Category Archives: Freelance Cafe East

WGBH/WORLD TV seeks independent long-form documentary film pitches, deadline March 1

Awesome news from WGBH's WORLDcompass – now accepting pitches from indie doc filmmakers. Details HERE and below. Deadline March 1.

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SUBMISSION GUIDELINES  | SUBMISSION APPLICATION  | ABOUT WORLD

SUBMIT YOUR DOCUMENTARY TO WORLD! 

WORLD TV will premiere a new long-form documentary program in the spring of 2012 that will feature documentaries you won’t see any place else on broadcast television.

Here’s your chance to be a part of it.

If you’re an accomplished filmmaker with a completed documentary and you think it has a compelling story– we want to hear about it! Submit your doc!

What we are looking for?

This new program looks to showcase films that explore domestic issues and which feature diverse voices from communities all over the United States.

While the show will be inclusive of all makers, WORLD TV’s goal is to highlight those films that give our viewers a “snapshot” of the transforming American life —the glamour, the grit and the hope of a new and changing American demographic.

From contemporary life on Native reservations, to stories of recovery on the Gulf — to hardships and revitalization in the mountains of Appalachia — the transformation of emerging urban centers like Brooklyn and St Louis, WORLD is looking for stories that document the times in which we we live

If your film strikes these chords, we want to consider it for broadcast and web distribution. Submit your doc!

How to submit?

To have your film considered for this new collection- you must do the following :

Submission deadline for season 1 is March 1st 2012  

Be sure to folow WORLD on Facebook or Twitter for updates ! 

NPR and Washington post Stone & Holt Weeks Fellowship, deadline April 30

This radio/print/web fellowship involves 12 weeks at the Washington Post followed by 12 weeks at NPR. Details HERE and below.
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What Is The Stone & Holt Weeks Fellowship?
The Fellowship was created in memory of Stone and Holt Weeks by NPR and The Washington Post following their tragic deaths. Designed to give a promising individual the opportunity to launch a career in journalism, the fellowship consists of two sessions: 12 weeks atThe Washington Post followed by 12 weeks at NPR in Washington, to learn how to report for print, web and radio.

What Will I Learn?
The Fellow will learn about the role of journalism in "making the world a better place." He or she will get broad exposure to the relationship between journalism and public education, citizenship, social change and democracy, and will learn that a major aim of journalism, as expressed a century ago by author Finley Peter Dunne, is "to comfort the afflicted and afflict the comfortable." The intent is to be educational and experiential, with the Fellow publishing original stories and other news content at The Washington Post, and then learning the craft of journalism NPR-style, getting on the air, online and out in the field. The Fellow will learn the skills and the craft of reporting from the very best at both institutions.

Who Is Eligible For The Fellowship?
Anyone who will have received a bachelor's degree by July 15, 2012, is eligible to apply for the fellowship. Individuals with additional education and experience are of course also welcome to apply. While a demonstrated appetite for journalism is desired, there is no specific requirement for a journalism degree or experience as a journalist.

How Do I Apply?
Download and complete the application form. Be sure to read this document carefully and include all required materials with your application.

What Are The Deadlines?
Applications must be postmarked on or before April 30, 2012. Finalists will be notified in early June and invited to travel to Washington for an interview with the fellowship committee. (Travel costs for the interview will be paid by NPR and The Washington Post.) The selected candidate will be notified by the end of June and asked to confirm his or her commitment early in July. The fellowship begins after Labor Day.

What If I Have More Questions?
More information about the Stone & Holt Weeks Fellowship can be found in this FAQ.

Who Are Stone & Holt Weeks?

HoltandStoneWeeks

Stone and Holt Weeks were brothers and best friends. They were victims in a tragic highway crash in the summer of 2009. Stone was 24. Holt was 20.

They were extraordinary, focused young men committed to doing great work – in history, public policy and environmental issues. They were insatiably curious, ambitious, wildly fun-loving and dedicated to making the world a better place. They had a keen social conscience and were enthusiastic volunteers for good causes. They were, as the National Journal said, "devoted to helping less fortunate people and fixing our troubled world." Their passion for up-to-the-minute news was inspired and informed by an equal passion for history and politics. This fellowship is to celebrate their brief, brilliant lives – and to honor what might have been – by giving someone this enormous opportunity to launch a career in journalism.

