contents of the elements as they appear on the source. We prefer to receive the program in MP3 format or CD.

    Timeline

    Proposals are due close of business September 22, 2014.

    High Plains News will award the contract by September 29, 2014.

    The producer shall deliver the program on a timely basis on a mutually agreeable schedule, not later than November 7, 2014

    Submitting a proposal

    Interested producers should submit the following:

  • A letter stating your qualifications and relevant experience.
  • Budget for production of the 30-minute program. High Plains News will reimburse approved expenses. Travel expenses reimbursed at rate of 35 cents a mile. Producer will be responsible for paying contracted producers involved in the program.
  • Send a link to or CD of a similar production showcasing your talent.

    Proposals should be sent to Kevin Dowling, 220 S. 27th Street, Suite B, Billings, MT 59101, or kdowling@highplainsnew.org<mailto:kdowling@highplainsnew.org>. Proposals are due by close of business, September 22, 2014.

  • CPI seeks one freelancer in each state for research and reporting gig on govt accountability

    The Center for Public Integrity is hiring 50(!) freelancers – one in each state – for a part-time gig over the next year. Pay is $7K for the year. More info HERE and below. 

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    The Center for Public Integrity is looking for top-notch journalists to investigate the risk of corruption in their state governments. We're hiring one reporter in each state to carry out a combination of research and reporting into state government ethics, transparency and accountability laws, and their enforcement. Your work will lead to nationally-distributed stories and state-by-state rankings of government accountability, complete with scorecards, grades and stories that demonstrate where states succeed and where they fail.

    The State Integrity Investigation will rely on original, in-depth reporting and detailed data collection in each state to uncover areas of corruption risk in our statehouses. The project will cover a wide range of “integrity indicators,” including campaign finance laws, state budget processes, auditing capabilities, procurement practices, financial disclosure and more. Each reporter will gather data through a combination of research and interviews and then write an accompanying narrative on the findings in that state. Examples of state scorecards, categories and stories from our initial State Integrity Investigation in 2012 can be found at www.stateintegrity.org.

    Reporters will have to answer some 200-300 questions with specific, well-sourced data over the first two months of work. Reporters will work with partner organization Global Integrity to register and verify their research. They will be expected to meet rigorous standards for accuracy and sourcing based on methodology developed by Global Integrity. Reporters must be well-versed in the laws, procedures, and inner workings of their state government, and ideally maintain an extensive network of contacts and sources both in and outside of state government.

    To apply, please upload a short cover letter, two or three clips and a resume with three references. No phone calls please.

    About the Project

    The State Integrity Investigation is a collaboration between the Center for Public Integrity and Global Integrity. This new effort will refine and update a project first carried out in 2011-2012 (for more, see www.stateintegrity.org). At the time, the project represented the first in-depth, data-driven account of government transparency and anti-corruption mechanisms in all 50 states, using on-the-ground reporting and data analysis. A list of detailed questions, or “integrity indicators" are answered through a combination of research and interviews with knowledgeable experts and used to generate scorecards for each state.

    In the weeks following its launch, The State Integrity Investigation was featured in more than 1,100 print, online and broadcast outlets across the country. Since then, it has led to the adoption of new laws or statutes in seven states and proposals in five more. The project was a 2013 finalist for the Harvard’s Goldsmith Investigative Reporting Prize. A new round will allow states to measure any progress they have made, will raise the pressure for passage of reforms and will serve as a critical tool for state government reporters across the country.

    About the Partners

    The Center for Public Integrity was founded in 1989 by Charles Lewis. We are one of the country's oldest and largest nonpartisan, nonprofit investigative news organizations. Our mission: To enhance democracy by revealing abuses of power, corruption and betrayal of trust by powerful public and private institutions, using the tools of investigative journalism. The Center won the 2014 Pulitzer Prize for investigative journalism and has also been honored for its work by Sigma Delta Chi, the White House Correspondents Association, the Overseas Press Club, Investigative Reporters and Editors Inc. and Harvard’s Kennedy School of Government.

    Global Integrity works with local journalists and researchers to generate cutting-edge data and reporting on corruption and governance issues globally at both the national and local levels.

    Experience and Skills:

    Ideal candidates will have:

    • 5+ years of experience covering state government, and a background in deep-dive, detail-oriented research and reporting.
    • Meticulous attention to detail, accuracy and exceptional organization skills.
    • Ability to deliver quality work on hard deadlines with limited supervision.
    • Solid computer skills and ability to learn a new software platform.
    • Experience in investigative reporting is a plus.

    Reporters should expect to work on the project on a part-time basis starting this fall through early 2016. Reporters should be prepared to make a substantial time commitment in the first two months following their hire date, with regular but more sporadic work through the rest of the contract. Timetables may vary depending on the reporter’s schedule. Reporters must be able to manage their own time and will be required to hit hard deadlines throughout the process. Pay is $7,000.

    pdf icon State-Reporters-CPI.pdf