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	<title>Freelance Cafe &#187; Audio/Radio</title>
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	<link>http://freelancecafe.org</link>
	<description>a support, networking, and resource center for freelancers, artists, contractors, and other independents</description>
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		<title>This American Life THEME LIST</title>
		<link>http://freelancecafe.org/2012/01/13/this-american-life-theme-list-3/</link>
		<comments>http://freelancecafe.org/2012/01/13/this-american-life-theme-list-3/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 22:50:53 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3387</guid>
		<description><![CDATA[<p>Always a popular post &#8211; the call for pitches from TAL. Plus a nice explanation of their process at the top. Good luck!-miaPS: I get these calls for pitches because I&#39;m a member of AIR &#8211; a fantastic organization for public media folks of all stripes. Happy to provide more info if you&#39;re interested. (And [...]]]></description>
			<content:encoded><![CDATA[<p>Always a popular post &#8211; the call for pitches from TAL. Plus a nice explanation of their process at the top. Good luck!<br />-mia<br />PS: I get these calls for pitches because I&#39;m a member of <a href="http://airmedia.org">AIR</a> &#8211; a fantastic organization for public media folks of all stripes. Happy to provide more info if you&#39;re interested. (And no, I don&#39;t work for them, I just like them a lot.)</p>
<p>++++++++++++++++++++++</p>
<div class="gmail_quote"> Dear This American Life friends and contributors,</p>
<p> We&#39;ve got a new round of themes-in-progress and we&#39;re coming to you<br /> for story pitches, thoughts and suggestions for our upcoming shows.</p>
<p> How this process works: When you send in a story idea to me, I&#39;ll<br /> respond with a generic email letting you know that I received your<br /> pitch and that I&#39;ve read it.  I promise.  I read every pitch.  (I<br /> won&#39;t send you the auto response until I&#39;ve read your pitch so expect<br /> a bit of a delay getting that email.)  If we think the pitch is right<br /> for us, or if we need more information from you, I&#39;ll send you another<br /> email asking for more info on the story or letting you know we&#39;d like<br /> to commission the story. But if you don&#39;t hear back from us within two<br /> weeks, beyond the initial auto-reply email, it means the story just<br /> isn&#39;t right for us or for the needs of that particular show.  The idea<br /> of doing it this way is just to get through pitches and get back to<br /> everyone quickly.</p>
<p> Like always, these themes are shows we&#39;re actively pursuing right now<br /> but we&#39;re always on the lookout for new stories or ideas.  So if<br /> you&#39;ve got a story that you think would work especially well for us<br /> but doesn&#39;t fit a specific theme listed below, please send it along<br /> anyway.</p>
<p> Thanks so much for your pitches.  We appreciate it.</p>
<p> Best,<br /> Julie<br /> (<a href="mailto:julie@thislife.org" target="_blank">julie@thislife.org</a>)</p>
<p> PLAY THE PART:  We’ve sent this theme out before and the show is<br /> coming up pretty soon (mid February) so we’re somewhat set on big<br /> stories.  But we’re still searching for smaller or more interview or<br /> essay-ish type stories to fill this one out.  The idea of the show is<br /> that throughout our lives, there are moments where we take on roles<br /> and do our best to play them convincingly.  Sometimes it’s a conscious<br /> choice and sometimes we realize we’re representing something that is<br /> unintentional or not totally true.  Now for the show, we’d love a<br /> story that’s about playing a role in a relationship – maybe something<br /> about finding yourself being the kind of<br /> daughter/son/girlfriend/boyfriend/spouse/employee that another person<br /> wants you to be, and getting into trouble because it’s actually very<br /> different from who you are.  Funny would be good for this show, but<br /> not required.</p>
<p> WHAT I DID FOR LOVE: We&#39;re hoping to put together a Valentine&#39;s Day<br /> show this year about the extremes we go to for love.  Falling in love,<br /> chasing it down, trying to make relationships work – all of these<br /> stages of love have the potential to make us do insane, over-the-top<br /> things.  We’re interested in any story where passion and love make<br /> people do things they’d never consider otherwise.  We’re also toying<br /> with the idea of a love show that examines the cliché idea that if you<br /> love something, you should set it free.  Because the cliché doesn’t<br /> even make sense, right?  Doesn’t it seem sort of crazy?  If you have<br /> any stories of people wrestling with this question and deciding either<br /> way, we’re interested in hearing those, too.  And while it is<br /> Valentine’s Day, we’re not necessarily limiting the show to romantic<br /> love.  We’ll consider stories about familial love or being obsessed,<br /> too.</p>
<p> HIDDEN TREASURE:  For this show, we’re looking for both literal<br /> treasure hunt-type stories along with more metaphorical stories about<br /> finding unexpected treasures or things of value.  Right now we’re<br /> working on a story about a treasure hunt several years ago that began<br /> with clues placed in a children’s book and ended with deceit, a sex<br /> scandal and the treasure being lost in a pile of dirt.  We’re not sure<br /> if this story is going to work out, though, so more stories about<br /> actual treasure hunts or buried treasures would be great.  We’ve also<br /> got a story about finding an unexpected treasure that really begs a<br /> question as to whether “finders, keepers” should be true.  We’d love<br /> stories that get at a “one man’s treasure…” idea, something where the<br /> value of the object is in question.  And then even just stories about<br /> finding something that has long been lost or hidden.  A family secret<br /> maybe?  Or stories about trying to keep something hidden – keeping a<br /> person hidden or a powerful secret hidden.  Maybe a story about hiding<br /> money from a company or a spouse or kids?</p>