Their father, Linton Weeks, is a reporter at NPR and spent nearly two decades at The Washington Post. Their mother, Jan Taylor Weeks, is an artist, teacher, and volunteer. In recognition of Stone and Holt, and of Linton's lifelong service as a journalist and storyteller, NPR and The Washington Post joined together to create this unique fellowship.

Learn more about The Stone & Holt Weeks Foundation.

Carte Blanche website call for submissions, deadline March 15

From the Montreal-based Carte Blanche website via the good folks at AIR – interesting opportunity for you non-traditional storytellers. Submission deadline March 15. Details below.
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Hi there,

My name is Cristal Duhaime and I recently became the audio editor for a literary website based in Montreal called Carte Blanche. It's an online magazine published twice a year, in association with the Quebec Writers' Federation.

http://carte-blanche.org/

In the past, we've put up exciting storytelling work in traditional categories such as fiction, non-fiction and poetry writing; we're now looking to expand those categories to include sound. The deadline to submit audio "stories" for the spring issue is coming up soon on March 15th. The term "story" is used loosely; audio submissions can include soundscape, documentary, spoken word, author readings, comedy, experimental, etc. Audio pieces do not need to contain words (although they can!) but they should have a narrative progression, i.e. a beginning, middle, and end. Any additional details can be found here:

http://carte-blanche.org/submissions/

I thought this might be something of interest to your members so if you could help spread the word in any way, it would be much appreciated. We can offer only a small honorarium to those whose works we decide to publish but the site does get quite a bit of exposure so the experience might prove rewarding for audio producers in other ways.

As a radio producer and audiophile myself, (I currently work on CBC Radio's Wiretap) I'm quite familiar with the art and impact of storytelling through sound so I'm quite excited to open up the audio category to the site's followers.

Please get in touch with any questions you might have.

take care,

Cristal Duhaime

SPJ Sigma Delta Chi awards, deadline Feb 9

Journo award season continues with the SPJ awards, deadline Feb 9. Details HERE and below.

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SPJ Sigma Delta Chi awards

Enter by Feb. 9

 

The deadline for this year's Sigma Delta Chi national journalism awards, from the Society of Professional Journalists, is fast approaching. These awards recognize the best professional journalism in all types of media. The contest is open to any U.S. media outlet.

Online media categories include: reporting (deadline and non-deadline), investigative reporting, column writing, specialized journalism site, digital media presentation and public service.

Learn more and enter now

Deadline: Feb. 9
Entry fee: $60 (SPJ members), $100 (non-members)

The Narrative Arc – Storytelling Journalism Goes Digital, workshop March 23-25, Boston

Super cool narrative storytelling workshop for the digital age. Boston, March 23-25. Early bird discount $150 until Feb 19. Details HERE and below.

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The Narrative Arc: Storytelling Journalism Goes Digital
March 23 – 25, 2012
Boston University

http://www.bu.edu/com/narrative/

The twelfth in a series of narrative journalism conferences celebrates and
explores narrative non-fiction journalism – a powerful, unfettered,
public but individually-voiced genre – as it expands into digital media.

Targeted at practitioners, teachers, and early and mid-career writers and
editors, the conference will cover print, radio, podcasts, web-based
multimedia, dedicated apps, and documentary film, with keynote talks,
breakout sessions and skills workshops.

Masters of the craft will share their know-how, alongside many of the
founders and innovators in the vanguard of digital narrative journalism.

Confirmed Speakers Include:

Jay Allison
Maria Balinska
Lisa Biagiottiis
Roy Peter Clark
Chris Daly
David Finkel
Alex Gibney
Adam Hochschild
Michelle Johnson
Mary MacGrath
Tracey Minkin
Amy O'Leary
Kara Oehler
Evan Ratliff
Jan Schaffer
Dean Starkman
John Tayman
Mitch Zuckoff

online Fundraising Proposal/Grants Writing Workshop February 4, socal OR online

I don't know much about this online fundraising seminar for filmmakers but it looks interesting. Rate ranges from $75-150. I'd love feedback from anyone who attends.
Details HERE and below.
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BACK BY POPULAR DEMAND!
REGISTRATION FOR THE WINTER 2012 SEMINAR IS NOW OPEN, PLEASE REGISTER
BELOW!
Film Grants and Proposal Writing 101 with special section on Social
Media & Crowdfunding – now also ONLINE!

