All posts by MiaLobel

Job and Internships at Radio Ambulante

Radio Ambulante is a great new program based in San Francisco – join them!
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Radio Ambulante is hiring a Director of Development and two interns (Production Assistant & Community Management). Please forward widely. You can find more information on our website:

http://radioambulante.org/en/About_Us/Jobs

Director of Development

POSITION SUMMARY:

The Development Director is the chief fundraising staff member of Radio Ambulante. In conjunction with the rest of the team (Executive Director, Executive and Senior Producers), the Development Director will manage and oversee all aspects of Radio Ambulante’s fundraising strategy. Responsibilities will include identifying and soliciting funds from individual donors, maintaining relationships with past donors, researching and writing grants that can support the work of Radio Ambulante, and leading the organization of fundraising events in the Bay Area and beyond. An ideal candidate has contacts in the US and across Latin America, and is comfortable in the role of spokesperson and champion for a new journalistic venture. He or she must believe in the mission of Radio Ambulante, understand the important role stories can play in the life and culture of a community, and be able to articulate the significance of the project to potential funders in both Spanish and English.

ABOUT RADIO AMBULANTE:

We are a Spanish language journalism and storytelling project based in San Francisco, CA, with partners throughout Latin America. Our goal is to merge the immense talents of Latin American journalists with the sophisticated audio production aesthetics of radio here in the United States. We’re currently working with journalists and producers from more than a dozen countries, and have already created partnerships with prestigious institutions like the Fundación Nuevo Periodismo Iberoamericano (Colombia), as well as the magazines Etiqueta Negra, Cometa (Peru), and Anfibia (Argentina). We are currently in our pilot season. The Pulitzer Center on Crisis Reporting serves as our fiscal agent, and KALW Public Radio 91.7 in San Francisco serves as our home station.

We are offering a starting salary of $2,500 month, with two months guaranteed, after which the Development Director will be expected to raise his or her own wages, in addition to operating costs for Radio Ambulante.

REQUIREMENTS:

– Fully bilingual in English and Spanish
– Excellent written and oral communication skills
– Organized, self-motivated and detail-oriented
– 1-3 years experience working in media, philanthropy, or related fields
– Local (SF Bay Area) candidate preferred

Interested candidates should forward a cover letter, in English or Spanish, as well as a résumé to:

Carolina Guerrero
Executive Director
carolina@radioambulante.org

Thank you all!

Latitudes Radio Call for Pitches, deadline June 26

Experienced producers only, please!

 

Latitudes, WAMU’s global affairs radio program, will be producing a series of hour-long programs this fall. The show goes behind the headlines to bring listeners into the daily lives of ordinary people all over the world. It also highlights local-global connections and looks at solutions to global challenges.  (www.latitudesradio.org.)
 
We’re looking for story ideas that surprise, provoke and illuminate, and address issues from unique and offbeat angles. Here are some themes we may be following this fall, defined freely and broadly:
 
Food: We’re looking for a wide mix of stories, from something as frothy as the history of cake in Ethiopian cuisine to something as heavy as hunger strikes. How does food shed light on a local culture, have the power to make change, or reflect what’s happening in the news? We’re also looking for stories about how our relationship with food — how we produce it, cook it and eat it – is shifting.
 
Consumption: What we consume and how we consume it can affect everything from the environment to public health to local cultures. These stories would highlight global disparities in consumption, what happens when wants turn into needs, the impact of new technologies and the changing patterns of consumption in emerging nations.
 
Going Backwards: This theme confronts the reality that “progress” is not always always linear. Stories could focus on anything from a coup d’etat, to the status of women in certain places, to self-deportation, to development aid and technology. We may also question whether failure itself is always a bad thing – including stories from cultures that honor it for the effort it reflects and the lessons it offers.
 
People on the Move: This can cover anything from transportation to immigration. The world never stays still.
 
Making a Living: What are some of the original/uplifting/inspiring ways people are managing in a tough global economy? What happens when it’s impossible to find a job?
 
While Latitudes’ focus is mainly international, we’re also interested in domestic story ideas that fit these themes, especially if they have an international element or make a local-global connection. And if you have a great international story idea that doesn’t fit into any of these themes, let us know anyway!
 
Latitudes pays $650 for standard, sound-rich features (4-6 minutes long) and $250-$350 for shorter vignettes (2-3 minutes long) depending on the level of difficulty involved.
 
