All posts by MiaLobel

TAL theme list

For those of you not on the AIR list, here are the upcoming themes for This American Life. -mia

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Dear This American Life friends and contributors,

We’ve got a new round of themes-in-progress and we’re coming to you for story pitches, thoughts and suggestions for our upcoming shows.

How this process works: When you send in a story idea to me, I’ll respond with a generic email letting you know that I received your pitch and that I’ve read it. I promise. I read every pitch. (I won’t send you the auto response until I’ve read your pitch so expect a day or two delay sometimes to get that email.) If we think the pitch is right for us, or if we need more information from you, I’ll send you another email asking for more info on the story or letting you know we’d like to commission the story. But if you don’t hear back from us within two weeks, beyond the initial auto-reply email, it means the story just isn’t right for us or for the needs of that particular show. The idea of doing it this way is just to get through pitches and get back to everyone a little more quickly.

Like always, these themes are shows we’re actively pursuing right now but we’re always on the lookout for new stories or ideas. So if you’ve got a story that you think would work especially well for us but doesn’t fit a specific theme listed below, please send it along anyway.

Thanks so much for your pitches. All of us here are very appreciative.

Best, Julie (julie@thislife.org)

CONTENTS UNKNOWN: Stories about guessing, fantasizing and projecting. For this show, we’re sort of running the gamut from the literal to the metaphorical. A literal “contents unknown” story is one we’re planning about people who bid blind on abandoned storage units up for auction. Most of the bidders have a pretty good idea what they’re doing (if you see any hint of a Christmas ornament in the unit, RUN AWAY) but aside from small clues, it’s a lot of guesswork and luck. A more metaphorical take on the theme is a story about a guy who completely loses his memory and essentially allows all of the people around him (family, friends, doctors, bureaucrats) to write his identity for him. We’re now looking for more stories about entering into something where all you really know are the faint outlines of the thing. Maybe entering into a relationship – either romantic or professional – where you really don’t know what you’re getting into? Or someone trying to trust something they’re not sure is true? Stories that head down the more literal route would be great, too. Maybe trying to track down the ingredients to something? Or facing a huge archive without knowing what’s inside? This show is coming up soon and, honestly, we’re feeling a little desperate so if you’ve got something that might be wedged into a “contents unknown” kind of theme, please send it our way.

PARENT TRAP: When a woman is diagnosed with terminal cancer, she writes a series of letters to her 16 year old daughter, to be delivered after her death on the daughter’s successive birthdays. From the time she is 17 until she turns 29, the daughter gets a letter in the mail – sent by her father, via FedEx – each year. The letters are beautiful, filled with encouragement and affirmations of love. They are also filled with plenty of upbeat words about the Mormon Church and moral advice. Moral advice that, over the years, starts to feel increasingly chafing to the daughter who is moving further away, socially, politically and spiritually, from the Church and her mother’s views. The daughter begins to feel like she is receiving letters written for a girl she no longer is but who her dead mother wishes her to be. For this show, we’re looking for stories about how – with the best of intentions – parents and children can sort of manipulate each other into positions they’re not sure they want to be in. We’d love funny stories for this show – maybe an actual “parent trap” type story of setting parents up or the parents setting the kids up. Maybe a story about a parent organization or event? A parent trying to do the right thing and doing exactly the wrong thing? Stories about feeling trapped in a family situation would work well, too.

HEROES: A woman in Las Vegas has spent the last few years in a battle with her daughter’s elementary school about a number of different issues – a prominent one being campus security. So when she and another mom find a first grader wandering alone alongside a road near the school one day, they are outraged. They pick up the boy and call the school district saying they’re returning the boy but have also called the local media to document the egregious lack of security at the school. The moms show up with the boy for the drop-off and are promptly arrested and charged with kidnapping. It’s the climax to the story where both the moms and the school have been gunning for each other for years, the battle increasingly fueled with the idea of doing “what’s best for the children.” We have another story about a guy trying to single-handedly save the integrity of Wikipedia entries from his friend who is purposely planting false information on the site. Other stories that’d be great for this show could include stories about unsung heroes – people who maybe don’t believe their actions were heroic despite evidence to the contrary? Or people who shun the spotlight? Or can’t escape their hero status? Maybe a story about someone who thinks he is a hero but everyone else thinks he’s a pain in the ass?

