All posts by MiaLobel

Live? Die? Kill? performance documentary event in Beacon, NY, April 25-27

My friend and colleague has an upcoming event for her long-running project Live? Die? Kill? in Beacon, NY, April 25-27. This one focuses on Native Americans in the Southwestern US. Should be a great show. Any NYC/Hudson Valley folks want to join me? Details below. Both evening performances work for me. -Mia

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LIVE?DIE?KILL?: 4 CORNERS 
A Performance Documentary 
by Karen Michel 
 
Exhibition and Fundraiser: Second Saturday, April 12, 2014: 6:00 – 9:00 pm 
Performances: April 25 – 26, 2014: 8:00pm 
Matinee: April 27, 2014: 3:00pm 
All events take place at Beacon Yoga Studio, 464 Main Street, Beacon NY 12508 
Exhibition and Fundraiser is open to the public 
 
Performances: $15 suggested donation includes a glass of wine or seltzer 
Two evenings and one afternoon of text, sound, and visuals primarily from Native Americans in the Southwest of the United States, reflecting on issues of life and death. 
On the morning of September 11, 2001, Karen Michel woke up in her Brooklyn apartment to the sound of the first plane hitting the  Twin Towers. “As the sky blackened, I was sure the world had come to an end. And I was acutely aware, for the next days and weeks, that I was breathing the DNA of dead people.” In the weeks that followed, the country began the long and difficult process of healing, seeking answers to questions for which there was no one or right response. These are the questions came to Michel, in what she refers to as an “aural vision”: 
What do you live for? What would you die for? What would you kill for? 
For the following decade, Karen Michel traveled from urban Los Angeles, New York and Boston, to the rural Southwest, Florida, North Carolina, Montana and the Badlands asking strangers these three questions. The simple syntax belies the pinpointed directness. The questions ask much more than “what” and answers reveal even more. In 2010, Michel visited Navajo, Hopi and Ute Reservations in the Four Corners region of the Southwest to discover what answers might be there. Her performance will speak of the consciousness of a people and how place and family ties affect a community. These form the basis of her April 25, 26, 27 performances in Beacon, NY. 
In radio programs and live performances, Michel weaves a story-documentary of the places she’s traveled to and the people that agreed to answer the 3 questions. She has an innate talent of pulling the words, the truth, out of the interviewed. Most are curious and willing. Some answer with surprising depth in a poetic voice; some unwittingly fall, crying, into stories of personal tragedy; some, become forcibly angry at the very thought of engaging with a stranger. Or themselves. Michel curates all of this information into an entertaining and thoughtful performance: an anthropologist’s collection of detritus and treasure, images of places, people, and the sounds of someone’s voice intertwined with Michel’s astute observations. 
The Exhibition and Fundraiser on April 12, Second Saturday in Beacon, will display archival “mug shot” prints of those she has interviewed. Prints will be for sale. 
Karen Michel is an award-winning radio producer, documentarian, artist, and educator. A long-time contributor to NPR's daily newsmagazines, she got her start in radio at the age of 5 as a guest on Art Linkletter's "Kids Say the Darnedest Things." She honed her adult skills on Alaska Public Radio. Before moving to the Hudson Valley, she lived in Brooklyn; after 9-11 she began the project that's become the radio and performance documentary series/obsession: "Live?Die?Kill?: 3 Questions in Various Geographies." Karen Michel currently resides in Pleasant Valley, New York with her husband, Bob, and their dog, Yomo. 

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Multimedia Storytelling Institute 2014, Early Registration deadline April 11

I did a version of this KDMC workshop a bunch of years ago and it was fantastic. Discounted registration deadline April 11.
The Multimedia Storytelling Institute 2014 registration is open with early registration discount until April 11th. 

This two-week workshop is an immersive experience in storytelling with video, photography and data visualization tools and technologies, and includes hands-on skills training in multimedia content production to websites, news sites, blogs, and social networks. http://kdmc.us/1a1xa3I Instructors include UC Berkeley Graduate School of Journalism multi-media faculty, industry professionals and award-winning instructors.

Clocktower Productions/Art on Air internship, NYC

For you NYC radio folks. Alas, it's unpaid, but this internship with Art on Air sounds pretty cool. Details below.

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Clocktower Productions is an art production institution working in the visual arts, performance, music, and radio. Founded in 1972 by Alanna Heiss, Clocktower is the oldest alternative art project in NW. For 40 years, the institution has produced seminal exhibitions and performances by some of the most important artists of our time. After leaving its historic Tribeca tower in Dec. 2013, Clocktower engaged in contracted partnerships with 6 cultural institutions in 3 boroughs: Pioneer Works (Red Hook), Knockdown Center (Maspeth), Playland Motel (Far Rockaway), and Times Square Arts and Neuehouse (Manhattan). These venues host Clocktower exhibitions, performances, residencies, radio, and administrative activities.

Over the decades, Clocktower has presented work by Gordon Matta-Clark, Max Neuhaus, Lynda Benglis, Dennis Oppenheim, Vito Acconci, Nam June Paik, Laurie Anderson, Marina Abramovic, and Christian Marclay, among many others. Today, Clocktower presents a full program of exhibitions, performances, and residencies honoring the spirit of the alternative spaces movement by focusing on experimental, interdisciplinary and intergenerational work.

Clocktower's radio station is a free online audio archive operating at artonair.org. lts 6,000 hours of content feature non-commercial music, audio art, spoken word, cultural news, history and dialogue, and new media innovation. The radio's mission is to excel as a globally accessible, technically innovative deliverer of content, through a curated radio-style stream of shows and searchable on-demand archive. Clocktower production and public programs, the radio station, and website function as a laboratory for experimentation and a resource for distribution of and access to the arts.

Internship description
Clocktower Productions is looking for a dynamic intern interested in all things cultural. Every week Clocktower produces a 24 hour radio stream of artist interviews, music, and on location recordings. We're looking for an intern to help create content for and maintain our online radio station site, Clocktower.org.

Responsibilities:

  • Researching and writing radio program descriptions

  • Curating and processing images for radio programs

  • Editing and archiving radio programs 

  • With time, opportunity to pitch shows

Requirements:

  • Writing skills – high proficiency required, style a plus

  • Familiarity with Excel

  • Some knowledge of HTML

  • A willingness to work hard and learn fast

Helpful Skills:

  • Audio editing experience

  • Adobe Creative Suite experience

While this internship is unpaid, rewards include meeting interesting people, making great contacts, staff field trips to various cultural events, and gaining invaluable experience for a career in the arts.

To apply please send a cover letter and resume to denise@artonair.org

Fulbright Scholar grant opportunities for journalists: Europe, Eurasia, Middle East, North Africa

U.S. Fulbright Scholar grant opportunities in Europe and Eurasia and Middle East North Africa in the field of Journalism. 

Applications for the 2015-16 academic year are currently being accepted from all levels of faculty and professionals, including early career.

We are soliciting applications for a broad range of awards, including but not limited to:

Fulbright-Masaryk University Distinguished Chair in Social Studies– Czech Republic

All Disciplines-Azerbaijan

Journalism/Film and TV Production– Lithuania

Journalism, Communications– Ukraine

Multiple Disciplines: Sultan Qaboos University and University of Nizwa– Oman

Applicants must be U.S. citizens and hold a Ph.D. or appropriate professional/terminal degree at the time of application. The application deadline is August 1, 2014. 

In addition, All Disciplines awards are available in many countries and can be a good option if no discipline-focused award matches your expertise.  Please visit the 2015-16 Catalog of Awards athttp://catalog.cies.org/ to learn more about the opportunities available in this year's competition. For most awards, English is sufficient for teaching and foreign language proficiency is only needed to the extent required by the proposed research project, if applicable.

For eligibility factors, detailed application guidelines and review criteria, please follow the link http://cies.org/program/core-fulbright-us-scholar-program. You may also wish to register for one of our webinars at here or join our online community, My Fulbright, a resource center for applicants interested in the program.

Please feel free to share this message with members of your listservs, newsletters or social media. For further information about specific awards, please contact the program staff listed in the award description. 

2014 Internships with leading Western environmental magazine, High Country News

See below for info about High Country News' six-month internships (free housing plus a small stipend). -Mia

High Country News is looking for informed and enthusiastic interns to report on natural resource, environmental and community issues in the 11 Western states.

High Country News, published twice-monthly in Paonia, Colo., is a nonprofit newsmagazine and website "for people who care about the West." The magazine reaches 25,000 subscribers — an estimated 60,000 readers — and the website reaches thousands more, including grassroots activists, public land managers, tribal officials, government policymakers, educators, students and interested citizens.

The Los Angeles Times has written that High Country News is "the most influential environmental journal in the Mountain West," and according to Newsweek, "High Country News is a must for anyone following land use issues west of the 100th meridian." Our hard-hitting coverage has won many major journalism awards during the past few years, including:
* Utne Independent Press Awards for Best Environmental Coverage and Best Local/Regional Coverage
* Hillman Prize for Magazine Journalism
* George Polk Award
* First Person Narrative award from the American Society of Journalists and Authors
* Science Journalism Award from the American Association for Advancement of Science
* Walter Sullivan Award for Excellence in Science Journalism
* James V. Risser Prize for Western Environmental Journalism

Every year, High Country News offers four to six internship positions, each six months long. Two to three new interns join us each June and January; we provide free housing and a $200-per-week stipend. To help defray moving costs, an additional $500 travel stipend is available upon successful completion of the internship. One exceptional candidate from each session may have the option of staying on another six months as an editorial fellow — a higher-paid, higher-output position.

Our interns and fellows are a key part of the HCN team; aside from a few minor tasks such as sorting the mail and answering phones, interns spend most of their time researching, interviewing, writing, and developing content — both for print and online. We pride ourselves on fairness, accuracy and good writing, and we expect no less of our interns.

For all of our internship positions, a bachelor's degree or equivalent and some prior journalism experience and/or education is preferred. We also prefer applicants who are familiar with High Country News and who have lived in the West and know its environmental and community issues. Photographic experience and familiarity with audio and visual programs such as Final Cut Pro and Flash, as well as radio or video experience are all pluses. We strongly encourage Native American journalists, Hispanic journalists and those from other under-represented backgrounds to apply.

All interns and fellows work with the staff editors to write news stories for the website and for the newsmagazine, ranging in length from 250 to 1,600 words. Depending on their experience and ability, they may also get the opportunity to write a 2,500- to 5,000-word feature story. Our editing process is rigorous — all copy goes through two layers of editing and it is not unusual for a story to see six or eight drafts. Reporting is generally conducted over the phone and the Internet, but we do have money to send each intern out into the field at least once to do on-the-ground work.
Our interns and fellows go on to become leaders in journalism and politics. They pursue careers as reporters, editors, educators, lawyers, policymakers and freelance writers.

Upcoming start dates and application deadlines are as follows. Applications must be received in our office by the deadline date.

Summer/Fall 2014
Start date – July 7, 2014
End date – December 12, 2014
(Applications must be received by March 31, 2014)

Winter/Spring 2015
Start date – Jan. 5, 2015
End date – mid-June, 2015
(Applications must be received by Oct. 10, 2014)

In the past, we have required a hardcopy application, but we are transitioning to a paperless process. Applicants should send an email with attached cover letter, résumé, contact information for three references (phone and email), and three writing samples (plus multimedia samples, if applicable) to Associate Editor Sarah Gilman at sarah (at) hcn.org. Please be sure to include "intern application" in the subject line.

If e-mail application is not an option, candidates may also mail their materials to

Associate Editor Sarah Gilman
High Country News
P.O. Box 1090
Paonia, CO 81428
Call 970-527-4898 or email sarah (at) hcn.org for further information.

3 Days Until the Aural Fixation Deadline! Send us your strange and beautiful sounds.

Strange Beauty audio contest reminder:
There are only three days left for you to send us your strangely beautiful or beautifully strange audio. We'd love to hear from you, so send us your best by March 15, 2014.

Aural Fixation accepts audio work of any shape or form with a running time of 7 minutes or less. Pieces in the 90 second to 5 minute range are encouraged. The only requirement is that the work be strangely beautiful and/or beautifully strange. We are looking for stuff that strikes a chord, has an emotional impact, makes us think. If you feel your piece fits the bill, it probably does. We can't wait to hear it. Previous broadcast history is of no concern.

Entry instructions online here:

http://www.strangebeauty.org/page4/enter.html

Strange Beauty will be held June 12-14, 2014, in Durham, North Carolina.

The Litography Project Kickstarter + Call for pitches

New project out of KALW wants your pitches. Details below. Also support their Kickstarter campaign HERE.


The Litography Project is an online map of San Francisco, launching in summer 2014, that plots the city’s literary past, present and future.

We are looking for stories that explore literary culture in San Francisco. We are seeking a variety of stories that will be plotted as points on a map with potential photographs and/or images produced by a designer, depending on the story concept and subject.

Some example topics and structures include:

  • Conversations or short audio tours with authors who live in or have been inspired by San Francisco

  • Profiles of current literary series or events

  • Soundscapes of literary places throughout the city

  • Historical features of specific places or events that shaped San Francisco literature

Pitches should be less than one page in length and include possible interview sources and what you think the piece might sound like (structure, sound, style). Please attach links to any previous work.

If your pitch is accepted, please be prepared to submit a script before any audio. Compensation is $300 fee paid upon submission of the final script and audio files. The Litography Project will create all final mixes. We will need you to provide your actualities, narration and ambient sound along with a rough mix.

You retain all the rights to your work and are free to post or pitch it to other outlets. However we respectfully ask that you wait until it’s been released on The Litography Project website to do so.

We look forward to hearing from you!

Compensation: $300

Contact: thelitographyproject@gmail.com

We are also seeking other kinds of multimedia content as well – if you are interested in submitting writing, photography or illustrations, please get in contact!

Cowbird and SOTRU team up for a new Saga – Small Towns

Great radio program + great online storytelling community = great opportunity for freelancers. Details below.

Cowbird just launched what we call a "Saga" today, a call for stories on a specific issue.  The current saga is about small towns: what makes people stay, leave or return to them.  We're partnering with State of the Re:Union on this one, and the best stories have a shot at being on the show.
So if you have a small town story, we want to hear it!  The site is super easy to use, pretty, and, bonus points, it's free.  It's a great platform for radio makers — you can upload audio that plays alongside a beautiful (floating) picture, you can add text.  And, best of all, you can embed that story basically anywhere, as easily as, say, a YouTube video.  It's like the functionality of Soundcloud … but pretty.  
Details below.  We can't wait to hear your stories!

New Saga : Small Towns
Dear Cowbirders,
Small town America is vanishing.
A hundred years ago, 72% of us lived in small towns. Today? Just 16%. Behind those statistics are thousands of stories. We’re partnering with State of the Re:Union and Hollow to create a narrative tapestry of the rise and fall of rural America, through the eyes of the people who live(d) there, left, or stayed.
If you’ve ever lived in a small town, we want to know: what’s the one thing that made you leave, stay, or return? We’re launching a new saga, Small Towns, to try to answer these questions.
Tell your Small Town story on Cowbird. Start your story with, “The one thing that made me [leave/stay/return]…” Keep your story short (50-250 words), add pictures and/or audio. Before you hit publish, remember two things: add a location, and add your story to the “Small Towns” saga. The best stories will have a shot at ending up on NPR.
Happy storytelling, no matter where you live.
Spring is in the air.
Cowbird

Cowbird. A witness to life.

