Category Archives: Freelance Cafe East

International Documentary Challenge Registration Open, deadline Feb 29

Interesting competition for doc filmmakers. Details HERE and below. Final deadline Feb 29.
-mia

++++++++++++++++++++++++ 

The International Documentary Challenge is coming up quick! Now in its 7th
year, the Doc Challenge takes place March 1-5, 2012 with registration now
open to filmmakers worldwide.

The premise is simple; filmmakers will push their skills to the limit by
making a short (4-7 minute) documentary in just five days. Top films will
make their world premiere at North America's largest documentary festival,
the Hot Docs Canadian International Documentary Festival. Filmmakers are
assigned a theme (e.g. Dreams/Nightmares) and must choose between two
assigned documentary genres (Character Study, Music, 1st Person, etc.)
These two requirements provide a challenge to filmmakers, as it will shape
the content and direction their film takes.

In addition to making their world premiere at Hot Docs, three major awards
will also be announced at the festival. Awards include The American
Documentary/P.O.V. Award, The Documentary Educational Resources (DER) Award
and the Best Film Award (presented by the Documentary Channel.) There are
also cash prizes for award winners. Additionally, online viewing and voting
will determine an Audience Award winner. After the premiere, there are
additional theatrical screenings in major cities, national television
exposure (10 films from 2011 were selected for national broadcast on the
Documentary Channel) and a DVD release of the best films.

Check out the Doc Challenge website where you can learn more about the
event, view films and hear directly from past participants about their
exhilarating experiences:

http://www.docchallenge.org/

IMPORTANT DATES:
Registration: NOW OPEN Sign up
now<https://www.docchallenge.org/sign-up.html?utm_source=Doclists&utm_medium=email&utm_campaign=IDC2012>

Early Registration Deadline: February 14, 2012
Final Registration Deadline: February 29, 2012
Doc Challenge: March 1-5, 2012

Hot Docs Dates: April 26 – May 06, 2012

Complete details and entry forms can be found at www.docchallenge.org

Doc Challenge is produced by Kat Touschner of KDHX Media. 2012 Presenting
Partners include Hot Docs, The Documentary Channel, American
Documentary/P.O.V. and Documentary Educational Resources. Supporting
partners include the International Documentary Association, the Documentary
Organization of Canada, DocuMentors, the Big Sky Documentary Film Festival,
Dokufest, Docs In Progress and the 48 Hour Film Project.

The International Documentary Challenge.
Real Life. Filmed Real Fast.

Google-sponsored Data Journalism Awards, deadline April 10

First ever awards for data-driven investigative reporting, visualization/storytelling, and mobile apps. Cool. Details HERE and pasted below.

Best,Mia

+++++++++++++++++++++++++++++++

Data Journalism Awards now accepting submissions

1/19/2012 06:55:00 AM

Last November, we announced our support for a new Data Journalism competition, organized by the Global Editors Network. The competition is now open to submissions and today we hosted an event at our offices in London to share details on how to compete and win a total of six prizes worth EUR 45,000. The European Journalism Centre is running the contest and Google is sponsoring.

Journalism is going through an exciting—if sometimes wrenching—transition from off to online. Google is keen to help. We see exciting possibilities of leveraging data to produce award-winning journalism. “Data journalism is a new, exciting part of the media industry, with at present only a small number of practitioners,” said Peter Barron, Google’s Director of External Relations. “We hope to see the number grow.”

In data journalism, reporters leverage numerical data and databases to gather, organize and produce news. Bertrand Pecquerie, the Global Editor Network’s CEO, believes the use of data will, in particular, revolutionize investigative reporting. “We are convinced that there is a bright future for journalism,” he said at the London event. “This is not just about developing new hardware like tablets. It is above all about producing exciting new content.”

The European Journalism Centre, a non-profit based in Maastricht, has been running data training workshops for several years. It is producing the Data Journalism Awards website and administering the prize. “This new initiative should help convince editors around the world that data journalism is not a crazy idea, but a viable part of the industry,” says Wilfried Ruetten, Director of the center.