THE ISLAND: We’d like for all the stories in this show to be held together by a place, instead of an idea. So all the stories have to take place on an island. That’s it. Just an island. But a real island, not a “no man is an island”/”every man is an island” kind of thing. We’re working on one story with the Planet Money team about the economic histories of Jamaica and Barbados and how a fairly small, benign monetary move had very large consequences for those countries. Another story is about an attempt to repatriate lab chimps to an uninhabited island in Senegal. So stories that take place in the United States might be good for this show – Long Island? Rock Island? Hawaii? We were working on a story about Guantanamo that looks like it’ll probably fall through so any stories about Gitmo would work great for this show, too. Ideally, the island would be somewhat of a character in the story or at least the geography would play a part in the how’s and why’s of the story. Maybe a story about being stranded on an island? Opening a business on an island? Fantasizing about an island?

PERMANENT RECORD: A few months ago we were working on a really great, small story. A guy sent us a letter telling us about this time his father went to inter the guy’s mother’s ashes at a Veteran’s Cemetery in Illinois. Because both the father and the mother were vets, it was the father’s understanding that the interment would be free. But when he shows up at the cemetery, he’s told there is a $14.95 processing fee for the ashes. The father gets totally pissed, sees this as penny-pinching and a total betrayal of the U.S. government and, in his anger, dumps the ashes in the parking lot, goes home and tells his shocked kids what he did. Over the years – until his own death – the father is embarrassed by the story whenever the kids bring it up and accuses them of always “focusing on the bad things.” So it’s kind of a funny story of spazzing out, right? And the son tells the story beautifully. But when we call the Veteran’s Cemetery to fact-check the story, it turns out it’s not true. They DON’T charge a processing fee and, in fact, they double-check and say the mother’s ashes actually ARE interred at the cemetery – right next to the father’s ashes. We call back the son and ask what’s up. He’s shocked. He SWEARS this is the story his father told and his brother and sisters back him up on it. None of them can figure out why their dad would tell them this crazy story if it weren’t true. And all they can figure out is that their dad, in his later years, began to have a horrible memory. And maybe he was just messing with them the first time he told them and then, after that, forgot the story, forgot that it wasn’t true, relied on the kids’ version and then it just became fact. SoooooŠwe’re looking for more stories where something that maybe isn’t true becomes the permanent record. We’re working on a story about a an exonerated prisoner who keeps getting falsely accused of other crimes but that story may fall through so we’re open to more stories about trying to free yourself from an official “record.” Stories that might work well: maybe stories about trying to get free from a notorious reputation or past deed? Or trying to set the record straight? Or trying to change an identity?

THEMES WE’VE SENT OUT BEFORE BUT ARE STILL WORKING ON:

TRUE URBAN LEGENDS: The thing that’s remarkable about this story is that you’ve already heard this story: a really normal guy who attends a very conservative evangelical college also leads a secret life on weekends, flying to places like Las Vegas and the San Fernando Valley, to star in hardcore gay porn films where he is known as “power bottom” Vincent De Salvo. The thing that I love about this story is that it’s true. Because I swear I’ve heard this exact story from my college roommate’s friend-from-high school’s sister. So what we want to try and do now is a whole show where the really remarkable part of the story is that, while the story conforms to the narrative structure and has all the editorial qualities of an urban legend, it’s actually true. We’re also thinking about doing something about the “monster fish” that showed up in a puddle behind a Dunkin’ Donuts in Baltimore a few years back (a popular story among the D.C./Baltimore set but, remarkably, little known to the rest of the country). We’ve got our eye on a story about organ trafficking, too. We’d love any other story you can think of that either traces the origins of an urban legend in a surprising way or lays out in a classic ‘urban-legend’ kind of way. A story about someone who created an urban legend, or maybe believes they are at the heart of an urban legend, would be great, too. And finally: we’re thinking we may just do a small part of the show where people admit the urban legends they believed for far too long. If you’ve got one of these stories about your own naïve beliefs, will you let us know?

MILLION DOLLAR IDEA: A few months ago our staff got to talking about our get-rich-quick schemes. It turns out Ira’s Million Dollar Idea is to domesticate foxes – he claims it’s easier and faster than you’d think. And then you’d have a really, really smart dog. A really smart, really crafty, really sneaky dog. Which sounds like a bad idea to me but I’d like to hear more of the argument before I truly pass judgment. Anyway, it got us to thinking that we’d love to do a whole show about various Million Dollar Ideas. The stories could be about unorthodox approaches to making money. Or, maybe, unorthodox approaches to solving a problem and going at it in a really big way. If someone is in the middle of enacting their Million Dollar Idea, that’d be great. Or stories about past successes that seemed incredibly unlikely at the time of inception. So-crazy-it-just-might-work stories would work well in this show, too.

CPA workshop 1/12, 6:30pm PLUS January FC gathering 1/28

Hey folks. First, a reminder that the CPA workshop is coming up this Tuesday, 1/12. Details below. I went to this last year and I promise you don’t want to miss it.