SPECIAL BONUS: The filmmakers resources CD (containing filmmakers
funding sources lists/contacts domestic and international, sample
proposals, industry contracts and much more)!

(EARLY REGISTRATION SUGGESTED [VERY LIMITED CAPACITY DUE TO NEW ONLINE COMPONENT])
Overwhelmed by an upcoming grant/media fund deadline? Don't know
how to begin to gather your materials? Or do you just want to start
making your own projects and need to write a funding proposal? If so,
this workshop is for you. This workshop will introduce you to the
preparation, organization and submission of a successful grant
proposal/package to foundations, donors/prospects and film funds.

Most proposals/packages can increase their possibilities of funding if
done properly. Many mistakes are oversights that could be avoided. Our
facilitator will lead you through the basic steps and general overview
needed to complete a successful grant-writing campaign and/or a film or
television project proposal sharing her years of experience in the
field. Participants are encouraged to engage in the learning process by
bringing their upcoming proposals to follow along, ask questions and
seek limited personalized assistance after the workshop.

You will also get an overall overview of the industry and what you will
need to know when preparing to present your projects to a funder.

What you will get: a general overview of how to prepare your
grants/proposals and the job of fundraising/presenting your film to
prospects as well as a comprehensive list of SOURCES of funding and
their contact information to save you time and money.

This is an intensive seminar so make sure you are rested and free from
distractions as there will be a lot of information covered and virtually
no breaks.

Open to all.

Suggested Materials:
* Laptop computer preferably with a word processing and spreadsheet
program (you can download a whole productivity suite comparable to
Microsoft Office (Word, Excel, Powerpoint, etc.) for free at
www.openoffice.org (you can make a donation to the developers there if
you so desire to do so).

* Journal/notebook.

* Your own proposals/grants application/s.

* A sweater/jacket/coat in case you need it.

* Sack lunch.

* If taking the class online (Firefox browser, Skype downloadable at
www.skype.com, headphones and a webcam [optional], the latest version of
Flash downloadable at www.adobe.com and quicktime at www.apple.com)

Date:

February 4, 2012

Time:

Tentatively 10 AM – 6 PM (1/2 lunch break)

Bring your sack lunch.

Place:

*Southern California (Location to be arranged upon registration by consensus and majority)

*or ONLINE via webconferencing service (Firefox browser and audio required, webcam optional)

VISIT THE WEBSITE FOR REGISTER, FOR INFORMATION ON THE TOPICS COVERED OR
TO REACH US: http://www.filmmakerseminars.com

High Country News seeks multimedia pitches

Great news from High Country News – now accepting freelance pitches!! Details HERE and below.
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HIGH COUNTRY NEWS SEEKS VIDEO AND AUDIO PITCHES

 

High Country News, a Colorado-based nonprofit newsmagazine, seeks pitches for compelling video and audio stories. High Country News has been around for over 40 years, and is known for its independent, in-depth, award-winning coverage of environmental, natural resource and cultural issues.

Our coverage area includes the 11 Western states: Montana, Wyoming, Colorado, New Mexico, Utah, Arizona, Nevada, California, Idaho, Oregon and Washington. Occasionally we make forays into Alaska and the High Plains.

 

What we want:

 

We are looking for videographers and photographers who want to create videos or audio slideshows that include strong narrative storytelling elements for our website, www.hcn.org. We like character-driven stories, action, beauty and surprise.

 

We are also interested in animated videos that explain a science or policy process in a viewer-friendly way.

 

Most video pieces will fall in the range of 3-7 minutes, although we're open to series or longer stories.

