Blackpublicmedia.org Digital Web Series Open Call, deadline Sept 27

Got this post from AIR (the supplier of many of my posts.) This looks great! Contact christian@nbpc.tv with questions.
-Mia

+++++++++++++++++++++++

Online application:
http://blackpublicmedia.org/DOC-2011.php

Digital Web Series Open Call Guidelines
BlackPublicMedia.org

Blackpublicmedia.Org reviews and considers for distribution on a rolling basis films about the black experience globally. Our content priorities include films in contemporary settings depicting black life and experience in a rare and often overlooked context. We are most thrilled by those cinematic gems which bring to us knowledge that has been ignored by popular culture; films outside the norm which approach black characters, stories and locales in a fresh and engaging manner.

In that same spirit BlackPublicMedia.org also executively produces interactive online content designed to engage any audience interested in African Diaspora content online. The following is a guideline for submitting content for consideration to BlackPublicMedia.org’s annual Web Series Open Call.

The BlackPublicMedia.org Open Call awards project requests of up to $20,000 for interactive web series concepts. Selected projects will be published on BlackPublicMedia.org, made available for public broadcasting options, and executive produced by the National Black Programming Consortium.

  • *THE SUBMISSION DEADLINE FOR THE 2011 OPEN CALL IS SEPTEMBER 27th, 2010**

    Content Categories & Criteria
    The goal of the BlackPublicMedia.org Web Series Competition is to identify serial content concepts based within a unique contemporary African Diaspora context. Project concepts will be considered most highly if they utilize new distribution models to explore maximum engagement, and provide a public forum/platform for valuable networks of civic discourse. Series proposals must fall under one of the following categories:

    • Social Satire
    • Narrative Fiction
    • News & Documentary
    • Public TV/Radio

    Each series must have between eight (8) and twelve (12) episodes completed during the contract year. Please read the criteria for each submission category below.

    Social Satire
    Often broad conversation about important issues can only be sparked by bold satire. Initiatives considered for the Social Satire category are meant to employ more flexible techniques to engage an audience in dialogue – comedy and provocative social commentary being some methods.

    Narrative Fiction
    The Narrative Fiction category is for the consideration of fictional web series ideas with Black or African American lead characters. This category is meant to encourage the submission of broader ideas and explorations that are not necessarily factual but metaphoric in their

    implications for social and civic discourse. A broad example could be a series around a single mother raising a family; episodes could prove to be platforms for online discourse around equal pay, housing inequity, love and relationships, family, etc.

    News & Documentary
    The News & Documentary genre is for the consideration of interactive content initiatives designed to provide up to date factual information about a specific Black/African Diaspora community or
    issue area. Series proposed here are factual “webisodes” which offer general platforms for discourse around discreet social, or political issues. This is also a category for more intimate explorations of ideas and issues that might be part of a larger documentary project. “Behind the scenes” ideas will not be considered too highly in this category unless they provide a distinct platform for discussing larger issues pertaining to the project idea.

    Public TV/Radio
    Within this genre proposals are for ideas attached to an ongoing project with a standing, or upcoming public television or public radio broadcast. Producers working on longer format projects
    may use this opportunity to develop an interactive relationship with a community of interest related to their main project. For example, video podcasts for a regularly scheduled

  • 2 producer jobs at KCRW, application deadline Sept 3

    Two full-time gigs in at KCRW in LA, but odd hours so you may be able to continue with other projects as well. Details below.
    -mia

    +++++++++++++++++++++++++++

    http://www.kcrw.com/about/jobs-at-kcrw

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's flagship station for Southern California. The Santa Monica-based nonprofit represents cutting edge radio at its best, presenting an eclectic mix of independent music, news, talk and arts programming.

    KCRW is looking talented and creative people to join our team.

    Morning News Producer

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station. The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming. The station serves seven Southland counties as well as listeners around the world via the web. KCRW is looking for a talented Morning News Producer to join our team.

    Responsibilities / Duties:

    NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Morning News Producer will work closely with the Morning Edition host to collect and produce news and features with the local Morning Edition host and help shape the sound of the overall broadcast.  Stories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

    Qualifications:

    • Excellent news judgment
    • Experience booking, conducting and recording interviews
    • Experience writing news stories for radio
    • Ability to write clear, concise and accurate copy under tight deadlines
    • Extensive knowledge of the city, region and state
    • Editing ability, (Dalet and ProTools knowledge a plus)
    • Experience in collecting and editing tape in and out of studio
    • Field recording experience a plus
    • Contacts/sources a plus

    This position reports directly to Director of Programming Development and the General Manager.   The working hours are 5AM-1PM, Monday-Friday, though hours may be flexible.

    Compensation:

    TBD + medical benefits 

    To Apply

    Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

    Jobs
    KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

    Deadline

    All applications must be received by September 3, 2010.

     

    Afternoon News Producer

    KCRW 89.9FM, licensed to Santa Monica College, is National Public Radio's Southern California flagship station.  The Santa Monica-based nonprofit is a unique public radio service, presenting an amazing mix of independent music, news, talk and arts programming.  The station serves seven Southland counties as well as listeners around the world via the web.

    KCRW is looking for a talented Afternoon News Producer to join our team.

    Responsibilities / Duties:

    NPR's Morning Edition is the cornerstone of KCRW's news programming, and the station's local anchor provides local, regional and state news and information that is a vital link to our community.  The Afternoon News Producer will work closely with the Morning Edition host to collect and produce news and features for use the following dayStories are complied from a wide variety of primary and secondary sources – in studio; from other KCRW programs and from out in the field – with great freedom to create great radio. 

    Qualifications:

    • Excellent news judgment
    • Experience booking, conducting and recording interviews
    • Ability to write clear, concise and accurate copy under tight deadlines
    • Extensive knowledge of the city, region and state
    • Editing ability, (Dalet and ProTools knowledge a plus)
    • Experience in collecting and editing tape in and out of studio
    • Contacts/sources a plus

    This position reports directly to Director of Programming Development and the General Manager. The working hours are noon-8PM, Monday-Friday, though hours may be flexible.

    Compensation:

    TBD + medical benefits 

    To Apply

    Send cover letter, resume, sound clips and copy samples to: jobs@kcrw.org or

    Jobs
    KCRW, 1900 Pico Boulevard, Santa Monica, CA 90405 

    Deadline

    All applications must be received by September 3, 2010.

     

    Snap Judgment Seeks Amazing Radio Producer, Oakland, CA

    This is a full-time gig (not freelance) but Glynn and his show are so cool I just couldn't help myself. They also take freelance pieces. Check out their website (linked below) for details.
    -mia

    +++++++++++++++++++

    Snap Judgment is the brand new, smoking hot, nationally-aired radio / television / stage show funded by the Corporation for Public Broadcasting. Join us for the launch of a bold new style of storytelling.

    Hosted by Glynn Washington, winner of the Public Radio Talent Quest, the show is a multi-platform experience that interacts with audiences through radio, TV, stage and web. Snap Judgment’s edgy, intimate, hip storytelling redefines expectations for public media.

    The show sits on the razor’s edge of culture, race, gender, and sexuality. Applicants must be comfortable in dealing with people from a variety of backgrounds that may not have traditionally had voice on public media.

    Job Description

    Quite simply, we are looking for an amazing someone. A super superstar. The skills required for the undertaking are vast, and this is only a short list. (This is a full time position based in Oakland, California.)

    Most importantly, be able to work with host Glynn Washington and the Snap Judgment crew to create amazing, stupendous, breathtaking radio. This show is on a rocketship, and we are looking for a creative, energetic, contributor to help us take it to the next level.

    Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

    Creative and musical use of sound is extremely important, as every single episode of the radio program is constructed with the care of a music album.

    Project management skills an absolute must. Must be able to effortlessly juggle many conflicting duties with rigorous deadlines.

    Interview both regular people and irregular artists and construct their stories into compelling narratives.

    Proactively get / create / write / interview compelling stories.

    Grunt work. Absolutely anything and everything that needs to get done.

    Qualifications

    Rigorous Storytelling Background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children’s show, audio artist, speechwriter, novelist, animator, theatre producer, newspaper reporter, fiction editor, etc . . .

    Radio lover. Must know and love public radio, but not be so rigid that you can’t work within a new model. Snap Judgment is nothing like anything on public radio.

    No Drama. Proven ability to work well in a collaborative team environment as well as independently.

    Used to working in a Mac environment. Familiarity with Logic, Final Cut Pro, ProTools, Soundtrack Pro, etc. You need to be able to build broadcast-quality stories.

    Resourceful. Used to making the magic happen routinely on an absolute shoestring. We are looking for the “MacGyver” of storytelling.

    To Apply

    Before applying, please go to SnapJudgment.org and listen to full episodes of the show.

    If you really dig it, please send a cover letter, resume, salary requirements, and links to 2 – 3 projects for which you had primary responsibility to Jobs@SnapJudgment.org. E-mail only please!

    Women and minorities STRONGLY encouraged to apply.

    Peace and soul! We can’t WAIT to hear from you . . .

  • **
  • Soros Justice Media Fellowship, deadline Nov. 3

    Big money (plus health insurance!) for this year-long fellowship from Soros. Details below.
    -mia

    +++++++++++++++++++++

    I just received a request for proposals for the Soros Justice Media Fellowship.  The fellowship ($50K for a year plus health insurance for the year) support writers, print and broadcast journalists, bloggers, filmmakers, and other individuals with distinct voices proposing to complete media projects for local, regional, and national markets that engage the public and spur debate on one or more of the Open Society Foundations' U.S. criminal justice priorities (there are 12 priorities within the US criminal justice program and are detailed in the guidelines).

    The deadline is November 3, 2009.

    http://www.soros.org/initiatives/usprograms/focus/justice/programs/justice_fellows/guidelines/media

    Making Contact seeks part-time producer

    Any of you CA audio folks looking for a steady gig to balance out your freelance work? This could be a good opportunity for you. A bunch of FC members work with this show so drop a line if you want more info and I'll put you in touch with the right people. Good luck!
    -mia

    +++++++++++++++++++++++++

    Making Contact Producer (part-time) work location: Oakland, CA

    more info at www.radioproject.org

    Making Contact /National Radio Project seeks a part-time (20 hours/week) radio producer with a passion for public-interest community media, to create a world where peace and social justice are
    paramount.

    National Radio Project is a nonprofit media organization that produces the weekly, nationally syndicated, progressive radio series Making Contact. Our high quality public-affairs and documentary radio programs are broadcast on 139 radio stations in the U.S., Canada, and South Africa; thousands more listen via our website and podcasts. Our award winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

    We seek an energetic, passionate, organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview.

    Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We’re looking for someone committed to our greater mission and who is willing to do whatever it takes to produce our weekly show and to strengthen Making Contact as a whole.

    National Radio Project /Making Contact is about more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production. We seek someone who can mentor others and is excited about growing and learning in their own work. We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

     Required Skills/Experience

    Demonstrated writing and script editing skills
    Demonstrated audio editing skills
    Strong voice-craft skills and experience
    Track record of journalistic work –dedicated to fairness, accuracy and fact-checking
    Ability to read and synthesize research
    Familiarity with issues of our times and timeless issues
    Track record of delivering pieces on deadline
    Commitment to building Making Contact as a whole, and to participating in a team process

     Preferred Skills

    Experience coaching and editing freelance reporters and producers
    Multimedia experience:  video, sound-slides, YouTube etc
    Familiar with social marketing and online media distribution
    Experience and enthusiasm for online distribution methods and audience building
    Sense of humor

    National Radio Project / Making Contact is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and people with disabilities.

    Position Open Until Filled. Please email resume, cover letter, writing sample (radio script preferred) and links to audio work samples to lrudman@radioproject.org.

    doc iconPT Producer v.final.doc

    Immigration Institute for Journalists at UC Berkeley, deadline Sept 10

    UC Berkeley jschool and law school and teaming up for a 4-day intensive on immigration. Looks pretty interesting. Contact Rosa M. Ramirez <rosamramirez@berkeley.edu> for any details you can't find on the website (linked below).
    -Mia

    +++++++++++++++++++++

    An Intensive Institute for Journalists

    November 14-17, 2010

    University of California, Berkeley

    The Graduate School of Journalism and the Warren Institute at Berkeley Law are organizing a four-day institute for working journalists on covering immigration, an issue that has become central to debates over the economy, health care, education and law enforcement. Reporters and editors from traditional and new media are welcome to apply.

    Selected fellows will get an in-depth understanding of the dynamics of America’s often-divisive immigration debate and the tools to uncover new perspectives and insights backed by solid research and data. The deadline to submit your application is September 10th. For more information on the institute or to apply, please visit our website: http://journalism.berkeley.edu/conf/2010/immigration/.

    The Changing Face of America:<http://journalism.berkeley.edu/conf/2010/immigration/>

    Going Beyond the Rhetoric on Immigration<http://journalism.berkeley.edu/conf/2010/immigration/>

    Best,
    Rosa M. Ramirez
    (720) 496-6555

    Antenna Audio gig in LA Wed 8/25

    Any LA audio folks available for this last-minute gig? Contact adrianna_murillo@discovery.com. Tell her I sent you. Details below.
    -Mia

    +++++++++++++++++


    We need an engineer to record an artist tomorrow 8/25 in Venice/LA for a tour we are working on. The Engineer should arrive at 9:45a to set up for a 10-11 recording, and the interviewer will call in. I’m still waiting to hear back from the Producer regarding exact compensation.

    Adrianna Murillo
    Production Coordinator
    Antenna Audio Inc.

    PO Box 176
    Sausalito, CA
    94966

    t: 415.332.4862  x125
    f: 415.332.4870
    e: adrianna_murillo@discovery.com
    w: http://www.antennaaudio.com


    Benefits update from CA Freelancer’s Guild

    Promising opportunity for health benefits from the Guild Freelancers in SF. Details below.
    -mia

    ++++++++++++++++++++++

    Dear Freelancers,

    Great news! A comprehensive medical/dental/vision plan is within
    sight.

    Friday, members of the Guild Freelancers unit heard from Carrie
    Winsten, representing the Dublin Insurance Services. Dublin
    administers the Health Care Employee/Employer Dental and Medical Trust
    of the CWA. Dublin has been providing coverage to disparate labor
    groups — some through a common employer, others independent workers
    like us — for 60 years, and they come to Carl Hall highly
    recommended.

    Carrie presented various options for health coverage, including
    medical, dental and vision.

    The Dublin plan contrast with the others we've reviewed in two ways:
    One, we do not need the large numbers that other insurers require to
    underwrite a health plan. We would be added to the Taft-Hartley Trust,
    whose ranks number 25,000.

    Also, we would not have to choose between Kaiser and another plan
    (likely United Health Care). We could offer  up to four choices, just
    as employers do. All the plans, incidentally, would cover children
    through the age of 26 come February, thanks to the health care reform
    law.  And Carrie can arrange flexible spending accounts.

    It will be the Guild's responsibility to develop eligibility
    requirements and police compliance. According to Carl and Carrie, we
    need to avoid the appearance of being an association that exists
    merely to gain group health coverage (That’s the law.) One way would
    be to require members to show they derive a certain minimum percentage
    of their income from freelance employment. We will get clarification
    on where we need to set the bar as soon as possible. Meanwhile, we
    welcome your thoughts on this matter.

    Dublin Insurance would handle billing and collection, for which we
    would each pay $8 a month (as compared to the industry average of $21
    a month).

    If we as a unit opt to go with Dublin Insurance, we could add short-
    and long-term disability coverage and life insurance three to six
    months after the date coverage takes effect. We may also choose to
    incorporate a supplemental plan for those on Medicare.

    At the moment, those of us who were at the meeting believe this is by
    far the best option we’ve seen. Yes, it would be great to have lower
    rates. Indeed, Guild retirees are probably better off with what they
    have. But for the rest of us, this looks very promising. We want to
    emphasize that we need to move fairly quickly to get a plan in place
    by
    the beginning of 2011 when many of us lose COBRA coverage.

    How to proceed? Here's a rough timeline:

     August-September: Circulate the options among the membership, and
    develop a plan that reflects member input to the greatest degree
    possible.
     September: Guild Health Coverage Committee meets with staff to
    develop eligibility requirements and develop a structure for
    monitoring compliance.
     October: Committee presents a plan to the Guild executive committee
    for approval.
     November: Open enrollment month.
     Dec. 1: Deadline for delivering plan to Dublin.
     Jan. 1: Plans take effect.

    Please peruse the attached tables and share your thoughts, questions
    and preferences (contact Rebecca if you are having trouble with the
    links). We would like to move on this aggressively but thoughtfully,
    and shape a proposal based on a thorough reading of member concerns.

    Proposed dental & Vision insurance
    http://tngweb.net/images/pix/Dental%20and%20vision%20options.JPG

    Proposed medical insurance
    http://tngweb.net/images/pix/Medical%20coverage%20options2.jpg

    In solidarity,

    Bill Snyder
    415-824-3875
    Bill.snyder@sbcglobal.net

    Rebecca Rosen Lum
    Unit Chair, Guild Freelancers
    510-472-3024
    rrosenlum@gmail.com

    Michael Fitzhugh was not at the meeting but has agreed to join our
    unit’s health benefits committee (michael.fitzhugh@gmail.com). Another
    volunteer would be welcome, of course.

    Sandbox Suites Comes to Union Square

    Wow! Co-working is going gangbusters in the Bay Area. Check out Sandbox Suite's sweet new spot in SF. Details below.
    -mia

    ++++++++++++++++++++

    Email not displaying correctly? View it in your browser.

    Sandbox Suites

    Sandbox Suites on Union Square!
     Opens Sept. 7, 2010
     
    Some of you may have heard rumors about Sandbox Suites coming to Union Square. Well, it's true! Last month, we signed a lease on a 5,000 sq ft space at 567 Sutter St.

    The new space is located above two galleries and features skylights, four meeting rooms, sleek private offices for 2-6, comfy lounges and unique workstations custom-made for us by the leader in office furniture innovation, Turnstone. We think you're really gonna love it!

    Here's a little preview of the lobby:

    Sandbox Union Square will be open for tours and trials on Tuesday, Sept. 7.
    And we'll be offering desk memberships for 50% off Sept 7 – Oct 7!
    The Grand Opening party is on Oct. 7 – stay tuned for the invite!   

    BOOK A TOUR OR FREE TRIAL

    or contact us for more info:

    Phone: (415) 659-8197
    Email: info@sandboxsuites.com 
    Where: 567 Sutter St. (@ Mason) map

    Hours: after Sept. 7 Mon-Fri, 8am-6pm

    Like this campaign on Facebook   

    We rely a lot on referrals, so please pass this along!