All posts by MiaLobel

Knight Science Journalism at MIT – Food Boot Camp, deadline Jan 18

Hey foodie journos – this is for you. Fellowship deadline Jan 18.
-mia

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Food Boot Camp
March 27-30, 2012 – Cambridge, MA

We are now accepting applications for our Food Boot Camp which will be held on the MIT campus from Tuesday, March 27 to Friday, March 30, 2012. 
From lethal baby formula to tainted peanut butter, from biofuel bonanzas to food riots, from lean and local organics to fat-loaded meals for children, food is now routinely in the news. Researchers are speaking in terms of dramatic change and possible crises on topics of how food is grown, distributed and consumed. To help journalists explain the facts to readers, the Knight Science Journalism at MIT is offering a four-day course on some of the most important food-related issues.
Twelve journalists will be chosen to attend the Boot Camp, joining the twelve Knight Fellows already in residence at MIT. Applicants may be journalists who already cover science, medicine or health, or those who wish to prepare themselves to cover these fields. Applicants may be reporters, writers, editors or producers and must have at least three years of full-time experience in journalism. 

If selected, we will reimburse you for up to $750 of your travel expenses to Cambridge and pay for your hotel room and most meals. Participants are required to attend all sessions, which begin on Tuesday, March 27 and end on Friday, March 30. 

Confirmed faculty: 
Hank Cardello has spent 30 years as a food industry insider, having served as President of Sunkist Soft Drinks, Inc. and marketing executive with Coca-Cola, General Mills, RJR Nabisco and Canada Dry. He is a Visiting Fellow with the Hudson Institute and a frequent contributor to the Atlantic. Cardello is the author of Stuffed: An Insider’s Look at Who’s (Really) Making America Fat.

J. Glenn Morris, the director of the Emerging Pathogens Institute at the University of Florida, is a former officer at the Centers for Disease Control and has served on numerous National Academies of Science food safety committees. He is an expert on the emergence of E. coli as a human killer that is carried in food.

Robert Paarlberg is professor of political science at Wellesley College and adjunct professor of public policy at the Harvard Kennedy School.   He writes and consults in the area of international food and agricultural policy.  Paarlberg travels frequently to Africa, and his 2008 book, Starved for Science: How Biotechnology is Being Kept Out of Africa, argued that Europe’s hostility toward the use of genetic engineering in farming had slowed the uptake of this technology in Africa.  His 2010 book from Oxford University Press is titled Food Politics: What Everyone Needs to Know.    

Robert Tauxe is Deputy Director of the Division of Foodborne, Bacterial and Mycotic Diseases at the Centers for Disease Control and Prevention.

Michael R. Taylor is Deputy Commissioner for Foods at the U.S. Food and Drug Administration.  Mr. Taylor is a nationally recognized food safety expert, having served in high-level positions at the FDA and USDA, as a research professor in academia, and on several National Academy of Sciences expert committees.

Application deadline: January 18, 2012. 
Please visit http://mit.edu/knight-science for more details and application information. 
     http://mit.edu/knight-science      *      knight-info@mit.edu     *      617-452-3513

OPEN CALL – EMPAC 2012 artist-in-residence proposals, first deadline Jan 17

EMPAC, one of my favorite orgs in the Capital Region, has announced deadlines for their 2012 artist-in-residency programs. Includes residencies in Audio/Video production. First deadline is Jan 17.  Go for it! (And call me when you get here 🙂

-mia

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EMPAC 2012

Open Call for Artist in Residence Proposals

Since 2005, the Experimental Media and Performing Arts Center (EMPAC) has established a vibrant residency program that has hosted over 150 artists and their collaborators, spanning theater, dance, music, video, and installation. We are pleased to announce the new deadlines for 2012 artist-in-residence open call program on January 17, May 14, and September 17, and new application guidelines and application form.

Laurie Anderson, Delusion Photo: Andrea Dudla

Laurie Anderson, Delusion

Early Morning Opera, ABACUS Photo: Kris Qua

Early Morning Opera, ABACUS
Photo: Kris Qua

We encourage applications for a wide range of projects from a diversity of artists, composers, directors, choreographers, and performers from international artists of different cultural and geographical backgrounds.