<p> SHOW ME THE WAY:  This is a show about “guides” of all sorts.  Stories<br /> about  the people, books, companies we hire or turn to in the hopes of<br /> them helping us navigate an unfamiliar place or experience or world.<br /> We have one really incredible story about an elderly man who<br /> essentially guides a young boy through his illness and death.  We have<br /> another story about an unbelievably bad seeing-eye dog.    And a story<br /> about a flight instructor who teaches people to get over their fear of<br /> flying, only to die in a plane crash himself.  We’d like more stories<br /> about people having to show faith, give up control and trust someone<br /> else to successfully get through a particular experience.  Stories<br /> about travel would obviously be good for this show but we’d also love<br /> business or political stories, too.  Maybe a story about a consultant<br /> with especially arcane knowledge?  Or a guide who takes on more than<br /> she or he can handle?  Stories about a mentorship or Big Brother/Big<br /> Sister type program?  Are there guides for things that seem like<br /> they’d be obvious or easy but are, in fact, close to impossible to<br /> achieve?  Suggestions for short fiction would be great for this show,<br /> too.</p>
<p> SEND A MESSAGE: Two years ago conservative legislators in Arizona<br /> decided to make a point in sort of a tongue-in-cheek way.  They formed<br /> a fund called the “I Didn’t Pay Enough in Taxes” fund to point out<br /> that no one in Arizona was willing to pay more in taxes so they should<br /> stop complaining about new tax cuts.  Surprisingly, though, a lot of<br /> people contributed to the fund.  One of the contributors was a fairly<br /> well-off former Republican who says he’d had a bit of a political<br /> conversion and, by paying extra taxes, decided to send a message<br /> himself: that by drastically reducing its tax base, Arizona was<br /> shooting itself in the foot and destroying all the things that make<br /> the state a great one.  Now the former Republican is meeting with the<br /> author of the gimmicky fund, hoping their “messages” can now reach<br /> each other and find some middle ground.  We’d like to find more<br /> stories about people or groups or efforts that go to great lengths to<br /> “send a message.”  The Occupy Wall Street movement has probably been<br /> the biggest message-sender this past year and there are still Occupy<br /> encampments in smaller, more unlikely towns across the country.  Maybe<br /> there’s an interesting story at Occupy Poughkeepsie?  Or Occupy<br /> Lancaster?  We’re looking for stories that aren’t necessarily<br /> political, too.  Maybe a story about taking sort of an arbitrary stand<br /> or drawing a seemingly weird line in the sand?  Stories about making<br /> an example of something?  A story about a message received in an<br /> unintended way would be great for this show, too.</p>
<p> The following isn’t for radio but rather for a special project we’re<br /> working on for Spring:</p>
<p> THINGS YOU CAN’T DO ON THE RADIO:  Hi all – Ira writing this one.  A<br /> little while back I saw this dance troupe do this piece that I found<br /> totally charming and funny and completely in the sensibility of our<br /> radio show and I thought &quot;we have to put this on the air,&quot; but of<br /> course, that makes no sense at all because there&#39;s no way to do dance<br /> on the radio.  Very soon after that, I saw this comedian I love do<br /> this story onstage that we recorded for the radio show, and I was<br /> struck with the fact that seeing her deadpan delivery made it so much<br /> funnier than just hearing it.  All of which led me to this thought: we<br /> have to do another cinema event, one of those things where we go into<br /> a theater and set up cameras and beam the show into movie theaters all<br /> around the country.  That way people can see, and not just hear, these<br /> two pieces.</p>
<p> Our theme will be Things You Can&#39;t Do on the Radio.</p>
<p> So now I&#39;m turning to you.  The dance and the comedy bit total about<br /> 25 minutes.  That leaves a lot of space.  We&#39;ve got a whole show to<br /> fill!  We need your help!  We&#39;re looking for stories that are<br /> particularly visual that we can report on.  We&#39;ll either shoot video<br /> or take stills or have artists render the visuals.  Maybe the story is<br /> about something spectacular in nature, or some amazing scene or<br /> happening that we can film and witness.  Maybe the story is about the<br /> sort of subject that always presents a problem for radio: someone who<br /> can&#39;t speak, or a small child, or animals, or a group of people<br /> interacting and what&#39;s interesting is watching them interact.  Maybe<br /> you’ve seen an interesting short film or animated film that you think<br /> we should take a look at?  A magician or some other kind of visual<br /> performer doing something that&#39;s not, um, unbearably corny.  I&#39;d love<br /> a magician but it would have to be someone doing something pretty<br /> unusual, and maybe very story-based, telling some story or making some<br /> bigger point as he or she does his tricks, to make sense in the<br /> context of one of our shows.  And we especially need at least one<br /> story with some emotional heft to it.  Both the things we have already<br /> are fantastic, but they&#39;re on the fun/funny side of things.  We need<br /> to balance that out.  Stories that would work particularly well would<br /> be stories that actually are about the idea of seeing/not seeing or<br /> hearing/not hearing.</p>
<p> I know all this is kind of a broad request, but we&#39;re thinking big<br /> here, trying something we haven&#39;t tried before.  The show will be in<br /> May, which is closer than it seems, so write soon!  Put in the subject<br /> line of your email: Things You Can&#39;t Do On the Radio.  And thanks, as<br /> always, for your help.</p>
<p> *****<span class="HOEnZb"><font color="#888888"></font></span></div>
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		<title>Happy New Year to us &#8211; NPR announces 7.5% rate increase for 2012</title>
		<link>http://freelancecafe.org/2012/01/06/happy-new-year-to-us-npr-announces-7-5-rate-increase-for-2012/</link>
		<comments>http://freelancecafe.org/2012/01/06/happy-new-year-to-us-npr-announces-7-5-rate-increase-for-2012/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 15:37:29 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3373</guid>
