Category Archives: Gigs

BackStory radio call for Pitches

BackStory, a new show on American History, is seeking story ideas. Details below!

-mia

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Backstory

Each week, the show chooses a topic and tells stories, conducts interviews, and shares insight on how that topic has played out through American history. We’re looking for features that have a couple key components: First, a story. Your characters might be alive, or they might be long dead. Either way, you should still have some character(s) with something at stake. Second, when pitching your story, think about ways to bring these characters to life. We’re open to re-enactments, experts telling the story second hand, oral histories, all the typical stuff. But don’t be afraid to think outside the box. Questions we’re always going to ask are: Why did this happen when it happened? What does this reveal about America at the time? Why should we care about that now? Most of themes will have a news peg of some sort. You can see some of the themes we plan to produce at our independent producers page: http://backstoryradio.org/producers/
show: one hour/weekly
segments: 2-8 minutes

compensation: $200 – $500+ depending on difficulty and skill of the producer. All the rates below are flexible, but are meant to give you a sense of what we offer.
Level 1 Piece: $200-$350
– May include a snapshot essay of a particular moment in history, typically with simple production requirements.
– May be a shorter, 2-3 minute sound rich “audio postcard” style piece.

Level 2 Piece: $350 -$450
– Medium length story with at least one interview and some reporting.
– May include some field tape. Probably requires little travel
Level 3 Piece: $450 – Negotiable
– Longer feature with multiple interviews.

– Significant research and creative use of sound and/or content.
pitch: Email Associate Producer, Eric Mennel at EMennel@Virginia.edu, with the word “PITCH:” in your title. The more concise your pitch, the better. Include what, if any, sources you would use in your story and how you would produce them. Also include what you think this piece would sound like (field tape, scoring, effects, readings, those kinds of things). We understand we’re a new show, so we won’t be offended if you compare it to something you might hear on another radio show. We’re open to non-narrated features, written essays, and reported pieces. You don’t need to have worked in radio or history to pitch, but if you can give us a sense of your experience (radio or otherwise), please do, and include a couple of links to your best stuff.
contact: Eric Mennel, Associate Producer: EMennel@virginia.edu (email preferred)

phone: 434-924-4403
mailing address: 145 Ednam Drive, Charlottesville, VA 22903
website: http://www.BackstoryRadio.org

Call for pitches WBEZ’s Race – Out Loud Series, deadline April 2

Very cool storytelling opportunity from the folks at WBEZ. Details and contact information below. Deadline April 2.
-mia

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WBEZ is looking for great material for a series we’re calling Race: Out Loud. Here’s the idea: What would it sound like if people said what they really think and feel about race, about ethnicity? What if they really talked about how it shapes them, their lives, and attitudes? What would we hear, if we listened?

This is a call for all manner of stories and ideas—in as creative an approach or production manner as you can imagine.  Think original. Think things we haven’t heard.  Things we don’t talk about.  And don’t limit yourselves to black and white—this is race, ethnicity in our time. Between races, ethnicities.   Within races.   We’re dealing here with Chicago and metro area.  But if you have some wild and wonderful idea beyond, try us.

A few examples of ideas already bubbling from reporters:  Nightlife: why don’t we play together?; Code words; What conversations do you have with your own race that you’d be squeamish having with people not of your race?

Multi-media. Video. Blog.  Music. Non-narrated stories. Investigative.  Stretch yourself and our listeners.

If you want to participate but don’t have an idea—let us know.

Otherwise, here’s the deal:  Deadline for written pitches [a brief description of the content and form of your idea] is Monday, April 2. 

 Send pitches and questions to: ccahan@wbez.org or nmoore@wbez.org 

 Thanks,

Cate and Natalie, WBEZ

Call for pitches from Making Contact

Hello friends. Longtime FC member Andrew Stelzer sends the following call for pitches from Making Contact. And just a quick word about rates here. My policy is to pass along any and all opportunities I come across that are available to freelance media producers. The folks at Making Contact are really good people, and they are doing the best they can with limited funds. If you don't like the $, don't pitch! Or better yet, make a story you can sell to multiple outlets.
My two cents,
-mia
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Hi there freelancers!

