FC West listening event TONIGHT, 5:30pm, Oakland

The listening events live on! Details below and on Facebook: https://www.facebook.com/events/1419040588171140/

Wish I could be there!
-mia
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Hi Bay Area Producers,

I'll be hosting another listening event out of my shared workspace this coming Thursday Feb. 16th from 5:30pm-8pm. Please come listen to and discuss ongoing work by local producers. We'll also be hanging out from 8:30-10pm at The Miranda. Details below:


Location: 344 20th St, Oakland, CA 94612
Presentations/Discussion: 5:30pm* to 8pm
Post discussion: 
8:30-10pm or so @ THE MIRANDA
1739 Broadway
Oakland, CA 94612
b/t 19th St & 17th St 

*I upped the time to 5:30 to give us a chance to settle in before starting promptly at 6:00pm!

IMPORTANT: Please call/text Tony Gannon or Max Miller when you arrive in order to let you in! 
Tony: (347) 200-9179
Max: (646) 391-2716

Please feel free to bring snacks or something to drink!

**UPDATE: One of our pieces will be in Spanish, so all multi-lingual folk please join!


10th annual Miller Audio Prize from The Missouri Review, deadline March 15

The Missouri Review’s 10th Annual Miller Audio Prize

Guidelines:

Entry Fee: $30, $24, $16, or $10. You choose what you pay. Your entry fee includes a one-year digital subscription to the Missouri Review, which normally costs $24.

Length: All entries must be 15 minutes or shorter.

Eligibility: Previous first-place winners are not eligible to win again. Multiple entries must be accompanied by a separate donation for each. Previously published or aired pieces are acceptable as long as you, the entrant, hold the rights.

Deadline: March 15, 2017

Enter:

Online 

Files should be mp3 format only, under 20MB. Use Chrome, Firefox, or Safari to submit.

or

By Mail

Submit the following:

  • a completed Audio Prize Entry Form
  • a copy of your entry on a CD, labeled with writer/ producer, title, and length
  • an entry fee of $30, $24, $16, or $10 (make checks out to the Missouri Review)

To:
The Missouri Review Audio Competition
357 McReynolds Hall
University of Missouri
Columbia, MO 65211

Categories:

Poetry

Submit an original poem or collection of poems as a single audio file. Entries may be solely author-read or contain other voices, sounds, or music.

Prose

Submit a short story or piece of creative nonfiction. Entries may be solely author-read or contain other voices, sounds, or music.

Humor

Submit your funniest poem, story, or piece of creative nonfiction. Entries may be solely author-read or contain other voices, sounds, or music.

Audio Documentary

Submit an audio documentary on any subject. Documentaries can be presented in a variety of forms including narrative, interview, or documentary play.

Listen to past winners of the Miller Audio Prize here.

Questions? Please visit our FAQ. If your question isn’t answered there, email us: mutmrcontestquestion AT missouri DOT edu


Daniel Schorr journo prize for pub radio superstars age 35 and under, deadline March 3

Hey youngsters – go for this prize! 

http://www.wbur.org/p/daniel-schorr-journalism-prize

Daniel Schorr Journalism Prize: Call for Entries

daniel-schorrWBUR, invites public radio journalists age 35 and under to submit entries for the annual Daniel Schorr Journalism Prize. Eligible works will have been broadcast or published between Jan. 1, 2016 and Dec. 31, 2016. The $5,000 Schorr Prize – sponsored by WBUR and Boston University, and funded by Jim and Nancy Bildner – recognizes a rising star in public radio and seeks to inspire a new generation of journalists to stretch the boundaries of the medium.

Submissions may focus on any local, national or international news issue significant to the listening public. The work may be presented in the form of a produced news story, podcast, news feature, documentary, series on a single topic or an investigative report. Complete guidelines are online at wbur.fm/schorrprize.

The award is named after the late Daniel Schorr, who gave American journalism a lifetime of commitment through his insight, intelligence and integrity. Schorr believed strongly in supporting talented journalists as they rose through the ranks of public radio. The selected Daniel Schorr Journalism Prize winner will be honored at the annual WBUR Gala which takes place on May 15 at the Royal Sonesta in Cambridge, Mass.