		<description><![CDATA[<p>Thanks in part to the wonderful folks at AIR, NPR has increased their freelancer rates for the first time in ten years. Woot! New rates are posted here. Details below. What an awesome way to ring in 2012!</p> <p>-mia</p> +++++++++++++++++++++</p> <p> Date: January 1, 2012</p> <p> From: Margaret Low Smith, Interim SVP of NPR News</p> [...]]]></description>
			<content:encoded><![CDATA[<p>Thanks in part to the wonderful folks at <a href="http://www.airmedia.org">AIR</a>, NPR has increased their freelancer rates for the first time in ten years. Woot! New rates are posted <a href="http://www.airmedia.org/PageInfo.php?PageID=19">here</a>. Details below. What an awesome way to ring in 2012!</p>
<p>-mia</p>
<div class="gmail_quote">+++++++++++++++++++++</p>
<p> Date:   January 1, 2012</p>
<p> From:  Margaret Low Smith, Interim SVP of NPR News</p>
<p> Dear Colleagues,</p>
<p> Happy New Year! I’m delighted to give you some good news to start 2012. Effective immediately, NPR is instituting an increase of at least 7.5% in most fees paid to station-based and independent radio contributors.  We’ve also simplified the existing compensation structure as you’ll see in the attached document. Rates for Digital and Multimedia work will not be affected by this increase since those rates were set more recently. </p>
<p> We’ve heard a lot of feedback on this issue from our Member Station contributors and have had many conversations with Sue Schardt on behalf of the Association for Independents in Radio.  NPR’s decision to increase rates, which comes at a time of tight budgets, is intended to reflect our commitment to the vital network of station-based and independent reporters whose contributions enhance our programming every day. </p>
<p> With that same spirit, we’re developing a dedicated resource space on NPR.org. Freelancers will be able to find contacts, sample pitches, policies and guidelines all in one place.  We hope this will provide clarity and transparency and ultimately make everyone’s life a whole lot easier. We’ll let you know when it’s ready for prime time.</p>
<p> If you have any questions, please feel free to reach out to our bureau chiefs and editors.  We hope you had a wonderful holiday and look forward to working with you in 2012.</p>
<p> Best,<br /> Margaret</p></div>
<p></p>
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		<title>Call for Pitches &#8211; Deutsche Welle&#8217;s new WorldLink</title>
		<link>http://freelancecafe.org/2012/01/03/call-for-pitches-deutsche-welles-new-worldlink/</link>
		<comments>http://freelancecafe.org/2012/01/03/call-for-pitches-deutsche-welles-new-worldlink/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 14:52:24 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3367</guid>
		<description><![CDATA[<p>A new radio show on Germany&#39;s Deutsche Welle is looking for pitches. Details below.-mia</p> <p>++++++++++++++++++ World LinkWorld Link is a weekly, one-hour magazine that looks at real-life stories behind the headlines. The show is broadcast on Deutsche Welle, Germany’s international broadcaster that produces television, radio and online content in 30 languages. It provides a European [...]]]></description>
			<content:encoded><![CDATA[<p>A new radio show on Germany&#39;s Deutsche Welle is looking for pitches. Details below.<br />-mia</p>
<p>++++++++++++++++++
<div class="gmail_quote">
<div dir="ltr"><b>World Link</b><br />World Link is a weekly, one-hour magazine that looks at real-life stories behind the headlines. The show is broadcast on Deutsche Welle, Germany’s international broadcaster that produces television, radio and online content in 30 languages. It provides a European perspective to its global audience and promotes intercultural dialogue. Pieces normally profile someone with an interesting story to tell. Recent examples include a Rwandan genocide survivor now helping widows and orphans, a Virginia Tech shooting survivor campaigns for gun control or a Korean family separated for more than 50 years after the North-South divide. The pieces should include as much nat sound as possible and take a reportage style. The topic can be anything from social issues to environment to culture to technology to human rights. And the show is global in its outlook so we would welcome pitches from anywhere.<br /><b>segments: </b>Magazine pieces, ca 5-8 mins.<br /><b>compensation:</b> Pay is the usual DW rates (Euros 240 plus for 5 min radio, higher for longer stories, plus additional fee for online piece, pics or pic gallery) <br /><b>pitch:</b> By email: <a href="mailto:rob.turner@dw-world.de" target="_blank">rob.turner@dw-world.de</a> or <a href="mailto:planning@dw-world.de" target="_blank">planning@dw-world.de</a><br /><b>contact:</b> Rob Turner, Editor/Producer (<a href="mailto:rob.turner@dw-world.de" target="_blank">rob.turner@dw-world.de</a>)</p>
<p><b>phone: </b><a href="tel:%2B%2B49%280%29228%20429%204598" value="+492284294598" target="_blank">++49(0)228 429 4598</a><br /><b>fax:</b> <a href="tel:%2B%2B49%280%29228%20429%204583" value="+492284294583" target="_blank">++49(0)228 429 4583</a></p>
<p><b>mailing address:</b> Rob Turner, Deutsche Welle English Service, Kurt Schumacher Strasse 3, 53110 Bonn, Germany<br /> <b>website:</b> <a href="http://dw-world.de/worldlink" target="_blank">http://dw-world.de/worldlink</a></div>
</div>
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		<title>Radio Ambulante CALL FOR PITCHES</title>
		<link>http://freelancecafe.org/2011/08/21/radio-ambulante-call-for-pitches/</link>
		<comments>http://freelancecafe.org/2011/08/21/radio-ambulante-call-for-pitches/#comments</comments>
		<pubDate>Sun, 21 Aug 2011 19:07:43 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Freelance Cafe East]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3258</guid>
		<description><![CDATA[<p>For you Spanish speakers &#8211; a call for pitches from Radio Ambulante &#8211; a new Spanish language podcast. See below for links to pitch pages.-mia</p> <p>++++++++++++++++++++</p> <p>Radio Ambulante is a monthly Spanish-language radio program launching in early 2012, telling uniquely Latin American stories. At a time when much of the rhetoric seeks to harden the [...]]]></description>