Projects should be submitted to http://www.datajournalismawards.org. The deadline is April 10, 2012. Entries should have been published or aired between April 11, 2011 and April 10, 2012. Media companies, non-profit organisations, freelancers and individuals are eligible. 

Submissions are welcomed in three categories: data-driven investigative journalism, data-driven applications and data visualisation and storytelling. National and international projects will be judged separately from local and regional ones. “We wanted to encourage not only the New York Times’s of the world to participate, but media outlets of all sizes,” says Pecquerie. “Journalism students are also invited to enter, provided their work has been published.”

An all-star jury has been assembled of journalists from prestigious international media companies including the New York Times, the Guardian and Les Echos. Paul Steiger, the former editor-in-chief of the Wall Street Journal and founder of the Pulitzer Prize-winningProPublica, will serve as president.

Winners will be announced at the Global News Network’s World Summit in Paris on May 31, 2012. 

NY Press Club Awards for Journalism, deadline April 9

Information HERE and below about the New York Press Club annual awards. Deadline April 9.
-mia

+++++++++++++++++++++++

Entries open for the 2012 New York Press Club Awards for Journalism on Monday, January 30th, 2012 and close on Monday, April 9th. Winners will be announced in early May. Presentations will be made in early June at our annual Journalism Awards Dinner.

SOME AWARD CATEGORIES HAVE CHANGED FROM PREVIOUS YEARS. Click the Downloads tab above to view and/or download details and entry materials for the 2012 competition.

When entries open, submissions must be made in digital form as described in "Tech Specs." Entries must be submitted from this Web page.


An enduring tradition in New York media, the annual New York Press Club Awards For Journalism honor excellence in the craft by writers, reporters, editors, producers, shooters and multimediographers.


Entries are considered in more than 20 categories of reporting from material submitted by New York metropolitan area news organizations and individual journalists. 


Judging is by prominent working journalists, former journalists and academics who are selected for their expertise in each category.


Awards unique to the New York Press Club competition are the Gold Keyboard Award, honoring excellence in investigative journalism; Nellie Bly Cub Reporter, honoring the best journalistic effort by an individual new to the profession and The Rev. Mychal Judge Heart of New York Award for reporting that is most complimentary of New York City.

2012 Hale Fellowship from PRI’s The World, deadline Feb 8

Hey folks. PRI's The World is inviting three reporters to join their newsroom for one week each. Fellowship deadline, February 8. Details HERE and below. -Mia

+++++++++++++++++++++++

PRI’s The World is looking for U.S.-based public radio reporters interested in coming to Boston to spend one week in residence in our newsroom!

Hale Fellows will spend the week working with World staff to produce stories that highlight how international issues have an impact on the United States, or how U.S. issues can have a global impact. Applicants should describe stories they would be interested in pursuing as part of their fellowship.

Following the residency, we hope Hale Fellows will have gained new insight into the kind of global-local connections that can make a U.S. news story a World story.

Fellowship opportunities are open to public radio reporters who are either station-based or freelancers. Three reporters will be chosen from the pool of applicants to complete three separate one-week residencies during March, April, and May of 2012. Applicants should state which month would be preferable. The fellowship covers travel and lodging expenses, as well as a stipend.

The Hale Fellowship program honors former PRI Board Chair Roger Hale and his substantial support for PRI’s The World.

For more information please contact Katherine Griffin at PRI’s The World at katherine.griffin@bbc.co.uk

Download the application here.

