Tag Archives: radio

Acquisitions Update – who is taking what from radio freelancers

This incredibly valuable information for radio freelancers, from Paul Ingles, the NPR Liaison to Independent Producers. Please note that much of the radio information I send on to this group comes from AIR – the Association of Independents in Radio http://airmedia.org/. I have been a member for a long time and it’s an incredibly valuable resource. Please check them out if you’re interested. Best, Mia

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At the request of Sue Schardt, I have been trying to contact various show producers to get an update on whether they are actively acquiring content from independents, and update rates paid. Response has been fast from some, slower from others, with no response from several – so far. Here’s what I’ve heard from those who’ve responded:

*NPR NEWS*

Ellen Weiss: Fiscal year 2010 looks better but NPR is still chipping away at a deficit so “we are holding the line on expenses – and the close scrutiny and high bar we put into place (on story submissions) remain….and will for the foreseeable future. The current rate system (based on expierence tiers and story enterprise levels) remains the same.”

*LIVING ON EARTH*

Eileen Bolinksy: LOE is accepting a limited number of acquisitions from independents. Producers can pitch to me at this email address bolinsky@loe.org. We pay $100/minute, plus previously approved expenses.

*WORD OF MOUTH (New Hampshire Public Radio)*

Avishay Artsy: We are accepting pitches from independents. We take produced features (at $60/minute) and scripted two-way interviews (for $150). The show’s focus is the same: new ideas and trends in science, technology, popular culture, the arts, and other fields. AArtsy@nhpr.org

*WORLD VISION REPORT*

Leda Hartman: The WVR continues to accept pitches from domestic and overseas reporters. Our pitch meetings take place on Wednesday afternoons, US eastern time. We’re on the lookout for pieces about poverty and justice (broadly defined) that highlight the personal stories of ordinary people, and are rich in scenes and nat sound. We’re especially interested in surprising, out-of-the-box and under-reported stories that tell us something unique about life in the developing world. Our mix is about 80% international stories and 20% domestic. Pitches can be sent to the assignment editor, Leda Hartman, at ledahart@mindspring.com. If you’re pitching for the first time, please include a couple of audio samples of your work.

The WVR pays $450 for a feature under 4 minutes; $650 for a feature 4-6 minutes long; and $750 for a feature more than 6 minutes. We also run shorter, less conventional segments, including reporter’s notebooks ($300); street vendor segments ($250); cooking segments ($250); trackless “in their own words” segments ($200); photos and blogs ($25-$50). After the first piece, we will consider paying travel expenses if the expense estimate is submitted at the time of the pitch.

*AARP PRIME TIME POSTSCRIPT* ** Janelle Haskell: I am definitely still seeking submissions for Prime Time Postscript, the weekly 5-minute feature. Pieces need to be fully produced, between 4:00 and 4:15 in length, have not been broadcast previously *nationally, *and appeal to the 50+ audience (meaning on topics of every variety). We pay $350 for the spot and an extra $50 for fully cleared photos to use on the website. JHaskell@aarp.org

*BBC AMERICANA* ** David Schulman: Not taking many traditional reported pieces from independents as the show draws on the strengths of its host Matt Frei. Are using independents for “enchanced” tape synchs that might involve extra sound gathering. Still, listen to the show and if a story idea that would suit the program’s style comes to mind, pitch away: David.Schulman@bbc.co.uk Rates for a basic tape synch $175 flat fee. Enhanced tape synchs – $225. Buying from PRX (occasionally) at $60 per minute. David suggest keeping your AIR DIRECTORY listing current, because that’s where they go first to look for synch and reporting help where they need it.

These are programs I’m still nudging to hear back from: Studio 360, Latino USA, Splendid Table, Only A Game, Here and Now, Environment Report, Marketplace, The World, Soundprint. If there are other acquirers you are anxious to hear about, let me know and I’ll try to get in touch with them.