 

We haven’t been too frequent on our calls for pitches—but hopefully that’s a trend we’re turning around…Below are a few topics for shows we’re working on.  Please send us any ideas you have for sound-rich reported pieces.  We pay $250-$300 for a piece ranging from 6-12 minutes—not standard pub radio rates we know, but you get to do a longer piece, which can bring its own satisfaction.  We also are open to altered reversions or previously aired material. 

 

We are not really interested in interviews (unless they are amazing), or stories with more than minimal phone tape.  We also are not looking for super time sensitive stories because of our production schedule.  Think not ‘what’s happening this week’, but maybe ‘what’s happening this season,’ or ‘this year’—we step back, take a bigger look at issues and how the relate to larger trends.

 

If you are not familiar with our program, please surf around our site a bit and check out the pitching guidelines:

http://www.radioproject.org/production/submission-guidelines/

 

In particular, note this:

Does the story:

-Link grassroots issues and human realities to national or international trends?

-Give listeners a historical, political, or social context of major national and international events?

-Shed light on social and economic inequities?

-Explore any alternatives or solutions?

 

Please submit story ideas to pitches@radioproject.org

 

Let us know what the story is about, who the voices will be, and if there is a time/date peg.

 

Thanks,

 

Andrew Stelzer

Producer

Making Contact

www.radioproject.org

 

1. Prison Guard Unions

 

At least one piece for this show will come from California, where the Prison Guards union has tremendous strength.  But we also want stories from other parts of the country.  How do these unions affect public policy around drug laws, sentencing laws, prison expansion and other spending priorities?  How about their campaign contributions?  Local stories that connect to the national picture are ideal.

 

 

2. Coal:

The U.S. is a world leader in both the production and consumption of coal. From mountaintop removal to clean coal technology, the increased demand for energy continues to drive new gimmicks to extract this fossil fuel, regardless of the impacts to our health and environment. We want segments that delve deeply in this industry, the ramifications on communities and how activists are responding.

 

3. Population Justice:

A new movement called “population justice” has emerged recently, which intersects the work of reproductive and environmental justice activists. We seek segments that show what activists are doing to combine these two historically independent movements to advance the needs of both women and the environment. One idea could be about local communities enacting family planning services and how that shapes a woman’s decision to have children, and the impacts on the environment.  

 

4. Freshwater:

We are especially looking for stories from the Eastern United States (this particular show must all be US stories, not international).

We want to examine both problems and solutions.  Some angles we are particularly interested in are:

Hydrofracking (not the basics-we’ve covered that previously, but maybe zeroing in on a particular local struggle or evolving angle of the national situation)
the intersection between fresh water and energy—consumption and pollution of water by both ‘dirty’ and ‘renewable’ energy sources  

 -the intersection between drinking water and food.

 -water infrastructure

Drinking water contaminants and citizen action to clean up our act:

 

5.   We also are open to segment ideas related to the 2012 election—both the conventions and the election itself.  We haven’t determined any particular show topics yet, but think big picture, not horse-race or ‘news of the week’: Voting rights, militarization of the convention cities, redistricting, how Occupy interfaces with the election?

 

Again, send your story ideas to pitches@radioproject.org

Making Contact

www.radioproject.org

Freelance opportunity for CA health journalists at KQED Public Radio

Hey folks. My friends at KQED are looking for freelance health bloggers. Details below!
-mia

+++++++++++++++++++++++

 

Freelance Blogger; State of Health blog; KQED News. Location: California.

Position Summary: Experienced journalists needed to pitch, conceptualize, research and write 400 to 700-word blog posts about health topics and issues in California. Of particular interest are writers who have experience reporting about health issues in their city or county. State of Health has special interest in public health and health policy stories. The expectation is that most stories will be covered by phone or be local to the blogger’s home. On occasion, stories may be assigned by the State of Health editor. Since the position is freelance, we are interested in writers who can post one to four times per month, although we cannot guarantee frequency.

Please visit kqed.org/stateofhealth to grasp the style and content of the blog.

Essential Functions:

·        Strong writing skills in a conversational voice.

