Category Archives: Freelance Cafe East

Now accepting applications for the UnionDocs Collaborative for 2010-2011

Hey folks. Very cool opportunity for multimedia folks. Details below.
-mia

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The UnionDocs Collaborative (UDC) is a one to two-year program for twelve emerging media producers. It is both a rigorous platform for exploring contemporary approaches to the documentary arts and a process for developing an innovative group project. The program focuses on providing what we believe are the most effective educational resources for individuals at the beginning of their careers.

This year, two AIR members were a part of the program: Tina Antolini (currently a producer for State of the ReUnion) and Shawn Wen (currently an intern at This American Life). They collaboratively produced pieces with 10 other participants from a wide variety of backgrounds: social justice filmmaking, 16mm film production, a PhD candidate from Portugal focusing on "Interactive Documentary", theater, photography and other fields. This year, the collaborative's work has been shown at MoMA in New York City and the Harvard Film Archive, as well as other venues.
Right now, we're accepting applications for our 2010-2011 program. We are looking for both resident and non-resident collaborative members to begin this fall. The program will consist of master classes with visiting filmmakers, audio producers, artists, and professors, in addition to producing a year-long project.
For an overview of the program, please visit: http://www.uniondocs.org/uniondocs-collaborative/

And feel free to pass this along to anyone who you think may be interested. 

And if you have any questions, feel free to email me off-list.
Thanks all! 
Kara 
— 
Kara Oehler

Program Director
UnionDocs Collaborative
617.909.7782

Far-flung producers sought for quick turn-around audio demo project

Anyone traveling at the moment and can handle this request from Radio Lab? Or know someone who can? Details below.
-mia

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Radiolab is looking for a few folks to help us with a demonstration of a study.

We're seeking reporters in Africa, Asia, South America and the Middle East who are either FROM that region (and sound like it) or can work with a local collaborator. (We've already got Europe and Australia covered.) Must have good equipment (i.e. flash recorder and shotgun) and be able to upload tape to an FTP by the end of the week. Should be an hour of recording plus transfer/upload time. We'll pay $150.

Contact me today and include your location and the recording equipment you'd use. Write to EHorne@wnyc.org.

Thanks!

Ellen

new podcast looking for pieces on architecture, urban planning

Interesting opportunity from the Chicago Architecture Foundation – they're starting a podcast and are looking for stories. Pay is decent, content is pretty cool. Details below. -Mia

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One Nation Call Outs

The Chicago Architecture Foundation and radio host & producer Edward Lifson are developing and producing an ongoing weekly web and radio broadcast program tentatively titled One Nation, Under Construction. The program is about why the United States man-made environment looks the ways it does, and how that affects a person's life. It will engage people in learning the stories behind the building—conceptual and physical—of America’s spaces, places, and structures. Each week, the show will address a humanities theme through exploration of architecture, infrastructure, urban history, planning, and landscape. We are looking for producers of compelling, passionate audio stories about the built / man-made environment for the following segments:

O Pioneers! Redux? A commissioned story about the following: young people are emptying out of the center of the US. In states such as Nebraska and Kansas, only the very elderly remain as young people seek opportunity elsewhere. How is this different from the pioneer days? A few elderly guests from Nebraska, the Dakotas, Kansas discuss why they’re staying in their homes and how they have witnessed change in the rural US…

Dream House A commissioned story about the following: a family who bought what they thought would be their dream house, but it turned out to be a disaster. The dream house may be on the extreme fringe of the suburbs, in the city, etc. The story will surprise us, make us laugh, and connect humanities-based ideas about sprawl, cities, home.

Mortgage Crisis A commissioned story about the following: many people have recently lost their homes in the mortgage crisis. In this segment a diverse group of people come together to discuss the fantasies and realities of home ownership and how the mortgage crisis has affected them. The group may include: a Mexican-American family, a retired schoolteacher, a real estate agent, a firefighter, etc.

Please send your ideas, your pitches for any or all segments along with a sample of your work.

Each segment will be 4-6 minutes and $400-$600 compensation, dependent on production process.

Send all questions and pitches to Alyssa Kilroy: akilroy@architecture.org

multiple, part-time AP positions available at WNYC’s The Takeaway

This is an exciting new show, with lots of support from lots of big players. I believe you have to be in NYC for these gigs, but you never know. Details below! -mia

http://www.thetakeaway.org/
http://www.wnyc.org/jobs/listings/

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GENERAL SUMMARY
Co-producers WNYC and PRI — in collaboration with the BBC World Service, The New York Times, and WGBH Boston television and radio — are reinvigorating morning drive. The Takeaway is a new multi-platform national morning drive news program that is creating a new model for morning news and public broadcasting in the 21st century. The show is rooted in the values public radio is best known for — highly credible journalism, depth and context — but breaks out from the medium’s conventionally packaged sound. The project features live conversation, reporters in locations around the world, a cast of regular contributors, audience interaction, a website and distributed content, and video. The show is live, delivering national and international news and cultural stories through a conversational and unprecedented personality-driven format.

