Submit your entries now! –> 🏆 2019 Excellence in Journalism Awards Contest 🏆

The deadline for the SPJ Norcal awards is approaching – Sept 20. Details below!

-mia

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Have you started working on your EIJ entries?

The deadline is next Friday, Sept. 20.

2019 Excellence in Journalism Awards Contest

DEADLINE: 11:59 p.m. PT on Friday, Sept. 20, 2019

Contact: spj.excellenceinjournalism@gmail.com or Lila LaHood (415) 846-5346 or Liz Enochs (415) 323-0220. This full announcement is also available on spjnorcal.org.
 

Know a journalist who has done brilliant work over the past year? Someone who does whatever it takes to get the story, photo or video? Whose dedication to our craft is second to none? Maybe that journalist is you! For the past 34 years, the Northern California chapter of the Society of Professional Journalists has selected from among the Bay Area’s best of the best for its acclaimed Excellence in Journalism Awards. These awards honor the journalists whose outstanding work embodies SPJ’s ideals of initiative, integrity, talent and compassion.

We’ve made a few changes to the instructions — read below for details and submit your entries on the contest entry site: awards.spjnorcal.org. Create an account, and the site will walk you through the rest.

We welcome entries from journalists producing work in emerging formats and recommend broad interpretation of award categories. Be sure to name everyone who played a significant role in producing the entry and explain how each person was involved. Letters of nomination are required for Board Award nominations; they are optional for other categories.

See below for complete Contest Categories and Submission Guidelines.

Best of luck!

CONTEST CATEGORIES

BREAKING NEWS
Honors individuals, teams or news organizations whose work demonstrates clear and accurate reporting and engaging writing on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit up to three stories and related multimedia content.
Categories: Print/Online, Radio/Audio and TV/Video.

INVESTIGATIVE REPORTING
Honors individuals or teams that identify important issues and reporting that demonstrates initiative, persistence and resourcefulness in pursuing information that is restricted or not easily available.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

EXPLANATORY JOURNALISM
Honors journalists who elucidate significant stories and complex situations. Entries may deepen understanding of issues in the news or may focus on subjects largely uncovered by the media.
Entry specifications: Submit one story or a series, along with any related multimedia content. If entering a series, please submit no more than four stories.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

COMMUNITY JOURNALISM


Honors journalists and organizations whose primary focus is coverage of a community or neighborhood. Entries may include print publications, news broadcasts or news sites. University-supported projects are not eligible.
Entry specifications: This is for community-based outlets. Submit no more than five news stories and related multimedia content, or two news packages demonstrating the range and depth of local news coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

FEATURES JOURNALISM
Honors journalists for exceptional narrative writing. Judges will consider creativity, use of humor or drama, style, clarity and suitability of the writing to the subject.
Entry specifications: Submit one story (fewer than 5,000 words if in print or under 15 minutes if broadcast) along with any related multimedia content. 
Categories: Radio/Audio, TV/Video, and Print/Online.

LONGFORM STORYTELLING
Honors journalists for exceptional longform narrative writing. Judges will consider creativity, use of humor or drama, style, clarity, structure and flow.
Entry specifications: Submit one story (at least 3,000 words or more than 15 minutes broadcast) or a series, along with any related multimedia content. If entering a series, please submit no more than four stories or broadcast segments.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

ONGOING COVERAGE
Honors journalists who follow a story for at least six months (i.e. long-term coverage of a topic or major event) with solid reporting and demonstrated excellence in presenting new angles with complexity and perspective. More specific than a general beat, the issue or event being covered should be an emerging news story.
Entry specifications: Submit up to five stories, along with any related multimedia contentEntries may include a mix of story types, e.g. breaking news, features and explanatory.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

COMMENTARY/ANALYSIS
Honors individuals and teams for exceptional commentary, analysis and editorials. Entries may include bylined or unsigned content. News-related blogs are also eligible. Judges will consider quality of expression, clarity and originality.
Entry specifications: Submit up to three samples.
Categories: Print/Online, Radio/Audio and TV/Video.

