Nieman-Berkman Fellowship in Journalism Innovation, deadline Feb 15

Harvard is looking for an innovative journalist, people. Fellowship details follow. Deadline Feb 15. This is a good one! -mia

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Nieman-Berkman Fellowship in Journalism Innovation

The Nieman-Berkman Fellowship in Journalism Innovation will bring one individual to Harvard University for the 2012-13 academic year to work on a specific course of research or a specific project relating to journalism innovation.

The fellowship is a collaboration between two parts of Harvard: the Nieman Foundation for Journalism and the Berkman Center for Internet & Society. Both share a set of common interests around journalism, innovation, and the evolution of the digital space. And both have longstanding fellowship programs that give people a year to learn and collaborate with others in the Harvard community.

The Nieman-Berkman Fellow will be a joint fellow between the two centers — a full Nieman Fellow and a full Berkman Fellow.

The Nieman-Berkman Candidate
Candidates will be asked to propose a specific course of study or project relating to journalism innovation. That proposal could deal with any issue relating to journalism’s digital transformation. Examples might include ideas for new revenue streams to fund journalism, the construction of new tools for reporting, or research into news consumption patterns. The candidate’s application must make it clear how his or her proposal will benefit the field.

The Nieman-Berkman Fellow will be able to draw upon the wealth of resources available at Harvard and in the surrounding area for his or her work. Along with the Nieman Foundation and the Berkman Center, Cambridge is home to institutions like the Harvard Business School, MIT’s Center for Civic Media, the Hauser Center for Nonprofit Organizations, the Shorenstein Center for Press, Politics and Public Policy, and others relating to journalism’s evolution.

Our goal is to identify a candidate who would benefit from the time and resources the fellowship provides, and whose work during the year at Harvard would benefit journalism more broadly.

Day-to-day Life of the Nieman-Berkman Fellow
The primary responsibility of the fellow will be to execute the proposal that earned him or her the fellowship.

In addition, the fellow will be expected to spend the year in residence in Cambridge and to be a full participant in both the Nieman and Berkman fellowship communities.

In terms of specific time commitments, that includes attendance at Nieman and Berkman events designed for the fellows, such as the weekly Berkman Fellows’ hour on Tuesdays and the Nieman Fellows’ seminar on Wednesdays. More broadly, it means engagement with both communities and serving as part of the bridge between them. We believe journalists and technologists have important things to teach one another, and the Nieman-Berkman Fellow will be part of that information sharing.

Finally, the Nieman-Berkman Fellow will be expected to share the results of his or her work with other fellows and through the Nieman Journalism Lab.

Eligibility
The Nieman-Berkman Fellowship is open to both United States citizens and citizens of other countries.

Candidates should either be working journalists or work for a news organization in a business, technology, or leadership capacity. Independent journalists are also welcome to apply.

The Nieman Foundation and the Berkman Center share a commitment to diversity and encourage applications from members of underrepresented groups.

Learn more about the requirements and stipulations for eligibility.

Financial Terms
The Nieman-Berkman Fellow will receive the standard Nieman Fellowship stipend from the Nieman Foundation, which is $60,000 over 10 months. Fellows receive additional allowances for housing, childcare, and health insurance, which differ in size depending on their family situation.

How to Apply
You apply through the Nieman Fellowship online application process.

The deadline for applications in Feb. 15, 2012.

Note that this deadline is later than the standard deadline for Nieman Fellowships, which is Jan. 31 for United States citizens. Americans are welcome to apply for both the standard Nieman Fellowship and the special Nieman-Berkman Fellowship.

Once submitted, your application will be evaluated by a joint Berkman and Nieman review team. Interviews with finalists will be held in the spring, and, if a satisfactory candidate is found, the winner will be notified in May.

For More Information
For questions about the application process, email Nieman fellowship administrator John Breen at john_breen@harvard.edu.

For questions about the fellowship itself, email Joshua Benton (Nieman) at joshua_benton@harvard.edu or Colin Maclay (Berkman) at cmaclay@cyber.law.harvard.edu.