Past winners include WAMU Reporter Patrick Madden (2015); Reporter Devin Katayama, now a reporter for KQED, San Francisco (2014); WBEZ producer Becky Vevea (2013); KUNC reporter Grace Hood (2012); NPR host David Greene (2011); NPR reporter Ailsa Chang (2010); reporter Chana Joffe-Walt, who covers global economics for NPR’s multimedia project “Planet Money” (2009); former NPR defense correspondent Guy Raz, now the host of the “TED Radio Hour” (2008); and NPR investigative correspondent Laura Sullivan (2007).

All entries must be received at or before 5 p.m. EST on Friday, March 3, 2017.

###

Media Contacts:

WBUR

Karen Laverty

Phone: 617-275-6516

klaverty@greenoughcom.com


learn better pitching and production from NPR Training guides, PLUS webinar on 3/22

Check out the amazing resources below from NPR Training. Plus, attend their March 22 webinar to improve your audio skillsSign up here. (Also, I got 6/6 on this audio quiz. How about you??)

Cheers,
Mia

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There’s been a flurry of activity at NPR Training the past couple of weeks. We’ve been posting, hosting and sharing like crazy as we try to help you improve your craft.

How can you pitch effectively?
Learn from the pros. Our Training team colleague Alison MacAdam gathered advice from editors at NPR for this guide to story pitching. If you are involved in pitching — or fielding pitches — be sure to check it out.


Improve your ears!
We recently released The Ear Training Guide for Audio Producers, which covers two dozen of the most common audio problems.

There are many ways to use the guide:

  • New to audio production? Take your time moving through the guide and learn how to hear — and prevent — each problem.
  • Newsroom manager or experienced producer? Use the guide as a starting point for a larger conversation about audio quality. Listen to the examples together, discuss the problems you’ve encountered, the tools you have available and share tips. How might you help each other prevent these problems in the future?
  • Elbows-deep in production and running into a problem? Look it up in the guide and learn more about a potential solution.
  • Too busy to do anything right now? Come back to it when you have time. Try to listen to a new example each week to keep your ears sharp!

We will host a webinar about recognizing and preventing common audio problems on Wednesday, March 22Sign up here.

We also put out this fun audio quiz, meant to challenge your ability to hear audio problems. Did you pass? Let us know!

Rob Byers (@robbyers1)
Production Specialist, NPR Training

PS We always like to hear from you. You can always reach us via email (trainingteam@npr.org), our websiteTwitter, and Facebook.


Feet in Two Worlds workshop focuses on immigrant FOOD stories, app deadline March 3

Feet in 2 Worlds is accepting applications for our second workshop focused on telling food stories from immigrant communities. It’s a great opportunity for food writers who want to produce audio, audio producers who want to report on food, and food professionals who want to focus on story-telling. Plus, food journalism is a powerful entry-point for reporting on immigrants in the current political climate.  
Attendees to our first workshop in 2015 produced stories for PRI’s The World, NPR’s The Salt, OkayAfrica and the Charleston Post and Courier among others.
Here is the link with more information and how to apply:
JOHN RUDOLPH
EXECUTIVE PRODUCER
FEET IN 2 WORLDS
72 FIFTH AVE. 6TH FLOOR, NEW YORK, NY 10011
RUDOLPHJ@newschool.edu
603.498.5480

The New School


99pi wants your pitches! Here’s how to do it.

Hey folks! 99pi wants your stories. See below for detailed instructions about how to pitch them. Go for it!

-mia

+++++++++++++++

Greetings,

Sam from 99% Invisible here. I’m reaching out because I would like to encourage you to pitch our show, and help you do so successfully.

Since the beginning, 99% Invisible has benefited from freelance contributors. In years past, at least one or two stories a month would come from a freelancer; in 2016, we only had ten for the whole year. Why? Because we just aren’t getting as many pitches as we used to.

Our working theory is that it must be it’s because everybody has jobs now. Jobs are great! Yay jobs! But we miss you guys, and we miss your pitches. And so if you’ve ever wanted to get a story on 99% Invisible, read on, I’m here to help.