·        Experience reporting on health in California.

·        Experience writing for blogs is a plus.

·        Experience in radio reporting, especially public radio, is preferred, but not required.

To Apply:

  Please submit cover letter, resume and three writing samples (ideally blog posts or short newspaper articles) to: stateofhealth@kqed.org. Write “Freelance Application: State of Health” in the subject line of the email.

doc iconBloggerJobDescription_KQEDhealth.docx

WBEZ’s Front and Center Literacy Series Call for Pitches, deadline Feb 29

Hey audio folks. WBEZ has just put out this call for pitches for a new series on literacy. FYI, all pitches should have stories connected to the Great Lakes Region: Minnesota, Wisconsin, Michigan, Illinois, Indiana, Ohio, Pennsylvania, New York, Ontario, or Quebec. Details HERE and below. 

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Front and Center: Literacy series

Call for Pitches – 2012

In 1990, then-President George H. W. Bush and the nation’s governors adopted the goal that all of America’s adults be literate by the year 2000. That goal was never met. Over 20 years later, literacy is still staggeringly low. In cities like Chicago and Detroit, it’s estimated nearly 50 percent of the adult population has trouble reading. And ironically, the last comprehensive and federally-funded assessment of adult literacy took place nearly a decade ago.

The issue is more important than ever in this changing economy. With a decline in manufacturing and a boom in technology, more jobs require strong reading and writing. And if you don’t have those skills, you may not earn a living wage.

The literacy series will examine the cost of low literacy and strategies to move forward. The series will air regionally in May of 2012.

We’re looking for pitches from station reporters and independent journalists throughout the region for radio stories, slide shows, photo essays, documentaries and other multi-platform components that can help us understand how important literacy is to our future and economy.

We imagine the literacy series as a richly-textured collection of special shows and compelling stories, including enterprise reports about the region’s literacy problems, as well as profiles and first-person narratives about the ways that reading and writing affects our lives.

Here are some statistics to help put the problem in context.

  • In Chicago, half a million adults can’t read, write, or speak English well enough to meet their own goals for education or employment

  • More than 60 % of all prison inmates are functionally illiterate

  • Experts estimate that nearly 40 % of adults in Chicago’s Lawndale community have less than a high school education and only 35% are employed

  • 54% of working age adults in extreme poverty have only a high school diploma or less

  • 84% of the need for English as a Second Language courses in Illinois is not being met

  • Over 40 million Americans age 16 and older have significant literacy needs.

  • 43% of people with the lowest literacy skills live in poverty

  • 70% of people with the lowest literacy skills have no full or part time job.

  • Workers who lack a high school diploma earn a mean monthly income of $452 compared to $1,829 for those with a college degree.

  • Misread or misunderstood prescription labels cause up to 7,000 deaths each year

  •  Low health literacy causes an additional $73 billion in health care costs

Among the questions we’re interested in answering are: How is federal education policy impacting literacy?

  • What’s the role of the library in affecting literacy?
  • How will changes in the GED change standards of literacy?
  • How will the Common Core initiative change the way we teach kids to read?
  • Has the quality of educational TV and/or textbooks affected kids reading experiences?
  • How has the economy affected family literacy, including bedtime reading?
  • What’s the cost of childhood literacy?
  • How does the brain work when we’re learning to read? How does that change as we age?

  • What sectors of the economy are most likely to get away with low literacy and why?

  • What’s the link between literacy and poverty?

  • How is the elderly population dealing with literacy problems?

  • How does literacy affect the deaf or disabled?

  • How is bilingualism affecting literacy?

  • How is the prison population dealing with concentrated low literacy?
  • How has slang, code-switching and vernacular changed the way we communicate?
  • How has word processing and diminished emphasis on penmanship affected literacy?
  • How has the internet changed the way we read?
  • How does low literacy affect your health and proper use of prescription drugs?
  • How is the adult literacy problem being addressed? What’s working? What’s not?
  • How is the literacy issue affecting the changing workforce?

 

What are the stories we should be telling in your community?

Our freelance rates range from $300 for a profile or audio postcard to $5000 for a half hour documentary with multi-media components.

