All posts by MiaLobel

May 2011 Multimedia Workshop

I attended one of these workshops a couple years ago and it was great. Happy to chat if you want more info. Details below!
-Mia

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May 15-20, 2011 MULTIMEDIA REPORTING AND CONVERGENCE WORKSHOP
The Multimedia Reporting and Convergence Workshop offers intensive
training that covers all aspects of multimedia news production; from
basic storyboarding to hands-on instruction with hardware and software
for production of multimedia stories. Participants will be organized
into teams to report on a pre-arranged story in the Bay Area, and then
construct a multimedia presentation based on that coverage.

Participants are taught skills they need to produce quality multimedia
stories including:

• Video recording and editing
• Photography and audio slideshows
•
Audio recording and editing
• Voice coaching for narration or stand-
ups
• Photoshop and Web design concepts
• Producing Adobe Flash
interactive story graphics

May 2011 multimedia workshop applications must be received by March
25, 2011 at 11:59 p.m. PST.

WHO SHOULD APPLY:  Professional print and broadcast journalists who
want to develop multimedia skills to support their publication’s web
publishing effort.

COST: The fellowship covers all lodging, meals, and instruction costs.
Cost of travel to the workshop must be paid by the applicant’s news
organization. 

HOW TO APPLY: An online application form and instructions are
available at: http://multimedia.journalism.berkeley.edu/workshops/apply/

Applicants need to register with the site to begin an application
(valid e-mail address required). Applications can be saved and
completed in several sessions.
 
If you have any questions, please see our Frequently Asked Questions
at http://multimedia.journalism.berkeley.edu/training/faq  or contact
Alisha Diego Klatt, program specialist, at
kdmcinfo@journalism.berkeley.edu or (510) 642-3892.

*Organizational investment commitment required as a part of
application.

Observed Launches With SF Listening Party | March 24, 6:30pm

This promises to be a great event for a great magazine. Details below.
-mia

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The [Un]Observed is an online radio magazine that showcases innovative and thought-provoking pieces. With an emphasis on works that examine more uncommon facets of art, culture, and daily life, The [Un]Observed offers an unparalleled platform for listeners to interact with eclectic aural media. By featuring work from the archives and hard drives of the world’s best journalists, producers and audiophiles, the [Un]Observed breathes new life into pieces that deserve a wider and more permanent audience.

The San Francisco listening party on March 24th is the first in a series of off-line events that will act as companions to the [Un]Observed’s online community. The launch will feature (among others) new work from BBC Radio4's Tony Phillips, as well as pieces by Francesca Panetta, Senior Audio Producer of the guardian.co.uk and creator of the Sony Award-winning Hackney Podcast, and Prix Italia-winning independent producer Alan Hall.

There will also be delicious drinks and treats…

Hope to see you there!

J-Flash – March 11, 2011

A couple good opportunities from j-lab.
-mia

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j-lab logo            
 

J-Flash: March 11, 2011

From J-Lab: The Institute for Interactive Journalism

Funding
25 Days Left: Apply for $12K for Women-Led News Startups
 
Attention women entrepreneurs: Want to launch your own news site? Applications are now open. J-Lab will give four women-led projects $12,000 each in start-up funding this summer as part of the McCormick New Media Women Entrepreneurs initiative. Deadline: April 4.
Awards
Get Ready to Apply for Knight-Batten Innovations Awards
 
Deadline is June 6 to apply for the $10,000 Grand Prize and other awards. Honored is journalism that advances opportunities for digital engagement, creates new ways of imparting information or develops new processes for doing journalism

REMINDER – Bay Area sonic soiree, Sunday March 13, 5-7pm, Berkeley

Just a reminder – the Bay Area sonic soiree is THIS SUNDAY, March 13 at 5pm. Don't miss it!
-mia

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The Bay Area is having its next Sonic Soiree, on Sunday March 13 in Berkeley, from 5-7pm at the Studio of Lonny Shavelson. For directions and more information, visit  http://www.photowords.com/map.htm. Bring a CD of your work, old or new, and meet local audio talent. MC for the evening will be David Dunaway,  the new professor of Radio and Documentary Studies at San Francisco State University's Broadcasting and Electronic Communication Arts program.

Radio France International call for pitches

A colleague at Radio France International needs stories! Both from the US and abroad. Spread the word!
-mia

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As some of you may know, I am a producer/reporter for Radio France
International's English language service. I am writing a call for
pitches, as we are in the process of changing our news programming
which will allow for (even require!) one or more 2.5 minute pieces
from all over the world every day. (This is a change from our current
format of mostly phone Q&As).

So we are calling on our networks of correspondents to start pitching
stories, and we are looking for more… which is where you come in!