			<content:encoded><![CDATA[<p>For you Spanish speakers &#8211; a call for pitches from <a href="http://radioambulante.org/index.html">Radio Ambulante</a> &#8211; a new Spanish language podcast. See below for links to pitch pages.<br />-mia</p>
<p>++++++++++++++++++++</p>
<p><strong>Radio Ambulante</strong> is a  monthly Spanish-language radio program launching in early 2012, telling  uniquely Latin American stories. At a time when much of the rhetoric seeks to  harden the concepts of borders, we believe precisely the opposite is needed. We take the view that the Spanish-speaking Americas—including the United States—together  form a diverse cultural region, united by a common language.<strong></strong></p>
<p>We’re  currently accepting pitches for our first three episodes. To find out the sorts  of stories we’re looking for, <strong class="hgjghjhg"><a href="http://radioambulante.org/pitches_eng.html">please click here &gt;</a></strong></p>
<p>For more information, write us at:<br /> <a href="mailto:contacto@radioambulante.org">contacto</a><a href="mailto:contacto@radioambulante.org">@</a><a href="mailto:contacto@radioambulante.org">radioambulante</a><a href="mailto:contacto@radioambulante.org">.</a><a href="mailto:contacto@radioambulante.org">org</a></p>
<div class="gmail_quote"> Call for pitches in English: <a href="http://radioambulante.org/pitches_eng.html" target="_blank">http://radioambulante.org/pitches_eng.html</a><br /> Convocatoria en Español: <a href="http://radioambulante.org/pitches_esp.html" target="_blank">http://radioambulante.org/pitches_esp.html</a></p>
<p> Thanks,</p>
<p> d</p>
</div>
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		<title>Stipends from the Prometheus Radio Project to promote community radio</title>
		<link>http://freelancecafe.org/2011/08/18/stipends-from-the-prometheus-radio-project-to-promote-community-radio/</link>
		<comments>http://freelancecafe.org/2011/08/18/stipends-from-the-prometheus-radio-project-to-promote-community-radio/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 00:39:10 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Freelance Cafe East]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3256</guid>
		<description><![CDATA[<p>Interesting opportunity from the folks at the Prometheus Radio Project. Details below.-mia</p> <p>++++++++++++++++++++++ <p style="margin-bottom:0in">Hit the Road! Go on tour to expand community radio!</p> <p>The passage of the Local Community Radio Act has opened up the possibility of thousands of new community radio stations. Now, we have about a year to mobilize social justice organizations [...]]]></description>
			<content:encoded><![CDATA[<p>Interesting opportunity from the folks at the <a href="http://www.prometheusradio.org/">Prometheus Radio Project</a>. Details below.<br />-mia</p>
<p>++++++++++++++++++++++
<div class="gmail_quote">
<div>
<blockquote type="cite">
<div>
<p style="margin-bottom:0in"><font color="#000000"></font><font color="#000000"></font><font size="4"><b>Hit the Road!</b></font><font color="#000000"><i> Go on tour to expand community radio!</i></font></p>
<div></div>
<p><font color="#000000">The passage of the Local Community Radio Act has opened up the possibility of thousands of new community radio stations. Now, we have about a year to mobilize social justice organizations and community groups around the country to take advantage of this amazing one-time opportunity and get their own radio stations. </font></p>
<div style="margin-bottom:0in"><font color="#000000">We need to make sure that this historic moment in radio expansion is not wasted and that real community groups and organizations working for justice know about this opportunity and have the information they need to successfully get their own station.  </font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000"><span style="font-weight:normal">Prometheus is offering </span></font><font color="#000000"><b>$500 stipends for people to go on tour</b></font><font color="#000000"><span style="font-weight:normal"> to spread the word about community radio and what groups need to do to prepare.</span></font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in;font-weight:normal"><font color="#000000">If you would like go on tour to support the largest expansion of community radio in our country&#39;s history this is what you need to know:</font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000"><b>Goal of the tour</b></font></div>
<div style="margin-bottom:0in"><font color="#000000">The goal is to get organizations in your region thinking about how radio can be a powerful tool in their work and to explain the process by which they can get their own community radio station. We also want to connect groups to resources and other organizations who can support them to successfully apply for a license. </font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000"><b>Support</b></font></div>
<div style="margin-bottom:0in"><font color="#000000"><i><span style="font-weight:normal">In addition to the $500 stipend you can expect that we will:</span></i></font></div>
<ul>
<li>
<div style="margin-bottom:0in"><font color="#000000">Check in 	with you by phone or email </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Help you 	identify resources you might need </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Help to 	connect you with allies in your touring area </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Promote your 	event on our websites, Facebook pages, and email list </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Provide 	training for using the Popular Education Tools </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Follow-up 	with participants who want more information </font></div>
</li>
</ul>
<div style="margin-bottom:0in"><font color="#000000"><i><span style="font-weight:normal">In exchange for our support, we need a few things from you:</span></i></font></div>
<ul>
<li>
<div style="margin-bottom:0in"><font color="#000000">Logistical 	information about your events so we can help promote it </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Good 	communication with our staff and volunteers who want to help you </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Pictures, 	videos or audio from your event </font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">A follow-up 	call to let us know how the event went and to help you wrap up</font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">Timely 	return of contact data – either online or by mail</font></div>