About the position:

The Assistant Producers will be responsible for operating all broadcast audio equipment associated with the live production of the show. The hires will be instrumental in maneuvering the fast-paced and high-intensity environment of a live national radio show. Under the direction of the Technical Director, the assistant producers will play a significant role in the sound and technical aspects of the show. Much of the work on the program will take place during early morning hours.

Job responsibilities include but are not limited to:

• Digital editing of recorded radio segments for use in live broadcast
• Podcast production
• News/Music/Television editing for broadcast
• Assist producers with digital audio production
• Assist with show guests/live production of the show under supervision of Director and Line Producer
• Comply with all WNYC/WQXR and show policies and guidelines
• This position requires use of a computer, telephone and other office and/or broadcast equipment; ability to communicate effectively through a variety of methods
• Ability to work extended hours as needed
• Work on other special projects and other duties as assigned

Qualifications:

• Bachelors Degree required
• Minimum of 1-2 years of Journalism/Media/News background strongly preferred
• Must be able to successfully problem-solve and multi-task under pressure of live broadcast
• Digital audio editing experience required; Cool Edit/Audacity, Easy Track and/or DAVID experience, ProTools, Audition, Ableton, others accepted
• Knowledge of different styles of radio programming required
• Strong audio editing skills required
• Practical knowledge of computers, computer systems, and associated audio interfaces
• Requires ability to take direction and complete tasks as assigned within specified timeframes
• Ability to meet objectives under (often intense) deadline pressure required
• Excellent communication skills—both oral and written—with an impressive reputation for building and maintaining relationships with people at all levels of an organization, across a diverse range of cultural, generational, ethnic, racial, educational and social backgrounds

• Requires the intellectual and emotional depth, maturity, self-confidence and interpersonal skills to work effectively and/or interact with the other Takeaway staff, executives at WNYC, colleagues, vendors and guests as needed

To apply for this opportunity, please submit a cover letter, salary requirements and resume online to jobs@wnyc.org with "P/T Assistant Prod, TT" and your last name in the subject line.

WNYC must receive all information requested in order to consider your candidacy.

Qualified candidates only please. No calls, no third-party submissions.

Due to the high volume of submissions, we are able to respond only to the candidates selected for interview. We appreciate your interest in employment with WNYC.

WNYC is an Equal Opportunity Employer and invites and encourages qualified applicants from all walks of life.

online resource for Non Profit Law

This is primarily for non-profits but I'm sure there's some valuable material here for freelancers. Check it out.
-mia

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The Chronicle of Philanthropy posted this link to a new web site called LawForChange, that offers information and resources about legal issues affecting nonprofit groups in areas including fund raising, lobbying, governance, and taxation.

the group that runs it works with a national consortium of law firms from all around the country, so they can assist with local issues as well a national concerns. 

looks like it's worth watching.
 

http://www.lawforchange.org/lfc/default.asp

Call for submissions NAISA

New Adventures in Sound Art (NAISA) is a very cool arts org based on Toronto. They have an annual festival (a few actually) and are looking for radio/music/sound/multimedia submissions for 2011. Definitely worth checking out. Good luck! -Mia

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Current Calls for Submissions

2010 Calls For Submissions on the theme ABOUT TIME
Categories:  Radio Art, Electroacoustic Music/Sound Art, Videomusic and Installation Art
September 30, 2010 Deadline

2011 marks the 10th anniversary of NAISA’s Deep Wireless and SOUNDplay festivals and so it is an opportunity for NAISA to both reflect on the past and look ahead to the future.  With this in mind, New Adventures in Sound Art invites artists of all ages and nationalities to submit works on the theme ABOUT TIME for consideration in New Adventures in Sound Art’s 2011 programming for its annual Deep Wireless, Sound Travels, and SOUNDplay festivals presented in Toronto, Canada. Artists may submit works in one or all of the following four categories (Note: please send separate submissions for each entry). 

Preference in programming will be given to works that respond in some way to the theme ABOUT TIME. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component.

Artists may submit works in one or all of the following four categories (Note: please fill out one on-line submission for each entry):

1) Radio Art
2) Electroacoustic Music & Sound Art
3) Videomusic
4) Installation Art

1) Radio Art (for Deep Wireless)

The Radio Art category is for works conceived for radio or that use radio and other wireless technology in their creation and that play with the medium. Special consideration will be given to 1 minute radio art pieces for broadcast as well as 1 page proposals for collaboration on translocal and network performances.

Pieces will be selected for broadcast within Canada and on several international radio stations in May 2011 as part of the Deep Wireless Festival of Radio and Transmission Art.

Both Canadian and International radio art submissions will be considered for inclusion in the following:

-The Deep Wireless 8 radio art compilation CD
-The Radio Art Interventions (1 minute pieces played guerilla-style on radio stations during the Deep Wireless festival)
-The Radio Art Salon – a listening gallery of radio art works exhibited for the month of May.