ARTS & CULTURE REPORTING
Honors journalists for incisive reporting about art, music, movies, theater, dance, books, restaurants, architecture or other public performance. May also include reviews, for which judges will consider quality of analysis and persuasiveness of arguments.
Entry specifications: Submit up to three samples.
Categories: Radio/Audio, TV/Video, and Small and Large divisions for Print/Online.

TECHNOLOGY REPORTING
Honors journalists and organizations whose primary focus is coverage of technology. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

SCIENCE, ENVIRONMENT and HEALTH REPORTING
Honors journalists and organizations whose primary focus is coverage of science, environment and health. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

SPORTS REPORTING
Honors journalists and organizations whose primary focus is coverage of sports. Entries may include print publications, news broadcasts or news sites.
Entry specifications: Submit no more than five stories and related multimedia content, or two packages demonstrating the range and depth of coverage.
Categories: Print/Online, Radio/Audio and TV/Video.

DATA VISUALIZATION
Honors individuals or organizations that have demonstrated excellence in presenting complex information using graphics, maps and other data visualization and interactive tools.
Entry specifications: Submit up to three samples. Include the associated stories or links to them online.
Categories: All media.

BEST SCOOP
Honors individuals or organizations for breaking an important news story that led to extensive coverage by other organizations.
Entry specifications: Submit one story or package of related stories and associated multimedia content.
Categories: All media.

PHOTOJOURNALISM
Please include the written story or explanation with each submission.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and artistic photojournalism produced on deadline. Judges will consider deadline pressure and complexity of subject.
Entry specifications: Submit photos with cutlines from up to three stories. No more than 15 images in all.
Categories: Individual and Team.
Photo Essay — Honors individuals, teams or news organizations for excellent storytelling presented in series of related photos that either serve as a stand-alone photo essay or are associated with a written story.
Entry specifications: Submit photos with cutlines from one photo essay. No more than 15 images in all.
Categories: Essay of 1 to 5 images; Essay of 6 to 10 images; Essay of 11 to 15 images.
Portfolio — Honors an individual for excellence in photojournalism.
Entry specifications: Submit up to 10 images with cutlines. Include the associated stories or links to them online.
Single Image — Honors an individual for a single excellent image captured in the past year.
Entry specifications: Submit one image with cutline. Include the associated story or a link to it online.

VIDEO JOURNALISM
Video journalism is image-driven and may or may not include narration.
Breaking News — Honors individuals, teams or news organizations whose work demonstrates clear, accurate and graceful video journalism produced on deadline. Judges will consider deadline pressure and complexity.
Entry specifications: Submit videos from up to three stories.
Feature — Honors individuals, teams or news organizations for excellent, artful storytelling
Entry specifications: Submit one video of up to 60 minutes.
Portfolio — Honors an individual for excellence in video journalism.
Entry specifications: Submit up to five stories with a maximum combined length of up to 60 minutes.

PODCAST JOURNALISM
Honors an individual or team for a podcast that displays excellence in reporting and journalistic storytelling across multiple episodes that stand alone or are part of a series.  
Entry specifications: Submit up to four episodes. Podcast entries may have also aired as radio broadcasts.

DESIGN
Honors individual designers or teams whose artistic presentation significantly enhances the audience experience and improves engagement and access to journalistic work.
Entry specifications: Submit up to three samples of work.
Categories: Sound design, video design, print design and web/mobile design

OUTSTANDING EMERGING JOURNALIST


Honors a journalist with less than five years of professional experience whose work shows great promise.
Entry specifications: Submit resume and three samples of work.
Categories: All media

STUDENT SPECIAL PROJECTS
Honors individuals or groups of students for exemplary reporting, writing, and/or photography produced by all forms of student media, including special projects that report local news. These should be student-generated and not part of an ongoing university-sponsored project.
Entry specifications: Submit up to three samples.
Categories: All media

PUBLIC SERVICE
Honors individuals, teams, or news organizations that try to improve conditions for the benefit of society. Entries will be judged on the significance of the issues, initiative, presentation and results.
Entry specifications: May include articles, editorials, public service announcements, cartoons, photos and graphics.
Categories: All media