We are open to proposals for all phases of a project, from initial concept to full production.

In addition to our ongoing residency open call, we also have additional special initiatives:

Creative Research: Provides artists, writers, and theorists with the opportunity to conduct research over extended periods of time (minimum six weeks).

Audio Production / Post-Production: For sound recording, development of multichannel sound works, documentation, mastering, mixing, film scoring, or any other task involving microphones, speakers, consoles and computers.

Video Production / Post-Production: For multiple camera shoots, documentation of a performance, development of multichannel video projection, digital video post-production, or any project involving HD video cameras, computers, and projectors.

** Please note that residency proposals do not need to fall into one of these special initiatives.

Our unique facilities offer four major venues including a concert hall, theater, and two black box studios, in addition to artist-in-residence studios, and a state of the art infrastructure.

For more information including application guidelines, please visit http://empac.rpi.edu/.

Box Office:
518.276.3921

Plan your visit! Get directions, maps, parking info, and a visitors guide.

Mailing address:

EMPAC

Rensselaer Polytechnic Institute
110 8th Street

Troy, NY 12180

Add us to your address book

Copyright © 2012 EMPAC
All rights reserved.

EMPAC 2011-2012 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Latino USA is hiring 1-2 producers/engineers

Latino USA, a great show with a great team, is hiring 1-2 engineers/producers. It sounds like the details are still TBD which is the perfect time to get a foot in the door and show what you do best. Details below.

Good luck!
-mia

++++++++++++++++++

Can you expertly mix a radio show on PT or something similar? Do you like deadline-driven news or long-format docs? Are you familiar with Latino issues? If you can say ‘yes!’ to one or all of these, Latino USA would like to talk to you. We’re in the process of looking for hard workers who can handle the pressure of meeting a weekly deadline and thrive on working in a casual-but-challenging environment.

Latino USA is looking to fill 1 or 2 positions right now. Preferably, we’d love it if you already live in New York, but if you don’t, that’s OK, too. We can still talk about the possibilities. At this point, we’re determining whether these positions are FT or PT, but if either of the below descriptions interests you, then please get in touch with us and specify what you’re looking for.

AUDIO ENGINEER:
• Have expert knowledge and operational skills in digital audio production using in-house software-editing platforms. We use Pro Tools and Final Cut.
• Must have extensive production skills with a demonstrated ability to record and mix sound content
• Extensive knowledge of microphones, multi-track and broadcast consoles and audio storage media and archiving
• Must understand equalizers, compressors, limiters, de-esser’s, AD/DA converters and mic pre-amps
• Ability to troubleshoot and problem solve local and remote networks and modern personal computer hardware
• Establish and monitor any equipment necessary for two-ways and in-house interviews including ISDN, T1/E1, IP Network
• Collaborate closely with managing editor, show host and producers to accommodate a productive and creative broadcast environment
• Creates, maintains and disseminates a variety of production and broadcast logs and reports that address technical issues, helps to solve those problems and works with team to constantly ensure we have the best sound quality for the show

PRODUCER:
• Work closely with managing editor and host
• Develop sources in the field and maintains excellent working relationships
• Identify and research stories, characters and background for stories
• Develop creative and innovative editorial approach to stories
• Conduct original reporting and interviews on-location, around the country and across the globe
• Write scripts and promos for broadcast
• Field produce the host and write interview questions along with other show segments
• Help with editorial framing and planning of show based on world events, production calendar and upcoming events
• Book, produce and edit host interviews
• Create, produce and develop regular show segments
• Must know how to edit audio, pull bites, and schedule studio time
• Write introductions and prep stories for broadcast, internet and other platforms
• Direct the show as needed, create rundowns, select music, coordinate fixes with engineer and help manage LUSA archives
• Help maintain web page and assist with social media activities
• Collect information from identified content sources for posting to the web
• May be required to support host, including travel logistics, and direct work of interns
• Familiar with studio and field recording, and gathering multi-media materials, including digital photography
• Knowledge of Latino issues, both in the U.S. and abroad, and understanding of issues affecting communities of color

WORK ENVIRONMENT:
A casual environment that encourages collaboration, creativity and interaction.