2) Electroacoustic Music & Sound Art (for Sound Travels & SOUNDplay)

The Electroacoustic Music & Sound Art category is for multi-channel and stereo works conceived for concert performance or presentation in the Sound Travels Festival of Sound Art and SOUNDplay festivals. Preferred formats for performance presentation include 5.1, octaphonic, 12 and 16-channel formats in both acousmatic (tape), live, and mixed formats. Please indicate in the notes the intended format of presentation and any required instrumentation or specialized equipment.

3) Videomusic (for SOUNDplay)

The Videomusic category is for works that explores non-narrative abstraction with equal emphasis on sound and image. Submitted works will be considered for video screenings with either stereo or multi-channel playback for screenings in either a performance venue or a small-size gallery alongside other works selected from this call for submissions.

4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)

Installation proposals of previously realized works for site-specific and gallery installations will be considered for presentation as part of Deep Wireless, Sound Travels or SOUNDplay. Site-specific works can be for indoor or outdoor locations. Works can use multichannel or single channel playback and may incorporate any number of media, but must feature original sound as a primary element.

Preference will be given to small to medium scale interactive works that appeal to all ages. Please note that almost all of NAISA's exhibition locations are multi-use venues and often require works to be moved and re-positioned on non-exhibition days. Also attach a list of the necessary equipment required to mount the installation and which of these items can be supplied by the artist. Submissions should include audio, video or audio-video documentation of previously realized versions of the work.

Submission Guidelines

Please complete in full the online submission form by midnight on September 30, 2010 and submit by post your submission materials (postmarked September 30, 2010) to:
New Adventures in Sound Art
601 Christie Street #252,Toronto, ON, M6G 4C7, Canada.

Click here to begin online submission.

Once you have completed the on-line submission, you will be provided with a submission number. Please include this number, along with your full name, when mailing in your CD or DVD. For multichannel works, please include a stereo reduction for reference purposes only. For video works, please include a DVD copy for reference only. Screening and multi-channel masters will be requested later if the work is to be programmed. For installation works or performance proposals, please attach a list of required equipment with indication of equipment that can be supplied by the artist.

Materials will not be returned. Please don't send original copies.

NAISA Inquiries & general information:
Nadene Thériault-Copeland
Managing Director
New Adventures in Sound Art
Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON
M6G 4C7
Tel 416 652 5115
www.naisa.ca

2010 Knight-Batten Awards, deadline June 11

side bar, three days left to apply

 

Knight-Batten Awards for Innovations in Journalism

The awards recognize news and information ideas that significantly enhance opportunities for digital engagement.

$10,000 Grand Prize and $6,000 in Special Distinction Awards

Click Here to Apply

There is a $40 application fee per entry. The Knight-Batten Awards are funded by the John S. and James L. Knight Foundation.

Deadline: Friday, June 11, 2010

 

 

looking for feedback on freelancecafe.org

Hey folks. Over the past few months I've been building up freelancecafe.org in the hopes of sending all posts through there rather than through this email list. I have it set up so you can still receive the posts via email, in addition to standard RSS feeds, etc. You can also unsubscribe more easily. Most importantly, you'll be able to comment and interact more easily with fellow freelancers. But before I make the official switch, I'm hoping a few of you could volunteer to check out the website and send me some feedback. Here are some questions I'm hoping to answer:

– Do you like the email subscription service? How does it compare to a standard RSS feed? Would you be more likely to get posts through this email service or through a standard RSS?
– Does the site include all the normal stuff you seek from a website? What's missing? Anything not necessary or unclear?
– I currently have all the comments moderated since I've been getting a lot of spam. How do you feel about that? What makes you comment on a website?

Any and all comments would be greatly appreciated. Also, if you have a website and want a link in the right hand column, send it along and I'll add you.

Really looking forward to your feedback.
Best,
Mia

NYU’s Open Video Conference seeks proposals

Something for you video folks. NOTE: deadline for proposals is June 7th. Sorry for the short notice! I forward them as I get them.
-mia

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I’m writing on behalf of the Open Video Alliance, in preparation for our Open Video Conference in New York City, October 1-2. OVC is a high-profile gathering of thought leaders in business, academia, technology, and non-profits to explore the future of the online video medium. CFP: Open Video Conference proposals deadline: June 7th

Apologies for any duplication, but the deadline is soon…

This year’s OVC is particularly important, given new technology developments.

If you are interested in the critical debates around online video, participatory culture, and the mass media generally, you may be interested in participating. Details from last year’s event are available at http://openvideoalliance.org/<wbr>open-video-conference/<wbr>speakers09/.

If you have an idea for a panel, workshop, or any other programming, please take the time to suggest it at:

http://openvideoconference.<wbr>org/proposals

We will offer travel funding to a number of participants. The deadline to propose a session is June 7th.

Please feel free to pass the message along to friends and colleagues who are interested in online video and the open web.

Best wishes,

Ben MoskowitzGeneral coordinator, Open Video Alliance

http://openvideoalliance.org <http://openvideoalliance.org/<wbr>>  <http://openvideoalliance.<wbr>org/>

Contact: (714) 420-6471