Category Archives: Workshops

Soup to Nuts 2-day documentary radio training, Dec 6-7, Bay Area

The incomparable Claire Schoen is offering her 2-day doc radio production training in December. Don't miss it! Details below. -Mia

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Dear Radio People,

 

I'm offering my Soup-to-Nuts weekend again in the San Francisco Bay Area on:

December 6 & 7. 2014.

Please see the description below.

 

If you are interested in attending, please do get in touch (cschoen@earthlink.net) as the class sometimes fills quickly.

 

AND… check out my website!

<<claireschoenmedia.com>>

Under “Teaching” you can find feedback from previous “Soup-to-Nuts” students.

Under “Biography” you can find out more than you’d ever want to know about me.

Under “Productions” you can listen to the past 25 years of my audio work.

 

I hope you can join us in December.

Best, Claire Schoen

 

Claire Schoen Media

claireschoenmedia.com

cschoen@earthlink.net

510-882-6164

 

 

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"From Soup to Nuts"

A 2-day intensive

on documentary radio production

offered in the San Francisco Bay Area

 

Logistics:

This seminar will be held December 6 & 7, 2014.

Each day's class will run from 10 am to 5:30 pm,

including 6 hours of class work, plus lunch and breaks.

 

It will be held at Claire’s studio in Berkeley, California

Class will be limited to 8 students.

The cost of the 2-day seminar is $250.

 

The Course:

Through lectures, group discussion, Q & A, written handouts, and lots of audio demos, this two-day class will explore the ins and outs of creating a long-form radio documentary. Designed to meet the needs of mid-level producers, this seminar will also be accessible to individuals who have little or no experience in radio production.

 

Compelling audio documentary incorporates a creative weave of elements including narration, interviews, music, vérité scenes, character portraits, dramatizations, performances, archival tape and ambience beds. Students learn how these elements serve to paint a picture in sound.

 

Emphasis will be put on the production process. To this end, the class will examine the steps of concept development, research, pre-production, recording techniques, interviewing, writing, organizing tape, scripting, editing and mixing required to create an audio documentary.

 

Most importantly, we will focus on the art of storytelling. We will discuss dramatic structure, taking the listener through introduction, development and resolution of a story. And we will explore how character development brings the listener to the heart of the story.

 

The Teacher:

Claire Schoen is a media producer, with a special focus on documentary radio. As a producer/director, she has created over 25 long-form radio documentaries and several documentary films, as well as numerous short works. As a sound designer she has recorded, edited and mixed sound for film, video, radio, webstory, museums and theater productions. Her radio documentaries have garnered numerous awards including the SEJ, NFCB, Gracie, Clarion, PASS and New York International Festival. She has also shared in both a Peabody and a DuPont-Columbia award.

 

Claire has taught documentary radio production at U.C. Berkeley's Graduate School of Journalism, Duke University’s Center for Documentary Studies, AIR's mentorship program, the Third Coast Festival Conference and other venues.

 

To Register:

Contact Claire Schoen

cschoen@earthlink.net    510-882-6164     www.claireschoenmedia.com

 


pdf icon StoNs-Flier2014-Dec.pdf

Poynter Environmental Journalism Workshop with SEJ, Nov 3, FL

Wish-I-could-be-there environmental journo training program with Poynter and the SEJ. Details below.

DATE: Nov. 3, 2014
APPLY BY:  Oct 13, 2014

LOCATION: 
Poynter Institute, 801 3rd Street South, St. Petersburg, Florida

Making Science Storytelling Engaging and Accurate

 This is a one-day intensive workshop that will help science and environmental journalists, bloggers and students produce engaging and informative content.

With increasing demand to produce compelling science stories, journalists are also faced with entertainment successes, such as "Shark Week" and "Sharknado," that can confuse scientific fact and fiction. As the need for science stories continues to grow, it has left the American public more misinformed about science than ever.

Join us for a comprehensive day of learning how to pitch, investigate and 

Kelly McBride

Vice President 
of Academic Programs
Poynter Institute 

craft compelling science-based stories in a competitive media landscape to accurately inform the public while keeping them engaged.

You'll learn how to:

  • breathe excitement into your stories
  • pitch to editors
  • tap into research tools that make data accessible
  • begin an investigation into an individual or organization

The day's schedule: (subject to change)
9:00 a.m. – 9:15 a.m. ~ Welcome

Jennifer BogoExecutive Editor, Popular Science

9:15 a.m. – 10:30 a.m. ~ Session 1, The Pitch with 
Jennifer Bogo
Whether you are a freelance writer pitching various editors, or a staff writer pitching your boss, your pitch must be on target. In this session faculty will walk the workshop audience through the various methods for developing a story ideaand sounding it out to editors.