Application Deadline: Wednesday, February 8, 2012

NYT social media internships, deadline extended to Jan 20

Hey grad students. The NYT is looking for social media interns. It's unpaid, but, you know, it's the NYT – looks pretty good on the resume. Details and link to apply HERE and below. Good luck! -Mia

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NYT Social Media Internship

The New York Times newsroom is seeking academic interns for its social media desk, which works to engage its readers on social media platforms and innovate new forms of journalism. Tasks will include: sparking conversations on The Times’s social media accounts — including Facebook, Twitter, Google+, Tumblr and Instagram — as well as assisting on social journalism projects and providing general support. The intern will work closely with the social media editors and developers, as well as reporters, editors and Web producers working on social media-related projects around the newsroom.

Graduate students preferred. Selection will be competitive. The internship is unpaid. Student must receive course credit for the internship and must produce proof of such credit. This position is based in New York; the applicant must commit to being available to work at The Times headquarters at 620 Eighth Avenue in Manhattan for the spring 2012 semester, with schedules subject to restrictions and expectations set by the academic institution.

Candidates should understand the journalistic opportunities presented by social media. While you should have deep familiarity with social technologies, developer skills are not required. Experience using social networks in an editorial context or related work in a newsroom is required. You should also have an excellent eye for detail and great news instincts.

Applicants should submit a cover letter and resume, including links to social media accounts you maintain personally. Application deadline is Jan. 20, 2011; you must then be available for an interview to be considered further. Decisions will be made by Feb. 1.

http://www.nytimes-internship.com/internships/social-media/apply

Latino USA is hiring 1-2 producers/engineers

Latino USA, a great show with a great team, is hiring 1-2 engineers/producers. It sounds like the details are still TBD which is the perfect time to get a foot in the door and show what you do best. Details below.

Good luck!
-mia

++++++++++++++++++

Can you expertly mix a radio show on PT or something similar? Do you like deadline-driven news or long-format docs? Are you familiar with Latino issues? If you can say ‘yes!’ to one or all of these, Latino USA would like to talk to you. We’re in the process of looking for hard workers who can handle the pressure of meeting a weekly deadline and thrive on working in a casual-but-challenging environment.

Latino USA is looking to fill 1 or 2 positions right now. Preferably, we’d love it if you already live in New York, but if you don’t, that’s OK, too. We can still talk about the possibilities. At this point, we’re determining whether these positions are FT or PT, but if either of the below descriptions interests you, then please get in touch with us and specify what you’re looking for.

AUDIO ENGINEER:
• Have expert knowledge and operational skills in digital audio production using in-house software-editing platforms. We use Pro Tools and Final Cut.
• Must have extensive production skills with a demonstrated ability to record and mix sound content
• Extensive knowledge of microphones, multi-track and broadcast consoles and audio storage media and archiving
• Must understand equalizers, compressors, limiters, de-esser’s, AD/DA converters and mic pre-amps
• Ability to troubleshoot and problem solve local and remote networks and modern personal computer hardware
• Establish and monitor any equipment necessary for two-ways and in-house interviews including ISDN, T1/E1, IP Network
• Collaborate closely with managing editor, show host and producers to accommodate a productive and creative broadcast environment
• Creates, maintains and disseminates a variety of production and broadcast logs and reports that address technical issues, helps to solve those problems and works with team to constantly ensure we have the best sound quality for the show

PRODUCER:
• Work closely with managing editor and host
• Develop sources in the field and maintains excellent working relationships
• Identify and research stories, characters and background for stories
• Develop creative and innovative editorial approach to stories
• Conduct original reporting and interviews on-location, around the country and across the globe
• Write scripts and promos for broadcast
• Field produce the host and write interview questions along with other show segments
• Help with editorial framing and planning of show based on world events, production calendar and upcoming events
• Book, produce and edit host interviews
• Create, produce and develop regular show segments
• Must know how to edit audio, pull bites, and schedule studio time
• Write introductions and prep stories for broadcast, internet and other platforms
• Direct the show as needed, create rundowns, select music, coordinate fixes with engineer and help manage LUSA archives
• Help maintain web page and assist with social media activities
• Collect information from identified content sources for posting to the web
• May be required to support host, including travel logistics, and direct work of interns
• Familiar with studio and field recording, and gathering multi-media materials, including digital photography
• Knowledge of Latino issues, both in the U.S. and abroad, and understanding of issues affecting communities of color

WORK ENVIRONMENT:
A casual environment that encourages collaboration, creativity and interaction.