Please send your pitches and questions to Latitudes producer Andrea Wenzel at awenzel@wamu.org, by Tuesday, June 26.

Kitchen Sisters Interviewing & Recording Workshop, July 19 in San Francisco

From the master of seamless and timeless interviews – a workshop on July 19. Don't miss it!

Dear Friends,

Davia Nelson of The Kitchen Sisters is holding two recording and interviewing workshops on Thursday, July 19 in San Francisco. These three-hour sessions are designed for people who want to acquire and hone their skills in an array of audio projects–radio, online storytelling, oral histories, audio slide shows, family histories, news, documentaries, podcasts, and other multimedia platforms.

In the workshops, Davia will cover interviewing, miking techniques, sound gathering, use of archival audio, field recording techniques, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story and how to listen (which is harder than it looks).

The workshop is customized to fit the projects you are working on. People who attend come from radio, film, multimedia, newspapers, journalism, photography, oral history, historical societies, farms, music, writing, libraries, archives, web design, detective agencies, restaurants, health care organizations, and beyond. The groups are always lively and good contacts are made.

The workshops are held in Francis Coppola's historic Zoetrope building in North Beach at 916 Kearny St. Of course, a snack will be served.

Morning Workshop: 10:00 AM – 1:00 PM
Afternoon Workshop: 2:30 PM – 5:30 PM

Each session is $115.

If you, or someone you know is interested, email kitchen@kitchensisters.org. Please pass this along to your community.

Expand your skills, meet new people, support the work of The Kitchen Sisters.

See you there,

The Kitchen Sisters

Remix Radiolab! deadline June 12

Get creative with Radiolab elements. Details below.

Hi all,

So Radiolab is doing something a little different for our next episode and it involves… involvement. The concept is pretty simple but the deadline is super soon. So jump in with both feet if you're so inspired.


Here's the scoop:

We’ve put up the “stems” of 8 Radiolab segments… just the raw elements we used to mix those stories… onto a website called "Indaba." The idea is that you, or someone you love, would download any of the stems you want to use and construct something new out of them.


You can remix a single story. You can take elements from multiple stories and mash them up together. You can use outside elements as well as what we’ve provided. Anything goes.

In the end, our top two favorites are going to become part of the next episode. Plus, our ABSOLUTE favorite gets money. 

Here’s the catch: you only have a week from today to do it.

The web-site, with lots more details, is here: http://www.indabamusic.com/opportunities/wnyc-radiolab-remix-contest


Summer Audio Camp, Center for Documentary Studies, Duke University

The amazing Center for Documentary Studies at Duke University has a few openings for their summer bootcamp. There's a stipend available for AIR members. (Sign up!) Details below.

 
Hi all, 
It's June, time to firm up those summer plans. How about a "vacation" to radio bootcamp? CDS's week-long intensive audio courses, the intro class in July and the more advanced one in August, are filling steadily but have spaces available. Hard to believe but this is the tenth year of our "audio camps for grownups," meaning several hundred people have completed the courses — and a bunch of them are now radio makers of many stripes. Go here for course descriptions and registration (note also the Audio Retreat  offered by our good friends from Big Shed): 
The Association of Independents in Radio (AIR) is offering its members a $100 travel stipend to attend Hearing Is Believing I or Hearing is Believing II: Making it Sing. Five stipends for each course are available, first come, first served. So if you're not an AIR member, the stipend is one of many reasons to join.

To apply for the AIR stipend: https://airmedia.wufoo.com/<wbr>forms/q7x1k3/

NPR legend Alex Chadwick, now working with the environmental reporting project BURN, will be the guest presenter/teacher for the intro course in July, and the faculty for the more advanced August course includes Neenah Ellis (longtime NPR producer, now GM at WYSO) and Big Shed's Shea Shackelford. Think a radio-making course that is both rigorous and laidback with good company, great lunches, and rocking chairs on porches. You come out of either course with a finished piece. We make things as affordable as possible by finding local "friends of CDS" who'll rent you a room for much less than a hotel. 
Any questions, contact me or my colleague April Walton: awalton@duke.edu919-660-3670.
Cheers,
John


John Biewen 
Audio Program Director 
The Center for Documentary Studies at Duke University