I realize most of you are based in the US, and while we are interested
in that part of the world, we are particularly keen to find people in
Latin America and in Asia. Africa, too, though as that is where the
bulk of our listeners are, we have already developed a pretty good
network of correspondents.

Please send your pitches to our news editor, Daniel Singleton
(daniel.singleton@rfi.fr), with a copy to our assistant editor,
Rosslyn Hyams (rosslyn.hyams@rfi.fr)

You would be paid about 120 euros for a 2.5 minute reported piece (on
the ground, natural sound, etc) – we would like it to have some kind
of news hook, though we're looking for all kinds of stores, not just
news, but culture, economy, environment, etc. And repurposed pieces
are fine.

We're also interested for voice reports and/or soundbites, if you are
in a place where news is happening.

Please send along your ideas – whether your based somewhere, or just
passing through.

Happy pitching!
Sarah

Radiolab call for pitches part 2

That last post from Radiolab got cut off before it was finished. Here’s the rest.
-mia

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Radiolab topics, continued (email Brenna Farrell, bfarrell@wnyc.org, with stories or ideas)

TALKING TO MACHINES

Each year, The Loebner Prize for artificial intelligence is awarded to the “most human-like computer.” And the competition consists of computers talking to humans and trying to fool the humans into thinking the computers are human too. Very blade-runner. This got us think about the sad life of Alan Turing and about people who fall in love with their machines. Or people who get fooled or out-smarted by their machines. We’re set on the big thinkers, what we’re looking for are small, surprising, personal stories of people engaging with their boxes.

SILENT WARS/TINY EMPIRES
There’s an invisible world war raging below our feet— for the last hundred years, a giant super-colony of ants have been systematically murdering competition and taking over huge swaths of the world. And yet we don’t see them. Unless you happen to live Escandido and keep finding ants in your fridge. We find this whiplash of scales really cool, how you can go global to invisible in split second. We also find the downright evilness of these ants interesting. So we’re also investigating “rank bulls” ( the practice breeding the best bucking bulls in rodeo).
Ideas we’d like to explore:
Warrior classes—ants, bulls…are their other examples of born warriors?
The idea of tiny empires—especially characters who are the master of small domains…maybe bullies, maybe self-styled benevolent dictators…who hold absolute sway over little worlds.

LOOPS/CYCLES

Hey you people,
This is an attempt to wriggle out the ideas in loops. Please give it a quick once-over in the next couple minutes and let me know if you have anything to add/remove, and then we can shoot it out to the world.

LOOPS / CHASING YOUR OWN TAIL

We’re working on a story about how when a whale dies, it’s carcass falls to the ocean floor and creates an ecosystem that can last for 100 years.

This got us thinking about things recurring, cycles of creation and destruction, Phoenixes rising from the ashes, feedback loops, periodicity…this could be on a personal level, or in music, or nature. After repeating however many times does something start to subtly change? What does it feel like to be caught in a loop? This show is very wide open.

Radiolab call for pitches

A call for pitches from my favorite radio program. Check it out!
-mia

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Radiolab is about to launch into production for a new season, and we’re in search of stories. We’d love your help. 

If you’re inclined, give a glance at the topics below (some of which are still in the half-baked, even doughy, stage). And if you have any pitches or ideas, please contact Brenna Farrell offlist at bfarrell@wnyc.org.

We’ll try super hard to respond to every pitch promptly. But we’re a tiny staff, so..just in case, let’s say that if we don’t get back to you within a week, that means we’re not gonna move forward with the pitch.

Thanks everyone in advance!

Jad Abumrad
Host/Creator
WNYC/NPR’s Radiolab
http://radiolab.org

Upcoming topics:

PERSONALITY
Our starting point here is a conversation with Oliver Sacks about three different people who suffered from the same disease…but who had radically different symptoms. Oliver thinks the difference is due to their personalities, that somehow the disease and the personality are engaged in a kind of conversation. This got us thinking. When you get down to it, what exactly is personality? Where does it come from? Is it fixed? And how low can you go? We’ve heard stories of researchers who believe even fruit flies have personalities. We’re looking to take this far past science if we can…

Possibilities
– Stories of actors inhabiting personalities very different from their own (I’ve always been fascinated by things like method acting).

Anyone know a specific story like this?

Somebody who gets bumped on the head and their personality changes dramatically?
???

GAMES
We’re thinking about play and games. We’re reporting a story about a high school basketball game whose outcome was so dramatic and stunning that it should have changed the lives of the players involved forever…but it didn’t. Not one bit. Games are these funny contradictions. In the moment, they matter more than anything, life or death. The moment they’re over, you realize it was “just a game.” Why are we so invested? On a similar theme, what happens when a game is no longer a game? We’d be interested in stories where one person thought they were just playing a game…until things got serious. Like when you’re playing with your cat and suddenly cat goes into fight mode. Do you know of any stories of people inventing games? Maybe a game that completely flopped? What are the elements of a good game? What makes a game a dud?