You can pitch around these themes or propose your own.  We look forward to your submissions.  All pitches should include ideas for multi-platform treatments.

Pitches with literacy series pitch in the subject line should be submitted to:

Sally Eisele, managing editor

seiesele@wbez.org

Aurora Aguilar, project editor

aaguilar@wbez.org

Deadline: Call for pitches closes February 29, 2012

*statistics come from Literacy Works Chicago, Literacy Chicago, Begin to Read, Heartland Alliance, National Institute for Literacy, White House Conference on Aging

BBC Commissioning new docs about America by Americans, first deadline March 2

Interesting new partnership between the BBC and US-based indie radio supporters AIR and PRX (among others). Deadline for pitching your doc ideas is March 2. Details HERE and below.
-mia
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Real America
The BBC Public Radio Partnership
 

The aim of the scheme is to give a chance to any radio producer working in the USA – independent and those working at public radio stations – to make a documentary for the BBC World Service.

 

Editorial Brief

 

We are looking for documentaries that will show our global audience of 40 million (including millions in the USA) an America they didn’t know existed. We want to hear stories that are unexpected, that only radio producers living in the USA could unearth. The stories could be obscure or could be staring us in the face but will say something about the USA of 2012. If a listener was to hear all 4 documentaries they would come away with a deep understanding of American society and the direction its traveling in. The brief is deliberately vague as we don’t want to be prescriptive – I simply have no idea what we will commission. Just be aware that it has to appeal to an audience that could be listening in Atlanta, Bristol, Cairo, Delhi, or Hong Kong.
 

HOW IT WILL WORK

 

We will commission 4 documentaries (single or series). These will be made by producers working in the USA. We want to find and encourage new talent.

 

Stage 1.  A call out for ideas – at this stage we only want one paragraph on the idea and one on your talents/experience. Closing date for Stage 1 – 02.03.2012 (12noon EST)  All ideas should be submitted to wsprp@bbc.co.uk  
 

Stage 2.  The short list. A shortlist of 20 or so ideas will be drawn up with the help of the BBC Public Radio Partnership Committee. The shortlisted candidates will then draw up a fully budgeted proposal.  BBC World Service staff will be at the end of the phone and email to advise producers on their ideas. Closing date for Stage 2 – 26.03.2012 (12noon EST)

 

Stage 3. The BBC Public Radio Partnership Committee will meet to identify the successful candidates. The BBC will have final say on the successful ideas. Meetings to be held during week beginning 2nd April 2012.  

 

The BBC Public Radio Partnership CommitteeJeremy Skeet (Commissioning Editor, BBC World Service, Chair); Heather Maclean (Head of Business Development, Americas & Australasia, BBC World Service); Sue Schardt (Executive Director, Association of Independents in Radio (AIR)); John Barth (Managing Director, PRX.org); Steve Edwards (Content Development Director, WBEZ); Sam Fleming (Managing Director of News and Programming, WBUR); John Decker (Director of Programming, KPBS).

Stage 4. Production. Each commissioned producer will come up with a production timetable.  If the producers are station based we would hope the station would help find an executive producer. If an independent producer is commissioned we will work with AIR to find an executive producer/mentor.
 

Stage 5. Broadcast. We will broadcast the documentaries on the World Service, and they would also be available to any Public Radio Station for broadcast. They will live online at www.bbcworldservice.com/documentaryarchive and prx.org (tbc).

High Country News seeks multimedia pitches

Great news from High Country News – now accepting freelance pitches!! Details HERE and below.
-mia

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HIGH COUNTRY NEWS SEEKS VIDEO AND AUDIO PITCHES

 

High Country News, a Colorado-based nonprofit newsmagazine, seeks pitches for compelling video and audio stories. High Country News has been around for over 40 years, and is known for its independent, in-depth, award-winning coverage of environmental, natural resource and cultural issues.

Our coverage area includes the 11 Western states: Montana, Wyoming, Colorado, New Mexico, Utah, Arizona, Nevada, California, Idaho, Oregon and Washington. Occasionally we make forays into Alaska and the High Plains.