Durham, NC  27705 
Phone: 919-660-3667 

http://cds.aas.duke.edu/

http://realityradiobook.org

Documentary Makers – Apply for UnionDocs Collaborative 2012 in Brooklyn

The UnionDocs Collaborative Studio (CoLAB) is a one-year program for a select group of 12 emerging media artists from the US and abroad. Based in one of NYC’s most exciting neighborhoods, Williamsburg, Brooklyn, UnionDocs offers a platform for exploring contemporary approaches to the documentary arts and a process for developing a collaborative project. The program consists of weekly production meetings, seminars, screenings and other public programs, along with regular masterclasses and critiques with visiting artists. Key benefits include:

– Dynamic interaction among a network of talented peers.

– Direct exchange with visiting artists and industry experts.

– A structured environment for research and experimentation.

– Mentoring on the production of original work and regular group critique.

– Exhibition opportunities for the year's collaborative project.

The CoLAB represents a new and alternative fellowship model, offering residency and visa support for six participants coming from abroad and an equal number of spots for local, non-resident participants. It is designed to be affordable and, although participants are asked to make the UDC their primary creative focus, the schedule does accommodate full-time or freelance work. Rather than applying with a project proposal or rough cut, all participants are selected on the basis of previous work and enter the program at square one, open to discovery and fresh connections. The CoLAB has presenting original work at premiere venues such as MoMA’s Documentary Fortnight, the Harvard Film Archive, the Visible Evidence Conference, Camden International Film Festival, Hot Docs, and Direktorenhaus, Berlin, among other venues. We expect a very competitive group of applicants, representing some of the most exciting emerging talents in documentary.

http://www.uniondocs.org/uniondocs-collaborative/

#fellowships #nyc #documentary

Radio Cabaret, June 9, 7:30pm, Brooklyn

Another super cool event from the folks at Radio Cabaret. Details below.

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A couple months back we announced on this list that a group of us were experimenting with the medium of radio in performance.  In March, we had our first ever Radio Cabaret at Union Docs in New York.  I'm pleased to announce that we're back for more this Saturday, June 9th.
If you're as interested as we are in how to bring our radio work into other mediums, I encourage you to come check us out.
The last event sold out and we had to turn people away, so get 'em while they're hot!

RADIO CABARET

Saturday June 9th, 7:30-9:00pm
UNION DOCS 322, Union ave. Brooklyn NY

Radio Cabaret is a variety show featuring documentary audio based performances. We bring the traditions of public radio to the stage through storytelling, musical performance, visual animation, theater and live interviews. Stylistically similar to a variety show or radio magazine, performances range in topic but share a common reference to the art of radio broadcast.

This event is a living breathing hour of radio performed quarterly and hosted by our fabulous DMC (disembodied MC), Chris Berube.

Featuring: Contortionist Amazing Amy, Laura Hadden, Brendan McMullan, Michal Richardson, Alexis Powell, & Random Tape
for more info:
radiocabaret.org

Transom Story Workshop Deadline – June 15th

Transom has extended their deadline for the Transom Story Workshop this fall – new deadline June 15. Details below.
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A lot of people requested more time to complete their Transom Story Workshop application for the fall, so we've extended the deadline to: 11:59pm EST, June 15, 2012.


As you may already know, the Transom Story Workshop is an eight week training for beginning radio producers in Woods Hole, MA. Our next session is scheduled for October 1 – November 30, 2012. The class is taught by radio teaching legend, Rob Rosenthal along with lots of amazing guests. For this past Workshop some of our guests included: Transom Tool guy Jeff Towne, This American Life’s, Hillary Frank and Jonathan Menjivar, producer Scott Carrier, David Krasnow of Studio 360, Kitchen Sister Nikki Silva, independent producer Ari Daniel Shapiro, and John Barth of PRX. You'll get a piece edited by Jay Allison, vocal coaching from Viki Merrick, and support from the whole Transom team.  


Participants stay in wonderful old Cape Cod houses, with some rooms right on the water.  There are a couple of group meals each week, cooked by a famous local sea cook.  It's fun.  An amazing radio camp.  You can check Transom for reports from students who've attended, many of whom are now working in public media.


Students leave the Workshop with a portfolio of work, their own copy of Hindenburg editing software, a PRX membership, and AIR members who are accepted into the Workshop will receive a travel stipend.


