Category Archives: Gigs

More Acquisition Updates from Liaison’s Desk – Pt. 4 SPLENDID TABLE/STUDIO 360

More updates for radio program acquisitions – thanks to AIRand NPR Liason Paul Ingles! -mia

+++++++++++++++++++++ *The Splendid Table *

*series: *The Splendid Table, starring Lynne Rossetto Kasper, is a show about food — enjoying it, buying it, cooking it — and about eating out, entertaining, health and travel. We’re looking for *produced* field pieces which fit our program. We are always seeking stories about food as a window to a culture; about meals as a memorable part of travel; about food producers (artisans and otherwise), the business of food, and new trends; about food and health; about the behind-the-scenes of restaurants or other food businesses; about festivals, family gatherings, holiday celebrations, and amazing parties — and about people with particular passions about food. Pieces with a quirky point-of-view or a sense of humor are encouraged. Pieces about local restaurants or other food businesses should focus on the exceptional people who run them, or have some other editorial focus which makes the story interesting to our national audience. *compensation:* We will pay $500 for a fully mixed piece that is suitable for air and meets both our editorial and technical standards. We ask for the non-exclusive right to broadcast the piece on radio, and to offer it on the Web (in both”streamed” and/or archival form), both in perpetuity. You would own all rights to the piece other than those granted to us. We ask only that The Splendid Table receive an appropriate credit when the piece, or elements thereof, appears elsewhere. We honor the spirit of the Code published by * AIR*.

*Show*: national one-hour show which airs weekly on over 200 public radio stations across the country and is also podcast weekly. *segments:* we are looking for segments that are 3-5 minutes in length. *pitch:* E-mail a brief description of your piece as well as the edited and mixed piece (mp3, audio link, etc) for our review and consideration. We will respond quickly with ayes or no, or with a proposed modification of the piece. If we say yes, we will send you an Agreement right away. *Contact:* Jennifer Russell, Producer jenrussell@americanpublicmedia.org

*Studio 360*

We are still accepting pitches from independents. Our protocol remains the same – a brief (2 paragraph) pitch to Michele Siegel (mtsiegel@wnyc.org) cc me (dkrasnow@wnyc.org). (We hope to revise our Independent Producer Guidelines in the coming month.)

With regard to rates, we took a tip from the new NPR system and decided that levels based on complexity and labor (rather than arbitrary duration brackets) made a great deal more sense – especially for the kind of feature we make. I’d like to note here that the great majority of stories we assign will fall at Levels 2 or 3.

*A Level 1 Story *would typically:

– Start with topic or subject selection provided by Studio 360 – Consist of interview(s) with a single subject, recorded in person or by remote, or short interviews captured in a brief period of time.

*Fee: $350 **(with mixing bonus: $500)*

*A Level 2 Story *would typically:

– Consist primarily of interview(s) with a single subject, recorded on location or in studio – Involve careful subject selection and research – Use sound richly

*Fee: $475 **(with mixing bonus: $625)*

*A Level 3 Story *would typically:

– Involve significant research – Feature multiple interviews in person or by remote – Require reporting on location – Use sound richly

*Fee: $875 **(with mixing bonus: $1025)*

*A Level 4 Story *would typically:

– Involve significant research and expertise in the subject matter – Require out-of-town travel by the reporter – Involve location reporting at multiple sites – Feature multiple interviews – Use sound richly

*Fee: $1000 **(with mixing bonus: $1150)*

New York Public Radio will apply the mixing bonus of $150 when Producer provides a complete and finished mix of the Piece, upon approval of that mix from the Editor.

More Acquisition Updates from Liaison’s Desk

More freelance radio show updates from Paul Ingles. -mia

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I’m hearing back from other programs now:

*PRI’S THE WORLD*

William Troop: Our program is accepting pitches from independents. The pitches can go to our two planning editors: Jennifer.Goren@bbc.co.uk and Aaron.Schachter@bbc.co.uk. We ask that anybody pitching keep in mind that we are an international news program, so pitches need to be on international angles and be newsy to some degree. Standard feature rate is $115 per minute aired. There are also rates for providing web content (pictures, slideshows, etc.) with the caveat there that the quality of the submissions (as assessed by our web team) affects how much we pay for them.

*HERE AND NOW*

Kathleen McKenna: Due to budget constraints, Here and Now, is not taking pitches from independent producers at this time.

*THE ENVIRONMENT REPORT*

Lester Graham: Yes, we’re accepting pitches from EXPERIENCED independents. Stories must be relevant to the everyday lives of the majority of the audience. We are a national show and stories must have a national perspective. Before pitching, producers should carefully read our Submission Guidelines: http://www.environmentreport.org/about/submissions.php%C2%A0 http://www.environmentreport.org/about/submissions.php

We pay $400 for a 3:50 piece (including lead) and an additional $40 for the same piece cut down to 2:15. We pay $40 for a spot and an additional $20 for a two-way for our daily show.

*MARKETPLACE*

John Haas: All three Marketplace programs are accepting pitches from independents and John is the pitch contact: jhaas@americanpublicmedia.org. The rates for features generally range between $300 – $600 depending on length and reporting difficulty.

John also shared these helpful notes for pitching to Marketplace:

Celeste Wesson, the senior producer for Marketplace, recently did a great workshop for some station reporters on pitching, and wrote up these suggestions. Thought you’d like seeing what she said.

Pitch workshop notes

What is a pitch? A reporter might say… a summary of the story; a sales pitch

From my POV as a show producer… The written pitch may be the only thing I know about you. So not only does it tell me your story idea, it also tells me how well you write, how you think, what kind of reporter you are. You’re not just selling the story, you are selling yourself as the storyteller.

If you eavesdropped on our pitch meeting, you’d probably hear us turning down pitches for reasons like these: I don’t understand what this story is about. That’s not new. Where’s the Marketplace? Too local. Can s/he write in our style?

Turning those negatives into positive pitch guidelines:

* The frame or angle is crucial – what’s the import, the context, and the approach * It’s now, it’s news, it’s fresh * It’s about money, business, the economy – or uses those as a lens on how we live * It’s clear why people all over the country would care * It’s written clearly, conversationally, even cleverly – and gets to the point

Here’s a list of things that may inspire your pitch. But by themselves, they aren’t enough:

* A question * An idea * An overview * An issue * An event (especially not a conference) * A character * An anecdote * An unattributed paragraph from a newspaper story

*FROM JARED WEISSBROT: SOUNDPRINT* is always open for documentary pitches — there’s a submission form linked on our website, and part of your proposal evaluation is based on finding the form :). Responses will generally be slow — production meetings are difficult to schedule and front-loaded with a currently-very-busy production pipeline. Pestering me does help you get results, is entirely appropriate, and will not arise my ire. Go ahead and guilt me — I can take it 🙂 jared@soundprint.org

YOUR BEST BET IS TO HAVE SOMETHING FOR US TO LISTEN TO. I cannot stress that enough. As far as pitches are concerned, we are currently in acquisition mode almost exclusively — especially if we haven’t worked with you before from soup-to-nuts. Our time is 25:30. We’ll listen to any length, but if your piece isn’t going to work at around 5/12ths-hour, you will likely have more success elsewhere. We do not run hour-long specials within the series, but we will take pieces that work at 29:00 (minus :30 for music bed and about 3:00 for host lead, credits, backs, and forward promotion). We will gladly work with you on reversioning longer-form pieces that we like. It’s doubtful that we’d work with you on reversioning longer-form pieces that we *don’t* like.

We pay more than the lower rates, and less than the highest rates, per produced minute (we know you gotta eat; but we’re a volume-buyer). We will gladly offer technical assistance, including some mixing&mastering assistance, without affecting your rate. This is for us, too — the flip side is that we often will request technical adjustments.

We have no set topics or themes that will make your piece more or less likely to be acquired. We like good, rich sound, clear and personal writing/storytelling, and stories which can translate/appeal to a national and international audience (along those lines, national and international rights need to be free and clear — if international is a problem, you have to let us know).

Hope this helps!

jw

Paul Ingles Independent Producer / Reporter NPR Liaison to Independent Producers www.paulingles.com 505-255-1219

Acquisitions Update – who is taking what from radio freelancers

This incredibly valuable information for radio freelancers, from Paul Ingles, the NPR Liaison to Independent Producers. Please note that much of the radio information I send on to this group comes from AIR – the Association of Independents in Radio http://airmedia.org/. I have been a member for a long time and it’s an incredibly valuable resource. Please check them out if you’re interested. Best, Mia

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At the request of Sue Schardt, I have been trying to contact various show producers to get an update on whether they are actively acquiring content from independents, and update rates paid. Response has been fast from some, slower from others, with no response from several – so far. Here’s what I’ve heard from those who’ve responded:

*NPR NEWS*

Ellen Weiss: Fiscal year 2010 looks better but NPR is still chipping away at a deficit so “we are holding the line on expenses – and the close scrutiny and high bar we put into place (on story submissions) remain….and will for the foreseeable future. The current rate system (based on expierence tiers and story enterprise levels) remains the same.”

*LIVING ON EARTH*

Eileen Bolinksy: LOE is accepting a limited number of acquisitions from independents. Producers can pitch to me at this email address bolinsky@loe.org. We pay $100/minute, plus previously approved expenses.

*WORD OF MOUTH (New Hampshire Public Radio)*

Avishay Artsy: We are accepting pitches from independents. We take produced features (at $60/minute) and scripted two-way interviews (for $150). The show’s focus is the same: new ideas and trends in science, technology, popular culture, the arts, and other fields. AArtsy@nhpr.org

*WORLD VISION REPORT*

Leda Hartman: The WVR continues to accept pitches from domestic and overseas reporters. Our pitch meetings take place on Wednesday afternoons, US eastern time. We’re on the lookout for pieces about poverty and justice (broadly defined) that highlight the personal stories of ordinary people, and are rich in scenes and nat sound. We’re especially interested in surprising, out-of-the-box and under-reported stories that tell us something unique about life in the developing world. Our mix is about 80% international stories and 20% domestic. Pitches can be sent to the assignment editor, Leda Hartman, at ledahart@mindspring.com. If you’re pitching for the first time, please include a couple of audio samples of your work.

The WVR pays $450 for a feature under 4 minutes; $650 for a feature 4-6 minutes long; and $750 for a feature more than 6 minutes. We also run shorter, less conventional segments, including reporter’s notebooks ($300); street vendor segments ($250); cooking segments ($250); trackless “in their own words” segments ($200); photos and blogs ($25-$50). After the first piece, we will consider paying travel expenses if the expense estimate is submitted at the time of the pitch.

*AARP PRIME TIME POSTSCRIPT* ** Janelle Haskell: I am definitely still seeking submissions for Prime Time Postscript, the weekly 5-minute feature. Pieces need to be fully produced, between 4:00 and 4:15 in length, have not been broadcast previously *nationally, *and appeal to the 50+ audience (meaning on topics of every variety). We pay $350 for the spot and an extra $50 for fully cleared photos to use on the website. JHaskell@aarp.org

*BBC AMERICANA* ** David Schulman: Not taking many traditional reported pieces from independents as the show draws on the strengths of its host Matt Frei. Are using independents for “enchanced” tape synchs that might involve extra sound gathering. Still, listen to the show and if a story idea that would suit the program’s style comes to mind, pitch away: David.Schulman@bbc.co.uk Rates for a basic tape synch $175 flat fee. Enhanced tape synchs – $225. Buying from PRX (occasionally) at $60 per minute. David suggest keeping your AIR DIRECTORY listing current, because that’s where they go first to look for synch and reporting help where they need it.

These are programs I’m still nudging to hear back from: Studio 360, Latino USA, Splendid Table, Only A Game, Here and Now, Environment Report, Marketplace, The World, Soundprint. If there are other acquirers you are anxious to hear about, let me know and I’ll try to get in touch with them.

Paul

Paul Ingles Independent Producer / Reporter NPR Liaison to Independent Producers www.paulingles.com 505-255-1219

Destination DIY radio show seeking freelancers

Hey folks. I fully recognize that this is not a high-paying opportunity, but I can certainly appreciate the labor of love and it sounds like a fun project. Details below if you’re interested. -mia

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From: Julie Sabatier

I am the host and creator of a public radio show and podcast called “Destination DIY.” In a nutshell, the show is about unusual do-it-yourself projects from home birth to home funerals and everything in between (including urban chicken coups, brewing your own beer and riding a unicycle). I’ve been developing the show as a labor of love over the past 4 years and have taken it from a live show on the local community radio station to a documentary series that’s been aired on over 20 stations around the country. This year, the show will be airing on Oregon Public Broadcasting this summer and fall and will go from a half-hour show to a one hour program. I have managed to raise a little bit of money for the six shows I’ll be working on in 2010 and part of that money was raised to pay talented radio producers who want to create material for these programs. I’m afraid I can’t offer much ($200 per piece), but I am hoping you’ll find an idea on the list below that inspires you to make a piece of radio you’ll really enjoy creating. I’ll also gladly accept previously produced pieces that fit the themes of these shows. And I should stress that this is a VERY grassroots project. This is the first year that the project has had any funding, meager as it is, and all of it is going straight to production expenses. I am not making any kind of profit off of this endeavor, nor am I paying myself as executive producer. As I said, it’s a labor of love.

Please send pitches to me by April 14 and by all means, think outside the box (and the state of Oregon as well). More information about Destination DIY can be found here: http://www.destinationdiy.com/about.html Questions? Don’t be shy! Thank you, Julie Sabatier (julie@destinationdiy.org)

REVISED! Snap Judgment’s Call for Stories!!!

Hey folks – this update from Glynn at Snap Judgments: revised (higher!) pay rates. Hooray! -mia

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Thanks to everyone for your amazing response to Snap Judgment’s Call for Stories, and suggestions on our rate structure. As promised, we have gone “back to the drawing board” on the rate structure, as reflected in this revised Call for Stories.

As former freelancers, we very much understand the need for sustainable compensation practices, and will endeavor to treat EVERYONE in the Snap Judgment community fairly.

Thanks again,

Glynn

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Snap Judgment, winner of CPB’s Public Radio Talent Quest, launches April 2010, and is putting out a call for stories.

We’re looking for amazing stories. Quick. Distinctive Voice. Bobbing and weaving. Surprising ending. Raw. Urban sensibility. Intimate. Voyeuristic.

The “perfect” long form Snap Judgment story runs six to nine minutes.

Check out Episode ONE (Magic Doors) at SnapJudgment.org . . .

Typically in Snap Judgment pieces, the narrator presents a high stakes choice early on – subtly daring listeners to put themselves in place of the protagonist. Snap Judgment heroes make choices with consequence. As the story unfolds we learn more about both the teller and the environment / context they operate.

We like stories that transport listeners to different worlds. We really like international stories, but equally dig stories that navigate ethnic or social-economic communities outside the scope of traditional media. (For example, we would love a story about a Tongan prince, but would also dig one from the perspective of a sister-wife in north Utah.)

While main characters are allowed to draw lessons from their experience, we leave the “judging” of the story to the audience. We don’t mind if overlapping narratives conflict in their conclusions. (One person could conclude that arranged marriages are evil, another could conclude they are great.)

Don’t let facts get in the way of a good story! We like lies and lying liars. Lies and exaggerations are often more important than some antiseptic recall of the facts. We want character. A snapshot of the person in the moment of their Snap Judgment.

The more fantastical, the better. Snap Judgment dances on the edge of credulity. Did you see someone fly? Fantastic. Picked up by a UFO? Even better. Got a fictional piece you think would work? Try us.

The Snap Judgment theme is important, but most important is the story. Good stories have decision points. Good characters suck listeners in. The teller should want to share their story. (Or be so compelling in their reluctance, that we identify with them.) Either way, we must be compelled to listen as they illuminate a hidden piece of the world.

We’re currently working through a few basic “themes” – BUT don’t let this limit your imaginings. If you have a good idea, let us know!

1) 5150 (Stories involving people who are a danger to to themselves or and others.) 2) DROP EVERYTHING (people who have abandoned their current lives in search of a new one). 3) LIBRARY TALES (stories in or involving the most innocuous place of all – the local public library . . .) 4) SUPERHEROS (stories of people who use their powers to shake things up . . . hopefully in tights!)

Interested producers should send a pitch, and a quick synopsis of the story. We will read each and every pitch (promise) and let you know whether we would like to move to the next level.

We are interested in both fully edited stories and raw interview tape (that show staff will cut into stories for the radio show and podcast)

Turnaround Times 2 Days – Quick 3 Days – Average 6 Days – Intensive

Junior Level Day Rate – $250 2 days – $500 3 days – $875 6 days – $1500

Mid Level Day Rate – $325 2 days – $650 3 days – $1,188 6 days – $1,950

Senior Level Day Rate – $400 2 days – $800 3 days – $1,400 6 days – $2,400

Write to us: Pitches@SnapJudgment.org

Thanks a million! We can’t WAIT to hear from you . . . SnapJudgment.org

Patch.com seeks multimedia reporters and columnists

Hey folks. Multimedia reporting opportunity below from one of our FC members. Check it out!

-Mia

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Patch.com seeks local multimedia contributors, reporters and columnists in the Danville, Pleasanton and San Ramon areas. Patch is looking for reporters and contributors who can come up with story ideas or might be able to take on breaking news stories. We are also looking for a weekly columnists who have something to say about these communities.

The ideal candidate is a writer based in Danville, Pleasanton, or San Ramon, who is an expert on, and will enjoy writing about the communities.

Some of the topics we’re looking include:

-Local politics

-Schools

-Shopping and Trends

-Sports

This is a paid gig, at the rate of $50-$75 per piece, depending on experience (these are for 200-500 words, but we will pay more for longer/more in-depth stories). We are looking for web-savvy writers who will include links to relevant online resources and will jump in and engage with readers who comment on their articles or columns. We’re also willing to consider shorter, blog-style posts several times a week instead of a single 400- to 700-word article/column if the topic lends itself to that approach. We are also open to multimedia pieces, from slideshows to online video, text and photographs.

For consideration, please send relevant writing samples (including links to any online writing or multimedia pieces) and a résumé.

To learn more about Patch, please visit Patch.com and click on any of the links.

For specific questions, please contact:

Marnette Federis – Pleasanton Patch

marnette@patch.com

Elizabeth Shemaria – Danville Patch

lizs@patch.com

Julie Dowling – San Ramon Patch

julie@patch.com

tape sync in La Jolla TOMORROW (Wednesday) 4pm

Hey folks. Sorry for the short notice… are any of you in southern CA (or know someone in southern, CA) who might be available for this tape sync tomorrow (Wednesday) at 4pm? This is for Antenna Audio. Drop me a line and I’ll put you in touch with the producer. Thanks! -Mia

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We are looking for someone to go to a swanky resort in La Jolla, California – north of San Diego – to record a car collector on Wednesday – THIS Wednesday – at 4 p.m. Allison will call in at 4:30 once the person is all set up, and the car guy will read some scripted text. It should take about 30 minutes maximum. I’m sure anyone’s rate will be an hour minimum and probably transportation.

Do you have anyone in that neighborhood? It’s an emergency – I have no one, we’re on deadline, and this fellow is very hard to track down and record.

Thanks for any leads or help.

Best, Kate

Kate Rothrock Creative Director, US Antenna Audio Inc. P.O. Box 176 Sausalito, CA 94966 PHONE: 415-332-4862, ext. 120 FAX: 415-332-5886