NORCAL SPJ BOARD OF DIRECTORS AWARDS
Every year, the SPJ-NorCal Board of Directors honors individuals in the following six categories. Anyone may nominate candidates. Letters of nomination are required for Board Award nominations. There is no fee to nominate candidates for Board Awards. Complete instructions are available online.
1) Journalist of the Year: For extraordinary journalistic contributions in the past year.
2) Career Achievement: For extraordinary achievements exemplifying the highest standards of the profession.
3) Unsung Hero: A person whose contribution to journalism usually happens behind the scenes and is often overlooked (for example, a copy editor, librarian, web producer).
4) Meritorious SPJ Service/John Gothberg Award: For outstanding contributions to the Northern California Chapter of SPJ.
5) Distinguished Service: For advancement or advocacy of journalism by a journalist or non-journalist.
6) The Silver Heart: Awarded to a journalist whose work exemplifies an extraordinary dedication to amplifying unheard voices and sharing stories from marginalized communities.

SUBMISSION INSTRUCTIONS

Qualifying Timeframe: Entries must have been published/broadcast between July 1, 2018 and June 30, 2019, by a news outlet or individuals based in Northern California — which for the purposes of this contest includes everything from Santa Barbara County to the Oregon border. Each entrant may submit only one entry per category.

Deadline: Entries must be time-stamped by 11:59 p.m. PT on Friday, Sept. 20, 2019.

Multiple entries: Stories or projects entered in the Public Service, Best Scoop or Outstanding Emerging Journalist categories may also be entered in one other category. Entries for other categories may not be entered in multiple categories.

Cover letters: Letters of nomination or recommendation are permitted in any category, but they are not required, except for Board Award nominations.

Divisions: Some categories are divided into Small and Large divisions to reflect the reality that larger organizations have more resources than smaller ones. “Large” organizations are defined as organizations where one or more of the following apply: print circulation exceeds 100,000 and/or average monthly unique website visitors exceed 500,000. If neither of those apply to your organization, select “Small.” If your organization is a news service or an organization that produces content for syndication, choose your division based on the estimated reach the story received in syndication.

You must supply information regarding circulation or audience reach where it is requested. If a category receives a large number of entries, judges may create two divisions and will need circulation or audience information to do so.

Fee:
For SPJ members**: $30 per entry.
For non-SPJ members: $40 per entry.
For students: $10 per entry.

** To be eligible for the $30 SPJ member entry fee, you must be a member of both the SPJ national organization (current membership fee $75) AND the SPJ Northern California chapter ($20) as of the time-stamp of entry. Membership is good for 12 months, based on the date you joined. Chapter membership entitles you to free or reduced member admission to NorCal chapter activities, including the Excellence in Journalism Awards dinner. To join SPJ and the NorCal chapter, please go to: www.spj.org/join.asp.

Payment:
NEW PAYMENT PROCESS FOR 2019 —> You have three payment options, all of which require that you select “pay by check” to submit your entries. Please choose one of the following:
a) Pay by check
• Select “pay by check” and submit your entries.
• Send a check for the full amount to:
SPJ NorCal Chapter
c/o San Francisco Public Press
44 Page St., Ste. 504
San Francisco, CA 94102
b) Pay online via PayPal
• Select “pay by check” and submit your entries.
• Use PayPal to send the amount you owe to treas.spjnorcal@gmail.com.
c) Pay with a credit card by phone
• 
Select “pay by check” and submit your entries.
• Call Lila LaHood at 415-846-5346 and ask to pay with a credit card. Your payment will be processed by Square.

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2019 CA Documentary Project Grants & Application Webinar, app deadline Nov 1

Look below!
-mia
++++++++++++++++++

Dear Friends of California Humanities—

 

With apologies for the group email, I’m writing to ask for your help in sharing the announcement of the upcoming 2019 California Documentary Project (CDP) grant deadline for film, audio and interactive media productions. I’ve attached information and language that may be helpful for sharing.

 

This year’s deadline is November 1 and funding is available in two categories:

 

  • Research and Development Grants up to $10,000
  • Production Grants up to $50,000

 

For grant guidelines and application instructions, visit the California Documentary Project grants page at http://calhum.org/funding-opportunities/california-documentary-project/

 

Please note that we will also host a free informational webinar on how to apply to CDP in Monday, September 16 1-2:30 pm PST. Anyone interested can register here to attend: https://attendee.gotowebinar.com/register/4740146760333255691

 

Thank you in advance for your help. As always, please feel free to direct any likely applicants to me with questions.