The Futuro Media Group highly values diversity in our workplace and will not discriminate against any employee or applicant for employment because of age, race, creed, color, national origin, ancestry, marital status, gender or sexual orientation.

TO APPLY FOR THIS POSITION:
Submit cover letter and résumé and writing & audio links to:
trubio@futuromediagroup.org. Must include job title in the subject field or it could get lost. No phone calls, please. Thank you!

Two FREE NYC events this week – citizen journalism + Afghanistan

Two FREE events at Columbia j-school this week for you NYC folks. Details below.
-mia

++++++++++++++++++

WEDNESDAY, Jan 4, 4-5 pm in the Stabile Student Center… Columbia Journalism School, lobby floor, 116th St & Broadway

Those of you who have attended Sree Sreenivasan's (@sree) classes have heard him say, "When the plane lands in the Hudson, it's too late to figure out Twitter." He uses that to mean the time to figure out new and emerging social media tools is when you don't need them, not when news breaks. Our next guest is someone who helped show many journalists the power of social media when, it turns out, a plane did land in the Hudson.

Meet JANIS KRUMS (@jkrums), a non-journalist who created the most widely-seen tweet and photo of 2009. His January 15, 2009, tweet and photo read: "There's a plane in the Hudson. I'm on the ferry going to pick up the people. Crazy."

He beat the world's biggest news organizations to a major story taking place in their own backyard and helped change the perception (in many people's minds) of the value of Twitter and similar services. He'll talk about what happened that day, how the media covered the story (and him) and his thoughts on how journalists can better use such services.

Janis lives in Florida, but is speaking at the J-school for a second time; he was last here when he won the 2010 Shorty Award for Real-Time Photo of the Year. He joins us a week before the third anniversary of the crash.

See the photo:
http://twitpic.com/135xa

See @Sree's article on lessons he learned from what @JKrums went through: http://bit.ly/dnakrums

We will also be joined by folks from @Rawporter, a startup that helps connect citizen journalists with media orgs.

See details and RSVP at http://bit.ly/cjkrums

SAMPLE TWEET: TALK: @JKrums, "Miracle on the Hudson" photo-tweeter, speaks @ColumbiaJourn, Wed, 4-5p: http://j.mp/y6kJDl track via #cjkrums #cuj12

o o o o o

South Asian Journalists Association
Columbia Journalism School
CUNY Journalism School
Women for Afghan Women
Arab & Middle East Journalists Association
are all coming together to present…

FARIBA NAWA, distinguished Afghan-American journalist and author of the highly-acclaimed book, "Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan." The book is the first to offer a revealing look inside men's and women’s lives involved in Afghanistan’s drug trade. From the farmer to the smuggler and child bride, Nawa discovers the underworld of the multi-billion dollar narcotics industry while she revisits her own family’s deep roots to the land. (see blurb below from Khaled Hosseini, author of "The Kite Runner")

Friday, Jan 6, 2012
5-6:30 pm
Columbia Journalism School
Stabile Student Center, lobby floor one flight up from the lobby
116th Street & Broadway (#1 subway to 116th St stop)

No charge; RSVP: dos.events.rsvp@gmail.com
or RSVP via Twitter: http://bit.ly/cujnawa

Please join us if you can.

