Daniel Schorr Journalism Prize: Call for Entries
WBUR, invites public radio journalists age 35 and under to submit entries for the annual Daniel Schorr Journalism Prize. Eligible works will have been broadcast or published between Jan. 1, 2016 and Dec. 31, 2016. The $5,000 Schorr Prize – sponsored by WBUR and Boston University, and funded by Jim and Nancy Bildner – recognizes a rising star in public radio and seeks to inspire a new generation of journalists to stretch the boundaries of the medium.
Submissions may focus on any local, national or international news issue significant to the listening public. The work may be presented in the form of a produced news story, podcast, news feature, documentary, series on a single topic or an investigative report. Complete guidelines are online at wbur.fm/schorrprize.
The award is named after the late Daniel Schorr, who gave American journalism a lifetime of commitment through his insight, intelligence and integrity. Schorr believed strongly in supporting talented journalists as they rose through the ranks of public radio. The selected Daniel Schorr Journalism Prize winner will be honored at the annual WBUR Gala which takes place on May 15 at the Royal Sonesta in Cambridge, Mass.
Past winners include WAMU Reporter Patrick Madden (2015); Reporter Devin Katayama, now a reporter for KQED, San Francisco (2014); WBEZ producer Becky Vevea (2013); KUNC reporter Grace Hood (2012); NPR host David Greene (2011); NPR reporter Ailsa Chang (2010); reporter Chana Joffe-Walt, who covers global economics for NPR’s multimedia project “Planet Money” (2009); former NPR defense correspondent Guy Raz, now the host of the “TED Radio Hour” (2008); and NPR investigative correspondent Laura Sullivan (2007).
All entries must be received at or before 5 p.m. EST on Friday, March 3, 2017.
This is probably my favorite competition out there – the Third Coast ShortDocs Challenge. And this year's theme is so much fun – finding inspiration from mini-movies! Details are below – deadline is May 17. GO FOR IT!
The 2016 ShortDocs Challenge: Radio Cinema is live live live.
This year’s Challenge is all about getting inspired by conventions of film. Let's show the world that RADIO really is the most visual of mediums.
Our artistic partner is Manual Cinema, an amazing film-inspired collective based in Chicago (you mighta seen them at Pop-Up Magazine last year.) Rule #1 of the Radio Cinema Challenge? Get inspired by one of their made-just-for-ShortDocs mini-movies.
A couple of cool things about this year's ShortDocs Challenge:
1. ALL the submissions go up on our website (like always!)
2. A winning piece will be chosen by Manual Cinema & turned into a live-on-stage cinematic performance.
3. Four ShortDocs winners will receive gratis registration to the 2016 Third Coast Conference (Nov 11-13) & other perks galore.
- CoLAB is a 10 month fellowship for multidisciplinary non-fiction focused on artist development and the creation of short projects working in a group.
- SDI is a 5 week workshop for filmmakers with feature docs in early development that pushes projects towards full production on every axis, practical to creative.
The Collaborative Studio is a 10-month program for a select group of 12-14 media artists from the US and abroad who come from different backgrounds and different levels of experience (photography, visual arts, radio, human rights, journalism and more traditional forms of documentary). The program offers a platform for exploring contemporary approaches to the documentary and non-fiction arts, and consists of weekly production meetings, seminars, masterclasses and critiques with visiting artists. The main goal is the development of a collection of original short creative documentaries on a shared theme.
The UnionDocs Summer Documentary Intensive is a 5-week program for a select group of emerging filmmakers from the US and abroad. Based in one of NYC’s most exciting neighborhoods, Williamsburg, Brooklyn, the program explores contemporary approaches to documentary film, offers a stronger understanding of the best practices and business of production, and helps to develop the foundation of your independent project. The program consists of screenings, seminar discussions, professional development sessions, critique, mentorship, many guest artist and industry professionals master classes and weekly visits to relevant sites around New York City. http://www.uniondocs.org/summer-documentary-intensive/
April 18, 2016.
The Ida B. Wells Fellowship will award each winner a $10,000 stipend plus funds to cover out-of-pocket reporting costs. The fellows will also receive extensive editorial feedback, legal counsel, research resources, assistance with story placement and publicity, training at the annual Investigative Reporters and Editors conference, and journalism mentoring.
Journalists of color are strongly encouraged to apply to the fellowship, as are other reporters who believe their presence would contribute substantially to diversifying investigative reporting in other ways.
The Investigative Fund at The Nation Institute incubates and supports important investigative stories with the potential for social impact. By providing reporters with editorial guidance, institutional support, and financial support, The Investigative Fund has produced stories that have sparked federal indictments, lawsuits, Congressional investigations, legislation, and the resignation of public officials. Our investigations have appeared in a wide array of outlets, including NPR and PBS as well as The Nation, Harper’s, The New York Times Magazine, The New York Review of Books, Mother Jones, Newsweek, Cosmo, Slate, and GQ. Our stories have also won some of journalism’s top awards, including the Polk, the National Magazine Award, and the Emmy.
The Nation Institute's Investigative Fund has launched an investigative fellowship for journalists of color. The one-year Ida B. Wells Fellowship will go to four journalists and offer $10,000 each, travel and reporting costs and the chance to work with an Investigative Fund editor.
The fellowship is named after Ida B. Wells, a Jim Crow era investigative journalist. The fellowship seeks to bring more reporters of color into investigative journalism and newsrooms, which continue to be largely white and male. (You can explore what those numbers look like here.)
The Ida B. Wells Fellowship addresses these imbalances by identifying promising reporters of color, and other reporters from diverse backgrounds, who could benefit from editorial support and mentorship and who have the potential to help diversify the field.
Applications are due by April 18.
In 2014, BuzzFeed created a fellowship with the Columbia University Graduate School of Journalism for investigative journalists of color. The first recipient, Melissa Segura, is now part of BuzzFeed's investigative team. Poynter has written about that team and about Fusion, which has built a diverse and young investigative team.
The CUNY Graduate School of Journalism recently announced a new continuing ed program to teach digital skills to working journalists, freelancers, photographers, video journalists, and others. While I'm not involved in this particular program, I do teach at the j-school and can vouch for their excellent staff, resources, and overall community. Info about their workshops in the link and pasted below. Some discounts available.
The CUNY Graduate School of Journalism is proud to launch CUNY J+, a series of affordable and convenient workshops to upgrade your toolkit with the digital skills of tomorrow. CUNY J+ is for working journalists, freelancers, photographers, video journalists, and other communicators who want to advance in their careers, change jobs or simply tell engaging, impactful stories in today’s media overload.
Check out here whether you are eligible for a discount!
CUNY J+ also offers custom training to newsrooms and organizations on site or at the school.Learn about what CUNY J+ can do for your team.
Below is our lineup for 2016. All workshops will be held at the CUNY Graduate School of Journalism, 219 W. 40th Street in New York. Map
Intro to Adobe Premiere Pro CC
This five-week, hands-on module is for anyone interested in learning professional video editing for storytelling. You will learn the principles of non-linear editing, how to use the interface and features of Adobe Premiere and how to plot and edit a sequence. Feb. 24, March 2, 9, 16, 23; 6:30 to 9 p.m. $250 Learn more.
Intro to Food Writing & Photography
Food journalism at its best is more than mouthwatering; it inspires us and brings us closer together. No wonder food is one of the most popular subjects for blogs, articles and books. This one-day workshop teaches food writing and food photography. March 19; 10 a.m. to 5 p.m. $249 Learn more.
Video for Social Media with Bob Sacha
Video is a powerful engagement tool. Marketing research shows that including visuals with your social media posts increases engagement by 180%. This two-hour evening workshop will go over ways to enhance your social media output with better videos. March 30; 6:30 to 8:30 p.m. $25 Learn more.
Visual Storytelling: Seeing the World in a New Way with Maggie Steber
Throughout this weeklong master class, renown documentary photographer Maggie Steber will encourage you to take visual risks, recognize threads that run through your work and bring it all together in ways you had not thought about before. By application. April 4-8. $1,200 Learn more.
Sensor Reporting for the Environment with John Keefe
Environmental reporting is becoming more and more important and sensors will be at the center of it to help journalists and activists gather data where data doesn’t exist -on global warming, water pollution and more. Join John Keefe, a pioneer in sensor journalism, to play with technology and explore journalistic applications. April 13; 6:30 to 9:30 p.m. $25 Learn more.
Video Storytelling for the Web with Bob Sacha
Over two weekends, this workshop concentrates on video storytelling for the web, focusing on non-narrated stories of compelling characters and short, sharply focused pieces targeted for online viewing. Students will leave the class with well-practiced new skills and a 1-minute edited video around an “object of meaning.” April 23-24, and April 30-May 1; 10 a.m. to 4 p.m. $599 Learn more.
iPhone Video with Bob Sacha
This 4-hour, Saturday morning course will help you enhance your work or hobby with better smart phone videos. We will go over some tips, shoot some footage and review it. Videojournalist Bob Sacha has taught this popular class many times, to students and reporters from the worlds largest metro dailies. April 16; 10 a.m. to 2 p.m. $199 Learn more.
Online Security Install Party with Mike Tigas
Bring your laptop and smart phone with you and together, we will install basic encryption for your email, chats and texts. You can never be 100% secure but ProPublica’s Mike Tigas can show you how to take real steps to protect yourself, your colleagues and your sources. May 11; 6:30 to 8:30 p.m. $25 Learn more.
Smart Phone Photography
Images produced with today’s smart phones now have sufficient quality to be published on all media platforms from digital to print. This Saturday morning workshop will help you enhance your work or hobby with better smart phone pictures. May 14; 9 a.m. to 2 p.m. $199 Learn more.
Data Storytelling and Visualization with Sandeep Junarkar
This 5-week course will teach you how to gather and analyze data to find stories and to visualize them as interactive narratives. This fast-growing discipline is at the crossroads of storytelling, statistical analysis and interactive design. June 1, 8, 15, 22, 29; 6:30 to 9 p.m. $499 Learn more.
Sound Walks – Stories Taking Place
An intensive 3-day seminar.
Technological developments have sparked a new generation of creative sonic experiences and uncommon tours through site-specific audio programs that are easily downloadable on mobile devices: a recorded and intimate voice guides an individual in a place and plays with the body, the imagination, the memory and the surroundings.
This seminar has been specially designed to teach and encourage audio producers and creative writers to reimagine the city, foster their creativity and sharpen their writing skills. To produce a successful site-specific audio program many skills are required, from research and journalism to sound storytelling to app designing, in addition to a considerable dose of observation, creativity and writing.
Produced by UnionDocs in partnership with Mathilde Walker-Billaud and Pejk Malinovski, the seminar will go into the various creative practices of site-specific audio walks and interventions. It will offer technical tools and skill sets for navigating through this medium and finding your own path in this emergent art.
Over the course of three days, 10 to 14 participants will learn from a team of seasoned guest speakers and practitioners — radio auteurs & producers, performance artists, writers, entrepreneurs, documentarists. The seminar will explore site-specific storytelling, sound design, audience engagement, instruction-based practice and more. Workshops, discussions, exercises, walks in the city (field trips) and a work-in-progress critique will help put this new knowledge into practice.
Pejk Malinovski, radio producer and poet, will lead the seminar as main instructor.
When: Friday, April 22th. – Sunday, 24th – 10am-5pm
Where: UnionDocs, 322 Union Avenue, Brooklyn, NY 11211
Who is eligible?
Open to everyone. We are looking for radio producers, media & sound artists, app designers and writers interested in places, audio practice and writing.
Give us an idea of who you are and why you are coming. When you register you will be asked for a short statement of interest that should briefly describe your experience in audio practice and a project idea (if you have one), plus a bio. There’s a spot for a link to a work sample and CV, which would also be nice, but is not required.
Please note: Participants are accepted on a first-come, first-serve basis. Focus is on discussions, observation, imagination and writing. The goal is to develop your project conceptually.
$385 early bird registration by March 29th.
Please note that the service charge (about 3% of the amount) is waived if payment is made via check.
Checks can be made out to UnionDocs and mailed to 322 Union Ave, Brooklyn NY 11211.
In order to keep costs down, this workshop is a b-y-o-m, bring your own material (laptop, headphones, recorder). Students must be fully proficient using and operating their computers.
(subject to change)
Day 1: Site-specific storytelling
Am: Pejk Malinovski
Pm: Alexandra Horowitz
The first day of the seminar looks in-depth at the ways we can tell stories about neighborhoods and places. It will include one field trip.
Day 2 : On-location participatory projects
Am: Todd Shalom
The second day of the intensive focuses on writing and producing participatory projects in a specific site. It will include one field trip.
Day 3 : The listener’s experience
Guest Instructor: Kara Oehler
The third day explores the multiple ways to build an audio itinerary and the possible tools to interact with the walker/listener. The afternoon will focus on students’ projects (work-in-progress critiques)
Each day follows this general structure, with some minor variations and substitutions:
10:00a Warm up, inspiring references, listening exercises, ear training.
12:30p Share / Discussion / Exercise
1:00p Lunch (on your own)
4:00p Workshop Exercise