 

Best,

John

 

 

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JOHN LIGHTFOOT

SENIOR PROGRAM OFFICER

 

California Humanities

538 9th St, Suite 210

Oakland, CA 94607

 

tel. 415.391.1474 x314

fax 510.808.7533

 

 

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calhum.org

 

 

 


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Oral History Summer School – October 19-20 Mini Intensive at Verso Books

Hey FC. I've done one of these workshops and it's SO worthwhile. Really changed the way I think about interviewing. Details below!
-mia


Oral History Summer School will be back in NYC this fall for a mini-intensive weekend at Verso Books!
 
Please help us spread the word via social media, your favorite listservs, and word of mouth–for all friends/colleagues who might be interested in oral history, ethical documentary practices and the art of the interview. More information + registration links, below. 
Oral History Summer School: October Mini Intensive at Verso Books
Dates: Saturday, October 19 (9:30 AM to 5:00 PM) and Sunday, October 20 (10:00 AM to 6:30 PM)
Location: Verso Books Loft, 20 Jay Street, Suite 1010, Brooklyn NY
Instructor: Suzanne Snider

More information and registration.


Join Oral History Summer School for a weekend intensive in NYC. This hands-on workshop––open to all––is based on our popular 10-day intensive, covering oral history theory, method and practice. 


Over the course of the weekend, we'll address interview techniques, recording tutorials, ethics, memory, annotation and experimental outcomes. Come all ye documentarians, journalists, artists, media-makers, educators and those looking to learn new things in good company! No experience necessary.


This workshop is offered at a sliding scale, with a limited number of discounted tickets. Early registration is encouraged.

About OHSS: Oral History Summer School was established in Hudson, New York, in 2012, as an immersive training program to help students from varied fields––writers, social workers, radio producers, artists, teachers, human rights workers––make use of oral history as an ethical interview practice in their lives and work. 


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New Kitchen Sisters Interviewing, Recording & Podcasting Workshop, Monday, September 16 in San Francisco

Hey FC! My FAVORITE ladies of radio are offering their interviewing, recording, and podcasting workshop again. Don't miss this chance to learn from THE BEST. Details below.
-Mia

Hi All,

Time again for The Kitchen Sisters Interviewing, Recording & Podcasting Workshop. Davia Nelson is holding two workshops on Monday, September 16th in Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for an array of audio projects — podcasts, radio, online stories, storytelling, oral histories, family histories, news, documentaries and other multimedia platforms.

We cover interviewing and miking techniques, sound gathering, original, imaginative story structure, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, how to find your voice and how to listen (which is harder than it looks). We also talk podcasting. Serious talk about getting your podcast going and giving it a real sound.

The workshop is customized to fit the projects you are working on. People who have attended in the past have come from radio, film, multimedia, detective agencies, podcasting, newspapers, journalism, photography, oral history, historical societies, farms, music, ophthalmology, writing, libraries, archives, beer brewing, web design, restaurants, health care organizations, film, cheese-making and beyond. The groups are always lively and good contacts are made.

Sign up for one session on the 16th, whatever time works best for you.

Morning Workshop: 10:00 – 1:00pm
Afternoon Workshop: 2:00 – 5:00 pm

Cost: $160.00

Tickets available through our friends at Eventbrite.

The workshop is in North Beach at 916 Kearny St. Of course, snacks will be served.

Please pass this announcement along to your community.

Expand your skills, meet new people, support the work of The Kitchen Sisters.

See you there,

The Kitchen Sisters

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Workshop graphic by the great Wendy MacNaughton
Copyright © 2019 The Kitchen Sisters, All rights reserved.
You are receiving this email because you opted in at our website or requested to be added to this list.

Our mailing address is:

The Kitchen Sisters

916 Kearny Street

San Francisco, CA 94133


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Call for pitches from @Making_Contact

The latest call for pitches from Making Contact – below!
-mia
+++++++++++++++

https://www.radioproject.org/2019/08/want-stories-call-pitches-fall-2019/  

Making Contact produces media that analyses critical issues and showcases grassroots solutions in order to inform and inspire audiences to action. We are accepting pitches for 7-10 minute segments or 29-minute documentaries for upcoming shows in our Fall schedule.

We’re looking for both new radio pieces, or potential audio material that has previously aired non-exclusively (radio features, video docs, sound-rich podcasts etc.)

Although we’re always looking for stories on a variety of topics (so send those over, too), we’re particularly interested in the following list.

Please see our submission guidelines for more info on our style guidelines and pay rates. Your work will air on our 151 affiliate stations and on our podcast.

Please submit pitches to pitches@radioproject.org by September 16th

TOPICS OF INTEREST:

Prisons and People in Prison

  • Re-entry.
    • We’re seeking segments on post-release monitoring or surveillance – such as changes to the parole process, an exploration of monitoring and the use of algorithms, Life Without Parole, women in prison, and plea bargains.. What new solutionary approaches are there for success when our community members come back home? We’re more interested in stories of people working together than those finding individual one-off solutions.
  • Tech and prison. 
    • The modern prison system isn’t just a physical space – these days it’s virtual: breathalysers used in DUI cases; surveillance or predictive policing; tracking online activity are some examples.  How do we grapple with these new technologies and how do people fight them? 

Immigration

  • New stories from the border
      • We’re looking for illustrative, character-driven, myth-busting stories. What’s happening at the border? Why are people immigrating and what’s it like when they get here? And we love historical context! So bring on the history, economics and politics! 
  • Climate refugees 
      • How have rising seas and temperatures forced people to move? how is the world responding to such an unprecedented mass migration? How are island communities or people of color and the poor living on the coastline fighting to secure their safety and homes?
  • Rise of right wing nationalism
    • White nationalists, but also hindu nationalists, buddhist nationalists etc have always used immigrants as a scapegoat. How are we seeing this echoed across the world? Who belongs where? What about stateless people? What’s being hidden when governments expel the most vulnerable from their borders?

Reproductive Justice and Women of Color

  • Abortion access.
      • We’re seeing attacks on abortion all across the US with access to abortion rapidly decreasing. What’s the role of religious fundamentalism or the role of Catholic hospitals? What’s happening on the level of schools and colleges and availability of birth control and abortion healthcare on campus? How are students organizing?  How are people organizing to maintain and expand abortion access. Stories need to empahsize the intersection of race and gender and the particular impact of abortion access on the young, poor+working class women of color. 
  • Criminalization of reproductive access.
    • Women are being criminally punished for miscarriage or inducing abortion. We want to hear about the push to punish women, especially women of color or women from states in which abortion is not readily available. Again, what’s being done to protect women? 
  • Comprehensive Reproductive Justice 
    • Beyond access to abortion or birth control, Reproductive Justice includes the right to raise any children we do have with dignity in a safe, healthy, and supportive environment. Pitch us stories exploring ways women are dismantling health and social inequalities throughout our life cycles, and across our multiple realities of race, immigration status, queer and trans bodies, incarceration, age and geography.

White Supremacy and the Right Wing 

  • The historical roots of white supremacy.
    • The recent wave of white supremacy raging across the United States, and the internationally isn’t new “How are people confronting and dismantling it while exploring its history, financial backing, and the role police and governments? We’re seeking innovative stories about the history of white supremacy here and abroad and ways organizers are confronting that past.
  • Voter disenfranchisement and the ballot in 2020.
    •  How are people of color dissuaded or prevented from voting and exercising our/their political voice? How are white supremacists actively securing the voting booth again people of color in 2020. What are activists doing to stop voter disenfranchisement and protect the right to vote? 