The Futuro Media Group highly values diversity in our workplace and will not discriminate against any employee or applicant for employment because of age, race, creed, color, national origin, ancestry, marital status, gender or sexual orientation.

TO APPLY FOR THIS POSITION:
Submit cover letter and résumé and writing & audio links to:
trubio@futuromediagroup.org. Must include job title in the subject field or it could get lost. No phone calls, please. Thank you!

Happy New Year to us – NPR announces 7.5% rate increase for 2012

Thanks in part to the wonderful folks at AIR, NPR has increased their freelancer rates for the first time in ten years. Woot! New rates are posted here. Details below. What an awesome way to ring in 2012!

-mia

+++++++++++++++++++++

Date: January 1, 2012

From: Margaret Low Smith, Interim SVP of NPR News

Dear Colleagues,

Happy New Year! I’m delighted to give you some good news to start 2012. Effective immediately, NPR is instituting an increase of at least 7.5% in most fees paid to station-based and independent radio contributors. We’ve also simplified the existing compensation structure as you’ll see in the attached document. Rates for Digital and Multimedia work will not be affected by this increase since those rates were set more recently.

We’ve heard a lot of feedback on this issue from our Member Station contributors and have had many conversations with Sue Schardt on behalf of the Association for Independents in Radio. NPR’s decision to increase rates, which comes at a time of tight budgets, is intended to reflect our commitment to the vital network of station-based and independent reporters whose contributions enhance our programming every day.

With that same spirit, we’re developing a dedicated resource space on NPR.org. Freelancers will be able to find contacts, sample pitches, policies and guidelines all in one place. We hope this will provide clarity and transparency and ultimately make everyone’s life a whole lot easier. We’ll let you know when it’s ready for prime time.

If you have any questions, please feel free to reach out to our bureau chiefs and editors. We hope you had a wonderful holiday and look forward to working with you in 2012.

Best,
Margaret

NAM Launches 2012 Women Immigrants Fellowship, deadline Jan 23

$2K fellowship (plus 2-day DC training) available for projects on women immigrants. Details below!
-mia

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NAM Media advisory
 
Call for Applications
 

NAM Launches 2012 Women Immigrants Fellowship – Apply Now

Dear Colleagues,

Happy New Year! This week New America Media is launching its call for applications for its 2012 Immigration Fellowship, “Women on the Move,” a national fellowship program open to both ethnic media and mainstream media reporters, including bloggers and online journalists, to report on women immigrants.

Women are now the majority of immigrants, and in many ways immigration can be seen as a feminist issue. With funding support from The Atlantic Philanthropies, New America Media is offering a fellowship program for journalists across the country to cover immigrant women’s issues and report on the intersection of immigration and gender.

The fellowship includes a two-day training in Washington, D.C., on April 19-20, 2012; and the publication of an in-depth, substantive story (or series) focusing on the challenges and/or triumphs of immigrant women in the United States, before August 30, 2012.

Fellows will receive a $2,000 stipend following publication of the story in their media outlet and on New America Media.

For more information and to apply, go to: http://newamericamedia.org/2012-nam-women-immigrants-fellowship.php

Applications are due on Monday, January 23, 2012 at 5:00 pm Pacific Time. All application forms must be sent to womenimmigrants@newamericamedia.org. Please direct any inquires to Project Co-Director Elena Shore eshore@newamericamedia.org or 415-503-4170 x112. Applications may also be faxed to 415-503-0970.

We look forward to hearing from you!

Saludos,

Elena Shore and Irma Herrera
Women Immigrants Project
New America Media

NAM Ethnic Media Directory | Advertise With Us | NAM Newsletters
New America Media is a project of Pacific News Service.
New America Media | 275 9th Street, San Francisco, CA 94103 | Tel. 415-503-4170
Copyright © 2009 Pacific News Service. All Rights Reserved.
www.newamericamedia.org

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Two FREE NYC events this week – citizen journalism + Afghanistan

Two FREE events at Columbia j-school this week for you NYC folks. Details below.
-mia

++++++++++++++++++

WEDNESDAY, Jan 4, 4-5 pm in the Stabile Student Center… Columbia Journalism School, lobby floor, 116th St & Broadway

Those of you who have attended Sree Sreenivasan's (@sree) classes have heard him say, "When the plane lands in the Hudson, it's too late to figure out Twitter." He uses that to mean the time to figure out new and emerging social media tools is when you don't need them, not when news breaks. Our next guest is someone who helped show many journalists the power of social media when, it turns out, a plane did land in the Hudson.