Paul

Paul Ingles Independent Producer / Reporter NPR Liaison to Independent Producers www.paulingles.com 505-255-1219

Destination DIY radio show seeking freelancers

Hey folks. I fully recognize that this is not a high-paying opportunity, but I can certainly appreciate the labor of love and it sounds like a fun project. Details below if you’re interested. -mia

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From: Julie Sabatier

I am the host and creator of a public radio show and podcast called “Destination DIY.” In a nutshell, the show is about unusual do-it-yourself projects from home birth to home funerals and everything in between (including urban chicken coups, brewing your own beer and riding a unicycle). I’ve been developing the show as a labor of love over the past 4 years and have taken it from a live show on the local community radio station to a documentary series that’s been aired on over 20 stations around the country. This year, the show will be airing on Oregon Public Broadcasting this summer and fall and will go from a half-hour show to a one hour program. I have managed to raise a little bit of money for the six shows I’ll be working on in 2010 and part of that money was raised to pay talented radio producers who want to create material for these programs. I’m afraid I can’t offer much ($200 per piece), but I am hoping you’ll find an idea on the list below that inspires you to make a piece of radio you’ll really enjoy creating. I’ll also gladly accept previously produced pieces that fit the themes of these shows. And I should stress that this is a VERY grassroots project. This is the first year that the project has had any funding, meager as it is, and all of it is going straight to production expenses. I am not making any kind of profit off of this endeavor, nor am I paying myself as executive producer. As I said, it’s a labor of love.

Please send pitches to me by April 14 and by all means, think outside the box (and the state of Oregon as well). More information about Destination DIY can be found here: http://www.destinationdiy.com/about.html Questions? Don’t be shy! Thank you, Julie Sabatier (julie@destinationdiy.org)

Member Spotlight – April Dembosky

Freelance Cafe member April Dembosky won the Best New Artist award in the Third Coast International Audio Festival competition last fall. Check out her feature below.

Best New Artist
Death Comes Home (USA)
By April Dembosky with advisors Claire Schoen and Cynthia Gorney

Death Comes Home is a portrait of three families who have chosen to forego the funeral director and prescribed memorial to instead care for their dead at home. Part of a growing national “home funeral” movement, these families are redefining America’s death rituals. Death Comes Home was first presented as part of the University of California at Berkeley’s annual masters project showcase in May, 2008.


Death Comes Home
(51:10)
Read more about producer April Dembosky.

REVISED! Snap Judgment’s Call for Stories!!!

Hey folks – this update from Glynn at Snap Judgments: revised (higher!) pay rates. Hooray! -mia

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Thanks to everyone for your amazing response to Snap Judgment’s Call for Stories, and suggestions on our rate structure. As promised, we have gone “back to the drawing board” on the rate structure, as reflected in this revised Call for Stories.

As former freelancers, we very much understand the need for sustainable compensation practices, and will endeavor to treat EVERYONE in the Snap Judgment community fairly.

Thanks again,

Glynn

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Snap Judgment, winner of CPB’s Public Radio Talent Quest, launches April 2010, and is putting out a call for stories.

We’re looking for amazing stories. Quick. Distinctive Voice. Bobbing and weaving. Surprising ending. Raw. Urban sensibility. Intimate. Voyeuristic.

The “perfect” long form Snap Judgment story runs six to nine minutes.

Check out Episode ONE (Magic Doors) at SnapJudgment.org . . .

Typically in Snap Judgment pieces, the narrator presents a high stakes choice early on – subtly daring listeners to put themselves in place of the protagonist. Snap Judgment heroes make choices with consequence. As the story unfolds we learn more about both the teller and the environment / context they operate.

We like stories that transport listeners to different worlds. We really like international stories, but equally dig stories that navigate ethnic or social-economic communities outside the scope of traditional media. (For example, we would love a story about a Tongan prince, but would also dig one from the perspective of a sister-wife in north Utah.)

While main characters are allowed to draw lessons from their experience, we leave the “judging” of the story to the audience. We don’t mind if overlapping narratives conflict in their conclusions. (One person could conclude that arranged marriages are evil, another could conclude they are great.)

Don’t let facts get in the way of a good story! We like lies and lying liars. Lies and exaggerations are often more important than some antiseptic recall of the facts. We want character. A snapshot of the person in the moment of their Snap Judgment.

The more fantastical, the better. Snap Judgment dances on the edge of credulity. Did you see someone fly? Fantastic. Picked up by a UFO? Even better. Got a fictional piece you think would work? Try us.

The Snap Judgment theme is important, but most important is the story. Good stories have decision points. Good characters suck listeners in. The teller should want to share their story. (Or be so compelling in their reluctance, that we identify with them.) Either way, we must be compelled to listen as they illuminate a hidden piece of the world.

We’re currently working through a few basic “themes” – BUT don’t let this limit your imaginings. If you have a good idea, let us know!

1) 5150 (Stories involving people who are a danger to to themselves or and others.) 2) DROP EVERYTHING (people who have abandoned their current lives in search of a new one). 3) LIBRARY TALES (stories in or involving the most innocuous place of all – the local public library . . .) 4) SUPERHEROS (stories of people who use their powers to shake things up . . . hopefully in tights!)

Interested producers should send a pitch, and a quick synopsis of the story. We will read each and every pitch (promise) and let you know whether we would like to move to the next level.

We are interested in both fully edited stories and raw interview tape (that show staff will cut into stories for the radio show and podcast)

Turnaround Times 2 Days – Quick 3 Days – Average 6 Days – Intensive

Junior Level Day Rate – $250 2 days – $500 3 days – $875 6 days – $1500

Mid Level Day Rate – $325 2 days – $650 3 days – $1,188 6 days – $1,950

Senior Level Day Rate – $400 2 days – $800 3 days – $1,400 6 days – $2,400

Write to us: Pitches@SnapJudgment.org

Thanks a million! We can’t WAIT to hear from you . . . SnapJudgment.org

KALW’s City Visions Radio in need of a fill-in producer

Hey folks. City Visions Radio (part of KALW) is in need of a fill-in producer. Contact info below and details attached. Best, Mia

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Well, we’re in need again as two producers are on maternity leave. We’re looking to bring on at least one more person. If you can help get this word out through your channels, it would be greatly appreciated.

Thanks in advance,

Brian

Brian Moran Senior Producer City Visions Radio www.cityvisionsradio.com 91.7 FM, KALW, San Francisco brian@cityvisionsradio.com Cell: 323-309-8699

doc iconCity Visions Producer Announcement.doc

Snap Judgment Calls for Stories!!

Hey guys. Some of you may have met Glynn at one of the happy hours. His show is looking for stories. Details below! -mia

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Snap Judgment, winner of CPB’s Public Radio Talent Quest, launches April 2010, and is putting out a call for stories.

We’re looking for amazing stories. Quick. Distinctive Voice. Bobbing and weaving. Surprising ending. Raw. Urban sensibility. Intimate. Voyeuristic.

The “perfect” long form Snap Judgment story runs six to nine minutes.

Check out Episode ONE (Magic Doors) at SnapJudgment.org . . .

Typically in Snap Judgment pieces, the narrator presents a high stakes choice early on – subtly daring listeners to put themselves in place of the protagonist. Snap Judgment heroes make choices with consequence. As the story unfolds we learn more about both the teller and the environment / context they operate.

We like stories that transport listeners to different worlds. We really like international stories, but equally dig stories that navigate ethnic or social-economic communities outside the scope of traditional media. (For example, we would love a story about a Tongan prince, but would also dig one from the perspective of a sister-wife in north Utah.)

While main characters are allowed to draw lessons from their experience, we leave the “judging” of the story to the audience. We don’t mind if overlapping narratives conflict in their conclusions. (One person could conclude that arranged marriages are evil, another could conclude they are great.)

Don’t let facts get in the way of a good story! We like lies and lying liars. Lies and exaggerations are often more important than some antiseptic recall of the facts. We want character. A snapshot of the person in the moment of their Snap Judgment.

The more fantastical, the better. Snap Judgment dances on the edge of credulity. Did you see someone fly? Fantastic. Picked up by a UFO? Even better. Got a fictional piece you think would work? Try us.

The Snap Judgment theme is important, but most important is the story. Good stories have decision points. Good characters suck listeners in. The teller should want to share their story. (Or be so compelling in their reluctance, that we identify with them.) Either way, we must be compelled to listen as they illuminate a hidden piece of the world.

We’re currently working through a few basic “themes” – BUT don’t let this limit your imaginings. If you have a good idea, let us know!

1) 5150 (Stories involving people who are a danger to to themselves or and others.)

2) Drop Everything (people who have abandoned their current lives in search of a new one).

3) Library Tales (stories in or involving the most innocuous place of all – the local public library . . .)