Climate Change and Climate Justice

  • Grassroots Insurgency:
    • Pitch us stories that aren’t just about the coming apocalypse. Instead, stories that complicate the idea that we’ll be easily eradicated or that there’s no hope. How are people preparing to adapt to a changing climate? What’s going to make a difference in the coming decades? How are people organizing in their towns, communities or local jurisdictions? We’re looking for your stories that reframe the inevitability of global warming as a time for radical hope and imagination. 
    • Corporate Accountability and Water Privatization: We’re looking to build upon our past coverage of this issue spanning realms of environment, democracy and corporations attempting to privatize municipal water systems, and communities responding. We have a segment underway in ME and we’re interested in working with freelancers in areas such as Pittsburg, Flint, Lagos and your town.
  • Water Stories: 
    • Corporate Accountability and Water Privatization:   We’re looking for stories spanning realms of environment and democracy, in particular the corporations attempting to privatize municipal water systems, and how communities are responding. We have a segment underway in ME and we’re interested in working with freelancers in areas such as Pittsburg, Flint, Lagos and your town.
    • Got an update to the story of  Flint, MI? It’s one of the worst examples of water supply contamination and inadequate responses.  Also, one population that has endured generations of poverty, disputes over water rights, and a lack of plumbing infrastructure live throughout the Navajo Nation (Utah, New Mexico, Arizona), where nearly half of all people must get their water from pumps outside of the home. We’re looking for stories about the barriers to clean water access on Native American reservations, and what people are doing to improve access to clean water.

Looking forward to reading your pitches,

Salima Hamirani, Anita Johnson and Monica Lopez — Making Contact producers

——————————————————————
Lisa Rudman, Executive Director, Making Contact 

 

      


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Opportunity for Journalists – Hostwriter offers €5000 in awards for collaborative journalism projects

Hello FC! See below for an upcoming opportunity from Hostwriter.
Best,
Mia
+++++++++

Application Process Opens for 2019 Hostwriter Prize

€5000 in Awards for Collaborative Journalism Projects

 

(Berlin, Germany) 3 September 2019 – Hostwriter is now accepting applications for its 2019 Hostwriter Prize, which grants €5000 in awards for collaborative journalism projects between members. The deadline to apply for the prize is 31 October 2019.

 

The Hostwriter Prize consists of two categories. The Story Prize presents awards for collaborative projects that have already been published, with €2000 going to the first prize winner and €1000 going to the second prize winner. The Pitch Prize awards €1000 each to two collaborative projects that have not yet been realized. Applications are accepted via the form at the Hostwriter Prize website. https://prize.hostwriter.org

 

Recent winners of the Story Prize include the first prize winners, Nathalie Bertrams and Ingrid Gercama, for their story, "Vanilla fever: Fear sours the sweet scent of Madagascar’s success," published in Mail & Guardian. There were two second place winners: Arthur Debruyne and Kolawole Talabi for their story, “Fish for cash: How the EU robs Africa of its seafood” and Irene Caselli, Mariangela Maturi, Claudia Jardim and Emil Staulund for their story, "A woman’s game: The first naturalised Dane female soccer player with Afghani roots."

 

More info on all of last year's prize winners can be found here.

 

The Hostwriter Prize was established in 2014 and is supported by an annual donation from the Otto Sprenger Stiftung, a foundation that honors the work of Otto Sprenger, a former unionist and employee of the NDR (a German public service broadcaster).

 

Hostwriter is an open network that helps journalists to easily collaborate across borders. We connect more than 4,300 journalists from 150+ countries to seek and offer help, whether in the form of local advice, story collaboration or accommodation. We see cross-border journalism as a tool to overcome national bias and prejudice, ultimately contributing towards better informed, more accountable and democratic societies.

 

Click here for a link to our online press kit, including high-res photos.

 

— ### —

Bernadette Geyer
Communications

 Collaborate with journalists worldwide: #JoinHostwriter

An award-winning network that helps journalists to easily collaborate across borders.

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Two positions at KALW: Development Director and Executive Producer

See below for two job postings at KALW – a fab station in the Bay Area. Help spread the word!
-mia
++++++++++++++++

We’re looking for a development director for KALW and an executive producer for our daily public affairs show, Your Call.
Seeking energetic people who can bring news ideas and lead their teams through exciting transitions. Please send to your networks (Bay Area and beyond) and post these links widely! 
Many thanks,
Tina
____________________
Tina Pamintuan
General Manager
91.7 KALW, San Francisco
415-841-4121 x3003
Begin forwarded message:


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Signal to Noise Award from @UnionDocs + Gilded Audio, deadline Aug 9

We’re excited to announce that the Signal to Noise Award is back! Co-presented with Gilded Audio, this grant celebrates creative work that synthesizes audio documentary and experimental sound design. 
Due on August 9th and open to all styles of production, the award includes: $5000 for production; production consultation and technical support from Gilded Audio Design; editorial consultation from the staff of UnionDocs; a free Hindenburg Journalist PRO license; and a celebratory event at the UnionDocs space in Brooklyn. 
You can check out more details + apply here: https://uniondocs.org/the-2019-signal-to-noise-award/ 
If you know anyone who is interested, feel free to pass this opportunity along! I have included sample promotional materials below. 
Looking forward to receiving your application! 
Abby Lord
Programs Assistant
UnionDocs
GIF:
FACEBOOK with GIF:
Attention all audio makers! UnionDocs and Gilded Audio are pleased to announce that The Signal to Noise Award is back. Celebrating creative work that synthesizes audio documentary and experimental sound design, the winning applicant will receive a $5000 production grant; production consultation and technical support from Gilded Audio Design; editorial consultation from the staff of UnionDocs; a free Hindenburg Journalist PRO license; and a celebratory event at the UnionDocs space in Brooklyn.
Applications are due 8/9! You can find more information + apply here: https://bit.ly/2Jx8m0h 
TWITTER with GIF:
Audio makers! @UnionDocs + Gilded Audio have announced The Signal to Noise Award to give your project the chance to come to life! Apps are due 8/9: https://bit.ly/2Jx8m0h 
Do you have an audio project that combines doc + experimental sound design? Apply to @UnionDocs + Gilded Audio’s Signal to Noise Award to win $5,000, production and technical support from Gilded Audio Design, editorial consultation + more! Due 8/9! https://bit.ly/2Jx8m0h 


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7th Annual #RadioRace from @IPPkcrw, Aug 10

Hey FCers – KCRW's Radio Race is coming up on August 10. Details below.

-mia


++++++++++++

KCRW's 24-Hour Radio Race: August 10 to 11 


KCRW’s 7th Annual 24-hour Radio Race begins at 10 a.m. PST August 10 and lasts through 10 a.m. PST August 11. The Radio Race is great way for storytellers of all experience levels to break out of their daily routines and make a four-minute audio piece overnight. Winners get a cash prize, plus other perks like a free year-long membership to AIR and PRXYou’ll have just 24 hours to write, record and edit a four-minute nonfiction radio story. You can join as an individual or as a team of your creation. KCRW will air the top three winning pieces, and this time around, one team's piece will be chosen to air on our newest podcast Nocturne. And remember: the Radio Race is more than just an overnight competition. It’s an opportunity to produce the most original piece of radio anyone will hear in 2019. Think big, people! 

Registration here: kcrw.com/radiorace

Let me know if you have questions!

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final @WritingpadUS podcasting class of the summer

Details below!

-mia

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Take a Podcasting Class at Writing Pad in Los Angeles and craft your show with a Producer of a prominent podcast (There Goes The Neighborhood). Because of our radio journalism classes, 10 of our students have sold stories to NPR from this class–9 on Unfictional, 1 on All Things Considered. 3 of our students landed podcast producer jobs on Freakonomics, RFK Tapes, Unfictional, and Pandora. Use the coupon code FREELANCE or FREELANCEPLAN for 15% off.

 

5 WK PODCASTING CLASS IN LOS ANGELES IN JULY/AUGUST

 

Class deets:

Podcasting w/ Anna Scott (Press Play, There Goes the Neighborhood)—Starts NEXT Thurs. 7/25                           

Jul 25, Aug 8, Aug 15, Aug 22, Sep 12 (4 Thursdays, 1 Recording of Show Teaser at KCRW, 7:00 PM – 10:00 PM)

https://writingpad.com/classes/los-angeles-podcasting-1-class-anna-scott-4/

 

Anna Scott is a reporter and producer for KCRW. She works on Press Play with Madeleine Brand and reported for KCRW's podcast There Goes the Neighborhood: Los Angeles. Before that, she produced Warren Olney's news programs To the Point and Which Way, LA

 

In this class, Anna teaches you the ins and outs of how top-tier podcasts are developed, researched, written, and produced. You'll learn interviewing methods, audio editing basics, use of archival audio, miking and field recording techniques. By the end of the class, you'll have a solid outline of your pilot episode and a recording of your show teaser.

 

Best,

Marilyn

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