Meet JANIS KRUMS (@jkrums), a non-journalist who created the most widely-seen tweet and photo of 2009. His January 15, 2009, tweet and photo read: "There's a plane in the Hudson. I'm on the ferry going to pick up the people. Crazy."

He beat the world's biggest news organizations to a major story taking place in their own backyard and helped change the perception (in many people's minds) of the value of Twitter and similar services. He'll talk about what happened that day, how the media covered the story (and him) and his thoughts on how journalists can better use such services.

Janis lives in Florida, but is speaking at the J-school for a second time; he was last here when he won the 2010 Shorty Award for Real-Time Photo of the Year. He joins us a week before the third anniversary of the crash.

See the photo:
http://twitpic.com/135xa

See @Sree's article on lessons he learned from what @JKrums went through: http://bit.ly/dnakrums

We will also be joined by folks from @Rawporter, a startup that helps connect citizen journalists with media orgs.

See details and RSVP at http://bit.ly/cjkrums

SAMPLE TWEET: TALK: @JKrums, "Miracle on the Hudson" photo-tweeter, speaks @ColumbiaJourn, Wed, 4-5p: http://j.mp/y6kJDl track via #cjkrums #cuj12

o o o o o

South Asian Journalists Association
Columbia Journalism School
CUNY Journalism School
Women for Afghan Women
Arab & Middle East Journalists Association
are all coming together to present…

FARIBA NAWA, distinguished Afghan-American journalist and author of the highly-acclaimed book, "Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan." The book is the first to offer a revealing look inside men's and women’s lives involved in Afghanistan’s drug trade. From the farmer to the smuggler and child bride, Nawa discovers the underworld of the multi-billion dollar narcotics industry while she revisits her own family’s deep roots to the land. (see blurb below from Khaled Hosseini, author of "The Kite Runner")

Friday, Jan 6, 2012
5-6:30 pm
Columbia Journalism School
Stabile Student Center, lobby floor one flight up from the lobby
116th Street & Broadway (#1 subway to 116th St stop)

No charge; RSVP: dos.events.rsvp@gmail.com
or RSVP via Twitter: http://bit.ly/cujnawa

Please join us if you can.

FROM FARIBANAWA.COM: Fariba Nawa, an award-winning Afghan-American journalist, covers a range of issues and specializes in immigrant and Muslim communities in the United States and abroad. She is based in the San Francisco Bay Area but has traveled extensively to the Middle East and South Asia. She lived and reported from Afghanistan from 2002 to 2007, and witnessed the U.S.-led war against the Taliban and al Qaeda. She has also reported from Iraq, Pakistan, Iran, Egypt, and Germany. She has a master’s in Middle Eastern studies and journalism. Her work has appeared in the Sunday Times of London, Newsday, Mother Jones, The Village Voice, The Christian Science Monitor and numerous other publications. She also reports for radio, including National Public Radio (NPR) and is the author of the groundbreaking report, Afghanistan, Inc., and a contributing writer in the upcoming book Under the Drones: Modern Lives in the Afghanistan-Pakistan Borderlands, to be published in spring 2012 by Harvard University Press. Her essays have also been published in two other books, March to War and Women for Afghan Women. A frequent speaker on Middle East and South Asian issues, she has participated in talks at the World Affairs Council, major universities, and has been interviewed by prominent television and radio networks.

Her own book Opium Nation: Child Brides, Drug Lords and One Woman’s Journey Through Afghanistan, a mix of memoir and reportage about the drug trade in Afghanistan, (HarperColllins, November 2011) is on sale at http://amzn.to/t4ym5x and other online stores.