First, let’s talk about what we look for in a pitch:

We tend to go for stories that reveal something surprising about the built world. We tend to avoid stories about things that are cool in their own right—we look for the cool thing inside of the mundane or overlooked thing. And our “cardinal rule” is “no cardinals,” i.e. no stories about nature or science; we focus on things built by humans.

Consider a few freelance stories that worked well for us:

Awareness (reported by Audrey Quinn). Tells the surprising and moving story of the AIDS crisis through the history of a simple object, the awareness ribbon. http://99percentinvisible.org/episode/awareness/

Longbox (reported by Whitney Jones). Reveals the surprising connections between an obscenity lawsuit and a massive voter registration movement, all playing out in the physical packaging of an REM album. http://99percentinvisible.org/episode/longbox/

Pagodas & Dragon Gates (reported by Chelsea Davis). Revealed the surprising history of a thing we see everywhere—orientalist architecture in Chinatowns across the country—and how it actually first emerged as a tool to resist anti-Chinese politics. http://99percentinvisible.org/episode/pagodas-dragon-gates/

America’s Last Top Model (reported by Ryan Kailath). Tells a story of a fascinating place, teaches us about physical watershed models, and reveals something surprising about technology: that physical models are still better than computers. http://99percentinvisible.org/episode/americas-last-top-model/

What do all these have in common?
A designed object/building (or class of objects/buildings) + surprise + joy and wonder about the built world.

Now let’s say you’ve found something that fits the above criteria. Hooray! The next step is to write up a pitch. A good pitch tells us what the story is and who the people are you’d want to interview (ideally you will have already talked to them on the phone to hear if they’re good talkers and are game to be interviewed). You don’t need to have an ending or a structure totally worked out, but you should be able to show a richness of detail and get us to care about something we otherwise would not have thought twice about.

Pitches are usually about a page long, single-spaced. If we haven’t worked together before, please include some info about your experience level, where you’re based, and your phone number.

Once you’ve got your pitch written, head over the contacts page of our website: http://99percentinvisible.org/about/contact/. Paste it in the text field, and be sure to select “Reporter Pitches” from the dropdown subject tab. Click send and you’ll get an auto-response on the page telling you it’s been submitted.

Those submittals go into an email box that I check. I read every pitch. Seriously—every single one.

I generally check that inbox every 7-10 days, and when I come across your pitch, I’ll email you a pre-written form letter saying that we’ve received your pitch and that we’ll get back to you within two weeks if we’re interested. This email was sent by me, a real human, and I, a real human, will take it to the next pitch meeting. (If for some reason you submitted a pitch and didn’t get the form letter within two weeks, please write to me directly at sam@99pi.org. But please do allow us two weeks to get back to you).

Next, I take your pitch to the team, and if there’s interest, I’ll follow up with you to greenlight your story and we’ll discuss next steps.

If not, I’ll try to personally let you know that we’ve passed on the story, though I’m not always able; if it’s been two weeks since you got the form letter saying your pitch has been received, it’s safe to assume we’re passing on the story and you should feel free to pitch the story elsewhere. If you get an email saying that we’ve passed on your story, please don’t ask for more details why, as we generally don’t discuss our decision-making process with non-staffers. If there’s anything I can tell you about why we’re passing on the story, I’ll volunteer that info.

So, that’s the process. It can sometimes take about a month between submittal and a response, and I’m sorry for that, but that’s realistically the fastest we can go.

If you have any questions about the process, feel free to email me directly at sam@99pi.org.

I hope this was helpful, and I hope you pitch us soon!

Cheers,
Sam Greenspan


Sam Greenspan
Managing Producer
99% Invisible
99percentinvisible.org

510.239.3826
sam@99pi.org
@samlistens


2017 Third Coast Radio Residency, deadline Feb 15

The amazing folks at Third Coast are offering a spring residency. Details HERE and below! -Mia
++++++++++++++++

The 2017 Third Coast Radio Residency

Third Coast International Audio Festival and Ragdale welcome producers of all experience levels to apply for our second annual Radio Residency, April 17-23, 2017. Project proposals due Feb. 15th

Enjoy a week away from the demands and deadlines of everyday life to make progress on an audio project, commune, and share expertise. Mentor Nishat Kurwa (Youth Radio, Marketplace ) – will be onsite offering one-one-one guidance and editing sessions.