ProPublica News Apps Fellowship, deadline Jan 20

Hey news techies – ProPublica is looking for a paid intern/fellow to work in their NYC office. Details HERE and below. Interesting opportunity! -mia

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The ProPublica News Apps desk is looking for a smart, technically-savvy journalist to join our team for a pilot project we’re calling a News Applications Fellowship.

In this special internship, which is paid and will run until the end of the year, you’ll help us test a hypothesis: Can a smart, technical journalist with excellent and proven skills in other nerdy newsroom disciplines like graphics and CAR become a news app developer?

You’ll learn how to make news apps like our Dollars for Docs and Opportunity Gap projects, working side-by-side with our news app developers. You’ll leave here with a set of skills and experience that will make you an invaluable member of any news apps or interactive news team. If you’re already got some programming skills, we’ll round out your knowledge and teach you how we turn raw data into journalism, and if you’re an accomplished journalist, we’ll teach you how to code.

Here are the three requirements.

  1. You want to be an editorial developer. A lot. We recognize that there are a lot of jobs for news app developers, but if you’re in it just for job security, or you think coding is something that will get your foot in the door to do other stuff, this isn’t gonna work. Staying up all night trying to prop up an overloaded server, or tracking down a bad database migration, or reading somebody else’s code to figure out how it works, are things you do when you love the work, not when it’s just a job.

  2. You are an experienced graphics editor, CAR expert, web producer, or web designer. Central to our hypothesis is the idea that if you know how to take output files from SPSS and turn them into gorgeous charts in Illustrator, or you know how to take a map from ESRI and style it to look terrific, or if you know how to run a regression using R, you’re already technical enough to learn how to program a news app. Writing code for news apps can be easier than those things, once you know how. We love reporters, but the leap from story to news app is way bigger than the leap from graphic to news app, so for the time being we’re looking for candidates from disciplines other than narrative reporting.

  3. You are a trained and/or experienced journalist. If you’re a developer and are thinking about making the jump into journalism there are some great options. But the most important part of making a news app is editorial judgment, and it’s the hardest part to learn on the job.

Current students or recent grads who have academic work that shows a talent in these disciplines are encouraged to apply.

Naturally, if you already have some coding skills, especially in front-end markup like CSS and HTML, you’ve got a leg up. But we’re expecting to train the right person. We know that out there in the news universe there are whip-smart people who are starting to teach themselves how to program by reading books and building stuff they never show anybody; people who want to take their graphics talents to the next level and to start working on the back-end code as well. If that's you, hurry up and apply already.

The fellowship is based in our New York City office.

To apply, send an e-mail with your résumé and URLs to scott.klein@propublica.org. Make sure to submit a brief explanation of the exact role you played in the projects your URLs point to. Application deadline is January 20. Start date is flexible, but can be immediate.

International Reporting Project Fall 2012 Fellowships in International Journalism, deadline April 2

Hey folks. The International Reporting Project is now accepting applications for their fall fellowships on religion and other international topics. Details HERE and below.

-mia

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IRP Fellowships in International Journalism

2011 IRP Fellow Megan Verlee reported on Meskel, a major Ethiopian holiday.

The IRP Fellowships allow U.S. journalists to do original, in-depth reporting projects overseas. Since the program was created in 1998, nearly 200 U.S. journalists have been awarded IRP Fellowships and have reported from more than 100 countries around the world. IRP Fellows’ prize-winning stories have appeared in all major media organizations in the United States.

The program encourages U.S. journalists to cover neglected, “under-reported” stories of global importance. As much of the mainstream media have reduced their coverage of international issues, the International Reporting Project (IRP) is filling some of the void.

FALL 2012 IRP FELLOWSHIPS IN REPORTING ON RELIGION AND OTHER INTERNATIONAL TOPICS

The International Reporting Project (IRP) is pleased to announce that it will award up to four IRP Fellowships in the fall 2012 to U.S. journalists reporting on topics of international religion, as well as reporting fellowships on other international issues. The fall 2012 program begins in early September 2012 and ends in early November 2012. Applications are due by April 2, 2012 .

http://www.internationalreportingproject.org/about/fellowships/

This American Life THEME LIST

Always a popular post – the call for pitches from TAL. Plus a nice explanation of their process at the top. Good luck!
-mia
PS: I get these calls for pitches because I'm a member of AIR – a fantastic organization for public media folks of all stripes. Happy to provide more info if you're interested. (And no, I don't work for them, I just like them a lot.)