</li>
</ul>
<div style="margin-bottom:0in"><font color="#000000"><b>Proposing a tour</b></font></div>
<div style="margin-bottom:0in"><font color="#000000">To be considered for the stipend you must review the </font><font color="#000000"><i>Radio Summer Toolkit</i></font><font color="#000000"> and propose a tour  including:</font></div>
<ol>
<li>
<div style="margin-bottom:0in"><font color="#000000">the dates 	when you plan on touring,</font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">the towns or 	cities you plan to visit,</font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">the groups 	you plan to meet with or have connections with,</font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">how you will 	do outreach to meet other groups, and</font></div>
</li>
<li>
<div style="margin-bottom:0in"><font color="#000000">what kinds 	of events you will hold</font></div>
</li>
</ol>
<div style="margin-bottom:0in"><font color="#000000">You will also need to provide two references who can speak to your organizing skills. </font><font color="#000000"><span style="font-weight:normal">And that&#39;s it! </span></font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000">Tour stipends will be awarded on a rolling basis until the end of August or until the six stipends are awarded. We&#39;ll call you if your proposal has been accepted to work out more details! </font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000">Stipends will be awarded based on the following priorities. We are eager to find organizers who have experience outreaching to communities who have been historically marginalized from participation in the media. Priority will be given to proposed geographic areas that we don&#39;t have strong ties to and with populations that we don&#39;t have connections with. We&#39;ll also value the setting of realistic goals in your proposed tour. </font></div>
<div style="margin-bottom:0in"> </div>
<div style="margin-bottom:0in"><font color="#000000"><b>To propose your tour, email </b></font><font color="#000080"><u><a href="mailto:radiosummer@prometheusradio.org" target="_blank"><b>radiosummer@prometheusradio.org</b></a></u></font></div>
</div>
</blockquote>
</div>
<p></div>
<p></p>
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		<title>Radiolab call for pitches part 2</title>
		<link>http://freelancecafe.org/2011/03/09/radiolab-call-for-pitches-part-2/</link>
		<comments>http://freelancecafe.org/2011/03/09/radiolab-call-for-pitches-part-2/#comments</comments>
		<pubDate>Wed, 09 Mar 2011 19:55:19 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3085</guid>
		<description><![CDATA[<p>That last post from Radiolab got cut off before it was finished. Here&#8217;s the rest. -mia</p> <p>++++++++++++++++++++++++</p> <p>Radiolab topics, continued (email Brenna Farrell, bfarrell@wnyc.org, with stories or ideas)</p> <p>TALKING TO MACHINES</p> <p>Each year, The Loebner Prize for artificial intelligence is awarded to the “most human-like computer.” And the competition consists of computers talking to humans [...]]]></description>
			<content:encoded><![CDATA[<p>That last post from Radiolab got cut off before it was finished. Here&#8217;s the rest.<br />
-mia</p>
<p>++++++++++++++++++++++++</p>
<p>Radiolab topics, continued  (email Brenna Farrell, <a href="mailto:bfarrell@wnyc.org" target="_blank">bfarrell@wnyc.org</a>, with stories or ideas)</p>
<p>TALKING TO MACHINES</p>
<p>Each  year, The Loebner Prize for artificial intelligence is awarded to the  “most human-like computer.”  And the competition consists of computers  talking to humans and trying to fool the humans into thinking the  computers are human too.  Very blade-runner.  This got us think about  the sad life of Alan Turing and about people who fall in love with their  machines.  Or people who get fooled or out-smarted by their machines.    We’re set on the big thinkers, what we’re looking for are small,  surprising, personal stories of people engaging with their boxes.</p>
<p>SILENT WARS/TINY EMPIRES<br />
There’s an invisible world war raging below our feet— for the last  hundred years, a giant super-colony of ants have been systematically  murdering competition and taking over huge swaths of the world.  And yet  we don’t see them.  Unless you happen to live Escandido and keep  finding ants in your fridge.  We find this whiplash of scales really  cool, how you can go global to invisible in split second.  We also find  the downright evilness of these ants interesting.  So we’re also  investigating “rank bulls” ( the practice breeding the best bucking  bulls in rodeo).<br />
Ideas we’d like to explore:<br />
Warrior classes—ants, bulls&#8230;are their other examples of born warriors?<br />
The idea of tiny empires—especially characters who are the master of  small domains&#8230;maybe bullies, maybe self-styled benevolent  dictators&#8230;who hold absolute sway over little worlds.</p>
<p>LOOPS/CYCLES</p>
<p>Hey you people,<br />
This is an attempt to wriggle out the ideas in loops.  Please give it a  quick once-over in the next couple minutes and let me know if you have  anything to add/remove, and then we can shoot it out to the world.</p>
<p>LOOPS / CHASING YOUR OWN TAIL</p>
<p>We&#8217;re  working on a story about how when a whale dies, it&#8217;s carcass falls to  the ocean floor and creates an ecosystem that can last for 100 years.</p>
<p>This  got us thinking about things recurring, cycles of creation and  destruction, Phoenixes rising from the ashes, feedback loops,  periodicity&#8230;this could be on a personal level, or in music, or nature.  After repeating however many times does something start to subtly  change? What does it feel like to be caught in a loop? This show is very  wide open.</p>
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		<title>Radiolab call for pitches</title>
		<link>http://freelancecafe.org/2011/03/09/radiolab-call-for-pitches/</link>
		<comments>http://freelancecafe.org/2011/03/09/radiolab-call-for-pitches/#comments</comments>
		<pubDate>Wed, 09 Mar 2011 13:00:25 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3083</guid>