WHO: Third Coast seeks a vibrant group of 8-10 producers from diverse backgrounds, life experiences, and levels of expertise who are mid-process on an audio project.

WHERE: Ragdale a stunning 30-acre artists' community just outside Chicago. Artists are given a private room and workspace, and all meals are provided including a family-style dinner each evening.

COSTS: Third Coast will cover residents’ flights and ground transportation. Ragdale is generously subsidizing the costs of room and board so that participants pay only $210 for the entire Residency.

HOW TO APPLY: Applicants should submit project proposals by midnight (CT) on Wednesday, February 15, 2017. Those selected will be notified by March 1.

Read all about the Third Coast Radio Residency, and submit your proposal HERE.

discount for CUNY J+ Spring Workshops

Hello FC friends, and happy new year! I hope you're off to a fruitful and happy 2017. Just a quick post to offer a 10% discount for FC folks on classes at CUNY J+'s spring academy. Details and discount code below and HERE: 


https://www.journalism.cuny.edu/cunyjplus/


Best,

Mia


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We would love to continue offering your members 10% off most of our classes with the code JPLUS10 in 2017 (full list here).

 

Coming up are classes in Adobe softwares including Premiere, After Effects and Photoshop, as well as Snapchat for News, Video for Social Media and more.

California Humanities has a new funding opportunity, informational webinar Dec 16

$$ available for new CA-based projects. Informational webinar on Dec 16. Details below.

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CALIFORNIA HUMANITIES ANNOUNCES NEW FUNDING OPPORTUNITY

Attention, grantseekers! California Humanities, the nonprofit state affiliate of the National Endowment for the Humanities, is pleased to announce a new funding opportunity: Humanities for All Project Grants. Awards between $10,000 and $20,000 will be made twice a year for larger public humanities projects of up to two years duration sponsored by California-based nonprofit organizations and public agencies. Appropriate programming formats include but are not limited to interpretive exhibits, community dialogue and discussion series, workshops and participatory activities, presentations and lectures, conversations and forums, and interactive and experiential activities. All awards must be matched with an equivalent amount of cash or in-kind resources over the life of the project.

Guidelines, application instructions, and FAQs for the initial application deadline of February 1, 2017 are now available. The online application window will open on December 15 and an informational webinar will be held December 16. To learn more or to register for the webinar, visit http://www.calhum.org/grants/humanities-for-all

Developed in response to feedback received from humanities programmers and partners, and reflecting new organizational goals of increasing responsiveness and accessibility, Humanities for All grants will support public humanities projects that address the needs and interests of Californians, encourage greater public participation in humanities programming, particularly by new and/or underserved audiences, and promote understanding and empathy among all our state's peoples in order to cultivate a thriving democracy. Grants will support many of the same types of projects previously funded through our long-running Community Stories program, which had its last deadline in February 2016, as well as other types of projects, including experimental and innovative programming.

In addition to the Project Grants, Quick Grants (between $1,000 and $5,000) will be awarded three times a year for smaller-scale public humanities activities and projects that will take place within a one-year period. Projects should be grounded in the humanities, show potential to provide high quality humanities learning experiences for participants and audiences, and demonstrate capacity for successful implementation. Appropriate formats include but are not limited to community dialogues, reading- or film-and-discussion groups, oral history or nonfiction writing or story-sharing workshops, and other types of activities. Any California-based nonprofit organization or non-federal public agency is eligible to apply. Note: A cash or in-kind match of the award is NOT required.

Our first Quick Grant deadline was October 25. Awards will be announced shortly. Guidelines for the March 2017 Quick Grant deadline will be available in January.

Please visit our website for more information about California Humanities and please help us by sharing this information with your colleagues and networks.

Happy holidays to all!