Angela Posada-Swafford

Freelance Science and Exploration Writer

10:45a.m. – 12:00 p.m. ~ Session 2, Getting it Right with Angela Posada-Swafford  
There's so much to get wrong. And it's so difficult to find the right sources to provide the foundation for the best information. In this session, we will describe the methods for judging an expert's appropriateness for contributing to a story, translating scientific jargon into the vernacular and fact-checking the work before publication.

12:00 p.m. – 1:00 p.m. ~ Lunch

1:00 p.m. – 2:15 p.m. ~ Session 3, Longform Science Journalism with 
Angela Posada-Swafford
A time-tried way to engage the public is by telling a good tale. But that requires the ability to organize and execute a complicated project, often within a short time frame. In this session, we will lay out the methods for organizing a long project from conception to publication.

2:30 p.m. – 3:45 p.m. ~ Session 4, Character-driven Stories with 
Jennifer Bogo
Science is often complicated and inaccessible to the audience. One of the best ways to get readers over that hurdle is a character-driven story. In this session we will describe how reporters find characters and bring them to life in stories about science.

3:45 p.m. – 4:00 p.m. ~ Wrap-up

Who Will Benefit: Science and environmental journalists, bloggers, students and anyone interested in reporting about science and the environment.

Price: $79.00
(Lunch is included.)

Price for SEJ members and students: $59.00

Email SEJ HQ  or call 215.884.8174 for the promo code.

REGISTER NOW

Radio Boot Camp Fall Session @UnionDocs, Oct 4-5, 10-6, Brooklyn

DO NOT MISS this two-day-long intensive class for beginners to learn how to produce radio. Details below.
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Don't just listen to stories, tell your own!

Do you love Ira, have a secret crush on Terry Gross, or wanna be Audie Cornish when you grow up? Come to Radio Camp's October Boot Camp and learn how to produce a radio story from start to finish. 
This hands on class will cover the basics of writing for the ear, (very different than print) and producing for radio using professional equipment and software. The provision of a laptop for financially challenged students is possible. Be prepared to grab your gear and hit the streets. Learn interviewing and mic techniques by doing the real thing. Voicing will also be covered. Students will produce two stories over the course of the weekend. *There will be an hour and a half (approx) of homework on Saturday night.

October 4th and 5th, 10:00 a.m. – 6:00 p.m.
AT UnionDocs, 322 Union Avenue, Brooklyn, NY 11211
More here: http://www.uniondocs.org/radio-boot-camp/

Second Kitchen Sisters Interviewing & Recording Workshop 7/24

The Kitchen Sisters have added a second Recording and Interviewing workshop on Thursday, July 24.  Same time and details as the first workshop.  You can register at http://www.brownpapertickets.com/event/787328
Details below!

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Time again for The Kitchen Sisters Recording & Interviewing Workshop. Davia Nelson is holding a new one on July 24 at Francis Coppola's historic Zoetrope building in San Francisco. This three-hour session is designed for those who want to acquire and hone their skills for an array of audio projects–radio, podcasts, online stories, storytelling, oral histories, audio slideshows, family histories, news, documentaries, and other multimedia platforms.

In The Workshop, Davia covers interviewing and micing techniques, sound gathering, use of archival audio, field recording techniques, recording equipment, how to make interviewees comfortable, how to frame evocative questions that make for compelling storytelling, how to build a story, and how to listen (which is harder than it looks).

The workshop is customized to fit the projects you are working on. People who have attended in the past have come from radio, film, multimedia, detective agencies, newspapers, journalism, photography, oral history, historical societies, farms, music, ophthalmology, writing, libraries, archives, web design, restaurants, health care organizations, film, cheese-making and beyond. The groups are always lively and good contacts are made.

The workshop is in North Beach at 916 Kearny St. Of course, snacks will be served.

AIR’s Full Spectrum Storytelling Intensive, July 7-11, Brooklyn

See below for details on AIR's Full Spectrum Storytelling intensive, July 7-11. They have quite a line up of teachers for this one – definitely worth a close look! 

-Mia

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We're spreading word about AIR's Full Spectrum storytelling intensive coming up July 7-11, 2014 in Brooklyn. Spots are filling up fast with producers from across the country, and we want to be sure you knew about this fantastic workshop. Please feel free to forward this to producers who may be interested, even if they're not AIRsters. 
Over the course of a week, producers will learn from a team of accomplished guest speakers — experts drawn from public broadcast journalism, network technology, and media art who will take up to 14 producers on a week-long excursion through storytelling to sound processing to interactive design and more. Indie producer and seasoned teacher, Michael May, will lead the charge.

This year's allstar instructors include Christopher Allen, Amanda Aronczyk, Julia Barton, Emily Botein, Zoe Chace, Ernst Karel, John Keefe, Jonathan Mitchell, Kaitlin Prest, and Debika Shome.