Second, the first FC gathering of 2010 is coming up on Thursday, 1/28 at 7:30pm, Pacific Coast Brewing Company in Oakland. This meeting will mark the 3rd anniversary of the beginning of Freelance Cafe. In January 2007, some fellow freelancing jschool grads and I met at Pacific Coast for a beer. Three years later, FC has 250 members from Santa Cruz to Santa Rosa and the group continues to grow. I’m so proud of what we’ve all accomplished together and I look forward to more FC happening both in person and online over the next year. I’m working on making freelancecafe.org a true resource for freelancers, and Rori and Molly have some great events planned for 2010. I’m also starting a Freelance Cafe East branch here in the Hudson Valley, NY, so if you know any freelancers in these parts, please have them drop me a line!

Finally, as always, please contact me if you have any questions or suggestions for how I can better serve the freelance community, and send over any relevant info that I can post to the group!

All the best, Mia 415-902-0224

CPA WORKSHOP Please Join us for a workshop with Jason Stallcup, CPA. Jason specializes in tax help for small businesses and freelancers. In fact, he’s known as the “freelance CPA”. Jason was a big hit last year, and has generously agreed to answer all our tax questions once again this year!

Date: Tuesday, Jan. 12th Time: 6:30 PM Location: Sandbox Suites, 124 10th Street, San Francisco, CA

If you have any questions please contact Rori at 415-730-7380.

Temporary position at Making Contact /National Radio Project

Hey folks. See below if you or someone you know may qualify for this position. Best, Mia _________________________

Temporary position at Making Contact /National Radio Project IF YOU are SF resident low-income parent radio producer AND QUALIFY via stimulus money at “SF Jobs Now” Check out this site, and if you qualify to join the SF JOBS Now jobs pool and if you get processed into their system, we can consider hiring. (SFJOBS pays the salary employer pays payroll taxes etc) http://www.sfhsa.org/1410.htm

“Consistent with the goals of the federal stimulus package, the primary objectives of the JOBS NOW! program are to provide an immediate source of income for low-income families and to stimulate local economic recovery. JOBS NOW! builds upon several successful transitional jobs programs already in place at SF-HSA, which were designed to help unemployed individuals address barriers to employment, develop soft skills, gain work experience and progress toward self-sufficiency. JOBS NOW! participants will exit the program with stable employment history, leaving them better positioned to obtain an unsubsidized job when the stimulus period ends. The JOBS NOW! program benefits local employers by providing referrals of qualified workers and by subsidizing 100% of their wages until September 30, 2010. It’s a win-win!”

New Voices Grants and New Media Women Entrepreneurs Grants

I know some of our members have gotten funding from j-lab in the past. Details below. -mia ____________________________

From our friends at J-lab:

Call for Proposals: 2010 New Voices Grants It’s time again to submit your proposal for a project to improve your community news landscape. J-Lab will award 8 grants of up to $25,000 each to launch new community news efforts. Are you ready to make the media you wish to see in the world? Deadline: March 1, 2010

Read the FAQs and Guidelines: http://www.j-newvoices.org/site/story/2010rfp/

APPLY NOW: http://www.j-newvoices.org/site/story/online_application/

2010 New Media Women Entrepreneurs Grants: Seeking Fresh Ideas for Journalism J-Lab will give four women-led projects $12,000 each in start-up funding in 2010. New forms of journalism are being created where online local news sites have launched to report on their communities. The journalism is characterized by a deliberate shift in the definition of objectivity and broader definitions of “news” that seek to connect readers to a sense of the place where they live.

Read the Guidelines: http://www.newmediawomen.org/site/proposal_guidelines/ APPLY NOW: http://www.newmediawomen.org/application/

The Missouri Review’s Audio & Video Contest

Fun and creative contest. Check it out! -Mia _______________________________________

The Missouri Review’s Audio & Video Contest 2009 Postmark Deadline: January 16, 2010

Audio/Voice-Only Literature If you have a short story, a piece of creative nonfiction, narrative essay or poetry that you think worthy of recording, enter this category. All literary genres are considered. Pieces in this category can be solely author-read or contain other tracks of sound, voice and/or recorded interviews. Entries are judged on literary merit, technical proficiency and, most importantly, how the author uses audio media to futher the literary strength of his or her piece. Note: Poets may enter one or more poems as a single entry as long as the total recorded time does not exceed the 10-minute limit. We encourage writers and producers to make innovative use of recording technology as a means of furthering their literary craft.