 

We are also open to pitches for audio postcards, and narrated or non-narrated produced pieces – preferably sound rich – for our soon-to-be expanded monthly podcast, High Country Views. Additionally, we’re interested in collecting unique and unexpected sonic IDs from around the West. They need not all be “natural” sounds; just great, interesting sounds from our coverage area.

 

What we don't want:

 

We are not interested in TV-news style stories, talking heads or straightforward Q&As. We don't cover breaking news, and we don't want stories that everyone else is already covering.

 

Topics:

For the next year, we seek work in the following thematic areas, although pitches outside these topics that fit into High Country News’ core coverage areas, will also be considered. (See our website for examples of stories we run.)

 

How the "One Percent" shape the West, both positively and negatively.

Rich people aren't like you and me. They have a lot of power, and can use it for public benefit (consider Ted Turner's land conservation) or for private gain (land swaps giving wealthy individuals public lands in exchange for private parcels of sometimes questionable value). How are the One Percent shaping the West? Pitches in this vein could consider local and state politics, public lands, mega energy corporations and their influence, etc.

 

The post-Recession world, and where the West goes now.

The housing boom is dead, and it’s not coming back. Poverty is rising. Unemployment is up. Median incomes are only rising in drilling boomtowns like Gillette, Wyoming. Only roughnecks and the super rich seem to have come out of the economic crisis somewhat unscathed. Post-recession, are individuals and communities rebuilding their economies? How? Stories within this topic could include place and character profiles of economic successes — and failures.

 

Lessons for the West from the rest of the world.

Australia’s Murray-Darling Basin has seen remarkable water reform in recent years in response to a long and devastating drought. European cities have solved growth and transportation problems that Western cities can’t seem to get a handle on. What can Western communities learn from these parts of the world and other grappling with the same issues we do? Possibilities include on-the-ground stories of Western localities learning from the wide world around them, or even stories from abroad that have particular relevance for the American West.

 

How developments in science and technology are changing what we know about wildlife and landscapes

From advances in genetics to mechanical advances in wildlife tracking and equipment, scientists are always learning more about flora and fauna. Is that knowledge helping land managers make better decisions? This topic might lend itself to explanatory animations, or documentary-style stories about quirky, innovative scientists and charismatic wildlife.

 

Restoration science grows up.

The West is full of degraded landscapes. The science, social science and collaborative relationships necessary to restore them may be coming into its own. And more ambitious projects are constantly being attempted. Stories in this vein might track new work; longstanding efforts implementing promising, innovative techniques in landscapes that have been seen as all but lost; profile scientists on the cutting edge of their field; cover innovative work or surprising new political alliances in communities in iconic environments that are allowing restoration work to progress to new heights. Restoration stories seem to easily fall into the trap of all sounding the same; be careful to tell us why yours is surprising among all those others out there, or how the characters driving it will give an old story new life.

 

Large-scale environmental change and how it hits home.

From climate change to the rapid pace of new energy development, massive environmental transformations are already underway in the West and are expected to become even more pronounced in the future. How are these transformations changing how individuals and communities work and interact with the land?

 

Whom we'll work with:

 

Anyone with passion for a story and the desire to tell it through video or sound. We encourage students and new producers to pitch us; while we consider experience when making decisions, we're mostly interested in the quality of your idea and how well it fits our needs.

 

We don’t have a set-in-stone pay scale. If your pitch is accepted, compensation will be negotiated based on experience and project scope. Our budget is small, however, so if you're a major video producer looking for $15,000 for an 8-minute doc, we're not the publication for you.

 

If you're already working on a documentary project and think a segment of it might fit our needs, pitch us, and maybe we can support you with travel funding and a payment for the clips we use.

 

Like most underfunded nonprofits, we love collaboration, and are open to working with existing institutions or news organizations.

 

Please send inquiries to multimedia@hcn.org with a subject header of "Multimedia story query."