You can find guidelines and the application all right here:


http://transom.org/?page_id=26554


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If you have any questions, please send them to info@transom.org

Call for Pitches from America Abroad – Religious Minorities in the Mideast

The latest call for pitches from A.C. at America Abroad. Details and contact info below.

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Hi all,

Thanks so much to all of the freelancers who rapidly (and enthusiastically!) answered my last call for pitches. The next America Abroad will focus on religious minorities in the Middle East.

We're looking for reports that can answer questions like to the following:

-What does the Arab Spring mean for Christians, Jews, and other religious minorities where new governments and constitutions are forming?

-What policies of tolerance and protections of minority rights(or lack thereof) exist in the Middle East?
-How do religious minorities fit into political systems where they are outnumbered?
-What is the societal role played by minority Muslim sects?
-What non-Abrahamic traditions exist in the Middle East, and where are they surviving/thriving? How do they fit into their society and its sociopolitical dynamics?

Of course, these are just examples. Feel free to think outside the box. We're looking for pieces around 8-10 minutes in length, with good potential for natural sound and a real opportunity to take our listeners to somewhere they might never otherwise go. We also want to make a serious examination of policy, government, and how religion fits into political questions.

The deadline for completed pieces will be June 29th, and we pay $125-$150 per minute, with higher rates dependent on a piece's quality, reporter experience, and contribution of multimedia (photos, social media participation, video, etc.)

Please get in touch off-list at acvaldez at americaabroadmedia dot org.

Thanks!
A.C.

Upcoming at UnionDocs, Brooklyn

The latest events from UnionDocs in Brooklyn. Details below!
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Saturday, June 16 at 7:30pm. $9 suggested donation.
 
New York-based documentary filmmaker Kathleen Foster will screen and discuss her films Afghan Women: A History of Struggle (2007) and 10 Years On, Afghanistan & Pakistan (2011). “Foster challenges viewers to examine how Afghan women have continually borne the dual costs of American imperial ambitions on the one side, and the barbarity of feudal warlords on the other.” — Prerana Reddy, Queens Museum of Art, New York.
 

Sunday, June 17 at 7:30pm. $9 suggested donation.
Post-Vietnam, Paul bought a trailer for his family to live in. Many bad winters (upstate, near Troy) made the mobile home unlivable, so he took matters into his own hands and started to build a house – around the trailer. He never made any blueprints. 30 years, 4 floors and 100 windows later, the house is almost done. A home movie documentary,Be Like An Ant spends some time in the house. Mike Plante in attendance for the discussion. His uncle Paul Plante, subject of "Be Like An Ant," will join via conference.

Coming up next weekend: 

Radio Cabaret – Summer Edition

Saturday, June 9 at 7:30pm. $9 suggested donation.

Radio Cabaret is a variety show where radio stories come to life before your eyes. Producers bring the traditions of public radio to the stage through storytelling, musical performance, visual animation, theater and live interviews. Performances range in topic but share a common reference to audio documentary. This hour unfolds like a living breathing radio magazine with a radio host (disembodied MC) and a variety of acts. This evening will feature the work of public radio journalists Brendan McMullan, Michal Richardson, Alexis Powell and Laura Hadden. Their performances will vary in length from five to fifteen minutes.

Coming up this weekend:

Nomadic Archive: Abraham Ravett presents the Works of Tom Joslin

Saturday, June 2th at 7:30pm. $9 suggested donation.


Abraham Ravett will screen and discuss two of Tom Joslin’s works:  Blackstar: Autobiography of a Close Friend from 1976, and the posthumously assembled work The Architecture of Mountains (2010). Ravett writes the following about the project: Before he left for LA in 1981 to pursue a career in Hollywood, documentry filmmaker Tom Joslin completed an innovated and to this day, historically significant film called Blackstar: Autobiography of a Close Friend (1976, 85 minutes, color, sound, 16mm). It was one of the first autobiographical, diary format films that addressed the issue of gay identity and coming out to one’s family. It’s a beautifully made film, formally inventive, and still resonates on many fronts.

 


If you could help us spread the word about these events in any of your publications, we would really appreciate it. If you do end up publishing something about the events, please let us know!

Thanks,


Neta Alexander
Associate Programmer
UNIONDOCS.ORG
322 Union Ave.
Brooklyn, NY 11211
347.820.3213