		<description><![CDATA[<p>A call for pitches from my favorite radio program. Check it out! -mia</p> <p>++++++++++++++++++++++</p> Radiolab is about to launch into production for a new season, and we’re in search of stories. We’d love your help.&#160;</p> <p>If you’re inclined, give a glance at the topics below (some of which are still in the half-baked, even doughy, [...]]]></description>
			<content:encoded><![CDATA[<p>A call for pitches from my favorite radio program. Check it out!<br />
-mia</p>
<p>++++++++++++++++++++++</p>
<div class="gmail_quote">Radiolab is about to launch into production for a new season, and we’re in search of stories. We’d love your help.&nbsp;</p>
<p>If you’re inclined, give a glance at the topics below (some of which are still in the half-baked, even doughy, stage). And if you have any pitches or ideas, please contact Brenna Farrell offlist at <a href="mailto:bfarrell@wnyc.org" target="_blank">bfarrell@wnyc.org</a>.</p>
<p>We&#8217;ll try super hard to respond to every pitch promptly.  But we&#8217;re a tiny staff, so..just in case, let&#8217;s say that if we don&#8217;t get back to you within a week, that means we&#8217;re not gonna move forward with the pitch.</p>
<p>Thanks everyone in advance!</p>
<p>Jad Abumrad<br />
Host/Creator<br />
WNYC/NPR&#8217;s Radiolab<br />
<a href="http://radiolab.org" target="_blank">http://radiolab.org</a></p>
<p>Upcoming topics:</p>
<p>PERSONALITY<br />
Our starting point here is a conversation with Oliver Sacks about three  different people who suffered from the same disease&#8230;but who had  radically different symptoms.  Oliver thinks the difference is due to  their personalities, that somehow the disease and the personality are  engaged in a kind of conversation.  This got us thinking.  When you get  down to it, what exactly is personality? Where  does it come from? Is it  fixed?  And how low can you go? We’ve heard stories of researchers who  believe even fruit flies have personalities.   We’re looking to take  this far past science if we can&#8230;</p>
<p>Possibilities<br />
- Stories of actors inhabiting personalities very different from their  own (I’ve always been fascinated by things like method acting).</p>
<p>Anyone know a specific story like this?</p>
<p>Somebody who gets bumped on the head and their personality changes dramatically?<br />
???</p>
<p>GAMES<br />
We’re thinking about play and games.   We’re reporting a story about a  high school basketball game whose outcome was so dramatic and stunning  that it should have changed the lives of the players involved  forever&#8230;but it didn’t.  Not one bit. Games are these funny  contradictions.  In the moment, they matter more than anything, life or  death.  The moment they’re  over,  you realize it was “just a game.”   Why are we so invested? On a similar theme, what happens when a game is  no longer a game? We’d be interested in  stories where one person  thought they were just playing a game&#8230;until things got serious.  Like  when you’re playing with your cat and suddenly cat goes into fight mode.  Do you know of any stories of people inventing games?  Maybe a game  that completely flopped? What are the elements of a good game? What  makes a game a dud?</p>
</div>
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		<title>TAL looking for ideas</title>
		<link>http://freelancecafe.org/2011/02/19/tal-looking-for-ideas-2/</link>
		<comments>http://freelancecafe.org/2011/02/19/tal-looking-for-ideas-2/#comments</comments>
		<pubDate>Sat, 19 Feb 2011 12:12:02 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Freelance Cafe East]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=3038</guid>
		<description><![CDATA[<p>The latest from Julie Snyder at This American Life.-mia</p> <p>+++++++++++++++++++++++++++++++++ Dear This American Life contributors, </p> <p>I&#39;ll be sending out a complete Theme List in the next few weeks but in the meantime we need help with a story we&#39;ve already got in production. If you have a suggestion for a possible interviewee for this [...]]]></description>
			<content:encoded><![CDATA[<p>The latest from Julie Snyder at This American Life.<br />-mia</p>
<p>+++++++++++++++++++++++++++++++++
<div class="gmail_quote">Dear This American Life contributors, </p>
<p>I&#39;ll be sending out a complete Theme List in the next few weeks but in the meantime we need help with a story we&#39;ve already got in production.  If you have a suggestion for a possible interviewee for this story, could you let us know? </p>
<p>We&#39;re looking for someone who has basically the same political views as their parent (liberal or conservative) but as their parent ages &#8211; and has the time to watch more and more cable TV news &#8211; the parent&#39;s views have become more extreme.  And, to the kid, more annoying. </p>
<p>This story is sort of a radio &quot;cover&quot; version of a piece that recently ran on the Frum Forum web site.  The author writes: </p>
<p>&quot;Over the past couple of years, I’ve been keeping track of a trend among friends around my age (late thirties to mid-forties). Eight of us (so far) share something in common besides our conservatism: a deep frustration over how our parents have become impossible to take on the subject of politics. Without fail, it turns out that our folks have all been sitting at home watching Fox News Channel all day – especially Glenn Beck’s program&#8230;.Even though we’re all conservatives, I found myself having to steer our phone conversations away from politics and current events. It wasn’t that I disagreed with their opinions – though I often did – but rather that I found the vehemence with which they expressed those opinions to be so off-putting.&quot; </p>
<p>With the author&#39;s help, we&#39;re looking for adult children who may have similar experiences &#8212; either with Fox News watchers or devotees of MSNBC and the like &#8212; who have found themselves exasperated listening to their parents&#39; parrot O&#39;Reilly/Maddow talking points or conspiracy theories.  What would be even better would be if the parents would want to be interviewed as well. And then they can bitch about their apathetic, closet-conservative/liberal children. </p>
<p>I promise this will be fun and won&#39;t be trash-talking.  I promise! </p>