4) Superheros (stories of people who use their powers to shake things up . . . hopefully in tights!)

Interested producers should send a pitch, and a quick synopsis of the story. We will read each and every pitch (promise) and let you know whether we would like to move to the next level.

We are interested in both fully edited stories and raw interview tape (that show staff will cut into stories for the radio show and podcast).

For uncut interviews, interested producers/interviewers should send the name and one line bio of the storyteller they’d like to interview. Also include a quick synopsis of the Snap Judgment story being told. Flat rate for uncut interview tape: $125.

For more difficult pieces that require editing or multiple interviews, compensation is based on commissioned length: 3 minutes or less- $250; 3-7 minutes- $450, 7-11 minutes – $700. Only under rare circumstances are we looking for anything over 11 minutes. Special terms may be in effect for regular contributors. Final mix, sound design and music will be completed by Snap Judgment staff.

Write to us: Pitches@SnapJudgment.org

Thanks a million! We can’t WAIT to hear from you . .

SnapJudgment.org

[Un]Observed seeks contributions

Hey folks. One of our own has started a very cool new project and she’s looking for contributors. Details below! -mia

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The [Un]Observed, on-line radio magazine, is launching this month. It consists of interviews, more produced radio pieces, and sound pieces in and around art and culture (the culture part makes it a bit more broad). Over the years The [Un]Observed hopes to grow into a hub for interesting and engaging work that both reflects and is produced by the artistically inclined. Currently, The [Un]Observed has several contributors: Ben Adair, Douglas McGray, Aaron Ximm, Kara Oehler, Ann Heppermann, Jason Cady, Jeremiah Moore and Tania Ketenjian.

The [Un]Observed is seeking contributions! The idea for The [Un]Observed is that it be a play space for brilliant producers like you. Somewhere where you can place work that you are excited about, you really enjoyed producing or you love the way they turned out. Or even ones that are off the beaten path for you and you are in the midst of creating.

The piece can be as short as 60 seconds to an hour long, it can have aired before or it can be new, a work in progress, a collection of sounds, recordings of a family dinner, whatever you would like to get out there. The main thing is that the piece be about art or culture, or be artistically produced.

The [Un]Observed can be an archive for you as well where people can come to hear your work, amongst your peers and colleagues from around the world.

The magazine was conceived of by Tania Ketenjian who is seeking to expand the ways we can have access to interesting and engaging radio and sound works.

Currently The [Un]Observed is not in a position to compensate contributors but will do so as the site grows. That said, your contribution is invaluable and so appreciated.

To contribute, please send an e.mail to tania@theunobserved.com with CONTRIBUTION in the subject line.

KALW news magazine launch

Hello freelancers. Unfortunately I missed the boat on this one (the launch was yesterday) but I hope you’ll check out the site regardless. KALW is doing some fantastic work in the Bay Area and they are VERY good to freelancers – lots of opportunity there. They are currently looking for community correspondents from various places around the Bay, so check out the below and contact “Zoe Corneli” if you have questions. Best, Mia 845-444-4034 (new cell)

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Hi there,

I work with the news team at KALW Public Radio in San Francisco, and we are launching our new local digital news magazine today! I was hoping you could take a few minutes to check it out, and if you so desire, blog or tweet about it or post on Facebook before 7 p.m. tonight. (We’d like to try to coordinate so everyone is talking about it at the same time.)

Here’s a little background:

Since 2003, KALW News has expanded while other news organizations cut back. Now, www.KALWNews.org combines our award-winning news and arts stories with blogs, photos, social media, interactivity, and mapping. We also feature the growing numbers of Bay Area hyper-local journalism outlets for you to check out, as well as a digest of mainstream local news sources. Visitors can submit their own content and use the collaborative “Fixipedia” tool to help generate solutions to issues in the news. The site really aims to capture the essence of what it is to live in the Bay Area. And, to do it better and more comprehensively, we need you! This is public interest media, and your interests matter to us.

If you have a moment to take a look and you like it — or even if you don’t

TAL theme list

For those of you not on the AIR list, here are the upcoming themes for This American Life. -mia

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Dear This American Life friends and contributors,

We’ve got a new round of themes-in-progress and we’re coming to you for story pitches, thoughts and suggestions for our upcoming shows.

How this process works: When you send in a story idea to me, I’ll respond with a generic email letting you know that I received your pitch and that I’ve read it. I promise. I read every pitch. (I won’t send you the auto response until I’ve read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I’ll send you another email asking for more info on the story or letting you know we’d like to commission the story. But if you don’t hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn’t right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

Like always, these themes are shows we’re actively pursuing right now but we’re always on the lookout for new stories or ideas. So if you’ve got a story that you think would work especially well for us but doesn’t fit a specific theme listed below, please send it along anyway.

Thanks so much for your pitches. All of us here are very appreciative.

Best, Julie (julie@thislife.org)

CONTENTS UNKNOWN: Stories about guessing, fantasizing and projecting. For this show, we’re sort of running the gamut from the literal to the metaphorical. A literal “contents unknown” story is one we’re planning about people who bid blind on abandoned storage units up for auction. Most of the bidders have a pretty good idea what they’re doing (if you see any hint of a Christmas ornament in the unit, RUN AWAY) but aside from small clues, it’s a lot of guesswork and luck. A more metaphorical take on the theme is a story about a guy who completely loses his memory and essentially allows all of the people around him (family, friends, doctors, bureaucrats) to write his identity for him. We’re now looking for more stories about entering into something where all you really know are the faint outlines of the thing. Maybe entering into a relationship – either romantic or professional – where you really don’t know what you’re getting into? Or someone trying to trust something they’re not sure is true? Stories that head down the more literal route would be great, too. Maybe trying to track down the ingredients to something? Or facing a huge archive without knowing what’s inside? This show is coming up soon and, honestly, we’re feeling a little desperate so if you’ve got something that might be wedged into a “contents unknown” kind of theme, please send it our way.

PARENT TRAP: When a woman is diagnosed with terminal cancer, she writes a series of letters to her 16 year old daughter, to be delivered after her death on the daughter’s successive birthdays. From the time she is 17 until she turns 29, the daughter gets a letter in the mail – sent by her father, via FedEx – each year. The letters are beautiful, filled with encouragement and affirmations of love. They are also filled with plenty of upbeat words about the Mormon Church and moral advice. Moral advice that, over the years, starts to feel increasingly chafing to the daughter who is moving further away, socially, politically and spiritually, from the Church and her mother’s views. The daughter begins to feel like she is receiving letters written for a girl she no longer is but who her dead mother wishes her to be. For this show, we’re looking for stories about how – with the best of intentions – parents and children can sort of manipulate each other into positions they’re not sure they want to be in. We’d love funny stories for this show – maybe an actual “parent trap” type story of setting parents up or the parents setting the kids up. Maybe a story about a parent organization or event? A parent trying to do the right thing and doing exactly the wrong thing? Stories about feeling trapped in a family situation would work well, too.

HEROES: A woman in Las Vegas has spent the last few years in a battle with her daughter’s elementary school about a number of different issues – a prominent one being campus security. So when she and another mom find a first grader wandering alone alongside a road near the school one day, they are outraged. They pick up the boy and call the school district saying they’re returning the boy but have also called the local media to document the egregious lack of security at the school. The moms show up with the boy for the drop-off and are promptly arrested and charged with kidnapping. It’s the climax to the story where both the moms and the school have been gunning for each other for years, the battle increasingly fueled with the idea of doing “what’s best for the children.” We have another story about a guy trying to single-handedly save the integrity of Wikipedia entries from his friend who is purposely planting false information on the site. Other stories that’d be great for this show could include stories about unsung heroes – people who maybe don’t believe their actions were heroic despite evidence to the contrary? Or people who shun the spotlight? Or can’t escape their hero status? Maybe a story about someone who thinks he is a hero but everyone else thinks he’s a pain in the ass?

THE ISLAND: We’d like for all the stories in this show to be held together by a place, instead of an idea. So all the stories have to take place on an island. That’s it. Just an island. But a real island, not a “no man is an island”/”every man is an island” kind of thing. We’re working on one story with the Planet Money team about the economic histories of Jamaica and Barbados and how a fairly small, benign monetary move had very large consequences for those countries. Another story is about an attempt to repatriate lab chimps to an uninhabited island in Senegal. So stories that take place in the United States might be good for this show – Long Island? Rock Island? Hawaii? We were working on a story about Guantanamo that looks like it’ll probably fall through so any stories about Gitmo would work great for this show, too. Ideally, the island would be somewhat of a character in the story or at least the geography would play a part in the how’s and why’s of the story. Maybe a story about being stranded on an island? Opening a business on an island? Fantasizing about an island?