 

What we want:

 

We are looking for videographers and photographers who want to create videos or audio slideshows that include strong narrative storytelling elements for our website, www.hcn.org. We like character-driven stories, action, beauty and surprise.

 

We are also interested in animated videos that explain a science or policy process in a viewer-friendly way.

 

Most video pieces will fall in the range of 3-7 minutes, although we're open to series or longer stories.

 

We are also open to pitches for audio postcards, and narrated or non-narrated produced pieces – preferably sound rich – for our soon-to-be expanded monthly podcast, High Country Views. Additionally, we’re interested in collecting unique and unexpected sonic IDs from around the West. They need not all be “natural” sounds; just great, interesting sounds from our coverage area.

 

What we don't want:

 

We are not interested in TV-news style stories, talking heads or straightforward Q&As. We don't cover breaking news, and we don't want stories that everyone else is already covering.

 

Topics:

For the next year, we seek work in the following thematic areas, although pitches outside these topics that fit into High Country News’ core coverage areas, will also be considered. (See our website for examples of stories we run.)

 

How the "One Percent" shape the West, both positively and negatively.

Rich people aren't like you and me. They have a lot of power, and can use it for public benefit (consider Ted Turner's land conservation) or for private gain (land swaps giving wealthy individuals public lands in exchange for private parcels of sometimes questionable value). How are the One Percent shaping the West? Pitches in this vein could consider local and state politics, public lands, mega energy corporations and their influence, etc.

 

The post-Recession world, and where the West goes now.

The housing boom is dead, and it’s not coming back. Poverty is rising. Unemployment is up. Median incomes are only rising in drilling boomtowns like Gillette, Wyoming. Only roughnecks and the super rich seem to have come out of the economic crisis somewhat unscathed. Post-recession, are individuals and communities rebuilding their economies? How? Stories within this topic could include place and character profiles of economic successes — and failures.

 

Lessons for the West from the rest of the world.

Australia’s Murray-Darling Basin has seen remarkable water reform in recent years in response to a long and devastating drought. European cities have solved growth and transportation problems that Western cities can’t seem to get a handle on. What can Western communities learn from these parts of the world and other grappling with the same issues we do? Possibilities include on-the-ground stories of Western localities learning from the wide world around them, or even stories from abroad that have particular relevance for the American West.

 

How developments in science and technology are changing what we know about wildlife and landscapes

From advances in genetics to mechanical advances in wildlife tracking and equipment, scientists are always learning more about flora and fauna. Is that knowledge helping land managers make better decisions? This topic might lend itself to explanatory animations, or documentary-style stories about quirky, innovative scientists and charismatic wildlife.

 

Restoration science grows up.

The West is full of degraded landscapes. The science, social science and collaborative relationships necessary to restore them may be coming into its own. And more ambitious projects are constantly being attempted. Stories in this vein might track new work; longstanding efforts implementing promising, innovative techniques in landscapes that have been seen as all but lost; profile scientists on the cutting edge of their field; cover innovative work or surprising new political alliances in communities in iconic environments that are allowing restoration work to progress to new heights. Restoration stories seem to easily fall into the trap of all sounding the same; be careful to tell us why yours is surprising among all those others out there, or how the characters driving it will give an old story new life.

 

Large-scale environmental change and how it hits home.

From climate change to the rapid pace of new energy development, massive environmental transformations are already underway in the West and are expected to become even more pronounced in the future. How are these transformations changing how individuals and communities work and interact with the land?

 

Whom we'll work with:

 

Anyone with passion for a story and the desire to tell it through video or sound. We encourage students and new producers to pitch us; while we consider experience when making decisions, we're mostly interested in the quality of your idea and how well it fits our needs.

 

We don’t have a set-in-stone pay scale. If your pitch is accepted, compensation will be negotiated based on experience and project scope. Our budget is small, however, so if you're a major video producer looking for $15,000 for an 8-minute doc, we're not the publication for you.

 

If you're already working on a documentary project and think a segment of it might fit our needs, pitch us, and maybe we can support you with travel funding and a payment for the clips we use.

 

Like most underfunded nonprofits, we love collaboration, and are open to working with existing institutions or news organizations.