Chicago Public Radio Call For Pitches about the Great Lakes Region, deadline March 24

From a colleague: Chicago Public Radio has a call for pitches for a new project called Front and Center. Freelance rates range from $500 for a short audio or video feature to $5000 for a half hour documentary with multi-media components. Stories are about the Great Lakes Region and it sounds really fantastic. Please help spread the word!

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The vast expanse freshwater in the Great Lakes have always defined this region and allowed it to prosper. But the lakes were also an easy dumping ground for toxic industrial, manufacturing and human waste.  Now many here are looking at the lakes to play a critical role in rebuilding and transforming the region as it looks to the future.

Some call it a “freshwater economy,” others label it a “blue” economy.  We want to look critically at whether these efforts to re-work and re-define the region around clean freshwater are viable, sustainable and do-able and plan a series to air regionally in June of 2011.

We’re looking for pitches from station reporters and independent journalists throughout the region for radio stories, slide shows, photo essays, documentaries and other multiplatform components that can help us understand how important the Great Lakes are to our future, how new industries are being born right now that are framed around our access to freshwater, and how ongoing efforts to clean up, restore and revitalize the Great Lakes face enormous challenges.  Some ideas of the kinds of stories we’re looking for include:

  • Experts say that if the 20th century was the century of oil, the 21st will be the century of water.  There is growing scarcity throughout the world, yet this region is like Saudi Arabia. What are the implications of that for development this century?
  • The 2008 Great Lakes Compact was an agreement to ban future water diversions – how did it come about and how effective will it be?
  • In the “water wars” over access to the Great Lakes water, who are the winners and losers?
  • Are there examples in the region of economic growth or change building on freshwater resources?  We’re looking for stories on things like the new high-tech water business; green energy; bottled water; and the economic benefits of shoreline revitalizations.
  • There are hundreds of thousands of jobs that depend on a healthy Great Lake ecosystem, including sportsfishing and recreational boating.  But in terms of fish, the lakes are almost entirely bioengineeried, with millions of non-native species introduced every year.  How sustainable is that industry?
  • How has the 2009 Great Lakes Restoration Initiative helped the effort to restore the lakes?  What has worked and what hasn’t?  What are the prospects for continued funding and if funding is cut, what are the prospects for Great Lakes health?
  •  What about the dozens of unmediated toxic hot spots throughout the region – we’re looking for examples of areas that have been cleaned up, and others that remain toxic.
  • One of the biggest threats to the Great Lakes is invasive species like the Asian Carp.  In fact an entire bureaucracy has grown up around fighting off the enormous fish, including a newly appointed Asian Carp Czar, and “rapid response” teams designed to go in quickly wherever the fish is found.
  • Another ongoing problem is the huge amount of sewage and wastewater that still flows into the lakes.  What’s being done to mitigate that and what more needs to happen?
  •  What is the impact or potential impact of climate change on the Great Lakes?
  •  What about better efforts to conserve water – how are water using industries in the region working to re-tool to conserve water?
  • There’s a debate going on in the US and in Canada over various efforts to close down the “front door” into the lakes – the St. Lawrence Seaway and to shut the “back door” through the engineered Chicago River.  Both are efforts to keep the lakes free of new invasive species, but both are problematic and controversial.
  • One of the more challenging aspects of trying to control the water in the Great Lakes and to restore them is the fact that they straddle an international border.  What are those specific binational challenges?
  • A major new energy source – tar sands from Alberta Canada – may be refined and distributed through the Great Lakes – what are the implications of that new industry?
Our freelance rates range from $500 for a short audio or video feature to $5000 for a half hour documentary with multi-media components.
 
You can pitch around these themes or propose your own.  We look forward to your submissions.  All pitches should include ideas for multi-platform treatments.
Pitches should be submitted to:
 
Sally Eisele, WBEZ managing editor
 
Deadline: The deadline for submissions is March 24, 2011
Questions? Email Sally or call her at 312 948-4621

Upstate New York Local Journalism Center reporter job in Albany

I usually don't post full-time gigs, but since it's so rare to see journo jobs in my neck of the woods I figured I'd pass it along. Details below.
-Mia

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From: Emma Jacobs <jacobs.emma.c@gmail.com>

The upstate LJC is hiring a reporter in Albany ASAP. Not so clear from the job description, but: the TV experience is a real must at this station. This is a two-year CPB-funded position, with work on funding beyond the first two years underway. Sort of an unusual gig so happy to field any questions. Please share this listing far and wide.

