Call for Submissions I.F. Stone Award for Emerging Journalists, deadline Nov 24

Attention teachers and students. Help spread the word about the I.F. Stone Award from The Investigative Fund supporting original investigative reporting by emerging journalists. Deadline Nov 24. Details below. -Mia
The next deadline for the I.F. Stone Award for emerging journalists, offered by The Investigative Fund at The Nation Institute, is November 24, 2014 at 5 p.m. Eastern. The award was created to support original investigative reporting by emerging journalists, such as journalism graduate students, recent graduates, and journalism interns.
 
We ask that you please post and circulate the attached call for submissions and encourage promising candidates to apply. The award will support the projects of one to two prize-winners and is meant to support stories that will appear in U.S. media outlets.
 
Winners of the prize will be selected by the editors of The Investigative Fund and announced in January. The emerging journalists with winning proposals will receive between $2,000 and $10,000, depending upon the applicants' budget request and the stories' reporting requirements. In addition, the winners will receive editorial guidance from Investigative Fund editors; access as needed to Nexis, Accurint, PACER, and libel review; and placement assistance in a print, broadcast, or online outlet. Thanks to generous support from Investigative Reporters & Editors, winners will also be able to attend, at no cost, the next IRE conference in Philadelphia in June 2015.
 
The Investigative Fund at The Nation Institute is dedicated to improving the scope and quality of investigative reporting by incubating important investigative stories with the potential for social impact. By providing reporters with editorial guidance, institutional support, and financial support, The Investigative Fund has produced stories that have sparked federal indictments, lawsuits, Congressional investigations, legislation, and the resignation of public officials. Our investigations have appeared in a wide array of outlets, including NPR and PBS as well as The NationHarper’sThe New York Times, The New York Review of BooksMother Jones, Newsweek, Time, Glamour, and GQ. Our stories have also won some of journalism’s top awards, including the Polk, the National Magazine Award, and the Hillman Prize.
 
The I.F. Stone Award honors Stone’s legacy of tireless investigations into issues of vital national interest. As Washington editor of The Nation and founder of the legendary I.F. Stone’s Weekly, Stone combined his investigative zeal with a passionate commitment to exposing injustice. In 1943, after publishing an exposé revealing the questions used by the FBI to identify “subversives” among government workers ("Does he mix with Negroes? Does he… have too many Jewish friends?”), Stone became a target of FBI surveillance. His weekly publication became known for offering up content that other media outlets ignored—such as obscure but revealing testimony at Congressional hearings—and for unsanitized coverage of the Vietnam War.
 
Please feel free to get in touch with me if you have any questions about this award or our broader work.
Sarah Blustain

  

Sarah Blustain
Deputy Editor, The Investigative Fund
The Nation Institute

doc icon IFStone-Submission-Guidelines.docx

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WNYC’s Death, Sex, and Money seeks spring intern

I don't often post internships, but I love this show. Get in on the ground floor of a fab new program. No deadline listed.

https://hire.jobvite.com/Jobvite/jobvite.aspx?b=nAQWLow0
Death, Sex & Money Internship – Spring 2015
New York, NY

NYPR seeks a  highly motivated intern for “Death, Sex & Money,” the bi-weekly podcast about the things we think about a lot and need to talk about more, hosted by Anna Sale and produced by WNYC. 

The intern will work with the entire DSM staff to learn how to create content for the podcast and the website. The successful candidate will be passionate, curious and informed about a wide range of topics.
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submission call for 60 second radio art works, deadline Nov 14

Call for submissions from Wave Farm/WGXC. Deadline Nov 14. Details below. Fun! -Mia
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Nov 14//Open Call for 60×60 Wave Farm Mix 
Vox Novus's 60×60 and Wave Farm are calling for one-minute radio art works! Vox Novus and Wave Farm are delighted to collaborate on a special edition of 60×60 focused on Radio Art. Artists are invited to submit recorded works (created with, for, about radio and transmission) with durations of 60 seconds, to be included in the eleventh annual 60×60 project; a FM broadcast on Wave Farm’s WGXC 90.7-FM; and distributed as a Wave Farm Dispatch Series download. 60 compositions will be selected to be played continuously in a one-hour live event and broadcast. 

http://wgxc.org/events/11729?utm_source=Wave

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Working with Music in Audio Storytelling at CDS Nov 22-23

Course on using music in production at CDS next month. Course description and link to sign up below. -Mia
What happens in the alchemical moment when a voice telling a story is transformed—whether suddenly or almost imperceptibly—by the music placed underneath it? When is the use of music honest? When is it essential? When is it dishonest or distracting? In this weekend workshop, we’ll explore techniques for using music to enhance audio storytelling, whether your primary interest is in podcasting, personal storytelling, oral history, or radio journalism. 

How many times have you been stumped by the question of what music to use in a piece? This is your chance to develop an ear for what to use, and a resource list of where to find it. 

The weekend of Nov 22-23 at the Center for Documentary Studies at Duke, I'm set to again offer my workshop on "Working with Music in Audio Storytelling." We had a great group last fall, with participants from NC, VA and MD, coming to the workshop with a wide range of backgrounds in production and audio work.

For more info, and to register, scroll to the bottom of this page:

http://register.asapconnected.com/Courses.aspx?CourseGroupID=500

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Soup to Nuts 2-day documentary radio training, Dec 6-7, Bay Area

The incomparable Claire Schoen is offering her 2-day doc radio production training in December. Don't miss it! Details below. -Mia

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Dear Radio People,

 

I'm offering my Soup-to-Nuts weekend again in the San Francisco Bay Area on:

December 6 & 7. 2014.

Please see the description below.

 

If you are interested in attending, please do get in touch (cschoen@earthlink.net) as the class sometimes fills quickly.

 

AND… check out my website!

<<claireschoenmedia.com>>

Under “Teaching” you can find feedback from previous “Soup-to-Nuts” students.

Under “Biography” you can find out more than you’d ever want to know about me.

Under “Productions” you can listen to the past 25 years of my audio work.

 

I hope you can join us in December.

Best, Claire Schoen

 

Claire Schoen Media

claireschoenmedia.com

cschoen@earthlink.net

510-882-6164

 

 

======================================================

 

"From Soup to Nuts"

A 2-day intensive

on documentary radio production

offered in the San Francisco Bay Area

 

Logistics:

This seminar will be held December 6 & 7, 2014.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $250.

 

The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

 

Claire has taught documentary radio production at U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

 

To Register:

Contact Claire Schoen

cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

 


pdf icon StoNs-Flier2014-Dec.pdf

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ABC’s Creative Audio Unit seeks pitches for upcoming shows, deadline Oct 27

Pitch down under! The folks at ABC's Radiotonic and Soundproof want your pitches for their next round of shows. Details and pitching guidelines in the links below. Go for it!
-Mia
We're coming up on a deadline (October 27) for our next round of commissions, so if you've been thinking about pitching:
http://www.abc.net.au/radionational/programs/soundproof/about/
http://www.abc.net.au/radionational/programs/radiotonic/about/

Best to send your short pitch sooner than later, so you have time to develop a full proposal if we're interested.

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New project from The World seeks pitches on the status of women and their communities, deadline ASAP

Holy WOW – what a great opportunity from PRI's The World. (Important topic! Travel budget! Multimedia!!) The word from the acting editor is that they're looking for a very high level of reporting here, so not for newbies. Details and contact info below. -Mia
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We wanted to let you know about an exciting new initiative The World and our partners at pri.org are undertaking over the next 18 months.
 
It’s working title is Across Women’s Lives, and it will focus on the relationship between the status of women around the world and the status of their larger communities and societies. In particular it will examine the questions of whether, and if so how, particular improvements in the status of women leverage improvements in “development” and quality of life indicators for everyone. (And if not, why not?)
 
Our working project summary is below. The reason I’m writing to you now is that we’re looking for pitches. The series will have a special focus on India and sub-Saharan Africa, but we’ll be looking for stories everywhere. And while the focus here is specific, the kinds of stories we’re looking for are the same as always: driven by strong characters, strong voices, strong sound and strong writing.
 
We’ll be paying our usual rates for these pieces but we do have a healthy budget for travel. That doesn’t mean you should think first of big trips away from your home base—there might well be great stories right in your local areas—but if you’ve got a great idea for a story that would require travel, and can sell us on it, we might well be able to make it happen.
 
We’re also planning to build a significant multimedia component into every story, including a fully-produced stand-alone video. Sometimes the same reporter could produce both of these, other times it would involve pairing the radio reporter with a video journalist. And of course if the same reporter produces both, you’ll be paid for both.
 
We’re in the process of hiring a dedicated editor for this project, but until we do, please send any story ideas to me.
 
And we’re on a pretty aggressive timetable to launch, so if you have a great story along these lines that you’ve been itching to do, send along a pitch as soon as you can.
 
As always, thanks for thinking of us and we look forward to working with some of you on this project.
 
Best, from Boston,
 
Peter Thomson
Acting Editor, Across Women’s Lives
 
************
 
PROJECT SUMMARY
 
PRI’s The World and pri.org are launching a high-profile, 15-month reporting project on the status of women around the world. The “Across Women’s Lives” project (working title) will deploy radio & multimedia producers working independently and together to produce top-quality feature stories on:
* Efforts to improve the well-being of communities by raising the status of women and girls, especially in India and sub-Saharan Africa;
* Links between the status of women and girls in developing countries and broader social indicators of health, education and economic opportunity for society;
* Women, men and organizations making a difference in the lives of their families and communities by working to improve the status of women.
 
The reports will be broadcast on The World and featured on pri.org starting in December, 2014 and will be clustered around five stages of women’s lives: birth and infancy, early childhood, adolescence and young adulthood, middle age, and old age.
 
 
Peter Thomson
Environment Editor, PRI's The World
Author, Sacred Sea: A Journey to Lake Baikal

 
@bluepearmain
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Destination DIY Seeks Pitches For December Episode

Great show seeks pitches. Details below! -Mia
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Destination DIY is seeking pitches for our December episode. Please have a look at our pitching guidelines on the AIR pitch page: http://www.airmedia.org/PageInfo.php?PageID=21 and send your pitch to info@destinationdiy.org 
As you may know, the show is monthly, and we typically showcase one longish (10-12 min) feature per episode. We recently joined the Maximum Fun network and we're excited to be sharing the show with a whole new audience. 
Thanks so much,
Julie


Host, producer and creator of Destination DIY
http://destinationdiy.org
Twitter: @DIYgirl
Facebook: http://facebook.com/DestinationDIY

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Studio 360 seeks spring interns, application deadline Oct 19

Intern at Studio 360! Details below. -Mia
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Studio 360 interns make radio, not coffee. The also write for and help produce our new blog and podcast, sideshow.

 

We’re looking for interns for our winter/spring term – roughly Jan-May. We don’t pay much (it’s more of a meal stipend situation), which is unfortunate. But we do teach you things. We’re super serious about making sure our interns learn a ton of stuff while they’re here.

 

If you or someone you know might be a good match, please apply! The deadline is October 19.

 

Application info: http://www.studio360.org/about/internships/

Term: roughly Jan-May

 

Studio 360’s internship is a hands-on experience. Interns sit in on editorial meetings, gather research, pitch ideas, collect materials for the website, and learn a variety of tasks involved in producing a weekly program. Over the course of the term, they gain fundamental radio skills (including audio editing) and will assist staff mentors with producing segments for the show.

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Poynter Environmental Journalism Workshop with SEJ, Nov 3, FL

Wish-I-could-be-there environmental journo training program with Poynter and the SEJ. Details below.

DATE: Nov. 3, 2014
APPLY BY:  Oct 13, 2014

LOCATION: 
Poynter Institute, 801 3rd Street South, St. Petersburg, Florida

Making Science Storytelling Engaging and Accurate

 This is a one-day intensive workshop that will help science and environmental journalists, bloggers and students produce engaging and informative content.

With increasing demand to produce compelling science stories, journalists are also faced with entertainment successes, such as "Shark Week" and "Sharknado," that can confuse scientific fact and fiction. As the need for science stories continues to grow, it has left the American public more misinformed about science than ever.

Join us for a comprehensive day of learning how to pitch, investigate and 

Kelly McBride
Vice President 
of Academic Programs
Poynter Institute 

craft compelling science-based stories in a competitive media landscape to accurately inform the public while keeping them engaged.

You'll learn how to:

  • breathe excitement into your stories
  • pitch to editors
  • tap into research tools that make data accessible
  • begin an investigation into an individual or organization

The day's schedule: (subject to change)
9:00 a.m. – 9:15 a.m. ~ Welcome

Jennifer BogoExecutive Editor, Popular Science

9:15 a.m. – 10:30 a.m. ~ Session 1, The Pitch with 
Jennifer Bogo
Whether you are a freelance writer pitching various editors, or a staff writer pitching your boss, your pitch must be on target. In this session faculty will walk the workshop audience through the various methods for developing a story ideaand sounding it out to editors.

Angela Posada-Swafford
Freelance Science and Exploration Writer

10:45a.m. – 12:00 p.m. ~ Session 2, Getting it Right with Angela Posada-Swafford  
There's so much to get wrong. And it's so difficult to find the right sources to provide the foundation for the best information. In this session, we will describe the methods for judging an expert's appropriateness for contributing to a story, translating scientific jargon into the vernacular and fact-checking the work before publication.

12:00 p.m. – 1:00 p.m. ~ Lunch

1:00 p.m. – 2:15 p.m. ~ Session 3, Longform Science Journalism with 
Angela Posada-Swafford
A time-tried way to engage the public is by telling a good tale. But that requires the ability to organize and execute a complicated project, often within a short time frame. In this session, we will lay out the methods for organizing a long project from conception to publication.

2:30 p.m. – 3:45 p.m. ~ Session 4, Character-driven Stories with 
Jennifer Bogo
Science is often complicated and inaccessible to the audience. One of the best ways to get readers over that hurdle is a character-driven story. In this session we will describe how reporters find characters and bring them to life in stories about science.

3:45 p.m. – 4:00 p.m. ~ Wrap-up

Who Will Benefit: Science and environmental journalists, bloggers, students and anyone interested in reporting about science and the environment.

Price: $79.00
(Lunch is included.)

Price for SEJ members and students: $59.00

Email SEJ HQ  or call 215.884.8174 for the promo code.

REGISTER NOW

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