PERMANENT RECORD: A few months ago we were working on a really great, small story. A guy sent us a letter telling us about this time his father went to inter the guy’s mother’s ashes at a Veteran’s Cemetery in Illinois. Because both the father and the mother were vets, it was the father’s understanding that the interment would be free. But when he shows up at the cemetery, he’s told there is a $14.95 processing fee for the ashes. The father gets totally pissed, sees this as penny-pinching and a total betrayal of the U.S. government and, in his anger, dumps the ashes in the parking lot, goes home and tells his shocked kids what he did. Over the years – until his own death – the father is embarrassed by the story whenever the kids bring it up and accuses them of always “focusing on the bad things.” So it’s kind of a funny story of spazzing out, right? And the son tells the story beautifully. But when we call the Veteran’s Cemetery to fact-check the story, it turns out it’s not true. They DON’T charge a processing fee and, in fact, they double-check and say the mother’s ashes actually ARE interred at the cemetery – right next to the father’s ashes. We call back the son and ask what’s up. He’s shocked. He SWEARS this is the story his father told and his brother and sisters back him up on it. None of them can figure out why their dad would tell them this crazy story if it weren’t true. And all they can figure out is that their dad, in his later years, began to have a horrible memory. And maybe he was just messing with them the first time he told them and then, after that, forgot the story, forgot that it wasn’t true, relied on the kids’ version and then it just became fact. SoooooŠwe’re looking for more stories where something that maybe isn’t true becomes the permanent record. We’re working on a story about a an exonerated prisoner who keeps getting falsely accused of other crimes but that story may fall through so we’re open to more stories about trying to free yourself from an official “record.” Stories that might work well: maybe stories about trying to get free from a notorious reputation or past deed? Or trying to set the record straight? Or trying to change an identity?

THEMES WE’VE SENT OUT BEFORE BUT ARE STILL WORKING ON:

TRUE URBAN LEGENDS: The thing that’s remarkable about this story is that you’ve already heard this story: a really normal guy who attends a very conservative evangelical college also leads a secret life on weekends, flying to places like Las Vegas and the San Fernando Valley, to star in hardcore gay porn films where he is known as “power bottom” Vincent De Salvo. The thing that I love about this story is that it’s true. Because I swear I’ve heard this exact story from my college roommate’s friend-from-high school’s sister. So what we want to try and do now is a whole show where the really remarkable part of the story is that, while the story conforms to the narrative structure and has all the editorial qualities of an urban legend, it’s actually true. We’re also thinking about doing something about the “monster fish” that showed up in a puddle behind a Dunkin’ Donuts in Baltimore a few years back (a popular story among the D.C./Baltimore set but, remarkably, little known to the rest of the country). We’ve got our eye on a story about organ trafficking, too. We’d love any other story you can think of that either traces the origins of an urban legend in a surprising way or lays out in a classic ‘urban-legend’ kind of way. A story about someone who created an urban legend, or maybe believes they are at the heart of an urban legend, would be great, too. And finally: we’re thinking we may just do a small part of the show where people admit the urban legends they believed for far too long. If you’ve got one of these stories about your own naïve beliefs, will you let us know?

MILLION DOLLAR IDEA: A few months ago our staff got to talking about our get-rich-quick schemes. It turns out Ira’s Million Dollar Idea is to domesticate foxes – he claims it’s easier and faster than you’d think. And then you’d have a really, really smart dog. A really smart, really crafty, really sneaky dog. Which sounds like a bad idea to me but I’d like to hear more of the argument before I truly pass judgment. Anyway, it got us to thinking that we’d love to do a whole show about various Million Dollar Ideas. The stories could be about unorthodox approaches to making money. Or, maybe, unorthodox approaches to solving a problem and going at it in a really big way. If someone is in the middle of enacting their Million Dollar Idea, that’d be great. Or stories about past successes that seemed incredibly unlikely at the time of inception. So-crazy-it-just-might-work stories would work well in this show, too.