Time: 10 minutes or less. First Prize: $1,500 Second prize: $500

http://www.missourireview.com/contest/audio_competition.php

Award Deadline and June Workshop

Environmental reporting prize and workshop – deadlines approaching. Go for it! -mia

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Metcalf Institute for Marine and Environmental Reporting University of Rhode Island Graduate School of Oceanography

January 4, 2010

Metcalf and Grantham 2010 Deadlines ANNOUNCED www.metcalfinstitute.org www.granthamprize.org

Entries for the 2010 GRANTHAM PRIZE for Excellence in Reporting on the Environment are now being accepted. Journalism entries on the environment must have been originally published, broadcast, or posted in the United States or Canada between January 1 and December 31, 2009. Book entries must be postmarked by January 11, 2010. All other entries must be postmarked by February 1, 2010. Details can be found at www.granthamprize.org or by contacting info@granthamprize.org.

Metcalf’s TWELFTH ANNUAL SCIENCE IMMERSION WORKSHOP FOR JOURNALISTS, Coastal Impacts: Energy Sources and the Marine Environment, June 6-June 11, 2010, will team journalists with scientists and regulatory experts to work in the field and lab. The workshop will consider research and policy on the value of different energy sources in mitigating climate change and how these options affect surrounding environments. Fellowships are available to working journalists in all media and include tuition, room, board, one year of membership in the Society of Environmental Journalists and limited travel support. There is limited space for non-U.S. citizens. Details and applications are available at www.metcalfinstitute.org.

Metcalf Institute and Brown University Superfund Research Program will offer a two-day SCIENCE SEMINAR FOR JOURNALISTS, March 31-April 1, 2010, on the science and impacts of toxic chemicals. This program will feature leading environmental scientists and journalists, visits to research labs and discussion of case studies on the communication of bisphenol-A and air quality impacts. The seminar is tuition-free and includes lodging, but travel costs are not included and space is limited. Details and applications available online at www.metcalfinstitute.org.

Pending funding, Metcalf will offer one to two slots for the 2010-2011 ENVIRONMENTAL REPORTING FELLOWSHIPS, a program that provides unique opportunities for early-career minority journalists who want to better understand and report on the complexities of environmental news. Updates to be announced in early 2010.

ABOUT METCALF INSTITUTE Metcalf Institute for Marine and Environmental Reporting is a non-profit organization whose mission is to promote clear and accurate reporting of scientific news and environmental issues; to strengthen understanding and working relationships between members of the scientific community and members of the news media; and to provide opportunities for beginning journalists to learn, on both a formal and an informal level, how to improve their skills in marine and environmental reporting.

To make a tax-deducible gift or for additional information about us, contact Metcalf Institute’s Executive Director, Sunshine Menezes, at (401) 874-6211.

Metcalf Institute for Marine & Environmental Reporting URI Graduate School of Oceanography 218 South Ferry Road Narragansett, Rhode Island 02882

tel: (401) 874-6211 fax: (401) 874-6486 info@metcalfinstitute.org www.metcalfinstitute.org

To be added to the enewsletter list, or to change your email address or preferences, send an email to news@metcalfinstitute.org with the subject “Subscribe” or your detailed request.

TCF seeks interns in early 2010

Hey guys. Happy 2010! I usually don’t post unpaid items, but the TCF is amazing and this could be a great opportunity for those looking to get work experience with some fabulous folks. Spread the word. -mia

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From: Julie Shapiro

The Third Coast Festival plans to take on 2010 full force, and is looking for some interns to help with the assault. We’ll be hiring a Festival Intern, Website Intern, and Re:sound Intern, starting in March. These are unpaid internships, but will be extremely valuable for anyone looking to get a handle on the radio landscape in the US and beyond. There’s more information, including details about each internship, here: http://www.thirdcoastfestival.org/about_staff.asp#internships

The winter/spring internship deadline is coming up soon – February 1. Please forward to and encourage anyone who you think might be interested.

Thanks! And happy days as the year winds down.

-Julie

Freelancers Guild Post-holiday party

Hey folks. Happy New Year! Start the freelancing year off right with a party sponsored by some good friends of FC. Details below. -mia

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Hi freelancers:

Please join us at California Media Worker’s end of the year party:

*7-11 p.m. Saturday Jan. 9 at the Tempest, 431 Natoma Street in San Francisco. * (That’s just downstairs from the Guild office, and an easy walk from the Powell BART station).

Free eats, cash bar, and beginning at 9 p.m., music by Kevin Fagan, theHEAVYthin and other special guests.

Please help spread the word — download the flyer on www.MediaWorkers.org

and / or RSVP through our Facebook page, http://www.facebook.com/home.php?#/event.php?eid=211711294794&index=1

The event is open to all California Media Workers Guild members — and guests are welcome!

🙂 Sara