FROM FARIBANAWA.COM: Fariba Nawa, an award-winning Afghan-American journalist, covers a range of issues and specializes in immigrant and Muslim communities in the United States and abroad. She is based in the San Francisco Bay Area but has traveled extensively to the Middle East and South Asia. She lived and reported from Afghanistan from 2002 to 2007, and witnessed the U.S.-led war against the Taliban and al Qaeda. She has also reported from Iraq, Pakistan, Iran, Egypt, and Germany. She has a master’s in Middle Eastern studies and journalism. Her work has appeared in the Sunday Times of London, Newsday, Mother Jones, The Village Voice, The Christian Science Monitor and numerous other publications. She also reports for radio, including National Public Radio (NPR) and is the author of the groundbreaking report, Afghanistan, Inc., and a contributing writer in the upcoming book Under the Drones: Modern Lives in the Afghanistan-Pakistan Borderlands, to be published in spring 2012 by Harvard University Press. Her essays have also been published in two other books, March to War and Women for Afghan Women. A frequent speaker on Middle East and South Asian issues, she has participated in talks at the World Affairs Council, major universities, and has been interviewed by prominent television and radio networks.

Her own book Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan, a mix of memoir and reportage about the drug trade in Afghanistan, (HarperColllins, November 2011) is on sale at http://amzn.to/t4ym5x and other online stores.

She is available for interviews and talks; please contact her publicist Heidi Metcalfe, heidi.metcalfe@harpercollins.com

“An insightful and informative look at the global challenge of Afghan drug trade. Fariba Nawa weaves her personal story of reconnecting with her homeland after 9/11 with a very engaging narrative that chronicles Afghanistan’s dangerous descent into opium trafficking, its impact on the U.S. campaign, and most revealingly, how the drug trade has damaged the lives of ordinary Afghan people.” — Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns

  SAMPLE TWEET: Meet @FaribaNawa, Afghan-Am journo author of major book
  about Afghanistan, Fri 5pm @ColumbiaJourn: http://bit.ly/cujnawa
  #cjnawa #cuj12

Soup-to-Nuts audio production workshop Jan 21-22, Berkeley, CA

Hi folks. The fabulous and talented Claire Schoen is offering her soup-to-nuts class again this January. If you want to learn the basics of radio documentary production and/or hone your production skills, you can't do much better than this workshop. Details below!

-mia

+++++++++++++++++++++++++

Claire Schoen is offering "Soup-to-Nuts," her weekend class on documentary radio production again in the San Francisco Bay Area on

January 21 & 22, 2012.


This class is being offered now through Duke University's Center for Documentary Studies. However, it will be held in her studio here in Berkeley California.

To sign up, please visit this Duke website:
http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

If you are interested in attending, please sign up asap, as the class sometimes fills quickly.

If you'd like to learn more about Claire and her past work, please take a look around her website at:
www.claireschoenmedia.com

For questions, you can call Claire at: 510-540-5106

========================


"From Soup to Nuts"

A 2-day intensive on documentary radio production

offered in the San Francisco Bay Area

Logistics:

This seminar will be held January 21 & 22, 2012.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $230.


The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.


Claire

has taught documentary radio production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program and the Third Coast Festival Conference.

To Register:

http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

doc iconStoN’s Flier 2012 Jan (CDS-Berk).doc

Bay Area Video Coalition Preservation Internship

One of my favorite Bay Area organizations is looking for an intern. No pay, but great experience and a foot in the door with a fine bunch of folks. Details below.

-mia

+++++++++++++++++++++


Bay Area Video Coalition
Preservation Internship

Job Description

Bay Area Video Coalition seeks an unpaid intern for our Preservation
Department beginning February 2012. We are a leading vendor in the

field of archival video and audio preservation, and wish to work with
a library, archives, or film production / history student who aspires
to learn about the field of preservation, archival audio and video

formats, and the developing field of born-digital and tape-based
moving image preservation.

Skills acquired include: Archival care and handling of legacy video-
and audiotapes, using a patch bay set-up for video and audio

preservation and transfer, reading a waveform monitor, vector scope,
audio meters, etc. to ensure accurate and authentic preservation,
function and use of a time base corrector, and a variety of other

skills related to tape duplication and preservation standards and
protocol, including new advances in the field.

Duties will include assisting shipping and receiving, labeling

preserved tapes, hard disk drives, and digital files, light clerical,
metadata and cataloging entry at clients’ request.