<p>Anyway, if you are experiencing this phenomenon or know or anyone else who may be game to talk, will you let us know?  You can send emails to the producer of this piece, Jane Feltes, at <a href="mailto:jane@thislife.org" target="_blank">jane@thislife.org</a>. </p>
<p>Thank you so much! </p>
<p>Best, <br /> Julie Snyder <br /> This American Life <br /> <a href="mailto:julie@thislife.org" target="_blank">julie@thislife.org</a> </p>
<p>Julie Snyder <br /> Senior Producer <br /> This American Life <br /> 153 W. 27th Street, #1104 <br /> New York, NY 10001 <br /> (212) 624-5012  </div>
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		<title>Making Contact seeks pitches on freshwater,  healthcare, recession, and more</title>
		<link>http://freelancecafe.org/2010/08/12/freshwater-healthcare-recession-and-more/</link>
		<comments>http://freelancecafe.org/2010/08/12/freshwater-healthcare-recession-and-more/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 12:33:43 +0000</pubDate>
		<dc:creator>Mia Lobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Gigs]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=2776</guid>
		<description><![CDATA[<p>Hey all. The fab public radio program Making Contact is looking for pitches. They are one of the few shows out there that takes long, sound-rich docs. I&#39;m not sure about their rates so contact them if you have questions. Details below. -Mia</p> <p>+++++++++++++++++++</p> Hi there Making Contact reporters, freelancers, and friends,</p> <p>Our latest call [...]]]></description>
			<content:encoded><![CDATA[<p>Hey all. The fab public radio program Making Contact is looking for pitches. They are one of the few shows out there that takes long, sound-rich docs. I&#39;m not sure about their rates so contact them if you have questions. Details below.<br /> -Mia</p>
<p>+++++++++++++++++++</p>
<div class="gmail_quote">
<div class="gmail_quote">
<div>Hi there Making Contact reporters, freelancers, and friends,</p>
</div>
<p>Our latest call for pitches is below. In the short-term, we’re looking for a quick turnaround story on fresh water in the Eastern United States. We also have a pressing need for reports about health care reform and the impact of the oil industry on local communities. For our ongoing “How We Survive” series, we want recession-related features.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Please send story ideas to <a href="mailto:pitches@radioproject.org" target="_blank">pitches@radioproject.org</a>. <span> </span>Generally, we look for 7-13 minute sound-rich pieces reported from under-covered areas. </p>
<p class="MsoNormal"> As always, feel free to send us ideas you don’t see on this list. We’ve recently increased our freelance budget, and would really like to hear some voices from around the US, and overseas.  Keep in mind, we occasionally commission full length 29 minute documentaries.</p>
<p> For those new to “Making Contact,” check out our site (<a href="http://www.radioproject.org/" target="_blank">www.radioproject.org</a>).<br /> We try to feature voices that aren’t normally heard. Our shows highlight structural problems as well as grassroots solutions.</p>
<p class="MsoNormal"> Thanks, and please forward widely!</p>
<div> Pauline Bartolone &amp; Andrew Stelzer<br /> Producers<br /> Making Contact<br /> <a href="http://www.radioproject.org/" target="_blank">www.radioproject.org</a></p>
<p> <b>Freshwater issues in the Eastern US</b></div>
<p>In light of the UN’s recent vote that clean drinking water is a human right, how are communities in the US working to claim their entire water systems? We already have a story about a movement in Michigan to put freshwater into a public trust. Another segment could be about crumbling water infrastructure in your city or town—how are privately owned vs. publicly owned water systems dealing with it? This piece will need to be finished by August 25th—a two week turnaround, so get your pitches in! 
<div>
<p> <b>Cleaning up After Big Oil</b></div>
<p> Months after the explosion on the BP-owned oil rig in the Gulf of Mexico, the long-term impact on the coastal way of life is still unknown. For this show we’re looking for stories about how an oil company&#39;s presence in a community has changed their way of life. We’re also looking for stories about how to make oil companies accountable.
<div> <b>We Got Health Care Reform. Now what?</b><br /> Health care reforms are just starting to be implemented, but massive change won’t be seen until 2014. But will these reforms really provide<br /> the change system really needs? And what are people doing now to get the health care they need? We’re particularly interested in stories<br /> about the undocumented.</p>
<p> <b>Seniors in the Recession</b><br /> In this show, we&#39;ll explore how senior citizens are affected by the recession, and what they&#39;re doing to maintain quality of life despite<br /> rising costs and fixed incomes. We&#39;re particularly interested in the differences in experiences along race, class and gender lines.</p>
<p> <b>Young People and the Recession</b><br /> Studies show that more than a third of young people in the U.S. have cut back on cigarettes and alcohol because of strapped personal<br /> budgets. Others are &quot;boomeranging&quot; back to their parents place because of a bad job market. We want stories about how young people are<br /> getting creative and becoming active and organized. We invite collaborations with Youth Media initiatives.</p>
<p> <b>We’re also looking for pitches that fit under the following themes:</b></p>
<p> Rural Areas and the Recession</p>
<p> Access to Mental Health Care and the Recession</p>
<p> Women and the Recession</p>
<p> Send your story ideas to <a href="mailto:pitches@radioproject.org" target="_blank">pitches@radioproject.org</a></div>
</p></div>
<p> </div>
<p></p>
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		<title>Call for submissions NAISA</title>
		<link>http://freelancecafe.org/2010/06/10/call-for-submissions-naisa/</link>
		<comments>http://freelancecafe.org/2010/06/10/call-for-submissions-naisa/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 16:50:49 +0000</pubDate>
		<dc:creator>MiaLobel</dc:creator>
				<category><![CDATA[Audio/Radio]]></category>
		<category><![CDATA[Freelance Cafe East]]></category>

		<guid isPermaLink="false">http://freelancecafe.org/?p=2703</guid>
