FC email subscriptions are moving to MailChimp

Hey folks. This move is long overdue and since I’m a one-woman show over here, I expect there to be a few bumps before I get it all sorted out. If you have any trouble with your subscription or things look weird, please let me know! You can reach me at mia [at] freelancecafe [dot] org. I’m also going to send out some test emails, so you might get a couple dupes today. As always, I welcome any and all feedback.
Cheers,
Mia

Radiolab Call for Stories

Happy Friday freelancers. Here's a call for pitches from Radiolab. Woot!

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Hey folks,

Jad here. Just want to let you guys know that Radiolab will be commissioning a lot of stories in the next year. So if you’ve got a great one, we’d like to hear it. No matter the topic.

We’re looking for stories. Not topics, not ideas, not scientific findings. We want a character who goes through a series of events that create emotional ups and down and transform them in some way. A couple things we think about when it comes to story hunting (and probably none of this will surprise you):

• It needs to be surprising. Really surprising. The story or the way you tell it or the thought at the end needs to feel like something we haven’t heard before.

• It should hopefully play out an idea, lend insight into some problem, or just raise a question.

• It should strike a balance between big thoughts and real human consequence. Or it should just be over-top joyful.

• It should ideally have an element of the universal that reflects on all of us in some way.

• You should have access to the voices that can tell it well. Show us that you can get inside the experience of the story.

You can throw anything at us, but in case it helps, here are some things we've been thinking about lately

Empathy…can it be engineered?
Punishment…can it be avoided?
Football…can it be less-violent or will that make it suck?
Courtrooms…just courtrooms.

And here are some open-ended phrases or words that we’re hoping might gather a crowd

born pregnant
fluke
memory hole
portals

We just like those words.

If any of this sparks a story idea please write us a few paragraphs and send it to radiolabpitches@gmail.com. Please put PITCH in the subject line. If we’re interested we’ll discuss it internally at a Friday pitch meeting and let you know within a month if we’d like to take next steps. If we’re not interested, we’ll let you know that too.

Thanks.

Transom Story Workshop Spring 2015, deadline Jan 3

Meeting so many amazing producers at Third Coast who got their start at Transom. There is no better place to learn the art of audio production. Deadline Jan 3.

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Transom Story Workshop Spring 2015: Applications Open *

Applications for the Spring 2015 Transom Story Workshop are now available. The Workshop will take place from March 30th – May 21st here in Woods Hole, MA. Lead radio instructor Rob Rosenthal will run the 8-week program for nine beginning producers. Special guests will include NPR's Deborah Amos and This American Life's Ira Glass. Applications due January 3rd by midnight EST. For more information including links to our Workshop FAQ and the application itself, go here:
http://transom.org/workshops/about/story-workshop/

Managing Editor Position at The Stanford Storytelling Project

This appears to be full time, not freelance, but I love the Stanford Storytelling Project and thought this could be a great opportunity for one of you. Details and contact info below. -mia

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The Stanford Storytelling Project at Stanford University is looking for an energetic, experienced radio producer in the San Francisco Bay Area to act as Managing Editor of its award-winning radio show *State of the Human* and student documentary projects. The primary duties of this academic-year, half-time position are:

• conceptualizing and developing themed, hour-long shows with other staff (some student, some part-time professional)
• identifying, soliciting, and developing stories
• managing assignments and production cycle of shows in development
• editing pitches, scripts, and audio drafts of stories
• overseeing production meetings and show team meetings
• training staff and contributors in interviewing, scripting, and audio editing
• mentoring grant recipients and other students making documentaries

Experience teaching or mentoring students is highly desired. For information about the Storytelling Project and *State of the Human*, please visit storytelling.stanford.edu. Pay will aim to be competitive in the field and commensurate with experience. If you are interested, please send a resume and short statement of interest and qualifications to Jonah Willihnganz at jonahw@stanford.edu.

Jonah Willihnganz
Director, The Stanford Storytelling Project
Bruce Braden Lecturer of Narrative Studies
Stanford University