Following training, additional duties may include tape and DVD

duplication and quality control, archival videotape inspection and
cleaning, blacking and coding tapes.

Experience desired includes any video or audio production or
post-production, an interest in preservation or archives, particularly

video or audio preservation, library experience, education, or current
training in audiovisual archives or museum studies.

We require at least a three-month commitment, of 8-15 hours per week.

School credit may be arranged.

If interested, please send a resumé and cover letter to the BAVC
Preservation Department, 2727 Mariposa Street, 2nd Floor, San
Francisco, CA 94110, or by email to moriah@bavc.org, or any questions

at415-558-2158.

WGXC seeks Hudson Studio Manager, deadline Dec 23

The Hudson Valley's WGXC community radio station is seeking a studio manager. The pay is woefully low, but the station is fantastic – filled with smart, dedicated, creative folks. Could be a good fit for the right person. Details below.

-mia

++++++++++++++++++++++++

WGXC 90.7-FM is hiring a full-time Hudson Studio Manager. Resumes accepted until December 23, 2011.

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Hudson Studio Manager
WGXC 90.7-FM
Term: Full-time, 1-year contract (with opportunity for long-term renewal)
Salary: 1,650/monthly (19,800 annually) + benefits
Website: http://www.wgxc.org

 

WGXC 90.7-FM: Hands-on Radio is a creative community radio station serving Greene and Columbia counties in New York’s Hudson Valley. WGXC launched its FM signal February 2011, and transmits 3,300 watts to 78,000 potential listeners in the two counties, and southern Albany County. WGXC is a creative community media project, re-envisioning radio as an innovative platform for local participation with special exhibitions and events, media training for our community's youth and adults, a news blog, and a community calendar of events. WGXC operates out of studios in Hudson, Catskill, and Acra, and is a program of the nonprofit arts organization free103point9, whose mission is to define and cultivate Transmission Arts: creative and experimental use of airwaves.

 

In addition to managing WGXC’s most active studio location, the Hudson Studio Manager is a leadership position that will play a major role in the day-to-day operations of the station-at-large. The Hudson Studio Manager works closely with a small passionate staff. The position will include the following responsibilities:

 

Operations
·       Oversee the day-to-day operations at WGXC's Hudson Studio
·       Manage WGXC communication and contacts
·       Work with Council Coordinator to prepare council agendas
·       Manage FCC filings, compliance, and Public File
·       Manage WGXC reporting calendar, and budget working with staff to ensure compliance
·       Ensure station policies are followed; manage proposed revisions to the policy handbook
·       Coordinate weekly staff meeting
 
Fundraising
·       Coordinate two annual pledge drives, with staff participation and support
·       Assist Executive Director with development work
·       Manage station memberships and merch sales
 
Volunteers
·       Organize monthly volunteer meetings & orientations
·       Maintain current volunteer information
·       Connect volunteers with appropriate committees and events
·       Track required programmer volunteer hours
 
Programming
·       Assist programmers who visit the Hudson studio and need support
·       Serve as emergency Day Contact on specified days
 
Qualified candidates will have experience in community media. Training in radio, non-profit organizational management, strong writing skills, and enthusiasm for experimental media art is desirable. Candidates must be highly organized, energetic, passionate about community and creative radio, and able to work well with a diverse range of personalities and perspectives.

 

Please submit a cover letter, resume, and references to info@wgxc.org.
Please reference the position title in the subject line.
Resumes will be accepted until December 23, 2011. 
Only qualified candidates will be contacted. No calls please.
 

free103point9, WGXC’s parent organization, is an equal-opportunity employer.

www.wgxc.org •  info@wgxc.org518-697-7400

Walk-in Visitors:  WGXC Hudson Studio
704 Columbia St. 2nd Fl., Hudson NY 12534

Mailing Address: 5662 Route 23, Acra, NY 12405

WGXC is a program of free103point9.

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