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Dear This American Life friends and contributors,

We've got a new round of themes-in-progress and we're coming to you
for story pitches, thoughts and suggestions for our upcoming shows.

How this process works: When you send in a story idea to me, I'll
respond with a generic email letting you know that I received your
pitch and that I've read it.  I promise.  I read every pitch.  (I
won't send you the auto response until I've read your pitch so expect
a bit of a delay getting that email.)  If we think the pitch is right
for us, or if we need more information from you, I'll send you another
email asking for more info on the story or letting you know we'd like
to commission the story. But if you don't hear back from us within two
weeks, beyond the initial auto-reply email, it means the story just
isn't right for us or for the needs of that particular show.  The idea
of doing it this way is just to get through pitches and get back to
everyone quickly.

Like always, these themes are shows we're actively pursuing right now
but we're always on the lookout for new stories or ideas.  So if
you've got a story that you think would work especially well for us
but doesn't fit a specific theme listed below, please send it along
anyway.

Thanks so much for your pitches.  We appreciate it.

Best,
Julie
(julie@thislife.org)

PLAY THE PART:  We’ve sent this theme out before and the show is
coming up pretty soon (mid February) so we’re somewhat set on big
stories.  But we’re still searching for smaller or more interview or
essay-ish type stories to fill this one out.  The idea of the show is
that throughout our lives, there are moments where we take on roles
and do our best to play them convincingly.  Sometimes it’s a conscious
choice and sometimes we realize we’re representing something that is
unintentional or not totally true.  Now for the show, we’d love a
story that’s about playing a role in a relationship – maybe something
about finding yourself being the kind of
daughter/son/girlfriend/boyfriend/spouse/employee that another person
wants you to be, and getting into trouble because it’s actually very
different from who you are.  Funny would be good for this show, but
not required.

WHAT I DID FOR LOVE: We're hoping to put together a Valentine's Day
show this year about the extremes we go to for love.  Falling in love,
chasing it down, trying to make relationships work – all of these
stages of love have the potential to make us do insane, over-the-top
things.  We’re interested in any story where passion and love make
people do things they’d never consider otherwise.  We’re also toying
with the idea of a love show that examines the cliché idea that if you
love something, you should set it free.  Because the cliché doesn’t
even make sense, right?  Doesn’t it seem sort of crazy?  If you have
any stories of people wrestling with this question and deciding either
way, we’re interested in hearing those, too.  And while it is
Valentine’s Day, we’re not necessarily limiting the show to romantic
love.  We’ll consider stories about familial love or being obsessed,
too.

HIDDEN TREASURE:  For this show, we’re looking for both literal
treasure hunt-type stories along with more metaphorical stories about
finding unexpected treasures or things of value.  Right now we’re
working on a story about a treasure hunt several years ago that began
with clues placed in a children’s book and ended with deceit, a sex
scandal and the treasure being lost in a pile of dirt.  We’re not sure
if this story is going to work out, though, so more stories about
actual treasure hunts or buried treasures would be great.  We’ve also
got a story about finding an unexpected treasure that really begs a
question as to whether “finders, keepers” should be true.  We’d love
stories that get at a “one man’s treasure…” idea, something where the
value of the object is in question.  And then even just stories about
finding something that has long been lost or hidden.  A family secret
maybe?  Or stories about trying to keep something hidden – keeping a
person hidden or a powerful secret hidden.  Maybe a story about hiding
money from a company or a spouse or kids?