More info and application link here
There are $100 travel stipends available for those coming from outside the state of New York. Please contact me if you have questions or ideas for potential applicants. I'd be happy to reach out with a personal phone call. 
Cheers from Boston to wherever you are creating.
Bec
AIR is everywhere


Rebecca Feldhaus Adams
AIR Talent Manager
@AIRmedia

FREE audio portraits workshop, May 28 and 30, 6-9pm, Athens, NY

Documentary interviewing and sound editing workshop by the the the fabulous ladies of the WAGE/WORKING series. May 28 and 30, Athens, NY. Details below Spread the word! -Mia

WAGE/WORKING JUKEBOX AUDIO PORTRAITS WORKSHOP and OPENING
Workshop sessions: May 28 and 30th, 6-9PM
Opening reception: May 31st, 5-7PM

The Athens Cultural Center and WGXC 90.7-FM announces an exciting participatory workshop, Audio Portraits: An Introduction to Interviewing, for ages 14-adult. In this workshop participants will produce a short audio portrait of the working life of an Athen's resident to be included in the Wage/Working Jukebox which will be on exhibit at the Athens Cultural Center, 24 Second Street from May 31-Dec. 1, 2014.

Wage/Working is a jukebox-based installation featuring stories and sounds from the working lives of residents of Greene and Columbia counties. The stories are edited to a length, corresponding with the amount of time it takes each interviewee to earn $1, creating an inverse relationship between monetary value and time. The project, which was first exhibited at the Cairo Public Library, was created by Tennessee Watson & Laura Hadden as a part of an AIR Live Interactive Residency during the Spring of 2013 at free103point9 Wave Farm, and WGXC 90.7-FM in Acra, NY, with financial support provided, in part, by the National Endowment for the Arts (NEA).

In this two-session workshop participants will learn the basics of documentary interviewing technique, digital audio field recording, story scripting and digital editing through guided tutorials and hands-on exercises; and with facilitator support will assemble a short audio portrait.

Session 1 will take place Wednesday May 28th 6 – 9 pm and Session 2 will be on Friday, May 30th, 6 – 9 pm. Please note that participants must attend both sessions. Participants will also be required to do work outside of class prior to Session 2, which involves interviewing a community member about their work, reviewing the recording and creating a brief outline. These workshops, co-sponsored by WGXC, 90.7-FM, will take place at the Athens Cultural Center, 24 Second Street, Athens, and are offered free of charge but pre-registration is necessary. Register on-line at info@athensculturalcenter.org or by calling 518-945-2136.

On Saturday May 31, from 5-7 PM, there will be an Opening Reception of the Wage/Working Jukebox at the Cultural Center featuring a listening session and celebration of pieces produced in the Audio Portraits workshop.

About Laura Hadden and Tennessee Watson:
Hadden and Watson were cited in 2011 by the International Documentary Challenge in the Best Film and Best Directing categories for a previous joint project, Matthew 24:14. The collaborators have a diverse history working in documentary film and radio. Laura Hadden is an independent media producer who spent the last three years producing projects for the storytelling organization The Moth in New York City. Before that, she facilitated workshops at The Center for Digital Storytelling and was an apprentice and community media producer at KPFA in Berkeley, CA. Tennessee Watson is an artist and activist based in Brooklyn, NY. Her work draws from the documentary and oral history tradition, but with an interactive and performative twist. Prior to moving to NY, she spent four years at the Center for Documentary Studies at Duke University producing radio documentaries, instructing courses and coordinating Youth Noise Network, a radio project for teens in Durham, North Carolina.

Already have audio production skills and you'd like to submit a story to the jukebox?
Community members, who don't take the workshop, are also invited to submit Wage/Working stories from Greene or Columbia county as long as they follow the project format. To have your work considered for inclusion in theWage/Working jukebox, please contact wageworking@gmail.com for more information.

Workshop sessions: May 28 and 30th, 6-9PM

Opening reception: May 31st, 5-7PM

Registration Register on-line at info@athensculturalcenter.org or by calling 518-945-2136.

Multimedia Storytelling Institute 2014, Early Registration deadline April 11

I did a version of this KDMC workshop a bunch of years ago and it was fantastic. Discounted registration deadline April 11.
The Multimedia Storytelling Institute 2014 registration is open with early registration discount until April 11th. 

This two-week workshop is an immersive experience in storytelling with video, photography and data visualization tools and technologies, and includes hands-on skills training in multimedia content production to websites, news sites, blogs, and social networks. http://kdmc.us/1a1xa3I Instructors include UC Berkeley Graduate School of Journalism multi-media faculty, industry professionals and award-winning instructors.