Digital Curation Internship/Volunteer Opportunity at WFMU

Free Music Archive @ WFMU
Digital Curation Internship & Volunteer Opportunity
Students looking for hands-on experience in the world of digital archives, online audio curation, social media, and music are encouraged to apply to be a Digital Curation Intern or Volunteer at WFMU’s Free Music Archive in Jersey City, NJ.
We accept Interns who are currently enrolled in school. We also welcome Volunteers, no longer in school, who are interested in experience with digital curation.
Responsibilities:
 
Your work as a digital curator may include any of the following depending on your interests and experience: curating audio and video content via the FMA website; cataloguing new additions to the archive using the FMA’s Content Management System (CMS); blog posts and other editorial contributions; curation of relevant online materials through social media channels like Twitter, Facebook and Vimeo; basic audio editing; crafting e-newsletters; soliciting new additions to the archive; assisting with direct licensing projects; independent research projects.
Qualifications:
 
The following skills and/or interests may be helpful, but are not required:

  • Working towards a degree in Library & Information Science or Media/Communications
  • Previous online writing experience and basic HTML
  • Basic audio production skills are a plus
  • Attention to detail & self-motivated commitment to high-quality work
  • Familiarity with copyright law and Creative Commons
  • Enthusiasm for freeform radio, free culture, music, and/or online technology
  • Experience in the independent music world
Terms last about four months and require at least a 8-21 hour/week commitment; The internship takes place at WFMU in Jersey City, NJ. Terms coincide with the academic calendar: roughly September-December, January-April, and May-August.
How to Apply:
 
Send us a resume and cover letter explaining why you would like to intern or volunteer at the FMA and what you hope to gain from your experience. We also ask that you 1) Describe a release on the FMA that you really like, and say why 2) Make us a thematic mix on the FMA, and include a link.
Please submit your application and any questions you may have to contact@freemusicarchive.org.

UC Berkeley Immigration Fellowship for Journalists, deadline March 10

The Changing Face of America: Immigration and the Politics of Reform

Graduate School of Journalism, University of California at Berkeley

May 1-4, 2014

The UC Berkeley Graduate School of Journalism invites professional print, broadcast, and online journalists in the United States to apply to its fourth annual New York Times Institute on Immigration Reporting. 

The 20 applicants selected as New York Times Fellows will learn about the new dynamics of America’s immigration debate and the country’s changing demographics. Immigration policy continues to be a hot topic this year, with Congress facing increasing pressures in the debate over large-scale legislative reforms. Regardless of what happens in Washington, D.C, it is likely that states and localities will continue to be active on a range of issues from tuition equity for immigrant students to increased local enforcement. 

The intensive four-day training is designed for reporters and editors who have some background on immigration and seek to enhance their knowledge and skills.

The 2014 seminar will focus on the impact of the growing Latino and Asian-American electorate on current immigration reform efforts in Congress. Participants will:

·  Receive hands-on training in demographic analysis and working with Census data on voter registration and turnout;

·  Hear up-to-the-minute assessments of legislation in play in Washington and the power dynamics behind it;

·  Examine this year’s political debate in the context of history, current immigration law, state-federal battles and recent developments in immigration enforcement;

In past years, speakers have included high-ranking Homeland Security officials, immigration judges, leading journalists, scholars, legislators and immigrants themselves. We anticipate a line up of top-notch experts again this year. The institute will draw on its position in California – which has been at the leading edge on many aspects of immigration – and the wealth of resources at the University of California and beyond. Participants will leave the seminar well equipped with new perspectives and insights backed by solid research and data, new sources, essential reporting tools, and story ideas to deepen their coverage and to share with their newsroom colleagues.

The Changing Face of America is a New York Times Institute, supported by a generous grant from the Atlantic Philanthropies. The Institute is co-sponsored by the Chief Justice Earl Warren Institute on Law and Social Policy at Berkeley Law.

The application deadline is March 10, 2014. Find more information and apply on the website: http://journalism.berkeley.edu/conf/2014/immigration