SHOW ME THE WAY:  This is a show about “guides” of all sorts.  Stories
about  the people, books, companies we hire or turn to in the hopes of
them helping us navigate an unfamiliar place or experience or world.
We have one really incredible story about an elderly man who
essentially guides a young boy through his illness and death.  We have
another story about an unbelievably bad seeing-eye dog.    And a story
about a flight instructor who teaches people to get over their fear of
flying, only to die in a plane crash himself.  We’d like more stories
about people having to show faith, give up control and trust someone
else to successfully get through a particular experience.  Stories
about travel would obviously be good for this show but we’d also love
business or political stories, too.  Maybe a story about a consultant
with especially arcane knowledge?  Or a guide who takes on more than
she or he can handle?  Stories about a mentorship or Big Brother/Big
Sister type program?  Are there guides for things that seem like
they’d be obvious or easy but are, in fact, close to impossible to
achieve?  Suggestions for short fiction would be great for this show,
too.

SEND A MESSAGE: Two years ago conservative legislators in Arizona
decided to make a point in sort of a tongue-in-cheek way.  They formed
a fund called the “I Didn’t Pay Enough in Taxes” fund to point out
that no one in Arizona was willing to pay more in taxes so they should
stop complaining about new tax cuts.  Surprisingly, though, a lot of
people contributed to the fund.  One of the contributors was a fairly
well-off former Republican who says he’d had a bit of a political
conversion and, by paying extra taxes, decided to send a message
himself: that by drastically reducing its tax base, Arizona was
shooting itself in the foot and destroying all the things that make
the state a great one.  Now the former Republican is meeting with the
author of the gimmicky fund, hoping their “messages” can now reach
each other and find some middle ground.  We’d like to find more
stories about people or groups or efforts that go to great lengths to
“send a message.”  The Occupy Wall Street movement has probably been
the biggest message-sender this past year and there are still Occupy
encampments in smaller, more unlikely towns across the country.  Maybe
there’s an interesting story at Occupy Poughkeepsie?  Or Occupy
Lancaster?  We’re looking for stories that aren’t necessarily
political, too.  Maybe a story about taking sort of an arbitrary stand
or drawing a seemingly weird line in the sand?  Stories about making
an example of something?  A story about a message received in an
unintended way would be great for this show, too.

The following isn’t for radio but rather for a special project we’re
working on for Spring:

THINGS YOU CAN’T DO ON THE RADIO:  Hi all – Ira writing this one.  A
little while back I saw this dance troupe do this piece that I found
totally charming and funny and completely in the sensibility of our
radio show and I thought "we have to put this on the air," but of
course, that makes no sense at all because there's no way to do dance
on the radio.  Very soon after that, I saw this comedian I love do
this story onstage that we recorded for the radio show, and I was
struck with the fact that seeing her deadpan delivery made it so much
funnier than just hearing it.  All of which led me to this thought: we
have to do another cinema event, one of those things where we go into
a theater and set up cameras and beam the show into movie theaters all
around the country.  That way people can see, and not just hear, these
two pieces.

Our theme will be Things You Can't Do on the Radio.

So now I'm turning to you.  The dance and the comedy bit total about
25 minutes.  That leaves a lot of space.  We've got a whole show to
fill!  We need your help!  We're looking for stories that are
particularly visual that we can report on.  We'll either shoot video
or take stills or have artists render the visuals.  Maybe the story is
about something spectacular in nature, or some amazing scene or
happening that we can film and witness.  Maybe the story is about the
sort of subject that always presents a problem for radio: someone who
can't speak, or a small child, or animals, or a group of people
interacting and what's interesting is watching them interact.  Maybe
you’ve seen an interesting short film or animated film that you think
we should take a look at?  A magician or some other kind of visual
performer doing something that's not, um, unbearably corny.  I'd love
a magician but it would have to be someone doing something pretty
unusual, and maybe very story-based, telling some story or making some
bigger point as he or she does his tricks, to make sense in the
context of one of our shows.  And we especially need at least one
story with some emotional heft to it.  Both the things we have already
are fantastic, but they're on the fun/funny side of things.  We need
to balance that out.  Stories that would work particularly well would
be stories that actually are about the idea of seeing/not seeing or
hearing/not hearing.