 

Please feel free to share this call for pitches. While our network runs far and deep (we are reporters, after all) there are likely amazing multimedia journalists who didn't receive this note. Feel free to send it along to them.

new online mag – Open City – Mapping Urban Asian America @aaww, Call for Creative Nonfiction Fellows

For you NYC writers. Interesting opportunity.
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Open City: Mapping Urban Asian America, a new online magazine on Asian American news and culture in New York, is hiring creative nonfiction fellows to produce content on the vibrant immigrant communities of Manhattan, Brooklyn and Queens. The new magazine will offer smart takes on Asian American (particularly immigrant) culture as it's lived in New York right now. Imagine stories on: the proliferation of x-rated video stories in Sunset Park, migratory patterns of Little Pakistani residents, karaoke bar culture, gentrification in Chinatown, or how Korean taco trucks define ethnic borders and space. Applications are due on February 17, 2012. How to apply: aaww.org/opencityapply. For more info., contact Kai Ma, editor, at kma@aaww.org.


Kai Ma | Managing Editor
The Asian American Writers' Workshop
110-112 W. 27th Street, Sixth Floor, NY, NY 10001
www.aaww.org | @aaww

Editor
Open City: Mapping Urban Asian America
Support Asian American literature: www.aaww.org/donate

2012 Edward R. Murrow Awards, deadline Feb 9

It's time for the Edward R. Murrow Awards. More information HERE and below. Good luck!

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Awards

2012 Edward R. Murrow Awards Contest – Enter Now!



RTDNA has been honoring outstanding achievements in electronic journalism with the
Edward R. Murrow Awards since 1971. Murrow’s pursuit of excellence in journalism embodies the spirit of the awards that carry his name. Murrow Award recipients demonstrate the excellence that Edward R. Murrow made a standard for the electronic news profession. In 2011, 600 Regional Edward R. Murrow Awards were handed out and of those 600, 95 went on to win National Edward R. Murrow Awards. 


Entries may be submitted by stations, networks, syndication services, program services websites and online news organizations. Entrants will be identified as Radio Network/Syndication Service/Program Service, Large Market Radio Station, Small Market Radio Station, Television Network/Syndication Service/Program Service, Large Market Television Station, Small Market Television Station and Online News Organization. Entries must be submitted in the category in which the story first aired and must be as it was heard on air or online.


Our entry process has changed in 2012 – please read the 2012 entry document in full by clicking here BEFORE submitting your entry or contacting RTDNA with questions.


(NOTE: RTDNA will no longer provide a media upload platform. Individuals must
submit a URL to their piece in the space provided on the application. Entrants are encouraged to upload media to YouTube, Vimeo, or personal sites. YouTube instructions can be found on page 6 of the entry document.)

The deadline for entries is Thursday, February 9, 2012.

a bunch of opportunities from New America Media

Hey folks. A bunch of opportunities listed in the latest newsletter from New America Media. Info and links below.
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Events & Opportunities:  

Deadline: February 8th

New England Center for Investigative Reporting Offers Free Training on Covering Veterans' Issues

The New England Center for Investigative Reporting in Boston is offering a three-day McCormick Specialized Reporting Institute (SRI) training on veterans' issues March 5th-7th.
With tens of thousands of soldiers returning from Iraq and Afghanistan, one of the major reporting tasks of 2012 will be tracking what happens to these veterans as they face the challenge of settling back in to life at home. Reporters and editors will learn how to navigate the VA bureaucracy, hear from experts-including veterans– who will provide an in-depth understanding of the major issues impacting returning soldiers, and learn from the head of Investigative Reporters & Editors (IRE) how to transform complex data into compelling stories. 

Application deadline is February 20th
http://necir-bu.org/mccormick-specialized-reporting-institute/

Entry Deadline for New America Award: 
February 9th

This award, presented by the Society of Professional Journalists, honors reporting on ethnic and immigrant communities living in the U.S. The contest upholds an important value of SPJ: to promote diversity in journalism – in the newsroom and in the stories journalists report.

To make it as accessible as possible, the New America Award contest is free to enter. Nominations are welcome from media outlets, journalists, community and issue advocacy groups, individuals, and others concerned with ethnic issues. The winner will be recognized in late September at the 2012 Excellence in Journalism conference in Ft. Lauderdale, Fla.

Awards entries must be mailed to SPJ headquarters and postmarked by Feb. 9. For more information about the award, including entry requirements, click here. Please contact Lauren Rochester with questions at lrochester@spj.org.