		<description><![CDATA[<p>New Adventures in Sound Art (NAISA) is a very cool arts org based on Toronto. They have an annual festival (a few actually) and are looking for radio/music/sound/multimedia submissions for 2011. Definitely worth checking out. Good luck! -Mia</p> <p>++++++++++++++++++++++</p> <p>Current Calls for Submissions</p> <p> 2010 Calls For Submissions on the theme ABOUT TIME Categories:  Radio Art, [...]]]></description>
			<content:encoded><![CDATA[<p>New Adventures in Sound Art (NAISA) is a very cool arts org based on Toronto. They have an annual festival (a few actually) and are looking for radio/music/sound/multimedia submissions for 2011. Definitely worth checking out. Good luck! -Mia</p>
<p>++++++++++++++++++++++</p>
<p>Current Calls for Submissions</p>
<p> 2010 Calls For Submissions on the theme <i>ABOUT TIME</i><br /> Categories:  Radio Art, Electroacoustic Music/Sound Art, Videomusic and Installation Art<br /> September 30, 2010 Deadline </p>
<p> 2011 marks the 10th anniversary of NAISA’s Deep Wireless and SOUNDplay festivals and so it is an opportunity for NAISA to both reflect on the past and look ahead to the future.  With this in mind, New Adventures in Sound Art invites artists of all ages and nationalities to submit works on the theme <i>ABOUT TIME</i> for consideration in New Adventures in Sound Art’s 2011 programming for its annual Deep Wireless, Sound Travels, and SOUNDplay festivals presented in Toronto, Canada. Artists may submit works in one or all of the following four categories (Note: please send separate submissions for each entry).  </p>
<p> Preference in programming will be given to works that respond in some way to the theme <i>ABOUT TIME</i>. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component. </p>
<p> Artists may submit works in one or all of the following four categories (Note: please fill out one on-line submission for each entry): </p>
<p style="font-weight: bold;"> 1) Radio Art<br /> 2) Electroacoustic Music &amp; Sound Art<br /> 3) Videomusic<br /> 4) Installation Art </p>
<p> 1) Radio Art (for Deep Wireless) </p>
<p> The Radio Art category is for works conceived for radio or that use radio and other wireless technology in their creation and that play with the medium. Special consideration will be given to 1 minute radio art pieces for broadcast as well as 1 page proposals for collaboration on translocal and network performances. </p>
<p> Pieces will be selected for broadcast within Canada and on several international radio stations in May 2011 as part of the Deep Wireless Festival of Radio and Transmission Art. </p>
<p> Both Canadian and International radio art submissions will be considered for inclusion in the following: </p>
<p> -The Deep Wireless 8 radio art compilation CD<br /> -The Radio Art Interventions (1 minute pieces played guerilla-style on radio stations during the Deep Wireless festival)<br /> -The Radio Art Salon &#8211; a listening gallery of radio art works exhibited for the month of May. </p>
<p> 2) Electroacoustic Music &amp; Sound Art (for Sound Travels &amp; SOUNDplay) </p>
<p> The Electroacoustic Music &amp; Sound Art category is for multi-channel and stereo works conceived for concert performance or presentation in the Sound Travels Festival of Sound Art and SOUNDplay festivals. Preferred formats for performance presentation include 5.1, octaphonic, 12 and 16-channel formats in both acousmatic (tape), live, and mixed formats. Please indicate in the notes the intended format of presentation and any required instrumentation or specialized equipment. </p>
<p> 3) Videomusic (for SOUNDplay) </p>
<p> The Videomusic category is for works that explores non-narrative abstraction with equal emphasis on sound and image. Submitted works will be considered for video screenings with either stereo or multi-channel playback for screenings in either a performance venue or a small-size gallery alongside other works selected from this call for submissions. </p>
<p> 4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay) </p>
<p> Installation proposals of previously realized works for site-specific and gallery installations will be considered for presentation as part of Deep Wireless, Sound Travels or SOUNDplay. Site-specific works can be for indoor or outdoor locations. Works can use multichannel or single channel playback and may incorporate any number of media, but must feature original sound as a primary element. </p>
<p> Preference will be given to small to medium scale interactive works that appeal to all ages. Please note that almost all of NAISA&#39;s exhibition locations are multi-use venues and often require works to be moved and re-positioned on non-exhibition days.  Also attach a list of the necessary equipment required to mount the installation and which of these items can be supplied by the artist. Submissions should include audio, video or audio-video documentation of previously realized versions of the work. </p>
<p> Submission Guidelines </p>
<p> Please complete in full the online submission form by midnight on September 30, 2010 and submit by post your submission materials (postmarked September 30, 2010) to:<br /> <span>New Adventures in Sound Art<br /> 601 Christie Street #252,Toronto, ON, M6G 4C7, Canada.</span> </p>
<p> <a href="https://www.naisa.ca/eshops/sub_call.php" target="_blank">Click here to begin online submission.</a> </p>
<p> Once you have completed the on-line submission, you will be provided with a submission number. Please include this number, along with your full name, when mailing in your CD or DVD.  For multichannel works, please include a stereo reduction for reference purposes only. For video works, please include a DVD copy for reference only. Screening and multi-channel masters will be requested later if the work is to be programmed. For installation works or performance proposals, please attach a list of required equipment with indication of equipment that can be supplied by the artist. </p>
<p> Materials will not be returned. Please don&#39;t send original copies. </p>
<p>
<div class="gmail_quote"> NAISA Inquiries &amp; general information:<br /> Nadene Thériault-Copeland<br /> Managing Director<br /><font color="#888888"> New Adventures in Sound Art<br /> Address: Artscape Wychwood Barns, 601 Christie St #252, Toronto, ON  <br /> M6G 4C7<br /> Tel 416 652 5115<br /> <a href="http://www.naisa.ca" target="_blank">www.naisa.ca</a></p>
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