I know all this is kind of a broad request, but we're thinking big
here, trying something we haven't tried before.  The show will be in
May, which is closer than it seems, so write soon!  Put in the subject
line of your email: Things You Can't Do On the Radio.  And thanks, as
always, for your help.

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NYT social media internships, deadline extended to Jan 20

Hey grad students. The NYT is looking for social media interns. It's unpaid, but, you know, it's the NYT – looks pretty good on the resume. Details and link to apply HERE and below. Good luck! -Mia

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NYT Social Media Internship

The New York Times newsroom is seeking academic interns for its social media desk, which works to engage its readers on social media platforms and innovate new forms of journalism. Tasks will include: sparking conversations on The Times’s social media accounts — including Facebook, Twitter, Google+, Tumblr and Instagram — as well as assisting on social journalism projects and providing general support. The intern will work closely with the social media editors and developers, as well as reporters, editors and Web producers working on social media-related projects around the newsroom.

Graduate students preferred. Selection will be competitive. The internship is unpaid. Student must receive course credit for the internship and must produce proof of such credit. This position is based in New York; the applicant must commit to being available to work at The Times headquarters at 620 Eighth Avenue in Manhattan for the spring 2012 semester, with schedules subject to restrictions and expectations set by the academic institution.

Candidates should understand the journalistic opportunities presented by social media. While you should have deep familiarity with social technologies, developer skills are not required. Experience using social networks in an editorial context or related work in a newsroom is required. You should also have an excellent eye for detail and great news instincts.

Applicants should submit a cover letter and resume, including links to social media accounts you maintain personally. Application deadline is Jan. 20, 2011; you must then be available for an interview to be considered further. Decisions will be made by Feb. 1.

http://www.nytimes-internship.com/internships/social-media/apply

Fellowships for education reporting from Columbia J-school, deadline Jan 31

Hey folks. Columbia J-School offers three $75K fellowships for education reporters, educators, and researchers. Deadline Jan 31. Details here and below.
-mia

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How to Apply

Spencer Fellowship Application — Apply Online

The Spencer Fellowship for Education Reporting is open to journalists, educators and education policy researchers who want to develop a long-form journalism project to advance the public’s understanding of the American education system.

Three fellows will be selected for this highly-competitive program, which combines coursework in residence at Columbia’s Graduate School of Journalism, Columbia University and Teachers College, and hands-on advising from education writing experts.
Spencer Fellowship applicants are expected to submit the following for a complete package no later than Jan. 31.  Successful applicants will be notified in April.

  • A professional biography or resume.
  • Writing samples that demonstrate a passion for education research and writing, including newspaper and magazine clips, books, monographs, academic reports, or other writing samples.  Applicants with reporting experience in covering American education or American educators who are interested in journalism style writing are preferred. For broadcast applicants, please send links to audio or broadcast clips. We cannot duplicate DVDs.
  • An essay on a proposed long-form journalism project on a significant topic in education. The essay should explain how a greater understanding of education research would materially enhance the project and the candidate’s ability to cover education. Preference will be given to applicants who can show proof of publication of their work, either through a letter or commitment from a news organization or a book contract. The application should also include the commitment to cover education in the long term.
  • A list of possible coursework at Columbia and an essay explaining how the proposed coursework and education research would materially enhance the project.
  • An essay about an education trend you have observed. This trend does not have to be related to your project. It is geared to see how you are following education trends and policies.
  • At least three letters of recommendation, including, if possible, one from a publication that has shown interest in the project. Preference will be given to applicants who can demonstrate a strong likelihood that their work may be published.
  • The application should also reflect a commitment to cover education in the long term.

There are no academic prerequisites. However, the applicant must have an interest in pursuing academic coursework in support of the project.

International journalists are invited to apply, but their projects must cover the American education system, and they must furnish a publication commitment that includes distribution in the United States.

The fellows will work with Columbia Journalism School faculty members who will serve as project advisers. The fellows may also work with professors in other departments at Columbia University on an independent study basis. A curriculum specialist will coordinate the selection of the fellows’ academic courses, preferably in the fall semester, either at Teachers College, the Journalism School, or elsewhere at Columbia.

Applicants with a full-time job should provide the school with a letter that approves leave of absence for the academic year, a commitment to publish the final project and guarantee of the reporter’s return to the workplace. In turn, the candidate should produce a signed agreement that he or she will rejoin the organization with a finished or nearly finished project.

Each fellow will be awarded a stipend of $75,000.  A modest travel expense account is in addition to the stipend.

Classes begin the day after Labor Day, with orientation the prior week. Classes end with J-School graduation ceremonies in mid May.

For more information, contact Associate Dean Arlene Morgan at am494@Columbia.edu or call 212-854-5377.

Good Pitch seeks film projects for three 2012 events

A very cool workshop for you doc film folks. Ideal for "projects looking for completion funding, outreach funding, campaigning networks or a combination of these." http://britdoc.org/real_good/gp2012
-Mia

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Good Pitch is an invitation-only event starting with an intensive two-day campaign development workshop, followed by the day-long live event. This process covers a four-day period.

WHAT’S HAPPENING IN 2012?

We have three flagship events planned for 2012, taking place in New York, San Francisco and Europe.

Good Pitch New York: May 24th 2012

Closing date for applications: Wednesday 1st February, 4pm UK time

Good Pitch Europe: June 2012

Closing date for applications: Wednesday 1st February, 4pm UK time

Good Pitch San Francisco: October 2012

Closing date for applications: Wednesday 9th May, 4pm UK time

YOU’RE A FILMMAKER?

If you’re a filmmaker and you’d like to present your documentary project at one of the three flagship Good Pitches, carry on reading for guidance on what we are looking for, what we offer and what we expect in return.

    THEM’S THE RULES

  • We’re looking for documentary film projects which tackle important global and national issues and enhance our understanding of the world.
  • We look for projects at any stage from early production to completion; rough cut stage is ideal. The call is open to projects looking for completion funding, outreach funding, campaigning networks or a combination of these.
  • Your finished film must be 60+ minutes in length.
  • You must submit a trailer or key sequence or trailer by 4pm UK time on the closing date of each call to be eligible for Good Pitch 2012. You can upload your material after you’ve submitted your written application, as long as it is before the closing date & time.
  • You must also record and upload a 2-minute video of yourself, telling us why you want to make this film and what want it to achieve.
  • You can only apply for Good Pitch if you have outreach or audience engagement plans for your film. Your outreach campaign can take any form, with any ultimate goal.
  • In order to finalise our selection, we enlist some external reviewers who have experience in the field of using films for social impact. You will need to confirm you are happy for your project to be viewed by external parties.

WHICH PITCH?

We have redesigned our application so that you can apply for multiple events with just one form. Neat!

You should decide which city is appropriate for your project. Where are your potential partners based and where do you hope to undertake your outreach? Travel and accommodation is the responsibility of filmmakers, so you should also consider where you can afford to get yourself to.

Please only apply for a city which is a realistic fit for your project and budget.

AND IF YOU’RE SELECTED…?

If you are selected, then we will work for you and your film for a 3 month period, completely gratis. In this time we will collaborate with you to identify the best partners, funders and advocates for your project from across society. Once identified, we will work like trojans to get them to the live event.

In return we need both members of your pitch team to attend the two-day campaign development workshop and Pitch day – this takes place over a four-day period and is at your own expense.

If your project is selected to pitch and you are still in production, we ask you acknowledge our work by including ‘with thanks to the Good Pitch’ in the closing credits of the completed film.

Knight Science Journalism at MIT – Food Boot Camp, deadline Jan 18

Hey foodie journos – this is for you. Fellowship deadline Jan 18.
-mia

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Food Boot Camp
March 27-30, 2012 – Cambridge, MA

We are now accepting applications for our Food Boot Camp which will be held on the MIT campus from Tuesday, March 27 to Friday, March 30, 2012. 
From lethal baby formula to tainted peanut butter, from biofuel bonanzas to food riots, from lean and local organics to fat-loaded meals for children, food is now routinely in the news. Researchers are speaking in terms of dramatic change and possible crises on topics of how food is grown, distributed and consumed. To help journalists explain the facts to readers, the Knight Science Journalism at MIT is offering a four-day course on some of the most important food-related issues.
Twelve journalists will be chosen to attend the Boot Camp, joining the twelve Knight Fellows already in residence at MIT. Applicants may be journalists who already cover science, medicine or health, or those who wish to prepare themselves to cover these fields. Applicants may be reporters, writers, editors or producers and must have at least three years of full-time experience in journalism. 

If selected, we will reimburse you for up to $750 of your travel expenses to Cambridge and pay for your hotel room and most meals. Participants are required to attend all sessions, which begin on Tuesday, March 27 and end on Friday, March 30. 

Confirmed faculty: 
Hank Cardello has spent 30 years as a food industry insider, having served as President of Sunkist Soft Drinks, Inc. and marketing executive with Coca-Cola, General Mills, RJR Nabisco and Canada Dry. He is a Visiting Fellow with the Hudson Institute and a frequent contributor to the Atlantic. Cardello is the author of Stuffed: An Insider’s Look at Who’s (Really) Making America Fat.

J. Glenn Morris, the director of the Emerging Pathogens Institute at the University of Florida, is a former officer at the Centers for Disease Control and has served on numerous National Academies of Science food safety committees. He is an expert on the emergence of E. coli as a human killer that is carried in food.

Robert Paarlberg is professor of political science at Wellesley College and adjunct professor of public policy at the Harvard Kennedy School.   He writes and consults in the area of international food and agricultural policy.  Paarlberg travels frequently to Africa, and his 2008 book, Starved for Science: How Biotechnology is Being Kept Out of Africa, argued that Europe’s hostility toward the use of genetic engineering in farming had slowed the uptake of this technology in Africa.  His 2010 book from Oxford University Press is titled Food Politics: What Everyone Needs to Know.    

Robert Tauxe is Deputy Director of the Division of Foodborne, Bacterial and Mycotic Diseases at the Centers for Disease Control and Prevention.

Michael R. Taylor is Deputy Commissioner for Foods at the U.S. Food and Drug Administration.  Mr. Taylor is a nationally recognized food safety expert, having served in high-level positions at the FDA and USDA, as a research professor in academia, and on several National Academy of Sciences expert committees.

Application deadline: January 18, 2012. 
Please visit http://mit.edu/knight-science for more details and application information. 
     http://mit.edu/knight-science      *      knight-info@mit.edu     *      617-452-3513

OPEN CALL – EMPAC 2012 artist-in-residence proposals, first deadline Jan 17

EMPAC, one of my favorite orgs in the Capital Region, has announced deadlines for their 2012 artist-in-residency programs. Includes residencies in Audio/Video production. First deadline is Jan 17.  Go for it! (And call me when you get here 🙂

-mia

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EMPAC 2012

Open Call for Artist in Residence Proposals

Since 2005, the Experimental Media and Performing Arts Center (EMPAC) has established a vibrant residency program that has hosted over 150 artists and their collaborators, spanning theater, dance, music, video, and installation. We are pleased to announce the new deadlines for 2012 artist-in-residence open call program on January 17, May 14, and September 17, and new application guidelines and application form.

Laurie Anderson, Delusion Photo: Andrea Dudla

Laurie Anderson, Delusion

Early Morning Opera, ABACUS Photo: Kris Qua

Early Morning Opera, ABACUS
Photo: Kris Qua

We encourage applications for a wide range of projects from a diversity of artists, composers, directors, choreographers, and performers from international artists of different cultural and geographical backgrounds.

We are open to proposals for all phases of a project, from initial concept to full production.

In addition to our ongoing residency open call, we also have additional special initiatives:

Creative Research: Provides artists, writers, and theorists with the opportunity to conduct research over extended periods of time (minimum six weeks).

Audio Production / Post-Production: For sound recording, development of multichannel sound works, documentation, mastering, mixing, film scoring, or any other task involving microphones, speakers, consoles and computers.

Video Production / Post-Production: For multiple camera shoots, documentation of a performance, development of multichannel video projection, digital video post-production, or any project involving HD video cameras, computers, and projectors.

** Please note that residency proposals do not need to fall into one of these special initiatives.

Our unique facilities offer four major venues including a concert hall, theater, and two black box studios, in addition to artist-in-residence studios, and a state of the art infrastructure.

For more information including application guidelines, please visit http://empac.rpi.edu/.

Box Office:
518.276.3921

Plan your visit! Get directions, maps, parking info, and a visitors guide.

Mailing address:

EMPAC

Rensselaer Polytechnic Institute
110 8th Street

Troy, NY 12180

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Copyright © 2012 EMPAC
All rights reserved.

EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Latino USA is hiring 1-2 producers/engineers

Latino USA, a great show with a great team, is hiring 1-2 engineers/producers. It sounds like the details are still TBD which is the perfect time to get a foot in the door and show what you do best. Details below.

Good luck!
-mia

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Can you expertly mix a radio show on PT or something similar? Do you like deadline-driven news or long-format docs? Are you familiar with Latino issues? If you can say ‘yes!’ to one or all of these, Latino USA would like to talk to you. We’re in the process of looking for hard workers who can handle the pressure of meeting a weekly deadline and thrive on working in a casual-but-challenging environment.

Latino USA is looking to fill 1 or 2 positions right now. Preferably, we’d love it if you already live in New York, but if you don’t, that’s OK, too. We can still talk about the possibilities. At this point, we’re determining whether these positions are FT or PT, but if either of the below descriptions interests you, then please get in touch with us and specify what you’re looking for.

AUDIO ENGINEER:
• Have expert knowledge and operational skills in digital audio production using in-house software-editing platforms. We use Pro Tools and Final Cut.
• Must have extensive production skills with a demonstrated ability to record and mix sound content
• Extensive knowledge of microphones, multi-track and broadcast consoles and audio storage media and archiving
• Must understand equalizers, compressors, limiters, de-esser’s, AD/DA converters and mic pre-amps
• Ability to troubleshoot and problem solve local and remote networks and modern personal computer hardware
• Establish and monitor any equipment necessary for two-ways and in-house interviews including ISDN, T1/E1, IP Network
• Collaborate closely with managing editor, show host and producers to accommodate a productive and creative broadcast environment
• Creates, maintains and disseminates a variety of production and broadcast logs and reports that address technical issues, helps to solve those problems and works with team to constantly ensure we have the best sound quality for the show

PRODUCER:
• Work closely with managing editor and host
• Develop sources in the field and maintains excellent working relationships
• Identify and research stories, characters and background for stories
• Develop creative and innovative editorial approach to stories
• Conduct original reporting and interviews on-location, around the country and across the globe
• Write scripts and promos for broadcast
• Field produce the host and write interview questions along with other show segments
• Help with editorial framing and planning of show based on world events, production calendar and upcoming events
• Book, produce and edit host interviews
• Create, produce and develop regular show segments
• Must know how to edit audio, pull bites, and schedule studio time
• Write introductions and prep stories for broadcast, internet and other platforms
• Direct the show as needed, create rundowns, select music, coordinate fixes with engineer and help manage LUSA archives
• Help maintain web page and assist with social media activities
• Collect information from identified content sources for posting to the web
• May be required to support host, including travel logistics, and direct work of interns
• Familiar with studio and field recording, and gathering multi-media materials, including digital photography
• Knowledge of Latino issues, both in the U.S. and abroad, and understanding of issues affecting communities of color

WORK ENVIRONMENT:
A casual environment that encourages collaboration, creativity and interaction.

The Futuro Media Group highly values diversity in our workplace and will not discriminate against any employee or applicant for employment because of age, race, creed, color, national origin, ancestry, marital status, gender or sexual orientation.

TO APPLY FOR THIS POSITION:
Submit cover letter and résumé and writing & audio links to:
trubio@futuromediagroup.org. Must include job title in the subject field or it could get lost. No phone calls, please. Thank you!