 

Please send inquiries to multimedia@hcn.org with a subject header of "Multimedia story query."

 

Please feel free to share this call for pitches. While our network runs far and deep (we are reporters, after all) there are likely amazing multimedia journalists who didn't receive this note. Feel free to send it along to them.

new online mag – Open City – Mapping Urban Asian America @aaww, Call for Creative Nonfiction Fellows

For you NYC writers. Interesting opportunity.
-mia
+++++++++++++++++++++++

Open City: Mapping Urban Asian America, a new online magazine on Asian American news and culture in New York, is hiring creative nonfiction fellows to produce content on the vibrant immigrant communities of Manhattan, Brooklyn and Queens. The new magazine will offer smart takes on Asian American (particularly immigrant) culture as it's lived in New York right now. Imagine stories on: the proliferation of x-rated video stories in Sunset Park, migratory patterns of Little Pakistani residents, karaoke bar culture, gentrification in Chinatown, or how Korean taco trucks define ethnic borders and space. Applications are due on February 17, 2012. How to apply: aaww.org/opencityapply. For more info., contact Kai Ma, editor, at kma@aaww.org.


Kai Ma | Managing Editor
The Asian American Writers' Workshop
110-112 W. 27th Street, Sixth Floor, NY, NY 10001
www.aaww.org | @aaww

Editor
Open City: Mapping Urban Asian America
Support Asian American literature: www.aaww.org/donate

PT producer at Making Contact, Oakland, CA

The great people at Making Contact are looking for a half-time radio producer. The gig is in Oakland, CA. Details below.
Best, Mia
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Making Contact Producer (part-time) Work Location: Oakland, CA

more info at www.radioproject.org

 

Making Contact /National Radio Project seeks a part-time (20 hours/week) radio producer with a passion for public-interest community media, to create a world where peace and social justice are paramount.

 

National Radio Project is a nonprofit media organization that produces the weekly, nationally syndicated, progressive radio series Making Contact. Our high quality public-affairs and documentary radio programs are broadcast on 139 radio stations in the U.S., Canada, and South Africa; thousands more listen via our website and podcasts. Our award winning work has been recognized by the Society of Professional Journalists Northern California Chapter, among others.

 

We seek an energetic, passionate, organized team-player with solid experience. The candidate should understand the craft of long-format feature production as well as the art of a good in-depth interview. The candidate will also be able to work efficiently on quick turn-around program segments. Our program is a blend of evocative stories with analysis, and explores the relationship between individuals, groups and systems. We vary our program format from week to week from sound rich docs to straight-ahead compelling speeches. We’re looking for someone committed to our greater mission and who is willing to do whatever it takes to produce our weekly show and to strengthen Making Contact as a whole.

 

National Radio Project /Making Contact is more than a radio program. We thrive on the participation of volunteers and interns. We train community members in radio production as possible while meeting deadlines. We seek someone who can mentor others and is excited about growing and learning in their own work. We’re looking for a journalist who respects the knowledge of community members, social movement activists and academics in helping to conceptualize and create pieces that inform, inspire, and move people to take action.

 

Required Skills/Experience

Demonstrated writing and script editing skills

Demonstrated audio editing skills

Strong voice-craft skills and experience

Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

Ability to read and synthesize research

Familiarity with issues of our times and timeless issues

Track record of delivering pieces on deadline (even if it means it's not "everything you want it to be" 🙂

Commitment to building Making Contact as a whole, and to participating in a team process

Willingness to participate in fundraising

 

Preferred Skills

Experience coaching and editing freelance reporters and producers

Multimedia experience:  video, sound-slides, YouTube etc

Familiar with social marketing and online media distribution

Experience and enthusiasm for online distribution methods and audience building

Sense of humor

 

National Radio Project / Making Contact is an affirmative action employer. We actively recruit applications from women, people of color, LGBTQ folks, and people with disabilities. 

 

Submit app ASAP. Position Open Until Filled. Please email resume, cover letter, writing sample (radio script preferred) and links to work samples to lrudman@radioproject.org

This American Life THEME LIST

Always a popular post – the call for pitches from TAL. Plus a nice explanation of their process at the top. Good luck!
-mia
PS: I get these calls for pitches because I'm a member of AIR – a fantastic organization for public media folks of all stripes. Happy to provide more info if you're interested. (And no, I don't work for them, I just like them a lot.)

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Dear This American Life friends and contributors,

We've got a new round of themes-in-progress and we're coming to you
for story pitches, thoughts and suggestions for our upcoming shows.

How this process works: When you send in a story idea to me, I'll
respond with a generic email letting you know that I received your
pitch and that I've read it.  I promise.  I read every pitch.  (I
won't send you the auto response until I've read your pitch so expect
a bit of a delay getting that email.)  If we think the pitch is right
for us, or if we need more information from you, I'll send you another
email asking for more info on the story or letting you know we'd like
to commission the story. But if you don't hear back from us within two
weeks, beyond the initial auto-reply email, it means the story just
isn't right for us or for the needs of that particular show.  The idea
of doing it this way is just to get through pitches and get back to
everyone quickly.

Like always, these themes are shows we're actively pursuing right now
but we're always on the lookout for new stories or ideas.  So if
you've got a story that you think would work especially well for us
but doesn't fit a specific theme listed below, please send it along
anyway.

Thanks so much for your pitches.  We appreciate it.

Best,
Julie
(julie@thislife.org)

PLAY THE PART:  We’ve sent this theme out before and the show is
coming up pretty soon (mid February) so we’re somewhat set on big
stories.  But we’re still searching for smaller or more interview or
essay-ish type stories to fill this one out.  The idea of the show is
that throughout our lives, there are moments where we take on roles
and do our best to play them convincingly.  Sometimes it’s a conscious
choice and sometimes we realize we’re representing something that is
unintentional or not totally true.  Now for the show, we’d love a
story that’s about playing a role in a relationship – maybe something
about finding yourself being the kind of
daughter/son/girlfriend/boyfriend/spouse/employee that another person
wants you to be, and getting into trouble because it’s actually very
different from who you are.  Funny would be good for this show, but
not required.

WHAT I DID FOR LOVE: We're hoping to put together a Valentine's Day
show this year about the extremes we go to for love.  Falling in love,
chasing it down, trying to make relationships work – all of these
stages of love have the potential to make us do insane, over-the-top
things.  We’re interested in any story where passion and love make
people do things they’d never consider otherwise.  We’re also toying
with the idea of a love show that examines the cliché idea that if you
love something, you should set it free.  Because the cliché doesn’t
even make sense, right?  Doesn’t it seem sort of crazy?  If you have
any stories of people wrestling with this question and deciding either
way, we’re interested in hearing those, too.  And while it is
Valentine’s Day, we’re not necessarily limiting the show to romantic
love.  We’ll consider stories about familial love or being obsessed,
too.

HIDDEN TREASURE:  For this show, we’re looking for both literal
treasure hunt-type stories along with more metaphorical stories about
finding unexpected treasures or things of value.  Right now we’re
working on a story about a treasure hunt several years ago that began
with clues placed in a children’s book and ended with deceit, a sex
scandal and the treasure being lost in a pile of dirt.  We’re not sure
if this story is going to work out, though, so more stories about
actual treasure hunts or buried treasures would be great.  We’ve also
got a story about finding an unexpected treasure that really begs a
question as to whether “finders, keepers” should be true.  We’d love
stories that get at a “one man’s treasure…” idea, something where the
value of the object is in question.  And then even just stories about
finding something that has long been lost or hidden.  A family secret
maybe?  Or stories about trying to keep something hidden – keeping a
person hidden or a powerful secret hidden.  Maybe a story about hiding
money from a company or a spouse or kids?

SHOW ME THE WAY:  This is a show about “guides” of all sorts.  Stories
about  the people, books, companies we hire or turn to in the hopes of
them helping us navigate an unfamiliar place or experience or world.
We have one really incredible story about an elderly man who
essentially guides a young boy through his illness and death.  We have
another story about an unbelievably bad seeing-eye dog.    And a story
about a flight instructor who teaches people to get over their fear of
flying, only to die in a plane crash himself.  We’d like more stories
about people having to show faith, give up control and trust someone
else to successfully get through a particular experience.  Stories
about travel would obviously be good for this show but we’d also love
business or political stories, too.  Maybe a story about a consultant
with especially arcane knowledge?  Or a guide who takes on more than
she or he can handle?  Stories about a mentorship or Big Brother/Big
Sister type program?  Are there guides for things that seem like
they’d be obvious or easy but are, in fact, close to impossible to
achieve?  Suggestions for short fiction would be great for this show,
too.

SEND A MESSAGE: Two years ago conservative legislators in Arizona
decided to make a point in sort of a tongue-in-cheek way.  They formed
a fund called the “I Didn’t Pay Enough in Taxes” fund to point out
that no one in Arizona was willing to pay more in taxes so they should
stop complaining about new tax cuts.  Surprisingly, though, a lot of
people contributed to the fund.  One of the contributors was a fairly
well-off former Republican who says he’d had a bit of a political
conversion and, by paying extra taxes, decided to send a message
himself: that by drastically reducing its tax base, Arizona was
shooting itself in the foot and destroying all the things that make
the state a great one.  Now the former Republican is meeting with the
author of the gimmicky fund, hoping their “messages” can now reach
each other and find some middle ground.  We’d like to find more
stories about people or groups or efforts that go to great lengths to
“send a message.”  The Occupy Wall Street movement has probably been
the biggest message-sender this past year and there are still Occupy
encampments in smaller, more unlikely towns across the country.  Maybe
there’s an interesting story at Occupy Poughkeepsie?  Or Occupy
Lancaster?  We’re looking for stories that aren’t necessarily
political, too.  Maybe a story about taking sort of an arbitrary stand
or drawing a seemingly weird line in the sand?  Stories about making
an example of something?  A story about a message received in an
unintended way would be great for this show, too.

The following isn’t for radio but rather for a special project we’re
working on for Spring:

THINGS YOU CAN’T DO ON THE RADIO:  Hi all – Ira writing this one.  A
little while back I saw this dance troupe do this piece that I found
totally charming and funny and completely in the sensibility of our
radio show and I thought "we have to put this on the air," but of
course, that makes no sense at all because there's no way to do dance
on the radio.  Very soon after that, I saw this comedian I love do
this story onstage that we recorded for the radio show, and I was
struck with the fact that seeing her deadpan delivery made it so much
funnier than just hearing it.  All of which led me to this thought: we
have to do another cinema event, one of those things where we go into
a theater and set up cameras and beam the show into movie theaters all
around the country.  That way people can see, and not just hear, these
two pieces.

Our theme will be Things You Can't Do on the Radio.

So now I'm turning to you.  The dance and the comedy bit total about
25 minutes.  That leaves a lot of space.  We've got a whole show to
fill!  We need your help!  We're looking for stories that are
particularly visual that we can report on.  We'll either shoot video
or take stills or have artists render the visuals.  Maybe the story is
about something spectacular in nature, or some amazing scene or
happening that we can film and witness.  Maybe the story is about the
sort of subject that always presents a problem for radio: someone who
can't speak, or a small child, or animals, or a group of people
interacting and what's interesting is watching them interact.  Maybe
you’ve seen an interesting short film or animated film that you think
we should take a look at?  A magician or some other kind of visual
performer doing something that's not, um, unbearably corny.  I'd love
a magician but it would have to be someone doing something pretty
unusual, and maybe very story-based, telling some story or making some
bigger point as he or she does his tricks, to make sense in the
context of one of our shows.  And we especially need at least one
story with some emotional heft to it.  Both the things we have already
are fantastic, but they're on the fun/funny side of things.  We need
to balance that out.  Stories that would work particularly well would
be stories that actually are about the idea of seeing/not seeing or
hearing/not hearing.

I know all this is kind of a broad request, but we're thinking big
here, trying something we haven't tried before.  The show will be in
May, which is closer than it seems, so write soon!  Put in the subject
line of your email: Things You Can't Do On the Radio.  And thanks, as
always, for your help.

*****