Best, Emma

Position Guide: Producer/Reporter
Upstate New York Local Journalism Center (LJC)
WMHT Educational Telecommunications

Position Summary:
The LJC Multimedia Reporter is a producer/reporter focusing on innovation and technology and their impact on the upstate New York economy. The producer/reporter will write, produce and edit balanced and engaging audio, visual, online and new media news and feature story content intended for television and radio broadcast, online, and on-demand audiences. The producer/reporter will create content specific to the LJC community on behalf of his/her partner station and will also contribute to collaborative reporting and engagement activities with other LJC reporters and stations.

Duties and Responsibilities:
-Conduct regular research to understand the issues and terminology associated with the innovation economy;
-Cultivate diverse sources including under-represented segments of the population;

-Produce as assigned multimedia, multiplatform content including, feature reports, enterprise reports, news and public affairs spots, blogs entries and extensive television, radio and on-line content;
-Contribute to roundtable discussions, broadcast and multimedia talk shows, interviews and community engagement discussions of the issue;

-Assist in training/mentoring of interns and other staff.
-Ensures compliance of technical specifications and standards.
-Maintains familiarity with professional standards and current trends in field.
-Maintains working knowledge of tools and equipment specific to job.

General Responsibilities
-Coordinates activities with other staff in order to achieve the highest quality finished product.
-Assists in station-wide projects and corporate fund-raising efforts.
-Carries out special assignments as required.

Qualifications and Education Required:
-Two to five years on-air broadcast news experience.
-Knowledge of new media production techniques, as well as television and radio production.
-Authoritative, conversational on-air delivery.

-Solid news judgment and ability to perform without supervision.
-Experience in reporting/producing technology/science based stories highly desirable.
-Bachelor degree in broadcasting, radio/TV communications, or related field, or equivalent training in production. Electronic media Journalism degree preferred.

-Strong communication and interpersonal skills: ability to organize and present ideas clearly and persuasively.
-Ability to work under extreme deadline pressure.
-Must be familiar with the Final Cut Pro SD/HD
-Familiarity with video uses and formats for social media networks. I.E. Twitter, Facebook, MySpace, etc.

-Familiarity with video and audio digital monitoring for quality assurance.
-Must be a team player that can also work independently.
-Strong PC computer skills, including Microsoft Office Suite and Outlook. (Windows 7)

-Ability to lift and carry equipment up to 50 lbs, carry out frequent reaching, stretching, twisting and bending. Standing for up to two hour at one time, and sitting for extended periods. Excellent sight, hearing and manual dexterity are also required to operate equipment.

-A valid New York State driver’s license and good driving record is required for all WMHT positions.
-Commitment to the mission and goals of public broadcasting.
-Strong commitment to excellence in the finished product; ability to work successfully either independently or as a team member.

-Demonstrated technical skill in professional field.
-Ability to maintain a flexible schedule.

WMHT Educational Telecommunication
4 Global View
Troy, NY 12180
Email resume and cover letter to Valerie Flouton at vflouton@wmht.org

WMHT Educational Telecommunications is an Equal Opportunity Employer M/F. Qualified veterans, women, minorities, and persons with disabilities are encouraged to apply.

Nominate Candidates for the Knight International Journalism Awards, deadline March 15

Nominate your journalistic heroes for this sweet award – deadline approaching!
-mia

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If you're having trouble viewing this email, you may see it online.
Share This:
 
Want to honor an international journalist, media manager–or citizen journalist–whose work has changed society for the better? If so, send us your nominations for the 2011 Knight International Journalism Awards by March 15.
                                                                             
 
Call for Nominations

Knight International Journalism Awards

Every year, we honor two outstanding colleagues with the Knight International Journalism Award. We are now seeking candidates whose work has made a significant difference in the lives of people in their countries. Nominees can be reporters, editors, media managers, citizen journalists or bloggers. Please send in your nominations by March 15.
 
The award reflects the mission of the Knight International Journalism Fellowships, funded by the John S. and James L. Knight Foundation. The Fellowships are designed to significantly improve the quality and free flow of news in the public interest around the world. The International Center for Journalists (ICFJ) administers the program.
 
Winners will be honored at ICFJ’s Awards Dinner in Washington, DC, on November 1, 2011. For more information, please contact Pedro J. Rodriguez at prodriguez@icfj.org or 1.202.737.3700. We truly appreciate your recommendations.
 
Pictured: 2010 Knight International Journalism Award Winners Daniela Arbex of Brazil and Tosca Santoso of Indonesia (center) at ICFJ’s Annual Dinner

1616 H Street NW Floor 3 | Washington, DC 20006 US

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