2014 Oral History Summer School

Learn the fine art of oral history this summer with Suzanne Snider and friends. Details HERE and below.

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Dear Friends and Fellow Media-Makers, 

We're please to announce Oral History Summer School 2014 workshops. Please help us spread the word to budding documentarians or oral historians looking to delve deeper.

Oral History Summer School was established in Hudson, New York in 2012 to train an international group of students to make use of Oral History in their documentary and artistic practices. This summer, we're also offering specialized short courses for continuing oral historians or those interested in advanced issues in the field.


This summer’s instructors include Suzanne Snider (Founder/Director OHSS),  Michael Garofalo (Storycorps), Eugenie Mukeshimana (Genocide Survivors Support Network), Sarah Kramer (Journalist), and Jen Karady (Artist/Photographer)


Workshops

  • Oral History Intensive with Suzanne Snider, and Visiting Instructor Eugenie Mukeshimana, June 13-20
  • Oral History and Radio with Michael Garofalo, June 21-25
  • Oral History Experiments: Project Lab with Suzanne Snider and Visiting Artists Sarah Kramer and Jen Karady,June 27-July 1


More information can be found, here: http://www.oralhistorysummerschool.com/

Our Facebook page will also keep you up-to-date.

Questions: info@oralhistorysummerschool.com


Yours,

Suzanne Snider

Founder/Director, Oral History Summer School

New session of Radio Boot Camp June 7-8, NYC

New session of Radio Boot Camp announced for June 7-8. Details below.
Don't just listen to stories, tell your own!

Do you love Ira, have a secret crush on Terry Gross, or wanna be Audie Cornish when you grow up? Come to Radio Camp's Boot Camp and learn how to produce a radio story from start to finish. This hands on class will cover the basics of writing for the ear, (very different than print) and producing for radio using professional equipment and software. Be prepared to grab your gear and hit the streets. Learn interviewing and mic techniques by doing the real thing. Voicing will also be covered. Students will produce two stories over the course of the weekend. There will be an hour and a half (approx) of homework on Saturday night.

Dates & Location

March 15 & 16, 10:00 a.m. – 6:00 p.m., 10:00 a.m. – 5:00 p.m. 
UnionDocs, 322 Union Ave, Brooklyn, NY, 11211 
$285 for early registration by Feb. 15, afterwards, $315.
*SESSION FULL.
ADD YOUR NAME TO THE WAITING LIST

June 7th & 8th, 10:00 a.m. – 6:00 p.m. 
Harvestworks, 596 Broadway, New York, NY 10012 
$285 for early registration by May 7th, afterwards, $315.

Banff Centre Science Communications Program – now open for applications, deadline March 26

This science training program for journalists in the Canadian Rockies looks AMAZING. Deadline March 26. 

Here's a quote from someone who's done the program:

This is a fabulous program for any science journalist or anyone in the media whose work includes covering science stories. It takes place in the stunning surroundings of Banff National Park in the Canadian Rockies and brings together scientists, journalists and communicators at all career stages (early, mid, late are all well-represented) for an intensive 2-week-long life-changing experience.

Science Communications 2014

Program dates: July 28, 2014 – August 9, 2014

Application deadline: March 26, 2014

Please visit www.banffscience.ca for more information about people, projects, and partners.

Program overview

Working with some of the world’s leading science communicators, participants explore the creative use of words, images, action and technology, with the goal of fostering a more engaging role for science in public culture. 

This is an immersive residency experience that is uniquely aimed at mid-career professionals in both science and communications. The program is structured around daily seminars and workshops on new forms of creative science communications. Emphasis is on group discussion and work, and participants will be urged to create outside their usual medium of scientific communication. At the end of the program, participants publicly present collaboratively created group projects using media such as the web, television, print, and three-dimensional scenarios that have developed under the influence of debates, visits, talks, and one-on-one dialogues.

Who should attend

The program is designed for people working in science and engineering, science communications, journalism, knowledge transfer, science outreach, science policy, and cultural industries. Up to 20 participants are accepted into the program each year: there is always a mix of researchers, educators, communications professionals, and creative practitioners.

Participants bring a rich array of experiences to the program. Each year will typically include professors, published authors or artists, managers and communications professionals, as well as graduate and postgraduate students. While diverse in skills, they share one trait — an interest in both science and communicating about science. A demonstrated commitment to science and its social relevance is required.

Eligibility

Successful applicants will have:

  • strong communication skills, with experience in science communications
  • keen interest in exploring new ways of presenting science in a public sphere
  • demonstrated creativity and excellence in a professional capacity
  • high standards for both scientific accuracy and cultural relevance

Want to extend your stay?

Extend your stay before or after this program by applying for a Self-directed Residency: