Category Archives: Gigs

the amazing Snap Judgment is hiring a FT producer

Hey fine freelancers. I don't normally post full-time gigs, but Snap has been a friend of Freelance Cafe for a good long time and they need YOU! They're hiring a producer. Go work with some amazing people on an amazing show in an amazing city. Details here: https://www.journalismjobs.com/job-listings/1536520 and below.
-mia
++++++++++++++++++

Description:

Snap Judgment is a nationally broadcast radio / podcast distributed by NPR and WNYC. Snap Judgment's intimate, first-person storytelling explores human experience on the cutting edge of culture, race, gender, and sexuality.

Applicants must be comfortable working with people from a variety of backgrounds that may not have traditionally had voice on public media.

Job Description

The Snap Judgment producer will create stories from start to finish on a tight deadline, beginning with finding stories, pitching them to the team, and then interviewing, gathering sound, editing, scoring and providing sound design. 

Producers are expected to produce two amazing stories a month. The producer will also provide extensive editing and assistance for other producers on the team, attend regular meetings, develop episode themes, assist with live stage shows, and help to meet various ongoing demands around the office.

This position is located beautiful downtown Oakland, California. No telecommuting.

Qualifications

Quite simply, we are looking for an amazing someone:

Be able to work with Team Snap to create compelling cinematic radio.

Story first. Story first. Story first. We will test applicants on their ability to tell a story. Quickly.

Public Radio experience is highly desirable.

Technically proficient in Pro Tools / Logic.

Skilled in field recording.

Able to effortlessly juggle many conflicting duties with rigorous deadlines.

Skilled in interviewing both regular people and irregular artists and construct their stories into compelling narratives under a deadline. Project management skills an absolute must.

Able to proactively find / create / develop / write compelling stories.

Able to work in a group editing process where every aspect of the story is placed under scrutiny and then be able to incorporate those edits in your stories.

Supportive of your fellow producers.

Strong writing style with good grammar and spelling.

A sense of humor and the ability to deal well with others.

Ready to help out with anything and everything that needs to get done.

Further qualifications include:

Rigorous storytelling background. This could mean an MFA program, independent filmmaker, radio producer, several years writing for a children's show, audio artist, speechwriter, novelist, animator, theater producer, newspaper reporter, fiction editor, etc . . .

Used to working in a Mac environment. Familiarity with Logic, ProTools, Audacity, etc. You need to be able to build broadcast-quality stories.

Resourceful. Used to making the magic happen routinely with minimal resources, and little oversight. 

***

To Apply

Before applying, please go to SnapJudgment.org and listen to a show (or two or three).

If you absolutely LOVE this type of storytelling, please email a cover letter, resume, salary requirements in PDF format, and links to 2 – 3 projects for which you had primary responsibility to "Jobs at SnapJudgment.org" with the subject line PRODUCER APPLICATION. E-mail ONLY please!

Tell us about a story you liked, and also let us know about one you think we could have done a better job on.

The deadline for applications is February 1st, 2016. 

Women and minorities strongly encouraged to apply.

Salary commensurate with experience.

Peace and soul! We can't WAIT to hear from you . . .


part time Sound Designer / Engineer position at Reveal (Emeryville CA), deadline NOW

The excellent Reveal is hiring a part time sound designer to work in their Emeryville office. Details from the lead engineer below. And NOTE, they’re already going through resumes so if you want this, giddyup!
-Mia

++++++++++++++++++++

The position starts at 25 hrs / week with the likelihood of transitioning to full time later in the year.  Because of this I understand that it might only have appeal to someone looking to be in the bay area anyway, and/or with a stable of freelance work that supports a part-time gig.  But I can say that
1) the compensation should be fair
2) For my right-hand lady or man, I’ll be there to provide a lot of support and mentorship, and that
3) Reveal just rules as a workplace.  Good people all around.
Best,
Jim

 

Detour seeks EPs in LA, Chicago, and NYC

Hey folks. Very cool Bay Area-based org, Detour, seeks producers in three new cities: Chicago, NYC, & LA.


Also, FWIW, I'm throwing my hat in for the NYC gig, so let me know if you want to collaborate!
Best,
Mia


quick-turnaround photog gig in Chicago

CA-based producer seeks a photographic storyteller in Chicago for a quick-turnaround gig late this week/early next. Details below! -Mia
+++++++++++++++++++

Looking for a good storyteller in Chicago who has a journalism skill-set
that includes solid photography. This person will visit a Chicago start-up
for 1-2 hours and take some quick-turnaround photos, following the
guidelines I provide.

Ideally, you'll be able to collaborate with me by following a shot-list to
help capture the story of the people behind this start-up, while also
keeping an eye out for anything exciting that might be happening.

The shoot can take place anytime between Friday morning (Nov 14th) and
Monday afternoon (Nov 17th). We'll coordinate a mutually agreeable time
for everyone involved.

What I'm not looking for is a wedding photographer, an Instagram hobbyist,
or a professional portrait photographer. Rather, this role is for a
journalist or marketer with a good eye for image composition and a strong
sense of story.

This pays hourly (not per image) — think tape-sync, but with images
instead of audio. The rate is $50 per hour, with a minimum of $100.

Please contact Stacy at stacyb@audioluxe.org.  Thank you!

Snap Judgment is casting for our first ever tour!

SNAP on tour! They're looking for live storytellers – instructions to audition below.

+++++++++++++++++++++

Big news guys, 
I'm so excited to share with you all that Snap Judgment LIVE is going on tour. That's right, a gazillion cities, a bazillion theaters, it's all lined up. All we need now are the storytellers. That's where you come in.
Attached to this email is our casting call. Please read it over twice and then hit us with a submission to performers@snapjudgment.org. We'll be accepting videos for the next two weeks so don't delay!
Happy halloween everyone, and thanks in advance for throwing your hat in,

pdf icon SnapTOURCastingCall.pdf

Making Contact is hiring a managing producer, F/T, open until filled

The SJP award-winning Making Contact is hiring a managing producer. Good work with good people. Details below. -Mia

+++++++++++++++++++++++

Managing Producer

Full Time based in Oakland/Bay Area

 

Making Contact, www.radioproject.org seeks a managing producer with a passion for non-commercial public media. We amplify the voices of community members who are seeking solutions to issues of economic, environmental and social justice. Salary rate DOE.

 

We seek an energetic, passionate, well-organized team-player with leadership experience. The candidate should understand the craft of long-format feature radio production and the art of a good in-depth interview. Strong audio editing and sound mixing skills preferred.

 

The role of the managing producer is to produce and mix editions of Making Contact, and be responsible for supervising and coaching producers. The managing producer delegates to others and is the point-person for scheduling the productions and managing changes. Approx. 65% of their time is spent producing episodes of Making Contact, 15% guiding and supervising producers and production processes and  20% of their time is dedicated to communicating and strategizing with organizational staff regarding online distribution/audience engagement, marketing, and fundraising/development. This position reports to and is in partnership with Making Contact’s executive director.

 

We are looking for someone who is highly productive and enjoys contributing to many facets of new journalism including fostering collaborations with other media outlets and community groups, helping experiment with our digital delivery methods and podcasts, and engaging our broadcast and digital audiences to create impact.  Great post for someone who’s as adept at managing others as they are self-managing their own time and projects.

 

This new hire will join our small yet effective organization consisting of three part-time producers and our pool of freelancers; our marketing, fundraising and administrative staff and contractors.

Duties and Responsibilities:

 

    The same as other producers:

  • produce original radio content and adapt others’ work
  • edit and mix segments and shows
  • apply journalistic standards of fairness, accuracy, due diligence in reporting and fact-checking
  • apply a journalistic approach including inviting input from community members to help identify topics and conceptualize pieces that inform, inspire, and move people to take action.
  • review pitches, commission and edit freelancers’ work
  • participate in show review/evaluation, and work-in-progress listening sessions at staff meetings

    

     Duties distinct from other producers:

  • supervise and coordinate the producers’ work and ensure production calendar and program descriptions are updated
  • In semi-monthly meetings with Executive Director and in thrice-monthly all-staff meetings, discuss editorial plans and strategize about organizational initiatives.
  • Plan and facilitate weekly production meetings make sure others have updated our Podio “Basecamp-type” project management system — ensure communication flows

 

More granular details available in second-round discussions.

 

Required Skills/Experience

Demonstrated writing and script editing skills

Demonstrated audio editing and multitrack sound-mixing skills

Track record of delivering pieces on deadline

Experience managing, coaching and editing radio producers and freelance reporters  

Strong voice-craft skills and experience

Track record of journalistic work –dedicated to fairness, accuracy and fact-checking

Ability to read and synthesize research

Familiarity with key issues of our times and timeless issues

Highly organized and communicative

Commitment to building Making Contact as a whole, and to participating in a team process

Ability to work on collaborative productions and promotions with other media and groups

Enthusiastic about participating in fundraising and audience engagement

Preferred Skills

Entrepreneurial

Multimedia experience:  video, photography, radio plus print packages

Experience with online distribution methods, social media, audience building and engagement

Energetic and able to think on your feet

Sense of humor

 

Making Contact is an affirmative action employer. We actively recruit applications from people of color, women, LGBTQ folks, and disabled people.

Position Open Until Filled. Aiming for start date in Jan 2016. Oakland/Bay Area is job location.

 

Please email resume, cover letter, writing sample (radio script preferred) and links to several radio work samples to lrudman@radioproject.org.

In subject line: MANAGING PRODUCER + First name Last name

 

More info

Our radio programs and podcasts are a blend of evocative storytelling with analysis, and explore the power and relationships between individuals, groups and systems. We’re looking for someone committed to our greater social justice mission and who wants to strengthen Making Contact's non-profit organization as a whole.

 

Making Contact has produced a nationally broadcast, progressive weekly radio series for 20 years. Our high quality public-affairs and documentary radio programs are broadcast on 104 radio stations in the U.S., Canada, and Australia; thousands more listen via our website and podcasts. Our award-winning work has repeatedly been recognized by the Society of Professional Journalists Northern California Chapter, among others.

 

We recently completed a crowdfunding effort to fuel our miniseries coming up in 2016 on Immigrants and Elections, featuring the work of freelancers who are deeply rooted in immigrant communities. We have a paid Community Storytelling Fellowship with one fellow each quarter, working with one producer for 10 weeks. We are active participants in both radio and journalism networks such as The Media Consortium of independent media outlets. We lead or participate in collaborations across platforms and genres; one example is wtfcorporations.com


doc icon Managing-Producer-at-Making-Contact.docx

UCB J-school seeks two audio instructors for spring term, application deadline Oct 15

The Graduate School of Journalism is recruiting 2 lecturers to teach courses in the Radio /Audio program beginning spring semester, January 2016.

J-212 – ADVANCED RADIO (15 weeks)

Required Qualifications: Minimum of five years professional radio experience.

Recommended Qualifications: Teaching experience at college level or higher. The ability to facilitate publishing student work on a professional outlet.

Course description: This course is designed to bring students, who are already familiar with basic radio/audio/reporting and production, to a new level of expertise. Past instructors have arranged for student work to be broadcast locally on KQED-FM or KALW-FM, or nationally on Making Contact. It's important for the Advanced Radio instructor to guide student work from pitch through final production and provide a pipeline for qualified student work to be published professionally.

Past syllabi are available upon request, but new proposals with fresh approaches are encouraged. Applications are due October 15, 2015.

J-298 – TELLING STORIES ON AIR (15 weeks)

Required Qualifications: Minimum of five years professional media experience.

Recommended Qualifications: Teaching experience at college level or higher.

Course Description:

The focus of this course is not solely on audio or production, but rather on the many ways to craft a story. The course is open to all graduate students, regardless of skill level or platform concentration. Any instructor applying for this position should be prepared to help students with story-telling skills in a variety of platforms (TV, Documentary, Multi-media, narrative writing, etc.).

In the past radio reporters (Kelly McEvers), producers (the Kitchen Sisters), and a foreign correspondent with radio and print experience (Annie Murphy) have taught the class.

Past syllabi are available upon request, but we are encouraging new proposals with fresh approaches. Deadline for applications is October 15, 2015.

TO APPLY:

To be considered, you need to formally apply for the position through the university's academic recruitment website.

aprecruit.berkeley.edu.

Enter the portal through "Applicants"

Enter "Journalism" in the search bar and our open lecturer recruitment should come up right away.

Upload your CV including a summary of teaching experience, broadly defined as:

Delivering instruction in a university or college classroom;

Providing mentoring in the field for which you are applying;

Editing the work of others in the field for which you are applying;

Guest lecturing in the field for which you are applying.

The statement of teaching needs to include the time you spent in each activity (i.e. I led a week long workshop on radio in March 2010.)

In your cover letter, please include a few sentences on what the course might look like if you were teaching.

You will be contacted if your experience is a match for what we need.

San Francisco part time Sound and Screencast Editing gig

Passing along this Bay Area opportunity – details and contact info below!
-Mia
++++++++++++++

I'm looking to hire a part-time sound and screencast editor in San Francisco for Evented Mind, an online video education company that reaches a large audience of people learning Web development and software engineering.
The job is to help edit and prepare for release the sound and video for new classes. A class is typically about 1 hour of video (screen casting style) broken into 10-12 chapters. You can see an example here: How The Web Works.
More details:
  • $300 / class (~ 1hr of video) negotiable depending on circumstance.
  • 1 – 1.5 hours of screencast style video and audio is captured in Screenflow in the correct order.
  • Estimated production is 1-2 classes per week.
  • Bring clips together, shorten dead segments, assign video chapters, clean audio (Adobe Audition or other tool), export final production video.
  • Bonus: contribute to improving content / production quality and help guide the production process.
If you're interested please contact me: chris@eventedmind.com and let me know a bit about yourself. I'll evaluate candidates by doing a paid test run with a short class. Really look forward to meeting you!
Chris
***

Ferguson Reporting Opportunity

I sent this out awhile back and the "official" application process is closed, but it looks like they're still looking for stories. Details below. -Mia

+++++++++++++++++


PBS Black Culture Connection and Cowbird are looking for photographers and digital campaigners on the ground in Ferguson, and for journalists to interview them. 


This is for a digital project on photography and the Civil Rights Movement. We're telling the story of how digital organizing has been used in Ferguson and #BlackLivesMatter.

We're working fast, so please call 410-300-8779 or email coordinating producer kristinmoe3@gmail.com if you're interested or know someone who would be. 

Here's more background: (applications are closed) 

KALW job opening for sound engineer/designer, deadline Aug 6

Hey folks. Fantastic, nearly-full-time job opportunity with KALW in SF. Details here and below. Go for it!

++++++++++++++++

The KALW News team is looking for an experienced and creative sound engineer/sound designer to help mix our daily news magazine Crosscurrents. You’ll work alongside our senior engineer, Chris Hoff, joining the ranks of top-flight sound designers who have engineered our show, including Roman Mars (99% Invisible), Colin Anderson (Maximum Fun), and Seth Samuel (Deep Look).

Crosscurrents airs Monday through Thursday evenings on KALW public radio in the San Francisco Bay Area. Our tagline is “context, culture, and connection,” and we deliver through sonically rich, thought-provoking, long-form stories. Our work typically uses a lot of natural sound from field recordings and frequently utilizes music to enhance the storytelling.

Your main duties will be to mix feature stories from scratch; shorten stories that have already been mixed; cut interviews; track reporters and our show host Hana Baba; mix the show, itself; and contribute your own ideas to the overall sound of Crosscurrents. Our show has a specific sound, and we want to retain this; but we are also open to adding to it, to improving it, to making it as great as we possibly can. So new ideas and thoughts on mixing and sound design are always welcome.

As part of its mission, the KALW News department trains many people in the art and craft of journalistic audio storytelling. It makes for a dynamic and energized newsroom with a changing cast. We have a steady team of experienced core staffers and contributors with whom you’ll work most closely, but you’ll also work with people who are still learning to do this work well.

This is an independent contract position for approximately 32 hours a week, Monday-Thursday.

Job Requirements:

  • Several years experience mixing in Pro Tools (preferably for other radio shows, podcasts, and the like)

  • A strong interest in and knowledge of music, and your own extensive music library

  • Competence in using Mac computers

  • Solid interpersonal skills – our newsroom is diverse and fun and sometimes a little crazy

  • An editorial ear, i.e., an ear that can detect what’s boring or confusing, both in language and in sound.

KALW encourages a diverse pool of applicants from a variety of backgrounds. We do not discriminate on the basis of age, race, religion, gender, or sexual orientation. We value diversity.

To apply, please send a cover letter, CV, clips or links, and references to KALWapplications@gmail.com. Application deadline is Thursday, August 6, 2015, 11:59 PT.