She is available for interviews and talks; please contact her publicist Heidi Metcalfe, heidi.metcalfe@harpercollins.com

“An insightful and informative look at the global challenge of Afghan drug trade. Fariba Nawa weaves her personal story of reconnecting with her homeland after 9/11 with a very engaging narrative that chronicles Afghanistan’s dangerous descent into opium trafficking, its impact on the U.S. campaign, and most revealingly, how the drug trade has damaged the lives of ordinary Afghan people.” — Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns

  SAMPLE TWEET: Meet @FaribaNawa, Afghan-Am journo author of major book
  about Afghanistan, Fri 5pm @ColumbiaJourn: http://bit.ly/cujnawa
  #cjnawa #cuj12

Call for Pitches – Deutsche Welle’s new WorldLink

A new radio show on Germany's Deutsche Welle is looking for pitches. Details below.
-mia

++++++++++++++++++

World Link
World Link is a weekly, one-hour magazine that looks at real-life stories behind the headlines. The show is broadcast on Deutsche Welle, Germany’s international broadcaster that produces television, radio and online content in 30 languages. It provides a European perspective to its global audience and promotes intercultural dialogue. Pieces normally profile someone with an interesting story to tell. Recent examples include a Rwandan genocide survivor now helping widows and orphans, a Virginia Tech shooting survivor campaigns for gun control or a Korean family separated for more than 50 years after the North-South divide. The pieces should include as much nat sound as possible and take a reportage style. The topic can be anything from social issues to environment to culture to technology to human rights. And the show is global in its outlook so we would welcome pitches from anywhere.
segments: Magazine pieces, ca 5-8 mins.
compensation: Pay is the usual DW rates (Euros 240 plus for 5 min radio, higher for longer stories, plus additional fee for online piece, pics or pic gallery)
pitch: By email: rob.turner@dw-world.de or planning@dw-world.de
contact: Rob Turner, Editor/Producer (rob.turner@dw-world.de)

phone: ++49(0)228 429 4598
fax: ++49(0)228 429 4583

mailing address: Rob Turner, Deutsche Welle English Service, Kurt Schumacher Strasse 3, 53110 Bonn, Germany
website: http://dw-world.de/worldlink

Soup-to-Nuts audio production workshop Jan 21-22, Berkeley, CA

Hi folks. The fabulous and talented Claire Schoen is offering her soup-to-nuts class again this January. If you want to learn the basics of radio documentary production and/or hone your production skills, you can't do much better than this workshop. Details below!

-mia

+++++++++++++++++++++++++

Claire Schoen is offering "Soup-to-Nuts," her weekend class on documentary radio production again in the San Francisco Bay Area on

January 21 & 22, 2012.


This class is being offered now through Duke University's Center for Documentary Studies. However, it will be held in her studio here in Berkeley California.

To sign up, please visit this Duke website:
http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

If you are interested in attending, please sign up asap, as the class sometimes fills quickly.

If you'd like to learn more about Claire and her past work, please take a look around her website at:
www.claireschoenmedia.com

For questions, you can call Claire at: 510-540-5106

========================


"From Soup to Nuts"

A 2-day intensive on documentary radio production

offered in the San Francisco Bay Area

Logistics:

This seminar will be held January 21 & 22, 2012.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $230.


The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 20 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including NFCB Golden and Silver reels, two Gracies, two Clarion awards, a PASS and a New York International Festival Silver. She has also shared in both a Peabody and a DuPont-Columbia.


Claire

has taught documentary radio production at numerous venues including U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program and the Third Coast Festival Conference.

To Register:

http://www.asaponlinereg.com/CourseDetail.aspx?CourseID=18499

doc iconStoN’s Flier 2012 Jan (CDS-Berk).doc

Bay Area Video Coalition Preservation Internship

One of my favorite Bay Area organizations is looking for an intern. No pay, but great experience and a foot in the door with a fine bunch of folks. Details below.

-mia

+++++++++++++++++++++


Bay Area Video Coalition
Preservation Internship

Job Description

Bay Area Video Coalition seeks an unpaid intern for our Preservation
Department beginning February 2012. We are a leading vendor in the

field of archival video and audio preservation, and wish to work with
a library, archives, or film production / history student who aspires
to learn about the field of preservation, archival audio and video

formats, and the developing field of born-digital and tape-based
moving image preservation.

Skills acquired include: Archival care and handling of legacy video-
and audiotapes, using a patch bay set-up for video and audio

preservation and transfer, reading a waveform monitor, vector scope,
audio meters, etc. to ensure accurate and authentic preservation,
function and use of a time base corrector, and a variety of other

skills related to tape duplication and preservation standards and
protocol, including new advances in the field.

Duties will include assisting shipping and receiving, labeling

preserved tapes, hard disk drives, and digital files, light clerical,
metadata and cataloging entry at clients’ request.

Following training, additional duties may include tape and DVD

duplication and quality control, archival videotape inspection and
cleaning, blacking and coding tapes.

Experience desired includes any video or audio production or
post-production, an interest in preservation or archives, particularly

video or audio preservation, library experience, education, or current
training in audiovisual archives or museum studies.

We require at least a three-month commitment, of 8-15 hours per week.

School credit may be arranged.

If interested, please send a resumé and cover letter to the BAVC
Preservation Department, 2727 Mariposa Street, 2nd Floor, San
Francisco, CA 94110, or by email to moriah@bavc.org, or any questions

at415-558-2158.

WGXC seeks Hudson Studio Manager, deadline Dec 23

The Hudson Valley's WGXC community radio station is seeking a studio manager. The pay is woefully low, but the station is fantastic – filled with smart, dedicated, creative folks. Could be a good fit for the right person. Details below.

-mia

++++++++++++++++++++++++

WGXC 90.7-FM is hiring a full-time Hudson Studio Manager. Resumes accepted until December 23, 2011.

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Hudson Studio Manager
WGXC 90.7-FM
Term: Full-time, 1-year contract (with opportunity for long-term renewal)
Salary: 1,650/monthly (19,800 annually) + benefits
Website: http://www.wgxc.org

 

WGXC 90.7-FM: Hands-on Radio is a creative community radio station serving Greene and Columbia counties in New York’s Hudson Valley. WGXC launched its FM signal February 2011, and transmits 3,300 watts to 78,000 potential listeners in the two counties, and southern Albany County. WGXC is a creative community media project, re-envisioning radio as an innovative platform for local participation with special exhibitions and events, media training for our community's youth and adults, a news blog, and a community calendar of events. WGXC operates out of studios in Hudson, Catskill, and Acra, and is a program of the nonprofit arts organization free103point9, whose mission is to define and cultivate Transmission Arts: creative and experimental use of airwaves.

 

In addition to managing WGXC’s most active studio location, the Hudson Studio Manager is a leadership position that will play a major role in the day-to-day operations of the station-at-large. The Hudson Studio Manager works closely with a small passionate staff. The position will include the following responsibilities:

 

Operations
·       Oversee the day-to-day operations at WGXC's Hudson Studio
·       Manage WGXC communication and contacts
·       Work with Council Coordinator to prepare council agendas
·       Manage FCC filings, compliance, and Public File
·       Manage WGXC reporting calendar, and budget working with staff to ensure compliance
·       Ensure station policies are followed; manage proposed revisions to the policy handbook
·       Coordinate weekly staff meeting
 
Fundraising
·       Coordinate two annual pledge drives, with staff participation and support
·       Assist Executive Director with development work
·       Manage station memberships and merch sales
 
Volunteers
·       Organize monthly volunteer meetings & orientations
·       Maintain current volunteer information
·       Connect volunteers with appropriate committees and events
·       Track required programmer volunteer hours
 
Programming
·       Assist programmers who visit the Hudson studio and need support
·       Serve as emergency Day Contact on specified days
 
Qualified candidates will have experience in community media. Training in radio, non-profit organizational management, strong writing skills, and enthusiasm for experimental media art is desirable. Candidates must be highly organized, energetic, passionate about community and creative radio, and able to work well with a diverse range of personalities and perspectives.

 

Please submit a cover letter, resume, and references to info@wgxc.org.
Please reference the position title in the subject line.
Resumes will be accepted until December 23, 2011. 
Only qualified candidates will be contacted. No calls please.
 

free103point9, WGXC’s parent organization, is an equal-opportunity employer.

www.wgxc.org •  info@wgxc.org518-697-7400

Walk-in Visitors:  WGXC Hudson Studio
704 Columbia St. 2nd Fl., Hudson NY 12534

Mailing Address: 5662 Route 23, Acra, NY 12405

WGXC is a program of free103point9.

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